Czardas for Bb Tenor Saxophone & Piano

By: Vittorio Monti
For: Solo Tenor Recorder + piano
page one of Czardas for Bb Tenor Saxophone & Piano

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Czardas for Bb Tenor Saxophone & Piano

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Composer
Vittorio Monti
Year of composition
1904
Arranger
Year of arrangement
2008
Difficulty
Moderate (Grades 4-6)
Duration
4 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

A sensational arrangement of Czardas for Bb Tenor Saxophone and Piano, with just a hint of the intoxicating Rumba rhythm; making my arrangement very unique!

"Csárdás" (or "Czardas") is a composition by Italian composer Vittorio Monti. A rhapsodical concert piece written in 1904, it is a well-known folkloric piece based on a Hungarian csárdás. It was originally composed for violin, mandolin or piano.There are arrangements for orchestra and for a number of solo instruments. The duration of the piece is about four and a half minutes.

The piece has seven different sections, usually of a different tempo and occasionally key. The first half of the piece is in D minor, then modulates to D major, back to D minor, and then finally finishes in D major. The first section is Andante – Largo, followed by a large increase in speed to Allegro vivo. This then slows down to Molto meno. The piece then slows down more to Meno, quasi lento. The piece then suddenly picks up in pace and is at Allegro vivace. It then slows down to Allegretto and finally to Molto più vivo. The tempo changes make the piece exciting and interesting, but even with all of these tempo changes, it is generally expected that there should be some rubato to add feeling to the piece. There are also many different dynamic changes in the piece, ranging from pianissimo to fortissimo.

In the Meno, quasi lento section, the violin plays "artificial," "stopped," or (less accurately) "false" harmonics. This involves the violinist placing their finger down on the note and playing another note, with the finger only just touching the string 5 semitones above. This gives the effect of the violin sounding two octaves (24 semitones) higher.

Great piece for a concert or recital, or just to add a new piece to your repertoire.

My thanks to Nigel Wood for checking over the solo part prior to publication.

To hear Nigel perform my Fanfare & Soliloquoy go here: https://saxtetpublications.com/catalogue/viewitem.php?id=334&PHPSESSID=6g8g6m99qb1uije2pg7cs6c7m4

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