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"Gnossienne" is a word made up by Eric Satie, in 1890 - 1893, to indicate a 'new type' of composition. All of the Gnossienne are quite exotic in sound, hence my using the Harmon buzz mute, and were originally written in "absolute time", i.e. without barlines andor time signatures. The mute may be left in for all of the piece, or open throughout ?
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