Fugue on B-a-c-h for String Orchestra

By: Johann Georg Albrechtsberger arr. Keith Terrett
For: String orchestra
page one of Fugue on B-a-c-h for String Orchestra

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Composer
Johann Georg Albrechtsberger arr. Keith Terrett
Arranger
Difficulty
Moderate (Grades 4-6)
Duration
3 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangement for String Orchestra, of Fugue uber B-A-C-H.

This arrangement makes a challenging work for your ensemble, who should enjoy the contrapuntal textures that this transcription offers.

He originally studied music at Melk Abbey and philosophy at a Benedictine seminary in Vienna and became one of the most learned and skillful contrapuntists of his age. Albrechtsberger’s earliest classmates included Michael Haydn and Franz Joseph Aumann. After being employed as organist at Raab in 1755 and Maria Taferl in 1757, he was appointed Thurnermeister back at Melk Abbey. In 1772 he was appointed organist to the court of Vienna, and in 1792 Kapellmeister of St. Stephen’s Cathedral.

His fame as a theorist attracted to him in the Austrian capital a large number of pupils, some of whom afterwards became eminent musicians. Among these were Johann Nepomuk Hummel, Ignaz Moscheles, Josef Weigl (1766–1846), Ludwig-Wilhelm Tepper de Ferguson (1768 – after 1824), Antonio Casimir Cartellieri, Ludwig van Beethoven, and Franz Xaver Wolfgang Mozart. Beethoven had arrived in Vienna in 1792 to study with Joseph Haydn but quickly became infuriated when his work was not being given attention or corrected. Haydn recommended his friend Albrechtsberger, with whom Beethoven then studied harmony and counterpoint. On completion of his studies, the young student noted, "Patience, diligence, persistence, and sincerity will lead to success," which reflects upon Albrechtsberger’s own compositional philosophies.

When Beethoven was finished studying with Albrechtsberger he decided to get a few more tips and pointers, so to speak, from Haydn. From there Beethoven possibly studied with Salieri, but this is unknown as a fact. It is also quite possible that Beethoven went off on his own to make a living, and only then returned after he had a stable career.

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.

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Vedrò con mio diletto Aria: from the opera "Il Giustino" for Double Bass & Keyboard, Mitt hjerte alltid vanker for Cello Quartet, Fürchtenmachen for String Orchestra, Fanfare, Procession & Lament for Concert Band, Four Jazz Favourites from the USA for String Orchestra (Jazz for 5 Strings Series), Air on the G String for Solo Cello & String Orchestra from the Suite No. 3 in D , Für Elise Boogie Woogie for Double Bass & Piano (Keith Terrett Jazz for Strings Series), Prelude from the Te Deum for 2 Celli & Organ, Come Back To Sorrento (Torna a Surriento) for Cello & Piano, Jasmine Flower (The) for Solo Violin & Symphony Orchestra, Cwm Rhondda for String Orchestra, Arrival of the Queen of Sheba for String Orchestra, Mattinata for Violin & Piano, Mattinata for Double (Contra) Bass & Piano, What Shall We Do With The Drunken Double Bassist?, Overture from Suite in D (Water Music) for two Cello's & Keyboard, Twenty Minute Tango for Viola & Piano, March from ’Judas Maccabaeus’ for Flexible Band (School Junior Band Series), Air on the G String for String Quartet, Franzosisches Lied: Est-ce Mars? for String Orchestra, M’Appari Tutt’ Amor for Violin & Piano, Stanley Trumpet Voluntary for Two Violins & Piano, Chorale Partita with Seven Variations for String Orchestra, Declamation for Bb Clarinet & Piano, 8 Swinging Xmas Carols for Cello & Keyboard, Two Arias for String Orchestra, Stanley Trumpet Voluntary for Solo Violin & Organ, O Mio Babbino Caro for Cello & Piano, Sāre Jahāṉ se Acchā - سارے جہاں سے اچھا (Indian Patriotic song) for String Orchestra & Percussion, Hula Bird Song for Symphony Orchestra, Jasmine Flower (The) for solo Violin & Piano (Keith Terrett Classic String Series), Swing Low, Sweet Chariot for solo Viola & Keyboards, Allegro from the Trumpet Concerto for Viola & Keyboard, What Shall We Do With The Drunken Viola Player?, Amazing Grace for Violin & Piano, What Shall We Do With The Drunken String Orchestra?, Thai National Anthem for String Orchestra (MFAO World National Anthem Series), Jasmine Flower (The) for Violin & Piano in D, Air on the G String from the Suite No. 3 in D for Solo Cello & Keyboard, Czardas for Cello & Piano, Fugue for 6 Double Basses, Czardas for Double Bass & Piano, Solveigs sang for Double Bass & Keyboard, Jesus Christ is Risen Today for String Orchestra, Badinerie from Suite No.2 for Double Bass & Piano in D minor (lower version in D min), Solveig’s song for Violin & Keyboard, Spanish National Anthem (Marcha Real) for String Orchestra, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Viola & Keyboard, Forgotten Moments for Symphony Orchestra (Hollywood Film Cue Series), Una Furtiva Lagrima for Violin & Piano, Una Furtiva Lagrima for Double Bass & Piano, Swiss National Anthem (Swiss Psalm) for String Orchestra (MFAO World National Anthem Series), United States of America National Anthem (The Star Spangled Banner) for String Orchestra, Hebrew Slaves Chorus from Nabucco (''Va, pensiero" ) for String Orchestra, Czardas for Viola & Pianoforte and Tico-Tico no fubá for Violin, Cello & Piano

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