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In music, the BACH motif is the sequence of notes B flat, A, C, B natural. Bach's use of this cruciform melody in reference to himself extended to its inversion, retrograde, retrograde-inversion, and all transpositions thereof.
J. S. Bach himself used it as a fugue subject in the final part of Die Kunst der Fuge (BWV 1080), a work he did not complete before he died in 1750.
Works which prominently feature the BACH motif include, in chronological order:
1937-38 - Anton Webern: String Quartet (the tone row is based on the BACH motif)
1976 - Alfred Schnittke: Piano Quintet
1985 - Alfred Schnittke: Concerto Grosso No. 3
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