Mattinata for Cello & Piano

By: Ruggero Leoncavallo (1857-1919)
For: Solo Solo Violoncello + piano
page one of Mattinata for Cello & Piano

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Composer
Ruggero Leoncavallo (1857-1919)
Year of composition
1904
Arranger
Difficulty
Easy (Grades 1-3)
Duration
1 minute
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Ruggero Leoncavallo’s (1857-1919) Mattinta, arranged by Keith Terrett for Cello & Piano.

Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite.

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In Dulci Jubilo "In sweet rejoicing" for String Orchestra, Lullaby for a Violinist, Keyboard & String E/ Bass, Mattinata for Viola & PIano, Cwm Rhondda for String Orchestra, The Saint’s Visit Havana with a Touch of W.A.Mozart for Violin & Piano, Largo from Concerto in D Major for Lute, RV. 96 for String Orchhestra, SUO-GAN for Cello & Piano, Air on the G String for String Quartet, What Shall We Do With The Drunken Cellist?, Nessun Dorma for Violin & Piano, Lustpiel Overture for String Orchestra, Arrival of the Queen of Sheba for two solo Violins & String Orchestra, Franzosisches Lied: Est-ce Mars? for String Orchestra, Chorale Partita with Seven Variations for String Orchestra, Jasmine Flower (The) for Cello & Piano, 8 Swinging Xmas Carols for Cello & Keyboard, The Gypsy Cellist in New Orleans, Czardas for Cello & Piano, Amazing Grace for Violin & Piano, Czardas for Double Bass & Piano, Badinerie from Suite No.2 for Cello & Piano, Czardas for Viola & Pianoforte, Solveigs sang for Cello & Keyboard, Come Back To Sorrento (Torna a Surriento) for Viola & Piano, Träumerei for solo Cello & Piano, Scenes from Childhood (Kinderszenen) Opus 15, for String Orchestra, A Serenade for Cello Octet, Come Back To Sorrento (Torna a Surriento) for Violin & Piano, Air on the G String from the Suite No. 3 in D for Viola & String Orchestra, Homage for Orchestra & Woodwind, A Viola Player Goes Ballroom Dancing , Caymanian National Song (’’Beloved Isle Cayman’’) for String Orchestra, Allegro from the Trumpet Concerto for Violin & Keyboard, Swing Low, Sweet Chariot for solo Cello and Keyboard, Overture from Suite in D from the Water Music for Two Violins & Harpsichord, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Cello & Harpsichord, Tico-Tico no fubá for Viola, Cello & Piano and A Cellist Goes Ballroom Dancing

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