SCHUBERT - STARR; Fantasy in C Major, D. 934; for flute solo and string orchestra (an orchestral arrangement by Mark Starr of Schubert’s work for violin and piano) Part 2 of 3

By: Franz Schubert
For: Orchestra + solo Flute
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SCHUBERT - STARR; Fantasy in C Major, D. 934; for flute solo and string orchestra (an orchestral arrangement by Mark Starr of Schubert’s work for violin and piano) Part 2 of 3

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Composer
Franz Schubert
Arranger
Difficulty
Difficult (Grades 7+)
Duration
7 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

The huge central section of Schubert’s Fantasy in C Major, D. 934, contains a theme and variations based on Schubert’s memorable song ’Sei mir gegrüsst!’ (I Greet You!, D. 741). This section is very similar in structure and development to Schubert’s Variations on ’Die Trockne Blumen" for flute and piano. Both are highly expressive works - although the emotional tone is quite different. Die Trockne Blumen is a melancholy song in E minor. ’Sei mir gegrüsst!’ is a passionate song in Ab Major.

The central section of the Fantasy is the lyrical high point of the entire work. Following the song/theme, Schubert presents four variations – each one progressively more intricate and expressive. A developmental reprise of the introductory tremolo section serves as a transition to the exhilarating finale (in Part 3.)

This cental section contains many optional repeats. I suggest that performers follow only the first of these repeats – as I do in the MIDI performance realized with SCORCH. Normally, the entire Fantasy takes about 21-22 minutes to perform – that is, without any repeats. If one were to take all of the repeats that Schubert has indicated, the total performance time of the entire work would be increased to about 27-28 minutes.

I hope browsers of this score (and listeners to the MIDI performance) will express their opinions of Schubert’s Fantasy in C Major, D. 934, and my orchestral arrangements of it - either in an online review or in an email to me. I am always interested in reading the observations of those who examine and listen to my compositions and orchestrations. To send me an email, just click on the button marked EMAIL THE PUBLISHER.

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