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This clarinet quintet is in a single movement in an extended sonata form (a long development section for the first subject and a recapitulation that includes the second subject’s development in fugue form). The clarinet’s opening six-note motif can be found in various guises throughout score forming the catalyst for material; for example it is inverted to form the theme in the "contemplative" section and used as a bass line in the "scherzando".
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