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The composer writes: I’m often attracted to historical models for my compositions. And this two-movement composition (similar to contrasting movements in a Handel sonata) is full of references to baroque- and gallant-era styles. When I began to compose it, I wasn’t quite sure what solo instrument would be best suited to what I was creating: The solo part could, of course, be played on several instruments. But I am very pleased with my final choice of tenor recorder.
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