Franzosisches Lied: Est-ce Mars? for Clarinet Choir

By: Samuel Scheidt arr. Keith Terrett
For: Clarinet choir
page one of Franzosisches Lied: Est-ce Mars? for Clarinet Choir

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Composer
Samuel Scheidt arr. Keith Terrett
Arranger
Difficulty
Moderate (Grades 4-6)
Duration
6 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Franzosisches Lied by Samuel Scheidt arranged for Clarinet Choir, in a great arrangement which will challenge your players technically and musically.

For more of my music for this medium, visit Reynards Publishers website in the UK.

Scheidt was born in Halle, and after early studies there, he went to Amsterdam to study with Sweelinck, the distinguished Dutch composer, whose work had a clear influence on Scheidt’s style. On his return to Halle, Scheidt became court organist, and later Kapellmeister, to the Margrave of Brandenburg. Unlike many German musicians, for example Heinrich Schütz, he remained in Germany during the Thirty Years’ War, managing to survive by teaching and by taking a succession of smaller jobs until the restoration of stability allowed him to resume his post as Kapellmeister. When Samuel Scheidt lost his job because of Wallenstein, he was appointed in 1628 as musical director over three churches in Halle, including the Market Church.

Scheidt was the first internationally significant German composer for the organ, and represents the flowering of the new north German style, which occurred largely as a result of the Protestant Reformation. In south Germany and some other countries of Europe, the spiritual and artistic influence of Rome remained strong, so most music continued to be derivative of Italian models. Cut off from Rome, musicians in the newly Protestant areas readily developed styles that were much different from those of their neighbors.

Scheidt’s music is in two principal categories: instrumental music, including a large amount of keyboard music, mostly for organ; and sacred vocal music, some of which is a cappella and some of which uses a basso continuo or other instrumental accompaniment. In his numerous chorale preludes, Scheidt often used a "patterned variation" technique, in which each phrase of the chorale uses a different rhythmic motive, and each variation is more elaborate than the previous one, until the climax of the composition is reached. In addition to his chorale preludes, he wrote numerous fugues, suites of dances (which were often in a cyclic form, sharing a common ground bass) and fantasias.

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Quando Me’n Vo for Bb Bass Clarinet & Piano, Cwm Rhondda for Clarinet Choir, Swing Low, Sweet Chariot for Bass Clarinet & Piano, Chorale Partita with Seven Variations for Wind Quintet (Alle Menshen), The Saint’s Visit Havana with a Touch of W.A.M. for Bb Clarinet & Piano, Declamation for Bassoon & Piano, Jerusalem for Clarinet Choir (And Did Those Feet In Ancient Times), Declamation for Bb Clarinet & Piano, Overture from Suite in D from the Water Music for two Clarinets & Keyboard, Stanley Trumpet Voluntary for Two Bb Clarinets & Piano, Mattinata for Bb Clarinet & Piano, Quando Me’n Vo (Musetta’s Waltz) for Bb Clarinet & Piano, Franzosisches Lied: Est-ce Mars? for Wind Quintet, What Shall We Do With The Drunken Bb Bass Clarinettist?, Scenes from Childhood for Clarinet Quintet, Chorale Partita with Seven Variations for Clarinet Ensemble, Nessun Dorma for Bb Bass Clarinet & Piano, Amazing Grace for Bb Clarinet & Pianoforte, Fanfare & Soliloquy for Bass Clarinet & Piano, 8 Swinging Xmas Carols for Bb Clarinet & Keyboard, Havana Rhubarb Rumba for two Bb Clarinets & Piano, Tin Roof Blues (Rusty Nail Blues) for Clarinet Quintet ''Jazz for 5 Wind Series'', Bollywood Tango for Bb Clarinet, Bb Bass Clarinet & Keyboard, Scenes from Childhood (Kinderszenen) Opus 15, for Wind Quintet, SUO-GAN for Bb Clarinet & Piano, Jasmine Flower (The) for Bb Bass Clarinet & Piano, 7 julsangs for Clarinet Quartet (Norwegian Christmas carols) 2 Bb, 1 Alto + 1 Bass, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Bb Clarinet & Keyboard, Hebrew Slaves Chorus from Nabucco for Clarinet Quintet, O Mio Babbino Caro for Bb Clarinet & Piano, Gollidoll’s Cake-Walk for Clarinet Sextet, Jazz it up:When the Saints Go Marching In for Bb Clarinet & Piano, Frankie & Johnny for Clarinet Quintet, All Things Bright and Beautiful for Clarinet Choir & SATB, Badinerie from Suite No.2 for Bb Clarinet & Piano, Air from the Suite No. 3 in D for Clarinet Quartet, 7 Popular carols in Norway for two Bb Trumpets, Air on the G string for Clarinet Duo, Sāre Jahāṉ se Acchā - سارے جہاں سے اچھا (Indian Patriotic song) for Bb & Bass Clarinet & Piano (Pro version), A Bass Clarinettist Goes Ballroom Dancing, Battle Hymn of the Republic ’’Mine Eyes Have Seen the Glory’’ for Clarinet Quintet, Rondo Alla Turca for Bb Bass Clarinet & Piano and African Anthem for Clarinet Quintet

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