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Ux8U!3U 3UP1UW1UD7UD7UE7UX1U*3U8U $3Ux8U3U3Un3UXr7UE7U_ucц,"Name":"United States Dollars","Symbol":"$","ExchangeRate":"1.26930","exchangeRateFromUSD":1}]}Google Ads Cookies"}]}roup Therapy
by Aaron Aranita
Wind quartet
$4.00
Celtic Romance (Cello and Piano)
by Jim Paterson
Duet
$2.00
The Skater's Waltz (Fantasia) for Cello Quartet
by Emile Waldteufel arranged by David Burndrett - arr. David Burndrett
Quartet of Violoncellos
$2.95
Eine Fledermaus aus der Holle
by Gary Laughrey
Orchestra
$75.00
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I have added a very simple piano part which is optional, for added support. 2.9501001.002014-01-19 20:02:53001687681110e{ "GroupOrd" : "210", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "31081" } 0.00002014-01-19 20:03:39,House of the Rising Sun for Clarinet Quartet0052013-04-09 13:29:4800House of the Rising Sun for Clarinet Quartet American Traditional. David Burndrett I have arranged this popular American folk song, so it can be played by grade one players upwards! I have added a very simple piano part which is optional, for added support. 00000000-00-00 00:00:000002017-06-09 17:10:170000-00-00 00:00:00531026000.007.955.0000.00["126149","144697","106950","161142","193769","147180","10880","166901","78592","78584","150679","79471","79463","130508","78572","160151","157083","74079","150909"]2020-09-28 19:41:5410000-00-00 00:00:0000001650x918005.002023-04-27 11:35:012023-04-27 11:35:36278767843886070000-00-00 00:00:000000-00-00 00:00:00m1921590000-00-00 00:00:000000-00-00 00:00:00merbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":63,"width":32,"x":12,"center-y":79,"height":32,"center-x":28}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":276,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":28,"average-center-y":79,"id":"3233B8FE-5130-11E7-99D7-D664D48DE328","position-x-pc":"9"}12019-06-06 16:27:5100000-00-00 00:00:000118610.000000-00-00 00:00:0000Account0000-00-00 00:00:002024-04-22 08:05:030000-00-00 00:00:002022-06-03 15:37:41500000-00-00 00:00:00000001$A5DCB4E0-886F-11E9-92BA-F3D41D17C629100000-00-00 00:00:0002022-10-15 08:04:352022-10-16 13:21:1601000000-00-00 00:00:00k65","203993","99025","96897","144168","5256","131130","155538","34317","120949","196488","45160","364969"]2020-09-12 18:37:1012020-05-09 07:44:21$8380D6F0-91C0-11EA-99F5-788383FEA0E11295320001650x917005.002023-03-07 18:49:242023-03-07 18:51:53691085695354590000-00-00 00:00:000000-00-00 00:00:00m16:35:10m 00:00:00mith a few simple ideas in mind. The letters “E” and “A” in the word “Eltham” suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright “two-four” march-like theme, probably the “Main” theme, and a variation of this theme in slower “three-four” time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in “four-four” occurs about two-thirds into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both “three four” melody against the “two-four” one resolving in the last few bars in a dramatic way. I hope you enjoy my musical tribute to the “Shades”. The MP3 has been recorded with Note Performer. Grade = 4 Duration = 7:20 Mins00002018-01-04 09:47:03{ "width" : 200, "position-y-pc" : "0", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 300, "position-x-combined" : "left", "position-x" : "left", "position-y" : "top", "position-y-combined" : "top", "average-center-x" : 0, "average-center-y" : 0, "id" : "49B3BA0C-F134-11E7-B845-988A126F4093", "position-x-pc" : "0" } 04586842018-01-14 11:17:550000-00-00 00:00:002366270630030.0025.0030.0025.0000.00["494345","187382","198757","23103","20840","500509","15807","198754","60323","161471","95927","79626","500582","23263","87555","190713","393880","463158","484597","96197"]2020-09-06 21:54:0012019-09-25 13:52:134B7469D2-DF93-11E9-B562-781425870001650x918005.002023-03-21 20:29:172023-03-21 20:37:3325276247390578280000-00-00 00:00:000000-00-00 00:00:00mhare/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":50,"width":145,"x":40,"center-y":122.5,"height":145,"center-x":112.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":59,"width":131,"x":46,"center-y":124.5,"height":131,"center-x":111.5}]},"height":300,"position-x-combined":"51%","position-x":"center","position-y":"center","position-y-combined":"41%","average-center-x":111.833333333333,"average-center-y":122.5,"id":"07FD7D82-512A-11E7-B5E3-AE16AD036CA8","position-x-pc":"51"}32019-06-06 16:24:0700000-00-00 00:00:004003000.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00500000-00-00 00:00:00000001$20594770-886F-11E9-BE21-F3D41D17C629000000-00-00 00:00:0002023-05-18 08:04:522023-08-16 08:13:2301000000-00-00 00:00:00kcritics claim that it is difficult to sing.[citation needed] It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death. The melody of "Maamme" has similarities with the German drinking song "Papst und Sultan". Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, "Sotilaspoika", composed by Pacius, also includes similarities with "Papst und Sultan".[citation needed] During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name "Ludvig Borga") entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.00000000-00-00 00:00:0002751842023-04-12 08:20:580000-00-00 00:00:00138551336.0018.0036.0018.0000.000000-00-00 00:00:0012023-04-12 08:15:05$BF9DD594-D901-11ED-986E-8EA1F6CA0AAF37940001650x918005.000000-00-00 00:00:000000-00-00 00:00:00034494980000-00-00 00:00:000000-00-00 00:00:00mlee of priestly ordination. The purely instrumental piece in three parts, originally called Marche pontificale (French for "Pontifical March"), became extremely popular from its first performance. On October 16, 1949, Pope Pius XII declared it the papal anthem, replacing Viktorin Hallmayer’s Marcia trionfale (1857), which, being still the papal anthem when the Vatican City State was founded in 1929, had been treated also as the new state’s anthem. Gounod’s Marche Pontificale was first performed in this new role during a ceremony on Christmas Eve of 1949, one day before the opening of the Holy Year 1950. The old anthem too was played for a last time, almost as a token of respect. At that time, Antonio Allegra (1905–1969), who was then one of the organists of St. Peter’s Basilica, wrote Italian lyrics for Gounod’s music. Other lyrics have been composed for the music in various languages and by different authors. Some of these versions are not directly related to the papacy, e.g. Rudy Villanueva’s Cebuano prayer, Yutang Tabonon ("Beloved Land"), for protection for the Philippines nation. In 1991, Raffaello Lavagna of Savona (born 1918) wrote Latin lyrics for a four-voice choir, on an arrangement by Alberico Vitalini. For more of my original music, great arrangem!2013-04-27 21:02:57U!0Ww!0W!0W10W0`%W8U0V78U]8UD048U8Uݑ8UD08U 8UD8U08U7UDpJ8U638UDN8UPT8UD`<8U8Uf@8U`D8UD V8U8UD 8UP*D8UDЌM8U ;08UD`28U7UD0(t8U@78UDБ8UЦ18UDCs8Ud8UDGs8U 8UD8UF8UDN8UЀ.8UD@8Ur!8U @t8UPd8UaW8UD8Us8UD P 8Ub8UDPbC8U <8UUD8UPP8UDy8U@7<8UD \8UF8UU78UR8UDн8UZ8UDu8Ux8UD8U+8U  8U`8UD8Uq8UD`N8U 7UH3U?8UU``8UP=38UDD8U~!8U 8U 8UDP8U<8UUPs8U8U 8Ups8UD@<8U 2UD Fs8UhR8U F8U8U 8U38UpK28UD2N8UcW8UD`28UV8U @P8U018UD#:8UP?C8UDS8U7Ui8U8UD@g8Uέ8U  U8Upi8UDЛ08U8UD@88U8U P?8ULt8UD78U08U2 @38UDp8U@:8UDO8U;8UD`8Ux!8U @߮8UP08UD8UY8U 8U8Uv0A8U}8UD0=8U/8UP|V8UD jT8Up7UU us8U%P8UD58U>08UD`p78UVU8UDy8UPG8UP8UvT8UD@t8U8U M!8U0F?8UDR8Up7Uz8UPd8UDV8U@8UD g=8U7U@*7UA8UDIN8US8UU.8U<8UUN8UR8UD28UFW8UDS8UPR8U  P<8U0s8UDs8U8UD>8U7UV8U0r8UD@s8UU8U8Us8UDp28U`s8UD <8Ut8UD28Us8UD <8U03U  8U8:8UDЌ8Us8UD<8U7Us8UDU8U t8UD<8Ut8UD28Us8UDU8U?8UU8U7U0GW8UD <8Us8UD`<8Ur8UDm8UЅ/8UD@E8U*D8UD>"8U FW8UD 7Ut8UDP8Ut8UD@<8U38UDd8Ur!8U @0s8U`H8UDP8UBT8UD`43U78UD`88U=9UD {6Ux7U£8UDP8U8UvC8U7UD0P8U r8UD`s8U38UDp7v8UV8UDt8UP<8UDp7US8U  8U8UD08U8U E58UD8U@T8UD8UC8UUVW8UR8U "1S8U 8U l"8U}8UD<8U78UD0M8UG8UUXS8U8UDP8UOt8UD08Up7U`5F8Us88UDPW"8U7U!8U j8UDb=8US8UD@8U+8UfO8UPC58UD@?8Up+8Uf.8U7UDL7UH7U"8UD08UV8UDЯ8UX8U8Uq;8UDaV8U8UD`D8UPKt8UDoW8Ui8UDst8US8UU0.8U>7UD8U@8UD@8U8?8UU8UPV8UD=V8Us8UU`J8U8U8U/js/0000!0p't8U !0 M8U !431608WO 8U10W 8U0/scores/jupiter-hymn-for-clarinet-quartet-94873.htmlt-123340.html4.htmletimes-mixed-grays-inn-grace-for-ssa-a-cappella-157919.htmlQ{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":168,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"18731932-1625-11E7-AE5D-E062A181158C","position-x-pc":"0"}GLOBALCOUNT)P!IoS8U !0000-00-00 00:00:00U!28WC8U!0.00W98U!paulbeedle]38U!1W!8U!1@8UB8U!0W;,8U!1@98U Jupiter Hymn for Clarinet Quartet - Download Sheet Music PDF fileilePDFfileePDFfileMusicNowCE' for SSA a cappella - PDFPDFsicPDFelePDFfile3U12011-06-18 14:20:307U0QCUAN GRANDE ES EL SATB HIMNO - Partitura completa#8UP!116194z8U QnF8U7B8U;8U!0pW"8U Qp8UP8UxD8U!HASH`8U8U!HASHW8U!HASHWx<8U!HASHW A/usr/www/resources/ADAP3/GenericObject2.pm@!2013-04-17 08:06:36!HASHB8U !homeU8X@-8U!HASH68U !ADAP3W!0 t8UORT FROM!0.00WET_ATON(!10.50W LIMIT 1!6.00WTML, lik!0W0 Safari!WW !HASHsimplicity-!HASHt8U !0.00"8U !20<8U12015-02-24 02:35:3901[?]_r8Unal-anthem-serie0!0000-00-00 00:00:00!0000-00-00 00:00:00bjec!50W`!0000-00-00 00:00:00!0W !0W !0W!0W!0Wp3 WHERE!WW1;11W0The national anthem of Cameroon arranged for Brass Quintet. The anthem of this central African French-English bilingual country was written in 1928, and was used as an unofficial anthem in 1948. Official use came in 1957, when Cameroon became an autonomous republic within France. Finally, the lyrics were changed slightly in 1978, to the current version. Like Canada (another French-English bilingual country), the English and French lyrics are slightly different, on the right is provided the lyrics in each official language, with an English translation of the French lyrics. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. 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Purpose

A specific event > Baptism A specific event > Bar / Bat Mitzvah A specific event > Birthdays A specific event > Christmas A specific event > Christmas (sacred) A specific event > Easter A specific event > Funerals A specific event > Harvest festivals A specific event > National days A specific event > Weddings Film / TV soundtracks General performance Learning or teaching how to play an instrument Learning or teaching music theory National anthems Theatre Work in progress for review / critique Worship
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8UDR-8U0>C8UDB=8UP=8UD)!8U %,8UDPO8UD38U 7U8UU@F8UXC8UU`8UP8UD8U5=8UD918U`938UDp8UZ 8UUpB8U8UP{V8UD8U0/8UDРE8U8UD8U/<8UD8Up18UDF8U $ 8UD`8U e8UD`8U38Uv@18U8U p8Up.8UDp8U438UD/8U0.8UD 8UP9}8UDt8U8UU U 8U28UD098U/8UD8U[8U ШD8U`_-8UDP38U8UD p 4U O7UU s18U .8UD8U/8UDF8UE18UD0(08Up^-8UDQ8U k8UDV7U7UP;8UD.8U`8UD@8UB8UU`_08UFor music lessons please email Jordan Grigg at jgstudio27@outlook.com. ONLINE lessons are also available. To commission an original work or special arrangement (for any ensemble and style), contact Jordan Grigg at jgpub@outlook.com. MP3, YouTube and Lead sheet transcription services are also available. Jordan Grigg, Canadian composer/arranger, conductor, teacher, violinist, violist, pianist, born in British Colombia 1972, began his musical studies with the violin at the age of 2. He was inspired to be a conductor at age 5, and began composing when he was 7. He had his first composition lessons in the fields of harmony, ear training and dictation at the age of 9 with Alan Grigg, his Uncle. Jordan started playing in the NSYO when he was 10, switching to viola at 15 and winning several awards in festivals and competitions both at the local, provincial and national levels. Some of his repertoire included Viola Concertos by Bartok, Walton, Hoffmeister and Stamitz, the complete Cello Suites by Bach and several smaller works by Hindemith and Reger. He was accepted to the NYO when he was 18 years and was soloist with Symphony Nova Scotia in performances of the Stamitz Viola Concerto. His studies have focused on viola performance, conducting, composition and music education. He studied at the New England Conservatory of Music and Acadia University where some of his instructors have been Walter Trampler, Mstislav Rostropovich, John Felice, Gunther Schuller, Joseph Maneri, Pascal Verrot, Benjamin Zander, John Cage, Alan Hoffman, Owen Stephens and Christoph Both. His first chance to conduct an ensemble came at the age of 14, when he was asked to conduct the local school band. After that he conducted the New Minas Concert Band at the age of 16. On returning to Nova Scotia he conducted the Acadia’s Brass, Percussion, and Wind Ensembles, as well as the Acadia Symphony Orchestra. For 2 years, 2000-2002, he directed his own ensemble called Trias Harmonicas and from 2002-2005 he conducted the Chebucto Symphony Orchestra in Halifax. He has conducted performances of La Boheme by Puccini and Cavalleria Rusticana by Mascagni as well as symphonies, overtures, concertos and concert pieces of Beethoven, Mozart, Copland, Debussy, Shostakovich, Stravinsky, Sibelius and many others. He has also conducted premiers of several Canadian compositions and also his own works. He has been the music director for many theatre productions, working as a composer/vocal coach, violinist, pianist and conductor with Acadia Theatre Company, Centre Stage Theatre, Atlantic Theatre Festival and Ross Creek Centre for the Arts. He worked with numerous churches in the fields of pianist, organist, music and choral director namely St. Francis Chapel in Boston MA, New Minas United, Pereau Baptist, Kings Presbyterian, Cambridge Baptist, First Cornwallis Baptist, South Alton, Coldbrook and Centreville Baptist. Jordan for a short time produced his own orchestra: AVSO or Annapolis Valley Symphony Orchestra in 2007 and ending its first concert with a standing ovation. He has conducted orchestras in the USA, Canada, South Korea and especially Italy where he was invited by the Teatro di Meruchini in Chieti, to conduct a performance of L’histoire du Soldat by Stravinsky. He has had his compositions performed by a variety of ensembles such as the Nova Scotia Youth Orchestra, Symphony Nova Scotia, Annapolis Valley Honour Choir, New England Philharmonia and Symphony Orchestra as well as having these recorded on CD and aired on the CBC. His well known Three Sketches for Orchestra has had over 10 performances. Most recently he has had performances of his works in Southern Victoria (Australia), China, Africa, San Antonio (Texas) and the Columbia College Symphony of the Sierra (California). There was the Russian Premiere of his work Serenity for trumpet and small orchestra by a Youth Orchestra under the direction of Vyacheslav Shaldysheva performed at the Concert Hall of the Novosibirsk music school and yet another premiere of his small Concert Band work March by the Midleton Junior Concert Band under the direction of Robert O’Brien at the 50th National Band Championships of Ireland in the CIT Cork School of Music. More recently there was the premiere of his choral work Angels by the the award winning HNMCS Senior Choir under the direction of Helen Filipe and there will be an up and coming performance of his work C-H-R-I-S-T-M-A-S for large orchestra and chorus by the Gwinnett Symphony Orchestra and Chorus in December 2017. In March 2018 his Rustic Country Dance was performed by the Random Quartet in Italy. He has composed music for over 30 plays/musicals/films and composed 41 symphonies, 41 string quartets, plus many other orchestral, chamber and choral works. His entire catalogue totals more 1500 works for orchestra, film and several different ensembles. He was awarded Honorable Mention in the 2007 Adagio Contest held by the Fauxharmonic Orchestra in Baltimore, Maryland for his large string orchestra work Dolente and more recently 1st place in the 2015 SHSU-BMF International Composition Competition presented by Sam Houston State University and the Bolivian Music Festival with his composition Concerto Semplice for two violins and orchestra. Performances have been with the Bolivian Music Festival Orchestra in La Paz, Bolivia and the Sam Houston Symphony Orchestra in Huntsville, Texas with featured violin soloists Javier Pinell and Naomi Gjevre. His latest commissioned work was Land of Hope and Beauty for large symphonic band, a work commissioned by Louis Sinoff which celebrates the history of New Mexico. He has been regularly commissioned from music ensembles and individuals in the United States, Italy, Australia and Switzerland to write original works but also jazz, tango, musical and opera arrangements, large orchestral and symphonic band works as well as several small ensemble pieces. He has sold a number of his own compositions throughout Europe, Asia, Africa, UK and Australia as well as Canada and USA. His Symphony No. 15 was recently inducted into the Edna St. Vincent Millay Library in New York. Several of his own original compositions have been used in Doctoral Thesis works, recitals and competitions and have also been compiled into discographies in numerous universities across North America. Teaching and conducting since 1992 through a number of schools (Wolfville and Horton School Strings, Cambridge Elementary School Strings, Landmark East, Kings-Edgehill, Berwick and District) and academies (Annapolis Music Academy, Dorian Hall), he now teaches and conducts at his own studio in the fields of classical, pop and jazz music, violin, fiddle, viola, cello, double bass, guitar, piano, clarinet, saxophone, trombone, theory, harmony, history, counterpoint, analysis, conducting and composition. Many of his students have gone on to continue their studies after high school in musical fields such as composition, performance, media/production and music therapy at Acadia University, Berklee College of Music and University of Toronto to name a few. Several of his students also compose, arrange and publish their own works, play in orchestras and teach in a number of different environments. 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He graduated from the Conservatory and College of Jaroslav Ježek in Prague in June 2014, where he studied saxophone and clarinet performance. He is a school band and community band conductor in his hometown and active musician playing with bands of different genres (pop bands, jazz combos, big bands, concert bands).107224310W8Up8U01Copyright © 2014 Lukáš Bořek1PD6UȮ7Uu:1x1Studying Hard for The Big Band0!1085758U !0xY(8U!0W 2U!0W9@7U!0W9U!WW!1W15B6BB88E-886F-11E9-92BA-F3D41D17C629!0W!0W!0000-00-00 00:00:00!0W!2022-08-15 08:04:04!2022-08-15 08:06:42!0W !0000-00-00 00:00:00!18U 1178Ueason3sP8U01HASH7Ur The Big Band00!1E8Ueexchang!1W-pg/2020!0W`!WWeexchang!0Wcalypso-!0W pܥ8U9U8U#9U8UȌ8U8UH8U`$/8UH#!8U%F8U9Uo9Ux8Uc8Uȷ8U0 9Up8U8U`8U8Up9U9U9U0E 9U 9UPA9U9U؎8UPN8U{8U/8U9Uf8U`8U`8U 9Ux8U9U9Ue9U09U38U؆9UX68U0o9Uݔ8UȽ8U8Up8Ux9Uh8U9UT8UX[8U9U(8U98UPK8Uk9UP8UW8U@C8Un8U8U8U 9U9Uh8Uk8U`8U?8U9UR8UO8U 9UxB 9U"9U0R8U9U!0X@8U!0Ws8U!0.00W !1XY!3.08W!2020-08-07 16:33:54!0W!1W!CreditsW!2020-08-05 08:03:29!2024-04-04 08:06:24!2020-07-07 16:33:54!2017-09-26 09:52:56!30W!2018-02-24 09:21:0510W@8U77.400820!0X!WW10.00W0!28.00 8UPU8U!26.00WP8U!28.00W0[8U!26.00Wx8U!0W`8U!WW8U!0.00W(8U!2020-09-04 21:52:591HASH 9UB0QH8UD8U(_9U%9U88U8U$9U%9U&9U&9UH8UX(9U8U&9UH&9U"9U8U8U%9U(8UL8U@8UP$9U8Ux8U8U8U08U#9U8U'9U'9U8U@(9UȢ8U&9U#9U8U'9U8U $9U"9U(9U8Up(9UP'9Up8U$9U@8U&9U8:8U%9U'9U`8UУ8U#9U8U#9U`&9U(%9U"9U8U(9UH#9U&9U8U8U$9UX8U 8U8Uؤ8U8UX%9U(9U8Uh$9U(9U$9U#9U'9UȾ7U!650x917h\p7U!0W!0W!5.00W!2023-03-07 18:49:24!2023-03-07 18:51:53!6910856W!9535459W!0000-00-00 00:00:00!0000-00-00 00:00:00!1.50X8U!2020-08-26 09:59:39U!1W8U!0Wȱ8U!0W8U!WW88U!0W`8U10W8U0This catchy little calypso tune was originally written to feature two clarinets with piano accompaniment but has been expanded here to a Clarinet Choir or Sextet arrangement. There are optional parts for Clarinet in Eb (Part 1) and Alto Clarinet (Part 5). There is plenty of interest in each part. There is an optional Piano Accompaniment part included (Not shown on the score). [Updated 26/08/2020] The original tune was written in 1999 but not revised until 2019. If you use this piece, write a review and tell me how it goes. The clarinet duet version is still available and well as a version for Concert Band and Orchestra. [See associated scores.] The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration = 2:50 mins.!19968X8U!0W8U!5W(8U1WW0!sibW7U!154W01:12.66!0W.000000!2020-07-25 10:50:43U!0W7U!1125Wa7U!0W01:12.65aBrendan Elliget MAGA 537 (Themes 20 and 87) ©1996 (Revised 2020)8Ufo-icon"`!8ULengthge.com1(?^:\A[a-zA-Z][a-zA-Z0-9.+\-]*\z)!18U !0`8UB!1.50W 1HASHWx400.png 400w0!00:00:00:00load!sibg8U !www.scoreexchange.com!PlatinumRenewal 1SE::Score::ImageyK69U!DBD::mysql::st1 xP89U1H\9UWimp_data_size0!`8U A>48U4U4U4U 9UW@!0r9U !0p8U !0W 1511Wh8U8U0!07U11WTSx9U0!HASHW !2023-05-09 19:13:57!19U 1/data/www/www.scoreexchange.com/htdocs!W9U !HASH 9U !008U 9U 1~0 9U!8UQL !PriceGBP8U !X9U!12.99W10W0!1XX8U!avidW#8U!2024-04-23 20:05:12U!khscg34w98yr8U1SibeliusWp8UW0!putV 9U !7UW!NAMEUql::stQ[6U7U5هl&SE::API::Publisher::OBJECT_CACHE_TIMERAc9UP9UF8U 9U5U4U@!PublisherPassword!MarketPlaceName !0$5UW apD5U h8U.萿4U1`xB!ADAP3::SQL)!18UWapP5U P\8Ul萿4Ua.f3U 9U萿4U!NameW1LastCommand0!0000-00-00 00:00:0010WNICALUU0!009Ul::st A7U.pY17.241.227.135@!DefaultLicenseProfitQh8U 9U!!HASHW 9UG8Ul8U@U8U(8U;9U`]88UX7UHP8U9U(8UC8U88UO8UXE9U 9U8U 9UL8UP8Ux08UH9UJ8Uh8U8Uo8Uxp8U`U8U3U8U-8U8v8U`9U 9Un8U8V8U(9U9Uh8U8U(8U8UxM8UW8U8~9UR2U`,9U8U8Uf8U8UP8U`C8U?8U`֔8U{8U58Up8U8Upj3UЍ 9U0u9UnD8UF9U(8U 9U85UN8UXO8Up8U8U28Upk9U9U8U9U`8U!0 8U!WW!0W!0W!0000-00-00 00:00:00!1W!1W10W0!50403(Xp8U!0WX78UAConsider all ye passers by_completo.sibd8U@!1 9U !ADAP3::Html1 9U xPR9U!USQLrencyID!009U !0.00`8U !0D8U { "GroupOrd" : "290", "StoreGroupOrd" : "230", "StoreGroupID" : "3639", "GroupID" : "31081" } ta>A7U Ux A7U7UUx7UAp7U Ux Ap7U7UUx7UAP8U8UUx@7U7U17U@7UUxAP8U Ux A7UUxp7UA7U7Uwx&E7U8U1c8Ud8UUx!H8U8U09UA0f8U_x7U7U17UUx!(?^:[^URI::uric])9U!URI::_server 1/usr/share/perl5/URI/_server.pmhoir + kA7URx 7U7U17UΔx A8U0kxAP7UP7UUx7UA7UUxA8UUx7UP7U1 7U 7UΔx 2!A7U@Tx!@WA7U Uxq07Up7U x!F7U 7UP!7UW!WWAp7U7UUx7U1`xBa @90@`A!8Uq8U8Um8U!$portW!URI::_serverA7U@Tx A7U[x7U7UA7U7UUx07UA 7U 7UWx%Ep7U7Ua7U7UTx 7UP7U 1/usr/share/perl5/URI/_server.pmA7U 7UUx7U17UΔx 1@7U@7UΔx 2!:7UWA7U@Tx!! 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The original tune was written in 2004 and then expanded and arranged for the full orchestra in 2022. It has a light-hearted feel with a light rock beat. There is also a version for Concert Band. There are only 3 chords used in this composition – Eb, Bb, and Bb maj7. The bassline is also fairly repetitive and sustained throughout. There is also a basic chorded optional Piano accompaniment part included. The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 3:00 mins. The score and parts are available at Score Exchange and www.bjemusic.com Playing score at Youtube: https://youtu.be/aEqa47qTqxg 7U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!504W!762W08U7U(7U8U8U 7U7U7U7U7U 7U 7UX8UX7U7U8U7U:8U8U8U7U7UP7UH7U7U(8U7U7U7U7U7U`7U` 7U8U7U7U87UH8U8U7U7U7U7U7U8U7UH8U8U8UP7U7Uh7U8U07U8U 7U8U8U8UX7U8U 7Ux8U8U88U7U7U 7Up7Ux7UX8U7U07U8U7Uh8U8U@7U%7U1%7U_2 424617!479274W`8UQTheme 163 - Oriental Dance - Full Orchestra 2020 WR no repeats.sib1Oriental Dance - Orchestra U@8U!35W)7U!0W@8U!3W 8U!1W@8U!2020-03-25 08:08:04U!2020-03-24 06:20:19U!Brendan Elliget 8U!WWp 8U!2007W8U10W0!sibW38U!154WHy8U!0W8U!2020-03-25 08:08:04U!0W!8U!798WV8U!0W<8U!4X8U!1.50X$8U!2020-03-25 08:08:06U!1WX8U!0W8U!0WD8U!WW!0W !38XP7U!1.50X7U!2022-04-28 12:49:10U11W0!sibWErrorCou!154WreExc!0W*7U!2022-04-28 12:49:09U!0WdefScor!281WWarningC!0Wc!0.0000Y7U!2022-04-28 13:02:29U1Song Bird For Chrissy Orchestra!0W!0W07U!8W7U!0000-00-00 00:00:00U!0WeScores!0WrtedZip!2022-04-28 13:16:01!0000-00-00 00:00:00U!637W,7U!97397WdefScor!0WZipConve!0WionFinis125.00Wx#8U"8U0(p-7U/7U-7U-7U-7U-7U-7U2611816DF8D7BC-01A4-11EF-910F-911ECFE50ADBcamicosgriff@gmail.com2024-04-23 20:05:20?  @U.7U.7UP.7UX.7U\.7Uj.7Uz.7U.7U.7U.7U.7UdefScoreExchangeActivationCodesActivationCodesUUIDUUID!l @date,reP/7U.7Up/7U/7U/7U/7U"/7U2/7U8/7U>/7UK/7UdefScoreExchangeActivationCodesActivationCodesEmailEmail!selech/7Ureferenc/7U/7U/7U/7U/7U/7U/7U/7UdefScoreExchangeActivationCodesActivationCodesCreatedCreated? @-00 00:00:00select,insert,update,referencesn07U{07Udefinformation_schemaCOLUMNSCOLUMNSKeyCOLUMN_KEY! 7U(17U07U07U07U07U07U07U07U17U17U#17Udefinformation_schemaCOLUMNSCOLUMNSDefaultCOLUMN_DEFAULT!7U17U@17U17U17U17U17U17U17U17U17U17Udefinformation_schemaCOLUMNSCOLUMNSExtraEXTRA!Qh27U17U27U27U27U/27U727U?27UJ27UU27Ub27Udefinformation_schemaCOLUMNSCOLUMNSPrivilegesPRIVILEGES!7U27U27U27U27U27U27U27U27U27U 37Udefinformation_schemaCOLUMNSCOLUMNSCommentCOLUMN_COMMENT! 7UU37UdefScoreExchangeUsersUsersAddress3Address3!@37Up37UThisMont37U37U37U37U37U37U37U37UdefScoreExchangeUsersUsersCountyCounty!@coreExc47U47UUsersH47UL47UZ47U`47Uf47Uo47Ux47U47UdefScoreExchangeUsersUsersPostcodePostcode!@U(57U47UUsers47U47U47U47U47U 57U57U#57UdefScoreExchangeUsersUsersCountryCodeCountryCode!ge57U@57UProfileH57U57U57U57U57U57U57U57UdefScoreExchangeUsersUsersTelDayTelDay!sX67U57Uhange67U67U*67U067U667U=67UD67UQ67UdefScoreExchangeUsersUsersTelEveTelEve!re67Up67Uore67U67U67U67U67U67U67U67UdefScoreExchangeUsersUsersFaxFax!ores77U77UdScores@77UD77UR77UX77U^77Uf77Un77U{77UdefScoreExchangeUsersUsersWebsiteWebsite!ge87U77UADAPCont77U77U77U77U77U87U 87U87UdefScoreExchangeUsersUsersVATNumberVATNumber!@c87U087UUsersp87Ut87U87U87U87U87U87U87UdefScoreExchangeUsersUsersSendNewsSendNews?@97U87UFeatured97U 97U97U 97U&97U+97U097U=97UdefScoreExchangeUsersUsersTownTown!@97UX97UDeletedD97U97U97U97U97U97U97U97UdefScoreExchangeUsersUsersAgreedTermsAgreedTerms? gex:7U97UPDFFoote8:7U<:7UJ:7UP:7UV:7U^:7Uf:7Us:7UdefScoreExchangeUsersUsersCreatedCreated? reExc;7U:7UUsers:7U:7U:7U:7U:7U:7U:7U;7UdefScoreExchangeUsersUsersIDID? 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Parts
5 instrumental parts
rc+Shaiman+%26+Scott+Wittman%22" rel="nofollow">Marc Shaiman & Scott Wittman, Scott Wittman, Marc Shaiman, Marc Shaiman & Scott Wittman
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The set includes: UK, USA. Canada, Israel, Russia, Japan, Germany, China, Italy & France. All the world's national anthem are in my store for Brass Quintet, String Orchestra & Symphony Orchestra; including rarities such as the Sami, Romani and even an anthem for a language namely Espiranto! If you need this arrangement for any other combination such as Wind, Clarinet, Saxophone or Low Brass e-mail me your requirements: keithterrett@gmail.com!12.99W!0W!1W!0W!WW!WW!0W!WWACopyright © 2021 MFAO (keithterrett@gmail.com)7U!WW!YY@"W8U!864134W!0W@Y78U!0W!0.00W P8U!37.99WXY78U!25.00W"W8U!0WPX78U!WWD8U!0.00WG"8U!WWV78U!0000-00-00 00:00:00U!1W!2021-01-31 12:22:29U1FC1A7C44-63BE-11EB-8B09-788383FEA0E1U!394252W !0]7U!0.0000W!2021-02-10 07:26:19A10 of the Best National Anthems for Brass Quintet7U!0W!0W!33W!0000-00-00 00:00:00!0W!0W10 of the Best National Anthems for Brass Quintet Composer unkown Arranged by Keith Terrett Keith Terrett Music for all Occasions 10 of the world's best national anthems arranged for classical Brass Quintet. The set includes: UK, USA. Canada, Israel, Russia, Japan, Germany, China, Italy & France. All the world's national anthem are in my store for Brass Quintet, String Orchestra & Symphony Orchestra; including rarities such as the Sami, Romani and even an anthem for a language namely Espiranto! If you need this arrangement for any other combination such as Wind, Clarinet, Saxophone or Low Brass e-mail me your requirements: keithterrett@gmail.comefScoreExchang!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!2220W!1248WW78Ux]78U\78UV78UxW78UX78UX78U\78UHZ78U@\78UX78U8X78U("W8U]78U(\78UW78Uh[78U`S8UP8U@V78U8[78U\78U[78UZ78Up\78U#W8U0]78UY78UY78UX\78U0Z78U[78UX78U`#W8UH]78UY78U[78U#W8U@"W8UxZ78UZ78U`Z78U@Y78U[78UV78U[78UW78U P8UW78UX78U\78U\78U"W8U]78U#W8UPX78UW78U!W8UD8UZ78U"W8UX78UG"8U(rF8UV78U[78U`]78U[78U]78U [78UHW78UZ78UZ78UXV78UZ78UpV78UH#W8UY78UeExchang!0]7U!0W!0W!0W!1W!650x916W!0W!0W!5.00W!2023-03-04 15:28:34!2023-03-04 15:31:48!9684462W!13688345W!0000-00-00 00:00:00!0000-00-00 00:00:00!1.00Xؽ,8U!2021-07-28 14:12:22U!1W`,8U!0W,8U!0W,8U!0X,8U!0W,8U11W,8U0!0Zx&A8U!1W`k58U!0WЧ58U!WW`@8U!WW@k@8U!0W0@8U!WW@8UCopyright © 2014 www.musicforalloccasions.org.uk(keithterrett@gmail.com) All Rights Reserved. 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!1`7U!WW1WW0!HASHXain (Eas!434021P]7U !0P7U !NAMEql::st 7Ung> You are purchasing a this music. Be sure to purchase the number of copies that you require, as the number of prints allowed is restricted. This score preview only shows the first page. There are 3 pages available to print when you buy this score. a7U7UȈV2UAP03U7U鑔missing7U7U!a7U  !HASHX!HASHW !HASHW!HASHW!2013-04-12 17:34:08U!0Ww!0W!2017-06-09 17:10:1710000-00-00 00:00:0001h7U?ToCf!YYsition-y!0X!1WJ 8U!1W8U!Uncategorised"8U!14314W>3U!1Wȓ8U!0Wh7U1WW?8U`7U0!0000-00-00 00:00:00_tre!0000-00-00 00:00:00itio!154Wsition-x!122.50Wop","pos!BJE_Music"average!2Wnter-y":!562537UE7-9095-10Wx-pc":"0"}Seren0!hmi123Wer fine !WWamous fo!MrWi Sound"QHawaiian Music Institute, & Rainbow Recordsuk/index.htmlP '0  OP eh(-0)0&8U  9U$( HP 5h  $('0="https:!0X!1W07U!1W7U!Uncategorised musicU!15283W7U!0W7U!0Wp7U1WW7U7U0!0000-00-00 00:00:00U!0000-00-00 00:00:00U!1296WXn3U!0.00W3U!hallenW7U!1W7U!41422W 7U!0W My Yellow Ginger Lei Johnny Alameida Henry Kaleialoha Allen Hawaiian Music Institute, & Rainbow Records My Yellow Ginger Lei is a very beautiful Hawaiian Song for hula dancers to dance to and for the Ukulele, guitar and other instruments. I can arrange this song for you any way that you would like for any insruments. I play it as a "solo' on guitar or ukulele or with my band and rythem section. Can also be done by an orchestra. Yellow Ginger flowers bloom in wet damp places, in Nuuanu valley on the island of Oahu, and on Maui, in Hana, on the east side of our island. 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15:16:37U!David Hoyle(48U!WWq8U!0W'v8U10W0!sibW#8U!53945WPN8U!0WЛ8U1Where can I go from your Spirit.sibU!2015-11-13 10:32:35U!4WG8U!1225W8U!0W :8U!1.50X8-8U!2015-11-13 10:33:16U!1W93U!1W T8U!0W(8U!WW18U!0W'v8U10WpM8U0!3X8U!WWV8U!1.50W4U!1W4U!0W4U!0W4U1Copyright 2015 David Hoyle0!1.50^0=8U!1W!0W!0Wa1. All silent as the Master spoke in the Synagogue on the Sabbath day when one cried out with madman's cry: Leave us alone! As all turned round: What have we got to do with you? And then again more loudly still: Will you destroy us? I know who you are: God's Holy One! People panicked and they hurried now to get him away from the Synagogue on the Sabbath day. When Christ called out with authority: He said, Be quiet, come out! And the demon shouting tore at him, demon tore. It threw him down and did not hurt him and came out. The man became calm and quiet, at peace and quite serene. All, babbling then, at the sight they'd seen; People were surprised and shocked: the man whose mind could run amock, his mouth was shut, his eyes were clear; such things had never happened here in the synagogue on the Sabbath day. Such a shock was all this to them: madmen saying Jesus was God's Holy One. They were puzzled and questions and comments came! What's going on? Where has he got this from and what teaching is this that commands any demons to begone? The One who now commands the demons to begone. Now. 8U1Miracles of Jesus Series 2 No. 31Copyright © 2010 Duncan McLeanp!WW!339416Y8U!0W!0W8U!0.00W!9.00W( 8U!7.50W8U!0W8U!WWt8U!0.00W@8U["140896","138505","201637","73854","50463","141835","183069","399096","142289","138662","170650","166166","199763","117534","129843","128089","120575","76525","126287","163562"]12020-09-14 22:23:24UP 8U0A Capernaum Cleansing is the third piece in The Miracles of Jesus Series 2 - original compositions for SATB choir and piano, by Duncan McLean. Note that the MP3 demo file is sung, including the words.O8U!0W!0W!1W!0W!WW!0.0000W!2012-08-07 19:45:341A Capernaum Cleansing print up to 30U!0W!0W!11W!2013-04-26 18:02:04!0W!0WaA Capernaum Cleansing [print up to 30] Miracles of Jesus Series 2 No. 3 Shirley McLean Olive Grist and Duncan McLean Grace Communion Hemel Hempstead This piece portrays shock and contrast between Jesus’ teaching in the Synagogue and the madman possessed of demons shouting loudly "Will you destroy us? I know who you are: God’s Holy One."!0W!0W!81W!23W!2017-03-31 15:10:05!{"width":300,"position-y-pc":"23","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":25,"width":55,"x":215,"center-y":52.5,"height":55,"center-x":242.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":25,"width":53,"x":217,"center-y":51.5,"height":53,"center-x":243.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":24,"width":56,"x":216,"center-y":52,"height":56,"center-x":244}]},"height":224,"position-x-combined":"right","position-x":"right","position-y":"top","position-y-combined":"top","average-center-x":243.333333333333,"average-center-y":52,"id":"C384049E-161B-11E7-B112-AA17CE33F0DA","position-x-pc":"81"}!3W!2592W!1936W(;8Up8Uh 38U8U8U^68U8Up"!8UH8Uؕ;8U 8U8U18UpZ<8U 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8U)6U 8U885U 8U85U 8U85U 8Up,5U 8Ux85U( 8U8UH85U@ 8U85UX 8U8U4Up 8U2U 8U(8UX2U 8U85U 8UX 85U 8UH!85U 8U"85U 8U3U 8UH%85U0 8U8U&85UH 8U(6U` 8U&85Ux 8UhG85U 8U8<25U 8U@8U 6U 8UZ85U 8UP6U 8U5U 8UA6U8U)_2U8U54U8U_85U08U_85UH8U8U`85U`8U8Uc`7Ux8Uf`7U8U25U8U25U8U25Uؙ8U08U c2U8U"c2U8U(g85U 8Ug85U88UW4UP8UXf85Uh8Ue85U8U8Uc85U8UX8UOm2U8U8U m2UȚ8UȬ8UX~`2U8U8U`2U8UHb85U8U8U&_2U(8UhAT2U@8U8DT2UX8U>T2Up8Uh8U7U8U4U8Up8UH5U8U8U(t85UЛ8Up85U8U8Uj6U8U885U8UI85U08U8U85UH8Uxa85U7U85UH8U6U7U8UH4U=8UX2U7Uh4U`8Ux8U6U8U6U8U8Uh_2U8U85UXH8U885Ux8U85U8U`8U^i2U8UΌ2U8Un4U 8U2U88U8U2UP8U8U5Uh8U6U88U4U8U@8U5UP8U8Ux6o3U8U8U8U(b2UО8U+_2U8U,_2U8Uh/_2U8U6U08U8UX:5UH8Ux4U`8Uh5o3Ux8Uh2U8U/_2U8U 4U8U8U16U؟8U 8U46U8U=4U8U45U 8UH1_2U88U85UP8U85Uh8UXDe3U8U87U8U؝2U8UX85UȠ8U85U8U)6U8U885U8U85U(8U85U@8Up,5UX8Ux85Up8U8UH85U8U85U8Uȵ8U4U8U2UС8U`8UX2U8U85U8UX 85U8UH!85U08U"85UH8U3U`8UH%85Ux8U8U&85U8U(6U8U&85U8UhG85Uآ8U8<25U8Ux8U 6U8UZ85U 8UP6U88U5UP8UA6Uh8U)_2U8U54U8U_85U8U_85Uȣ8U8U`85U8UH8Uc`7U8Uf`7U8UAEternal Father, Strong To Save - Concert Band / Orchestra The Naval Hymn (Melita) 4 Verses John Bacchus Dykes (1813-76) Arranged Brendan Elliget MAGA 537 Brendan Elliget “Eternal Father, strong to save, Whose arm hath bound the restless wave, Who bidd'st the mighty ocean deep Its own appointed limits keep; Oh, hear us when we cry to Thee, For those in peril on the sea! O Christ! Whose voice the waters heard And hushed their raging at Thy word, Who walkedst on the foaming deep, And calm amidst its rage didst sleep; Oh, hear us when we cry to Thee, For those in peril on the sea!” "Eternal Father, Strong to Save" is a hymn traditionally associated with seafarers, particularly in the maritime armed services. Written in 1860, its author William Whiting was inspired by the dangers of the sea described in Psalm 107. It was popularised by the Royal Navy and the United States Navy in the late 19th century, and variations of it were soon adopted by many branches of the armed services in the United Kingdom and the United States. Services who have adapted the hymn include the Royal Marines, Royal Air Force, the British Army, the United States Coast Guard and the United States Marine Corps, as well as many navies of the British Commonwealth. Accordingly, it is known by many names, variously referred to as the Hymn of Her Majesty's Armed Forces, the Royal Navy Hymn, the United States Navy Hymn (or just The Navy Hymn), and sometimes by the last line of its first verse, "For Those in Peril on the Sea". The hymn has a long tradition in civilian maritime contexts as well, being regularly invoked by ship's chaplains and sung during services on ocean crossings. [Wikipedia] This arrangement is for full Concert Band or Orchestra or a combination of both. There is an optional Piano/Organ part – not on the score. There are descant parts for Flute/Piccolo, Clarinet and/or Trumpet. Extra parts for Horns in Eb, Basses in Bb and Eb as well. Especially suitable for ANZAC Day. Grade = 3 Duration = 3:05 mins The MP3 was recorded with NotePerformer. toWidth?  :@[`FHeh48  JP2878 &(y @8U!2Y7U!2W7U!2017-01-12 02:30:49U!2017-12-24 00:31:10UaTUNE: St Clement C.C. Scolefield 1839-1904 Arranged by Brendan Elliget MAGA 5378U1Brendan Elliget0!sibW7U!154Wh7U!0WH7UqThe Day Thou Gavest Lord Is Ended (St Clement) Score Orchestra - Mixed Ensemble [Eb] TU Parts 2017.sib!2017-01-12 02:30:491X8U@y573889!97561W !51750W!3W8U1481W8U0QO’Donnell Abu (The Clan Connell War Song) - Concert Band7UV7U!2W!0W!3W!2W!2018-02-06 09:04:29!2018-11-15 00:42:42!M.J.McAnn cir. 1843U!Brendan Elliget8U!2006W8U10W0!sibW!154W!0WqO'Donnell Abu (The Clan Connell War Song) [Bb] CB v5 Revised 2018 WITH Strings TU Parts.sibU8U!2018-02-06 09:04:29!17W4U!3571W4U!3W4U!1.50X@8U!2018-02-06 09:04:31U!1Wȵ8U!0W8U!93107Wp8U!WW8U!1W8U10W(8U0!3(Zarcascad!1Zce_alt.x!0W/OpenCV/q{ "GroupOrd" : "100", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "14391" } -x!0.0000We/OpenCV!2018-02-06 09:28:51ontaAODonnell Abu The Clan Connell War Song Concert Bandigh!0W"positio!0Wy-combin!5Wr-x":138!2013-04-09 08:19:50:"33!0WE88AAEB4!0W}edZip!709X @r!2018-02-05 14:36:26U10000-00-00 00:00:00U8U0ASt Clement, in 98. 98. meter, is a popular tune to John Ellerton’s hymn The Day Thou Gavest, Lord, is Ended. The tune is generally credited to the Rev. Clement Cotteril Scholefield (1839–1904). It first appeared in Sir Arthur Sullivan’s Church Hymns with Tunes (1874). Scholefield was born at Edgbaston, Birmingham, and was the youngest son of William Scholefield, MP for Birmingham. [Wikipedia] This arrangement is for either concert band or orchestra or any combination of both. There are parts for Eb and F Horns, 3rd Violin (sub-Viola) and an optional Piano/Organ (not on the score) part included in the PDF. A Descant part can be used in the 3rd and 5th verses played on Flute, Oboe, Clarinet and/or Trumpet. It is especially appropriate for ANZAC Day. ​ Grade = 3 Duration 3:08 mins (5 verses)> !5.95W!0W!1W!0W!WW!WW!0W1Concert Band and/or OrchestraonapseT!WW["194994","181125","49173","28780","56337","160991","115321","165677","157773","57099","133354","59013","97561","30440","528512","156163","206160","538623","42278","35914"]U8U!2020-09-17 18:23:51U!1W 8U!2019-09-25 13:41:44U1D4E901E8-DF91-11E9-A548-788U8U!147877W!0W!0W8U!0W8U!1W8U!650x919W !0(]8U!3W!0000-00-00 00:00:00!0W!0WThe Day Thou Gavest Lord Is Ended - Large Mixed Ensemble Concert Band and/or Orchestra TUNE: St Clement C.C. Scolefield 1839-1904 Arranged by Brendan Elliget MAGA 537 Brendan Elliget St Clement, in 98. 98. meter, is a popular tune to John Ellerton’s hymn The Day Thou Gavest, Lord, is Ended. The tune is generally credited to the Rev. Clement Cotteril Scholefield (1839–1904). It first appeared in Sir Arthur Sullivan’s Church Hymns with Tunes (1874). Scholefield was born at Edgbaston, Birmingham, and was the youngest son of William Scholefield, MP for Birmingham. [Wikipedia] This arrangement is for either concert band or orchestra or any combination of both. There are parts for Eb and F Horns, 3rd Violin (sub-Viola) and an optional Piano/Organ (not on the score) part included in the PDF. A Descant part can be used in the 3rd and 5th verses played on Flute, Oboe, Clarinet and/or Trumpet. It is especially appropriate for ANZAC Day. ​ Grade = 3 Duration 3:08 mins (5 verses)edefdal-!0[8U!0W!71W!57W!2017-03-31 18:05:01{"width":194,"position-y-pc":"57","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[{"y":152,"width":38,"x":108,"center-y":175,"height":46,"center-x":127}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":153,"width":28,"x":135,"center-y":167,"height":28,"center-x":149}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"right","position-x":"right","position-y":"center","position-y-combined":"57%","average-center-x":138,"average-center-y":171,"id":"339739D2-1634-11E7-9E85-FEE88AAEB49B","position-x-pc":"71"}ttempt!2WtAttempt!527Whangeed!814WurchaseQ!2017-06-09 17:10:17aseQ!0000-00-00 00:00:00eExc!WWMinimumP!492952Wsphicon!0WetOfPart!0Wdress T2U0F8U8U7UHF8U4U`F8U&8UH5UxF8U8U(t85UF8Up85UF8U8Uj6UF8U885UF8UI85UF8U`8U85UG8Uxa85U98U85U%8U6U0%8U8UH4U7UX2Up7Uh4U7U8U6U%8U6U%8UH8Uh_2Up8U85U%8U885U%8U85U8U'8U^i2U8UΌ2U8Un4U8U2U8U8U2U8U8U5UH8U4U8U3U8U()8U5U=8UX8Ux6o3U8U6UG8U(b2U8U+_2U 8U,_2U88Uh/_2UP8U6Uh8U8UX:5U8Ux4U8Uh5o3U8Uh2U8U/_2U8U 4U8UX8U16U8U8U46U(8U=4U@8U45UX8UH1_2Up8U85U8U85U8UXDe3U8U87U8U؝2U8UX85U8U85U8U)6U08U885UH8U85U`8U85Ux8Up,5U8Ux85U8UH8UH85U8U85U8U(8U4U8U2U8U8UX2U 8U85U88UX 85UP8UH!85Uh8U"85U8U3U8UH%85U8Ux8U&85U8U(6U8U&85U8UhG85U8U8<25U(8U8U 6U@8UZ85UX8UP6Up8U5U8UA6U8U)_2U8U54U8U_85U8U_85U8U8U`85U8U8Uc`7U08Uf`7UH8U25U`8U25Ux8U25U8U8U c2U8U"c2U8U(g85U8Ug85U8UW4U8UXf85U 8Ue85U88UH8Uc85UP8U8UOm2Uh8U8U m2U8U`8UX~`2U8U88U`2U8UHb85U8U8U&_2U8UhAT2U8U8DT2U8U>T2U(8U8U7U@8U4UX8U8UH5Up8UP8U(t85U8Up85U8UH8Uj6U8U885U8UI85U8U8U85U8Uxa85UX7U85U7U6Uh>8U@8UH4U$8UX2U7Uh4U>8U8U6U>8U6U>8U8Uh_2U8U85U=8U885U>8U85U08U8U^i2UH8UΌ2U`8Un4Ux8U2U8U8U2U8U 8U5U8U7U`8Un SCOREM)8Up8U8Ux'8U@)8Ux8U8U8U@8U88U8U08U%8U8U 8Up)8U`8Uhl8U'8U&8U08U8U8U8Uh8U(8U(8U8U8UP8U(8U8U8U)8U@8U8U8U&8U (8Up8U8UX8U88U8U8(8Ux8U)8UP(8Uh(8U8U8U8U%8U8U0'8UH8U(&8UH'8U(8U8UX&8U8U&8UP%8U'8U8UX8U8U8U8U(8U8U8U'8U8U'8U(8U8U-and-par!0000-00-00 00:00:00U88U 8U?8UDQ-8U8UD@8U8UD8U8UD`8U8UD8U3U  8U8UD3UP58UD>8U`58UDu7Up58UD>8U58UD?8U58UD7U58UD7U58UD7U58UD`J8U58UD7U58UD7U58UD7U68UD07U68UDpF8U 68UDF8U068UDF8U@68UDI8UP68UDI8U`68UDJ8Up68UD0J8U68UDF8U68UD`8U68UDp"8U68UD"8U68UD"8U68UD"8U68UD"8U68UD#8U78UD0#8U78UDP#8U 78UDp#8U078UD#8U@78UDF8UP78UDG8U`78UD0G8Up78UDPG8U78UDpG8U78UDG8U78UDG8U78UD O8U78UD@O8U78UD`O8U78UDO8U78UDO8U88UDP8U88UD0P8Up85U 88UD`P8U088UDP8U@88UDP8UP88UDP8U`88UDP8Up88UDQ8U6U88UD%8U88UD)8U88UD0)8U88UDP)8U 8UDp)8U0 8UD)8U@ 8UD)8UP 8UD+8U` 8UD,8Up 8UD0,8U 8UDP,8U 8UDp,8U 8UDp7U 8UD7U 8UD7U 8UD Q8U 8UD@Q8U 8UD`Q8U8UDQ8U8UDQ8U 8U08U@8UP8U`8UDQ8Up8UDQ8U8UDR8U8UD R8U8UD@R8U8UDS8U8UD#8U8UD#8U8UD#8U8UD $8U8UG8U8UD/8U_85UZ85U8UDD8U8UDPE8U 8UDpE8U08UDE8U3U Ш8Up7U28U8U 8UDp3UP8UD8U8UD`8UX8U 8U::8UD Q-8U18UDQ-8Uo 8UD 28U8UD8U8UD8U`8UD8Up8UD 8U3U  8U@8UD8U8UD 8U8UDp8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD8U8UD 8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD 8U 8UD@8U08UD08U@8UD \8UP8UDP8U`8UDp8Up8UD8U8UD@d8U8UD`d8U8UDd8U8UDd8U8UDd8U8UD d8U8UD@e8U8UDpg8U8UDg8U8UDg8U 8UDg8U08UDg8U@8UDh8UP8UD0h8U`8UDPh8Up8UDph8U8UDh8U8U8UD 8U8UD@8U8UD`8Up85U8UD8U8UD8U8UD8U8UD8Ull only *0 ;@NP>@ (AH8@-0 8@fhOP58 BH78n buy shQ8U!1791W 10Wished3U0!205271X[H7UQJohn Bacchus Dykes (1813-76) Arranged Brendan Elliget MAGA 537QEternal Father, Strong To Save - Concert Band / OrchestraUp7U!2W7U!0WH7U!2W7U!2WV7U!2018-04-12 01:59:15U!2018-04-06 08:52:07U!28XX8U!4.50X8U!0Wȩ8U11W0!sibW7U!154W(8U!0WH97UaEternal Father, Strong To Save [Bb] Score Concert Band - Orchestra NP 2018.sibx%8U!2018-04-12 01:59:15U!5W4U!1412W4U!4W4U!Brendan Elliget4U!0W4U!2018W This is a bright medley of 15 traditional children nursery rhymes as one continuous movement - some only briefly quoted. They include: London Bridge Is Falling Down, Mary Had A Little Lamb, Polly Put The Kettle On, Pop! Goes The Weasel, Ding Dong Dell,This Old Man,Baa Baa Black Sheep, Mary Mary Quite Contrary, Here We Go Round The Mulberry Bush, Humpty Dumpty Sat On The Wall, Hey Diddle Diddle The Cat And The Fiddle, Three Blind Mice, Oranges And Lemons, Twinkle Twinkle Little Star and Sing A Song Of Sixpence. Please email me if you have any other requirements or problems with the parts. An orchestral version is also available... Grade = 3 Duration - 4:13 mins The MP3 was recorded with NotePerformer 3 Playing score: https://youtu.be/4goXtDzb4_k 999/app/s!5.95W!0W!1W!0W!WW!WW!0W!WW!WW!WW!0Y8U!2019-09-25 12:39:53130D164FE-DF89-11E9-AFAE-788U!134475W8U!210W@8U!297W!0W8U!1WX8U!650x919W8U!0W8U!0W!5.00W!2023-05-06 20:54:15U!2023-05-06 20:55:48U!8240689W@8U!7865204W QThe Nursery Rhyme Suite - Concert Band trad. Brendan Elliget This is a bright medley of 15 traditional children nursery rhymes as one continuous movement - some only briefly quoted. They include: London Bridge Is Falling Down, Mary Had A Little Lamb, Polly Put The Kettle On, Pop! Goes The Weasel, Ding Dong Dell,This Old Man,Baa Baa Black Sheep, Mary Mary Quite Contrary, Here We Go Round The Mulberry Bush, Humpty Dumpty Sat On The Wall, Hey Diddle Diddle The Cat And The Fiddle, Three Blind Mice, Oranges And Lemons, Twinkle Twinkle Little Star and Sing A Song Of Sixpence. Please email me if you have any other requirements or problems with the parts. An orchestral version is also available... Grade = 3 Duration - 4:13 mins The MP3 was recorded with NotePerformer 3 Playing score: https://youtu.be/4goXtDzb4_k nomodule sr!0W9/no_mod!0Wd="cooki!0W>
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00:00:00!0Q8U 1HASHWw$0!0000-00-00 00:00:00!sibMs8U!630W10W0!08U !3[s8Uired!9.90W!7.40W!9.90W17.40W0!0000-00-00 00:00:00Qh8U!XHX(8U!WW@!0000-00-00 00:00:00!WW!0000-00-00 00:00:00!0X;3U!1W 7U!650x841WhJ 8U!0Wp7U!0Wy8U!5.00Wx8U!2023-02-23 05:03:14U!2023-02-23 05:04:05U!4911126W !Graham DixonU 10000-00-00 00:00:00*%0A[O4Uv8U֣! 18.188.40.207@!0W"8U !0xXS8U!WWw!0000-00-00 00:00:00!1W!1560W11W0!XhXORT FROM!0.00WET_ATON(!1(X LIMIT 1!0000-00-00 00:00:00U!WW!0W !2020-09-10 13:28:36!RUQLrencyID!275W !08Uf3U!1Ww!0W@!74W125W0!HASHY!HASHW!HASHW!HASHWr8U!0000-00-00 00:00:00!0W !0WineField!0000-00-00 00:00:00lue=!0000-00-00 00:00:00in pQp}O8U!Goodbye My Lover1James Blunt0!2.50p%B8U !Very Easy Piano!WW!WW!1.50W 1@s7Uh{8UFK zQ[{"on":1,"name":"scoreid"},{"on":1,"name":"title"},{"on":1,"name":"sku"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":1,"name":"mp3"},{"on":1,"name":"composer"},{"on":1,"name":"subtitle"}]UWP!500 s8U!2023-04-29 05:43:06!2023-04-29 05:43:1611320927WDarknessderSent0In a long and varied career Jerry Lanning has arranged for film, television and radio, and for artists as diverse as Billy Connolly and Pavarotti. He was a regular arranger and conductor for the [[http://en.wikipedia.org/wiki/BBC_Radio_Orchestra|BBC Radio Orchestra]] and for [[http://www.starborne.net/|Starborne Productions]] in the USA. He has hundreds of arrangements in print, in particular the //Classic Experience// and //Making The Grade// series, and was for a time Managing Editor at Music Sales. [[/search?uid=736|Jerry Lanning's arrangements and compositions]] are for a wide variety of instrumental combinations, including many for [[/search?instrumentationid=9&uid=736|Brass Quintet]].^s8U!2W}8U10W~8U~8U0!297?8U !2017-06-09 17:10:17!HASHP8U !0`Y8U !08UcoreIncl!0000-00-00 00:00:00!HASHW!HASHW0.8U!HASHWi8U1SHADOWS IN LIGHT for Viola Harp255!0W5!0WR8U!6W8U!2013-04-27 15:00:47!0W!0W !HASHW12021-11-10 00:00:00tationroup0!0p8U13W0!uid[]tion[]lSome[]"Onward, Christian Soldiers" is a 19th-century English hymn. The words were written by Sabine Baring-Gould in 1865, and the music was composed by Arthur Sullivan in 1871. Sullivan named the tune "St. Gertrude," after the wife of his friend Ernest Clay Ker Seymer, at whose country home he composed the tune. The Salvation Army adopted the hymn as its favoured processional. The piece became Sullivan's most popular hymn. The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example, II Timothy 2:3 (KJV): "Thou, therefore, endure hardness, as a good soldier of Jesus Christ." [Wikipedia] This arrangement is for full concert band with optional string and piano parts. There are descant parts for Flute/Piccolo, Clarinet and Trumpet. Parts include parts for Eb and F Horns, Bb, Eb and C Tubas. Suitable for use on ANZAC Day. Grade = 3 Duration = 2.00 mins. (2 Verses only)!4.50W!0WH8U!1W@K8U!0W174636!WWp!WW10Wj8UD8U0885U.#8UA5U"8U&85UR8Uc8UN{7U08U885U@r8UX2U(7Uj=8U6U8U8UX~5U8U~5U8U؝2UH48Uy3Up7Ug85U`|3Uc`7Up8U 8UX5U8U ,8UH4UP8UH~5U/8U5U8U5UE}8Up3U%8Uy3Ua8U0*3U8U(8UX2UX <8UZ85U7UE3U&8Uxv5U8UX 85U8UH8Ux6o3UU8U8Uj6U'8U98U~5U33U85UP28Ux6U87UA5U e8U85U8U>T2Up8U5Ux8U(6UE8U~5U(k8U"85U` 8UD2U,8U 8U\F3Ud8U>8U5U'88U6UH8UvH5Uh/3U 8U2UH8UL2UX7Up8U\F3UpA8Ux6o3U/8UX8U5U8U؝2U C8U7Uظ8Ux(8U74Uh,8Uy3U(8U(M2UR8U`8U`2U8UN3U5UHj8Uk`7U 8Ub5U8%8Un3U08U(2U 8U<8Un-9U0L-9UX3UJ8U45Ur8UL2U`8U_85U!8U~5U7U 8Uj6U7U8U5U( 8Uh4U8U6U8U6UB8Ui8UT5Uк7U85U p7Uxa85U38U5U h8U25U/8U~5U9UX85U8U`7U5U8UXq:5U8Uh/_2U:8Uc`7UИ8UXq:5US8U2U8F8Uȵ5U 8UK?4UM8U)6U8U7U5UȖ8UD2U8UX̟6U8Ux8U8Up3Uh8UXq:5Ui8U3U*8U`8U8B5U7Ug85U.8UО8U`2Uhڐ8UΌ2UC8UP88U^i2U8Uh5o3UX7Uy3U`8U~5UL8U/_2Uu8U7U16UX228U9U8U89Un4U,8UH!85UHS8U88U639UH39U@3U.8Ub5U8Uh5o3U 98Uy3U08U 4Uh<8U 8U c2U08US8U(4UXD8UXޱ3Uh5UxS8U؂?8U74UF8Ux85U~8U5U0 8U@8U 6U7U2Uh7UQ 8UX:5U 8Up7U^i2U(8UΌ2U`8U6U8U5U8U08U5U8Up,5U8Ux6o3U@8Uz5UHg8UoS8U85U88U8U0*3UH8Uy3U8UXf85Ub8U885UX7U2U88U8U(x5U8Ub5UP8Uȫ~5U8U 4U8U8DT2Us8U 85U(5Ux8U2Up 8Uh~5U8U25U 8U 8U74U 8Up8UH4U&8U38U5U3U(M2U8U5U8UHq8UhO6U(B}8U(M2U7U~5UG7U`3U7U~5UТ08U`3Uh)8U_85Uhn8Uȫ7U&_2U)8U8U~5U<8UB5U,8U4U8Up85UP8Ux~5U8U6U7U2U8U_85UB}8Ue85U8U(3U7U!2023-03-09 04:51:35!2023-03-09 04:54:14U!8109168W8U!7751453W545548!0000-00-00 00:00:00!0000-00-00 00:00:00Q8U!1`9S8U !ElligetW 1https://musica.acordo.net08U!1W!KamakuraW10000-00-00 00:00:00UW0!149235W1Bass Clarinet in Bb0!voyager79P_3U!belliget@hotmail.com14Uȸ5U4U]5U4U@^5Up^5U^5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U14U4U4U4U!8U0p8U43U43U53Ux53U`53U053U!@ISAUǮ8UpmQ43UX43U33U08U!468U!0a8U!0000-00-00 00:00:001WW0!HASHW Ascore unavailable because it's SMD and deleted (456978)A`4U8Ua06 3.144.233.150@!\/,Uchema.org!18U8U!1W8U!0WH7U!WW !X8X!0W@8U!Frankfurt am main8U10000-00-00 00:00:00U48U0!WWla Conce!WWrl":"htt!GermanyW.com","T!60487W Stephen!deWrl":"htt!WW.au/","T!WWesign Pa!WWttp://ww!0000-00-00 00:00:00m","!154210Wan Midi !1.49WMy own m!jakob_kolbe","Url":11W":"BJE Music"}]0  ?@0  68kp  >8U08  $(,0`h$(  :8U8    $( 49U    25U(8U25U@8U25UX8Uh8U c2Up8U"c2U8U(g85U8Ug85U8UW4UФ8UXf85U8Ue85U8U8Uc85U8U8UOm2U08U8U m2UH8U8UX~`2U`8Uش8U`2Ux8UHb85U8U8U&_2U8UhAT2U8U8DT2Uإ8U>T2U8U8U7U8U4U 8U8UH5U88U8U(t85UP8Up85Uh8Uȯ8Uj6U8U885U8UI85U8U88U85UȦ8Uxa85U@H8U85U8U6U8U8UH4U7UX2U07Uh4U7U8U6U8U6U(8U8Uh_2Uh8U85UP8U885U8U85U8U8U^i2U8UΌ2U8Un4U8U2U8U8U2U8U08U5U8Uz8UH7U8U6U8Up8U5UЧ8U8Ux6o3U8U4U8U(b2U8U+_2U8U,_2U8Uh/_2U8U6U(8U8UX:5U@8Ux4UX8Uh5o3Up8Uh2U8U/_2U8U 4U8U8U16U8UX8U46U8U=4U8U45U8UH1_2U08U85UH8U85U`8UXDe3Ux8U87U8U؝2U8UX85U8U85U8U)6U8U885U8U85U 8U85U88Up,5UP8Ux85Uh8U8UH85U8U85U8U8U4U8U2U8Ux8UX2U8U85U8UX 85U8UH!85U(8U"85U@8U3UX8UH%85Up8U08U&85U8U(6U8U&85U8UhG85U8U8<25U8U8U 6U8UZ85U8UP6U08U5UH8UA6U`8U)_2Ux8U54U8U_85U8U_85U8U@8U`85U8U`8Uc`7U8Uf`7U8U25U 8U25U88U25UP8U8U c2Uh8U"c2U8U(g85U8Ug85U8UW4U8UXf85U8Ue85U8U8Uc85U8U8UOm2U(8Uг8U m2U@8U8UX~`2UX8U8U`2Up8UHb85U8Uж8U&_2U8UhAT2U8U8DT2U8U>T2U8U8U7U8U4U8U8UH5U08U8U(t85UH8Up85U`8U8Uj6Ux8U885U8UI85U8UP8U85U8Uxa85U88U85Uȝ8U6UH7U8UH4U`7UX2U7Uh4U(8Uȸ8U6UX8U6Up8U88Uh_2U8U85U8U885U@8U85U(8U8U^i2U@8UΌ2UX8Un4Up8U2U8Uм8U2U8UH8U5U08U6U8U4U08U8U5U8U(8Ux6o3U8UQ7U 8U(b2UH8U+_2U`8U,_2Ux8Uh/_2U8U6U8Uؽ8UX:5U8Ux4U8Uh5o3U8Uh2U8U 8U8U(8U8U8UH8UP8U8U88U8U8U8U8Uг8U8Uر8Ux8U8Ul8U 8U8U8Uh8U8U8U 8U8U8U88UP8U8U8U8Uط8U8U8Uh8U8U8U(8U(8Up8U8U8U`8U@8U08U8UX8Up8Uȸ8UP8U8U8U@8U88U 8U08UP8U8U8U`8Uh8U8UX8U8UH8U8Ux8UȲ8Uа8Uж8U@8U8U8UX8U8U8U8U8U!0^8U!0W!5.00W!2023-05-11 09:33:29!2023-05-11 09:36:05!7605104W!6959677W!0000-00-00 00:00:00!0000-00-00 00:00:00И8U8U8UDH8U8UDH8U8UD H8U 3U  8U8UD8U8UD 8U8UDP8U 8UDp8U08UD8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD8U8UD8U8UDp8U8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8U 8UDp8U08UD8U@8UD @8UP8UD8U`8UD8Up8UD8U8UD8U8UD8U8UD08U8UDP8U8UDp8U8UD8U8UD8U8UD8U8UD8U8UD08U 8UDP8U08UDp8U@8UD8UP8UD8U`8UD8Up8UD 8U8UD@8U8UD`8U8UD8U8UD8U8UD8Up85U8UDP8U8UDp8U8UD8U8UD8U8UD8U 8UD8U6U08UD `8U@8UD 8UP8UD@8U`8UD`8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8U8UD8U8UD8U8UD8U 8UD08U08UDP8U@8UDp8UP8UD8U`8UD8Up8U8U8U8U8U8UD8U8UD8U8UD8U8UD08U8UD8U8UD8U 8UD08U08UDP8U@8UD8U8U8U8U@3U8Uc8UP_8U @D8UDO8U7U @8U8UDG;8U7U @P8U3U `8U7U28U8U7UDI8U8UD8U8UDPu8U8U8UP58Up58UD7U 58UD|-8U8UDpt8U 8UDpu8U8UDt8U8UDu8U3U  A8U8UDP8UP8UDP8U`8UD8Up8UD8U8UD8U8UD8U8UD8U8UD 8U8UD8U8UD8U8UD8U8UDp8U8UD08U8UDP8U 8UDp8U08UD8U@8UD8UP8UD8U`8UD 8Up8UD@8U8UD`8U8UD38U8UDp68U8UD68U8UD68U8UD68U8UD68U8UD78U8UD078U8UDP78U 8UD p78U08UD78U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD8U8UD08U8UDP8U8UDp8U8UD8U8UD98U8UD:8U8UD :8U8UD@:8Up85U 8UDp:8U08UD:8U@8UD:8UP8UD:8U`8UD:8Up8UD;8UP8UQ8U14 8UAGE_PERMISSION0er coro e organo/for choir and organ in sib minore - in B minattie Shade for their contribution to the Eltham Concert BandH7U!34152Wxb7U!2021-08-26 14:18:35U12017-06-09 19:32:42H8U0AAustralian Folksong Medley No. 1 - Concert Band7U!2W(8U!0W097U!2WC7U!2W8U!2011-06-10 12:14:05!2021-08-26 14:18:35U!20008X8U!2000Wh8U!6Wx8U11.50W0!sibW 8U!154W08U!0W8U!WW8U!0000-00-00 00:00:00U!8W4U!3592W4U!4W4U!trad.W4U!Brendan Elliget An Australian Folksong medley: Bound For South Australia (Halyard and Shanty), The Drover’s Song and With My Swag All On My Shoulder. If you use this arrangement, please let me know how it goes or write a review! There are 5 more Australian Folksongs at present to download - see associated scores. The MP3 was recorded with NotePerformer. Youtube playing score: https://youtu.be/pvLPf6k0XLA !4.95W!0W!1W!0W!WW!noneW!0W!WW!WW!35.00Y 8U!32.00W!1WP8U!0W!WW8 8U!0.00Wh8U["160326","184635","138877","200008","205345","189491","360624","145903","199602","433815","363205","199591","199585","413049","360630","201840","199596","361645","207217"]8U!2020-09-26 01:13:16!0W8U!2019-09-25 12:39:4612CB7A162-DF89-11E9-AFAE-788U0X 85U8UH!85U(8U"85U@8U3UX8UH%85Up8U 8U&85U8U(6U8U&85U8UhG85U8U8<25U8UX 8U 6U8UZ85U8UP6U08U5UH8UA6U`8U)_2Ux8U54U8U_85U8U_85U8Uh8U`85U8U( 8Uc`7UHA8Uf`7U`A8U25UxA8U25UA8U25UA8UH 8U c2UA8U"c2UA8U(g85UA8Ug85UB8UW4U B8UXf85U8B8Ue85UPB8U 8Uc85UhB8U8UOm2UB8U 8U m2UB8U@8UX~`2UB8U 8U`2UB8UHb85UB8U 8U&_2UB8UhAT2UC8U8DT2U(C8U>T2U@C8U8U7UXC8U4UpC8U 8UH5UC8U08U(t85UC8Up85UC8U(8Uj6UC8U885UC8UI85UD8Ux8U85UD8Uxa85U8U85U8U6UH8U 8UH4Up7UX2U7Uh4U7U8U6Uغ8U6U8U`8Uh_2U88U85U8U885U8U85U88Ux 8U^i2U88UΌ2U98Un4U#8U2U#8U8U2U$8U8U5U E8U/^2UN8U6UE8Up8U5U8Up8Ux6o3UpF8U4UF8U(b2UF8U+_2UF8U,_2UF8Uh/_2UF8U6UG8U8UX:5UG8Ux4U0G8Uh5o3UHG8Uh2U`G8U/_2UxG8U 4UG8Up8U16UG8U8U46UG8U=4UG8U45UG8UH1_2UH8U85U H8U85U8H8UXDe3UPH8U87UhH8U؝2UH8UX85UH8U85UH8U)6UH8U885UH8U85UH8U85UI8Up,5U(I8Ux85U@I8U`8UH85UXI8U85UpI8U@8U4UI8U2UI8U8UX2UI8U85UI8UX 85UI8UH!85UJ8U"85UJ8U3U0J8UH%85UHJ8U8U&85U`J8U(6UxJ8U&85UJ8UhG85UJ8U8<25UJ8U8U 6UJ8UZ85UJ8UP6UK8U5U K8UA6U8K8U)_2UPK8U54UhK8U_85UK8U_85UK8U8U`85UK8U8Uc`7UK8Uf`7UK8U25UK8U25UL8U25U(L8U8U c2U@L8U"c2UXL8U(g85UpL8Ug85UL8UW4UL8UXf85UL8Ue85UL8U`8Uc85UL8U8UOm2UM8U08U m2UM8Ux8UX~`2U0M8UP8U`2UHM8UHb85U`M8U08U&_2UxM8UhAT2UM8U8DT2UM8U>T2UM8U8U7UM8U4UM8U 8UH5UN8Uh8U(t85U N8Up85U8N8U`8Uj6UPN8U885UhN8UI85UN8U8U85UN8Uxa85U7U85U8U6U7UX8UH4U8UX2U7Uh4U 8U(8U6UP8U6Uh8U8Uh_2U($8U85U8Ul8UAAustralian Folksong Medley No 2 Concert BandoreExchang!0W!0W!15W!2013-04-09 09:01:00!0W!0WAustralian Folksong Medley No. 2 - Concert Band trad. none Brendan Elliget An Australian Folksong medley: Bound For South Australia (Halyard and Shanty), The Drover’s Song and With My Swag All On My Shoulder. If you use this arrangement, please let me know how it goes or write a review! There are 5 more Australian Folksongs at present to download - see associated scores. The MP3 was recorded with NotePerformer. Youtube playing score: https://youtu.be/pvLPf6k0XLA chang!0W!1W!0W8U!0W8U!2018-04-08 14:17:16hang!{"width":201,"position-y-pc":"0","faces":{"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"28482E08-3B2F-11E8-8704-16AAED28936B","position-x-pc":"0"}8U!0W<8U!516Wd8U!769WeExchang!2021-08-27 04:58:03Publ!0000-00-00 00:00:00U!027W8U!586163W8U!0WeExchang!0WEPSCoun!35.00WS8U!32.00W 1Auld Lang Syne (Concert Band)7U!2W(7U!0W7U!2W7U!2Wx7U!2017-11-15 21:35:04U!2018-10-03 01:26:47U!19998X#8U!2W$8U!1.50WP8U12017-11-15 22:10:040!sibW`7U!154WF3U!0W=7U!2017-11-15 21:35:04U!38W\ 8U!6388W8U!16W(8U!1X8%8U!0W$8U!0W$8U!WWx$8U!0Wh%8U!0W#8U!1WP8U10W %8U0ATraditional Arranged By Brendan Elliget MAGA 5374U!Brendan Elliget4U10W4U0!0Xr8U!0W`r8U!1W r8U!0Wr8U!0.0000Wr8U!2017-07-13 14:30:56U!3Wpr8U12134Wr8U0!This version of my descant to 'Charity' provides a special organ accompaniment to the descant. The arrangement may also be performed with all the voices singing the melody. For a version where the descant is sung to Stainer's original harmonie, please see Related Files. If you use this arrangement, please do let me know via Score Exchange. I am always delighted to learn of performances of my compositions and arrangements, and have had the pleasure of being contacted from as far away as Canada, the USA and Australia.48%","av!3.00Wrage-cen!0W7A6-1607!1W,"positi!0Wee.xml" !WW 300, !0W "50%", !WWr", "!WW"positio!1.50hX "avera!2017-07-13 14:30:03667,!0W 104.333!0WE4A21A-0!0WE0", !WW QO’Donnell Abu (The Clan Connell War Song) "Proudly the note of the trumpet is sounding Loudly the warcries arise on the gale Fleetly the steed by Lough Swilly is bounding To join the thick squadrons on Saimiers green vale! On every mountaineer! Stranger to flight or fear! Rush to the standard of dauntless Red Hugh! Bonnaught and Gallowglass, throng from each mountain pass! Onward for Erin! O’Donnell Abu!" This simple tune has been arranged for concert band. Played over 4 verses, it builds up with an addition of instrumental groups, descant, counter melody and timpani. It has an optional piano part useful for rehearsal especially if adding a vocal for use as a college song...Optional string parts are also available. (Not on the score). Listen to the MP3 - It was recorded with NotePerformer! [Updated 6/02/2018]!3.95W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!\\8U!555007W!0W!0W!25.00W!22.00W!25.00W!22.00W!0W!WW!0.00W["52664","51858","66548","12795","88863","130974","66348","366549","42173","393247","534745","90277","90103","147734","108618","139889","40775","143973","97224","34941"]8[!2020-09-14 07:43:06!1W!2019-09-25 12:43:421B9932E6C-DF89-11E9-8692-78!132411W!398W!563W!0W !1W!650x917W!0W!0W8!5.00W!2023-02-13 14:20:20!2023-02-13 14:23:33!8724437W!9771493W!0000-00-00 00:00:00!0000-00-00 00:00:00Q8U!2020-02-17 22:14:231Arranged By Brendan Elliget MAGA 537!Brendan Elligetf8U!0Wf8U10WT7UW0!2^`8UThis beautiful traditional early American tune has been arranged for full Concert band and is based on my Woodwind Quartet version (see associated scores) with a few additions: Down a tone with a Coda added. Many instruments have their turn at the melody while others play some interesting accompaniment. Please email any comments to me. Listen to the MP3 - it was recorded with Note Performer... YouTube of Playing Score: https://youtu.be/EHk77ct-rmg4-23 20:10:31!5.50W!0W!1W!0W!WW!WW!0W!WW!WW!WW!040YP 8U!584521W!0W88U!0W!40.00W 8U!36.00WP8U!40.00W( 8U!36.00WH 8U!0W 8U!WW 8U!0.00W 8U["194994","181125","49173","56337","115321","160991","165677","28780","157773","57099","133354","30440","97561","528512","156163","206160","538623","106317","42278"]!1X^ 8U!0Wq{ "GroupOrd" : "80", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "14391" } 21!0.0000W!2011-05-08 04:11:341Amazing Grace Concert Bande2024-0!0W!0W!8W!2013-03-14 16:21:09!0W!0WAmazing Grace - Concert Band trad. Brendan Elliget This beautiful traditional early American tune has been arranged for full Concert band and is based on my Woodwind Quartet version (see associated scores) with a few additions: Down a tone with a Coda added. Many instruments have their turn at the melody while others play some interesting accompaniment. Please email any comments to me. Listen to the MP3 - it was recorded with Note Performer... YouTube of Playing Score: https://youtu.be/EHk77ct-rmg1.000000!0W!1W!0W!0W!2018-01-02 00:29:20{ "width" : 203, "position-y-pc" : "0", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 300, "position-x-combined" : "left", "position-x" : "left", "position-y" : "top", "position-y-combined" : "top", "average-center-x" : 0, "average-center-y" : 0, "id" : "0AF6E794-EF54-11E7-B64F-A69F12BCCC60", "position-x-pc" : "0" } 005845551!0W!531W!782W 8U8U(8U 8Up 8Ux 8U 8U8U@8U88U 8U0 8U8UX8U 8U 8U`8Uk8UH 8U 8U08U8U8U8Uh8U 8U8U8U8UP8U(8U8U 8U@ 8U8U8U8U 8UP 8Up8U8UX8U88U8Uh 8Ux8U 8U 8U 8U 8U8U8U( 8U8U` 8UH 8UX 8Ux 8U 8U8U 8U 8U 8Uh8U 8U8U8U8Up8U8U 8U8U8U0 8U8U 8U8 8U8U4-04-23 !2020-09-25 16:46:02U!0W!2019-09-25 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Big band Brass band Concert band / wind band Drum corps Marching band MiR8UR8UR8UR8UR8U4Other (e.g. worksheet)4050reExchangeScoreTypesScoreTypesIDID? B @xS8UR8US8U8S8UhT8UlT8UzT8UT8UT8UT8UT8UT8UdefScoreExchangeScoreTypesScoreTypesImageDisplayYImageDisplayY? ue! @lue="1"T8Utation_1(U8U,U8U-U8U.U8U/U8U9U8U:U8UGU8UdefCacheTime?mentation_7" > Brass choir Brass quartet Brass quintet Brass trio Clarinet choir Double reed ensemble Piano trio Saxophone quartet String quartet String quintet String trio Wind quartet Wind quintet Woodwind choir Woodwind trio Piano four hands Duet Trio Quartet Quintet Sextet Septet Octet Big band Jazz combo Jazz quartet Jazz trio Mariachi band Salsa band Leadsheets Worksheets Duet Trio Quartet Quintet Sextet Septet Octet Large mixed ensemble Orchestra String orchestra Choir + orchestra Orchestra + solo Drum corps Handbells Orff ensemble Percussion ensemble Percussion ensemble (pitched) Percussion ensemble (unpitched) Piano four hands Choir + keyboard Solo instrument + piano Voice + keyboard Pop group R & B band Solo instrument String quartet String quintet String trio String orchestra Choir Choir (barbershop) Choir + keyboard Choir + orchestra Voice + guitar Voice + keyboard Double reed ensemble ObjectCache Woodwid
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    Composer / Arranger

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    Big band Brass band Concert band / wind band Drum corps Marching band Military band School band Brass band Brass choir Brass quartet Brass quintet Brass trio Brass choir Brass quartet Brass quintet Brass trio Clarinet choir Double reed ensemble Piano trio Saxophone quartet String quartet String quintet String trio Wind quartet Wind quintet Woodwind choir Woodwind trio Piano four hands Duet Trio Quartet Quintet Sextet Septet Octet Big band Jazz combo Jazz quartet Jazz trio Mariachi band Salsa band Leadsheets Worksheets Duet Trio Quartet Quintet Sextet Septet Octet Large mixed ensemble Orchestra String orchestra Choir + orchestra Orchestra + solo Drum corps Handbells Orff ensemble Percussion ensemble Percussion ensemble (pitched) Percussion ensemble (unpitched) Piano four hands Choir + keyboard Solo instrument + piano Voice + keyboard Pop group R & B band Solo instrument String quartet String quintet String trio String orchestra Choir Choir (barbershop) Choir + keyboard Choir + orchestra Voice + guitar Voice + keyboard Double reed ensemble Wind quartet Wind quintet Woodwind choir Woodwind trio

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    Genre

    Blues music Classical music Classroom materials Country music Folk music Jazz music Latin music Modern classical music Other Ragtime music Rock and Pop music World music

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    -xs"> Clarinet 2 in B^bT2U888U( 8U7UP88U4Uh88U0 8UH5U88Ux 8U(t85U88Up85U88Up 8Uj6UȖ88U885U88UI85U88U 8U85U88Uxa85U8U85U8U6U(88Uh 8UH4U8UX2UR8Uh4U88U8 8U6UX88U6Up88Uh8Uh_2U0f 8U85U88U885U@88U85UHf 8U  8U^i2U`f 8UΌ2Uxf 8Un4U`8U2Ux8U8U2U8U 8U5U88U4Uh8U`8UH^7U8U 8U5U88Ux8Ux6o3UP8U6U88U(b2U8U+_2U8U,_2U8Uh/_2U8U6U8U8UX:5U8Ux4U8Uh5o3U(8Uh2U@8U/_2UX8U 4Up8Ux8U16U8U8U46U8U=4U8U45U8UH1_2U8U85U8U85U8UXDe3U08U87UH8U؝2U`8UX85Ux8U85U8U)6U8U885U8U85U8U85U8Up,5U8Ux85U 8Uh8UH85U88U85UP8UH8U4Uh8U2U8U8UX2U8U85U8UX 85U8UH!85U8U"85U8U3U8UH%85U(8U8U&85U@8U(6UX8U&85Up8UhG85U8U8<25U8U8U 6U8UZ85U8UP6U8U5U8UA6U8U)_2U08U54UH8U_85U`8U_85Ux8U8U`85U8U8Uc`7U8Uf`7U8U25U8U25U8U25U8U8U c2U 8U"c2U88U(g85UP8Ug85Uh8UW4U8UXf85U8Ue85U8Uh8Uc85U8U8UOm2U8U88U m2U8U8UX~`2U8UX8U`2U(8UHb85U@8U88U&_2UX8UhAT2Up8U8DT2U8U>T2U8U 8U7U8U4U8U(8UH5U8Up8U(t85U8Up85U8Uh8Uj6U08U885UH8UI85U`8U8U85Ux8Uxa85UPI8U85U/8U6Up88U`8UH4UX8UX2U 8Uh4U88U08U6U88U6U88U8Uh_2U8U85U88U885U88U85U8U8U^i2U8UΌ2U8Un4U8U2U8U88U2U8UX8U5U8U4U8UH8UX^18U88U8U5Ux88UP=8Ux6o3U8U6Uh8U(b2U8U+_2U8U,_2U08Uh/_2UH8U6U`8U@8UX:5Ux8Ux4U8Uh5o3U8Uh2U8U/_2U8U 4U8UP=8U16U8U=8U46U 8U=4U88U45UP8UH1_2Uh8U85U8U85U8UXDe3U8U87U8U؝2U8UX85U8UdefScorЈ88U8U98UDP68U98UD68U8U`8UD`=8U 8UD=8U08UD=8UP8U  88U 88UD0-8U088UD  8U@88UDP 8UP88UDp 8U`88UD 8Up88UD 8U88UD 8U88UD 8U88UD 8U88UD 8U88UD 8UІ88UD 8U88UD@ 8U88UD` 8U88UD 8U88UD 8U 88UD 8U088UD@ 8U@88UD` 8UP88UD 8U`88UD 8Up88UD 8U88UDP 8U88UDp 8U88UD`88U88UD88U88UD88UЇ88UD88U88UD88U88UD88U88UD 88U88UD88U 88UDP88U088UDp88U@88UD88UP88UD88U`88UD88Up88UD88U88UD88U88UD088U88UD88U8UD88U8UD88U8UD 88U8UD@88U8UD`88U8U8UD88U8UD88U8UD88U8UD88U 8UD88U08UD088U6U@8UDИ88UP8UDP88U`8UD88Up8UD88U8UDЙ88U8UD88U8UD88U8UD088U8UDP88U8UDp88U8UD 8U8UD 8U8UD88U8UD88U 8UD88U08UD88U@8UD088UP8U`8UDP88Up8UDp88U8U8U8U8U8U8UD88U8UD88U8UD88U8UD88U8UD88U 8UD88U08UD88U@8UD88UP8UD88U8U88UC18UD@8U_85UZ85U ?8UD@8UP?8UD@8U`?8UD @8Up?8UD@@8U08U 88U`38U2p8U88U {68UDB8U >8UD=>8UP=8UD0=8U8U=8UD=8U98UD68U98UD68U"8UDE8U=8U`=8UDP=8U =8UD=8U0=8UD=8U8U  P,8UP8UD88U`8UD088Up8UD`88U8UD88U8UD88U8UD88U8UD88U8UD88U8UD88U8UDз88U8UD88U8UD88U8UD@88U 8UD`88U08UD88U@8UD 8UP8UD 88U`8UD`88Up8UD88U8UD 8U8UD 8U8UD 8U8UD0 8U8UDP 8U8UDp 8U8UD88U8UD88U8UD 8U8UD 8U 8UD 8U08UD  8U@8UDP 8UP8UDp 8U`8UD 8Up8UD 8U8UD 8U8UD 8U8UD 8U8UD 8U8UD 8U8UD@ 8U8UD` 8U8UD 8U8UD`(8U8UD(8U 8UD(8U08U@8UD(8UP8UD(8U`8UD)8U  ( $(08+0UX (0&((0(0 1silent night for cello quartet prs.sib!2018-12-17 20:29:06!40W!3616W146904'!21W?>8U!0XPm>8U!0Wl>8U!WWl>8U!0Wl>8U!0Wm>8U!1Wl>8U!0W(k>8U1WW8m>8U0!08Z8U!2Wp.8UThis arrangement of Silent Night is ideal if you need to get into a Christmas spirit! I have added an optional piano part.UP98U!2.95Wx57U!0W1.8U!1W\ 8U!0Whg 8U!WW8U!WWs-8U!0W27U!WWM98UACopyright © April 2008 (Burndrett Music) 88U!WW!1.00X!2018-12-17 20:29:07!0W QCopyright © September 2008 Copyright © March 2011 (Revised Version)AGood King Wenceslas (Jazzy Style!) for Cello QuartetU!373WX98U!3W8U!2Wи98U!2013-12-08 18:45:48U!2023-02-21 16:34:49U1Traditional arranged by David Burndrett!David Burndrett`>8U!0Wa>8U!0W !sibW%98U!496WP\;8U!0W.8UAgood king wenceslas for cello quartet.sib 8UPg 8U!2013-12-08 18:45:48U!3Wh-8U!1728Wx27U!3WM98U!1hX4UqThis piece works well as a concert piece or just for fun! I have added an optional piano part.4U12.95W4U0!1.00X0>8U!2013-12-12 18:28:18U!1W0>8U!1W/>8U!0W0>8U!WW@/>8U!0Wh.>8U10Wx0>8U0!0^`8U!WW!WW!0W!WWACopyright © November 2010 (Burndrett Music)angeScores!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWx3>8U!546145W!0W0>8U!0W3>8U!0.00Wh.>8U!6.95W2>8U!4.00W0>8U!0WX/>8U!WW0>8U!0.00W3>8U!7507888X!1170998W3>8U!0000-00-00 00:00:0010000-00-00 00:00:00U2>8U0!1]p8U!0W!WW!0.0000W!2013-12-12 18:33:59AIn the Bleak Midwinter for Cello Quartet8U8U!0W!0W!2W!0000-00-00 00:00:00!0W!0WIn the Bleak Midwinter for Cello Quartet Gustav Holst arranged by David Burndrett David Burndrett This piece works well as a concert piece or just for fun!lPriceManu!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W2>8U`>8U7>8U/>8U1>8U2>8U2>8U6>8U4>8Ux6>8U3>8Up2>8U8.>8U_>8U`6>8U1>8U5>8U078U/>8U.>8Up5>8U6>8U06>8U(5>8U6>8U1>8U_>8U3>8U3>8U6>8Uh4>8U@5>8U@2>8U1>8U_>8U3>8U6>8U(/>8U0>8U4>8U4>8U4>8Ux3>8U5>8U0>8U5>8U(2>8U0>8U0>8U03>8U6>8UH6>8Uh.>8U``>8U/>8U2>8U.>8U/>8U0>8U84>8U.>8U2>8UX/>8U->8U0>8U5>8U_>8U6>8U_>8UX5>8U81>8U4>8U5>8Up/>8U4>8UH0>8Ux0>8U 4>8U28U["172507","175925","362113","196240","146904","121773","183670","369719","136000","178068","172984","176748","175606","164814","116477","130571","21672","72075","520173"]8U8U!2020-09-06 16:05:50!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-16 17:54:30!2023-04-16 17:54:45Q`>8U!0000-00-00 00:00:00!144715Ww!2024-03-09 14:09:41U10000-00-00 00:00:00xq:8U0AHouse of the Rising Sun for Cello Quartet98UrB8U!44W8U!374Z8&"8U!2W8U!2W[.8U!2016-02-04 10:52:41U!2024-03-09 14:09:41UAAmerican Traditional. arranged by David Burndrett:8U!David Burndrettq:8U10W0!sibW1.8U!496W\ 8U!0Whg 8UAhouse of the rising sun cello quartet.sib-8Us-8U!2016-02-04 10:52:41U!6WM98U!2925WxLD8U!6Wx-8U!0hX!2WThis works well as a concert piece or just for fun! I have added an optional piano part. 4U!1.00Xc>8U!2013-12-09 12:05:37U!1Wb>8U!1WXb>8U!0WHc>8U!WWa>8U!0W`>8U10Wc>8U0!0[!8U!1W!0W!WW"8U!WW"8U!0W"8U!WWScores!WW !2017-06-09 17:10:17U!0000-00-00 00:00:00!WWf>8U!305528W!0WHc>8U!0Wf>8U!0.00W`>8U!1.00We>8U!3.95Wxc>8U!1.00Wa>8U!0Wb>8U!WWHf>8U!0.00WQj>8U!SeViewTransposable!1Xd%8U!0WeExchang!WWrIDPubl!0.0000W&8U!2013-12-09 12:16:25UAGood King Wenceslas Jazzy Style for Cello Quartetxchang!0WEPSCoun!0W?>8U!4W !0Y=8U!0.00W!6.95Wh=8U!5.00W!0W=8U!WW=8U!0.00W8U["85504","85720","102216","171497","117971","97865","97907","63620","109606","139438","139451","370602","16726","86039","31701","33374","135636","76032","108316"]!2020-09-13 23:58:48U!1W8U!0000-00-00 00:00:00U!WW !0.0000\P(8U!2019-03-26 19:48:561Ode To Joy for Cello Quartet !0W!0W!1W!0000-00-00 00:00:00!0W!0WOde To Joy for Cello Quartet Ludwig van Beethoven arranged by David Burndrett David Burndrett I have arranged this very popular piece by Beethoven so it can be played by grade one players upwards! I have added an optional piano part. This piece works well as a concert piece or just for fun! Check out my catalogue or related scores below, for more of my music for cello quartet.8U=8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W=8U=8U=8U88U=8U=8Uض=8U=8Up=8Uh=8U=8U`=8U8U(=8UP=8Uе=8U=8U78U8UH8U`=8U=8U =8U=8U=8U=8UX=8U=8Uȷ=8U=8UX=8U0=8U0=8Up=8Up=8U=8U=8Ux8U=8U=8U=8U=8Uh=8Uع=8U=8U=8U=8U=8Uȴ=8U =8UȺ=8U8=8U8U=8U8Ux=8U8U8U=8U(=8U8U=8U8U8Uh8U=8U=8U=8U@=8UH=8U(=8U=8U=8U8Uи=8U8=8Uh=8U=8U!2019-01-23 00:54:48!0000-00-00 00:00:00!WW!76044W!0W !1.00X=98U!2023-08-28 16:22:36U!1W=98U!0W8=98U!0W(>98U!WW<98U!0W;98U10W=98U0!0(\28U!3WqThis is about grade three standard upwards and it works well as a concert piece or just for fun.0:11:04!2.95W!0W!1W!0W!WW!WW!0W!WWACopyright © September 2015 (Burndrett Music)024-04-23 !WW!0Y=98U!0W!4.95W@98U!4.95W!4.00W(>98U!0W@98U!WW;98U!0.00W?98U["163649","165031","179862","135277","403160","146361","181767","172515","165113","159469","137752","366134","170771","137440","81267","164757","361747","135749","402249"]UA98U!2020-09-24 01:44:1211W=98U@98U0!1Yr68U!0W68U!WW01:04.67!0.0000W.000000!2015-09-07 10:09:05OUNT!0W78U!0WW78U!2W4-23 20:!0000-00-00 00:00:001:04!0W4.668208!0Wa>)8U ["100898","32437","387489","23588","55352","164167","77612","103126","134257","194393","2225","177019","17561","164166","116993","109270","68182","72111","115469","87147"]WS8U!y'X@!WW!bW 112!8U321708)7U0!0L<8U !0000-00-00 00:00:00U!WW!0W10W>8U0!0.00Pl"8U 1HASH:8Ut Music PDF0!2500E8U !`F38U1WM8Uore01High68U !07!8UA8U!WWh?8U!WW!0Wh-8U!WW !0Y-8U !008U AHappy Birthday for String Trio'>8U=8UA"8UsD8U,8U38Uw=8UM"8U T8U@ T8U98U T8ULV8UX08U0W8UO8U.8U@]68UD8UO8Uv"8UQ28UhV8UU8U_/8UH38U oD8U-8UpW8UU8U8UXg8Ux8UpO8UP@V8U,8U-8U!8Uc08U-8U8U#18Uz"8Up38UN"8Up;8UV8UW8UnF8Uȥ.8UU8Uh08U`F8Ua;8U ,8U{"8U018UX;8UpL8U!rl8U !250z8U 1W;8UIDidees8U0!2023-04-14 23:50:445UpX8U(=8U(=8U8U8U|8U1=q8U1=W8U`V8U=-8U=-8U8U (-8U 2U"-8U<<`/-8U<=@+-8U-8U#-8U`X4U @q8UP3U`-8U q8U3Us8U1-8U *-8U !2UR2Uහ8U`-8U u8U@8Uy8Ut8U#8U-=p8UPt8U`8U -8UP8U0$8U 2U-8U0-8U 8UP98U -8UP8UG8U 8U8Um}` 8Um}`8U8UL5U$8U%8U`8Ua8Uh4U8U-8U8U`f96UP8U$$p{8U$=9U 9U8U9U8U \8U8U++8U0w2Uw2U08U8U8Up8U8U 8U8U 8U 8Uw2U@f8Up8U78U 8U0P2U 8U8Uf (!evalap8U8UTxE8U@^8U"Q/usr/local/share/perl5/Email/Sender/Transport/Sendmail.pm = "isa check A V8UUxP_8U_8U1_8U_8UΔx 1 V8Ux !@argsW1^8U^8UUx!MSWin32WA@`8U Ux A@`8U@`8UUx_8U!$emailWA`8U@TxA0V8Uh8UpȖxY_8U@`8UAP_8U@]xCFe8UPh8U!|-} die $_error !| "W! 8Uport"}; } Aa8Ua8U@Tx 1Pb8UΔx !" -i -f W!$envelopesl_password", Ab8U@Tx$Ab8Ub8U@]x C`a8Ua8UAb8Uc8U@]x CFPb8Ub8U1@c8UΔx "@Ac8U@Tx%@Ac8Uc8Urx b8UAd8Uϔx@c8Uc8UAe8U@Tx&Ac8Uc8U@]xCFb8Uc8U1d8Ud8UΔx 1W8UW8UUx1pW8Ux Aq8UdxpW8UP W8U1Email::Sender::Transport::SendmailAf8U UxAh8UPh8U@]xCFd8Uc8UAf8Uh8UUx@e8U1pf8UΔx "@Af8U@Tx'@A0f8U0f8Urxf8UAh8Uϔxpf8U0f8Uaf8Uf8UUxGg8UPg8U"Q/usr/local/share/perl5/Email/Sender/Transport/Sendmail.pmal { $@ 1Email::Sender::Transport::SendmailvalueAh8UUxf8Uf8UAPh8Urxg8UA`8UPlxh8Uh8U1@e8Ue8UUxApV8Ui8UUxDi8U`8U1`a8U`8UUx!-iW do { Ai8Ui8U@Tx(1Pj8UPj8UΔx AP_8UHxj8UV8U1Pi8UPi8UUx!-fW_timeoutAj8Uj8U@Tx)!$selfWror = "iAj8Uk8U@Tx*1`k8UΔx "@Ak8U@Tx+@A k8U k8Urxj8UQV8UV8Uϔx`k8U k8U1 2Ul8U:̐138639!{"width":198,"position-y-pc":"25","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":49,"width":53,"x":64,"center-y":75.5,"height":53,"center-x":90.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":50,"width":52,"x":64,"center-y":76,"height":52,"center-x":90}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":49,"width":54,"x":62,"center-y":76,"height":54,"center-x":89}]},"height":300,"position-x-combined":"45%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":89.8333333333333,"average-center-y":75.8333333333333,"id":"F2F6090E-5129-11E7-904E-E5D671197E3D","position-x-pc":"45"}!3W !0000-00-00 00:00:00!4W@98U10W 28U36.103620!X8X.8U!WW-8U!0W<-8U1WW0!1(X8U!WW`8U!WWp8U!0W !0`8UUB8U!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W<8U>3U7UK8UP8U"8U $8U8U`8UPڤ8U`8Uht8U8U <8UqS8U8U:8U48U8`;8U#8UE"8U؅8UvD8Ux"8UH98UU8U 98Ux 8U"8UY28UV8U;8U8U!8UMV8U8U8UP8U38U(78Up8UH88U98U(8UO8Un8UC8U|8U(ܥ8U߈8U:8UM8U@F8UU8U28U8Up8Ux8U8U!8U08UO8U 88Uq8U%8U"48UC8U8UD8U8Up8U8U8UpS8U8U 8U38UH8U"s8U!2020-09-29 06:44:48U!0W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-04-20 14:11:34!2023-04-20 14:11:37!380962W!351533W!0000-00-00 00:00:00!0000-00-00 00:00:00Qp"8U!PartsSamePrice !147064W !2023-04-28 02:06:27!199763WP8UaSanto, Santo Dios poderoso SATB Be unto your Name Lynn Deshazo Eduardo Patiño !147491Ww!2017-06-09 17:10:17U10000-00-00 00:00:00"8U01Carol of the Candle (SAB)8U8U!23W!0W0?8U!3W 8U!1W8U!2013-12-05 04:27:51U!2017-11-26 06:20:55UAWord and music by Robert and Kathleen Briggs]28U!WW|8U10W0!sibW 8U!829WH8U!0W88U1Carol of the Candle SAB.sibU 8U!2013-12-05 04:27:51U!5W8N8U!1475W8U!1WP8U!0XH18U!2W0H/8U!1.50HXA8U!2013-12-05 04:28:16U!0Wk8U!1W!0W !Imagine you were one of the shepherds watching over your flock on that hillside that fateful night. Setting the message the angels sang to an old Scottish melody with new music in the part of the shepherds, this score tells that story. It is also available for vocal duet.8U!2.95W!0W!0W!0W1. Gloria in excelcis deo, Gloria in excelsis! Gloria in excelsis, deo etin terra pax. Etin terra pax. Gloria in excelcis deo, Gloria in excelsis! Gloria in excelsis, deo etin terra pax. Etin terra pax. Now joyous sings the angelic choir. The shepherds hear the heavenly call: "Go, now, and see the Child, the Sire, the Son of God, born to love all." The light soon dispersed and the vision soon fled. They hasten to leave flock and field. The shepherds are as the sheep who are led, and before their Savior they kneel. Gloria in excelcis deo, Gloria in excelsis! Gloria in excelsis, deo etin terra pax. Etin terra pax. Etin terra pax.UH08U!Robert Briggs!0W!WWACopyright © 2013 Robert and Kathleen BriggsUH8U!WW!0.00Y@8U!2.95W!0.00W38U!0W!WW/8U!0.00W` W8U["201637","140896","138505","73854","50463","129843","399096","141835","166166","142289","117534","170650","138662","128089","183069","199763","76525","126287","163562","120575"]8U!2020-09-29 11:38:54!1WXH8U!2019-09-25 13:22:2011F182DDC-DF8F-11E9-8692-788U0!Imagine you were one of the shepherds watching over your flock on that hillside that fateful night. Setting the message the angels sang to an old Scottish melody with new music in the part of the shepherds, this score tells that story. It is also available for vocal duet.8U!0W8U!0W8U!1W8U!0W8U!WW 8U!0.0000W@8U!2013-11-24 03:45:40U1Carol of the Shepherds SAB and pianotab!0W!-- Inst!0W#BeginLi!12WieBanner!0000-00-00 00:00:00U!0W8U!0W8UCarol of the Shepherds (SAB and piano) Robert Briggs and Kathleen Briggs Robert Briggs Imagine you were one of the shepherds watching over your flock on that hillside that fateful night. Setting the message the angels sang to an old Scottish melody with new music in the part of the shepherds, this score tells that story. It is also available for vocal duet.ptions="true"!0W> !0W !44W8U!45W 8U!2017-03-31 16:02:56О/8U`;58UDi8U`958UD8U=8UD08U8Up;58UDj8U8U 8UD08U@:58UD8UHs8UU.8U28U958UDn8UC58UDB8U 8UDp8U0ţ8UD2=8U0;58UDh8U;58UDj8U8UDO7U28UD ["8UB58UD@+V8U <58UD8UP958UDh8U<58UD8UaW8UD 2U@8UD(8U;58UD`j8U@8UDB8U<58UDp8U;58UDP8U;58UD j8U0<58UDШ8U@<58UD8UP<58UD8U`<58UD08Up<58UDP/8U<58UDp/8U<58UD/8U<58UD/8U<58UD0/8U<58UDn8Ua> | 3U88U( 8UH8U48U ?8U8U 8U:8Uu8U(=8U}8U =8U8U;3U838U@28UЌ8UУM8UB8U8Ur8UI8U-8Uȭ8U8U2r8UR8U8U(8UJ8Up8U8Uhy8UX߈8U`78U)8U 8U`8U|8Uȓt8UHF8U8U|8U@d;8U8U 8Ux8U&v8U]28Upq8UH8Uhf08Uߊ8U>8U8Ug8UhS<8U88U8U8U8U8U`k8U$8Ul="canon!2023-04-16 20:33:08U!1135793W!1568323W!0000-00-00 00:00:00!0000-00-00 00:00:00Q@}8UQYorkshire Stockport Christians awake with 2 trumpets vocal descantaYorkshire (Stockport) (Christians, awake) with 2 trumpets & vocal descant8UP8U!23W8U!0W8U!3W`8U!2WP8U!2023-02-02 00:30:34U!2023-02-02 00:13:45U1John Wainwright (1723-1768)8U!John Ross8U!0W8U!2017W !pdfW 8U!149W8U!0W88Uq2022 Yorkshire (Stockport) (Christians, awake) - 2 trumpets & vocal descant - Score and parts.pdf8U!2023-02-02 00:30:35U!6W`48U!909WG8U!4W8U!1XX :8U!1.508XH 8U!0000-00-00 00:00:00U!1Wx 48U10W E8UW0!1.50X@t8U!2012-12-20 16:07:21U!0W8U!0WT8U!0W#8U!WWM8U!0W8U10Wp8U0!1]8U!0W1. Onward, Christian soldiers, Marching as to war, With the cross of Jesus Going on before! Forward into battle, See His banner go! Onward, soldiers, Marching as to war, With the cross of Jesus Going on before! On, then Christians soldiers, Onto victory! Brothers, lift your voices, Loud your anthems raise! Onward, Christian soldiers, Marching as to war, With the cross of Jesus Going on before! Onward, then ye people, Join our happy throng, Blend with ours your voices In the triumph song; Glory, laud, and honor, Unto Christ the King; This thro' countless ages Men and angels sing. Onward, soldiers, Marching as to war, With the cross of Jesus Going on before!"@id":"https://!Sabine Baring-Gould!0W!WW1Copyright © 2012, A J Music@type":"!WW!YY@t8U!915490W!1WȪ8U!3W!3.00W#8U!3.00WN8U!3.00W8U!3.00WO8U!0W8U!WW8"8U!0.00W8U!1194867XX'v8U!1053541W!0000-00-00 00:00:00U!0000-00-00 00:00:0018Us76525!1(\8U!0W!WW!0.0000W!2012-12-20 16:07:351Onward Christian Soldiers Choir66/boot!0W!0W!11W!2013-04-15 14:16:28!0W!0WOnward, Christian Soldiers - Choir Arthur S. 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in G Major - Violin C. Dancla When Dancla was nine years old the violinist Pierre Rode in Bordeaux heard his music; he was so impressed that he sent a recommendation letter to Pierre Baillot, Luigi Cherubini and Rodolphe Kreutzer. Thus Dancla became pupil to Paris conservatoires with Baillot for violin and with the opera composer Fromental Hal�vy for composition. He was strongly shaped by Niccol� Paganini, who experienced him in 1830, as well as by Henri Vieuxtemps. From 1835 onward Dancla was solo violinist in that Paris opera, and shortly thereafter he became concert master. In the year 1857 he was made a Professor to Paris conservatoires, where he was a successful teacher for over 35 years. His two brothers were Arnaud Dancla (1819-1862), Cellist and author of a considerable cello teaching method, and Leopold Dancla (1822-1895), Violinist and composer of chamber music. From Wikipedia="checkbox" val!0W>Snare D!0W!43Ws="refin!24Wlabel> !2017-03-31 12:55:53 val!gbXers WHER!01484 859126!WW a18UM8UD`18UP8UDP8U+8Uv R8U18UY8UU/8U=18UDA8UF18UD8Up8UDN8UHU8UU`-"8U@8UU8US8UUC!8U`<8UDV8U*8UDPn/8U8UD`k8U/<8UD7UAN8U"8UDSv8U8UD`?8U18UR8U 658U818U`_W8UD`Z8U`Ft8UD 0N8U@8UD_C8U`8UD@7U18U`8Uf`#8U@J3UD7U08UDl!8U) 8UD18U08UD `8U7UD`68U=08UD8U8UD2UpC8UU:!8UPZ8UD18U8_8UU7U8UDp8U08UDpWB8U08UUpK<8U908UD`t8U78UD28UЭ7UC8UU8UNB8UD08UR8U6U7:8UD07U`5U0ٮ8UU@~8U 18U818U78UuV8UDɤ8U),8U 8Us8UUp*s8UM8UD8U18U18U,W8U08UD߲8UIT8UDE8Ur!8U Hs8U P18U  0t8UB8UU`7U/8UD`S8U0C28UD."8U`S8UDW8UI?8UD`E8U0/8U-,8UD"8U8UDp8U0Z8UD7U=38UD`18UH18UF8UD V7U8UDPN8U.8U 8UD#:8U@U8U 018U/8UD8UM8UU RT8UPwT8UD.8U<8UD 8U-8U 7Uؾ8U^8UD@7Ul8UD8U4<8UV8UJ8UD8U7UD C8UJ8UD`8UU8UD!8U08UD`8U!8UD`?8U28UD O8U8UDpw8U98Uvps8U8UU><8Uл98UXI-8UU>8UP8UD $8U858UD G08U@9}8UDத8UU8UU0+"8UH18UB8UD4!8U38UDP/8U08UD 18U8UD`O8U?8UD9C8U-8U @8U18UPV8UD WW8UPY8UU 7Us8UUx8UPs8UDs8UB8UUB8U77UDpn/8U0~68UD0D8U8UD`8U8UU7U@C-8UU78U@B58UDB8U05<8UDPV/8U08UD8Up/8UDC8U@/8UDK,8U /8UD028U@m88UDpCB8Ur88UD8U`8UD 5UK8UDп28U;<8UD8Ub8U 8U@8UDB8U0o88UDT8Uj8UX<8UU@.!8U ]-8UDs8Uh8UU>8U?18UDpF8UИ8UD Z8U0B8UD8U% 8UDPT7UA23Uh18Ud`174716@!1W8U!2011-06-25 08:19:53aWords from an Inns of Court Grace (from 'A Book of Graces' - Carolyn Martin)726`!0000-00-00 00:00:00U10000-00-00 00:00:0028U0@8U;3U(08U8U7U|8U 8U176994X8U8U8U@38U8UX8U78U18U1Wm8Up`3U0!2017-11-30 00:00:00!1W`A.8U!0WX/8U1WW7U28U0!HASHUntsAllSome8U!sib 8Uers WHER1265W0!HASHUW !USQLrencyID0030 0039 0660 0669 06F0 06F9 07C0 07C9 0966 096F 09E6 09EF 0A66 0A6F 0AE6 0AEF 0B66 0B6F 0BE6 0BEF 0C66 0C6F 0CE6 0CEF 0D66 0D6F 0E50 0E59 0ED0 0ED9 0F20 0F29 1040 1049 1090 1099 17E0 17E9 1810 1819 1946 194F 19D0 19D9 1A80 1A89 1A90 1A99 1B50 1B59 1BB0 1BB9 1C40 1C49 1C50 1C59 A620 A629 A8D0 A8D9 A900 A909 A9D0 A9D9 AA50 AA59 ABF0 ABF9 FF10 FF19 104A0 104A9 11066 1106F 110F0 110F9 11136 1113F 111D0 111D9 116C0 116C9 1D7CE 1D7FF !W3U (8Up_7U0 8U68U58U8U8UD = InstA{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":228,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"4AAA2E3C-512A-11E7-A838-F62627051E3D","position-x-pc":"0"}D ='0'!2019-06-06 16:24:20!0`B8U !038UineField!0000-00-00 00:00:00"cheQ-8U!2 -08U x85U 28UpT8Ux6o3U8V8UXDe3U38U 8U^i2U$8Uj28U8U8<25U8UD.8UX2U.8Up,5U:8U85U$"8U_85U \;8U59UH09U /9U"85UN8Ux28U2.8U͌8U^i2U-C8Ux28UX~`2U8UxR8U c2UX09UA6U<8U38U4U48U1Ux,8Ub5U@"88Uf`7UPe 8Ux6o3UL/8U5U|S8U25U8U85U k<8U85U8U#5U@=7U~5UY8UhV<8U c2U0m<8UO"8U^i2U^V8U~5U8Un4U( ?8Ub5UX18Ux~5U 7U~5Uਓ8UU8Uv5Up8Uآ`3U@8UxB5U<8U`3U@F,8UHb85U B8UE3UW08U&85U8U25UA8Ub5U528U_85U.8UX 85Uh18U8U~5U;8Uh~5UB8U2U8U8B3U8UH1_2U8U885U8U 4U8U85U8U+_2UF8U~5U K8U8<25UP}8Ux85Ub18UNC8Ux6o3UX<8U0.3Ub5U8U85U ?8U25U,8Ux6Ut8UxG.8Ux6o3U#8U;6UPo8Uh/_2Uʮ8U~5U~"8U88U8~5Ul<8U&85UXm18U(d2UhC8Un4UC/8U6UPC8UH;8UH5UP<8Up8U 6Up8Uh2U8Ṳ8U46U`8UI85Ua18Ux=8Uc85UrB8UZ85U@8U"85U28Uh|8UX08Uk5U8U`3UppB8Uh~5U8U85U7Uh4Ue?8U(d2U>8UhAT2U8U885U@V08UΌ2U8UH1_2U8U/8U`85U8Uh~5U<8U6Uq8U؝2U=8UX2U7Upߊ8U2U8U#8Uc`7UHk8U.8Uc`7U38U6UpP8UX 85US8U+_2U0=8U85UȘD8UP8U`2U0<8U=4U88Uh4U/8U_85US8UA5U(=8UA6U8UA8U`2UD8UB5UV8U+_2U(8U(8UH5UP0A8UX85Uh48U6U,8U8Uc85U(8U4Uhd8U^5UD8UI85U@V8UB5US8U48U16U8U-8U&85Uر38U08U`3UI/8U(b2U`C=8U TC8U6UC8Uc`7Ux8UH 4UpB8U,8U`3U=8UZ85Uh_3U_85Ux08U3r8U5U=8U+_2UHp<8UH7Ux38U25U@|S8UZ85UY8Uh>8UX:5U|C8U4U/8U4U8Ua7Ub5U018U2U528Ub/8UOm2U@/8U8U<39U39Uحp3Uȕ28Uȴ08Uh~5Um18U6U8U|8Up38Uh/_2U/8U98U5UP/8U^5U S8U~5UhZ8Up8U~5UT8U885U0#88U8}7U8U f;8U`85U{S8U؝2U18U(6U8U.r8U~5US.8U85U "8UE3U08Uܥ4U=7UpQ<8U~5U=8U`(48U46U.8U`3Up7UK?4U28Uh5o3U0zB8U2B8U\4U%8Ux>-8U&_2U(38U85UQ/8Ux85U/8U~5US8U!08U!WW!WW!0W!WWACopyright © March 2010 (Burndrett Music)8U18U!WW!YY.8U!467170W!0Wh.8U!0XY!0.00W.8U!6.95W.8U!4.00WX.8U!0Wx.8U!WW.8U!0.00WH.8U["87838","103266","76293","80240","115378","76166","101776","76527","76705","77169","115374","139496","76152","76221","103939","94351","76710","76283","107591"].8U!2020-09-18 05:54:50!18^18U!0W!0.0000W!2019-01-23 23:56:32AArrival of the Queen of Sheba for Cello Quartet  @!0W!0W!4W!0000-00-00 00:00:00!0W!0WArrival of the Queen of Sheba for Cello Quartet George Friderik Handel arranged by David Burndrett David Burndrett This works well as a concert piece or just for fun! I have tried to make each part interesting to play. 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Each part gets the tune. I have added an optional piano part.ScoresScores!2.95Ws11W8UX8U0!1/8U126DE8132-886F-11E9-A780-F3D41D17C629!0W=8U!0W08U!0000-00-00 00:00:0077!0W !0000-00-00 00:00:00!0000-00-00 00:00:00!0W8U!1W aFor 5443 Big Band (2011 version) as Recorded by the The Hark Up Horns Big Band`!P7U4U!0000-00-00 !W4U!WW !XJ8U!0.0000W!2013-05-03 00:08:32!HASHU> `$8U!HASHUonid619351!HASHUW !0@8Us="refin!1W !0000-00-00 00:00:00 val!WW>Vibraph!0000-00-00 00:00:00an>!0Ws="refin!1Wlabel> !0Wbox" val!44W>Xylopho!25W/span>/!2024-02-18 23:18:47efin!{ "faces" : {} } > !0Wbox" val!18X>Other p!4246W!1W?8U10.00WW=8U0P18UB38UD9/8U.8UD`8UHa8UU[8U t8UDp5N8U`8UD(58U08UDP7U@98UfD8U.8UD! 8Up8U8UD/!8U@u8UD8U[-8UDPB8U?38UD!8U?38UD`=.8U8UUP{s8U508UD//8U8D8U @8U0f}8UDpv8U8U)28UQ 8UU>8UW7UDF8Up%8UD O8U<=8UD@C8Uh*28UX8UD8U*28U8U|/8UDy8UP.8UDp`18Up}68UD`<8UPߣ8UDt8U8U @@z8U 7UDTr8Ux8UU8U18UD<8U+28U8UP8UDX8U`?8UDP68U+28UT 8UUp!8UN-8UU@l28UPt;8UDm"8UpW8UU]18UB8UUO28U|;8UDb?8UP 8UU7UH?8UD28U7UDPM8U8UU8U7UD8U.8UDA8U@8UD`w8UK18U 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and mezzo!1X!1W L"8U!To be catalogued!8U!14323W18U!1W 8U!1WL"8U!0000-00-00 00:00:00U11WsD8UY<8U0!250X!8U!179.56WB8U!keithterrett18X!0WЁ;8U!1X08U!0WAntigua !1pD38U Q#F5UF38U3)' 96.126.116.54P!sib`R8U!1791W10W0Cameroon National Anthem (O Cameroon, Cradle of our Forefathers) for Brass Quintet (MFAO World National Anthem Series)!9W !HASH 8U !2011-05-07 21:16:20!HASHS;8US!100888Xores WHE!2017-06-09 17:10:17U10000-00-00 00:00:0087U0!W*!8Up!WW 10GB8UIDidees8U0!118U !1.50P68U !Wd8U !2018-08-02 14:50:3112018-09-07 20:28:0208UXߊ8Up8U08U8U8U/8U8UH8UID ='39'1118762W0!HASHq28U !1_.8U 1p(4UJ38UDJ539719!Wr8U !Wt8U !HASHW !1.50 8U!2013-11-02 22:53:33!1W !Hv4U28U !0`\3U h8UX8U8U28U(8Ul8Uh8UD = InstJohn Dowland (1563 �" 1626) was an English Renaissance composer, singer, and lutenist best known today for his melancholy songs. This piece is genuine John Dowland. If there were animated cartoons during the Renaissance, Dowland would certainly provide the music. What rollicking fun (and overly dramatic, both at once!) Listen to the MP3 recording by The Brethren Brass for a "real" and accurate performance.H08U!4.00W!0W!1WP?8U!0W589996!WWp!WW!0W38U1WWP+8U@+8U028U~.8UDF8U8UD`8U?18UDo/8Uo/8UD58Up3UD@?28U A8UD0B8U0P8UD8Uh8UDM8UE?8UD`l!8UKB8UDS8Upv/8UDB8UPP38U`8U ,8U;8UD=8UP38Uծ8UUp8U[-8UD@>!8U.8UD8UT8UU8U9:8UD8U8UDn/8U\8UUr8U3U 0w8U8UD/8UR8U "`+8UP\8U `8UIC8UDp,8UE28UDp8U28UDq8U*,8UDP8UN?8U8UD 8Up=8UDЍ!8U.<8UD`s8U 8Uj8UD68U |68UDV8UA8U38UDЉ 8U;08UD@."8U8UD@k8U08UD@8,8UO8UD08U`8UDpAs8U008UD28U0B8UU0o28US38U8UN?8UD \18U!8UD@`8U8UE18UDP3U@A8UDS8UP8UUP^8U0ã8UDP|8U07UDV8Up .8UDC8U8UD2-8U`,,8UDN7UPyV8UD 8U`J8UDI8U`7UD@\18UƱ8U +V8U0;38UDU8U:18UD0m!8UP9UDI9UpG85U,,8UDB8UV8UDp!8UU38UFM8UDM8U:08UDYW8UU38Uo88U0B8UDP9S8UU8UU3U/8UD3U@U8UDF8U8UU@[4US8UU8U38UfPB8UV38Uz8U0.8UD0"8U/8UDE8UoN8UDP8UD8UDs8U@ӱ8U 8U03UD08UU8UU`]8UPb-8UD:N8Ub8UD38UpU 8UUp8UC8UUYW8U8UD@e7U08UD0,=8UP18UD0YW8U,8U @8U"c2U /8U8UDm!8U C8UUj8UJB8UD08U@7U >18UD`]7U<8UDp38U`D28UD048Up .8UD18U@?8U<8Upr8UDW7Ux7UD/8Up3U ػ8U@18UDz8U/8UDpB8U8UD 3U8UD08U 8U z8UZ8UDPD8UAC8UD<8U@38Uv`@3U8UZ38UH)8U7UD F8UZ38UM8U8UD 18U0b8UDU7UP18UDp{28U[38U0[38U@8UH[38UO-8UUp.8UB18UD8U8UDB8UП9UD8U`8UDp8Uk8U [38UH3U @08UD018UY8UD -8UT8UD`8U?8UDP@8U?28UPC8UU8Uu/8Up8UD8U|.8UD0A"8U .8UD18Up>8UDpD8U@Q8UDpG8U(]38UX18UD|s8U8UD8U038UDP8U 18UDb?8UP_8UD 8U7UD57UcW8UDPh8U0?=8UD.8UPB8UD;8U7UD>.8U@18UDu7U8UD`t8UV8UD t8U@28UDp38U`8UDC8UŁ8UDpI8UC8UUk28U8UD r8UP/8UD0o/8U_38Ub18U1n a long and varied career Jerry Lanning has arranged for film, television and radio, and for artists as diverse as Billy Connolly and Pavarotti. He was a regular arranger and conductor for the [[http://en.wikipedia.org/wiki/BBC_Radio_Orchestra|BBC Radio Orchestra]] and for [[http://www.starborne.net/|Starborne Productions]] in the USA. He has hundreds of arrangements in print, in particular the //Classic Experience// and //Making The Grade// series, and was for a time Managing Editor at Music Sales. [[/search?uid=736|Jerry Lanning's arrangements and compositions]] are for a wide variety of instrumental combinations, including many for [[/search?instrumentationid=9&uid=736|Brass Quintet]].ofiles/jjacklich?c=showEmail | get in touch with Joel]].uinox, That's a Plenty and Moonlight Serenade. !53697W T8U10WL"8U0!650x91948U e38U!496W.8U10W.8U0!44WX!373Wp8U!3W8U!2W8U!2020-10-23 04:02:33U!2023-02-21 16:10:36U!08X0.8U!2020WB8U!1W.8U11.00W0!sibW88U1we three kings for cello quartet.sibU!2020-10-23 04:02:33U!0WE8U!707WHP8U!0W8U!2020-10-23 04:02:35U!1WB8U!0W.8U!0W.8U!WWp18U!0W.8U!0W.8U11W.8U0AJohn Henry Hopkins arranged by David Burndrett1David Burndrett08UX:5U8U4Uݠ8Uܥ4UP8.8UU6U0.8U?8U4U3U87U8~5U(U38Ups38U4Uh!8Uȳ~5U@V8U 5U`f?8UXDe3U <8U 4U8U~6Uh8U2U8U(8U0*3U8U8Uծ3Uh18U؝2U@p8U,8UH5U_38Ug9U[-9UHF-9U`h;8U(x5UD8U5U/8UpA 9UR6U8UX8Uc85UX,28UI85U.8U,8U16U128U6U,8U 4UȚ8U8<25UD8U5U8:7U3-8Ux~5U;8U2U18UH7U8U͌8U2U4W8UqN3U8UZ85UO=8U08Uc`7U١8UX7U8U8U85U<8UH7UP38Uh2Uh :8UЛ8U16U 8Uh/_2UP8UXf85UB8Uh,8U`2U 18Uܥ4U(08Uݩ8Uض8U8U`3UЖ8U85U+8UF8Uc85U.8U0pF8U&85U <8Ux4U18U8U5UȒ-9U885UvB8UI8U.9U19U 4UP08U`3U(8U83-8UH4UU,8UF3U M=8Up3UQ08UP6U38U87U 18Uh2UP8UZ85U/8U,_2Uh+28Uh4U@8UhG85U 8U't8Uhb 8U8Ub5U*28U@8Uv5UM8Ux4U-8U49U$19U19U9UxC,9Ux*8U=4UXS8UB5Up78U4UP8U&85U/8Up3Uh38U(8U46U88U885U "8UW4U،8UX2U[8Uc`7U38U/8UY6U28Uؓ38U@8Ub5UX/8U7U4U0;,8U6US8U85U}8U;8U c2U<8U885U7.8U25Uв8U7UX2U(528UX6UPp8UU8UX2UM8U(`3U4UX18U c2U8Ux)8UY6UX:,8U87Ux~=8Uh<8UH5UF8U2U`Y38UX<8UH85U <8U7-8UN{7UHB8Uxa85U38UB5UV,8UB5U8U38U328U5Uq8U8.8U16U08Ug85U08U~5Uh28U-8U46UH57U45U8U45U&88U~6U08U2UB8UH"8U c2U:8U8UR6Uػ8UI85U8U87U8UP8U5US8U"85U48UH8UH4U:8U%?8U5U(7U~8U&_2Uϐ8U?.8U 4Up38U25UC/8Up85U*28U57U1T8UH6U`:8U4U;8UHb85Uf<8UH;8Uv5UQ8U2Ux18Uc`7UH'C8U~5U8Up3U8UX2U8U]8U7U8U^5Up;8Uh3U<8U+_2U؟8U885U!8UXDe3U];8U ~8U4U8U@?8U6U<,8UxD8U5U .8U85UZ8U F8Uj6UA8US8Uh_2U08Up85U<8U5UM8U,8U~5UpF8UX2U8=8U2U-.8UH8U^i2U8UA6U 7Uh8Uc85U/.8UA6U9p8U885U18UH%85U8UI85Uk?8UB8U~5U8Uf08Uj6UH/8UW4U%88U85Ux8UPU28U`85UL8U3UXm3U~5UYV8U63Uhs8U@F8UA6Ux8UXf85U""8UQP8USC8U( ,8UH8UH4U8U6UK8U`8UH5UPC/8U5U7UU6U8A8Un4U38U@8U~5U8UX?4U\V8UM"8U46U88UH2U(/28Uh~5U )W8U)_2U`98Uf`7U#E8UP6U8U~5Up28Ub5UB8UZ85U(8U45US8U885UY38UhG85UV8U6U 8UX85U?8Uܥ4U@'8U8Ux~5U28U~5UxC8U&85U 48UX2Uh8UH7U:8U -8UX:5UK8UhAT2UPA8U8DT2U(Q}8U(48Ud2U:8Uh4UD8U8U6U9U8U|/9Ue/9UH%85U8Uf`7U8U6Ux7U85U8UWC8Uv5U8.8Uf`7U8Uq5U`+W8Uu8UH85UP8Up,5U3.8Ue85U.8U85U>,8U46UH9U87U"8U885U\V8Un4U,8U~?8UX:5UJ8Up3U 48U~5UHA8Uc`7U08U(b2U8"8UE"8U(t85U?8U25U5F8Ux85U08U8<25UF8U(8Ux6o3U 8U85U(t8UH%85UX.8Ux6o3Uؾ8U6UP18Uȫ~5U)W8UWC8Uh_2U2C8UW4U8Z38UI85U֛8U25UpS8U25U8Um8U5U8U_85U`9T8Ux3U}8U5U98UX2U@p18U2U9,8U87U`o8U:49U8r-9U8M-9UX 85Up8UX28U\4U`!78U2U@"8U0ڈ8U46U`48U6U78UB8U22U7U5U$88UPQ8U7Ue<8UE3U8Ux38U8~5U7T8US8Ux~5U08Uq5UPA8U"c2UH<8Uf`7U08U6U@/8UW4UE8U25U8H8U~5Ux2F8U98U m2U98U3UV8U }8UX~`2US8UH7UHC8U85UH0#8ULn5U7U9B8UN{7U(7U38U`2U8$8U #8U`85U48Uh5o3U8l3UHR8U7U8UX 85U28U54U&8UMC8U8B5UHr8U85U(<8U8U&_2U28U885U808U6UxX,8U85U8Ux85U8Uf`7U7F8U4U8UPt"8U16U!8U;8Uv5Uy8U"85U 48UhAT2US8U(6UС;8U/_2Up38U~6U8]38Uh^88U2UL/8ULn5Uؾ8UV28UX~`2UH..8Ux6U 18Ux6o3U`8U_85U(:8U6U[8Uh3UB8U85U@8UHb85U[9Uf`7U,8U"c2U8Uh.8Uc`7U8U4U/8UX08U5UH8Uܥ4U18U85U8UZ85U8U3UK}8U~5U;8UB5U88U=4U38UH~5Uȣ8UH%85Up?8U)_2Ux8U85UP8UF3Ux]7U6U3.8Ug85U 8U8<25UN8U-8U&85UK8Ue85U<8UB5UxV8UH7UxTV8Ug85UP.8U8UH5U0C8UxB5U0<8U,_2U8UXDe3UZ;8U8DT2Ux38U`?8Uhd2UPy68U"85UH`7U85U38U25Ui<8U87U<8U4279521!18X0<8U!1W 8U!1W.8U11W0About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn�s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, doublebassoon and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both.!1XW"8U!0W_08U1WW178809@38U0!2024-04-21 00:34:15-due1sibW4388.html0!FileSize>8U QH.8U!078U !347W !HASHU!ؓ5UW1WW4U4U0!KatrinaWers WHER1kievins@ymail.com0!sib+ 8U !W8U !HASHWIslands(f:tOA(f7aAs(f%\A{(f^A(fM`A(fÞeA(feA?s(fu\A@ %@%@??? "@"@@@(fcA(fǟeA(fɬaA(f"qaA(f{1aA(fSfA(feAd(f A(faA(fdA(fڏdA(fs A@(fkdA(fOdA??@@@@@@@??@@@@(fdA(fodA(f\}eA(fo~eA(fdA(f}[}eA(f[\}eA(fdA(fVdA(fdA(fdA(fdA(f"dA(fdA(f\}eA(fdA(fdA(fdA(fdA(fdA(fvdA(f8dA(fdA(fdA(f\}eA(f+dA(fdA(f;dA(fdA175035!1302Y/8U!2WH%8Uq{ "GroupOrd" : "230", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "31273" } !0.0000W!2011-06-10 17:10:37U1Rest Awhile You Cruel Cares0!8U10Wؠ-8U0!3X8U!XX0P8U!WW8U!2.00HXp8U!2011-06-10 17:10:27U!0W@F3U!0W175581!171558W @O38U;<8UD028U08UD?8UH38U8U@R8U  X18U8UDU/8Uϼ8UPu8UDPO8U28UDi8Us8UUP58U8U B8UDp8U!8U 8UDZ8U8U @@8U908UDD8U7.8U08UDU/8UМ18UU8UU8U38UX38U088US8UUaV8U(38U508UD8Ur8UD 8U"8UDJ7U@8UDz3US8UUPT8U8UD./8UP 8U 8U8:8UD`8U8UD 8U+8U  fN8U@38Uf8U8U`38U/8UХB8UUpA8U38UV8U0:<8UD0<8U8UU 8UM8UD>.8U 5<8UDL<8U@8UUPY8UA08UDs28U708UDV7U18UDm"8U7UU87UГ7UDۣ8UA18UD8UhN 8UUp8U0y7UD8U.8UD!8U8UD?8UI?8UD`T8U8UD8U0T8UD >!8UK28UD8U0X8UU8U{;8UDӿ8UA18UDP18U`R8U 8U=8UD`\"8U38U238U .8Uఢ8U ?8UDpC8UR8UD=8UP%8UDP,8U38Un8UDP28Uܐ8UDd8U08UD8/8U0{/8UDP8U NW8UD_=8U_-8UD18U`3U 8UDZ7U.8UDU7UP9<8UD98U=8UD s8UhT 8UU \8U8UD,98U`As8UG18UD0C38U(R 8UU7,8U48U 8UDU8UA08UD18U`8UD?8U8U!-8U<8UUN8U018UD8Up8UD@a8UA8UDp\R8U>8UD3U038UD8UX 8UU`B8U 8UDU/8UB18UDp98UPt/8U0D8UD18U18UD;8U38U7U 8UDb8U28UDMs8UJ8UD8U"C8UU"8UB8UD008U@8UDO8UD8U EP8Uв38Uz8U/8UD ?28U.8UDw18UX8UU038U8UD8UpY8UD'S8U0w88UDa28U3UDB8UA8UD^s8U8UDD8UPV8UU0F8U=18UD,8U!Chandos Anthem No.6 "As pants the Hart for cooling streams" HWV251a Sonata for Clarinet Quartet Handel ACORDO Sheet Music In 1717, Duke of Chandos invited Handel to live at his palace, Canons, in Middlesex. He composed several masterpieces including Chandos Anthems and concerto grossi in a wonderful atmosphere. Chandos Anthems consist of three voices with orchestra (Oboe, Violin I/II, Bass continuo).　The texts are all based on Psalms． Chandos Anthem No.6 "As pants the Hart for cooling streams" HWV251a consists of the following parts. I. Sonata (orchestra) II. Chorus (a3) III. Solo (Canto) IV. Solo (Tenore) V. Chorus (a3) VI. Duet (Canto & Tenore) VII. Chorus (a3) This score is an arrangement for Clarinet Quartet based on the urtext of I. Sonata. 1HASH3Up`3U0     ( 9U;@pГ8U*0 ( 9U  `hLPH8U BH 68(0 $( RX*0!8UDH   p8U-8U/8UP18U7Ug/8UH-8UA.8U`,8U008U#48U,8U`,8Uq38U,8U08UH8UX]/8U7-8Uh8U7U38U(38U-8U38U28UP-8U8U-8U18U 18U`-8U-8U,8U38U(38UP,8U5-8U08U 08U 38U8 08U 8U` 8Ul08Uȉ18UZ/8U18UP8U07UH28U8U-8U7U(O.8UhE.8U(,8U38Up-8U f08U(-8U-8U.8U 08U8U828U38Uk38U.8U/8Un8U 08U@-8U08U`.8U18U/8U-8U!0.00008U!0000-00-00 00:00:001O de LassusDas Echoin B Major0!05/8U!0.0000W10000-00-00 00:00:000!0000-00-00 00:00:00U!0000-00-00 00:00:00QJ8U108USentees8U0!18U !RawleK<8U1phil@rawle.org0!384(08U=7U!0W,8U!James Gilbert28U!2004W !39486:!8U QP8U!HASHW00000000!HASHW !sib7U z5U/8U(6UHA8UxB5Ux7U18UN{7U37UH5U<8U(g85U8Uȫ~5U(8UX?4U328U0>8Uhd2U8U(6U/8U)_2U(8Uh/_2U8UW4UD8Uxa85UV,8U/_2Up8U38UX~`2U(8Uh18UH~5U7UX85UP8U 4U7U8U`3U.T8UX 85U8UXf85U&C8Uf`7U8Uh4U F8Uh4U(8Uxa85UxD8UxV8U 6U18U2Ua8U%?8U(t85UO38U2Ux }8UX 85U08U(g85UT8U85UG/8U2U~8U,8Ud2U28Uc`7UP.8Ux~5U8U88U/9U.9U8U-9U8-9Uxv5Um<8U)6U`68UX48Uj6Uh8U45U28U85UX08U w8U5U(8UW4UXO38U25Up7UX85U8U`3UY;8UX8U5U@8U18Uh 8Uh8UX 8UH5U28UU8UX~`2U{8U2U8U"85Up@,8U85UW38U ;8U5U8U54U8U885U28U(6U8U2UX8Ug85UX.8U+_2U@98U"85U@B8Uj8U5Uq8UX 85Uh#98U8UHR2U8UZ85U0)8U8DT2UXx7U885U8ULn5Uxu8U2U8U58U8U8U 4UPO/8Un4U4.8U5Uл8U1U:T8Un4UF8U8U46U7U8U7Ux8U(b2U<,8U7U8U85UU;8Ux;8U2U{C8U8UX~`2U+8Ui8UHG09Ux209UX 85UhL/8U25U8ˮ8U4U8Ux85U98U_85Uh/8U"c2U68U2Ur8UHb85U48U&85U8U]8U46U8Uc`7U#"8UH8U~5U8U85U=8U,_2U08U>8UH4U|8Uxa85UX8U85UO,8Up,5U(n?8U~5Uh18U6U1T8U8UX2UXG8Ut38U`2U/8Ub7U&_2U8U838UX~`2U@8UU8Uc85UxQ.8Ui8UX~`2U8U85U28U(g85U3T8U|F8U\4U@?8UI85U/7Uc2Up<8U_5U8U08UXA8U(=8U8r8U7U78Uȳ~5U贡8U~5Ux&8U$8UX~`2Uc8Us8UX:5Up8U؞8U]8U08U6U38UhG85U<8U,8U(t85U428U85U8UΌ2UZ8U`3U38U~5UPL/8U4U?8U#2UP8U5U8UI3U46U808U18UX~`2U8Q38U85U88UH!85U38Ub5U/8U5UB8U,_2U/8U4Us8UX6U38U8U85UB8U(b2U38U78UH4U8U`g/8U4U85.8UXf85UQ38UX2U48Uh/_2U7UxV8UH85U.7Uq5U8r8UL3U9U25U8ULn5U/8Uh4U`E8U85U!88UD8U`2Ur8U@d08U6UO38Uحp3Uh/8Ux~5U 8U45U9,8U&85U8U`3U8Uȥ98U5UE}8UT5U18U6U@ׇ8Uk`7U`(W8UH7U,.8U@S8UoN8UD18Up3Uq8UD`s8U08UD @8U8U 8U038U8"8U38UD$8UО8U%8UDZB8U ~5U.8UD 7Ug8U8UD@8U8UD&:8U.8U@38UDs8U#,8UD`N8U/8UD`8Ur8UD t8Uj8U8UD8UpN8UDmU8U;18UDb?8U8UUD8UPRB8UD0S8Uǡ8UDN8U8U p8UR8UD@08U008UDs8U@8UDGN8U*,8UDE8UB8UD3S8U 8UD8U38Uv@P8Up+8U208UD@=8U38U8U 8UV8UD`Gs8U0R8UD8Ux38Ub8U .8UD?!8Ui8UD08U4U`8=8UD t8U@bW8UDPs8UB8UDG8U`/,8UD`t8U0T8UD8U`/8UA:8UDP!t8U8UD 8U8C8UUZ8US8U 08U0:P8Uj$8UDp%8U)8UDd8Uм78UD@D8U8UD8U 8UUf8Up38U;8UD@s8U8UD8Up-8U P8U0)8UǓ8U8U8U K8UUAP8U 8UD B8U0s8UDO8U8U 8U@D18U8UD0&s8U0C:8UD s8UJt8UD@%:8U 9UpA=8UD0s8U8UD8UV8U Ү8UU 8U`-8UDHN8U`^W8UD 0s8U@}8Up08UDD38Ur!8U @@S8UcW8UDP8U"8UD`P8U ;8U28UDSs8U(38U7UO18U  P=q8U 7UD0-8UE28UDS8Ut8UD08U@H18U 0B8UP8UDZ8U0dW8UD`N8Uq/8UDb8U8UD 9U/,8UDV8U038U 7U8UDg78Uh8UD68U7UD8U`I5U@R8U @L78Ux<8UUPA8U,8U H`8U ׮8UU8U`߯8Ur8UD.8Ut8U E8Upծ8UU7U 8UD18U7UD8UV8UD8U`A18UDS8U38U-D8UD 8U`A8UD?<8Uາ8UD߲8U8UD 8U18UD`^s8Up38U08UD8U03UD;8Up78UD@oW8UB8UDo8U /8UD&S8U@8UDM8Uq;8UD'58Ur88UDО!8U?=8UDs8U=:8UD8U`8UD68U08UUиM8Ul8UD18U!8U08U78UD]8U@V8UD@o8U C58UD@D8U08UD =28UC8UU7U& 8UD@R8U~5U`s8UU`Q8U08UDB8U`-8UD0Q8U`K8UMt8UD 8U38U?8US8UU t8U@8UD8Uc8UU D8UPR8U  0s8U {;8UD@Hs8U38U(fг8UDP#:8U7UD T8U8UDC8U08UD8U08UD q8U/8UD8U k`7U38U!1HN8U!0W IN8U1WW6133230!2023-05-05 05:41:01qComposed by Michael-Fredrick Paul Sauka (1934-1990) Arranged & Orchestrated by Keith Terrett.8U!Keith Terrett 1sibW0!078U !HASHE!8U 1359648Up`3U0!0(X:8UaMira, o Norma (duet) [Norma: sop. and mezzo] High Bellini Schubertline `@8U`!0(X8:8U!2W?8U!2WP?8U!2019-07-15 13:16:17!0`WW8U !0Xeexchang!0xXtring-tr!2019W E!8U!1Wores/tri!0XF8U!1W0 10WISSIONtmo.ht0018U8UnL7U'8UnL7U`WV8U98UN=8Uxm8UnL7UU8U4Uij7UX8U(88U87UX 8U]5U08U`8U 8Uࡊ8UX=8U 8U 8UXB8U08U^5U_5U`_5U_5U_5U_5U`5U`5Uh`5Ua5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U14Uȸ5U4U]5U4U@^5Up^5U^5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U!btn-primary btn-sp! btn-spWa8U8Uh*5U1ButtonAlignmentonAlignmentGreecem0!6771368U !USQLrencyID1god rest ye merry cello quartet.sib138U69174388AThis works well as a concert piece or just for fun. !0W !1m28U !163163w8Uy-gentle!42W 1pƩ3U48U#L155642!XXh8U!997977W88U!0W@88U!0W8U!0.00W88U!5.00W88U!3.00Wp>8U!0W 18UB8U`38Uh28U;8U@28Uz18UA-8U!8U8-8U8=3U8U!/8U[<8UD8UD8UmF8UpF8U7U0B8UtD8UP/8U`f88U8UP7Uh.8U.8U38U8U =8U7Uj08UoF8U}?8Up8UB8U038UHC8U0'/8UA8UF8Ua08Ux38U8Uw38U;8UqF8UHB8U ;8UA8U18U-8U`7U ,8U.8U!8UE8U28U@-8UP>8U .8UG8U 6-8UX8B8UF8UoF8UPoD8U[<8Up\28U>B8Ui8UB8U888U,8U[/8U38U=8U15.0058UiredDate`3U038U25UP48UЏ8UD08U48U(fp<8UD8UP8UUz8U8UU@7U:=8UDpB8UA8UD8U 8UD t8U 8UD8U8Up8UDeB8UЖ3UD4"8U18UD0?.8U=7UE78UU%B8U48UX`V8UD 8U .8U8UpG8UD@28Uo7UD07U@=8UDYW8U@8UU8U@8UDp8U48U 8UD&28U.8UDn!8U`08U48U18UD8U<8UDP8UDPB!8U<8UU:8U`]-8UD,8UH8U 8U@28UDP8ULB8UDYr8UPF8UDt8U 8UD@>8UA18UDt8UTB8UD@ϯ8U048Up5T8U"8U 8U|68UDD8Uα8U @C8U48U48U38UD38UAZ6U.8UD-!8U -8U Ѓ8U>8UDO8U8UDB8Up;08UD@D8U 8UU`7Uq5U48Ug8UЭ=8UDv8Ub-8UD8U48U48U _8UD S7Uh8UUB8UX48UXB8UD*s8U`9<8UD8/8Up=08UDV8U 8U [7U8UDЕ8U08U 3U 00;8UK28UDP8U`;8UD98UP 8UU\7UU8U 8UD8U`A8UUV8U48UIH;6U 8UD18UP8UDv8UC8UD`8UX<8UUpM8U g8UDP68U8UD08Uh48U8UH8UU3U`<8Up8UD@.8U@8UD@98U@3U@=8UDO8U48UhY8U!8UDp38U`<8UD?8US8UU@18U-8U `]S8UP;6UH8U @(8U>8UD98U 6=8UD`?28UV8UD@V8U38UD8UI8UU(:8U0R8UDP8Upz88UD`0!8UP 8UU@x8U C8UU s8U>38UDK,8U@38UD0G38UЇ/8UD.8UO 8UU18U_-8UD18UP-8UUy28Up638UD0E8U/8U0F8U38UDPO8U8U p$-8U<8UD'28UV8UDr8U.8UD08Upع8U1H48U\I642751xr?8UH8UnL7U?8UnL7U<8U8UXR38U8UnL7U`{=8U4Uij7U08UF8U=8U;8U]5U8H8Ux08U08U18Uл98U&8UO,8UH8UpJ/8U^5U_5U`_5U_5U_5U_5U`5U`5Uh`5Ua5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U1072248v8U!smd_h_1079223M2xsRNnj5T13.00|8USUPER007U0@ 8U8U8UX8Uf8UH!8Ux8U8U؏8U8Uc8U88U8Uh7U.8U!0Zis a fre!0Wr as wel!47Wposer, a!28Wor. Many!2017-11-13 21:52:07, pu!4xYternatio!1Wores on !1Wble for !2169W amateur!1Wores for!0.00Wentation!2024-05-06 08:06:37 to !0Wor your !0W If you'!AccountW specifi!0000-00-00 00:00:00avid!0000-00-00 00:00:00ge.c!2023-06-06 08:06:37=sho12018-05-23 06:37:09tly]].us.o0`e8Up8U{8UH8U8UP@3U`18U'hidden- P 8U0;3Ua8U&8Up8U8U8U8X!0HXhV 8U!WWh 8U!1W#8UA27DCC526-886F-11E9-A780-F3D41D17C629onfig@h8U@ 8U8Up7U8U 8U87UD = InstH8U8UX8U8U8U@3UG 8U08U8U8U58Ui8UXp8U#8U38Uq{ "GroupOrd" : "40", "StoreGroupOrd" : "0", "StoreGroupID" : "2821", "GroupID" : "707" } !!17Us="refin!0.00Wlabel> !0000-00-00 00:00:00 val!0000-00-00 00:00:00lo !0Wn>n) !0W>!0000-00-00 00:00:00>8U:48U-8U 9UU@8U 9UU9Upޑ8UD@B8U`+8U 0Ц8Up8U @08UJ8UD@8U 9UU08U`.8UD8U 9UU8U 8UD9U`58UD9U 16Ur,9Uи+9Up8U`8UD0q8U0 9UU`S8U 8UD9UR9U @u8U8UDP 9U;48U&8UDP58Uۑ8UD88U@18UDp58UV8UD88Up78UD8U8UDM8U09UDP9U<48U| 9U8U<48U(@48U@+9U a8U  E8U8UD9U@ܑ8UD58Ud8UD8UC8UhH8Uy8UD8Up8UDM8U=48U 8U`:8UD 88U"8UD 58Uj8U& 9UDP[8UF.9UH,9U@8UD ԟ2Up8UD8Uq8UDj8U8UD@M8U+ 9UDG8Uz8UD@8U0z8UD%8Uܑ8UD8U@:8UD 8U`ۑ8UD8Uۑ8UD88Uۑ8UD88Uۑ8UD58U 9UDp8U@8U?48UPV8U?48U?48UH8U098UD8Uc8U 8U8UD8U558U2j8UD 8Ux@48U@48U@8UD0]9U@48U<@48Ud8U  8U8UD48U8UDN8U8UD`P8U b8U 08UA48U14Uȸ5U4U]5U4U@^5Up^5U^5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U1User1IDageThread::User1ID416FC75B9al 1B89D580E-0011-11EF-8387-3C6416FC75B9U!>7U8UpC48U!8879Wa08U*9Ux'2U!`9UP9U1User2IDageThread::User2ID4U'panel p>8U`8UnL7Up[9UnL7U 9Uu8Ux9Uh8UnL7U38U4Uij7Uy8UP 8U8Ux 9U]5UJ9U8U8Uا9U8U8U49U@/8UvC8U^5U_5U`_5U_5U_5U_5U`5U`5Uh`5Ua5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4UQ 9U9U8U9U!3W1B89D580E-0011-11EF-8387-3C6416FC75B9!2024-04-21 20:02:3810W9U9U01 3UF48U-32479Qper coro e organo/for choir and organ in do minore - in C min!Somerford23U !0000-00-00 00:00:00Q08U!0000-00-00 00:00:00!0W10000-00-00 00:00:000a8U9U G5U! I began my musical career as organist and choirmaster at the age of fifteen. My first diploma, A.Mus.L.C.M was acquired at the age of sixteen. After National Service I became a student at King Alfred's College, Winchester and received organ tuition from Alwyn Surplice who was Organist and Master of the Choristers at Winchester Cathedral. It was also at this time that I was invited to join the Cathedral Choir as an Alto Lay Clerk. I taught at schools in North Hampshire and Guildford - where I was Head of Music for over seventeen years. During this time I was invited to conduct many junior and senior school choirs for special occasions. I am a founder member of two choral societies in Hampshire and conducted both until I moved to Cornwall. Both are still in existence today and flourishing. It was during this time that I was awarded the Hon.L.C.M for my services to music. In 1987 my wife and I moved to Cornwall when I was appointed Head of Music at Camelford. I soon became involved with choirs and was Director of Music for Wadebridge Male Voice Choir until I retired at the end of December 2003. During this time I also became Director of Music for Tintagel Orpheus Male Voice Choir. In 2001 I received a request to take charge of St Columba Celtic Male Voice Choir. Also in 2001 I was appointed Director of Music to Wadebridge Choral Society. In August 2010, I decided to retire from choral conducting so that I could spend more time with my wife and family. However, in January 2011 I was asked if I would conduct a group known as "The Seriously AwEful Sinfonia" from north Cornwall. This group is made up of people from all walks of life who, having chosen to learn to play an instrument, wanted to form themselves into an orchestra. There is no audition and the only restriction on membership is that potential members cannot play an instrument they have played before. The group has been so successful that it now has over 45 members. The instrumentation is typically that of a symphony orchestra but in addition we have a "Bowed Psaltery" and 3 people playing "Squeezeboxes". This has meant that I have had to arrange pieces for them to play which has been very rewarding and most enjoyable. It has all been very interesting and exciting. Since my retirement from teaching, I have also been able to concentrate on composing and arranging for choirs as well as improving my IT skills. I have recorded and produced CD's for many choirs in the south west. Also, I produce "voice learning CD's" for choral societies and choirs. In some cases the work on voice CD's has resulted in my transcribing and producing printed scores especially where the original was a hand-written score. In 2014 my wife and I moved to Worthing. I soon became involved in the musical life of this town. In 2015 I formed a group called "Inspired Instrumentalists" under the auspices of the local U3A. We are a very varied selection of instrumentalists. There is no music arranged for this type of ensemble and has meant that I have had to put on my "arranging" cap again. We started with 6 members and have now grown to 36. To date (Oct 2018) we have given many concerts which have been very successful. Our biggest achievement is raising over £1000 for the church of St Botolph Worthing to help with repairs to the spire and main roof. I am now in charge of the choir at St Botolph's Church and sing Counter-tenor for them whenever possible.The choir has a very high standard and is equal to that of a cathedral. We have sung services in Portsmouth Cathedral and have spent the 2017 August Bank-holiday week-end singing in Worcester Cathedral. I am a keen golfer and have joined Barn Hill Golf Club.W48U ڒ8U0ߒ8U8UP8Uؒ8Uߒ8Uڒ8Uے8Uhג8Uܒ8UHܒ8Uܒ8Uؒ8U`ْ8Uؒ8Uݒ8Uݒ8Uܒ8Uג8U8UHْ8U`ܒ8U8Uߒ8U@ؒ8Uْ8Uޒ8U 8Upؒ8Uh8Uޒ8U ג8Uڒ8Uے8U(ޒ8Uے8Upޒ8U֒8Uڒ8U`ߒ8Uْ8UHߒ8Uޒ8U֒8Uݒ8U0ܒ8Uؒ8U8Uݒ8Uג8Uߒ8Uג8UPڒ8U8ڒ8Uߒ8U8UXޒ8U88Uޒ8Uޒ8Uݒ8Uߒ8U(ے8Uhڒ8Uْ8Uؒ8U8Uߒ8Uے8U8ݒ8UPג8U[48U13329D716-886F-11E9-92BA-F3D41D17C629U!0W!0W!0000-00-00 00:00:00!0W!0000-00-00 00:00:00!0000-00-00 00:00:00!0W!1W!0W!WW!0W!0000-00-00 00:00:00 $(:8U<8U  *0 chbh!($(P8U 059U@9UT9U+9U 9U49U@}8U 08U 8U 69Uԓ8UpF8UR9U9U069U9U9U 8Uo8Up8U8UЁ8Up8U 99UB8U@8Uж8U/ 9Ue48U   ?8U59U:@69U` 8U(18U$(eatedIP8Uk48U@8UD8UP8UDྒྷ8U`8UD8Up8UD 8U8UD@8U8UD`8U8UD8U8UD8U8UD8Ul48U8UY8UD`+8U0l48U(28U@8UD8UЦ8U8UDP8Uv8UD9UF9UD78Um8U @9UT8UD`8U8UDЕ8U8UD8U m48Uȶ8U8U08UDs8U e8U W8U`R8U2m48U8U(8U @8UXj8UDB8Uz8UD68Um48Uȶ8U`8UDW8U^48UD 48UX9UD`b8U^48UD|48U0^48UD`}48U`9UXS69U8UDP;8Un48UY9UD`Z8Up39UD@8U^48UD@48U@_48UD~48U8UG5U_48UD ]8U_48UD8U0 8U`_48UD~48U`^48UDT8U_48UDpZ8Up_48UD]8U^48UD0Z8UP_48UD~48UF8UDj8U 38UD48U038UD`88U0_48UD~48U ^48UDp8U^48UDY8U|8UD8Up48U68UD`8U .8UD8U0`48UD]8U_48UDX8U@`48UD]8U_48UD`Y8U^48UDZ8U 8UD8U_48UDPW8U`48UD Y8U_48UDX8U08UD8UP9UDP8U8[8UD05U0r48U_48UDY8U _48UDZ8U `48UD`]8U`48UD@]8U_48UDs8UP`48UD]8U``48UD]8Up`48UD^8U`48UD ^8U`48UD8U`48UD8U`48UD8U`48UD8U`48UD 8U`48UD@8U`48UD`8Ua48UD8Ua48UD@[8U a48UD`[8U0a48UD[8U@a48UD[8UPa48UD[8U`a48UD[8Upa48UD\8Ua48UD \8Ua48UD@\8Ua48UD`\8Ua48UDm8Ua48UDm8Ua48UD 8Ua48UDP8Ua48UDm8Ub48UDn8Ub48UD n8U b48UD@n8U0b48UD`n8U@b48UDn8UPb48UDn8U`b48UDn8Upb48UDn8Ub48UDo8Ub48UD o8Ub48UD@o8Ub48UD`o8Ub48UDo8Ub48UD8Ub48UD08Ub48UDP8Uc48UDp8Uc48UD8Uv48Uxm48Uw48U(w48U8U@w48U8U8UDp 8Upw48UH*8U0ơ8UD8U8U#8UD`s8U8U@e48UD8Ue8U 8U`X8U20x48U8Uj8UD8U`g8UD9UP3U  8UA8UD9U ^9UP 9UU8Up8U098UD9U08UDm8UL8UD8U8UD8U 9U9UH49U+9U8UD68UU9U8U ;8UD`8U 9U @9U5 9UU8UPҌ8UD N7U0^8U8U @8U8U f9Uh 9UU8U08UDݖ8U8UD@9U`8Uz48U8UD@@9U Q(8UQp8U@8U!1X!1W!Uncategorised music!15273W}48U!0W!0W!WW !1633 Wesleyan Dr. !Cottage 1161WW0!TonyW1tony863045@gmail.comU0!Scocrb@072715 !01843 863045U!WW!0000-00-00 00:00:00!920W48U!0.00W!tonyroyse!1W !196831W !0000-00-00 00:00:00!0000-00-00 00:00:00U!129W48U10.00W 48U48U0!0X!1X8U!1W8U!0Wp8U!0000-00-00 00:00:00U!WW(8U!0000-00-00 00:00:00U10Wx8U 8U0!WR8U !1W !0C8U Q48U48U!padricX!tony863045@gmail.com1MrW0q[{"Desc":"Visit for more music scores","Url":"http://hosannapraise.webs.com","Text":""}] C8U8UALCM LGSM LTCL GTCL PGDE Being a member of the True Jesus Church since childhood, Andrew is now living in Edinburgh, Scotland. Andrew is a graduate of Trinity College of Music, London having studied piano, violin and orchestral conducting. He has worked as private/school instrumental teacher as well as classroom music teacher in secondary schools for over 30 years. He has directed various ensembles and enjoyed arranging and orchestrating for these groups. He devotes much of his spare time in arranging hymn tunes for different groups in church. Please visit http://hosannapraise.co.uk for more music scores.8U!175622W8U!0W8U!1W4U!0W4U!08X4U!WW4U!131285W4U11W4U01Born in Cambridge, UK, and grew up in Leicester. Studied at Cambridge University, Oxford University, Pontifical Gregorian University (Rome), St Mary's University College (Twickenham). Degrees in Natural Sciences, Nuclear Physics, and Theology/Philosophy. Instruments: bassoon, flute, piano. Currently principal bassoonist with the Maidstone Symphony Orchestra and the Royal Tunbridge Wells Symphony Orchestra. Choir director for the Church of Sts Peter and Paul, Seal, near Sevenoaks. Recently retired Head of Physics at Walthamstow Hall, an independent girls secondary school in Sevenoaks. Married to Rev. Anne Le Bas, who is vicar of Sts Peter and Paul, Seal. 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I have tried to keep it simple while making it sound interesting for all standards of playing.48U48U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W@48U48U848U48U48U48U48U48U48U48U048U48Uh48Uh48U48U48U48U78U48U(48U48U 48U`48UX48U48U848U48U48U48U48U48Up48Up48U48U48U 48UH48UX48U48U48U(48U48U48U48U48U48UX48U48U48U`48U48Ux48U48U48U48U48U48U48U 48Uh48U48U48U48U848UH48U48U48U048U48U48Uh48U48U@48U48U48Ux48U48UP48U48U!2020-08-30 18:25:21U!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-03-31 07:14:57!2023-03-31 07:15:25!773449W!1321645W!0000-00-00 00:00:00!0000-00-00 00:00:00Q@48U1Hallelujah Chorus for Cello QuartetU!44Wp8U!373W8U!2W 8U!2W 8U!2015-10-16 14:01:35U!2023-02-21 16:30:22U!08X8%7U!2W%7UQThis works well as a concert piece or just for fun.P!sibW 8U!496WP 8U!0W8U1hallelujah chorus cello quartet.sibU!2015-10-16 14:01:35U!10W8U!1892W8U!6Wp.8U!1.00X&7U!2015-10-16 14:01:41U!1WX&7U!1W&7U!0W'7U!WW%7U!0W$7U10W&7U01G.F Handel arranged by David Burndrett!David Burndrett10WWW0!181767W58U!1W48U11W48U0AHornpipe from Handel's Water Music for Cello QuartetU!44WP58U!373WdefScor!2WZipConve!2WonStarte!2016-02-01 09:27:56U!2023-02-21 16:29:46U1G F Handel arranged by David Burndrett!David Burndrett48U!0W48U10WhGD8UFD8U0  TX ((0'(38Z` (#('(-0)0#(6724202XDe3Uh8U87U8U؝2U8UX85U8U85U8U)6U8U885U8U85U8U85U(8Up,5U@8Ux85UX8U58UH85Up8U85U8U58U4U8U2U8U858UX2U8U85U8UX 85U8UH!85U8U"85U08U3UH8UH%85U`8U28U&85Ux8U(6U8U&85U8UhG85U8U8<25U8U`28U 6U8UZ85U8UP6U 8U5U88UA6UP8U)_2Uh8U54U8U_85U8U_85U8U58U`85U8U028Uc`7U8Uf`7U8U25U8U25U(8U25U@8U@58U c2UX8U"c2Up8U(g85U8Ug85U8UW4U8UXf85U8Ue85U8U28Uc85U8Uh58UOm2U8U28U m2U08U58UX~`2UH8U28U`2U`8UHb85Ux8U58U&_2U8UhAT2U8U8DT2U8U>T2U8Ux58U7U8U4U8U28UH5U 8U58U(t85U88Up85UP8U58Uj6Uh8U885U8UI85U8U58U85U8Uxa85U[.8U85U8g 8U6UX8U58UH4U8UX2Up8Uh4Ug 8U58U6Ug 8U6Ug 8U58Uh_2U/8U85Ug 8U885Ug 8U85U/8Up58U^i2U/8UΌ2U(/8Un4U@/8U2UX/8U58U2Up/8U58U5U8UسB8Uq-8U6Ug-8Uh58U5Uh-8U58Ux6o3UPi-8U4Uhi-8U(b2Ui-8U+_2Ui-8U,_2Ui-8Uh/_2Ui-8U6Ui-8U58UX:5Ui-8Ux4Uj-8Uh5o3U(j-8Uh2U@j-8U/_2UXj-8U 4Upj-8U58U16Uj-8UP58U46Uj-8U=4Uj-8U45Uj-8UH1_2Uj-8U85Uk-8U85Uk-8UXDe3U0k-8U87UHk-8U؝2U`k-8UX85Uxk-8U85Uk-8U)6Uk-8U885Uk-8U85Uk-8U85Uk-8Up,5Ul-8Ux85U l-8U58UH85U8l-8U85UPl-8U58U4Uhl-8U2Ul-8Up58UX2Ul-8U85Ul-8UX 85Ul-8UH!85Ul-8U"85Ul-8U3Um-8UH%85U(m-8U(58U&85U@m-8U(6UXm-8U&85Upm-8UhG85Um-8U8<25Um-8U58U 6Um-8UZ85Um-8UP6Um-8U5Un-8UA6Un-8U)_2U0n-8U54UHn-8U_85U`n-8U_85Uxn-8U858U`85Un-8UX58Uc`7Un-8Uf`7Un-8U25Un-8U25Un-8U25Uo-8Ux58U c2U o-8U"c2U8o-8U(g85UPo-8Ug85Uho-8UW4Uo-8UXf85Uo-8Ue85Uo-8U58Uc85Uo-8U58UOm2Uo-8U58U m2Uo-8U58UX~`2Up-8U58U`2U(p-8UHb85U@p-8U58U&_2UXp-8UhAT2Upp-8U8DT2Up-8U>T2Up-8U58U7Up-8U4Up-8Uu 58U1Fr Elise for Cello Quartet024-04-23 20:!0W20:11:08!0W8.495108!2Wtrumenta!0000-00-00 00:00:00U!0We2024-0!0W4-04-23 Für Elise for Cello Quartet L.Beethoven. Arranged by David Burndrett David Burndrett This works well as a concert piece or just for fun!08.483717202!0W2077481!0W"58U10W-98Ug trioScor!WWd by A9(fMA3(f .A6(fgA4(fn>A @@@3(fPAQ(fDA3(fSvA6(f8fA(fYA(fbA@@??@@3(fطA (fIA((f (A@,(f\5A3(f.XA3(f#A3(f?A((fYRA,(f05A3(fvA3(fR+A3(f,bA3(fsA3(f+A3(ftA3(fA3(f%A3(fA3(f]A3(fA3(fA*(f_A3(fA3(fӆA3(fA3(fsgA3(fA3(fA@'C@173873!0:8U ! 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I have added an optional piano part. Z58U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WI58UN58UN58UF58UH58UI58UI58UM58UK58UxM58UJ58UpI58U8 A8U8N58U`M58UH58UL58U 78UF58UE58UpL58UM58U0M58U(L58UM58UH58UhN58UJ58UJ58UM58UhK58U@L58U@I58UH58UN58UJ58UM58U(F58UG58UK58UK58UK58UxJ58UL58UG58UL58U(I58UG58UG58U0J58UM58UHM58Uh A8UO58UF58UI58UE58UF58UG58U8K58UE58UI58UXF58U A8UG58UL58UN58UM58UPN58UXL58U8H58UK58UL58UpF58UK58UHG58UxG58U K58U`58U!1x^`58U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-02-21 04:15:54!2023-02-21 04:16:20!1057669W!1628470W!0000-00-00 00:00:00!0000-00-00 00:00:00p"A8UPb58U`!A8UD4A8Up!A8UD4A8U!A8UD5A8U!A8UD@5A8U!A8UD`5A8U!A8UD5A8U!A8UD5A8U!A8UD2A8U!A8UD4A8U!A8UD04A8U"A8UDP4A8U"A8UDp4A8U "A8UD5A8U0"A8UD58U@"A8UD58UPr58UD58U`r58UD58Upr58UD 58Ur58UD@58Ur58UD`58Ur58UD58Ur58UD 58Ur58UDІ58Ur58UD58Ur58UD58Ur58UDЄ58Us58UD58Us58UD58U s58UD058U0s58UDP58U@s58UDp58UPs58UD58U`s58UD 58Ups58UD@58Us58UD`58Us58UD58Us58UD58Us58Us58UD58Us58UD58Us58UD 58Us58UD@58Ut58UD`58Ut58UD58U6U t58UD58U0t58UD58U@t58UD58UPt58UD58U`t58UD 58Upt58UD@58Ut58UD`58Ut58UD58Ut58UD58Ut58UD58Ut58UD58Ut58UD58Ut58UD058Ut58UDP58Uu58UDp58Uu58UD58U u58UD58U0u58U@u58UDЇ58UPu58UD58U`u58Upu58Uu58Uu58Uu58Uu58UD58Uu58UD058Uu58UDP58Uu58UD58Uu58UD58Uv58UDС58Uv58UD58U v58UD58U0v58UD058Ui58U0A8UN8UD@y8Uj58UT.8U>8UDt8U8UU 8U08UDD8U;8UDV8Uxj58U08U p58U@38U2j58Up1A8U?8UDp>8U,68UDF68U58UD058U k58U58UD58U4H8U4H8UD G8U ;H8UDH8U58U58UDP58U58UD58U58UD58U8U  p58U0w58UD:8U@w58UD0EA8UPw58UD2A8U`w58UDpEA8Upw58UDEA8Uw58UDEA8Uw58UDEA8Uw58UDEA8Uw58UDFA8Uw58UDFA8Uw58UDFA8Uw58UDGA8Uw58UD@GA8Ux58UD`GA8Ux58UDGA8U x58UDGA8U0x58UDp2A8U@x58UDFA8UPx58UD0FA8U`x58UDPFA8Upx58UDpFA8Ux58UDGA8Ux58UDHA8Ux58UD 58Ux58UD@58Ux58UD`58Ux58UD58Ux58UD58Ux58UD58Uy58UD58Uy58UD 58U y58UD058U0y58UD58U@y58UD058UPy58UDP58U`y58UDp58Upy58UD58Uy58UD58Uy58UDи58Uy58UD58Uy58UD`58Uy58UD58Uy58UD58Uy58UD58Uy58UD58Uz58UD58Uz58U z58UD@58U0z58UD`58U@z58UD58UPz58UD58U`z58UD58Upz58UD58U6Uz58UD58Uz58UDP58Uz58UDp58Uz58UD58Uz58UD58Uz58UDп58Uz58UD58Uz58UD58U{58UD058U{58UDP58U {58UDP58U0{58UDp58U  38 58,09@ 38GH ((0'(KPote"catQN58U158U@ o162770ASwing Low, Sweet Chariot for Cello Quartet@1Coventry Carol for Cello QuartetLD8U!374W-8U!2W88U!2WX!2018-10-19 21:51:32U!2024-03-08 18:14:32U1Traditional arranged by David Burndrett!David BurndrettH58U!0W58U!0W !sibW!496WPX98U!0W`-8UAcoventry carol for cello quartet prs.sib8Uh8U!2018-10-19 21:51:32U!14W@88U!4128W8U!14W88U!2018-10-19 21:51:34U!0W58U!0W58U!130431W58U!WW58U!1Wh58U!1W58U11W@58U0!1.50XQ58U!2014-07-23 19:08:57U!1WPQ58U!0WQ58U!0WQ58U!WWxP58U!0WO58U10WQ58U0!4.95^58U!0W!1W!0W!WW!WW!0W!WW1Copyright © December 2011ectedFa!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWT58U!622951W!08YQ58U!0WT58U!8.95WO58U!8.95WS58U!7.50W(R58U!0WP58U!WWPQ58U!0.00WT58UQ58UA2U؈58Um;88308@!1^58U!0W!WW!0.0000W!2014-07-23 19:12:46A2 Classical Favourites for Cello Quartet volume twoScor!0W!0W!6W!2013-04-10 02:33:14!0W!0W!2 Classical Favourites for Cello Quartet (volume two) Gustav Holst, Jacques Offenbach arranged by David Burndrett David Burndrett No.1 Jupiter Hymn No.2 The Can Can These pieces work well as a concert piece or just for fun. I have added an optional piano part.U58U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WHS58Uh58U58U Q58UR58US58U T58Ux58U858U058U8T58US58UpO58U58U58US58UX58U 78UP58U0P58U(58U58U58U58U`58U@R58U 58UT58UU58UH58U 58U58UxS58UR58U858U(U58UВ58U`P58UQ58Uh58U58UP58UT58U58UQ58Up58U`S58UQ58UR58UhT58U58U58UO58UȔ58UP58US58UO58UP58U(R58U58UP58UT58UP58UN58UPQ58U58UP58U58U58U58UpR58U58Uȑ58UP58U58UQ58UQ58UXU58U 58UXf85Ug58Ue85Uh58UO58Uc85Uh58U0S58UOm2U0h58UXO58U m2UHh58UR58UX~`2U`h58UxP58U`2Uxh58UHb85Uh58UXR58U&_2Uh58UhAT2Uh58U8DT2Uh58U>T2Uh58U@U58U7Ui58U4U i58UHP58UH5U8i58US58U(t85UPi58Up85Uhi58U58Uj6Ui58U885Ui58UI85Ui58US58U85Ui58Uxa85U8U85Uh-8U6U&A8UT58UH4U@8UX2Uh-8Uh4U0&A8UPT58U6U&A8U6U&A8U@58Uh_2Uh:8U85U&A8U885U&A8U85U:8U8Q58U^i2U:8UΌ2U:8Un4U:8U2U:8Uؓ58U2UГ:8U58U5Uj58U4U8l58UH88U858UR58U5U0A8UP58Ux6o3U l58U6Uj58U(b2UPl58U+_2Uhl58U,_2Ul58Uh/_2Ul58U6Ul58U58UX:5Ul58Ux4Ul58Uh5o3Ul58Uh2Um58U/_2U(m58U 4U@m58UP58U16UXm58U58U46Upm58U=4Um58U45Um58UH1_2Um58U85Um58U85Um58UXDe3Un58U87Un58U؝2U0n58UX85UHn58U85U`n58U)6Uxn58U885Un58U85Un58U85Un58Up,5Un58Ux85Un58U@58UH85Uo58U85U o58U 58U4U8o58U2UPo58U58UX2Uho58U85Uo58UX 85Uo58UH!85Uo58U"85Uo58U3Uo58UH%85Uo58Up58U&85Up58U(6U(p58U&85U@p58UhG85UXp58U8<25Upp58UЕ58U 6Up58UZ85Up58UP6Up58U5Up58UA6Up58U)_2Uq58U54Uq58U_85U0q58U_85UHq58U58U`85U`q58U58Uc`7Uxq58Uf`7Uq58U25Uq58U25Uq58U25Uq58U58U c2Uq58U"c2Ur58U(g85U r58Ug85U8r58UW4U(58UXf85U@58Ue85UX58U@58Uc85Up58U58UOm2U58U58U m2U58UX58UX~`2U58U058U`2UФ58UHb85U58U58U&_2U58UhAT2U58U8DT2U058U>T2UH58U58U7U`58U4Ux58U58UH5U58UH58U(t85U58Up85U58U@58Uj6Uإ58U885U58UI85U58U58U85U 58Uxa85Uh-8U85Us-8U6U1A8U858UH4U0A8UX2U(s-8Uh4U0A8U58U6U@1A8U6UX1A8Ux58Uh_2U:8U85U0A8U885U(1A8U85U:8U58U^i2U:8UΌ2U0:8Un4U:8U2U0:8U58U2UH:8U058U5U(58U4U58UH78U58U58U5U0k58U(58Ux6o3Ux58U6U58U(b2U58U+_2U58U,_2Uب58Uh/_2U58U6U58U58UX:5U 58Ux4U858Uh5o3UP58Uh2Uh58U/_2U58U 4U58U(58U16U58Up58U46Uȩ58U=4U58U45U58UH1_2U58U85U(58UScores["163649","179862","165031","135277","146361","403160","172515","137752","181767","159469","165113","170771","366134","173185","137440","164757","81267","135749","361747","160010"]atS!2020-09-26 09:56:14!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-30 15:34:11!2023-04-30 15:34:57!2668174W!4121564W!0000-00-00 00:00:00!0000-00-00 00:00:00`b58U58U@{58UD58UP{58UD58U`{58UDк58Up{58UD58U{58UD58U{58U{58UD058U{58UDP58U{58U{58U{58U{58U|58U|58UDp58U |58UD58U0|58UD58U@|58UD58UP|58UD@58U`|58UD`58Up|58UD58U|58UD58U|58UD58U(58Uj58U 78UD 8UX58U`w;8UD 8U58U`V8UDp98U58UR8U @g8Up8U л58U 38U258Ul58Up{68UD% 8U268UD`i68U`58UD)68Ux58U 58UDP)68U@;H8UD H8U0;H8UDH8UAH8UDI8U58Up58UD)68U058UDp)68U@58UD)68U8U  58U}58UD>8U}58UD58U}58UDEA8U}58UD058U}58UDP58U}58UDp58U}58UD58U~58UD58U~58UD`58U ~58UD58U0~58UD58U@~58UD58UP~58UD58U`~58UD 58Up~58UD@58U~58UD`58U~58UDЁ58U~58UD58U~58UD 58U~58UD@58U~58UDDA8U~58UD58U~58UD58U58UD58U58UD 58U 58UD@58U058UD`58U@58UD58UP58UD58U`58UD58Up58UD58U58UD58U58UDDA8U58UD58U58UD58U58UD58U58UD58U58UD58U58UD 58U58UD@58U58UD`58U58UD058U58UDP58U58UD58U58UD58U58UD58U58U58UD@58U58UD`58U58UD58U 58UD58U058UD58U@58UD58U6UP58UD58U`58UD58Up58UD58U58UD58U58UD58U58UD058U58UDP58U58UDp58U58UD58U58UD58U58UD 58U58UD@58U58UD`58U 58UD58U058UD58U@58UD58UP58UD58U`58Up58UD58U58UD 58U58U58U58U58U58U58UD@58U58UD`58U58UD58U58UD58U 58UD58U058UD58U@58UD58UP58UD58U`58UD58U58U58U58UPQ8UD8U58U8U 58U@TB8UDQ8UP58U8U 58U 98U258U`58U\8U 8U+8UvwR8U,68UD@G68U58U,68UDF68UAH8UAH8UDI8UH8UDpwI8Up,68U,68UD`G68U,68UDF68U,68UDG68U8U  @68U`58UD*7Up58UD58U58UD`-98U58UDд58U58UD58U58UD58U58UD058U58UDP58U58UD58U58UD 58U58UD@58U58U!HASHW !161478W1Traditional Arranged by Edwin Sung!2017-06-09 17:10:17U10000-00-00 00:00:00858U0!374W`88U!2WX!2Wx-8U!2013-09-30 18:35:14U!2023-02-18 14:19:27UATraditional. Arranged by David BurndrettX58U!David Burndretth58U10W0!sibWLD8U!496W-8U!0WP8UASwing Low Sweet Chariot cello quartet.sib88U(88U!2013-09-30 18:35:14U!15W@8U!2548W88U!7WX>8U!0Xh >8U!2Wy>8UIn this arrangement, every player gets the tune at some point. This works well as a concert piece or just for fun! 12.95W4U0!1.50X58U!2014-07-11 12:49:19U!0W58U!0W58U!0W58U!WW058U!0WX58U10Wh58U0!0^58U!1W!0W!WW!WW!0W!WW1Copyright © January 2011eExchang!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWh58U!792039W!0W58U!0W58U!9.95WX58U!9.95Wx58U!7.50W58U!0WH58U!WW58U!0.00W58UQ58UA"2U858U173710@!1^P58U!0W!WW!0.0000W!2014-07-11 12:50:16A2 Classical Favourites for Cello Quartet volume oneU!0W!0W!6W!2013-03-15 21:59:05!0W!0WQ2 Classical Favourites for Cello Quartet (volume one) Antonio Vivaldi, Edvard Grieg arranged by David Burndrett David Burndrett No.1 Autumn from The Four seasons (first movement) No.2 In The Hall Of The Mountain King These two pieces work well as concert pieces or just for fun. I have added an optional piano part. !0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W58U58U58Uؖ58U58U58Uؙ58U58Up58Uh58U58U`58U(58U(58UP58UИ58U58U 78Ux58U58U`58U58U 58U58U58U58UX58U58UȚ58U58UX58U058U058Up58Up58U58U58U58U58U58U58U58Uh58U؜58U58U58U58U58Uȗ58U 58Uȝ58U858UX58U58U58Ux58U58U58U58U(58U58U58UH58U58U58U58U58U58U@58UH58U(58U58U58U`58UЛ58U858Uh58U58U58U["163649","165031","181767","179862","172515","403160","137752","146361","165113","159469","366134","81267","137440","170771","361747","164757","402249","173185","135749"]U58U!2020-09-14 21:18:58!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-30 16:54:18!2023-04-30 16:54:58!3347307W!4881800W!0000-00-00 00:00:00!0000-00-00 00:00:00 jp (*0)0(0uxjp)0$((0.0<@jp$(58U!1.00X68U!2023-09-17 20:12:31U!1W068U!0W68U!153876W68U!WWX68U!1W68U11W68U0!0xZh8U!1W88U!0W@88U!WW8U!WW88U!0W88U!WW`-8U!WW-8U!WWh8U!1XY88U!0W@88U{ "GroupOrd" : "360", "StoreGroupOrd" : "540", "StoreGroupID" : "3683", "GroupID" : "24857" } 8Up>8U!0.0000W>8U!2014-09-15 14:20:33U1St Anthony Chorale for Cello QuartetU!0W/;8U!0W:8U!2W:8U!2013-04-09 10:38:48!Dedication7U 85U@58UXDe3UX58U87Up58U؝2U58UX85U58U85U58U)6UЪ58U885U58U85U58U85U58Up,5U058Ux85UH58U58UH85U`58U85Ux58U58U4U58U2U58U58UX2U58U85Uث58UX 85U58UH!85U58U"85U 58U3U858UH%85UP58U58U&85Uh58U(6U58U&85U58UhG85U58U8<25UȬ58U58U 6U58UZ85U58UP6U58U5U(58UA6U@58U)_2UX58U54Up58U_85U58U_85U58UX58U`85U58U؟58Uc`7UЭ58Uf`7U58U25U58U25U58U25U058U58U c2UH58U"c2U`58U(g85Ux58Ug85U58UW4U58UXf85U58Ue85Uخ58Ux58Uc85U58U58UOm2U58UH58U m2U 58U058UX~`2U858Uh58U`2UP58UHb85Uh58U58U&_2U58UhAT2U58U8DT2U58U>T2Uȯ58U58U7U58U4U58U858UH5U58U 58U(t85U(58Up85U@58U58Uj6UX58U885Up58UI85U58Uh58U85U58Uxa85U@s-8U85Ux27U6Uk58U58UH4U%A8UX2U27Uh4UHk58U58U6Uk58U6Uk58UP58Uh_2U`:8U85Uk58U885Uk58U85Ux:8U58U^i2U:8UΌ2U:8Un4UP?8U2Uh?8U58U2U?8U58U5U58U4U58U/8UhU>8U@58U`58U5U58U`58Ux6o3U58U6U58U(b2U(58U+_2U@58U,_2UX58Uh/_2Up58U6U58U58UX:5U58Ux4U58Uh5o3Uг58Uh2U58U/_2U58U 4U 58U`58U16U858U58U46UP58U=4Uh58U45U58UH1_2U58U85U58U85U58UXDe3U58U87U58U؝2U58UX85U(58U85U@58U)6UX58U885Up58U85U58U85U58Up,5U58Ux85U58UP58UH85U58U85U58U058U4U58U2U058U58UX2UH58U85U`58UX 85Ux58UH!85U58U"85U58U3U58UH%85U58U58U&85U58U(6U58U&85U 58UhG85U858U8<25UP58U58U 6Uh58UZ85U58UP6U58U5U58UA6U58U)_2U58U54U58U_85U58U_85U(58U58U`85U@58U58Uc`7UX58Uf`7Up58U25U58U25U58U25U58U58U c2U58U"c2U58U(g85U58Ug85U58UW4U058UXf85UH58Ue85U`58UP58Uc85Ux58U58UOm2U58U 58U m2U58Uh58UX~`2U58U@58U`2U58UHb85U58U 58U&_2U58UhAT2U 58U8DT2U858U>T2UP58U58U7Uh58UmeArtisaThis is an arrangement of the wonderful Coventry Carol for Cello Quartet. U58U!2.95W!0W!1W!0W!WW!WW!0W!WW!WW!WW!2024-03-08 18:14:32U!0000-00-00 00:00:00!WW@58U!507965W!0W58U!0WX58U!6.95W58U!6.95WP58U!4.00W58U!0W58U!WW58U!0.00W58UQ58U!/!1W !0^ 58U{ "GroupOrd" : "110", "StoreGroupOrd" : "140", "StoreGroupID" : "3683", "GroupID" : "24857" } 8U58U!0.0000W!2018-10-19 21:53:201Coventry Carol for Cello Quartet58U!0W!0W!3W!2013-04-12 21:31:52!0W!0WCoventry Carol for Cello Quartet Traditional arranged by David Burndrett David Burndrett This is an arrangement of the wonderful Coventry Carol for Cello Quartet. !0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W58Ux58U58U58Ux58U58U58U58UH58U@58U58U858U`58U58U(58U58Uh58U( 78U58U 58U858U58U58U58Up58U58U058U58U58UX58U058U58U58UH58UH58U58U58UP58UX58Ux58U58U`58U@58U58Up58U58U58U58U58U58U58U58U58U58UȠ58UP58U58U58U58U58U58U58U58UО58U58U58U`58U58U58U 58U58U58U58U58U58U58U@58U58U,58U["155642","109489","146370","144715","77299","371203","171060","172240","84162","164814","116477","130571","21672","72075","52245","88146","39335","520173","428115"]!2020-09-17 11:36:55!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-05-01 00:10:13!2023-05-01 00:11:46!864234W!1066547W!0000-00-00 00:00:00!0000-00-00 00:00:0058U58U58UD`58U 58UD58U058UD58U@58UD58UP58UD58U`58UDp58Up58UD58U58UDе58U58UD 58U58UD@58U58UD`58U58UD58U58UD 68U58UD 68U58UD@ 68U58UD` 68U58UD 68U 58UD 68U058UD 68U@58UD 68UP58UD68U`58UD 68Up58UD 68U58UD0 68U58UDP 68U58UDp 68U58UD 68U58UD 68U58UD 68U58UD068U58UDP68U58UDp68U58UD68U 58UD68U058UD068U@58UP58UDp68U`58UD68Up58UD68U58UD68U58UD68U58UD68U6U58UD068U58UD 68U58UD@68U58UD`68U58UD68U58UD68U58UD68U 58UD68U058UD68U@58UD 68UP58UD58U`58UD58Up58UD 68U58UD@68U58UD`68U58UD68U58UD68U58U58UD68U58UD68U58U58U58U 58U058U@58UD68UP58UD 68U`58UD@68Up58UD`68U58UD68U58UDP(68U58UDp(68U58UD(68U58UD(68U058Ux58U8E-8UU"28U`58UR8U  M8U58UB18UD0b?8U58U:8U @+8U8U p868U`38U2 68U58U`98UD`}A8U8UDS8U@368UD j68U68U368UDi68UpH8UH8UDwI8UH8UDI8U268UD@i68UP368UD@j68U368UDi68U 368UDi68UP8U  @68U58UD68U58UD 68U58UDP68U58UDp68U58UD68U58UD68U 58UDЙ68U058UD68U@58UD68UP58UD68U`58UD68Up58UD68U58UD@68U58UD`68U58UD68U58UD68U58UD68U58UD68U58UD68U58UD068U58UDP68U58UDИ68U 58UDp68U058UD58U@58UD58UP58UD58U`58UD58Up58UD58U58UD058U58UDP58U58UDp58U58UD58U58UD58U58UD58U58UD58U58UD58U58UD58U58UD 58U 58UD@58U058UD`58U@58UD58UP58UD58U`58UD58Up58UDp58U58UD58U58UD58U58U58UD58U58UD58U58UD 58U58UD@58U58UD>68U58UD>68U6U58UD?68U 58UD?68U058UD?68U@58UD@68UP58UD @68U*68UD@@68U*68UD`@68U*68UD@68U*68UD@68U*68UD@68U*68UD<68U*68UD<68U*68UD=68U+68UD =68U1 6U68U0Js163133!163136W98UQCopyright © 2014 by Edwin Sung http://www.edwinsung.comE8UaJolly Old St. Nicholas (for horn duet, suitable for grades 1-5) (14BHNDU11)8U!42W88U!609W88U!2Wp>8U!2W>8U!2014-11-21 04:07:23U!2017-11-22 16:44:26U!28XpE8U!2014-11-21 04:07:28U!1WE8U11W0!sibWP >8U!81W>8U!0WI:8U!HornDuet.sib T:8U!2014-11-21 04:07:23U!0W:8U!778W:8U!0W?8U!Traditional U%@8U!Katrina Sung`@8U!0WXk@8U12014Wh@8U@8U0!Studying Hard !1.00X58U!2013-10-01 09:38:03U!1W58U!0W58U!141626W58U!WW@58U!1Wh58U11Wx58U0!0^ 68U!1W!0W!WW!David Burndrett!1W!WW!WW!WW!YY58U!25690W!0Wx58U!0W!0.00W58U!6.95W58U!4.00Wh58U!0W58U!WW58U!0.00XX58U["155642","109489","77700","144715","146370","371203","171060","172240","84162","164814","116477","130571","21672","72075","520173","52245","428115","88146","39335"]!2020-09-09 07:52:19!1^ 68U!0W{ "GroupOrd" : "370", "StoreGroupOrd" : "600", "StoreGroupID" : "3683", "GroupID" : "24857" } 8U68U!0.0000W!2013-10-01 09:46:58ASwing Low Sweet Chariot for Cello QuarteteLastUpdatedP!0W!0W!2W!2013-05-20 15:17:33!0W!0WSwing Low, Sweet Chariot for Cello Quartet Traditional. Arranged by David Burndrett David Burndrett In this arrangement, every player gets the tune at some point. This works well as a concert piece or just for fun! 8UP68U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W58U68U68U58U58U58U58U68U58UX68U58Up58U858U68U@68U58U68U@ 78U58U58UP68U68U68U(58U68U58UH68U58U58Up68Uh58U@58U@58U58U`68U58U68U(58U58U58U58U58Ux58U68U58U68U(58U58U58U058U68U(68Uh58U68U58U58U58U58U58U858U58U58UX58U58U58U68Ux68U68U068UX58U858U58U58Up58U58UH58Ux58U 58U68U4U58U58UH5U58UX58U(t85U58Up85U58UP58Uj6U58U885U58UI85U58U58U85U(58Uxa85U27U85UM98U6U58UH58UH4Uh0A8UX2UM98Uh4U58U58U6U058U6UH58Uh68Uh_2U?8U85Up58U885U58U85U?8U58U^i2U?8UΌ2U?8Un4U?8U2U?8U68U2U?8U 68U5U068U4U68Uɞ8U@8U(68U58U5U58Ux 68Ux6o3U68U6U68U(b2U68U+_2U68U,_2U68Uh/_2U68U6U68U68UX:5U(68Ux4U@68Uh5o3UX68Uh2Up68U/_2U68U 4U68Ux68U16U68U 68U46U68U=4U68U45U68UH1_2U68U85U068U85UH68UXDe3U`68U87Ux68U؝2U68UX85U68U85U68U)6U68U885U68U85U68U85U 68Up,5U868Ux85UP68Uh68UH85Uh68U85U68UH68U4U68U2U68U68UX2U68U85U68UX 85U68UH!85U68U"85U(68U3U@68UH%85UX68U68U&85Up68U(6U68U&85U68UhG85U68U8<25U68U68U 6U68UZ85U68UP6U68U5U068UA6UH68U)_2U`68U54Ux68U_85U68U_85U68U 68U`85U68U68Uc`7U68Uf`7U68U25U68U25U 68U25U868U68U c2UP68U"c2Uh68U(g85U68Ug85U68UW4U68UXf85U68Ue85UH68Uh68Uc85U`68U68UOm2Ux68U868U m2U68U68UX~`2U68UX68U`2U68UHb85U؜68U868U&_2U68UhAT2U68U8DT2U 68U>T2U868U !68U7UP68U4Uh68U(68UH5U68Up68U(t85U68Up85U68Uh!68Uj6Uȝ68U885U68UI85U68U68U85U68Uxa85UM98U85U X98U6U58U` 68UH4Uk58UX2U8X98Uh4U 58U0 68U6U58U6UȲ58U"68Uh_2U?8U85U58U885U58U85U0?8U68U^i2UH?8UΌ2U`?8Un4U#@8U2U#@8U8$68U2U#@8UX%68U5U68U4U68Uh*8UȺ:8U68U68U5U68U S68Ux6o3Uh68U6U68U(b2U68U+_2U68U,_2UȠ68Uh/_2U68U6U68U@%68UX:5U68Ux4U(68Uh5o3U@68Uh2UX68U/_2Up68U 4U68U'68U16U68UhS68U46U68U=4UС68U45U68UH1_2U68U85U68U85U068UXDe3UH68U87U`68U؝2Ux68UX85U68U85U68U)6U68U885Uآ68U85U68U85U68Up,5U 68Ux85U868UQ68UH85UP68UScores!1H^@(68U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-05-01 01:15:23!2023-05-01 01:15:47!742519W!1106677W!0000-00-00 00:00:00!0000-00-00 00:00:00 /0#(,0})0,0,0Z`HP8@ 8^68UQ68U!621694[868U!2024-03-30 20:57:49U11W%68U0AThe Skater's Waltz (Fantasia) for Cello QuartetP8U!44W88U!373W(88U!2W8U!2W@8U!2024-03-30 20:45:47U!2024-03-30 20:57:07UAEmile Waldteufel arranged by David Burndrett&68U!David Burndrett%68U10W0!sibW8U!496W 88U!0W88U1skaters waltz for cello quartet.sibU!2024-03-30 20:57:24U!0WI:8U!84W8T:8U!0W:8U!2024X :8U!2W:8UThis is a fun arrangement for cello quartet and it is about grade 2-3 standard upwards! I have added an optional piano part.4U!2.95W !2023-09-17 20:10:53U!0000-00-00 00:00:00!WW 68U!869018W!0W68U!0W 68U!5.95W68U!5.95W68U!4.00W68U!0Wp68U!WW068U!0.00W 68U1X>68U8163153!08U !0`0v8U !2023-02-16 08:21:17!0^>68U!0WSt Anthony Chorale for Cello Quartet Franz Joseph Haydn arranged by David Burndrett David Burndrett This is a nice ensemble piece to play for four cellos. !0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W(68U$68U $68U68U68U68U 68U#68U!68U#68U 68U68UP68UP$68Ux#68U68U"68UX 78U68U68U"68U$68UH#68U@"68U#68U 68U$68U 68U 68U#68U!68UX"68UX68U68U$68U!68U0#68U@68U68U!68U"68U!68U 68U#68U68U"68U@68U68U68UH 68U#68U`#68U68U(%68U68U68U68U68U68UP!68U68U68Up68U68U068U"68U$68U#68Uh$68Up"68UP68U!68U("68U68U!68U`68U68U8!68Uption?["85504","85720","171497","117971","97865","97907","63620","156205","109606","370602","139438","139451","16726","86039","31701","33374","135636","76032","85122"]ion?!2020-09-23 09:12:40!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-26 19:51:28!2023-04-26 19:51:45!655142W!1407332W!0000-00-00 00:00:00!2023-09-17 20:13:59Q$68UThis duet piece emphasises music appreciation / enjoyment! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!!2.00W`@8U!0W`@8U!1W@8U!0W@8U!WW@8U!WWH&A8U!0W0A8U!WWk58U!WW858U!XX68U!0.0000W؟68U!2014-11-21 14:15:20UaO Little Town of Bethlehem for horn duet suitable for grades 26 14BHNDU134U4U!0W4U!0W4U!3W !1.50X'68U!0X&68U!0Wh'68U!WW '68U!0W(68U!0W&68U!1W%68U10W'68U0!0^PM68U!1W!0W!WW!WW!0W!WWACopyright © March 2024 (Burndrett Music)ScoresScores!WW!2024-03-30 20:51:50U!0000-00-00 00:00:00!WW8S68U!56W!0W(68U!0WPS68U!6.95W%68U!6.95WHR68U!7.50WP68U!1W&68U!1Wh'68U!1WS68U!1W!1WhS68U!0W1WW'68U`R68U085Uh68U'68U4U68U2U68UQ68UX2U68U85Uȣ68UX 85U68UH!85U68U"85U68U3U(68UH%85U@68U%68U&85UX68U(6Up68U&85U68UhG85U68U8<25U68U0&68U 6UФ68UZ85U68UP6U68U5U68UA6U068U)_2UH68U54U`68U_85Ux68U_85U68UPS68U`85U68U&68Uc`7U68Uf`7Uإ68U25U68U25U68U25U 68U '68U c2U868U"c2UP68U(g85Uh68Ug85U68UW4U68UXf85U68Ue85UȦ68U%68Uc85U68UQ68UOm2U68Up%68U m2U68U(Q68UX~`2U(68U&68U`2U@68UHb85UX68UP68U&_2Up68UhAT2U68U8DT2U68U>T2U68US68U7UЧ68U4U68U`&68UH5U68UR68U(t85U68Up85U068UT68Uj6UH68U885U`68UI85Ux68U`R68U85U68Uxa85UPX98U85UxLD8U6U68US68UH4UX58UX2ULD8Uh4U68UR68U6U868U6UP68UHU68Uh_2U#@8U85Ux68U885U 68U85U$@8UP'68U^i2U $@8UΌ2U8$@8Un4U@_@8U2UX_@8UV68U2Up_@8UXQ68U5Ux68UE8Ur68U6U68UW68U5U68UK?4UxF=8UA-8U4U088U85UX?8U85U8U8U*v2U4U45UhU8UXu"8U5U8'88U5U08Ux6o3Ux[;8Uh5o3U8U5U 8U҄8UX:5UA8U;6U7#8U85Ul<8UhG85UW8U>T2U:7UW4UA8U85Uw48UhAT2Uص8U38Ud2Ur8U8U c2U;8U85Up8Ug85U8U0*3U(7U,_2Uգ8Uh2UE8UHa\3U/8UH5U<8U<9Uw.9UpK.9Uh =8UR6U8Ux4UD8Uh8UH85UЍ7U(b2UZ;8UZ68UL2U0}B8U8$2Us8U$2U0Q.8U5U 48Ux5UQ.8U6UP.8Ux[68U5U88U)6U '8U"85U98U6UxN8Ub5UؖF8U25U ,9Uh~5U~"8U6UHR;8U8~5U-8U 4UPV8U)6UQ.8UXDe3U08UxmF8U4Uؑ28U8#7Ur8U(8Ue.9UHF.9U6U78U8U m2U8U&85UL8Up`68U85UU8UH8U6U8UX?8U&85U/8U|8UX̟6U8UHa3U38Uf`7U(28U(b2Ug8U>T2Up<8UA6U78Uh;8U5U0F8U؝2U(*8UG8UH5U8Ub5UPrB8U08U16UU8U87Ul8U8U&_2U8UH7U 18UW4Uɣ8U#2U#8U8DT2Uh8U؝2Uc8UX4U18U~5UT5Up8U48UOm2U@8U(b2U8U~5U s8UZ85U8UH7UOm2UT08U45U(8UB8U@F8UZ85U8<8U85UF8U~5UQ08U6U8U5U(z68U5UD8U`68U!0.0000^`68U!0000-00-00 00:00:00AThe Skaters Waltz Fantasia for Cello QuartetUba68U!0W!0W!5W!0000-00-00 00:00:00!0W!0WThe Skater's Waltz (Fantasia) for Cello Quartet Emile Waldteufel arranged by David Burndrett David Burndrett This is a fun arrangement for cello quartet and it is about grade 2-3 standard upwards! I have added an optional piano part.Uxc68U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WQ68UpW68UV68U8'68UpQ68UxR68UR68UV68U@T68U8V68UR68U0R68U%68UV68U V68UQ68U`U68Up 78U&68UH&68U0U68UV68UU68UT68UhV68UP68U(W68US68US68UPV68U(T68UU68UR68U@Q68U@W68US68UU68Ux&68U'68UpT68UT68UXT68U8S68UU68U'68UxU68UQ68U(68U((68UR68UV68UV68U%68UW68U&68UHR68U%68U'68UP68US68U&68UR68U&68U$68Uh'68UU68UXW68UU68UW68UU68UP68UT68UT68U&68UT68U'68U'68US68Uh68U!0.00^h68U!WW!0000-00-00 00:00:00!1W!0000-00-00 00:00:00!WW!0W!0W!0W!1W!0W!1W!650x919W!0W!0W!5.00W!0000-00-00 00:00:00!0000-00-00 00:00:00!0W!1820700W!0000-00-00 00:00:00!2024-03-30 20:59:18068Uj68Uj68UX`De3U08U738UDO8UC8UUp38UHt8UDg8U8UD8UNW8UD 8U(<8UU`B8UP8UD8U@ .8UD>8UP8UD8Upv88UD@E8Up$8UxV8UD@8UPl68UT;8Uv8UD>8U37UDO8Ul68UM8UD 8UD8UD:C8UP8UD8UP98UD@}A8Um68Um68U78UD`V-8U%,8UDq8U>8UD8U),8UD`S8UP{68UD 8Up708UD48Us.8Uv@Z8Um68U#8U  .8UJ8UDI8U`{68UD 8U8UU[7U{68UDA8U98UDPWF8U8UD8UP"8U`>}8UD8U`s8UU98U 638UD`V8U!8UD!r8UK-8UUD8U 18U08Up=T8UDs8U C8UUpj28U9<8U18UDs8U`D-8UU@C8UD8UD~s8U0.8UDP.8U78UD 8U78UD38Uұ8U @G5U?7U38Uv]"8UIt8UD8UV8UDN8U 8UDp;8U0V8UD><8U`5Uq68U F8U`;8UD008U0q68U(f N-8UU@E8Un8UD@*N8UJ8UD48U@GT8UD08Ur8UD8UB8UU 28U !8UDT8Uq68Uh68Ur68U0 8U P7U8r68UP!8U "@68Uhr68U`8UDq8Ur68U18UDP8Ur68U 8UD 7Ur68U(fs68U(s68U`7UD8UXs68U8UD08Us68Uj8UD8Us68UC3UDpU8UV8Ut68Ut68U0468UD`78UHt68U ޣ8UDp8Uxt68Ut68U8Ut68UR8U @38U7Ut68Uu68UT8UD@8U8u68U-8U POS8Uhu68Up;=8UD p8Uu68US8U `8Uu68Uq!8U @C8Uu68U78UD8U(v68U 668UD@- 8UXv68U0668UD - 8Uv68U@668UD- 8Uv68UP668UD, 8Uv68Uw68UF8UD#8UH?8UD0D8UF8UDP@<8U`8UD@C8UB?8U 8UDpM8U`F8UD38UB8UU 8UpE?8UDU8U J18U  F!8U^8UD`KS8UpC-8UU?8UC8UU;8Up38UD@8U=38UD`48U@38Uv7UJB8UD8U@7UDPT8U078UD9!8U@18Ux68U@(fy68U(b8U t88UDP>8U)8U @ 8U8UD 7Uy68U@8UD&8U8UD8U0/8UD.8Upw;8UDY8U@C8UUC8U 8UD08U18UD0P8UB:8UD B8U }!8U @8U8UD0E8U@ 8UDC8U8Uf`Is8UOrigFile  .0QX8U*0p8U$(%($8H8U (`8U&(3@GP09UNeverCro!0000-00-00 00:00:00!0W QW68U16`t8Uenng`3U01 xPЧ;8U!616 4812499!616 4812499!616 48124991http://www.hansencharts.com/U"@type":!WWeadcrumb!0W!Hudsonville !WPq8U !2024-01-28 04:29:21!XF8U!W 1WW0QCameroon National Anthem (O Cameroon, Cradle of our Forefathers) for Brass Quintet (MFAO World National Anthem Series) Rene Jam Afame Keith Terrett Music for all Occasions The national anthem of Cameroon arranged for Brass Quintet. The anthem of this central African French-English bilingual country was written in 1928, and was used as an unofficial anthem in 1948. Official use came in 1957, when Cameroon became an autonomous republic within France. Finally, the lyrics were changed slightly in 1978, to the current version. Like Canada (another French-English bilingual country), the English and French lyrics are slightly different, on the right is provided the lyrics in each official language, with an English translation of the French lyrics. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.coma5U 78U萿4UQ)v8U=8U!0P,8U!WW11W0!28U!2019-10-07 00:00:00!2020-08-18 00:00:00!Ie0 7U !HASH0Ds8U!W08U !195297l::st 168U0 241239!2002%C8U,8U!0W!2W12.95&C8U(B8U0!181001368U !HASHW !HASHL<8U!0000-00-00 00:00:00!0W!0WpR-8U!WW58U!0000-00-00 00:00:00U!0000-00-00 00:00:00!0000-00-00 00:00:00!0000-00-00 00:00:00!30W!0000-00-00 00:00:00!0W !0W !0WrdRemind!0W qCopyright © November 2008 (Revised version) Copyright © October 2015 (Burndrett Music)p168U`U408293!2019-09-25 13:24:51qhB8U!0.00]"8U !202851l::st This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!llo-qua!102216WScoreExcQThis is a nice ensemble piece to play for four cellos. U1St Anthony Chorale for Cello Quartet!44WScoreExc!374WZipForma!2Wdef202!2WScores1!2014-09-15 14:06:04alVe!2024-01-29 02:53:30eExc!18738X68U!0Wp68U!2W68U12.95W0!sibWurchaseQ!496WScoreExc!0WMinimumPAst anthony chorale for cello quartet.sibantitySetOfPart!2023-09-17 20:11:34U!23WSE::Scor!3072W2487202!15W2042251AFranz Joseph Haydn arranged by David Burndrett"68U1David Burndrettp68USE::Scor058U 68U+68UD@=68U +68UD`=68U0+68UD=68U@+68UP+68UD=68U`+68UD=68Up+68U+68U+68U+68U+68U+68UD=68U+68UD>68U+68UD >68U+68UDD68U,68UDE68U,68UDE68U ,68UDE68U0,68UDF68U@,68UD F68U68U68U068U<8UU8U`68UO8UDPhs8U68Us/8UDp-=8U68U08U H68U38U268Uh68U78UD z28Ue8UD@\8UV8UD28Uh68UB?8UD8UH8UH8UDI8UPJ8UD`I8UHt8UDS8U`8Uv.!8UPE8Uy8UDV8U8U  d68U@-68UD868UP-68UD0968U`-68UDp968Up-68UD968U-68UD968U-68UD968U-68UD968U-68UD:68U-68UD:68U-68UD:68U-68UD;68U-68UD ;68U.68UDP;68U.68UDp;68U .68UD;68U0.68UD;68U@.68UD0:68UP.68UDp:68U`.68UD:68Up.68UD;68U.68UD;68U.68UD<68U.68UD<68U.68UD`M68U.68UDM68U.68UDM68U.68UDM68U.68UDM68U/68UDN68U/68UD N68U /68UD @N68U0/68UDN68U@/68UDPL68UP/68UD868U`/68UD968Up/68UDpL68U/68UDL68U/68UDL68U/68UDL68U/68UDL68U/68UDM68U/68UD0M68U/68U/68UD`68U068UD`68U068UD`68U 068U0068UD0a68U@068UDPa68UP068UDpa68U`068UDa68Up068UDa68U068UDa68U6U068UDa68U068UDb68U068UDc68U068UD0c68U068UDPc68U068UDpc68U068UDc68U168UDc68U168UDc68U 168UDc68U0168UDN68U@168UDN68UP168UDN68U`168UDO68Up168UD O68U168UD@O68U168UD`O68U168U168UDO68U168UDO68U168UDO68U168UDO68U168UDP68U268UD P68U268UD@P68U 268UD`P68U0268UDP68U@268UD h68UP268UD@h68U`268UD`h68Up268UDh68U268UDh68U268UDh68U268UDh68U68U68Us8UDG8UȨ68Ui8UUE8U68U?8UD%28U(68U`3UDp) 8Up8U 68U38U268UP68U8U pʿ8UR8U 0 *s8UP=08UDp08U68UR8UF8UDpP8U`8UD 8UR8U @@P8UI-8UU]"8U0E8U68UXX8U `8UU"8U DC8UD`RT8Us8UU0t8U<8UDL 8U8U  ̥8U868U5U18UD`A!8U F8UDF8UP28UD ;8U7U08U ?8UD>8U 78UD08U08UDeC8U20:10:41!28X"8U!1.50X`"8U!2014-11-20 23:41:42U11W0!sibW>8U!81WI:8U!0WX!HornDuet.sibP >8U!2014-11-20 23:41:38U!0WI:8U!816W T:8U!1W/;8U!1Y"8U!0W`"8U!WW "8U!0W"8U!0W"8U!1WH"8U!0Wp"8U!WW"8U!0.0000WX!2014-11-20 23:43:35UQAuld Lang Syne for horn duet suitable for grades 26 14BHNDU17@%@8U!0W(k@8U!0W@8U!3W@8U!0000-00-00 00:00:00U!0W`&A8U!0W !0000-00-00 00:00:00!^(^ 68U!WW!0W!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWE8U!610542W!0W8E8U!0WE8U!0.00WE8U!5.00WE8U!3.00WhE8U!0WE8U!WWE8U!0.00W8E8U1h68Ui1623271162534WuantitySetOfPart01163131WE8UE8U0!1^в68U!0W!WW!0.0000W!2014-11-21 03:26:43aHark The Herald Angels Sing for horn duet suitable for grades 15 14BHNDU09-op!0W!0W!2W!0000-00-00 00:00:00!0W!0WHark! The Herald Angels Sing (for horn duet, suitable for grades 1-5) (14BHNDU09) Felix Mendelssohn Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!8U68U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WE8U(E8UE8U`E8U(E8U0E8U`E8U8E8UE8UE8UxE8UE8UE8UE8UE8UXE8UE8U`B"8UE8UpE8UE8UhE8UE8UE8U E8UE8UE8U8E8UPE8UE8UE8UE8UE8UE8UE8UhE8UE8UE8UE8U(E8UpE8UE8UE8U`E8U E8U0E8UE8U8E8UPE8UE8UPE8UE8UE8UE8UE8UE8UE8U0E8UhE8UE8U@E8UHE8UE8U E8UE8UHE8UE8UxE8UE8UE8UE8U@E8UE8UE8UXE8UE8UE8UE8U68U["162100","163165","161478","163153","163147","163151","160861","162764","163127","163163","162770","162534","163134","163136","163131","173800","173889","174623","147972"]U68U!2020-09-13 16:52:44!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-09 20:48:31!2023-04-09 20:48:45!594797W!1004735W!0000-00-00 00:00:00!0000-00-00 00:00:00Q@E8U!0]68U!0W!3W!0000-00-00 00:00:00!0W!0WAGod Rest You Merry, Gentlemen (for horn duet, suitable for grades 1-5) (14BHNDU08) Arranged by Edwin Sung Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W"8U"8U"8U"8U"8U"8U"8U"8UP"8UH"8U"8U@"8U"8U"8U0"8U"8Up"8UB"8UX"8U"8U@"8U"8U"8U"8Ux"8U"8U8"8U"8U"8U`"8U8"8U"8U"8UP"8UP"8U"8U"8U"8U`"8U"8U"8Uh"8UH"8U"8Ux"8U"8U"8U"8U"8U"8U"8U"8U8"8U"8Up"8UX"8Uh"8U"8U"8U"8U"8U"8U("8UXE8U"8U"8Uh"8U"8U "8U("8U"8U"8U"8U@"8U"8U"8UH"8U"8UErrorCou["162100","163165","163147","161478","163151","163153","162764","160861","163127","163163","162534","162770","163133","163134","163136","173800","162469","173889","174623"]!2020-09-28 09:23:02U!1W`68U!0000-00-00 00:00:00Scor!WWQualityS!0WH!0W68U!0W68U!0WdefScor!1WZipConve!650x919WonStarte!0WP68U!0W68U!5.00W68U!2023-04-09 20:50:32ores!2023-04-09 20:50:49dZi!758362W !1305069W A8U68UA8UD68UA8UDPF8U A8UDpF8U0A8UD 68U@A8UD68UPA8UD 68U`A8UD@68UpA8UD`68UA8UD68UA8UD68UA8UD68UA8UD68UA8UD F8UиA8UD68UA8UDF8UA8UDF8UA8UD68UA8UD068U A8UDP68U0A8UDp68U@A8UD68UPA8UD068U`A8UDP68UpA8UDp68UA8UD68UA8UD68UA8UD68UA8UD068UA8UйA8UD68UA8UD68UA8UD68UA8UD68UA8UD68U A8UD68U6U0A8UD 68U@A8UDp68UPA8UD68U`A8UD68UpA8UD68UA8UDE8UA8UDE8UA8UDE8UA8UDE8UA8UD0E8UкA8UD 68UA8UD@68UA8UD`68UA8UD68UA8UD68U A8UD68U0A8UD68U@A8UPA8UD68U`A8UD 68UpA8UA8UA8UA8UA8UA8UD@68UлA8UD`68UA8UD68UA8UD`E8UA8UD E8UA8UD@E8U A8UD`E8U0A8UDE8U@A8UDE8U68UA8UA8UDi28U68U`A:8UD jU8U`V8UDP38UK?8UDT-8Un8UD8UP`8UDp 8U@T8U 68U 98U268U(A8U?8UD 7U "8UD8U!81WT:8U!0W/;8U!HornDuet.sib:8U!2014-11-21 03:40:07U!0W?8U!810Wh?8U!0W`@8U!Traditional@k@8U!Katrina Sung0@8U10W@8U@8U0!0[68U!1.50XE8U!2014-11-21 03:24:32U!1WE8U!1WHE8U!0W8E8U!WWE8U!0WE8U10WE8U0!2xZP?8U1This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!4U!2.00W4U!0W4U!1W4U!0W !0X@E8U!0WE8U!1WE8U!0WE8U!WWpE8U!0.0000WE8U!2014-11-21 03:42:04U14W(E8U0This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!24-04-23 !2.00W!0W!1W!0W!WW!WW!0W!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWE8U!270139W!0WpE8U!0WE8U!0.00WE8U!5.00WE8U!3.00WE8U!0WE8U!WWE8U!0.00WE8UQE8UA68U] 88188@QJingle Bells for horn duet suitable for grades 15 14BHNDU10cist68U!0W68U!0W68U!0000-00-00 00:00:009.29!0W.000000!0WcoreExcQJingle Bells (for horn duet, suitable for grades 1-5) (14BHNDU10) Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! 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It is usually a seen as a quiet, reflective subject to be followed by the more vigorous Hosanna. Scripturally, however, the Benedictus is Israel’s shout of acclamation as the nation’s Messiah enters Jerusalem.!0Wtent -->!0Wn78U!0W l78U!0Whow pric!0000-00-00 00:00:00U!WW0!0Ww se-pag!0Wq8U!0Wn">LDJSO!0XPC8U!0.00W`l78U!19.50Wl78U!18.00Wsplay Cu!0Wn78U!WWm78U!0.00We="docum!0Xj78U!0Wre Excha1500Wp28Uk78U0!USQLrencyID1423933@8UtenngderSent0Q 6Uo78U@SE::Basket::OBJECT_CACHE_TIMERbKit/605Q`R<8U98U11WScorePart0!Shchs8U1WW@Tx0!1X!0000-00-00 00:00:001WW01HASHt8UtryCodebox"> 0Q8U!ChrisWp18U!HansenW !2015-10-27 17:23:28143W&8U0!HASHP8U `B8U7Uj;8U@V8U;8UD8UD8U?-8UvD8UXP8UKC8U/8U T8UU8U8.8UР98Up ,8UMC8US8UP58U@/8U(/8UPT8U`98UД;8UoD8U(!F8UsF8U8U@ф8U8Uq=8UQ<8U?8U-8U@m38UHP8UlD8U,8U[88U,8Ud;8UW8U{?8U 98U8US8U@V8UD8Uq38UF.8U;8UyD8U0k;8UF8U8Ux38Uc;8UP28UHS8UذS8UXT8U78UW8UW8Uw=8Ur"8U@D8U88U`U8U#8U(D"8U:-8UC8U[<8Ud08UF8Us8U!0W010Wefine-options-le0!0^v78U!0W!0000-00-00 00:00:00!WW!0W!0W!0W]E8U(cE8UbE8U`[E8U(]E8U0^E8U`^E8U8bE8U_E8UaE8Ux^E8U]E8UYE8UbE8UaE8UX]E8UaE8U C"8U[E8UpZE8U`E8UhbE8UaE8U`E8U bE8U\E8UbE8U8_E8UP_E8UbE8U_E8U`E8U]E8U\E8UbE8Uh_E8UaE8UZE8U\E8U(`E8Up`E8U`E8U^E8U`aE8U \E8U0aE8U]E8U8\E8UP\E8U^E8UPbE8UaE8UYE8UcE8U[E8U^E8UZE8U0[E8Uh\E8U_E8U@ZE8UH^E8UZE8U YE8U[E8UHaE8UcE8UxaE8UbE8U`E8U\E8U@`E8U`E8UZE8UX`E8U[E8U[E8U_E8UplayXPh["161691","197869","143359","122820","121284","121430","121370","121360","191335","121406","121287","121202","121193","121139","121184","121136","121369","121182","130969"] !2020-08-27 15:15:01!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-10 18:20:51!2023-04-10 18:21:16!952163W!1542623W!0000-00-00 00:00:00!0000-00-00 00:00:00Q@cE8U1~78Uko5965011Keith TerrettuantitySetOfPart0!547555Wh?8U!2021-06-10 09:14:17U10000-00-00 00:00:00("W8U0A10 of the Best National Anthems for Brass Quintet@8U!9W`@8U!0W@8U!3W@8U!2W@8U!2021-02-10 07:23:09U!2021-06-10 09:14:17U!08X@V78U!2021WG"8U!13W"W8U15.00W0!sibW@8U!250WA8U!0Wx&A8UA10 National Anthems for Brass Quintet.sib58UЧ58U!2021-02-10 07:23:09U!0W68U!745WT38U!0Wpt8UAComposer unkown Arranged by Keith TerrettA8UA8U!Keith Terrett !ProgramNoteLastCheckedThis duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Chistmas ideally! Date published: 9th October, 2014 Enjoy!78U!2.00W!0W!1W!0W!WW885UzE8U85UzE8U85U{E8Up,5U({E8Ux85U@{E8U78UH85UX{E8U85Up{E8UeE8U4U{E8U2U{E8Uh78UX2U{E8U85U{E8UX 85U{E8UH!85U|E8U"85U|E8U3U0|E8UH%85UH|E8U0dE8U&85U`|E8U(6Ux|E8U&85U|E8UhG85U|E8U8<25U|E8UdE8U 6U|E8UZ85U|E8UP6U}E8U5U }E8UA6U8}E8U)_2UP}E8U54Uh}E8U_85U}E8U_85U}E8U078U`85U}E8U`dE8Uc`7U}E8Uf`7U}E8U25U}E8U25U~E8U25U(~E8UeE8U c2U@~E8U"c2UX~E8U(g85Up~E8Ug85U~E8UW4U~E8UXf85U~E8Ue85U~E8UdE8Uc85U~E8U78UOm2UE8UcE8U m2UE8U78UX~`2U0E8UdE8U`2UHE8UHb85U`E8U78U&_2UxE8UhAT2UE8U8DT2UE8U>T2UE8U78U7UE8U4UE8UdE8UH5UE8U78U(t85U E8Up85U8E8U78Uj6UPE8U885UhE8UI85UE8U@78U85UE8Uxa85U>8U85Uy>8U6U 78U78UH4U#E8UX2Uy>8Uh4U78U78U6UP78U6Uh78U(78Uh_2U0x98U85U78U885U878U85UHx98UeE8U^i2U`x98UΌ2Uxx98Un4Ux98U2Ux98U78U2Ux98U78U5UE8U4UE8UH_,8U78U878U5UwE8U878Ux6o3UE8U6UE8U(b2U E8U+_2U8E8U,_2UPE8Uh/_2UhE8U6UE8UȌ78UX:5UE8Ux4UE8Uh5o3UȃE8Uh2UE8U/_2UE8U 4UE8U878U16U(E8U78U46U@E8U=4UXE8U45UpE8UH1_2UE8U85UE8U85UE8UXDe3UЄE8U87UE8U؝2UE8UX85UE8U85U78U)6U78U885U78U85U078U85UH78Up,5U`78Ux85Ux78U(78UH85U78U85U78U78U4U78U2Uؤ78U78UX2U78U85U78UX 85U 78UH!85U878U"85UP78U3Uh78UH%85U78UX78U&85U78U(6U78U&85Uȥ78UhG85U78U8<25U78U78U 6U78UZ85U(78UP6U@78U5UX78UA6Up78U)_2U78U54U78U_85U78U_85UЦ78Uh78U`85U78U78Uc`7U78Uf`7U78U25U078U25UH78U25U`78U78U c2Ux78U"c2U78U(g85U78Ug85U78UW4Uا78UXf85U78Ue85U78U(78Uc85U 78UА78UOm2U878U78U m2UP78U@78UX~`2Uh78U78U`2U78UHb85U78U78U&_2U78UhAT2UȨ78U8DT2U78U>T2U78U78U7U78U4U(78U78UH5U@78U078U(t85UX78Up85Up78U(78Uj6U78U885U78UI85U78UeScores!^^78UQCopyright © 2014 by Edwin Sung http://www.edwinsung.com78U78U!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW78U!660358W!0W`78U!0W078U!0.00WdE8U!5.00W(78U!3.00W78U!0WeE8U!WWeE8U!0.00W`78UQh78U!0P78U !0`>8U !0^78U!WW!0.0000W!2014-10-09 15:26:32ASilent Night for horn duet suitable for grades 15eightm!0W!0W!3W!0000-00-00 00:00:00!0W!0WaSilent Night (for horn duet, suitable for grades 1-5) Traditional Arranged by Edwin Sung Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Chistmas ideally! Date published: 9th October, 2014 Enjoy!sErrorCou!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W78UP78U78UeE8UP78UX78U78U`78U 78U78U78U78UcE8U؋78U78U78U@78UhC"8U8eE8UdE8U78U78UЊ78Uȉ78UH78U78U78U`78Ux78U078U78U78U78U 78U 78U78U78UdE8U078UP78U78U878U78U78UH78UX78UȆ78U`78Ux78UЇ78Ux78U78UdE8U78UPeE8U(78UHdE8UheE8U78U؈78UxdE8Up78UeE8UXcE8UeE8Up78U878U78U78U78U؅78Uh78U78U eE8U78UeE8U78U78U78U["162100","163165","160861","162764","163147","163151","163127","163163","162770","162534","163153","163136","163134","163133","163131","173800","173889","174623","147972"]U78U!2020-09-09 01:04:38!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-11 02:46:40!2023-04-11 02:46:50!495046W!752504W!0000-00-00 00:00:00!0000-00-00 00:00:00@uE8U78UqE8UD078UqE8UDP78UrE8UDp78UrE8UD78U rE8UD78U0rE8UD78U@rE8UD 78UPrE8UD@78U`rE8UD`78UprE8UD78UrE8UD78UrE8UD78UrE8UD78UrE8UD78UrE8UD078UrE8UDP78UrE8UDp78UrE8UD78UsE8UD78UsE8UD78U sE8UD78U0sE8UD078U@sE8UPsE8UDp78U`sE8UD78UpsE8UDpF8UsE8UDF8UsE8UDF8UsE8UDЪF8U6UsE8UD F8UsE8UDF8UsE8UDF8UsE8UDF8UsE8UDF8UtE8UD F8UtE8UD@F8U tE8UD`F8U0tE8UDF8U@tE8UDF8UPtE8UDE8U`tE8UDE8UptE8UD0E8UtE8UD`F8UtE8UDF8UtE8UDF8UtE8UDF8UtE8UtE8UDF8UtE8UDF8UtE8UuE8UuE8U78Uг78U78UD F8U78UD@F8U78UD`F8U78UDF8U 78UD@F8U078UDвF8U@78UDF8UP78UDF8U`78UD0F8Uة78UpE8Up"3UD@|28UA8UD48Up<}8UD8U7UD'#8UP78U0"8U8U2@-8U 68U!8U F8U98U2Ȫ78U؂E8UR8U  @U8UN?8UDs8Ue8UD8U(78UE7UD0R8UX78U608UDE8U28UDpO8U78UH3UP<8UU./8U`B8U78US8U78UH3U8UD8U0n8UDl8U/8UD8U0>8UD.8UxM8UU 8U8U'V8U 08UD@A#8U8UD08UV8UDp<8U78U5U08UDl78U@5<8UD8S8U`8<8UD@68Uh78UPA8UD0B8UE8UD 82U8UD@8U8UV8U78U Pt8UDPF8UW8UD@N8U538UD!8UUB8UDWR8Uʊ8U"8UD`8U7U @Pt8UC8U\4U78U/8UH28UD`T8UHN8U0^W8UD1S8UR8U 0Q8Ut8UDD8U<8UDh8Up28UD0!8UP8U!8UD,T8U38UD_.8U0G-8UU18UAC8UDD8U`18Uf8UD^R8U8UUC8UD8U78U8UUZ8Us8UU.8U@`8UD 8U`9:8UD8U8Up88Up?"8UR8U @8U78U (f8UD8UQt8UD@8U0x5U8UDp9U@>8UDF8U@18UDЯ8UV7UU`y28UC8UU7U8UDPk8U0O8U`F8UDpe8U@b8UD>V8U@Ot8UD .8U3UD` !1.50Wsm-2 pri!2014-09-24 22:17:43aAway in a Manger (Cradle Song) (for horn duet, suitable for grades 2-6) William J. Kirkpatrick Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 10th November, 2014 Enjoy!> Rejectf!0W.push(ar!3Wr=window!0000-00-00 00:00:00","d!0WTIAL_ADS!0Wlytics_s!0XS_STORAG!0Wt","rest!0.00W!0),gtag!5.00Wnfig","A!3.00Wig","G-6!0Wody> 8UP8U88UF"8U<8U#8U8U/8U8S8U78U&8Ux28UO8Ux,8U/8Ua;8U9-8U(Ƶ8U8U8Up#8UXg08UD8UHD8U(sD8UP8UPO8UKV8U8U8U|8Us"8UѤ8Ṷ8UM8UȪC8UQ<8Uh 8UxV8UU8Ux-8UX{8U`"8UHM8U8U08UU8U8oD8UȊS8UH.8U?.8UO8U)8U08UВB8UرV8U襣8U8U`n8UvF8Ut8U8UP18UH 8U518209["181536","181134","367014","180885","141685","124864","199509","156375","160822","156377","167901","180865","86397","143209","202207","190625","180857","130551","144861"](X!2020-09-20 20:49:1320/1!1WP58U!2019-09-25 13:35:0420/1!58012W`A8U!0Wacine-op10We-198519.html0!9394Xores WHE!0W1There is a hope - songbook (1).sib!20-2U10W0!9394@h8Ude Jean 10W- Gabriel Faure0!2023-04-11 13:32:521Keith & Kristyn Getty & Stuart Townend!WW !0p9U !0W!0W 1@g2UH88UJ {115650774-BC58-11EE-954B-B39C539980F0!2024-01-26 14:34:59!3`8U !208.3216X}8U!2016-01-06 13:52:07U1BEHOLD THE LAMB The communion hymn!0W!0WO8U!3W8U!0000-00-00 00:00:00U!0W !WW QX.8U!LicenseScoreU !473`8U!8630W1271W0!0X8U!WW8U!0W8U!0W@R8U!1W8U!0WԪ8U!WW!8U!280.5648W !0(X8z8U!0W8U!0W08U!0pL8U h/_2U8Ug85U8UH~5U=8UH%85Uo8Uh8U%5U8UE3U:8U(~?8UX~`2Upn?8U18U6Un68Uxv5U8U8B8Uv5U`""8UO8U5U"8U3r8U85U87U7U 6U8.#8U 4Ur?8U(g85U S8U0B8U`85U7T8UX85U$8U8e/8Uc85Uؗ,8U4U.8U"c2Ux^,8U_85UV;8UH1_2UM8U;6U(8Ub5U;8UH6UH;,8U(6U08U"F8U 6U/8Uʭ8U(t85U`8U Τ8U(t85U8UpF8UOm2UX28U6U18UhAT2UE8UX6U67U`z38Uh_2UwC8UH1_2U06#8UH8UX@,9U8U25U/8UxS8UU38U,8UX~5Ux.8U<3U3C8U #8U88UxL5U8U&85U,.8Uh2U8U3U8Un4UhS8Uz5UA8U&85UP8U6U+W8U/_2UP8U6UPW38Up85UG8U85Uг38UH 5U@?8U~5US8UΌ2U08U=4Uȍ"8UD8UX5UD8U I"8Ux6o3U@88Uh6Uȶ4UP 38UH4UpD/8Uxa85U.8U&85U8U-8U(t85UvC8UXf85US8U1UX8U2U8U25U18U8U 8U(UC8U5Up28U@ 38U`85Uh8UHa\3U88Uh5o3U98UB8UH5Uxn8Uh/_2U8Up"8U8~5UpB8U6Up28UH$8U?8U 48Uf`7U08Uh5o3U8UHB5U8U25U818U6U08U008Uc85U`8UX2Uh"8U885U7UΌ2U8U87Ux88U4U8UT8U5U 7Ul08U\F3U(],8U~5U0a8U85UD8U38UpT,8UH!85U8U85UJ8Uf`7U18U@XC8U\4U18U@5B8UX5U "8U )8U m2U 38Us=8U&_2U/8U6UO8U"85U&8U85Uj8U@9U4.9Up19U3U`38U45U.8U_85U88UHa\3UpG8UH1_2Uh C8U>T2U;8U_85U98Ug8UH5U.T8U\<8U5U`'8U,_2U UV8UpA8U46UG,8UH1_2U38Ux;8U&_2U@B8U0-8U2U8Up,5U=7U@Q<8U`3Up7U,8UX~5UB8U5Uj8Uh5o3U8U`3U8I/8Up,5U8U4Ul8U8~5Uh8UH 8U m2U37UF3UJ8U885Uz8U"c2U8U5UZ;8U;8Uh~5UxT08U85U8Uz8UH~5UH8U2UE,8Uk`7U;8UX 85Up8UPuD8U85U0#8UH7Up18U~5U08U c08U6U<8Uȶ<8Ud2U8Ux85UPN8U)6Uڡ8Ue85U8U9UN,9Uh8U"c2U>48Uz38U`2U:8U6U7U45Uh:8U25Ue?8UΌ2U28U5UXB8UH=8U7Up8Uxc8UH4U(8Uf`7U}8Uحp3U7Ux~5U 8U,8UH85U28U,8U;/9U "/9Up8UX~`2U8U85U8U885U8U85U@38Ub5UC7UP\<8U7UX"88U6UM8U=4U U8U4U7U(_28UQ ;8Uq["358078","359845","360420","361284","386383","410980","412566","420659","424199","517977"] !2020-09-18 06:59:15!0W Q 8U98U?8U!1P-/8U A88U) 18.223.0.53@!0xX*"8U!0Ww!0W!0W!0000-00-00 00:00:001WW0:8U88U.8UDN8U8UU8UY88UJ8UD0.8U@/8UDs8UH8U PC8Up=8UD08U@D8UDX/8U8UD@8U88U(f8UD=8U {8UD38U r8UD8UT8UD0|8U08UDp0"8U8UD78UUo8U`A8UDP?<8U`8UUB8UDM8Uy!8U C8U3=8UDt8U88U/7U.8UDS7U8UD8U7UDB8UP8UD E8U`F8UD 8Uy7UDKT8UF18UD8UI?8UD0VR8Up8UDB8U88U98Up.8UDF8U)6UX8UUf7UpL28UD 98U8UDP8U:18UD?8U@V8UD8Ub8U@V7UU|;8U0@:8Us8UUI8UQ8UDX-8UX8U208UDP;8Up?=8UD 8U8UD0;8U8U Q 8UUn7U08UDЈ25Us8UU! 8UZW8UD 8U{8UD 8U0u8UD8U3U  8UC8UUU-8U0x5U@[8U 00B8U88UxS8UPb8UD P8U8U @ݾ8U8U @[5UPǥ8UD 8U8UD68U0UB8U@8UDE38U8U Dm8UP_8UUP08UO7UU^8U8UDUW8U78UD9!8US8UU.8U8UH>8UUY8U18UD 98Up8UD8U /8UD_28UOB8U8UUs9U8=8UD`k!8U<08UHB8UU.8UV8UDa8U 8U@8U0 8UD`;8U8UD@U8U18U8UDF8U8UD8U"8U3<8UDD8U;8UD7U28U@<8UD=T8U(,8UDF8U8UDa8U@"8UD8U0"88U`D8UDpL7U^8U^8UU88Uw/8UDD38Uĥ8UDA8UB58UDL8UP18UD?8U"88U<8UVT8UDl8U=18UD18U"8UDP#t8U=:8UD`,08Upͱ8U 8UJB8UD@8U78UDM8U@vN8UD28UY 8UU@\8U8U @@x8UP8U8U @@8U@D8UD`V8U@$88U0=8UDPM!8Up$88U(A8U\F3U8UC8UUR8Ur;8UDB#8Ut/8UD`8UDC8UD%W8UC28UD7UF8UDO8Uα8U 0ܯ8U8UD@<8U#,8UD8Uj8UD@f8U$8UDN8U\8UU.8Uk8UD9/8U;08UDp'28Up8U &88UPB8UU78U A8UD+=8U8UD7Um8UDS-8U R8UDpcs8U@U 8UU3U08U  8U0HC8UDB<8U&88U04=8UD8UpB58UD@#8U`A8UD38U.8UD018U<8UD@DD8U0u8UDB8U'88Uߣ8UD8U>8UDPD8U'88U=8UD<8U7UDRS8U;8UDP5!8UPP8UDPKT8U0D8UDD8U 8U Pt8Uc8UD`8UA8UD*8Uq(Welcome to my catalog of pieces and arrangements that are available online. Most of these scores will be available for FREE for the near future. I want you to have them! If you use them, drop me a note to say so-- it makes me happy. Then, if you are able, please donate at [[http://www.nicholaspalmer.com/reprintlicense|my website]] and click on "Reprints". I have published a few works professionally (www.wlp.jspaluch.com, [[http://www.giamusic.com|www.giamusic.com]], [[http://www.masterworkspress.com|www.masterworkspress.com]]), but most of my performable output is here for you to download. You can hear samples of my recorded work at [[http://www.nicholaspalmer.com|my website]] and see what I'm up to. The personal content on this site is not likely to change very often, but the scores will be coming as fast as I write them. tney to name just a few.nes d'aigua (Ballet), Transitant, Llunàtics, Memòria d'aigua, Després de tot, La cúpula dels somnis (Ballet) and Estany (Show for the Inauguration of the World Rowing Championship in Banyoles), Tanausú (for Symphonic orchestra an choirs), world premiere of the work in april of 2009 by the Bratislava Symphony Orchestra in Bratislava, conduct by David Hernando. Since the years 2000 to 2003 he contribute every week to the Martí Gironell's radio show El pont de les formigues in Catalunya Radio. He have play among others to the next Musical Festivals: Centre Artesà Tradicionarius (Barcelona), Mercat de Música Viva (Vic), Festival Internacional de Música de Barcelona (L'Auditori), Temporada Alta (Salt), Festival Internacional de la Porta Ferrada (St. Feliu de Guixols), Festival Internacional de Noves Músiques (L'Espluga de Francolí), Festival Internacional de Música i Dansa (Les Presses), Nits al Museu (Museu d'Art de Girona), Festival de Música del Baix Penedès, Festival de Música de La Bisbal d'Empordà, Festival de Tardor de Sant Gregori, Festival de Música de Malgrat... At the theatre he directs musically Un hombre de la Mancha (the man of the Mancha) of Mitch Leigh (1986) an he composes songs for the Quin jove mes embalat and the music for El malalt imaginari of Molière. For the cinema he has composed soundtracks for Whisky curt of J.M. Pérez, Ressons from Pere Box, El pollo Tejada of J.M. de Togores that was orded by the Cinema Museum of Girona, Serres Nues i Agudes and Poema Blanc from the TV3's TV-show Hidrògen, Entelèquia from Francesc Font, Transacció, Café pendent and El mòbil del crim from Quim Paredes, La vella llei from Joan Solana and the music for the TV-series Dalí a la carta about the work of Salvador Dalí. We wish to emphasise several prizes as composer for symphonic folk-ensemble. Recorded music can be found in the following works: Tanae (CD, Global Records), Cada veu un petò (CD, Picap), Que giri rodó (CD, Global Records), El amor a la vida (CD, Resistencia Ediciones), Propostes musicals Banyoles (CD, Sublim Record), Espais naturals de Catalunya (CD, TVC Edicions, volum I y II) y Mirades (CD, Discmedi), Les 4 estacions a Catalunya (CD, TVC Edicions), La Cantoria-de l'11 al 21 (CD, 44.1 Edicions), Memòria d'aigua (CD, 44.1 Edicions), Emociona't-e (CD, 44.1 Edicions), Dones d'aigua (CD, Catrecords), De canya i de canons (CD, Picap), Compositors de Girona (CD, Stringendo Edicions), Iris (CD, Picap)... Please listen to the mp3 files posted with some of my music. Many of the mp3's are of live recorded performances. It is appreciated that you contact me via email should you plan performances of any of my works, it is possible that I might attend the performance. A copy of the program and an audio and/or video tape would be especially appreciated to add to my archives. Advice, comments and/or constructive criticsm is most welcome. Go to [[http://www.youtube.com|www.youtube.com]]/user/crickb88 to hear performances of scores by Rick Bartlett. the direction of Vyacheslav Shaldysheva performed at the Concert Hall of the Novosibirsk music school and yet another premiere of his small Concert Band work March by the Midleton Junior Concert Band under the direction of Robert O’Brien at the 50th National Band Championships of Ireland in the CIT Cork School of Music. More recently there was the premiere of his choral work Angels by the the award winning HNMCS Senior Choir under the direction of Helen Filipe and there will be an up and coming performance of his work C-H-R-I-S-T-M-A-S for large orchestra and chorus by the Gwinnett Symphony Orchestra and Chorus in December 2017. In March 2018 his Rustic Country Dance was performed by the Random Quartet in Italy. He has composed music for over 30 plays/musicals/films and composed 41 symphonies, 41 string quartets, plus many other orchestral, chamber and choral works. His entire catalogue totals more 1500 works for orchestra, film and several different ensembles. He was awarded Honorable Mention in the 2007 Adagio Contest held by the Fauxharmonic Orchestra in Baltimore, Maryland for his large string orchestra work Dolente and more recently 1st place in the 2015 SHSU-BMF International Composition Competition presented by Sam Houston State University and the Bolivian Music Festival with his composition Concerto Semplice for two violins and orchestra. Performances have been with the Bolivian Music Festival Orchestra in La Paz, Bolivia and the Sam Houston Symphony Orchestra in Huntsville, Texas with featured violin soloists Javier Pinell and Naomi Gjevre. His latest commissioned work was Land of Hope and Beauty for large symphonic band, a work commissioned by Louis Sinoff which celebrates the history of New Mexico. He has been regularly commissioned from music ensembles and individuals in the United States, Italy, Australia and Switzerland to write original works but also jazz, tango, musical and opera arrangements, large orchestral and symphonic band works as well as several small ensemble pieces. He has sold a number of his own compositions throughout Europe, Asia, Africa, UK and Australia as well as Canada and USA. His Symphony No. 15 was recently inducted into the Edna St. Vincent Millay Library in New York. Several of his own original compositions have been used in Doctoral Thesis works, recitals and competitions and have also been compiled into discographies in numerous universities across North America. Teaching and conducting since 1992 through a number of schools (Wolfville and Horton School Strings, Cambridge Elementary School Strings, Landmark East, Kings-Edgehill, Berwick and District) and academies (Annapolis Music Academy, Dorian Hall), he now teaches and conducts at his own studio in the fields of classical, pop and jazz music, violin, fiddle, viola, cello, double bass, guitar, piano, clarinet, saxophone, trombone, theory, harmony, history, counterpoint, analysis, conducting and composition. Many of his students have gone on to continue their studies after high school in musical fields such as composition, performance, media/production and music therapy at Acadia University, Berklee College of Music and University of Toronto to name a few. Several of his students also compose, arrange and publish their own works, play in orchestras and teach in a number of different environments. d and he Angelica Women's Chamber Choir to name just a few! Keith has a Master's Degree in sacred music composition awarded from the Johann Heinrich Pestalozzi Christian University in April 2021, he studied under Professor Stewart Thompson (Principal at Victoria College of Music and Drama, London & Head of Music and Associate Professor of Sacred Music and Education at the Johann Heinrich Pestalozzi Christian University. As a conductor, band trainer, composer & arranger, Keith is in demand world-wide, and has guest conducted at band seminars in the UK, Norway & Malaysia. Keith is available for your seminar; book early to avoid disappointment! Keith is currently 'Head of Performing Arts' & 'Director of Music' at Pathways School (Gurgaon) in India, where he has worked since 2010, both at Pathways Aravali campus, and since 2014 at the No 1 IB school in India namely ''Pathways'' Gurgaon. Below is a link to some of his arrangements/compositions and live performances around the world as a conductor, composer, arranger and performer: http://www.youtube.com/watch?v=jPfAw0kNCWs&NR=1 http://www.youtube.com/watch?v=QmK7FJGxbN8 https://www.youtube.com/watch?v=lzluvVwpUtk https://www.youtube.com/watch?v=QmK7FJGxbN8&list=UUMpNzolL4slr4RT7vQGimBA&index=18 https://www.youtube.com/watch?v=u1BGj-g7jHg&list=UUMpNzolL4slr4RT7vQGimBA https://www.youtube.com/watch?v=WNOUIedGZos https://www.youtube.com/watch?v=rYUP8J7rcg8&index=18&list=UUMpNzolL4slr4RT7vQGimBA https://www.youtube.com/watch?v=abKsZbGfqLE&list=UUMpNzolL4slr4RT7vQGimBA&index=19 https://www.youtube.com/watch?v=AUAmpm96AeA https://www.youtube.com/watch?v=5hTAMCwqkUM https://www.youtube.com/watch?v=CZYUFuElpIA https://www.youtube.com/watch?v=hAN4gWmqNF8 https://www.youtube.com/watch?v=c07FaUpC7Rg https://www.youtube.com/watch?v=aCz-qRUTUS4 https://www.youtube.com/watch?v=HxEXZOCd9jg&t=6s https://www.youtube.com/watch?v=PvDa98j4y8A&t=8s https://www.youtube.com/watch?v=5ZPRKoQxkm8 https://www.youtube.com/watch?v=aYOkW271PfM https://www.youtube.com/watch?v=k4D9ak5G_CE https://www.youtube.com/watch?v=xLuS9gyFdok https://www.youtube.com/watch?v=0SddDuJ2PEw https://www.youtube.com/watch?v=4Sn7lIl4VCU https://www.youtube.com/watch?v=oAxNLTrCljE https://www.youtube.com/watch?v=xiVmU4wkkek https://www.youtube.com/watch?v=psDaoD41MkM https://www.youtube.com/watch?v=inezR8jr2pQ https://www.youtube.com/watch?v=Q5ye8sy7PR0 If you're looking for something specific you can send requests to Keith by getting touch directly - click "Contact the publisher" on this page. If you decide to perform any of Keith's scores, please send a copy of the programme via email, or if programmes were not used, forward Keith an email with any other relevant information that would allow him to list performances on his personal website/Score Exchange page, giving credit to your ensemble. Thank you, keep checking back for more great music! 600761!DBD::mysql::st@'F8U!NAMEUql::stQD8U8Uq8Ux8UA/usr/www/resources/ADAP3/GenericObject2.pm@!08U8U !R88UWqX 8U!5U@8U !ADAP3::SQL!ɵ3U8U a.f3U P8U萿4Ua78US8U萿4UASE_Advert_AdvertImage_get_infoge_get_info1/usr/www/resources/ADAP3/SQL.pmPP8U14U85U5U4U4UA <8U ؚ8U 8U@78U5U4U1SELECT * FROM AdvertImages WHERE ID =?1 xP8U1xc8P'F8UXUV8U@8UB3Up4U 2U4U,9@7UV08UXo8U\38U8UP(F8UU8UA8U@8U B8U(C8U`;8Uh8UO8U`A8UNew Zeal1~8U`U88Ua5U 8U萿4UqPM8Ua5U 0O8UC萿4U! 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I have added an optional piano part. 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an class="gly!2.95W!0W!1W!0W!WW!WW!0W!WWACopyright © January 2015 (Burndrett Music)margin-top-s!WW!YY88U!117761W!0Wx88U!0W!0.00W88U!6.95W88U!4.00Wh88U!0W88U!WW88U!0.00WX88U["163649","179862","135277","403160","172515","181767","137752","165113","146361","159469","366134","170771","81267","137440","361747","164757","402249","173185","160010"]x88U88U!3.6045^p88U!2015-01-19 13:30:24ANimrod from the Enigma Variations for Cello Quartet6 co!0W!0W!2W!0000-00-00 00:00:00!0W!0WNimrod (from the Enigma Variations) for Cello Quartet Sir Edward Elgar arranged by David Burndrett David Burndrett I have arranged this very popular piece by Elgar so that it can be played by grade two players upwards! 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    S8U>8UDH38U0+8Uv`qU8U0M8UUL8U V8U2h85UP8UD@C8U68UDF8U>8UD 18UD8U8UD0"8U@?=8UD!28UD28UDPA8UX$C8UUh8UD8U98U 9U`G28UDp$B8Ua8UD8U0A8UDN8UZ8UD /38U8U38UDy8U`18UD B8U8UD08U@fW8UD's8Up8UD@_B8Uw88UD@48US8UUpN8UhC8UU|7UE8UD0Xr8U8U`38U`8U@IT8UDs8U8UD ;8U8UD8U`F8UDU8U_8UD`(8U898UG[W8UDs8U`7U98U98UHH/8UÊ8UD S8UR8U 8U:8UD08UPސ8UD8U9UD9UPB8UUB8U o8UU^8U\-8Ut88UDD8UX 8UU8UpD8UD0.8U98Uz8U78UD 8U98Uf`B8UPs8UD48UB8UU,8U@-@8UDZ@8U8UwM8UB8UUf8Us8UUH8U608UDPx18UB8UU68U_8UUPS/8UpB8UU@A8UL8U 78UD3S8Uh8UD08UH<8UU0.:8UP.8UD@8UPR8UDBB8U ;<8UD8Uš8UDX=8U9=8UDЌ8U X8UD8U8UD8U@R8UD8U@8UU8UD0C8UP8UDp8U28UD J,8U<38UDpC38U0T9UDZ8U9}8UDP8U18UD>8UP38UD9!8UП8UD`k8UV8UDp28U38Ufp48U38Uf48U`!98U@/C8U8UD*8U3UDg8U18UD18UR8U @`8UY8UD8U7UDpFB8U`S8U :8UL8UUM8UXC8UUo8U/8UDA8U$8UDP8U>8UDs8Upm8UDp~s8U<8UUGN8UV8UD@8U:38UD>8UC8UD@8U23UUi4UV8UDPB#8U 8UDw8U28UD_28U@8U Lt8UDh2U#98US8U?8UD )B8U8}8UD`8U7UD8U`"8UD 8U B18UD` t8Ua9U2PY8UD8U 18UD l!8U/8UD38U>C8UDx28U=8U18UD7C8U$98Up`-8UD=/8U{/8U508UD0Έ8Uu8UD&s8Up;:8UD:8U 7Uq8UDw8UA8UD$B8U0@8UD@8UP18U 0`8UxS8UUk8U@8UD<8U(,8UD^8U8UD8U&98Uأ-8U!!8U38U0.8US28U,8UX>8U{38UP/8U 88U08U38U!8Ux=8U?8Uf88U8U8UX18U-8Us38U .8U838U/8U-8UH,8Uk=8U-8UHR<8U؞98UX38U@\88UP.8U048U,8Ux8U@>8U?8U.8U?8UX/8U18UH8U@3UH|18Up-8UX;8Uc08U/8U}38U/8U08UX38U 3-8UH8U@!8Ua08U.8U8U 7U0-8U0;8U7Ul=8Upk=8U>8U =8U7U p=8U8U88Uscoreexc!0Yssus-das!0.00Whtml"},"!0000-00-00 00:00:00m"}]!0W"}]tten!0Won of 5 !WW and pri!0000-00-00 00:00:00","i!0000-00-00 00:00:00hang!0000-00-00 00:00:002024!0000-00-00 00:00:00ntex!50W"offers"!0000-00-00 00:00:00","p!0W!0W10W0    .
    ame'>1Brendan ElligetEF-910F-911ECFE50!44W !170771WX!2017-06-09 17:10:17U10000-00-00 00:00:00x8U0ALa Donna e Mobile (from Rigoletto) for Cello QuartetU!44WЮ8U!373Wh8U!2W`!2Wp8U!2015-07-07 14:47:29U!2023-02-21 16:27:34UAGiuseppe Verdi arranged by David Burndrett8U!David Burndrett8U10W0!sibW!8U!496W8U!0W428U1la donna cello quartet.sib8U.8U!2015-07-07 14:47:29U!3WrB8U!1867W8U!1W4U!0HX4U!2W4UaThis is a fun piece for cello quartet and it is about grade one standard upwards! !2.95(^ 198U!0W!1W!0W!WW!WW!0W!WWACopyright © October 2015 (Burndrett Music)U298U!WW!0.00Y&7U["172507","362113","196240","146904","121773","147872","183670","136000","369719","178068","172984","176748","175606","164814","116477","130571","21672","72075","52245"]$7U!2020-09-17 13:26:25U!1W0'7U!0000-00-00 00:00:00U!WWX&7U!0W698U!0W!0W698U!0W11W&7U598U0!1^498U!0W!WW!0.0000W!2015-10-16 14:04:521Hallelujah Chorus for Cello QuartetU8<25UQD8U %7U 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]98U0]98UDp7U@]98UD7UP]98UD7U`]98UD7Up]98UD07U]98UDP7U]98UDp7U]98UD7U]98UD7UV98U8<7U 8UD ?>8U_85UZ85U>8UD@8U>8UD8U>8UD8U >8UD08U _8U )7U38U2W98UHN98U{68UD @% 8UhD8UDP-8U@\D8UD@-8UW98U\D8UD-8U`,68UD`F68U,68UDF68U268UDi68Uj98UP\D8UD`-8U\D8UD-8U \D8UD-8U_8U  VD8U^98UD*7U^98UD +7U^98UDP+7U^98UDp+7U^98UD+7U_98UD+7U_98UD+7U _98UD+7U0_98UD-8U@_98UD-8UP_98UD -8U`_98UD@-8Up_98UDp-8U_98UD-8U_98UD-8U_98UDЃ-8U_98UD,7U_98UD@,7U_98UD`,7U_98UDP-8U_98UDp-8U`98UD-8U`98UD-8U `98UDЅ-8U0`98UD-8U@`98UD-8UP`98UD0-8U``98UDP-8Up`98UDp-8U`98UD-8U`98UD  8U`98UDP 8U`98UD-8U`98UD-8U`98UD-8U`98UD-8U`98UD-8Ua98UD0-8Ua98UDP-8U a98UDp-8U0a98UD-8U@a98UD-8UPa98UDЄ-8U`a98UD 8U0]98U  '('(UX  G9U#(#(&(38+0#(Ak98U!2017-06-09 17:10:17U10000-00-00 00:00:0087U01Swan Lake Theme for Cello Quartet8U!44W0P8U!373W8U!2W20:11:07!2W8U!2016-02-12 15:25:41U!2023-02-21 16:15:35UAPyotr Ilyich Tchaikovsky arranged by David BurndrettU!David Burndretth7U10W01sibWP-8UW0@.78U`568UD1 8UP568UD) 8U@568UD) 8U0568UD* 8U 568UD0* 8U568UDP* 8U568UDp* 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This piece is genuine John Dowland. If there were animated cartoons during the Renaissance, Dowland would certainly provide the music. What rollicking fun (and overly dramatic, both at once!) 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I have added an optional piano part.ang!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0Wn>8U\:8U(\:8Ul>8Upn>8UW:8UX:8U[:8UY:8U[:8U X:8U0o>8Uj>8UX\:8U[:8Un>8UZ:8U`78UHl>8Uk>8UZ:8U\:8UP[:8UHZ:8U[:8Um>8U\:8UX:8UX:8U[:8UY:8U`Z:8Uo>8U@n>8U\:8UY:8U8[:8Uk>8UPm>8UY:8UZ:8UY:8UX:8U[:8Uhm>8UZ:8Un>8Um>8Um>8UPX:8U[:8Uh[:8U(k>8U\:8U`l>8UHo>8UXk>8Uxl>8Um>8UXY:8Uk>8UW:8Ul>8Uj>8Ul>8UZ:8U\:8U [:8Up\:8UxZ:8Um>8UY:8U0Z:8U0l>8UZ:8Um>8U8m>8U@Y:8UdefScor["172507","175925","362113","196240","147872","121773","183670","136000","369719","178068","172984","176748","175606","164814","116477","130571","21672","72075","520173"]oresPageHeig!2020-09-14 23:23:02!1W!0000-00-00 00:00:00!WW!0W!0W!0W!1W!0W!1W!650x918W!0W!0W!5.00W!2023-04-17 04:32:56!2023-04-17 04:33:17!1075604W!1456673W!2024-01-23 13:18:31!0000-00-00 00:00:00Q0]:8U(b2U%;8U+_2U%;8U,_2U&;8Uh/_2U(&;8U6U@&;8Ug:8UX:5UX&;8Ux4Up&;8Uh5o3U&;8Uh2U&;8U/_2U&;8U 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58U`}58UD@58Up}58UD`58U8U :8U98U2h:8U0:8UP 8UD=8Up-@8UDZ@8U?8UD@8UȔ:8U`?8U<8UD D8U`8UD0D8U>8UD`=!8UP?8UD@8U?8UD@8U?8UD@8U?8UD@8UP8U  @?8U:8UD:8UQ{:8U!3 8U !144090W@!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW 1g3U:8U۰97865!160942W?>8U!2024-03-09 07:04:21U10000-00-00 00:00:00@8U0AO Come, O Come Emmanuel for Cello Quartet-8U!44W] 8U!373W8U!3Wh-8U!2W@s-8U!2014-09-26 23:47:19U!2024-03-09 07:04:21U1Traditional arranged by David Burndrett!David Burndrett@8U!0WP@8U!0W !sibWs-8U!496W27U!0WM98UAo come, o come emmanuel for cello quartet 23.sib-8U!2023-08-07 19:55:33U!12W`88U!1775W88U!6WX88U!2HX8U!1.00(X 88U!2023-08-07 19:56:00U!1W8 >8U!0W "c2U:8U(g85UȆ:8Ug85U:8UW4U:8UXf85U:8Ue85U(:8U{:8Uc85U@:8Up:8UOm2UX:8U{:8U 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:8UHb85U8:8UP:8U&_2UP:8UhAT2Uh:8U8DT2U:8U>T2U:8U8:8U7U:8U4UȒ:8U@:8UH5U:8U:8U(t85U:8Up85U:8U:8Uj6U(:8U885U@:8UI85UX:8UУ:8U85Up:8Uxa85U8U85Up.8U6U/;8Ux:8UH4U(I:8UX2U<8Uh4UX/;8UH:8U6U/;8U6U0;8U:8Uh_2U88U85U(/;8U885U/;8U85U88U0:8U^i2U88UΌ2U88Un4U88U2U،88UP:8U2U88Up:8U5Ux:8U4U:8U38U:8UȢ:8U5UX:8U:8Ux6o3Uȕ:8U6U`:8U(b2U:8U+_2U:8U,_2U :8Uh/_2U8:8U6UP:8UX:8UX:5Uh:8Ux4U:8Uh5o3U:8Uh2U:8U/_2U:8U 4U:8U:8U16U:8U`:8U46U:8UScores +0.0&(38+0X`)0%(&(*0)0^` VersionD!2017-10-03 07:53:34U!2024-03-09 15:27:40UALowell Mason arranged by David Burndrett:8U!0W:8U10W0!sibWhg 8U!496W8U!0Ws-8U1joy to the world for cello quartet.sib!2017-10-03 07:53:34U!9WLD8U!2196W-8U!2WP8U!David Burndrett 17UȺ:8U+102216!135277W !138639WP\;8UQJohannes Brahms arranged by David Burndrett:8UP1Hungarian Dance No.5 for Cello Quartet!44W.8U!373WC8U!3W%98U!2WP\;8U!2021-04-29 20:47:01U!2024-01-07 15:35:45U!David Burndrett`:8U!0W:8U!0WЩ:8U12W0!sibW X98U!496WLD8U!0W-8UABrahms hungarian dance no 5 for cello quartet-7.sibU!2021-04-29 20:47:01U!39W8T:8U!3064W:8U!23W4UqThis is my arrangement of the exciting Hungarian Dance No.5 by Brahms for cello quartet.4U4U11.95W4U0!1.00X:8U!2017-10-03 07:53:35U!1WH:8U!0W:8U!0W:8U!WWp:8U!0W:8U10W:8U0!2^:8UThis is a swing version of Joy to the World! This piece works well as a concert piece or just for fun! U!2.95W!0W!1W!0W!WW!WW!0W!WWACopyright © August 2009 (Burndrett Music) !WW!YY:8U!581089W!0W:8U!0W!4.95W:8U!4.95W:8U!4.00W:8U!0W:8U!WW :8U!0.00W:8U["122712","88198","67527","25866","3083","93640","64589","90252","121010","169482","143397","85020","160331","106195","366461","143414","95081","30610","108589"]:8U!2020-09-17 22:48:59!1^:8U!0W!WW!0.0000W!2017-10-03 07:57:10AJoy to the World Jazzy Style for Cello QuartetgeScores!0W!0W!4W!0000-00-00 00:00:00!0W!0WJoy to the World (Jazzy Style!) for Cello Quartet Lowell Mason arranged by David Burndrett David Burndrett This is a swing version of Joy to the World! This piece works well as a concert piece or just for fun! U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W@:8U:8U8:8U:8U:8U:8U:8U:8U:8U:8U0:8U:8Uh:8Uh:8U:8U:8UЦ:8U78U:8U(:8U:8U :8U`:8UX:8Uا:8U8:8U:8U:8U:8U:8U:8Up:8Up:8U:8U:8U :8UH:8UX:8U:8U:8U(:8Uȥ:8U:8U:8Uء:8U:8UX:8U:8U:8U`:8U:8Ux:8U:8U@:8UР:8U:8Uȟ:8U:8U :8Uh:8U:8U:8U:8U؞:8UH:8U:8UȨ:8U0:8U:8U:8Uh:8U:8U@:8U:8U:8Ux:8U:8UP:8Umance?!1^p:8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-18 14:08:41!2023-04-18 14:09:02!1732478W!2165589W!0000-00-00 00:00:00!0000-00-00 00:00:00:8U:8U:8UDp:8U:8UD:8UЯ:8UD:8U:8UD:8U:8UD:8U:8UD :8U:8UD@:8U :8UD:8U0:8UD:8U@:8UD0:8UP:8UDP:8U`:8UD:8Up:8UD:8U:8UDн:8U:8UD:8U:8UD :8U:8UD`:8U:8UD:8Uа:8UD:8U:8UD:8U:8UD:8U:8UD:8U:8UD :8U :8UD@:8U0:8UD`:8U@:8UD:8UP:8UD:8U`:8UD:8Up:8UD:8U:8UD :8U:8UD@:8U:8UD:8U:8UD0:8U:8UDP:8Uб:8UDp:8U:8UD:8U:8UD:8U:8UD:8U:8UD:8U :8UDp:8U0:8UD:8U@:8UD:8UP:8UD:8U`:8UD:8Up:8UD:8U:8U:8UD@:8U:8UD`:8U:8UD:8U:8UD:8Uв:8UD:8U:8UD:8U6U:8UD:8U:8UD:8U:8UD:8U :8UD:8U0:8UD0:8U@:8UDP:8UP:8UDp:8U`:8UD:8Up:8UD:8U:8UD:8U:8UD:8U:8UD:8U:8UD0:8U:8UDP:8Uг:8UD`:8U:8UD:8U:8UD:8U:8U:8UD:8U :8UD:8U0:8U@:8UP:8U`:8Up:8U:8UD:8U:8UD :8U:8UD@:8U:8UD`:8U:8UD:8Uд:8UD0:8U:8UDP:8U:8UDP?8U:8UDp?8U:8UH:8U/8UD58U_85UZ85U58UD58U 58UDp58U058UD58U@58UD58U08U P?8U@38U2:8U:8U ˥8UD/8U3@8UD@8U0?8UD@8U@:8U?8UD@@8Up8UD48Uf-8UD=!8UR8UD08U?8U@?8UD@8U?8UD`@8U?8UD@8U8U  @?8U:8UD88U:8UD ?8U :8UD88U0:8UDP?8U@:8UDp?8UP:8UD?8U`:8UD?8Up:8UD?8U:8UD?8U:8UD?8U:8UD?8U:8UD?8U:8UD ?8Uж:8UD@?8U:8UD`?8U:8UD?8U:8UD?8U:8UD0?8U :8UDP?8U0:8UD?8U@:8UD?8UP:8UD?8U`:8UD`?8Up:8UD?8U:8UD?8U:8UD?8U:8UD?8U:8UD?8U:8UD ?8Uз:8UD@?8U:8UD `?8U:8UD?8U:8UD?8U:8UD?8U :8UD?8U0:8UD?8U@:8UD ?8UP:8UD@?8U`:8UD`?8Up:8UD?8U:8UD?8U`?8UD?8Up?8UD?8U?8UD ?8U?8UD@?8U?8UD`?8U?8U?8UD?8U?8UD?8U?8UD?8U?8UD?8U?8UD?8U?8UD0?8U6U ?8UDP?8U0?8UD ?8U@?8UD@?8UP?8UD`?8UScoresQ:8U1(:8U;9137752!109606W !135749W[.8U!2017-06-09 17:10:17U10000-00-00 00:00:00?8U01William Tell Overture for Cello Quartet!44W8U!373Wи98U!2W"8U!2W[.8U!2014-01-27 09:55:05U!2023-02-21 16:09:59UAGioachino Antonio Rossini arranged by David Burndrett!David Burndrett?8U10W0!sibW`-8U!496W-8U!0Wh8UAwilliam tell overture for cello quartet.sibU@88U!2014-01-27 09:55:05U!8W:8U!2972W:8U!8W4U!0HX4U!1W4U!1.00X4U!2014-01-27 10:08:56U!0W =4U(:8U45U@:8UH1_2UX:8U85Up:8U85U:8UXDe3U:8U87U:8U؝2U:8UX85U:8U85U:8U)6U:8U885U0:8U85UH:8U85U`:8Up,5Ux:8Ux85U:8U:8UH85U:8U85U:8U:8U4U:8U2U:8U:8UX2U:8U85U :8UX 85U8:8UH!85UP:8U"85Uh:8U3U:8UH%85U:8U:8U&85U:8U(6U:8U&85U:8UhG85U:8U8<25U:8UH:8U 6U(:8UZ85U@:8UP6UX:8U5Up:8UA6U:8U)_2U:8U54U:8U_85U:8U_85U:8UH:8U`85U:8U:8Uc`7U:8Uf`7U0:8U25UH:8U25U`:8U25Ux:8U:8U c2U:8U"c2U:8U(g85U:8Ug85U:8UW4U:8UXf85U:8Ue85U :8U:8Uc85U8:8U:8UOm2UP:8U:8U m2Uh:8U :8UX~`2U:8U:8U`2U:8UHb85U:8U:8U&_2U:8UhAT2U:8U8DT2U:8U>T2U:8U:8U7U(:8U4U@:8Ux:8UH5UX:8U:8U(t85Up:8Up85U:8U:8Uj6U:8U885U:8UI85U:8UX:8U85U:8Uxa85UX 7U85Uh<8U6UЊ:8U:8UH4US:8UX2U.8Uh4Up:8U:8U6U:8U6U:8U@:8Uh_2U88U85U@:8U885U:8U85U 88U:8U^i2U888UΌ2UP88Un4U@88U2UX88U:8U2Up88UP:8U5Uؔ:8U6U:8U4UX:8U:8U5U:8UP:8Ux6o3U@:8U0.8Ul8U8?8U(b2Up:8U+_2U:8U,_2U:8Uh/_2U:8U6U:8U:8UX:5U:8Ux4U:8Uh5o3U:8Uh2U0:8U/_2UH:8U 4U`:8UP:8U16Ux:8U:8U46U:8U=4U:8U45U:8UH1_2U:8U85U:8U85U:8UXDe3U :8U87U8:8U؝2UP:8UX85Uh:8U85U:8U)6U:8U885U:8U85U:8U85U:8Up,5U:8Ux85U:8U@:8UH85U(:8U85U@:8U :8U4UX:8U2Up:8U:8UX2U:8U85U:8UX 85U:8UH!85U:8U"85U:8U3U:8UH%85U:8Up:8U&85U0:8U(6UH:8U&85U`:8UhG85Ux:8U8<25U:8U:8U 6U:8UZ85U:8UP6U:8U5U:8UA6U:8U)_2U :8U54U8:8U_85UP:8U_85Uh:8U:8U`85U:8U:8Uc`7U:8Uf`7Uh?8U25U?8U25U?8U25U?8U:8U c2U?8U"c2U?8U(g85U?8Ug85U?8UW4U(?8UXf85U@?8Ue85UX?8U@:8Uc85Up?8U:8UOm2U?8U:8U m2U?8UX:8UX~`2U?8U0:8U`2U?8UHb85U?8U:8U&_2U?8UErrorCou!1.00XH:8U!2021-04-29 20:47:03U!0W:8U!0W:8U!0Wx:8U!WW:8U!0WЩ:8U10W0:8U0!0x\:8U!1W!0W!WW!WW!0W!WWACopyright © March 2013 (Burndrett Music)rted"ManualVe!WW!0YH:8U!0W!5.95W0:8U!5.95W!4.00Wx:8U!0WH:8U!WWЩ:8U!0.00W@:8U["36731","61662","93182","76338","154019","39849","156140","153730","47547","142409","143086","38471","104447","150225","154791","165337","161342","37290","171559"]U!2020-09-23 21:20:16U!1W:8U!0000-00-00 00:00:00!1[`:8U!0W`\38U!WWX98U!10.1376W8U!2021-04-29 20:47:31U1Hungarian Dance No5 for Cello Quartet!0W\.8U!0WPg 8U!3W8U!2013-05-17 15:35:41U!0Wx27U!0WM98UHungarian Dance No.5 for Cello Quartet Johannes Brahms arranged by David Burndrett David Burndrett This is my arrangement of the exciting Hungarian Dance No.5 by Brahms for cello quartet.U88U!0W(8U!0W888U!0W@>8U!0WP >8U!0000-00-00 00:00:00U!WWI:8U!0W T:8U!0W/;8U!0W4U!2017-06-09 17:10:17U!0000-00-00 00:00:00U!WW4U11156W4U0QThis piece works well as a concert piece or just for fun! terScoreAndPa!2.95W!0W!1W!0W!WW!WW!0W!WWqCopyright © April 2009 Copyright © March 2011 (Revised Version) www.burndrettmusic.co.ukenseProfitor!WW!777701Y~:8U!0W!0W:8U!6.95W!6.95W8~:8U!4.00W:8U!0W{:8U!WW:8U!0.00Wh~:8U["191595","485717","136189","136188","522377","145325","361837","361836","391179","394070","401635","177542","172765","203218","395800","191568","414124","414190","500553"]U12020-09-11 09:59:55U:8U0!0h]`:8U!WW!4.5056W!2014-02-01 10:04:381The Entertainer for Cello Quartetf1249!0W!0W!2W!0000-00-00 00:00:00!0W!0WThe Entertainer for Cello Quartet Scott Joplin arranged by David Burndrett David Burndrett This piece works well as a concert piece or just for fun! c!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W:8U:8U:8U`}:8U(:8U0:8U`:8U:8Ux:8Up:8Ux:8U:8U{:8U0:8UX:8UX:8U:8U78U}:8Up|:8Uh:8U:8U(:8U :8U:8U~:8U`:8U8:8UК:8U:8U`:8U8:8U:8U~:8Ux:8U:8U:8U|:8U~:8U:8U:8U:8U:8U:8U ~:8U:8U:8U8~:8UP~:8U:8UН:8U@:8U{:8U:8U}:8U:8U|:8U0}:8Uh~:8U0:8U@|:8UH:8U|:8U {:8U}:8UȜ:8U:8U:8UH:8UP:8U~:8U:8U:8U|:8U؛:8U}:8U}:8U:8U!1[8;8U!0000-00-00 00:00:00U!WW !0Wii!0W)!0W!0W!1W!650x918W!0WY!0W!5.00W!2023-03-16 04:11:20!2023-03-16 04:13:48!1366358W!2348006W)!0000-00-00 00:00:00!0000-00-00 00:00:00Q:8U!121477W !143382WrB8U!2024-03-09 15:27:40U10000-00-00 00:00:00h:8U0AJoy to the World (Jazzy Style!) for Cello Quartet 8U!44Whg 8U!374W0V:8U!4W12W4U0This works well as concert piece or just for fun! In this easy arrangement each player gets the tune. I have added an optional piano part.54.859515!2.95W!0W!1W!0W!WW!WW!0W!WWACopyright © November 2011 (Burndrett Music)006072341!WW!YY_:8U!133165W!0Wb:8U!0W!0.00W`:8U!7.95Wb:8U!5.00W]:8U!0Wa:8U!WWH`:8U!0.00W^:8U["155642","109489","77700","144715","77299","371203","171060","172240","84162","164814","116477","130571","21672","72075","6441","52245","88146","39335","428115"]8U!2020-09-26 09:55:12!0Pq:8UPq:8U!WW!0.0000W!2013-11-11 21:40:09AWe wish you a Merry Christmas for Cello Quartet;8U!0W!0W!2W!0000-00-00 00:00:00!0W!0WWe wish you a Merry Christmas for Cello Quartet Traditional arranged by David Burndrett David Burndrett This works well as concert piece or just for fun! In this easy arrangement each player gets the tune. 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Keith Terrettv class='title'>P8UlS8U8Ux8UpF8Up2B8UU8UطV8U8U/8U,8U<8UX.8UЬS8UX98U!82556hYers WHER!40.00Wores/smi!VenturiWindEditionsinte!1W]38U![]W!8U!0XB8U!66.60X;,8U!WW898U!WW [.8U!WWp18U!0000-00-00 00:00:00Rag !WWW!0000-00-00 00:00:00Rag !0W 1Amazing Grace (5443 Big Band 2011)!2024-01-28 08:55:39U!0000-00-00 00:00:00!WWV8U!3675W!1W(V8U!3WV8U!8.00Wd8U!4.00WV8U!8.00WXV8U!4.00WV8U!0WV8U!WW(V8U!0.00W!WWV8U!0000-00-00 00:00:0011WV8UV8U0!0HX !WW!0W!0Wp!1W 14U(<8UnЇ28896616UX<8UZ79137!1]`<8U!1W!36W!62W!2022-09-30 18:49:36!{ "faces" : {} } !0W[8Ua8Uc8Ub8UZ8U(b8U\8U^8UB8U^8U^8U_8U[8U[8UZ8U`8UH`8U^8UHZ8Ub8Uh[8U^8Ub8Ua8UA8Up\8U a8Upb8U<-8Ub8U`8UxZ8U@\8U]8Ux`8U]8U`8UY8U]8Ua8U\8Ua8U8a8U0Z8UX_8U^8UX\8U0c8U`8UZ8Uha8U?8U\8U\8UPa8UXb8U`8Ub8U`8U``8U_8U@b8Ux]8U\8U[8UZ8Uc8Ua8U`]8U_8UY8U4-04-23 !0000-00-00 00:00:00U!1W!0W!1W!1W!0W!WW!1W139EEC2DE-40E8-11ED-8CEF-4F25F5556F5D4-0!1W!0W!0000-00-00 00:00:00!0W!0000-00-00 00:00:00!0000-00-00 00:00:00!0W!1W!0W!WW!0W!0000-00-00 00:00:00!0ZV8U!0.0000WV8U!0000-00-00 00:00:00U1Happy Birthday for String Trio!0W@V8U!0W؃V8U!3WV8U!0000-00-00 00:00:00!0W<8U!0WHappy Birthday for String Trio Patty & Mildred J Hill Ed. Keith Terrett Music for all Occasions Happy Birthday arranged for String Trio in a Tango style.!0W !0Wes/Ventu!0W !1X a>i!WW QMFAO © 2024 (keithterrett@gmail.com) All rights reserved.tions">Dav!WWHX!1.508Xhref="/p!2024-01-28 08:49:13>Dav!1W<8U11Wentation'>024-00q
    Eine Fledermaus aus der Holle
    by Gary Laughrey
    Orchestra
    $75.00
    $2.95
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I know who you are: God’s Holy One."!2.00Xs8U!2013-06-04 23:01:48U!0WS8U!1W}8U!0Wo=8U!WW^88U!0W!W8U10W 8U0!2.00]=8U!0W!1W!0W1. All to Je- sus I sur- render; All to him I free- ly give; I will ev- er love and trust him, in his presence dai- ly live. I sur- -ren- der all, I sur-ren- -der- all, all to thee, my bless- ed Sav- ior, I surender all. All to Je- sus I surren- der; hum- bly at his feet I bow World- ly plea- sures all for- sa- ken take me, Jesus, take me now. I sur- ren- der all, I sur- ren- der all, all to thee, my bless- ed Sav- ior, I sur- ren- der all. ooh ooh All to Je- sus I sur- ren- der; Lord, I give my- self to thee; fill me with thy love and pow- er; let thy bless- ing fall on me. I sur-ren- der all, I sur- render all, all to thee, my bless- ed Sav- ior, I sur- ren- der all.!J.W. Van Deventer!0W!WW!this arrangement ©2001!WW!YYs8U!256542W!0W?8U!0W!0.00Wo=8U!2.00WH8U!0.00W!W8U!0W-8U!WW8U!0.00W k8U["201637","138505","73854","50463","399096","129843","141835","142289","117534","166166","170650","183069","138662","128089","199763","76525","126287","163562","120575"] 8U8U!1]=8U!0W!WW!0.0000W!2013-06-04 22:02:44!I Surrender All!0W!0W!6W!0000-00-00 00:00:00!0W!0WI Surrender All W.S. Weeden J.W. Van Deventer John Turner This arrangement is one of those you could use on April 15th (just kidding). Quiet and contemplative pieces for your worship service are often needed and this one would definitely fill the bill. !0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WH8UjS8Upڄ8U^68U nF8UP8U7Uhe/8U88UX8UB8Ut8Uτ8U8Uh"8ULC8U`8Uf8U7U28U(8Ue8U8Ux8Uv8U!8U8U8UxI8U>8Us8U8U8Uӊ8U0&8UpH8U|8U8Us8U/8U8UЯS8U?8U8Uo8U8Ut8Uo=8U<8Ux#8U 38U8U!W8U:8Ux̌8U-8UX28U~8U8U0"8U8UIV8U k8U8US8U8U8U0M8U(8Uh8Ux­8U@-8UT8U3r8U@C8UÌ8U 8U #18Up!2020-09-29 00:23:16!1W 8U!0000-00-00 00:00:00U!WW137761!0W !0W!0W`8U!0Wp8U!1W176117!650x841W@!0W!0W78U!5.00Wl8U!2023-02-17 07:30:3485!2023-02-17 07:30:48!825450W!1346158W`8U!0000-00-00 00:00:00U!0000-00-00 00:00:0034QؙB8U107Umber2SK0!129342W1Olive Grist and Duncan McLean0z8U!0W 1A Capernaum Cleansing [print up to 30]!23WhN8U!0W 8U!3W   wx2849U  %(/0 39U18MP 9U  p8U8@ K8UX 9UBH%%9U HP8U85U8U)6U(8U885U@8U85UX8U85Up8Up,5U8Ux85U8U@=8UH85U8U85U8U =8U4U8U2U8U=8UX2U8U85U08UX 85UH8UH!85U`8U"85Ux8U3U8UH%85U8U8U&85U8U(6U8U&85U8UhG85U8U8<25U 8U08U 6U88UZ85UP8UP6Uh8U5U88UA6U88U)_2U(88U54U@88U_85UX88U_85Up88U=8U`85U88U8Uc`7U88Uf`7U88U25UС88U25U88U25U88U 8U c2U88U"c2U088U(g85UH88Ug85U`88UW4Ux88UXf85U88Ue85U88U8Uc85U88U=8UOm2Uآ88Up8U m2U88UX=8UX~`2U88U8U`2U 88UHb85U888U=8U&_2UP88UhAT2Uh88U8DT2U88U>T2U88U=8U7U88U4Uȣ88U`8UH5U88UH=8U(t85U88Up85U88U@=8Uj6U(88U885U@88UI85UX88U=8U85Up88Uxa85U8U85U 8U6U8U8=8UH4U88UX2U 8Uh4U88U=8U6U8U6U 8Ux=8Uh_2U(8U85U`88U885U8U85U@8UP8U^i2UX8UΌ2Up8Un4Uq-8U2Uq-8U=8U2Uq-8U0=8U5Ux88U4U88UB8U88U=8U5U8U=8Ux6o3UȦ88U6U`88U(b2U88U+_2U88U,_2U(88Uh/_2U@88U6UX88U=8UX:5Up88Ux4U88Uh5o3U88Uh2U88U/_2UЧ88U 4U88U=8U16U88U=8U46U88U=4U088U45UH88UH1_2U`88U85Ux88U85U88UXDe3U88U87U88U؝2Uب88UX85U88U85U88U)6U 88U885U888U85UP88U85Uh88Up,5U88Ux85U88Ux=8UH85U88U85Uȩ88UX=8U4U88U2U88U=8UX2U88U85U(88UX 85U@88UH!85UX88U"85Up88U3U88UH%85U88U=8U&85U88U(6UЪ88U&85U88UhG85U88U8<25U88U=8U 6U088UZ85UH88UP6U`88U5Ux88UA6U88U)_2U88U54U88U_85Uث88U_85U88U=8U`85U88Uؼ=8Uc`7U 88Uf`7U888U25UP88U25Uh88U25U88U=8U c2U88U"c2U88U(g85UȬ88Ug85U88UW4U88UXf85U88Ue85U(88Ux=8Uc85U@88U =8UOm2UX88UH=8U m2Up88U=8UX~`2U88Uh=8U`2U88UHb85U88UH=8U&_2UЭ88UhAT2U88U8DT2U88U>T2U88U0=8U7U088U4UH88U8=8UH5U`88U=8U(t85Ux88Up85U88Ux=8Uj6U88UdefScor!0^=8U!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-13 04:52:35!2023-04-13 04:52:53!1109477W!911752W!0000-00-00 00:00:00!0000-00-00 00:00:00   ('(38)0 %(&('(58'("( Q=8U!1.00X=8U!2014-02-16 15:42:11U!1W=8U!1WH=8U!0W8=8U!WW=8U!0>8U=8U10W=8U0AThis works well as a concert piece or just for fun! !1.95W%98U!0WP\;8U!1W.8U!0W\.8U!WWPg 8U!WW8U!0Wh-8U!WWx27U!WWHY!Y8Y!0.0000W!2014-02-16 15:47:461Sailors Hornpipe for Cello Quartet!0W!0W!6W!0000-00-00 00:00:00!0W!0W!2017-06-09 17:10:17!0000-00-00 00:00:00!0X=8U!0W=8U!1W@=8U!0W=8U!WW=8U!24.2000Wh=8U!2016-06-20 11:14:01U12017-06-09 17:10:17U0This piece is aimed at beginning cello quartet standard upwards. The cello three part is all open strings! I have added an easy optional piano part. I have also added an optional tambourine part. 8UQ=8U!2.95W!0W!0W!0W!WW!WW!0W!WWACopyright © June 2012 (Burndrett Music)=8U=8U!WW!364053Y=8U!0W!0W=8U!0.00W!8.95W=8U!6.00W=8U!0W=8U!WW=8U!0.00W=8U["109489","77700","144715","146370","77299","371203","172240","171060","84162","164814","116477","130571","21672","72075","520173","52245","88146","428115","39335"]U!2020-09-15 02:27:40U!1W ALittle Tango for Beginning Cello Quartetated? !0W!0W!9W!0000-00-00 00:00:00!0W!0WLittle Tango for Beginning Cello Quartet David Burndrett This piece is aimed at beginning cello quartet standard upwards. The cello three part is all open strings! I have added an easy optional piano part. I have also added an optional tambourine part. num!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8=8U=8U=8U=8Uؿ=8U=8U=8U=8U=8U=8U(=8U=8U`=8U@=8Uh=8U=8U=8U78U=8U =8U=8U=8U8=8UP=8U=8U0=8Up=8U=8U=8U=8U=8Uh=8Uh=8U=8U=8U=8U =8UP=8U=8U=8U =8U=8U=8U=8Uо=8U=8UP=8U=8U=8UX=8U=8UP=8U=8U=8UȽ=8U=8U=8U=8U=8U`=8U=8U=8U=8Uл=8U@=8U=8U=8U=8UX=8U=8U`=8U=8U8=8U=8U=8Up=8U=8UH=8UdefScor!0000-00-00 00:00:00U885U88UI85Uخ88U=8U85U88Uxa85U 8U85U8 8U6UX8Up=8UH4Uȍ88UX2UP 8Uh4U8U@=8U6U8U6U8U=8Uh_2Uq-8U85U8U885Up8U85Ur-8U(=8U^i2U r-8UΌ2U8r-8Un4U17U2U(17U(=8U2U@17UH=8U5U88U4U=8U48U=8U=8U5Uإ88U=8Ux6o3U=8U6U88U(b2U=8U+_2U=8U,_2U=8Uh/_2U=8U6U=8U0=8UX:5U(=8Ux4U@=8Uh5o3UX=8Uh2Up=8U/_2U=8U 4U=8U=8U16U=8U=8U46U=8U=4U=8U45U=8UH1_2U=8U85U0=8U85UH=8UXDe3U`=8U87Ux=8U؝2U=8UX85U=8U85U=8U)6U=8U885U=8U85U=8U85U =8Up,5U8=8Ux85UP=8U=8UH85Uh=8U85U=8Up=8U4U=8U2U=8U=8UX2U=8U85U=8UX 85U=8UH!85U=8U"85U(=8U3U@=8UH%85UX=8U=8U&85Up=8U(6U=8U&85U=8UhG85U=8U8<25U=8U =8U 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quartet.sibU!2014-01-23 12:44:30U!10W-8U!3252W88U!9Wx88U!1.00XXA8U!2014-01-23 12:44:33U!0WA8U!0WA8U!0WA8U!WWA8U!0W0A8U10W@A8U0!2014-01-12 04:40:17U!2023-02-18 14:19:04UAAntonio Vivaldi arranged by David BurndrettHQ>8U!David BurndrettXP>8U10W0!sibWP8U!496W8U!0Wh-8UAAutumn First Movement For Cello Quartet.sibUM98U!2014-01-12 04:40:17U!18WLD8U!3149W-8U!12WP8U!1XR>8U!1WHQ>8U!1WR>8U!0WQ>8Uq{ "GroupOrd" : "40", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "24857" } U!0.0000W !0XXk@8U!1Wh@8U!1.00hX4U!2014-01-12 04:40:22U!1W4U!0W4U!168923W4U!WW !2023-02-27 19:36:48U10000-00-00 00:00:00E>8U013 Popular Pieces For Cello Quartet8U!374WeScores!2W @!2WR^>8U!2023-04-14 17:35:32U!2024-01-07 15:36:30U1Joplin, Holst, BeethovenF>8U!David BurndrettE>8U!0W8F>8U!0W !sibWeExchang!496WEPSCoun!0WhaA8U!2023-04-14 17:35:33885U>8U85UW98U0>8U^i2U0W98UΌ2UHW98Un4UKD8U2U(KD8Up_>8U2U@KD8U`>8U5U(>8U4Uo>8UH7Ux>8U1>8U5U 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(Jazzy Style!) for Cello Quartet Traditional arranged by David Burndrett David Burndrett This piece works well as a concert piece or just for fun! I have added an optional piano part.]:8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0Wd>8U8j>8Ui>8Upb>8U8d>8U@e>8Upe>8UHi>8Ug>8Ui>8Ue>8Ud>8U`>8Ui>8Uh>8Uhd>8U(h>8UH78Ub>8Ua>8Ug>8Uxi>8Uh>8Ug>8U0i>8Uc>8Ui>8UHf>8U`f>8Ui>8Uf>8Ug>8Ud>8Ud>8Uj>8Uxf>8Uh>8Ua>8Uc>8U8g>8Ug>8U g>8Uf>8Uph>8U0c>8U@h>8Ud>8UHc>8U`c>8Ue>8U`i>8Uh>8U`>8UPj>8U(b>8Ue>8U a>8U@b>8Uxc>8Uf>8UPa>8UXe>8Ua>8U0`>8Ub>8UXh>8U j>8Uh>8Ui>8Ug>8Uc>8UPg>8Ug>8Ua>8Uhg>8Ub>8Uc>8Uf>8U!["366469","146465","147463","147309","137764","73692","42204","84391","368796","71841","86013","125816","146138","71735","71732","71863","370677","150610","5241"]?!2020-09-27 14:54:38!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-16 19:45:06!2023-04-16 19:45:32!1962541W!3423995W!0000-00-00 00:00:00!0000-00-00 00:00:00!2017-06-09 17:10:17U10000-00-00 00:00:00]:8U0AWe wish you a Merry Christmas for Cello QuartetC8U!44W%98U!374WP\;8U!2W.8U!2WI8U!2013-11-11 21:35:25U!2023-02-21 16:10:19U!08XP^:8U!0W^:8U!1W]:8U11.00W0!sibW[.8U!496W\ 8U!0Wg 8UAwe wish you a merry christmas for cello quartet.sibU!2013-11-11 21:35:25U!9W X98U!2137WLD8U!6WX>8U!2013-11-11 21:36:34U!1W^:8U!1Wp_:8U!0W(_:8U!WW`:8U!0W^:8U!0W]:8U11W_:8U01Traditional arranged by David Burndrett!David Burndrett !146904Wh-8U!0W(k>8U10Wj>8U01Silent Night for Cello Quartet`-8U!44W-8U!373Wh8U!2W88U!2W@88U!2018-12-17 20:29:06U!2024-03-08 16:01:53UAFranz Gruber arranged by David Burndrettl>8U!David Burndrett(k>8U10W0!sibW4U!496W4U!0W !08Xp=8U!0W=8U!2W=8U1Copyright © May 2009 (Burndrett Music)!sibW`88U!496W88U!0WX88U1sailors Hornpipe for cello quartet.sib!2014-02-16 15:42:08U!3W4U!2019W4U!2W4U1Traditional arranged by David Burndrett1David Burndrett4U0!1.00X=8U!2014-02-17 19:40:33U!1WX=8U!1W=8U!0W=8U!WW=8U!0W=8U10W=8U0!0]>8U!WW!WW!0W!WWACopyright © March 2013 (Burndrett Music)>8U>8U!WW!YY=8U!540731W!0W=8U!0W!6.95W=8U!6.95W=8U!4.00W=8U!0W=8U!WW0=8U!0.00W=8U["365072","396670","139005","10880","166901","78592","78584","150679","79463","79471","97854","130508","150909","157083","126149","144697","78656","74079","78672"]U!2020-09-14 21:22:17!1]>8U!0W!WW!15.2064W!2014-02-17 19:43:461Shenandoah for Cello Quartet.000000!0W!0W!3W!0000-00-00 00:00:00!0W!0WShenandoah for Cello Quartet Traditional arranged by David Burndrett David Burndrett This works well as a concert piece or just for fun!8925171389885!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WP=8U=8UH=8U(=8U=8U=8U(=8U=8U=8U=8U@=8U=8Ux=8Ux=8U=8U =8U=8U78U=8U8=8U=8U0=8Up=8Uh=8U=8UH=8U=8U=8U=8U=8U=8U=8U=8U=8U=8U0=8UX=8Uh=8U=8U=8U8=8U=8U=8U(=8U=8U=8Uh=8U=8U=8Up=8U=8U=8U=8UP=8U=8U=8U=8U=8U0=8Ux=8U=8U=8U=8U=8UX=8U=8U=8U@=8U=8U=8Ux=8U=8UP=8U=8U =8U=8U=8U`=8U.000000!1\>8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-03-20 04:42:00!2023-03-20 04:42:23!872917W!1402904W!0000-00-00 00:00:00!0000-00-00 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ScoreExchangeSMDImagesSMDImages-8UUrlFailedUrlFailed316defScoreExchangeSMDImagesSMDImages>8UUpdatedUpdateddef38ScoreExchangeSMDImagesSMDImages?8UFileVaultUUIDFileVaultUUIDdefScoreExchangeSMDImagesSMDImages>8UFileSizeFx-FileSizedefUScoreExchangeSMDImages;8USMDImagesLastSuccessfulDownloadLastSuccessfulDownloaddefScoreExchangeSMDImagesmSMDImagesSameAsLastCheckedSameAsLastChecked>8U=u g30668q! 8UP>8U 0p28U>8U;49898!.!8U28U0)58U8>8U3#129049q v98U@|;8U 0`|;8U>8Uܔe190602!P<8U.38U`0p48U>8U{581025!38U48UP0 >8U(>8U<+182960!q8U@.8U 008Ux>8UC16957!p;8Up";8U` 0p<8U>8Uy@$144242A28U<8U 0 ,8U>8UJJ361952!38UP,8Up0M8Uh>8U n119425A 8U`L<8U 0?8U>8U40722!P7U?8Up00n.8U>8Ue391189!P7U`n.8U0`M<8UX>8Up/26027!p48Up28U008U>8UԢZ594548a<8U<8U 0`<8U>8US39291628U#58U 00"8UH>8U; r52158q8U;8U 0p;8U>8U.y 149330!38U;8U0+8U>8UqG139889!p;8U+8U00-,8U8>8Uo s2088aP08U38U +8U>8U<469189qP+8U,8U 0,8U>8UY94164!A=8U,8U0`98U(>8U799332!38U 28U0@38Ux>8U0+2168!p48Up38U`028U>8U184127q`+ 8Um28U 028U>8UXN}6653!p48U 28U0?8Uh>8UE140987qz28Uz;8U 0P+,8U>8UҼ193638@-8U,8U 0 <8U>8U9ٹ44282q ,8U 38U 0@38UX>8Us107226!<8Up38U098U>8U@994121q98U18U0!8U`<8U@0`18U>8U3315108Up08U 0+8Uh>8U<[214801!.!8U+8Up008U>8U 539172!p48U@"38U0`<8U>8U|36562q,8Up48U-8UX>8U |157948!.!8U+8Up0;8U>8UTlm102835q`28U-8U 0-8U>8U91\#361663!p48UБ-8U038UH>8Uk184921!q8UU98U`0@98U>8UPeQ184181!p;8U28U0$58U>8UHw82852;8UJ88U 0-8U8>8Uq;`128533qP8U28U 028U>8Uf82294!p98U28U0=8U>8UZE1498528Up,8U 0!8U(>8U5T192397>8U <8U 0@28Ux>8U11610!p98UP-8Up0@<8U>8U|&121453!.!8Up<8U0F-8U>8Ud121466a@>8UP-8U 0`;8Uh>8U>587583!p98UЮ08Up0`-8U>8UH158179`98UP>8U 0?8U>8Uv146349!@.8U?8Up0`,8UX>8U0[&199522!.!8U`,8U@ 0&8U>8U`v100068Z.8U@-8U0,8U>8U138525!@.8U`,8Up028UH>8U139331Z.8U 5?8U 0@6;8U>8U79939q8U 28U 0Y98U>8U~120223!p98U@Y98U0py<8U8>8UL191167A c=8U38U `7U77.24070005?8U>8UGUo129509`78U-8U 0,8U>8U179745!38U,8Up0.=8UH>8U/3@S10094!38U /=8U0-8U>8Uo/} 1333501=8U@+8U 0008U>8UC=W99793!A=8U>8Up0+8U8>8U?105707!38Up 8U0 08U>8UYh)T75254Z98U<8U 0<8U>8U0q38707q N;8UZ88U 0]?8U(>8U_?137867!=8U@]?8U0`"38Ux>8UvX156391!7U^,8U<8U>8UO152552q8U /08U 0B-8U>8U%363534!P<8U018U0L,8Uh>8UA59746138UPo.8Uf,8U>8Ut205605p<8U38U 0u.8U>8U099892Robert Miller (b. 1961) earned a Masters of Music (Trumpet Performance and Composition) and was Graduate Assistant in Trumpet, Brass and Band, from the Dana School of Music, Youngstown State University. He studied music composition with Dr. Frederick Mueller and Dr. Robert Rollin. Miller has performed professionally throughout the country as a trumpet soloist and in brass quintets, brass ensembles and orchestras. He is currently performing with The Brethren Brass and Mojo Brass, where he is the arranger, and is also a busy composer and an internationally-exhibited large format black and white fine art photographer. !136159W -8U!0W150382!1W !0W!0(X+8U!1W`?8U!0W67645!WW ,8U  8UD@#8Uk8UDH8Ux8U @I8U8UD8U@8U @T8U@8UD8U8:8UD!8UPD8UВ8UD8U;<8UDz=8U/8UDC8U7UD?#8UHB8UU@/8U8UUE8U0D8U8UDk8UpX 8UU05U`8UP.8UDw8UP5U@8U`8UA8UDpl8U 8UD<8U?8U0 8U;8UDp-08U!8UDp(08Ug8UD8U8UD408UЅJ8UDpI8U 8UD`8U18UDЭ8U08UDI,8U?8U08UD(08U6}8UD H8U0?8U(f;8UDF8U7UD 98U908UDA8UA8UD@!8UV8UD28U8U ?8UJ8U<8UD%28U`̊8UDD8UA8U @@8U2UDB8Up7UD"8U38UD98U?8Up98UP=8UDPG8U{!8U Hut8U8UUpW-8U`NW8UQW8UDC38UpG8Up"8UD18U7UD C8Up8<8UDpaR8U5Up<8UD 8/8UPf8UDP98Up*,8UDpn!8U?8U,8UM8UDP>8U 8UD7Up>8UD u18UqZ6U18UD`m8U0>7UD Ss8UH8UD08U{8UD8UI8UDp28UH-8UU3=8U`18UDC8UpE18UD_8UPI8UD8UÊ8UD08U Lt8UD@8UB8UU18U@B8UUpI7UY8UD8U$8UDz28U18UD78U?8U?8UPa\3U 78UDPB8U8UU8U7UD28U r8UD8UeW8UD2!8U ?8U88U`8UDt8UG-8UU"8UM8UDx8UCT8UD@s8U2UDB8U06}8UDPO8Uu8UD58U@<25U0s;8UDR8U*,8UDpD8Us8UUt8U`ť8UD8U28UD9/8UP8UDkD8U0>8UDl8UPU8UD D8Us8UDs8Uh ?8U0,8UPt88UD`3!8U@;8UD#7U8UDPiT8UP8UDJ<8U8UUc28UجB8UUA8U<8UD0;/8UP~5U`38Uv7U8UD 8U118Uvp8Uʽ8U @8U=8UDqt8U@=8UD ?/8U+8Uvбs8UUB8UDP;8U08UDB8U@F8UD3U18UD_18UXB8UUB8U?8UD ?8U8U 8U@/8UD@mW8Up 8UD098US8UD *V8Up>T8UD0D8U8U  `&98U37UDP//8UqZ6UW 8UUs18U`38UvP78U<8UDC8U8UD8U38U2J18U  Q8UL-8UUPE!8U28UD08U08UD8UY-8UD28UpzV8UDGB8U`?8UX?8UH.8U[8UUP7U?8U047UD918U8UDv28Upo;8UDy8U@38Uz/8UD@)!8U28UDD8U0 r8U7UD8U28UDpq8U0.8UD;8Uu=8U 08U`l=8U?-8U;8U5-8U08U7Uhs=8UP-8U0-8U;8Ux =8U,48U8U38Uإ28U`08UHJ.8UH>8U18Ub88U>8UX~?8Uk8U;8UX88U=8Uhf8U>8U^88U;8U38U898U]88Um=8U@=8Ux>8U7Up>8Uй>8U(,8U8U(28U0/8U0,8Uh/8Up>8U` !8U8Ud8Up,8U0!8UP<8U 8UX/8Uh18Uh98U0k8U(;8U(f/8UP.8U/48U/8U08U(m08U8Uh}18U;8U!8U0/8Uj88U0 08U,8U<8Uh08Uؠ-8U(98U!XX!900721W!0W88U!0W8U!0.00W!12.00W!8.00W7U!0W!WW !W;#8U z5U8Ug85U("88U85U18UH%85U/T8UP8UH4UF8UI85U87UB5U%"8U25U4W8Uȭ8Uc85U0K8U#5U8,8U?8U5U`B8U,_2Ux8U7U(x5U@3.8UW4U8U(b2Ux8U&85U8/W8UM8Ux6o3U88U>8U`2U(;8U@8U6Ux~8Um;8UX5U28U0!8Ux~5Uo?8U)_2U`8U؝2UC8Ux~5U98U85UM08U6Up 7U5U8U4Um18U28U7U7T8U85U8U+_2UHO=8Ud8UH/9U`l/9U#8Uc85U8UE3UHP8UΌ2U%"8U85U1C8UZ85U9U_85US8U ~8U16U18U8U_8U!48Ud2U{B8UH1_2U@)28U~5U`78UXf85U 8U(d2U@;8U?8U^i2U728U(g85U8U885Ue18UHh08U m2U8Uh98U8~5UC7U+/8UH5U(E=8UH7UXA8U85U8(C8UH~5U,28U85Uh|8U^5UF8U_85U;8Up85UX.8U 4U?F8U28U46Ux7.8U85U薊8Un4U ?8U(.8U&_2UxF8U؝2Uxz8UBV8U5UV8Uj6U*8UI85Ux8U_85UH,8U`3U28U?8Uj6Uh7U(6U8UxM8U8U5U`8Ux6o3Ur8U@j;8U7U0=8Ud8Uh_2U(8U54Ur?8Uxv5U@08U؝2U@8UB8UH4U@B8U85UXP8Ux85U8?8U25Uhh8UX2U88U6UI}8UH!85Up6.8U26Uw8U885U08U85Uc?8U(b2Uh08U(6U08UQ7U+5UJ8U85U18UpF8Uc`7Uw8UHa\3UVV8U(g85U8U78U m2U38Uh5o3UxtS8UP6UP "8U&85Uk68UX2U`8UX 85Ub18U(b2U8UHa\3U/8UT5UH8U6Ua8Uj9U6UP68U"85UP5.8UrF8Uj6UU8Uz5UH08UxO8UOm2U`28U8U8UH1_2US8U&85U88UZ85U( :8U+_2UN8U/_2U8UH 7U39UX2U`}8UX8U>3Uȩ38U#2U87U(x8U c2U?8U63UH7U 18U6UX8UH1_2U|=8UXY8U m2UY.8Ux6o3U 08Uh68U.8Ux8U(t85U@[8U48U0*3UP8U85U;8Uh4U<8U>8U 6UHV38U&85U\8U~5U08Ux4UV,8Ue85UC8UB5UB8UX6UE}8U~8UH85UF}8U885UF8U0,8U46U`7U`w8UW4UP9UP~38Uj6U38U85UB8UnS8Ud2U(8U~5U18UH7UsB8U85UN8UB5U"8U(g85Uz3U,_2U7U2UY8U"?8Uj6Uxf?8U85U88UXf85UJ8U8U\4U@<8Uw8U8~5U8U)6U,8UF49UhO39U$39U>3U8U/_2U7Uh~5Ux?8U98UOm2U18U~5U88U;8U(x5U8>8U8<25U8Ux08U16U08U6UH<8U8U 6U08U
    THE LORD'S MY SHEPHERD (Psalm 23)
    THE LORD'S MY SHEPHERD (Psalm 23)
    Solo instrument
    $1.50
    Celtic Suite for Sax Quartet
    Celtic Suite for Sax Quartet
    Saxophone quartet
    $32.00
    8U35.10032 pxRX<@  #( *$(8U   08  8U58U $(A8U 49U  9@ ('(Q[{"Desc":"Various instrumental solos with Piano accompaniment","Url":"http://www.uetz.de/music","Text":"My German Music Publisher: Musikverlag Bruno Uetz"},{"Desc":"My American publisher of ''Fallen Heroes'' for Young Symphonic Band","Url":"http://www.alfred.com/Products/Fallen-Heroes--00-33849.aspx","Text":""},{"Desc":"Various music for Wind Band & Brass Quintets","Url":"http://www.safemusic.co.uk/12701/allegro-from-the-water-music/?1=1&categorypageid=12673&categoryviewref=977FB2A8%2DDD9D%2D4F18%2D933B%2D632CDCFE59FB","Text":"My UK Wind Band Publisher:SafeMusic"},{"Desc":"Various music for Brass Quintets & solo Brass with Piano accomp.","Url":"https://cherryclassics.com/search?type=product&q=keith+terrett","Text":"My Canadian Music Publisher:Cherry Classics"},{"Desc":"Difem Music Publishers","Url":"http://www.topscorediffusion.ch/shop/pdf/117840.pdf","Text":"My Concert Band Publisher in Switzerland"},{"Desc":"Arrangements and compositions for Clarinet Ensemble","Url":"http://reynard.dpwww.co.uk","Text":"Reynard Publishers from the UK"},{"Desc":"U.K. Publisher of Fanfare & Soliloquy for Soprillo Saxophone","Url":"http://www.saxtetpublications.com/catalogue/viewrecording.php?id=295","Text":""},{"Desc":"Publishes my arrangements for Brass & Wind Quintets","Url":"https://www.cimarronmusic.com/catalogsearch/result/?q=keith+terrett","Text":"Cimarron Music Press"},{"Desc":"Publishes my arrangements for Flexible Band","Url":"http://phoenix-music-samples.co.uk/samples/9516/index.html","Text":"Phoenix Music, Welsh Music Publisher based near Denbigh, North Wales."},{"Desc":"You will find my arrangement of Total Eclipse of the Heart.","Url":"http://www.bernaertsmusic.com/en_GB/sheets?title=Total Eclipse of the Heart","Text":"Belgiun Publisher of Pop Concert Band Music"},{"Desc":"Fanfare & Soliloquoy for Bass Clarinet & Piano","Url":"http://www.bassclarinet.org/alea/ALEA1078.html","Text":"Alea Publshing & Recording - Music for Bass Clarinet"},{"Desc":"American publisher of my warm-ups for Concert Band","Url":"http://www.matrixmusic.com/cgi-bin/concert_csvsearch.pl?search=Keith&method=exact&order_by=title","Text":"Matrix Concert Band Publications USA"},{"Desc":"Publisher of Havana Rhubarb Rumba for Recorders","Url":"http://americanrecorder.org","Text":"The American Recorder Society"},{"Desc":"Publisher of my Swinging in Paradise for Concert & Brass Band","Url":"www.musikverlag-frank.ch","Text":""},{"Desc":"Publisher of my marches","Url":"http://echelonmusicpress.com/concert-marches/","Text":""},{"Desc":"My German publisher of Recorder music","Url":"http://www.edition-tre-fontane.de/76.html?&cHash=e8a9549af2&tx_ttproducts_pi1[backPID]=14&tx_ttproducts_pi1[cat]=8&tx_ttproducts_pi1[product]=906","Text":""},{"Desc":"Publisher of my arrangement of Blues for Big Ears","Url":"http://www.warwickmusic.com/Main-Catalogue/Sheet-Music/Bands-Ensembles/Wind-Ensembles/Terrett-Blues-for-Big-Ears-EN081","Text":""},{"Desc":"Norwegian publisher of my instrumental and flexible band music","Url":"https://musikkforlagene.no/produktkategori/komponister/tu/terrett-keith/","Text":""},{"Desc":"Austrian publisher of my Concert Band march:Queen of Hearts","Url":"http://www.helmamusic.com/de/shop/sh_shop_hm.asp?suche=detail&sess=22479@150GR242GR74GR146","Text":""},{"Desc":"Dutch Concert Band publisher of my music for band.","Url":"http://www.artifexmusic.nl/english/Keith-Terrett.html","Text":""},{"Desc":"Dutch publisher of my Percussion Music","Url":"http://www.dutchmusicpartners.com/a-percussionist-goes-ballroom-ds.5ask","Text":""},{"Desc":"American Publisher of my Tuned Percussion Music","Url":"http://www.hamarpercussion.com/windmallet.html","Text":""},{"Desc":"European National Anthems ","Url":"https://www.scoreexchange.com/scores/152831.html","Text":""},{"Desc":"Latin American & Caribbean National Anthems","Url":"https://www.scoreexchange.com/scores/151551.html","Text":""},{"Desc":"African National Anthems","Url":"https://www.scoreexchange.com/scores/174334.html","Text":""},{"Desc":"Middle Eastern National Anthems","Url":"https://www.scoreexchange.com/scores/88360.html","Text":""},{"Desc":"Oceania National Anthems","Url":"https://www.scoreexchange.com/scores/152046.html","Text":""},{"Desc":"Asian National Anthems","Url":"https://www.scoreexchange.com/scores/195478.html","Text":""},{"Desc":"North American National Anthems","Url":"https://www.scoreexchange.com/scores/79408.html","Text":""},{"Desc":"Obsolete National Anthems","Url":"https://www.scoreexchange.com/scores/173924.html","Text":""},{"Desc":"My music with SMP Press","Url":"http://www.sheetmusicplus.com/search?Ntt=keith+terrett&_requestid=6534822","Text":""}]D8Uw' 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"78Un4U=8U(bP6U8U/_2Uȝ8UX 85Up18Ur"8U5UPr8U8DT2U+.8Ux~5U.8UZ85U`'C8U8Ux6o3UI08U7UyC8U7UX:5UH628U,48U46U728U`t8Uh~5UX8Ux18U16Ux8UxM.8Ud2Upl<8UhCc5U(3.8Uxa85U`-8UHu=8U4U&8Uh4U@8U ,8Uhd2U[;8Ue85Ud<8UF8U8~5U7.8U/_2U];8UhG85U(8UF3U9Ux7U46Ui8U85US8U85UxB8UHH&6U1#8U/8Uv5UH8Up,5U0ZV8UH%85U 08U@V8UX:5U;W8U6U8U3U8U_85U898Ub5U(H}8U-3U8U(8UH5U8Uj6Uh{B8U!8Ux~5UH8U=4UV8U`3U087U38Uc85U8UXf85U628Uh:z5U8Ux6U8Un4U@=,8UȄS8U^i2U(8U;6U8US8U7U8U(g85U098U8U>8UHy8UV8UDV8U_<8U88U{O8U`B8U@8U@8U%8U`/8Uy8UV8UN 8U !8U8UXׄ8U8U;8U8ˤ8U48UH:8U8o8U08U׊8U18US8U׊8UB8U#8UO8UV8U18UN8Us"8U88UMV8UKC8U'8U8,8U`n8UD8U`O8Uؤ8Uz8U8U !8U`U8UϤ8Ux8U0D.8U8U8Ua08Us8Um8Uw footer!2017-06-09 17:10:17!ADAPContactID q{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20199" } 1get_all_currency_idsurrency_ids!08X!0XȞ8U!1Wʌ8U10Wˌ8U 8U0!WW !2021-03-04 22:37:35Mockingbird 3-Part Mixed Choir Charlie Foxx, Carly Simon & James Taylor, Toby Keith Duet With Krystal, Charlie Foxx, Inez Foxx Roger Emerson 17U?8U6j222423!LyricistIsMeU qhttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_122127972Fss4NP5t.pngp!|8U8U!0/8U Qط"8U10.00Ь8Uet=UTF-8n_idc0ACharles Lefebvre, transcribed by J.G. Cucó Barber!322479W  B,8UO8U87U@8UHn8Uh<8U8UE/8UN8Up8U8U,8U6T8U ?8U8,.8UX:8Uش8UT8UA8US8U&8U09Ui8Up88U4U4U4U4U4U4U!HASHUW !0p1:8U !0000-00-00 00:00:00H8UX8U8U8UO8U8UA/usr/www/resources/ADAP3/ModPerl/GenericHandler.pm!2023-05-06 05:31:32!HASH 8U !08U!0W115W0!Danny Boy8U !2022-06-30 00:00:00 WHE!WW10W0!1}8U !0HX8U!0W{8U!0WH8U!WW!8.44W 1?8U-284767!HASHUonidU m8U@?8UuF8U@8U 38U-8UD8Ux~8UXي8UЦ?8U!0000-00-00 00:00:00U10000-00-00 00:00:00UW01|6U8?8UZ192860!0P8U11W0!0L7U !96797pܤ8U!usW180849291800!0@8U Q:8U!pdf@F8U !871ۤ8U !0p-"8Uy Gentle!74W /scores/jupiter-hymn-for-clarinet-quartet-94873.htmlt-123340.html4.htmletimes-mixed-grays-inn-grace-for-ssa-a-cappella-157919.html!TextF8U 10B8Up`3U0!HASHW !1@m8U !2024-02-26 20:11:37["131956","59200","68588","169868","155292","200235","162235","122715","172324","147061","33493","91494","172754","189067","413044","147141","151282","172259","131243","33555"]!00.8U APianoet 4 in Bb (Bass Clarinet)oer) 18U@!WP28U !0000-00-00 00:00:00!XK7U !0W1WW0QH?8UҔy; 3.139.82.23P!TotalSales8U !Graham Garton 2014!0.000048U!2011-05-08 02:42:161Flames for soprano flute clarinet piano!HASHUW8U!HASHUW !2020-09-18 03:24:37!XТ8U!WW!14240W !00k28U!0W!1W!0W !2023-05-10 02:43:46!P8UX8U1/usr/www/resources/ADAP3/SQL.pmKeyU!x8UQL !1583121W 14U85U5U4U4U!2Uql::st !8UXM5UM5U!ReExtractInfo A/usr/www/resources/ADAP3/GenericObject2.pm1713899002627!WW`1NAMEЃ8UIDdDateameOpti0a 4U W8U%26U12017-11-22 17:39:03Datede01 xP8U!HASHU-8U !1Y!1W8WC8U!NewWةC8U!14347WX!8U!1W(=8U!1W,8U!0X38U!0000-00-00 00:00:00U!1WX!0WA8U!0W88U!WWq8U!2W~=8U!1WXO38U!259.37W,8U1WW@98U28U0!5.00`?8U 1h?8U402376!HASH8 48US!496P/8U10WC8U0!2023-02-20 23:36:4612023-02-20 23:38:28'ĝ0!HASHPA8U &(`gW8UehCH 58?9UX`9@%8U  59U $(GH@8Upq8U  V9Up69U#(QX:8Uh:8U:8U:8Uh:8Up:8U:8Ux:8U8:8U0:8U:8U(:8U:8U:8U:8U:8UX:8U78U@:8U`:8U(:8U:8U:8U:8U`:8U:8U :8Ux:8U:8UH:8U :8U:8U:8U8:8U8:8U:8U:8U:8UH:8Uh:8U:8UP:8U0:8U:8U`:8Up:8U:8Ux:8U:8U:8U:8U:8UЩ:8U:8UX:8U@:8U:8Up:8U:8U:8U0:8U:8U:8U:8U:8U:8UP:8U:8U:8U:8U:8U:8U:8U(:8U:8U:8U0:8U:8U?8U!^^@?8U!0W!0W!0W!1W!0W!1W!650x919W!0W!0W!5.00W!2023-03-16 04:13:48!2023-03-16 04:17:23!1043405W!1298963W!0000-00-00 00:00:00!0000-00-00 00:00:00 &('(+058^` '( !(-0^`   @:8U@?8U`?8UD?8Up?8UD?8U?8UD?8U?8UD?8U?8UD?8U?8UD ?8U?8UD?8U?8UD?8U?8UD?8U?8UD?8U?8UD?8U?8UD?8U ?8UD0?8U0?8U@?8UDP?8UP?8UDp?8U`?8Up?8U?8U?8U?8U?8UD?8U?8UD?8U?8UD?8U?8UD?8U?8UDP@8U?8UDp@8U?8UD@8U ?8UD@8U0?8UD@8U(?8U:8U/8UD58U_85UZ85UP58UD)68U58UD*68U58UD0*68U58UDP*68Up8U @8U@98U2?8U(:8U`@C8UD`D8U`@8UD @8U-@8UD[@8Ux?8U-@8UD0[@8UR8UD 08UR8UD`08U,8UD`D8U`-@8U-@8UD[@8U-@8UDP[@8U-@8UDp[@8U8U  @8U0?8UD`:8U@?8UD:8UP?8UD:8U`?8UD :8Up?8UD@:8U?8UD`:8U?8UD:8U?8UD:8U?8UDP:8U?8UDp:8U?8UD:8U?8UD:8U?8UD:8U?8UD:8U?8UD0:8U ?8UDP:8U0?8UD:8U@?8UD:8UP?8UD :8U`?8UDp:8Up?8UD:8U?8UD@8U?8UD@8U?8UD@8U?8UD@8U?8UD@8U?8UD@8U?8UD @8U?8UD@@8U?8UD`@8U?8UD @8U ?8UD@8U0?8UD:8U@?8UD:8UP?8UD:8U`?8UD @8Up?8UD @8U?8UD@ @8U?8UD` @8U?8UD @8U?8UD @8U?8UD @8U?8UD @8U?8UD@8U?8UD@8U?8UD @8U?8U ?8UDP@8U0?8UDp@8U@?8UD@8UP?8UD@8U`?8UD@8Up?8UD@8U6U?8UD@8U?8UD@8U?8UD@8U?8UD0@8U?8UDP@8U?8UDp@8U?8UD@8U?8UD@8U?8UD@8U?8UD@8U ?8UD:8U0?8UD:8U@?8UD@8UP?8UD@8U`?8UD@8Up?8UD0@8U?8UDP@8U?8U?8UDp@8U?8UD@8U?8U?8U?8U?8U?8U?8UD@8U ?8UD@8U0?8UD@8U@?8UD@8UP?8UD @8U`?8UD@@8Up?8UD`@8U?8UD@8U?8UD@8U?8U?8U/8UDp*68U_85UZ85U,68UD G68U-68UDG68U-68UDG68U -68UDG68U8U `9@8U38U2?8U`?8U98UD}A8U@8UD@8U04@8UD@8U?8U3@8UD@@8U,8UDD8U,8UDD8U,8UD`TR8U3@8U@4@8UD@8U4@8UD`@8U4@8UD@8U8U  @U@8U?8UD-8U?8UD`:@8U?8UD:@8UmPurchasQ:8U1#2U?8Uu135749!2017-06-09 17:10:17U10000-00-00 00:00:00(:8U01Prelude from Te Deum for Cello Quartet!373W!2W!2W!2013-09-30 22:39:30!2023-02-18 14:20:03AM.Charpentier Arranged by David BurndrettH:8U!David BurndrettX:8U10W0!sibW!496W!0WAprelude from te deum for cello quartet.sib7U27U!2013-09-30 22:39:30!12W!2231W!7W!1.00X:8U!2013-10-01 10:00:45U!1W:8U!0W:8U!0W:8U!WW0:8U!0WX:8U10Wh:8U0!0^?8U!2WqThis works well as concert piece or just for fun! I have added an optional piano part. ?8U!2.95W!0W!1W!0W!WW!WW!0W!WW1Copyright © February 2013?8U!WW!YY:8U!537754W!0Wh:8U!0W!0.00W:8U!7.95W:8U!5.00WX:8U!0Xx:8U!WW:8U!0.00WH:8U["163649","179862","165031","146361","135277","403160","159469","137752","181767","172515","165113","366134","170771","164757","173185","81267","135749","160010","361747"]h:8U:8U!1^?8U!0W!WW!0.0000W!2013-10-01 10:02:491Prelude from Te Deum for Cello Quartet!0W!0W!3W!2013-05-20 15:10:12!0W!0WPrelude from Te Deum for Cello Quartet M.Charpentier Arranged by David Burndrett David Burndrett This works well as concert piece or just for fun! I have added an optional piano part. ?8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W:8U?8UH?8U:8U:8U:8U:8U?8Up:8U?8U:8U`:8U(:8Ux?8U?8U:8U?8U78Ux:8U:8U?8U0?8Up?8Uh?8U?8U:8U?8U:8U:8U?8UX:8U?8U0:8Up:8U?8U:8UX?8U:8U:8U:8U:8U:8Uh:8U(?8U:8U?8U:8U:8U:8U :8U?8U?8UX:8UP?8U:8Ux:8U:8U:8U:8U(:8U:8U:8UH:8U:8U:8U?8U?8U@?8U?8U?8U(:8U:8UP?8U`:8U:8U8:8Uh:8U:8UP?8UhAT2U?8U8DT2U0?8U>T2UH?8U:8U7U`?8U4Ux?8U:8UH5U?8UH:8U(t85U?8Up85U?8U@:8Uj6U?8U885U?8UI85U?8U:8U85U ?8Uxa85U/;8U85UP:8U6U:8U8:8UH4U;8UX2U`\38Uh4U4.8U:8U6U:8U6U:8U?8Uh_2U88U85U:8U885Uh:8U85U88U:8U^i2U88UΌ2UЗ88Un4U8U2U8U`?8U2U8U?8U5U(?8U4U?8U8^8UXm8U?8U:8U5UP:8U?8Ux6o3Ux?8U6U?8U(b2U?8U+_2U?8U,_2U?8Uh/_2U?8U6U?8Uh?8UX:5U ?8Ux4U8?8Uh5o3UP?8Uh2Uh?8U/_2U?8U 4U?8U?8U16U?8U ?8U46U?8U=4U?8U45U?8UH1_2U?8U85U(?8U85U@?8UXDe3UX?8U87Up?8U؝2U?8UX85U?8U85U?8U)6U?8U885U?8U85U?8U85U?8Up,5U0?8Ux85UH?8U?8UH85U`?8U85Ux?8U?8U4U?8U2U?8U@?8UX2U?8U85U?8UX 85U?8UH!85U?8U"85U ?8U3U8?8UH%85UP?8U?8U&85Uh?8U(6U?8U&85U?8UhG85U?8U8<25U?8UX?8U 6U?8UZ85U?8UP6U?8U5U(?8UA6U@?8U)_2UX?8U54Up?8U_85U?8U_85U?8U?8U`85U?8U(?8Uc`7U?8Uf`7U?8U25U?8U25U?8U25U0?8UH?8U c2UH?8U"c2U`?8U(g85Ux?8Ug85U?8UW4U?8UXf85U?8Ue85U?8U?8Uc85U?8Up?8UOm2U?8U?8U m2U ?8U?8UX~`2U8?8U?8U`2UP?8UHb85Uh?8U?8U&_2U?8UhAT2U?8U8DT2U?8U>T2U?8U?8U7U?8U4U?8U?8UH5U?8U?8U(t85U(?8Up85U@?8U?8Uj6UX?8U885Up?8UI85U?8U?8U85U?8Uxa85U,8U85U.8U6U:8U?8UH4U(:8UX2UO08Uh4Uh:8U?8U6U:8U6U:8U@8Uh_2U8U85U8:8U885U:8U85U8Ux?8U^i2U 8UΌ2U88Un4U88U2U88U@8U2UФ88U@8U5U?8U4U?8UXN8U?8U#@8U?8U5U?8U`B@8Ux6o3U?8U6U?8U(b2U(?8U+_2U@8U,_2U@8Uh/_2U@8U6U@8U@8UX:5U@8Ux4U@8Uh5o3U(@8Uh2U@@8U/_2UX@8U 4Up@8U@8U16U@8UB@8U46U@8U=4U@8U45U@8UH1_2U@8U85U@8U85U@8UXDe3U0@8U87UH@8U؝2U`@8UX85Ux@8U85U@8U)6U@8U885U@8U85U@8UionFinis!2020-09-28 19:01:49U!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-01 04:23:07!2023-04-01 04:23:37!1295262W!2067107W!0000-00-00 00:00:00!0000-00-00 00:00:00Q?8U1`6U @8Uct85720!97865W!44W A3 popular pieces for cello quartet feb 23.sibh-8U!25W(s-8U!3069W!13Wg 8U!1.50XHH>8U!2023-04-14 17:36:20U!0WG>8U!0WG>8U!171578WxH>8U!WWF>8U!1W F>8U11W0H>8U0!5Yh-8UThe Entertainer, Jupiter Hymn and Ode To Joy for cello quartet. From Ragtime to Classical! Each player gets part of the tune! These pieces are easy to play and are all crowd pleasers! I have added an optional piano part. U@88U!2.95W8U!0W88U!1W88U!0Wp>8U!WW>8U!WW !0X?8U!0W?8U!WW?8U!0WH?8U!0W8?8U!1W?8U!0W?8U1WW?8U0qThis works well as concert piece or just for fun! I have added an optional piano part. geScores!2.95W!0W!1W!0W!WW!WW!0W!WW1Copyright © January 2013@8U!WW!YY?8U!455847W!0W?8U!0W!0.00W8?8U!7.95W?8U!5.00W?8U!0W?8U!WWh?8U!0.00W?8U["163649","165031","179862","135277","403160","146361","181767","172515","165113","159469","137752","366134","170771","137440","81267","164757","173185","361747","402249"]?8U?8U!0.0000^@8U!2014-01-27 10:09:521William Tell Overture for Cello Quartet!0W!0W!4W!2013-05-20 15:16:06!0W!0WWilliam Tell Overture for Cello Quartet Gioachino Antonio Rossini arranged by David Burndrett David Burndrett This works well as concert piece or just for fun! I have added an optional piano part. @!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W?8U(@8U@8U`?8U(?8U0?8U`?8U8@8U?8U@8Ux?8U?8U?8U@8U@8UX?8U@8U 78U?8Up?8U@8Uh@8U@8U@8U @8U?8U@8U8?8UP?8U@8U?8U@8U?8U?8U@8Uh?8U@8U?8U?8U(@8Up@8U@8U?8U`@8U ?8U0@8U?8U8?8UP?8U?8UP@8U@8U?8U@8U?8U?8U?8U0?8Uh?8U?8U@?8UH?8U?8U ?8U?8UH@8U@8Ux@8U@8U@8U?8U@@8U@8U?8UX@8U?8U?8U?8ULicenseS!2020-09-23 20:09:54U!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-21 02:35:53!2023-04-21 02:36:23!2551898W!3421097W!0000-00-00 00:00:00!0000-00-00 00:00:00P?8Up@8U?8UD:@8U?8UD:@8U?8UD:@8U?8UD;@8U?8UD0;@8U?8UD;@8U ?8UD<@8U0?8UD <@8U@?8UD@<@8UP?8UDp<@8U`?8UD<@8Up?8UD<@8U?8UD<@8U?8UDP;@8U?8UD;@8U?8UD;@8U?8UD>@8U?8UD >@8U?8UD@>@8U?8UD>@8U?8UD>@8U?8UD>@8U ?8UD?@8U0?8UD0?@8U@?8UDP?@8UP?8UDp?@8U`?8UD:@8Up?8UD 0:@8U?8UDO@8U?8UD<@8U?8UD=@8U?8UD0=@8U?8UDP=@8U?8UDp=@8U?8UD=@8U?8UD=@8U?8UD=@8U?8UDQ@8U ?8UDQ@8U0?8UDR@8U@?8UD R@8UP?8UD@R@8U`?8UD`R@8Up?8U?8UDR@8U?8UDR@8U?8UDR@8U?8UDR@8U?8UDS@8U?8UD0S@8U6U?8UDPS@8U?8UD T@8U?8UD@T@8U?8UD`T@8U ?8UDT@8Up+@8UDT@8U+@8UDT@8U+@8UDT@8U+@8UDU@8U+@8UD U@8U+@8UDO@8U+@8UDO@8U+@8UDO@8U+@8UDP@8U,@8UD0P@8U,@8UDPP@8U ,@8UDpP@8U0,@8U@,@8UDP@8UP,@8UDP@8U`,@8Up,@8U,@8U,@8U,@8U,@8UDP@8U,@8UDP@8U,@8UDQ@8U,@8UDPY@8U,@8UDZ@8U-@8UD0Z@8U-@8UDPZ@8U -@8UDpZ@8U0-@8UDZ@8U#@8Ux?8U`/8UDG68U_85UZ85U0368UDj68U`368UD`j68Up368UDj68U368UDj68U8U pQ@8U38U2p$@8U?8U@508UD7U @8UD0OA8U@8UD@8U$@8U@8UD`@8U ,8UDTR8UP,8UDTR8U`HQ8UD|Q8UP@8UD@8UЏ@8UD@8U@8UD@8U@8UD@8UP8U  0x@8U0.@8UD9@8U@.@8UDm@8UP.@8UD9@8U`.@8UD0m@8Up.@8UDPm@8U.@8UDpm@8U.@8UDm@8U.@8UDm@8U.@8UD`n@8U.@8UDn@8U.@8UDn@8U.@8UDn@8U.@8UDn@8U/@8UDo@8U/@8UD0o@8U /@8UDPo@8U0/@8UDm@8U@/@8UDn@8UP/@8UD0n@8U`/@8UDp@8Up/@8UDp@8U/@8UDp@8U/@8UD@q@8U/@8UD`q@8U/@8UDq@8U/@8UDq@8U/@8UDq@8U/@8UDq@8U/@8UDr@8U0@8UD r@8U0@8UD @r@8U 0@8UDpr@8U00@8UDpo@8U@0@8UDo@8UP0@8UDo@8U`0@8UDo@8Up0@8UDo@8U0@8UDp@8U0@8UD0p@8U0@8UDPp@8U0@8UDt@8U0@8UDt@8U0@8UDt@8U0@8UDu@8U0@8UD u@8U1@8UD@u@8U1@8U 1@8UDpu@8U01@8UDu@8U@1@8UDu@8UP1@8UDu@8U`1@8UDu@8Up1@8UDv@8U6U1@8UD0v@8U1@8UDw@8U1@8UD0w@8U1@8UDPw@8U1@8UDpw@8U1@8UDw@8UedPageO   (18px  9@.018-068} Q@@8U!2023-04-21 17:43:00!121773W!44W !WW@8U1Copyright © December 20118U01The Can Can for Cello Quartet1.8U!44W!373W!2W!2W!2014-01-21 22:06:58!2023-02-21 16:13:58AJacques Offenbach arranged by David Burndrett@8U!David Burndrett@8U10W0!sibW!496W!0W1the can can for cello quartet.sibD8U!2014-01-21 22:06:58!5W!2584W!3W!1.00X?@8U!2014-01-21 22:07:01U!0W@8U!0W@8U!0W?@8U!WW@8U!0W@8U10W(@8U0!0^=@8U!2WqThis works well as concert piece or just for fun! I have added an optional piano part. layX? !2.95W!0W!1W!0W!WW!WW!0W85U@8Up,5U@8Ux85U @8UP@@8UH85U8@8U85UP@8U@8U4Uh@8U2U@8U@@8UX2U@8U85U@8UX 85U@8UH!85U@8U"85U@8U3U@8UH%85U(@8U0@8U&85U@@8U(6UX@8U&85Up@8UhG85U@8U8<25U@8U@8U 6U@8UZ85U@8UP6U@8U5U @8UA6U @8U)_2U0 @8U54UH @8U_85U` @8U_85Ux @8UB@8U`85U @8U`@8Uc`7U @8Uf`7U @8U25U @8U25U @8U25U!@8U@8U c2U !@8U"c2U8!@8U(g85UP!@8Ug85Uh!@8UW4U!@8UXf85U!@8Ue85U!@8U@8Uc85U!@8U@@8UOm2U!@8U@8U m2U!@8Uh@@8UX~`2U"@8U@8U`2U("@8UHb85U@"@8U @@8U&_2UX"@8UhAT2Up"@8U8DT2U"@8U>T2U"@8UC@8U7U"@8U4U"@8U@8UH5U"@8UXA@8U(t85U#@8Up85U#@8UPC@8Uj6U0#@8U885UH#@8UI85U`#@8UA@8U85Ux#@8Uxa85UX98U85UrB8U6U?8UHB@8UH4U:8UX2UC8Uh4U?8UB@8U6U0?8U6UH?8UD@8Uh_2U88U85Up?8U885U?8U85U88U@8U^i2U88UΌ2U088Un4U 88U2U888U F@8U2UP88U@G@8U5U$@8U4U%@8Ul@8U(_@8U@@8U5U?8UL@8Ux6o3U%@8U6Uh$@8U(b2U&@8U+_2U&@8U,_2U0&@8Uh/_2UH&@8U6U`&@8U(G@8UX:5Ux&@8Ux4U&@8Uh5o3U&@8Uh2U&@8U/_2U&@8U 4U&@8UI@8U16U'@8UL@8U46U '@8U=4U8'@8U45UP'@8UH1_2Uh'@8U85U'@8U85U'@8UXDe3U'@8U87U'@8U؝2U'@8UX85U'@8U85U(@8U)6U((@8U885U@(@8U85UX(@8U85Up(@8Up,5U(@8Ux85U(@8UJ@8UH85U(@8U85U(@8UhI@8U4U(@8U2U)@8UK@8UX2U)@8U85U0)@8UX 85UH)@8UH!85U`)@8U"85Ux)@8U3U)@8UH%85U)@8UG@8U&85U)@8U(6U)@8U&85U)@8UhG85U*@8U8<25U *@8UH@8U 6U8*@8UZ85UP*@8UP6Uh*@8U5U*@8UA6U*@8U)_2U*@8U54U*@8U_85U*@8U_85U*@8UL@8U`85U+@8UG@8Uc`7U(+@8Uf`7U@+@8U25UX+@8U25U\@8U25U\@8UI@8U c2U\@8U"c2U\@8U(g85U\@8Ug85U]@8UW4U]@8UXf85U0]@8Ue85UH]@8UG@8Uc85U`]@8U0K@8UOm2Ux]@8UXG@8U m2U]@8UJ@8UX~`2U]@8UxH@8U`2U]@8UHb85U]@8UXJ@8U&_2U]@8UhAT2U^@8U8DT2U ^@8U>T2U8^@8U@M@8U7UP^@8U4Uh^@8UHH@8UH5U^@8UK@8U(t85U^@8Up85U^@8UM@8Uj6U^@8U885U^@8UI85U^@8UK@8U85U_@8Uxa85UȦ7USimilarS!^^O@8U!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWxB@8U!633244W!0W?@8U!0WB@8U!0.00W@8U!7.95WA@8U!5.00W?@8U!0W@8U!WW@8U!0.00WB@8UA 6UHQ@8U163131@QF@8U!1^Q@8U!0W!WW!0.0000W!2014-01-21 22:07:451The Can Can for Cello QuartetR@8U!0W!0W!4W!2013-05-20 15:19:10!0W!0WThe Can Can for Cello Quartet Jacques Offenbach arranged by David Burndrett David Burndrett This works well as concert piece or just for fun! I have added an optional piano part. resPlatinum!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WA@8UF@8UF@8U@8U@@8UA@8UA@8UE@8UC@8UxE@8UB@8UpA@8U@8U8F@8U`E@8U@@8UD@8U 78U8@8U@8UpD@8UE@8U0E@8U(D@8UE@8U@@8UhF@8UB@8UB@8UE@8UhC@8U@D@8U@A@8U@@8UF@8UB@8UE@8U@8U?@8UC@8UC@8UC@8UxB@8UD@8U?@8UD@8U(A@8U?@8U?@8U0B@8UE@8UHE@8U@8UG@8UP@8UA@8UH@8Uh@8U?@8U8C@8Ux@8UA@8U@8UX@8U@8UD@8UF@8UE@8UPF@8UXD@8U8@@8UC@8UD@8U @8UC@8U@8U(@8U C@8UishedZi["172507","175925","362113","196240","146904","147872","121773","183670","369719","178068","172984","176748","175606","164814","116477","130571","21672","72075","520173"]coresScores!2020-09-14 00:32:18!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-21 06:53:10!2023-04-21 06:53:44!1621837W!2492190W!0000-00-00 00:00:00!0000-00-00 00:00:00@8U`\@8U1@8UDw@8U1@8UDw@8U2@8UDw@8U2@8UDx@8U 2@8UD@V:8U02@8UD`V:8U@2@8UDV:8UP2@8UDr@8U`2@8UDr@8Up2@8UDr@8U2@8UDr@8U2@8U2@8UDs@8U2@8UD0s@8U2@8U2@8U2@8U2@8U3@8U3@8UDPs@8U 3@8UDps@8U03@8UDs@8U@3@8UDs@8UP3@8UDpt@8U`3@8UD@|@8Up3@8UD`|@8U3@8UD|@8U3@8UD|@8U_@8UP$@8U0/8UDj68U_85UZ85UHD8UU8UB8UDP>8UK28UD@68U 8UD98U08U @8U`98U2`@8U%@8U=C8UDp8UYA8UDA8U @8UD@8Uh`@8U@8UpHQ8UD|Q8UHQ8UD0}Q8UNQ8UDQ8U@8UD@8U0@8UD@8U@8UD@@8U@8UD`@8U8U  P@8U4@8UD-8U4@8UD@8U4@8UDН@8U4@8UD@8U4@8UD@8U4@8UD0@8U4@8UDP@8U5@8UDp@8U5@8UD @8U 5@8UD@@8U05@8UD`@8U@5@8UD@8UP5@8UD@8U`5@8UD@8Up5@8UD@8U5@8UD @8U5@8UD@8U5@8UDО@8U5@8UDl@8U5@8UD@8U5@8UDP@8U5@8UDp@8U5@8UD@8U6@8UD@8U6@8UDС@8U 6@8UD@8U06@8UD@8U@6@8UD0@8UP6@8UDP@8U`6@8UDp@8Up6@8UD @8U6@8UDТ@8U6@8UD@@8U6@8UD`@8U6@8UD@8U6@8UD@8U6@8UD@8U6@8UD@8U6@8UD@8U7@8UD @8U7@8UD@8U 7@8UD @8U07@8UD@@8U@7@8UD`@8UP7@8UD@8U`7@8UD@8Up7@8U7@8UD@8U7@8UD@8U7@8UD @8U7@8UD@@8U7@8UD`@8U7@8UD@8U6U7@8UD@8U7@8UD0@8U8@8UDP@8U8@8UDp@8U 8@8UD@8U08@8UD@8U@8@8UDЧ@8UP8@8UD@8U`8@8UD@8Up8@8UD0@8U8@8UD@jD8U8@8UD`jD8U8@8UDjD8U8@8UD@8U8@8UD@8U8@8UD0@8U8@8UDP@8U8@8U9@8UDp@8U9@8UD@8U 9@8U09@8Up@8U@8U@8U@8UD@8U@8UDУ@8U@8UD@8UЎ@8UD@8U@8UD@8U@8UD@8U@8UD`@8U@8UD@8U @8UD@8Ui@8U_@8U8UU%28UD:8UA}8UD0/8U48U668UD , 8U!8UDZ"8U;8UDP58Up8U @8U38U2j@8UPa@8UbD8UD  8U`A8UDA8USA8UD@D>8Uj@8U`SA8UDC>8UNQ8UDQ8U OQ8UD Q8UkG8UD8UpSA8UDC>8USA8UDD>8U8U  @8U @8UD@:8U0@8UD@8U@@8UD@8UP@8UD@8U`@8UD@8U@8U1l@8U>a21360001l@8U L16094210@8U01Bach Rocks! for Cello Quartet0!373W!2W!2W!2019-03-26 19:35:12!2023-02-18 14:16:41AJohann Sebastion Bach arranged by David Burndrett@8U!David BurndrettG@8U10W0!sibW!496W!0W1bach rocks for cello quartet.sib[.8U!2019-03-26 19:35:12!31W!3273W!14W!1.00XI@8U!2019-03-26 19:35:13U!0WPI@8U!0WI@8U!0WI@8U!WWxH@8U!0WG@8U10WI@8U0!0^pp@8U!1WThis is a fun piece for cello quartet and it is about grade one standard upwards and based on a theme by Bach! q@8U!2.95W!0W!1W!0W!WW!WW!0W!WW1Copyright © January 2012@8U!WW!737664YI@8U!0W!0WL@8U!0.00W!6.95WI@8U!4.00WL@8U!0WG@8U!WWK@8U!0.00W(J@8U["172507","175925","362113","147872","196240","146904","183670","369719","136000","178068","172984","176748","175606","164814","116477","130571","21672","72075","520173"]8U12020-09-07 09:01:17UK@8U0!1^t@8U!0W!WW!0.0000W!2019-03-26 19:35:331Bach Rocks for Cello QuartetPhotoHei!0W!0W!3W!2013-04-10 04:32:20!0W!0WBach Rocks! for Cello Quartet Johann Sebastion Bach arranged by David Burndrett David Burndrett This is a fun piece for cello quartet and it is about grade one standard upwards and based on a theme by Bach! @8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WHK@8Uh~@8U}@8U I@8UJ@8UK@8U L@8Ux}@8UM@8U0}@8U8L@8UK@8UpG@8U}@8U}@8UK@8UN@8U8 78UH@8U0H@8UN@8U}@8UhO@8U`N@8U`}@8U@J@8U ~@8UL@8UM@8UH}@8UM@8UxN@8UxK@8UJ@8U8~@8U(M@8UPO@8U`H@8UI@8UM@8U0N@8UM@8UL@8U 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Beethoven. arranged by David Burndrett@8U!David BurndrettX@8U10W0!sibW!496W!0WAbeethoven symphony no.7 cello quartet 2023.sibh-8U!2023-01-04 16:59:45!35W!4129W!24W!1.00X@8U!2023-01-04 16:59:46U!1W@8U!1W@8U!0W@8U!WW0@8U!0WX@8U10Wh@8U0!2^@@8U!WW!1.95W!0W!1W!0W!WW!WW!0W!WWACopyright © September 2011 (Burndrett Music) !WW!406Y@8U!0W!0Wh@8U!5.95W!5.95W@8U!4.00W@8U!0WX@8U!WWx@8U!0.00W@8U["85504","85720","171497","97865","109606","102216","63620","97907","156205","139438","370602","139451","16726","86039","31701","33374","135636","76032","108316"]8U!2020-09-07 17:22:27U!1W !1^@8U!0W!WW!0.0000W!2023-01-04 17:01:23ABeethoven Symphony No7 slow movement for Cello Quartets!0W!0W!2W!2013-04-09 00:57:06!0W!0WBeethoven Symphony No.7 (slow movement) for Cello Quartet Ludwig van Beethoven. arranged by David Burndrett David Burndrett oreExchang!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W@8U@8U@8U؀@8U@8U@8U؃@8U@8Up@8Uh@8U@8U`@8U(@8U(@8UP@8UЂ@8U@8UP 78Ux@8U@8U`@8U@8U @8U@8U@8U@8UX@8U@8UȄ@8U@8UX@8U0@8U0@8Up@8Up@8U@8U@8U@8U@8U@8U@8U@8Uh@8U؆@8U@8U@8U@8U@8Uȁ@8U @8Uȇ@8U8@8UX@8U@8U@8Ux@8U@8U@8U@8U(@8U@8U@8UH@8U~@8U@8U@8U@8U@8U@@8UH@8U(@8U@8U@8U`@8UЅ@8U8@8Uh@8U@8U@8U!0000-00-00 00:00:00U!WW!0W!0W!0W!1W!0W!1W!650x918W!0W!0W!5.00W!2023-02-15 03:11:51!2023-02-15 03:12:18!1277331W!1496442W!0000-00-00 00:00:00!0000-00-00 00:00:00p\@8U@8Up@8UD @8U@8UD@@8U@8UD`@8U@8UD@8U@8UD0@8U@8UDP@8UА@8UDp@8U@8UD@8U@8UD@8U@8UD@8U@8UD@8U @8UD@8U0@8UD@8U@@8UDP@8UP@8UD@8U`@8UD@@8Up@8UD`@8U@8UD@8U@8UD@8U@8UD@8U@8UD0@8U@8UDP@8UБ@8UDp@8U@8UD@8U@8UD@8U@8UD@8U@8UD@8U @8UD0@8U0@8UDP@8U@@8UDp@8UP@8UD@8U`@8UD@8Up@8UD@8U@8UD@8U@8UD@8U@8UD @8U@8UD@@8U@8UD`@8UВ@8UD@8U@8UD@8U@8UD@8U@8U@8UDP@8U @8UDp@8U0@8UD@8U@@8UD@8UP@8UD@8U`@8UD@8U6Up@8UD@8U@8UD@8U@8UD@8U@8UD0@8U@8UDP@8U@8UDp@8UГ@8UD@8U@8UD@8U@8UD@8U@8UD@8U@8UD0@8U @8UDP@8U0@8UD@8U@@8UD0@8UP@8UDP@8U`@8UDp@8Up@8UD@8U@8U@8UD@8U@8UD@8U@8U@8UД@8U@8U@8U@8UD@8U@8UD@8U @8UD0@8U0@8UDP@8U@@8UD@8UP@8UD @8U`@8UD@@8Up@8UD`@8U@8UD@8Up@8Uhj@8U@8U(fPZW8UD0N8U8UD@8U858UD`7!8U8UU"8Uӱ8U p8U8UU98U8U `@8U@38U2`@8Uk@8U8UA8UDBA8UZA8UDA8U@8UYA8UD A8UkG8U kG8UD8U@8UD:8U@8UD:8U@8UD:8U@8UD:8U@8UD:8UЖ@8UD :8U@8UD@:8U@8UD`:8U@8UD:8U@8UD0:8U @8UDP:8U0@8UDp:8U@@8UD:8UP@8UDЙ:8U`@8UD:8Up@8UD:8U@8UD:8U@8UD:8U@8UDИ:8U@8UD:8U@8UD0:8UЗ@8UD@KA8U@8UDKA8U@8UDLA8U@8UD LA8U@8UD@LA8U @8UD`LA8U0@8UDLA8U@@8UDLA8UP@8UDLA8U`@8UD LA8Up@8UD MA8U@8UDP:8U@8UDp:8U@8UD:8U@8UD:8U@8UD0JA8UИ@8UDPJA8U@8UDpJA8U@8UDJA8U@8UDJA8U@8UDJA8U @8UDJA8U0@8UDKA8U@@8UDPOA8UP@8UDpOA8U`@8Up@8UDOA8U@8UDOA8U@8UDOA8U@8UDPA8U@8UD0PA8U@8UDPPA8U6UЙ@8UDpPA8U@8UDpQA8U@8UDQA8U@8UDQA8U@8UDQA8U @8UDQA8U0@8UDRA8U@@8UD0RA8Uھ@8UA6U@8UC?207140@Q@8U!2017-06-09 17:10:17U10000-00-00 00:00:00`@8U0AIn the Hall of the Mountain King for Cello Quartet8U!44W!374W!2W!2W!2014-01-15 01:56:58!2024-01-29 02:52:27AEdvard Grieg arranged by David Burndrett@8U!David Burndrett@8U10W0!sibW!496W!0WAin the hall of the mountain king for cello quartet.sib!2014-01-15 01:56:58!26W!3539W!21W!1.00X@8U!2014-01-15 01:57:55U!0W@@8U!0W@8U!171313W@8U!WWh@8U!1W@8U11W@8U0!3^0@8UqThis works well as a concert piece or just for fun! I have added an optional piano part. @8U!2.95W!0W!1W!0W!WW!WW!0W!WW!WW!WW!YY@8U!68453W!0W@8U!0W!6.95W@8U!6.95W(@8U!5.00W@8U!0W @8U!WW@8U!0.00W@8U["85504","85720","117971","171497","97865","102216","63620","156205","97907","139438","139451","370602","16726","31701","86039","33374","135636","76032","108316"]8U!2020-08-30 18:30:02!1^@8U!0WH%85U@8U@8U&85U0@8U(6UH@8U&85U`@8UhG85Ux@8U8<25U@8U@8U 6U@8UZ85U@8UP6Uز@8U5U@8UA6U@8U)_2U @8U54U8@8U_85UP@8U_85Uh@8U(@8U`85U@8U؉@8Uc`7U@8Uf`7U@8U25Uȳ@8U25U@8U25U@8U@8U c2U@8U"c2U(@8U(g85U@@8Ug85UX@8UW4Up@8UXf85U@8Ue85U@8Ux@8Uc85U@8U@8UOm2Uд@8UH@8U m2U@8U@8UX~`2U@8Uh@8U`2U@8UHb85U0@8UH@8U&_2UH@8UhAT2U`@8U8DT2Ux@8U>T2U@8U@8U7U@8U4U@8U8@8UH5Uص@8U@8U(t85U@8Up85U@8U@8Uj6U @8U885U8@8UI85UP@8U8@8U85Uh@8Uxa85U?8U85U`@8U6U`@8U@8UH4U8&"8UX2Ux57Uh4UP\;8U@8U6U a@8U6U8a@8U @8Uh_2U >8U85U``@8U885Ua@8U85U0 >8U(@8U^i2UH >8UΌ2U` >8Un4UP>8U2Uh>8U@8U2U>8U@8U5Up@8U4Uظ@8U-8U@8U@8U5Uj@8U0@8Ux6o3U@8U6UX@8U(b2U@8U+_2U@8U,_2U @8Uh/_2U8@8U6UP@8U@8UX:5Uh@8Ux4U@8Uh5o3U@8Uh2U@8U/_2Uȹ@8U 4U@8U0@8U16U@8Ux@8U46U@8U=4U(@8U45U@@8UH1_2UX@8U85Up@8U85U@8UXDe3U@8U87U@8U؝2Uк@8UX85U@8U85U@8U)6U@8U885U0@8U85UH@8U85U`@8Up,5Ux@8Ux85U@8U @8UH85U@8U85U@8U@8U4Uػ@8U2U@8U@8UX2U@8U85U @8UX 85U8@8UH!85UP@8U"85Uh@8U3U@8UH%85U@8UP@8U&85U@8U(6Uȼ@8U&85U@8UhG85U@8U8<25U@8U@8U 6U(@8UZ85U@@8UP6UX@8U5Up@8UA6U@8U)_2U@8U54U@8U_85Uн@8U_85U@8U`@8U`85U@8U@8Uc`7U@8Uf`7U0@8U25UH@8U25U`@8U25Ux@8U@8U c2Ux@8U"c2U@8U(g85U@8Ug85U@8UW4U@8UXf85U@8Ue85U@8U @8Uc85U @8U@8UOm2U8@8U@8U m2UP@8U8@8UX~`2Uh@8U@8U`2U@8UHb85U@8U@8U&_2U@8UhAT2U@8U8DT2U@8U>T2U@8U@8U7U@8U4U(@8U@8UH5U@@8U(@8U(t85UX@8Up85Up@8U @8Uj6U@8U885U@8UI85U@8Up@8U85U@8Uxa85U"8U85U8U6Upk@8U@8UH4U$@8UX2U.8Uh4Uk@8U@8U6Uk@8U6Uk@8UX@8Uh_2U>8U85Uj@8U885Uk@8U85U>8U@8U^i2U>8UΌ2U>8U@8Uq{ "GroupOrd" : "190", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "24857" } !0.0000W!2014-01-15 03:08:51AIn the Hall of the Mountain King for Cello Quartetcores!0W!0W!4W!2013-05-20 15:14:05!0W!0WIn the Hall of the Mountain King for Cello Quartet Edvard Grieg arranged by David Burndrett David Burndrett This works well as a concert piece or just for fun! I have added an optional piano part. @8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W@8UH@8U@8U@8U،@8UP@8U@8UX@8U@8U@8U@8U@8U`@8U@8U@8Ux@8U8@8Uh 78U@8U @8U@8U@8U@8U@8U@@8U0@8U@8UX@8Up@8U(@8U@8U@8U@8U@8U@8U@8U@8UP@8U@8UH@8U@8U0@8U@8U@8UЋ@8UP@8U@8U@8U@8U@8Up@8U@8U@8U@8UȊ@8U @8U@8U@8U@8U@8U@8Uh@8U@8U@8U@@8Uh@8U0@8U@8U@8U@8U`@8U`@8U@8U@8Ux@8Up@8U@8U@8U!1H^@8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-25 17:31:30!2023-04-25 17:31:59!1876798W!2694451W!0000-00-00 00:00:00!0000-00-00 00:00:00@8UP@8UP@8UDPRA8U`@8UDpRA8Up@8UD0:8U@8UDP:8U@8UDRA8U@8UDRA8U@8UDRA8U@8UDRA8UК@8UDSA8U@8U@8UD0SA8U@8UDPSA8U@8U @8U0@8U@@8UP@8U`@8UD@MA8Up@8UD`MA8U@8UDMA8U@8UDMA8U@8UDPNA8U@8UDpNA8U@8UDNA8UЛ@8UDNA8U@8UDNA8U@8U@@8Up78UD`28U5<8UD68U`S8UUhs8US8UD0M8U0d2UP r8UDR8U0sZ6U8U U>8U 98U2@8U@8UV8U @` 8U A8UD`58U``A8UDA8U(@8U `A8UDPA8UqG8UDF8UqG8UDF8UF8UD0;G8U_A8Up`A8UDA8U0`A8UDpA8U@`A8UDA8UP8U  A8UTA8UD`78UTA8UD]>8U TA8UD78U0TA8UD]>8U@TA8UD]>8UPTA8UD^>8U`TA8UD ^>8UpTA8UD@^>8UTA8UD^>8UTA8UD_>8UTA8UD0_>8UTA8UDp @8UTA8UDP_>8UTA8UD @8UTA8UD @8UTA8UD @8UUA8UD`^>8UUA8UD^>8U UA8UD^>8U0UA8UD^>8U@UA8UD @8UPUA8UD@ @8U`UA8UD@ @8UpUA8UD` @8UUA8UD @8UUA8UD @8UUA8UD @8UUA8UD @8UUA8UD0A8UUA8UDPA8UUA8UDpA8UUA8UDA8UVA8UD @8UVA8UD0 @8U VA8UDP @8U0VA8UDp @8U@VA8UD @8UPVA8UD @8U`VA8UD @8UpVA8UD @8UVA8UDA8UVA8UDA8UVA8UDA8UVA8UDpA8UVA8UDA8UVA8UDA8UVA8UVA8UDA8UWA8UDA8UWA8UD A8U WA8UD@A8U0WA8UD`A8U@WA8UDA8U6UPWA8UDA8U`WA8UDA8UpWA8UDA8UWA8UD0A8UWA8UDPA8UWA8UDpA8UWA8UDA8UWA8UDA8UWA8UDЇA8UWA8UDA8UWA8UD@]>8UXA8UD`]>8UXA8UDA8U XA8UDЁA8U0XA8UDA8U@XA8UDA8UPXA8UD0A8U`XA8UpXA8UDPA8UXA8UDpA8UXA8UXA8UXA8UXA8UXA8UXA8UDA8UXA8UDA8UYA8UDЂA8UYA8UDA8U YA8UDA8U0YA8UD A8U@YA8UD@A8UPYA8UD`A8U`YA8UDA8UX@8U@8UpF8UD`V8U2UD28U@D:8UD0s8Um8U Q8UPS8U Pt8UP4U08U `A8U98U2H@8U@8U8U2pv58UD58UA8UDCA8U@8UA8UD0CA8U0F8UD;G8U F8UD;G8U`F8UD`G8UA8U A8UDCA8UA8UDPCA8UA8UDpCA8U8U  p A8U`ZA8UD0 @8UpZA8UDpA8UZA8UDP @8UZA8UDA8UZA8UDA8UZA8UDA8UZA8UD@Y>8U Q`@8U1@8Up477299!135278W!44W !08XE58U!0WXF58U!2Wh A8U10W0!sibW27U!496WM98U!0WxLD8UAjupiter cello quartet alternative score.sibU-8U!2014-01-17 20:36:10U!13W88U!4678Ws-8U!12W27U!1.00XG58U!2014-01-17 20:36:14U!0WG58U!0WF58U!142181WG58U!WW@F58U!1Wh A8U11WxG58U0qThis works well as concert piece or just for fun! I have added an optional piano part. 8U!2.95Wy>8U!1WT:8U!0W I have arranged this very popular piece by Vivaldi so it can be played by grade one players upwards! As usual I have added a very simple piano part which is optional, for added support. This works well as concert piece or just for fun! !2.95W!0W!1W!0W!WW!WW!0W!WW1Copyright © January 2011Scores!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW@8U!37200W!0WR>8U!0W @8U!0.00WXP>8U!7.95WxT>8U!5.00WR>8U!0WHQ>8U!WWR>8U!0.00WP@8UQXA8U!2022-04-05 00:28:53!139850W !2014-01-12 04:48:01U1Autumn Four Seasons For Cello Quartetor!0W!0W!2W!2013-05-20 15:17:38!0W!0WqAutumn "Four Seasons" For Cello Quartet Antonio Vivaldi arranged by David Burndrett David Burndrett I have arranged this very popular piece by Vivaldi so it can be played by grade one players upwards! As usual I have added a very simple piano part which is optional, for added support. This works well as concert piece or just for fun! resSKUSKU_85UA8U_85UA8U @8U`85UA8UP>8Uc`7U(A8Uf`7U@A8U25UXA8U25UpA8U25UA8UQ>8U c2UA8U"c2UA8U(g85UГA8Ug85UA8UW4UA8UXf85UA8Ue85U0A8U@P>8Uc85UHA8US>8UOm2U`A8UP>8U m2UxA8UXS>8UX~`2UA8U0Q>8U`2UA8UHb85UA8US>8U&_2UؔA8UhAT2UA8U8DT2UA8U>T2U A8U@8U7U8A8U4UPA8UQ>8UH5UhA8UHT>8U(t85UA8Up85UA8U@8Uj6UA8U885UȕA8UI85UA8UT>8U85UA8Uxa85U\.8U85U\ 8U6U@8U@8UH4Uj@8UX2U\ 8Uh4UP@8U@8U6U@8U6U@8U@8Uh_2UhH:8U85U @8U885U@8U85UH:8UQ>8U^i2UH:8UΌ2UH:8Un4UR:8U2UR:8UA8U2UR:8UA8U5UA8U4UhA8U `l8U:8U$A8US>8U5U@8U(A8Ux6o3UPA8U6UA8U(b2UA8U+_2UA8U,_2UA8Uh/_2UȘA8U6UA8UA8UX:5UA8Ux4UA8Uh5o3U(A8Uh2U@A8U/_2UXA8U 4UpA8U(A8U16UA8UpA8U46UA8U=4UA8U45UЙA8UH1_2UA8U85UA8U85UA8UXDe3U0A8U87UHA8U؝2U`A8UX85UxA8U85UA8U)6UA8U885UA8U85UؚA8U85UA8Up,5UA8Ux85U A8UA8UH85U8A8U85UPA8UA8U4UhA8U2UA8UA8UX2UA8U85UA8UX 85UțA8UH!85UA8U"85UA8U3UA8UH%85U(A8UHA8U&85U@A8U(6UXA8U&85UpA8UhG85UA8U8<25UA8UA8U 6UA8UZ85UМA8UP6UA8U5UA8UA6UA8U)_2U0A8U54UHA8U_85U`A8U_85UxA8UXA8U`85UA8UxA8Uc`7UA8Uf`7UA8U25U؝A8U25UA8U25UA8UA8U c2U A8U"c2U8A8U(g85U"A8Ug85U"A8UW4U"A8UXf85U"A8Ue85U"A8UA8Uc85U#A8UA8UOm2U#A8UA8U m2U0#A8U0A8UX~`2UH#A8UA8U`2U`#A8UHb85Ux#A8UA8U&_2U#A8UhAT2U#A8U8DT2U#A8U>T2U#A8UA8U7U#A8U4U$A8UA8UH5U $A8U A8U(t85U8$A8Up85UP$A8UA8Uj6Uh$A8U885U$A8UI85U$A8UhA8U85U$A8Uxa85U] 8U85UPg 8U6U0@8UA8UH4U@8UX2Uhg 8Uh4U@8UA8U6U`@8U6Ux@8UP A8Uh_2UR:8U85U@8U885UH@8U85US:8UA8U^i2US:8UΌ2U0S:8Un4U.;8U2U .;8U A8U2U8.;8U A8U5U%A8U4U 'A8U(:8UH/A8U`A8U5U`A8U`J58Ux6o3U'A8U6U%A8U(b2U8'A8U+_2UP'A8U,_2Uh'A8Uh/_2U'A8U A8U!0^ A8U!0W!0000-00-00 00:00:00!WW!0W!0W!0WT>8U@A8UA8UQ>8US>8UT>8UT>8UPA8U@8UA8U@8U`T>8U(P>8UA8U@8US>8U0@8U 78UxQ>8UP>8U@8UA8U@8U@8U8A8UR>8UA8UP@8Uh@8U A8U@8U@8U0T>8UpS>8UA8U@8U@8UQ>8UR>8U@@8U@8U(@8U@8Ux@8UR>8UH@8UT>8UR>8UR>8U@8UhA8U@8UXP>8UA8UQ>8UxT>8UP>8UQ>8UR>8U@8UP>8UT>8UHQ>8UO>8UR>8U`@8U(A8U@8UA8U@8U(S>8UX@8U@8U`Q>8Up@8U8R>8UhR>8U@8U8A8U["85504","85720","102216","171497","117971","97907","63620","109606","156205","139451","139438","370602","16726","86039","31701","33374","135636","76032","108316"]? !2020-09-11 18:18:32!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-27 10:51:59!2023-04-27 10:52:24!1596578W!2263848W!0000-00-00 00:00:00!0000-00-00 00:00:00 #(48ah   +0 bhjp 5878;@`A8U`"A8UA8UDA8UA8UDОA8U A8UDp8A8U0A8UD8A8U@A8UD8A8UPA8UD8A8U`A8UD8A8UpA8UA8UD9A8UA8UD09A8UA8UA8UA8UA8UA8UA8UDP9A8UA8UDp9A8UA8UD9A8U A8UD9A8U0A8UDBA8U@A8UD0BA8UPA8UDPBA8U`A8UDpBA8UpA8UDBA8U$A8UЖA8U$A8U$A8UF18UD@8Up8UD8UH%A8U5UP908UDpt8U8U pDA8U`38U2%A8U8A8U%A8U58UDp58Uv58UDP58U&A8Uv58UDТ58UH8UH8UD Q8UPH8UD"H8U`v58Uv58UDp58Uv58UD58Uv58UD58U8U  \58UpA8UDU>8UA8UDIA8UA8UDU>8UA8UD@IA8UA8UD`IA8UA8UDIA8UA8UDIA8UA8UDIA8UA8UD@8UA8UD@8UA8UD@8U A8UD@8U0A8UDP@8U@A8UDp@8UPA8UD@8U`A8UD@8UpA8UDIA8UA8UDJA8UA8UD @8UA8UD@@8UA8UD`@8UA8UD@8UA8UDP@8UA8UD@8UA8UDp@8UA8UD@8UA8UDU58U A8UDU58U0A8UDU58U@A8UDU58UPA8UDV58U`A8UD V58UpA8UD@8UA8UD@8UA8UD@8UA8UD0@8UA8UDP@8UA8UDp@8UA8UD@8UA8UD@8UA8UDPX58UA8UDpX58UA8UDX58U A8UDY58U0A8UD0Y58U@A8UDPY58UPA8U`A8UDY58UpA8UDY58UA8UDY58UA8UDY58UA8UDZ58UA8UD Z58U6UA8UD@Z58UA8UDZ58UA8UD[58UA8UD0[58UA8UDP[58UA8UDp[58U A8UD[58U0A8UD[58U@A8UD[58UPA8UD[58U`A8UDHA8UpA8UDHA8UA8UD@V58UA8UD`V58UA8UDV58UA8UDV58UA8UDV58UA8UA8UDV58UA8UDW58UA8UA8U A8U0A8U@A8UPA8UD W58U`A8UD@W58UpA8UD`W58UA8UDW58UA8UD0X58UA8UD `58UA8UD@`58UA8UD``58UA8UD`58U8/A8U%A8UP|/8UDm8UP&2U s8UUpL8U8UD q7U/A8U7U`c8U 8U8UD8U8U @58U98U2(0A8U&A8U@98UvCP8U58UD)68U0}58UD58U0A8U|58UD`58U@H8U`H8UD"H8U4H8UDG8U|58U@}58UD58U}58UD58U}58UD58UP8U  58U A8UD@8U A8UD03A8U A8UD@8U!A8UDp3A8U!A8UD3A8U !A8UD3A8U0!A8UD3A8U@!A8UD3A8UP!A8UD4A8UQAntonio Vivaldi, Edvard Grieg arranged by David Burndrett58U!44W QGustav Holst, Jacques Offenbach arranged by David BurndrettUA2 Classical Favourites for Cello Quartet (volume two)!373WM98U!2WPX98U!2W`-8U!2014-07-23 19:08:54U!2023-11-16 16:16:13U!David Burndrett0P58U!0WP58U!0WO58U14W0!sibWLD8U!496W-8U!0W88UA2 Classical Favourites Volume Two for cello quartet.sib!2014-07-23 19:08:54U!6W(8U!2226W888U!2W@>8UNo.1 Jupiter Hymn No.2 The Can Can These pieces work well as a concert piece or just for fun. I have added an optional piano part./;8U4U!0]`6A8U!2WqThis works well as a concert piece or just for fun! I have added an optional piano part. ?!2.95W!0W!1W!0W!WW!WW!0W!WW1Copyright © February 2013[58U!WW!YYXA8U!600175W!0W@A8U!0W!0.00WA8U!7.95WXA8U!5.00W0A8U!0WPA8U!WWA8U!0.00W A8U["163649","179862","165031","181767","172515","403160","135277","165113","146361","159469","366134","81267","170771","137440","361747","164757","402249","173185","135749"]@A8UhA8U!1]p:A8U!0W!WW!0.0000W!2014-01-23 12:45:2011812 Overture for Cello Quartet]58U!0W!0W!3W!2013-05-20 15:12:17!0W!0W1812 Overture for Cello Quartet Pyotr Ilyich Tchaikovsky arranged by David Burndrett David Burndrett This works well as a concert piece or just for fun! I have added an optional piano part. !0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WA8Ux A8U A8UA8UxA8UA8UA8U A8UHA8U@ A8UA8U8A8UA8U A8U( A8UA8Uh A8U 78UPA8UA8U8 A8U A8U A8UA8Up A8UA8U0 A8UA8UA8UX A8U0A8U A8UA8UHA8UH A8UA8U A8UA8UXA8UxA8UA8U`A8U@A8U A8UpA8U A8UA8UA8UA8UA8U A8U A8U0A8U A8UhA8UPA8U`A8UA8UA8UA8UA8UA8U A8UpA8UA8U A8U` A8U A8U A8U A8UA8UA8UA8U8A8UA8UA8U@A8UA8U !2020-09-16 23:59:56U!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-02-22 05:05:23!2023-02-22 05:06:03!1538914W!2566015W!0000-00-00 00:00:00!0000-00-00 00:00:00Q A8U!3W58U11.00W`58U0!44W A2 Classical Favourites for Cello Quartet (volume one)!373Wx-8U!2W!2WM98U!2014-07-11 12:49:15U!2023-11-16 16:15:46U!David Burndrett58U!0WH58U!0WX58U14W0!sibWM98U!496W8X98U!0WLD8UA2 classical favourites for cello quartet.sibUP8U!2014-07-11 12:49:15U!5W(88U!2548W8U!4W@8UNo.1 Autumn from The Four seasons (first movement) No.2 In The Hall Of The Mountain King These two pieces work well as concert pieces or just for fun. I have added an optional piano part. 14.95W4U0!2017-06-09 17:10:17U10000-00-00 00:00:008 A8U01Jupiter Hymn for Cello Quartet`@8U!374W@k@8U!2W0@8U!2W4U!2014-01-17 20:36:10U!2023-02-18 14:17:44U!Gustav Holst4U1David Burndrett4U0!0X`@8U!WW(@8U!0W@8U!0W@8U!1W@8U!0W@8U!WW8@8U10.0000WH@8U0This works well as a concert piece or just for fun! Check out the related scores below, for some more of my Christmas music for cello quartet.SimilarS!2.95W!0W!1W!0W!WW!WW!0W!WWACopyright © September 2014 (Burndrett Music)izeA8U!WW!0Y`@8U!WW!0.00WH@8U["144125","204359","150670","175920","158442","202281","527758","136153","148219","124882","163155","207890","116671","99617","53495","50252","71733","72538","527724"]!2020-09-25 20:01:49U!1W@8U!0000-00-00 00:00:00!WW!0W @8U!0W@@8U!0W@8U!0W !2014-09-27 00:16:37UAO Come O Come Emmanuel for Cello QuartetoreUdefU!0WScoresr!0WZipConve!2WScoreExc!0000-00-00 00:00:00onve!0WrsionFin!0WhangeO Come, O Come Emmanuel for Cello Quartet Traditional arranged by David Burndrett David Burndrett This works well as a concert piece or just for fun! Check out the related scores below, for some more of my Christmas music for cello quartet.eOneA!0WPageOneA!0WdefU!0WScores:!0Wcore:48!0000-00-00 00:00:00328!WWScoresy!0WuantityS!0WurchaseQ!0W4-04-23 !XX71389884!579780WRA8U!0W%SA8U!0WSE::Scor!5.95W8430202!5.95W1755817!4.00W "(-0 dh"(9@'(+0+0 dh%([` raA8Ul98U98UDp> 8U98UD> 8U98UD> 8U98UD@98U98UD`98U98UD PH68U98UDJ68U98UD0J68U98UDPJ68U98UDpJ68U 98UDJ68U098UDJ68U@98UDJ68UP98UDJ68U`98UD Њ98Up98UDK68U98UD98U98UD98U98UD`= 8U98UD= 8U98UD= 8UЀ98UD= 8U98UD= 8U98UD> 8U98UD > 8U98UD@> 8U 98UD0K68U098UDPK68U@98UDpK68UP98UDK68U`98Up98UDK68U98UDL68U98UD0L68U98UD`sA8U98UDsA8U98UDsA8U6UЁ98UD sA8U98UDvA8U98UD0vA8U98UDPvA8U98UDpvA8U 98UDvA8U098UDvA8U@98UDvA8UP98UDvA8U`98UDwA8Up98UDPqA8U98UDpqA8U98UDqA8U98UDqA8U98UDqA8U98UDqA8UЂ98UDrA8U98U98UD0rA8U98UDPrA8U98U 98U098U@98UP98U`98UDprA8Up98UDrA8U98UDrA8U98UD@{A8U98UD|A8U98UD |A8U98UD@|A8UЃ98UD`|A8U98UD|A8UhA8Uy98U8UD͈8UyT8UD `c8UU8UV8UDP!8U;8UD`@8U`o8UDP8U8UU$ 8U3U rA8U`98U2iA8UH{98U iA8U!8U98UD068UA8UD0 F8UhiA8U@A8UD F8UI8UDJ8UI8UDJ8UWK8UDK8UA8UA8UDP F8UPA8UD F8U`A8UD F8UP8U  \F8U98UDA8U98UD0A8U98UDA8U98UDA8U 98UDA8U098UDA8U@98UDA8UP98UD A8U`98UD`~A8Up98UD~A8U98UD~A8U98UD~A8U98UD~A8U98UDA8U98UD A8UЅ98UD@A8U98UD@A8U98UD`A8U98UDA8U98UDA8U 98UDA8U098UD `RF8U@98UDTF8UP98UDTF8U`98UDTF8Up98UDTF8U98UDUF8U98UD0UF8U98UDPUF8U98UDpUF8U98UD A8UІ98UDUF8U98UD`A8U98UDA8U98UDA8U98UDA8U 98UDA8U098UDA8U@98UD A8UP98UD@A8U`98UD`A8Up98UDA8U98UDA8U98UDA8U98UDA8U98UDWF8U98UЇ98UDXF8U98UD0XF8U98UDPXF8U98UDpXF8U98UDXF8U 98UDXF8U6U098UD XF8U@98UD[F8UP98UD[F8U`98UD[F8Up98UD[F8U98UD\F8U98UD \F8U98UD@\F8U98UD`\F8U98UD\F8UЈ98UDA8U98UD`F8U98UD`F8U98UD`F8U98UDaF8U 98UD0aF8U098UDPaF8U@98UP98UDpaF8UdefScor!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWDF8U!30168W!0WUP8U!0WDF8U!0.00WPSP8U!5.00WCF8U!3.00WUP8U!0W@TP8U!WWUP8U!0.00WDF8UQHF8UAMira, o Norma (duet) [Norma: sop. and mezzo]U@!0000-00-00 00:00:00U!0W!0WQO Little Town of Bethlehem (for horn duet, suitable for grades 2-6) (14BHNDU13) Lewis Henry Redner Katrina Sung Ganymede Music Limited This duet piece emphasises music appreciation / enjoyment! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!vA8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8CF8UHF8U0HF8UTP8UBF8UCF8UDF8UGF8UEF8UGF8U(DF8UCF8U SP8U`HF8UGF8UCF8UFF8UB"8UpTP8USP8UFF8UHF8UXGF8UPFF8UGF8UUP8UHF8UDF8UEF8UGF8UEF8UhFF8UhCF8UBF8UHF8UEF8U@GF8UTP8UxUP8UEF8U FF8UEF8UDF8UGF8UUP8UFF8UPCF8UUP8UUP8UXDF8UHF8UpGF8UPSP8U8IF8UTP8UCF8USP8UTP8UUP8U`EF8USP8UCF8U@TP8URP8UUP8UFF8UHF8U(GF8UxHF8UFF8U`BF8UEF8U8FF8UXTP8UFF8U0UP8U`UP8UHEF8Uv["162100","163165","162764","160861","161478","163127","163163","162770","163153","163147","163136","162534","163134","163133","163131","173800","174623","173889","147972"]U @!2020-08-31 04:34:35!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W}A8U!0W}A8U!5.00WScores!2023-04-09 20:27:49!!!2023-04-09 20:28:05U!684015W2~A8U!1192294WV~A8U!0000-00-00 00:00:00ores!0000-00-00 00:00:00t?!sibxZX88U!81W8U!0W 88U!HornDuet.sib88U!2014-11-10 17:07:43U!3W>8U!701Wy>8U!1WT:8U!1.50xYKF8U!2014-11-10 17:07:46U!1WxKF8U!1W0KF8U!0W LF8U!WWJF8U!0WIF8U!0WKF8U!1WhX!0WЀA8U!WWdefScor!0.0000WZipConve!2014-11-10 17:09:10inis12017-06-09 17:10:17UA8U0!0H^ A8U!WW!WW!WW!YYHH>8U!25880W!0W0K>8U!0W!7.95WxH>8U!7.95WHK>8U!7.50W F>8U!0W@J>8U!WWH>8U!0.00WG>8U["155642","77700","144715","146370","77299","371203","172240","171060","84162","164814","116477","130571","21672","72075","520173","52245","428115","88146","39335"]U!2020-09-13 09:13:32!18^A8U!0Wq{ "GroupOrd" : "30", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "24857" } 8!0.0000W!2012-10-01 15:09:5613 Popular Pieces For Cello Quartet0000!0W!0W!6W!2013-04-14 02:31:16!0W!0WQ3 Popular Pieces For Cello Quartet Joplin, Holst, Beethoven David Burndrett The Entertainer, Jupiter Hymn and Ode To Joy for cello quartet. From Ragtime to Classical! Each player gets part of the tune! These pieces are easy to play and are all crowd pleasers! I have added an optional piano part. 3898847.271540!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WI>8UhO>8UN>8UG>8UhI>8UpJ>8UJ>8UxN>8U8L>8U0N>8UJ>8U(J>8UE>8UN>8UN>8UI>8UXM>8U 78U@G>8UF>8U(M>8UN>8UM>8UL>8U`N>8UH>8U O>8UxK>8UK>8UHN>8U L>8UL>8UI>8U8I>8U8O>8UK>8UM>8UF>8UHH>8UhL>8UL>8UPL>8U0K>8UM>8U`H>8UpM>8UI>8UxH>8UH>8UJ>8UN>8UN>8U F>8UO>8UXG>8U@J>8UPF>8UpG>8UH>8UK>8UF>8UJ>8UG>8U`E>8UG>8UM>8UPO>8UM>8UO>8UM>8UH>8UL>8UL>8U(G>8UL>8UH>8U0H>8UK>8U71389884!1]A8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-02-27 18:14:51!2023-02-27 18:15:05!1122455W!4402008W!0000-00-00 00:00:00!0000-00-00 00:00:00`@8UPA8UZA8UD`Y>8UZA8UDZ>8UZA8UD0Z>8U[A8UDPZ>8U[A8UDpZ>8U [A8UDZ>8U0[A8UDZ>8U@[A8UDZ>8UP[A8UD[>8U`[A8UDY>8Up[A8UDY>8U[A8UDY>8U[A8UD@\>8U[A8UD`\>8U[A8UD@8U[A8UD@8U[A8UD@8U[A8UD@8U[A8UD@8U\A8UD0@8U\A8UDP@8U \A8UDp@8U0\A8UD@8U@\A8UD @8UP\A8UD@8U`\A8UD\>8Up\A8UD\>8U\A8UD\>8U\A8UD\>8U\A8UD]>8U\A8UD ]>8U\A8UD0[>8U\A8UDP[>8U\A8UDp[>8U\A8UD[>8U]A8UD[>8U]A8UD \>8U 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1p4UA8U1E3018861Wb8U2SK0Q,8U,8UhF8UQ;8UQCopyright © 2014 by Edwin Sung http://www.edwinsung.comIP8U12% 8U8U(8U0!0.0008U !1pi4U !0P7U 10{3UA8U.`163136!162770W !163151W 10000-00-00 00:00:00AGE_PERMISSI0 p9U58sxF8U  HP78]`?@ 58  ,0ȓ8U#($(8U 8U 9U9U"@04}8UQFUGA "Se, nu stiger solen" Se, nu stiger solen Roberto Schmidt !12W !0hX1Piano, Vocal & Guitar ChordsF,BP!WW!WW11.50W0!0P.8U !1W !0W !WW!0.0000W12014-11-21 15:14:04Uz18U0A(Processing score - uploaded via Sibelius)39407@!0000-00-00 00:00:00!0W!0W!0W28U!WW!0W!0W !0000-00-00 00:00:00U!0W8U!0W8U!0W !79137P18U !HASHUW/scores/!HASHUWhZ!HASHUW 7B8U!HASHUW!HASHUW ;8U!2021-11-10 00:00:00 WHE!WW!0W !1Wx%8U!0W 1A0001E36-886F-11E9-A780-F3D41D17C6290!0WP!0000-00-00 00:00:00!0W!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0W`C8U!1WPR?8U!0W166225!WW!0W!0000-00-00 00:00:00U!1B8U 6UF8U6UX8U'8Ux;8Uq8Up09U?09U>T2U8 ?8U4U8Uh/_2U8O8U4UH 8Ug85U8Ux8Uȶ4U<3U"98U)6U8Uh5o3U?8U85Ux0C8U85UV,8U,_2Up4q8U~5U8UhAT2Up N8U/_2Uӎ8U5Up=8UX 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8UXB8U-8U`B8U!8U`q38Us8Uhj88U;8UR28Ux88U/8U98U؅8UX 8U(B8U.8UXj38Up88Upw=8U7UPC8Ub88U@s38Ud08U ,8Ux7UHf88UH8-8U~18U`08U^<8Ux 08Up8B8UH38U88U ?8U08U#/8UXj8U008U!8U;8U@ /8U[/8UA8U`,8UȮ.8UȻ/8U(b88U*48UЋ8U0h8U^<8U>8U8<8U 08U.8UB-8U98U7U.8U@.8UX 38UpUC8Uend-3611!0W@type"!0000-00-00 00:00:00!0<8U 1B8U8'1562051164726W ,8U0AhB8U6&8Text::Unidecode::x03!0"8U!0W!0W!1WW!650x916W !08U!1W!32654WAKirk Franklin, Kirk Franklin@!58UEF-910F-ATraditional arranged by David BurndrettA<8U@!XP98U!0W!0W!0W8U!0Wores/wee!1W AW3UB8UND 49.0.200.89@1HASHPA<8Uange"> 0!+454197027708U!+4532172152!WW08U!X1,8U0,8U!WW!0W12730W0!1.00P38U 11}7UEF-910F-911ECFE50!00O8U !0W B8U3B8Ux%18U18UP[88U;-8Ux<8UH/8U18U8Uе,8UH?8UD8Up<8UH-8U`^68UA8U<8U?8U8WC8Ue88UةC8U,8UA8U=8U^<8U(=8U.8U38U8U\88U?8UY/8U>8U8U.8U08U%48U@98Ut=8U,8UX!8U08U(A8Ux,8US8U&18U38UHB8U8U !8Uz?8U-8U`88U8U8U,8U18U4B8UpB8U28U>8U.8U 28UB8U,8U,8UX)/8Uw=8U8/48U^/8Uv=8U"28U!0000-00-00 00:00:00!4WP11Wledgoreexch0`8,8UhQ8UU``8U~8UDI8U8UD@x8UP68UD/"8U8UD08U;<8UD018Up18UDt8U0E?8UDE8U@B8U`18U`%8UD8Ux98U @`X8U` 8UD3!8U0&,8UDQ-8U "8UD 8U3UDa28U ),8UD@B8U`B8UU08U*,8UDO8U@h8U 48U @>8U?8UDF8UhC8UU38U8UD 8UA8UD `7Us8UUR8Ub8UUp;P8U18UD`N8U18UDЅM8U8G78UU`8U8B8U(V8US8UUM8U!8UD/!8UD8UD8UР18UD>8U8UDZ7U߱8U @C8U;:8UDPf8Us8UUzs8U\4U8UD@3UЫB8UU.8UXB8UxB8Up=8UPP8UBC8UDЌ8UB8UA8UD8UB8Upb8UDB8UF8UD3S8UЬ<8UD`5S8UT8UD 48U C8UUJ7UV8UD28UB8U(fT8U`4U"7U<8UU@8U38U',8UDp/!8U@T8UD1F8U8B8UH3U>8UD@Ur8UPV8UDఈ8Us8UUt8UP8U8U,D8UDD38U Z8U a8U`8UU[8UF-8UU I7U8UDD8Ub8U .8UD0?!8U QB8U078UDR8Ua8UD8U r8U3UD 8U8U  A8U 38Uf0q18UN 8UUW8U(C8UUWW8UH?8UDPFD8U0BT8UD V8UJ78UU0e8UB8U(S8Us;8UDD8U8UD0%B8U38UDPC8U>8UD8UP?8UDpBB8UТ8UD@8U@38U2P8U @"-8U8US 8UUb28UxC8UUB8UB8U(fIt8UDPO8U?8UPp8U8Up6=8UD0E8UA8UDF8U<8UU88U@"8UDT8U18UD Y8U@38UDPh8UP8U:?8Ue8UDP8UB8UXp8Uw};8U0V8U0L5U -8U8U2xC8UU7U0V8UD\"8UB8U8U8UUp?!8U 38Uf r18UПF8UD{7U8U@B9Up2UD@Q-8UR8U PB8U`^8U 0<<8U8UD8U`;:8UDR8UwT8UD`28UB8U8UD35UET8UD0[8U;8UD=P8U"8U^W8UDPt8Um8UD08Uy!8U @8U0L8U 8UC:8U8U<8UD,=8U O8U @W8U08U b8U@8UD]8U W 8UU03U8UDp/"8U=8UD28Uť8UD@8U38UDj8U)6UP8UDP8U<8UDp8U8UD`O8UB8UU48UzV8UDЖN8U@38UD0B8U8US8UUfR8U$C8UUj8U^-8UDpe8Uж78UDD#8U0Kt8UD B8UxM-8UUDB8U23UUF8U8UU"8U`C8UE8U-48U38U=8UhC8UЕB8U7U;8U-8U8/8U18Up<8UB8U@k=8UH,8UP38U8U!?8U ?8U88U 38U38Ue88U8U98UHB8Uc08U(88Uh-8U,8U8.8U98U38UB8UA.8U8U8<8U8U;8U@88U038UH.8U 8UD.8UhB8UB8U;8UP28U 88UQC8UȆ?8UA8U(F8UH"18Uh<8UxA8UP8UB8U!8Ux,8U/8U>8UP.8UȮ,8Ux?8UR8Ux?8U7U0;8U0=8U/8U`,8U86-8U 8U18U(8U@98U8U%28U12017-06-09 17:10:17U0!Wp78U Malawian National Anthem (Mulungu dalitsa Malawi - Oh God Bless Our Land Of Malawi) for Concert Band Composed by Michael-Fredrick Paul Sauka (1934-1990) Arranged & Orchestrated by Keith Terrett Keith Terrett Music for all Occasions An arrangement of the national anthem of Malawi for Concert Band. "Mlungu dalitsani Malaŵi" (English: "O God bless our land of Malawi") is the national anthem of Malawi. It was composed by Michael-Fredrick Paul Sauka, who also wrote the words. It was adopted in 1964 as a result of a competition. All the world's national anthems are in my on line store; if you need a different orchestration, just ask: keithterrett@gmail.comxB8U!0W=8U!0W 38U!0W!0W`|7U!0000-00-00 00:00:0045!WW10Wo0!038U !WpOT8U 1homeWw$0!1368P8U10W011P.!8Ueexchange.com/0!18U070937; !3.00Wexchange!2023-04-20 05:05:1224 1!2023-04-20 05:05:13!ʚ0999999998!0Ds8U !0Wtp://sch!0Wt":[{"it!1W:"https:!1276x1650"},"posi!3Wm"},{"it11Wd":"0!2013-04-16 23:12:37!HASHU`08U !0Yanel pan!0WrefineTe!WW">

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Alleluia, Alleluia, Alleluia, Alleluia, Alleluia, Alleluia, Alleluia Al, Alleleluluia! ia! Alleluia!!Shane SnedigarPC8U!1WU8U!WW68UaCopyright © 2013 danakishane@hotmail.com; may be copied for non-commercial church use!WW4U!3.00X4U!2013-12-06 03:44:32U!1W !0X98U!WW׊8U!0W@Ƶ8U!0W7U!1W#8U!0W8U!0.0000W(68U12017-10-24 05:09:06U0qThe Christmas hymn-tune "Yorkshire" is sometimes called "Stockport" after the town where the composer John Wainwright lived and died, and where it was first sung on Christmas Day in 1750. This arrangement has a vocal descant and uses two trumpets (parts for Bb and C trumpet are included). The New English Hymnal has different words for the last verse of "Christians, awake". There is a separate file for this, available in "Related Scores". Also in "Related Scores" are two other Christmas hymns which I have arranged with trumpets: Iris ("Angels from the realms of glory") and Antioch ("Joy to the world").1!1.50W!0W!0W!0W!WW!John Byrom 1692-1763!0W!WW1Copyright © 2017 John Ross!WW!2023-02-02 00:13:45U!0000-00-00 00:00:00!WWx8U!187757W!0W#8U!0WDV8U!0.00W(68U!1.50W8 8U!0.00W8U!0W׊8U!WW@Ƶ8U!0.00W)8U!138662Xores WHEAAlleluia by Caccini for Violin, Organ, and SATB Choir1aB8U^5hZ138662!0] aB8U!0W!8W!0000-00-00 00:00:00!0W!0WYorkshire (Stockport) (Christians, awake) with 2 trumpets & vocal descant John Wainwright (1723-1768) John Byrom 1692-1763 John Ross The Christmas hymn-tune "Yorkshire" is sometimes called "Stockport" after the town where the composer John Wainwright lived and died, and where it was first sung on Christmas Day in 1750. This arrangement has a vocal descant and uses two trumpets (parts for Bb and C trumpet are included). The New English Hymnal has different words for the last verse of "Christians, awake". There is a separate file for this, available in "Related Scores". Also in "Related Scores" are two other Christmas hymns which I have arranged with trumpets: Iris ("Angels from the realms of glory") and Antioch ("Joy to the world").8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0Wt8U@=-8U8U 8U7Uŵ8U8UX08UpM8Ux98U@o8U8ވ8U3U8UO8Uh8Uv8U8U8U8.8UXM8U@98Uĭ8U8Uي8UXt8U08U)8UФ28UHq38UP(v8U(;8UXn=8U88Uhv8U8U(p8UHO8U98U38UW8U8Ux8U8Ud88UR8U`8U#8U8Uy=8U8U <8U(68U`8U;8U8 8U8U 8U8Us8U K.8U0D8U׊8U#8U@Ƶ8U/8U 8UxD8U"8U?8U\28U@-8UhS8U8Uv8UP8U(Q8U8U["140896","138505","201637","73854","50463","141835","183069","138662","142289","170650","199763","399096","166166","117534","128089","129843","120575","163562","16919","76525"]!2020-09-06 12:55:52!0W!0000-00-00 00:00:00!WW!0W!0W!0W!0W175126!1W !650x919W!0WZC8U!0W8U!5.00W178674!2023-02-02 00:07:28!2023-02-02 00:07:54!1403778Wm8U!1418995W8U!0000-00-00 00:00:0049!0000-00-00 00:00:00Qg8U!2017-06-09 17:10:17U10000-00-00 00:00:008U0!23W88U!0WЗ8U!3WP8U!2W@XB8U!2013-12-06 03:44:12U!2022-01-02 00:27:51U1Giulio Caccini (1551-1618)D8U!Shane Snedigarx=8U!0W098U!2013W !sibW177122!4285Wp!0W!Alleluia by Caccini.sib` B8U<8UD8UpDC8UDR-8UuN8UDS8U`/8UDT/8U38UD3S8Up/,8UDp8U>08UDBB8U?8UD v28Us!8U @Py8UPF8UD`T8UF28UDB8U;8UD@F8U?8UD@>8Ur/8UDP/8U@8UDB8Uh8U s/8UD`H,8U"8UD48UhqB8U O8UD@ 8U<8UpB8UU8UЫD8UD;8U8Uhh8U D z8U<8UUN8UpV8UDЂ8U@rB8U'8UD8Us8UUF8U8UP;8UD`\18UZ8U 8UP-@8UDZ@8UH28UDAP8Uw88UD7Up3U`]8UDl!8U%8UD0`8Uʥ8UDPu8U8Uf0N8UB8UsB8UP^8UD9#8U),8UD 8U08UD9C8UpR8UDt8UPF8UD?8UX8UU;8UpD8UDw28U`[8UD@N8UC8UU@r28U}B8U(f+8UfM8UPs8UU 8UZ8UD@A8U@b8UDO8UN 8UU 8U78UD8Uf8UUc8UX~B8Uz8Up~B8Uxu!8U H Q8U`?=8UD0N8U<8UU`M8U!C8UUH8U~B8U8UPD8UD8UP538UDFB8U B8UM8UDЉD8U@r;8UD@8U8UCheck out the catalogue below, for a complete list of music and with various instrumentations of the same pieces. David Burndrett is a freelance double bass player as well as being a popular composer, arranger and music educator. Many of his works have been sold, published and performed internationally. Most of his scores on Score Exchange are suitable for use in schools and other amateur ensembles. There are scores for a wide range of instrumentations available so there's bound to be something available for your group's next concert. If you're looking for something specific you can send requests to David by [[http://www.scoreexchange.com/profiles/BurndrettMusic?c=showEmail | getting in touch directly]]. v> 8U08U.8U08U }?8Ux18U!2022-12-02 14:17:1812022-12-02 14:17:180!X0,8U!0W!0W!1W T5U8U6US8U"85US8U885U8U25U8.8U(8U16Uy8Ul8UH~5U?8UH%85U(7UP6U8UE3U 7U6UV8U8UH5U%8U(048UOm2UxS8U98U~5U`D8U"c2U`18Ux85UxF8UU8U^i2U8ULn5U8U85UƯ8UhG85U` 7U4U8U5U$98U885U 8U6U8U85U؏8UZ85U77Uh_<8U m2U$98U885Ul18U885US8Uܥ4U 8U)_2Ur8U18U c2U08U2U8UH8Uإ8U-8U`85U7U&85U8U=4U8Ux4UX0.8U85Ud<8UB5UXB8U=8Ud2U=8U,_2U+W8U8U4UD8UH2U 08U@8UOm2UϠ8Uz5U3#8U)6UP38U 4UH/8U54U R/8Us8U(x5U :8Un4U M8UX̟6UxV8Ux~5U8U3Up8U&85US8Ug85U88U28U8~5Up?8U:8U5US8U85Ux8Ux~5UN8U25U38UZ85UpZ8Ux28U4t3UpQ8UhAT2U 48U885U<8Up85Uho18U;8U`85UHqB8U8<25U@=F8U,8U\F3UA8UH%85U)W8U078UH6U08U"c2U08Uȳ<8UX~5U>7U5U8UA6U08Uh8U`85UpV8U_85UV8U6UX38Us8UX:5U@C8Un4UxU8UXDe3Ux8U8U80-9Up -9Uf`7U`E8U6U8UhD8Uc85US38UW4U;8UXut8U%8U885UhS8Uh4U8UxB5U`}B8UH1_2U28U8U5U`8U8U3U8U#5UȮ98U5U8U85Ub<8U1U8UXY8UX8Ux4Ux68U85UX*.8Up,5UpD8UΌ2U8UkS8U5U0o?8UXB8UX2U@.8UK?4UZ;8UP8UX~5U 67UX 85UG}8U0=8UX2UF8U<3UВF8Un4UU.8U2U`/8U`3UX"8Uh2U8U4UpB8Uk=8U m2U98U 4UH>,8U 4UZ.8U38UH85UB8UP8UOm2U0T.8U38UX2UФ7Up63UX2U(D8U`8U~5Up8U<8U`2UR8U8Uc`7UB8U+_2U0w8Ue85UT38Up<8UX2Up7UH!85U8B,8U=8U85U @8UhAT2Uh8U6U=8U/8UOm2Uhp68U8UH4U脷8U&85U ?8UXhX4Uxa 8U/8U~5U18U54U-8Uk5UhB8U8<25U8U85U@47UB5UP6F8UhG85Up8Up!8U\4U.8U/_2U 8UA6Uh 8UX8U6U28U%/8U`85U,8UH2U7U25UXՐ8U0S8Uh_2UY8Uk`7UqB8U;8Uh_2U[8U7UW8Uh:z5UU8UP6U0^,8UpoS8U5U <8U8UH4U8UΌ2Un8U85U C8U45U(8U4U28Ux˭8U2U8}8U5U#8U85Ue<8U[8U8R8U&W8UXDe3U`8U~6Uh48UH1_2UD3UH%85U#8UHb85UK=8U1Copyright © 2014 Roberto Schmidt4; x64!WWTML, lik18.00W51.67 Safari/5370ahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_1300132Kp26JvuIHD.pngUahttps://img.sheetmusic.direct/catalogue/product/smd_h_1300132Kp26JvuIHD/medium.jpg!7W !0P8U q#H8U萿4U!smd_h_1273515aDl583b21Q199955Wed0!2014P,8U!0W17Wg010000-00-00 00:00:00ad7U0!7.50W !299710X!WeekendW1Kane Brown0q IIaa  **[}Y:Y:QQ@@0B8U["172507","175925","146904","362113","196240","147872","121773","183670","136000","369719","178068","172984","176748","164814","116477","130571","21672","72075","52245"]H"48U!2020-09-20 01:08:03U10000-00-00 00:00:00U0!David Burndrett@!0W !0P7U !0W 1@5UسB8Uo\370602!HASHofollow">!786562K8U Q48UH-8U>8UqMalawian National Anthem (Mulungu dalitsa Malawi - Oh God Bless Our Land Of Malawi) for Concert Band!HASHW!HASHW!HASHW!HASHW!HASHW!5.00iT8U 10O7Ueexchange.com0QH38U;8UD8UQ28UAB8U4pQ 3.137.218.230@!4@E!8U !0000-00-00 00:00:00U1WWp<8U0!0p38U !1W !0u7U 1HASH0j28Utenng 0!00<8Us!1W !0B8U !6.957U 1HASH08Upl2U0!HASHWp!0pB8U !2W !HASHW 1B8UL|["200581","129599","146058","181356","158596","123567","72614","147138","156989","156912","152359","158822","146057","11126","155566","62334","87483","119899","158602","169426"]!2020-09-25 16:09:34!0W!0000-00-00 00:00:00!WW!0W  .0P 59U 8UB8URX 69U 8U   (  HP ;@  ({8U\(`(z59UX`*0   )049U@39U110>8UB0!0N8U !HASHB8U !0078U !1W !HASHWmily=Fir!HASHW7471> !HASHW src="/j!HASHWmodule.j!HASHWibraryIt!XB8U!0W10Wg0!WhT8U !2013-04-14 13:18:001xB8U4982556!0000-00-00 00:00:00!1D8U!650x459W!0W!0Wp38U!500W!2023-04-14 23:50:10!2023-04-14 23:50:44!HASHW !250B8U!0W12021-07-06 13:27:380!HASHW!201428U !5.00`CB8U!8.00W@!5.00Wdap_html!0WA8U!WW !0.00W!2020-09-23 14:51:201HASHT-8U999998)01213024198U4U0QB8U.SE::BasketItem::OBJECT_CACHEa5U p١8U萿4Ua( 5U C=8U萿4UQP18Uu8UB8U!HASHW!HASHW!HASHW!HASHW!HASHW!833 Josephine Street!X8X!0WA8U!New Orleans;8U10000-00-00 00:00:00U87U0!WW!WW ACameroon National Anthem for Brass Quintet.sib12Wg0!HASHW!2021-07-06 13:27:39!0W?8U!2W Q8U28U>8UxT8U!1ЭU8U !1W@!0W oB8U/8UDA8UPB8Up',8UDA8U8UDP8U(H8U @`]8U`Ɗ8UD Ns8U 8UJ-8UUz8UpvV8UD8U`8UD48UD8U V8US8UDP8UXB8UT;8U!8UD8U;8UD`28UP78UD @bF8U8U[-8UD Pd4U@:8U@ E8U0B8UpW88U@O-8UUB8U@&,8UDP7UV8UDP7UD18UDps28U`8UD8U8UD!8UB8Ui8UDE8UD8UDp68UB8UU18U8UDg8U<8UD38U .8UDN8U;38UD7UB8U|!8U @F8U 8UD 8UY 8UU58UD8UD B8U@38UD28UA8UDPE8Uu88UD>!8UXB8UU7U8UD`D8U($C8UU@Q8Uo/8UDOS8U 8UD2,8Uq8UD78U 7:8UD@A8U38UDv28U7UD`8Ug8UD-:8UԱ8U 8U@A8UDd28Uph8UD@8UB8U8U`8UDA8UPw88UD0/8UX8UD@`8U8UD28U0<8UD@28U@8Uf8Up8UD@8U4<8UD@88U7<8UD3v8U`W8U 0@38U`38Uf`7,8U+8Uv08UE18UD8UxJ8UUpi'2U 8UD@x8U(B8U0E8U _8UD@8U28UD@<.8U07UD 7UB8U`8U N 8UU8U8UD'8U-,8UD8UpL8UD!8Up08UDP8U͊8U!S8UD8Ů8UD h=8UR8UD18U`/8UDC8U08UDPh8U%5U8UDs8UB8UC78UUN8UF-8UU 8U@38Uvl28U8UB8UU*B8U8U'8UDG8UB8U`7U`-8UD8U¥8UD/8Up8UUpB8U;8UD08UШB8UUJ<8UP`-8UD`8U38UDd8UPa-8UD @8UB8U(fW8UDP8U@85U@18UDB/8U8UUb28Up\W8Ur88UD918U7UD j"8U7UD`8UG18UD`z28U .8UD@N8UV 8UU7U Z 8UU@`28UB8U5Uq8UD048UB8UXPxV8UD p78U0+8UvQ8U`]8U  8Uq8U`S8UD8U8UD 8U78UDC8U@u8UD=8U 38U  8UpF-8UU)7U?8UD0B8UP8UU8U;8UD`<8U !1732H8U 10BZ4U(B8Uu U1535591W0F8U+g0!sibX88U!81W(88U!0W8U!HornDuet.sib@8U!2014-11-21 14:47:15U!0WX>8U!773Wh >8U10W328UW0!2016-06-01 02:50:06!1W(C8U!1W88U10W8U0The national anthem of Cameroon arranged for Brass Quintet. The anthem of this central African French-English bilingual country was written in 1928, and was used as an unofficial anthem in 1948. Official use came in 1957, when Cameroon became an autonomous republic within France. Finally, the lyrics were changed slightly in 1978, to the current version. Like Canada (another French-English bilingual country), the English and French lyrics are slightly different, on the right is provided the lyrics in each official language, with an English translation of the French lyrics. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com!0W!1W !650x919p@!8U !018UE8U!1W4!8U!0W4!8U10W@D8UW0!0.0000F8U !2021-07-06 13:31:58!0X!6W10000-00-00 00:00:00UD8U01488804)7UarchHandler0!W8UiredDate!W 1HASH08U S8U838U0!0% 8U !1788X!1W1ACORDO Sheet Music0!USQLrencyIDAMira, o Norma (duet) [Norma: sop. and mezzo]@1[?] #8UP46U0!16.00X837b048)!0W,=8U!0W!1W!0W!1W!0W!WW!0.00W!2020-09-22 08:47:54!0XrdRemind!WW@!0.00W`!0000-00-00 00:00:00!WW!0W!0W QqD8U98UЅ38UQAlso Sprach Zarathustra for Bb Trumpet & Rock Organ (Pro version).sib!32W !HASH B8U !0ps18Ux8U!WW!0.00W11B8U08U0116Wnot found0!0000-00-00 00:00:00U!WW08U!0WЖ,8U!0W p3U38U~5U(8U6U17U5UA8UX;8U46UR08UH~5Uث68UH%85Upi8U-8U&_2UX/8U2U0/8U8F8U&_2U/8U`3Uo68U&85U8U5U8UH)3U+5UH8U=4U^.8UX 85UR8U25U8d8U~5U(8U2U8U)_2U"98U4U L08U85UD8U5UxE/8UX2Uh18UHa\3UX68Uȫ~5U2W8U`3U/8Uq"8Uh_2U8UI85UT;8U85U0-#8U88UH4U(F8U85UP8U25U?8U?8U(t85U 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qh8UP8Up/scores/jupiter-hymn-for-clarinet-quartet-94873.htmlt-123340.html4.htmletimes-mixed-grays-inn-grace-for-ssa-a-cappella-157919.html!2011-05-08 00:52:21The national anthem of Cameroon arranged for Brass Quintet. The anthem of this central African French-English bilingual country was written in 1928, and was used as an unofficial anthem in 1948. Official use came in 1957, when Cameroon became an autonomous republic within France. Finally, the lyrics were changed slightly in 1978, to the current version. Like Canada (another French-English bilingual country), the English and French lyrics are slightly different, on the right is provided the lyrics in each official language, with an English translation of the French lyrics. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com [{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":0,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":0,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"},{"on":0,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":0,"name":"mp3"},{"on":0,"name":"composer"},{"on":0,"name":"subtitle"},{"on":0,"name":"platinum"}]0!2Wcontent=!1WS8U183.02W0!t^D8U!vW!xW![?]W![?]W![?]W![?]W!'W!,W![?]W![?]W![?]W![?]W!WW![?]W![?]W![?]W!?W![?]W![?]W![?]W![?]W![?]W!WW!WW!AW!;W BH9@ 58    8U@ (@S9Ut" rel="!E^.D8U!EW!IW![?]W!OW![?]W!UW!OW!IW!AW!BW!GW!DW!EW!ZW!EW!ThW!IW!KW!LW!MW!NW!KsW!OW!PW!RW![?]W!SW!TW!UW!PhW!KhW!PsW!OW!IW!UW!aW!eW!eW!iW!uW!aW!bW!gW!dW!eW!zW!eW!thW!iW!kW!lW!mW!nW!xW!oW!pW!rW!sW!sW!tW!uW!phW!khW!psW!oW!iW!uW!oW!uW!oW![?]W!bW!thW!UW!UW!UW!phW!pW!&W![?]W![?]W!StW!stW!WW!wW!QW!qW!SpW!spW!ShW!shW!FW!fW!KhW!khW!HW!hW!GW!gW!CHW!chW!TiW!tiW!kW!rW!cW!jW!THW!eW!eW!ShW!shW!sW![?]W![?]W!r/W!SW!S.W!S.W98U A8U;8U@rF8UH8U38U/8UP18UB8U`;8U,8U18U 8UwF8U7U`A8U8P8Um08UOC8U0B8U>8U38UX8Ux/8UK.8U8A8Uȱ.8U`yF8U=B8U0B8UPY68U8`08UP8UP ,8UtD8UXL8U7U.8U08U 28U 78U8UX;8U0D8UyF8U R28U@ P8UC8UB8U(-8UH-8U`98UXC8UD8Uf/8UA8UC8UHk08UD8U A8Uk=8UWC8U/8U8U 78U`P8U98UP18U78U8UX,8U08UȜ3UB8UH`88UC.8UB8UIn the Hall of the Mountain King for Clarinet Quartetcracker) for Clarinet QuartetQuartetSir Walter") - 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You are very welcome to browse through the categories, which feature both Grahan's own works and brass arrangements, including the fast-expanding 'Bach for Brass' series. For much more information click on the homepage link below. Latest additions to the 'Bach for Brass' series: - Sinfonia from Cantata BWV 29 for brass quintet and organ - Overture from the Easter Oratorio - First movement from the Christmas Oratorio - Final movement from the Christmas Oratorio - Concerto in C Major BWV 1061 - Prelude and Fugue in G Major Also, there are some new pieces in the 'Handel for Brass' series: - 'Oh the Pleasure of the Plains' from Acis and Galatea - 'Oh Fatal Consequence' from Saul Please contact me with questions, arrangement ideas or requests.!42056W!0WpO8U!1WV8U!0W 1W8Up@7U0!2017-11-22 16:49:43156W8U 8U0!08U10W0!0000-00-00 00:00:00ata-!0WudaFrance 10Wthin the EU8U q/8UD>8U]8UDP |8UP28UDT8UD8U98Uf@C8U NJ8UD8U*,8UDN8UF?8UDO8UP3U (@ 8U{/8UDM8U`T8UDPX8UD8UDpB8U98Uv75U38UDs8U_8UDp&s8U8UD_8UE8U @8U[8U  8U^8UD^C8UPJ?8UD8U0D8UX98UI8U8U.8UD;8UB78UU8U`;38UDTr8UF8UD78Us8UU0~D8U0<8UD028U`a-8UD08U59UD`U8U?8UD@@8U8D8UvB8Uf8UD`\8UŠ8UD28UD8UP=18UD68U:7U C8UUp8U"8UD S-8U@<8UD0 Q8UR8U #8U ߣ8UD\8U>T8UDp8UHb8UUb8Ut.8Uv7UT 8UU7U@8UD 8U7UDP-8Uz8UD^8U`v/8UD[R8U8UDpVR8UGT8U0D8UX`V8UDXr8UV8UD08U8UD7U \-8UD\8U8H8UU':8UC8UU`68Up|V8U$ 8UD8Up?08UD$ 8U :<8UD7U08U@8UDM8UhD8U -8U0J3UD:S8U.8UDL 8Ue-8UD43U8UUP18UD8UP8UD 8U`.V8U  @6N8U 8UD8Ul8U D8UŊ8UDN8U38Uv0+08U s8UU~3UAT8U38UfB8U.,8UDM 8U7}8UDp9U28UD`C8U@<8UU$2U_-8UD28U`W8Up08UD`V8U98Uv0C8U 8UD@W8UA38UD28U8U @ƾ8US8UU,N8U5UpB8UDΈ8U`.8UD38U8D8UB8UD0gs8U`8UD8U+D8U8UDR8Up-8U?8UD`8U r8UD$W8UV8UvA=8U0;08UD B8Ua8UDp8U8U @`8U2<8UD#8UpD8U6F8U9=8UDk8UFt8UDu7UpF18UD)08UP508UD`N8U0-8U 08U78Uu8UDP98Ud8UD{8UHD8UH3U£8UX8UD68U k8UDT8UB8UUТ3UF8UDs8U؜D8UF8UD8UUV8Uq8UD8U8U0Zr8UB8UUpB8U8UDЇ8U@ݣ8UD୤8U,,8UD`8U@O 8UU8US8UDP8U8UDV8Upo88UD38UD8U\8UD8U(D8UP8UDpG8U/8UC8UU8Uy;8UDUr8UD8UA08UDN8UO8UD8UV8UDe8U218Uv7U<08UDP68U8UUWW8U`De3U`D8U18UD@08UJ8UU\s8U@08UDs28UD8UpN=8U@28UDB8U38UX<8U0P8UИ8U8Uh8U<8U#/8Uh8Up98U18U8UPO"8U0b;8U`P8UHFP8U@O8UB8U>8U@8U]88UF8UX98U0}38Up048UT2U8U)6UX V8Ux85UP18UDpN8U@ 8UD@8Ux8UUB8U(8U @08U8U`/8UD07UD8ULR8U 8U 8UD08UC8U OB8UD<8UT8UD 1Uã8UD !8U8UD`_8U18UDF8Up9=8UD48U`į8UD8UHS8UU7U8Uw"8UP8UDS/8UB8Up~8U8D8UA8UD0=8UB8UUD8UB8UUk28UF-8UU>8UP18UDpb8U8U H`8U8UU"8U0908U8U-D8UD48Ua8UDO8UXD8U7UpD8UH3U@98U2o8UD߸8U ƻ8UD-8UUF8U;8UD68U`18U@2UD_.8U8UD >8U@8UDЀ8UPj8UD@28U<8UUPt8U 8UIB8UD8UD8U%5U 18UDr8UH8UUT8Us8UU`c"8UV8UD@8UV8UDU8U8U98UfF8U S8UU@8UD8U_-8UDP8UD8UD8UP-8U PLS8U0.8UhD78UUPm8U8UD``8U>8UDf8UB8UU`4/8UJ8UD`8U`"8UD8UD8Ut!8U 8U8U -8U s8UV8UD$8Uq/8UD`I8U8UD68UIT8UDR8UD8UD8UH8UM8UD8U7Up"8UDPO8U@/8UD)!8U~V8UDί8UP 8U .8U8UDPr8UP4<8UD0!t8U`R8UD8U8UDN8UT8UD08UF8UD&:8U08UD)8U@D8UDQ-8UB8UD28U8Uй38UDP68U(s8UU-s8UP#,8UpB8UD038UV8UD4v8U >8UD`7S8U8UD08UЇ8UDF8U08UDd8U%5UXR8U @M;8U`8U`38UDt8U08UDm8U~68UDT8UV8UDWr8U@A08U78Uv;8UD`8S8U` .8UD{s8U.8UD8U3UDp8U8Ufp7U C8UUt8Uu8UDP 8U38Ufw28U0|V8UDpM8UPX8UD\8UA`08U`08UUx5U!(eval 318) +38UAE8Udx 08U8UAE8UE8UUxE8Ua,8UE8UTx$pE8UpE8U1Method::Generate::Constructor189504AE8UE8URx E8UE8U1E8UΔx !(eval 318)AE8U0kx+AE8UE8UUx0E8UAE8UUxAE8UUxpE8UE8Ua0E8UE8UUx(E8UE8U1Method::Generate::ConstructorAE8UUx0E8UE8UA@E8Urx,E8UAE8UE8ULxE8UE8U10E8UE8UUxAE8UWx%E@E8UE8UaE8UE8UTx(pE8UPE8U!(eval 318)1Method::Generate::ConstructorAE8U`Vx-!(eval 318)A@E8U@E8Urx.E8UAE8U@Tx[AE8Ux/<E8U@E8U1 expects a hash reference or aWA E8U E8U@Tx\A E8U`Vx0A E8UUx0 E8UQ08U08UWx%EE8UE8U!The new() method for 1 E8UΔx A E8U@Tx]AP E8UP E8U@]x1CE8U E8UA E8U@]x2CF E8UP E8UA E8U E8UUxDP E8U E8U1E8U E8UUx1Method::Generate::Constructor odd numbe!$isa_check_for_sendmailA0 E8Up E8U@]x5C& E8U E8UA E8U@Tx^1E8U E8UUxA key/value list. 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Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WP,8U,8UH,8U(,8U,8U,8U(,8U,8U,8U,8U@,8U,8Ux,8Ux,8U,8U ,8U,8UPC"8UȄ,8U8,8U,8U0,8Up,8Uh,8U,8UH,8U,8U,8U,8UЋ,8U,8U,8U,8U,8U,8U0,8UX,8Uh,8UЅ,8U,8U8,8U؉,8U,8U(,8U,8U,8Uh,8U,8U,8Up,8U,8U,8U,8UP,8U,8Uȇ,8U؃,8U,8U0,8Ux,8U,8U,8U,8U,8UX,8U,8U،,8U@,8U,8U,8Ux,8U,8UP,8U,8U ,8U,8U,8U`,8U;E8U["162100","163165","161478","163151","163153","162764","160861","163127","163163","162534","162770","163133","163134","163136","163131","173800","162469","173889","174623"]U(T2Uh78Uu,8U7U78U4U78Up,8UH5U78U(t,8U(t85U78Up85U78U v,8Uj6U78U885U78UI85U(78Upt,8U85U@78Uxa85Up>8U85U8 >8U6U8$E8Uu,8UH4UP98UX2UP >8Uh4U#E8Ut,8U6Uh$E8U6U$E8UVE8Uh_2Uv98U85U#E8U885UP$E8U85Uv98Uq,8U^i2Uw98UΌ2U(w98Un4U@w98U2UXw98U`XE8U2Upw98UYE8U5UH78U4U78U(E8U0vE8Uhs,8U5U@.E8U^E8Ux6o3U78U6U078U(b2U78U+_2U78U,_2U78Uh/_2U78U6U(78UhYE8UX:5U@78Ux4UX78Uh5o3Up78Uh2U78U/_2U78U 4U78U[E8U16U78U _E8U46U78U=4U78U45U78UH1_2U078U85UH78U85U`78UXDe3Ux78U87U78U؝2U78UX85U78U85U78U)6U78U885U78U85U 78U85U878Up,5UP78Ux85Uh78U\E8UH85U78U85U78U[E8U4U78U2U78U@]E8UX2U78U85U78UX 85U78UH!85U(78U"85U@78U3UX78UH%85Up78UYE8U&85U78U(6U78U&85U78UhG85U78U8<25U78UXZE8U 6U78UZ85U78UP6U078U5UH78UA6U`78U)_2Ux78U54U78U_85U78U_85U78U_E8U`85U78U(ZE8Uc`7U78Uf`7U78U25U 78U25U878U25UP78UH[E8U c2Uh78U"c2U78U(g85U78Ug85U78UW4U78UXf85U78Ue85U78UYE8Uc85U78Up]E8UOm2U(78UYE8U m2U@78U\E8UX~`2UX78UZE8U`2Up78UHb85U78U\E8U&_2U78UhAT2U78U8DT2U78U>T2U78U_E8U7UXuE8U4UpuE8UZE8UH5UuE8U]E8U(t85UuE8Up85UuE8U_E8Uj6UuE8U885UuE8UI85UvE8U^E8U85UvE8Uxa85Uh >8U85U>8U6U.E8U^E8UH4UhE8UX2U>8Uh4UX.E8U^E8U6U.E8U6U/E8UaE8Uh_2Uw98U85U(.E8U885U.E8U85Uw98Ux[E8U^i2Uw98UΌ2Uw98Un4Uw98U2Ux98UbE8U2Ux98UcE8U5U wE8U4UxE8UeJ8Uh68UE8U]E8U5U78U78Ux6o3UpxE8U6UwE8U(b2UxE8U+_2UxE8U,_2UxE8Uh/_2UxE8U6UyE8UcE8UX:5UyE8Ux4U0yE8Uh5o3UHyE8Uh2U`yE8U/_2UxyE8U 4UyE8U78U16UyE8UH78U46UyE8U=4UyE8U45UyE8UH1_2UzE8U85U zE8U85U8zE8UXDe3UPzE8U87UhzE8U؝2UzE8UX85UzE8U85UzE8U)6UzE8Uonverted!650x919^fE8U!0W!0W!5.00W!2023-04-10 16:19:33!2023-04-10 16:19:44!671768W!1133761W!0000-00-00 00:00:00!0000-00-00 00:00:00 58 #( 8@18MP78 #( #(8@38ruE8U78U0uE8UhE8UDE8UhE8UDE8UhE8UDЏE8UhE8UD{78UhE8UD{78UhE8UD{78UhE8UD|78UhE8UD0|78UiE8UDP|78U vE8U78U N8UU;8U B08UD@S8U?18UDd8U8UDP8U078UDB8Us8UU@ъ8U?8UDPs8U8U 0~78U38U2wE8U78U 8UDSs8U@/8UDM7U78UDPF8UpwE8U78UDF8Uw#8UDPK8Uw#8UD0K8U0~#8UDpV#8U78U78UDpF8Uд78UDF8U78UDF8Up!8U  78UjE8UD058UjE8UDE8U jE8UD E8U0jE8UD@E8U@jE8UD`E8UPjE8UDE8U`jE8UDE8UpjE8UDE8UjE8UDpE8UjE8UDE8UjE8UDE8UjE8UDЇE8UjE8UDE8UjE8UDE8UjE8UD0E8UjE8UDPE8UkE8UDP58UkE8UDE8U kE8UDE8U0kE8UD E8U@kE8UD@E8UPkE8UD 78U`kE8UD`78UpkE8UD78UkE8UD78UkE8UD78UkE8UD78UkE8UDE8UkE8UDE8UkE8UD78UkE8UD 78UkE8UDp78UlE8UDpE8UlE8UDE8U lE8UDE8U0lE8UDЈE8U@lE8UDE8UPlE8UDE8U`lE8UD0E8UplE8UDPE8UlE8UDpE8UlE8UD78UlE8UD78UlE8UD78UlE8UD78UlE8UD 78UlE8UlE8UD`78UmE8UD78UmE8UD78U mE8UD78U0mE8UD78U@mE8UD78U6UPmE8UD 78U`mE8UD78UpmE8UD78UmE8UD78UmE8UD78UmE8UD78UmE8UD 78UmE8UD@78UmE8UD`78UmE8UD78UmE8UD78UnE8UD78UnE8UDЕ78U nE8UD78U0nE8UD78U@nE8UD078UPnE8UDP78U`nE8UpnE8UDp78UnE8UD78UnE8UnE8UnE8UnE8UnE8UnE8UD78UnE8UDЖ78UoE8UD78UoE8UD78U oE8UDp78U0oE8UD78U@oE8UD78UPoE8UDС78U`oE8UD78UE8UvE8U<:8UD98UC?8UDE8U[8U (S8U`V8UDs8U7UD8U ?38UDN8US8UUM8U0!8U 78U38U2E8UXxE8Ut8UD{8U8UDpK38UP-D8UDC8UE8UD8UDw28UP~#8UDV#8U@~#8UDV#8U $8UDP!M8UhE8Uz8U8UDM8UU8UD8U 8UD48U!8U  F8U`pE8UD+ 8UppE8UD78UpE8UD@78UpE8UD`78UpE8UD78UpE8UD78UpE8UD78UpE8UD78UpE8UD78UpE8UD78UqE8UD78UqE8UD78U qE8UD78U0qE8UD078U@qE8UDP78UPqE8UDp78U`qE8UD78UpqE8UD078UqE8UDP78UqE8UDp78UqE8UD78UqE8UD 78UqE8UD78UqE8UD78UeScoresQYE8U!WWdE8U10WcE8U0ASilent Night (for horn duet, suitable for grades 1-5)!42W/;8U!609W:8U!2W:8U!2W?8U!2014-10-09 15:22:03U!2017-11-22 16:44:23U!Katrina SungdE8U!0WeE8U!2014WdE8U12W0!sibW:8U!81W8?8U!0W(%@8U!HornDuet.sib`@8U!2014-10-09 15:22:03U!1W@8U!865W@8U!1WH&A8U!1.50X078U!2014-10-09 15:22:09U!1WeE8U!1WeE8U!0W`78U!WWdE8U!0WdE8U!0W78U!1W !XX\E8U!0WZE8U!0W[E8U!1WH[E8U!0W8\E8U!WWZE8U!0.0000WYE8U12014-10-30 17:53:01U0This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 30th October, 2014 Enjoy!!2.00W!0W!1W!0W!WW!WW!0W!3 printsW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW^E8U!217647W!0W8\E8U!0W_E8U!0.00WYE8U!6.50W^E8U!4.50Wh\E8U!0WZE8U!WW[E8U!0.00W8_E8U!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW 1hE8U$160861ADeck the Halls for horn duet suitable for grades 26U!0W!0W!3W>8U!0000-00-00 00:00:00U!0WT:8U!0W/;8U1Deck the Halls (for horn duet, suitable for grades 2-6) 3 prints Arranged by Edwin Sung Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 30th October, 2014 Enjoy!U!0W4U!0W 1This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!!2.00W!0W!1W!0W!WW=!WW!0W!WW!WW!YY!0.0000W!2014-11-21 13:43:22QO Come All Ye Faithful for horn duet suitable for grades 15 14BHNDU12!0W!0W!3W!0000-00-00 00:00:00!0W!0W !1X`"8U!0W("8U!WW"8U!0.0000W"8U!2014-11-21 01:08:20UqGod Rest You Merry Gentlemen for horn duet suitable for grades 15 14BHNDU08UH"8UpThis duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!E8UѝE8U!2.00W01:07.71!0W.000000!1W76508!0W E8U!WWgE8U!WW4-23 20:!0W20:11:07!WW7.711994!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWH"8U!231246W!0W"8U!0W`"8U!0.00W8"8U!5.00WX"8U!3.00W"8U!0W("8U!WW"8U!0.00W"8U!0000-00-00 00:00:00!0000-00-00 00:00:00UQ"8U!1.50E8U !2014-12-04 00:00:00U!0Wk8U!1Wk8U!0WPk8U!0XxP8U!0WV8U!0WU8U!0W18U!0.0000Wk08U!0000-00-00 00:00:00U!Sorted For Es And Wizz10WB8U0!WW08U1WW@E8U E8U0!0000-00-008U!WW10000-00-00tenng0!6094s8U10W0Q7U!99914WP98U10WJ.8U0Achristopher.maxim@yahoo.com@10pC8UEF-910F-911ECFE501E8U$G203768!1`j28U !SchubertlineF8U!51 NorthgateE8U!www.schubertline.co.uk!WW !8U!1W8U1BecclesW0?8Ug8U01E8U146904`98UE8U98UD068U98UD еE8U98UDE8U 98UD E8U098UD@E8U"8UD`E8U"8UDE8U"8UDE8U"8UDE8U"8UDE8U"8UD "8U"8UDE8U "8UDP68U0"8UDp68U@"8UD68UP"8UD68U`"8UD68Up"8UD68U"8UD 68U"8UD@68U"8UD`68U"8UD68U"8UD68U"8UD68U"8UD68U"8UD68U"8U"8UDP68U "8UDp68U0"8UD68U@"8UD68UP"8UDЯ68U`"8UD68U6Up"8UD 0E8U"8UDнE8U"8UDE8U"8UDE8U"8UD0E8U"8UDPE8U"8UDpE8U"8UDE8U"8UD,8U"8UDЎ,8U"8UD,8U "8UD ,8U0"8UD@,8U@"8UD`,8UP"8UD,8U`"8UD E8Up"8UD@E8U"8U"8UD`E8U"8UDE8U"8U"8U"8U"8U"8U"8UDE8U"8UDE8U "8UDE8U0"8UDE8U@"8UDE8UP"8UDE8U`"8UDE8Up"8UDE8U"8UDоE8U8E8U98U38Uf@k28U.8UD;8UuV8UDVn8U`D8UD#8UD8UDСE8Uš8UD;8UB8UUB8U 8U E8U38U2(E8UX98U@E8U@iE8UD|78UAE8UDP78UE8UpAE8UD78U0kK8UDmL8U kK8UDlL8U`L8UDL8U@AE8UAE8UDp78UAE8UD78UAE8UD78U8U  07E8U"8UD@E8U"8UD"8U"8UD"8U"8UD "8U"8UD@"8U"8UD`"8U"8UD"8U"8UD"8U"8UDP"8U"8UDp"8U "8UD"8U0"8UD"8U@"8UD"8UP"8UD"8U`"8UD"8Up"8UD0"8U"8UD`"8U"8UD"8U"8UD"8U"8UD"8U"8UD"8U"8UD E8U"8UD E8U"8UD@E8U"8UD`E8U"8UDE8U "8UDE8U0"8UDE8U@"8UDE8UP"8UDE8U`"8UD `E8Up"8UD E8U"8UD"8U"8UD "8U"8UDP"8U"8UDp"8U"8UD"8U"8UD"8U"8UD"8U"8UD"8U"8UD"8U"8UD0"8U "8UD@E8U0"8UD`E8U@"8UDE8UP"8UDE8U`"8Up"8UDE8U"8UDE8U"8UD0E8U"8UDPE8U"8UDpE8U"8UDE8U6U"8UD `3E8U"8UD6E8U"8UD06E8U"8UDP6E8U"8UDp6E8U "8UD6E8U0"8UD6E8U@"8UD6E8UP"8UD6E8U`"8UD7E8Up"8UDP1E8U"8UDp1E8U"8UD1E8U"8UD1E8U"8UD1E8U"8UD1E8U"8UD2E8U"8U"8UD02E8U"8UDP2E8U"8U "8U0"8UE8U1This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 20th November, 2014 Enjoy!E8U!2.00W!0W!1W!0W!WW!WW!0W!WW!WW!0Y"8U!0.00W!5.00W"8U!3.00W!0W"8U!WW"8U!0.00Wp"8U["162100","163165","160861","162764","161478","163147","163151","163163","162770","162534","163153","163136","163134","163133","163131","173800","173889","174623","147972"]U!2020-09-09 16:35:56U!1W10000-00-00 00:00:00U"8U0Auld Lang Syne (for horn duet, suitable for grades 2-6) (14BHNDU17) Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 20th November, 2014 Enjoy!!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!\h\E8U!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-09 20:52:55!2023-04-09 20:53:12!737760W!1231107W!0000-00-00 00:00:00!0000-00-00 00:00:00QЂ,8U16UE8U"G163127!162764[ores WHE!781W,8U10W,8U0QAway in a Manger (Cradle Song) (for horn duet, suitable for grades 2-6)!42W!609W>8U!2WI:8U!2W T:8U!2014-11-10 16:15:35U!2017-11-22 16:44:26U!William J. Kirkpatrick!Katrina Sungf,8U!0W,8U12014W0!sibWI:8U!81Wp/;8U!0W:8U!HornDuet.sib8:8U!2014-11-10 16:15:35U!0WP?8U!1.50X(h,8U!2014-11-10 16:15:39U!1Wg,8U!1Whg,8U!0WXh,8U!WWf,8U!0W,8U10Wh,8U01༝6U(E8U162534!163147Wy>8UQCopyright © 2014 by Edwin Sung http://www.edwinsung.com,8UZ85U68UP6U68U5U(68UA6U@68U)_2UX68U54Up68U_85U68U_85U68UE8U`85U68U`E8Uc`7U68Uf`7U68U25U68U25U68U25U068UE8U c2UH68U"c2U`68U(g85Ux68Ug85U68UW4U68UXf85U68Ue85U68UE8Uc85U68UE8UOm2U68UE8U m2U 68UE8UX~`2U868UE8U`2UP68UHb85Uh68UE8U&_2U68UhAT2U68U8DT2U68U>T2U68UHE8U7U68U4U68UE8UH5U68UE8U(t85U(68Up85U@68UE8Uj6UX68U885Up68UI85U68UE8U85U68Uxa85U88U85U(88U6UHA8UE8UH4U@z98UX2U@88Uh4UA8UXE8U6UxA8U6UA8UE8Uh_2Ur98U85UA8U885U`A8U85Us98UE8U^i2U s98UΌ2U8s98Un4UPs98U2Uhs98U`E8U2Us98UE8U5U68U4U68U(k28U98UHE8U5UPA8UE8Ux6o3U68U6U68U(b2U(68U+_2U@68U,_2UX68Uh/_2Up68U6U68UhE8UX:5U68Ux4U68Uh5o3U68Uh2U68U/_2U68U 4U68UE8U16U068U E8U46UH68U=4U`68U45Ux68UH1_2U68U85U68U85U68UXDe3U68U87U68U؝2U68UX85U 68U85U868U)6UP68U885Uh68U85U68U85U68Up,5U68Ux85U68UE8UH85U68U85U68UE8U4U68U2U(68U@E8UX2U@68U85UX68UX 85Up68UH!85U68U"85U68U3U68UH%85U68UE8U&85U68U(6U68U&85U68UhG85U068U8<25UH68UXE8U 6U`68UZ85Ux68UP6U68U5U68UA6U68U)_2U68U54U68U_85U68U_85U 68UE8U`85U868U(E8Uc`7UP68Uf`7Uh68U25U68U25U68U25U68UHE8U c2U68U"c2U68U(g85U68Ug85U68UW4U(68UXf85U@68Ue85UX68UE8Uc85Up68UpE8UOm2U68UE8U m2U68UE8UX~`2U68UE8U`2U68UHb85U68UE8U&_2Ux98UhAT2U98U8DT2U98U>T2U98UE8U7U98U4U98UE8UH5U98UE8U(t85U 98Up85U898UE8Uj6UP98U885Uh98UI85U98UE8U85U98Uxa85UX88U85U88U6UȭA8UE8UH4UHiA8UX2U8Uh4UhA8UE8U6UA8U6UA8UE8Uh_2Us98U85U8A8U885UA8U85Us98UxE8U^i2Us98UΌ2Us98Un4Us98U2Ut98UE8U2U(t98U"8U5U98U4U98U68U098UE8U5U68U !0000-00-00 00:00:00U!WW!0W!0W!0WE8UE8UHE8UE8U`E8UE8U(E8UE8UE8UE8U@E8UE8UE8UxE8UE8UE8UE8UHB"8U8E8UE8UE8U0E8UpE8UhE8UE8UE8UE8UE8UE8UE8UE8UE8UE8U0E8UE8U0E8UXE8UE8U@E8UE8U8E8UE8UE8U(E8UXE8UE8UE8UpE8UE8UpE8UE8UE8UE8UPE8UPE8UE8UHE8UhE8UE8UxE8UxE8UE8UE8UXE8UE8UE8UE8U@E8UE8UE8UE8UE8UPE8U E8U E8UE8U(E8U`E8U?["162100","163165","163147","161478","163151","163153","162764","160861","163127","163163","162534","162770","163133","163136","163131","173800","162469","173889","174623"]U>8U!2020-09-28 09:24:29U!1W T:8U!0000-00-00 00:00:00U!WW:8U!0W:8U!0W?8U!0W%@8U!0W`@8U!1WXk@8U!650x919Wh@8U!0W@8U!0WA8U!5.00W0A8U!2023-04-09 20:48:13U!2023-04-09 20:48:29U!713899W68U!1152781W68U!0000-00-00 00:00:00U!0000-00-00 00:00:00UQCopyright © 2014 by Edwin Sung http://www.edwinsung.comE8UaHark! The Herald Angels Sing (for horn duet, suitable for grades 1-5) (14BHNDU09)>8U!42W>8U!609W !0XE8U!WWE8U!0WE8U!0WHE8U!1W8E8U!0WE8U!WWE8U10.0000WE8U0This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!.252840!2.00WE8U!0WE8U!1W4-23 20:!0W20:11:10!WW0.225293!WW!0WhE8U!WWe2024-0!WW4-04-23 !2017-06-09 17:10:17U!0000-00-00 00:00:00!WWE8U!784941W!0W8E8U!0WE8U!0.00WE8U!5.00WE8U!3.00WhE8U!0WE8U!WWE8U!0.00W8E8UQ@E8UAm2UHE8Uq88326@!1.50`E8U aSchubertline. This online database allows you to print copies of songs by major art music composers. German Lieder, Italian arias, French mélodies and English songs are all represented. All songs are transposable. Once purchased, scores may be reprinted for free and as often as you wish - even if you decide to modify any transposition. Schubertline has been publishing online scores of songs, arias and lieder since 2001. The library has grown in size to over 4000 score files. This month's free song is Tout gai! No. 5, from Cinq mélodies populaires grecques by Ravel.h 18U!0Wh<8U!0W8U!0W98U!0000-00-00 00:00:00U!0WtF8U!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0Wк<8U!1W@98U!0Wh>8U!WWxM.8U!0W18U!0000-00-00 00:00:00U!0xXORT FROM!0WET_ATON(!08XO LIMIT !0W!0W10W0!0(X E8U!1WB8U!0WB8U!Other scores !HASH!2.00"8U !27522713W !068U !2015-10-02 07:02:26U1Mira o Norma duet Norma sop and mezzo10W ?8U838U0!3517U !HASHU!XX!0W.8U!1Wh88U!0WB8U!WWȇ38U!0W0 8U!0Wp/B8U!0000-00-00 00:00:00U!0W !1@.8U!2015-10-02 06:58:0812024-04-18 17:38:080!98U !Goodbye My Lover1HASH 7UcoreImageDynamic0aMira, o Norma (duet) [Norma: sop. and mezzo] High Bellini Schubertline B8U`!HASH;8U !0 B8U 107UE8Uo]621694!0E8U!5.00WPF8Uh_2Uq98U85UXz98U885U{98U85Uq98U`KF8U^i2Uq98UΌ2Uq98Un4Ur98U2Ur98U`E8U2U0r98UE8U5UpA8U4UأA8U58UA8ULF8U5UxiA8UE8Ux6o3UA8U6UXA8U(b2UA8U+_2UA8U,_2U A8Uh/_2U8A8U6UPA8UhE8UX:5UhA8Ux4UA8Uh5o3UA8Uh2UA8U/_2UȤA8U 4UA8UE8U16UA8U E8U46UA8U=4U(A8U45U@A8UH1_2UXA8U85UpA8U85UA8UXDe3UA8U87UA8U؝2UХA8UX85UA8U85UA8U)6UA8U885U0A8U85UHA8U85U`A8Up,5UxA8Ux85UA8UE8UH85UA8U85UA8UE8U4UئA8U2UA8U@E8UX2UA8U85U A8UX 85U8A8UH!85UPA8U"85UhA8U3UA8UH%85UA8UE8U&85UA8U(6UȧA8U&85UA8UhG85UA8U8<25UA8UXE8U 6U(A8UZ85U@A8UP6UXA8U5UpA8UA6UA8U)_2UA8U54UA8U_85UШA8U_85UA8UE8U`85UA8U(E8Uc`7UA8Uf`7U0A8U25UHA8U25U`A8U25UxA8UHE8U c2UA8U"c2UA8U(g85UA8Ug85UةA8UW4UA8UXf85UA8Ue85U A8UE8Uc85U8A8UpE8UOm2UPA8UE8U m2UhA8UE8UX~`2UA8UE8U`2UA8UHb85UA8UE8U&_2UȪA8UhAT2UA8U8DT2UA8U>T2UA8UE8U7U(A8U4U@A8UE8UH5UXA8UE8U(t85UpA8Up85UA8UE8Uj6UA8U885UA8UI85UЫA8UE8U85UA8Uxa85U88U85U88U6UiA8UE8UH4UhH8UX2U88Uh4UiA8UE8U6U jA8U6U8jA8UE8Uh_2UHr98U85U`iA8U885UjA8U85U`r98UxE8U^i2Uxr98UΌ2Ur98Un4Ur98U2Ur98UE8U2Ur98UE8U5UA8U4UXA8UA8U68UE8U5UТA8UE8Ux6o3U@A8U6UجA8U(b2UpA8U+_2UA8U,_2UA8Uh/_2UA8U6UЮA8UE8UX:5UA8Ux4UA8Uh5o3UA8Uh2U0A8U/_2UHA8U 4U`A8UE8U16UxA8UE8U46UA8U=4UA8U45UA8UH1_2UدA8U85U(68U85U@68UXDe3UX68U87Up68U؝2U68UX85U68U85U68U)6U68U885U68U85U68U85U68Up,5U068Ux85UH68UE8UH85U`68U85Ux68UE8U4U68U2U68UxE8UX2U68U85U68UX 85U68UH!85U68U"85U 68U3U868UH%85UP68U0E8U&85Uh68U(6U68U&85U68UhG85U68U8<25U68UE8U 6U68U!2023-04-10 13:53:51U!2023-04-10 13:54:03!851371W!1484157W!0000-00-00 00:00:00!0000-00-00 00:00:00QE8U!2014-11-21 04:09:22UQJolly Old St Nicholas for horn duet suitable for grades 15 14BHNDU11U!0W!0W!4W!0000-00-00 00:00:00!0W!0W1Jolly Old St. Nicholas (for horn duet, suitable for grades 1-5) (14BHNDU11) Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WE8U(E8UE8U`E8U(E8U0E8U`E8U8E8UE8UE8UxE8UE8UE8UE8UE8UXE8UE8U0B"8UE8UpE8UE8UhE8UE8UE8U E8UE8UE8U8E8UPE8UE8UE8UE8UE8UE8UE8UhE8UE8UE8UE8U(E8UpE8UE8UE8U`E8U E8U0E8UE8U8E8UPE8UE8UPE8UE8UE8UE8UE8UE8UE8U0E8UhE8UE8U@E8UHE8UE8U E8UE8UHE8UE8UxE8UE8UE8UE8U@E8UE8UE8UXE8UE8UE8UE8U F8U["162100","163165","161478","160861","163127","163163","162764","162770","163153","163147","163151","162534","163134","163133","163131","173800","174623","147972","173889"]angeScores!2020-08-28 11:22:50!1W!0000-00-00 00:00:00!WWF F8U!0WeExchang!0WspectPa!0WdScoUp!0W F8U!1W F8U!650x919WdefScor!0WErrorCou!0WgTit!5.00W` F8U!2023-04-09 20:46:08U!2023-04-09 20:46:24Scor!781213WWarningC!1314250W!0000-00-00 00:00:00U!0000-00-00 00:00:00UQCopyright © 2014 by Edwin Sung http://www.edwinsung.comE8UQJingle Bells (for horn duet, suitable for grades 1-5) (14BHNDU10)88U!42WX>8U!609WZipConve!2W@8U!2W88U!2014-11-21 03:40:07U!2017-11-22 16:44:26U!2014(Xy>8U!2WI:8U!1.50W8T:8U!2014-11-21 03:40:11%8Ub8UnL7Ui8UnL7U8#8U8UD8U38UnL7Up~3U4Uij7Ux.8Up7U8M8UM8U]5U!{8U9,8U8U08U28U8U"8U38U?8U^5U_5U`_5U_5U_5U_5U`5U`5Uh`5Ua5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U14Uȸ5U4U]5U4U@^5Up^5U^5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U!#ffffff! 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Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 10th November, 2014 Enjoy!F8U!2.00W!0W!1W!0W!WW!WW!0W!3 printsW!WW["162100","163165","163127","161478","163153","163136","163151","160861","162764","163133","163163","163147","162534","163134","163131","173889","174623","173800","147972"]UNF8U!2020-07-26 13:04:13U!1WMF8U!0000-00-00 00:00:00U!WWJF8U!0WxKF8U!0W OF8U!0W!0WOF8U!1W10WKF8UNF8U0QAngels We Have Heard On High for horn duet suitable for grades 26F8U!0W!0W!3W!0000-00-00 00:00:00!0W!0WAngels We Have Heard On High (for horn duet, suitable for grades 2-6) 3 prints Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 10th November, 2014 Enjoy!cores!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WpMF8UE8UHE8UHKF8UMF8UNF8UHNF8U RF8UOF8UQF8U`NF8UMF8UIF8UxE8UQF8U@MF8UQF8UA"8UJF8UXJF8UPF8U0E8UQF8UPF8URF8UhLF8UE8U OF8U8OF8UQF8UOF8UPF8UMF8ULF8UE8UPOF8UxQF8UJF8UKF8UPF8UXPF8UOF8UNF8UHQF8ULF8UQF8UMF8U LF8U8LF8UNF8U8RF8UQF8UIF8UPE8UKF8UMF8UIF8UKF8UPLF8UOF8U(JF8U0NF8UJF8UIF8UxKF8U0QF8UE8U`QF8UE8UPF8ULF8U(PF8UpPF8UJF8U@PF8UKF8UKF8UOF8UeScores!0000-00-00 00:00:00 @!WWScoreExc!982633WAaF8U!0WmaF8U!0WScores!0.00W? !5.00WdefU!3.00WaF8U!0WbF8U!WWScores!0.00Wn1650x919WF8U0A8UA8U0a 1. Deh! con te, con te li prendi... Li sostieni, li difendi— Non ti chiedo_onori_e fasci, A tuoi figli ei fian serbati; Prego sol che_i miei non lasci Schiavi, abbietti, abbandonati, Basti_a te che disprezzata Che tradita io fui per te. Adalgisa, deh ti muova Tanto strazio del mio cor, Adalgisa, deh ti muova, Tanto strazio del mio cor. Norma! ah! Noma, ancora amata, Madre ancora sarai per me; Tienti i figli ah non, ah non fia mai Ch'io mi tolga_a queste arene. Tu giurasti. Si, giurai— Ma_il tuo bene, il sol tuo bene. Vado_al campo,_ed all' ingrato Tutti_io reco i tuoi lamenti: La pietà che m'hai destato Parlerà sublimi_accenti— Spera, ah spera amor, natura Ridestarsi in lui vedrai— Del suo cor son io secura— Norma ancor vi regnerà, Norma spera nel suo core Norma ancor vi regnerà, Norma spera nel suo core Norma_ancor vi regnerà. Ch'io lo preghi— ah! no giammai. Ah! no. Norma, ti piega. No, più non t'odo, parti, va— Ah, no giammai. no, ah no! Mirra,_o Norma, a tuoi ginocchi Questi cari tuoi pargoletti; Ah! pietade di lor ti tocchi, Se non hai, non hai di te pietà. Ah! perchè, perchè, la mia costanza Vuoi scemar con molli_affetti? più lusinghe, ah più speranza Presso a morte, un cor non ha. Ah! perchè, ah! perchè la vuoi scemar ah perchè, ah! Ah! perchè la mia costanza Vuoi scemare con molli_affetti Più lusinghe ah più speranza. Presso_a morte il cornon ha, no, il cor, no, non ha speranza il cor non ha. Cedi, deh! cedi. Ah! lasciami— Ei t'ama. Ei già sen pente. E tu? L'amai; Quest' anima sol l'amistade_or sente. O giovinetta! e vuoi— Renderti_i dritti tuoi, O teco_al cielo e_agli_uomini Giuro celarmi ognor. Si— hai vinto— abbracciami, Trovo_un' amica ancor. Si, fino_all' ore, all' ore_estreme Compagna tua, compagna m'avrai: Per ricovrarci, per ricovrarci_insieme Ampia_è la terra,_è la terra assai. Teco del fato all' onte, Ferma_opporrò la fronte, Finchè_il mio core a battere_Io senta sul tuo cor, senta sul tuo cor, Io senta sul tuo cor, Io senta sul tuo cor, ah, sì, sì, Ah! Si, fino_all' ore, all' ore_estreme Compagna tua, compagna m'avrai: Per ricovrarci, per ricovrarci_insieme Ampia_è la terra,_è la terra assai. Teco del fato all' onte, Ferma_opporrò la fronte, Finchè_il mio core a battere_Io senta sul tuo cor, senta sul tuo cor, Io senta sul tuo cor, Io senta sul tuo cor, Io senta sul tuo cor.ntSelec!177353HXeCoDo = !0W !0W!0W!1W 85U8U5U*8UXDe3UH08UHb85UZ8U~5U78U;6UPS8U~6U8Uq5UX,8U 4UP8U7UM8U8Ul38U6Ux"8U)6U 9U4U`8U85U0V8U8Uc`7U8Uk5U8{8UF8U(t85U ?8U(6U!"8U 4UH8UW4UzS8U3U8UP8Uv5U8Ue85UD8Ux4Ul8U/_2U8U(b2U8UI85U@.8Uܥ4Uȓ.8U54U]8U"85UG}8U85U@5C8UЁ18UN{7UX38UO8U m2UM8U$F8U\4U^8U,_2U@r8UH!85UB8U8<25Ug8UȨS8Ux6o3UV8Ua;8U8~5UT38U2U""8U85U8U8#7U8U6UB8U85U228UX2U萚8U85U08Ux4UЍ8U 4U๠8U2U8UX2U8U`8UhO6U0+W8Uxa85U 8UpҢ8UOm2UR,8U85U@?8UU6U(8Ub8U@8UX+8U)6UB8U8<25Un8UPS8U8~5U8Ux85Up(8Up3U8U6UV8U(g85U 8U4UoR8U87Ur8Un4Uxb8U85U28U6U`&88Uxu8Uh5U(8Ue85UHS8U85Uv8U|8U(t85UX/8UhI"8U5UV.8U6Ub<8UH1_2U`78U 8U7U+_2U,8Uz18U4UP8U69UST5U/9Uz5U*|8U(b2U8F8U"c2U8 S8UΌ2U]3U88U=4Uî8U`3U8U85UA8U~5UP38U18UX~`2U48U38U^i2Uh8UB5UPa8Uh2U'8Uȳ~5U 18UB"8U8~5UЂ8U25U8U8U c2U8UjS8UH7U9U(A8UH85U C8U8<25U V8U_85UQV8Ue85U`8U)6U :8U^5U019Uȹ59U-9UR-9U048UhJ3U8Ux6o3Ux8Uh8UX~5U8UhAT2UHV8U85U7UxF8UH5U :8U)_2UxB8U 6UЕ?8UH~5UH8U45UT8Ue85U228U885U8U 08U`85U28UO8U&85U`N8UU6U(E}8UX8U5UӐ8UA6U 18U85UP98U85Uh8U(?8U6U ?8U2U18UX6U3Uv=8U`2Up/8UӤ8U(t85UXM8UhAT2U/8Uk`7U+.8U_85UwB8UGP8U^i2UhI8U 8U`2Up28UXS8Ud2Ux7U 4Uh7U`y?8U4U7F8UOC8U8~5U 7Up85UX7U885UX"8U'7U7U6U88U"c2Ux;,8U~5U@8UI85U7U#5U8UΌ2UX,8UH9U+9U{8U85UpB8U>T2Ul68U2U88Uc2U,8U18U4U8UP6US8U{F8Uh~5Un18U(D8UH85U8U&85UP08U85Up8U2UP8Un4UP"8U@3UhF8U>T2U0S8U`-8Uh_2U8UΌ2U:z8U4UI8UA6Upk?8U 4UA,8U;8U2UК8Ux~5U'C8U 8Uj6U(8U)6U@xC8U<8U5UH ?8Ua 1. Deh! con te, con te li prendi... Li sostieni, li difendi— Non ti chiedo_onori_e fasci, A tuoi figli ei fian serbati; Prego sol che_i miei non lasci Schiavi, abbietti, abbandonati, Basti_a te che disprezzata Che tradita io fui per te. Adalgisa, deh ti muova Tanto strazio del mio cor, Adalgisa, deh ti muova, Tanto strazio del mio cor. Norma! ah! Noma, ancora amata, Madre ancora sarai per me; Tienti i figli ah non, ah non fia mai Ch'io mi tolga_a queste arene. Tu giurasti. Si, giurai— Ma_il tuo bene, il sol tuo bene. Vado_al campo,_ed all' ingrato Tutti_io reco i tuoi lamenti: La pietà che m'hai destato Parlerà sublimi_accenti— Spera, ah spera amor, natura Ridestarsi in lui vedrai— Del suo cor son io secura— Norma ancor vi regnerà, Norma spera nel suo core Norma ancor vi regnerà, Norma spera nel suo core Norma_ancor vi regnerà. Ch'io lo preghi— ah! no giammai. Ah! no. Norma, ti piega. No, più non t'odo, parti, va— Ah, no giammai. no, ah no! Mirra,_o Norma, a tuoi ginocchi Questi cari tuoi pargoletti; Ah! pietade di lor ti tocchi, Se non hai, non hai di te pietà. Ah! perchè, perchè, la mia costanza Vuoi scemar con molli_affetti? più lusinghe, ah più speranza Presso a morte, un cor non ha. Ah! perchè, ah! perchè la vuoi scemar ah perchè, ah! Ah! perchè la mia costanza Vuoi scemare con molli_affetti Più lusinghe ah più speranza. Presso_a morte il cornon ha, no, il cor, no, non ha speranza il cor non ha. Cedi, deh! cedi. Ah! lasciami— Ei t'ama. Ei già sen pente. E tu? L'amai; Quest' anima sol l'amistade_or sente. O giovinetta! e vuoi— Renderti_i dritti tuoi, O teco_al cielo e_agli_uomini Giuro celarmi ognor. Si— hai vinto— abbracciami, Trovo_un' amica ancor. Si, fino_all' ore, all' ore_estreme Compagna tua, compagna m'avrai: Per ricovrarci, per ricovrarci_insieme Ampia_è la terra,_è la terra assai. Teco del fato all' onte, Ferma_opporrò la fronte, Finchè_il mio core a battere_Io senta sul tuo cor, senta sul tuo cor, Io senta sul tuo cor, Io senta sul tuo cor, ah, sì, sì, Ah! Si, fino_all' ore, all' ore_estreme Compagna tua, compagna m'avrai: Per ricovrarci, per ricovrarci_insieme Ampia_è la terra,_è la terra assai. Teco del fato all' onte, Ferma_opporrò la fronte, Finchè_il mio core a battere_Io senta sul tuo cor, senta sul tuo cor, Io senta sul tuo cor, Io senta sul tuo cor, Io senta sul tuo cor.83569!2017-03-31 16:16:53!0000-00-00 00:00:00!WW!770112W!1WPB8U!3W!8.00W Prayer for All Souls Paul Beedle A short solo anthem for worship; can also be performed as a unison choral anthem.10Wntent_type0`2F8UPs;8UDE8UPF8Uh|N8U78UD0d8U@==8UD 7U0F8UD;!8U ~5UȇF8Uhw8UF8U5US 8UU08U/8UDpTr8Ur88UD@E38UG-8UUp3=8U|!8U @8U@H8UD Pz8UR8U @b8U0/8UDW8U9UD@8UЈF8UxC8Up/8UD$ 8U7UD08U/8UDpQ88U(C8UU@s8U`8U 8UD8U^8UD8U9:8UD-8UF8UĽ8U @8U r8UDC8U̱8U 8U?8UDM8U@Q8UDA8UpS8U "S8UV8U $8U`pN8UDE8UhN-8UUЩ?8U/8UD>8U 8:8UD O7UC18U`A8UD[8Upr/8UD8U;8UD@MS8U@:}8UDK38UET8UD`8U`m8UDi8U`7UDt8U25U18UDD38UqN8UD8U@ح8U 8U8U`c8U|8UD+8U8UU nW8U78UD;8Uܮ8UU8Uw88UD 68UxF8UC8UU08U]-8UD8U_85U?8UD?8UF8UHF}8Uá8UD8U9=8UD,8UУF8UD@ 8U`=8UD@I8UA8U98UfC8UL8UD#58U>8UD t8UЫ8UQ8UDs8Us88UDM8U@8UD08Uv;8UD|28U8UD`+=8Up:8U 8UD08U.8UDC8U`18UD8UK8UD`O8U98Uvk8Uz7UD18UpR8UD d8U`<8UDP8U`LB8Up8U`}/8UDv8U 3U  p8U`O8U u;8UDХ8U8U`>8UD8UpC8UU8Uo8U8UU0#28U@7UD8UI8UD0V8U J28UDP8U+8Uv0B8U8UUB8UC8UU04P8U(X 8UUPB8UJ18U @V"8U@w8UD`w8UF18UD F8U8U`.8UD t8U 8UUP1:8U8U`N18U 3P8U;8U8U8UDED8UC-8UU F8UZ8U 00_8U0F8U 38Uv28Us8UU@.8U 8UDP8U08U;}8UD8UCT8UDD8U<8UD 08U7UD8U8UD&8US8UU0N8U;6U8Uf@Is8U8UD78UMB8UD028UMt8UDd8U>8UDPD38UFT8UD`3Uq;8U28UD8U v 8UD8U`.8UD`A#8U738UD F8U8UU 7U@<8UDE#8US8UU@+N8U0D8UD>8U8H-8UU78UR8U  vs8Uo;8U"C8UUR8U0F8UeMHF8U@_8UI8UD38U`1<8UD0) 8UNB8UDpD8UP8Up8UDs8U ~5U@ r8UD`Os8U98UD`8U!8UD@08UhC8UU@a=8U8UUP8U85UI:8U6UwE8U 78UH4U.E8UX2UI:8Uh4UwE8U78U6U(xE8U6U@xE8U`78Uh_2Ux98U85UhwE8U885UxE8U85Ux98U؎78U^i2Uy98UΌ2U y98Un4U8y98U2UPy98UXF8U2Uhy98UxF8U5Uت78Ux4UX\8UhE8UF8Up78U5UE8Ux6U9U6U78U"85U 8UZ85UP.8U8Uc85U8U85UC8U59U)-9Ux-9U8U5U=,8Ux6o3U/28U(6Uз8U)6U8Uh2U9UK?4U78Ux:8U`2U98Ux4U`8UV8U\4U`U;8U2U8U~6UP8Uh~5UK8U885U4T8UH!85U8Uh4UJ8U6U78U0*3U8m68UD8Ud2U/8ULn5UH8Up,5Uf8UW4U8F8U85UPM8Um=8UX:5UD8U6U08UȱS8U&85U"8U3UB8UF8UL2U88U8$2U068U$2U(z98U5U>8U8g5U0iA8U6Up@8UF8U5U m68UXs3U4U2Us68Uf`7U08Ub5U328U85UT38UV8UH5UX8UXҤ8Uj6UP.8Ub5UB8UA6UX8Uحp3Us8U8U`2U7UPЌ8U5U/A8Uh/_2Uؘ18U25UA8UXe3URV8Uh2UP8ULn5U88UX85U(8U)_2U"8UP6U{S8UP6Uh)W8U3U8U6U8UHb85U`O8U`3U>8Ue85UU8U6UH1W8U`3U;8U5Uj?8U 4U;8Uۊ8UH85UV8Uȫ~5U98U>8U5U8U898U`85U8U(g85Ux8U'8U`85U]8UX6U8h8Uȳ~5U7#8Ux4Uk8U<8Uj6U3U)_2U78Uk5U(!98U8UH1v8U7Ux85U8U`3U0A8U18U85Ui8U885UPO08U"c2U8U/8U6U3.8U85UxK/8U 4U"8Uh8U16Uz 9Ux85U8UP7U16U M8U25U2#8U~5Uc 8U85UV8UxB5U@SV8U8Ux6o3U"8Ū8U~5U_V8Un4U0"8UxA-8U~5U(-8U6U8UG"8Uv5US8Uh2UC8U6Uh8U~6U XV8UK?4UH58UX85U8T8U85Un<8U,_2U8U(g85U78U F8U 6U h<8UxB5U;8U6UA8UN"8UOm2UF8U65U :8U;6UtS8U(6UG8UhAT2UH9T8U)6U7UH7UT5Ux8U6U8UHb85UPN8UH%85U$8U8U&85U 8U88U7U7Uf`7U@<8UXf85US8U8U8UX:5UF8UHb85U018U?8UOm2U08UW8UH~5UM08U885U8U88UOm2U;8UK8U|8UW4U:F8Uۢ8U16Ub8U+_2U`..8UP8U46Up8Uh5o3U68UXf85U\;8UZ85UA8Ub5U@Z8Uh8U2Uh8U`08U5U#8U(ߊ8U c2UX8U/_2U?8UF8U!0x^@F8U!0W!0W!1W!650x919W!0W!0W!5.00W!2023-05-11 17:15:46!2023-05-11 17:15:56!519657W!831473W!0000-00-00 00:00:00!0000-00-00 00:00:00У78UF8UF8UU8U`w2Upr8UD`I8U',8UDG8Ut!8U `c8U q8UDJs8UpwV8UD.8UF8U78U98Uv78U@b-8UDJ<8U538UD0S/8U F8UP8UD"8UPF8U+"8UF8U "8UD`8UF8UF8UF8U 8UD 7UF8U`=8UD7U@F8U *,8UDpy8UpF8U`=8UD38UF8Uh8UU>68UF8U8UD@8UF8UF8U0F8U>8UD`Q8U`F8Ux!8U @@8UwV8UD 8UF8U q8UD =8U.8U @8UcT8UD`08U ?08UDs8UP}V8UD3S8Uk8UDF8UHt8UP 8UD8U 8Uf8UB8UD3!8UF8Ux8U8U2p8UD38U 98Uv08U8U D@08U(F8U 3U8UD 8U@d8UD8U/8UD8UXs8UU-s8U]8UD 8UK8UDб;8UC8UUP"+8U8UD 8U8UDp8U 18UD28UHF8US8UU@.8Uk8U28UD0!48U08UD0D8Uɡ8UDpm8U@8Uv0?"8Up.8Ufm78U ɱ8U `<8U`8UD0T8U`7UUB8UI8UU0C8UhF8U8UC8UUPHN8U08UDpr8U3U 8UJ8UU8Up8UDP8U7UD=<8UV8U2pX8U8UD8S8US8UU@fR8U8UDk8Uq/8UF8UXM8Uq5U 8UDb8U8UD8U`ܭ8U 0\8U8UDP8UD8UDWS8U8UD+8UPY8UD08U@3UDR8U78UD0U8U=8UDpR8U@18UD48Uڮ8UUp8UP78UD7UB8UD 38Uu8UDP8U`;8UP8UDpM!8UpP8UD8U(8UU28Ug8UDE8U8UD@8U$P8UDVR8U g8US8UD8UF8U28UDm8U8UDb8UT8UD 28UA}8UD8UO-8UUp38UB3UD8U028UD8U <8UDS8UL-8UU 3!8UP>8UD.!8U`Et8UD8U6<8UD"8US8UU4N8Uy8U$,8UDF8U25UP78UDh8U0NB8UD2N8U 8U`V8UDjN8UR8U  q78Uь8UD8U8UD8UT8UDb8Uc8UDPc8U>8UDcV8UE78UUp8U`S8UUPaR8U8UDPs8U8U2W8U Dp8Us8UU008UHj8U 8U0z88UD@F8U@8UUSS8U<8UU8UF8U67Up5o3Upf8UD@8UPb8U\8U 0pg=8U`L8UF8UD0c?8U`F8UH3U;8U0V8UDes8U(S8UUGs8U,D8UDP8UF8UQF8U!0000-00-00 00:00:001Wps3U08UP08U010&B8US8Up=8U0!0J<8U !18U !0X3U 1178UE8U0F8U0!2023-03-10 12:56:33QCopyright © 2014 by Edwin Sung http://www.edwinsung.comF8UP!18X^;8U!WW` T8U!WWx=8U1WW0!K8U !135104X!1W !8U!0W ,8U!WW07U!0W 38U!0WB8U!0000-00-00 00:00:00U11W0?8Ux7U0!0ZC8U1[{"Desc":"","Url":"http://www.amazon.co.uk/Handel-arias-soprano-baroque-pitch/dp/147812251X/ref=sr_1_3?ie=UTF8&qid=1341467851&sr=8-3","Text":"Available from Amazon Books - Handel: soprano arias in baroque pitch. Edited by John Nicholson and published by Schubertline. "},{"Desc":"","Url":"http://www.amazon.co.uk/Bach-arias-soprano-baroque-Nicholson/dp/1480094366/ref=sr_1_1?s=books&ie=UTF8&qid=1353676212&sr=1-1","Text":"Available from Amazon Books - Bach: soprano arias in baroque pitch. Edited by John Nicholson and published by Schubertline. "}]!0W !0000-00-00 00:00:00AOnline printing in any key from www.schubertline.co.uk1WW01WpF8U2SK0!HASHWtion="/sQ<8U8Uḧ́8U!08U !0p*8U !HASHW !1320927Os8U Cameroon National Anthem O Cameroon Cradle of our Forefathers for Brass Quintet MFAO World National Anthem Series10W0!008U11WRLF8U0!0.008Xx<8U!2.50W,/8U!0.00W78U10W0!402376W12W0AWe Wish You a Merry Christmas (for horn duet, suitable for grades 2-6) (14BHNDU15) 1 print Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 21st November, 2014 Enjoy!!0$8U !0>B8U>B8U!0W[{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":0,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":0,"name":"mp3"},{"on":1,"name":"composer"},{"on":1,"name":"subtitle"},{"on":0,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"},{"on":0,"name":"platinum"},{"on":1,"name":"status"}]!2W!1W!574.85W!WW!WW!WW!0000-00-00 00:00:00!WW!0000-00-00 00:00:00!0W!1W!1W!0W!0W!2017-06-14 19:36:53!0000-00-00 00:00:00!5WF8U!1WE8U!0W3U!3284Wo28U!1W3U!0.00W@F8U!2024-05-01 11:08:36U!0W3U!0W`F8U!AccountWS8U!0000-00-00 00:00:00U10000-00-00 00:00:00U0!XPs8U!0#8U 1none@/N8UScorePart0!0F8U Greek & Cypriot National Anthem for British Brass Band (Imnos Eis Tin Eleftherian-Hymn to Freedom) Nikolaos Mantzaros Keith Terrett Music for all Occasions An arrangement of the Greek/Cypriot National Anthem for British Brass Band. The "Hymn to Liberty" or "Hymn to Freedom'', or "Anthem to Liberty") is a poem written by Dionysios Solomos in 1823 that consists of 158 stanzas, which is used as the national anthem of Greece and Cyprus. It was set to music by Nikolaos Mantzaros, and is the longest national anthem in the world by length of text. In 1865, the first three stanzas (and later the first two) officially became the national anthem of Greece and, from 1966, also that of Cyprus. Nikolaos Chalikiopoulos Mantzaros's most popular composition remains the musical setting for the poem of Dionysios Solomos' Ýmnos eis tīn Eleutherían (Hymn to Liberty), which Mantzaros added to Solomos' poem in 1828. The first and second stanzas were adopted initially in 1864 as the Royal Anthem of Greece and on 28 June 1865 as the Greek national anthem. However, recent research and performances have proved that Mantzaros had broader activities as a significant composer and music theorist, which go beyond the established perception of him as the mere composer of the National Anthem. All of the world's national anthems are available in my store, if you require a different orchestration; kindly e-mail me your requirements: keithterrett@gmail.coma!0^F8U!0000-00-00 00:00:00!WW!0W!259W!194W0*R8U/R8U(/R8U(R8U)R8U*R8U+R8U.R8U,R8U.R8U +R8U*R8UX&R8UX/R8U.R8U*R8U-R8UXS8U'R8U'R8U-R8U/R8UP.R8UH-R8U.R8U()R8U/R8U+R8U+R8U.R8U,R8U`-R8U`*R8U)R8U/R8U,R8U8.R8UH'R8U(R8U,R8U-R8U,R8U+R8U.R8U(R8U-R8UH*R8U(R8U(R8UP+R8U.R8Uh.R8U&R8U00R8U'R8U*R8U&R8U'R8U)R8UX,R8U&R8U*R8Ux'R8U%R8U8(R8U-R8U/R8U .R8Up/R8Ux-R8UX)R8U,R8U0-R8U'R8U-R8Uh(R8U(R8U@,R8UComposer!0.00^F8U["192935","175141","192890","143976","175814","204559","115794","164982","194583","174246","205224","176162","203165","203485","206488","204380","162537","22893","204642"]ty oF8U!2020-09-27 16:33:39!1W!2019-09-25 15:05:261861EAEF8-DF9D-11E9-A548-78F8U!6735W!0W!0W!0W!1W!650x840W!0W!0W!5.00W!2023-03-12 06:27:14!2023-03-12 06:28:56!5283986W!5131266W!0000-00-00 00:00:00!0000-00-00 00:00:00  gh[`$( MP 68MPfh  X`78)0 fh@HfhSXLPeExchangQ/R8UaAn arrangement of the royal anthem of Denmark for Brass Quintet. Kong Christian stod ved højen mast (Danish pronunciation: [kʰʌŋ ˈkʰʁɛsd̥jan ˈstoːˀð ʋe ˈhʌɪ̯ən masd̥]) ("King Christian stood by the lofty mast"), commonly shortened to Kong Christian, is the royal anthem of the Kingdom of Denmark. It also has equal status of national anthem together with Der er et yndigt land, though it is almost exclusively used in relation to the Danish royal house and the military. The theme of the song is about the heroics of Danish sailors during the wars against Sweden in the 17th and 18th centuries. On New Year's Eve it is tradition to sing along as the Danmarks Radio Girl's Choir sing the song on television, immediately after midnight following the other national anthem. Usually only the first verse is sung on official occasions. Adopted in 1780, it is one of the oldest national anthems in the world. The lyrics first appeared in May 1778, in Johannes Ewald's vaudeville play, The Fishermen, which premiered at the Royal Danish Theatre in January 1780 on the birthday of King Christian VII. The play depicts the heroics of fishermen from the northern part of Zealand, who saved a lot of sailors from drowning and then refused to take pay for it. For this reason, the play was seen as a tribute to the navy, in particular because of the King Christian song. In the original staging of the play, however, only the final 4th verse was ever sung.[citation needed] The first three verses were omitted because of the animosity they showed towards Sweden, who at the time were an important ally against the United Kingdom as members of the League of Armed Neutrality. he theme of the song is the heroics of Danish sailors during the wars against Sweden in the 17th and 18th centuries. It specifically names the Danish naval heroes King Christian IV, Niels Juel and Peter Wessel Tordenskiold. The first verse refers to the Battle of Colberger Heide where King Christian IV is hurt by shrapnel and thought to be dead, but quickly gets to his feet and incites his crew to continue the battle. It has long been debated who composed the music to the song. It was originally accredited to Johann Hartmann, the same composer who wrote the score for the original play "Fiskerne", where the lyrics had first appeared, however his original romantic score for the vaudeville was entirely different from the score commonly used today. Following the dismissal of the possibility that Hartmann could have composed the score, it was suggested that a friend of Johannes Ewald, High Court judge Ditlev Ludvig Rogert, who was known to have played the violin, had been the original composer – a claim that was backed up by several 19th century intellectuals. In 1880 Vilhelm Carl Ravn presented his theory that the score significantly preceded Ewald's poem and had no one particular composer. This is the most commonly supported theory today. However, even today, the score is also often wrongfully accredited to Friedrich Kuhlau, who made "King Christian" a popular anthem by using his own arrangement of the score in his play Elverhøj, which premiered at the wedding between Crown Prince Frederik (The later King Frederik VII) and Princess Vilhelmine in November 1828. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.errett@gmail.comor`"M8UdI8U@G8UDkI8UPG8UDlI8U`G8UD lI8UpG8UD@lI8UG8UD`lI8UG8UDlI8UG8UDlI8UG8UDP%8UG8UDp%8UG8UG8UD%8UG8UD%8UG8UG8U G8U0G8U@G8UPG8UD%8U`G8UD%8UpG8UD%8UG8UD0%8UG8UD%8UG8UD%8UG8UD0%8UG8UDP%8UG8UD%8UG8Up+M8UH8UD`)8UpR8UH8Up)8UD(8U q)8UD(8U0q)8UD(8U@q)8UD(8U C8U qI8U V8U2G8U,M8Us8UDs8U0U%8UD07&8U0k$8UDp%8UXG8Uj$8UD%8UaZ8UD0Z8UaZ8UDZ8U[8UD[8Uj$8U@k$8UD%8Uk$8UD%8Uk$8UD0%8UC8U  a$8UG8UDL#8UG8UD rI8UG8UD L#8U G8UDrI8U0G8UDrI8U@G8UDrI8UPG8UDrI8U`G8UDsI8UpG8UDsI8UG8UDsI8UG8UDsI8UG8UDtI8UG8UDPtI8UG8UDptI8UG8UDtI8UG8UDtI8UG8UDqI8UG8UDtI8UG8UDtI8U G8UDuI8U0G8UD sI8U@G8UD @I$8UPG8UD@sI8U`G8UD`sI8UpG8UDsI8UG8UDhI8UG8UDhI8UG8UDiI8UG8UD0iI8UG8UDPiI8UG8UD piI8UG8UDiI8UG8UDgI8UG8UDgI8UG8UDhI8U G8UD hI8U0G8UD@hI8U@G8UD Q$8UPG8UDPU$8U`G8UDpU$8UpG8UDU$8UG8UDU$8UG8UDU$8UG8UDU$8UG8UDV$8UG8UD0V$8UG8UG8UDV$8UG8UDV$8UG8UDV$8UG8UDV$8U G8UDW$8U0G8UD0W$8U6U@G8UD PW$8UPG8UD`hI8U`G8UDhI8UpG8UDhI8UG8UDiI8UG8UDjI8UG8UD0^$8UG8UD`$8UG8UD`$8UG8UDa$8UG8UD0jI8UG8UDPjI8UG8UDpjI8UG8UDjI8U G8UDjI8U0G8UDjI8U@G8UDjI8UPG8U`G8UDkI8UpG8UD0kI8UG8UG8UG8UG8UG8UG8UDPkI8UG8UDpkI8UG8UDkI8UG8UDpO$8UG8UD0P$8U G8UDPP$8U0G8UDpP$8U@G8UDP$8UPG8UDP$8U G8UG8UP5H8UD(8U`R8UH8Upw)8UD@$8Uw)8UD$8Uw)8UD$8Uw)8UD$8U`C8U 0$8U V8U2x!G8U@G8Us8UDs8U[%8UD%8Uq$8UDP%8U!G8U@q$8U[8UD [8U[8UD[8U`[8UDY8U0q$8UDO%8Uq$8UDP%8Uq$8UD`P%8Uq$8UDP%8UC8U  %8UpG8UD$8UG8UD@E$8UG8UDE$8UG8UDE$8UG8UDE$8UG8UDF$8UG8UD F$8Ufor you 1#G8U>@151681!0Yp4G8U!1W!650x459WX7G8U!0W!0W4G8U!5.00Wp7G8U!2023-03-19 11:22:03U!2023-03-19 11:22:49U!1573877W4G8U!1268752W83G8U!0000-00-00 00:00:00U!0000-00-00 00:00:00UQH8UA%G8U_?152446@!0000-00-00 00:00:00U!0WwE8U!0W 48U!0Yh;8U!0W28U!0WnR8U!0WR8U!2018-06-05 15:21:15U!2018-06-08 02:05:21U!0000-00-00 00:00:00U!WWXG8U!461780XxQ8U!0W4U!0W4U!0.00W4U!10.00W4U!7.50W4U!0W h/_2UQ8U6UȮQ8UH0R8UX:5UQ8Ux4UQ8Uh5o3UQ8Uh2U(Q8U/_2U@Q8U 4UXQ8U*G8U16UpQ8UP-G8U46UQ8U=4UQ8U45UQ8UH1_2UЯQ8U85UQ8U85UQ8UXDe3UQ8U87U0Q8U؝2UHQ8UX85U`Q8U85UxQ8U)6UQ8U885UQ8U85UQ8U85UذQ8Up,5UQ8Ux85UQ8U*G8UH85U Q8U85U8Q8U)G8U4UPQ8U2UhQ8Up+G8UX2UQ8U85UQ8UX 85UQ8UH!85UȱQ8U"85UQ8U3UQ8UH%85UQ8U((G8U&85U(Q8U(6U@Q8U&85UXQ8UhG85UpQ8U8<25UQ8U(G8U 6UQ8UZ85UQ8UP6UвQ8U5UQ8UA6UQ8U)_2UQ8U54U0Q8U_85UHQ8U_85U`Q8U8-G8U`85UxQ8UX(G8Uc`7UQ8Uf`7UQ8U25UQ8U25UسQ8U25UQ8Ux)G8U c2UQ8U"c2U Q8U(g85U8Q8Ug85UPQ8UW4UhQ8UXf85UQ8Ue85UQ8U0R8Uc85UQ8U+G8UOm2UȴQ8Ux0R8U m2UQ8U+G8UX~`2UQ8U(G8U`2UQ8UHb85U(Q8U*G8U&_2U@Q8UhAT2UXQ8U8DT2UpQ8U>T2UQ8U-G8U7UQ8U4UQ8U(G8UH5UеQ8U,G8U(t85UQ8Up85UQ8U-G8Uj6UQ8U885U0Q8UI85UHQ8UH,G8U85U`Q8Uxa85U@8U85UcG8U6U(cG8U,G8UH4UHXQ8UX2U@8Uh4U@8U,G8U6UcG8U6UcG8U0/G8Uh_2Up~R8U85UbG8U885UcG8U85U~R8U)G8U^i2U~R8UΌ2U~R8Un4U~R8U2U~R8U0G8U2UR8U1G8U5UhQ8U4U8H8UHN8U`H8U@+G8U5UHQ8U@7G8Ux6o3U H8U6UPQ8U(b2UPH8U+_2UhH8U,_2UH8Uh/_2UH8U6UH8U1G8UX:5UH8Ux4UH8Uh5o3UH8Uh2UH8U/_2U(H8U 4U@H8U@4G8U16UXH8U7G8U46UpH8U=4UH8U45UH8UH1_2UH8U85UH8U85UH8UXDe3UH8U87UH8U؝2U0H8UX85UHH8U85U`H8U)6UxH8U885UH8U85UH8U85UH8Up,5UH8Ux85UH8U05G8UH85UH8U85U H8U4G8U4U8H8U2UPH8U5G8UX2UhH8U85UH8UX 85UH8UH!85UH8U"85UH8U3UH8UH%85UH8U`2G8U&85UH8U(6U(H8U&85U@H8UhG85UXH8U8<25UpH8U2G8U 6UH8UZ85UH8UP6UH8U5UH8UA6UH8U)_2UH8U54UH8U_85U0H8U_85UHH8Up7G8U`85U`H8U2G8Uc`7UxH8Uf`7UH8U25UH8U25UH8U25UH8U3G8U c2UH8U"c2UH8U(g85U H8Ug85U8H8U?!0X8*G8U!0W)G8U!1W)G8U!0Wx)G8U!0.0000Wh*G8U!2021-06-02 19:32:57UQLa EsperoThe Hope for Brass Quintet Anthem of the Esperanto language![([G8U!0W!WW QCopyright © 2018 MFAO (keithterrett@gmail.com) Music for all Occasions!WW ["140098","152693","173104","174334","173398","88083","171966","172729","141145","174716","173727","88084","174478","188016","173743","78056","176103","188410","186959","187217"]8U!2020-09-21 03:19:31U!1W0,G8U!2019-09-25 13:56:38U!8463W)G8U!0W)G8U!0Wh-G8U!1W!0WP-G8U!1W1650x840W *G8UH,G8U0!1.50HX!2021-06-02 19:30:06U!1W !0W !0W An arrangement for full Orchestra of the national anthem of Mexico. There are alternative versions for Brass Quintet & String Orchestra in my stor If you are hosting a sports event, and need arrangements of anthems let me know if I can assist: keithterrett@gmail.com The "Mexican National Anthem" (Spanish: Himno Nacional Mexicano), also known by its incipit "Mexicans, at the cry of war" (Spanish: Mexicanos, al grito de guerra), is the national anthem of Mexico. The anthem was first used in 1854, although it was not officially adopted de jure until 1943. The lyrics of the national anthem, which allude to historical Mexican military victories in the heat of battle and including cries of defending the homeland, were composed by poet Francisco González Bocanegra after a Federal contest in 1853. Later, in 1854, he asked Jaime Nunó to compose the music which now accompanies González's poem. The national anthem, consisting of ten stanzas and a chorus, effectively entered into use on September 16, 1854. A musical composition was chosen at the same time as the lyrics. The winner was Juan Bottesini, but his entry was disliked due to aesthetics. This rejection caused a second national contest to find music for the lyrics. At the end of the second contest, the music that was chosen for González's lyrics was composed by Jaime Nunó, the then Catalonian-born King of Spain's band leader. At the time of the second anthem competition, Nunó was the leader of several Mexican military bands. He had been invited to direct these bands by President Santa Anna, whom he had met in Cuba. About the time that Nunó first came to Mexico to start performing with the bands, Santa Anna was making his announcement about creating a national anthem for Mexico. Nunó's anthem music composition was made like masterpieces of classical music, with a high quality in composition, and was chosen. Out of the few musical compositions submitted, Nunó's music, titled "God and Freedom" (Dios y libertad), was chosen as the winner on August 12, 1854. The song was officially adopted as the Mexican national anthem on Independence Day, September 16 of that same year. The inaugural performance was directed by Juan Bottesini, sung by soprano Claudia Florenti and tenor Lorenzo Salvi at the Santa Anna Theatre. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid! Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements. hJG8UMexican National Anthem for Symphony Orchestra (Kt Olympic Anthem Series Composed by Jamie Nunó (1824-1908) Keith Terrett Music for all Occasions An arrangement for full Orchestra of the national anthem of Mexico. There are alternative versions for Brass Quintet & String Orchestra in my stor If you are hosting a sports event, and need arrangements of anthems let me know if I can assist: keithterrett@gmail.com The "Mexican National Anthem" (Spanish: Himno Nacional Mexicano), also known by its incipit "Mexicans, at the cry of war" (Spanish: Mexicanos, al grito de guerra), is the national anthem of Mexico. The anthem was first used in 1854, although it was not officially adopted de jure until 1943. The lyrics of the national anthem, which allude to historical Mexican military victories in the heat of battle and including cries of defending the homeland, were composed by poet Francisco González Bocanegra after a Federal contest in 1853. Later, in 1854, he asked Jaime Nunó to compose the music which now accompanies González's poem. The national anthem, consisting of ten stanzas and a chorus, effectively entered into use on September 16, 1854. A musical composition was chosen at the same time as the lyrics. The winner was Juan Bottesini, but his entry was disliked due to aesthetics. This rejection caused a second national contest to find music for the lyrics. At the end of the second contest, the music that was chosen for González's lyrics was composed by Jaime Nunó, the then Catalonian-born King of Spain's band leader. At the time of the second anthem competition, Nunó was the leader of several Mexican military bands. He had been invited to direct these bands by President Santa Anna, whom he had met in Cuba. About the time that Nunó first came to Mexico to start performing with the bands, Santa Anna was making his announcement about creating a national anthem for Mexico. Nunó's anthem music composition was made like masterpieces of classical music, with a high quality in composition, and was chosen. Out of the few musical compositions submitted, Nunó's music, titled "God and Freedom" (Dios y libertad), was chosen as the winner on August 12, 1854. The song was officially adopted as the Mexican national anthem on Independence Day, September 16 of that same year. The inaugural performance was directed by Juan Bottesini, sung by soprano Claudia Florenti and tenor Lorenzo Salvi at the Santa Anna Theatre. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid! Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements. be a RQ8U XG8UЎs8UD@s8UF8UD#G8UqG8UD@F8UXG8UqG8U&8UD8'8U&8UD8'8U&8UD0'8UpqG8UD`F8UrG8UD`F8UqG8UDF8UqG8UDF8U`R18U  Q8UOQ8UDQ8UPQ8UDQ8UPQ8UDQ8U PQ8UDQ8U0PQ8UD Q8U@PQ8UD@Q8UPPQ8UD`Q8U`PQ8UDQ8UpPQ8UD`Q8UPQ8UDQ8UPQ8UDQ8UPQ8UDQ8UPQ8UDQ8UPQ8UDQ8UPQ8UDQ8UPQ8UD Q8UPQ8UD Q8UQQ8UDQ8UQQ8UD0Q8U QQ8UDPQ8U0QQ8UDpQ8U@QQ8UD Q8UPQQ8UD0Q8U`QQ8UDPQ8UpQQ8UDQ8UQQ8UDQ8UQQ8UDQ8UQQ8UDQ8UQQ8UDQ8UQQ8UD0Q8UQQ8UD PQ8UQQ8UD`Q8UQQ8UD@Q8URQ8UD`Q8URQ8UDQ8U RQ8UDQ8U0RQ8UDQ8U@RQ8UDQ8UPRQ8UDQ8U`RQ8UD Q8UpRQ8UD0R8URQ8UDPR8URQ8U hG8UDpR8U0hG8UDR8U@hG8UDR8UPhG8U`hG8UD R8UphG8UD0 R8UhG8UDP R8UhG8UDp R8UhG8UD R8UhG8UD R8U6UhG8UD 0R8UhG8UD:R8UhG8UD :R8UhG8UD@:R8UiG8UD`:R8UiG8UD:R8U iG8UD:R8U0iG8UD:R8U@iG8UD:R8UPiG8UD;R8U`iG8UDQ8UpiG8UDQ8UiG8UDQ8UiG8UDQ8UiG8UDQ8UiG8UD Q8UiG8UD@Q8UiG8UiG8UD`Q8UiG8UDQ8UjG8UDQ8UjG8UDQ8U jG8UDQ8U0jG8UDQ8U@jG8UD Q8UPjG8UD@Q8U`jG8UD`Q8UpjG8UDQ8UjG8UD ;R8UjG8UD;R8UjG8UDR8UV8U2bG8UhYG8Us8UD`s8UH8UDQ8UpF8UD@H8UcG8UF8UDp;G8U&8UDP'8U0&8UD'8Up&8UD&8UF8UDP;G8UF8UD`H8U@F8UDH8UPF8UDH8UR18U  F8UkG8UD>R8UlG8UD0Q8UlG8UD>R8U lG8UDQ8U0lG8UDQ8U@lG8UDQ8UPlG8UDQ8U`lG8UD Q8UplG8UDЂQ8UlG8UDQ8UlG8UDQ8UlG8UD0Q8UlG8UDQ8UlG8UDQ8UlG8UDЃQ8UlG8UDQ8UlG8UD@Q8UmG8UD`Q8UmG8UDQ8U mG8UDQ8U0mG8UDQ8U@mG8UD мQ8UPmG8UDQ8U`mG8UDQ8UpmG8UD0Q8UmG8UDPQ8UmG8UDpQ8UmG8UDQ8UmG8UDQ8UmG8UDQ8UmG8UD Q8UmG8UD`Q8UmG8UDQ8UnG8UDQ8UnG8UDQ8U nG8UD Q8U0nG8UD@Q8U@nG8UD`Q8UPnG8UDQ8U`nG8UDQ8UpnG8UDQ8UnG8UDQ8UnG8UnG8UDQ8UhG8U OP  chRX GH^` IP :@ @HGH@HDH2282202H8UXH8UH8UH8UXH8U`H8UH8UhH8U(H8U H8UH8UH8UH8UH8UH8UH8UHH8U0S8U0H8UH8UH8UH8UئH8UХH8UPH8UH8UH8UhH8UH8U8H8UH8UH8UH8U(H8U(H8UH8UH8UПH8U8H8UXH8UH8U@H8U H8UH8UPH8U`H8UТH8UhH8UH8UأH8UH8UH8UH8UpH8UHH8U0H8U@H8U`H8UH8UH8UpH8UxH8UH8UH8UH8UxH8U@H8UH8UH8UH8UH8UpH8UH8UH8UH8UH8U H8UȤH8UQzG8U85UH8U85UH8UXDe3UH8U87UвH8U؝2UH8UX85UH8U85UH8U)6U0H8U885UHH8U85U`H8U85UxH8Up,5UH8Ux85UH8U{G8UH85UH8U85UسH8UzG8U4UH8U2UH8UH|G8UX2U H8U85U8H8UX 85UPH8UH!85UhH8U"85UH8U3UH8UH%85UH8U`H8U&85UȴH8U(6UH8U&85UH8UhG85UH8U8<25U(H8UH8U 6U@H8UZ85UXH8UP6UpH8U5UH8UA6UH8U)_2UH8U54UеH8U_85UH8U_85UH8U~G8U`85UH8UH8Uc`7U0H8Uf`7UHH8U25U`H8U25UxH8U25UH8UPzG8U c2UH8U"c2UH8U(g85UضH8Ug85UH8UW4UH8UXf85U H8Ue85U8H8U0H8Uc85UPH8Ux|G8UOm2UhH8UH8U m2UH8U{G8UX~`2UH8U H8U`2UH8UHb85UȷH8U{G8U&_2UH8UhAT2UH8U8DT2UH8U>T2U(H8U~G8U7U@H8U4UXH8UH8UH5UpH8U|G8U(t85UH8Up85UH8U~G8Uj6UH8U885UиH8UI85UH8U }G8U85UH8Uxa85UQ8U85UH8U6U0A8U}G8UH4Ux&A8UX2U0A8Uh4U(H8U}G8U6UXH8U6UpH8UG8Uh_2UhR8U85UH8U885U@H8U85UR8UzG8U^i2UR8UΌ2UR8Un4UȀR8U2UR8UG8U2UR8U|G8U5UH8UH*=8U`-H8U6UH8UxG8U5UH8UG8Ux6o3U %H8U4U8%H8U(b2UP%H8U+_2Uh%H8U,_2U%H8Uh/_2U%H8U6U%H8UG8UX:5U%H8Ux4U%H8Uh5o3U%H8Uh2U&H8U/_2U(&H8U 4U@&H8UG8U16UX&H8U`G8U46Up&H8U=4U&H8U45U&H8UH1_2U&H8U85U&H8U85U&H8UXDe3U'H8U87U'H8U؝2U0'H8UX85UH'H8U85U`'H8U)6Ux'H8U885U'H8U85U'H8U85U'H8Up,5U'H8Ux85U'H8UG8UH85U(H8U85U (H8UG8U4U8(H8U2UP(H8UG8UX2Uh(H8U85U(H8UX 85U(H8UH!85U(H8U"85U(H8U3U(H8UH%85U(H8U8G8U&85U)H8U(6U()H8U&85U@)H8UhG85UX)H8U8<25Up)H8UG8U 6U)H8UZ85U)H8UP6U)H8U5U)H8UA6U)H8U)_2U*H8U54U*H8U_85U0*H8U_85UH*H8UHG8U`85U`*H8UhG8Uc`7Ux*H8Uf`7U*H8U25U*H8U25U*H8U25U*H8UG8U c2U*H8U"c2U+H8U(g85U +H8Ug85U8+H8UW4UP+H8UXf85Uh+H8Ue85U+H8UG8Uc85U+H8UG8UOm2U+H8U؂G8U m2U+H8U G8UX~`2U+H8UG8U`2U+H8UHb85U,H8U؅G8U&_2U(,H8UhAT2U@,H8U8DT2UX,H8U>T2Up,H8U G8UThe regional anthem of The Azores arranged for classical Brass Quintet. The Azores are an autonomous province of Portugal, and also have their own local, unofficial anthem. The original song was composed by Joaquim Lima during the 1890s when the autonomy movement was growing. Originally without lyrics (yet several unofficial lyrics were penned to promote autonomy), the Azorean government asked Azorean poetess Natália de Oliveira Correia to compose official lyrics for the anthem. The government also adopted Teófilo Frazão’s arrangement of the original melody as the official version of the anthem. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com otionalRevie!2.50W!0W!1W!0W!WW!WW!0W!WWACopyright © 2018 keithterrett@gmail.comefScoreExchang!WW!0.00Y{G8U!10.00W!7.50W}G8U!0W!WW@{G8U!0.00W~G8U["88308","168223","140556","151528","78183","59699","140617","140520","188994","140618","173346","4062","75247","23092","4413","6032","31140","79411","100330","32625"]!2020-09-17 07:48:23!1W0H8U!2019-09-25 13:56:29UAE44EAA3C-DF93-11E9-B6D0-78zG8U }G8U@!1[@G8U!0W!0WThe regional anthem of The Azores arranged for classical Brass Quintet. The Azores are an autonomous province of Portugal, and also have their own local, unofficial anthem. The original song was composed by Joaquim Lima during the 1890s when the autonomy movement was growing. Originally without lyrics (yet several unofficial lyrics were penned to promote autonomy), the Azorean government asked Azorean poetess Natália de Oliveira Correia to compose official lyrics for the anthem. The government also adopted Teófilo Frazão’s arrangement of the original melody as the official version of the anthem. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com G8U!0WeExchang!0WEPSCoun!1WG8U!0W !207400Z0A8U!2.50WH2G8U10W2G8U0qMacau Special Administrative Region of the People's Republic of China Regional Anthem for Brass Quintet!9W68U!0W18U!2Wn68U!2Wz98U!2018-06-05 14:56:044225!2018-06-08 02:05:24["11Nie Er (1912-1935) Arr:Keith TerrettU!Keith Terrett2G8U!1935W`2G8U!2018W !sibW87217"]!250W19-09-25!0W11E9-BB4qMacao Special Administrative Region of the People's Republic of China for Brass Quintet.sib-00 00:00:0012018-06-05 14:56:04UdefScor0QLa Espero arranged for Classical Brass Quintet. Probably the only language in the world with its own flag and anthem, the word “Esperanto” translates as “hope” or “hoping one” and also provides the title of the anthem of the language. The anthem speaks of the goal of the language, to bind the nations together with a common language in peace. The words were among the first Esperanto poetry, written by Dr. Zamenhof, the inventor of the Esperanto language, and the melody was especially written by French composer Félicien de Ménil. It was first played at the 1905 Esperanto congress, along with a different tune for Dr. Zamenhof’s poem. A decision was to be made at that congress to decide on one of the tunes as the Esperantist anthem, but it was postponed until a few congresses later, where Ménil’s tune was accepted and now opens Esperanto World Congresses. "La Espero" (English: "The Hope") is a poem written by Polish-Jewish doctor L. L. Zamenhof (1859–1917), the initiator of the Esperanto language. The song is often used as the anthem of Esperanto, and is now usually sung to a triumphal march composed by Félicien Menu de Ménil in 1909 (although there is an earlier, less martial tune created in 1891 by Claes Adelsköld, as well as a number of others less well-known). It is sometimes referred to as the hymn of the Esperanto movement. Some Esperantists object to the use of terms like "hymn" or "anthem" for La Espero, arguing that these terms have religious and nationalist overtones respectively. Félicien Menu de Ménil (16 July 1860 – 28 March 1930) was a French composer and Esperanto enthusiast best known for his musical setting of Ludwig Zamenhof's poem "La Espero". He was also the editor of and a contributor to La Revuo. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comQLa Espero arranged for Classical Brass Quintet. Probably the only language in the world with its own flag and anthem, the word “Esperanto” translates as “hope” or “hoping one” and also provides the title of the anthem of the language. The anthem speaks of the goal of the language, to bind the nations together with a common language in peace. The words were among the first Esperanto poetry, written by Dr. Zamenhof, the inventor of the Esperanto language, and the melody was especially written by French composer Félicien de Ménil. It was first played at the 1905 Esperanto congress, along with a different tune for Dr. Zamenhof’s poem. A decision was to be made at that congress to decide on one of the tunes as the Esperantist anthem, but it was postponed until a few congresses later, where Ménil’s tune was accepted and now opens Esperanto World Congresses. "La Espero" (English: "The Hope") is a poem written by Polish-Jewish doctor L. L. Zamenhof (1859–1917), the initiator of the Esperanto language. The song is often used as the anthem of Esperanto, and is now usually sung to a triumphal march composed by Félicien Menu de Ménil in 1909 (although there is an earlier, less martial tune created in 1891 by Claes Adelsköld, as well as a number of others less well-known). It is sometimes referred to as the hymn of the Esperanto movement. Some Esperantists object to the use of terms like "hymn" or "anthem" for La Espero, arguing that these terms have religious and nationalist overtones respectively. Félicien Menu de Ménil (16 July 1860 – 28 March 1930) was a French composer and Esperanto enthusiast best known for his musical setting of Ludwig Zamenhof's poem "La Espero". He was also the editor of and a contributor to La Revuo. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comG8U!0]G8U!0W!3W!0000-00-00 00:00:00!0W!0W La Espero-(The Hope) for Brass Quintet (Anthem of the Esperanto language) Félicien Menu de Ménil (16 July 1860 – 28 March 1930) Keith Terrett Music for all Occasions La Espero arranged for Classical Brass Quintet. Probably the only language in the world with its own flag and anthem, the word “Esperanto” translates as “hope” or “hoping one” and also provides the title of the anthem of the language. The anthem speaks of the goal of the language, to bind the nations together with a common language in peace. The words were among the first Esperanto poetry, written by Dr. Zamenhof, the inventor of the Esperanto language, and the melody was especially written by French composer Félicien de Ménil. It was first played at the 1905 Esperanto congress, along with a different tune for Dr. Zamenhof’s poem. A decision was to be made at that congress to decide on one of the tunes as the Esperantist anthem, but it was postponed until a few congresses later, where Ménil’s tune was accepted and now opens Esperanto World Congresses. "La Espero" (English: "The Hope") is a poem written by Polish-Jewish doctor L. L. Zamenhof (1859–1917), the initiator of the Esperanto language. The song is often used as the anthem of Esperanto, and is now usually sung to a triumphal march composed by Félicien Menu de Ménil in 1909 (although there is an earlier, less martial tune created in 1891 by Claes Adelsköld, as well as a number of others less well-known). It is sometimes referred to as the hymn of the Esperanto movement. Some Esperantists object to the use of terms like "hymn" or "anthem" for La Espero, arguing that these terms have religious and nationalist overtones respectively. Félicien Menu de Ménil (16 July 1860 – 28 March 1930) was a French composer and Esperanto enthusiast best known for his musical setting of Ludwig Zamenhof's poem "La Espero". He was also the editor of and a contributor to La Revuo. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com?!0YG8U!0W`G8U!0W !0W?!2018-06-08 10:34:37U!2018-06-08 10:49:23U!0000-00-00 00:00:00!WW!!4225W(G8U!0WG8U!0W!0.00W?!10.00WpG8U!7.50W8G8U!0W !WW?!0.00WG8U1E9B8FFEA-DF93-11E9-BB4F-780Q© 2018 www.musicforalloccasions.org.uk(keithterrett@gmail.com)qRussian National Anthem (1816-33) for Brass Quintet (MFAO World National Anthem Series)68U68U!0W!2Wk58U!2W858U!2018-06-01 08:11:29U!2018-06-08 02:16:14UAComposer unkown Arranged by Keith TerrettH8U!Keith TerrettH8U10W0!sibWЧ58U!250Wh58U!0W68UARussian National Anthem for Brass Quintet (1816-33).sib!2018-06-01 08:11:29U!0WA8U!1006WA8U!0W098U!0xX98U!1WE8U!1.508Xp.E8U!2018-06-01 08:11:32U!1WwE8U11W 48U.8U0!188278[ores WHE!0W@I8U11W?I8U0German Kaiser’s Hymn (IM SIEGERKRANZ - Deutsche Kaiserhymne - Hail to Thee in Victor’s Crown) for Brass Quintet & Percussion68U!9W18U!0Wn68U!2Wz98U!2WA8U!2018-05-16 15:39:20U!2018-05-16 15:20:59U!08X@I8U!0WAI8U!1W@I8U12.50W0!sibWiA8U!250W0A8U!0W868UAGerman Emperor's Song for Brass & Percussion.sib98U!2018-05-16 15:39:20U!0W.E8U!2148W78U!0W0E8UAComposer unkown Arranged by Keith Terrett;8Uj18U1Keith Terrett8U C8U01P43UG8Uф/187988 08VX TX@HhpNP#(*0 JP.0:@ !(NPHP SX38Z` I will Q@$8U!151681Xores WHEQ© 2014 www.musicforalloccasions.org.uk(keithterrett@gmail.com)aTajikistan National Anthem for Brass Quintet (MFAO World National Anthem Series)R8U!9WW!0With Terr!3W !{"width":300,"position-y-pc":"0","faces":{"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[]},"height":225,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"B4A6469A-68CB-11E8-8D76-C971ED28936B","position-x-pc":"0"}!0W!800W!600W5G8U H8UxH8U3G8U5G8U6G8U6G8U0H8UH8UH8U6G8UP6G8U2G8UH8UМH8U5G8UH8US8Uh3G8U2G8UH8U`H8UH8UH8UH8U4G8U؝H8U7G8U7G8UH8UؚH8UH8U 6G8U`5G8UH8U7G8UH8U3G8Up4G8U H8UhH8UH8UX7G8UXH8U4G8U(H8U6G8U4G8U4G8U7G8UHH8UH8UH2G8U8H8U3G8Uh6G8Ux2G8U3G8U4G8UH8U2G8U6G8U83G8U1G8U3G8U@H8UH8UpH8UH8UțH8U5G8U8H8UH8UP3G8UPH8U(4G8UX4G8UH8U!YY !0.00W["79489","187341","193966","163838","100982","163835","65604","66209","126971","139940","164599","126972","80132","80329","95279","60032","195439","165650","150607","79824"] !2020-09-23 20:51:37!1W!2019-09-25 13:56:34U1E70897C4-DF93-11E9-BF25-78 !39845W?!0WG8U10W`G8U0The National Anthem of Bosnia & Herzogovina arranged for Brass Quintet. Državna himna Bosne i Hercegovine (The State Anthem of Bosnia and Herzegovina) is the national anthem of Bosnia and Herzegovina. The anthem was adopted on 25 June 1999, by the promulgation of the Law on the State Anthem of Bosnia and Herzegovina[1], replacing the previous anthem, "Jedna si jedina", which apparently excluded the country’s Serb and Croat communities. Dušan Šesti composed the melody, to which initially there were no lyrics under the working title Intermeco, which is commonly refered to as the title of the anthem. Državna himna Bosne i Hercegovine (Serbian Cyrillic: Државна химна Босне и Херцеговине, National Anthem of Bosnia and Herzegovina) is the national anthem of Bosnia and Herzegovina. It is one of the two national anthems (along with that of Spain) in the world to have no official lyrics. The anthem was adopted on 25 June 1999, by the promulgation of the Law on the National Anthem of Bosnia and Herzegovina, replacing the previous anthem, "Jedna si jedina", which apparently excluded the country’s Serb and Croat communities, though, was in use from February 10, 1998, as the flag and coat of arms. Dušan Šestić (Душан Шестић) (born in Banja Luka, Bosnia and Herzegovina, then Yugoslavia) is a famous Bosnian composer in his homeland and surrounding countries. He composed the national anthem of Bosnia and Herzegovina, Intermeco which was adopted June 1999.[2] His daughter, Marija Šestić, represented Bosnia and Herzegovina at Eurovision Song Contest 2007. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com reQBosnian & Herzegovinian National Anthem for Brass Quintet (MFAO World National Anthem Series) Dusan Sestic Keith Terrett Music for all Occasions The National Anthem of Bosnia & Herzogovina arranged for Brass Quintet. Državna himna Bosne i Hercegovine (The State Anthem of Bosnia and Herzegovina) is the national anthem of Bosnia and Herzegovina. The anthem was adopted on 25 June 1999, by the promulgation of the Law on the State Anthem of Bosnia and Herzegovina[1], replacing the previous anthem, "Jedna si jedina", which apparently excluded the country’s Serb and Croat communities. Dušan Šesti composed the melody, to which initially there were no lyrics under the working title Intermeco, which is commonly refered to as the title of the anthem. Državna himna Bosne i Hercegovine (Serbian Cyrillic: Државна химна Босне и Херцеговине, National Anthem of Bosnia and Herzegovina) is the national anthem of Bosnia and Herzegovina. It is one of the two national anthems (along with that of Spain) in the world to have no official lyrics. The anthem was adopted on 25 June 1999, by the promulgation of the Law on the National Anthem of Bosnia and Herzegovina, replacing the previous anthem, "Jedna si jedina", which apparently excluded the country’s Serb and Croat communities, though, was in use from February 10, 1998, as the flag and coat of arms. Dušan Šestić (Душан Шестић) (born in Banja Luka, Bosnia and Herzegovina, then Yugoslavia) is a famous Bosnian composer in his homeland and surrounding countries. He composed the national anthem of Bosnia and Herzegovina, Intermeco which was adopted June 1999.[2] His daughter, Marija Šestić, represented Bosnia and Herzegovina at Eurovision Song Contest 2007. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com8UȆG8U(?I8U>I8UG8UhG8UpG8UG8U8>I8U8G8U=I8UG8U(G8UG8U>I8U=I8UG8U=I8US8U@G8UG8UI8U=I8UG8U >I8UG8U>I8UxG8UG8U>I8U G8UG8UG8U8G8U>I8UG8U=I8UG8UHG8UhG8UG8UPG8U0G8U`=I8U`G8U0=I8UG8UxG8UG8UG8UP>I8U=I8U G8U@?I8UXG8U@G8UPG8UpG8UG8UG8UG8UG8UG8UG8UЄG8UH=I8U?I8Ux=I8U>I8UT2UpH8U7G8U7UH8U4UH8U2G8UH5UH8U86G8U(t85UH8Up85UH8UH8Uj6UH8U885UH8UI85U0H8U6G8U85UHH8Uxa85U@8U85UA8U6UQ8U(7G8UH4U`XG8UX2UA8Uh4U`Q8U6G8U6UQ8U6UQ8UH8Uh_2UR8U85U0Q8U885UحQ8U85U0R8U3G8U^i2UHR8UΌ2U`R8Un4UxR8U2UR8UH8U2UR8Ux5G8U5U0H8UhA%8U>R8UH8U6U8H8UhH8U5UPH8UH8Ux6o3UH8U4UH8U(b2UH8U+_2UH8U,_2UH8Uh/_2UH8U6U0H8UH8UX:5UHH8Ux4U`H8Uh5o3UxH8Uh2UH8U/_2UH8U 4UH8UH8U16UH8UPH8U46UH8U=4UH8U45U H8UH1_2U8H8U85UPH8U85UhH8UXDe3UH8U87UH8U؝2UH8UX85UH8U85UH8U)6UH8U885U H8U85U( H8U85U@ H8Up,5UX H8Ux85Up H8UH8UH85U H8U85U H8UؠH8U4U H8U2U H8UpH8UX2U H8U85U!H8UX 85U!H8UH!85U0!H8U"85UH!H8U3U`!H8UH%85Ux!H8U(H8U&85U!H8U(6U!H8U&85U!H8UhG85U!H8U8<25UH8UH8U 6UH8UZ85UتH8UP6UH8U5UH8UA6U H8U)_2U8H8U54UPH8U_85UhH8U_85UH8U8H8U`85UH8UXH8Uc`7UH8Uf`7UȫH8U25UH8U25UH8U25UH8UxH8U c2U(H8U"c2U@H8U(g85UXH8Ug85UpH8UW4UH8UXf85UH8Ue85UH8UH8Uc85UЬH8UH8UOm2UH8UȞH8U m2UH8UH8UX~`2UH8UH8U`2U0H8UHb85UHH8UȡH8U&_2U`H8UhAT2UxH8U8DT2UH8U>T2UH8UH8U7UH8U4UحH8UH8UH5UH8UH8U(t85UH8Up85U H8UH8Uj6U8H8U885UPH8UI85UhH8UHH8U85UH8Uxa85UbG8U85UHH8U6UH&A8UH8UH4UA8UX2U`&A8Uh4UH8UH8U6UH8U6UH8U0H8Uh_2UR8U85UH8U885UH8U85UR8UH8U^i2UR8UΌ2UR8Un4U R8U2U8R8UȧH8U2UPR8U@H8U5UH8UطQ8UH8U6UpH8UH8U5UH8U}G8Ux6o3UذH8U4UH8U(b2UH8U+_2U H8U,_2U8H8Uh/_2UPH8U6UhH8UШH8UX:5UH8Ux4UH8Uh5o3UH8Uh2UȱH8U/_2UH8U 4UH8UzG8U16UH8U(~G8U46U(H8U=4U@H8U45UXH8UH1_2UpH8U7.394213H8UH8UPG8U`G8UDQ8UpG8UD0Q8UG8UDPQ8UG8UDpQ8UG8UDQ8UG8UDQ8U6UG8UD Q8UG8UD0Q8UG8UDPQ8UG8UDpQ8UG8UDQ8UG8UDQ8U G8UDQ8U0G8UDQ8U@G8UDQ8UPG8UD0Q8U`G8UD,8UpG8UD,8UG8UD,8UG8UD ,8UG8UD@,8UG8UD`,8UH8UD,8UH8UH8UD,8UH8UD,8UH8UкH8UH8UH8UH8UH8UD,8U H8UD,8U0H8UD ,8U@H8UDPQ8UPH8UDQ8U`H8UD0Q8UpH8UDPQ8UH8UDpQ8UH8UDQ8UH8U H8U@98UDT2U8ZI8U#I8U7UPZI8U4UhZI8UJI8UH5UZI8U!I8U(t85UZI8Up85UZI8U#I8Uj6UZI8U885UZI8UI85UZI8U"I8U85U[I8Uxa85UH8U85U.H8U6U858U"I8UH4U58UX2UP58Uh4U(/H8U"I8U6UX/H8U6Up/H8U%I8Uh_2U`R8U85U.H8U885U@/H8U85UxR8UKI8U^i2UR8UΌ2UR8Un4UR8U2UR8U&I8U2UКR8U!I8U5UQI8UG8UI8U6U\I8Up'I8U5U\I8U-I8Ux6o3UI8U4UI8U(b2UI8U+_2UI8U,_2U0I8Uh/_2UHI8U6U`I8U'I8UX:5UxI8Ux4UI8Uh5o3UI8Uh2UI8U/_2UI8U 4UI8U*I8U16UI8UX-I8U46U I8U=4U8I8U45UPI8UH1_2UhI8U85UI8U85UI8UXDe3UI8U87UI8U؝2UI8UX85UI8U85UI8U)6U(I8U885U@I8U85UXI8U85UpI8Up,5UI8Ux85UI8U+I8UH85UI8U85UI8U)I8U4UI8U2UI8Ux+I8UX2UI8U85U0I8UX 85UHI8UH!85U`I8U"85UxI8U3UI8UH%85UI8U0(I8U&85UI8U(6UI8U&85UI8UhG85UI8U8<25U I8U(I8U 6U8I8UZ85UPI8UP6UhI8U5UI8UA6UI8U)_2UI8U54UI8U_85UI8U_85UI8U@-I8U`85UI8U`(I8Uc`7U(I8Uf`7U@I8U25UXI8U25UpI8U25UI8U)I8U c2UI8U"c2UI8U(g85UI8Ug85UI8UW4UI8UXf85UI8Ue85U0I8U(I8Uc85UHI8U+I8UOm2U`I8U'I8U m2UxI8U+I8UX~`2UI8U(I8U`2UI8UHb85UI8U*I8U&_2UI8UhAT2UI8U8DT2UI8U>T2U I8U-I8U7U8I8U4UPI8U(I8UH5UhI8U,I8U(t85UI8Up85UI8U.I8Uj6UI8U885UI8UI85UI8UP,I8U85UI8Uxa85U8H8U85URI8U6U68U,I8UH4Uh58U!YYxLI8U!311509W!0W"I8U!0W!0.00WLI8U!10.50W#I8U!8.00WPJI8U!0W"I8U!WWh I8U!0.00W@KI8U["195436","151495","187279","152422","152213","140381","151993","151968","145120","134642","188278","187114","173028","151656","152362","173895","172752","188335","152334","152751"]"I8U!An arrangement of the Sami National Anthem for classical Brass Quintet. Sámi soga lávlla (English: Song of the Sami Family/People) is the anthem of the Sámi people. The text was written by Isak Saba, and Arne Sørli composed the music. Originally a poem, it was first published in the Sámi newspaper Saǥai Muittalægje on 1 April 1906. Sámi soga lávlla has been translated into most of the Sámi languages. The poem Sámi soga lávlla was written by Norwegian Sámi Isak Saba. He was a Norwegian school teacher and a researcher of Sami folklore and politics from Unjárga. In 1906, he became the first Sami to be elected to the Norwegian Parliament (he was a deputy in 1906-1912). The poem was first published on April 1, 1906 on the Northern Sami in the Norwegian newspaper Sagai Muittalægje. In August 1986, the 13th Sámi Conference, was held in the Swedish village of Åre, a poem Sámi soga lávlla was declared the national anthem of the Sami. The music written for these words were by the Norwegian composer Arne Sørli, was approved in 1992 as the official national anthem at the 15th Sámi Conference in Helsinki. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. yI8U!0Y !0.0000W?!2016-09-11 15:36:52UASami National Anthem Smi soga lvlla for Brass Quintet!0W?!0WzI8U!3WxzI8U!0000-00-00 00:00:00!0W?!0W({I8U!0XzI8U!0W!0W?!0W{I8U!2017-03-31 17:50:33U!2017-06-09 17:10:17!10000-00-00 00:00:00?0G8U7U,H8U4U,H8UȃG8UH5U,H8UG8U(t85U,H8Up85U,H8UG8Uj6U-H8U885U-H8UI85U0-H8UXG8U85UH-H8Uxa85UQ8U85UH8U6U`k58UG8UH4U0A8UX2Uxk58Uh4U`H8UЇG8U6UH8U6UH8U=I8Uh_2UR8U85UЯH8U885UxH8U85U(R8UG8U^i2U@R8UΌ2UXR8Un4UpR8U2UR8U>I8U2UR8UPG8U5UhH8U6U8.H8U4U/H8UX?I8U5UP.H8UEI8Ux6o3U/H8UG8UPI8U(b2U/H8U+_2U/H8U,_2U0H8Uh/_2U0H8U6U00H8U?I8UX:5UH0H8Ux4U`0H8Uh5o3Ux0H8Uh2U0H8U/_2U0H8U 4U0H8UBI8U16U0H8UXEI8U46U0H8U=4U1H8U45U 1H8UH1_2U81H8U85UP1H8U85Uh1H8UXDe3U1H8U87U1H8U؝2U1H8UX85U1H8U85U1H8U)6U1H8U885U2H8U85U(2H8U85U@2H8Up,5UX2H8Ux85Up2H8UCI8UH85U2H8U85U2H8UAI8U4U2H8U2U2H8UxCI8UX2U2H8U85U3H8UX 85U3H8UH!85U03H8U"85UH3H8U3U`3H8UH%85Ux3H8U0@I8U&85U3H8U(6U3H8U&85U3H8UhG85U3H8U8<25U3H8U@I8U 6U4H8UZ85ULI8UP6UMI8U5UMI8UA6U0MI8U)_2UHMI8U54U`MI8U_85UxMI8U_85UMI8U@EI8U`85UMI8U`@I8Uc`7UMI8Uf`7UMI8U25UMI8U25UNI8U25U NI8UAI8U c2U8NI8U"c2UPNI8U(g85UhNI8Ug85UNI8UW4UNI8UXf85UNI8Ue85UNI8U@I8Uc85UNI8UCI8UOm2UNI8U?I8U m2UOI8UCI8UX~`2U(OI8U@I8U`2U@OI8UHb85UXOI8UBI8U&_2UpOI8UhAT2UOI8U8DT2UOI8U>T2UOI8UEI8U7UOI8U4UOI8U@I8UH5UPI8UDI8U(t85UPI8Up85U0PI8UFI8Uj6UHPI8U885U`PI8UI85UxPI8UPDI8U85UPI8Uxa85UH8U85U$H8U6UH$H8UDI8UH4Uk58UX2UЧ58Uh4U58UDI8U6U$H8U6U$H8U8GI8Uh_2UR8U85UPH8U885U$H8U85UЁR8UAI8U^i2UR8UΌ2UR8Un4UR8U2U0R8UHI8U2UHR8UHCI8U5U.H8Ul8U(08U([I8U6UQI8UII8U5UQI8U"I8Ux6o3URI8U4USI8U(b2USI8U+_2U0SI8U,_2UHSI8Uh/_2U`SI8U6UxSI8UII8UX:5USI8Ux4USI8Uh5o3USI8Uh2USI8U/_2USI8U 4UTI8UHLI8U16U TI8U #I8U46U8TI8U=4UPTI8U45UhTI8UH1_2UTI8U85UTI8U85UTI8UXDe3UTI8U87UTI8U؝2UTI8UX85UUI8U85U(UI8U)6U@UI8U885UXUI8U85UpUI8U85UUI8Up,5UUI8Ux85UUI8U20:10:250$H8ULI8U8H8UDfH8U8H8UDgH8U8H8UD0gH8U8H8UDPgH8U8H8UDpgH8U6U8H8UD H8U8H8UDgH8U8H8UDgH8U9H8UDgH8U9H8UDgH8U 9H8UDhH8U09H8UDH8U@9H8UD0H8UP9H8UDPH8U`9H8UDpH8Up9H8UD0hH8U9H8UDPhH8U9H8UDphH8U9H8UDhH8U9H8UDhH8U9H8UDhH8U9H8UDhH8U9H8U9H8UDcH8U:H8UDdH8U:H8U :H8U0:H8U@:H8UP:H8U`:H8UD dH8Up:H8UD@dH8U:H8UD`dH8U:H8UDdH8U:H8UD@eH8U:H8UD`eH8U:H8UDeH8U:H8UDeH8U:H8UDeH8UPI8U .H8U}98UD0nL8U}98U"8UL8UDL8UL8UD@L8U L8UD`L8U0L8UDL8UT18U @H8Upz.8U2QI8U/H8UPs8UD@s8U J8UD I8UH8UD0xI8UQI8U`H8UDPwI8U})8UD)8U})8UDЊ)8U)8UD`~*8UH8UDwI8UH8UDPxI8UH8UDwI8UH8UDwI8U`T18U  I8UH8UDI8U>H8UDI8U >H8UDI8U0>H8UDI8U@>H8UD I8UP>H8UD `2I8U`>H8UD@I8Up>H8UD`I8U>H8UDI8U>H8UD:I8U>H8U>H8UD:I8U>H8UD:I8U>H8UD:I8U>H8U>H8UD ;I8U?H8UD@;I8U?H8UD`;I8U ?H8UD;I8U0?H8UD;I8U@?H8UD;I8U6UP?H8UD PI8U`?H8UD;I8Up?H8UDJ8U_J8U`J8UcJ8UaJ8UcJ8U `J8U_J8U;J8UXdJ8UcJ8U>J8UbJ8US8UhJ8UdJ8UaJ8U8cJ8UJ8UaJ8U0bJ8UPT2UXJ8UHJ8U7UpJ8U4UJ8UPJ8UH5UJ8UJ8U(t85UJ8Up85UJ8UJ8Uj6UJ8U885UJ8UI85UJ8UJ8U85U0J8Uxa85U0I8U85UNJ8U6Uz98UJ8UH4Upt8UX2Uz98Uh4UI8UXJ8U6U(I8U6U@I8UJ8Uh_2UbQ8U85U`NJ8U885UI8U85U bQ8U@J8U^i2U8bQ8UΌ2UPbQ8Un4UaG8U2UaG8U`J8U2UbG8UJ8U5UI8U6U J8U4UJ8U J8U5U8J8UJ8Ux6o3UJ8UG8UJ8U(b2UJ8U+_2UJ8U,_2UJ8Uh/_2UJ8U6UJ8UhJ8UX:5U0J8Ux4UHJ8Uh5o3U`J8Uh2UxJ8U/_2UJ8U 4UJ8UJ8U16UJ8U`J8U46UJ8U=4UJ8U45UJ8UH1_2U J8U85U8J8U85UPJ8UXDe3UhJ8U87UJ8U؝2UJ8UX85UJ8U85UJ8U)6UJ8U885UJ8U85U J8U85U( J8Up,5U@ J8Ux85UX J8UJ8UH85Up J8U85U J8UJ8U4U J8U2U J8U@J8UX2U J8U85U J8UX 85U J8UH!85U J8U"85U0 J8U3UH J8UH%85U` J8UJ8U&85Ux J8U(6U J8U&85U J8UhG85U J8U8<25U J8UXJ8U 6U J8UZ85U J8UP6U J8U5U8 J8UA6UP J8U)_2Uh J8U54U J8U_85U J8U_85U J8UHJ8U`85U J8U?1 J8U@151551!152575W!9W !0XJ8U!WWpJ8U!0.0000W0J8U!2014-04-01 17:43:14UaEnglish National Anthem Did Those Feet in Ancient Times for Clarinet QuintetJ8U10WJ8U0!3.00(ZnR8U!0WR8U!1W8R8U!0WpR8U!WWXQ8U!WWXG8U!0WxQ8U!WW8YQCopyright © 2014 Music for all Occasions (keithterrett@gmail.com)!WW!1.500!J8U!2014-04-01 17:40:07!1W!1W!0W!0X!0W11W4U0!2022-07-14 18:07:00U!1WJ8U!0WXJ8U!0WJ8U!08XJ8U!0WJ8U!1WJ8U10WJ8U0AThe National Anthem of the Republic of Kenya arranged for Brass Quintet. Kenya’s was the first anthem in Africa to be written by a group commissioned by the government. One of the goals of the group was to incorporate traditional Kenyan music in the anthem, the resulting anthem, therefore, has a very African feel to it, a typical example of the “Eastern folk” style of anthem. The melody is actually based on a traditional Kenyan folk song, sung by mothers to their children. Other criteria the group was charged with to create the anthem was that the tune had to be of the right length and quality, yet possessing the necessary dignity. It also had to lend itself to having words written for it, in both English and Swahili (the official languages of the country). The words had to unify the nation, yet contain the aspirations of the whole country. And the melody had to be able to be performed by a military band, without impairing the original feel of the song. With all those goals in mind, the anthem was ready in time for independence in December, 1963.!0xX!WWACopyright © musicforalloccasions@gmail.com Edited 2014!WW11.50W68U /8U0+I8U 0J8Ux/J8U)I8U`+I8Uh,I8U,I8U0/J8U0.I8U(0I8U,I8U ,I8U'I8U/J8U0I8U+I8UP/I8U،S8U8)I8U(I8U /I8U`/J8U/I8U.I8U/J8U*I8U/J8Up-I8U-I8U/J8U.I8U.I8U+I8U0+I8U/J8U-I8U/I8U(I8U@*I8U`.I8U.I8UH.I8U(-I8U/I8UX*I8Uh/I8U+I8Up*I8U*I8U,I8UH/J8U/I8U(I8U80J8UP)I8U8,I8UH(I8Uh)I8U*I8U-I8Ux(I8U,I8U)I8U'I8U)I8U/I8U0J8U/I8U/J8U/I8U*I8Ux.I8U.I8U )I8U.I8U)I8U(*I8U-I8UG/J8UX2U68Uh4UpRI8U,I8U6URI8U6URI8U8/I8Uh_2UR8U85UQI8U885URI8U85UR8U)I8U^i2UR8UΌ2U0R8Un4U R8U2U8R8U/J8U2UPR8UH+I8U5Ux\I8UJ8UyI8UBJ8U6UI8Uh0J8U5UI8U6J8Ux6o3UPI8U4UhI8U(b2UI8U+_2UI8U,_2UI8Uh/_2UI8U6UI8U0J8UX:5UI8Ux4UI8Uh5o3U(I8Uh2U@I8U/_2UXI8U 4UpI8U3J8U16UI8UP6J8U46UI8U=4UI8U45UI8UH1_2UI8U85UI8U85UI8UXDe3U0I8U87UHI8U؝2U`I8UX85UxI8U85UI8U)6UI8U885UI8U85UI8U85UI8Up,5UI8Ux85U I8U3J8UH85U8I8U85UPI8U2J8U4UhI8U2UI8Up4J8UX2UI8U85UI8UX 85UI8UH!85UI8U"85UI8U3UI8UH%85U(I8U(1J8U&85U@I8U(6UXI8U&85UpI8UhG85UI8U8<25UI8U1J8U 6UI8UZ85UI8UP6UI8U5U?J8UA6U0?J8U)_2UH?J8U54U`?J8U_85Ux?J8U_85U?J8U86J8U`85U?J8UX1J8Uc`7U?J8Uf`7U?J8U25U?J8U25U@J8U25U @J8Ux2J8U c2U8@J8U"c2UP@J8U(g85Uh@J8Ug85U@J8UW4U@J8UXf85U@J8Ue85U@J8U0J8Uc85U@J8U4J8UOm2U@J8U0J8U m2UAJ8U4J8UX~`2U(AJ8U1J8U`2U@AJ8UHb85UXAJ8U3J8U&_2UpAJ8UhAT2UAJ8U8DT2UAJ8U>T2UAJ8U6J8U7UAJ8U4UAJ8U1J8UH5UBJ8U5J8U(t85UBJ8Up85U0BJ8U6J8Uj6UHBJ8U885U`BJ8UI85UxBJ8UH5J8U85UBJ8Uxa85U.H8U85U\I8U6U68U5J8UH4U68UX2U68Uh4UXI8U5J8U6UI8U6UI8U08J8Uh_2UhR8U85U`\I8U885UpI8U85UR8U2J8U^i2UR8UΌ2UR8Un4UR8U2U R8U9J8U2U8R8U@4J8U5U`I8UQ8U(MJ8U6UCJ8U:J8U5UCJ8U`J8Ux6o3UDJ8U4UEJ8U(b2UEJ8U+_2U0EJ8U,_2UHEJ8Uh/_2U`EJ8U6UxEJ8U:J8UX:5UEJ8Ux4UEJ8Uh5o3UEJ8Uh2UEJ8U/_2UEJ8U 4UFJ8U@=J8U16U FJ8U`J8U46U8FJ8U=4UPFJ8U45UhFJ8UH1_2UFJ8U85UFJ8U85UFJ8UXDe3UFJ8U87UFJ8U؝2UFJ8UX85UGJ8U85U(GJ8U)6U@GJ8U885UXGJ8U85UpGJ8U85UGJ8Up,5UGJ8Ux85UGJ8U0>J8UH85UGJ8U85UGJ8U=J8U4UHJ8U2UHJ8U>J8UX2U0HJ8U85UHHJ8UX 85U`HJ8UH!85UxHJ8U"85UHJ8U3UHJ8UH%85UHJ8U`;J8U&85UHJ8U(6UHJ8U?J8UI8U>J8UH8UD`I8UH8UDI8UH8UDI8U6UH8UD 0oJ8UH8UDI8UH8UDI8UH8UDI8UH8UD I8UH8UD@I8UH8UD`I8U H8UDI8U0H8UDI8U@H8UDI8UPH8UD@I8U`H8UD`I8UpH8UDI8UH8UDI8UH8UDI8UH8UDI8UH8UDI8UH8UH8UD I8UH8UD@I8UH8UH8UH8U H8U0H8U@H8UD`I8UPH8UDI8U`H8UDI8UpH8UDI8UH8UDI8UH8UDЯI8UH8UDI8UH8UDI8UH8UD@I8UBJ8UI8Up.D8UDL8UiE8U`.D8Ux#8UDK8U0x#8UDK8U@x#8UD0K8UPx#8UDPK8UT18U @\H8Uu.8U2CJ8U8I8Us8UDs8UI8UD`J8U0J8UD0I8UCJ8UJ8UDPI8U)8UD6*8U)8UD7*8U)8UDP+8UJ8UDI8U@J8UDPI8UJ8UDI8UJ8UDI8U U18U  I8UH8UD`H8UH8UD aH8UH8UDpaH8UH8UDaH8UyJ8UDaH8UzJ8UDaH8UzJ8UDaH8U zJ8UDbH8U0zJ8UD@aI8U@zJ8UD`aI8UPzJ8UDaI8U`zJ8UDaI8UpzJ8UDaI8UzJ8UDaI8UzJ8UDbI8UzJ8UD0bI8UzJ8UD`I8UzJ8UD`I8UzJ8UDaI8UzJ8UD aI8UzJ8UD`cI8U{J8UDPOJ8U{J8UD`H8U {J8UD`H8U0{J8UDcI8U@{J8UDcI8UP{J8UDcI8U`{J8UDcI8Up{J8UDdI8U{J8UD dI8U{J8UD @dI8U{J8UDUJ8U{J8UDPbI8U{J8UDpbI8U{J8UDbI8U{J8UDbI8U{J8UDbI8U|J8UD XJ8U|J8UDbI8U |J8UDcI8U0|J8UD0cI8U@|J8UD^J8UP|J8U`|J8UD^J8Up|J8UD_J8U|J8UD|I8U|J8U|J8UD}I8U|J8UD0}I8U|J8UDP}I8U|J8UDp}I8U|J8UD}I8U|J8UD}I8U6U}J8UD }I8U}J8UD I8U }J8UD@I8U0}J8UD`I8U@}J8UDI8UP}J8UDI8U`}J8UDI8Up}J8UD@I8U}J8UD`I8U}J8UDI8U}J8UDVJ8U}J8UD0VJ8U}J8UDPVJ8U}J8UDpVJ8U}J8UDVJ8U}J8UDVJ8U~J8UDVJ8U~J8U ~J8UDVJ8U0~J8UDWJ8U@~J8UP~J8U`~J8Up~J8U~J8U~J8UD0WJ8U~J8UDPWJ8U~J8UDpWJ8U~J8UDI8U~J8UDpI8U~J8UDI8U~J8UDI8UJ8UDЍI8UJ8UDI8UMJ8UhCJ8UPpE8UDpK8U0.D8U@.D8Up$8UDW#8U$8UD`@$8U$8UD@$8U$8UD@$8UU18U WJ8U@V8U2NJ8UDJ8Us8UDs8UWK8UDPK8UI8UDJ8UhNJ8UPI8UDнJ8U)8UD +8U0)8UD`+8Up*8UD)8Ue2024-0Q0J8UAn arrangement of the Niuean National Anthem for Brass Quintet. "Ko e Iki he Lagi" (English: The Lord in Heaven), also titled in English as "Lord in heaven, Thou art merciful", is the national anthem of Niue. It was adopted in 1974 when Niue became a self-governing state. During Niue's history as a territory of New Zealand, the national anthem of Niue was New Zealand's "God Defend New Zealand". "God Save the Queen" was also used and is still used as the royal anthem for the Monarchy of New Zealand. "Ko e Iki he Lagi" was created before the 1970s. It is not known who wrote it but it is known that it was prepared by Sioeli Fusikata.[2][3] When it was written, it had become a popular song on Niue but the opportunity rarely arose for people to perform it publicly. In the 1963 South Pacific Games, Niue used the Flag of New Zealand as the flag to represent them in keeping with the rest of the colonies of the British Empire not using the Union Jack at the games. Niue also used "Ko e Iki he Lagi" as their anthem instead of "God Defend New Zealand" because the organisers had requested that "identifying tunes" be used to represent nations at the games instead of recognized national anthems. However, Niue failed to win any events so "Ko e Iki he Lagi" was not performed at the games. In 1974, the same year that Niue's new constitution granted Niue the status of free association with New Zealand upon the passage of the Niue Constitution Act 1974 in the Parliament of New Zealand, Niue adopted "Ko e Iki he Lagi" as their national anthem to supersede "God Defend New Zealand". "God Save the Queen" was retained as the royal anthem for when the monarch is present in Niue.cor!^^UJ8U!2017-06-09 17:10:17U!2018-02-23 13:32:53!WW`J8U!447784W!0W=J8U!0W`J8U!0.00WH;J8U!10.50W_J8U!8.00W=J8U!0W8J8UOm2UxKJ8U;J8U m2UKJ8UH>J8UX~`2UKJ8U J8U&_2UKJ8UhAT2ULJ8U8DT2U LJ8U>T2U8LJ8U(aJ8U7UPLJ8U4UhLJ8U;J8UH5ULJ8Ux_J8U(t85ULJ8Up85ULJ8UpaJ8Uj6ULJ8U885ULJ8UI85ULJ8U_J8U85UMJ8Uxa85UQI8U85UxI8U6U18Uh`J8UH4U؟68UX2UT38Uh4UI8U8`J8U6UI8U6U I8UbJ8Uh_2UPR8U85UHI8U885UI8U85UhR8UJ8U5UCJ8Ux^L8UG8UI8U6UNJ8UeJ8U5UNJ8UjJ8Ux6o3UpI8U4UI8U(b2UI8U+_2UI8U,_2UАI8Uh/_2UI8U6UI8UHeJ8UX:5UI8Ux4U0I8Uh5o3UHI8Uh2U`I8U/_2UxI8U 4UI8UgJ8U16UI8UkJ8U46UI8U=4UؑI8U45UI8UH1_2UI8U85U I8U85U8I8UXDe3UPI8U87UhI8U؝2UI8UX85UI8U85UI8U)6UȒI8U885UI8U85UI8U85UI8Up,5U(I8Ux85U@I8UhJ8UH85UXI8U85UpI8UgJ8U4UI8U2UI8U iJ8UX2UI8U85UГI8UX 85UI8UH!85UI8U"85UI8U3U0I8UH%85UHI8UeJ8U&85U`I8U(6UxI8U&85UI8UhG85UI8U8<25UI8U8fJ8U 6UؔI8UZ85UI8UP6UI8U5U I8UA6U8I8U)_2UPI8U54UhI8U_85UI8U_85UI8UjJ8U`85UI8UfJ8Uc`7UȕI8Uf`7UI8U25UI8U25UI8U25U(I8U(gJ8U c2U@I8U"c2UXI8U(g85UpI8Ug85UI8UW4UI8UXf85UI8Ue85UЖI8UeJ8Uc85UI8UPiJ8UOm2UI8UxeJ8U m2UI8UhJ8UX~`2U0I8UfJ8U`2UHI8UHb85U`I8UxhJ8U&_2UxI8UhAT2UI8U8DT2UI8U>T2UI8U`kJ8U7UؗI8U4UI8UhfJ8UH5UI8UiJ8U(t85U I8Up85U8I8UkJ8Uj6UPI8U885UhI8UI85UI8UiJ8U85UI8Uxa85UH\I8U85UDJ8U6U`W.8UjJ8UH4U?8UX2Un68Uh4UpDJ8UpjJ8U6UDJ8U6UDJ8UlJ8Uh_2UWQ8U85UCJ8U885UDJ8U85UWQ8UXgJ8U^i2UWQ8UΌ2UWQ8Un4UaQ8U2UaQ8UxnJ8U2UaQ8U Rhodesian National Anthem “Rise O Voices of Rhodesia” for Brass Quintet Composed by Ludvig Van Beethoven arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement of the old Rhodesian National Anthem for classical Brass Quintet. When Rhodesia first declared its independence in 1965, it was a member of the British Commonwealth, and retained the Queen as the head of state, therefore “God Save the Queen” was the national anthem until Rhodesia became a republic in 1970, and ties were severed with the United Kingdom. Rhodesia then did not have a national anthem until a national competition was held and Mary Bloom’s “Voices of Rhodesia” was declared as the anthem on 26th August 1974. (The title soon became popularly known as the entire first line of the lyrics). Using Beethoven’s “Ode to Joy” (which was also used at the time as the anthem of the European Union, and still is today) as the melody, the lyrics were composed by a South African born resident of Gwelo. Use of an anthem that had the same tune as the European anthem, and a well-known classical work, has caused problems in both Rhodesia (later Zimbabwe) and Europe as well. During the period from 1970 to 1979, when ties between the Rhodesian and British governments were severed; at European Union events, hearing an anthem that was also associated with Rhodesia led for some uncomfortable moments for British delegations. Rhodesia’s choice of the anthem was accepted by the European Union, as the basic piece was in the public domain, and Rhodesia had used a different arrangement. After Rhodesia was transitioned to a majority-rule country and renamed Zimbabwe, the performance of the Beethoven work inside Zimbabwe has been met with derision, due to its association with the Rhodesian government. In June of 1979, the white majority rule was ended and the country was renamed Zimbabwe-Rhodesia. I am unsure whether this anthem was used in Zimbabwe-Rhodesia as the sole national anthem, if it was a part of the anthem (perhaps combined with “God Bless Africa”, similar to what is currently being done in South Africa), or if it was not used at all. Control of Zimbabwe-Rhodesia was returned to British rule starting in December 1979 when the name Southern Rhodesia was assumed, and God Save the Queen was again the national anthem until full international recognition was achieved as Zimbabwe in April 1980. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com '("( @HLP=@wx 58Y`48>@ 9@\`MPJP} 59UUX,0%(J8U!1.50XJ8U!2021-07-06 11:12:12U!1WhJ8U!0W J8U!0WJ8U!0XJ8U!0WJ8U11WȗJ8U0!0ZR8U!1W R8U!0W R8U!WWXQ8U!WWXG8U!0WpcG8U!WW`H8UACopyright © 2014 MFAO keithterrett@gmail.comH8U!WW`$H8U!0XY.H8U!WWXRI8U!0.0000WI8U!2021-07-06 11:35:59UaCambodian National Anthem Nokoreach for Brass Quintet MFAO World National Anthem Series!0WpJ8U!0W4U!3W4U!0000-00-00 00:00:00U!0W4U10W4U0h5o3UJ8Uh2UJ8U/_2UJ8U 4U J8UxJ8U16U8J8UJ8U46UPJ8U=4UhJ8U45UJ8UH1_2UJ8U85UJ8U85UJ8UXDe3UJ8U87UJ8U؝2UJ8UX85U(J8U85U@J8U)6UXJ8U885UpJ8U85UJ8U85UJ8Up,5UJ8Ux85UJ8UhJ8UH85UJ8U85UJ8UHJ8U4UJ8U2U0J8UJ8UX2UHJ8U85U`J8UX 85UxJ8UH!85UJ8U"85UJ8U3UJ8UH%85UJ8UJ8U&85UJ8U(6UJ8U&85U J8UhG85U8J8U8<25UPJ8UJ8U 6UhJ8UZ85UJ8UP6UJ8U5UJ8UA6UJ8U)_2UJ8U54UJ8U_85U(K8U_85U@K8UJ8U`85UXK8UJ8Uc`7UpK8Uf`7UK8U25UK8U25UK8U25UK8UJ8U c2UK8U"c2UK8U(g85UK8Ug85U0K8UW4UHK8UXf85U`K8Ue85UxK8UxJ8Uc85UK8UJ8UOm2UK8UHJ8U m2UK8UJ8UX~`2UK8UXJ8U`2UK8UHb85U K8U8J8U&_2U K8UhAT2U8 K8U8DT2UP K8U>T2Uh K8U J8U7U K8U4U K8U(J8UH5U K8UpJ8U(t85U K8Up85U K8UhJ8Uj6U K8U885U!K8UI85U(!K8UJ8U85U@!K8Uxa85U0A8U85UJ8U6U0J8U`J8UH4UЙI8UX2UA8Uh4UA8U0J8U6U8J8U6UPJ8UJ8Uh_2UضQ8U85UJ8U885UJ8U85UQ8UJ8U^i2UQ8UΌ2U Q8Un4UxH8U2UH8U8J8U2UH8UJ8U5UJ8U6U0"K8U4U#K8UJ8U5UH"K8UJ8Ux6o3U#K8UxJ8U+K8U(b2U#K8U+_2U#K8U,_2U#K8Uh/_2U$K8U6U($K8U@J8UX:5U@$K8Ux4UX$K8Uh5o3Up$K8Uh2U$K8U/_2U$K8U 4U$K8UJ8U16U$K8UJ8U46U$K8U=4U%K8U45U%K8UH1_2U0%K8U85UH%K8U85U`%K8UXDe3Ux%K8U87U%K8U؝2U%K8UX85U%K8U85U%K8U)6U%K8U885U&K8U85U &K8U85U8&K8Up,5UP&K8Ux85Uh&K8UJ8UH85U&K8U85U&K8UJ8U4U&K8U2U&K8UJ8UX2U&K8U85U&K8UX 85U'K8UH!85U('K8U"85U@'K8U3UX'K8UH%85Up'K8UЕJ8U&85U'K8U(6U'K8U&85U'K8UhG85U'K8U8<25U'K8U0J8U 6U(K8UZ85U(K8UP6U0(K8U5UH(K8UA6U`(K8U)_2Ux(K8U54U(K8U_85U(K8U_85U(K8UJ8U`85U(K8UJ8Uc`7U(K8Uf`7U)K8U25U )K8U25U8)K8U25UP)K8U J8U c2Uh)K8U"c2U)K8U(g85U)K8Ug85U)K8UW4U)K8UXf85U)K8Ue85U)K8UJ8Uc85U*K8U5,"idQAn arrangement of the English national anthem for Clarinet Quintet. While England does not have an official national anthem, there are many songs which are considered to fill such a role. In most of the national sporting fixtures 'God Save the Queen' is used. The best-known version of William Blake's poem "And did those feet in ancient time" is the song "Jerusalem", with music by Hubert Parry, which was orchestrated by Edward Elgar in 1922 for a large orchestra at the Leeds Festival. Upon hearing the orchestral version for the first time, King George V said that he preferred that "Jerusalem" replace "God Save the King" as the national anthem. "Jerusalem" is also, as with "Land of Hope and Glory" performed at the annual Last Night of the BBC Proms. It was used as a campaign slogan by the Labour Party in the 1945 general election when Clement Attlee said they would build "a new Jerusalem". The song is also the unofficial anthem of the Women's Institute, and historically was used by the National Union of Suffrage Societies. It has also been sung at conferences of the Conservative Party. It is frequently sung as an office or recessional hymn in English cathedrals, churches and chapels on St George's Day. The hymn is also sung in some churches on "Jerusalem Sunday"[citation needed], a day set aside to celebrate the Holy city of Jerusalem in Anglican Churches throughout the world and even in some Episcopal Churches in the United States. However some clergy in the Church of England have and refused to allow it in their churches on the grounds that it is too nationalistic and is not a prayer to God. There have been calls to give "Jerusalem" official status. In 2000 a rendition of "Jerusalem" by Fat Les was adopted by the English Football Association as the England football team's official song for the UEFA Euro 2000 competition. Jerusalem has been the ECB's official hymn since 2003, being played before the start of play each day of home test matches. Although God Save the Queen was the anthem sung by England players before games at ICC events and recent Ashes series. 8U!YYJ8U!509591W!1WJ8U!3W!8.00W؍J8U!5.00WJ8U!8.00WJ8U!5.00WJ8U!0WJ8U!WWpJ8U!0.00W0J8UQ(J8U1J8UڻO1398501152751WJ8UJ8U0!0(YJ8U!4WJ8U!0000-00-00 00:00:00U!0WeExchang!0WrIDPubl!0XJ8U!0WLJ8U!0WqJ8U!0WeExchang!2017-03-31 16:18:22Coun!2017-06-09 17:10:17U!0000-00-00 00:00:00!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWJ8U!765715W!1WJ8U!3WJ8U!8.00WJ8U!5.00WJ8U!8.00W0J8U!5.00WJ8U!0WXJ8U!WWJ8U!0.00W14UxJ8U:,m152738!173710WJ8U!9W The National Anthem of the Republic of Kenya arranged for Brass Quintet. Kenya’s was the first anthem in Africa to be written by a group commissioned by the government. One of the goals of the group was to incorporate traditional Kenyan music in the anthem, the resulting anthem, therefore, has a very African feel to it, a typical example of the “Eastern folk” style of anthem. The melody is actually based on a traditional Kenyan folk song, sung by mothers to their children. Other criteria the group was charged with to create the anthem was that the tune had to be of the right length and quality, yet possessing the necessary dignity. It also had to lend itself to having words written for it, in both English and Swahili (the official languages of the country). The words had to unify the nation, yet contain the aspirations of the whole country. And the melody had to be able to be performed by a military band, without impairing the original feel of the song. With all those goals in mind, the anthem was ready in time for independence in December, 1963. Traditional melody adapted by: Graham Hyslop Thomas Kalume Peter Kibukosya Washington Omondi George W. Senoga-ZakengeScores!^^J8U!0.0000W!2022-07-14 18:09:32aKenyan National Anthem Ee Mungu Nguvu YetuOh God of All Creation for Brass Quintetound!0W!0W!3W!0000-00-00 00:00:00!0W!0WKenyan National Anthem (Ee Mungu Nguvu Yetu-Oh God of All Creation) for Brass Quintet Traditional Arranged by Keith Terrett Keith Terrett Music for all Occasions The National Anthem of the Republic of Kenya arranged for Brass Quintet. Kenya’s was the first anthem in Africa to be written by a group commissioned by the government. One of the goals of the group was to incorporate traditional Kenyan music in the anthem, the resulting anthem, therefore, has a very African feel to it, a typical example of the “Eastern folk” style of anthem. The melody is actually based on a traditional Kenyan folk song, sung by mothers to their children. Other criteria the group was charged with to create the anthem was that the tune had to be of the right length and quality, yet possessing the necessary dignity. It also had to lend itself to having words written for it, in both English and Swahili (the official languages of the country). The words had to unify the nation, yet contain the aspirations of the whole country. And the melody had to be able to be performed by a military band, without impairing the original feel of the song. With all those goals in mind, the anthem was ready in time for independence in December, 1963.!0^J8U!0W!0W!0W!2017-03-31 16:14:03A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":150,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"B37A2A70-1624-11E7-B9E4-B7CD6DF86962","position-x-pc":"0"}changeScores!0W!318W!159WPJ8UJ8UHJ8U(J8UJ8UJ8U(J8UJ8UJ8UJ8U@J8UJ8UxJ8UxJ8UJ8U J8UJ8U8S8UJ8U8J8UJ8U0J8UpJ8UhJ8UJ8UHJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8U0J8UXJ8UhJ8UJ8UJ8U8J8UJ8UJ8U(J8UJ8UJ8UhJ8UJ8UJ8UpJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8U0J8UxJ8UJ8UJ8UJ8UHJ8UXJ8UJ8UJ8U@J8UJ8UJ8UxJ8UJ8UPJ8UJ8U J8UJ8UJ8U`J8UeExchang["195436","187279","152422","152213","140381","151993","151968","145120","134642","188278","151656","173028","152362","187114","173895","172752","188335","152751","187075"]JSONSimila!2020-09-22 18:56:56!1W!2019-09-25 13:24:2916C0BF3E4-DF8F-11E9-BF25-78eScores!6659W!0W!0W!0W!1W!650x459W!0W!0W!5.00W!2023-04-15 07:10:04!2023-04-15 07:10:49!1620962W!1074332W!0000-00-00 00:00:00!0000-00-00 00:00:00QPJ8U!152446HXnal AnthQComposed by Thomas Isodore Noël Sankara (1949-1987) Arr:Keith Terrett13c8U Anthem Series0!173076WE8U!0WXJ8U10W(J8U0Comoran National Anthem "Udzima wa ya Masiwa" -"The Union of the Great Islands" for Brass Quintet (MFAO World National Anthem Series)!9W`E8U!0W!3Wh68U!2W98U!2016-03-23 01:46:37U!2024-04-11 10:01:01UaComposed by Saïd Hachim Sidi Abdérémane Kamildine Abdallah Arr:Keith TerrettJ8U1Keith Terrett0!sibW8U!250WnR8U!0WR8UAComoros National Anthem for Brass Quintet.sibR8U!2024-04-11 09:54:56U!0W@cG8U!1648W !0^J8U!1W1The national anthem of the Republic of Sudan arranged for classical Brass Quintet. The current national anthem of the Republic of the Sudan was originally the anthem of the Sudan Defence Force prior to independence. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com!1.99W!0W!1W!0W!WW!WW!0W!WWaCopyright © 2015 MFAO www.musicforalloccasions.org.uk(keithterrett@gmail.com)J8U!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW0J8U!77664W!0W8J8U!0WHJ8U!0.00WJ8U!9.99W J8U!8.00WhJ8U!0WJ8U!WWJ8U!0.00WxJ8UQJ8UAJ8UU360267@1The national anthem of the Republic of Sudan arranged for classical Brass Quintet. The current national anthem of the Republic of the Sudan was originally the anthem of the Sudan Defence Force prior to independence. Nahnu Jund Allah Jund Al-watan (We are the Soldiers of God and of our Homeland) was previously the anthem of the Sudanese army and was adopted as the national anthem in 1956, after Sudan achieved independence from Britain. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com oresPriceSet!0^J8U!WW!0.0000W!2016-04-10 11:12:20Sudanese Republic National Anthem Nahnu Djundulla Djundulwatan for Brass Quintet MFAO World National Anthem Series8U!0W!0W!4W!0000-00-00 00:00:00!0W!0WSudanese (Republic) National Anthem (Nahnu Djundulla Djundulwatan) for Brass Quintet (MFAO World National Anthem Series) Composed by Ahmad Murjen Arranged by Keith Terrett Keith Terrett Music for all Occasions The national anthem of the Republic of Sudan arranged for classical Brass Quintet. The current national anthem of the Republic of the Sudan was originally the anthem of the Sudan Defence Force prior to independence. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com!0W!0W!0W(J8Uc`7U J8Uf`7U J8U25U J8U25U( J8U25U@ J8UHJ8U c2UX J8U"c2Up J8U(g85U J8Ug85U J8UW4U J8UXf85U J8Ue85U J8UJ8Uc85U J8UpJ8UOm2U J8UJ8U m2U0 J8UJ8UX~`2UH J8UJ8U`2U` J8UHb85Ux J8UJ8U&_2U J8UhAT2U J8U8DT2U J8U>T2U J8UJ8U7U J8U4UJ8UJ8UH5U J8UJ8U(t85U8J8Up85UPJ8UJ8Uj6UhJ8U885UJ8UI85UJ8U J8U85UJ8Uxa85UCJ8U85UxI8U6UI8UJ8UH4Uz98UX2UiA8Uh4UiA8U J8U6UI8U6UI8U@J8Uh_2U bG8U85UI8U885UI8U85U8bG8UxJ8U^i2UPbG8UΌ2UhbG8Un4UQ8U2U(Q8UJ8U2U@Q8UJ8U5UJ8U4UJ8U858UJ8UJ8U5UJ8UPJ8Ux6o3UJ8U6UJ8U(b2UJ8U+_2UJ8U,_2UJ8Uh/_2UJ8U6UJ8UJ8UX:5U(J8Ux4U@J8Uh5o3UXJ8Uh2UpJ8U/_2UJ8U 4UJ8UPJ8U16UJ8UJ8U46UJ8U=4UJ8U45UJ8UH1_2UJ8U85U0J8U85UHJ8UXDe3U`J8U87UxJ8U؝2UJ8UX85UJ8U85UJ8U)6UJ8U885UJ8U85UJ8U85U J8Up,5U8J8Ux85UPJ8U@J8UH85UhJ8U85UJ8U J8U4UJ8U2UJ8UJ8UX2UJ8U85UJ8UX 85UJ8UH!85UJ8U"85U(J8U3U@J8UH%85UXJ8UpJ8U&85UpJ8U(6UJ8U&85UJ8UhG85UJ8U8<25UJ8UJ8U 6UJ8UZ85UJ8UP6UJ8U5U0J8UA6UHJ8U)_2U`J8U54UxJ8U_85UJ8U_85UJ8UJ8U`85UJ8UJ8Uc`7UJ8Uf`7UJ8U25UJ8U25U J8U25U8J8UJ8U c2UPJ8U"c2UhJ8U(g85UJ8Ug85UJ8UW4UJ8UXf85UJ8Ue85UJ8U@J8Uc85UJ8UJ8UOm2UJ8UJ8U m2U(J8UXJ8UX~`2U@J8U0J8U`2UXJ8UHb85UpJ8UJ8U&_2UJ8UhAT2UJ8U8DT2UJ8U>T2UJ8UJ8U7UJ8U4UJ8UJ8UH5UJ8UHJ8U(t85U0J8Up85UHJ8U@J8Uj6U`J8U885UxJ8UI85UJ8UJ8U85UJ8Uxa85UiA8U85UA8U6UJ8U8J8UH4UHNJ8UX2UA8Uh4UJ8UJ8U6U@J8U6UXJ8UxJ8Uh_2UXQ8U85UJ8U885U(J8U85UpQ8UJ8U^i2UQ8UΌ2UQ8Un4UQ8U2UQ8UJ8U2UQ8UJ8U5UJ8U6UJ8U4UJ8UJ8U5UJ8UxJ8Ux6o3UJ8UȀ;8UX!K8U(b2U0J8U+_2UHJ8U,_2U`J8Uh/_2UxJ8U6UJ8UJ8UX:5UJ8Ux4UJ8UcoreMin!08^J8U!2017-03-31 17:13:01A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":258,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"F021F45A-162C-11E7-AE72-8F64A7AA14A9","position-x-pc":"0"}aultPartPrice!0W!122W!105WJ8UhJ8UJ8U`J8U(J8U0 J8U` J8UxJ8U8J8U0J8Ux J8UJ8UJ8UJ8UJ8UXJ8UXJ8UPS8UJ8UpJ8U(J8UJ8UJ8UJ8U`J8UJ8U J8UxJ8UJ8UHJ8U J8UJ8UJ8UJ8U8J8UJ8UJ8UJ8UJ8UhJ8UJ8UPJ8U0J8UJ8U J8UpJ8UJ8U8J8UPJ8U J8UJ8UJ8UJ8UJ8UJ8U J8UJ8U0J8UhJ8UJ8U@J8UH J8UJ8U8J8UJ8UJ8UPJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8UJ8U ["140098","152693","173104","173398","174334","88083","171966","172729","141145","174716","174478","173727","88084","188016","78056","176103","187217","173235","173743","188410"]8U!2020-09-17 05:51:52!1W!2019-09-25 13:33:101A26E6268-DF90-11E9-BB11-780K8U!2271W!0W!0W!0W!1W!650x459W!0W!0W!5.00W!2023-04-03 23:30:22!2023-04-03 23:30:55!818765W!1082497W!0000-00-00 00:00:00!0000-00-00 00:00:00J8UJ8U`^K8UD@K8Up^K8UD`K8U V18U  pK8UI8UD`J8UI8UDJ8UI8UD`J8UI8UDJ8UI8UDJ8U I8UDJ8U0I8UDJ8U@I8UDJ8UPI8UDJ8U`I8UDJ8UpI8UDJ8UI8UDJ8UI8UDPJ8UI8UDpJ8UI8UDJ8UI8UD K8UI8UD J8UI8UDJ8UI8UDPK8UJ8UDpK8UJ8UDK8U J8UDK8U0J8UDK8U@J8UDK8UPJ8UDK8U`J8UD K8UpJ8UD@K8UJ8UD`K8UJ8UDK8UJ8UDK8USK8UD K8UTK8UDK8UTK8UD@K8U TK8UD`K8U0TK8UDK8U@TK8UDK8UPTK8UDK8U`TK8UD0 K8UpTK8UDJ8UTK8UDJ8UTK8UDK8UTK8UDK8UTK8UD K8UTK8UD7!8UTK8UD8!8UTK8UDP K8UTK8UUK8UD K8UUK8UDK8U UK8UD K8U0UK8UD@K8U@UK8UD`K8UPUK8UDK8U6U`UK8UD K8UpUK8UD 8!8UUK8UD@8!8UUK8UDK8UUK8UDK8UUK8UDK8UUK8UDK8UUK8UDK8UUK8UD0K8UUK8UDPK8UVK8UD K8UVK8UD@K8U VK8UD`K8U0VK8UDK8U@VK8UDK8UPVK8UDK8U`VK8UDK8UpVK8UDK8UVK8UD K8UVK8UD@K8UVK8UVK8UVK8UVK8UVK8UVK8UD`K8UWK8UDK8UWK8UDK8U WK8UDK8U0WK8UD@K8U@WK8UD`K8UPWK8UDK8U`WK8UDK8UpWK8UDK8UJ8UJ8UA8UDpI8U+,8U8UG8UDpe$8UG8UDe$8U G8UDe$8U0G8UDf$8UV18U K8U`98U2J8UhJ8UЏs8UDPs8UdK8UDPK8UK8UDT2UrK8U5K8U7UrK8U4UrK8U:L8UH5UrK8UH4K8U(t85UrK8Up85UsK8U@6K8Uj6UsK8U885U0sK8UI85UHsK8U4K8U85U`sK8Uxa85U`98U85U@-K8U6U98U85K8UH4UJ8UX2U98Uh4U-K8U5K8U6U-K8U6U-K8Ux7K8Uh_2UxH8U85U-K8U885U-K8U85UH8U1K8U^i2UH8UΌ2UH8Un4Ux-H8U2U-H8U9K8U2U-H8U3K8U5UFL8U6UPtK8U4UuK8U9K8U5UhtK8U?K8Ux6o3UuK8UK8U}K8U(b2UuK8U+_2UvK8U,_2UvK8Uh/_2U0vK8U6UHvK8U:K8UX:5U`vK8Ux4UxvK8Uh5o3UvK8Uh2UvK8U/_2UvK8U 4UvK8UK8UOm2UH|K8UH:K8U m2U`|K8U=K8UX~`2Ux|K8Uh;K8U`2U|K8UHb85U|K8UH=K8U&_2U|K8UhAT2U|K8U8DT2U|K8U>T2U}K8U0@K8U7U }K8U4U8}K8U8;K8UH5UP}K8U>K8U(t85Uh}K8UDedicatiThe national anthem of the Republic of Afganistan arranged for Brass Quintet. In 2004, the new Afghan constitution stated that a new national anthem for the country, requested by the post-Taliban government to signal a new era for Afghanistan, must be written in Pashto and contain the phrase “Allahu Akbar” (God is Great), and mention the names of the ethnic groups in Afghanistan. The winning composition was created by two Afghans living outside the country due to the war. There has been some criticism of the anthem due to the above stated conditions of composition, that the Pashto requirement places less importance on the other languages spoken in the country; that the phrase “Allahu Akbar” should not be used in the anthem, as it is a sacred phrase in Islam and should not be set to music; and the ethnic groups mentioned in the anthem still do not represent the entire spectrum of nationalities in the country. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett K8U!0h\FK8U!0W!9W!0000-00-00 00:00:00!0W!0WQAfgan National Anthem (Milli Surood “ملي سرود”) for Brass Quintet Composed by Babrak Wasa Arr:Keith Terrett Keith Terrett Music for all Occasions The national anthem of the Republic of Afganistan arranged for Brass Quintet. In 2004, the new Afghan constitution stated that a new national anthem for the country, requested by the post-Taliban government to signal a new era for Afghanistan, must be written in Pashto and contain the phrase “Allahu Akbar” (God is Great), and mention the names of the ethnic groups in Afghanistan. The winning composition was created by two Afghans living outside the country due to the war. There has been some criticism of the anthem due to the above stated conditions of composition, that the Pashto requirement places less importance on the other languages spoken in the country; that the phrase “Allahu Akbar” should not be used in the anthem, as it is a sacred phrase in Islam and should not be set to music; and the ethnic groups mentioned in the anthem still do not represent the entire spectrum of nationalities in the country.!0Y@U!0W@LK8U!0W`LK8U!0WdefScor!2017-03-31 16:17:57enH!2021-06-23 23:00:15U!0000-00-00 00:00:00U!WWMK8U!766859WeExchang!0WrIDPubl!0WMK8U!0.00W|MK8U!11.00WMK8U!8.00WeExchang!0WEPSCoun!WWK8U!0.00W QCambodian National Anthem (Nokoreach) for Brass Quintet.sibUqCambodian National Anthem (Nokoreach) for Brass Quintet (MFAO World National Anthem Series)U#E8U!9W.E8U!0W78U!2W0E8U!2W.8U!2021-07-06 11:12:10U!2021-07-06 12:03:406-09!08XHJ8U!2014WJ8U!1WJ8U11.99W0!sibW157788",!250W","14333!0W1966","1!2021-07-06 11:12:10120!0W38-DF8F-!3639W1650x46!0W:35:1921Arranged by Keith Terrett0000-00-00 001Keith Terrett00ze89def2020aEnglish National Anthem (Did Those Feet in Ancient Times) for Clarinet Quintet$E8U!511WManualVe!3W`98U!2WȭE8U!2014-04-01 17:24:21U!2022-08-07 08:57:30U!Keith TerrettJ8U!0WpJ8U!0WJ8U12W0!sibWsK8U!250WetOfPartQEnglish NA (Jerusalem) for Clarinet Quintet (3 Bb's, A & B).sib2024-0!2014-04-01 17:24:21U!3WSK8U!2342W4-23 20:AC. Hubert H. Parry arr. Keith Terrett171389881@ -0~ NP@H&( BHCHBHLP*0 [`;@ #(-0 71389854!2023-04-20 03:42:23U!726844W!1205382W!0000-00-00 00:00:00!0000-00-00 00:00:00 *0$(>@;@)0 ^`JPVX8@  VX*0EH  9@ NP "GloriouY8U0L8UDo#8UL8UD p#8U@L8UDo#8UPL8UDo#8UW18U  @L8UkK8UD@K8Utly for Q8L8U!157252Xores WHE!0K8U78U!2014-07-11 10:47:49!152618Xores WHE!3.00WL8U10WL8U0!1Z.E8U!1.99X@)0 -078GH20:07:57!195436[ores WHEQComposed by Banzoumana Sissoko (1890-1987) Arranged by Keith TerrettaMali National Anthem "Pour l'Afrique et pour toi, Mali'' -  Le Mali for Brass Quintet!9WX!0WwE8U!2W`E8U!2Wh6F8U!2020-06-21 02:29:52U!2023-05-03 14:17:57U!Keith Terrett_L8U!0W(`L8U!0W8_L8U11W0!sibW.8U!250Wj18U!0W8UAMali National Anthem for Brass Quintet.sib8UR8U!2023-05-03 09:29:57U!0WR8U!3510WXQ8U!0W@cG8U!3.00XXQ8U!0WH8U!1WH8U!0Wx$H8U1WW0QQuando Men Vo for C Trombone-Euphonium & Piano ed. 2014.sibU!60W QAfganistan National Anthem for Brass Quintet (new version).sibaAfgan National Anthem (Milli Surood “ملي سرود”) for Brass Quintet.E8U!0W78U!2W0E8U!2W.8U!2021-06-23 23:01:24U!2021-06-23 23:00:15UAComposed by Babrak Wasa Arr:Keith TerrettH:L8U!Keith TerrettX9L8U10W0!sibW`E8U!250Wh6F8U!0W.8U!2021-06-23 23:01:24U!5WR8U!2450W R8U!2W R8U!0xXXQ8U!2WXG8U!08XpcG8U!1W`H8U!0WH8U1WW4U0!0XH1L8U!2017-06-09 17:10:17U!0000-00-00 00:00:00U!WW0L8U!206723Wx1L8U!1W/L8U!3W /L8U18.00W01L8U0An arrangement of the former Afgan National Anthem Sorode Meli (Afgan National Anthem) for Brass Quintet. The new Afgan National Anthem is now in my store. (Pashto: ملی سرود‎ - Milli Surood; Persian: سرود ملی‎ - "Surūd-e Millī") was adopted and officially announced by a Loya Jirga in May 2006. According to article 20 of the Afghan Constitution, the national anthem shall be in Pashto with the mention of "God is Greatest" as well as the names of the various tribes of Afghanistan. The lyrics were written by Abdul Bari Jahani and the music was written by German-Afghan composer Babrak Wassa. L8U!3.00W!0W!1W!0W!WW!WW!0W!WWaCopyright © 2013 MFAO (keithterrett@gmail.com) www.musicforalloccasions.org.uk L8U!WW["140098","152693","173104","173398","174334","88083","171966","172729","141145","174716","174478","173727","88084","188016","78056","176103","187217","173235","173743","188410"]8U!2020-09-17 20:36:10U!1W@3L8U!2019-09-25 13:18:36U199846712-DF8E-11E9-B562-788U1L8U!7329W!0W!0W/L8U!0W(0L8U!0W1L8U!1W An arrangement of the former Afgan National Anthem Sorode Meli (Afgan National Anthem) for Brass Quintet. The new Afgan National Anthem is now in-store! (Pashto: ملی سرود‎ - Milli Surood; Persian: سرود ملی‎ - "Surūd-e Millī") was adopted and officially announced by a Loya Jirga in May 2006. According to article 20 of the Afghan Constitution, the national anthem shall be in Pashto with the mention of "God is Greatest" as well as the names of the various tribes of Afghanistan. The lyrics were written by Abdul Bari Jahani and the music was written by German-Afghan composer Babrak Wassa. `L8U!0W!0W!1W!0W!WW!0.0000W!2014-02-27 18:34:07!0W!0W!3W!2013-05-20 16:38:42!0W!0WAfhgan National Anthem for Brass Quintet (1992-2006) Old version Salim Sharmad Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement of the former Afgan National Anthem Sorode Meli (Afgan National Anthem) for Brass Quintet. The new Afgan National Anthem is now in my store. (Pashto: ملی سرود‎ - Milli Surood; Persian: سرود ملی‎ - "Surūd-e Millī") was adopted and officially announced by a Loya Jirga in May 2006. According to article 20 of the Afghan Constitution, the national anthem shall be in Pashto with the mention of "God is Greatest" as well as the names of the various tribes of Afghanistan. The lyrics were written by Abdul Bari Jahani and the music was written by German-Afghan composer Babrak Wassa. L8U!0W!0W!51W!43W!2017-03-31 15:41:25!{"width":300,"position-y-pc":"43","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":37,"width":70,"x":115,"center-y":72,"height":70,"center-x":150},{"y":58,"width":100,"x":101,"center-y":108,"height":100,"center-x":151}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":57,"width":99,"x":105,"center-y":106.5,"height":99,"center-x":154.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":224,"position-x-combined":"51%","position-x":"center","position-y":"center","position-y-combined":"43%","average-center-x":151.833333333333,"average-center-y":95.5,"id":"245845C4-1620-11E7-8D12-B6684DDE87EA","position-x-pc":"51"}!3W!259W!194W2L8Uh8L8U7L8U0L8Uh2L8Up3L8U3L8Ux7L8U85L8U07L8U3L8U(3L8U.L8U7L8U7L8U2L8UX6L8US8U@0L8U/L8U(6L8U7L8U6L8U5L8U`7L8U1L8U 8L8Ux4L8U4L8UH7L8U 5L8U5L8U2L8U82L8U88L8U4L8U6L8U/L8UH1L8Uh5L8U5L8UP5L8U04L8U6L8U`1L8Up6L8U2L8Ux1L8U1L8U3L8U7L8U7L8U /L8U8L8UX0L8U@3L8UP/L8Up0L8U1L8U4L8U/L8U3L8U0L8U`.L8U0L8U6L8UP8L8U6L8U8L8U6L8U1L8U5L8U5L8U(0L8U5L8U1L8U01L8U4L8U @!5.00YScoreExc!8.00W!L8U!5.00WML8U!0WScores!WW? !0.00WL8U!650x502XXL8U!0WL8U!0WScores!5.00W212023-04-20 03:41:46U.K8U0Cambodian National Anthem (Nokoreach) for Brass Quintet (MFAO World National Anthem Series) Arranged by Keith Terrett Keith Terrett Music for all Occasions The national anthem of Cambodia arranged for Brass Quintet. "Nokor Reach" (Khme:Royal Kingdom or Majestic Kingdom) is the national anthem of the Kingdom of Cambodia. It was based on a Cambodian folk tune and written by Chuon Nath, the anthem was originally adopted in 1941 and reconfirmed in 1947, around the time of independence from France. In 1970, the monarchy was abolished, thereby replacing the anthem as well. After the communist victory in 1975, former royalist symbols, including "Nokor Reach", were reinstated for a short while. The Khmer Rouge then replaced it with Dap Prampi Mesa Chokchey ("Glorious Seventeenth of April"). After the royalist party FUNCINPEC defeated the former communists (Cambodian People’s Party) in the 1993 elections, the royalist anthem was restored. The anthem was originally adopted in 1941 and reconfirmed in 1947, around the time of independence from France. In 1970, the monarchy was abolished, thereby replacing the anthem as well. After the communist victory in 1975, former royalist symbols, including “Nokoreach”, were reinstated for a short while until replaced with their own national symbols. During exile, the second verse of Nokoreach was declared to be the anthem of Cambodia; after the royalist forces defeated the Vietnamese puppet regime in 1993, putting an end to their long civil war, the royalist anthem (all verses) was also restored to Cambodia. The title of the anthem is derived from the name of an ancient Khmer kingdom. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com2024-0`J8U0.L8U-L8U8J8UJ8UJ8U8J8U@-L8U+L8U,L8UPJ8UJ8UJ8U-L8U,L8U0J8U ,L8US8UؖJ8UHJ8U+L8Up-L8U,L8U+L8U(-L8UXJ8U-L8UJ8U(J8U-L8UJ8U+L8UJ8UИJ8U.L8U@J8U,L8UxJ8UJ8U0+L8Ux+L8U+L8UȚJ8Uh,L8UJ8U8,L8UxJ8UJ8U(J8UJ8UX-L8U,L8UJ8U.L8UJ8UؙJ8UJ8UJ8U@J8UJ8UJ8U J8UJ8UJ8UhJ8UP,L8U.L8U,L8U-L8U+L8UJ8UH+L8U+L8UJ8U`+L8UJ8UȗJ8UpJ8U1615317HJ8UOm2U(*K8UpJ8U m2U@*K8UJ8UX~`2UX*K8UJ8U`2Up*K8UHb85U*K8UpJ8U&_2U*K8UhAT2U*K8U8DT2U*K8U>T2U*K8UXJ8U7U+K8U4U+K8U`J8UH5U0+K8UJ8U(t85UH+K8Up85U`+K8UJ8Uj6Ux+K8U885U+K8UI85U+K8UJ8U85U+K8Uxa85UhJ8U85UJ8U6U(J8UJ8UH4UA8UX2UP68Uh4U868UhJ8U6UJ8U6UJ8U,L8Uh_2UH8U85UJ8U885UJ8U85UH8UPJ8U^i2UH8UΌ2UH8Un4UH8U2UȮH8U-L8U2UH8U.L8U5U,K8U4U=L8U(ML8U0EL8UJ8U5U"K8U4L8Ux6o3UL8U1L8U16U(>L8U`4L8U46U@>L8U=4UX>L8U45Up>L8UH1_2U>L8U85U>L8U85U>L8UXDe3U>L8U87U>L8U؝2U?L8UX85U?L8U85U0?L8U)6UH?L8U885U`?L8U85Ux?L8U85U?L8Up,5U?L8Ux85U?L8U2L8UH85U?L8U85U?L8U0L8U4U@L8U2U @L8U2L8UX2U8@L8U85UP@L8UX 85Uh@L8UH!85U@L8U"85U@L8U3U@L8UH%85U@L8U8/L8U&85U@L8U(6U@L8U&85UAL8UhG85U(AL8U8<25U@AL8U/L8U 6UXAL8UZ85UpAL8UP6UAL8U5UAL8UA6UAL8U)_2UAL8U54UAL8U_85UBL8U_85UBL8UH4L8U`85U0BL8Uh/L8Uc`7UHBL8Uf`7U`BL8U25UxBL8U25UBL8U25UBL8U0L8U c2UBL8U"c2UBL8U(g85UBL8Ug85UCL8UW4U CL8UXf85U8CL8Ue85UPCL8U/L8Uc85UhCL8U2L8UOm2UCL8U.L8U m2UCL8U 2L8UX~`2UCL8U/L8U`2UCL8UHb85UCL8U1L8U&_2UCL8UhAT2UDL8U8DT2U(DL8U>T2U@DL8U4L8U7UXDL8U4UpDL8U/L8UH5UDL8U3L8U(t85UDL8Up85UDL8U5L8Uj6UDL8U885UDL8UI85UEL8UX3L8U85UEL8Uxa85Uh68U85U098U6U #K8U4L8UH4UJ8UX2UH98Uh4U"K8U3L8U6UP#K8U6Uh#K8U@6L8Uh_2UH8U85U"K8U885U8#K8U85UH8U0L8U^i2U(H8UΌ2U@H8Un4U0H8U2UHH8U7L8U2U`H8U8L8U5U FL8Ux-r8UJ8UxsK8U6UFL8UP2L8U5U(-K8UP5K8Ux6o3UpGL8U4UGL8U(b2UGL8U+_2UGL8U,_2UGL8Uh/_2UGL8U6UHL8U8L8UX:5UHL8Ux4U0HL8Uh5o3UHHL8Uh2U`HL8U/_2UxHL8U 4UHL8UP2K8U16UHL8U5K8U46UHL8U=4UHL8U45UHL8UH1_2UIL8U85U IL8U85U8IL8UXDe3UPIL8U87UhIL8U20:05:47!08_:L8U!0W!0W!1W!650x459W!0W!0W!5.00W!2023-04-14 16:25:20!2023-04-14 16:25:40!1291055W!1002769W!0000-00-00 00:00:00!0000-00-00 00:00:00K8UK8U!5.00W=K8U!2.50W;K8U!0W@K8UH^L8U]L8UK8U?K8UX]L8U@K8U]L8U(?K8U>K8U`:K8U]L8U\L8U>K8UAK8US8U;K8U ;K8UAK8U]L8U\L8UPAK8U@]L8U0=K8U^L8U?K8U@K8U(]L8U@K8UhAK8Uh>K8U=K8U^L8U@K8U\L8UP;K8UK8UK8U:K8U;K8U=K8U`@K8U:K8U>K8U;K8U9K8U@K8U85U}K8Uxa85Ux"K8U85UFL8U6UFL8Up?K8UH4U98UX2UE8Uh4UȭE8U@?K8U6U(GL8U6U@GL8UAK8Uh_2U-H8U85UhFL8U885UGL8U85U-H8U(T2UuL8UdL8U7UuL8U4UuL8U_L8UH5UuL8U(cL8U(t85UvL8Up85UvL8U eL8Uj6U0vL8U885UHvL8UI85U`vL8UpcL8U85UxvL8Uxa85UE8U85UtK8U6U#E8UdL8UH4U,K8UX2U$E8Uh4U@uK8UcL8U6UpuK8U6UuK8UXfL8Uh_2UQI8U85UtK8U885UXuK8U85U QI8U`L8U^i2U8QI8UΌ2UPQI8Un4U@[I8U2UX[I8UgL8U2Up[I8UhbL8U5UHK8UdI8UL8U6UhwL8UhL8U5UwL8UL8Ux6o3UxL8U4UxL8U(b2UyL8U+_2UyL8U,_2U0yL8Uh/_2UHyL8U6U`yL8UhL8UX:5UxyL8Ux4UyL8Uh5o3UyL8Uh2UyL8U/_2UyL8U 4UyL8UhkL8U16UzL8UL8U46U zL8U=4U8zL8U45UPzL8UH1_2UhzL8U85UzL8U85UzL8UXDe3UzL8U87UzL8U؝2UzL8UX85UzL8U85U{L8U)6U({L8U885U@{L8U85UX{L8U85Up{L8Up,5U{L8Ux85U{L8UL8UH85U{L8U85U{L8U8kL8U4U{L8U2U|L8U @0!7841X^@lL8U!0W!0W!1W!0W!1W!650x841W!0W!0W!5.00W!2023-04-27 17:56:00!2023-04-27 17:56:16!1278279W!2306293W!0000-00-00 00:00:00!0000-00-00 00:00:00`pK8U@nL8UlK8UD K8UlK8UDL8U lK8UD0L8U0lK8UDPL8U@lK8UDpL8UPlK8UDL8U`lK8UDL8UplK8UD`L8UlK8UDL8UlK8UDL8UlK8UDL8UlK8UDL8UlK8UD L8UlK8UD@L8UlK8UD`L8UlK8UD`K8UmK8UDL8UmK8UDL8U mK8UDL8U0mK8UD0L8U@mK8UD pRM8UPmK8UDL8U`mK8UDL8UpmK8UDL8UmK8UDL8UmK8UDL8UmK8UDP]M8UmK8UDp]M8UmK8UD]M8UmK8UD ]M8UmK8UD^M8UmK8UD0`M8UnK8UD`QM8UnK8UDQM8U nK8UDQM8U0nK8UDQM8U@nK8UD L8UPnK8UDQM8U`nK8UDRM8UpnK8UD RM8UnK8UD@RM8UnK8UnK8UDL8UnK8UDL8UnK8UDL8UnK8UnK8UD L8UnK8UD@L8UoK8UD`L8UoK8UDL8U oK8UDL8U0oK8UDL8U6U@oK8UD L8UPoK8UDL8U`oK8UDL8UpoK8UDХL8UoK8UDL8UoK8UDL8UoK8UD0L8UoK8UDL8UoK8UDL8UoK8UD L8UoK8UD ^M8UoK8UD@^M8UpK8UD`^M8UpK8UD^M8U pK8UD^M8U0pK8UD^M8U@~L8UD^M8UP~L8UD_M8U`~L8UD _M8Up~L8UD@_M8U~L8UD`_M8U~L8UD_M8U~L8UD_M8U~L8UD_M8U~L8UD_M8U~L8UD`M8U~L8UDPL8U~L8UDpL8UL8UDL8UL8UDPL8U L8UDpL8U0L8UDL8U@L8UDL8UPL8UDL8UvL8U~K8U@IQ8UD~%8UR8U,8U &8UD@P8UP&8UDP8U`&8UDP8Up&8UDP8UW18U L8UV8U2pwL8U K8U0s8UDs8U~#8UDV#8Uq#8UD L8UwL8UPq#8UD ^#8UPX8UD>Y8U@X8UD>Y8UX8UDmY8U q#8Uq#8UD@L8U`q#8UDj#8Upq#8UDk#8UW18U  Pk#8UpL8UDK8UL8UD K8UL8UDK8UL8UD0K8UL8UDPK8UL8UDpK8UЀL8UDK8UL8UDK8UL8UD`K8UL8UDK8UL8UDK8U L8UDK8U0L8UDK8U@L8UD K8UPL8UD@K8U`L8UD`K8UpL8UD0K8UL8UDK8UL8UDK8UL8UDK8UL8UDK8UL8UD p>M8UЁL8UDK8UL8UD0K8UL8UDEM8UL8UDEM8UL8UDEM8U L8UDFM8U0L8UD FM8U@L8UD@FM8UPL8UD `FM8U`L8UDFM8UpL8UD`=M8UL8UD=M8UL8UD=M8UL8UD=M8UL8UD=M8UL8UD HM8UЂL8UD QM8UL8UD@QM8UL8UD>M8UL8UD >M8UL8UD@>M8U L8UDL8U0L8UDL8U@L8UDL8UPL8U`L8UD`L8UpL8UDL8UL8UDL8UL8UDL8UL8UDL8UL8UDL8U6UL8UD L8UЃL8UD@L8UL8UD`L8UL8UDL8UpL8U  y68GH !(/0?@op *0 eh-0 wx-0`h*0?Q`^L8U An arrangement of the national anthem of Mali for brass quintet. Le Mali (popularly known as Pour l'Afrique et pour toi, Mali – French: For Africa and for you, Mali or A ton appel Mali – French: At your call, Mali) is the national anthem of Mali. The words were written by Seydou Badian Kouyaté and the music was by Banzumana Sissoko. Adopted as the national anthem in 1962, its themes are patriotism, national, and African unity. It states the willingness of the people of Mali to lay down their lives for their nation and for liberty. A common theme throughout the song is the desire to strive for a united Africa. Its music is a traditional European style military march. It was officially adopted less than a year after independence, by 1962. It is traditionally played at state ceremonies by the band of the Garde Républicaine of the Armed Forces of Mali. The Malian Young Pioneer movement of the 1960s translated the anthem in the Bambara language for its rallies. Banzumana was born blind in Segou. He was considered a major national figure in Mali; Cheick Mahamadou Chérif Keïta writes: "From the late 1950s, when Banzumana Sissoko became known on the national scene, to his death in 1987, the entire Mandenka nation was witness to his categorical refusal to curry favor with any politician or rich patron. It is interesting that in his immensely rich repertoire of both traditional and original songs, not a single one contains praises for a living person." In his Maanland Mali (Moonscape Mali, 2002; collected into Nomad's Hotel: Travels in Time and Space), the Dutch writer and traveller Cees Nooteboom reports that, at daybreak on November 19, 1968, all small radio transmitters, which had been silent overnight, started playing Banzumana's melodies. He had been banned by the President of Mali Modibo Keita's regime up to that night, as the lyrics of his songs said that all rulers would have been killed. Modibo Keita would be overthrown in a coup d'état on that day. Nooteboom also reports the legend according to which Banzumana's instrument was able to fly, and played alone, when his master was sleeping. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. ExchangeScores!0.0000^pL8U!2020-06-21 02:31:41aMali National Anthem Pour lAfrique et pour toi Mali Le Mali for Brass QuintetdefScor!0W!0W!5W!0000-00-00 00:00:00!0W!0W Mali National Anthem "Pour l'Afrique et pour toi, Mali'' -  Le Mali for Brass Quintet Composed by Banzoumana Sissoko (1890-1987) Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement of the national anthem of Mali for brass quintet. Le Mali (popularly known as Pour l'Afrique et pour toi, Mali – French: For Africa and for you, Mali or A ton appel Mali – French: At your call, Mali) is the national anthem of Mali. The words were written by Seydou Badian Kouyaté and the music was by Banzumana Sissoko. Adopted as the national anthem in 1962, its themes are patriotism, national, and African unity. It states the willingness of the people of Mali to lay down their lives for their nation and for liberty. A common theme throughout the song is the desire to strive for a united Africa. Its music is a traditional European style military march. It was officially adopted less than a year after independence, by 1962. It is traditionally played at state ceremonies by the band of the Garde Républicaine of the Armed Forces of Mali. The Malian Young Pioneer movement of the 1960s translated the anthem in the Bambara language for its rallies. Banzumana was born blind in Segou. He was considered a major national figure in Mali; Cheick Mahamadou Chérif Keïta writes: "From the late 1950s, when Banzumana Sissoko became known on the national scene, to his death in 1987, the entire Mandenka nation was witness to his categorical refusal to curry favor with any politician or rich patron. It is interesting that in his immensely rich repertoire of both traditional and original songs, not a single one contains praises for a living person." In his Maanland Mali (Moonscape Mali, 2002; collected into Nomad's Hotel: Travels in Time and Space), the Dutch writer and traveller Cees Nooteboom reports that, at daybreak on November 19, 1968, all small radio transmitters, which had been silent overnight, started playing Banzumana's melodies. He had been banned by the President of Mali Modibo Keita's regime up to that night, as the lyrics of his songs said that all rulers would have been killed. Modibo Keita would be overthrown in a coup d'état on that day. Nooteboom also reports the legend according to which Banzumana's instrument was able to fly, and played alone, when his master was sleeping. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.UdefScor!0^L8U!0W!0W!0W!2017-06-15 18:15:47{ "width" : 300, "position-y-pc" : "0", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 214, "position-x-combined" : "left", "position-x" : "left", "position-y" : "top", "position-y-combined" : "top", 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20:26:33U!2023-04-14 20:27:12!1738592W!2372399W!0000-00-00 00:00:00!0000-00-00 00:00:00Q@L8U1HL8U l152362aAn arrangement of the English National Anthem for Recorder Orchestra. While England does not have an official national anthem, there are many songs which are considered to fill such a role. In most of the national sporting fixtures ’God Save the Queen’ is used. The best-known version of William Blake’s poem "And did those feet in ancient time" is the song "Jerusalem", with music by Hubert Parry, which was orchestrated by Edward Elgar in 1922 for a large orchestra at the Leeds Festival. Upon hearing the orchestral version for the first time, King George V said that he preferred that "Jerusalem" replace "God Save the King" as the national anthem. "Jerusalem" is also, as with "Land of Hope and Glory" performed at the annual Last Night of the BBC Proms. It was used as a campaign slogan by the Labour Party in the 1945 general election when Clement Attlee said they would build "a new Jerusalem". The song is also the unofficial anthem of the Women’s Institute, and historically was used by the National Union of Suffrage Societies. It has also been sung at conferences of the Conservative Party. It is frequently sung as an office or recessional hymn in English cathedrals, churches and chapels on St George’s Day. The hymn is also sung in some churches on "Jerusalem Sunday"[citation needed], a day set aside to celebrate the Holy city of Jerusalem in Anglican Churches throughout the world and even in some Episcopal Churches in the United States. However some clergy in the Church of England have and refused to allow it in their churches on the grounds that it is too nationalistic and is not a prayer to God. There have been calls to give "Jerusalem" official status. In 2000 a rendition of "Jerusalem" by Fat Les was adopted by the English Football Association as the England football team’s official song for the UEFA Euro 2000 competition. Jerusalem has been the ECB’s official hymn since 2003, being played before the start of play each day of home test matches. Although God Save the Queen was the anthem sung by England players before games at ICC events and recent Ashes series. ningCoun![[L8U!0W2L8U!WWZL8UQCopyright © 2011 Music for all Occasions (keithterrett@gmail.com)_!WWL8U!0YL8U!3W!8.00WL8U!5.00W!8.00W(L8U!5.00WL8U!0WL8U!WWL8U!0.00WXL8U["86069","62962","98291","8755","60396","95761","185322","363570","85884","104946","96298","85347","109497","90727","150834","143871","184863","363571","43789"]L8U!2020-09-18 18:43:26U!1W !1.50X0"]2020!2022-08-07 08:55:07 13:!1W-9A5B-78!0W05.002!0W04-14 23!0X000-00-0!0W:00:00!1W 0L8UX2U|L8U85U0|L8UX 85UH|L8UH!85U`|L8U"85Ux|L8U3U|L8UH%85U|L8UiL8U&85U|L8U(6U|L8U&85U|L8UhG85U}L8U8<25U }L8UiL8U 6U8}L8UZ85UP}L8UP6Uh}L8U5U}L8UA6U}L8U)_2U}L8U54U}L8U_85U}L8U_85U}L8UL8U`85U~L8UiL8Uc`7U(~L8Uf`7UذL8U25UL8U25UL8U25U L8UjL8U c2U8L8U"c2UPL8U(g85UhL8Ug85UL8UW4UL8UXf85UL8Ue85UȱL8UXiL8Uc85UL8U`L8UOm2UL8U(iL8U m2UL8UL8UX~`2U(L8UHjL8U`2U@L8UHb85UXL8U(lL8U&_2UpL8UhAT2UL8U8DT2UL8U>T2UL8UpL8U7UвL8U4UL8UjL8UH5UL8UL8U(t85UL8Up85U0L8UL8Uj6UHL8U885U`L8UI85UxL8UL8U85UL8Uxa85UPFL8U85U`K8U6Up.E8UL8UH4U $E8UX2U.E8Uh4UK8UL8U6UK8U6UK8UL8Uh_2U[I8U85U0K8U885UK8U85U[I8UkL8U^i2U[I8UΌ2U[I8Un4U(I8U2U@I8UL8U2UXI8UL8U5UL8U4UL8U#8U(L8UL8U5UwL8UL8Ux6o3UL8U6UL8U(b2UL8U+_2U0L8U,_2UHL8Uh/_2U`L8U6UxL8UL8UX:5UL8Ux4UL8Uh5o3UL8Uh2UضL8U/_2UL8U 4UL8UL8U16U L8UHL8U46U8L8U=4UPL8U45UhL8UH1_2UL8U85UL8U85UL8UXDe3UȷL8U87UL8U؝2UL8UX85UL8U85U(L8U)6U@L8U885UXL8U85UpL8U85UL8Up,5UL8Ux85UL8UL8UH85UиL8U85UL8UL8U4UL8U2UL8UhL8UX2U0L8U85UHL8UX 85U`L8UH!85UxL8U"85UL8U3UL8UH%85UL8U L8U&85UعL8U(6UL8U&85UL8UhG85U L8U8<25U8L8UL8U 6UPL8UZ85UhL8UP6UL8U5UL8UA6UL8U)_2UȺL8U54UL8U_85UL8U_85UL8U0L8U`85U(L8UPL8Uc`7U@L8Uf`7UXL8U25UpL8U25UL8U25UL8UpL8U c2UL8U"c2UлL8U(g85UL8Ug85UL8UW4UL8UXf85U0L8Ue85UHL8UL8Uc85U`L8UL8UOm2UxL8UL8U m2UL8UL8UX~`2UL8UL8U`2UL8UHb85UؼL8UL8U&_2UL8UhAT2UL8U8DT2U L8U>T2U8L8UL8U7UPL8U4UhL8UL8UH5UL8UL8U(t85UL8Up85UL8UL8Uj6UȽL8U885UL8UI85UL8U@L8U85UL8Uxa85U.E8U85U78U6UXxL8UL8UH4UtK8UX2U78Uh4UwL8UL8U6UxL8U6UxL8U!0.0000]L8U!2016-03-29 18:27:27Ivorian Ivory Coast National Anthem Song of AbidjanL Abidjanaise for Brass Quintet World National Anthem Series!0W!0W!6W!0000-00-00 00:00:00!0W!0W!Ivorian (Ivory Coast) National Anthem (Song of Abidjan-L’ Abidjanaise) for Brass Quintet (World National Anthem Series) Composed by Pierre Marie Coty & Pierre Michel Pango Arr:Keith Terrett Keith Terrett Music for all Occasions The national anthem of The Ivory Coast arranged for Brass Quintet. "L’Abidjanaise" (Song of Abidjan) is the national anthem of Côte d’Ivoire. Adopted under law n°60–207 on 27 July 1960, its status as national anthem is enshrined in the constitution’s 29th article. It takes the form of a lyric and very patriotic poem, using inspiring images expressing the greatness of the Ivorian soil and values such as hope, peace, dignity and the "true brotherhood". Adopted in 1960 at the country’s independence, the song of Abidjan remains the national anthem of Côte d’Ivoire, even though the capital city is now Yamoussoukro. This hymn is strongly tinged with patriotism and influenced by religion. The lyrics are from ministers Mathieu Vangah Ekra and Joachim Bony. The music has been composed by abbots Pierre-Marie Coty alongside Pierre-Michel Pango, taking La Marseillaise as model. Between 2007 and 2009, and under the leadership of Laurent Gbagbo, there was a project of replacing the Song of Abidjan by the Ode to the homeland as national anthem. This Ode has been composed in 2002 after the start of the Ivorian civil war, and was selected by contest in 2003. The Ode to the homeland was sung by supporters of the now former head of state and broadcast on the RTI’s television network instead of the Song of Abidjan until 2007, even though it remained, according to the constitution, the country’s national anthem. However, the replacement project was not given any future. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com !0[0L8U!0W!0W!0W!2017-03-31 16:16:55A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":201,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"19B32DDC-1625-11E7-908A-EFF50E0DD0A9","position-x-pc":"0"}!0W !300W!201WM8U!2017-06-09 17:10:17!0000-00-00 00:00:00!WW!904386WM8U!0W !0W !0.00W!9.49WxM8U!7.50W 10W 0L8UM8U@r#8UDL#8UPr#8UDL#8U`r#8UDM#8Upr#8UD 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    N8U!0W!0000-00-00 00:00:00!WW!0W!0W!0W`8UO8UؚO8U@8U8U8U88UO8UPO8UHO8UP8U8U08UO8U0O8U08UpO8U:8UpD8U8U@O8UO8UO8UO8UxO8U8U8O8UO8UO8U`O8U8O8UO8U8Uh8UPO8UO8UO8U8UH8UO8UȘO8UhO8UHO8UO8UX8UO8Ux8UHMC8U8UO8UO8UO8U8UO8U 8U8U8U8Up08UO8U8U 8U 58UXO8U(8UO8UhO8UЙO8U O8U(O8U8UO8UO8U8UO8U8UP8UO8Uore Exch!2020-07-21 11:40:12U!2021-07-06 19:08:341Joachim Neander (1650-1680)O8U!Christopher MaximO8U!0WO8U!1994W !sibWo8U!1319Wm8U!0W8Zn8U!2020-07-21 11:40:12U!3WЉn8U!744Whn8U!1WH#o8U!1XO8U!1W`O8U!0W O8U!WW؝O8U!0WȞO8U!0WHO8U!1WpO8U10WO8U0!1xY7U!WW">!3.00Wrow"> !WWss="form!0Wholder="!WWGLOBALCO1Copyright © C D Maxim 1994/2020pan cla!WWutton ty!1.50Wtn-defau!2020-07-21 11:40:14!0%:8U !Phillip RawleuantityS!WW A85U(HN8U?\18.221.187.121@!0?8U !00F8U !HASH0Cs8U !2017-10-19 00:12:221HASHWw$0!4002358U!1W8U10W3617340!2011-08-25 08:31:47!2017-11-22 17:23:461sibWg0!HASHW !0`Ns8Us="refin!WWlabel> !1Wbox" val153674F40-886F-11E9-BE21-F3D41D17C629el>!0W8U!0W rel="">!0000-00-00 00:00:00 typ!0Wame="com!2021-09-15 08:03:28umen!2021-10-15 15:21:50>n>10Wy`g<8U0!2017-10-01 08:49:41!00~8U !0UQV8U1WW0["193312","43248","27666","151215","150345","137693","8582","104798","24032","42783","38108","102481","11320","31262","102488","15517","31559","11955","103934","74749"]!2020-09-19 13:12:29!0\s8Up18U!WW"78U!WWh 18U!WW !2013-04-17 02:47:41!0W_BS!0W08U!0X!0W!0W 1h5UHNN8UI柈336964U@@v8UUW8UhHv8U8U5UИ"8UTN8Ux6o3U(@v8U6U>v8U(b2UX@v8U+_2Up@v8U,_2U@v8Uh/_2U@v8U6U@v8UNN8UX:5U@v8Ux4U@v8Uh5o3UAv8Uh2UAv8U/_2U0Av8U 4UHAv8UQN8U16U`Av8U`TN8U46UxAv8U=4UAv8U45UAv8UH1_2UAv8U85UAv8U85UAv8UXDe3UBv8U87U Bv8U؝2U8Bv8UX85UPBv8U85UhBv8U)6UBv8U885UBv8U85UBv8U85UBv8Up,5UBv8Ux85UBv8URN8UH85UCv8U85U(Cv8UPN8U4U@Cv8U2UXCv8URN8UX2UpCv8U85UCv8UX 85UCv8UH!85UCv8U"85UCv8U3UCv8UH%85UDv8U8ON8U&85UDv8U(6U0Dv8U&85UHDv8UhG85U`Dv8U8<25UxDv8UON8U 6UDv8UZ85UDv8UP6UDv8U5UDv8UA6UDv8U)_2UEv8U54U Ev8U_85U8Ev8U_85UPEv8UHTN8U`85UhEv8UhON8Uc`7UEv8Uf`7UEv8U25UEv8U25UEv8U25UEv8UPN8U c2UEv8U"c2UFv8U(g85U(Fv8Ug85U@Fv8UW4UXFv8UXf85UpFv8Ue85UFv8UON8Uc85UFv8URN8UOm2UFv8UNN8U m2UFv8U RN8UX~`2UFv8UON8U`2UGv8UHb85UGv8UQN8U&_2U0Gv8UhAT2UHGv8U8DT2U`Gv8U>T2UxGv8UTN8U7UGv8U4UGv8UON8UH5UGv8USN8U(t85UGv8Up85UGv8UUN8Uj6UHv8U885U Hv8UI85U8Hv8UXSN8U85UPHv8Uxa85Uk8U85Uk8U6UH"8UTN8UH4Upd8UX2Uk8Uh4U"8USN8U6Ux"8U6U"8U@VN8Uh_2U"8U85U"8U885U`"8U85U"8UPN8U^i2U0"8UΌ2UH"8Un4U`"8U2Ux"8UWN8U2U"8UXN8U5UXIv8U4UxU8UXT7UU8UPRN8U5U8?v8U.s8Ux6o3U`U8U6U@Iv8U(b2UU8U+_2UU8U,_2UU8Uh/_2UزU8U6UU8UXN8UX:5UU8Ux4U U8Uh5o3U8U8Uh2UPU8U/_2UhU8U 4UU8UP[N8U16UU8U.s8U46UU8U=4UȳU8U45UU8UH1_2UU8U85UU8U85U(U8UXDe3U@U8U87UXU8U؝2UpU8UX85UU8U85UU8U)6UU8U885UдU8U85UU8U85UU8Up,5UU8Ux85U0U8U@\N8UH85UHU8U85U`U8U [N8U4UxU8U2UU8U\N8UX2UU8U85UU8UX 85UصU8UH!85UU8U"85UU8U3U U8UH%85U8U8UpYN8U&85UPU8U(6UhU8U&85UU8UhG85UU8U8<25UU8UYN8U 6UȶU8UZ85UU8UP6UU8U5UU8UA6U(U8U)_2U@U8U54UXU8U_85UpU8U_85UU8U.s8U`85UU8UYN8Uc`7UU8U^N8UIgnoble Simplicity Michael Morse none Fly-bi-Nite & Bros. This latest bossa nova asks for a written part from the rhythm section instruments. Some of the chords may be rather unfamiliar, in particular a form that includes both flatted and major sevenths. This is a variant on a voicing that Thelonious Monk, among others, has used, in which the fourth (or eleventh) is sounded a minor ninth above the major third. Ad lib cadenzas can be interpolated between the held chords at the end. The piece is dedicated to master musician Steve Swallow, who was as generous and encouraging to me when I was a kid as it is humanly possible to be. He is every bit as wonderful a human being as he is a musician. note: the MP3 is just a recording of a MIDI file, made with a decent sound card III/18: fixes a minor goof in the guitar part, and a serious mistake in the blowing section, score & parts!0W!0W!0W!0W]N8U3s8UX2s8UZN8U\N8U]N8U]N8U2s8U/s8U1s8U]N8U`]N8U(YN8U2s8U1s8U\N8U0s8U؁O8UxZN8UYN8U0s8U@2s8U1s8Ux0s8U1s8U[N8U2s8U/s8U(/s8U1s8U/s8U0s8U0]N8Up\N8U2s8U@/s8Uh1s8UZN8U[N8U0s8UH0s8U/s8U.s8U81s8U[N8U1s8U]N8U[N8U[N8U ^N8U(2s8U1s8UXYN8U`3s8UZN8Ux]N8UYN8UZN8U[N8U/s8UYN8U]N8UHZN8UXN8U[N8U 1s8U2s8UP1s8U2s8U0s8U(\N8U0s8U`0s8U`ZN8U00s8U8[N8Uh[N8Up/s8UfN8U`8UX88US8Uӊ8UpF8Uh8U-8UA8UF8U38U-8U8;8UpS8UPD8UT8U 7Uӊ8Un"8UU8U38U08U@"8U+8U}18U@y8U/8U38U8,8U(ڄ8U(88U8U,8U +/8Ux/8U>8UHV8U@_28U%?8U!8Uz"8U ք8U!?8U`ъ8UhA8U8<8Ux)8UPA8U08Upt8UԊ8UHV8UIV8UH>-8U/8Uh58UkD8Uh08UU8US8U7U8S8U:8U߈8Uht8Uhވ8UP8UH18Ux8U98Uh8UP8U$/8U2r8U /48UH8UH8U,8U%18UXoS8UtAttempt!2019-11-05 20:50:4310000-00-00 00:00:00itySetOfPart0!2017-06-09 17:10:17U10000-00-00 00:00:003s8U01Pianist Trilogy I - Undiminished Hopeng!41WtingTit!275W8lN8U!4WkN8U!1WlN8U!2011-06-18 14:05:16hang!2017-11-22 17:09:16ork!38X4s8U!XX4s8U!1.50W3s8U12011-05-07 17:58:350!sibW @!1048WScoreExc!0WAmN8U!WWmmN8U!0000-00-00 00:00:00res!0W? !1207WmN8U!1WmN8U!Michael MorsenN8U!WWScores!2004W10WSt8UxRt8U0 ,0 ux [`$((,8>H08ps8U8UGH    )8U BH@ݑ8U |N8UU8U|N8U(|N8Up18UD8US8U  `Ls8U+8Uf ,8Uǥ8UDБ8U}8UDM8Uz88UDu78UyN8UDN8UwN8UDpM8UxN8UDpN8U vN8UDPM8U/8Ul8UD;8U8UV8UDN8UqN8UDЃM8UpxN8UDwt8UqN8UDM8UPxN8UD M8U xN8UDN8U0=8U0xN8UDM8UxN8UDM8UxN8UD0wt8U0"8UD=V8UZ8UD8U3UD V8Uq88UD;8U`xN8UDvt8UfW8UD8UqN8UDM8UqN8UDpM8U@xN8UDM8UqN8UDM8UqN8UDM8UrN8UD0M8UrN8UDM8U rN8UDM8UR8U 03v8Ut.8U2N8UU8U 8U PM8UX8U @ P8U0N8UxU8U%P6U.8UD08U@08UDnB8Uԭ8U 0e8UxN8UDPwt8U08U<<8UD0v8UpzN8UDM8UpY8U @8U#P8UD=8U[8U  %8UPR8U  `-8Up88UDYv8U8UD@8U18UD8U8UG8UD8U368UD8UR8U @]S8Upw/8UDpS8U7UD` 8U`>8UDPB8UP@:8UD88Ur8UD_8U-8UDp8U;6U]8UD|8UЂN8U$(fPV8UDo8U}8UDp8U08UDq8U@U8UD88U22UD8U!8UD@8UP=}8UDeC8U8UDN8UC8UX8UD=8U8UP"8UDP8U8UD8U ;8UDޯ8UPLt8UDJ38UP8U @p8UP=8UD8U8UN8UT8UPB8UD`8U8UD8U@F8U`A38UDpC8Ub8UUг8U 08U@K8UE28UDe8U@N18U 0;8U;1U8U @&8UDc8UN8UE8U0d8UN8U`UB8UD@ 8UE8U8UDD8U8U 8UvT8UD68U`HT8UD ز5Uv8UDt8U؆N8Uå8UD;8U8U?8UDq8U_3U08UDs8U68UD 17U`:}8UDh8UPIT8UD8UN8U17U`K|8UD8UB28UD 6U4Upp2U׮8UU8UPv4U`n8UU G8U`FC8Uѭ8U 8U8UD8UT8U 8U 8UD48U o8UD68UP8UDr8U8UD98U`$P8U28UD8U`8UD4UxN8UN8U0rN8UD M8U@rN8UDP8UPrN8UDP8U`rN8UD P8UprN8UDM8UrN8UDM8UrN8UDИM8UrN8UDM8UrN8UDM8UrN8UD0M8UrN8UDPM8UrN8UDpM8UrN8UDM8UsN8UDM8UsN8UDЙM8U sN8UDM8U0sN8UDM8U@sN8UD0M8UPsN8UDPM8U`sN8UDpM8UpsN8UDM8UsN8UDM8UsN8UDКM8UsN8UDM8UsN8UDM8UsN8UD0M8U@202!1.508U!0000-00-00 00:00:0010W0! U5U1joel.jacklich@imperial.edu!Prof.W!1904 Johnson LaneQ&v8U`M8U!XЀM8U!WW1WW0!2023-01-02 11:28:07!2024-03-08 19:07:07The Benedictus is treated unconventionally. It is usually a seen as a quiet, reflective subject to be followed by the more vigorous Hosanna. Scripturally, however, the Benedictus is Israel’s shout of acclamation as the nation’s Messiah enters Jerusalem.1ADAP3ore::Typecultytionroup0!JerryWW!LanningW !0C8U !0W@10WiredDatedentt01Copyright © C D Maxim 20190!W C8U !Elusive Muse !23Y8U!0000-00-00 00:00:00U!0W8)8U!0W T8U!0W;8U!0Wt8U!0W#8U!WWV8U!1W@ ,8U1226A3FF6-886F-11E9-9F08-F3D41D17C629!0W!0W!0000-00-00 00:00:00U!0W!0000-00-00 00:00:00U!0000-00-00 00:00:00!0XX!1W(X!0W!WW114315W0!0Xores WHE!1439W!0W 1 2UN8U˧U21964!W$08U 1N8UŬ152997!USQLrencyIDAXN8UN=W 18.116.36.192@1http://www.absolutezeroviola4.com/8U!1W!CardiffW!0000-00-00 00:00:00!WW}S8U!WW@D8U!CF23 5QPWRV8U!gbWHY!WW!WWX=,8U!WW!0X!0W x8U!WW8U!2W T8U!2W28U!26.75WK"8U!WW#8U1WWK3U(s8U0!WW !3P^8U !ZZ !0000-00-00 00:00:00!WWP_8U!0000-00-00 00:00:00!0W!1W!0W!32W!37W!2017-06-14 18:51:26!0000-00-00 00:00:00!0W!0W!0W!292W!0W !0.00W!0000-00-00 00:00:00U!0W !0W!WW!0000-00-00 00:00:00!0000-00-00 00:00:00!0000-00-00 00:00:0010000-00-00 00:00:0001HASH0N8U0999999999600!Aaron Aranita!-1W1WWh2U`R8U01к3U(N8Us200253!0o8U Q0EV8U8U{D8UEl Choclo (for Saxophone Quintet) A. G. Villoldo Arr. - Kenneth Abeling Kenneth W. Abeling Lincoln Music Publications 1HASHW0["57104","62210","158598","206855","25676","189116","115023","188930","203559","174942","190693","206663","27131","203518","206828","60151","203552","95577","149328"]!2020-09-29 02:38:45!0XW8U !1579198U 8UpN8U>:8UD#8UPfW8UD 8U9UD08UжD8UDV8U8U 08UAT8UD]R8U1<8UDp8U+8Uf8Ul8UDO8UC8UU@08UEt8U3UD]8U؞N8UW8UDt8Up*8UD 8U A8UDd8UR8U @8U=8UD8UhN8U@;8U/8UD(#8UX<8UDU8UhR8U @3U38UD$8UF8UD` 8Uˊ8UD{8UV8UD0X8UQ7UD@N7U`38U`-18UfD8UpF8UD8U_8UD0M8U=8USB8UD8U18UDM8UN8UpB8U 8UD08U8U0X8UD 8U"8UDmU8U8UD8UxN8UP8UN8UH3U8U @`8U8UvL7U 8UD"8UP08UDC8UF78UU`S7U8UD&8Up8UDPa8UF8UD38U8UDp8UN8Ur(f8U @p8U<8UUpN8UP608UN8U`4=8UD078Uc85U7UD`U8U`8UD\s8U`?8UDO8U8Ui8UDP8UX8UD঳8U  8UD8Uz!8U @8U a9UU9UN8US8U %8U@`8UD;8Uq8UP18UD(08UZ8UD~8UA08UD08UhI9U Pk9UN8Um8UDb8UC?8UD@ط8U V8UDl8U8UNU8UDpeU8Upgt8UDuP8UN8U0gt8UDlP8UV8UD`8UW8UD8U@8UDق8Ugt8Ugt8UDuP8U@gt8UDmP8UPgt8UDuP8U 1V8U  T8UT8UD8U T8UD`8U0T8UD8U@T8UD8UPT8UDн8U`T8UD8UpT8UD8UT8UD08UT8UDྌ8UT8UD8UT8UD 8UT8UD@8UзT8UDp8UT8UD8UT8UD8UT8UDп8UT8UD8U T8UDP8U0T8UDp8U@T8UD8UPT8UD8U`T8UDT8UpT8UDT8UT8UDT8UT8UDT8UT8UD T8UT8UD@T8UT8UD`T8UиT8UDT8UT8UDT8UT8UD T8UT8UDT8UT8UD8U T8UD8U0T8UD08U@T8UDP8UPT8UDp8U`T8UD8UpT8UD8UT8UD8UT8UDT8UT8UD0T8UT8UDPT8UT8UDpT8UйT8UDT8UT8UDT8UT8UT8UDT8UT8UDT8U T8UD T8U0T8UD@T8U@T8UD`T8UPT8UDT8UN8U`T8UDT8UpT8UDT8UT8UDT8UT8UD T8UT8UD@T8UT8UD`T8UT8UDT8UкT8UDT8UT8UDT8UT8UDT8UT8UD8UT8UD08U T8UDT8U0T8UD T8U@T8UD@T8UPT8UD`T8U`T8UDT8UpT8UT8UDT8UT8UDT8UN8U!0@l8U Q@8UH"F8U98Uq{ "GroupOrd" : "90", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } !USQLrencyID!0XXf3U!0000-00-00 00:00:00!WW!0W10W0!0Fs8U !HASHPDs8U !0t8U !08X@m08U!0Wh8U!0WS8U10000-00-00 00:00:000!0000-00-00 00:00:00"/Li!WWD8U!0Wt="summa!0WD8U!0WJ 8U12017-06-09 17:10:17scoreexchang0!3FD8U Q/8UP8U8U10@o8UScorePart0!HASHUW V8U 8UnL7U8UnL7UD8U Ԑ8U08UH8UnL7U0Κ8U4Uij7UX8U֡8U8U8U]5Uh78U8U8Ux8Up8U8U 8Uh8U8U^5U_5U`_5U_5U_5U_5U`5U`5Uh`5Ua5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U08Uapump shanty (sung during the last round of pumping the ship dry before going on shore)!Copyright © !Spoon "Britt Daniel"A/usr/www/resources/ADAP3/GenericObject2.pm1/usr/www/resources/ADAP3/SQL.pmfoe1usWpP 8U0!29`U8U !W8U1WWۢ8U0!HASHU !0LN8Umb'>3Uӈ8Uh؊8Ul=8U18U>8Ui88Ug;8U8D8UY68U؄8U`.8U(8UXF8U<8U=8U|O8Uh 78U8X8U8K.8U@2B8UkS8UO28Uط>8Up8U@08U`Մ8U?-8U1r8UW8U{D8U!XxX !Copyright ©ps8U!WWw!1.50X!2014-04-08 11:50:2011W0!0p8U !2017-06-09 17:10:17U10000-00-00 00:00:000+8U01I have re-composed Johann Arnold's "sonada" for eight trumpets, adding three trombones, re-writing the timpani part and changing the harmonies to reflect the capabilities of modern trumpets. This piece would provide a rousing opening to a high-school concert, or any other great occasion.!17xYC8U!2013-04-23 13:05:39U!0Wp-8U!0WL8U!XX^/8U!230546W 8U!0W8 88U!0WԈ8U!0.00WhX!24.50W!19.50WP:8U!0W!WW10.00Wp7U010-:8UB01(U6UHN8Uu8207504։8Uۉ8Uۉ8UӉ8UՉ8U։8U։8Uډ8U؉8Uډ8U׉8Ux։8U@҉8U@ۉ8Uhډ8UՉ8Uى8U:8UӉ8UӉ8Uxى8Uډ8U8ډ8U0ى8Uډ8UՉ8Upۉ8U׉8U׉8Uډ8Up؉8UHى8UH։8UՉ8Uۉ8U׉8U ډ8U0Ӊ8Uԉ8U؉8Uى8U؉8U׉8Uى8Uԉ8Uى8U0։8Uԉ8Uԉ8U8׉8Uډ8UPډ8Up҉8Uۉ8UӉ8U։8U҉8UӉ8Uԉ8U@؉8U҉8U։8U`Ӊ8U҉8U ԉ8Uى8Uۉ8Uډ8UXۉ8U`ى8U@Չ8U؉8Uى8UxӉ8U؉8UPԉ8Uԉ8U(؉8UN8U!1^`N8U!650x919W!0W!1W!3.00W!2023-03-17 17:41:08!2023-03-17 17:41:14!371146W!398337W!0000-00-00 00:00:00!0000-00-00 00:00:00 ?@$(SX/0"(hp=@NP$(2818hp"(eScoresT8UN8UN8UDr8UN8UDr8UN8UDr8UN8UD0r8UN8UDr8UN8UDr8UN8UD r8UN8UD@r8UN8UD`r8UN8UDr8U N8UDr8U0N8U@N8UDr8UPN8UDr8U`N8UpN8UN8UN8UN8UN8UDr8UN8UD r8UN8UD@r8UN8UD`r8UN8UD r8UN8UD@r8UN8UD`r8U N8UDr8U0N8UDr8UXN8UU8U@r8UD0 8Upr8U8U@8UD ?8Up8UD?8U8UD?8U8UD?8U+8U r8U 8U2HN8UU8U`N8UU8UD`3O8Ur8UDr8UN8Ur8UDr8UP{8UDx{8U{8UDy{8UP{8UD0{8Ur8UD@r8Ur8UDr8UВr8UD`r8Ur8UDr8U+8U  r8UPN8UD`r8U`N8UD@N8UpN8UDN8UN8UDN8UN8UDN8UN8UDN8UN8UD N8UN8UD@N8UN8UDN8UN8UDN8UN8UD0N8UN8UDr8UN8UDPN8U N8UDpN8U0N8UDN8U@N8UDN8UPN8UD`N8U`N8UDN8UpN8UDN8UN8UDN8UN8UDN8UN8UD`8UN8UD8UN8UD8UN8UD8UN8UD8UN8UDN8UN8UD8UN8UD 8U N8UD@8U0N8UD N8U@N8UD`8UPN8UD8U`N8UD8UpN8UD8UN8UD8UN8UD8UN8UD 8UN8UDP8UN8UDp8UN8UD8UN8UD8UN8UN8UD8UN8UD8U N8UDN8U0N8U@N8UDN8UPN8UDN8U`N8UD N8UpN8UD@N8UN8UD`N8UN8UDN8U6UN8UDN8UN8UDPN8UN8UDpN8UN8UDN8UN8UDN8UN8UDN8UN8UDN8UN8UD8U N8UD08U0N8UDN8U@N8UDpN8UPN8UDN8U`N8UDN8UpN8UDN8UN8UDN8UN8UDN8UN8UD0N8UN8UN8UDPN8UN8UDpN8UN8UN8UN8UN8U N8U0N8UDN8U@N8UDN8UPN8UDN8U`N8UDN8UpN8UDN8UN8UDN8UN8UDO8UN8UD0O8UN8UD`O8UN8U(N8UPr8UD?8U F8URW8UD8UDpc8UD8UDc8UE8UDs8UE8UDt8U+8U O8U8U2N8UN8U 8UD@8U !U8UD8Ur8UDzr8U(N8Ur8UDyr8U`{8UDP{8U{8UD{8U{8UDP{8U@r8UD0zr8Ur8UDzr8UPr8UDPzr8U`r8UDpzr8U+8U  pr8UN8UD`N8UN8UDN8UN8UDN8UN8UD0N8UN8UDPN8UhaseQuanQ܉8U!179472Xores WHEAMelody in Psalmes by Thomas Ravenscroft (c.1590-c.1633)!196446Wo8U!3Wr8U12134Wr8U0ADescant to 'Charity' (Gracious Spirit, Holy Ghost)8U!23WEp8U!0Wp8U!2WHp8U!2W5q8U!2017-07-12 11:57:16U!2021-09-27 19:47:23U!19938Xxr8U!1Wr8U!1.50Wr8U12017-07-12 13:30:030!sibW4q8U!1319W?8U!0WXD8U!Descant to Charity.sib!2017-07-12 11:57:16U!0W5T8U!1024W^V8U!0Wp:8UAMelody and harmonies by John Stainer (1840-1901) "8U!Christopher Maximv8U10W0QCopyright © C. D. Maxim 1993/2017 www.christophermaxim.co.ukaDescant to 'Charity' (Gracious Spirit, Holy Ghost) with special organ accompanimentU!23W0;p8U!0Wq8U!3Wp8U!2W`p8U!2017-07-13 14:24:52U!2021-09-27 19:48:08U1Melody by John Stainer (1840-1901)8U!Christopher Maximr8U!0Wr8U!2017W !sibW0p8U!1319W5q8U!0WvE8U!2017-07-13 14:24:52U!0W7U!1040W`U8U!0WA8U!1HX 8U1. From the overshadowing Of thy gold and silver wing Shed on us, who to thee sing, Holy, heav'nly love.?v8U!188132[`N8UQDescant to Praise my soul Praise my soul the King of heavenUQDescant to 'Praise, my soul' (Praise, my soul, the King of heaven)8U!23W?8U!0WXD8U!3WH=8U!2WU8U!2020-09-24 08:54:39U!2021-09-27 19:53:48!John Goss8U!Christopher Maxim8U!0W8U12016W0!sibWPO8U!0W=O8U!1WA>O8U!0000-00-00 00:00:008.75!0W.000000!0Wiv> O8U!149046WHLT8U!0W
    ]O8UAAdagio For Strings (Sept. 17-25/1989) Jordan Grigg @!0W]O8U!0W]O8U!0W]O8U!0WScores!0000-00-00 00:00:00!WW@^O8U!0Wa^O8U!0W^O8U!0WScores!2017-06-09 17:10:17s10000-00-00 00:00:00Uh8U0n4UZP8U2UZP8U8U2U[P8U_O8U5U8U4U8U؊!8U`8U(8U5U8UdO8Ux6o3U8U6U8U(b2U(8U+_2U@8U,_2UX8Uh/_2Up8U6U8Uh_O8UX:5U8Ux4U8Uh5o3UЪ8Uh2U誌8U/_2U8U 4U8UaO8U16U08U eO8U46UH8U=4U`8U45Ux8UH1_2U8U85U8U85U8UXDe3Uث8U87U8U؝2U8UX85U 8U85U88U)6UP8U885Uh8U85U8U85U8Up,5Uy8Ux85Uy8UbO8UH85Uz8U85U z8UaO8U4U8z8U2UPz8U@cO8UX2Uhz8U85Uz8UX 85Uz8UH!85Uz8U"85Uz8U3Uz8UH%85Uz8U_O8U&85U{8U(6U({8U&85U@{8UhG85UX{8U8<25Up{8UX`O8U 6U{8UZ85U{8UP6U{8U5U{8UA6U{8U)_2U|8U54U|8U_85U0|8U_85UH|8UeO8U`85U`|8U(`O8Uc`7Ux|8Uf`7U|8U25U|8U25U|8U25U|8UHaO8U c2U|8U"c2U}8U(g85U }8Ug85U8}8UW4UP}8UXf85Uh}8Ue85U}8U_O8Uc85U}8UpcO8UOm2U}8U_O8U m2U}8UbO8UX~`2U}8U`O8U`2U}8UHb85U~8UbO8U&_2U(~8UhAT2U@~8U8DT2UX~8U>T2Up~8UeO8U7U~8U4U~8U`O8UH5U~8UcO8U(t85U~8Up85U~8UeO8Uj6U8U885U8UI85U08UdO8U85UH8Uxa85U(=w8U85Uw8U6U8UdO8UH4UxbP8UX2Uw8Uh4U8UdO8U6U08U6UH8UgO8Uh_2U([P8U85Up8U885U8U85U@[P8UxaO8U^i2UX[P8UΌ2Up[P8Un4U[P8U2U[P8UhO8U2U[P8UiO8U5UP8U4U8Ut8U88UcO8U5U8U@8Ux6o3U8U6U88U(b2UЁ8U+_2U聋8U,_2U8Uh/_2U8U6U08UiO8UX:5UH8Ux4U`8Uh5o3Ux8Uh2U8U/_2U8U 4U8UlO8U16U؂8U8U46U8U=4U8U45U 8UH1_2U88U85UP8U85Uh8UXDe3U8U87U8U؝2U8UX85Uȃ8U85U8U)6U8U885U8U85U(8U85U@8Up,5UX8Ux85Up8UmO8UH85U8U85U8UkO8U4U8U2UЄ8UxmO8UX2U脋8U85U8UX 85U8UH!85U08U"85UH8U3U`8UH%85Ux8U0jO8U&85U8U(6U8U&85U8UhG85U؅8U8<25U8UjO8U 6U8UZ85U 8UP6U88U5UP8UA6Uh8U)_2U8U54U8U !0.00YbO8U["185097","196652","196655","196645","179553","363550","179135","73098","99809","124286","196644","87437","196642","143334","196649","196657","85914","196641","196661"]_O8U!2020-09-27 15:00:55U!1WhbO8U!0000-00-00 00:00:00U!WWaO8U!0W8eO8U!0W!0W eO8U!0W11WaO8UdO8U0!0XZ?!0W8U!0WH8U!0W !0W?!0000-00-00 00:00:00U!WW8U!0W!0W?!0W08U!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW?!471143W8U!0WP8U!0W!0.00W?!3.95W8U!0.00W8U!0W!!1WW?0!{"width":284,"position-y-pc":"37","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":46,"width":129,"x":25,"center-y":110.5,"height":129,"center-x":89.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":43,"width":136,"x":20,"center-y":111,"height":136,"center-x":88}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":47,"width":130,"x":26,"center-y":112,"height":130,"center-x":91}]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"37%","average-center-x":89.5,"average-center-y":111.166666666667,"id":"1727ADBE-512A-11E7-9E52-D6E30A3CEA56","position-x-pc":"32"}8U!3W!GV8UP̈́8U#F8U%8U78U0M.8U/8Uȃ?8UXS8U;8Ur8Up /8U8U0148U,8U-8U(8Up-8U x8UN.8U8U8f;8U;8U 28UO8U28U0A8U(8U=8Uh38Ur=8U(s8U,8U8UȇS8Ux98Ut8U;8U W8U08U T8Up8U@Q8U`O8Ut8U18U#8U8'8U18UK3Uh ,8Us8U@ ,8U@-8U78Uh 8Uh8UH"8UZ<8UU8U8U<8U@28U 7UK"8U8U18Ux0B8U>8Us8Uh8Uzo !0-8U11020WRLs8U0Ό2U t8U=4UR8U.8U\4US8UP8Uh_2Up8U45U u8UȮ8UH5UP8U8U c2UP"s8U8<25Ui8UK8U7U`B8UΌ2UK/8U85U,8UP6UxM8U6U3#8UW4Up 18U87U`\8U/_2UHk8U;8Ux6o3U Ů8U<85U(5U8Uf`7UB8U7U8M}8Un4UH8U2U8UP8U8U85U(8U0F8U5U@&8U/8UH85U8U85U8Uܥ4UD8U&85Uw68U)6Ux#E8U885UȪ8UXDe3U8U3U 8U 8U c2U-8UXQ<8U2UC8U85Up8#8U_85UHU8U45U@=8U(g85U8U5UT8U88U c2Up8U8U-9U-9U`o8UX5U58Us8U4U*8U46U9U~s8UX"8U 8UH-9U -9Ux6o3U8UJ3UU8Up,5Uh8U5U@8Ut8U5U.8Uh+8U&85U`8UX;8U6Uh08U#5U8U+_2U8U#8U2Uhc8Uȳ~5U@D8U8U`2UV8U(2U8U~6UБ8U)_2U8U38U m2U`r8Uh;8U29U29U Պ8Uj6UXU8U`3U r8U885U8U885U`e8Ub5Uhu8Un38U~6UU8Ub5UHU8Ub5U8u8U8U c2U8UX28U`85UH@8Ub5Uu8Ub5U0U8U7Uj6UHS8Ub5UU8U<3U(A8UB8U_85U@8U$2UQ8ULn5U8Uxv5US8U)6UC}8UP6U(ɮ8Uk8U8B5US8U85UG/8U@3Uxz8U@3UP.8UΌ2UF8U85U[8Uhc08U&_2UU8U8T8U0M8Uϩ3U6.8U85U8ۡ8UXf85UR=8UH1_2U7Un4UpÈ8U,8U 6U+#8U85U8UI85U,8U25UX6.8Ua8U5U8Ui3U`85U.8U,_2Uo8U;6UXR8U85UD8Up3Uh9U(g85U@-8U8UhO6U8U`3U8UhAT2UH-C8Uxa85U$8U2Up8U85UÈ8U88Uc85U7U"9Ux,9U8648UH8U6UN8U25Uq8U2Uh9U2U;8Uܥ4U`8U؝2Uw8Ub8U2Ui8U885UXF8UA8U`3U0m8UA6Uh7U_85U8zC8UH1_2UN8Up,5Uï8UX85UX(88U18U&85U-#8U^5U8Up8Uj6Up8Ux~5US8UXDe3Uh8U8U5U/8Ub5Uj8U=4U-8UX2U8U-8U&_2U8Ug85U8Uf`7U8U85U8U8U4U `8U18U 6U@8Up,5U8U(]59UX8U9Ue;8UH4UA8U(6U`F8U8Uj6U88U` P8UH5U0N8Ux4U8UΌ2U08U_85Up!"8U6U0?8U6UP}8Uh4U8U5U8UH7UF8U$/8Uh_2U 8UW8U16Ux48U~5UP8U@Y8U2U8Up8UY6U7Uܥ4U(8U8U5U?8UNC8U8~5U0M8U`*8U5U(8U/_2U8URO8U!0X!WW1WW0!HASH@!60t8U !0F8U !0P8U3g8U!1W !0`DB8U !2X!2W818U!8.10Wp~18U!WW|8U!WW0τ8U!WWJ.8U!0000-00-00 00:00:00U1WW,8U QC8U0!0000-00-00 00:00:00!0000-00-00 00:00:00!1319W!9.00W`M8U!christopher_maxim!0`IN8UeWebKit/!2Wo; compa11Wlaudebot@anthrop01]6UO8UnD527696!Watermark8U aobert Bryanonns of Court Grace (from 'A Book of Graces' - Carolyn Martin)60-1935)!0W8U10W08U0!Descant to 'Slane'8U!23Wdn8U!0WHn8U!3WPn8U!2W0#o8U!2021-05-06 08:01:34U!2021-05-05 11:30:16!18X8U!1.50X 58U!2021-05-06 08:01:35U10W0!sibWn8U!1319Wo8U!0Wo8U!Descant to Slane.sibU!2021-05-06 08:01:34U!3W q8U!585Wp8U!2W4q8U1Anon. (Irish Traditional)E8U`28U!Christopher Maxim68U!0W!2021W !2022-03-31 08:34:48!0000-00-00 00:00:00!0W!0W!0W8U!WW !HASHW1HASHW0This descant is to be sung to the original organ accompaniment. Whereas when you sing the melody you have to sing "th'eternal" in the chorus, in this descant you should sing "the eternal" -- i.e. without the elision. You will probably find it helpful to write in the words for your choristers so that she understand that, in the descant, the chorus text begins in bar 8, whereas those singing the melody start the chorus in bar 9. The text has been omitted here for copyright reasons.!3.00W !W9#8U !6027`cs8U!2W1Jordan GriggU01HO8Ue;~z!0 1:8U 11WEF-910F-911ECFE501^04UȖO8Ud9a136310!223991W `O8U`85UP8U8Uc`7UP8Uf`7UP8U25UP8U25UP8U25U P8U8U c2U8P8U"c2UPP8U(g85UhP8Ug85UP8UW4UP8UXf85UP8Ue85UP8U8Uc85UP8UH8UOm2UP8U08U m2UP8Ux8UX~`2U(P8U8U`2U@P8UHb85UXP8U`8U&_2UpP8UhAT2UP8U8DT2UP8U>T2UP8UؗO8U7UP8U4UP8U8UH5UP8U8U(t85UP8Up85U0P8U O8Uj6UHP8U885U`P8UI85UxP8U8U85UP8Uxa85UP8U85UP8U6UP8UO8UH4UP8UX2UP8Uh4U P8Uh8U6U8P8U6UPP8UXO8Uh_2UhP8U85UP8U885UP8U85UP8Up8U^i2UP8UΌ2UP8Un4UP8U2UP8UO8U2U(P8U8U5U8U8U)8UpO8U6U@ P8UțO8U5UX P8UhO8Ux6o3U0O8U4UHO8U(b2U`O8U+_2UxO8U,_2UO8Uh/_2UO8U6UO8UO8UX:5UاO8Ux4UO8Uh5o3UO8Uh2U O8U/_2U8O8U 4UPO8UhO8U16UhO8UO8U46UO8U=4UO8U45UO8UH1_2UȨO8U85UO8U85UO8UXDe3UO8U87U(O8U؝2U@O8UX85UXO8U85UpO8U)6UO8U885UO8U85UO8U85UЩO8Up,5UO8Ux85UO8UXO8UH85UO8U85U0O8U8O8U4UHO8U2U`O8UПO8UX2UxO8U85UO8UX 85UO8UH!85UO8U"85UتO8U3UO8UH%85UO8UO8U&85U O8U(6U8O8U&85UPO8UhG85UhO8U8<25UO8UO8U 6UO8UZ85UO8UP6UȫO8U5UO8UA6UO8U)_2UO8U54U(O8U_85U@O8U_85UXO8UO8U`85UpO8UO8Uc`7UO8Uf`7UO8U25UO8U25UЬO8U25UO8U؝O8U c2UO8U"c2UO8U(g85U0O8Ug85UHO8UW4U`O8UXf85UxO8Ue85UO8UXO8Uc85UO8UO8UOm2UO8U(O8U m2UحO8UpO8UX~`2UO8UHO8U`2UO8UHb85U O8U(O8U&_2U8O8UhAT2UPO8U8DT2UhO8U>T2UO8UO8U7UO8U4UO8UO8UH5UȮO8U`O8U(t85UO8Up85UO8UXO8Uj6UO8U885U(O8UI85U@O8UO8U85UXO8Uxa85UpU8U85U(8U6U{l8UPO8UH4Uxbj8UX2U{l8Uh4U8U O8U6U8U6UИ8UO8Uh_2U@P8U85U8U885U8U85UXP8UO8U^i2UpP8UΌ2UP8Un4UP8U2UP8U(O8U2UP8UHO8U5U`O8U4UȱO8Uص}8UO8UM8UO8U5U P8Up7Ux6o3UO8U6UHO8U(b2UO8U+_2UO8U,_2UO8Uh/_2U(O8U6U@O8U0O8UX:5UXO8U P8UO8U 98U  O8U`)P8UDЫ8Up)P8UD@8U)P8UD8U)P8UDЬ8U)P8UD8U)P8UD8U)P8UD CN8U)P8UD@CN8U)P8UDCN8U)P8UDDN8U*P8UD0DN8U*P8UD8U *P8UDPDN8U0*P8UDpDN8U@*P8UDDN8UP*P8UDDN8U`*P8UD`CN8Up*P8UDCN8U*P8UDCN8U*P8UDCN8U*P8UDEN8U*P8UDFN8U*P8UD FN8U*P8UD@FN8U*P8UD`FN8U*P8UDFN8U+P8UDFN8U+P8UDFN8U +P8UDFN8U0+P8UDGN8U@+P8UD GN8UP+P8UDPGN8U`+P8UDpGN8Up+P8UDGN8U+P8UDDN8U+P8UDDN8U+P8UDEN8U+P8UD0EN8U+P8UDPEN8U+P8UDpEN8U+P8UDEN8U+P8UDEN8U,P8U,P8UD8U ,P8UD8U0,P8UD08U@,P8UP,P8UD8U`,P8UD8Up,P8UD8U,P8UD8U,P8UD8U,P8UD08U6U,P8UDP8U,P8UD8U,P8UD8U,P8UD08U,P8UDP8U-P8UDp8U-P8UD8U -P8UD8U0-P8UD8U@-P8UD8UP-P8UD8U`-P8UD08Up-P8UDP8U-P8UDp8U-P8UD8U-P8UD8U-P8UD8U-P8UD8U-P8UD8U-P8UD08U-P8U.P8U.P8U .P8U0.P8U@.P8UDP8UP.P8UDp8U`.P8UD8Up.P8UD8U.P8UD8U.P8UD8U.P8UD8U.P8UD8U.P8UD08U`O8U( P8U@Jp8UD8U&8UPp8U@8UD 8Up8UD 8U8UD 8U8UD 8U0R8U O8U8U2PO8UO8Uu88UD=8U N8UD7UP8UD N8UO8UЩ8UDP@U8Uy8UDPy8Uy8UDy8U0y8UD`#z8U8UD@U8U`8UD N8U 8UDIU8U08UDIU8US8U  7UН8UDv8U8UDv8U8UDv8U8UDv8U8UDv8U 8UD v8U08UD@v8U@8UD`v8UP8UDv8U`8UD0v8Up8UDPv8U8UD0v8U8UDPv8U8UDpv8U8UDv8U8UDv8UО8UDv8U8UDv8U8UDv8U8UDv8U8UD0O8U 8UDPO8U08UDpO8U@8UDO8UP8UDO8U`8UDO8Up8UDO8U8UDO8U8UD0O8U8UDPO8U8UD pO8U8UDO8UП8UDv8U8UDv8U8UD v8U8UD0 v8U8UDP v8U 8UDp v8U08UD v8U@8UD v8UP8UDO8U`8UDO8Up8U8UDO8U8UD0O8U8UDPO8U8U8UDO8UР8UDO8Uࠈ8UDO8U8UDO8U8UDO8U8UD0O8U6U 8UDPO8U08UDO8UжO8UO8UO8UO8UO8UO8UO8UO8UȤO8UO8UO8UO8UxO8U@O8U@O8UhO8UO8UO8U`:8UO8UO8UxO8UO8U8O8U0O8UO8UO8UpO8UȡO8UO8UO8UpO8UHO8UHO8UO8UO8UO8U O8U0O8UO8UO8UO8UO8UO8UO8UO8UO8U0O8UȞO8UO8U8O8UO8UPO8UpO8UO8UO8UO8UO8UO8UO8U@O8UМO8UؠO8U`O8UO8U O8UأO8UO8UO8UXO8U`O8U@O8UТO8UO8UxO8UO8UPO8UO8U(O8U?!3.00]O8U!2023-03-18 11:54:30!2023-03-18 11:54:41!691335W!542740W!0000-00-00 00:00:00!0000-00-00 00:00:00QХO8U!08X`8U!1992W8U!1WИ8U1WW0!sibWH#o8U!1319Wo8U!0Wo8U!Descant to Lux Eoi.sib!2022-08-25 19:36:36U!4Wp8U!1401W`p8U!4W<8U!1.50X7U!2022-08-25 19:36:38U!0W7U!0W88U!0W7U!WW8U!0WИ8U10Wp7U0!1X!0W1. Alleluia, Alleluia, glory be to God on high; Alleluia, Alleluia to the Saviour, who has gained the victory; Alleluia to the Spirit, fount of love and sanctity; Allelua, Alleluia, to the Triune Majesty.1Christopher Wordsworth (1807-1885)!0[ O8U!Descant to Hereford.sib!2021-03-27 15:07:31U!8WH#o8U!1664Wo8U!6Wo8U!1.50X7U!2021-03-27 15:07:32U!0W`7U!1W7U!0W7U!WW7U!0W7U10W7U0!0YA8U!1995WY!1W F8U!WW7U!3.00WX08U!0W0"8U!1WU8U!0W8U8U1. Ready for all thy perfect will, My acts of faith and love repeat, Till death thy mercies seal, And make my sacrifice complete. 2. / Still let me prove / the4U1Charles Wesley (1707-1788)4U4U!0W4U1WW4U0!1x\ O8U!WW!3.00W!0W!1W!0W!WW!WW!0W!WW1Copyright © C. D. Maxim 1992!WW!0.00Y7U!3.00W!0.00W7U!0W!WW7U!0.00W7U["96029","161690","131354","128890","188132","139312","196754","97625","186827","102660","142883","132699","163194","128045","361660","118333","146170","90537","399706","187194"]7U!2020-09-23 10:45:00!1W7U!2019-09-25 15:09:1510E8A26E6-DF9E-11E9-B6D0-787U0!1x[!0W?!0.0000WxN8U!2019-07-29 12:49:28UADescant to Fulda We have a gospel to proclaim?!0WN8U!0WN8U!1W !0000-00-00 00:00:00?!0WN8U!0WN8UaDescant to 'Fulda' (We have a gospel to proclaim) WiIliam Gardiner Christopher Maxim !0W N8U!0W!0W?!0WN8U!0000-00-00 00:00:00U!WW!0W?!3089W(N8U!3261WN8U!0000-00-00 00:00:00!0000-00-00 00:00:00?!WWN8U!130438WHN8U!0W!!10W?0!0000-00-00 00:00:00U!4WxF8U!0WA8U!0WEV8U!77Ws8U!0W8U!0.00W8U!0000-00-00 00:00:00U!0Wp8U!0W`=8U!WWB8U!0000-00-00 00:00:00!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0000-00-00 00:00:00130W8U0!0\O8U!0W!0W!WW!1W!1W!4.08W!WW!WW!WW!0000-00-00 00:00:00!WW!0000-00-00 00:00:00!0W!1W!0W!0W!0W!2017-06-14 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Jordan Grigg(}8U!Jordan Grigg8}8U!0W}8U!2012W !sibW0zy8U!1883WxVz8U!0W:z8UA14 Christmas Carols (arranged for String Quartet).sib!2017-11-05 19:35:11U!37W"{8U!3483W{8U!21WP{8U!2.95hX@,|8U!0W(d|8U!1WȬ|8U!0W!WW!WW !0] jP8U!WW!WW!0W!WW1©2013 Jordan Grigg Publishing,kP8U!WW["132700","118106","363550","179135","99809","73098","124286","196642","87437","196644","143334","196661","47350","196657","135429","196641","50480","117906","196649"]!2020-09-07 18:49:52!1WWt8U!0000-00-00 00:00:00U!WWTt8U!0WVt8U!0W!0W!0WTt8U!1W0Ut8U!650x840WVt8U!0W !1\ mP8U!0W!WW!0.0000W!2017-10-15 15:39:51A10 Little Duets for Teacher and Student 2 ViolinsnalRev!0W!0W!11W!2013-04-09 17:42:38!0W!0W!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WWt8Up]t8U\t8UUt8UpWt8UxXt8UXt8U\t8U@Zt8U8\t8UXt8U0Xt8USt8U\t8U \t8UWt8U`[t8Uw8UHUt8UTt8U0[t8U\t8U[t8UZt8Uh\t8UVt8U(]t8UYt8UYt8UP\t8U(Zt8U[t8UXt8U@Wt8U@]t8UYt8U[t8UTt8UPVt8UpZt8UZt8UXZt8U8Yt8U[t8UhVt8Ux[t8UWt8UVt8UVt8UXt8U\t8U\t8U(Tt8U]t8U`Ut8UHXt8UXTt8UxUt8UVt8UYt8UTt8UXt8UUt8UhSt8UUt8U[t8UX]t8U[t8U]t8U[t8UVt8UZt8UZt8U0Ut8UZt8UVt8U8Vt8UYt8UNetwork!2017-06-09 17:10:17U!0000-00-00 00:00:00U!WWtP8U!994029WeScores!0W @!0WScoreExc!0.00WuP8U!5.45W=uP8U!1.50WScores!0W? !WWuP8U!0.00WuP8U!08XuP8U!5.00WScores!2023-04-21 04:03:4112023-04-21 04:04:05UxRt8U01# Man At Bethsaida is the 1st piece in The Miracles of Jesus Series 2 - original compositions for SATB choir and piano, by Duncan McLean. Note that the MP3 demo file is sung, including the words.rds.herds, this score tells that story. It is also available for vocal duet.a was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn�s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, doublebassoon and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. of the Holy Year 1950. The old anthem too was played for a last time, almost as a token of respect. At that time, Antonio Allegra (1905–1969), who was then one of the organists of St. Peter’s Basilica, wrote Italian lyrics for Gounod’s music. Other lyrics have been composed for the music in various languages and by different authors. Some of these versions are not directly related to the papacy, e.g. Rudy Villanueva’s Cebuano prayer, Yutang Tabonon ("Beloved Land"), for protection for the Philippines nation. In 1991, Raffaello Lavagna of Savona (born 1918) wrote Latin lyrics for a four-voice choir, on an arrangement by Alberico Vitalini. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com nizations. The press also played a key role in the publication of the song. On 7 November 1928, the Soeloeh Ra’jat Indonesia daily published the text to the song. This was followed by the Sin Po Chinese weekly on 10 November.[6] In 1929, Wage Rudolf Supratman changed the title of his song to "Indonesia Raya" and appended the phrase National Anthem of Indonesia below it, but the text of the song did not change. Supratman personally printed and distributed copies of the song with its new title through pamphlets. All one thousand copies of the manuscript were sold within a short amount of time to his friends and family.[7] A businessman friend of his, Yo Kim Tjan, also expressed interest in recording "Indonesia Raya". With Supratman’s consent, Yo created a copy of the song on a gramophone record overseas in order to obtain the best sound quality with the intention of bringing the copy back to Indonesia. However, before Yo was able to do so, Dutch colonial authorities had imposed a ban on the song. Yo was unable to bring the original back but was able to bring home a copy. According to Yo, Supratman had also given him the rights to sell record copies of "Indonesia Raya" through his store Toko Populair.[8] Orchestral rendition [edit] The neutrality of this section is disputed. Please do not remove this message until the dispute is resolved. (October 2012) Jozef Cleber a Dutch musician that arrived with a patron of 46 persons of Philharmonic Orchestra under direction of Yvon Baarspul was sent by the Netherlands Government to help the Indonesian Government for music development in Jakarta. "Jos" Cleber (34 years old), in his hometown was an experienced arranger for popular songs, and also successfully for Indonesian pop song arrangements, like Di Bawah Sinar Bulan Purnama and Rangkaian Melati, was asked to make a new arrangement the "Indonesia Raya" anthem by President Soekarno in 1950. Until then, there was no orchestral rendition of the anthem. President Soekarno made an appeal to Cleber to compose a symphonic rendition of "Indonesia Raya". The final rendition is in common use today. The arrangements starts with a Tutti of strings and trumpets (in Verse A) that represents a brave and an elegant sound, and in the middle of the song (in Verse B) is played smoothly by strings, and finally (in Verse C) comes another Tutti of strings and trumpets, together with the timpani and cymbals make it a brave sound for a national anthem that respected by the people. The original recording was recorded by the Cosmopolitan Orchestra under the direction of Jos Cleber, and it was recorded on Phillips tape in 1951 by the Radio of Jakarta. Then it was digital re-recorded in 1997 in Australia based on Jos Cleber partiturs that stored in Jakarta, and it was played again by the Victorian Philharmonic under direction of Addie MS. In 1951, ownership of the copyright to "Indonesia Raya" came into question. President Sukarno ordered a search for the rightful heir to Supratman. By law, Supratman was the copyright holder of "Indonesia Raya" as its composer. After Supratman’s death in 1938, ownership of the rights to his works fell upon the designated heirs, his four surviving sisters. However, because "Indonesia Raya" was officially adopted as the national anthem of Indonesia on 17 August 1945, the work became the property of the state. In addition, the name of "Wage Rudolf Supratman" must be listed as its creator. As a national anthem, copies of "Indonesia Raya" cannot be circulated as merchandise to be sold. Consequently, the government had the obligation to obtain all the rights to distribute the song, including the original recording, from Yo Kim Tjan. In 1958, the government obtained the sole right to "Indonesia Raya" from Supratman’s family. The following year, Yo handed the original record of the song to the Indonesian government. With the recommendation of the Department of Education, the government also rewarded Supratman’s sisters with 250,000 Indonesian rupiah each on 31 May 1960. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com ltural events went to Gbeho, for he traveled all over the country to pick the best 500 dancers and the possible dances for presentation. The other notable contribution of Philip Gbeho to the music and cultural life of his country was the creation of a National Symphony Orchestra and Choir to promote the understanding and enjoyment of western classical music. On the eve of Ghana’s Independence celebrations, Gbeho won an open competition to write the National Anthem for the newly independent Ghana. His composition remains the national anthem of Ghana until now. The music for the new anthem to replace "God Save the Queen", which hitherto had been the country’s anthem, was written by Philip Gbeho. His piece was one of numerous entries that had been presented to a National Anthem Selection Committee. Out of those entries, four were short listed and played regularly on radio for listeners to indicate their preferences. The choice was overwhelmingly in favour of Gbeho’s composition. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com China (ROC). 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His education includes music degrees from the University of Toronto (Oscar Morawetz, John Weinzweig, Talivaldis Kenins), oboe studies with Perry Bauman and Harry Freedman (Toronto Symphony), and master classes with John Mack (Cleveland Orchestra). He has played oboe extensively with Kitchener-Waterloo Symphony, Woodstock Strings, Guelph Chamber Orchestra, Divertimento Orchestra, Venturi Wind Quintet, The fiVe Woodwind Quintet and in numerous productions of Broadway shows. He brings his vast playing and teaching experience to produce pieces that are eminently playable. Q8UQ8U!0WSE::Scor!0W6456202!0W1344771!0WQ8U!0000-00-00 00:00:00U!0W]8U!1W@_8U!1W\8U!78W^8U!1WX_8U!109.50WX\8U!2024-05-17 11:53:52U!0W\8U!0W]8U!CreditsWh[8U!0000-00-00 00:00:00!0000-00-00 00:00:00U!2022-05-17 11:53:52U!2020-10-13 18:28:26124WY8U0!0XXQ8U!1W01:10.39!0W.000000!UnclassifiedQ8U1191785WDt8Uass quin0APd2UQ8U!^C 18.227.24.209@!6h8U !0W 14U85U5U4U4U!95074608UrdRemind!1048W !WU 8U 10,8UttemptedrSentt0!XM8Urrencies!2019W@10Widateddt8U0!2023-10-03 22:09:45Q@|38U T8UV8U!5.0008U !HASHW 118U Q8U0["139342","38358","198997","74570","123514","22905","57747","146829","21926","141529","93146","123742","166764","108869","78355","75785","180210","123515","123516","154728"]!WWx"8U1916221W8U0!0w8U-bottles!WWQ8U1WWP+#8U01R8U4U4U4U098U18UV8U*/8UpAV8U>8UX>8U҈8UXֈ8U7U0Մ8UH0r8U P8UP8UO8U P8U 88UJ"8U@u"8U(,8U@7U{"8Uf8UKC8UO8UO8UO8U8 ?8U@38U-8U n"8U@18U;8Uq"8U78UxF8UD8U<8U28U28U 8UF8Uk38U8U28U =8U$8UX#/8U@08U8v=8U`3r8U]<8UXP"8U78Uh78U&F8UF"8U@38U,8UP 18U;8UIV8U(18UAV8U>8U/8Uτ8U_<8U0p"8U W8U8U!ate-8U!W0s8U!0000-00-00175229!0000-00-00!0000-00-00!5.00f3U q(Keith Terrett, MMUS, FLCM (Hons), FVCM (Hons), FNMSM, FTCSM, BA Open (Hons), Dip Mus, LRAM, LTCL, ARCM, ALCM, BBCM, MCertNMSM. (b.1956), is a composer, arranger, conductor, band trainer, IB music educator (PYP, MYP & DP) & instrumental teacher, trumpeter, cornetist, flugelhornist, anthemologist & multi-instrumentalist born in London. His popular national anthem arrangements have been performed & conducted by Herbert Thorson Blomsted & Semyon Bychkov with the New York & Czech Philharmonic & Prague Philharmonic Choir and 30 anthems have been recorded by the Orchestre National de France under conductor Jonas Ehrler. A flashmob Orchestra in Trafalgar Square in March 2022 also performed his poignant version of the Ukrainian National Anthem under the baton of Peter Liminov. Keith joined the British Army at the age of fifteen, studying the Bb Cornet at the Junior Leader's Army band school in Bovington, Dorset. At 18 he became the Principal Cornet/Trumpet to the «Band of the Queen's Royal Irish Hussars» (a cavalry regiment), stationed in West Germany. He has toured the USA, Canada, Northern Ireland, France, Belgium and Holland during his military service. He was fortunate in have P.B. Smith, Roger G. Swift and Franck Slack as his Bandmasters; all excellent conductors & musicians. During his Bandmaster's course at the Royal Military School of Music, Kneller Hall, Keith won the prestigious Commandant's prize for the best quick march; now published in the USA by Echelon Publishers in Texas, and also it's the official march of the Royal Papua New Guinea Constabulary. After retiring from the army in 1990, Keith took up a position as «Head of Instrumental Music» and «Band Director» to school's in the Cayman Islands, British West Indies. From 1993-4, Keith was a «Lecturer in Music» at the «Faculty of Creative Arts, »University of Papua New Guinea», and from 1994-99, «Principal Director of Music» and «Chief Instructor» at the rank of Superintendent/Lt. Colonel, to the world famous «Band of the Royal Papua New Guinea Constabulary»; touring Australia and Japan in 1996 & 1998; raising money for the PNG Red Cross which was used in Aitape after the disaster. While in Papua New Guinea, Keith arranged many local folk and rock 'n' roll pieces of music, leaving a musical legacy behind when he left. Many of these works are now published in Holland, the UK and USA. In PNG he collaborated with the late Buruka Tau & Ben Hakalitz, members of the Australian Rock Band Yothu Yindi. Keith still sends musical arrangements to the band on a regular basis. After a brief spell teaching in the United Kingdom in 1999 in North Wales, Keith's interest in ethnomusicology took him to the Middle East for a year, where he taught classroom music in an international school in Kuwait City; giving him a chance to study Arabic music in detail. From 2001-2006, Keith taught instrumental music in a specialist music school in Kviteseid, Southern Norway; where he was also the town band director of Kviteseid hornmusikk. During his time in Norway, Keith was invited to guest conduct His Majesty's King's Guard Band in Oslo, and ran music seminars with the Norwegian composer Idar Torskangerpoll. Keith had his first composition published in Oslo with Musikk Huset AS; entitled The Gypsy Violinist in New Orleans. During his diverse career, he has performed with many artists and orchestras including Harry Mortimer, Martin Mailman, Kenny Baker, Don Lusher, Alf Bigden, Alan Civil, Geoffrey Brand, Jesse Norman, Dame Vera Lynne, Iona Brown & Richard Seal, Engelbert Humperdink, Sir John Pritchard, London & BBC Concert & Symphony Orchestras and the Kneller Hall Band. He has even appeared as a trumpeter on «This is your Life» with Eamon Andrews for the 85th birthday of Sir George Solti! A highlight was his appearances for three consecutive years in the annual Christmas Bach Choir Concerts in the Albert Hall, with Sir David Valentine Willcocks, HRH The Duchess of Kent, the London Brass, as a member of the world famous Kneller Hall Fanfare Trumpet Team. In 1974, Keith performed for Henry Kissinger at the British Embassy in Washington He also performed during Friday Night is Music Night with the Kneller Hall Band BBC Radio 2. Whilst at Kneller Hall, he performed ''Galilee'' (1987), for a cappella SATB choir with the Master of the Queen's Music Malcolm Benjamin Graham Christopher Williamson, AO, CBE in its first performance. His trumpet professor at Kneller Hall was the legendary Ian Mackintosh (son of the immortal Jack Mackintosh) Principal Trumpet of the BBC Symphony Orchestra. During his time at Kneller Hall, Keith had the opportunity to study all brass, woodwind and percussion instruments; under leading London players such as Paul Harvey, Denzil Floyd, Richard Cattermole & Bill Teskey.. In addition he studied conducting with Lt. Col. Duncan Beat, Frank Renton, orchestration with Lt. Col. Trevor Sharp, and harmony and composition with Professor Gordon Reynolds (Hampton Court Palace) Peter Byrne & Major Roger G. Swift. Keith has also studied jazz trumpet with Dick Pearce & Bobby Shew, and composition with Stanley Friedman, Professor Ian Higginson & Professor's Stewart Thompson, Michael Walsh & Elizabeth Stratford (Organist and Master of the Choristers of Arundel Cathedral) and Anglican Church Music with Lionel Frederick Dakers at the Royal School of Church Music (RSCM). Keith is an internationally acclaimed composer\arranger, writing in all genres from full orchestra, brass band, and concert/wind band, to music for string quartet, brass ensemble, saxophone choir, clarinet choir, recorder consort, oboe consort, and even for the harmonica, steel pan and accordion! In 2010, he has become a composer for the Alfred Publishing company in the USA, with his best selling original composition for young symphonic band entitled ''Fallen Heroes''. His music is published worldwide: England, Belgium, Austria, Wales, Canada, Holland, Switzerland, Germany, the USA and Norway. A set of 30 national anthem arrangements by Keith Terrett will be released shortly on Nomad Player performed by L'orchestre national d'Île de France soon, during the process Keith worked with the esteemed young conductor Jonas Ehrler on the project. In Norway his flexible ''Jazz for 5'' is very popular. In 1974. Not bad for a lad from Exmouth, Devon! Keith has studied with, and gained academic musical qualifications from the Royal Military School of Music, Kneller Hall, The Open University, Trinity College of Music, Royal College of Music, Royal Academy of Music, London College of Music, the Bandsman's College of Music in Manchester, the Victoria College of Music and is currently in his third year of a Doctorate with the Johann Heinrich Pestalozzi Christian University in Florida. Keith's version of the Ukrainian National Anthem has been performed by the New York & Czech Philharmonic & the Prague Philharmonic Choir, NVYO, UBC Symphony, FMSO, Western Austraialian Symphony, Andrei Bondarenko & the Orchestre National de France, Austin Civic, Las Vegas, UBC, San Antonio, Underwood, Olympia, Billings , Samohi Symphony, Bergen Philharmonic, Cardiff Philharmonic, NDR Elbphilharmonie and the Auburn University Band and he Angelica Women's Chamber Choir to name just a few! Keith has a Master's Degree in sacred music composition awarded from the Johann Heinrich Pestalozzi Christian University in April 2021, he studied under Professor Stewart Thompson (Principal at Victoria College of Music and Drama, London & Head of Music and Associate Professor of Sacred Music and Education at the Johann Heinrich Pestalozzi Christian University. As a conductor, band trainer, composer & arranger, Keith is in demand world-wide, and has guest conducted at band seminars in the UK, Norway & Malaysia. Keith is available for your seminar; book early to avoid disappointment! Keith is currently 'Head of Performing Arts' & 'Director of Music' at Pathways School (Gurgaon) in India, where he has worked since 2010, both at Pathways Aravali campus, and since 2014 at the No 1 IB school in India namely ''Pathways'' Gurgaon. Below is a link to some of his arrangements/compositions and live performances around the world as a conductor, composer, arranger and performer: http://www.youtube.com/watch?v=jPfAw0kNCWs&NR=1 http://www.youtube.com/watch?v=QmK7FJGxbN8 https://www.youtube.com/watch?v=lzluvVwpUtk https://www.youtube.com/watch?v=QmK7FJGxbN8&list=UUMpNzolL4slr4RT7vQGimBA&index=18 https://www.youtube.com/watch?v=u1BGj-g7jHg&list=UUMpNzolL4slr4RT7vQGimBA https://www.youtube.com/watch?v=WNOUIedGZos https://www.youtube.com/watch?v=rYUP8J7rcg8&index=18&list=UUMpNzolL4slr4RT7vQGimBA https://www.youtube.com/watch?v=abKsZbGfqLE&list=UUMpNzolL4slr4RT7vQGimBA&index=19 https://www.youtube.com/watch?v=AUAmpm96AeA https://www.youtube.com/watch?v=5hTAMCwqkUM https://www.youtube.com/watch?v=CZYUFuElpIA https://www.youtube.com/watch?v=hAN4gWmqNF8 https://www.youtube.com/watch?v=c07FaUpC7Rg https://www.youtube.com/watch?v=aCz-qRUTUS4 https://www.youtube.com/watch?v=HxEXZOCd9jg&t=6s https://www.youtube.com/watch?v=PvDa98j4y8A&t=8s https://www.youtube.com/watch?v=5ZPRKoQxkm8 https://www.youtube.com/watch?v=aYOkW271PfM https://www.youtube.com/watch?v=k4D9ak5G_CE https://www.youtube.com/watch?v=xLuS9gyFdok https://www.youtube.com/watch?v=0SddDuJ2PEw https://www.youtube.com/watch?v=4Sn7lIl4VCU https://www.youtube.com/watch?v=oAxNLTrCljE https://www.youtube.com/watch?v=xiVmU4wkkek https://www.youtube.com/watch?v=psDaoD41MkM https://www.youtube.com/watch?v=inezR8jr2pQ https://www.youtube.com/watch?v=Q5ye8sy7PR0 If you're looking for something specific you can send requests to Keith by getting touch directly - click "Contact the publisher" on this page. If you decide to perform any of Keith's scores, please send a copy of the programme via email, or if programmes were not used, forward Keith an email with any other relevant information that would allow him to list performances on his personal website/Score Exchange page, giving credit to your ensemble. Thank you, keep checking back for more great music! >T2U`Q8UQ8U7U`Q8U4U`Q8UQ8UH5UaQ8UؘQ8U(t85UaQ8Up85U0aQ8UКQ8Uj6UHaQ8U885U`aQ8UI85UxaQ8U Q8U85UaQ8Uxa85U`@8U85U(k@8U6UR8UșQ8UH4UR8UX2U@k@8Uh4UXR8UQ8U6UR8U6UR8UQ8Uh_2Ux|R8U85U(R8U885UR8U85U|R8UQ8U^i2U|R8UΌ2U|R8Un4U|R8U2U|R8UQ8U2U}R8UQ8U5UxXQ8UX28UaG8U6UbQ8UxQ8U5UbQ8UH!R8Ux6o3UYG8U4UYG8U(b2UYG8U+_2UYG8U,_2UYG8Uh/_2UYG8U6UZG8UQ8UX:5U(ZG8Ux4U@ZG8Uh5o3UXZG8Uh2UpZG8U/_2UZG8U 4UZG8UQ8U16UZG8U!R8U46UZG8U=4UZG8U45U[G8UH1_2U[G8U85U0[G8U85UH[G8UXDe3U`[G8U87Ux[G8U؝2U[G8UX85U[G8U85U[G8U)6U[G8U885U[G8U85U\G8U85U \G8Up,5U8\G8Ux85UP\G8UQ8UH85Uh\G8U85U\G8UQ8U4U\G8U2U\G8UQ8UX2U\G8U85U\G8UX 85U\G8UH!85U]G8U"85U(]G8U3U@]G8UH%85UX]G8U8Q8U&85Up]G8U(6U]G8U&85U]G8UhG85U]G8U8<25U]G8UQ8U 6U]G8UZ85U^G8UP6U^G8U5U0^G8UA6UH^G8U)_2U`^G8UdefScorȢQ8U%R8U$R8UQ8UhQ8UpQ8U R8U$R8Uh"R8U`$R8U R8U(Q8UQ8U %R8UH$R8UQ8U#R8US8U@Q8UQ8UX#R8U$R8U$R8U#R8U$R8UQ8UP%R8U!R8U!R8Ux$R8UP"R8U(#R8UQ8U8Q8Uh%R8U!R8U$R8UQ8UHQ8U"R8U"R8U"R8U`!R8U#R8U`Q8U#R8UQ8UxQ8UQ8U!R8U$R8U0$R8U Q8U%R8UXQ8U@Q8UPQ8UpQ8UQ8U "R8UQ8UQ8UQ8UQ8UРQ8U#R8U%R8U#R8U8%R8U@#R8UQ8U"R8U"R8U(Q8U"R8UQ8U0Q8U"R8UQ8U0XG8UQ8UnG8UDQ8UnG8UDQ8UnG8UnG8UDQ8UnG8UDQ8UoG8UDQ8UoG8UDQ8U oG8UDQ8U0oG8UD Q8U6U@oG8UD F8UPoG8UD@Q8U`oG8UD`Q8UpoG8UDQ8UoG8UDF8UoG8UDF8UoG8UD F8UoG8UD@F8UoG8UD`F8UoG8UDF8UoG8UDQ8UoG8UDQ8UpG8UDQ8UpG8UDQ8U pG8UDQ8U0pG8UD Q8U@pG8UD@Q8UPpG8U`pG8UD`Q8UppG8UDQ8UpG8UDQ8UpG8UDQ8UpG8UDQ8UpG8UDQ8UpG8UD Q8UpG8UD@Q8UpG8UD`Q8UpG8UDF8UqG8UDF8UqG8UDF8U qG8UDF8U0qG8UDF8U@qG8UDF8UPqG8UD F8UQ8UbG8UpA8UDJ8U ~98U0~98UXK8UDK8U0XK8UDPK8U@XK8UDpK8UPXK8UDK8UR18U G8Uw.8U2جQ8UcG8Us8UDs8U H8UDp"H8UF8UD$G8U8Q8UF8UD$G8U&8UD&8U&8UD&8U&8UD(8UF8UF8UD$G8UF8UD $G8UF8UD@$G8UR18U  H8UprG8UDQ8UrG8UD`Q8UrG8UDQ8UrG8UDQ8UrG8UDQ8UrG8UD Q8UrG8UD@Q8UrG8UD`Q8UrG8UDQ8UsG8UD0Q8UsG8UDPQ8U sG8UDpQ8U0sG8UDQ8U@sG8UDQ8UPsG8UDQ8U`sG8UDQ8UpsG8UD Q8UsG8UDQ8UsG8UDQ8UsG8UDQ8UsG8UDQ8UsG8UD G8UsG8UD Q8UsG8UD@Q8UsG8UD`Q8UtG8UDQ8UtG8UDQ8U tG8UD 9G8U0tG8UD@9G8U@tG8UD`9G8UPtG8UD 9G8U`tG8UD9G8UptG8UDT2U`G8U!R8U7U`G8U4UaG8UȟQ8UH5UaG8UQ8U(t85U0aG8Up85UHaG8U8"R8Uj6U`aG8U885UxaG8UI85UaG8UXQ8U85UaG8Uxa85UR8U85UXQ8U6U@8U0!R8UH4UXk@8UX2U@8Uh4UXQ8U!R8U6U YQ8U6U8YQ8Up#R8Uh_2U }R8U85U`XQ8U885UYQ8U85U8}R8UQ8U^i2UP}R8UΌ2Uh}R8Un4U}R8U2U}R8U%R8U2U}R8U%R8U5UbG8U6UbG8U4UdG8UPQ8U5UXG8U+R8Ux6o3UdG8U`8U~-8UQ8U(b2U0dG8U+_2UHdG8U,_2U`dG8Uh/_2UxdG8U6UdG8U&R8UX:5UdG8Ux4UdG8Uh5o3UdG8Uh2UdG8U/_2UeG8U 4U eG8U(R8U16U8eG8U+R8U46UPeG8U=4UheG8U45UeG8UH1_2UeG8U85UeG8U85UeG8UXDe3UeG8U87UeG8U؝2UfG8UX85U(fG8U85U@fG8U)6UXfG8U885UpfG8U85UfG8U85UfG8Up,5UfG8Ux85UfG8Up)R8UH85UfG8U85UgG8UP(R8U4UgG8U2U0gG8U)R8UX2UHgG8U85U`gG8UX 85UxgG8UH!85UgG8U"85UgG8U3UgG8UH%85UgG8U&R8U&85UgG8U(6UhG8U&85UاQ8UhG85UQ8U8<25UQ8U'R8U 6U Q8UZ85U8Q8UP6UPQ8U5UhQ8UA6UQ8U)_2UQ8U54UQ8U_85UȨQ8U_85UQ8U+R8U`85UQ8U&R8Uc`7UQ8Uf`7U(Q8U25U@Q8U25UXQ8U25UpQ8U'R8U c2UQ8U"c2UQ8U(g85UQ8Ug85UЩQ8UW4UQ8UXf85UQ8Ue85UQ8Up&R8Uc85U0Q8U*R8UOm2UHQ8U@&R8U m2U`Q8U)R8UX~`2UxQ8U`'R8U`2UQ8UHb85UQ8U@)R8U&_2UQ8UhAT2UتQ8U8DT2UQ8U>T2UQ8U(,R8U7U Q8U4U8Q8U0'R8UH5UPQ8Ux*R8U(t85UhQ8Up85UQ8Up,R8Uj6UQ8U885UQ8UI85UȫQ8U*R8U85UQ8Uxa85U0@8U85UYG8U6UXG8Uh+R8UH4UR8UX2U@8Uh4Uh@8U8+R8U6U8YG8U6UPYG8U-R8Uh_2U}R8U85UxXG8U885U YG8U85U}R8U (R8U^i2U}R8UΌ2U~R8Un4U(~R8U2U@~R8U@/R8U2UX~R8U0R8U5UQ8U6UЬQ8U4UPQ8U)R8U5UcG8U-G8Ux6o3U8Q8U8U68UxQ8U(b2UhQ8U+_2UQ8U,_2UQ8U, aside 1 Albanian National Anthem for String Orchestra (MFAO World National Anthem Series) Composed by Ciprian Porumbescu (1853–1883) Keith Terrett Music for all Occasions An arrangement of the national anthem of Albania for String Orchestra & Percussion. There are other versions in store for Brass Quintet & Orchestra.  Himni i Flamurit (English: Hymn to the Flag) is the national anthem of Albania. The music of the anthem was adapted from an original composition by the Romanian composer Ciprian Porumbescu, for the song "Pe-al nostru steag e scris Unire" (or "E scris pe tricolor unire"). Whereas the words were written by the Albanian poet Asdreni (Aleksandër Stavre Drenova), and are merely different from the original Romanian lyrics which Andrei Barseanu wrote for Porumbescu's piece. The hymn was first published as a poem in Liri e Shqipërisë (in English: Freedom of Albania), an Albanian newspaper in Sofia, Bulgaria, on April 21, 1912. The original title of the poem was "Betimi mi flamur," ("The Pledge on the Flag"). It was later printed in a volume of poems by Drenova titled Ëndra e lotë (in English: Dreams and tears), which was published in Bucharest. According to Lasgush Poradeci's memoirs, the anthem, created by the adaptation of the text to the music, was not originally intended to be a national anthem, yet, it was so much liked from people that it was proclaimed as the national anthem in 1912, and it was under its music that the Albanian flag was raised during the Albanian Proclamation of Independence in 1912 in Vlore, Albania. According to Hungarian musicologist György Ligeti, the music, composed by Porumbescu, is deeply rooted in Germanic and Austrian musical traditions, and very similar to mid 19th century Germanic songs[citation needed]. This is also explained by Porumbescu's musical formation, since he had studied at the University of Music and Performing Arts, Vienna. The view has been shared by Albanian musicologist, Ramadan Sokoli. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Love anthems,then join me on twitter, instagram, facebook & soundcloud.8U4-23 20:!0[9R8U!0W!0W!0W!0000-00-00 00:00:00!WW!0W!254W!168W["46064","47316","99305","71012","125804","107744","94164","125748","4571","121186","44433","2025","205104","118919","134406","155859","99719","144109","121019","40640"]R8USE::Scor!2020-09-11 01:58:18U!1W_R8U!1695793WeExchang!0000-00-00 00:00:00Publ!0000-00-00 00:00:00UQ%R8U1>R8U63207400!408293WȣQ8U!1W !^^?R8U!2023-03-28 23:41:22U!0000-00-00 00:00:00!WW(CR8U!165098W!1W@,8U!3W@CR8U!3.00W,8U!3.00W8BR8U!3.00Wp,8U!3.00W,8U!0W,8U!WWpCR8U!0.00W!WWXCR8U!0000-00-00 00:00:0011W,8UPBR8U0!1]0AR8U3UpR8UH%85UR8U,8U&85UR8U(6UR8U&85UR8UhG85UR8U8<25UR8U`,8U 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What a great opening or encore piece to win over any audience. At (quarter = 96) it will be clean and sophisticated but runs the risk of sounding stodgy. At (quarter = 108), all the crazy slapstick humour becomes evident. I have heard it played at (quarter = 120) but this speed requires incredible technique to be convincing. It must be played lightly, over-emphasizing the dynamic changes and accents without feeling scrambled. It is a challenge at a higher speed but well worth the effort. Score: 12 pages Parts: 15 pagesQ 7U8CS8U;Text::Unidecode::x06es)ioPSmiles and Chuckles Rag (wind quintet) F. Henri Klickmann David Sale Henri Klickmann wrote this charming rag for piano in 1917 in stark contrast to the horrors of war raging around the world. What a great opening or encore piece to win over any audience. At (quarter = 96) it will be clean and sophisticated but runs the risk of sounding stodgy. At (quarter = 108), all the crazy slapstick humour becomes evident. I have heard it played at (quarter = 120) but this speed requires incredible technique to be convincing. It must be played lightly, over-emphasizing the dynamic changes and accents without feeling scrambled. It is a challenge at a higher speed but well worth the effort. 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Smirnov none SHADOWS IN LIGHT for viola and harp Op.122 (1999). Two friends of mine who emigrated and settled in California continued play my music, asking me from time to time to write a new piece for them. At the time I was reading the book by Vassily Kandinski on the idea of light and shadows in painting, and it influenced the title and character of the piece. Sergey Rakitchenkov and Olga Ortenberg premieredthe piece on 20th of April 2001 at Old First Church, San Francisco. At about the same time I was asked by the Pyramide ensemble for a piece for 6 players. I found the idea of recomposing my duo piece SHADOWS IN LIGHT instead of writing a new one intriguing. The music in the new version (Op.122a) is the same, but the instrumentation is quite different (flute, oboe, harp and string trio) and the texture is much more elaborated. Ensemble Pyramide premiered it on 26th January 2001 at Helferei Grossm?nster, Z?rich. 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The anthem of this central African French-English bilingual country was written in 1928, and was used as an unofficial anthem in 1948. Official use came in 1957, when Cameroon became an autonomous republic within France. Finally, the lyrics were changed slightly in 1978, to the current version. Like Canada (another French-English bilingual country), the English and French lyrics are slightly different, on the right is provided the lyrics in each official language, with an English translation of the French lyrics. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com XT5UF8U+_2UP'88U6U=8Ux85U0.8UA6U~N8Ux~5UXK8U{F8UH5Ux8UH1_2U+8U28Uc85UC8U t8UHB8U(d2U808U~5UX<8U7U18UP8U(8UHb85U7UHb85U=F8U=4U 8Uh/_2U8Uq5UX,8U`3U18U2UtB8Uf`7U38U98U4Ur8UXDe3U`,8U(b2U8U45U8U4Uxr8Uo8Uhd2U48UXy8U29U29U~6Ud8U98U(t85U8UXV8U c2U8UP]8Ux6o3U8U~5UV8U/_2U`E8U85U48U"c2U28U~6U18UЩ98U46U-8U25U8UH~5U g8U8)8U,9Uk,9U6U S8U 8Uc85U7U5U*8U8DT2U}8U25U8UH!85U8U8DT2U/8U`3US8U6U08U85Uظ8U18UH~5UЪ8Uw8U5UU8UΌ2UI}8U8F8U>T2U`8U@܈8U c2Uع98U85Ud8UrU8U8U(8U98U5U8U 4U "8UT8U%5UB8Um8U5U^8U49U88U8Un;8UR6UX*W8UXd8U8U(8Un4U`A8U85Uh8U85UP7UXz8U2,9U8U85U0zS8U"85U8U1UM8UH&8U 6Uo8U!!8U(t85UT8U-8Uh_2U8U87U"8Uc`7UB8U85U[;8Uxq5U,8UF8U4Uؚ,8U2U18U(6U8Uܥ4UH38U5U<8U_85U28UXDe3U`"8U5UPn<8U@59U619U0 19U54Ug<8U5U$8UHb85U08U'F8UH5UB8UhAT2U`8U6U9U~5U 9U2U=8U)_2U/A8Ub5U4T8U39U@5U8-9U+_2UxS38U6Uh8UFV8UH4U{B8UZ85UXc 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"Url" : "http://jamesgof.ipower.com//playerprofile/dmclean.html", "Text" : "Duncan playing the trumpet with the James Goff Big Band..." }, { "Desc" : "", "Url" : "http://jamesgof.ipower.com//page3.html", "Text" : "... and more about the band itself" }, { "Desc" : "You can sign up to daily devotionals by a variety of contributors for delivery to your e-mail", "Url" : "http://www.daybyday.org.uk/index.php?s=duncan+mclean&x=0&y=0", "Text" : "Duncan wrote a devotional for \"Day By Day\" about the miracle of \"Feeding the 5,000\"" } ] elected Games Music tracks by Jim", "Url" : "http://www.mfiles.co.uk/original-music-portfolio.htm", "Text" : "Games Music Portfolio" }, { "Desc" : "Jim posts regular news items about film and classical music", "Url" : "http://www.mfiles.co.uk/jims-blog.htm", "Text" : "Jim's Blog" } ] f the Heart.","Url":"http://www.bernaertsmusic.com/en_GB/sheets?title=Total Eclipse of the Heart","Text":"Belgiun Publisher of Pop Concert Band Music"},{"Desc":"Fanfare & Soliloquoy for Bass Clarinet & Piano","Url":"http://www.bassclarinet.org/alea/ALEA1078.html","Text":"Alea Publshing & Recording - Music for Bass Clarinet"},{"Desc":"American publisher of my warm-ups for Concert Band","Url":"http://www.matrixmusic.com/cgi-bin/concert_csvsearch.pl?search=Keith&method=exact&order_by=title","Text":"Matrix Concert Band Publications USA"},{"Desc":"Publisher of Havana Rhubarb Rumba for Recorders","Url":"http://americanrecorder.org","Text":"The American Recorder Society"},{"Desc":"Publisher of my Swinging in Paradise for Concert & Brass Band","Url":"www.musikverlag-frank.ch","Text":""},{"Desc":"Publisher of my marches","Url":"http://echelonmusicpress.com/concert-marches/","Text":""},{"Desc":"My German publisher of Recorder music","Url":"http://www.edition-tre-fontane.de/76.html?&cHash=e8a9549af2&tx_ttproducts_pi1[backPID]=14&tx_ttproducts_pi1[cat]=8&tx_ttproducts_pi1[product]=906","Text":""},{"Desc":"Publisher of my arrangement of Blues for Big Ears","Url":"http://www.warwickmusic.com/Main-Catalogue/Sheet-Music/Bands-Ensembles/Wind-Ensembles/Terrett-Blues-for-Big-Ears-EN081","Text":""},{"Desc":"Norwegian publisher of my instrumental and flexible band music","Url":"https://musikkforlagene.no/produktkategori/komponister/tu/terrett-keith/","Text":""},{"Desc":"Austrian publisher of my Concert Band march:Queen of Hearts","Url":"http://www.helmamusic.com/de/shop/sh_shop_hm.asp?suche=detail&sess=22479@150GR242GR74GR146","Text":""},{"Desc":"Dutch Concert Band publisher of my music for band.","Url":"http://www.artifexmusic.nl/english/Keith-Terrett.html","Text":""},{"Desc":"Dutch publisher of my Percussion Music","Url":"http://www.dutchmusicpartners.com/a-percussionist-goes-ballroom-ds.5ask","Text":""},{"Desc":"American Publisher of my Tuned Percussion Music","Url":"http://www.hamarpercussion.com/windmallet.html","Text":""},{"Desc":"European National Anthems ","Url":"https://www.scoreexchange.com/scores/152831.html","Text":""},{"Desc":"Latin American & Caribbean National Anthems","Url":"https://www.scoreexchange.com/scores/151551.html","Text":""},{"Desc":"African National Anthems","Url":"https://www.scoreexchange.com/scores/174334.html","Text":""},{"Desc":"Middle Eastern National Anthems","Url":"https://www.scoreexchange.com/scores/88360.html","Text":""},{"Desc":"Oceania National Anthems","Url":"https://www.scoreexchange.com/scores/152046.html","Text":""},{"Desc":"Asian National Anthems","Url":"https://www.scoreexchange.com/scores/195478.html","Text":""},{"Desc":"North American National Anthems","Url":"https://www.scoreexchange.com/scores/79408.html","Text":""},{"Desc":"Obsolete National Anthems","Url":"https://www.scoreexchange.com/scores/173924.html","Text":""},{"Desc":"My music with SMP Press","Url":"http://www.sheetmusicplus.com/search?Ntt=keith+terrett&_requestid=6534822","Text":""}]?8U!18X!HolW L"8U!0000-00-00 00:00:00U10000-00-00 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$($(@ 9U9U 049U!(=@ !(   (.000000qh69UP69U3U<8U dT8U(eT8Uw69U<8U  &8U!1xZ(T,8UQ9U8U8U9U8L8U!avidW,8U!2024-04-23 20:06:37U!khscg34w98yr,8U!SibeliusWPM8Ua5U {7U萿4Uap5U `J8U*X,3U12a6b73949fe748b89fdca728ad158c89!8UqPublish?Email=camicosgriff@gmail.com&Auth=2a6b73949fe748b89fdca728ad158c89&Score=PULASKI FINAL.sib8UPublish?Email=camicosgriff@gmail.com&Auth=2a6b73949fe748b89fdca728ad158c89&Score=PULASKI FINAL.sib!3@M8U!10.00W17.00W0!2020-08-30 19:50:20!2017-10-24 23:40:42U10000-00-00 00:00:00p98U0!USQLrencyID!SGQLigcyID!X`s8Ueexchang!0W-pg/2022!WW !0.00?8U 1iT8U#mp334886!0Ϳ8UuantityS!0W Twenty- Three - Saxophone Quartet Phillip Rawle A new piece for the New Year. Written for Saxophone Quartet - Soprano, Alto, Tenor and Baritone. A modern number in 3/4 time with unusual harmonies. !30655Ww!WWF8U11.50WE8U01Contrapunctus 1 from The Art of Fugue!8W!0WHc8U!4WX8U!2W8U!2011-06-10 12:10:12U!2017-11-22 16:49:43U!J. S. BachF8U!Graham DixonF8U!1749WF8U10W0!sibW8U!309W/8U!0W:8U!WW8U!0000-00-00 00:00:00U!15W8U!3939WA8U!4WH8U!4X(҃8UA simple transcription, without expression markings, of the first Contrapunctus. It should be played very smoothly.U!3.00W0v8U10WW8UW0 dh @I8U 59U_`>@049U'8U- 9U 49U(0$( `8U   P49U   1783151The first three of these fanfares for natural trumpet consort have been extended and embellished for two spacially arranged trumpet choirs and timpani. I first heard them on a CD of Biber's Missa Salisburgensis played by the Gabrieli Consort. The latter two fanfares are by Daniel Speer and come from a set of seven such pieces. The 6th trumpet part might better be played on a trombone or bass trumpet.U!3.95W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!0Y08U!WW!0.00WH8U["37625","62329","45591","59675","115148","49860","103099","24124","96307","183742","4623","161378","93622","106291","134888","80373","129868","105972","55750"]8U!2020-08-29 19:11:26U!0WXߥ8U!0000-00-00 00:00:00!WW!0W8U!210W`8U!297Wߥ8U!0W 1Five Ceremonial FanfaresT8U4-04-23 !0W!6W!2013-04-12 19:41:45!0W!0WFive Ceremonial Fanfares Trad/Daniel Speer none Graham Dixon The first three of these fanfares for natural trumpet consort have been extended and embellished for two spacially arranged trumpet choirs and timpani. I first heard them on a CD of Biber's Missa Salisburgensis played by the Gabrieli Consort. The latter two fanfares are by Daniel Speer and come from a set of seven such pieces. 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His arrangement of "Good King Wenceslas" was recorded by The Sixteen and Alexander Armstrong and first broadcast on Classic FM on 6th December 2014. 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My output is large and varied: Instrumental Music includes Concertos, Overtures, Symphonies, String Quartets, Piano Trios and solo pieces Choral Music includes Cantatas, Masses/Communion Services, Anthems/Motets, Christmas Music and many other pieces both sacred and secular. Most of my music has been uploaded to Score Exchange. If you can't see something that you would like, contact me robin.highcock@btinternet.com. I compose new music all the time and am happy to accept commissions. My website is: robinhighcock.com !0W!0W!0W!0W!1X!1W!WW!210037W!1W!0W1WW0!Shane@8U qAs a graduate of Trevecca Nazarene University - Nashville, Rick studied music with emphasis in voice. He is an avid composer, scoring predominantly in the choral genre. His choral music has been performed by many choirs throughout the U.S., England, Scotland, and Indonesia. Most notably by his Alma Mater's Mens, Women's and Concert Choirs. Other performance, premieres and commissions, to name a few, by the Wesleyan College Concert Choir, Southwest High School Chorus, Northside High School Choral Ensemble, the Choral Society of Middle Georgia (CSMG)in the Middle GA area. The West Corning High Occidentals, the Ithaca High School Chorus and Horseheads High School Concert Choir and Ward-Melville Camarata and Concentus Women's Chorus, all of NY; the Hixson High School Women's Chorus in Chattanooga, TN. The William Baker Chorale (ATL and KC,MO) and the Four State Honor Choir in Maryville, MO and Sister Sound, Lexington, KY. He has scored music for the film project entitled "Creekwater", as well as, public service announcements, in collaboration with video production majors at the Savannah College of Art and Design. He is a member of the American Composer's Forum and ASCAP and has received ASCAP awards since 2005. He was a top finalist in the Ithaca College Choral Composition Competition for 2002 "Silence Has Voices", which also placed 2nd in the Northwest Missouri State University's Choral Composition Competition 11/04, which received its performance by the Four State Honor Choir and the Tower a Cappella Choir of NMSU in Jan 05. His work entitled "Enigma" was an Ithaca 2003 finalist. "City of the Heart" received second place in the 2005 at Ithaca. Most recently, he was awarded first place in the Northwest Missouri Status University Choral Composition Competition 2007 for his work "Pie Jesu" for SATB divisi and piano which received its premiere in Jan 07. He made his fourth appearance as a finalist at Ithaca in Nov. 08 with Shakespeare's Kiss - SATB and piano. His fifth appearance in Ithaca with a premiere performance by the Ithaca High School Chorus of "Breathe on me, Day!" finaled in Nov 09. Brass arrangements of his scores have been written, recorded and performed by The Brethren Brass and Mojo Brass. "To Go Away" was Rick's 6th appearance as a top finalist at the Ithaca Festival, where the Niagara-Wheatfield Concert Choir premiered the work. Lighthouse Music Publications - [[http://www.lighthousemusicpublications.com|www.lighthousemusicpublications.com]] - City of the Heart - SATB and piano - I Chose Love - SATB, SSA, SAB and piano - Nightfall in a Summer Garden - SATB and oboe - To Find a Song - SATB, SSAA and piano - We Thank Thee - SSA, flute and piano - My Love Has Departed - SSA and piano and flute - Song for the Passing of Beautiful Women - TTB and piano - The Lost Lagoon - SSAA and piano - Song of the Sky - SATB and piano - Mystic - SSATTBB a cappella - The Millenium - SSAA and piano - Lo, how a Rose E'er Blooming - SSAA w/divisi - a cappella - Holy, Holy, Holy - SATB a cappella - How firm a Foundation - TTBB/solo a cappella - Pie Jesu - SATB (divisi) and piano - Song of Thanksgiving - SSA and piano His music has been featured at the summer conference for the GA chapter of the ACDA workshop of Georgia composers since 2004. Performance recordings of published works are available upon request. Please listen to the mp3 files posted with some of my music. Many of the mp3's are of live recorded performances. It is appreciated that you contact me via email should you plan performances of any of my works, it is possible that I might attend the performance. A copy of the program and an audio and/or video tape would be especially appreciated to add to my archives. Advice, comments and/or constructive criticsm is most welcome. Go to [[http://www.youtube.com|www.youtube.com]]/user/crickb88 to hear performances of scores by Rick Bartlett.8U!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0000-00-00 00:00:00U!50W48U!0000-00-00 00:00:00U!0W`48U!0W`48U!0Wث48U!0W48U!0WȬ48U!WWp48U!1W120594770-886F-11E9-BE21-F3D41D17C629U!0W!0Wh48U!0000-00-00 00:00:001{"width":219,"position-y-pc":"41","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":53,"width":135,"x":44,"center-y":120.5,"height":135,"center-x":111.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":50,"width":145,"x":40,"center-y":122.5,"height":145,"center-x":112.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":59,"width":131,"x":46,"center-y":124.5,"height":131,"center-x":111.5}]},"height":300,"position-x-combined":"51%","position-x":"center","position-y":"center","position-y-combined":"41%","average-center-x":111.833333333333,"average-center-y":122.5,"id":"07FD7D82-512A-11E7-B5E3-AE16AD036CA8","position-x-pc":"51"}Allow!3W48U48UX8U8U48U048U48U48U048U48U48U48U48U48Uȩ48U8U48UP48U48UP48U(8Up48U48U@8U48U48Ux48U(48Ux48U`48U8U48U48UH48U48U48U48Uȯ48U48U48U48U48U48U@48U848U`48U48U`48U8U 48U 48Up48U48U48U48UX48U`48U48U8U48Uh48Uخ48UH48U48U48UЪ48U48Up8U48Uh48U48U48Users1!0^p8U!2023-05-18 08:04:52!2023-08-16 08:13:23h:z5U˒8UK?4U̒8U48UN{7U̒8U48U22U0̒8U848U5UH̒8U1U`̒8U^5Ux̒8U5Up48U*5UH8U6U(x48U8U5U@x48UH 7U4UY8U8/9Up/9Ux6o3Um48Uh~5Um9U54UK8Uk5U8e8UH1_2Ud8U 9Uh/9U/9U49U,9UxU8U 8Uc85U8Uo8U .9Up19UM8UT/9U)/9U9U؝/9Uo/9U 9U].9UC.9U(2UX]X4UXW9Uh~5U/9U(A8Uk8UH 9U85U 9U8Uد,9U8Ul#7UX9U-8UX9,9U88U9U39UH29U~5Uj8U85UXc 9Up 8UHb/9U-/9U8U.9U`.9U^8U4U08U 9U25U 9U5U^9U0h3Uj8Up9U5U8U46UX9U'9UH*.9U@19Uu4Ux8U8U+9UP8U25Up39U0Y8U8UP8U4U8Uحp3Uz48U_5U8U؝2Ug8UP8U9U8<8U85U9U@P"8U+9U9U9U|.9UL.9U y8Ux8U4Uf`7UX19Up8U8Ul 9UР49U09U09U8U<3U@j8U9U09Uz09UP 9UX-9U0-9UN8Uؑ.9Uq,9UW8U8B5U8U25U9UH9U\-9UF-9Up9UT39UH&39UHG49U,,9U8UE9U8Uȶ4UA6U9Uh~5U9UH9Ux.9UX.9UJ8UD,9UH8U83U9UHd8U(s,9U(c,9U8U-9U-9UJ8UX,9Uf,9Uf5UO8U~5U 9U0jS8Ux.9UP29U)6Uf8U5U8U 9U,9U@8UpJ8UH.9U0.9U8U8U8UP,8U9.9Uؔ19Uh9U@19UH 19U`ڵ8U.9U@r,9U8U m2U B8UHU59U]/9U,/9U@8U:19U8 19Uc`7Ux?8Uh3U 9Ug8U(,8Uhy7UH8U^5U8U(6Up9U8U6U@8Up85Ua8U4Up8U(8U=4Uȫ9U85U0W8UH~5UX~8UP8U&85U蛷8U885U8Un4Ux8Uc2U8UX8U\F3Uh8U(e8Ux-9Up-9U&85U+28UH9U]19UE19U8U8~5U~8U8U6U09U"c2U8U9UȽ8U]8Uh2Uq8U(b2U-9Uh2U8Uk`7U 8U(g85U8UX8U5U 8U6U0ϒ8U18U09UP/9UP8U5UΒ8U6UxM8U6U8U5UΒ8Ub5U8Ux-8UΒ8U 9UH8UX9U8~5UH8U 8U8,9Uо,9U885U h8Ups8U c2U8U8U4U9U85UXs8U46U8U>T2U8U/7Uϒ8Ux8U16Ud8Uڔ8Uj6UXy8U85U 8U$69U8s39Ux_39Ue85U08Um8U46U@8UO8Uv5U(8U85UŔ8U8U 6U` 8U88U`2U8U9U0*3Up9Ux8U25U9U885UВ8UW4U0t8U~5U 9Ux6o3UHϒ8U8N8U09U09U885U8U8UX~`2U8UXDe3UP~8U45U8UȪ9U7U(8U8U`2Ue8U8U5U8w8U<3Uhq8U8UX:5U8U4Uxl8U85U8Uȣl3U/9U8U&85U`8UUsersxc!08^М8U!1W!0W!WW!0W!0000-00-00 00:00:00 k48U8U 8UD]8U,9U VZ6U@Q8U 8U8UD@"8U8UD8U8UD e7U8UD8Uh8U8U29U9U8UD8Up8UD8U`8UDk8U 8U58U @pL8UD|8UQ9U @ 9U[8UD`.8U8U49U 8UD9U0Z9UD08U` 49U8U9UD E9U9UD 8U9UD8UE8UD`8U8UD`M8U8UDW8U8Uv8U8Up8UD9U8U8Uع39U` 9U58Uq8UUЂ9UpV9UD)2U@H8UD`>8Un8UD8U`8Uȡ8U-8UDQ8U9UD}9UP8Ur8UDM8Uv2U0F8U9U 7U39U9U)9UD@9U8U8UY9UD8U@B8UD pݶ7U8UU9UD`o8U8U F9UH8UP8UDP8UV9UD8U`8UDF8Up8U8U@W8UUr18U9UD8Ux8UDP8U8U88Ux48U8U8UZ8UD m8U8U8U08U 8UT8U Z8U8U  p@8U8UDP8UPa8UDP8U 8UDд8UL8UD:8U8U 9U8U 8UV8UU H8Up8U _8UDP 9Ug8U O9UD k 9U8UD9U 9U @ 8UF8UD c8Uq8UD@}6U 8UY8UDl8U8UDA8U78UD9U8UȰ9Up"8UD9U88U 8U98UD8U8UD 8UO8UDi8U9Ut8UD8Uȧ8Uȶ8Up&8UDu8U`8UPY8UD`d8U07UD08U ʡ8UDo8U`\8Uh49U +9UH~9U @@9U`9UpG8UDL8U8UD8U訓8UX8U9UD7U_8U8UD@8Ue8UD 8U8U8UD8U8UD8UXr8U @9Ut8UD0R8Up8U 0"8U8UD!8UPc8UDo8U8UD6UP8U(8Us8UD08U{8UD8Uw8UD08U8U89Up18UDp 8U8UD|6U8UDP8U8U8U 8U8UDpo9UE8UD8U9UDP(9U9UDP8U8UDPZ8UPy8U^W8UD 8U8UDP28U8UD8U8U8UDl8U!8UD@8U`e48UD8Ux8U໲8UD 8UO8UD Y8U8U(f@j8UD8U8UDJ8U8UD`8U@C8UD8U&8U  8U`uT8UD=8U8UD&8UCantAffoQЍ8Uahttps://www.scoreexchange.com/publisher_images/1200x630/1663477403/184154.jpgad8U7U> G5U15.00Е8Up`3U0!NAMEUql::st !Wѕ8U !Owen`8U 11h8UtenngerSentI01592078U?>90!216455Wnd-of-th!1W !0XX !0W@!WW!1W1310D8B72-B34B-11EB-9B6B-788383FEA0E1Q8U!2017-06-09 17:10:17U10000-00-00 00:00:00P8U0A/usr/www/resources/ADAP3/GenericObject2.pm4.jpg!0N8U !0W !H8U@P8U !201998l::st !17418U !0W a 8UH萿4U!630W !Xe8U !1W!1W`10.00W0!0@7U !50Я8U !0000-00-00 00:00:00U!0Wi8U!0W 8U10Wk8UO8U0!08X!1Wp8U!0WG8U1b5U8Ursa539713!0000-00-00 00:00:00prim!0Wdden" id!0000-00-00 00:00:00Bask!23W class="!1022Wping-car!0Wbadge">8U !28476908U !2023-05-07 04:50:53 WHE!2023-05-07 04:50:59!836158W AGraduate of Trinity College of Music, London. British/Canadian nationality. Director of Music at a number of schools including the Dragon School, Oxford; Appleby College, Ontario, Canada and Hilton College, Natal, S.Africa; as well as conducting Orchestras, Choral Societies, and Choirs in all the above countries. AR PUBLICATIONS Compositions include Ballet, Orchestral, Instrumental and Choral in both religious and secular modes. 1958 - Bantock Composition Prize (Trinity College of Music, London). 1971 - Oxford Diocesan Magazine Hymn Writing Prize. 1986 - Enfield Schools Orchestra Composition Prize. 1992/4/6 - Amadeus Choir, Toronto, International Carol Composition Prizes. Various pieces published by the Royal School of Church Music and Gordon V. Thompson Music of Canada. 8U!79628Wս8U!0WSE::Scor!1W5869202!0W1848121!2019-06-06 16:24:57U!0W048U!0000-00-00 00:00:00U!4Wp8U!1WP48U!1W48U!213Wh8U!1W8U!30.84W8U!2021-08-28 10:13:28U!1W8U!0W!AccountW8U!0000-00-00 00:00:00U!2024-04-22 08:05:0112021-06-28 10:13:288U0!148U 1paulbrookshorniii@gmail.com40840l!72N2KfZEsCX2i93 !WW !0000-00-00 00:00:00!1WP48U!1Wp48U!0W48U!WWx48U!1WЪ48U!1W`48U18.49W 48U48U0!WW q9U1WH8UB0xh8Um8Uo8Un8Uhf8U0n8Uh8Uj8Uxe8Uk8Uj8Uk8U@g8Ug8Ue8Ul8UPl8Uj8Uf8Un8Ug8Uj8Un8Um8Ue8Upg8U(m8Uxn8Uf8Un8Ul8Uf8U`h8Ui8Ul8Ui8Ul8Ud8Ui8Um8U0h8Um8U@m8Ug8U`k8Uj8U(g8U8o8U l8U8f8Upm8Ue8Uh8Uh8UXm8U`n8Ul8Un8Ul8Uhl8Uk8UHn8Ui8Uh8Ug8Uf8U o8Un8Uhi8Uk8UHe8UƓ8U!^^pƓ8U!0W!0000-00-00 00:00:00 59U859U9Up59UP59U@B9U0) 9U8UPY8U 49UԌ8U49U!9UC8UP8U،8U[-8U 9UaW8U=P49U49U $( 0 9U(8U8U   @9U $( 9UM8U0 59U 9U8Up8U 59U`28U  8U9U p 9U @39U9U{59U 9Upt8U}9U38U9U` 9U*08UP39Up9U8UЋ8UP!9Up59UReminder8Uԓ8U,8Ue9UD_ 9UK8UD! 9Up8UD8U(Փ8U8U 9U08U  `8U8UD@*8U]9U `9U8U@^8UՓ8UՓ8U8U8UD>8UK8UD08U8UD`?8U8UD?8U8UD?8U 8UD?8U08UD`;8U@8UD;8UP8UD;8U`8UD;8Up8UD;8U8UD<8U8UD <8U8UD@<8U8UD`<8U8UD88UЁ8UD 88U8UD@88U8UD`88U8UD88U8UD88U 8UD88U08UD88U@8UD98UP8UD 98U`8UD@98Up8UDp28U8UD58U8UD58U8UD58U8UD58UA8UD68UA8UD 68UA8UD@68UA8UD`68UB8UD68UB8UD68U B8UD68U0B8UD68U@B8UD78UPB8UD 78U`B8UD`08UpB8UD08UB8UD08UB8UD08UB8UD08UB8UD18UB8UD 18UB8UD@18UB8UD`18UB8UD18UC8UD18UC8UD18U C8UD18Uɓ8UD28Uɓ8UD028Uɓ8UDP28Uɓ8UD!8Uɓ8UD!8Uɓ8UD!8Uɓ8UD!8Uɓ8UD"8Uʓ8UD0"8Uʓ8UDP"8U ʓ8UDp"8U0ʓ8UD"8U@ʓ8UD"8Um8UU8Uh|8Un8UD D9U8UD7U09U59UD04U K8Up&8UD`*8Uܓ8U8Uvl8Uѓ8UD޵8Upѓ8UD ߵ8U ˓8UDO8U08UD8U`ѓ8UD08U`˓8UDߵ8U + 9UB9U?9U 609U8U`8U+9U 28U  b8U(ޓ8Uޓ8U@ޓ8U@8UD8Upޓ8UP8U0 9UDV8U38U 08U^8U458U2xk8UD8U8Ud8Uߓ8UcA0ߓ8U8Up8U 0i8U8U (8UpMt8UDp8U 8U8U 8Ux28U @ 8Uh19U+9Uѓ8UD@ߵ8Uѓ8UD@38Uѓ8UD 38Uѓ8UD`޵8Upʓ8UDp7Uғ8UD8U_5U8UDߵ8U558Uf8U8U8U9U˓8UD 8U@ғ8UD`8U˓8UD@8U ғ8UD 8U8UD8U8UDt8Uғ8UD38U˓8UD8UPғ8UD8U`8UD08U8UDP4Up 9UU`9U_8UD8U0ғ8UD@8Uѓ8UD`ߵ8U˓8UD8U˓8UD8Uғ8UD8U˓8UD`8U̓8UD8U̓8UD8U ̓8UD \8U0̓8UD@\8U@̓8UD`\8UP̓8UD\8U`̓8UD\8Up̓8UD\8U̓8UD]8U̓8UD]8U̓8UD]8U̓8UD8U̓8UD8U̓8UD8U̓8UD8U̓8UD08U͓8UDP8U͓8UDp8U ͓8UD8UP!-Qo8UQS8U8'8UW8UQo8U88U!08X!0X@8U!0W8U11W8U8U0!39 Mark Road1WW0Q8U(8U8U!162154W !~8Uonfig !0.008U!paulysguitarjournalU10W118993000!160209l::st Q8U!2023-04-10 19:47:07!41`8UuantityS!275W !0_8UIDdDate!WWp]8U10.00W-secureFss='08UL8U/8Uؖ9U`8U8U@q9U9U8U|9U 8U8Uh9UL 9UO8U'8U8U!1Y9U!0WP188Ug719824!719819WZ8U!OrganW Qn8U!0Ж7U4U!0W !539718WpQ9U!0.00Wault btn!162154W 6U9UH49UI,9Uд9U8UX%,9U8U8U,9Uh,9U8U19U19UP9U5U8U`^59U8.9UȘ.9U49UX09U09U 59U09Uh{09Ug8UX/9Ug/9U X8U/9U`.9U6U8U49UZ.9UC.9U9U+9Ux9U8Ux6o3U$/9Ux8U^i2U8U[8U=4Uh9UXM8U:19Uh 19UI85U8U8U8L,9U8UH 7U4U|8U829UP29Uh59Uh.9U.9U=8U&-9U-9UM8U8~5U0t8UXs8Uo19UpK19U8Uhz48U8U,9U(,9Up9Uh .9U8-9U^5U~8UB5U{8U8U/9U@/9UPZ8U`85UЦ9Uc8U2Uh8U8DT2U`9U؄7U| 9Uh:z5U 8UHb85U8U85UX8Uh8UxD09U109UU59Uh-9U-9U9U09Uh09Uh2Uo8Ux9U46Uh8U9U*-9U-9U˭8U+9U`;48U:49Uh5U@/9UE3U8U@p8U9UH?8U@8UX5U9UN8UH8U8UO8UX29U@29UH9UH839U39UX8U(_-9UG-9U -9Uhd2Uw9U)6U`8U}8Uq-9UM-9U 8U9UK8UP@8U+9U8U*8UX/9U+/9U$69U,9Up8UX.8U-9Ux-9UH7UX"49U@>3U,9U@8U8Uh8U9U885U|8Uy7UH۠8U(N8U809U09U_5U 8UU6U39U39U`09U:09U8U} 9U7UE3Uط 9U_85UY9UH8U8a09U@:09U豉6UX8Uy7U 9Ub8U+9UH9U}7U8Uf8U8-9Uȉ-9U+_2UhZ9UP8U-9U-9U85U8UH 4U` 9UH`8Uȶ4Ux8Uf09U;09Ul8U8U@8UH8U |8Up-8U8U:8U 69UX.9U19U08U-9UА-9U9U&_2U.8U85U`8Uh8Uج09U09U~5U+8U8Uhd2U8w9U 8U.9U.9UH~5U88U8U09Up/9UX 85U9U59Un09U`>09U59U8,9UP,9U@F8UHB/9UH$/9Ux8UH~5U89Uq5U8U L8U.9UP.9U6Ux98Ue9UL9UX9U8U5U98U49U؅-9U8S-9U;6U8U5Uh18Ub5U =8U8]8U88ULn5U88Ux6U^8U 8Ux6o3U^8U08Ux~5U(88UH~5U8U@8Ud2Up8U8Ud2U8^8U~5U;8U~5U@;8UD8U98U`3U^8U8UH~5Up88U`3U:8U6U^8U8U4Uh^8U`3UX88U~5U8U~5UБ8U8Uhd2Ui8U~5U;8UB5U8UxB5U8U(d2U:8Uc2U@88U(8UR6U/8UHa\3Ui8U8U`3U8U`3U78UX6U`8UU6U:8UHB5U֓8UB5UH8U~5U@28UF3U08U8U~5UՓ8U~5U8Ux~5U;8Uȫ~5U8Uq5U(֓8U(8U~5U@֓8U~5UX֓8U)6Up֓8U~5U֓8Ux~5U֓8U8U74U֓8UB5U֓8Uȳ~5U֓8U~5Uד8UH2Uד8U 8UH~5U0ד8U 8Uh~5UHד8U~5U`ד8UH~5Uxד8Uh~5Uד8Ux~5Uד8U8UX~5Uד8U (D8Up8U|8U8U 8Ux8U<8U`U8Uw8UO8Up8UP8U8UA8Uh8U8U!Xp@8U8U!1W_8U!Hemel Hempsteadp8U!0000-00-00 00:00:00`v9U9UnL7UW8UnL7U 9U8U08UP8UnL7U88U4Uij7U 9U f9U8UXx9U]5UP8UЧ8UHѡ8UОN8U8UZ8U8U8UH 9U^5U_5U`_5U_5U_5U_5U`5U`5Uh`5Ua5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4UPrivacy U1 5U8U0U s@r9U9UnL7Uh8UnL7U39U 9UX,8U9UnL7U@9U4Uij7UC8U 9U/8Uk 9U]5U8U:8Uhl8U}8UP8U<8U@_8Uد9U88U^5U_5U`_5U_5U_5U_5U`5U`5Uh`5Ua5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U!2017-06-10 21:06:16U!0Wi9U!530W10W89U0Q The choral repertoire has been strangely silent about the Miracles of Jesus, despite the prominence of the miracles in the gospel accounts. Unable to source suitable material on this subject, I felt compelled to fill the void! I would like to see this music being sung by choirs, so if pricing is a problem, please get in touch. The Miracles of Jesus compositions are intended as a flexible mix-and-match series for singers of all ages and accordingly the level of difficulty varies. A key aspect is that I endeavour to make each piece different, so you will find many different styles represented. Most of the Miracles of Jesus Series 1 was first performed in a theatre in Devon in 2007, in a concert setting, with the pieces interspersed with additional commentaries from the gospel accounts. Following on from the Miracles of Jesus Series 1 and 2, I have also composed a series on the Parables of Jesus, which will be appearing here shortly. Biographical highlights: * Started playing the cornet at 8 * Brass band at 10 * Left home at 14 to play the trumpet for a living * Running a Dixieland band at age 16 * At 19, did an arrangement (working without a piano - didn't have one!) in 5-part harmony and submitted it to George Evans, who taught dance band arranging. Mr Evans was so impressed that he offered me his correspondence course free of charge! * Apprenticeship as a bricklayer (you can never depend on the music business entirely!) * Wrote two big band jazz arrangements and performed in these, first in a concert in Edinburgh sharing the bill with Count Basie and then in a "Jazz at the Philharmonic" (American jazz package) concert in Glasgow * Band director at Ambassador College, Bricket Wood, during a 12-year period * Passed ARCM in Trumpet Teaching and Special Harmony, 1970 * Began conducting church choirs, 1978 * 1982: ordained as a deacon, reflecting years of past - and future - service in facilitating church music * Wrote technical studies including 19 pages of duets for clarinets or trumpets * Wrote the technical manual "Triad Power" in five modes * Wrote "The Job Story" - a musical collage telling the story of the Book of Job in the Old Testament. For choir, soloists and piano, completed in 2003. The first performance took place in Paignton, Devon, in 2004 * Wrote "The Miracles of Jesus" series 1 for choir and piano. 17 pieces. Most of the series was first performed in a theatre in Devon in 2007 * Wrote "The Miracles of Jesus" series 2 for choir and piano. 20 pieces. Single items performed regularly at a church in Luton - ongoing * Started writing "The Parables of Jesus" series for choir and piano. 36 pieces so far. Single items performed regularly at a church in Luton - ongoing * Continuing to play in big bands, conducting church choir and providing hymn band for local church and larger church gatherings8U@3Uד8Uh~5Uד8Uk`7Uؓ8Uc`7U ؓ8Uf`7U8ؓ8U25UPؓ8U25Uhؓ8U25Uؓ8Uh~5Uؓ8U<3Uؓ8UX?4Uؓ8UH8U8B5Uؓ8Uحp3Uؓ8Up3Uٓ8UE3U(ٓ8U5U@ٓ8U08UX5UXٓ8U5Upٓ8U8U5Uٓ8Uxv5Uٓ8U7Uٓ8U 8Uv5Uٓ8U8Uv5Uٓ8U5Uړ8UH8U5Uړ8UhCc5U0ړ8U`8U(x5UHړ8U8~5U`ړ8Up8U~5Uxړ8U#5Uړ8U8U%5Uړ8U8U8~5Uړ8UH7Uړ8U8U8~5Uړ8Uk5Uۓ8U8U\4U ۓ8UX8UY6U8ۓ8U8U\F3UPۓ8U8U6Uhۓ8Uz5Uۓ8Uh:z5Uۓ8UK?4Uۓ8U8UN{7Uۓ8UH8U22Uۓ8U8U5Uۓ8U1Uܓ8U^5U(ܓ8U5Up;8U88U,8U6UH#8U8U5U`#8UHP8U.9U 19Uм48UX-9UE-9Ux6o3U98U8U4,9U89UP6U8U85UH9U59U+9U%8U49U.9Ur,9U6U4U8U.9U.9Uu4U8U 9U%5Us49U_88U=4Upc8UX 85U :8U$9U]8UJ 9U 19U19Ub59Uh2.9U19Ur9Uh_2U08Uȓ8U2Ux&8UO8U.9U.9U8Uj6UE8U46U8U 49U9U9Ux6o3U8U49Uh 9U9U8D3UL-9U9UH.9U@19U؝2UΣ8U3U?8U"85U8Ub8Uhq.9UI.9UH5U`8U؝2UPh8U08UH&2U`?8Up39U8Us9U/8Us9UU6U8U8H8Ud2U8UH8Uȟ-9U-9U#8U/9U/9UPH49U:-9U -9U4U68Ux85U؝.9UتS8UH85Uh]9U869U.9Uh.9U(6U9U+_2U 9U059U8U9U( 4U09U5U` 9U49UY.9UB.9Ue8U09U 09U8Uc09U;09U8?3U-9Up-9Uh49U'09U/9U88U#,9UG8Uh8UT,9Uk8U+_2U f39U@3U@o 9U5U9Uܥ4U7U8UST5U8I69UX8U/9U/9U8U`8U88U+9U9U8U~5U9Ue85U09U@38Uh}19UO19U9U09U(09U2U0V9Uܥ4U 8U<8U8,9U,9U78U39U(29U5U8U`T8Uz-9UO-9UԔ8Uh#.9U019U69U+9U(79UO8U[,9U8Ux~5Ug 9U8UX4U8UH9U,9U8|8U(.9U5Uh`9Uh7UX8Uգ8Uv8U+9UX|7U 9Ux 9U7UL8U+9UĮ8US8UH09U09U~5Uȼ8U@9UȰ29Uȟ29Uxn8U4U`8UE8Uq.9UI.9UX8UH~5U19U08Uȶ4UL8U8/39U39U9U(6U019U25U8UL8U+9U8Ux8UȒ.9U(r,9U59U-9U-9Uq9UX)-9U`-9U39U.9Uq,9UA6U9UM8U,9U,9U8U839U29Ub5UX8ULn5U\8U 9U/9U.9U85UP8UX85Uhj8U0g8U(t/9UHc/9U69U;/9UP"/9U6Uޓ8U8Uhg.9UF.9U8U5Uޓ8U9U5U 9U;6Up8U5UPޓ8Ub5UX_8Uض8U8ޓ8UaultUUIDx8U88U8UX8U8U8U8U8U8U 8U8U 8U8U8U8Uxo8U8U8U 8U@8U8U`8U8U8U8U 8Uh8U8U(8U8Up8U8Up8U88U8U08U8Ux8U8U8Uh8U8UP8U8U(8U8Ux8UP8U8U8U8U 8U8U8U8U8U8U`8U@8U8U8U8U8Up8U8U8U8U8U8UX8U@8U8UstUnlock!0000-00-00 00:00:00U!0W!2023-12-16 08:04:32!2024-03-15 08:05:47!0W!1W!0W!WW!0W!0000-00-00 00:00:00ԓ8U"8U0͓8UD8U@͓8UD8UP͓8UD8U`28U 28UR8U2P#8U(_8U9UD9U9UD9UhA.9U9UT9U P8U 9U 8UDG8U`Q9U @9U^9UDBH@8UH759U+9U89U @Ps9UD8Up$8Us2UPW8UD:8UP 9UD7U@a9U`8U69U @(8UD 8U8U (8U8UDD8Up8UH%8U8UD9UZ9U`9U0]9U9U@V9UD @8U 9UM8UU88U` 9UU@9U8U p>8U 9UU 8U8UP&8UP8UDP8U&8Up98U@9U 9UD09Uѓ8UD`38UP8UD@9U9UDp`8U0L8UD8U@m8UDf8U8UD@@`9U9U8UD$9U7UD 8UaW8UDv9U09UD8Up*9U (8U88U L8UDp;8U8U#9U೥8Ux(8U(8UHp8UDq8U8UD8U`=9UD L3U`/9U| 9U8U59U+9Uv 9U9U8UDO8Ug9Uw8U8U89U`8UD18U)8U38U  8U08UR8U 9U,9Ua8U*8UD8U`19U8U@8UD98U8UD9UPݑ8UH_8U @8U8U8U @`V 9U0"8UD 9U 9U -9U+9UV8UD)9Uh48UD[8UP&2UI9U8UD 9U8UDO8Up˓8UDP8U@˓8UD@O8U+8UB8UD@8Uѓ8UD޵8U ԓ8UD`8U# 9UDG9UPP8UD {6U (8UD9Up9U,8U0#8U`͓8UD8Up͓8UD08U͓8UDP8U͓8UD`8U͓8UD8U͓8UD8U͓8UDZ8U͓8UD0Z8U͓8UDPZ8U͓8UDpZ8UΓ8UDZ8UΓ8UDZ8U Γ8UDZ8U0Γ8UDZ8U@Γ8UD[8UPΓ8UD0[8U`Γ8UDP[8UpΓ8UDp[8UΓ8UD[8UΓ8UD[8UΓ8UD[8UΓ8UD[8UΓ8UDp8UΓ8UD8UΓ8UD8UΓ8UD8Uϓ8UD8Uϓ8UD8U ϓ8UD@8U0ϓ8UD`8U@ϓ8UD8UPϓ8UD8U`ϓ8UD8Upϓ8UD8Uϓ8UD8Uϓ8UD 8Uϓ8UD@8Uϓ8UD`8Uϓ8UD8Uϓ8UD8Uϓ8UD8Uϓ8UD8U0N69U8U?8U 8UD8U7 9UUp8U@9U9U 8U @ 9U`8UD9U_9UD@@@?8U8UD P 7U8UD8Uح8U H8U@r8UD !8UI8UD08U8UD8Uݻ8Uз8Uh28U>9UD@V8Up8UQ08U!0.00(XI8U!dfhoyle_23hk<8U!2W7U![] W 13U8$3U3U3Ux3Uࡿ3U3U8U3U袿3Uȶ8U "8U8U8U $3U#3U-8U3U3U`3U03r8U(9U#3U3U03U8Up8U蘬8U8UX3U$3Uh3U&3U 3U(6U9U85U8Uxq8Uc85U8U85Uf8UA6UPU8U2UH8U87Uh8U49U+9U8U46U0h8UI85U8UΌ2UH8UZ85U(f8U8<25U78Up3U(8U8U8k4UG8U85Uxy8U8U~5U@A8UD8U-9Uh-9U2U8Uȳ~5U8Uخ8U2U8U`38Uc85Up8U88Ux~5UT8U؝2U.8U_5U~8UH8UX2U8U49U/9UP.9UE3U8U885U8Uh:z5U8U8U/9U /9U)_2U8UP59Uj.9UG.9U6U-8U 9U8U68Ux6o3U9U~5UXj8Ux6o3U08U8V8U5U"8UhG85UA8U849UL,9U}8Uxa85U8UP6U9UX8U809UX09U 8UH~5U %8U8U~5U_8U@8U2U0'8U(A 9U8,9Uo,9U809UH8U0 9U>49Ux8U8UX?4U8U4Uh.8U 4U08U5UP8UH5UF8Ux4UШ8U~5U8U,_2UK8Ux85U8U9U,9U?8U6U8UΌ2U”8U"85U,8U85U8U&85U0&8UX8U^i2Up(8U25UC7UHz8Uv,9U0d,9Ux4U8U6UР9UR8U85U8UE8UH5Uxp 9U;6U8U87UŔ8UXJ 9U.9U19UA6U8U[8U`3U9Uh2Uk8U(g85U*8U8DT2U+8UhAT2U(8Ux68U4UP8U"85U`-8UZ8U0*3U8U8UH8U9U{8U`85U88UΌ2UÔ8Uh2UH9U8UXF09U0209Ux6o3U8U7Uh8U8U7U8В8U"85UȋF8UG7Um`3U 9U8U4UPu8Uu8UOm2Uh8Ux8Uh_2U c8U85UC8U85U8U9U2Un 9Ux8Uf8UH/8UX~`2U8U85U 8U&85U8Uh:z5U.9U6UŔ8UhG85U8U5U38U9UX2UPW9U<49U8>39U39U4U 8U)_2U 8Uf`7Uh8UΌ2Ue8U85U 8U6U8U(8U09U@09UP6U8!8U!9UW-9U@E-9U(d2Uڡ8U6U 8U ص8UT8U8U8UOm2UH8Uc9UH85Ur8U*9U4U c9UA6U8ULn5UȎ8U+_2UP8UU8U7U8UQ8UH8U@8U1UpS8U5U -8U5U88U)6U*8Uh4Upx48Uh5o3UH8U(g;8U&85U8UH2U88U(w9U6U8U46Uh8U85Ux8Uq8UH5UX9U8UX:5U8U8DT2UX8Uȳ~5U8U"c2U8U@8U{ 9U| 9U88Ux+9U59U؝2Uȯ9U`8Uj6U躯8U+_2U`8UB5U08U@8U7U~8U[8Uh.9UXr,9Uh8Ux/9Uj/9U8U-9U-9Uh2U 9Un4U8UpC8U(t85Uf8UT8U4Uh8UHb85U(8U54U8U5U(/8Uq8UX).9U19U85U C8U049Ux/9U.9U؝2U08U(6U8U8UH5U 8U~3Uh5U09U
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8U["31848","39408","35253","116462","9177","101587","99812","117184","116250","114496","50021","179225","94364","41742","89530","196217","101150","37341","95586","97432"]8U­8U!2020-08-06 05:47:52U!0WX8U!0000-00-00 00:00:00U!WW8U!0Wi08U!0W48U!0W!0W8U!1W10W8Y8U(z8U0!1.50XX4U!2012-02-29 18:17:23U!1W4U!0W4U1162868W4U0aWas there ever a problem? Or was it always this easy Above the world and then some To the coasts and beyond the sea That’s quite a change of tune An extraterrestrial sign, came about And you stepped out of your cocoon And now it all aligns — A few weeks ago you were scraping the walls for a tune Gave up and locked yourself in the room But now you’ve found your way out Without a single doubt Took a chance And now it’s all going your way But is it all too good to be true? Leave that for another day — How about that? Still the same but slightly changed With everyone in and no one left out We’re still in the game — But it’s all going a bit too fast I can’t quite keep up If it doesn't rhyme it’s out of time I think I’ve drawn the line — We can’t remember how we got hereog:i!1.00W!1W!0W!0W!WW!WW!0W!YouTube - @arobertowen!WW!WW!1Y8U!2023-09-17 13:58:011D5404542-5559-11EE-ADD4-2A93221BE81EU!28790W8U!0W48U!0W!0W8U!1Wx8U!650x918W8U!0WN8U!0W!5.00W!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0W8U!6296073W !The Break8U!0W!0W!13W!0000-00-00 00:00:00!0Wc' data-!0W !Y(Y!93027W!0W!0W 88U!0.00WX!4.50W!3.50W!0W!WWa' data-!0.00Wc' data-!WWd the Gr!0000-00-00 00:00:008Up8Uз8UDP8U8UT8UD 8Uh8U0¡8UD8U #8UD 9U9UD`,8UP8UD@8U8U @9U8U8UD8U 8UD8U 9UD9U08UD m8UH/8U  8U8UB.9U+9U8U8UDЂ8Uh8U 8US8U8UDP9UP&2U@8UD 8U+8UD8Ug8U @c8U8UH8U8U8U 09UD48UV8UDph8UP8UD@;8U-9UP8UPs8UDT8U@8U P8U08UD8U68UDY8Up$8UD78Uɡ8UD8U8UD`f8UP8U08UDp8U*8UD8U8UD8U8UDl8U8UD9U@8U/8UDg8U$8UD0O8U8U9UD 8Uv8U8UB8UDp8U8U 8U0U8UD8U$9UDp9U8UDl8Uj8U b9Uf8U@8UZ8UD08Ux8UD@8U[8UD`8U8UX$8UD@>8U8UDI8U`t8UD_8U C8UDpq8U 7UDp8Up8UDM8U8UDY8U8U(9U`8UDu8U8UD@v8U8UĊ8Ur8UD78U8Uȶ8U 8UD8Up8Ub8UD9U8UD`8U088UD@8U8U{8UD8UPC:8UDb8UK8U>08UD`|6U8UDX8U_8U 8U 9U 8UD`G8U8UDPJ8UP{N8UD28U8UD68UI8Uй8UD 8Uc8UDy8Uu;8UD`s8UM8UD\9U8UD8UP98U8UD8U8U(f09UD 9U0838US8UDX8U8U8j8U @@v9UA8UD@ 8Us8Uw8UD8U M8UD`8U%9U(8UD8Up|8UD k8U8UD8U`m8UD8UЫ9U"8UDm8U8U @8Ui48UDU8Ut8UD 8Ui8U  J8UP9UD`9U8UD 8U`&8UD8U0v8U8UJ8U8UD8U8UD 8U/8UD8U֌8UD8U 8UD 8U8UDл8UP7UDq8UP8U @*9UT8UD?8U`8U`9UPd8UD8UU8UD@s8Us8UD8U 8UD9UpFT8UDpU8Uh59U `,8UDl8U b8U8U8UP4UB8U@8Up9UD9UY8U @8UPW8UD8U`98UD`8Uĥ8UDБ8U k8Up8U18UD08U8U8UD8U6U4-04-23 !2023-09-17 13:01:12U!2024-02-25 18:50:18U!Robert Owen(8U!Robert Owen8U!2023W}8U10W0!sibW8U!225145Wp&8U!0W18U!Larger Than Life.sibU!2024-01-11 16:13:48U!0WA8U!40We8U!0WX8U!0000-00-00 00:00:00U!0W8U!0W;8U!XXXX8U!276558W8U!0WP^8U!0W}8U10.00W8U0!7X8.8U!0.50XB8U!2024-01-11 16:20:50U!1W4U!1W4U!0W4U!WW4U!0W4U!0W !YYn8U!240175W!0Wr8U!0W!0.00WФ8U!2.50W8U!1.50WQ8U!0Wf8U!WW8U!0.00W8U!WW8U!0000-00-00 00:00:00U!1W!2023-09-17 13:12:50U1858805FE-5553-11EE-B6A0-2A93221BE81EU!28790W !1(\8U!0W!0.0000W!0000-00-00 00:00:00!Far From Reality!0W!0W!5W!0000-00-00 00:00:00!0W!0WAFar From Reality YouTube - @arobertowen Robert Owen a !0W!0W!0W!0W!0000-00-00 00:00:00!WW registe!0Wescripti!320Wyour Sco!320Wegister !0[roperty=!0WScore Ex!0W"og:imag!1Wscoreexc!650x918W_og_imag!0Wog:image!0Wg"> T2UT8U$9U+9U9UP6U8Ux4Uء8UP!8Ux 8U`8U|"8Uo8U D8U6U8U6U8U(8Uc85U?8U>T2U@8UPS8U`85UQ8U8UH&2UD8U54U88UP8Uv5Uh8U85Ue8U9U19U@19U6U8U@O8U(x5U8UxyF8Ud2U~8Uq9U8a19UF19U4UPR8UX85U8U\88Ux:/9U!/9U6Uc8UA6UPx8UhAT2U i8U8UH4U8U08U c2Ub8UӔ8Ux6o3UX8UB5U8U8U^i2U(.8U؍8Uj6U{8U)6U$8U(6Uأ8U8U(_8U8U(?8U8~5U8Uh7U(t85U08U~5UHO8U2U88Uh/_2U8Ux~5U|8UW3U@ 9U46U 8Uظ8Uh~5UN8U39U8v 9U 9UhG85UX;8U885U`8Up8U16U@g8UP_59U/9U.9UhG85U88U`8Uk-9UK-9U88U8.9U.9U45U8U 9U 9U8U25Upђ8U9UH&2U`.9Uh78UW8U6U8Ux85U8Uj6U9U9U+9Uq9UX2U8U6Ux8U^59U(09UX09U8UX@M4Ux8UH~5UHn8UX 85U08U25U8UP6UX8UA6U8n9U8Uj6U,8U49U8Ux8U8UP9U46U8U9U_/9U,/9Uۥ8Ux6o3U>8UA6U9U8DT2Uf8U8U.9UȤ.9U8U7Up9Ux8UΒ8U7Uw3UC8U 8UH5U 58U85U8U(w8Uț6U-/9UQ8U^i2U%8Ux8U9U9U0*3U 9U8:9U=8UhA8U09U(09U713898858U؇8U`8U8Uh8U 8U08U8Ux8U8U88U@8U8U8UP8U膖8U P& 9U 59UpY8U-9U M8U 8U0~8U59U59U 69U`69UP9U039UP59U#8U 59U0)9U  9U 8U  (0;8UK8U  / 9U 49U08U@68UЦ8U $8U69Up9U 59U $8UT8U@79UX059U8Ug8U@d8U*0 8U 9U8U`F8UP9U(7 8 59U  P8UPc8U20:10:59!39[,8U!0W08U!4W8U!1WX8U!2023-09-17 13:02:17U!2024-02-25 18:51:10U!Robert Owen`J8U!Robert OwenР8U!2023W8U10W0!sibW(8U!225145WH8U!0W8U!The Break.sibe8U!2024-01-11 16:14:09U!0W8U!34W@8U!0W t8U!0X8U!WWР8U!0WHt8U!0Wr8U!1W8U!0Wh8U!0.0000W8U10000-00-00 00:00:00U0!6HX4U!0.50(X4U!2024-01-11 16:29:04U!1W4U!1W !]]08U!0Yۥ8U!WW!0.00WV8U!WW!0000-00-00 00:00:00U!1W(O8U!2023-09-17 13:25:54U158842D88-5555-11EE-AD97-2A93221BE81EU!28790W88U!0W38U!0W!0W!1Wٔ8U!650x918W8U!0WX8U!0W !1\28U!0W!0.0000W!0000-00-00 00:00:00!Say WhenW!0W!0W!12W!0000-00-00 00:00:00!0W!0WASay When. YouTube - @arobertowen Robert Owen 88U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!320W!320W8U8UhX8U<8Ux8U8U0z8Uؤ8Ud8Ux8U<8U_68UXO8U8Ui8U8U8Up8UZ8Uط8U028U8U8UԈ8U38U`l8U8Uq8U 8U8Uؔ8Uz8UhK8U8U8U8U@Œ8Uۥ8UH?8UV8U 8UV8U8U 8Ux`8Uؔ8U8U 8U(|8U8UH֢8U8U38U8U8U8U68Uh 8U88U88U8U"8U8U8U8U8U(˄8U0M8UԔ8U8U(8UX8U8UD8UX8UXf8U8U!XX!584540W_8U!0Wl8U!0WPalau9UDa8U i8U A8U8UD08U`8Up=3U9UD`" 9U@8UD0R8U@8U88U78UDО8U-9U 09U 8UD`8Ur8UD!8UpB8U}8UD8U`8UD8U@T8UDv8Up9UP 8UD "8Ue8U 0{8UD`8Up8UD#8U8UD 8Up8U,8UDP9UB8UH3U&9UBT8UDБ8U`B8UD8Um8UDS8UB8Up9Uf8UD8Ud8U9U8U P8Up& 8UD8U$8U 008UC8UX9UD{8U8UD@8U`8UD`˕8U8UD8UX8UD^8U8UD8U0ET8UD8Uh08U @0J9U8U9UD0S8U@V8UD`8U ȡ8UD08U8UDn8U`8UDB8U8UD@8U0=8UDP8U/59U@+9U8U @Pҕ8UP8UD 8UD8UDp8U8UD8U8UD 8U"8UD8Ux,8U9UDPq9U`8UD\8U:8UL8UDV8U#8U 8UD8UP8UD@8Uj8UU`8U࿡8UDP8U8U 8UD@8U8UD8U0!8UDc8U 8UDC8UO8U F8Up8UD08UP88UD 8Ud-8UDP8U-8UDB8Ug8UD08UV8UD8UH8UU18U8UDm8UP8UD8Up8U,8UD˕8U`8UDF8U@8UD6U@\ 9U`8UD@P8UT8U8UD=8U8UD8Ux8UD`8U8UDb8U0qN8UD98UV8Up8UD0 9U8U7UD8U08UDp8U@8UD`8Ux/9U+9U8UD@!9U8UD98UJ8Up8UD8UHJ8UJ8UXB8UB8U8U?8U8Up8U0>8Uץ8UP~8UL8Uk8UhѢ8Ut8U8Uh8U8UX8U8Uh38U~8U8U98U虯8U ,8U48U8Uh":8UW8Uv38U8U08U68UXn8UҔ8U?8U8Uf8Un8U8U8U8ה8Ur8UpN8UM8Uȹ8Ux8UФ8U8Uߔ8U8U0t8UQ8UP\/8U8Uf8U 8U8U8Ux8U8U8U8U8U8Um8Up 8U K8U;8UI3U"!8U8P8UP=8U_68U8U8U{H5U8U8U!Robert OwenZ8U!Robert Owen"8U!2023W8U10W0!sibWpp8U!225145W8U!0WX8U!Say When.sib08U!2024-01-11 16:13:59U!0W`8U!37WA8U!0We8U!0.50Xۥ8U!2024-01-11 16:25:12U!1W8U!1W&8U!0W8U!WW8U!0W8U10WXf8U0!5Y r8U!WWp 8U!1.00W(;8U!1Wh8U!0WPq8U!0W4U!WW4U!WW4U!0W4U!YouTube - @arobertowen!WW This place was wonderful Soaked in a sea of sound Filled my ears with cotton wool Dug a house underground And now I’m here — So I could not remember your name But I knew everything about you Maybe we’re both the same But maybe I don’t have a clue — So I tried to not look back But it's caused me more turmoil I've tried on a different mask But I've started to recoil And now I'm here — We’re just trying to walk our own paths But it’s the guilt that brings us back again I know you’d probably laugh It’s hard wired into your brain — And now I am here again But this is not for me A fools escapade In the form of a song It was never going to work out!1.00W!1W!0Wpan>
    !0Wz' data-115Won>W0W4U8Uc9U(09Uؿ09Up,5UX8UXDe3U8U85U n9UX 85U8U`3Uh^8U85Ux8UZ59U 09U/9U#5UX8UP6U`q8U 8U-9UR-9U+8UX2U8U8~5U 9Uc`7UX8U6U8U(`3U4U"8Uo6U8P-9UA5Ux9U25U|8U885U?8UH7U`w8U8UH4U 8U9UP8U2U`8UH5UD8U~6U.8U;6UX49U`3U-8UY59Uȳ8Uv8Uܥ4UY8U/_2U8U08Uc`7U_8UX85U8Ux8Ux09U09UXZ/8U2U8U85Uȉ8U85UH8Ul9Ux+9U8UHb85U8U0h8U0*3UP8U2Uн8U~5Ux8Up8U`2Uh8Ub8UX~5U]8U&8Uhd2UH9UI85U8u8U85UH8UhCc5U7U`L8U19U09U46Uxw8U(A8Uș/9Un/9U4UР8U25Ux8UHS8UW4U 9UF3U8U_85U8U46UX19U885U9U9U09Ux09UE_5U5U8U"8U~5U28U5U(8Uxv5Uc8UXo8UX8U4UX2U9Ug85Ux8U85U(9UV8Ux 9U7U8DT2U a8UP*8U46U؟8UH!85U8Uj8U`3U8U8U8UV9U2U((9U`}8U_3U8U@9UH4U8U^8U`2U@8U85U؂8U,_2U8U(z8U85U8Up85U 8U8Uj6U8U7U@ 8UP8U2Ux8U)6UX8U8UxN/9U'/9U@8U09U09U049U(+9U0E8U؝2U(W9Uk`7UU8U8U4U@9U` 9UH4UH8Up85Up8U$8U ,9U9U885U 8Uf`7Uh8Uh2U^8U68U8)19U(19UV8UxX39Uh'39UJ8U\F3U8U6U8U8U7Uw9UE8U09Upv09U)6UN9Uȯ8Uv5U8UhTC8U16Uh8U"85Uhe8U@?9U5Uxw09U6U i8U8*2U8UI85UH8U,_2UT9U(g85U8UP6U8Ux4U88U 9Uh29U29U؝2UJ8UF8UH~5U8UP8U85Ua8U}9U/9U0l/9Ug85U`8U@49U.9Uȉ19U8<25Up8U 4U8U8޵8UN{7U48UH 9UX,9U,9Ux9U8/9Uf/9UH1_2U8UX8U`2U8U(8U(.9U.9Uq5UP8U25U?8U2UH8U~5UX8U舷8U5Uؤ9U49U-9US-9Uf`7U@8UhG85U 8U8UX5U8UI85UŔ8UA6U8U(b2Ux8U>T2U@g9U6U`8U85U8UPM8U8R09U509Uph9UH&2U 8U/_2Uxk8U&85U J8U+_2U 8U8U5Ua8UH8U5U ]8UB8U5U(8UP6UX8UH8Uh519U 19U85Up+8U(ܵ8U| 9Up9UT8U 9UI85U 08U48Ux6o3U 9UP6U%8UP8U16U_8U@49U29U29UHa\3U8UA6U@9U5U 8U2U+8UhAT2UHI8Ux6o3U8U4-04-23 La Pénombre Robert Owen 'La Pénombre' is an impressionist composition that I have been working on over the past couple of weeks. As I have a impressionist piano recital coming up in May, I thought it would be good to compose a piece that is inspired by Ravel, Debussy and Poulenc to show off "what I can do", but also, as I was 7 minutes too short with my repertoire I needed something to fit. t' data-!0W!0W!0W!0W!0000-00-00 00:00:00U!WWj8U!0W!0W!0W!YY!0000-00-00 00:00:00!0W!0000-00-00 00:00:00!WW`8U!0W8U!0W!0W!0W!1Wkies. Wo!650x919Ww' data-!0W@!0W!5.00W!0000-00-00 00:00:00!0000-00-00 00:00:001x< 9U!0.00Y8U!WW!0000-00-00 00:00:00U!0W!0000-00-00 00:00:00U!WW8U!0W8U!0W8U!0W/8U!0W7U!1WQ8U!650x919W"8U!0W!0W 8U!5.00W10000-00-00 00:00:00U88U0!0.0000xZimage.jp!0000-00-00 00:00:00ata-!Stuck on a Chord!0W!0W!7W!0000-00-00 00:00:00U!0W0p8U!0W1Stuck on a Chord Robert Owen !0W`X8U!0Wl8U!0W!0W!0000-00-00 00:00:00!WW" crosso!0Wo' data-!0W`!0W!XX!259143W!0W :8Uq8U`+8UDP8U8UD@s8Uq8UDL8U/8UD p9U>8UD~6U@8UD`8U"8UD@08U 9UD8Uv8UDi8U`v8UD@l8U,9UD`8U8U8UDF9U8UD s8U<8UD8Us8U8U0-9U8U0wV8UD8UpA8UDV8U8U 8U8U 08U$8UDO8U_8UD8U ¥8UDs8U e,9U~ 9U`W8U 8UD08U8UD78U>8U08Uht8U(fQ8UD 8UU9UD9UB8UD<8Ut8U`8U 8U59U8UD0`8U8UD!8Uv8UDk8U0_8UDO8U8UDd8U%8U W8U`T8UDP8U`l8UD 8U8UDP58U Y8UD(9Uu8Uy9U@8U4Upr8UD8UV8U 8U`) 8UD`9U9UD8UE?8UD{8U 8U [8U P9U49UP,9Uv8Uȶ8U!8U {8UD8U'8U8UDP8U-9UPy8U8UDPg8U V8UD08U x8UD8UF8U8UDpx8UV8UD8U8U8UDS8U@v8UD M8Uy8UD 8U08UD98UP8UD`u8Up8UDP8Ux8UX!8U`8U#8UD 03U8UD@8UU8UDD8U8U`y8U9U @8U`q8UD^8U`8UD88U8UD0 8U~5UF8UD0m8U9U 4U08UD@8Uo8U@8UDp8U 8UDy8U 8U 9U8UD8Up8UDp8U8UDpn8U08U2q8UDpJ8U9Up>8UDpL5U8U8UD 9UPá8UDS8U@8UD8Ua8U Q8U +8UD08UP?9UD9Uh|8U|8U9Up*8UD@8U8UD8UpLt8UD `l7U8U @8U08UD28Up8UD8U8UD 18U@f8UD`8U|8Ug8UD@P8U 8U@8UDp&8U08UD08U@_8UD@8Uf8UD08U@]-8UD8U8UD0X8U 9U @9UP%8UD8U059UL,9U9UD`9U~8U(~8U8U8UD m8U;8UDM8Up5}8UDˢ8U8UD8U@l8UDP8U9Ud-8UD8U.8UD_8UPYT8UD8U8U 9UU9UC8UDf8U8UD0d8Uл9U8UDj8UA9U8U8UDF8UI8UDf8U^8U8UD`8UV8UD8Uw09U+9U%8U8Ue8U89 9UU@a8U8Uf8U@8UD`l8U`58U D>5U8UD58U8UD0h8U)8UD08U0J8UDO8U`8UD 8UŁ8U8U0~8U(}8U 8U 8UH8U8U|8U~8U}8U8U8UȈ8U |8U~8U8U`8U8UH8U8U8Uh|8U|8U8U`~8U؁8U}8U 8U08U|8U8Up8U8Uh8UP|8Uh8U~8Uȅ8UȂ8U@8U8U8U~8U8U8Up}8U8U8U8U(8U8U~8UP8U|8U88U8Up8U؄8Up8U8U8UP8U8Ux8U胖8U8U@}8U8|8UX}8U}8UЃ8U8UP8U8U8U(8U8U8U 59U4}8U8U 8U 08UR9U{8U9U38 ،8UP9U`59UD8U59U(9U 9U9U $(%(+0"049Uj8U8U @9U$(P9U49U   8U9U*9UKP99UCT8U   4-04-23 !4.50Yp#8U!3.50W!0W8U!WW!0.00W8U!WWx8U!0000-00-00 00:00:00U!1W@8U!2023-09-17 13:21:08U1AE1E6F34-5554-11EE-B6A0-2A93221BE81EU!28790W!0W!0W88U!0W*8U!1We8U!650x918W Larger Than Life YouTube - @arobertowen Robert Owen This place was wonderful Soaked in a sea of sound Filled my ears with cotton wool Dug a house underground And now I’m here — So I could not remember your name But I knew everything about you Maybe we’re both the same But maybe I don’t have a clue — So I tried to not look back But it's caused me more turmoil I've tried on a different mask But I've started to recoil And now I'm here — We’re just trying to walk our own paths But it’s the guilt that brings us back again I know you’d probably laugh It’s hard wired into your brain — And now I am here again But this is not for me A fools escapade In the form of a song It was never going to work out!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!320W!320W%8UF8U8U_8U:8UԈ8U38U48U8UM8U08U8Ud8UPs8U8Ux8Ux8UH48U(8U38U88UN8U@8U@8Uq8U8U848Uȓ8U8UU8Uhj8U8Uh^8U`8UPN8U8U8n8Up#8U08UH8U׊8U8U8U38U8U8U8Uh/48U8U8Up 8U}8U}8U48U@8UX8U 8U8Uh8U 8U8U8U8U;8U8U҈8U8U8UX>8U(88U8UpyD8U*8U8Ue8U8Uxi8Uk' data-!0Zormer Yu!0W !5.00W!0000-00-00 00:00:00!0000-00-00 00:00:00!0W8U!7491485Wl8U!0000-00-00 00:00:00gasc!2024-01-11 16:23:41UQp8U1X8Usύ607215!607216Xores WHE!0000-00-00 00:00:00U10000-00-00 00:00:00XO8U0!Say When.@8U!39W`8U!0WA8U!4WX!1W@!2023-09-17 13:01:46ata-!2024-02-25 18:50:45hCc5U8U8UH&2U>8U885U9U"48Uh.9U-9UP9UH&2Uo8UHY8U6UÈ8U8UH&2U 8U@18U(t85U<8UXDe3Ug 9U 8UH4U8U8U6UX8U4Us7U8U^i2US8Uȃ8UHu19U M19UE8U85U8UG 9UX2Uh 9UH7U8U8Uc`7U 8U08U2U<8UX8U.9U.9Ue85UJ8U>T2U8U. 7Uȣl3Uб9U9U,9UZ9U~5UX8U59U29U`29U54U`8U4U8UA8U .9U-9UhF8U`2U(8U>T2U%8U7U9U048Uh_2U8U֥8UH5U88Ux85U8UX85U f8UH!85U8Uh2Up@8U&85UX9U(6U*8U#9U?5U#9Uy7U38UA6Un9Ux4U88Uȏ8U,9Uj,9UxJ8U,9U0g,9Ux4U(8Ux~5U9Up85U8UK_5U~5Uj8U)6UX8U69U,9Upi,9UXf85U^8UX8U7U8UR8U(-9U0-9UH5U8Ui8U8k4Uh8Uj6Ux!8Uh5o3U@|8Ux6o3U@8U_5U8U(8U.9U8.9U!9Um8UX8Uh8U8U3U 8U85Uw48U6UX8Uȫ~5U{8Ux6U8U)_2U`Ғ8Uf`7U8U8Uc85U8UP8Ux6U28U>T2U$8Ux6U0p9U@8U&_2U]8U8U19U 09U8Uhd2U8U8U8U8Ux/9Ud/9U)6UЁ8Ux4U]8U9UW4U$8U(g85U༔8UW4U6T8U85U48U((8Ua/9U-/9U&85U8Uh/_2U08UL8U5UA8U25U@9UH~5UHV9US8U8+9U8Ux8UX7UR8U`q8U-9U-9U85UP8U49U(.9UX-9U8UOm2U8U8Um8U9U(6U8U~6Uh8U0p8UOm2Uh8Uh9U-9U@-9Uh~5UPb8UXU8U09U 09U)_2Up"8U25U8U_85Uȉ8UP8Uc`7U8UX 85U9U`3Up8U8DT2Ub8U|"8U`85U08U!8UX~5UXU9U8U5U8UN8Uh139U39U~5Up8U~5UHk8UP8Us.9UhJ.9U6U8U=4U=8U諕8U5Ux8UH8U0*3Ue8U;6U•8U5UH8Ub5UX8U8):8U08ULn5U`Õ8Ux6U(8U48Ux6o3Uĕ8U48Ux~5U8UH~5U@•8Uh8Ud2UxÕ8U8Ud2U•8U~5U8U~5Uhĕ8U@8U88U88U`3U@8U8UH~5UPĕ8U`3UG8U6UÕ8U048U4U8U`3U(•8U~5UÕ8U~5U0Õ8Uȭ8Uhd2Up•8U~5Uĕ8UB5Uĕ8UxB5UÕ8U(d2U8Uc2U8UP8UR6U08UHa\3U@8UЮ8U`3U 8U`3U`8UX6U8UU6UВ8UHB5U8UB5UÕ8U~5UHÕ8UF3Uĕ8U88U~5Uĕ8U~5Uĕ8Ux~5Uŕ8Uȫ~5U(ŕ8Uq5U@ŕ8U48U~5UXŕ8U~5Upŕ8U)6Uŕ8U~5Uŕ8Ue2024-0A8U@g;8UC8U8+8U7UF8U0o8U8U88Uj8U[8UB8Uƭ8Up.8U8a8UB8U888U08U@8Uȡ8UH8UP8U@?8UH֔8UЌ8U{8U8Uy8U8Uh8U8UE8UN8UЖ8Upd8U08U18U8UP8U8Ut8U q8U8U8U@8Us8UH8U8UqS8U8U8US8UPp8U08Ux"8Uv8U(8UL8U`8Uٔ8U8Um8U@8U88UHU8UH8U\8U?8U8Ut8U8U`+8Un8U8UX-8U?8U`:8U!0.00hX!1.00W!0.00W!0W 8U!WW@:8U!0.00W !0000-00-00 00:00:00U!0W]8U!0WS8U!0W !8U88U(8U8U8Up8U8U8U8U8U 8U8U8U8U8U8U`8U8U8U8Ux8U(8U8UH8UX8U8UH8U8Uh8U8Up8U8U@8U8Ux8U8U8U8U8U`8U~8U88U8U8UP8U8U8Ux8U8U88U8U8U8U8U8Uh8U8U8U(8U8U@8UX8U08U8U8U8U8U8U@8U8U8U q8U 8UP8UD28Uu8US8UUd8U R8UD`8UU8UD 8U08UD`8Ui8U @8U@\9U`$8UD n8U0d8UD_8U(8Uo8UU8U`8UD 8U 8UD8U8UD58U38UD8U@* 8UDP;8U8UDu8U`Y9UD@9U 8UDЦ8U8UD8U@i48UDPi8UH8Uf8U  e8UЋ8UD8UP(8UDi8U&8UDc8U 98U 08UDPm8U8U  {8Uu8UD{8U)8UDpi8U( 9UUY8U8UDh8U`8Up8UD08U8UDpc8U8UD`8UȽ8U8U8U8UD8U(8U@8UDP8U[9UP&2U8UDc8U0 8UD;8U8U 8Uܑ8UD8U8UDb8U%8UD c8U8UD8U 8U0ƥ8U08UDp8U8UD8U?8UDt8U *8U 08Uؿ8U`8U@g8U  e8U:8UD98U 8U8U88U)8U pd8Uh8U8UPG8U(8U `h8Uq8UD48U458U2j8UDh8U8Uh8U 9UD9U(8UE@8U )8U  _8U0G8UDP8U0t8UD 8Up8UD`8UJ9U8UDg8U@+8UD8U"8UDc8U$8UDpc8U`(8UD8U8U p9U8UD8U8UD 8U8UD08U458U2@\8UD8U8UD8U•8U8UDЈ48UЬ8UDpb8U8UDb8U8UDb8U8UDP8U8UD08U8UDa8U8UDp48U`8UD8UÕ8U>`9Up_8UD8U(ĕ8Uȶ8U@8UDPb8U)8UD8U8UD48UЏ8UD48U 8UDa8U8UD``8U 8UD`8U08UD`8U@8UDd8UP8UDd8U`8UDd8Up8UDP_8U8UDp_8U8UD_8U8UD8U8UD8U8UDе8UА8UD8U8UD8U8UD8U8UD8U8UD08U 8UDP8U08UDp8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD08U8UDP8U8UDp8U8UD d8UБ8UD@d8U8UD48U8UD048U8UD48U8UD48U 8UD048U08UDP48U@8UDp48UP8UD48U`8UD48Up8UDЉ48U8UD48U8UD48U8UD048U8UDP48U8UDp48UВ8UD48U8UD48U8UDЊ48U8UDP48U8UDp48U 8UD48U08UD48U@8UDО48UP8UD48Ui8UD48Ui8UD048U i8UDP48U0i8UDp48U14972021)3UHʕ8U6020501594570WuantityScoreart0!590897W!41W !WWL8U177017W(8U0!Another Rag in Ab8U!41W8U!275W !W8U !HASHUW!Ww8U !allW !HASHUntsAllSome!HASHUW!ScoresRequireApproval!HASHU1 YI4U̕8Ua15615110`88Uvated8U0!Xp{8Uame [DES!WW1WW[DESC], Title [D0!WW 110@8U~011̕8USentees7U0!ScoreIDD8U !141381W !275@58U8U!3WHO8U!2Wh8U!2022-12-22 09:16:43U!2023-12-07 12:32:56U!38XxG8U!WWP8U!1.00W8U10W0!pdfWH8U!225145W&8U!0WX1Clychau Aberdyfi - 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    C8UDP8UЄ8UDB8U~8UD8Uj8U @8Uxh8UU8U8U03U8UV8UD`8U08U @9U`8UDH8UY8U09UDM8U*9UD8U@8UDPQ8U&8U  008U8U08Up?9UD|8U 8UD8U8UDU8U8UP;6Us8UDД8U8U8U8Uϒ8UpX8UDp8U8Up8UD R8U8UB8UD 8UP9U`8U(f M8U P?8U8U:9Uk8UD8Uu;8UDa8Uб8U =8U8U pE8UD8U` 8UDPI8U8U 98U8UD9U8UU{8Uȡ8UD8U(-9U@H,9U/8UD@$8UA8UD >8U08U8UD 8U8UD8UП8UR8UD8Up8UZ9U8UD8U8UXP%8UD;8U`79UD@78U%8U\8UD8U0(8UDZ8UP8UD8UP8U28UDC8Ux8U8U8U8UD@8U8UD9U8U _5U8U$ 8U5U88Uȶ8U@Ϫ7U  9U8U8UDpj8U 8UDK8U8UD0j8U08UDb8U0r8UDє8U8UD8U8U8U358U2j8UD8UX8Up8U8UKx8U@8Up8UD-8U8UDx8U`8UDܖ8U8UD8Us8UD8U 9UD0p8U8UD Ɣ8U8UD!8U8U08UDx8U@T8UD]8U8UDpd8UPRW8UD`8U8U8U!JerryX!1W08U10W(8U0!(&8Uf8U!018U !0`8Us [DESC]!Robert Owenʕ8U!WW !id}8U !WM8U !caXers WHER!(306) 209-4626@1(306) 546-56840!2017-06-09 17:10:17!0;8Uers WHER13W0!0P8U !1W 10WScorePart_idc0!W28U !!0P8U !2024-02-15 08:05:58!My scores8U Q8U049UP01044S8UEF-910F-911ECFE501arDrvarkyness2611817U0Q8U8U!2020-07-17 05:20:18!MarkW1mcpreece@gmail.com0!ManualPriceU !08U !491912 8U Х8U8U8U`"9U/Љ8U$( r/8U#09U 0b8U@8U0 49U- 9UP}8U0I8UA8UG8U 39U8UO8UU9U0B8U@8UpT9U PA8U,0$( 8U59U8UL8U 9U9U9U/0entation8U08U,8UӔ8U8U08U۔8U8U 8Uph8UP8U{38U(8U8U@8U~8U8Ut8Us8U`8U(y8Uy8U8Uh8UX8U~5U詥8UXt8U8U֔8U8U 8U08UD8U8U8U܈8U88U #8U`8U8UPv8UM8U8U@V8U8UP8Up8U8UX8U8UL8U!8Ut=8U0f8UP8U`8U8U ה8UE.8U8Uc8U8U(8U@)v8UHͤ8Uf8U8Up8U8Ux)8Ux8Uh8Ux8U?8U88U8U!0000-00-00 00:00:00!0X8U!0W8U!0W 1Divertimento no 2 1st mvt!43W !0@l8U 11W~0!0T8U!1W8U!0W08U!WW140250!1W !1W!3.33W!WW8U!WW28U!WW41982!0000-00-00 00:00:0015278U30!18U !0W !-securehXww1.adapAh78Uh|1? 99.199.97.245@!1equest!07U+8U!3513W 1А19U$9U4U4U!W0d9U Q WHERE UserID=? AND DELETED=0 ORDER BY Scores.ID ASCQWA@8U8U 8U8U5U4U@1-pathW`8U0!1.50XP8U!2020-07-25 10:50:44U!1Wا8U!0W8U!0W8U!WW8U!0W(8U10W88U01This music was originally composed as early as 1996 but only completed in 2020 for Orchestra. It combines two early themes of mine as a descriptive march-like piece about an approaching storm at sea. The ominous atmosphere builds from the first few bars on the lower strings with a couple of climaxes throughout the piece - it then dies away with the sun breaking through in the final bar with the music in a major key. There is also a version for Concert Band. The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration = 5:30 mins 8U!7.50W4U!0W4U!0W4U!0W4U!WW4U!0W Q209-La cúpula dels somnis (04-Gala)-cobla version8U:8UP!4285Xs8U!9.00WvS8U!snedigarWP}8U!0Wܖ8Ua[{"Desc":"","Url":"http://www.giovanniquartet.com","Text":"Giovanni String Quartet"}]!08U !0W !Mr.@8U!WW15217 College Heights Dr NW0!0 Z8U !650x919HZ !0W8U!0W!5.00W8U!2023-02-21 02:34:49U!2023-02-21 02:34:50!64985W!56765W8U!0000-00-00 00:00:00U!0000-00-00 00:00:00Q;8U1@8US592056!590218WQClychau Aberdyfi The Bells of Aberdovey Piano Arrangement8UQClychau Aberdyfi (The Bells of Aberdovey) - Piano Arrangement 8U!41W !hy68UH8U!0YM8U!0.00W!3.50W`8U!2.50W!0WX48U!WW`A8U!0.00Wo8U!WWB8U!0000-00-00 00:00:00U!1W8U!2023-09-17 13:08:18U1E3535D24-5552-11EE-AD97-2A93221BE81E!28790WHo8U!0W衬8U!0WЅ8U!0W A Fragile Balance YouTube - @arobertowen Robert Owen Back on the road again Empty seats fill up the car Check the mirror every now and then But it’s all a blur Breakdown, in the right lane Swerved around, left them to their own devices If it were swapped I bet they would do the same But now I cannot stop hearing voices Pull over, pull over — I want to stop, but I need to carry on Full speed, I’ve cut the breaks Forever chasing a setting sun I can’t mess up, not even one mistake — I can’t see ahead, the lights have broke But i’ll keep on this road, ignore the smell of the smoke I don’t want to let them down, but I do not want this Oh, this is itk re!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!320W!320Wwoff2" a!1h[2" cross!650x918We out me!0Wsed swic!0Wad --> !5.00Wle name=!0000-00-00 00:00:00Exch!0000-00-00 00:00:00titl!0Wble --> !6067354Wble name!0000-00-00 00:00:00ots"!2024-01-11 16:16:13nameQ؛8U1pd6UI8Uk^607210!X8XU8U!1.00Wp48U!1W8U10W0!sibW&8U!225145W(8U!0W|6U!An Empty House.sib8U!2024-01-11 16:13:35U!0W(8U!38WH8U!0W8U!Robert Owene8U1Robert OwenXp8Upp8U0!HASH@I5U !XHXarts WHE!0000-00-00 00:00:00 Nam!0000-00-00 00:00:00!0000-00-00 00:00:00U!0000-00-00 00:00:00#5U8UB5Uo8UhT8U5Ux8U*8U7U8Un8UH4U(%8Uh/_2U8U85UP8U 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!Platinum:platinum!/myscores !ID8UW !pdf 8U!225145W !028U !WW !8Uarset="utf-8"> !The UnderdogU aComposer/pianist YouTube - https://www.youtube.com/@arobertowen/featuredU`1HASH08Utional State of0!^Ё8U!0W!0W!0W!0W!0W!522x696W!3W!1W!0.00W!0000-00-00 00:00:00!0000-00-00 00:00:00!0W!0W!0000-00-00 00:00:00!0000-00-00 00:00:00 RX8@ 8U58  PA8UМ39U059U 69U<8U P9U (|8UQ8U8U8U8U8U8U8U8U8UX8UP8U؆8UH8U8U8U88U8Ux8Uh8U`8UЂ8UH8UȊ8U8U8U8U8U@8U8U8Uh8U@8U8U8UX8UX8Uȇ8U8U8Uh8U8UЈ8Up8UP8U8U8U8U8U8U8U8U8U 8U@8U8Ux8U`8Up8U8UȄ8U8U8U8U08U8U8U8Up8U؉8U(8U08U8U8U8UH8U8U 8UP8U8Uྖ8U["271527","271528","271534","271551","271552","271554","273727","273728","273730","273732","273733","273734","273742","273743","278024","412714","412718","412719","412723"]U8U!2020-09-04 00:22:30!0W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!0W!522x696W!5W!1W!0.00W!0000-00-00 00:00:00!0000-00-00 00:00:00!0W!0W!0000-00-00 00:00:00!0000-00-00 00:00:00Q8U`8U0N8UnL7U8UnL7UP8U8Ux.W8U68UnL7Ux8U4Uij7U8U8UC8U 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While in high school he was invited to join a local professional dance band called the Aristocrats. He joined the United States Air Force in 1968 as a bandsman and served over twenty years before retiring in 1989. His last assignment before retirement was as pianist and arranger for the USAF Academy Band in Colorado Springs, Colorado. He finished his undergraduate degree in music after retirement and obtained a Master of Music degree in composition from the University of Colorado in 1995. 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m2U8UϘ8UX~`2U8Up͘8U`2U8UHb85U8UPϘ8U&_2U8UhAT2U8U8DT2U(8U>T2U@8U8Ҙ8U7UX8U4Up8U@͘8UH5U8UИ8U(t85U8Up85U8UҘ8Uj6U8U885U8UI85U8UИ8U85U8Uxa85U`8U85UX8U6U8Uxј8UH4U 8UX2Up8Uh4U8UHј8U6U 8U6U88UӘ8Uh_2U_8U85U`8U885U8U85U`8U0Θ8U^i2U `8UΌ2U8`8Un4UP`8U2Uh`8U ֘8U!0^՘8U!0W!16W!2013-04-13 05:28:31!0W!0WConcerto for Four Trumpets G. P. Telemann none Graham Dixon A concerto for four unaccompanied violins has been arranged here for four trumpets. The first part requires an E-flat or piccolo trumpet in the final movement. The first and third movements are to be very sustained and legato, while the second (a quick fugue) and the last (a fanfare-style finale) are more energetic. 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Notably, this was the first notated use of trumpets in the theatre - previously, they had been confined to military roles, signalling and noise-making in general, but here they prelude a sophisticated evening of Baroque opera. Two trombones are used here, rather than the two low trumpets, and I've added a pair of kettledrums just for fun.ores!3.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW["95548","34306","66817","46577","24379","23921","106045","96875","6327","78918","87837","23506","45745","29200","35378","106046","126789","32624","95306"]8U!2020-09-04 15:39:32!0WX8U!0000-00-00 00:00:00U!WW@8U!0W8U!210W!297W!0W8U!1W8U!650x919W8U!0W q{ "GroupOrd" : "180", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16090" } eR!0.0000W!2011-05-07 15:13:11!Toccata from LOrfeo!0W!0W!3W!2013-04-08 20:44:45!0W!0WToccata from L'Orfeo Claudio Monteverdi none Graham Dixon Montverdi's "Orfeo" (1607) broke musical ground in many areas. Notably, this was the first notated use of trumpets in the theatre - previously, they had been confined to military roles, signalling and noise-making in general, but here they prelude a sophisticated evening of Baroque opera. Two trombones are used here, rather than the two low trumpets, and I've added a pair of kettledrums just for fun.Scores!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8U(8U8U`8U(8U08U`8U88U8U8Ux8U8U8U8U8UX8U8U!8U8Up8U8Uh8U8U8U 8U8U8U88UP8U8U8U8U8U8U8Uh8U8U8U8U(8Up8U8U8U`8U 8U08U8U88UP8U8UP8U8U8U8U8U8U8U08Uh8U8U@8UH8U8U 8U8UH8U8Ux8U8U8U8U@8U8U8UX8U8U8U8UurchaseQ!716896hYurchaseQ!0WScoreExc!0WMinimumP!0.00Ws?!12.00WetOfPart!9.00W_8U!0W!WW?!0.00Wx`8U!1HX@`8U!3.00W !2023-02-17 02:12:41?!2023-02-17 02:12:48U!573619W !2011-05-07 02:10:27U1Concerto for Four Trumpets8U01Concerto for Four Trumpets:8U!44W!19W!4W!2W!2011-06-10 11:56:57!2017-11-22 16:49:42!G. P. Telemannp>8U!Graham Dixon>8U!0W=8U10W0!sibW!309W!0W!WW!0000-00-00 00:00:00!10WK8U!2653W`8U!5W@҃8U!1.50X@8U!2011-05-07 02:10:16U!0W?8U!0WH?8U!41456W8@8U!WW>8U!1W=8U10W?8U0!6Zk8UA concerto for four unaccompanied violins has been arranged here for four trumpets. The first part requires an E-flat or piccolo trumpet in the final movement. The first and third movements are to be very sustained and legato, while the second (a quick fugue) and the last (a fanfare-style finale) are more energetic. The original concerto was in G-major, so C-trumpets could be used instead of B-flat, to reproduce the original key.4U!8.00W4U!0W4U!1W4U10W4U0This "Battle Canzona" for three brass quintets consists of a number of short sections in different meters, each intended to convey part of the story of a Renaissance-era battle. The three quintets are to be spacially arranged - quintet 1 on the left, quintet 2 in the centre and quintet 3 on the right. The timpani, which plays only in the battle sections, is placed in the centre. I evoke the music of the Gabrieli family and also other composers who wrote "battle" music - Biber and Scheidt. This canzona is perhaps most closely related to the "Aria Della Battaglia" by Giovanni Gabrieli's uncle, Andrea Gabrieli. enseProfit 6!12.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YY58U!893551W!0W88U!0W!0.00W68U!36.00W88U!24.00W38U!0W78U!WW068U!0.00W48U["55027","60755","49716","30694","60774","67329","99185","144018","60773","130391","85276","27632","27033","39451","4070","144578","528762","36144","29134","74289"]U!2020-09-13 05:17:02Canzona "La Battalia" for Three Brass Quintets Graham Dixon none This "Battle Canzona" for three brass quintets consists of a number of short sections in different meters, each intended to convey part of the story of a Renaissance-era battle. The three quintets are to be spacially arranged - quintet 1 on the left, quintet 2 in the centre and quintet 3 on the right. The timpani, which plays only in the battle sections, is placed in the centre. I evoke the music of the Gabrieli family and also other composers who wrote "battle" music - Biber and Scheidt. This canzona is perhaps most closely related to the "Aria Della Battaglia" by Giovanni Gabrieli's uncle, Andrea Gabrieli. Scores!0Wished!0Wdef2.29!0WScores!0WtSize!0000-00-00 00:00:00es!WWZipForma!0Whange0:!0WrsionDat!0We287873!0ZScores!0000-00-00 00:00:00empt!WWtAttempt!0Whange3 !210WurchaseQ!297WurchaseQ!0WScoreExc!1WMinimumP!650x919Ws71202!0WetOfPart!1W08U!3.00W/8U!2023-05-07 15:06:47U!2023-05-07 15:07:322.27!4032746W.000000!3524539Wp8U!0000-00-00 00:00:00U!0000-00-00 00:00:00!08U !72794W8U!2017-06-09 17:10:17U10000-00-00 00:00:008U01Danny Boy (trombone and piano)8U!60WhA8U!624WL8U!4W҃8U!2W܃8U!2011-06-10 13:08:52U!2017-11-22 16:49:44U!trad.8X8U!Graham Dixon8U!0W8U10W0!sibW4-04-23 !309W71389887!0W28U!WW%38U!0000-00-00 00:00:00Scor!11W0621202!4173W1776041!6W48U!3X38UqThe traditional Irish melody 'Danny Boy' arranged for trombone with piano accompaniment.75961171389887!4.00WkT8U!0Wp11WHmT8UlT8U0!0(=8U !0 9U 1Wi2Ug/0/50820.jpg0!HASHW!XHXS8U!0.00W8V8U!0X!0000-00-00 00:00:00U!WW !2006-02-28 00:00:00ityS!0W !3PpU8U12W0!HASHWdiv> T2UxP8U8U7UP8U4UP8U8UH5UP8U(8U(t85UP8Up85UP8U 8Uj6UP8U885U P8UI85U8P8Up8U85UPP8Uxa85UhP8U85UP8U6UP8U8UH4UP8UX2UP8Uh4UP8U8U6UP8U6UP8U88Uh_2U(P8U85U@P8U885UXP8U85UpP8U8U^i2UP8UΌ2UH\8Un4U`\8U2Ux\8UP:8U2U\8Up;8U5Ue8U4U(g8U8Uxo8Uh8U5U8P8U@8Ux6o3Ug8U6Ue8U(b2U@g8U+_2UXg8U,_2Upg8Uh/_2Ug8U6Ug8UX;8UX:5Ug8Ux4Ug8Uh5o3Ug8Uh2Uh8U/_2Uh8U 4U0h8U=8U16UHh8UA8U46U`h8U=4Uxh8U45Uh8UH1_2Uh8U85Uh8U85Uh8UXDe3Uh8U87Ui8U؝2U i8UX85U8i8U85UPi8U)6Uhi8U885Ui8U85Ui8U85Ui8Up,5Ui8Ux85Ui8U>8UH85Ui8U85Uj8U=8U4U(j8U2U@j8U0?8UX2UXj8U85Upj8UX 85Uj8UH!85Uj8U"85Uj8U3Uj8UH%85Uj8U;8U&85Uk8U(6Uk8U&85U0k8UhG85UHk8U8<25U`k8UH<8U 6Uxk8UZ85Uk8UP6Uk8U5Uk8UA6Uk8U)_2Uk8U54Ul8U_85UHl8U_85U`l8U@8U`85Uxl8U<8Uc`7Ul8Uf`7Ul8U25Ul8U25Ul8U25Ul8U8=8U c2Um8U"c2U m8U(g85U8m8Ug85UPm8UW4Uhm8UXf85Um8Ue85Um8U;8Uc85Um8U`?8UOm2Um8U;8U m2Um8U>8UX~`2Um8U<8U`2Un8UHb85U(n8U>8U&_2U@n8UhAT2UXn8U8DT2Upn8U>T2Un8UpA8U7Un8U4Un8Ux<8UH5Un8U?8U(t85Un8Up85Uo8UA8Uj6Uo8U885U0o8UI85UHo8U@8U85U`o8Uxa85U(ր8U85Ux8U6UP8U@8UH4UP-8UX2U8Uh4UPP8U@8U6UP8U6UP8UB8Uh_2U\8U85U P8U885UP8U85U\8Uh=8U^i2U\8UΌ2U\8Un4U]8U2U ]8UD8U2U8]8UE8U5Uhp8U4Uq8UȼM8Uy8U?8U5U f8UЌ8Ux6o3Uq8U6UPp8U(b2Uq8U+_2Ur8U,_2Ur8Uh/_2U0r8U6UHr8UE8UX:5U`r8Ux4Uxr8Uh5o3Ur8Uh2Ur8U/_2Ur8U 4Ur8UH8U16Ur8U8U46Us8U=4U s8U45U8s8UH1_2UPs8U85Uhs8U85Us8UXDe3Us8U87Us8U؝2Us8UX85Us8U85Us8U)6Ut8U885U(t8U85U@t8U85UXt8Up,5Upt8UH8U!1]`H8U!650x919W!0W!1W!3.00W!2023-05-08 13:51:39!2023-05-08 13:51:47!1032171W!964833W!0000-00-00 00:00:00U!0000-00-00 00:00:00 dh 28%(  sxeh%(   X`dhW8U1W8U572794!0`cV8U Q:8U!XKT8U !2007W@10Wg0!HASHW 1instrument.keyboard.pianoa{8U!0@^8U !0`[s8U !HASHr8U !2013-04-25 23:54:48!1.508U !0000-00-00 00:00:00!2020-04-16 08:03:48!2020-02-09 10:55:16!2020-02-09 10:02:12U!100WJU8U!2018-02-21 15:51:18!0W 1[8Uo̽\x!3;#8U !HASH8Up!HASHW !W8U Hark! The Herald Angels Sing for Saxophone Quartet is essentially a very entertaining Theme and Variations in a Latin style on a Christmas time favorite! For hundreds of other arrangements by Kenneth Abeling not offered at Score Exchange please visit:0!3.00W !^_!0p98U!WW10000-00-00 00:00:000!0 v8U B8Up]8UPA8UD68U]8U8UD@B8U@x/8UDP8U`/8UD8U^8U@F8UDW8U{;8UDPc8U8UD8U`^8UP8Ux^8UX98U8UD@28Up8U  pt8UP_8U  8Uƥ8U28UD8UC8UU`8U8UD8Up8U~5Us8UDI8U_8U=8U.,8UD8U=8UDp8U8UD0M8U0{8UD28U`908UD`O8U(`8U(fž8UD8UP3U7UD`q8U8UD08UN8UD8U08U 8U@8UD8Up_8U"8UD8Up-,8UD28Uy8UDPJ 8U@ɥ8UD0O8UЇ8UD`8U Ҍ8UD8Up8UD 8U8U @D8Ua8UDC8UD8Ux8UD 06UD8U p8UD8UD8UDB8UŊ8UD V8UK8UP8U8U=Z6U 8U 8Uܮ8UU8UpC8UU8U`YT8UD8Up8U=8UDC8U=08UDprt8Up!8UD :8UP^8UDj8U8UDIN8UpR8U  G;8U7UQ8Uj8UDp8U n88UD08U8UD08U 8Uޱ8U @8U\D8UD y8U(8UDш8U@8UD8UB78UUe8UP&2UP?8UD =8UD8UD`8UV8UD`M8U`N8UD V8UF18UD@ 8Ue8UH3UR8U P_8U8UpE78UU88Ue8U8UD nC8U`*8UD8U0W8UDE8U<18UDD8UB8UDP9U18U,8UDR7Up58UDp<8U8UDPg8UP8U8UD8UXa8U D %8UNJ8UD0N8U r8UD28U@i8UD08UЮ8UU 8U08U ~8UDpZ7UP8UV8U938UD`L8UC8UUpP8U/8UD8U8UDP8U 08U@r88UDP 8UP8UD @!6U8U0E18UD 48UyN8UD 58U8UD8UC8UD?8UDG5UƊ8UD0aB8UuT8UD^8U8UDpC8UP5UЋ8Up 9U08UD08U@ 8U9=8UDP 8U8U @@!8Uj8UP8UP8UD!8U`T8UD8UT8UD 6U8Up8U PA8U8UD8U@Ү8UU@8Up„8U`8U 59U8U0ӌ8UDЭ8UPJ8UD 08Uj8UDx8Uhk8Up8UD`?8U B8UD08U3UD0X8U 8UD8U9UD 0<4U18UDP8U18UD0;8US8U7UDO8U06=8UDpt8UPW8UDx?8U7UD#8UeW8UD.8U 8UDv8U`G8U R8UDO8Ug8UD8Up8U`PW8UD 8UP8USimilarS!0X!0W8U!0000-00-00 00:00:00U!1Wx8U!1Wء8U!0W08U!WW8U12W8U8U0!2019-06-06 16:24:55U!0W@8U!0000-00-00 00:00:00U!0Wx8U!0W`8U!0W8U!102W8U!1W88U!7.90W8U!2024-05-22 16:34:43U!0WР8U!0W!AccountWء8U!0000-00-00 00:00:00U!0000-00-00 00:00:0012024-01-22 16:34:43P8U0!1hXx8U!Uncategorised music!28786W!1W!0W!WW !AranitaW !2014-05-05 15:57:061/usr/www/resources/ADAP3/SQL.pm108UuantitySetOfPart0!Mockingbird !1233400W8U !154137G8Urrencies!0W,8U10WXŌ8U0!HASHތ8U !15@8Urrencies!551W!3W !1239953T8UU8U!0000-00-00 00:00:00!0000-00-00 00:00:00Qs8U ` 93.70.164.86 8UPJazz Christmas Carol - Hark The Herald Angels Sing (Saxophone Quartet SATB or AATB) Traditional Lincoln Music Publications Hark! The Herald Angels Sing for Saxophone Quartet is essentially a very entertaining Theme and Variations in a Latin style on a Christmas time favorite! 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Bats like cool and damp; hell is hot and dry. We present here a tone poem telling the story of a bat finding itself in hell and trying to get out. Opening with an ominous, spooky depiction of hell, we are then introduced to our hapless hero's theme-heard first, timidly, in the English Horn, and later by other instruments as his fear subsides a bit-only to have the reality of hell hit him again. He has a 'dance with the devil' after which he sees a possibility of escape, but as he tries to make his way out, he has some confusion. At last, he 'sees the light'-the way out! With an expansive, exuberant and heroic theme, he makes his way out-but only by the "skin of his teeth" before the gates of hell slam shut behind him. A challenging work for full orchestra with expanded percussion. Approximately 6:40 performance time.8U̙8U!5.00W!1W!0W!0W!WW!WW!0W!A Bat Out of HellACopyright 2018 Gary Laughrey/Praisewinds MusicdefScor!WW Eine Fledermaus aus der Holle A Bat Out of Hell Gary Laughrey We have often heard the expression "like a bat out of hell." Bats like cool and damp; hell is hot and dry. We present here a tone poem telling the story of a bat finding itself in hell and trying to get out. Opening with an ominous, spooky depiction of hell, we are then introduced to our hapless hero's theme-heard first, timidly, in the English Horn, and later by other instruments as his fear subsides a bit-only to have the reality of hell hit him again. He has a 'dance with the devil' after which he sees a possibility of escape, but as he tries to make his way out, he has some confusion. At last, he 'sees the light'-the way out! With an expansive, exuberant and heroic theme, he makes his way out-but only by the "skin of his teeth" before the gates of hell slam shut behind him. A challenging work for full orchestra with expanded percussion. Approximately 6:40 performance time.TotalPrints!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WP 8Uٙ8Uؙ8U8U 8U 8U( 8Uؙ8U 8Uhؙ8U@ 8U 8U8U(ٙ8UPؙ8U 8Uי8U8U08U8U`י8Uؙ8U ؙ8Uי8Uؙ8UH 8UXٙ8U 8U 8Uؙ8U 8U0י8U 8U 8Upٙ8U0 8Uؙ8U8U8U 8U֙8U 8U 8Uי8U8Uי8Uh 8U 8U 8Up 8Uؙ8U8ؙ8U8Uٙ8UH8U 8U8U8U0 8Ux 8U8U 8U8UH8Uh8Uי8Uٙ8Uי8U@ٙ8UHי8Ux 8U 8Uי8U8U֙8U8U8U` 8UPublisheHb85U8U` 8U&_2U8UhAT2U8U8DT2UЮ8U>T2U计8UH 8U7U8U4U8U8UH5U08U 8U(t85UH8Up85U`8U 8Uj6Ux8U885U8UI85U8U 8U85U8Uxa85Uد8U85U8U6U8U 8UH4U 8UX2U88Uh4UP8UX 8U6Uh8U6U8Uxי8Uh_2U8U85U8U885UȰ8U85Uడ8U8U^i2U8UΌ2U8Un4U(8U2U@8Uٙ8U2UX8U 8U5U 7U8U ҡ8U6Up8Uٙ8U5U8U8E.8Uv5U8Uܥ4Uhj?8Uh88U68U8UX~`2U8Uh5o3U0/8U25U8Ux6o3UH8U)_2UXF8Uh9Un.9UH.9Uݟ6U4U69U.9U19U2U[,8U(L6U88U8Uv5UT8UHB5U8UH3U8UXf85U38UH~5U8UZ85UU8U~6UC8U85U18U46U}8U885U`8U8U&85U8U~5Uh8U(9Uȼ8UP8UX85U8U)6UHU9U885UM8Ug85U 8Uk`7U 78UXf85UȔ"8U85U B8UhCc5U8U,_2Ux B8Uh8UX9UH9Uhc8UV8Uؘ9U{8U(z8UH9Uh~5U`8U)6Uh8UH~5UH8U^5Up8U9U09U/9UX98U85Uc8U3U\8UX85U ή8U8UH85UP8U4U68Uw8U5UH8U0sU8U=4Up8UA6Up8U2U8U/_2U8ň8UC8Ux-9U(-9U85U8U8Ud2UH8U`3UH9U~6UXC8U9r4U@ 8U`3UA8U_5U8UO_5UX?4UF=8U7Ut9U>T2UX8U8U^i2U8UX2UP8UX2UR,8U8U4U:8UX2U8U8U۵8UH219U19UH!85UМ8UŒ8UH4UX8ULn5U8U(.3U8U,8U~"8U_88UH&2Uu8U(g85U 8Uh5o3U8U8;8Uhd2U88U(g85U8U؝2U8U5U8U25Ui8U5U8U8U16U8U85Uh8Ub9UȰ,9UА8U<3UJ8U2U(@F8UHb85UX8Uxa85U78U8#7U88U:8U7U8U`3U8UP6U8U`P8U&85U(N9U54U8Ux~5U/8U8Ul8U(b2UPw8UXf85U 8Uh2U@8UК8U8-9Uh-9U`8Uh_2U8U7U[8U85U 9UC8U85UŮ8U8Uh~5U?8U_5U88U5U}8UX̟6U08U؝2U@38UH8UH&2U\8UX6Ux8U@8U 09U`/9U8#7U8U)6U 68U2U(:8UA8Uȶ4UhAT2U"8U8U22U؄8Ux8Ux~5UhN8U(b2U.8U2U8U8<25UM8U6U8U 8Ud2U9Uf`7U@8Uh4US8U)_2Uh8U7U8U8Uh~5U8U98U&85U 8U3UZ9Uv8U8U!0.00Y"8U!WW>8U!0000-00-00 00:00:00ores!0W @!0000-00-00 00:00:00eExc!WW8U!0W8U!0WScores!0W? !0Wbindex="!1Wa8U!650x1003W8U!0WScores!0W615.00WЯ8UH8U0ǣ8U8U 9UD 9U8U 7UDP+8U@5}8UD0C8UF78UUP8Uy;8UDqt8U`$,8UD}8Uߐ8UD=8U8U 8U@vT8UDP8UN8U8UD,8UN8UDp8UP7U`C8UU`8U`8UD 0~9UO=8UwT8UD8U08UD8U`8UD 08U@V8UD q8Uu/8UDp8U@t8UDp8Ua8UD8U8U 8UT8U8UDP r8UR8U @@8U28UD_8Up18UD L8U2UD t8U8U`U88U 4<8UDw8U8U @8U8U2R8U ,8UR8U @P8U09Ur/8UDu8U8Up>8U@{8U(R8U U8U]8Up>Z6U8U @5U018UDH7UTJ5U 08U8U D8UѮ8UU028U@4<8UD 8U8U8UDa8U8UD`8U8Uң8Uྣ8UDT8Up8UD`<8U8UD]7U8UDKs8U8UD8U`8UD@<8U`8UD@8Up8UD 8U`K8UD8U8UD]7U8UD8Uн8UDp8UP8UD[8U@8UD8U@8UD@ޤ8U8UD8U8UD@8UP8UD࣮8U08UDpST8U8UD@j7U8UD8UA08UDO8U8UDq8U8UDP8U@ˊ8UDPߌ8Ur8UDM8UQ8UD8Uо8UDT8UP8UD 8U 8UD 8U8UD8U8UD 8UPEC8UD8U8UD8U@8UD8U"8UDП8U8UD@8UP@Z6U8UDम8U8UD8U`8UD8U8UD@8U 8UD`8U08U@8UD8UP8UD8U`8UD8Up8UD८8U8UD8U8UD 8U8UD@8U8UD`8U8UD8U8UDP8U8UDp8U 8UD8U08UD8U@8UDн8UP8UD8U`8UD8Up8UD08U8UDP8U8U8UDp8U8UD8U8UD8U8UDо8U8UD8U8UD8U8UD08U8UDP8U 8UDp8U08UD8U@8UD8UP8UD8U`8Up8UPK8UD8UK8UD08UK8UDP8UK8UDp8UK8UD8U8UD8UP8UyT8UQ8UD8UR8UD8U R8UD08U0R8UDP8U`8UDp8U0Ϝ8UyT8Uܣ8UD`8Uܣ8UD8Uܣ8UD8Uݣ8UD8U@Ϝ8UD 8U՜8UpyT8U8UxF78UU28U1U8U`8UDp8U8U828U`8UDG8U8UD[8UW8U D[8Up{V8UDP\8U8UD`G8U8UDM8U8UDG8U8U   08U)x BH *0"(*8  IP !0.00M8U!0000-00-00 00:00:00!0000-00-00 00:00:00!0WW!0W0!0000-00-00 00:00:00!HASHW!HASHW!HASHWes/laugh!HASHW!HASHW`!038U!0W`8U10W925960!WD8U !0W8U1WW0Leave Her, Johnny [sea shanty] (voice + piano) pump shanty (sung during the last round of pumping the ship dry before going on shore) Traditional Traditional Joris van der Herten The "her" being left is not a woman, but the ship. This shanty was traditionally sung when the ship was at port after it had docked. The shanty was also known as "Leave Her Bullies", "Time for Us to Leave Her". This song was used at the pumps, but it also served the purpose of the seamen airing their grievances (hence it being done at the end of a voyage). There were also several vulgar versions directed at the food and the owners which cannot be printed here. !0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8U-8U S8Ut8UuD8Ue;8U,8U8U18US8U8UF8U08U(8Uv8U8 88UXT8U 78U`08U-8Ux"8U58U68U0ŭ8UP!8UHU8U0Q"8U{8Uo8Un"8U8U 8U(98UGV8UHL8UPB8Ur"8U78U`38UxS8UD8U}8Un"8Ui8U`!8U{38Ud/8U/8U8Up8U38UP,48U8UO 8Ut8Ux8U0O8U8U7U8U("8US8U8U؆8Uh#?8U!8Uu8U0W8UT8U?8Uk8U\8UHU8U08U&8U 8U'v8U98U!0]8U!0W!1W!650x917W!0W!0W!5.00W!2023-02-13 14:23:54!2023-02-13 14:24:08!711944W!763985W!0000-00-00 00:00:00!0000-00-00 00:00:00Q8UALeave Her, Johnny [sea shanty] (voice + piano)-8U!08U12017-11-27 16:52:570q 03U萿4U!2024-01-26 14:33:42ea sQ 8Uq{ "GroupOrd" : "170", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "24915" } A/cover_art/popular/165w/20240126143342/166756.jpg!1`08U !0W AE79A5C2C-BC57-11EE-B80A-B39C539980F0 + piano)@!X8UXo"8U!1W!Los Alamos10000-00-00 00:00:00H8U0!FileVaultUUIDy [sea s!UpdatedW 1HASH`8U:000!28477048U !94873б9U Q+/8U 8UH9U!0D8U!0W15.00W0A6UH8U%I 185.191.171.8@1. Now, now that the sun hath veil'd his light, And bid the world goodnight, To the soft bed, To the soft, the soft bed, my body I dispose, But where, where shall my soul repose? Dear, dear God, even in Thy arms, even in Thy arms, and can there be any so sweet security! Can there be any so sweet, so sweet security! Then to thy rest o my soul! Then to thy rest o my soul! And singing praise the mercy, that prolongs thy days, and singing praise the mercy, that prolongs thy days. Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah.A 8U72.06376!HASH 78UJ=8UASilent Night/Testimony of Christ (one-copy price)!08U 8U78U8Up8U8UБV8Uh8U8Ux8UC8U :8U` 8U@ 8U8Ul;8U8UO8U 8Ui7U%18UqS8Uh8UX8U8U@a8Ux֢8U88U@ 8U98U f8Uc8U%?8UԢ8U8̈́8U38U 8UhԢ8UO8U!8Uz8U=8U8Q8UHC 8Ux8U8Uʭ8U 8Uh)48U@ ,8UI8U8UPM8U,8U0X68UX8Uh8UL8Upۢ8U8Ut8UB8U 8U08Ud08UX8U~8UU8Up8U8U8Up8Ux8U08Uhz?8U֤8Ux8U8U14Uȸ5U4U]5U4U@^5Up^5U^5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U!ItemIDketItem::itemId !82UWB8U19715425*"8Up7U0q[ { "Desc" : "mfiles website devoted to Classical, Traditional & Film music", "Url" : "http://www.mfiles.co.uk", "Text" : "mfiles" }, { "Desc" : "innovative games with Jim's Music", "Url" : "http://www.tag-games.com", "Text" : "Tag Games" }, { "Desc" : "games/animations using Jim's music", "Url" : "http://www.4t2.co.uk", "Text" : "4T2 Multimedia" }, { "Desc" : "publishers of Brass Band arrangements", "Url" : "http://www.mmi-music.co.uk", "Text" : "MMI Music" }, { "Desc" : "Semi-pro Orchestra who have performed Jim's music", "Url" : "http://www.cosmicmusic.org", "Text" : "Chamber Orchestra of Southern Maryland" }, { "Desc" : "Games & Music Credits", "Url" : "http://www.imdb.com/name/nm2676502/resume", "Text" : "IMDB Resume" }, { "Desc" : "Personal website with Social Media & Links", "Url" : "http://jimpaterson.co.uk/", "Text" : "Jim Paterson" }, { "Desc" : "Game developers featuring Jim's Music", "Url" : "http://www.mobiledeluxe.com/", "Text" : "Mobile Deluxe" }, { "Desc" : "Music Services company", "Url" : "www.music-files.com", "Text" : "Music Files Ltd" }, { "Desc" : "selected Games Music tracks by Jim", "Url" : "http://www.mfiles.co.uk/original-music-portfolio.htm", "Text" : "Games Music Portfolio" }, { "Desc" : "Jim posts regular news items about film and classical music", "Url" : "http://www.mfiles.co.uk/jims-blog.htm", "Text" : "Jim's Blog" } ] 1!2XY'8U!0.00W2'8U!WW'8U!WW01:08.92!WW.000000!0000-00-00 00:00:00U!WW'8U!0000-00-00 00:00:00U!0W4-23 20:!1W20:11:08!0W8.921657!42W79523144W00.8U*8UnL7UЎU8UnL7UH08U`68U8U8UnL7U18U4Uij7Uؐ?8US8US8U<8U]5U8Ua8U8U8U\8U_8UU8Uc8U8U^5U_5U`_5U_5U_5U_5U`5U`5Uh`5Ua5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U14Uȸ5U4U]5U4U@^5Up^5U^5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U!Mr8U!WW1P.O. Box 7430Q8>8U8Ua;4U 08U3UQ!0X!1W10W0QSilent Night, Holy Night (SATB, Flute, Organ) (Words by Young)!8U10WX8U X8U0!43029508U!0000-00-00 00:00:00!0000-00-00 00:00:00Qpt8U!Owen8X8U!2019-06-06 16:24:26U10W0s8U0!EltonW APoG3Uh/8U=74.207.164.189!0.00 8U 108UtAttempted8U0

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AND Param4 = ?!0hY!WWP=8U!0.00W133647["175445","201857","174337","176291","175598","176256","174231","175450","174390","176231","176331","175887","178325","175986","174431","176731","176313","178260","175212","175891"]!2020-09-27 21:46:54!1W!2024-03-11 04:50:01UAD1BCC9DE-DF62-11EE-B1C4-B39C539980F0=_Z@!0.00G8U !British PoundsЯ.8U1£WU8U8U0!20.007U1WW8Ud8U0Qp8U(8U88U!2011-11-01 07:37:10!X3UAToo-Ra-Loo-Ra-Loo-Ral (That's An Irish Lullaby)@!2023-04-12 11:31:47!USQLrencyID10V8UB0!7.50X!6.00W!0W!WW .:8U!0.00W!2020-09-29 03:19:09!1W !1.50XV8U!2011-05-07 15:22:44U!0W(V8U!0WU8U!46975WV8U!WWPU8U!0WxT8U10WV8U0One of my favourite Telemman concertos, and one which deserves more of the limelight, is this attractive three-movement piece, originally for three oboes, three violins and continuo. Reflecting the success of Wynton Marsalis' recording of a (heavily edited) version for trumpets, I have scored my own instrument instead of the oboes, though either could be used. I have added a harsichord continuo part for the first and second movements- if you should need one for the finale, let me know and I'll finish it off!8U!2.00Wc8U!0W4U!1W4U!0W4U!WW4U!noneW4U!0W !0X8X8U!1WW8U!0WW8U{ "GroupOrd" : "20", "StoreGroupOrd" : "191640", "StoreGroupID" : "0", "GroupID" : "23563" } V8U10.0000W X8U0This wonderful sonata by Heinrich Biber (1644-1704) deserves more performances. It is not part of the Sonatae Quam Aulis set, but rivals those twelve sonatas for its superbly idiomatic trumpet-writing and fiery violin music. Biber scores this sonata for solo trumpet, two violins and two violas, the five-part string texture being a trademark of his, and one of the aspects of his music I love the most. Please contact me if you require a harpsichord continuo part.ree, !12.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW["68039","63984","78339","22837","111908","72577","43684","137366","360206","73232","65168","202001","63977","32869","121445","143620","17553","51084","39504"] O8U!2020-09-22 23:54:34!0WY8U!0000-00-00 00:00:00U!WWpV8U!0WX8U!210W!297W!0WU8U!1WW8U!650x919WW8U!0W !2011-05-07 18:16:51U1Sonata a 6 for natural trumpet strings!0WV8U 6Ui8UZ85U0i8UP6UHi8U5U`i8UA6Uxi8U)_2Ui8U54Ui8U_85Ui8U_85Ui8UhO8U`85Ui8UXV8Uc`7Uj8Uf`7U j8U25U8j8U25UPj8U25Uhj8UxW8U c2Uj8U"c2Uj8U(g85Uj8Ug85Uj8UW4Uȃ8UXf85U8Ue85U8UU8Uc85U8UY8UOm2U(8UU8U m2U@8UY8UX~`2UX8UV8U`2Up8UHb85U8UX8U&_2U8UhAT2U8U8DT2UЄ8U>T2U脜8UO8U7U8U4U8UV8UH5U08U0N8U(t85UH8Up85U`8U(P8Uj6Ux8U885U8UI85U8UxN8U85U8Uxa85U܃8U85U8U6U08U O8UH4U8UX2U8Uh4U8UN8U6U`8U6Ux8U`Q8Uh_2U8U85U8U885UH8U85U 8UW8U^i2U88UΌ2UP8Un4UH8U2U`8UR8U2Ux8UT8U5UȆ8U4U08U8UX8U@Y8U5Uc8UpY8Ux6o3U8U6U8U(b2UH8U+_2U`8U,_2Ux8Uh/_2U8U6U8UT8UX:5U8Ux4U؈8Uh5o3U8Uh2U8U/_2U 8U 4U88UpV8U16UP8UY8U46Uh8U=4U8U45U8UH1_2U8U85Uȉ8U85U8UXDe3U8U87U8U؝2U(8UX85U@8U85UX8U)6Up8U885U8U85U8U85U8Up,5UЊ8Ux85U芜8U`W8UH85U8U85U8U@V8U4U08U2UH8UW8UX2U`8U85Ux8UX 85U8UH!85U8U"85U8U3U؋8UH%85U8UT8U&85U8U(6U 8U&85U88UhG85UP8U8<25Uh8UT8U 6U8UZ85U8UP6U8U5UȌ8UA6U8U)_2U8U54U8U_85U(8U_85U@8UY8U`85UX8UT8Uc`7Up8Uf`7U8U25U8U25U8U25UЍ8UU8U c2U荜8U"c2U8U(g85U8Ug85U08UW4UH8UXf85U`8Ue85Ux8U`T8Uc85U8UX8UOm2U8U0T8U m2U8UxW8UX~`2U؎8UPU8U`2U8UHb85U8U0W8U&_2U 8UhAT2U88U8DT2UP8U>T2Uh8UZ8U7U8U4U8U U8UH5U8UhX8U(t85Uȏ8Up85U8U`Z8Uj6U8U885U8UI85U(8UX8U85U@8Uxa85U8U85U :8U6U8d8UXY8UH4U8UX2U8:8Uh4Uc8U(Y8U6Uhd8U6Ud8U[8Uh_2U8U85Uc8U885UPd8U85U8UV8U^i2U8UΌ2U8Un4Uບ8U2U8U0]8U2U8UP8U5UH8U4U8U8U 8U @!2013-04-14 05:49:01U!0W!0W1Sonata a 6 for natural trumpet & strings Heinrich Biber none Graham Dixon This wonderful sonata by Heinrich Biber (1644-1704) deserves more performances. It is not part of the Sonatae Quam Aulis set, but rivals those twelve sonatas for its superbly idiomatic trumpet-writing and fiery violin music. Biber scores this sonata for solo trumpet, two violins and two violas, the five-part string texture being a trademark of his, and one of the aspects of his music I love the most. Please contact me if you require a harpsichord continuo part.Xa8U!0W a8U!0W8a8U!0WeExchang!0WNetwork!0000-00-00 00:00:00!WWa8U!0Wa8U!0WdefScor!0WHiddenH!2017-06-09 17:10:17U!0000-00-00 00:00:00U!WWtb8U!547230WeExchang!0WrIDPubl!0W(c8U!0.00Wb8U!21.00Wc8U!9.00WeExchang!0WEPSCoun!WWH8U!0.00W !542874^Pc8U!0000-00-00 00:00:00!0000-00-00 00:00:00Q@8U17U(d8Up^u30721!21963W!Aria Della BattagliaaNo Surrender! (Variations on 'God Save the Queen') for Trombone and Piano8UhA8U!60W8U!624W 8U!4W8U!1WhA8U!2011-06-10 13:17:25U!2017-11-22 16:49:44U!Graham Dixonu8U!WWu8U!2008Wt8U10W0!sibW8U!309WK8U!0W`8U!WW@҃8U!0000-00-00 00:00:00U!1W8:8U!3014WD8U!1Wk8U!9XHv8U!1.50hXҍ8U!2011-05-08 11:36:14U!0W@b8U!0W`~8U!136246WhԎ8U!WW !1.50X@8U!2011-05-07 00:26:06U!0W8U!0W8U!34071Wp8U!WW8U!0W8U10W(8U0!3.00^i8U!1W!0W!0W!WW!noneW!0W!WW!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWo8U!684781W!0Wp8U!0Wo8U!0.00W8U!12.00W88U!9.00W8U!0W8U!WW8U!0.00Wp8UQt8UAHl8U21963@!1^`l8U!0Wq{ "GroupOrd" : "60", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } U!44.5760W!2011-05-07 00:26:141Abblasen for Four TrumpetspdatedP!0W!0W!5W!2013-04-09 07:10:46!0W!0WAbblasen for Four Trumpets Graham Dixon none This short fantasia is based on Gottfried Reiche's famous "Abblasen" for solo natural trumpet. I have extemporised on this fanfare using four valved trumpets, timpani and strings.8U!0W!0Wo8U`85UHš8U`8Uc`7U`š8Uf`7Uxš8U25Uš8U25Uš8U25Uš8U8U c2Uš8U"c2Uš8U(g85UÚ8Ug85U Ú8UW4U8Ú8UXf85UPÚ8Ue85UhÚ8U8Uc85UÚ8U8UOm2UÚ8U8U m2UÚ8U8UX~`2UÚ8U8U`2UÚ8UHb85UÚ8U8U&_2UĚ8UhAT2U(Ě8U8DT2U@Ě8U>T2UXĚ8UXp8U7UpĚ8U4UĚ8U8UH5UĚ8U8U(t85UĚ8Up85UĚ8Up8Uj6UĚ8U885UŚ8UI85UŚ8UP8U85U0Ś8Uxa85U8U85U/8U6U8Uo8UH4UȪ8UX2U/8Uh4U8U8U6U(8U6U@8Uq8Uh_2U@a8U85Uh8U885U8U85UXa8U8U^i2Upa8UΌ2Ua8Un4Ua8U2Ua8Ups8U2Ua8Ut8U5U8ƚ8U4Uǚ8U8U88UP8UH8U5U8Uy8Ux6o3Uǚ8U6U ƚ8U(b2Uǚ8U+_2UX8U,_2Up8Uh/_2U8U6U8Uxt8UX:5U8Ux4UЇ8Uh5o3U臚8Uh2U8U/_2U8U 4U08Uv8U16UH8U0z8U46U`8U=4Ux8U45U8UH1_2U8U85U8U85U؈8UXDe3U8U87U8U؝2U 8UX85U88U85UP8U)6Uh8U885U8U85U8U85U8Up,5Uȉ8Ux85U8Uw8UH85U8U85U8Uv8U4U(8U2U@8UPx8UX2UX8U85Up8UX 85U8UH!85U8U"85U8U3UЊ8UH%85U芚8Uu8U&85U8U(6U8U&85U08UhG85UH8U8<25U`8Uhu8U 6Ux8UZ85U8UP6U8U5U8UA6U؋8U)_2U8U54U8U_85U 8U_85U88Uz8U`85UP8U8u8Uc`7Uh8Uf`7U8U25U8U25U8U25UȌ8UXv8U c2U8U"c2U8U(g85U8Ug85U(8UW4U@8UXf85UX8Ue85Up8Ut8Uc85U8Ux8UOm2U8Ut8U m2U8Uw8UX~`2UЍ8Uu8U`2U荚8UHb85U8Uw8U&_2U8UhAT2U08U8DT2UH8U>T2U`8Uz8U7Ux8U4U8Uu8UH5U8Ux8U(t85U8Up85U؎8Uz8Uj6U8U885U8UI85U 8U(y8U85U88Uxa85U/8U85U:8U6U8Uy8UH4UP8UX2U:8Uh4U08Uy8U6U8U6Uؼ8U|8Uh_2Ua8U85U8U885U8U85Ub8Uv8U^i2Ub8UΌ2U0b8Un4UHb8U2U`b8U}8U2Uxb8U~8U5U@8U4U8UA8U̚8U x8U5Uƚ8U8Ux6o3U8U6U(8U(b2U8U+_2Uؑ8U,_2U8Uh/_2U8U6U 8U~8UX:5U88U8U!0000-00-00 00:00:00U!WW!0W!0W!0W8Ut8UXs8U8U`8Uh8U8Us8Up8Ur8U8U 8U8Us8Ur8U8Uq8U"8U88U8Uq8U@s8Ur8Uxq8Ur8U8Us8Up8U(p8Ur8Up8Uq8U8U08Us8U@p8Uhr8U8U@8Uq8UHq8Up8Uo8U8r8UX8Ur8U8Up8U8Uo8U(s8Ur8U8U`t8UP8U88UH8Uh8U8Up8Ux8U8U8UX8U8U r8Us8UPr8Us8Uq8U8Uq8U`q8U 8U0q8U8U(8Upp8Ua8U["140666","55961","149834","89265","86042","11156","11159","54675","167320","197126","417833","52602","103964","118899","145596","361975","108382","398677","33962"]U!2020-08-31 16:44:08!0W!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!0W!5.00W!2023-03-24 05:09:01!2023-03-24 05:09:37!1639519W!2159007W!0000-00-00 00:00:00!0000-00-00 00:00:00ේ8U08U 8UDe8U 8UD e8U 8UD@e8U 8UD`e8U 8UDe8U 8UD0f8U 8UDPf8U 8UDpf8U0 8UDf8U@ 8UDf8UP 8UDf8U` 8UDf8Up 8UDg8U 8UDe8U 8UDe8U 8UDe8U 8UDf8U 8UD0g8U 8UD08U 8UD૚8U 8UD8U 8UD 8U 8UD@8U 8UD`8U0 8UD8U@ 8UD8UP 8UD8U` 8UDଚ8Up 8UD8U 8UDPg8U 8UDpg8U 8UDg8U 8UDg8U 8UDg8U 8UDg8U 8UD 8U 8UD@8U 8UD`8U 8UD8U 8UD8U0 8UD8U@ 8UD08UP 8UDP|8U` 8Up 8UDP8U 8UDp8U 8UD8U 8UD8U 8UDЯ8U 8UD8U6U 8UD8U 8UD 8U 8UD@8U 8UD`8U 8UD8U 8UD8U0 8UD8U@ 8UDಚ8UP 8UD8U` 8UD 8Up 8UDP8U 8UDp8U 8UD8U 8UD8U 8UD 8U 8UD@8U 8UD`8U 8U 8UD8U8UD8U8U 8U08U@8UP8U`8UD8Up8UD୚8U8UD8U8UD 8U8UD8U08UDச8U@8UD8UP8UDǚ8U`8UDȚ8U@8Uƚ8U@M8UDc8Uw8UT8U'8UDu8U'8UDv8U'8UD v8U'8UD@v8UD8U ٚ8U8U208Upǚ8U`8UD_8UP8UDX8U08UD38U8U8UD038U@08UDC8U0@=8UD`C8U8UD58U8U@8UD38UФ8UDP38Uच8UDp38U0D8U  8U8UD@d8U8UD`d8U8UDग़8U8UD8U8UD 8UИ8UD@8U8UD`8U8UD8U8UD08U8UD8U 8UD8U08UDP8U@8UDp8UP8UD8U`8UD8Up8UDЧ8U8UD8U8UD8U8UD8U8UDচ8U8UD8UЙ8UD08U8UDp8U8UD8U8UD8U8UD8U 8UD8U08UD8U@8UD08UP8UDP8U`8UDp8Up8UD8U8UD8U8UD8U8UD08U8UDP8U8UDp8UК8UD8U8UD8U8UDШ8U8UD8U8UD8U 8UD8U08UDp8U@8UD8UP8UD8U`8Up8UD8U8UD8U8UD8U8UD08U8UDP8U8UDp8U6UЛ8UD8U8UD8U8UD 8U8UD@8U8UD`8U 8UD8U 49U .0ehfh>@%( dh$(ting:35!30721Xores WHE!2017-06-09 17:10:17U10000-00-00 00:00:008U0!309W(8U10W~8U0!8WH8U!0WW!4W8U!2WA8U!2011-06-10 11:59:58U!2017-11-22 16:49:43U!Graham Dixonxޚ8U!0Wޚ8U!0W(8U19W0!sibWPA8U!YxYK8U!0000-00-00 00:00:00U!2W܃8U!2125W8U!2WP:8U!1.50X8U!2011-05-07 14:58:55U!0Wߚ8U!0WPߚ8U!45464W@8U!WWޚ8U!1W(8U10Wߚ8U0!Andrea Gabrieli !0Xw8U!0Wu8U!1Wv8U!0WXv8Uq{ "GroupOrd" : "80", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "23562" } U!0.0000W Jonny Watkins, a postgraduate trombone student, requested something light and rather silly to complete a recital in December 2008, and I unfortunately obliged! This tongue-in-cheek celebration of British-ness, intended to be performed by an all-English crew of trombonist, pianist and page-turner, features football songs, snippets from all manner of well-known tunes, and huge dollops of Britannic self-indulgence.hange!10.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!0Yw8U!0W!0.00Wz8U!11.50W!1.50WHw8U!0Wz8U!WWt8U!0.00Wy8U["46135","67030","364973","63553","8512","63551","198495","882","32944","70561","73974","24766","69095","7567","134468","18971","38394","15894","7685"]!2020-09-28 21:36:45U!0W10000-00-00 00:00:00U(y8U0!2011-05-08 11:36:21U!0W!0W!12W!2013-04-08 17:33:18!0W!0WNo Surrender! (Variations on 'God Save the Queen') for Trombone and Piano Graham Dixon none Jonny Watkins, a postgraduate trombone student, requested something light and rather silly to complete a recital in December 2008, and I unfortunately obliged! This tongue-in-cheek celebration of British-ness, intended to be performed by an all-English crew of trombonist, pianist and page-turner, features football songs, snippets from all manner of well-known tunes, and huge dollops of Britannic self-indulgence.eightmm.50!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0Wx8U8~8U}8Upv8U8x8U@y8Upy8UH}8U{8U}8Uy8Ux8Ut8U}8U|8Uhx8U(|8U "8Uv8Uu8U{8Ux}8U|8U{8U0}8Uw8U}8UHz8U`z8U}8Uz8U{8Ux8Ux8U~8Uxz8U|8Uu8Uw8U8{8U{8U {8Uz8Up|8U0w8U@|8Ux8UHw8U`w8Uy8U`}8U|8Ut8U~8U(v8Uy8U u8U@v8Uxw8Uz8UPu8UXy8Uu8U0t8Uv8UX|8U ~8U|8U}8U{8Uw8UP{8U{8Uu8Uh{8Uv8Uw8Uz8U4-23 20:!2017-06-09 17:10:170:35!0000-00-00 00:00:002001!WW巚8U1394060W8U8U08Uз8U8UD8U 8UD8U08UD8U@8UD8UP8UD8U`8UD08Up8UDj8U8UD0"8U8UDP"8U8UD`8U8UD8U8UD8Uн8UD8U8U8UD8U8UD8U8U 8U08U@8UP8U`8UD 8Up8UD@8U8UD`8U8UD8U8UD`8U8UD8U8UD8U8UD8U8UD8U8U8UP8UD8UF8UT8U࢜8UD8U8UD@8U 8UD`8U08UD8UPD8U c8U@8U28UX8Ub8UD 17U 8UD8U8UD ɚ8U8U8UDȚ8U/8UD8U0<}8UD8U2UD8U8U8UD@ɚ8UЗ8UDȚ8U8UDȚ8UD8U  8U8UDA8U8UD|8U 8UDA8U08UD }8U@8UD@}8UP8UD`}8U`8UD}8Up8UD}8U8UDP~8U8UDp~8U8UD~8U8UD~8U8UD~8U8UD~8U8UD8U8UD08U8UD}8U8UD}8U 8UD~8U08UD ~8U@8UDP8UP8UDp8U`8UD i8Up8UD@i8U8UD`i8U8UDi8U8UDi8U8UDi8U8UDi8U8UDj8U8UD j8U8UD@j8U8UDh8U8UD0h8U 8UDPh8U08UDph8U@8UDh8UP8UDh8U`8UDh8Up8UDh8U8UDpl8U8UDl8U8UDl8U8UD m8U8UD@m8U8UD`m8U8U8UDm8U8UDm8U8UDm8U 8UDm8U08UDn8U@8UD0n8U6UP8UDPn8U`8UD@o8Up8UD`o8U8UD|8U8UD|8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD`j8U8UDj8U8UDj8U 8UDj8U08UDj8U@8UDk8UP8UD k8U`8Up8UD@k8U8UD`k8U8U8U8U8U8U8UDk8U8UDk8U8UDk8U8UD08U 8UD8U08UD8U@8UD 8UP8UD@8U`8UD`8U8Ś8U8UF8UD8U0M8UT8U!8UDb8U@!8UD@c8UP!8UD`c8U`!8UDc8UD8U k8UP8U2(ƚ8U8U U8UD8U8UD28U8UD8Uƚ8U@8UD8U8UD8U@o8UDp8Ů8UDC8U8U8UD8UP8UD 8U`8UD@8UD8U  @8U 8UD0|8U 8UDd8U 8UDd8U5.060519!^^ǚ8U!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-04-30 20:33:21!2023-04-30 20:33:29!771754W!655749W!0000-00-00 00:00:00!0000-00-00 00:00:00@8Uɚ8U08UD8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8UМ8UDp8U8U8UD8U8UD8U8U 8U08U@8UP8U`8UD8Up8UD8U8UD8U8UD08U8UD8U8UD8U8UD 8UН8UD@8U8UD`8U̚8U8Uw8UD`v8U ~8UT8U8UDP8U08UD8U@8UDк8UP8UD8UD8U 08U`8U2x͚8Ux8Uq8U8UD8U8UDPY8U͚8Up8UDX8U(ۮ8UU0!8U08U8UDP<8U@8U8UDpY8U8UDX8U8UDY8UpD8U  8U8UD 8U8UDښ8U 8UDښ8U08UDښ8U@8UDۚ8UP8UD0ۚ8U`8UDPۚ8Up8UDpۚ8U8UD ܚ8U8UD@ܚ8U8UD`ܚ8U8UDܚ8U8UDܚ8UП8UDܚ8U8UDܚ8U8UDݚ8U8UDۚ8U8UDۚ8U 8UDۚ8U08UDۚ8U@8UD 8UP8UD@8U`8UD8Up8UD8U8UD 8U8UD@8U8UD`8U8UD8U8UD8UР8UD8Uࠚ8UD8U8UD8U8UD ݚ8U8UD@ݚ8U 8UD`ݚ8U08UDݚ8U@8UDݚ8UP8UDݚ8U`8UDݚ8Up8UDޚ8U8UD08U8UDP8U8UDp8U8UD8U8UD8UС8UD 8U࡚8U8UDP8U8UDp8U8UD8U 8UD8U08UD8U@8UD8U6UP8UD8U`8UD8Up8UD 8U8UD@8U8UD`8U8UD8U8UD8U8UD8UТ8UD8U࢚8UD8U8UD@8U8UD`8U8UD 8U 8UD@8U08UD`8U@8UD8UP8UD8U`8Up8UD8U8UD8U8U8U8U8UУ8Uࣚ8UD8U8UD 8U8UD@8U8UD`8U 8UD8U08UD028U@8UDP28UP8UDp28U`8UD28Uך8UX͚8U0~8UD8U8UT8U8UD8U8UDp8U8UD8UЎ8UD8UPD8U pD8U08U2ך8UΚ8U08UR88U8UD̛8U08UD8UXؚ8U8UD@8U@q8U U8UD@38U88U8U8U@8UD8U8UD`8U8UD8UD8U  S8U8UD`ښ8U8UD8U8UDښ8U8UD 8U8UD@8UScoresQP~8U1`-4UHښ8U74045!62329W!46W 1Sonata VII for Two Trumpets & Strings!37WL8U!19W҃8U!4WW!2WhA8U!2011-06-10 12:10:17U!2017-11-22 16:49:43U!Heinrich Biber8U!Graham Dixon8U!1674W 8U10W0!sibW8U!309WK8U!0W`8U!WW@҃8U!0000-00-00 00:00:00U!0W8:8U!1533WD8U!0Wk8U!1.50XH8U!2011-05-07 18:16:58U!0W8U!0W8U!59811Wx8U!WW8U!0W 8U10W08U0x4UP8Uh5o3Uh8Uh2U8U/_2U8U 4U8Uߚ8U16UȒ8U(8U46U8U=4U8U45U8UH1_2U(8U85U@8U85UX8UXDe3Up8U87U8U؝2U8UX85U8U85UГ8U)6U蓚8U885U8U85U8U85U08Up,5UH8Ux85U`8U8UH85Ux8U85U8Uߚ8U4U8U2U8UH8UX2Uؔ8U85U8UX 85U8UH!85U 8U"85U88U3UP8UH%85Uh8U@8U&85U8U(6U8U&85U8UhG85Uȕ8U8<25U8U`ޚ8U 6U8UZ85U8UP6U(8U5U@8UA6UX8U)_2Up8U54U8U_85U8U_85U8U8U`85UЖ8U0ޚ8Uc`7U薚8Uf`7U8U25U8U25Uɚ8U25Uʚ8UPߚ8U c2U(ʚ8U"c2U@ʚ8U(g85UXʚ8Ug85Upʚ8UW4Uʚ8UXf85Uʚ8Ue85Uʚ8U8Uc85Uʚ8Ux8UOm2Uʚ8U~8U m2U˚8U8UX~`2U˚8Uޚ8U`2U0˚8UHb85UH˚8U8U&_2U`˚8UhAT2Ux˚8U8DT2U˚8U>T2U˚8U8U7U˚8U4U˚8Uޚ8UH5U˚8U8U(t85U̚8Up85U ̚8U8Uj6U8̚8U885UP̚8UI85Uh̚8U 8U85U̚8Uxa85U8{8U85U8U6Uǚ8U8UH4U軚8UX2U8Uh4Uƚ8U8U6U@ǚ8U6UXǚ8U8Uh_2Ub8U85Uƚ8U885U(ǚ8U85Ub8Uߚ8U^i2Ub8UΌ2Ub8Un4Ub8U2Uc8U8U2U c8U8U5U͚8U4UΚ8U]8UHl8Uך8U8U5U8U8Ux6o3UΚ8U6Up͚8U(b2UϚ8U+_2U Ϛ8U,_2U8Ϛ8Uh/_2UPϚ8U6UhϚ8U8UX:5UϚ8Ux4UϚ8Uh5o3UϚ8Uh2UϚ8U/_2UϚ8U 4UϚ8U8U16UК8U`8U46U(К8U=4U@К8U45UXК8UH1_2UpК8U85UК8U85UК8UXDe3UК8U87UК8U؝2UК8UX85Uњ8U85Uњ8U)6U0њ8U885UHњ8U85U`њ8U85Uxњ8Up,5Uњ8Ux85Uњ8U8UH85Uњ8U85Uњ8U8U4Uњ8U2UҚ8U8UX2U Қ8U85U8Қ8UX 85UPҚ8UH!85UhҚ8U"85UҚ8U3UҚ8UH%85UҚ8U88U&85UҚ8U(6UҚ8U&85UҚ8UhG85UӚ8U8<25U(Ӛ8U8U 6U@Ӛ8UZ85UXӚ8UP6UpӚ8U5UӚ8UA6UӚ8U)_2UӚ8U54UӚ8U_85UӚ8U_85UԚ8UH8U`85UԚ8Uh8Uc`7U0Ԛ8Uf`7UHԚ8U25U`Ԛ8U25UxԚ8U25UԚ8U8U c2UԚ8U"c2UԚ8U(g85UԚ8Ug85UԚ8UW4U՚8UXf85U ՚8Ue85U8՚8UmeArtisAThis is a new perfoming edition of Andrea Gabrieli's finest work for brass, edited for four trumpets, four trombones and optional timpani. The piece is an arrangement of a chanson by Clement Janequin entitled "La Guerre". Gabrieli extends the original material with antiphonal, warlike sections in the middle of the work, and again at the conclusion - these sections should be loud and exciting. I have included some ornamentation, based on the performance of this piece by London Brass, as well as Phillip Pickett's anotations on the score. A continuo chamber organ could be used, basing its part on the 3rd and 4th trombone material. Tenor clef trombone parts are available. The tempo settings as interpreted by Scorch are rather wayward, so I encourage you to play with the tempo scroller until it sounds right!ImageUpd!6.95W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW8U!254965W!0W@8U!0W8U!0.00W(8U!23.45W8U!16.50Wp8U!0Wޚ8U!WWߚ8U!0.00W@8UQH8UA6U8Uk22867@!1x^8U!0Wq{ "GroupOrd" : "100", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16090" } !0.0000W!2011-05-07 14:59:13!Aria Della Battaglia!0W!0W!45W!2013-04-13 13:59:39!0W!0WqAria Della Battaglia Andrea Gabrieli none Graham Dixon This is a new perfoming edition of Andrea Gabrieli's finest work for brass, edited for four trumpets, four trombones and optional timpani. The piece is an arrangement of a chanson by Clement Janequin entitled "La Guerre". Gabrieli extends the original material with antiphonal, warlike sections in the middle of the work, and again at the conclusion - these sections should be loud and exciting. I have included some ornamentation, based on the performance of this piece by London Brass, as well as Phillip Pickett's anotations on the score. A continuo chamber organ could be used, basing its part on the 3rd and 4th trombone material. Tenor clef trombone parts are available. The tempo settings as interpreted by Scorch are rather wayward, so I encourage you to play with the tempo scroller until it sounds right!!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8U08U8Uhߚ8U08U88Uh8U@8U8U8U8U8U~8U8U8U`8U 8U8"8Uߚ8Uxޚ8U8Up8U8U8U(8U8U8U@8UX8U8U8U8U8U8U8Up8U8Uޚ8U8U08Ux8U8U8Uh8U(8U88U8U@8UX8U8UX8U8U(8U8U ߚ8U8UX8U8ߚ8Up8U8UHޚ8UP8Uޚ8Uh~8Uߚ8UP8U8U8U8U8U8UH8U8Uޚ8U`8Uߚ8Uߚ8U8UUserID["206815","53262","53505","126284","109455","83976","22179","105937","55502","203462","7843","43869","86478","7763","198828","81877","7907","60394","38818","99144"]Exc!2020-09-07 23:04:28!0W!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-08 05:09:49!2023-05-08 05:10:38!5143289W!4568374W!0000-00-00 00:00:00!0000-00-00 00:00:00 .0 dh.038  ch  !74045Xores WHE!15.00W08U10Wp08U0!2017-06-09 17:10:17U10000-00-00 00:00:008&8U0AOverture from Cantata BWV 194 for Six TrumpetsW!19WK8U!4Wx8U!2W܃8U!2011-06-10 12:51:31U!2017-11-22 16:49:44U!J S BachX&8U!Graham DixonX'8U!0Wh&8U10W0!sibW(҃8U!309W܃8U!0W :8U!WWD8U!0000-00-00 00:00:00U!0W0v8U!1484Wэ8U!0W8U!5xX(b8U!1.50XXH~8U!2011-05-08 05:22:34U!0W08U!0Ws8U1109239W4U0!6^8UA transcription of my very favourite of Biber's works, this sonata is the seventh of twelve from the 1681 set entitled "Sonatae Tam Aris Quam Aulis Servientes", (Sonatas for Church or Chamber). It features some wonderful trumpet writing and plenty of violin fireworks, set in variations above a ground bass. I've included a very simple harpsichord part, on which the player would extemporise in performance.!10.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YYH8U!936764W!0W08U!0W!0.008Yx8U!20.50WH8U!10.50W 8U!0W@8U!WW8U!0.00W8U["44567","44354","36337","111499","173797","28738","66947","96308","10123","23214","73398","167280","162869","68463","75995","528632","37206","174699","100871"]8U!2020-09-10 22:27:52!1^ 8U!0Wq{ "GroupOrd" : "50", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "23563" } U!0.0000W!2011-05-07 18:17:141Sonata VII for Two Trumpets StringsstC!0W!0W!24W!2013-04-13 02:48:17!0W!0WSonata VII for Two Trumpets & Strings Heinrich Biber none Graham Dixon A transcription of my very favourite of Biber's works, this sonata is the seventh of twelve from the 1681 set entitled "Sonatae Tam Aris Quam Aulis Servientes", (Sonatas for Church or Chamber). It features some wonderful trumpet writing and plenty of violin fireworks, set in variations above a ground bass. I've included a very simple harpsichord part, on which the player would extemporise in performance.ption?!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8Ux%8U$8U8Uh8Up8U8U$8UH"8U@$8U8U(8U8U%8U($8U8Uh#8UP"8U@8U8U8#8U$8U#8U"8Up$8U8U0%8Ux8U8UX$8U0"8U#8U8U88UH%8U8U#8U8UH8Ux"8U"8U`"8U08U#8U`8U#8U8Ux8U8U8U$8U$8U 8U%8UX8U@8UP8Up8U8U8U8U8U8U`8U8U#8U`%8U#8U%8U #8U8U"8U"8U(8U"8U8U08U8UrofitLi8Uc85UP՚8U8UOm2Uh՚8U8U m2U՚8U 8UX~`2U՚8U8U`2U՚8UHb85U՚8U8U&_2U՚8UhAT2U՚8U8DT2U֚8U>T2U(֚8U8U7U@֚8U4UX֚8U8UH5Up֚8U8U(t85U֚8Up85U֚8U8Uj6U֚8U885U֚8UI85U֚8UX8U85Uך8Uxa85U8U85U8U6U8U8UH4Uhƚ8UX2U8Uh4U8U8U6UH8U6U`8UP#8Uh_2U8c8U85U8U885U08U85UPc8U8U^i2Uhc8UΌ2Uc8Un4Uc8U2Uc8U$8U2Uc8U&8U5Uؚ8U4Upٚ8Uʋ8U(d8UP<8UP8U5U͚8U`+8Ux6o3UXٚ8U6Uך8U(b2Uٚ8U+_2Uٚ8U,_2Uٚ8Uh/_2U48U6U48U%8UX:5U48Ux4U48Uh5o3U48Uh2U58U/_2U58U 4U058U`(8U16UH58U+8U46U`58U=4Ux58U45U58UH1_2U58U85U58U85U58UXDe3U58U87U68U؝2U 68UX85U868U85UP68U)6Uh68U885U68U85U68U85U68Up,5U68Ux85U68UP)8UH85U68U85U78U0(8U4U(78U2U@78U)8UX2UX78U85Up78UX 85U78UH!85U78U"85U78U3U78UH%85U78U&8U&85U88U(6U88U&85U088UhG85UH88U8<25U`88U&8U 6Ux88UZ85U88UP6U88U5U88UA6U88U)_2U88U54U98U_85U 98U_85U898U+8U`85UP98U&8Uc`7Uh98Uf`7U98U25U98U25U98U25U98U'8U c2U98U"c2U98U(g85U:8Ug85U(:8UW4U@:8UXf85UX:8Ue85Up:8UP&8Uc85U:8U)8UOm2U:8U &8U m2U:8Uh)8UX~`2U:8U@'8U`2U:8UHb85U;8U )8U&_2U;8UhAT2U0;8U8DT2UH;8U>T2U`;8U,8U7Ux;8U4U;8U'8UH5U;8UX*8U(t85U;8Up85U;8UP,8Uj6U;8U885U<8UI85U <8U*8U85U8<8Uxa85U 8U85Upɂ8U6U`Κ8UH+8UH4Up8UX2Uɂ8Uh4UΚ8U+8U6UΚ8U6UΚ8U-8Uh_2Uc8U85U͚8U885UxΚ8U85Uc8U(8U^i2Ud8UΌ2U(d8Un4U@d8U2UXd8U /8U2Upd8U@08U5U@=8U4U>8Uxj8U\8U)8U5Uhؚ8Uy8Ux6o3U>8U6U(=8U(b2U>8U+_2U>8U,_2U>8Uh/_2U?8U6U ?8U(08UX:5U8?8Ux4UP?8Uh5o3Uh?8Uh2U?8U/_2U?8U 4U?8Uv8U16U?8U@z8U46U?8U=4U?8U45U@8UH1_2U(@8U85U@@8U85UX@8UXDe3Up@8U\28U!08^ 28U!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-07 08:33:06!2023-05-07 08:33:27!2187661W!1878234W!0000-00-00 00:00:00!0000-00-00 00:00:00ɚ8U`48U8UD`8U8UD8U 8UD8U08UDP8U@8UDp8UP8UD8U`8UD8Up8UD8U8UD8U8UD8U8UD08U8UD8U8UD8U8UD8U8UD 8U8UDP8U8UDI8U8UDK8U 8UDK8U08UDL8U@8UD0L8UP8UDPL8U`8UDpL8Up8UDL8U8UDL8U8UDL8U8UDL8U8UDp8U8UD8U8UD8U8UD8U8UD8U8UDH8U8UDH8U 8UDI8U08UD I8U@8UD@I8UP8UD`I8U`8UD O8Up8UD@O8U8UD`O8U8U8UDO8U8UDO8U8UDO8U8UDP8U8UD P8U8UD@P8U6U8UD`P8U8UDR8U 8UDR8U08UDR8U@8UDS8UP8UD S8U`8UD@S8Up8UD`S8U8UDS8U8UDS8U8UD8U8UD8U8UDM8U8UD0M8U8UDPM8U8UDpM8U8UDM8U8U 8UDM8U08UDM8U@8UP8U`8Up8U8U8UDM8U8UDN8U8UD0N8U8UDPN8U8UDO8U8UDW8U8UDW8U8UDX8U8UD0X8U@<8Uך8U8UD8U8UT8U8UD8U8UDp8U8UD8U8UD8UD8U j8UP8U20=8U@ٚ8U0:7U@8UD08U 8UD̛8U=8Uࠛ8UDP̛8U6U@V8Uf[8Uӌ8U8U08UD̛8U8UDp̛8U8UD̛8UD8U  `8U0 8UD 8U@ 8UD0E8UP 8UDPE8U` 8UDpE8Up 8UDE8U 8UDE8U 8UDE8U 8UDE8U 8UDF8U 8UDF8U 8UDF8U 8UDG8U 8UD G8U 8UD@G8U 8UD`G8U 8UDG8U0 8UDF8U@ 8UD0F8UP 8UDPF8U` 8UDpF8Up 8UDn8U 8UDn8U 8UD@8U 8UD`8U 8UD8U 8UD8U 8UD8U 8UD8U 8UD8U 8UD 8U 8UD@8U 8UD`8U0 8UDG8U@ 8UDG8UP 8UDG8U` 8UDH8Up 8UD H8U 8UD@H8U 8UD`H8U 8UDH8U 8UDH8U 8UD8U 8UD8U 8UD 8U 8UD@8U 8UD`8U 8U 8UD8U0 8UD8U@ 8UD8UP 8UD8U` 8UD8Up 8UD 8U6U 8UD@8U 8UD@8U 8UD`8U 8UD8U 8UD8U 8UD8U 8UD8U 8UD8U Q%8U!78453Xores WHE!2017-06-09 17:10:17U10000-00-00 00:00:008U0!Missa Papea MarcelliU!8W҃8U!0W܃8U!4Wk8U!2WL8U!2011-06-10 13:10:59U!2017-11-22 16:49:44U!Palestrina018U!Graham Dixon18U!0W08U10W0!sibWK8U!309W`8U!0W@҃8U!WW8U!0000-00-00 00:00:00U!0WD8U!1360Wk8U!0WHv8U!1.50X(w8U!2011-05-08 09:54:50U!0Wv8U!0W28U!124968WXw8U!WWx18U!0W08U!0Ww8U!1W !XX(8U!0WX'8U!0W(8U!1W'8U!0W(8Uq{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } One of Bach's most cheerful and uplifting overtures, this opening movement from Cantata BWV 194 ("Hochsterwunschtes Freuenfest") has been arranged for two choirs of three trumpets with continuo. I recommend an E-flat or perhaps piccolo trumpet for the lead player in each choir. The slow section of the overture should be spiked and punchy, while the fast section should bounce along, one-in-a-bar. Please contact me for additional part requests, re-arrangements, questions or comments.hL8U!15.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YY(8U!144124W!0Wx+8U!0W!0.00W(8U!27.00W+8U!12.00Wh&8U!0W*8U!WW(8U!0.00WX'8U["37625","17739","45591","59675","49860","103099","183742","115148","96307","4623","129868","80373","106291","93622","24124","161378","536382","183766","112010"]8U!2020-09-20 11:41:55!0.0000^O8U!2011-05-08 05:22:43AOverture from Cantata BWV 194 for Six TrumpetsSKUSKU!0W!0W!15W!2013-04-14 14:37:15!0W!0WAOverture from Cantata BWV 194 for Six Trumpets J S Bach none Graham Dixon One of Bach's most cheerful and uplifting overtures, this opening movement from Cantata BWV 194 ("Hochsterwunschtes Freuenfest") has been arranged for two choirs of three trumpets with continuo. I recommend an E-flat or perhaps piccolo trumpet for the lead player in each choir. The slow section of the overture should be spiked and punchy, while the fast section should bounce along, one-in-a-bar. Please contact me for additional part requests, re-arrangements, questions or comments.U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W*8U/8U/8U'8U)8U*8U*8U.8U,8Ux.8U+8Up*8U8&8U8/8U`.8U)8U-8U"8U'8U&8Up-8U.8U0.8U(-8U.8U)8Uh/8U+8U+8U.8Uh,8U@-8U@*8U)8U/8U+8U.8U('8U(8U,8U,8U,8Ux+8U-8U(8U-8U(*8U(8U(8U0+8U.8UH.8Uh&8U08U'8U*8U&8U'8U(8U8,8U&8U*8UX'8U%8U(8U-8U/8U.8UP/8UX-8U8)8U,8U-8Up'8U,8UH(8Ux(8U ,8UX8U!0^W8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-05-03 08:55:04!2023-05-03 08:55:23!1803859W!1522849W!0000-00-00 00:00:00!0000-00-00 00:00:00p48UZ8U 8UD 8U 8UD@8U 8UD8U0 8UD8U@ 8UD8UP 8UD8U` 8UD8Up 8UD 8U 8UD@8U 8U 8UD`8U 8UD8U 8U 8U 8U 8U8U8UD8U 8UD8U08UD8U@8UDp8UP8UD 8U`8UD@8Up8UD`8U8UD8U8UD8U\8U=8U8UD8U8UT8U 8UDD8UP8UD`D8U`8UDD8Up8UDD8UD8U 8U08U2x]8Ux>8U8UDU8U 8UD48U8UD8U]8U`8UDp8Up.8UDЮ8U78UDp8U`-8U08U8UD8Up8UD8U8UD8U0D8U  @8U8UDD8U8UDk8U8UD k8U8UD@k8U8UD`k8Up8UDk8U8UDk8U8UDk8U8UDpl8U8UDl8U8UDl8UЛ8UDl8U8UDl8U8UDm8U8UD0m8U8UDPm8U 8UDk8U08UDl8U@8UD l8UP8UD@l8U`8UD`8Up8UD8U8UD@8U8UD`8U8UD8U8UD8U8UD8UМ8UD௛8U8UD8U8UD 8U8UD@8U8UD`8U 8UDpm8U08UDm8U@8UDm8UP8UDm8U`8UDm8Up8UDn8U8UD0n8U8UDPn8U8UDpn8U8UD8U8UD8UН8UD 8U8UD@8U8UD`8U8U8UD8U 8UD8U08UD8U@8UD೛8UP8UD8U`8UD 8U6Up8UD@8U8UD 8U8UD@8U8UD`8U8UD8U8UD8UО8UD8U8UDඛ8U8UD8U8UD 8U8UDD8U 8UDE8U08UD8U@8UD8UP8UD8U`8UDఛ8Up8UD8U8U8UD 8U8UD@8U8U8UП8U8U8U8UD`8U8UD8U 8UD8U08UD8U@8UDp8UP8UDP˛8U`8UDp˛8Up8UD˛8U8UD˛8Ug8UX]8U8UDD8U P8UT8U8UDPw8U8UDw8Uд8UDw8Uഞ8UDw8UD8U ݛ8U8U2g8U^8Uh8UH3U8UDpI8U8UD`58UXh8U@8UD48UX 9UU`8U8UDr8U8UD6!8U8U8UD58UP8UD58U`8UD 58UpD8U  `8U8UDj8U8UDЩ8U8UD8UС8UD 8U࡛8UD@8U8UD`8U8UD8U8UQ/8U1xj8UFs62329!66036Xores WHE!2017-06-09 17:10:17U10000-00-00 00:00:00 8U0!Trombatoriumx8U!43W܃8U!19W8U!4WHv8U!1Wx8U!2011-06-10 13:17:36U!2017-11-22 16:49:44U!Graham Dixon8U!WW(8U!2008W88U10W0!sibWH8U!309W(҃8U!0W܃8U!WW :8U!0000-00-00 00:00:00U!0WO8U!1600W0v8U!0Wэ8U!1.50X`8U!2011-05-08 11:39:01U!0W耛8U!0W8U!136247W8U!WW8U!0W88U!0WH8U!1W !25^n8UThe complete Missa Papae Marcelli (1562) by Palestrina has been transcribed for brass sextet, consisting of three trumpets and three trombones. Alternative instrumentations are possible, including horns in the middle voices, and I have included horn parts in the set. I have also included the name of the original vocal part which each instrument represents, to avoid confusion. It is obviously possible to play this transcription with other combinations, including strings and winds. Please contact me if you would prefer alternate instrumentation. Performance practice seems to lean in the direction of using soloists for certain sections of the mass. These are indicated, and there is a note at the opening which makes suggestions as to the use of soloists until the return of the 'Kyrie'. I have given some thought to the possibilities of spacilization in this work, but have no concrete advice to give. Palestrina treats several many sections antiphonally, but the choices of instruments in each 'group' are never consistent, and so I recommend that the players stand together, or uniformly separated, rather than in two or more 'cori spezzati' groups. There were a number of editorial choices to make when compiling this transcription. I have included tempo markings merely as a guide, and based these on my favorite recordings. When in doubt over accidentals, I have made reference to the excellent Tallis Scholars recording, the one with which I imagine the majority of listeners are familiar. The same is true of dynamic markings. I have included them sparingly and in situations where they add to the contrasting nature of neighboring sections. Although I include 'fortissimo' markings for the quickest, most excited sections, I do not intend the sound to become too forceful or overblown. I have not included individual markings for sections which are intended to naturally pop out of the texture, as I prefer to allow Palestrina's polyphonic genius to speak for itself. cor87U@8U؝2U@8UX85U@8U85U@8U)6U@8U885UA8U85UA8U85U0A8Up,5UHA8Ux85U`A8Uw8UH85UxA8U85UA8Uv8U4UA8U2UA8U`x8UX2UA8U85UA8UX 85UB8UH!85U B8U"85U8B8U3UPB8UH%85UhB8U08U&85UB8U(6UB8U&85UB8UhG85UB8U8<25UB8U18U 6UB8UZ85UC8UP6U(C8U5U@C8UA6UXC8U)_2UpC8U54UC8U_85UC8U_85UC8U(z8U`85UC8U08Uc`7UC8Uf`7UD8U25UD8U25U0D8U25UHD8U28U c2U(Z8U"c2U@Z8U(g85UXZ8Ug85UpZ8UW4UZ8UXf85UZ8Ue85UZ8U08Uc85UZ8Ux8UOm2UZ8UX08U m2U[8Ux8UX~`2U[8Ux18U`2U0[8UHb85UH[8Uw8U&_2U`[8UhAT2Ux[8U8DT2U[8U>T2U[8Uz8U7U[8U4U[8UH18UH5U[8Ux8U(t85U\8Up85U \8Uz8Uj6U8\8U885UP\8UI85Uh\8U8y8U85U\8Uxa85Uɂ8U85U8U6Uؚ8Uy8UH4U͚8UX2U8Uh4Uؚ8Uy8U6Uٚ8U6U(ٚ8U |8Uh_2Ud8U85UPؚ8U885Uؚ8U85Ud8Uv8U^i2Ud8UΌ2Ud8Un4Ud8U2Ue8U}8U2Ue8U~8U5U]8U4U^8U8UHښ8Ug8U0x8U5U=8U08Ux6o3U^8U6Up]8U(b2U_8U+_2U _8U,_2U8_8Uh/_2UP_8U6Uh_8U~8UX:5U_8Ux4U_8Uh5o3U_8Uh2U_8U/_2U_8U 4U_8U08U16U`8Ux8U46U(`8U=4U@`8U45UX`8UH1_2Up`8U85U`8U85U`8UXDe3U`8U87U`8U؝2U`8UX85Ua8U85Ua8U)6U0a8U885UHa8U85U`a8U85Uxa8Up,5Ua8Ux85Ua8U 8UH85Ua8U85Ua8U8U4Ua8U2Ub8U8UX2U b8U85U8b8UX 85UPb8UH!85Uhb8U"85Ub8U3Ub8UH%85Ub8UP8U&85Ub8U(6Ub8U&85Ub8UhG85Uc8U8<25U(c8U8U 6U@c8UZ85UXc8UP6Upc8U5Uc8UA6Uc8U)_2Uc8U54Uc8U_85Uc8U_85Ud8U`8U`85Ud8U8Uc`7U0d8Uf`7UHd8U25U`d8U25Uxd8U25Ud8U8U c2Ud8U"c2Ud8U(g85Ud8Ug85Ud8UW4Ue8UXf85U e8Ue85U8e8U 8Uc85UPe8UȂ8UOm2Uhe8U~8U m2Ue8U88UX~`2Ue8U8U`2Ue8UHb85Ue8U8U&_2Ue8UhAT2Ue8U8DT2Uf8U>T2U(f8U؄8U7U@f8U4UXf8U8UH5Upf8U !1h^p8U!0W!WW!noneW!0W!WW!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWz8U!937494W!0WXw8U!0W(z8U!0.00W08U!27.00W y8U!12.00Ww8U!0W18U!WWv8U!0.00WXz8UQ`~8U!223991P8Uƚ8U!You're Beautiful!0X^8Uq{ "GroupOrd" : "0", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16090" } onve!0.0000W!2011-05-08 09:54:57!Missa Papea Marcelli!0W!0W!65W!2013-04-17 05:45:05!0W!0WMissa Papea Marcelli Palestrina none Graham Dixon The complete Missa Papae Marcelli (1562) by Palestrina has been transcribed for brass sextet, consisting of three trumpets and three trombones. Alternative instrumentations are possible, including horns in the middle voices, and I have included horn parts in the set. I have also included the name of the original vocal part which each instrument represents, to avoid confusion. It is obviously possible to play this transcription with other combinations, including strings and winds. Please contact me if you would prefer alternate instrumentation. Performance practice seems to lean in the direction of using soloists for certain sections of the mass. These are indicated, and there is a note at the opening which makes suggestions as to the use of soloists until the return of the 'Kyrie'. I have given some thought to the possibilities of spacilization in this work, but have no concrete advice to give. Palestrina treats several many sections antiphonally, but the choices of instruments in each 'group' are never consistent, and so I recommend that the players stand together, or uniformly separated, rather than in two or more 'cori spezzati' groups. There were a number of editorial choices to make when compiling this transcription. I have included tempo markings merely as a guide, and based these on my favorite recordings. When in doubt over accidentals, I have made reference to the excellent Tallis Scholars recording, the one with which I imagine the majority of listeners are familiar. The same is true of dynamic markings. I have included them sparingly and in situations where they add to the contrasting nature of neighboring sections. Although I include 'fortissimo' markings for the quickest, most excited sections, I do not intend the sound to become too forceful or overblown. I have not included individual markings for sections which are intended to naturally pop out of the texture, as I prefer to allow Palestrina's polyphonic genius to speak for itself. !0^08U!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0Wx8UH~8U}8Uv8UHx8UPy8Uy8UX}8U{8U}8Uy8Uy8Up08U}8U|8Uxx8U8|8U"8U18U018U|8U}8U|8U{8U@}8Uw8U~8UXz8Upz8U(}8U{8U{8Ux8Ux8U~8Uz8U|8U`18U(w8UH{8U{8U0{8Uz8U|8U@w8UP|8Ux8UXw8Upw8Uy8Up}8U|8U08U~8U18U y8U08U18Uw8Uz8U18Uhy8U18U/8Uv8Uh|8U0~8U|8U}8U{8Uw8U`{8U{8U18Ux{8Uv8Uw8Uz8U["206815","53262","53505","109455","126284","105937","83976","55502","22179","43869","7843","203462","86478","198828","81877","7763","38818","7907","62508","63292"]!2020-09-14 21:41:47!0W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-05-01 11:38:18!2023-05-01 11:39:46!5603404W!4187237W!0000-00-00 00:00:00!0000-00-00 00:00:00  dh '( dh&(  !19612Xores WHE!0Wț8U141461WXț8U01Valles Marineris, for Trumpet and Piano!60W8U!19WD8U!4WW!1W܃8U!2011-06-10 12:58:10U!2017-11-22 16:49:44U!Graham Dixonྛ8U!WW@8U!2008WP8U10W0!sibW@҃8U!309W8U!0W8:8U!WWD8U!0000-00-00 00:00:00U!0WHv8U!1563Wҍ8U!0W8U!1.50Xx8U!2011-05-08 06:45:30U!0W8U!0W8U!136249W8U!WW(8U!0WP8U10W`8U0!10^P8U'Trombatorium' was written in late 2007 and completed in January 2008 for the Collaborative Composition Project at Boston University. The three trumpeters are partnered by a piano with whom they converse throughout the piece. I am indebted to trumpeters Nathan Tighe, Rob Reustle and Michael Sinicropi, and pianist Ling Leng, who performed the premier at the Tsai Centre in Boston in March 2008. Please email me for individual parts.U!10.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YY`8U!542254W!0WH8U!0W!0.00W8U!10.00W`8U!0.00W88U!0WX8U!WW8U!0.00W(8U["52844","85936","1498","98885","127527","4197","106963","172921","96838","161407","155711","28684","17306","85761","48901","85762","135170","186232","45999"]8U!2020-09-08 19:50:41!0^8Uq{ "GroupOrd" : "60", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "23562" } U!0.0000W!2011-05-08 11:39:16!Trombatorium!0W!0W!27W!2013-04-15 02:09:45!0W!0WTrombatorium Graham Dixon none 'Trombatorium' was written in late 2007 and completed in January 2008 for the Collaborative Composition Project at Boston University. The three trumpeters are partnered by a piano with whom they converse throughout the piece. I am indebted to trumpeters Nathan Tighe, Rob Reustle and Michael Sinicropi, and pianist Ling Leng, who performed the premier at the Tsai Centre in Boston in March 2008. Please email me for individual parts.ngP!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8U`8U8U8U8U8U8Up8UP8U(8UЃ8U@8U8U輛8U8U8UP8U"8UX8U8U@8U8U໛8U8UX8U؁8U8U8U8U@8U88U8U8UP8U08U8UȻ8U8U`8U8Uȅ8Uh8UH8U8Ux8Uh8U8U8U8U8U8U8U88U8Up8UX8Uh8U8U8U8U8U8U(8Ux~8U耛8U8UH8U8U8U(8U8U8U8U@8U8U8UH8U8UeExchang(8U(t85Uf8Up85Uf8U 8Uj6Uf8U885Uf8UI85Uf8Up8U85Ug8Uxa85U8U85UPA8U6U>8U8UH4U8ؚ8UX2UhA8Uh4U=8U胛8U6UH>8U6U`>8UX8Uh_2U0e8U85U=8U885U0>8U85UHe8UЀ8U^i2U`e8UΌ2Uxe8Un4Uo8U2Uo8Uм8U2Uo8U8U5Uh8U4Upi8Uݛ8U@՛8Uh8U5U]8UHÛ8Ux6o3UXi8U6Ug8U(b2Ui8U+_2Ui8U,_2Ui8Uh/_2Ui8U6Ui8Uؽ8UX:5U͛8Ux4U͛8Uh5o3U͛8Uh2U͛8U/_2UΛ8U 4U Λ8UH8U16U8Λ8UÛ8U46UPΛ8U=4UhΛ8U45UΛ8UH1_2UΛ8U85UΛ8U85UΛ8UXDe3UΛ8U87UΛ8U؝2Uϛ8UX85U(ϛ8U85U@ϛ8U)6UXϛ8U885Upϛ8U85Uϛ8U85Uϛ8Up,5Uϛ8Ux85Uϛ8U88UH85Uϛ8U85UЛ8U8U4UЛ8U2U0Л8U8UX2UHЛ8U85U`Л8UX 85UxЛ8UH!85UЛ8U"85UЛ8U3UЛ8UH%85UЛ8Uh8U&85UЛ8U(6Uћ8U&85U ћ8UhG85U8ћ8U8<25UPћ8UȾ8U 6Uhћ8UZ85Uћ8UP6Uћ8U5Uћ8UA6Uћ8U)_2Uћ8U54Uћ8U_85Uқ8U_85U(қ8UxÛ8U`85U@қ8U8Uc`7UXқ8Uf`7Upқ8U25Uқ8U25Uқ8U25Uқ8U8U c2Uқ8U"c2Uқ8U(g85Uӛ8Ug85Uӛ8UW4U0ӛ8UXf85UHӛ8Ue85U`ӛ8U88Uc85Uxӛ8U8UOm2Uӛ8U8U m2Uӛ8UP8UX~`2Uӛ8U(8U`2Uӛ8UHb85Uӛ8U8U&_2Uԛ8UhAT2U ԛ8U8DT2U8ԛ8U>T2UPԛ8UÛ8U7Uhԛ8U4Uԛ8U8UH5Uԛ8U@›8U(t85Uԛ8Up85Uԛ8U8ě8Uj6Uԛ8U885Uԛ8UI85U՛8U›8U85U(՛8Uxa85UA8U85UK8U6U`^8U0Û8UH4Up=8UX2UK8Uh4U^8UÛ8U6U^8U6U^8Upś8Uh_2Uo8U85U]8U885Ux^8U85Uo8U进8U^i2Up8UΌ2U p8Un4Uz8U2U(z8UǛ8U2U@z8U(ț8U5U0֛8U4Uכ8U8U8U8U5Uhh8U8Ux6o3Uכ8U6U֛8U(b2Uכ8U+_2Uכ8U,_2Uכ8Uh/_2Uכ8U6U؛8Uț8UX:5U(؛8Ux4U@؛8Uh5o3UX؛8Uh2Up؛8U/_2U؛8U 4U؛8Uʛ8U16U؛8U8U46U؛8U=4U؛8U45Uٛ8UH1_2Uٛ8U85U0ٛ8U85UHٛ8UXDe3U`ٛ8U87Uxٛ8U؝2Uٛ8UX85Uٛ8U85Uٛ8U)6Uٛ8U885Uٛ8U85Uڛ8U85U ڛ8Up,5U8ڛ8Ux85UPڛ8U8UH85Uhڛ8U85Uڛ8UPʛ8U4Uڛ8Ư8U!08^@˛8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-30 20:09:24!2023-04-30 20:09:58!1524098W!1336282W!0000-00-00 00:00:00!0000-00-00 00:00:00Z8U͛8U8UD8U 8UDP8U08UDp8U@8UD8UP8UD8U`8UDЫ8Up8UD8U8UD8U8UD08U8UD8U8UDછ8U8UD8UТ8UD 8U࢛8UD8U8UD08U8UD8U8UD 8U 8UD@8U08UD`8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD 8U8UDP8U8UDp8U8UD8UУ8UD8Uࣛ8UDЬ8U8UD8U8UD8U8UD08U 8UDP8U08UDp8U@8UD8UP8UD8U`8UD 8Up8UD@8U8U8UDp8U8UD8U8UD8U8UD8UФ8UD8Uछ8UD8U6U8UD08U8UD@8U8UD`8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8UD 8U8UD@8U8UDj8U8UDj8U8UD@8U8UD`8UХ8UD8Uज़8UD8U8UD8U8U8UD8U 8UD8U08U@8UP8U`8Up8U8UD 8U8UD@8U8UD`8U8UD8U8UD08UЦ8UDp8Uছ8UD8U8UD8U8UD8U0՛8Ug8U0P8UDx8UV8UT8U8UD8U@8UD 8UP8UD@8U`8UD`8UPD8U 8U8U2 ֛8U@i8U8֛8U7UΜ8UD08U8UD0Z8U֛8U8UDI8UR8UDp8U.8UDp8UJ8UD8U8U8UDPZ8U8UDI8U8UDI8UD8U  /8U 8UD`8U08UDޛ8U@8UDޛ8UP8UDޛ8U`8UDޛ8Up8UDߛ8U8UD ߛ8U8UD@ߛ8U8UDߛ8U8UD8U8UD08UШ8UDP8Uਛ8UDp8U8UD8U8UD8U8UD8U 8UD`ߛ8U08UDߛ8U8UDߛ8U8UDߛ8U8UD8U8UD08U8UD8U8UD08U8UDP8U8UDp8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8UD08U8UD8U8UD8U8UD08U8UD8U8UD8U8UDP8U8UDp8U8UD8U8UD8U8UD8U 8UD`*8U08UD8U@8UD*8UP8UD*8U`8Up8UD+8U8UD0+8U8UDP+8U8UDp+8U8UD+8U8UD+8U6U8UD+8U8UD-8U8UD.8U8UD .8U8UD@.8U 8UD`.8U08UD.8U@8UD.8UP8UD.8U`8UD.8U8UQx8U1ݛ8US784531=4U(ޛ8UA|19415!45591WuantityS!Sinfonia for 6 trumpets!Canons for TrumpetsU!46W :8U!19WD8U!3W8U!1W܃8U!2011-06-10 11:56:57U!2017-11-22 16:49:43U!Graham Dixonɛ8U!WWxɛ8U!1997Wț8U10W0!sibW܃8U!309W8U!0WP:8U!WWO8U!0000-00-00 00:00:00U!4W`v8U!1525W8U!2W(8U!1.50Xʛ8U!2011-05-07 02:10:23U!0W8ʛ8U!XhXɛ8U!1Wʛ8U!0W`ɛ8U!1Wț8U!0Wʛ8U!0.0000W !9^8UI had planned for some years to write a sonatina for trumpet and piano, both to give me a piece of my own to perform in public, and to explore the possibilities of the trumpet-piano combination. 'Valles Marineris', named for the huge canyon system on Mars, was written for a Boston University Composer's Concert in December 2008. I am grateful to the composer and pianist Brian Buch for taking part in the premier, during which I played trumpet.18U!12.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YYx8U!401114W!0W`Û8U!0W!0.00W8U!12.00WxÛ8U!0.00WP8U!0Wp›8U!WW8U!0.00W@8U["102875","84227","72540","87960","14581","91583","177686","78865","96218","5832","94629","147077","68520","89405","107894","105804","103167","172512","149724"]8U!2020-09-04 18:05:46!1^@8U!0Wq{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "23562" } U!0.0000W!2011-05-08 06:45:431Valles Marineris for Trumpet and Piano!0W!0W!9W!2013-04-15 06:41:33!0W!0WValles Marineris, for Trumpet and Piano Graham Dixon none I had planned for some years to write a sonatina for trumpet and piano, both to give me a piece of my own to perform in public, and to explore the possibilities of the trumpet-piano combination. 'Valles Marineris', named for the huge canyon system on Mars, was written for a Boston University Composer's Concert in December 2008. I am grateful to the composer and pianist Brian Buch for taking part in the premier, during which I played trumpet.8Up8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8UǛ8Uƛ8Uп8U8U›8U›8Uƛ8Uhě8U`ƛ8U›8UX›8U 8U Ǜ8UHƛ8U8Uś8U"8Up8Uྛ8UXś8Uƛ8Uƛ8Uś8Uƛ8U8UPǛ8UÛ8UÛ8Uxƛ8UPě8U(ś8U(›8Uh8UhǛ8UÛ8Uƛ8U8Ux8Uě8Uě8Uě8U`Û8Uś8U8Uś8U›8U8U8UÛ8Uƛ8U0ƛ8UP8UǛ8U8Up›8U8U8U8U ě8U8U›8U@8U8U8Uś8UǛ8Uś8U8Ǜ8U@ś8U 8Uě8Uě8UX8Uě8U08U`8Uě8U8U!0^`8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-05-02 15:26:30!2023-05-02 15:26:35!652157W!606310W!0000-00-00 00:00:00!0000-00-00 00:00:00 eh18 dh18   edPageO͛8U8Up8UDP8U8UDp8U8UD8U8UD8U8UD8U8UD8U8UD8U8U8UD08U8UDP8U8U 8U08U@8UP8U`8UDp8Up8UD8U8UD8U8UD38U8UD38U8UD38U8UD48U8UD 48U8UD@48U8U֛8UV8UD8U8UpT8U8UD`8U8UD8U8UD௞8U8UD8UD8U 68U8U28Uhכ8UvN8UD8U՜8UD@M8UΜ8UD8U(8UΜ8UDp8U K8UD08UK8UD8U`Q8UD8UpΜ8UΜ8UD8UΜ8UD8UΜ8UD8UD8U  D8U8UD@8U8UD8U 8UD@8U08UD`8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD8U8UDЙ8U8UD8U8UD8U8UD08U8UDP8U8UDp8U8UD8U8UD8U 8UD8U08UD8U@8UD 8UP8UD:8U`8UD`<8Up8UD<8U8UD<8U8UD<8U8UD<8U8UD=8U8UD =8U8UD@=8U8UD`=8U8UD=8U8UD@8U8UD`8U 8UD8U08UD8U@8UDК8UP8UD8U`8UD8Up8UD08U8UDP8U8UDp8U8UD?8U8UD @8U8UD@@8U8UD`@8U8U8UD@8U8UD@8U8UD@8U 8UDA8U08UD A8U@8UD@A8U6UP8UD`A8U`8UDC8Up8UDC8U8UDC8U8UDC8U8UDD8U8UD D8U8UD@D8U8UD`D8U8UDD8U8UD8U8UDЗ8U8UD=8U 8UD=8U08UD=8U@8UD>8UP8UD >8U`8Up8UD@>8U8UD`>8U8U8U8U8U8U8UD>8U8UD>8U8UD>8U8UD>8U 8UD?8U08UDH8U@8UDH8UP8UDH8U`8UDI8UX 8U8U8UD 8U8U`T8U ؞8UD8UP؞8UD 8U`؞8UD@8Up؞8UD`8UD8U j8U8U2H8U8U0aT8UDD8U8UDP8U`՜8UD8U8U ՜8UDM8UQ8UDP8UQ8UD08U0ܣ8UD8UԜ8Up՜8UD8U0՜8UDM8U@՜8UD@8U0D8U  `}8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8U8UD8UQǛ8U1)N2U8U>66036!19607[8U!2017-06-09 17:10:17U12017-06-09 18:55:45K8U01Fanfares for Natural TrumpetUO8U!41Wk8U!19W!4WP:8U!2WO8U!2011-06-10 11:56:57U!2017-11-22 16:49:43U!Reiche / Trad / Dixon!Graham DixonL8U!0WK8U10W0!sibWD8U!309WO8U!0W0v8U!WWэ8U!0000-00-00 00:00:00U!23W(b8U!11412WH~8U!14W8U!1.50XN8U!2011-05-07 02:10:17U!0WM8U!0W@M8U!41457W0N8U!WWL8U!1WK8U10WM8U0!5^8UThese simple canons were written to round off a performance by the Oxford Trumpet Consort in the beautiful surroundings of Magdalen College Chapel, Oxford, in the Winter of 1996. The players were spacially arranged around the altar to add to the atmosphere. The playing should be very sustained, quiet and under-stated; I used the pieces to demonstrate the versatility of the trumpet, which had spent much of the evening in its high register playing florid Baroque works.!3.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW8U!265701W!0Wʛ8U!0W8U!0.00Wț8U!15.00W8U!12.00W˛8U!0Wxɛ8U!WW8ʛ8U!0.00W8U!27008Xores WHE!2017-06-09 17:10:17U10000-00-00 00:00:008U0!72751W 2Uڛ8U8UX2Uڛ8U85Uڛ8UX 85Uڛ8UH!85Uۛ8U"85U(ۛ8U3U@ۛ8UH%85UXۛ8Uț8U&85Upۛ8U(6Uۛ8U&85Uۛ8UhG85Uۛ8U8<25Uۛ8Uɛ8U 6Uۛ8UZ85Uܛ8UP6Uܛ8U5U0ܛ8UA6UHܛ8U)_2U`ܛ8U54Uxܛ8U_85Uܛ8U_85Uܛ8U8U`85Uܛ8Uț8Uc`7Uܛ8Uf`7Uܛ8U25Uݛ8U25U ݛ8U25U8ݛ8Uɛ8U c2UPݛ8U"c2Uhݛ8U(g85U8Ug85U8UW4U8UXf85U8Ue85U8Upț8Uc85U 8U88UOm2U88U@ț8U m2UP8U8UX~`2Uh8U`ɛ8U`2U8UHb85U8U`8U&_2U8UhAT2U8U8DT2U8U>T2U8UH8U7U8U4U(8U0ɛ8UH5U@8U8U(t85UX8Up85Up8U8Uj6U8U885U8UI85U8U8U85U8Uxa85UL8U85UH8U6Uh8U8UH4U]8UX2U`8Uh4Uh8UX8U6Ui8U6U(i8U8Uh_2UXz8U85UPh8U885Uh8U85Upz8U ʛ8U^i2Uz8UΌ2Uz8Un4U8U2U08U` 8U2UH8U!8U5U8U4U@8Uh]8U68Uh 8U8U5U֛8U&8Ux6o3U(8U6U8U(b2UX8U+_2Up8U,_2U8Uh/_2U8U6U8Uh!8UX:5U8Ux4U8Uh5o3U8Uh2U8U/_2U08U 4UH8U#8U16U`8U '8U46Ux8U=4U8U45U8UH1_2U8U85U8U85U8UXDe3U8U87U 8U؝2U88UX85UP8U85Uh8U)6U8U885U8U85U8U85U8Up,5U8Ux85U8U$8UH85U8U85U(8U#8U4U@8U2UX8U@%8UX2Up8U85U8UX 85U8UH!85U8U"85U8U3U8UH%85U 8U!8U&85U 8U(6U0 8U&85UH 8UhG85U` 8U8<25Ux 8UX"8U 6U 8UZ85U 8UP6U 8U5U 8UA6U 8U)_2U 8U54U 8U_85U8 8U_85UP 8U'8U`85Uh 8U("8Uc`7U 8Uf`7U 8U25U 8U25U 8U25U 8UH#8U c2U 8U"c2U 8U(g85U( 8Ug85U@ 8UW4UX 8UXf85Up 8Ue85U 8U!8Uc85U 8Up%8UOm2U 8U!8U m2U 8U$8UX~`2U 8U"8U`2U 8UHb85U 8U$8U&_2U0 8UhAT2UH 8U8DT2U` 8U>T2Ux 8U'8U7U 8U4U 8U"8UH5U 8U%8U(t85U 8Up85U 8U'8Uj6U 8U885U 8UI85U8 8U&8U85UP 8Uxa85Ux8U85U҃8U6Uכ8U&8UH4U8h8UX2U(҃8Uh4U֛8U&8U6U8כ8Uq{ "GroupOrd" : "130", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } es!2011-05-07 02:10:48!Canons for Trumpets!0W!0W!23W!2013-04-14 02:30:51!0W!0WCanons for Trumpets Graham Dixon none These simple canons were written to round off a performance by the Oxford Trumpet Consort in the beautiful surroundings of Magdalen College Chapel, Oxford, in the Winter of 1996. The players were spacially arranged around the altar to add to the atmosphere. The playing should be very sustained, quiet and under-stated; I used the pieces to demonstrate the versatility of the trumpet, which had spent much of the evening in its high register playing florid Baroque works..8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WP8U 8UH 8Uʛ8U8U8U(8U 8U8U8U@8U8UXț8Ux 8U8U 8U8U"8Uɛ8Uɛ8U8U0 8Up8Uh8U8U(˛8U 8U8U8U8U8U8U8U8U 8U08UX8UHɛ8Uʛ8U8U88U8U8U(8Uʛ8U8Uh8Uʛ8Uʛ8Up8U 8U8Uț8UP!8Uɛ8U8Uț8Uɛ8U˛8Ux8Uț8U8Uxɛ8UǛ8U8ʛ8U8U 8U@8U 8U8Ux8U8UP8Uɛ8U 8Uhʛ8Uʛ8U`8U^8U["31525","77563","175993","25912","89643","66275","155775","51302","51303","171355","91169","166521","169480","98987","160251","134692","197735","155830","50715"]8U!2020-09-10 19:45:09!0W!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!0W!5.00W!2023-05-08 09:57:47!2023-05-08 09:58:09!1341146W!1143264W!0000-00-00 00:00:00!0000-00-00 00:00:00Q!8U168U Y19612!30962[68U!0W8U10W8U01Concerto in D Minor BWV 1043U(8U!8W!0W`v8U!4W8U!2W(8U!2011-06-10 12:10:31U!2017-11-22 16:49:43U!J. S. Bachx8U!Graham Dixon8U!1730W8U10W0!sibW8U!309W(b8U!0WH~8U!WW8U!0000-00-00 00:00:00U!0Ws8U!1893W0T8U!0WhP8U!1.50X8U!2011-05-07 18:21:36U!0W8U!0WP8U!60213W@8U!WW8U!0W8U10W8U0This short symphony, originally for four horns, has been arranged for four trumpets with an added timpani part. I have left most of the dynamic and articulation choices to the performers - I played this work with my trumpet quartet at Boston University and we found it a good experience to figure these things out on our own. We also re-ordered the movements (1, 2, 4, 5, 3), although they are presented here in their original order.8U!8.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YY$8U!938188W!0W&8U!0W!0.00W8$8U!15.50W'8U!7.50W!8U!0W&8U!WWh$8U!0.00W"8U["84936","84937","19606","49174","84947","5484","128131","516305","5483","85202","155539","48925","163068","68441","181996","167443","1322","81483","182018"]#8U!2020-08-31 10:43:19q{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } dP!4.5056W!2011-05-08 09:22:29ASymphony in C Major for four trumpets and timpani8U!0W!0W!8W!2013-04-14 13:22:39!0W!0W!Symphony in C Major for four trumpets and timpani Johann Melchior Molter none Graham Dixon This short symphony, originally for four horns, has been arranged for four trumpets with an added timpani part. I have left most of the dynamic and articulation choices to the performers - I played this work with my trumpet quartet at Boston University and we found it a good experience to figure these things out on our own. We also re-ordered the movements (1, 2, 4, 5, 3), although they are presented here in their original order.sOption?!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W%8UJ8U@J8U`#8U(%8U0&8U`&8U8*8U'8U)8Ux&8U%8U!8UpJ8U)8UX%8U)8U#8U#8Up"8U(8U(J8U)8U(8U *8U$8UJ8U8'8UP'8U*8U'8U(8U%8U$8UJ8Uh'8U)8U"8U$8U((8Up(8U(8U&8U`)8U $8U0)8U%8U8$8UP$8U&8UJ8U)8U!8UHK8U#8U&8U"8U0#8Uh$8U'8U@"8UH&8U"8U !8U#8UH)8UJ8Ux)8UJ8U(8U$8U@(8U(8U"8UX(8U#8U#8U'8UrofitLi!0^H8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W6UPכ8U)8Uh_2U`8U85Ux֛8U885U כ8U85Ux8Ux#8U^i2U8UΌ2U8Un4U@8U2UX8UXJ8U2Up8UxK8U5UX8U4U8UXk8Upb8U%8U5U88UP8Ux6o3U8U6U@8U(b2U8U+_2U8U,_2U8Uh/_2U 8U6U88U`K8UX:5UP8Ux4Uh8Uh5o3U[8Uh2U [8U/_2U8[8U 4UP[8UM8U16Uh[8UQ8U46U[8U=4U[8U45U[8UH1_2U[8U85U[8U85U[8UXDe3U\8U87U(\8U؝2U@\8UX85UX\8U85Up\8U)6U\8U885U\8U85U\8U85U\8Up,5U\8Ux85U]8UN8UH85U]8U85U0]8UM8U4UH]8U2U`]8U8O8UX2Ux]8U85U]8UX 85U]8UH!85U]8U"85U]8U3U]8UH%85U^8UK8U&85U ^8U(6U8^8U&85UP^8UhG85Uh^8U8<25U^8UPL8U 6U^8UZ85U^8UP6U^8U5U^8UA6U^8U)_2U_8U54U(_8U_85U@_8U_85UX_8UQ8U`85Up_8U L8Uc`7U_8Uf`7U_8U25U_8U25U_8U25U_8U@M8U c2U`8U"c2U`8U(g85U0`8Ug85UH`8UW4U``8UXf85Ux`8Ue85U`8UK8Uc85U`8UhO8UOm2U`8UK8U m2U`8UN8UX~`2U`8UL8U`2Ua8UHb85U a8UN8U&_2U8a8UhAT2UPa8U8DT2Uha8U>T2Ua8UxQ8U7Ua8U4Ua8UL8UH5Ua8UO8U(t85Ua8Up85Ua8UQ8Uj6Ub8U885U(b8UI85U@b8UP8U85UXb8Uxa85U@҃8U85U܃8U6U8UP8UH4U`֛8UX2U܃8Uh4UP8UP8U6U8U6U8UR8Uh_2U8U85U 8U885U8U85U8UpM8U^i2U8UΌ2UП8Un4U8U2Uة8UT8U2U8UU8U5U`c8U4Ud8U8U؅8UO8U5U8U8O8Ux6o3Ud8U6UHc8U(b2Ud8U+_2Ud8U,_2Ue8Uh/_2U(e8U6U@e8UU8UX:5UXe8Ux4Upe8Uh5o3Ue8Uh2Ue8U/_2Ue8U 4Ue8UX8U16Ue8UO8U46Uf8U=4Uf8U45U0f8UH1_2UHf8U85U`f8U85Uxf8UXDe3Uf8U87Uf8U؝2Uf8UX85Uf8U85Uf8U)6Ug8U885U g8U85U8g8U85UPg8Up,5Uhg8Ux85Ug8UX8UH85Ug8U85Ug8UW8U4Ug8U2Ug8UpY8UX2Ug8U85Uh8UX 85U(h8UH!85U@h8U"85UXh8U3Uph8UH%85Uh8U(V8U&85Uh8U(6Uh8U&85Uh8UhG85Uh8U8<25Ui8U!3.008^Z8U!2023-04-30 04:12:33!2023-04-30 04:12:43!1032313W!949952W!0000-00-00 00:00:00!0000-00-00 00:00:008UZ8U8UD 8U 8UD@8U08UD`8U@8UD8UP8UD8U`8UD8Up8UD8U8UDp8U8UD8U8UD8U8UD8U8UDpo8U8UDo8U8UD0s8U8UDPs8U8UDps8U8UDs8U 8UDs8U08UDs8U@8UDs8UP8UDt8U`8UD0t8Uʜ8UDPt8Uʜ8UD8Uʜ8UD 8U˜8UD@8U˜8UD`8U ˜8UD8U0˜8UD8U@˜8UD8UP˜8UD8U`˜8UDv8Up˜8UDv8U˜8UDv8U˜8UD0w8U˜8UDPw8U˜8UDpw8U˜8U˜8UDw8U˜8UDw8U˜8UDw8U̜8UDx8U̜8UD x8U ̜8UD@x8U6U0̜8UD`x8U@̜8UD@|8UP̜8UD`|8U`̜8UD|8Up̜8UD|8U̜8UD|8U̜8UD|8U̜8UD}8U̜8UD }8U̜8UD@}8U̜8UD08U̜8UDP8U̜8UDpt8U͜8UDt8U͜8UDt8U ͜8UDt8U0͜8UDt8U@͜8UP͜8UDu8U`͜8UD0u8Up͜8U͜8U͜8U͜8U͜8U͜8UDPu8U͜8UDpu8U͜8UDu8U͜8UDu8UΜ8UD`v8UΜ8UDp8U Μ8UD8U0Μ8UD8U@Μ8UDЁ8U`b8U(8U8UD8U8UPT8Uޞ8UD#8Uޞ8UD0$8Uޞ8UDP$8Uޞ8UDp$8UD8U 8U8U2Pc8U8UpM8UD@98U8UD@8Up8UD8Uc8U08UD8Uܣ8UD8Upܣ8UD8Uy!8U @Ч7U8U8UD08U@8UD8UP8UD8UpD8U  08U`Ϝ8UDpk8UpϜ8UDk8UϜ8UD l8UϜ8UD@l8UϜ8UD`l8UϜ8UDl8UϜ8UDl8UϜ8UDl8UϜ8UDpm8UϜ8UDm8UМ8UDm8UМ8UDm8U М8UDm8U0М8UDn8U@М8UD0n8UPМ8UDPn8U`М8UDl8UpМ8UDm8UМ8UD m8UМ8UD@m8UМ8UDpn8UМ8UDH8UМ8UDpJ8UМ8UDJ8UМ8UDJ8UМ8UDJ8Uќ8UDJ8Uќ8UDK8U ќ8UD0K8U0ќ8UDPK8U@ќ8UDpK8UPќ8UDK8U`ќ8UDn8Upќ8UDn8Uќ8UDn8Uќ8UDn8Uќ8UDo8Uќ8UD0o8Uќ8UDPo8Uќ8UDG8Uќ8UDG8Uќ8UDG8UҜ8UDG8UҜ8UD`H8U Ҝ8UDM8U0Ҝ8UDM8U@Ҝ8UPҜ8UDN8U`Ҝ8UDk8UpҜ8UDk8UҜ8UD0^8UҜ8UDP^8UҜ8UDp^8U6UҜ8UD^8UҜ8UD`8UҜ8UD`8UҜ8UDa8UҜ8UD a8UӜ8UD@a8UӜ8UD`a8U Ӝ8UDa8U0Ӝ8UDa8U@Ӝ8UDa8UPӜ8UDa8U`Ӝ8UDb8UQK8U1Xk8U]72751!30708[`k8U!0WV8U111WU8U0ASonata a 6 for natural trumpet & stringsv8Uэ8U!35W o8U!19WO8U!4Wk8U!2Wэ8U!2011-06-10 12:10:16U!2017-11-22 16:49:43U!Heinrich BiberV8U!Graham DixonW8U!0WV8U10W0!sibWHv8U!309Wҍ8U!0W8U!WW@b8U!0000-00-00 00:00:00U!0WhԎ8U!1608WH8U!0WPS8U!6XC8U!1.50XP8U!2011-05-07 18:16:42U!0Wx{8U!0W8U!59853W4U!WW4U!0W !3^`o8UTwo famous trumpet fanfares are reproduced here - Gottfried Reiche's high and florid "Abblasen", which was written as tower music for the Leipzig town musicians, and the equally well-known "Hejnal Krakowska", to which there is a story attached. The town trumpeter of a Polish city, under attack from its enemies, sounded this fanfare of panic and alarm to awaken the populace and call them to arms. Unfortunately, an archer skewered the trumpeter through the throat before he could finish, hence the fanfare finishes rather abruptly! These two fanfares are followed by four others which I found in my attic recently. Finally, there are three of my own. You are welcome to print these pieces for free, although I would be delighted to receive an email from you. For a four-trumpet fantasia on the Reiche fanfare, try [[http://www.sibeliusmusic.com|www.sibeliusmusic.com]]/cgi-bin/show_score.pl?scoreid=340710s8U!1.50W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YYN8U!650082W!0WP8U!0W!0.00W0N8U!1.50WQ8U!0.00WK8U!0WO8U!WW`N8U!0.00WL8U["73099","117818","5119","73100","204299","56127","67611","23512","411298","88152","24069","411299","197415","111184","23513","24149","51281","100127","87956"]M8U!2020-09-20 11:17:05!1^pv8U!0Wq{ "GroupOrd" : "120", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } !7.3728W!2011-05-07 02:10:351Fanfares for Natural Trumpetption?!0W!0W!2W!2013-04-09 20:41:56!0W!0WFanfares for Natural Trumpet Reiche / Trad / Dixon none Graham Dixon Two famous trumpet fanfares are reproduced here - Gottfried Reiche's high and florid "Abblasen", which was written as tower music for the Leipzig town musicians, and the equally well-known "Hejnal Krakowska", to which there is a story attached. The town trumpeter of a Polish city, under attack from its enemies, sounded this fanfare of panic and alarm to awaken the populace and call them to arms. Unfortunately, an archer skewered the trumpeter through the throat before he could finish, hence the fanfare finishes rather abruptly! These two fanfares are followed by four others which I found in my attic recently. Finally, there are three of my own. You are welcome to print these pieces for free, although I would be delighted to receive an email from you. For a four-trumpet fantasia on the Reiche fanfare, try [[http://www.sibeliusmusic.com|www.sibeliusmusic.com]]/cgi-bin/show_score.pl?scoreid=34071Part!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WO8U U8UxT8UXM8U O8U(P8UXP8U0T8UQ8US8UpP8UO8UK8UT8US8UPO8US8U(#8UL8UhL8UR8U`T8US8UR8UT8UxN8UT8U0Q8UHQ8UT8UQ8UR8UO8UN8UT8U`Q8US8UL8UN8U R8UhR8UR8UP8UXS8UN8U(S8UO8U0N8UHN8UP8UHT8US8UK8UU8UM8UO8UL8U(M8U`N8UQ8U8L8U@P8UL8UK8UM8U@S8UU8UpS8UT8UR8UN8U8R8UR8UL8UPR8UM8UM8UQ8UesUpdate!0^`8U!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-02-17 19:50:11!2023-02-17 19:50:13!144746W!134119W!0000-00-00 00:00:00!0000-00-00 00:00:00Z8U8UpӜ8UD b8UӜ8UD@b8UӜ8UD`b8UӜ8UDb8UӜ8UDb8UӜ8UӜ8UDb8UӜ8UDb8UӜ8UԜ8UԜ8U Ԝ8U0Ԝ8U@Ԝ8UDc8UPԜ8UD c8U`Ԝ8UD@c8UpԜ8UDK8UԜ8UD`L8UԜ8UDL8UԜ8UDL8UԜ8UDL8UԜ8UDL8Uȅ8U0c8U 8UD$8U8U@T8Up)8UDe8U)8UDf8U)8UD0f8U)8UDPf8UPD8U 8U8U28Ud8U18UD8U 8UD@b8U8UD8U8U8UD8U8UD8Up8UD8Uu/8UDZ8U8U8UD 8U8UD8UТ8UD8UD8U  `8U՜8UDǜ8U՜8UDǜ8U֜8UD0Ȝ8U֜8UDPȜ8U ֜8UDpȜ8U0֜8UDȜ8U@֜8UDȜ8UP֜8UDȜ8U`֜8UDɜ8Up֜8UDɜ8U֜8UDɜ8U֜8UDɜ8U֜8UDʜ8U֜8UD ʜ8U֜8UD@ʜ8U֜8UD`ʜ8U֜8UDʜ8U֜8UDʜ8Uל8UDʜ8Uל8UDȜ8U ל8UDɜ8U0ל8UDD8U@ל8UDF8UPל8UDF8U`ל8UDF8Upל8UDG8Uל8UD G8Uל8UD@G8Uל8UD`G8Uל8UD0ɜ8Uל8UDPɜ8Uל8UDܜ8Uל8UDC8Uל8UDC8U؜8UDC8U؜8UDC8U ؜8UDD8U0؜8UD D8U@؜8UD@D8UP؜8UD`D8U`؜8UDޜ8Up؜8UDߜ8U؜8UD0ߜ8U؜8UDߜ8U08UDߜ8U@8UDߜ8UP8U`8UD 8Up8UD@8U8UD`8U8UD8U8UD8U8UD8U6U8UD8UЙ8UD@8U8UD`8U8UD8U8UD8U8UD8U 8UD8U08UD8U@8UD 8UP8UD@8U`8UDǜ8Up8UDǜ8U8UDܜ8U8UDݜ8U8UD ݜ8U8UD@ݜ8U8UD`ݜ8UК8U8UDݜ8U8UDݜ8U8U8U 8U08U@8UP8UDݜ8U`8UDݜ8Up8UDޜ8U8UD ޜ8U8UDp8U8UD8U8UD8U8UD8UЛ8UD8UH8U8U3UDpf8UPa8U38U/8UDP8U 08UD8U008UDЊ8U@08UD8UD8U 8U8U288U8U~5U@'8UDu8U !8UDc8U8U 8UDb8U0X8UDpZ8UNB8UDZ8U@B8UD8U 8U0!8UD c8U 8UDb8U!8UDb8UD8U  p8U8UD؜8U8UD`ٜ8U8UDٜ8U 8UDٜ8U08UDٜ8U@8UDٜ8UP8UDڜ8U`8UD0ڜ8Up8UDڜ8U8UDۜ8U8UD ۜ8U8UQ8U8U18UH19607Y8US8UR8UW8UXY8UN8UN8UR8UXP8UPR8UN8UHN8UU8US8U8R8UY8UxQ8U@#8U0W8UV8UHQ8UR8UR8UQ8UR8UX8U@S8UO8UO8UhR8U@P8UQ8UY8U(Y8UXS8UO8UQ8UV8U8X8UP8UP8UpP8UPO8UQ8UPX8UQ8UY8UhX8UX8UO8UR8U R8UV8US8UHW8U`N8U@V8U`W8UX8UP8UpV8UN8UW8UPU8UW8UQ8UpS8UQ8U(S8U0Q8UX8UP8UP8UW8UP8UW8U X8UO8U~8U!1^08U!3.00W!2023-05-07 08:33:40!2023-05-07 08:33:49!1103005W!1021964W!0000-00-00 00:00:00!0000-00-00 00:00:00 *0OP  .0dh np   eh  8UQS8U1K4U8UF!307081k7U8UOq422223!30694W!9W 1The Silver Swan (voice and piano)8U!26WP8U!0Wp8U!4WW!1WH$8U!2011-06-10 13:01:46U!2017-11-22 16:49:44U!Graham Dixon88U!WW8U!2008W8U10W0!sibW0T8U!309WhP8U!0Whf8U!WW(q8U!0000-00-00 00:00:00U!6W8U!3135WX8U!4WH8U!1.50X8U!2011-05-08 07:35:15U!0WX8U!0W8U!136251W8U!WW8U!1W8U10W8U0!1Xk8U!0Wi8U!1Wj8U!0WXj8Uq{ "GroupOrd" : "160", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } !0.0000W qThis edition of Gabrieli's Canzon V features two piccolo and five B-flat trumpets. The range of the piece just about fits the instruments, as I have transposed the Canzona up a fifth from its printed pitch in the edition in my library. This should be great fun for a trumpet ensemble, and I rehearsed it with success with the Oxford Trumpet Consort in 1997.!3.95W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YYk8U!995633W!0Wn8U!0W!0.00WHk8U!14.45Wn8U!10.50Wh8U!0Wm8U!WWxk8U!0.00Wi8U["206815","53262","53505","126284","109455","83976","22179","105937","203462","55502","43869","86478","7843","81877","198828","7907","7763","60394","38818","63292"]U!2020-09-05 07:49:22!2011-05-07 15:18:42U1Canzona V for Seven Trumpets8U!0W!0W!12W!2013-04-16 21:25:43!0W!0WCanzona V for Seven Trumpets Giovanni Gabrieli none Graham Dixon This edition of Gabrieli's Canzon V features two piccolo and five B-flat trumpets. The range of the piece just about fits the instruments, as I have transposed the Canzona up a fifth from its printed pitch in the edition in my library. This should be great fun for a trumpet ensemble, and I rehearsed it with success with the Oxford Trumpet Consort in 1997.!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0Wl8U8r8Uq8Upj8U8l8U@m8Upm8UHq8Uo8Uq8Um8Ul8Uh8Uq8Up8Uhl8U(p8U0$8Uj8Ui8Uo8Uxq8Up8Uo8U0q8Uk8Uq8UHn8U`n8Uq8Un8Uo8Ul8Ul8Ur8Uxn8Up8Ui8Uk8U8o8Uo8U o8Un8Upp8U0k8U@p8Ul8UHk8U`k8Um8U`q8Up8Uh8Ur8U(j8Um8U i8U@j8Uxk8Un8UPi8UXm8Ui8U0h8Uj8UXp8U r8Up8Uq8Uo8Uk8UPo8Uo8Ui8Uho8Uj8Uk8Un8U8U!0]P8U!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-08 03:25:44!2023-05-08 03:25:57!996887W!893152W!0000-00-00 00:00:00!0000-00-00 00:00:00QPr8U18Ur22685P!22223Xores WHE!2017-06-09 17:10:17U10000-00-00 00:00:008S8U0!0W 8U12017-06-09 17:10:17 8U01Abblasen for Brass Quintet8U!0W;8U!4WPf8U!1Wq8U!2011-06-10 12:10:15U!2017-11-22 16:49:43U!Graham Dixonp 8U!WW 8U!2004W 8U10W0!sibWf8U!309Wx{8U!0W8U!WWؠ8U!0000-00-00 00:00:00U!2W`8U!4556Wƚ8U!2WΚ8U!3Xؚ8U!1.50hX>8U!2011-05-07 18:16:28U!0W֛8U!0W8U!59787Wc8U!WW !2x\8UAThis short but enjoyable flourish for three trumpets was written as a prelude to a performance of Bach's Cantata BWV 214 by the Cambridge Concentus in December 2008. I have woven three of the themes from Bach's opening chorus into the fanfare. Timpani contributions are optional, but add much to the texture.ted!2.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YYPu8U!0.00W["86857","33345","33194","111186","111187","33355","102156","111189","111188","33193","38499","167896","200203","85566","38502","86401","40902","192242","52731"]8U!2020-09-19 16:54:27U!0Ws8U!0000-00-00 00:00:00U!WW!0W!0Ws8U!0W0t8U!0Wu8U!1W q{ "GroupOrd" : "0", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } hang!0.0000WNetwork!2011-05-08 13:01:17202!Erschallet TrompetenU!0WŜ8U!0WdefScor!2WHiddenH!2013-04-14 22:52:01U!0WlƜ8U!0WƜ8U!0000-00-00 00:00:00hang!WWrIDPubl!873527WHǜ8U!0W ǜ8U!0W1ǜ8U!0.00WeExchang!2.00WEPSCoun!0.00Wx8U!0W !22867[O8U!2017-06-09 17:10:17U10000-00-00 00:00:00HT8U0AConcerto for Three Trumpets & Three ViolinsU8U!56WpE8U!0Wk8U!4W`v8U!2W8U!2011-06-10 12:01:00U!2017-11-22 16:49:43U!08XU8U!11WhU8U!WWxT8U1WW0!sibWScores!309WuantityS!0WurchaseQ!WW4-23 20:!0000-00-00 00:00:000:28!5W8.171791!1330Wʜ8U!2Wʜ8U!G. P. Telemanne2024-0!Graham Dixon4-04-23 !0W eh (0 ip'( +0 dh؜8U1P@6U؜8Uw{30962!63046Wk8U!2017-06-09 17:10:17U10000-00-00 00:00:008U01Canzona V for Seven Cellos8U8U!37WԎ8U!374Wk8U!4Wэ8U!2W8U!2011-06-10 12:52:35U!2017-11-22 16:49:44U!Giovanni Gabrieli8U!Graham Dixon8U!0W8U10W0!sibWҍ8U!309W8U!0W@b8U!WW`~8U!0000-00-00 00:00:00U!0WH8U!1344WPS8U!0WC8U!4XP8U!1.50hXf8U!2011-05-08 05:38:19U!0W8U!0Wؠ8U!110308W8U!WW !^^ܜ8U!YYV8U!485363W!0WY8U!0W!0.00WV8U!15.50WY8U!13.50WxT8U!0WX8U!WWW8U!0.00WhU8U["31848","101587","94364","39408","35253","116462","99812","49113","114496","117184","116250","50021","9177","196217","179225","41742","89530","15969","100643","95586"]V8UX8U!1^ޜ8U!0Wq{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "23563" } Fac!0.0000W!2011-05-07 15:22:53AConcerto for Three Trumpets Three Violins8Ue8U!0W!0W!82W!2013-04-17 03:30:00!0W!0WaConcerto for Three Trumpets & Three Violins G. P. Telemann none Graham Dixon One of my favourite Telemman concertos, and one which deserves more of the limelight, is this attractive three-movement piece, originally for three oboes, three violins and continuo. Reflecting the success of Wynton Marsalis' recording of a (heavily edited) version for trumpets, I have scored my own instrument instead of the oboes, though either could be used. I have added a harsichord continuo part for the first and second movements- if you should need one for the finale, let me know and I'll finish it off!p8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W X8U]8U]8UU8UW8UX8UX8U\8UZ8U\8UY8UX8UHT8UH]8Up\8UW8U[8UX#8UU8UU8U[8U]8U@\8U8[8U\8UW8Ux]8UY8UY8U\8UxZ8UP[8UPX8UW8U]8UZ8U(\8U8U8UV8UZ8U[8UZ8UY8U[8UV8U[8U8X8UV8UV8U@Y8U\8UX\8UxT8U 8UU8UX8UT8UU8UW8UHZ8UT8UX8UhU8US8U(V8U[8U]8U\8U`]8Uh[8UHW8UZ8U [8UU8UZ8UXV8UV8U0Z8Up8U!2020-09-28 07:16:57U!0W!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-08 03:04:49!2023-05-08 03:06:01!5582670W!4683741W!0000-00-00 00:00:00!0000-00-00 00:00:008U8U8UD@ۜ8U8UD`ۜ8U8UDۜ8UН8UDۜ8U8UDۜ8U8UDPڜ8U8UDpڜ8U8UDڜ8U 8UDڜ8U08UDۜ8U@8UD08UP8UDp8U`8UD8Up8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8UО8UDp8U8UD8U8UDܜ8U8UD ܜ8U8UD@ܜ8U 8UD`ܜ8U08UDܜ8U@8UDܜ8UP8UD 8U`8UD@8Up8UD`8U8UD8U8UD8U8UD8U8UD8U8UD8UП8U8UD8U8UD08U8UDP8U8UDp8U 8UD8U08UD8U6U@8UD8UP8UDP8U`8UDp8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD08UР8UDP8Uࠜ8UDٜ8U8UD0ٜ8U8UD8U8UD8U 8UD8U08UD8U@8UD08UP8U`8UDP8Up8UDp8U8U8U8U8U8UС8UD8U࡜8UD8U8UD8U8UD8U8UD8U 8UD8U08UD8U@8UD8UP8UD8U8U8U008UD8UPv;8UR8U 8UDŸ8UP8UD@ß8U`8UD`ß8Up8UDß8UD8U <8U8U28U8UC8UU8U8UD8U'8UDu8U`8U`'8UD@u8Uu8UD`V8UbW8UDV8U08UD S8U0'8U'8UDu8Up'8UD`u8U'8UDu8U0D8U  \8Up8UD68U8UD78U8UD@78U8UD`78U8UD78U8UD78UУ8UD78Uࣜ8UD78U8UD88U8UD88U8UD88U 8UD88U08UD98U@8UD098UP8UDP98U`8UDp98Up8UD88U8UD 88U8UD@88U8UD`88U8UDA8U8UD0A8UФ8UDC8Uज8UDC8U8UDD8U8UD D8U8UD@D8U 8UD`D8U08UDD8U@8UDD8UP8UDD8U`8UDD8Up8UD98U8UD98U8UD98U8UD98U8UD:8U8UD0:8UХ8UDP:8Uड़8UDp:8U8UDG8U8UD0G8U8UDPG8U 8UDG8U08UDG8U@8UDH8UP8U`8UD0H8Up8UDPH8U8UDpH8U8UDH8U8UDH8U8UDH8U6U8UDH8UЦ8UDK8Uজ8UDK8U8UDL8U8UD L8U8UD@L8U8UD`L8U8UD68U8UD68U8UD\8U8UDE8U 8UD E8U08UD@E8U@8UD`E8U8UQ]8UW8U5U(8U8Ux6o3U8U6U08U(b2UȒ8U+_2U8U,_2U8Uh/_2U8U6U(8U88UX:5U@8Ux4UX8Uh5o3Up8Uh2U8U/_2U8U 4U8U8U16U8U8U46U08U=4UH8U45U`8UH1_2Ux8U85U8U85U8UXDe3U8U87U8U؝2U8UX85U8U85U 8U)6U88U885UP8U85Uh8U85U8Up,5U8Ux85U8U8UH85U8U85U8Ux8U4U8U2U8U8UX2U(8U85U@8UX 85UX8UH!85Up8U"85U8U3U8UH%85U8U8U&85U8U(6U8U&85U8UhG85U8U8<25U08U(8U 6UH8UZ85U`8UP6Ux8U5U8UA6U8U)_2U8U54U8U_85U8U_85U8U8U`85U 8U8Uc`7U88Uf`7UP8U25Uh8U25U8U25U8U8U c2U8U"c2U8U(g85U8Ug85U8UW4U8UXf85U(8Ue85U@8U8Uc85UX8U@8UOm2Up8Uh8U m2U8U8UX~`2U8U8U`2U8UHb85U8Uh8U&_2U8UhAT2U8U8DT2U8U>T2U08UP8U7UH8U4U`8UX8UH5Ux8U8U(t85U8Up85U8U8Uj6U8U885U8UI85U8U8U85U8Uxa85UP:8U85UD8U6U8U8UH4Uc8UX2UD8Uh4U@8U`8U6UЇ8U6U臜8U8Uh_2U(8U85U8U885U8U85U@8UH8U^i2UX8UΌ2Up8Un4U`Ś8U2UxŚ8Uh8U2UŚ8U8U5U8U4Ux8U=8U.8U8U5U8U 8Ux6o3U`8U6U8U(b2U8U+_2U8U,_2U8Uh/_2U8U6U8Up8UX:5U8Ux4U 8Uh5o3U88Uh2UP8U/_2Uh8U 4U8U8U16U8UL8U46U8U=4U8U45U8UH1_2U8U85U8U85U(8UXDe3U@8U87UX8U؝2Up8UX85U8U85U8U)6U8U885U8U85U8U85U8Up,5U8Ux85U08U8UH85UH8U85U`8U8U4Ux8U2U8UH 8UX2U8U85U8UX 85U8UH!85U8U"85U8U3U 8UH%85U88U8U&85UP8U(6Uh8U&85U8UhG85U8U8<25U8U`8U 6U8UZ85U8UP6U8U5U8UA6U(8U)_2U@8U54UX8U_85Up8U_85U8UL8U`85U8U08Uc`7U8Uf`7U8U25U8U !22833Xores WHE!WW8U1noneW8U0!2017-06-09 17:10:17U10000-00-00 00:00:00Xߝ8U0ATwo Fanfares from the 'Christmas Oratorio'W!19WH~8U!4W8U!2W08U!2011-06-10 11:15:06U!2017-11-22 16:49:45U!J S BachX8U!Graham Dixonx8U!2010Wߝ8U10W0!sibWԎ8U!309W`8U!0WP.8U!WWH$8U!0000-00-00 00:00:00U!0Wp8U!1493W{8U!0W8U!2xX(8U!1.50XX8U!2011-06-10 13:35:33U!0WА8U!0W0Κ8U1153702W4U0!0X8U!0W8U!1W`8U!0W8Uq{ "GroupOrd" : "30", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "23563" } U!0.0000W AThis is a transcription for seven cellos of Giovanni Gabrieli's Canzona V. The players should be arranged spacially, with first, second and third in a group opposite fifth, sixth and seventh, with fourth in the center. The tempo should be bright, and the sixteenth-note passages kept light and lyrical.cted?!10.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YY8U!938049W!0W8U!0W!0.00W8U!20.50W8U!10.50W8U!0W8U!WW88U!0.00W8U["73398","52447","77003","81505","136044","68993","73909","111499","28738","173797","23214","96308","66947","10123","167280","68463","162869","75995","37206"]8U!2020-09-17 16:30:51!2011-05-08 05:38:32U1Canzona V for Seven CellosO8U!0W!0W!9W!2013-04-18 12:07:55!0W!0WCanzona V for Seven Cellos Giovanni Gabrieli none Graham Dixon This is a transcription for seven cellos of Giovanni Gabrieli's Canzona V. The players should be arranged spacially, with first, second and third in a group opposite fifth, sixth and seventh, with fourth in the center. The tempo should be bright, and the sixteenth-note passages kept light and lyrical.Option?!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WX8U8UP8U08U8U8U08U8U8U8UH8U8U8U8U8U(8U8Up#8U8U@8U8U88Ux8Up8U8UP8U8U8U 8U8U8U8U8U8U8U88U`8Up8U8U8U@8U8U8U08U8U8Up8U8U 8Ux8U 8U8U8UX8U8U8U8U8U88U8U8U8U8U]8U`8U8U8UH8U8U8U8U8UX8U8U(8U8U8Uh8ULicenseR!0^p8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-05-03 06:01:22!2023-05-03 06:01:42!821781W!724997W!0000-00-00 00:00:00!0000-00-00 00:00:00  dh#( `heh,8U8U,8UP8UDE8U`8UDE8Up8UDE8U8U8UDE8U8UDF8U8U8U8U8U8U 8UD F8U 8UD@F8U 8UD`F8U0 8UD`8U@ 8UD`a8UP 8UDa8U` 8UDa8Up 8UDa8U 8UDa8U.8U8UPV8UDß8U8U =C8U8UDp8UЕ8UD8U8UD8U8UD8UD8U c8U`8U2x/8UH8UP*8UD8U08UDp8U8UDp8U/8UЇ8UD8U@8U 8UD@S8U 8UDZ8U8U 8UD8U8UD8U8UD08UpD8U  0p8U!8UD@ޛ8U!8UD`ޛ8U!8UDF8U!8UDF8U!8UDpd8U!8UDd8U"8UDd8U"8UDd8U "8UDe8U0"8UDe8U@"8UDe8UP"8UDe8U`"8UDf8Up"8UD f8U"8UD@f8U"8UD`f8U"8UDd8U"8UDe8U"8UD0e8U"8UDPe8U"8UDg8U"8UDg8U#8UDh8U#8UDh8U #8UDi8U0#8UD i8U@#8UD@i8UP#8UD`i8U`#8UDi8Up#8UDi8U#8UDi8U#8UDi8U#8UDf8U#8UDf8U#8UDf8U#8UDf8U#8UDg8U#8UD g8U$8UD@g8U$8UD`g8U $8UDl8U0$8UD0l8U@$8UDPl8UP$8UDl8U`$8UDl8Up$8UDm8U$8U$8UD m8U$8UD@m8U$8UD`m8U$8UDm8U$8UDm8U$8UDm8U6U$8UDm8U%8UDo8U%8UD0o8U %8UDPo8U0%8UDpo8U@%8UDo8UP%8UDo8U`%8UDo8Up%8UDo8U%8UDp8U%8UDF8U%8UDF8U%8UDj8U%8UD j8U%8UD@j8U%8UD`j8U%8UDj8U&8U&8UDj8U &8UDj8U0&8U@&8UP&8U`&8Up&8U&8UDj8U&8UDk8U&8UD k8U&8UD@k8U&8UDk8U&8UD@t8U&8UD`t8U&8UDt8U'8UDt8U98UX/8U˥8UD08U`˥8Up˥8Up8UDP8U8UD8U8UD8U8UD8UPD8U 8U8U298U08Uo8UD8UP8UDp8U8UD08UX:8UP8UD8U 8UDZ8UP8UDZ8U0!8UD`!8U 8U8UDP8U`8UD8Up8UD8UD8U  8U (8UDd8U0(8UD8U@(8UD8UP(8UD8U`(8UD8Up(8UD 8U(8UD@8U(8UD`8U(8UD8U(8UD08U(8UDP8U(8UDp8U(8UD8UQ8U1=8U3 h6304618=8U:$22833!102156W!43W 1Trumpet Tune & Air (ten-part brass)U!8W`~8U!0WhԎ8U!3WW!2W@b8U!2011-06-10 12:06:00U!2017-11-22 16:49:43U!Henry PurcellС8U!Graham Dixon08U!0W@8U10W0!sibW@8U!309W0~8U!0WȈ8U!WWԎ8U!0000-00-00 00:00:00U!0WX;T8U!1784W;8U!0WPf8U!4Xq8UPurcell's famous trumpet tune & air is given the ten-part brass treatment. The arrangement is ideal for younger players, although it would serve well at any occasion, including weddings.8UΚ8U0Κ8U!15^A8UA very talented ten-part brass ensemble is required for this challenging arrangement of Bach's popular D-minor concerto for two violins. The trumpeters take the lead in the outer movements, while the horn and trombones take the melodies in the second. Adapting difficult violin writing for brass instruments was a real test, resulting in some fiendish piccolo trumpet moments, but I've beta-tested the parts and they at least appear playable! Expression markings are at the discretion of the performers, and tempi are flexible. Should you require a transposed version, or if you have any comments about this piece, please feel free to contact me.!18.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW 8U!599276W!0W@8U!0WL8U!0.00W8U!33.00W 8U!15.00Wp8U!0W8U!WW8U!0.00WL8U!2017-06-09 17:10:17U10000-00-00 00:00:00`Q8U0!46W8U!19W !1^G8U!0Wq{ "GroupOrd" : "180", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16091" } !0.0000W!2011-05-07 18:21:441Concerto in D Minor BWV 1043`H8U!0W!0W!48W!2013-04-13 23:21:26!0W!0WConcerto in D Minor BWV 1043 J. S. Bach none Graham Dixon A very talented ten-part brass ensemble is required for this challenging arrangement of Bach's popular D-minor concerto for two violins. The trumpeters take the lead in the outer movements, while the horn and trombones take the melodies in the second. Adapting difficult violin writing for brass instruments was a real test, resulting in some fiendish piccolo trumpet moments, but I've beta-tested the parts and they at least appear playable! Expression markings are at the discretion of the performers, and tempi are flexible. Should you require a transposed version, or if you have any comments about this piece, please feel free to contact me.8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW25U8U25U8UP8U c2U08U"c2UH8U(g85U`8Ug85Ux8UW4U8UXf85U8Ue85U,8U8Uc85U,8Ux 8UOm2U,8U8U m2U-8U8UX~`2U-8U8U`2U0-8UHb85UH-8U8U&_2U`-8UhAT2Ux-8U8DT2U-8U>T2U-8UL8U7U-8U4U-8U8UH5U-8U 8U(t85U.8Up85U .8U@M8Uj6U8.8U885UP.8UI85Uh.8U 8U85U.8Uxa85UD8U85UO8U6U 8U 8UH4U8UX2UO8Uh4U8U 8U6UP8U6Uh8UxN8Uh_2UŚ8U85U8U885U88U85UŚ8U8U^i2UŚ8UΌ2UŚ8Un4Uh8U2U8UP8U2U8U0Q8U5U/8U4U08U؜8U98U 8U5Up8UV8Ux6o3U08U6Up/8U(b2U18U+_2U 18U,_2U818Uh/_2UP18U6Uh18UQ8UX:5U18Ux4U18Uh5o3U18Uh2U18U/_2U18U 4U18US8U16U28UV8U46U(28U=4U@28U45UX28UH1_2Up28U85U28U85U28UXDe3U28U87U28U؝2U28UX85U38U85U38U)6U038U885UH38U85U`38U85Ux38Up,5U38Ux85U38UxT8UH85U38U85U38UXS8U4U38U2U48UT8UX2U 48U85U848UX 85UP48UH!85Uh48U"85U48U3U48UH%85U48UQ8U&85U48U(6U48U&85U48UhG85U58U8<25U(58UR8U 6U@58UZ85UX58UP6Up58U5U58UA6U58U)_2U58U54U58U_85U58U_85U68UV8U`85U68UQ8Uc`7U068Uf`7UH68U25U`68U25Ux68U25U68UR8U c2U68U"c2U68U(g85U68Ug85U68UW4U78UXf85U 78Ue85U878UxQ8Uc85UP78U U8UOm2Uh78UHQ8U m2U78UT8UX~`2U78UhR8U`2U78UHb85U78UHT8U&_2U78UhAT2U78U8DT2U88U>T2U(88U0W8U7U@88U4UX88U8R8UH5Up88UU8U(t85U88Up85U88UxW8Uj6U88U885U88UI85U88UU8U85U98Uxa85UO8U85Uk8U6U8UpV8UH4Ux8UX2Uk8Uh4U8U@V8U6U8U6U08UX8Uh_2U8U85UX8U885U8U85Uȏ8U(S8U^i2U8UΌ2U8Un4U̚8U2U̚8UHZ8U2U̚8Uh[8U5U:8U4Up;8U8U}8UT8U5U/8U8Ux6o3UX;8U6U98U(b2U;8U+_2U;8U,_2U;8Uh/_2U;8U6U;8UP[8UX:5U<8Ux4U<8Uh5o3U0<8Uh2UH<8U/_2U`<8U\8U!0X^p\8U 8UP8UO8Uh8U0 8U8 8Uh 8UO8UpM8UhO8U 8U 8U8U(P8UPO8U` 8UN8U#8U8Ux8U`N8UO8U O8UN8UO8U8UXP8UL8UL8UO8UXM8U0N8U 8U 8UpP8UL8UO8U8U8UM8UM8UM8U 8UN8U(8UN8U 8U@8UX8U 8UO8U8O8U8UQ8U 8U 8U8U88Up8U(M8UH8UP 8U8U(8U8UN8UP8UN8U@P8UHN8U8UM8UN8U8UM8U8U8UM8U`8U["206815","53262","53505","43869","109455","83976","55502","105937","126284","7843","22179","203462","86478","198828","81877","38818","60394","99144","63292","7763"]!2020-09-28 18:44:24!0W!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-07 08:05:01!2023-05-07 08:05:44!4609747W!4031089W!0000-00-00 00:00:00!0000-00-00 00:00:00QP8U!19415Xores WHE!0W!1915W !4^`d8U!1W!2011-06-10 12:29:21!2017-11-22 16:49:43!Graham Dixon R8U!WWR8U!2006WQ8U10W0!sibW!309W!0W!WW!0000-00-00 00:00:00!10W!1874W!7W!1.50XS8U!2011-05-07 23:24:53U!0W@S8U!0WR8U!83776WS8U!WWhR8U!0WQ8U10WS8U0!3^g8UThis is a Baroque-style fanfare for six natural trumpets, timpani and continuo in the style of the ceremonial pieces of Biber and others who made use of both the high, florid side of the trumpet's personality, and the low-register, military style. h8Uh8U!3.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YYS8U!859802W!0WV8U!0W!0.00WS8U!3.00WV8U!0.00WQ8U!0WU8U!WWT8U!0.00WR8U["37625","62329","17739","49860","59675","103099","115148","183742","96307","129868","24124","4623","93622","161378","106291","80373","134888","112010","105972"]8U!2020-09-15 10:43:10!1^l8U!0Wq{ "GroupOrd" : "50", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } cor!0.0000W!2011-05-07 23:25:01!Sinfonia for 6 trumpets!0W!0W!25W!2013-04-16 09:49:52!0W!0W1Sinfonia for 6 trumpets Graham Dixon none This is a Baroque-style fanfare for six natural trumpets, timpani and continuo in the style of the ceremonial pieces of Biber and others who made use of both the high, florid side of the trumpet's personality, and the low-register, military style. U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8U8UZ8U0Z8US8UT8UU8UV8UY8UW8UY8U(V8UU8U`Q8U`Z8UY8UU8UX8U#8UR8U R8UX8UZ8UXY8UPX8UY8U0T8UZ8UV8UW8UY8UW8UhX8UhU8UT8UZ8UW8U@Y8UPR8US8UW8U X8UW8UV8UY8US8UX8UPU8US8UT8UXV8UZ8UpY8UQ8U8[8UR8UU8UQ8UR8UT8U`W8UQ8UU8UR8UP8U@S8UX8UZ8U(Y8UxZ8UX8U`T8UW8U8X8UR8UX8UpS8US8UHW8UenseScor!0^0t8U!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-05 13:35:31!2023-05-05 13:35:42!727198W!534783W!0000-00-00 00:00:00!0000-00-00 00:00:00,8Upv8U(8UD0d8U)8UDPd8U)8UDP8U )8UDp8U0)8UD8U@)8UD8UP)8UD8U`)8UD8Up)8UD8U)8UD08U)8UDP8U)8UDp8U)8UD8U)8UD8U)8UDЫ8U)8UD8U)8UD8U*8UD08U*8UDP8U *8UD8U0*8UDЧ8U@*8UD8UP*8UD8U`*8UD08Up*8UDP8U*8UDp8U*8UD8U*8UD8U*8UD8U*8UD8U*8UD08U*8UDP8U*8UDp8U+8U+8UD8U +8UD8U0+8UDЯ8U@+8UD8UP+8UD8U`+8UD08U6Up+8UDP8U+8UD8U+8UD8U+8UD08U+8UDP8U+8UDp8U+8UD8U+8UD8U+8UDг8U,8UD8U,8UDp8U ,8UD8U0,8UD8U@,8UDЬ8UP,8UD8U`,8UD8Up,8UD08Up8U8UDP8U8UDp8U8U8U8UІ8U8U8UD8U8UD8U8UDЭ8U 8UD 8U08UDи8U@8UD8UP8UD8U`8UD08Up8UDP8U}8U98UzT8UD8U N8UzT8U8UD@G8U 8UDG8U08UDG8U@8UDG8UD8U 8U 8U2~8U@;8U028UDI8U8UD`C8U8UD08U~8Up8UD8U !8U@!8UD!8U!8UDp8U@8U8UDP8U8UD8U8UD8UD8U  ם8U8UD8U8UD=8U8UD=8U8UD=8UЈ8UD>8U8UD >8U8UD@>8U8UD`>8U8UD?8U 8UD0?8U08UDP?8U@8UDp?8UP8UD?8U`8UD?8Up8UD?8U8UD?8U8UD>8U8UD>8U8UD>8U8UD>8UЉ8UD@8U8UD0@8U8UD@Н8U8UD`Н8U8UDН8U 8UDН8U08UDН8U@8UDН8UP8UDѝ8U`8UD ѝ8Up8UD@ѝ8U8UD`ѝ8U8UD0ϝ8U8UDPϝ8U8UDpϝ8U8UDϝ8UЊ8UDϝ8U8UDϝ8U8UDϝ8U8UDН8U8UDӝ8U 8UDӝ8U08UDӝ8U@8UD@ԝ8UP8UD`ԝ8U`8UDԝ8Up8U8UDԝ8U8UDԝ8U8UDԝ8U8UD՝8U8UD0՝8UЋ8UDP՝8U6U8UDp՝8U8UD֝8U8UD֝8U8UD֝8U 8UD֝8U08UDם8U@8UD ם8UP8UD@ם8U`8UD`ם8Up8UDם8U8UD8U8UD8U8UDѝ8U8UDѝ8U8UDѝ8UЌ8UDѝ8UspectLas #(  dh *0 ,0eh(0np !26Wƚ8U!0W QZ8U1`0.3U8U^a45591188U27008!0W[8U1Francois Couperin[8U0!Couperin Suite!8W!0W!4W!2W!2011-06-10 11:56:44!2017-11-22 16:49:42!Graham DixonX\8U!0W8U!0W[8U110W0!sibW!309W!0W!WW!0000-00-00 00:00:00 4Ux<8U8U16Uv8UH8U46Uv8U=4Uv8U45Uv8UH1_2Uv8U85Uw8U85U(w8UXDe3U@w8U87UXw8U؝2Upw8UX85Uw8U85Uw8U)6Uw8U885Uw8U85Uw8U85Ux8Up,5Ux8Ux85U0x8U8UH85UHx8U85U`x8UИ8U4Uxx8U2Ux8Uh8UX2Ux8U85Ux8UX 85Ux8UH!85Ux8U"85Uy8U3U y8UH%85U8y8U[8U&85UPy8U(6Uhy8U&85Uy8UhG85Uy8U8<25Uy8U@\8U 6Uy8UZ85Uy8UP6Uy8U5Uz8UA6U(z8U)_2U@z8U54UXz8U_85Upz8U_85Uz8U08U`85Uz8U\8Uc`7Uz8Uf`7Uz8U25Uz8U25U{8U25U{8Up8U c2U0{8U"c2UH{8U(g85U`{8Ug85Ux{8UW4U{8UXf85U{8Ue85U{8U[8Uc85U{8U8UOm2U{8U[8U m2U|8U8UX~`2U |8U8U`2U8|8UHb85UP|8U8U&_2Uh|8UhAT2U|8U8DT2U|8U>T2U|8U8U7U|8U4U|8U8UH5U|8U8U(t85U}8Up85U(}8U8Uj6U@}8U885UX}8UI85Up}8U@8U85U}8Uxa85Uk8U85U0v8U6U`08U蛝8UH4U@8UX2UHv8Uh4U08U8U6U08U6U08U(8Uh_2U̚8U85U/8U885Ux08U85U͚8U8U^i2U(͚8UΌ2U@͚8Un4U0ך8U2UHך8U8U2U`ך8Uࠝ8U5U~8U4U8U(ޛ8U8U88U5Uh:8U88Ux6o3U8U6Ux~8U(b2U8U+_2U(8U,_2U@8Uh/_2UX8U6Up8UȠ8UX:5U8Ux4U8Uh5o3U8Uh2UЀ8U/_2U耝8U 4U8U88U16U8U8U46U08U=4UH8U45U`8UH1_2Ux8U85U8U85U8UXDe3U8U87U؁8U؝2U8UX85U8U85U 8U)6U88U885UP8U85Uh8U85U8Up,5U8Ux85U8U(8UH85UȂ8U85U8U8U4U8U2U8U8UX2U(8U85U@8UX 85UX8UH!85Up8U"85U8U3U8UH%85U8UX8U&85UЃ8U(6U胝8U&85U8UhG85U8U8<25U08U8U 6UH8UZ85U`8UP6Ux8U5U8UA6U8U)_2U8U54U؄8U_85U8U_85U8Uh8U`85U 8U8Uc`7U88Uf`7UP8U25Uh8U25U8U25U8U8U c2U8U"c2Uȅ8U(g85U8Ug85U8UW4U8UXf85U(8Ue85U@8U(8Uc85UX8UФ8UOm2UH8U8U m2U`8U@8UX~`2Ux8UdefScor!1.50X08U!2011-05-07 02:05:30U!0W8U!0Wp8U!41170W`8U!WW8U!1W[8U10W8U0qThis five-movement suite featuring movements from Couperin's 6th Suite of harpsichord pieces has been arranged for brass quintet. A piccolo trumpet would make thiings easier in the final movement. I have endeavoured to leave sufficient breathing and rest points for all five players, and also tried not to tax the performers too severely, as though this suite was part of a professional concert. Ornamentation has been included, as French baroque was often heavily ornamented with mordents, turns and trills - these are designed to be complemented by the players, within the boundaries of 18th Century style.@!12.95W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW8U!467088W!0W`8U!0W08U!0.00W[8U!20.45W(8U!7.50W8U!0W8U!WW8U!0.00W`8UQh8U!32337W8U!9W !1^p8U!0Wq{ "GroupOrd" : "110", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16090" } !0.0000W!2011-05-07 02:05:44!Couperin Suite!0W!0W!25W!2013-04-12 14:06:35!0W!0WCouperin Suite Francois Couperin none Graham Dixon This five-movement suite featuring movements from Couperin's 6th Suite of harpsichord pieces has been arranged for brass quintet. A piccolo trumpet would make thiings easier in the final movement. I have endeavoured to leave sufficient breathing and rest points for all five players, and also tried not to tax the performers too severely, as though this suite was part of a professional concert. Ornamentation has been included, as French baroque was often heavily ornamented with mordents, turns and trills - these are designed to be complemented by the players, within the boundaries of 18th Century style.U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8UP8U8U8UP8UX8U8U`8U 8U8U8U8U[8U؟8U8U8U@8U#8U(8UX\8U8U8UО8Uȝ8UH8U8U8U`8Ux8U08U8U8U8U 8U 8U8U8Uȗ8U08UP8U8U88U8U8UH8UX8UȚ8U`8Ux8UЛ8Ux8U螝8U[8U8U@8U(8U[8UX8U8U؜8U(\8Up8U8U[8U8Up8U88U8U8U8Uؙ8Uh8U8U8U8U蘝8U8U8U8U["206815","53262","126284","53505","109455","83976","105937","203462","22179","55502","43869","86478","7843","81877","7763","7907","198828","60394","38818","63292"]U!2020-08-29 18:26:34!0W!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-08 10:22:20!2023-05-08 10:22:53!2327512W!1941208W!0000-00-00 00:00:00!0000-00-00 00:00:00v8U 8U8UDҝ8U8U8UD ҝ8U8UD@ҝ8U 8U08U@8UP8U`8Up8UD`ҝ8U8UDҝ8U8UDҝ8U8UDҝ8U8UDpӝ8U8UD8UЍ8UD8U8UD8U8UD8U輝8U`~8U0N8UDH8UT8UzT8UpZ8UDЬ8UZ8UD08UZ8UDP8UZ8UDp8UD8U 8U8U2ؽ8U8U F8UP8UDv8U08UD D8U88U8UDC8U!8UD8U!8UD8U`8UD@:8U8U@8UD@D8U8UDC8U8UDC8U0D8U  8U8UDP=8U 8UD 8U08UDp=8U@8UD 8UP8UD@ 8U`8UD` 8Up8UD 8U8UD 8U8UDP 8U8UDp 8U8UD 8U8UD 8UЏ8UD 8U8UD 8U8UD8U8UD08U8UD 8U 8UD 8U08UD 8U@8UD 8UP8UDP8U`8UD08Up8UDp8U8UD8U8UD8U8UD8U8UD8U8UD8UА8UD08U8UDP8U8UDp8U8UD8U8UDp8U 8UD8U08UD8U@8UD8UP8UD8U`8UD 8Up8UD@8U8UD`8U8UD8U8UD8U8UD8U8UD8UБ8UD8U8UD8U8U8UD@8U8UD`8U 8UD8U08UD8U@8UD8UP8UD8U6U`8UD8Up8UD8U8UD8U8UD8U8UD8U8UD 8U8UD 8UВ8UD@ 8U8UD` 8U8UD 8U8UD 8U8UD 8U 8UD8U08UD8U@8UD8UP8UD8U`8UD08Up8U8UDP8U8UDp8U8U8U8UГ8U8U8UD8U8UD8U8UD8U 8UD8U08UD8U8UD 8U8UD 8U8UD 8U8UD8Uhǝ8U8UT8UD8U#8UpzT8U`8UDЃ8U a8UD08U0a8UDP8U@a8UDp8UD8U 8U8U2Xȝ8U 8U8UDpt8U8UD 8U8UDpw8Uȝ8Up8UDv8Up8UD`:8U8UD:8UAT8UD0uC8U@8U8UDw8U8UDw8U8UD0w8UpD8U  =8U08UD 8U@8UD˝8UP8UD˝8U`8UD˝8Up8UD̝8U8UD0̝8U8UDP̝8U8UDp̝8U8UD ͝8U8UD@͝8U8UD`͝8U8UD͝8U8UD͝8U8UD͝8U8UD͝8U1y7UH˝8Up?82204!22685W!8W 1Canzona for Four Flatt TrumpetsȈ8U!8WԎ8U!0W 38U!3WW!2WȈ8U!2011-06-10 12:00:58U!2017-11-22 16:49:43U!Henry PurcellP8U!Graham Dixon8U!1694W8U10W0!sibW`~8U!309WhԎ8U!0WH8U!WWPS8U!0000-00-00 00:00:00U!0WP8U!1639Wf8U!0Wx{8U!1.50X&8U!2011-05-07 15:21:56U!0Wp8U!0W(8U!46898W&8U!WW8U!1W8U10W&8U0!1.50Xh8U!2011-05-07 16:58:05U!0W8U!0W8U!53778W8U!WW8U!0W@8U10WP8U0!8.00^0Н8U!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YYh8U!92371W!0WP8U!0W!0.00W8U!24.50Wh8U!16.50W@8U!0X`8U!WWȣ8U!0.00W08U["95548","34306","66817","106045","24379","96875","46577","6327","78918","23506","87837","126789","106046","32624","95306","56445","50885","146096","79761","23508"]U!2020-08-31 02:41:09!1^ӝ8U!0Wq{ "GroupOrd" : "50", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16092" } U!0.0000W!2011-05-07 16:58:181Trumpet Tune Air tenpart brasspdatedP!0W!0W!27W!2013-04-14 06:49:08!0W!0WTrumpet Tune & Air (ten-part brass) Henry Purcell none Graham Dixon Purcell's famous trumpet tune & air is given the ten-part brass treatment. The arrangement is ideal for younger players, although it would serve well at any occasion, including weddings.defScor!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W褝8Uޝ8Uݝ8U8U8U8U8Uݝ8UX8U`ݝ8Uإ8UH8U8U ޝ8UHݝ8U8Uܝ8U#8U`8UС8UXܝ8Uݝ8Uݝ8Uܝ8Uݝ8Uࣝ8UPޝ8U8U8Uxݝ8U@8U(ܝ8U8UX8Uhޝ8UȦ8Uݝ8U8Uh8U8U۝8Up8UP8Uܝ8U8Uܝ8U8U8U8U8Uݝ8U0ݝ8U@8Uޝ8Ux8U`8Up8U8Uȣ8U8U8U8U08U8U8Uܝ8Uޝ8Uܝ8U8ޝ8U@ܝ8U8U۝8U۝8UH8U۝8U 8UP8U8U۝8U8U`2U8UHb85U8U8U&_2U8UhAT2Uػ8U8DT2U8U>T2U8Uঝ8U7U 8U4U88U衝8UH5UP8U08U(t85Uh8Up85U8U(8Uj6U8U885U8UI85Uȼ8Ux8U85U༝8Uxa85U`v8U85Uэ8U6U:8U 8UH4U/8UX2Uэ8Uh4U:8U8U6U;8U6U(;8Upܝ8Uh_2Uxך8U85UP:8U885U:8U85Uך8Uآ8U^i2Uך8UΌ2Uך8Un4Uh<8U2U<8Uޝ8U2U<8U(ߝ8U5U轝8U4UP8U88Uxǝ8Up8U5U~8U8Ux6o3U88U6Uн8U(b2Uh8U+_2U8U,_2U8Uh/_2U8U6Uȿ8Uߝ8UX:5U࿝8Ux4U8Uh5o3U8Uh2U(8U/_2U@8U 4UX8U8U16Up8U8U46U8U=4U8U45U8UH1_2U8U85U8U85U8UXDe3U8U87U08U؝2UH8UX85U`8U85Ux8U)6U8U885U8U85U8U85U8Up,5U8Ux85U8Up8UH85U 8U85U88UP8U4UP8U2Uh8U8UX2U8U85U8UX 85U8UH!85U8U"85U8U3U8UH%85UÝ8Uߝ8U&85U(Ý8U(6U@Ý8U&85UXÝ8UhG85UpÝ8U8<25UÝ8U8U 6UÝ8UZ85UÝ8UP6UÝ8U5UÝ8UA6Uĝ8U)_2Uĝ8U54U0ĝ8U_85UHĝ8U_85U`ĝ8U8U`85Uxĝ8Uߝ8Uc`7Uĝ8Uf`7Uĝ8U25Uĝ8U25Uĝ8U25Uĝ8U8U c2Uŝ8U"c2U ŝ8U(g85U8ŝ8Ug85UPŝ8UW4Uhŝ8UXf85Uŝ8Ue85Uŝ8Upߝ8Uc85Uŝ8U8UOm2Uŝ8U@ߝ8U m2Uŝ8U8UX~`2Uŝ8U`8U`2UƝ8UHb85U(Ɲ8U@8U&_2U@Ɲ8UhAT2UXƝ8U8DT2UpƝ8U>T2UƝ8U(8U7UƝ8U4UƝ8U08UH5UƝ8Ux8U(t85UƝ8Up85Uǝ8Up8Uj6Uǝ8U885U0ǝ8UI85UHǝ8U8U85U`ǝ8Uxa85Uҍ8U85U8U6Uh8Uh8UH4U8:8UX2U8Uh4U8U88U6U8U6U8U8Uh_2U<8U85U~8U885U8U85U<8U 8U^i2U<8UΌ2U<8Un4U\8U2U\8U@8U2U\8U`8U5Uhȝ8U4Uɝ8UX 8U8U8U5UH8U)8Ux6o3Uɝ8U6UPȝ8U(b2Uɝ8U+_2Uʝ8U,_2Uʝ8Uh/_2U0ʝ8U6UHʝ8UH8UX:5U`ʝ8Ux4Uxʝ8Uh5o3Uʝ8Uh2Uʝ8U/_2Uʝ8U 4Uʝ8U&8U16Uʝ8U)8U46U˝8U=4U8U45U 8UH1_2U88U85UP8U85Uh8UXDe3U8U87U8U؝2U8UX85U8U85U8Uize? !0H^8U!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-07 17:14:27!2023-05-07 17:14:49!2322588W!2006562W!0000-00-00 00:00:00!0000-00-00 00:00:00    X`eh +0   dh)0fh Qޝ8U!2017-06-09 17:10:17U10000-00-00 00:00:00.8U0A'Queen of the Night Aria' for Brass QuintetUԎ8U!0W`8U!4WP.8U!2W8U!2011-06-10 12:12:04U!2017-11-22 16:49:43U!Graham Dixonh/8U!0W/8U!0W.8U13W0!sibW!309W8U!0W08U!WWs8U!0000-00-00 00:00:00U!3WhP8U!3319Whf8U!5W(q8U!1.50X18U!2011-05-07 18:49:58U!0W08U!0W@08U!62547W018U!WW/8U!0W.8U10W08U01W A Mozartp`8UW0!XX8U!1Wx8U!0W88U!1W8U!0W8Uq{ "GroupOrd" : "140", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } AThese two short fanfares are extemporized from the trumpet writing of the first and final chorus from Part VI of the Christmas Oratorio. All three parts are relatively equal and the trio is supported by timpani, as per tradition. This was a lot of fun - if you'd like something similar, let me know.tected?!1.50W!0W!1W!0W!WW!WW!0W!WW!WW!WW!YY8U!145652W!0W8U!0W!0.00W8U!7.50W8U!6.00Wߝ8U!0W8U!WW8U!0.00Wx8U["86857","33345","82204","111186","33194","111189","111187","33355","111188","33193","38499","167896","85566","200203","38502","86401","40902","192242","52731"]8U!2020-09-24 02:12:29!0.0000^8U!2011-06-10 13:35:48ATwo Fanfares from the Christmas OratorioScoresScores!0W!0W!4W!2013-04-14 18:28:21!0W!0WTwo Fanfares from the 'Christmas Oratorio' J S Bach Graham Dixon These two short fanfares are extemporized from the trumpet writing of the first and final chorus from Part VI of the Christmas Oratorio. All three parts are relatively equal and the trio is supported by timpani, as per tradition. This was a lot of fun - if you'd like something similar, let me know.8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W08U8U(8U8U8U8U8U8U8U8U 8U8UXߝ8UX8U8U8U8U#8U8U8U8U8UP8UH8U8U(8U8U8U8U8U8U`8U`8U8U8U8U88UH8U8U8U8U8U8U8U8U8UH8U8U8UP8U8Uh8Uߝ8U08U8U8Uߝ8U8U8UX8Uߝ8U8Ux8Uޝ8U88U8U8U 8Up8Ux8UX8U8U08U8U8Uh8U8U@8UH8U!0^ 8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-26 20:00:46!2023-04-26 20:01:00!679171W!645285W!0000-00-00 00:00:00!0000-00-00 00:00:0008U8U 8UDΝ8U08UD̝8U@8UD̝8UP8UD̝8U`8UD̝8Up8UDp$8U8UD$8U8UD&8U8UD &8U8UD@&8U8UD`&8U8UD@ 8U8UD` 8U8UD68U8UD68U8UD68U 8UD68U08UD Ν8U@8UD@Ν8UP8UD`Ν8U`8UDΝ8Up8UDΝ8U8UDΝ8U8UDΝ8U8UDϝ8U8UD98U8UD098U8UDP98U8UD98U8UD98U8UD:8U8U 8UD0:8U08UDP:8U@8UDp:8UP8UD:8U`8UD:8Up8UD:8U6U8UD:8U8UD<8U8UD<8U8UD<8U8UD=8U8UD =8U8UD@=8U8UD`=8U8UD=8U8UD=8U 8UD78U08UD 78U@8UD@78UP8UD`78U`8UD78Up8UD78U8UD78U8U8UD78U8UD88U8U8U8U8U8U8UD 88U 8UD@88U08UD`88U@8UDA8UP8UDB8U`8UDB8Up8UDB8U8UDB8U8UDC8U8U8ȝ8U #8UD8U)8U`zT8UC78UU'08U8UD=8UPM8U p8UPK8UUV8UPD8U 88U8U28Uɝ8U]8UD8U@8UDĜ8U 8UDຜ8U 8Uພ8UD`8U8UD`p8U9UDP8U8U8U08UD8U8UD8U8UD8UD8U  a8U8UD@8U8UDp8U8UD`8U8UD8U8UD8U8UD8U8UD8U 8UD08U08UD8U@8UD8UP8UD 8U`8UD@8Up8UD`8U8UD8U8UD8U8UD8U8UD8U8UDP8U8UDp8U8UD8U8UD8U8UDX8U8UDZ8U 8UD0Z8U08UDPZ8U@8UDpZ8UP8UDZ8U`8UDZ8Up8UDZ8U8UDZ8U8UD[8U8UD0[8U8UD8U8UD8U8UD 8U8UD@8U8UD`8U8UD8U8UD8U 8UD8U08UD`]8U@8UD]8UP8UD]8U`8UD^8Up8UD0^8U8UDP^8U8U8UD^8U8UD^8U8UD^8U8UD^8U8UD_8U8UD0_8U6U8UDP_8U8UD`8U 8UD`8U08UDa8U@8UD a8UP8UD@a8U`8UD`a8Up8UDa8U8UDa8U8UDa8U8UD 8U8UD@8U8UDP[8U8UDp[8U8UD[8U8UD[8U8UD[8U8UeExchangQ8U1X 8Um36102156!82204Xores WHE!0W(s8U12017-06-09 17:10:17r8U0!2017-06-09 17:10:17U10000-00-00 00:00:00h8U01Canzona V for Seven TrumpetsU!0WԎ8U!4W 38U!2WX;T8U!2011-06-10 12:00:51U!2017-11-22 16:49:43U!Giovanni Gabrieli8U!Graham Dixoni8U!0Wh8U10W0!sibWPS8U!309WC8U!0WP8U!WWf8U!0000-00-00 00:00:00U!0W8U!1313Wؠ8U!0W8U!3X`8U!1.50hXƚ8U!2011-05-07 15:18:34U!0Wؚ8U!0W>8U!46633Wh8U!WW !3^`$8UqThis sombre Canzona was part of the Funeral Music for Queen Mary and was originally performed on four "flatt" trumpets, a kind of slide trumpet, which can be seen here: [[http://www.matthewparkertrumpets.com/periodin.htm|www.matthewparkertrumpets.com]] I have edited the piece for two trumpets and two trombones. It should be played steadily.ScoresPhotoDis!1.50W!0W!1W!0W)6U8U885U8U85U(8U85U@8Up,5UX8Ux85Up8U'8UH85U8U85U8U8U4U8U2U8U(8UX2U8U85U8UX 85U8UH!85U08U"85UH8U3U`8UH%85Ux8U8U&85U8U(6U8U&85U8UhG85U8U8<25U8U88U 6U8UZ85U 8UP6U88U5UP8UA6Uh8U)_2U8U54U8U_85U8U_85U8U)8U`85U8U8Uc`7U8Uf`7U8U25U(8U25U@8U25UX8U(8U c2Up8U"c2U8U(g85U8Ug85U8UW4U8UXf85U8Ue85U8U8Uc85U8U0(8UOm2U08Ux8U m2UH8U'8UX~`2U`8U8U`2Ux8UHb85U8UX'8U&_2U8UhAT2U8U8DT2U8U>T2U8U@*8U7U8U4U 8Uh8UH5U88U(8U(t85UP8Up85Uh8U*8Uj6U8U885U8UI85U8U(8U85U8Uxa85U8U85U8U6U8U)8UH4U~8UX2U(8Uh4U`8UP)8U6U8U6U8U+8Uh_2U\8U85U08U885Uؾ8U85U]8UX8U^i2U(]8UΌ2U@]8Un4U0g8U2UHg8UX-8U2U`g8Ux.8U5U8U4U88U8=8UxF8U'8U5Uȝ8U38Ux6o3U 8U6U8U(b2UP8U+_2Uh8U,_2U8Uh/_2U8U6U8U`.8UX:5U8Ux4U8Uh5o3U8Uh2U8U/_2U(8U 4U@8U08U16UX8U48U46Up8U=4U8U45U8UH1_2U8U85U8U85U8UXDe3U8U87U8U؝2U08UX85UH8U85U`8U)6Ux8U885U8U85U8U85U8Up,5U8Ux85U8U18UH85U8U85U 8U08U4U88U2UP8U828UX2Uh8U85U8UX 85U8UH!85U8U"85U8U3U8UH%85U8U.8U&85U8U(6U(8U&85U@8UhG85UX8U8<25Up8UP/8U 6U8UZ85U8UP6U8U5U8UA6U8U)_2U8U54U8U_85U08U_85UH8U48U`85U`8U /8Uc`7Ux8Uf`7U8U25U8U25U8U25U8U@08U c2U8U"c2U8U(g85U 8Ug85U88UW4UP8UXf85Uh8Ue85U8U.8Uc85U8Uh28UOm2U8U.8U m2U8U18UX~`2UD8U/8U`2UE8UHb85U(E8U18U&_2U@E8UhAT2UXE8U8DT2UpE8U>T2UE8Ux48U7UE8U4UE8U/8UH5UE8U28U(t85UE8Up85UF8U48Uj6UF8U885U0F8U @!0^p68U!WW!WW!WW!2017-06-09 17:10:17U!2017-06-09 19:00:36!WW)8U!792667W!0W&8U!0W)8U!0.00W8U!7.50W(8U!6.00W('8U!0W8U!WWp8U!0.00W)8UQ.8UA`97U88Ut[32332@!1^98U!0Wq{ "GroupOrd" : "170", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } !0.0000W!2011-05-07 15:22:281Canzona for Four Flatt TrumpetseScores!0W!0W!2W!2013-04-15 01:58:47!0W!0WCanzona for Four Flatt Trumpets Henry Purcell none Graham Dixon This sombre Canzona was part of the Funeral Music for Queen Mary and was originally performed on four "flatt" trumpets, a kind of slide trumpet, which can be seen here: [[http://www.matthewparkertrumpets.com/periodin.htm|www.matthewparkertrumpets.com]] I have edited the piece for two trumpets and two trombones. It should be played steadily.8U<8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WH(8U-8U@-8U@8U'8U(8U )8U,8U*8U,8U8)8U(8U8Up-8U,8U(8U+8U$8U8UP8U+8U(-8Uh,8U`+8U,8U@'8U-8U)8U*8U,8U*8Ux+8Ux(8U'8U-8U(*8UP,8U8U&8U*8U0+8U*8U)8U ,8U&8U+8U`(8U&8U'8Uh)8U-8U,8U8UH.8U8U(8U8U8U('8Up*8U 8U)8U8U8Up8U,8U-8U8,8U-8U+8Up'8U+8UH+8U8U+8U&8U&8UX*8UA8U["95548","66817","34306","46577","96875","24379","106045","78918","6327","87837","23506","95306","126789","23508","32624","96877","146096","50885","48950","106046"]U!2020-09-24 02:57:44!0W!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-08 03:08:17!2023-05-08 03:08:21!370861W!350699W!0000-00-00 00:00:00!0000-00-00 00:00:008UD8U 8UD[8U08UD\8U@8UP8U`8Up8U8U8UD0\8U8UDP\8U8UDp\8U8UD\8U8UD@]8U8UDe8U8UDf8U8UD0f8U8UDPv8UhF8U8U8UD@8U`g-8U/58Uf ?8U`H?8UDP!8U`3UDPC8U`28UDD8Ua8UD98UD8U 0x8U8U2XG8U8U.,8UDlB8Uמ8UD 8U8UD8UG8U`8UD8U78Un8U08U8UD8Up8UD 8U8UD@8UD8U  P8U 8UD`˝8U08UD0!8U@8UD˝8UP8UD`!8U`8UD!8Up8UD!8U8UD!8U8UD!8U8UD"8U8UD"8U8UD"8Uе8UD"8U൞8UD#8U8UD0#8U8UDP#8U8UDp#8U 8UD"8U08UD "8U@8UD@"8UP8UD`"8U`8UD#8Up8UD8U8UD 8U8UD@8U8UD`8U8UD8U8UD8Uж8UD8Uඞ8UDஜ8U8UD8U8UD 8U8UD@8U 8UD#8U08UD#8U@8UD#8UP8UD$8U`8UD0$8Up8UDP$8U8UD8U8UD8U8UD૜8U8UD8U8UD 8Uз8UD8Uෞ8UDp8U8UD8U8U8UD8U 8UD౜8U08UD8U@8UD 8UP8UD@8U`8UD`8U6Up8UD8U8UD08U8UDP8U8UDp8U8UD8U8UD8Uи8UDд8Uพ8UD8U8UD8U8UD08U8UD 8U 8UD!8U08UD`8U@8UD8UP8UD8U`8UD8Up8UD௜8U8U8UD8U8UD 8U8U8Uй8U๞8U8U8UD@8U8UD`8U 8UD8U08UD8U@8UDP8UP8UD`8U`8UD8Up8UD8U8UD8UP8U8G8UP.8UD8UV8UDPZB8U/8UD 8UPS8UD@?8UD8UD8U@8Uߣ8UDD8UD8U 8U8U2Q8UH8U@8UDf8UPޞ8UD0#8U0؞8UD8U8R8Uמ8UD`8U`5=8UD18U~5U@538UD !r8Uמ8U@؞8UD8U؞8UD8U؞8UD8U0D8U  8U8UDp 8U8UDPU8U8UDpU8Uл8UDU8Uໞ8UDU8U8UDU8U8UDU8U8UDV8U 8UDV8U08UDV8U@8UDW8UP8UD W8U`8UD@W8Up8UD`W8U8UDW8U8UDW8U8UD0V8U 1T8UA-T68182!22837W!35W !Erschallet, Trompeten!!43WP.8U!19WH$8U!4W!1W`8U!2011-06-10 13:23:33U!2017-11-22 16:49:44U!Graham Dixons8U!WWt8U!2008W(s8U10W0!sibW08U!309Ws8U!0W0T8U!WWhP8U!0000-00-00 00:00:00U!2W(q8U!1353W8U!2W8U!1.50XPu8U!2011-05-08 13:01:12U!0Wt8U!0Wt8U!137122Wu8U!WWt8U!1W(s8U!0W8u8U!1W 1A challenging piccolo trumpet feature, this well-known aria should be great fun for a quintet, perhaps as an encore piece. I completely re-wrote the arrangement in January 2009 to better reflect Mozart's original string tremolos, tidy up the score and correct some part-writing bumps.U@Z8U!10.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YY18U!919988W!0W38U!0W!0.00W018U!17.50W48U!7.50W.8U!0W28U!WW`18U!0.00W/8U["55027","60755","30694","60774","49716","99185","67329","60773","144018","85276","29134","130391","517992","27632","39451","27033","36144","74289","33703","144578"]!2020-08-28 19:23:45!1^P]8U!0Wq{ "GroupOrd" : "70", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16090" } U!0.0000W!2011-05-07 18:50:04AQueen of the Night Aria for Brass Quintet8U8_8U!0W!0W!14W!2013-04-16 18:31:43!0W!0Wq'Queen of the Night Aria' for Brass Quintet W A Mozart none Graham Dixon A challenging piccolo trumpet feature, this well-known aria should be great fun for a quintet, perhaps as an encore piece. I completely re-wrote the arrangement in January 2009 to better reflect Mozart's original string tremolos, tidy up the score and correct some part-writing bumps.!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W28Uh8UXg8UX08U 28U(38UX38Ug8U48Uf8Up38U28U.8Ug8Uf8UP28U68U$8U/8Uh/8U58U@g8Uf8U58Uf8Ux18Ug8U048UH48Uf8U48U58U28U18Ug8U`48Uhf8U/8U18U 58Uh58U58U38UX68U18U(68U28U018UH18U38U(g8Uf8U.8U`h8U08U28U/8U(08U`18U48U8/8U@38U/8U.8U08U@68Ug8UPf8Ug8U58U18U858U58U/8UP58U08U08U48U"f8U!0^e8U!0000-00-00 00:00:00!WWI85UHF8U38U85U`F8Uxa85U@8U85U(b8U6U@ɝ8U38UH4U8UX2U@b8Uh4Uȝ8U38U6Upɝ8U6Uɝ8U58Uh_2Uxg8U85Uȝ8U885UXɝ8U85Ug8Up08U^i2Ug8UΌ2Ug8Un4UX՛8U2Up՛8Upg8U2U՛8Uh8U5UhG8U4UH8U8UP8U28U5U08Um8Ux6o3UH8U6UPG8U(b2UH8U+_2UI8U,_2UI8Uh/_2U0I8U6UHI8Uxh8UX:5U`I8Ux4UxI8Uh5o3UI8Uh2UI8U/_2UI8U 4UI8Uj8U16UI8U0n8U46UJ8U=4U J8U45U8J8UH1_2UPJ8U85UhJ8U85UJ8UXDe3UJ8U87UJ8U؝2UJ8UX85UJ8U85UJ8U)6UK8U885U(K8U85U@K8U85UXK8Up,5UpK8Ux85UK8Uk8UH85UK8U85UK8Uj8U4UK8U2UK8UPl8UX2UL8U85UL8UX 85U0L8UH!85UHL8U"85U`L8U3UxL8UH%85UL8Ui8U&85UL8U(6UL8U&85UL8UhG85UL8U8<25UM8Uhi8U 6U M8UZ85U8M8UP6UPM8U5UhM8UA6UM8U)_2UM8U54UM8U_85UM8U_85UM8Un8U`85UM8U8i8Uc`7UN8Uf`7U(N8U25U@N8U25UXN8U25UpN8UXj8U c2UN8U"c2UN8U(g85UN8Ug85UN8UW4UN8UXf85UO8Ue85UO8Uh8Uc85U0O8Ul8UOm2UHO8Uh8U m2U`O8Uk8UX~`2UxO8Ui8U`2UO8UHb85UO8Uk8U&_2UO8UhAT2UO8U8DT2UO8U>T2UP8Un8U7U P8U4U8P8Ui8UH5UPP8Ul8U(t85UhP8Up85UP8Un8Uj6UP8U885UP8UI85UP8U(m8U85UP8Uxa85UXb8U85U0~8U6U8Um8UH4Uȝ8UX2UH~8Uh4UH8Um8U6U8U6U8Up8Uh_2U՛8U85U8U885U8U85U՛8Uj8U^i2U՛8UΌ2U՛8Un4U8U2U8Uq8U2U08Ur8U5UQ8U4UPS8Uޝ8U8U@8U l8U5UG8UpĞ8Ux6o3U8S8U6UQ8U(b2UhS8U+_2US8U,_2US8Uh/_2US8U6US8Ur8UX:5US8Ux4US8Uh5o3UT8Uh2U(T8U/_2U@T8U 4UXT8U u8U16UpT8UĞ8U46UT8U=4UT8U45UT8UH1_2Ux8U85Ux8U85Ux8UXDe3Ux8U87Ux8U؝2Uy8UX85U(y8U85U@y8U)6UXy8U885Upy8U85Uy8U85Uy8Up,5Uy8Ux85Uy8Uv8UH85Uy8U85Uz8Ut8U4Uz8U2U0z8Už8UX2UHz8U85U`z8UX 85Uxz8Uv8U!0H^@v8U!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-07 05:06:41!2023-05-07 05:06:53!1327175W!1196557W!0000-00-00 00:00:00!0000-00-00 00:00:00Qh8UD8Upx8U8UDPV8U8UDpV8Uм8UDV8U༞8UD 8U8UD@8U8UD8U8UD8U 8UD8U08UD8U@8UDœ8UP8UD œ8U`8UD@œ8Up8UD`œ8U8UDœ8U8UDœ8U8UDW8U8UDW8U8UDX8Uн8UD X8Uཞ8UD@X8U8UD`X8U8UDX8U8UDX8U 8UDX8U08UD 8U@8UDĜ8UP8UD@Ŝ8U`8UD`Ŝ8Up8UDŜ8U8U8UDŜ8U8UDŜ8U8UDŜ8U8UDƜ8Uо8UD Ɯ8Uྞ8UD@Ɯ8U6U8UD`8U8UDЩ8U8UD8U 8UD8U08UD08U@8UDP8UP8UDp8U`8UD8Up8UD8U8UDЪ8U8UD 8U8UD`Ɯ8U8UDƜ8U8UDƜ8Uп8UDƜ8U࿞8UDƜ8U8UDǜ8U8U8UD ǜ8U 8UD@ǜ8U08U@8UP8U`8Up8U8UD`ǜ8U8UDœ8U8UDœ8U8UDÜ8U8UDÜ8U8UDÜ8U8UDÜ8U8UDĜ8U8UD0Ĝ8U08UQ8U08U8U ^8U8UD0 8U8UV8UD0=8UXC8UU`s8UpA}8UD8UD8U @8U8U2 8U S8U88U )8UDe8Uޞ8UD#8U8Upޞ8UDp#8U`c8UD@!r8UbW8UD38U8UDP\8U@ޞ8Uޞ8UD$8Uޞ8UD#8Uޞ8UD#8UpD8U  P8U ž8UDU8U0ž8UDP8U@ž8UD0U8UPž8UD8U`ž8UD8UҞ8UD8UҞ8UD౞8UҞ8UD8UҞ8UD8UҞ8UDв8UҞ8UD8UҞ8UD8UҞ8UD08UӞ8UDP8UӞ8UDp8U Ӟ8UD8U0Ӟ8UD 8U@Ӟ8UD@8UPӞ8UD`8U`Ӟ8UD8UpӞ8UD8UӞ8UD8UӞ8UD8UӞ8UD8UӞ8UD08UӞ8UDP8UӞ8UDp8UӞ8UD8UӞ8UD8UԞ8UD8UԞ8UD8U Ԟ8UD8U0Ԟ8UDг8U@Ԟ8UD8UPԞ8UD8U`Ԟ8UD08UpԞ8UDP8UԞ8UDp8UԞ8UD8UԞ8UD8UԞ8UD8UԞ8UD8UԞ8UD8UԞ8UD@8UԞ8UD`8U՞8UD8U՞8U ՞8UD8U0՞8UD8U@՞8UD8UP՞8UD8U`՞8UD08Up՞8UDP8U6U՞8UDp8U՞8UD08U՞8UDP8U՞8UDp8U՞8UD8U՞8UD8U՞8UD8U՞8UD8U֞8UD8U֞8UD08U ֞8UD8U0֞8UD 8U@֞8UD08UP֞8UDP8U`֞8UDp8Up֞8UD8U֞8UD8U֞8U֞8UD8U֞8UD8UdefScor]8U0T8UD`8U ,8UDp8U@8U=8UD88U8UD;8U=8UD058U8U8UD8U8UD8Uǡ8UDP8Ux8UG8U9U8U8UX`Ю8UU8Up~5U8U [8UD৮8UV8UD@l8U8UP-8UDP8U08U 0r8U=8UD .8U 8UD8Uf8UDb8U8U8UDPM8UvN8UD8U_8UD.8U08UD8U8U 08Uj8US8U З8U(8U @~8UB8UD@%8U0V8U8UDS8UP8U5UÊ8Upg8Us;8UV8UDм8U D8U8U @@8Up8U  j8UPZ-8UD8U،8U`q8UD`78UcW8UD8U7UD8UG8U p`8U_T8UD8U_T8UD8U_T8UDЖ8UP2<8UD"8U8U08UDX8U_T8UD8U_T8UD 8U_T8UD8U`_T8UD8UP_T8UD8U@_T8UD8U0_T8UD`8U _T8UD@8U_T8UD 8U_T8UD8U^T8UD8U^T8UD8U^T8UD8U^T8UD8U^T8UD`8U^T8UD@8U^T8UD8U^T8UD 8Up^T8UD8U`^T8UD8UÊ8UDp8UP^T8UD8Up_T8UD8U?7UDh8UԌ8UDp?8U@^T8UD8Uq;8UD=8U8UDpG8U^T8UD?8U3U  8U8US8UR8UD8UaT8UDV8Ue-8UD[8UaT8UDV8U28Upٌ8UD0ݤ8US8U 8UcT8UD?8UH8U x8U=08UD18UpWT8UDۤ8UaT8UDߤ8U ^T8UD?8U WT8UDݤ8U0^T8UDО?8UbT8UDH8U@8UDZ8UPHt8UD`O8U D8UDۤ8UNt8UD8UbT8UD?8Uo8UDݤ8U0bT8UD98UbT8UD?8UPcT8UD`q8UbT8UD?8UPbT8UD98U08UDm8UbT8UDH8UbT8UDI8U 8UD ̼8UpF8UDܤ8U@bT8UD98UyN8UDpr8UP8UD@8UbT8UDܤ8U T8UDP8U`bT8UDܤ8U18UDm8U8UDE8U %8U8UМ8U018UD n8U7UD8U"8UD8Uٌ8UDP8U8UDr8U08Uh4UZ8U s8Ui8U@ь8U78UD8UR8UDB8U`8UDU8U /8UD )t8U'F8Upk8UDpt8UN8UD%8U{N8UD 8U08UD8U0958UD8U28UDW8UȖ8U8U8U8U8UD V8UU8U038UQ8UDe8UF8UD=8UV8UD` 8UH8UD 8UpbT8UD]8U`8U`T8UD8U`T8UD8U `T8UD8U0`T8UD8U@`T8UD8UP`T8UD8U8U!18U!1W10W0!0M8U 8U!0W!0000-00-00 00:00:001WW%v8U0!h@8Ur8U!P"8Uh8U! 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Graham Dixon none This short but enjoyable flourish for three trumpets was written as a prelude to a performance of Bach's Cantata BWV 214 by the Cambridge Concentus in December 2008. I have woven three of the themes from Bach's opening chorus into the fanfare. Timpani contributions are optional, but add much to the texture.change0!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W Þ8UȞ8UȞ8Ut8Už8UÞ8UÞ8UǞ8UŞ8UǞ8UĞ8UÞ8Ur8UHȞ8UpǞ8Už8Uƞ8UH$8UHt8Us8Uƞ8UȞ8U@Ǟ8U8ƞ8UǞ8Uu8UxȞ8UĞ8UĞ8UǞ8UxŞ8UPƞ8UPÞ8Už8UȞ8UŞ8U(Ǟ8Us8UPu8UŞ8Uƞ8UŞ8UĞ8Uƞ8Uhu8Uƞ8U8Þ8Uu8Uu8U@Ğ8UǞ8UXǞ8U(s8U ɞ8U`t8UÞ8UXs8Uxt8Uu8UHŞ8Us8UÞ8Ut8Uhr8Ut8Uƞ8UȞ8UǞ8U`Ȟ8Uhƞ8Uu8UŞ8U ƞ8U0t8UŞ8Uu8U8u8U0Ş8UPlatinum!650x919\8U!0W!1W!3.00W!2023-04-30 08:45:08!2023-04-30 08:45:09!138615W!128379W!0000-00-00 00:00:00!0000-00-00 00:00:00QȞ8U!68182Xores WHE!2017-06-09 17:10:17U10000-00-00 00:00:00x8U0!2017-06-09 17:10:17U10000-00-00 00:00:00ɞ8U01Sonata for Eight Trumpets & Stringse0:!19WPS8U!4WC8U!2WP8U!2011-06-10 12:00:58U!2017-11-22 16:49:43U!Carl Heinrich BiberU!Graham Dixonʞ8U!0Wɞ8U10W0!sibW;8U!309WPf8U!0Wq8U!WW{8U!0000-00-00 00:00:00U!18W@8U!1643W8U!1Wƚ8U!4xX萚8U!1.50XXHΚ8U!2011-05-07 15:22:02U!0W0^8U!0Wh8U146905Wh8U8U01`2U8UOV32337   eheh   48ch^`069U#(0740202H!85Uz8U"85Uz8U3Uz8UH%85Uz8U@s8U&85Uz8U(6U{8U&85U {8UhG85U8{8U8<25UP{8Us8U 6Uh{8UZ85U{8UP6U{8U5U{8UA6U{8U)_2U{8U54U{8U_85U|8U_85U(|8UĞ8U`85U@|8Ups8Uc`7UX|8Uf`7Up|8U25U|8U25U|8U25U|8Ut8U c2U|8U"c2U|8U(g85U}8Ug85U}8UW4U0}8UXf85UH}8Ue85U`}8Us8Uc85Ux}8UÞ8UOm2U}8Ur8U m2U}8U(v8UX~`2U}8Ut8U`2U}8UHb85U}8Uu8U&_2U~8UhAT2U ~8U8DT2U8~8U>T2UP~8UŞ8U7Uh~8U4U~8Us8UH5U~8UhÞ8U(t85U~8Up85U~8U`Ş8Uj6U~8U885U~8UI85U8UÞ8U85U(8Uxa85U`~8U85U8U6U@H8UXĞ8UH4U8UX2UȈ8Uh4UG8U(Ğ8U6UpH8U6UH8Uƞ8Uh_2UH8U85UG8U885UXH8U85U`8Ut8U^i2Ux8UΌ2U8Un4U 8U2U 8U0Ȟ8U2U 8UPɞ8U5U08U4U8UH˝8U8Už8U5UHR8UΞ8Ux6o3U8U6U8U(b2U8U+_2Uȁ8U,_2U8Uh/_2U8U6U8U8ɞ8UX:5U(8Ux4U@8Uh5o3UX8Uh2Up8U/_2U8U 4U8U˞8U16U8UΞ8U46UЂ8U=4U肞8U45U8UH1_2U8U85U08U85UH8UXDe3U`8U87Ux8U؝2U8UX85U8U85U8U)6U؃8U885U8U85U8U85U 8Up,5U88Ux85UP8U̞8UH85Uh8U85U8Ux˞8U4U8U2U8U͞8UX2UȄ8U85U8UX 85U8UH!85U8U"85U(8U3U@8UH%85UX8Uɞ8U&85Up8U(6U8U&85U8UhG85U8U8<25UЅ8U(ʞ8U 6U腞8UZ85U8UP6U8U5U08UA6UH8U)_2U`8U54Ux8U_85U8U_85U8UΞ8U`85U8Uɞ8Uc`7U؆8Uf`7U8U25U8U25U 8U25U88U˞8U c2UP8U"c2Uh8U(g85U8Ug85U8UW4U8UXf85Uȇ8Ue85U8Uɞ8Uc85U8U@͞8UOm2U8Uhɞ8U m2U(8U̞8UX~`2U@8Uʞ8U`2UX8UHb85U8Uh̞8U&_2U8UhAT2U8U8DT2U8U>T2U8UPϞ8U7U8U4U8UXʞ8UH5U08U͞8U(t85UH8Up85U`8UϞ8Uj6Ux8U885U8UI85U8U͞8U85U8Uxa85U8U85UhԎ8U6UR8UΞ8UH4UG8UX2UԎ8Uh4U`R8U`Ξ8U6UR8U6US8UО8Uh_2U 8U85U0R8U885UR8UdefScor  dhdh"(49UXZT8U!( 9@dh np  8Ux8U`8U֞8U֞8U֞8U֞8Uמ8Uמ8UD8U מ8UD08U0מ8UDP8U@מ8UDp8UPמ8UD 8U`מ8UD`8Upמ8UD8Uמ8UD8Uמ8UD8U8U8U N8UDz8U9UD7Uph8UDP8UG8UUA8Uh8UDPI8UpR8U @P8UPD8U 8Up8U28Uh8U8UDP(9U/8UD8U)8UDe8U8U@)8UDPe8U`T5U8U 7UD08U)8U)8UDe8UP)8UDpe8U`)8UDe8UD8U  `8U؞8UD8U؞8UD8U؞8UD@8U؞8UD`8U؞8UD8Uٞ8UD8Uٞ8UD8U ٞ8UDਜ8U0ٞ8UD8U@ٞ8UD8UPٞ8UDЩ8U`ٞ8UD8Upٞ8UD8Uٞ8UD08Uٞ8UDP8Uٞ8UDp8Uٞ8UD8Uٞ8UD 8Uٞ8UD@8Uٞ8UD`8Uٞ8UD 8Uڞ8UD@8Uڞ8UD8U ڞ8UD8U0ڞ8UD8U@ڞ8UD8UPڞ8UD8U`ڞ8UD08Upڞ8UDP8Uڞ8UDp8Uڞ8UD8Uڞ8UD8Uڞ8UD8Uڞ8UD8Uڞ8UDЪ8Uڞ8UD8Uڞ8UD8U۞8UD08U۞8UDP8U ۞8UDp8U0۞8UD8U@۞8UD8UP۞8UD 8U`۞8UD8Up۞8UD8U۞8UD8U۞8U۞8UD8U۞8UD 8U۞8UD@8U۞8UD`8U۞8UD8U۞8UD8U6Uܞ8UD8Uܞ8UD@8U ܞ8UD`8U0ܞ8UD8U@ܞ8UD8UPܞ8UD8U`ܞ8UD8Upܞ8UD8Uܞ8UD 8Uܞ8UD@8Uܞ8UD8Uܞ8UDа8Uܞ8UD8Uܞ8UD8Uܞ8UD8Uܞ8UD08Uݞ8UDP8Uݞ8U ݞ8UDp8U0ݞ8UD8U@ݞ8UPݞ8U`ݞ8Upݞ8Uݞ8Uݞ8UD8Uݞ8UD8Uݞ8UD8Uݞ8UD8Uݞ8UD8Uݞ8UDp"8Uݞ8UD"8Uޞ8UD"8Uޞ8UD"8UH8U8Ur8UDp8UPA=8UD;8U&8UD}3U018UD`8U8U28U07UD0p28UD8U B8U8U288U8U48UD"8UЎ8UD@Ÿ8U08UDp8U8U/8UD8U .8UDD8U 8U @p9U8UD8U/8U08UD8U/8UD8U/8UD08UD8U  `8U0ߞ8UDЧ8U@ߞ8UD༜8UPߞ8UD8U`ߞ8UD8Upߞ8UD08Uߞ8UDP8Uߞ8UDp8Uߞ8UD8Uߞ8UD@8Uߞ8UD`8Uߞ8UD8Uߞ8UD8Uߞ8UD8U8UDྜ8U8UD8U 8UD 8U08UD8U@8UDн8U$8UD8U !XX˞8U!0Wʞ8U!0W`˞8U!1W˞8U!0W̞8Uq{ "GroupOrd" : "70", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10001" } qThis quite extraordinary sonata for two choirs of four trumpets, each with timpani, and strings, was written by the lesser-known of the Biber family, Carl Heinrich. He shows enthusiasm for the clarino trumpet, writing extremely high and taxing parts for his players. I have added an organ continuo part, without which the string parts sound rather sparse. U!1.50W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YY˞8U!298688W!0WΞ8U!0W!0.00W̞8U!24.00WΞ8U!22.50Wɞ8U!0W͞8U!WW8̞8U!0.00Wʞ8U["68039","63984","78339","30708","111908","72577","43684","202001","65168","137366","360206","121445","73232","143620","63977","32869","17553","517275","76684"]˞8U!2020-09-13 07:20:34!0.0000^08U!2011-05-07 15:22:141Sonata for Eight Trumpets StringsedFa!0W!0W!25W!2013-04-10 04:50:18!0W!0WSonata for Eight Trumpets & Strings Carl Heinrich Biber none Graham Dixon This quite extraordinary sonata for two choirs of four trumpets, each with timpani, and strings, was written by the lesser-known of the Biber family, Carl Heinrich. He shows enthusiasm for the clarino trumpet, writing extremely high and taxing parts for his players. I have added an organ continuo part, without which the string parts sound rather sparse. eScores!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WX͞8U8UPҞ8U0˞8U̞8UΞ8U0Ξ8UҞ8UϞ8Uў8UHΞ8U͞8Uɞ8U@8Uў8U(͞8UО8U`$8Uʞ8U@ʞ8UО8U8Ҟ8Uxў8UpО8Uў8UP̞8Up8UϞ8U Ϟ8Uў8UϞ8UО8U͞8U̞8U8U8Ϟ8U`ў8Upʞ8U˞8UϞ8U@О8UϞ8UΞ8U0ў8U˞8Uў8Up͞8U̞8U ̞8UxΞ8U Ҟ8Uў8Uɞ8U8Uʞ8U͞8Uɞ8U˞8U8̞8UϞ8Uʞ8UΞ8Uʞ8UȞ8U`˞8Uў8U8UHў8UX8UО8U̞8UО8UXО8Uʞ8U(О8U˞8U˞8UhϞ8U8U!0^P8U!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-08 03:07:51!2023-05-08 03:08:17!2382416W85U 8UH˞8U^i2U 8UΌ2U8Un4Ub8U2Ub8UhҞ8U2Ub8UH8U5U8U4U08U8UX8U̞8U5U8U8Ux6o3U8U6U8U(b2UH8U+_2U`8U,_2Ux8Uh/_2U8U6U8U08UX:5U8Ux4U8Uh5o3U8Uh2U8U/_2U 8U 4U88U8U16UP8U8U46Uh8U=4U8U45U8UH1_2U8U85U8U85U8UXDe3U8U87U8U؝2U(8UX85U@8U85UX8U)6Up8U885U8U85U8U85U8Up,5U8Ux85U8U8UH85U8U85U8Up8U4U08U2UH8U8UX2U`8U85Ux8UX 85U8UH!85U8U"85U8U3U8UH%85U8U8U&85U8U(6U 8U&85U88UhG85UP8U8<25Uh8U 8U 6U8UZ85U8UP6U8U5U8UA6U8U)_2U8U54U8U_85U(8U_85U@8U8U`85UX8U8Uc`7Up8Uf`7U8U25U8U25U8U25U8U8U c2U8U"c2U8U(g85U8Ug85U08UW4UH8UXf85U`8Ue85Ux8U8Uc85U8U88UOm2U8U`8U m2U8U8UX~`2U8U8U`2U8UHb85U8U`8U&_2U 8UhAT2U88U8DT2UP8U>T2Uh8UH8U7U8U4U8UP8UH5U8U8U(t85U8Up85U8U8Uj6U8U885U8UI85U(8U8U85U@8Uxa85UԎ8U85U08U6U8U8UH4UR8UX2UH8Uh4U8UX8U6U88U6UP8U8Uh_2Ub8U85Ux8U885U 8U85Ub8U@8U^i2Uc8UΌ2Uc8Un4U8U2U8U` 8U2U 8U 8U5UH8U4U8UT8U 98U8U5U(8U(N8Ux6o3U8U6U08U(b2U8U+_2U8U,_2U8Uh/_2U8U6U(8Uh 8UX:5U@8Ux4UX8Uh5o3Up8Uh2U8U/_2U8U 4U8U 8U16U8UpN8U46U8U=4U8U45U8UH1_2U08U85UH8U85U28UXDe3U28U87U28U؝2U28UX85U38U85U 38U)6U838U885UP38U85Uh38U85U38Up,5U38Ux85U38U8UH85U38U85U38U 8U4U38U2U48U@8UX2U(48U85U@48UX 85UX48UH!85Up48U"85U48U3U48UH%85U48U 8U&85U48U(6U48U&85U58UhG85U58U8<25U058UX 8U 6UH58UZ85U`58UP6Ux58U5U58U8U!2150240H^08U!0000-00-00 00:00:00!0000-00-00 00:00:00Q8U18U228371PX6U88U 66459!32332W!Shore's Trumpet ABrandenburg Concerto No. 6 (3rd Movement)8Up8U!8W{8U!0W!4WP8U!2Wp8U!2011-06-10 12:00:21U!2017-11-22 16:49:43U!J. S. BachS8U!Graham DixonXT8U!0WhS8U10W0!sibWhf8U!309W(q8U!0W8U!WW8U!0000-00-00 00:00:00U!1WH8U!2370Wƚ8U!1W8U!5Xؚ8U!1.50X=8U!2011-05-07 15:06:22U!0W֛8U!0W8U!45822W8U!WWX8U!1W !3^8UQAs part of a class I took at Boston University, I was asked to write an 'art-song' for voice and piano. This is the result, a richly tonal setting of 'The Silver Swan', made famous in Gibbons' 16th century treatment. I am told that this version of the text may be his own, and so I credit Gibbons as the lyricist.8UdefScor!2.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YY8U!134680W!0W8U!0W!0.00W8U!2.00W8U!0.00W8U!0W8U!WW08U!0.00W8U["100898","32437","387489","23588","55352","2225","77612","103126","194393","134257","164167","109270","177019","17561","116993","72111","164166","87147","21976"]8U!2020-09-02 14:39:38!1^8U!0Wq{ "GroupOrd" : "50", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "23562" } amN!0.0000W!2011-05-08 07:35:201The Silver Swan voice and piano18U!0W!0W!3W!2013-04-14 08:07:01!0W!0WThe Silver Swan (voice and piano) Graham Dixon none As part of a class I took at Boston University, I was asked to write an 'art-song' for voice and piano. This is the result, a richly tonal setting of 'The Silver Swan', made famous in Gibbons' 16th century treatment. I am told that this version of the text may be his own, and so I credit Gibbons as the lyricist.ionSelli!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WP8U 8UH 8U(8U8U8U(8U 8U8U 8U@8U8Ux8Ux 8U 8U 8U8Ux$8U8U88U8U0 8Up 8Uh8U 8UH8U 8U8U8U 8U8U8U8U8U 8U08UX 8Uh8U8U8U88U8U8U( 8U8U8Uh8U8U8Up8U 8U 8U8UP 8U8U8U8U8U08Ux8U8U8U8U8UX8U 8U 8U@ 8U 8U8Ux8U8UP8U8U 8U8U8U`8UeScores!0^`"8U!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-05-02 07:22:49!2023-05-02 07:22:50!173597W!164744W!0000-00-00 00:00:00!0000-00-00 00:00:00 DHdh rx)0  ~dh&(  NP28Up8U28U$8UD8U$8UD@8U$8UDG8U$8UD@I8U$8UD`I8U%8UDI8U%8UDI8U %8UDI8U0%8UDI8U@%8UDJ8UP%8UD J8U`%8UD@J8Up%8UD`J8U%8UD`8U%8UD8U%8UD8U%8UD8U%8UD࿜8U%8UD8U%8UDF8U%8UDG8U&8UD G8U&8UD@G8U &8UD`G8U0&8UDG8U@&8UDL8UP&8UDL8U`&8Up&8UDL8U&8UDM8U&8UD M8U&8UD@M8U&8UD`M8U&8UD8U6U&8UD]8U&8UD_8U&8UD _8U'8UD@_8U'8UD`_8U '8UD_8U0'8UD_8U@'8UD_8UP'8UD_8U`'8UD`8Up'8UD8U'8UDJ8U'8UDJ8U'8UDJ8U'8UDJ8U'8UDK8U'8UD K8U'8U'8UD@K8U(8UD`K8U(8U (8U0(8U@(8UP(8U`(8UDK8Up(8UDK8U(8UDK8U(8UDK8U(8UD0d8U(8UDPd8U(8UDpd8U(8UDd8U(8UDd8U98U8U 38Ut8U0]8UD 8Up98U98U<8UD 8U08UDp8U8UDc8UD8U v8U 8U2:8U8UW8UD08UP8UD8U08UDß8U`:8U8UDŸ8U18UD`8U<8UD@8U08:8UDp)8U8U@8UD ß8U8UDŸ8U8UDŸ8UD8U  8U*8UD 8U*8UD8U *8UD8U0*8UD8U@*8UD8UP*8UD08U`*8UDP8Up*8UDp8U*8UD 8U*8UD@8U*8UD`8U*8UD8U*8UD8U*8UD8U*8UD8U*8UD8U+8UD8U+8UD8U +8UD8U0+8UD8U@+8UD 8UP+8UD |8U`+8UD}8Up+8UD}8U+8UD}8U+8UD~8U+8UD0~8U+8UDP~8U+8UDp~8U+8UD~8U+8UD~8U+8UD~8U,8UD@8U,8UD`8U ,8UD8U0,8UD8U@,8UD8UP,8UD8U`,8UD8Up,8UD{8U,8UD0{8U,8UDP{8U,8UDp{8U,8UD{8U,8UD|8U,8UD8U,8U,8UD08U-8UDP8U-8UDp8U -8UD8U0-8UD8U@-8UDЁ8U6UP-8UD8U`-8UD8Up-8UD8U-8UD8U-8UD 8U-8UD@8U-8UD`8U-8UD8U-8UD8U-8UD8U-8UD@8U.8UD`8U.8UD~8U .8UD8U0.8UD08U@.8UDP8UP.8UDp8U`.8Up.8UD8U.8UD8U.8U.8U Q 8U!66459Xores WHE!2017-06-09 17:10:17U10000-00-00 00:00:008U0!12.00W8U10W`8U0!8W8U!0WW!4Zq8U!2W{8U!2011-06-10 12:12:04U!2017-11-22 16:49:43U!John Shore 8U!Graham Dixon8U!1700W8U10W0!sibWx{8U!309W8U!0Wؠ8U!WW8U!0000-00-00 00:00:00U!0Wƚ8U!2291WΚ8U!0Wؚ8U!6X>8U!1xXh8U!0W֛8U!WW8U!noneWc8U!0Wp8U1WW4U0!0X8U!0W 8U!1W 8U!0WH 8Uq{ "GroupOrd" : "80", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16090" } U!0.0000W QThis extemporisation of my four-trumpet piece, Abblasen (a fantasia on the well-known fanfare by Bach's trumpeter, Gottfried Reiche) was commissioned by Robert Hofer of the Austrian Brass Quintet, who premiered the piece at the Stiftskirche Millstatt on 25th December 2004. The first trumpet part requires a piccolo trumpet.!15.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!0000-00-00 00:00:00U!WW!81340W@N8U!0W!0W88U!0.00WXN8U!22.50W 8U!7.50W8U!0Wh8U!WW 8U!0.00W 8U["55027","60755","49716","60774","67329","144018","60773","99185","85276","27632","130391","144578","39451","27033","4070","74289","29134","517992","54721"]U!2011-05-07 18:16:41U1Abblasen for Brass Quintet3M8U!0W!0W!5W!2013-04-19 01:51:37!0WA6U58U)_2U58U54U58U_85U58U_85U68UXN8U`85U 68U( 8Uc`7U868Uf`7UP68U25Uh68U25U68U25U68UH 8U c2U68U"c2U68U(g85U68Ug85U68UW4U78UXf85U(78Ue85U@78U 8Uc85UX78Up8UOm2Up78U 8U m2U78U8UX~`2U78U 8U`2U78UHb85U78U8U&_2U78UhAT2U88U8DT2U88U>T2U088UN8U7UH88U4U`88U 8UH5Ux88U8U(t85U88Up85U88UO8Uj6U88U885U88UI85U88U8U85U98Uxa85U`8U85U 38U6U8UN8UH4U`8UX2Us8Uh4U@8UM8U6U8U6U8UPP8Uh_2U88U85U8U885U8U85UP8Ux 8U^i2Uh8UΌ2U8Un4Up8U2U8UQ8U2U8US8U5U:8U4Ux;8U Od8Uv8Ug8U8U5U8U`X8Ux6o3U`;8U6U98U(b2U;8U+_2U;8U,_2U;8Uh/_2U;8U6U;8UR8UX:5U<8Ux4U <8Uh5o3U8<8Uh2UP<8U/_2Uh<8U 4U<8U`U8U16U<8UX8U46U<8U=4U<8U45U<8UH1_2U<8U85U=8U85U(=8UXDe3U@=8U87UX=8U؝2Up=8UX85U=8U85U=8U)6U=8U885U=8U85U=8U85U>8Up,5U>8Ux85U0>8UPV8UH85UH>8U85U`>8U0U8U4Ux>8U2U>8UV8UX2U>8U85U>8UX 85U>8UH!85U>8U"85U?8U3U ?8UH%85U8?8US8U&85UP?8U(6Uh?8U&85U?8UhG85U?8U8<25U?8US8U 6U?8UZ85U?8UP6U?8U5U@8UA6U(@8U)_2U@@8U54UX@8U_85Up@8U_85U@8UX8U`85U@8US8Uc`7U@8Uf`7U@8U25U@8U25UA8U25UA8UT8U c2U0A8U"c2UHA8U(g85U`A8Ug85UxA8UW4UA8UXf85UA8Ue85UA8UPS8Uc85UA8UV8UOm2UA8U S8U m2UB8UhV8UX~`2U B8U@T8U`2U8B8UHb85UPB8U V8U&_2UhB8UhAT2Uf8U8DT2Uf8U>T2Uf8UY8U7Uf8U4Ug8UT8UH5U g8UXW8U(t85U8g8Up85UPg8UPY8Uj6Uhg8U885Ug8UI85Ug8UW8U85Ug8Uxa85UPS8U85UP.8U6U 8UHX8UH4U8UX2UX;T8Uh4U8UX8U6UP8U6Uh8UZ8Uh_2U8U85U8U885U88U85UА8UU8U^i2U萜8UΌ2U8Un4U88U2UP8U \8U2Uh8U@]8U5Uh8U4U j8U8UHr8UV8U5Up:8U8Ux6o3Uj8U6Uh8U(b2U8j8U^8UAbblasen for Brass Quintet Graham Dixon none This extemporisation of my four-trumpet piece, Abblasen (a fantasia on the well-known fanfare by Bach's trumpeter, Gottfried Reiche) was commissioned by Robert Hofer of the Austrian Brass Quintet, who premiered the piece at the Stiftskirche Millstatt on 25th December 2004. The first trumpet part requires a piccolo trumpet.8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W8UxR8UQ8U` 8U(8UM8UM8UQ8UHO8U@Q8UM8U8U 8UR8U(Q8UX8UhP8U$8U 8Up 8U8P8UQ8UP8UO8UpQ8U8U0R8UN8UN8UXQ8U0O8UP8U8U8UHR8UN8UP8U 8U8UxO8UO8U`O8U@N8UP8U 8UP8U8U88UP8UM8UQ8UQ8U 8UR8U 8U8U 8U0 8Uh8UO8U@ 8UM8U 8U 8U 8UP8U`R8UP8UR8U P8U8UO8UO8U 8UO8U 8U 8UN8U(8U!2020-09-20 21:40:30U!0W!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!0W!5.00W!2023-03-30 04:44:48!2023-03-30 04:44:53!652182W!612881W!0000-00-00 00:00:00!0000-00-00 00:00:0028Uf8U.8U.8U.8U.8UD8U.8UD8U/8UD8U/8UD08U /8UD8U0/8UD8U@/8UD8UP/8UD08U`/8UDP8Ug8U98U@M8UD 38Ug8Uh8U`=8UDࢡ8U0h8UI8UDPR8U`h8U3U 8U8U2h8UH;8U8UDpG9U 8UD8U8UD8Ui8Up8UD8U!8UD)8U!8UD)8U>8UDp8U@8U8UD8U8UD08U8UDP8UPD8U  8U08UDP8U08UDp8U08UDC8U08UDC8U08UDC8U08UDD8U08UD D8U08UD@D8U18UDD8U18UDE8U 18UD0E8U018UDPE8U@18UDpE8UP18UDE8U`18UDE8Up18UDE8U18UD`D8U18UDD8U18UDD8U18UDD8U18UDE8U18UDp8U18UDPC8U18UDpC8U28UDF8U28UD0F8U 28UDPF8U028UDpF8U@28UDF8UP28UDF8U`28UDв8U 8UD8U08UD`8U@8UD8UP8UD8U`8UD8Up8UDୟ8U8UD8U8UD 8U8UD@8U8UD 8U8UD@8UЋ8UD`8U8UDе8U8UD8U8UD8U8U 8UD08U08UDP8U@8UDp8UP8UD8U`8UD8Up8UDж8U6U8UD8U8UD8U8UD8U8UD8U8UDໟ8UЌ8UD8U8UD 8U8UD@8U8UD`8U8UD8U 8UD8U08UD08U@8UDP8UP8UDp8U`8UD8Up8UD8U8UDг8U8U8UD8U8UD8U8UЍ8U8U8U8U8UD08U 8UDP8U08UDp8U@8UD8UP8UD`8U`8UD8Up8UD8U8UD8U8UD8U8r8Uh8U]8U  ,8Uhr8Ua8UD`=8Ur8Ur8U?8Ur8U=8U0D8U 8U8U2(s8Ui8U@8U8UDF8U8UDp8Us8U@8UD8U0?8UD8U ?8UD8U8UDP8U8U8UD8UP8UD8U`8UD08UD8U  8U8UDB8U8UDw8UЏ8UDw8U8UDw8U8UDw8U8UDx8U8UD0x8U 8UDPx8U08UDy8U@8UD y8UP8UD@y8U`8UD`y8Up8UDy8U8UDy8U8UDy8U8UDy8U8UDpx8U8UDx8UА8UDx8U8UDx8U8UDן8UX8UQR8U1S3Uv8U>M30694!60394Xores WHE!Graham Dixon8U10W8U01Possible Worlds (for piano solo){8U!41W8U!275W(8U!4WW!1W{8U!2011-06-10 12:58:53U!2017-11-22 16:49:44U!Graham DixonX8U!WW8U!2008Wȧ8U10W0!sibW(q8U!309W8U!0W8U!WWX8U!0000-00-00 00:00:00U!0Wƚ8U!1139W8U!0Wؚ8U!1.50X8U!2011-05-08 06:55:14U!0Wx8U!0W08U!136245W 8U!WW8U!0Wȧ8U10Wة8U0!0XU8U!1WXT8U!0WU8Uq{ "GroupOrd" : "60", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16091" } U!0.0000WHU8U!2011-05-07 15:06:31A challenging but hopefully playable arrangment of one of Bach's finer movements. I've done my utmost to arrange the work in a convenient and enjoyable way, making sure that the players have rest time, breathing places and such, but the nature of the music and the fluidity of the bass line in particular, made that a real challenge. Give it a try - I'd love to hear what you think.}8U!4.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YYU8U!223566W!0WxX8U!0W!0.00WU8U!11.50WX8U!7.50WhS8U!0WW8U!WWU8U!0.00WXT8U["206815","53262","53505","109455","126284","83976","105937","22179","55502","43869","203462","7843","86478","198828","81877","7763","7907","38818","60394","63292"]U!2020-09-11 10:51:391Brandenburg Concerto No 6 3rd Movement!0W!0W!17W!2013-04-16 20:00:17!0W!0WBrandenburg Concerto No. 6 (3rd Movement) J. S. Bach none Graham Dixon A challenging but hopefully playable arrangment of one of Bach's finer movements. I've done my utmost to arrange the work in a convenient and enjoyable way, making sure that the players have rest time, breathing places and such, but the nature of the music and the fluidity of the bass line in particular, made that a real challenge. Give it a try - I'd love to hear what you think.s!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WW8U\8U\8UT8UV8UW8UW8U[8UY8Ux[8UX8UpW8U8S8U8\8U`[8UV8UZ8U$8UT8US8UpZ8U[8U0[8U(Z8U[8UV8Uh\8UX8UX8U[8UhY8U@Z8U@W8UV8U\8UX8U[8U(T8UU8UY8UY8UY8UxX8UZ8UU8UZ8U(W8UU8UU8U0X8U[8UH[8UhS8U]8UT8UW8US8UT8UU8U8Y8US8UW8UXT8UR8UU8UZ8U\8U[8UP\8UXZ8U8V8UY8UZ8UpT8UY8UHU8UxU8U Y8U18U!0^8U!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-08 04:25:15!2023-05-08 04:25:39!1644718W!1398217W!0000-00-00 00:00:00!0000-00-00 00:00:00 eh| ( )0dh ]`+0  eh Q\8U1x8Uı60394!22033W8U!2017-06-09 17:10:17U10000-00-00 00:00:00p8U0ATen Easy Christmas Carols for Brass QuintetU!9W{8U!0W8U!3W@8U!2W8U!2011-06-10 12:00:06U!2017-11-22 16:49:43U!trad.8X08U!Graham Dixon8U!2003W8U10W0!sibW8U!309W`8U!0Wƚ8U!WWΚ8U!0000-00-00 00:00:00U!36W>8U!7054Wh8U!26W֛8U!5xX8U!1.50XXc8U!2011-05-07 15:00:54U!0W8U!0W08U145563W38UW0+_2UPj8U,_2Uhj8Uh/_2Uj8U6Uj8U(]8UX:5Uj8Ux4Uj8Uh5o3Uj8Uh2Uj8U/_2Uk8U 4U(k8U8U16U@k8UТ8U46UXk8U=4Upk8U45Uk8UH1_2Uk8U85Uk8U85Uk8UXDe3Uk8U87Ul8U؝2Ul8UX85U0l8U85UHl8U)6U`l8U885Uxl8U85Ul8U85Ul8Up,5Ul8Ux85Ul8Ux8UH85Ul8U85Um8UX8U4U m8U2U8m8U8UX2UPm8U85Uhm8UX 85Um8UH!85Um8U"85Um8U3Um8UH%85Um8U8U&85Um8U(6Un8U&85U(n8UhG85U@n8U8<25UXn8U8U 6Upn8UZ85Un8UP6Un8U5Un8UA6Un8U)_2Un8U54Uo8U_85Uo8U_85U0o8U8U`85UHo8U؝8Uc`7U`o8Uf`7Uxo8U25Uo8U25Uo8U25Uo8U8U c2Uo8U"c2Uo8U(g85Up8Ug85U p8UW4U8p8UXf85UPp8Ue85Uhp8Ux8Uc85Up8U 8UOm2Up8UX]8U m2Up8U8UX~`2Up8Uh8U`2Up8UHb85Up8UH8U&_2Uq8UhAT2U(q8U8DT2U@q8U>T2UXq8U08U7Upq8U4Uq8U88UH5Uq8U8U(t85Uq8Up85Uq8Ux8Uj6Uq8U885Ur8UI85Ur8Uȡ8U85U0r8Uxa85U0T8U85UC8U6U:8Up8UH4Ux8UX2UH$8Uh4U:8U@8U6U;8U6U0;8U8Uh_2U8U85UX:8U885U;8U85U8U(8U^i2U8UΌ2U8Un4U.8U2U.8UH8U2U.8Uh8U5U8s8U4Ut8U88U ʟ8U8U5Ui8U8Ux6o3Ut8U6U s8U(b2Ut8U+_2Ut8U,_2Ut8Uh/_2Uu8U6Uu8UP8UX:5U0u8Ux4UHu8Uh5o3U`u8Uh2Uxu8U/_2Uu8U 4Uu8U8U16Uu8U8U46Uu8U=4Uu8U45Uv8UH1_2U v8U85U8v8U85UPv8UXDe3Uhv8U87Uß8U؝2Uß8UX85Uğ8U85U ğ8U)6U8ğ8U885UPğ8U85Uhğ8U85Uğ8Up,5Uğ8Ux85Uğ8U8UH85Uğ8U85Uğ8U8U4Uğ8U2Uş8U(8UX2U(ş8U85U@ş8UX 85UXş8UH!85Upş8U"85Uş8U3Uş8UH%85Uş8Uয়8U&85Uş8U(6Uş8U&85UƟ8UhG85UƟ8U8<25U0Ɵ8U@8U 6UHƟ8UZ85U`Ɵ8UP6UxƟ8U5UƟ8UA6UƟ8U)_2UƟ8U54UƟ8U_85UƟ8U_85Uǟ8U8U`85U ǟ8U8Uc`7U8ǟ8Uf`7UPǟ8U25Uhǟ8U25Uǟ8U25Uǟ8U08U c2Uǟ8U"c2Uǟ8UmeArtis!1.50X8U!2011-05-07 18:49:52U!0W@8U!0W8U!62529W蟟8U!WWh8U!0W8U10W8U0aThese six movements by Jeremiah Clarke and John Shore represent the kind of pieces written for natural trumpet with strings in the time of Purcell, and shortly after. They were used as entra-acte tunes in the theatre, or for ceremonial occasions. They are intended to be played simply and gracefully, with ornamentation limited to cadential trills. John Shore (1662-1753) had an extraordinary career as a trumpeter, teacher and lutenist, and lived to the age of 91. He inspired Purcell, Clarke and others to write entertaining and lusterous music for the trumpet, at which Shore was a master. Jeremiah Clarke (1673-1707) has been overshadowed by Purcell, to whom many of his works have been wrongly attributed. As well as the catchy theatre tunes such as those included in this selection (Shore's Trumpet; Trumpet Minuet) he wrote two operas and worked at Drury Lane. Unfortunately, Clarke took his own life after being spurned by a female pupil. The only piece in the collection of unknown provenance is the "Trumpett" (3rd movement), whereas movements 1, 5 & 6 are almost certainly by John Shore.8U!^^8U!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW8U!182911W!0W蟟8U!0W8U!0.00W8U!19.50W8U!7.50W8U!0W8U!WW@8U!0.00W袟8UQ8U!HASHБ8Uscores/2!HASHW !1x^8U!0Wq{ "GroupOrd" : "120", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16090" } !!0.0000W!2011-05-07 18:50:02!Shores Trumpet!0W!0W!13W!2013-04-14 19:27:07!0W!0WShore's Trumpet John Shore none Graham Dixon These six movements by Jeremiah Clarke and John Shore represent the kind of pieces written for natural trumpet with strings in the time of Purcell, and shortly after. They were used as entra-acte tunes in the theatre, or for ceremonial occasions. They are intended to be played simply and gracefully, with ornamentation limited to cadential trills. John Shore (1662-1753) had an extraordinary career as a trumpeter, teacher and lutenist, and lived to the age of 91. He inspired Purcell, Clarke and others to write entertaining and lusterous music for the trumpet, at which Shore was a master. Jeremiah Clarke (1673-1707) has been overshadowed by Purcell, to whom many of his works have been wrongly attributed. As well as the catchy theatre tunes such as those included in this selection (Shore's Trumpet; Trumpet Minuet) he wrote two operas and worked at Drury Lane. Unfortunately, Clarke took his own life after being spurned by a female pupil. The only piece in the collection of unknown provenance is the "Trumpett" (3rd movement), whereas movements 1, 5 & 6 are almost certainly by John Shore.U8U!08^p8U!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W88Uئ8U08U8Uؠ8U࡟8U8U襟8U8U8U(8U8U`8U`8U8U8UȤ8U$8U8U 8U8U8UX8UP8UХ8U08U8U袟8U8U8U8Uh8Uh8U8U8U8U@8UP8U8Uأ8U 8U8U8U8UП8Uट8UP8U蟟8U8UX8U8Up8U8U88UȞ8U8U8U8U8U`8U8U8U8U\8U@8U8U8U(8Ux8U8U`8U8U88U8U8Up8U8UH8U ["206815","53262","53505","109455","126284","83976","22179","105937","203462","55502","86478","43869","7843","7763","81877","7907","198828","60394","38818","63292"]!2020-09-03 07:25:56!0W!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-07 05:06:59!2023-05-07 05:07:12!1533644W!1400837W!0000-00-00 00:00:00!0000-00-00 00:00:00f8Uß8U8UDן8U8UD ۟8U 8UD@۟8U08UD`۟8U@8UD۟8UP8UD۟8U`8UD۟8Up8UD۟8U8UDܟ8U8UD ܟ8U8UD@ܟ8U8UDz8U8UD z8UБ8UD@z8U8UD`z8U8UDz8U8UDz8U8UDz8U 8UDz8U08UDpޟ8U@8UDޟ8UP8UDޟ8U`8UD ߟ8Up8UD@ߟ8U8UD`ߟ8U8U8UDߟ8U8UDߟ8U8UDߟ8UВ8UDߟ8U8UD8U8UD08U6U8UDP8U8UD8U 8UD8U08UD8U@8UD 8UP8UD@8U`8UD`8Up8UD8U8UD8U8UD8U8UDC8U8UD C8U8UD`ܟ8UГ8UDܟ8U8UDܟ8U8UDܟ8U8UDܟ8U8U 8UDݟ8U08UD ݟ8U@8UP8U`8Up8U8U8UD@ݟ8U8UD`ݟ8U8UDݟ8U8UDݟ8UД8UD8U8UD8U8UD08U8UDP8U8UDp8Uʟ8Us8U(ʟ8U#8UXʟ8UtT8UDpK;8Uʟ8Uʟ8Uʟ8UpD8U 0 8U8U2˟8Upt8U`8UD E5U Z8UD08U8UD`G8U`˟8U8UDF8UP8UDЬ8U@8UD8U 8UD8U8U8UDG8U8UDG8U8UD G8UD8U  8U08UD8U@8UD8UP8UD@8U`8UD`8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD8UЖ8UDЛ8U8UD8U8UD8U8UD08U8UDP8U 8UDp8U08UD8U@8UD 8UP8UD@8U`8UD`8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD 8UЗ8UD@8U8UD`8U8UD8U8UD8U8UD8U 8UD8U08UD8U@8UDМ8UP8UD8U`8UD8Up8UD08U8UD 8U8UD 8U8UD 8U8UD 8U8UD8UИ8UD 8U8UD8U@8UD08UP8UDP8U`8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD08U6U8UDP8U8UD8U8UD8U8UD8U8UD 8U 8UD@8U08UD`8U@8UD8UP8UD8U`8UD8Up8UD8U8UDЙ8U8UD8U8UD 8U8UD@8U8UD`8U8UD8U8U8UD8U8UD8U8U 8U08U@8U !74289Xores WHE!20.00W,8U10W,8U01Deo Gratias for Large Brass Choir8U!8WX8U!0WH8U!4WW!2W8U!2011-06-10 12:48:57U!2017-11-22 16:49:44U!Johannes Ockgehem8U!0X8U!5W8U11.50W0!sibW8U!309W(8U!0W8U!WWx8U!0000-00-00 00:00:00U!1W0Κ8U!2438Wؚ8U!1W^8U!2011-05-08 04:40:35U!0W8U!0WX$8U!106097W$8U!WW%8U!1W8U!0W8U11W$8U0!10^ן8UAI was fortunate enough to spend three years at Magdalen College, Oxford for my undergraduate studies. Recently, I was surprised and delighted to meet at fellow Magdalen man, Luke Berryman, at Boston University, where I'm working towards my doctorate in composition. Having been asked to write a piece for an upcoming recital of Luke's, I wrote 'Possible Worlds', a meditation both on the memorable bell chimes of Magdalen tower, and on the pure randomness of meeting a Magdalen graduate so far from home. I was based briefly in Antigua city, Guatemala and so, in the course of this piece, various central American birds make an appearance. I am grateful beyond measure to Luke for learning this challenging piece, and for performing its premier at a Composer's Concert at Boston University in October 2008.8Ue۟8U!12.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YY8U!409857W!0Wج8U!0W!0.00W 8U!12.00W8U!0.00Wȧ8U!0W諟8U!WWP8U!0.00W8U["30453","165969","164401","485537","105007","71441","170016","91621","72890","469643","134649","134644","16123","361155","68375","143750","67746","94819","13846","198017"]ة8U8U!1^`ޟ8U!0Wq{ "GroupOrd" : "70", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "23562" } res!0.0000W!2011-05-08 06:55:431Possible Worlds for piano soloߟ8U!0W!0W!9W!2013-04-18 09:49:35!0W!0WqPossible Worlds (for piano solo) Graham Dixon none I was fortunate enough to spend three years at Magdalen College, Oxford for my undergraduate studies. Recently, I was surprised and delighted to meet at fellow Magdalen man, Luke Berryman, at Boston University, where I'm working towards my doctorate in composition. Having been asked to write a piece for an upcoming recital of Luke's, I wrote 'Possible Worlds', a meditation both on the memorable bell chimes of Magdalen tower, and on the pure randomness of meeting a Magdalen graduate so far from home. I was based briefly in Antigua city, Guatemala and so, in the course of this piece, various central American birds make an appearance. I am grateful beyond measure to Luke for learning this challenging piece, and for performing its premier at a Composer's Concert at Boston University in October 2008.defScor!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0Wp8U8U8UH8U8U8UH8U8U8Ux8U`8UЫ8U8U88U`8U@8U8U$8U訟8UX8Up8U8U08U(8U8Uh8Uh8U 8U88U8Uh8U@8U8Uટ8U8U8U8U8U8U8U8U8Uج8U8U8U8U8U 8U88U8U8UH8Uȧ8U8U8U諟8U8U8UP8U88U(8U08U8U8Ux8U8U8U8UP8UX8U8U8U8UШ8U8U8Uة8U 8USimilarS(g85Uǟ8Ug85Uǟ8UW4Uȟ8UXf85U(ȟ8Ue85U@ȟ8U8Uc85UXȟ8UX8UOm2Upȟ8U8U m2Uȟ8UȪ8UX~`2Uȟ8U8U`2Uȟ8UHb85Uȟ8U8U&_2Uȟ8UhAT2Uɟ8U8DT2Uɟ8U>T2U0ɟ8U8U7UHɟ8U4U`ɟ8Up8UH5Uxɟ8U8U(t85Uɟ8Up85Uɟ8UP8Uj6Uɟ8U885Uɟ8UI85Uɟ8U8U85Uʟ8Uxa85U;8U85UhP8U6Ui8U8UH4U@:8UX2UP8Uh4U0i8Ux8U6Ui8U6Ui8U8Uh_2U.8U85Ui8U885Ui8U85U/8U`8U^i2U(/8UΌ2U@/8Un4U098U2UH98U 8U2U`98U@8U5U˟8U4Ux̟8U88Ui8U8U5Us8U8Ux6o3U`̟8U6Uʟ8U(b2U̟8U+_2U̟8U,_2U̟8Uh/_2U̟8U6U̟8U(8UX:5U͟8Ux4U ͟8Uh5o3U8͟8Uh2UP͟8U/_2Uh͟8U 4U͟8U8U16U͟8U8U46U͟8U=4U͟8U45U͟8UH1_2U͟8U85UΟ8U85U(Ο8UXDe3U@Ο8U87UXΟ8U؝2UpΟ8UX85UΟ8U85UΟ8U)6UΟ8U885UΟ8U85UΟ8U85Uϟ8Up,5Uϟ8Ux85U0ϟ8U8UH85UHϟ8U85U`ϟ8Uh8U4Uxϟ8U2Uϟ8U8UX2Uϟ8U85Uϟ8UX 85Uϟ8UH!85Uϟ8U"85UП8U3U П8UH%85U8П8U8U&85UPП8U(6UhП8U&85UП8UhG85UП8U8<25UП8U8U 6UП8UZ85UП8UP6UП8U5Uџ8UA6U(џ8U)_2U@џ8U54UXџ8U_85Upџ8U_85Uџ8U8U`85Uџ8U8Uc`7Uџ8Uf`7Uџ8U25Uџ8U25Uҟ8U25Uҟ8U8U c2U0ҟ8U"c2UHҟ8U(g85U`ҟ8Ug85Uxҟ8UW4Uҟ8UXf85Uҟ8Ue85Uҟ8U8Uc85Uҟ8U08UOm2Uҟ8UX8U m2Uӟ8U8UX~`2U ӟ8Ux8U`2U8ӟ8UHb85UPӟ8UX8U&_2Uhӟ8UhAT2Uӟ8U8DT2Uӟ8U>T2Uh8U@8U7U0h8U4UHh8UH8UH5U`h8U8U(t85Uxh8Up85Uh8U8Uj6Uh8U885Uh8UI85Uh8U8U85Uh8Uxa85UP8U85UPf8U6Ut8U8UH4Uh8UX2Uhf8Uh4Us8UP8U6U@t8U6UXt8U8Uh_2Ux98U85Us8U885U(t8U85U98U88U^i2U98UΌ2U98Un4U}8U2U}8UX8U2U}8Ux8U5Ui8U4U`k8U8Us8U8U5Up˟8U'8Ux6o3UHk8U6Ui8U(b2Uxk8U+_2Uk8U,_2Uk8Uh/_2Uk8U6Uk8U`8UX:5Uk8Ux4Ul8Uh5o3U l8Uh2U8l8U/_2UPl8U 4Uhl8U$8U16Ul8U'8U46Ul8U=4Ul8U8U!2020-08-27 16:08:53U!0W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-05-02 13:33:14!2023-05-02 13:33:19!497412W!451895W!0000-00-00 00:00:00!0000-00-00 00:00:00 +0ah!( Z`dh!($(    dh"(M P ?Q8U!78551[p 8U!2017-06-09 17:10:17U10000-00-00 00:00:00蝠8U01Ronde and Variations for String Quartet!12Wƚ8U!0W!4WX8U!1WH8U!2011-06-10 13:17:48U!2017-11-22 16:49:44U!Graham Dixon8U!WW8U!2008W8U10W0!sibW8U!309Wx8U!0WА8U!WW0Κ8U!0000-00-00 00:00:00U!0W^8U!1359Wh8U!0W֛8U!1.50X@8U!2011-05-08 11:41:19U!0Wȟ8U!0W8U!136250Wp8U!WW8U!0W8U10W(8U0!XX8U!1W8U!0WP8U!1W8U!0W8Uq{ "GroupOrd" : "140", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16090" } 1Ten popular traditional carols for junior brass quintet - "Ding Dong Merrily on High", "While Shepherds Watched", "O Little Town of Bethlehem", "In Dulce Jubilo", "Good King Wenceslas", "The Holly and the Ivy", "I Saw Three Ships", "Away in a Manger", "In the Bleak Midwinter" and finally "We Wish you a Merry Christmas". I have tried to provide melodic material throughout the group, and some opportunities for a rest. As an extra bit of fun for players and performers, the final carol features an additional verse and coda section.U8U!11.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!YY8U!845461W!0W8U!0W!0.00W8U!18.50W8U!7.50W8U!0W8U!WW(8U!0.00W8U["88308","168223","140556","78183","140617","151528","188994","59699","140520","4062","23092","79408","75247","140618","173346","100330","6032","79766","31140","4413"]!2020-08-31 20:44:02!0.0000^8U!2011-05-07 15:01:10ATen Easy Christmas Carols for Brass Quintet @8U!0W!0W!10W!2013-04-10 02:01:44!0W!0WqTen Easy Christmas Carols for Brass Quintet trad. none Graham Dixon Ten popular traditional carols for junior brass quintet - "Ding Dong Merrily on High", "While Shepherds Watched", "O Little Town of Bethlehem", "In Dulce Jubilo", "Good King Wenceslas", "The Holly and the Ivy", "I Saw Three Ships", "Away in a Manger", "In the Bleak Midwinter" and finally "We Wish you a Merry Christmas". I have tried to provide melodic material throughout the group, and some opportunities for a rest. As an extra bit of fun for players and performers, the final carol features an additional verse and coda section. !0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WH8U8U@8U 8U8U8U 8U8U8U8U88U8Up8Up8U8U8U8U$8U8U08U8U(8Uh8U`8U8U@8U8U8U8U8U8Ux8Ux8U8U8U(8UP8U`8U8U8U08U8U8U 8U8U8U`8U8U8Uh8U8U8U8UH8U8U8U8U8U(8Up8U8U8U8U8UP8U8U8U88U8U8Up8U8UH8U8U8U8U8UX8U  @!0^8U!0000-00-00 00:00:00!WW!0W!210W!297W!0W!1W!650x919W!0W!1W!3.00W!2023-05-08 05:00:28!2023-05-08 05:01:16!1185646W!1020343W!0000-00-00 00:00:00!0000-00-00 00:00:00Q8U1v4U8Ur?NM22033!sib[8U!309W8U!0W`8U!WWƚ8U!0000-00-00 00:00:00U!1Wؚ8U!3242W>8U!1Wh8U!0X/8U!1W-8U!0W.8Uq{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16092" } U!0.0000W.8U!2011-05-08 10:00:23!1Y8U!0W`8U!WWH8U!noneWR8U!0WX8U!WW8U!WW:8U!WWs8U!1.50X˟8U!2011-05-08 10:00:09U!0W4U!0W4U!125333W4U!WW4U10W4U045Ul8UH1_2Ul8U85Ul8U85Um8UXDe3U(m8U87U@m8U؝2UXm8UX85Upm8U85Um8U)6Um8U885Um8U85Um8U85Um8Up,5Un8Ux85Un8U%8UH85U0n8U85UHn8Up$8U4U`n8U2Uxn8U&8UX2Un8U85Un8UX 85Un8UH!85Un8U"85Un8U3Uo8UH%85U o8U8U&85U8o8U(6UPo8U&85Uho8UhG85Uo8U8<25Uo8UP8U 6Uo8UZ85Uo8UP6Uo8U5Uo8UA6Up8U)_2U(p8U54U@p8U_85UXp8U_85Upp8U'8U`85Up8U 8Uc`7Up8Uf`7Up8U25Up8U25Up8U25Uq8U$8U c2Uq8U"c2U0q8U(g85UHq8Ug85U`q8UW4Uxq8UXf85Uq8Ue85Uq8U8Uc85Uq8U8&8UOm2Uq8U8U m2Uq8U%8UX~`2Ur8U8U`2U r8UHb85U8r8U`%8U&_2UPr8UhAT2Uhr8U8DT2Ur8U>T2Ur8UH(8U7Ur8U4Ur8U8UH5Ur8U&8U(t85Ur8Up85Us8U(8Uj6U(s8U885U@s8UI85UXs8U&8U85Ups8Uxa85Uf8U85Up8U6U˟8U'8UH4Uhs8UX2Uq8Uh4U˟8UX'8U6U̟8U6U0̟8U)8Uh_2U~8U85UX˟8U885U̟8U85U~8U@$8U^i2U0~8UΌ2UH~8Un4U8U2U(8U`+8U2U@8U,8U5Uxt8U4Uu8U(;98Ux8UPN8U%8U5UXj8U18Ux6o3Uu8U6U`t8U(b2Uu8U+_2Uv8U,_2U(v8Uh/_2U@v8U6UXv8Uh,8UX:5Upv8Ux4Uv8Uh5o3Uv8Uh2Uv8U/_2Uv8U 4Uv8U.8U16Uw8U 28U46Uw8U=4U0w8U45UHw8UH1_2U`w8U85Uxw8U85Uw8UXDe3Uw8U87Uw8U؝2Uw8UX85U8H8U85UPH8U)6UhH8U885UH8U85UH8U85UH8Up,5UH8Ux85UH8U/8UH85UH8U85UI8U.8U4U(I8U2U@I8U@08UX2UXI8U85UpI8UX 85UI8UH!85UI8U"85UI8U3UI8UH%85UI8U,8U&85UJ8U(6UJ8U&85U0J8UhG85UHJ8U8<25U`J8UX-8U 6UxJ8UZ85UJ8UP6UJ8U5UJ8UA6UJ8U)_2UJ8U54UK8U_85U K8U_85U8K8U28U`85UPK8U(-8Uc`7UhK8Uf`7UK8U25UK8U25UK8U25UK8UH.8U c2UK8U"c2UK8U(g85UL8Ug85U(L8UW4U@L8UXf85UXL8Ue85UpL8U,8Uc85UL8Up08UOm2UL8U,8U m2UL8U/8UX~`2UL8U-8U`2UL8UHb85UM8U/8U&_2UM8UhAT2U0M8UmeArtisqThis medieval tour-de-force is attributed to Johannes Ockeghem (c. 1410 - 1497) but his authorship is disputed. It is here arranged for large brass choir consisting of four groups. The first group (sopranos in the original) should be trumpets, but the others could vary as follows: Group 2 (Tenors): Horns or trombones (perhaps trumpets) Group 3 (Tenors): Horns or trombones Group 4 (Basses): Trombones or tubas There are a great variety of potential performance methods, many of them utilising a large space such as a cathedral. In my arrangement, the players are to stand in a circle and the parts should be interspersed (i.e. trumpeter - horn - trombone - tuba). The canons work their way around the circle, and I have ordered the music in such a way that each canon is performed twice. Please contact me for parts or to discuss this piece.8U 78U!10.00W!0W!1W!0W!WW!noneW!0W!WW!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW'8U!675834W!0W%8U!0W'8U!0.00W8U!64.00W&8U!54.00W0%8U!0W8U!WWX$8U!0.00W(8UQ,8U!2015-10-27 17:26:28!355127W !0^`:8Uq{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "16092" } U!0.0000W!2011-05-08 04:40:431Deo Gratias for Large Brass ChoirtsSame!0W!0W!32W!2013-04-17 18:46:49!0W!0WDeo Gratias for Large Brass Choir Johannes Ockgehem none Graham Dixon This medieval tour-de-force is attributed to Johannes Ockeghem (c. 1410 - 1497) but his authorship is disputed. It is here arranged for large brass choir consisting of four groups. The first group (sopranos in the original) should be trumpets, but the others could vary as follows: Group 2 (Tenors): Horns or trombones (perhaps trumpets) Group 3 (Tenors): Horns or trombones Group 4 (Basses): Trombones or tubas There are a great variety of potential performance methods, many of them utilising a large space such as a cathedral. In my arrangement, the players are to stand in a circle and the parts should be interspersed (i.e. trumpeter - horn - trombone - tuba). The canons work their way around the circle, and I have ordered the music in such a way that each canon is performed twice. Please contact me for parts or to discuss this piece.8U!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WP&8U+8UH+8U($8U%8U&8U('8U+8U(8U*8U@'8U&8U8Ux+8U*8U &8U)8U%8U#8Uh8U)8U0+8Up*8Uh)8U*8UH%8U+8U(8U(8U*8U(8U)8U&8U%8U+8U0(8UX*8U8U$8U(8U8)8U(8U'8U(*8U$8U)8Uh&8U%8U%8Up'8U+8U*8U8UP,8U#8U&8U8U#8U0%8Ux(8U88U'8U8U8UX$8U*8U+8U@*8U+8U)8Ux%8U)8UP)8U#8U )8U$8U$8U`(8U?["206815","53262","126284","109455","53505","83976","105937","203462","22179","55502","43869","86478","7843","81877","7763","7907","198828","38818","63292"]UHe8U!2020-08-31 18:12:42!0W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-05-03 16:14:22!2023-05-03 16:17:12!6215525W!8361692W!0000-00-00 00:00:00!0000-00-00 00:00:00h8UH8U8UDԟ8U8UD!8U8UD!8U 8UD"8U08UD "8U@8UD@"8UP8UD`"8U`8UD"8Up8UD"8U8UD"8U8UD"8U8UD#8U8UD #8U8UD@#8U8UD`#8U8UD#8U8UD 8U8UD 8U8UD 8U 8UD!8U08UD!8U@8UD!8UP8UD 8U`8Up8UDP8U8UDp8U8UD8U8UD8U8UDЉ8U8UD8U6U8UD 8U8UDp8U8UD8U 8UD8UX8UDЕ8U X8UD8U0X8UD8U@X8UD08UPX8UDP8U`X8UDp8UpX8UD8UX8UD08UX8UDP8UX8UDp8UX8UD8UX8UD8UX8UDЇ8UX8UX8UD8UY8UD8UY8U Y8U0Y8U@Y8UPY8U`Y8UD08UpY8UDP8UY8UDp8UY8UD8UY8UDP8UY8UDp8UY8UD8UY8UD8UY8UDЫ8U@N8UHt8U7UDK8UpN8UA78UUc8UN8UpB8UD8UN8UN8U0D8U 8Up8U20O8Uu8U8UD=8U`O8UxO8UHͮ8UO8UK8UD8U8UD8U8UD8U08UDPB8Uޣ8UD`Z8U P8UH3UFPP8UD8U  `~8U[8UD 8U[8UD 8U [8UD 8U0[8UD@ 8U@[8UD` 8UP[8UD 8U`[8UD 8Up[8UD 8U[8UDp 8U[8UD 8U[8UD 8U[8UD 8U[8UD 8U[8UD 8U[8UD0 8U[8UDP 8U\8UD 8U\8UD 8U \8UD 8U0\8UD@ 8U@\8UDt8UP\8UDt8U`\8UD`v8Up\8UDv8U\8UDv8U\8UDv8U\8UDv8U\8UDw8U\8UD w8U\8UD@w8U\8UD`w8U\8UDw8U]8UDp 8U]8UD 8U ]8UD 8U0]8UD 8U@]8UD 8UP]8UD 8U`]8UD0 8Up]8UDP 8U]8UDy8U]8UDy8U]8UDy8U]8UD`z8U]8UDz8U]8UDz8U]8U]8UDz8U^8UDz8U^8UD{8U ^8UD0{8U0^8UDP{8U@^8UDp{8U6UP^8UD{8U`^8UD@}8Up^8UD`}8U^8UD}8U^8UD}8U^8UD}8U^8UD}8U^8UD~8U^8UD ~8U^8UD@~8U^8UD 8U_8UD 8U_8UDw8U _8UDw8U0_8UDw8U@_8UDx8UP_8UD x8U`_8Up_8UD@x8U_8UD`x8U_8U_8U_8U_8U_8U_8UDx8UX8U '( ipdh'( 0U8U  .0.0  (PageOneA1f8U^H288254!348484W!LullabyW 1Spem in Alium (eight brass quintets)U!9W8U!0Wƚ8U!4W!8U!2W@8U!2011-06-10 13:11:18U!2017-11-22 16:49:44U!Thomas Tallisp-8U!Graham Dixon-8U!0W,8U!2008W!9W ß8Ug8UP8U`8UD8Up8UD8U8UD 8U8UD@8U8UD8U8UD8U8UD8U8UD08U8UDP8Uh8Uʟ8Uƥ8UDP38U(i8U@i8UXi8U8UDV8Ui8U8UD฿8UD8U 08U8U2i8UH̟8UPJ8U 8U`8UD08UZ8UD8UHj8U@Z8UDp8U 8UD8U 8UDp8U08UD %8UZ8UZ8UD8UPZ8UD8U`Z8UD8UD8U  A8U8UDw8U8UD0ԟ8U 8UD`ԟ8U08UDԟ8U@8UDԟ8UP8UDԟ8U`8UDԟ8Up8UD՟8U8UD՟8U8UD՟8U8UD՟8U8UD֟8U8UD0֟8U8UDP֟8U8UDp֟8U8UD֟8U8UD ՟8U8UD0w8U 8UDPw8U08UD@՟8U@8UD`՟8UP8UD38U`8UD 78Up8UD@78U8UD`78U8UD78U8UD78U8UD78U8UD78U8UD88U8UD 88U8UD@88U8UD՟8U8UD֟8U 8UD֟8U08UD֟8U@8UDן8UP8UD0ן8U`8UDPן8Up8UDpן8U8UDן8U8UDp:8U8UD:8U8UD;8U8UD ;8U8UD@;8U8U8UDp;8U8UD;8U8UD;8U 8UD;8U08UD;8U@8UD<8U6UP8UD0<8U`8UD?8Up8UD@8U8UD @8U8UD@@8U8UD`@8U8UD@8U8UD@8U8UD@8U8UD@8U8UD`88U8UD88U8UD88U 8UD88U08UD88U@8UD98UP8UD 98U`8Up8UD@98U8UD`98U8U8U8U8U8U8UD98U8UD98U8UD98U8UDE8U 8UDE8U08UDE8U@8UDF8UP8UD F8U`8UD@F8Uxs8Ui8Us8U9}8UDpI8Us8U<=8UD8Us8UyV8UD08U t8UD8U 98Up8U2ht8U0k8U}68UD08U0O8UD@N8Ua8UD8Ut8U`8UDp8U8UD%8Up8UD%8U8UD08U`8Ua8UD8U`8UD8U`8UD8UPD8U  8U8UDӟ8U8UDpf8U8UDf8U8UDf8U8UDf8U8UDg8U8UD g8U8UD@g8U8UD8U8UD8U 8UD8U08UD 8U@8UD0 8UP8UDP 8U`8UDp 8Up8UD 8U8UD`g8U8UDg8U8UDg8U8UDg8U8UDg8U8UD |8U8UDӟ8Ux8U!YY7U!628131W!0Wτ8U!0W!0.00W>8U!0.00WD8U!0.00W ZC8U!1W}8U!1Wn8U!0W7U!0Wؾ7U!1WHG.8U!32962WAJames Blunt, James Blunt, Sasha ScarbeckM8U14.75W,8Uz8U0!0000-00-00 00:00:00U!0WHi8U!0Ws8UGoodbye My Lover Piano, Vocal & Guitar Chords (Right-Hand Melody) James Blunt, James Blunt, Sasha Scarbeck UU8U!0W3W8U!0WS8U!0W X8U!0W4U!0000-00-00 00:00:00U!WW4U!0W4U10W4U0 One of the most popular and impressive works of the 16th Century, Thomas Talli’s 40-part motet ’Spem in Alium’ was written in response to a similarly ambitious motet, ’Ecce Beatem Lucem’ by Italian Allessandro Striggio. The piece is remarkable certainly for its scope, comprising as it does of eight choirs of five voices (soprano, alto, tenor, baritone and bass) with huge potential for spatial arrangement. In the preface to his own edition of this work, which was my source for this edition, Philip Legge posits that ’Spem in Alium’ might have been intended for the octagonal banquet hall of the Earl of Arundel at Nonsuch Palace. The hall’s construction was based on the cardinal points, and moreover there were four first-floor balconies which would have permitted choirs to stand separated not only horizontally, but also vertically. Tallis’ attitude to ’cori spezzati’ (an antiphonal multiple-choir technique brought to its zenith in Giovanni Gabrieli’s Venice) is flexible and imaginative, as he pairs the choirs in many different groupings. Music would, therefore, move across the centre of the space in a variety of directions, and arrive with the audience in the manner of stereophony. For this present edition, I have transcribed the music directly for eight brass quintets. The horn parts, based as they are on the range of the tenor, are quite low in the register, and this has necessitated changes of clef in the score which are more frequent than I would like. However, this avoids the inevitable collisions between parts spaced so closely together in this dense texture. I have deleted these clef changes from the parts, which are entirely in treble clef. In addition, where possible, I have hidden the rests of quintets which are not involved on a particular page. If this does not suit your director, please contact me and I will change it. Trumpet parts are in B-flat (October 2014 update). I have not included tempo markings (save an initial advisory mark, which may be brisker than you are used to - this is mostly as a result of the brass players not being required to articulate words in a busy, polyphonic texture) nor are there dynamic markings. Apart from the unsightly crowding of the score these would produce, I did not want to impose my own views of the dynamic possibilities on the performers. In general, I believe that Tallis uses the enormity of the sound, rather than dynamics for individual choirs, to produce dynamic contrast. Tallis’ attitude to dissonance permits for semitonal clashes, and there are a number of examples in this piece. Also, as each melodic fragment is passed around the groups, performance practice in the recordings with which I am familiar allows for the bringing out of this line. Comments and questions are welcome.!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW18U!901791W!0W8/8U!0W28U!0.00W,8U!80.00W18U!60.00Wh/8U!0X-8U!WW.8U!0.00W828UQ@8U!0P8U !1157420N8U 1Spem in Alium eight brass quintetscores!0W!0W!29W!2013-04-13 07:27:12!0W!0Wa Spem in Alium (eight brass quintets) Thomas Tallis none Graham Dixon One of the most popular and impressive works of the 16th Century, Thomas Talli’s 40-part motet ’Spem in Alium’ was written in response to a similarly ambitious motet, ’Ecce Beatem Lucem’ by Italian Allessandro Striggio. The piece is remarkable certainly for its scope, comprising as it does of eight choirs of five voices (soprano, alto, tenor, baritone and bass) with huge potential for spatial arrangement. In the preface to his own edition of this work, which was my source for this edition, Philip Legge posits that ’Spem in Alium’ might have been intended for the octagonal banquet hall of the Earl of Arundel at Nonsuch Palace. The hall’s construction was based on the cardinal points, and moreover there were four first-floor balconies which would have permitted choirs to stand separated not only horizontally, but also vertically. Tallis’ attitude to ’cori spezzati’ (an antiphonal multiple-choir technique brought to its zenith in Giovanni Gabrieli’s Venice) is flexible and imaginative, as he pairs the choirs in many different groupings. Music would, therefore, move across the centre of the space in a variety of directions, and arrive with the audience in the manner of stereophony. For this present edition, I have transcribed the music directly for eight brass quintets. The horn parts, based as they are on the range of the tenor, are quite low in the register, and this has necessitated changes of clef in the score which are more frequent than I would like. However, this avoids the inevitable collisions between parts spaced so closely together in this dense texture. I have deleted these clef changes from the parts, which are entirely in treble clef. In addition, where possible, I have hidden the rests of quintets which are not involved on a particular page. If this does not suit your director, please contact me and I will change it. Trumpet parts are in B-flat (October 2014 update). I have not included tempo markings (save an initial advisory mark, which may be brisker than you are used to - this is mostly as a result of the brass players not being required to articulate words in a busy, polyphonic texture) nor are there dynamic markings. Apart from the unsightly crowding of the score these would produce, I did not want to impose my own views of the dynamic possibilities on the performers. In general, I believe that Tallis uses the enormity of the sound, rather than dynamics for individual choirs, to produce dynamic contrast. Tallis’ attitude to dissonance permits for semitonal clashes, and there are a number of examples in this piece. Also, as each melodic fragment is passed around the groups, performance practice in the recordings with which I am familiar allows for the bringing out of this line. Comments and questions are welcome.8U!0h^`8U!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W08U(8U8U`.8U(08U018U`18U88U28U8Ux18U08U,8U8U؛8UX08U8U %8U.8Up-8U蚠8Uh8U8U8U 8U/8U8U828UP28U8U28U8U08U/8U8Uh28U8U-8U/8U(38Up38U38U18U`8U /8U08U08U8/8UP/8U18UP8U8U,8U8U.8U18U-8U0.8Uh/8U28U@-8UH18U-8U ,8U.8UH8U8Ux8UȜ8UК8U/8U@38U38U-8UX38U.8U.8U28U 8DT2UHM8U>T2U`M8U28U7UxM8U4UM8U-8UH5UM8U08U(t85UM8Up85UM8U28Uj6UM8U885UN8UI85U N8U18U85U8N8Uxa85U(q8U85Ux{8U6Uj8U18UH4U@˟8UX2U{8Uh4Upj8U18U6Uk8U6Uk8U8Uh_2UX8U85U@j8U885Uj8U85Up8Ux.8U^i2U8UΌ2U8Un4Uǝ8U2Uǝ8U8U2Uǝ8U8U5U@O8U4UP8UĘ8U 8U08U5Ut8U8Ux6o3UP8U6U(O8U(b2UP8U+_2UP8U,_2UP8Uh/_2UQ8U6U Q8U8UX:5U8Q8Ux4UPQ8Uh5o3UhQ8Uh2UQ8U/_2UQ8U 4UQ8U8U16UQ8UX8U46UQ8U=4UQ8U45UR8UH1_2U(R8U85U@R8U85UXR8UXDe3UpR8U87UR8U؝2UR8UX85UR8U85UR8U)6UR8U885US8U85US8U85U0S8Up,5UHS8Ux85U`S8U8UH85UxS8U85US8U8U4US8U2US8Ux8UX2US8U85US8UX 85UT8UH!85U T8U"85U8T8U3UPT8UH%85UhT8U08U&85UT8U(6UT8U&85UT8UhG85UT8U8<25UT8U8U 6UT8UZ85UU8UP6U(U8U5U@U8UA6UXU8U)_2UpU8U54UU8U_85UU8U_85UU8U@8U`85UU8U`8Uc`7UU8Uf`7UV8U25UV8U25U0V8U25UHV8U8U c2U`V8U"c2UxV8U(g85UV8Ug85UV8UW4UV8UXf85UV8Ue85UV8U8Uc85UW8U8UOm2U W8UН8U m2U8W8U8UX~`2UPW8U8U`2UhW8UHb85UW8UР8U&_2UW8UhAT2UW8U8DT2UW8U>T2UW8U8U7UW8U4UX 8U8UH5Up 8U8U(t85U 8Up85U 8U8Uj6U 8U885U 8UI85U 8UP8U85U 8Uxa85U{8U85U8U6UPu8U8UH4U(j8UX2U8Uh4Ut8UȢ8U6Uu8U6Uu8U88Uh_2Uǝ8U85Ut8U885Uhu8U85Uǝ8U8U^i2Uȝ8UΌ2U ȝ8Un4U8U2U8UЦ8U2U(8U8U5U8U8U8k4Uf8U8U8UH8U5UO8U68UX~`2Uh?8U6U 8U)6Uh8U_85U/#8UH%85U8U6Uo8U8Ux6o3UP2W8U45U 9Ug85U8U85U Ȯ8UX"8U2Uh%8U8Uh:z5US9U~5Uo8U8<25UD8U8U4U8Uh/_2U7Uj6U29Uh2U(8U&85U8UHb85U-8U18Uj6Ua8U~6U@l9U6UN8UhG85U8Uh2Uȶ4U85U8A8UH!85UM8U6U8U6U8?8U["55027","60755","49716","30694","60774","67329","99185","144018","60773","130391","85276","27632","27033","39451","4070","144578","528762","36144","29134"]UHʠ8U!2020-09-13 05:45:57!0W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-05-01 10:42:29!2023-05-01 10:45:12!7548912W!9706881W!0000-00-00 00:00:00!0000-00-00 00:00:008Ux)8UN8UՊ8Uk;8U8Uha88Up8Ux8U8U8U8U8U8Ux,8UPS8U8U8U8U(ؤ8Upy8U8U8U:8U(8U.8UN8UF8U8U@8UR8U8Ux78UX8Up18U،8U:8Ux8U 8Un8UW8U 8U(/8U8U h8U8U8U 8Up8U8U8U88U88UH8Upj8Upl8U8U؀8U8UP8Uxڙ8U`8U~8U8UC8Uy8U8UЄ8U08U8U8U8Uh8U(b8U`8Uh8UE8U8U(g8U!0Xc8U!0W؍8U!0W !0WW!WW0ۣ8U!1W187AEB040-886F-11E9-AB4E-F3D41D17C629Jazz Christmas Carol - Hark The Herald Angels Sing (Saxophone Quartet SATB or AATB) Traditional Lincoln Music Publications Hark! The Herald Angels Sing for Saxophone Quartet is essentially a very entertaining Theme and Variations in a Latin style on a Christmas time favorite! For hundreds of other arrangements by Kenneth Abeling not offered at Score Exchange please visit:8U@8Uǿ8U@{Z6U08UD8U8U/8UPt8UD/8UQ8U T8U`318U2P8U8UD Y8U8U88Uд8UPB08UDPe8U`A8UDp\8UF8UDx8U8UD`Z8U8UDY8U8UD@Z8Up8UD`v8U`8UD@v8UP8U@8U08U 8U8U8UD v8U8UDv8U8U8UDu8U8UDu8U8UDu8U8UD`u8U8UDu8U8UD@u8U8UD u8U8UDT8UK8UDy8U`R8UDy8U`yT8UDy8U8UDy8U08U՜8UDpy8U8UDv8Uk8UDR8U`8UDy8Up8UD0y8U6U8UD G8UP8UDpx8U8UDw8Uภ8Uж8U8UDaC8U8UDw8U`8UD8U8UDw8UP8UD@G8U6U@ƴ8UD8U8UDp8U8U8UD8U8UDw8U8UD0w8U8UDs8U8UDPw8U8UDpw8U8UDs8Up8UDI8U8UDs8U8UDs8Up8UD`s8U`8UD@s8U8UD s8Uu8UDs8U8UDu8U8UD t8U8UDt8U8UDt8U@3U ?8U8UD0t8U8UDt8U8UDpt8U`8UD8U`3U@8UD8U@^-8UD0@ 8U 8UD08U08UDp8U8UDп8U8UDP8U8UD8U8UD08U8UD8U8UD8U8UD8U8UD8U8UD8U8UD`8Up8UD8U`8UD8U@8UDP8UP8UDp8U8UDP8U8UD8U 8UD8U08UD08US8U  U8U`!8UD!8Up!8UD͠8U@Ħ8UD֦8UP!8UD!8U!8UD0Π8U̴8UDg8U!8UDΠ8U8UD:8U(8U̴8UD0g8UP8UD8Uء9U8U 8U@J8U 18UD@r8U8UD L8U@ҭ8U  Q88UZ8U v8UW8U2H8UH8U 8UD ]8UV8UD@8U!8UDp8U8UЙ!8UD8UĦ8UD`צ8UĦ8UD@צ8Uʦ8UD8U!8U !8UD8U!8UD8U!8UD08U 8U  !8U8UD``8U8UD`8U8UDa8U8UD0a8U8UDPa8U8UDpa8U!8UDa8U!8UDa8U!8UD`b8U !8UDb8U0!8UDb8U@!8UD`8UP!8UDĤ8U`!8UDŤ8Up!8UD0Ť8U!8UDPŤ8U!8UDa8U!8UDa8U!8UDb8U!8UD0b8UЎ!8UDƤ8U!8UDƤ8U!8UDǤ8U!8UD0Ǥ8U!8UDPǤ8U !8UDpǤ8U0!8UDǤ8UpĠ8UXr3Un3Us3U0p3U 3U 3U3U@3U3UHp3U83UP3U3Uh3U趲3U3U3U3U@3U 3UH3Up3Uh3Ux3U輲3U3Uh3U3Ua3U3Ub3Ua3Ue3Uc3U0f3Ue3Uhg3Uxf3Uh3Ug3U j3Ui3UXk3UPj3Ux3Uk3U3U3U(3UH3U 3UX3U03UP3UX3U`3UP3U3U3U3U03U 3Up3U`3U#3U3U3U#3UƵ3Uµ3Uȏ3UHƵ3U萶3U3U3U3U03U3U3U@03U3UH:3U`÷3UP3Uŷ3U÷3UPN3U@ŷ3UU3UN3UY3UU3U߸3UZ3U3UH߸3U3U3U3U(3UU3U3UV3UV3UW3UV3UW3U`W3UX3UX3UY3UX3UZ3UY3U[3UZ3Up\3U\3Ux]3U3U3Us8U3U8U(8U{8U3UU8Ur3U8U`8U18Up8U@(8UxS8UH18U7Uh=8U0"8UAU8Uɠ8Uv' data-eu="0" >El SalvadorEritreapˠ8UaU8Upˠ8Ue | AU8Uˠ8Ue' data-eu="1" >EstoniapP8UU8UP8UAU8UP8Ut' data-eu="0" >EthiopiaBy: Gustav Holst arranged by David Burndrett
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    • on, Britt Daniel
    +%22Marc+Shaiman+%26+Scott+Wittman%22" rel="nofollow">Marc Shaiman & Scott Wittman, Scott Wittman, Marc Shaiman, Marc Shaiman & Scott Wittman
    Foxx
    W7UǠ8UW!0P:8UP:8U!5.00W!2023-04-30 23:04:13!2023-04-30 23:05:08!7684106W!7093349W!0000-00-00 00:00:00!0000-00-00 00:00:008UP:8U0!8UD8U@!8UD8UP!8UD8U`!8UD08Up!8UDP8UPϠ8UH8U8UD@!8U>8UD@"8U"P8UDpf8U8UDK8UX,8U8UD8U>8UDp8U Y8U 08U 38U2@Р8U8U8UD8Up8UD08U+_2UР8U@V8U8UD``8U8UD@`8U8UD@I8U3U *8U0Ѡ8U98Up8UD0pC8U@i8UD8U@8U  48U!8UD8U!8UD8U!8UD8U!8UD8UК!8UD8U!8UD 8U!8UD@8U!8UD`8U!8UD8U !8UD08U0!8UDP8U@!8UD ߠ8UP!8UD08U`!8UDP8Up!8UD@ߠ8U!8UD`ߠ8U!8UD8U!8UD8U!8UD8U 8UD8U08UD8U@8UD 8UP8UD8U`8UD8Up8UD8U8UD08U8UDP8U8UDp8U8UD8U8UD8U8UD 8U8UD8U8UDߠ8U8UDߠ8U8UDߠ8U 8UDߠ8U08UD8U@8UD 8UP8UD 8U`8UD@8Up8UD`8U8UD`8U8UD8U8UD8U8UD8U8UD08U8U8UDp8U8UD8U8UD8U8UD8U 8UD8U08UD 8U6U@8UD 0 8UP8UD 8U`8UD 8Up8UD 8U8UD 8U8UD0 8U8UDP 8U8UDp 8U8UD48U8UD48U8UD8U8UD8U8UD8U8UD 8U 8UD@8U08UD`8U@8UD8UP8U`8UD8Up8UD8U8U8U8U8U8U8UD8U8UD8U8UD 8U8UD88U8UD98U 8UD98U08UD98U@8UD:8UP8UD :8U٠8U Р8UD78UU k8U`_8Up"8UP( 8UDУ8UHڠ8UT8UD08Uxڠ8U Q8U @8U38U2ڠ8UѠ8U8U 8Ul49U0,9U8U@u8UD?8U9U 8U@j9U2a8UD`8U۠8U۠8UH3U?8U8U08Up8UD0!8U0M8UDm8U%8UP}/8UD 8Up!8UD 8UƱ8U 08U0e8UD@8U8U@38UD\8UP8U "U8Uh8UU##8UP8U0x88UDf8U P8U 8U 18UD@8UF8UD8U C8U9UD8U8UD8Uݠ8U8UH8UU8U@08U U8U 8U0&8UD 8U_W8Uұ8U @b8Uߠ8UQ`V8U![[ߠ8U!2835[8U!0Wp8U!2.00XX8U!2011-05-08 17:31:21U!0W8U!0W8U!161777W8U!1X8U!0Wpa8U11W@8U0!158Z`s8U!Wonderful music by Haydn, originaly written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.!15.00W8U!0W7U!1WP8U!0W8U!WW88U!WW4U!0W4U!WW4U1Copyright © 2013 KVAMusic Edition4U!WW !1.50X`Y8U!2011-05-08 10:26:11U!0WX8U!0WX8U!127083WY8Uq{ "GroupOrd" : "0", "StoreGroupOrd" : "10", "StoreGroupID" : "4450", "GroupID" : "25543" } !0H^ 8U!WW!KVAMusic Edition!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WWH\8U!843872W!0WY8U!0W`\8U!0.00W8W8U!63.95WX[8U!54.00WY8U!0W(X8U!WWX8U!0.00W\8UQ`8U!1p8U !Lullabyʤ8U Short, but exciting piece for a good Wind Band. 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00:00:00!0000-00-00 00:00:00 "(gh+0op%0p69U ,0  p 9U0 8@X`  08UA8U  MP9U}8UW8U!94364Zores WHE!0000-00-00 00:00:00U10W@a8U0AHaydn: Concerto No. I (Classical Wind Ensemble)8U!56W8U!0W8U!4WR8U!3W8U!2011-06-16 10:22:10U!2020-08-06 00:53:31U!Joseph Haydn8U!Roar Kvam 8U!1785Wpa8U10W0!sibW !252W !0W !0[`8U!0W!0W!0W!522x696W!4W!1W!0.00W!0000-00-00 00:00:00!0000-00-00 00:00:00!0W`!0W!0000-00-00 00:00:00!0000-00-00 00:00:00Q0Z28U!HASH58Uumentati!Jazz Ensemble!WW@1WW0!2013-04-09 16:49:32U!0WD8U!0W78U10T8U0!0Xores WHE!0W08U1WWz8U(M8U0!HASHW-expires!HASHW08U!HASHWntent_ty!Schubert8U 1HASHp28UATA 0!HASHW !HASHg8U00000000Ah4U8Uu18.220.160.216@qhttps://img.sheetmusic.direct/catalogue/product/kirk-franklin-hero-md.jpgp!198519>8U !2018-03-30 16:14:25Q8U12018-08-28 00:00:00UPC8U0!1h8U~14.75WW?8U0aLeslie Bricusse, Anthony Newley, Marc Shaiman, Scott Wittman, Roald Dahlpf/8U!4.75W*8U![]W >8U!2020-09-06 17:24:01!0W!0000-00-00 00:00:00U!WW='btn-gr!0W8U!0WG8U10W=8U8U0!Y`08U !WW!0000-00-00 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!YYX8U!756091W!0Wp8U!0W!0.00W@p8U!1.99WhN8U!0.00WhH.8U!0WP8U!WWT8U!0.00W$8U!WWP'8U!0000-00-00 00:00:00U!1W!0000-00-00 00:00:00U!WW10Wx8U,48U0!0[589032!0000-00-00 00:00:00!WW!0W8U!0W)8U!0W184827!0XZ !0W!0W08U!1W 8U!650x919W178338!0W!1W!300W8U!2023-02-23 11:29:29U!2023-02-23 11:29:3536!378049W`!348011W!0000-00-00 00:00:00U!0000-00-00 00:00:00UQz8U!Pierpaolo8U!2019-06-06 16:27:45U10Wx8U01BerettaW0!0@8UUB8U!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0Wg8Ut8U8U8UO8U@8U8U8UxM8U98UX68U88U d8U@_88UF8UH8UxQ"8Ux8U{8U P8U 8U!8U8Upt=8U8U0L8U08U8Up8UV8U8U8D8U?8Uh8U8U[28Uc7U=B8U18UA8Uz8Uv8Ux8U8U`8U_;8U&8UH8U068U88U8Uq8UP-8UpM"8UF8UwD8U0I8UU<8UH8UM8UP<8U38U !W8UNC8U8U 8UP/48U8U<8U87U;8Uh'8U8UV<8U(8UhnS8Ux 8U8U`8U!2020-08-27 17:27:32U!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x917W!0W!0W!5.00W!2023-03-22 05:57:44!2023-03-22 05:58:03!1825993W!3011715W!0000-00-00 00:00:00!0000-00-00 00:00:00Q8u8U!2017-06-09 17:10:17U10000-00-00 00:00:0088U01(I’ve got the) Joy - TTBB and piano!23WH8U!0W88U!3W!1W 8U!2011-06-10 13:14:53U!2017-11-22 16:45:56U!X8X8U!0WHU8U!0W8U13W0!sibW 8U!129W8U!0Wx8U!WW8U!0000-00-00 00:00:00U!25W8U!6351W8N8U!19W8U!1.50Xp8U!2011-05-08 10:53:42U!0W8U!0WV8U!128702W@l8U!WW@8U!1W8U10W8U0!Rick Bartlett What do our Christmas traditions have to do with the true meaning of Christmas? It’s answered in this song, an SAB version of a carol written for our friends and family in 1992.U!0W|8U10W`k8U0What do our Christmas traditions have to do with the true meaning of Christmas? It’s answered in this song, an SAB version of a carol written for our friends and family in 1992.!1.95W!0W!0W!0W1. The tallow candle's glowing flame, The musty smell and earth and hay-- The shadows on the rustic frame, wherein the harbored Christ child lay. and spake in whispered, solumn speech, as if in rev'rence of the night. The shepherds came from field afar, Wise men their precious gifts to bring. They heard the angels, saw the star and knelt before the Christ, their King. The fir logs crackle in the blaze. The smell of cookies, breads and tarts, The stories, carols, songs of praise, The harbored Christ child in our hearts. and speak in whispered, solumn tones in rev'rence of the Hoy child. The memory of the can dle's flame, The musty smell of earth and hay, the glory of His blessed name is Christmas in our hearts today!WW!0W!WWACopyright © 2007 Robert and Kathleen Briggsऊ8U!WW["140896","138505","201637","73854","50463","142289","183069","170650","199763","166166","399096","117534","141835","138662","163562","128089","126287","129843","76525","192794"]8U!2020-08-20 01:17:00U!1W8U!2019-09-25 13:22:31U125B939E2-DF8F-11E9-A548-788U =8U!281312W!0W!0Wz8U!0W8U!1W8U!650x840W !1[o8U!0W!WW!0.0000W!2013-12-05 04:29:28!Carol of the Candle SAB!0W!0W!8W!0000-00-00 00:00:00U!0W@48U!0W616822Carol of the Candle (SAB) Word and music by Robert and Kathleen Briggs What do our Christmas traditions have to do with the true meaning of Christmas? It’s answered in this song, an SAB version of a carol written for our friends and family in 1992.U !0W!0W`8U!44W`pC8U!45W175180!2017-03-31 16:03:56!YxY!831899WS8U!0WW8U!0W52815!0.00W!1.95W!0.00WE8U!0WФ8U!WW177020!0.00Wp!08X!0W38U!5.00W8U12023-04-16 20:32:595067.490750!9^t8UI have loved Tyleman Susato's 'Danseyre' dances for many years, and decided to compose my own set of variations (some to be taken more seriously than others!) on one of his more famous dances. The simple melody is permuted in a variety of ways, from imitation and fugue through Adams-esque prestissimo and serialist techniques, to a Habanera and final reprise. 8U!5.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YY@8U!312353W!0W(8U!0W!0.00Wp8U!11.00W@8U!6.00W8U!0W88U!WW8U!0.00W8U["3295","8952","8885","366978","11459","13217","8702","73665","8953","527853","113861","75014","203398","43032","25305","37114","420236","4617","75396","6306"]8U!2020-09-26 02:57:42!1x^y8U!0Wq{ "GroupOrd" : "30", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "23562" } !0.0000W!2011-05-08 11:41:421Ronde and Variations for String Quartet!0W!0W!13W!2013-04-14 05:51:14!0W!0WRonde and Variations for String Quartet Graham Dixon none I have loved Tyleman Susato's 'Danseyre' dances for many years, and decided to compose my own set of variations (some to be taken more seriously than others!) on one of his more famous dances. The simple melody is permuted in a variety of ways, from imitation and fugue through Adams-esque prestissimo and serialist techniques, to a Habanera and final reprise. 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This piece would provide a rousing opening to a high-school concert, or any other great occasion.10T8U)0!1P8U !0W!WW!0W!0W!1W!0W !0.008X>8U!1Wh8U!1WX78U10W0!HASH8U !0000-00-00 00:00:00!0W!0W1String Quartet Kathryn O’Neill !0W10W0X8UȨ8U%18U !8U8Uz8U8U8U8 8Up,8Ub;8U98U`08U:8U8U18U-8UxC8Uu8U8U@3U0O8U7U-8U78UV8Ux8Uդ8UB8Uxb8Uh8U-8UmD8U(?8U 8U@98UH8U@vD8U( 8Uե8U38U&v8UPS8Ug08UČ8UW8U(98Us8UpD8UX P8U08UT28U8UR<8UK3Ux8UH78Uh8U`8UH 88U7U8UH8US8UP?-8U 8U)v8U@8Uإ8U;8U9-8U 38U(V8U{38U 8U8UP8UX8U!0000-00-00 00:00:00!0(X8U!Kathryn O’Neill8U!WW萚8U!0W !56PV8U !XТ8U !0W13-Part Mixed Choir0!0[8U !2.00W A/usr/www/resources/ADAP3/GenericObject2.pm1/profiles/59408?c=showContactSellerA8Uث190.92.209.117@!LaughreyW !5x8U !1hX!1W08U!My scores!474420W!1W!0W GRACE - No.188 of 252 GARTON GRACES Mainly for Female Voices but sometimes Mixed. 'GRAY’S INN GRACE' for SSA a cappella For SSA a cappella GRAHAM GARTON Words from an Inns of Court Grace (from 'A Book of Graces' - Carolyn Martin) !19@b8U !X>8Uired!WW11.50W0!35 88U !SMD_IDS8U !0000-00-00 00:00:00lass11W'0A/score_img/200w-pg/20231003220946/608296.jpgcore2024-0!75.00X8U!70.00W8U!1Wh8U!0hX8U!1HX 8U!0W88U!1W8U!0W8U!WW !ArtistName8U !2017-11-22 17:13:41!2023-04-14 03:24:34!0X!0W11W0!WpP8U !ArtistNameReversed!0gs8U !00.8U 1pT2U8U24285!3.99@V8U!0.00W10Wg0!0000-00-00 00:00:00U!0000-00-00 00:00:00!0W 8U!5357245W!0000-00-00 00:00:00U!2023-10-03 22:09:46UABeethoven (Easy Arrangement by Joe Cox) 8U@Qڙ8U18UBiW21054!19208U !23.50XX!laughreyg!0W![]Wб8U10Wr Cello Quartet0AFull score - Eine Fledermaus aus der Holle.pdf@Aة8U, 18.119.131.72@!31699@ 8U 12024-04-04 00:00:00tation0!78Uers-walt11.50Wrtet-621694.html0!0000-00-00 00:00:00Incl!0000-00-00 00:00:00!0HX/the-ska!0Wcello-qu!17Wcore-tit!0000-00-00 00:00:00z (F!0W !
    Eine Fledermaus aus der Holle
    by Gary Laughrey
    Orchestra
    $75.00
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Oh, Danny Boy the pipes, the pipes are calling From glen to glen, and down the mounttain side, The summer's gone, and all the roses falling, It's you, it's you must go, and I must bide. But come ye back when summer's in the meadow, Or when the valley's hushed and white with snow, And I'll be here in sunshine or in shadow, Oh, Danny Boy, oh, Danny Boy, I love you so! 2. But when ye come, and all the flow'rs are dying, If I am dead, as dead I well may be, Ye'll come and find the place where I am lying, And kneel and say an Ave there for me; And I shall hear though soft you tread above me; And all my grave will warmer sweeter be, For you will bend and tell me that you love me, And I shall sleep in peace until you come to me!!0000-00-00 00:00:00!0000-00-00 00:00:00anel!0000-00-00 00:00:00!50W !0000-00-00 00:00:00nel !0Wtom'> !0W !0Wublisher!0W 1INTERMEZZO "Cavalleria Rusticana"!2W !0\8U 1~\8UP8U!%PayPal%W7U!+5UW8U!%PayPal%W 39U0,9U8U25Up8U8UW4U89U8U7UXT8UP8Uc19UG19U,_2UpY.8UH!85U"8U6U8Ux4U8U4UG8Ux4U@ 9Un4U8UZ85U8UXg8UR6UA8U8|H5U4Ug8U8U,9Uy8U85UP8U85U 8Uܥ4U}8U3Uu4U`C8U46UL9U8<25U8Uh/_2U@?8UH5U(|8UN8U\09U809UP6U8U18U/9U.9U@8Uc`7U8Ug85Uա8U+48UH6Uv8U2U9U`r8U09U/9Uh~5U G8UN8UX2U r8UX8UOm2UΡ8UE8U^5UU9Uد8UR6U8U8U85U/8Uhp9UOm2U0=8Uz5U8U@8Ux~5U8U؝2Up8Uxa85U8ULn5U*W8Ue85U0#8Uآ`3U8Ue4U8UZ85U8U~5Uˆ8U885U88U(28Uxݨ2U ء8UZ85UH`8U`3U c8U?85U2U08Up88U2UY8U(8Uh/9U 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Oh, Danny Boy the pipes, the pipes are calling From glen to glen, and down the mounttain side, The summer's gone, and all the roses falling, It's you, it's you must go, and I must bide. But come ye back when summer's in the meadow, Or when the valley's hushed and white with snow, And I'll be here in sunshine or in shadow, Oh, Danny Boy, oh, Danny Boy, I love you so! 2. But when ye come, and all the flow'rs are dying, If I am dead, as dead I well may be, Ye'll come and find the place where I am lying, And kneel and say an Ave there for me; And I shall hear though soft you tread above me; And all my grave will warmer sweeter be, For you will bend and tell me that you love me, And I shall sleep in peace until you come to me!!WW!0W!WW!WW!WW!1.50X!2022-03-31 08:34:1511WЊ8UW0!0X+8U!0W(8U!0WU8U!1W88U!650x841W`ό8U!0W08U!0W08U!5.00W 8U!2023-02-15 06:50:0448Uy8Uk9UD`)8U`8U @@h8U Ht8UD8U`=8UD@8U8UDu8U[8U=9UDP9U8U @ؾ8Uy8U8Ub8UD@$8U8UD`8UЭ8U `8UPT8UD8U0K8UD8U8UD۷8Ug8U7UDf8U@8UDp8U`x88UDS8U`8UD@K8U8UD0p8U{8U8U@{8UH3UX{8Up{8U{8Ux(f(8U 88UDp8UP r8UD t6U8UD8U"8U8UDpM8UI85U@R8UDpi8U8U @@f8U0]8U 8U }9U8UDp8UF8UDP8U3U 28U>8U8UD@8U~8U]8UDl8UYT8UDps8Up[8UD@8U8U <8UDa8U8UDA8UP8U 8U:8UD8UЪ<8UD8Uز8UU0 8Uq8UD0>8U@Ƚ8U 18U8UD`8U8U @Ь8U.8U08UD$8Up<8U @3U 8UD8UG78UUZ8U:8Uɡ8UD08UX8UD8Uˡ8UD8UpQ8UD ݡ8U8UD8U@8UD`8UP8U @ 8U8UD8Up8UP08UD08U`[8UD0߾8UP8U 8UD/8UP8U`58U8UD48U8UD 8U0m8UD8U8UDP8UX8UDP8UM8UUТ8U7U8U @[8UP78UD`K8U3U V8U:08UD0l8UT8UD8U@~5U?28UD48U8UDq8UP8U @ 8UX8UDw8Uǡ8UDs8U8UD8Ub8U7UD08Upʡ8UD8U:8U P38UDPQ8U|.8UDpD8U0~8UD98U8U  8U08UD8U 8UpX8UD`8U@8UD8U`X8UDPߤ8U0X8UDඥ8UNJ8UDP8U8UD8Up8UDp8UU8UDૣ8U8UD8UN8UD@8U+8U 8UxN8UDФS8UP8UD@ݡ8UPX8UD0ߤ8U M8UD`8U 8UD 8U8UP8UD8UX8UDw8UX8UDw8U8UDШ8UX8UD 8UX8UD@8UY8UD`8UY8UD8U Y8UD8U0Y8UD8U@Y8UD 8UPY8UD@8U`Y8UD`8UpY8UD8UY8UD8UY8UD8UY8UDx8UY8UD௣8UY8UDm8UY8UDm8UY8UDm8UY8UDn8UZ8UD n8UZ8UD@n8U Z8UD`n8U0Z8UDn8U@Z8UDn8UPZ8UDn8U`Z8UDn8UpZ8UDo8UZ8UD o8UZ8UD@o8UZ8UD`o8UZ8UDo8UZ8UDP8UZ8UDp8U 8UD8U08UD08U@8UDP8UP8UDp8U`8UD8Up8UD8U8UDг8U8UD8U20:11:01!00~8Uptional"!WW081a8808!public domain !0.00Y8U!0.00W!1Wx8U!1W!0WhU8U!0W8U!1WH8U!237135WH8UaSheryl Crow, Bill Bottrell, David Baerwald, Sheryl Crow, Wyn Cooper, Kevin Gilbert8U!4.75W8UQLa Entrerriana - Tango de Rosendo Mendizabal - Full ScoreP!HASH@`8U !0B8U !0hY`!0W!0W8U!0Wf8U!0000-00-00 00:00:00!WW!0W!0WI8U!0Wp8U!XHX206797!245535Wp!0W!0W`)8U!0.00W !CatalogueReference!laughreyg@bellsouth.net!WW(8U!WW 8U(t=8UL8U8U 8U8U38U@8Ux8Uz8U8U8UP8U8U(8U؉8U8Uy8U8U8U0.8UH8UU8U!8Uq8UT8U$F8UN 8Ux[8U`8U(*48U[8U8U8UT8Upф8Ul8U58U8U8U8U88U 8U8U8U08U0>8U6B8Uޙ8UHk8UP|8Us8U`V8U038U@L8Ut8U^8UX8U8UPե8U8UX8UG"8U #8U88U8UPp8U"8U8U}8U$8U?8Uh88U8UX8Ux8UF8UHM8Uh8UTi-O-O Ming-Hsiu Yen none 'Ti-O-O' is also the name of a famous Taiwanese folksong, which is about an interesting story between a grandfather and a grandmother. The grandfather went out to dig a taro with a hoe when it was going to rain. When he was digging, he found a fish. He was very excited. The grandfather and the grandmother wanted to cook it, but they preferred different flavors. The grandfather wanted it to be salty, but the grandmother wanted it to be light. They argued and fought, and finally they broke the pot. The tune of this duet for double bass and piano is taken from this folksong. It contains several sections and different feelings. I think the double bass is an instrument which is able to present both 'grandfather' and the 'grandmother' very well. The solo section for the double bass presents their regret for their fighting of losing a good dish. 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F5U!1Y<8U!6.58WH,8U!WW<8U!WW0-8U!WWQ}8U!0000-00-00 00:00:00U!WWXS8U!0000-00-00 00:00:00U!0WHV8U!0W V8U!0W M8U!0Wpj8U!0Wk8U!2022-12-01 06:01:20U!{ "faces" : {} } U!0W !0А8U !9.958U !4`P8U !2.25Z!WW8U!WW8U!WW25022!0000-00-00 00:00:00!WW!0000-00-00 00:00:00U!0W8U!0WS8U!0W184940!59W !36W!2017-06-14 19:26:41U!0Y8U!0W8U!1W199081!6W !0W!0.00W8U!0000-00-00 00:00:00U!0W559570!0W!WW!0000-00-00 00:00:00!0?8UDarkness!0W "8U!0W!0W!0000-00-00 00:00:00Assistant Professor of Music at Kentucky Wesleyan College in Owensboro, Kentucky (retired). I was Principal Clarinet in the Owensboro Community Band; Baritone Sax player with the Owensboro Symphony's 2nd Street Big Band and performed in the orchestra for several musicals in my career in Oklahoma and Kentucky. I was Lead Woodwind player on a daily television show for 6 years and was a Minister of Music at several churches during my career-including staff arranger. My playing career has provided me with the opportunity to perform with Bob Hope, the Modernaires, Stars of the Lawrence Welk Show, the Ice Capades and in Latvia, Lithuania, Estonia, Paris, Vienna, and Stuttgart. I earned my Master of Church Music degree from ORU in 1994. I'm very pleased that I can put more energy (and have the time) into my passion for composing and arranging. My professional experiences have provided a good background in a wide variety of genres. Thanks for viewing my catalog! Gary02!0WrisedSco!0WrisedSco!0WScoreExc!0WADAPCont[{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":0,"name":"price"},{"on":1,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"},{"on":0,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":0,"name":"mp3"},{"on":0,"name":"composer"},{"on":0,"name":"subtitle"},{"on":0,"name":"platinum"},{"on":1,"name":"status"}]!== Background and experience Jim Paterson plays a variety of instruments though his greatest experience is with keyboards, starting Piano Lessons at the age of 7 and eventually passing Grade 8 with Distinction. At school he learned the clarinet and played in the school ensemble and solo at a few events, and he also plays recorder and guitar (though badly). As a teenager he held a variety of posts as pianist, organist or accompanist for churches, choirs, clubs, concerts and shows. With this background providing music for occasions and ceremonies, it is natural that his interests should lie with Classical and Film music, and inevitable that he should be interested in composition. == Music Activities today In 2000 he started the mfiles web-site [[ http://www.mfiles.co.uk | www.mfiles.co.uk ]] devoted to Classical and Film music, while continuing to compose music, and this has now become a business called [[ http://www.music-files.com | Music Files Ltd ]] providing a variety of commercial music services. The first live public performance of "Circus Ride" and "Sword and Sorcery" were given by the Chamber Orchestra of Southern Maryland in a family concert in April 2002, while other pieces have since been performed or played in schools. For several years Jim composed music for a large number of mobile games, and more details of this can be found at his IMDB resume - see [[ http://www.imdb.com/name/nm2676502/resume | www.imdb.me/jimpaterson ]] Jim is available for commissions - new music and arrangements. Email me to discuss.tected!2017-06-14 18:59:45U1{"width":233,"position-y-pc":"44","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":65,"width":133,"x":29,"center-y":131.5,"height":133,"center-x":95.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":64,"width":131,"x":31,"center-y":129.5,"height":131,"center-x":96.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":61,"width":141,"x":33,"center-y":131.5,"height":141,"center-x":103.5}]},"height":300,"position-x-combined":"42%","position-x":"center","position-y":"center","position-y-combined":"44%","average-center-x":98.5,"average-center-y":130.833333333333,"id":"41029346-512B-11E7-8E6F-9C3ED22490EB","position-x-pc":"42"}rCreditBa!3W蠥8U覥8Uh8U8U8U8UP8Up8U8U`8U8Ux8Up8U8U(8Uh8U8UH8U8U88UР8U8UP8UH8U8Uء8U8Uا8U8U 8U@8U8U8UX8U॥8U@8U(8U88Uh8U8Ux8U8U8U8U8U裥8U8U8U8U8UЦ8U 8U8U8U8U8U8U8UX8Uȥ8U88U8Uࢥ8U 8U08UX8U8U`8UȢ8U8UP8UScoreExc!2024-01-22 16:15:47U!50W!0000-00-00 00:00:00!0W!0W!0W!0W!0W!WW!1W13CBF4766-886F-11E9-B731-F3D41D17C629Exc!0W!0W!0000-00-00 00:00:00!0W!2023-12-16 08:05:02!2023-12-16 10:07:07!0Whangeor!1WlatinumS!0WlatinumS!WWScoreExc!0WLockedRe!0000-00-00 00:00:00UxT8UX8UnL7U68UnL7U98U`8U88U]8UnL7UH8U4Uij7U08UH8U88UXG8U]5UHT8Ub8U18UP8U8Uк8U8U88U8U^5U_5U`_5U_5U_5U_5U`5U`5Uh`5Ua5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U12017-11-22 17:39:03Date000000Qਥ8U!608296@8U Qp8UAX8U! -1713899038292@!ZZ!18805WȞ8U!1Wʌ8U!0W ʌ8U!WWʌ8U!0Whʌ8U!0Wˌ8U!0000-00-00 00:00:00U!0WY!0WA8U!0W8U!WW@E}8U!1W*8U!1WM8U!0.88W`8U!WWQ,8U!WWV8U!WWؠ8U!0000-00-00 00:00:00U!WW3T8U!0000-00-00 00:00:00U!0Wj8U!0W_8U!0W !HASH[P8U!HASHWw!HASHW!50820P8U 113/8UrdReminderSentt0!2011-05-08 01:20:10!XB7UcoreIncl!WW@1ValenciaWeexchange.com/ 0!4 M8U 156W8U8U01PQ5U(8UPy1671321@2UX8UuPy!0000-00-00 00:00:00U!0W18U!2023-08-15 08:05:22U!2023-10-24 11:35:17U!0Wx""8U!1W 8U!0W8U!WW8U!0Wx1.8U!0000-00-00 00:00:00UQ|8U!W`8U 1208UuantitySetOfPart01The Legend of the Monkey King0!2023-11-18 00:34:04U!0Wx8U!0000-00-00 00:00:00U!4W ʌ8U!0W`88U!0W88U!79Wˌ8U!1WxɌ8U!13.90WɌ8U!2024-05-15 19:05:30U!0Wʌ8U!0W!AccountWʌ8U!0000-00-00 00:00:00U!0000-00-00 00:00:0012024-03-15 19:05:30 8U0!53Z8U!22W4-23 20:!2023-11-18 00:34:061:10!{ "faces" : {} } 380!0Wa href="!2024-01-15 20:47:52U!30We2024-0!0000-00-00 00:00:00-23 !0W71389887!0WЗ8U!0W%8U!0WSE::Scor!0W8098202!WW6043841!1W8U12D538F3E-85AA-11EE-BA7F-B39C539980F0U!0We2024-0!0W4-04-23 !0000-00-00 00:00:009887!0W8U!2023-05-18 08:04:52eNav!2023-05-19 22:53:26U!0WX8U!1W @8U@!8UDǤ8UP!8UDǤ8U`!8UDǤ8Up!8UDȤ8U!8UD0Ȥ8U!8UDPȤ8U!8UDpȤ8U!8UDȤ8U!8UDȤ8UЏ!8UDȤ8U!8UDpŤ8U!8UDŤ8U!8UDŤ8U!8UDŤ8U !8UDƤ8U0!8UD!8U@!8UD`!8UP!8UD!8U`!8UD!8Up!8U!8UD!8U!8UD!8U!8UD !8U!8UD@!8U!8UD`!8UА!8UD!8U6U!8UD!8U!8UDp!8U!8UD!8U!8UD!8U !8UDФ!8U0!8UD!8U@!8UD!8UP!8UD0!8U`!8UDP!8Up!8UDp!8U!8UDȤ8U!8UD0Ƥ8U!8UDPƤ8U!8UD!8U!8UD!8UБ!8UD!8U!8UD!8U!8U!8UD !8U!8UD@!8U !8U0!8U@!8UP!8U`!8Up!8UD`!8U8UDE8U!8UD!8U!8UD!8UВ!8UD!8U!8UD!8U!8UD!8U!8UD!8UH8U8U!8UD!8Ux8U(8Ul9U29i8UD0l8U8U(fV8UfV8Upǥ8UDP8Ur8UDC8U-D8UD Z7U T8U ޠ8U38U2h8U8U8UD U8U8Uz8U8UD@;8UȠ8U8UD:8U˦8UD8U˦8UDp8U`8UD_8U8U8UD`;8U8UD:8U8UD;8UT8U  8U!8UD@t8U !8UD \8U0!8UD0]8U@!8UDP]8UP!8UDp]8U`!8UD]8Up!8UD]8U!8UD]8U!8UD^8U!8UD^8U!8UD^8U!8UD^8UД!8UD_8U!8UD _8U!8UD@_8U!8UD`_8U!8UD]8U !8UD^8U0!8UD0^8U@!8UDP^8UP!8UD_8U`!8UD \8Up!8UD_8U!8UD_8U!8UD_8U!8UD`8U!8UD `8U!8UD@`8UЕ!8UD08U!8UDP8U!8UDp8U!8UD8U!8UD 8U !8UD@8U0!8UD`8U@!8UD8UP!8UD8U`!8UD8Up!8UD8U!8UD8U!8UD8U!8UD8U!8UD8U!8UD8UЖ!8UD 8U!8UD@8U!8U!8UDp8U!8UD8U !8UD8U0!8UD8U@!8UD8UP!8UD8U6U`!8UD 08Up!8UD8U!8UD8U!8UD 8U!8UD@8U!8UD`8U!8UD8UЗ!8UD8U!8UD8U!8UD8U!8UD8U!8UD8U !8UD8U0!8UD8U@!8UD08UP!8UDP8U`!8UDp8Up!8U!8UD8U!8UD8U!8U!8U!8UИ!8U!8U!8UD8U!8UD8U!8UD8U !8UD8UЩ8U!08Y!0W!0W!1W!650x918W/154137.!0W 8U!0W!5.00W!2023-03-21 05:08:06!2023-03-21 05:11:57!17541077W129620986W0!18U 1488UuantityScore0!Currency8U !XhX!1HX!0W!0X8U!0W8U!1W Ax8U.@` (eval 315)le)@!Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.!15.00W10W0!W`H8U !ErrorCount8U !33.008U !0Xores WHE!4W13W0q{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "3484" } ["31848","94364","39408","116462","35253","9177","101587","99812","117184","116250","50021","49113","114496","196217","89530","179225","41742","99456","95586","100643"]!2020-09-09 13:36:14!1W!0000-00-00 00:00:00!WW10W0!48U !50820PN8U 1HASH`8U8af46b0)rSent0!0X!0.0000W!2018-02-15 22:51:48AHaydn Concerto No 2 Classical Wind Ensemble!0W!0W qhttps://img.sheetmusic.direct/catalogue/product/kirk-franklin-hero-lg.jpg;6Up!0X98U!0W88U!0.00W(#8U!33.00Wo8U!18.00W8,8U!0W 8U!WW@8U10.00WP 8U0!WW!0W !3pqd8U !XXXޭ8U!WWw!0W!WW1Copyright © 2017 KVAMusic Edition!0WЛ8U!1090W !HASH!0000-00-00 00:00:00U!0000-00-00 00:00:00QxV8U!2017-06-09 17:10:17U10000-00-00 00:00:008U0Grieg: Sørgemarsj over Rikhard Nordraak | Funeral March for Rikhard Nordraak (Grieg’s original version for Wind Band)8Uȝ8U!2Wx8U!0W@8U!3Wt8U!2020-05-01 19:31:03U!sibW !2.00Xidth: 99!2018-02-15 22:44:08art !1W !HASH t8U Q8U!0W A8Uք 213.119.113.173!177185T8U !HASH7U About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn’s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both.!18U class="!2015-04-03 00:21:02!5000"8U!103715HX!0W!0W8U!0.00W!0.00W !650x919[8Uers WHER!0W!0W8U1500WS7UW0!41x8U 6UΣ8U"8U2Uj8UΌ2Ub9U{8U m2UD8Ug85U18U$:8U08U8U\F3U8U885UC8U45U` }8UB5UH 5U`8U8t8U6UF8U"85Uz8U 4U8UV8U85U8U6U('8UpHP8U85U8UA8U5U9U25U8U!8Uy19UpN19UXf85U8U2UV8UX7U&_2U8U5UO8U؝2UL8U7U7U8U2U8U(g85U8U85U U8U 8Uj6Up=,8UX85UC8Uh2U@G8U,_2U8U7U2Up8U85UF,8UX98U 6U@g8U68U(x5U8U 8U`2UM8U`3Uhr8U85U98UP6U8UB8U8k4U8U>T2U!8U6Um<8U"85U:,8Ux6U8Up38U5U`8Un4U 8U3UhQ8U85U s8US8U6UجU8U8/8U5Uo?8U o08UX2UXP/8Ub5UPRV8U8DT2U88U`i8Uh_2Ua8UW4Us8U0m8U7U08UxE"8Ux~5UP)W8U0*3U8UH1_2U3U5UV8UH%85Uh8U8U5U"E8Un4U:F8U87Uz8UhG85U@8U.8U*3U@)8U85U@28Ux4U$8U8Uc`7U8UW4U8U(28U2UH8U25U08U885UxM8UH5U<8UDs8UQ}8U)_2U'8U؝2Uȹ8U-8UH85U8Y,8Ue85U08U85U8UD 9UX19Up19U<8Uh_2UX8U6UhM8U25Ux"98U~5Ud8U8<25U8U85U U8Uxv5UE/8UXlF8U5UhR08U~5U89U85Uh?8U3U(4U{8U`]28U 6UhUV8Uh2Uxd8U4U8U25US8U8U8B5UHU9U4Up8U興8U5UN8Uz5Uʟ8U~6U$=8U(b2Upv8UHQ"8U5U8UX8UX:5Uؐ8UI85UXi8U)_2UPG}8U.8U~5U8UF3U"8U_85UV8U/8U c2U08U*8U 6U3#8U!8UH5UhN8Un4UU8U7UX~5UX8Uh2U8U>8U c2U.8U)_2U8U)_2U8U3U8U25UL8UhG85UQV8U+_2U8Uh2U8U&7U7Uؗ8U-9Ux-9U85U8U)6U8UXDe3U 8U4U"8U&85U7Ux4U7UP8U7Up&8U;8U85U.8U"c2UF8Up,5U/8U3U؛8UE3U58Uy8U[8U8Uh4Uz8UXf85UX8U/_2U(z8U25U8U/_2U8Ux85U38U85U8UvF8Uj6UX3Uh44U8UV8U&85Ud8U#8UN8U"85U'W8U5U8Uؖ8U`3U`U8Uk5Up8U85U4T8Uxa85U@N8U5Uա8U_85U!78U 7U6U`18UX2U?8Uz?8U c2U^V8U85U7U@و8U74U 8UH8U8U(|B8U`g8UH4U+8U25U8UXf85U8UУ98U`2Up)8U"85U"98Uxa85Uƚ8U!2023-05-04 20:20:05!0`u8U !4I8U !0Wv class=13W='title'>0!0.00pV8U!aaron-aranita11W01(ܤ8U-b59408AXܤ8Uxw73.173.108.252@!Xp98U!808-678-80591www.aaronaranitamusic.com0!2.008X>8U!1Wx>8U!0Wp=8U10W0!0000-00-00 00:00:00!0000-00-00 00:00:001440W011.503U4U0!75.00Xrts WHER!WW8U!Roger Emerson !0p8UeWebKit/!1276x1650o; compa15Wlaudebot@anthrop0!HASH8U!HASHW !laughreyg@bellsouth.net!Xanadont1! !1Z8Uional-gr!Jim Paterson 1pj4Uߤ8U*q334889Aaron Aranita has been a professional working musician for over 40 years. He has worked as a sideman and leader throughout the U.S. and Japan. The Berklee School of Music was where Aaron decided to reach out even more and really learn from the best teachers available, Joe Viola for saxophone, Greg Hopkins, Phil Wilson and Andy Jaffe for arranging and composition. Evidently, he learned his lessons well because the people at Berklee to nominated him to the Dean's List in 1980. As a side note, after Berklee, he even found the time to study piano tuning at the San Francisco School of Piano Tuning and Repair while performing with his band, Eastbound, in the Bay Area of California. Now, as an accomplished musician, he composes both music and lyrics, owns and runs his own commercial studio, Sugartown Records, where he produces and records his own and other artists' albums. Aaron's 1998 release, "Eastbound," was nominated for the Jazz Category of the Hoku Hawaiian Music Awards. This CD continues to receive airplay on jazz radio programs throughout the nation and even across the Pacific in Japan. In fact, in 1996, one of the tunes on that CD, "Sugartown," was aired nationally on Late Night with David Letterman. Among the awards and accolades he has received are the Billboard Certificate of Achievement for Jazz Composition for his tune, "Gregoria " (1988), and the NAJE Award for Flute and Saxophone Performance (1986). Presently, Aaron serves as an active member National Recording Academy (NARAS). And for the past 30years, he has been a BMI writer and publisher. In 2001, Aaron Aranita and Eastbound released "One Day," a new CD of 14 of Aaron's original tunes performed by Aaron and some of Hawaii's finest musicians. 2005 marks the release of Aaron's third CD, 14 instrumental tunes, "Don't Stop the Feeling". 2007 " Cool Head Jazz with Trumpeter Valery Ponomarev, Ernie Provencher and Chuck James. Newer Cd recordings on Sugartown Records include 2013 Aaron Aranita Big Band, 2015 " Rough Jazz". 2017 Big Band CD 'Segunda Vista" with The Brent Fischer Orchestra. 2022 CD " Connection" with Aaron Aranita and Eastbound Ɍ8U:8Uh<8U<8Ǔ8U;8U`Ɍ8UpȌ8U`̌8U`88U78Ux88U(ˌ8Uʌ8U@ˌ8Uh98U98UH88UȞ8U8<8Uʌ8U78UP<8UH;8Uˌ8Uʌ8U:8U;8Uˌ8U <8U@:8U8ƭ8UɌ8UȌ8U98Ux8U(:8UN"8UHɌ8U;8U ʌ8U;8U:8U[8U88U88Uˌ8U<8U98Uˌ8U:8Ǔ8UɌ8UɌ8U:8U;8U:8U;8UX:8U98U898U;8UȌ8UɌ8Uhʌ8Upˌ8U<8U`;8UȌ8U88U 8U?!0]p8U!WW!0W!0000-00-00 00:00:00Q<8U!17.6000Y 8U!0W8?8U!WW>8U!0W?8U!0W`>8U!1Wp=8U10W?8U0!XXfiles/aa!WW!0Wfiles/aa!WW!Music Files Ltdv class=!WW!1.50W !0 ;8U10W7C8UK8U0!0000-00-00 00:00:00!0Xt8U!0000-00-00 00:00:00U!0Wu8U!0Wr8U!08X;8U!0Ws8U!0000-00-00 00:00:00U10000-00-00 00:00:00U0!08U˭8U!1W!126295W![]W!2020-09-26 06:25:28AD96ECA90-8293-11EA-B921-788383FEA0E1"div> @1Edvard Grieg Edited by Roar KvampF8U!WWHV8U!1892WD8U!0W !252W8U!0W8U!Grieg-Sørgemarsj.sib!2015-04-03 00:21:02U!3W8U!1927W(ɝ8U!2WG8U!2.00X(8U!2015-04-03 00:21:06U!1W8U!0W؇O8U!0W68U!WW38U!0Wp :8U10WHF8U0!6(YU8U!1Y3W8U!0WS8U!WWH؇8U!0.0000Wȩ7U!2015-04-03 00:33:16UGrieg Srgemarsj over Rikhard Nordraak Funeral March for Rikhard Nordraak Griegs original version for Wind Band4U!0W4U!0W !YY?8U!55W!0WB8U!0W!0.00W?8U!1.00WB8U!3.00Wp=8U!1.00WA8U!0W@8U!WWx>8U!0.00W8?8U!WWB8U!0000-00-00 00:00:00!0WB8U!2021-03-04 22:18:441938D720C-7D37-11EB-BBB3-788383FEA0E110000-00-00 00:00:00U0X8UF8UB3Up4U 2U4U,9@7U=8UP=8Ux8U08UPD8Um<8Uޯ8Utn-sp a1~r8U8U!0Ythis!1WX!23W !62W !2017-12-22 11:37:29 !2017-06-09 17:10:17 !0000-00-00 00:00:00 !WW 1230144W 0SHADOWS IN LIGHT for viola and harp Op.122 (1999). Two friends of mine who emigrated and settled in California continued play my music, asking me from time to time to write a new piece for them. At the time I was reading the book by Vassily Kandinski on the idea of light and shadows in painting, and it influenced the title and character of the piece. Sergey Rakitchenkov and Olga Ortenberg premieredthe piece on 20th of April 2001 at Old First Church, San Francisco. At about the same time I was asked by the Pyramide ensemble for a piece for 6 players. I found the idea of recomposing my duo piece SHADOWS IN LIGHT instead of writing a new one intriguing. The music in the new version (Op.122a) is the same, but the instrumentation is quite different (flute, oboe, harp and string trio) and the texture is much more elaborated. Ensemble Pyramide premiered it on 26th January 2001 at Helferei Grossm?nster, Z?rich. (Available on MRCD026).!17.95W !0`8U !08Yt margin!0W@!0.00Wht margi!1.50Wxs!0.00Wt margin!0W!WW class='!0.00Wu-open'>!18X!650x892W!0Wp8U11Ws margin-bottom-0Q

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UK & Europe, adm. by Integrity Music, part of the David C Cook family, songs@integritymusic.com) www.stuarttownend.co.ukxF8U@/r8U`3U8U078UX8U`98UD8Ux%F8Up38Uh8U{18UX!8UI"8Ut"8Ut8UyD8U$8UPd7Uh 8Um;8U8Uh>8UqF8U%F8UNV8U-8U`8UF8U7UX~8UDV8U 08U(%8Uy"8UO8UXو8UpM3U@!8UP 88U<8Uu=8U` 8U`S8U7U;8Up-8U8Uk8U@8U18Uxs8U 38U8U 8U 8US<8U 8UX8U7U@T8U@S8UV8U`18U`>8UxՄ8Ug7U:8U(!8UP8UX8UPG8U!sibW8U!62021W 10]9U906f478)\0!XX!0000-00-00 00:00:0010W01G8Uh99999q1. Behold the Lamb who bears our sins away, slain for us: and we remember the promise made that all who come in faith find forgiveness at the cross. So we share in this Bread of life, and we drink of His sacrifice, as a sign of our bonds of peace around the table of the King. 2. The body of our Saviour Jesus Christ, torn for you: eat and remember the wounds that heal, the death that brings us life, paid the price to make us one. So we share in this Bread of life, and we drink of His sacrifice, as a sign of our bonds of love around the table of the King. 3. The blood that cleanses ev'ry stain of sin, shed for you: drink and remember He drained death's cup that all may enter in to receive the life of God. So we share in this Bread of life, and we drink of His sacrifice, as a sign of our bonds of grace around the table of the King. 4. And so with thankfulness and faith we rise to respond: and to remember. Our call to follow in the steps of Christ as His body here on earth. As we share in His suffering, we proclaim: Christ will come again! And we'll join in the feast of heav'n around the table of the King.!WW `8UЈ 9U  eh  =@j8U!(8U$( (wx28U39U 9@dh18 i8U( )0   49U:8U$(!8U49UX 8U$(  0818U.0?@`8UǓ8U)0!267760Y8U!0Wܙ8U!0W!0.00WP8U!5.95W!0.00W!0W!WW`8U!0.00W8U["83323","83325","34938","8843","103543","99232","99233","9074","94394","100641","80649","42196","361168","26304","46449","10049","80638","878","22694"]!2020-08-29 07:58:52!2731U !HASHUeMurray"0"> A\8Uκ 3.141.202.187@!608178X!0Wpf/8U!0WQ8U10W8Um08U0!HASHtmlg !X8Urrencies!0W!WW !08U!0W!1W !0j78U !508P8U !4W 1UserRef`818UIDERation0!0P8Us/solo-i!76W !2023-02-23 11:29:29Q8U!0p8UasketIte!0000-00-00 00:00:008292!WWe Gecko)!0W A8`8U[@ 17.246.19.179@!4X!1W12011-11-01 07:37:100!2P8U!2022-03-31 08:34:1412022-03-31 08:44:220!08U !0000-00-00 00:00:00!0000-00-00 00:00:0010000-00-00 00:00:000904100!XHX!0000-00-00 00:00:00!0W!1065WP8U!0W 13885C468-886F-11E9-A780-F3D41D17C629!0W!0Wp!0000-00-00 00:00:00U!0W.8U!0000-00-00 00:00:00U!0000-00-00 00:00:00!(r 9UW !0P8U !XXores 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engaging in a variety of musical pursuits. He plays all sorts of clarinets and saxophones in various ensembles. His favourite instrument is his enormous (yet beautiful) bass clarinet. He also enjoys singing tenor, conducting, and playing the piano. 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2U4U,9@7U#8U0P8UXD8U8#8UP8U!?8U 8U8UX=8U1~D8U/8UWould you like to advertise your business on Score Exchange?U!18X T8U!0W!0W10Wxp8U 8U0!WW98U!1W !SubHeadingAlignmentU!ButtonText(M8U!ButtonAlignment`N8U!ButtonSize@F8U!SecondaryImageID4U1SecondaryImageCropPositionIDU4U!SecondaryImageSize4U!ClickTarget4U!ClickableBackgroundU!ButtonType4U!ButtonIcon !18XH|8U!0W!0W10W8FV8U8U0!Teach Online?@!1W !#ffffffWb' data-!2W 8T8UH4Uhr8Uk8UX2U =8UI85UXï8U85U0 }8U` 8Uh_2UP8U885U@2C8UB8Ux6o3U8"8Uh~5UϠ8U6UV8UhAT2Ux#8UXf85U8UX2U C8U(b2U8Uh/_2UX78U(5U@:F8U_85U8U)9UF39U"39UH~5Uxi8U8DT2U8U>T2U@N8U=4U8UX 85U@8U#3Uh2U@8U#8UOm2U8I8Ub5U0S8UHb;8UR6UX|8UHB5U S8U` 8U5UN8U 8UH5UЖ,8Uӈ8Uc`7Ux;8U)6U"8UX2UP 7U2U8U@8U`2U=7U5U(7Ul8U؊8Uߓ8U8<25Uy8U85U"8UhG85U8UHb85Us8U8Us8U8$9Uxn09UH>09Ux-8U&_2U8U#2UV08U25U8Ux4U8U(g85U8U8U8U_8U+_2U67Ux8U 6U8U8U46U8U85UM8UH1_2U98U8U 6U(8U;6U8Ug85U-8U45U (8U8t8U`85U8UW4U4q8UB5U8Ux~5U 8U85U7U54Uň8UX̟6UП8Uhɥ2UX6Ul?8U8U^i2U`8UxB5Ux78U~5UP¢8U>T2U8F8U78U`85U8U88U6U؈8U98UH5U(8U(3UX5T8U|8U4U@8U8U5U 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13:49:40180EF3B94-886F-11E9-9F08-F3D41D17C629U!0W!0W98U!0000-00-00 00:00:00U!0WP 8U!2023-03-16 08:04:34!2023-06-14 08:04:55U!0W}38U!1W!0W!WW!0W!0000-00-00 00:00:00Uaό8U!0X!WW8U!48702W172848!1W !0W!WW8U10Wp 8U26.8746701k8Uph180869!PriceSetOfParts !115742W !0Xuite-for!0WW!2HX> 0!0 @8U !YXY(sD8U!527829WȊS8U!0W?.8U!0W8U!0.00W̭8U!7.95WX38U!0.00WxV8U!0WP18U!WWP*:8U!0.00Wq8U1q8U2; 147491!99999W:8U!2017-06-09 17:10:17U10000-00-00 00:00:008U01Masters In This Hall (SATB)U48U!23Wpu8U!0WX8U!3W8U!2W48U!2011-06-12 08:46:19U!2022-05-27 14:49:00U!trad.8Xb;8U!Tony Tournoff:-8U!2009W8U10W0!sibW8U!564W48U!0W[8U!WW 8U!0000-00-00 00:00:00U!19W 8U!3401W8U!17W88U!2X#8UThis arrangement should appeal to those who like something a little different at Christmas. It is very straightforward and easy to learn./8U!2.00W !0xX8U!WW4U!0W4U!0W4U!1W4U10W4U0An arrangement for organ in D Major of the popular choral work ‘Cantique de Jean Racine’ (Op.11) by Faure. A version in the original key of Db Major is also available. The included registration is only a suggestion and is left entirely to the organist’s discretion depending on the specification of the instrument. 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" key/value list. You passed an odd number of arguments\n"; } else { $args = {@_}; } my $new = bless({}, $class);; { my $value = ( exists $args->{"allow_partial_success"} ? $args->{"allow_partial_success"} : $default_for_allow_5fpartial_5fsuccess->($new) ); do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "allow_partial_success", name => "allow_partial_success", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_allow_5fpartial_5fsuccess->($value); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"allow_partial_success\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"allow_partial_success"} = $value; } { my $value = ( exists $args->{"debug"} ? $args->{"debug"} : $default_for_debug->($new) ); do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "debug", name => "debug", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_debug->($value); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"debug\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"debug"} = $value; } if (exists $args->{"helo"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "helo", name => "helo", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_helo->($args->{"helo"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"helo\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"helo"} = $args->{"helo"}; } { my $value = ( exists $args->{"host"} ? $args->{"host"} : $default_for_host->($new) ); do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "host", name => "host", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_host->($value); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"host\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"host"} = $value; } if (exists $args->{"localaddr"}) { $new->{"localaddr"} = $args->{"localaddr"}; } if (exists $args->{"localport"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "localport", name => "localport", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_localport->($args->{"localport"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"localport\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"localport"} = $args->{"localport"}; } if (exists $args->{"port"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "port", name => "port", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_port->($args->{"port"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"port\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"port"} = $args->{"port"}; } if (exists $args->{"sasl_password"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "sasl_password", name => "sasl_password", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_sasl_5fpassword->($args->{"sasl_password"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"sasl_password\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"sasl_password"} = $args->{"sasl_password"}; } if (exists $args->{"sasl_username"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "sasl_username", name => "sasl_username", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_sasl_5fusername->($args->{"sasl_username"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"sasl_username\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"sasl_username"} = $args->{"sasl_username"}; } { my $value = ( exists $args->{"ssl"} ? $args->{"ssl"} : $default_for_ssl->($new) ); do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "ssl", name => "ssl", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_ssl->($value); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"ssl\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"ssl"} = $value; } { my $value = ( exists $args->{"timeout"} ? $args->{"timeout"} : $default_for_timeout->($new) ); do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "timeout", name => "timeout", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_timeout->($value); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"timeout\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; 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contemporary classical, jazz, vocal, film, and ensemble styles.", "Url" : "http://www.wonderful-music.com", "Text" : "Original Music Compositions by David Rubenstein" } ] png 500wp!0 8U !W08U !75892 s8U !2010-07-27 00:00:00tati10W8U`ү8U0!StartDate8U 1EndDateW0Q88U J&SE::AdvertCampaign::OBJECT_CACHE_TIMERASELECT * FROM AdvertCampaigns WHERE ID =?@!["home"]XB8U!46W@ڠ8U!1W/8U12011-01-01 00:00:000A4U85U5U4U4U@!ADAP3::SQL8U!128UW!H8U8UX8Uw0f8U08U GA xPN8U!0G8Urts WHER!0000-00-00 00:00:00!WW 1 xP&8U!Pianoql::st !08UeWebKit/!0Wo; compa10Wlaudebot@anthrop0!22W !166756p8U 1/usr/www/resources/ADAP3/SQL.pm0!PhotoUpdatedtoUpdated3!RobertW!PuffW 1PlatinumRenewalAttemptedderSent0QH-8U!2017-11-26 06:20:551sibWSentessderSent0!HASHW !by Dave Bramley 127000v8UuantitySetOfPart0q["314681","315199","323304","331655","333171","371215","380969","417930","427852","457075"]UЯ{8U!2020-08-08 21:41:58U!0W s?8U!0000-00-00 00:00:00U1WWC8U8U0!X8U!0WADS_STOR!0W!0000-00-00 00:00:00!0Wr8U!0W`8U!0W !2023-05-04 20:19:57!0@`8U !08U !1P8U!0W!1W !DisplayPositionsJSON1RegionsJSON=8U8U0a.f3U 18U萿4U1SE_AdvertCampaign_get_infogn_get_infoQ(B8UA/usr/www/resources/ADAP3/GenericObject2.pm@#8U.8U0]8UhC8Uh8U97U8UU8UI8UJ}8U<8U{8U@ï8UP>8U8U8UASELECT * FROM AdvertCampaigns WHERE ID =?@A/usr/www/resources/ADAP3/GenericObject2.pmapD5U U8U.萿4U!HASHW !1Ϳ8U !Elusive MuseU !0W10W0!08U !0PV8U a 4U 8U%26U!ZM5Ureexchange.com!HASHWq38U!0pɤ8U!0W!0000-00-00 00:00:00!WWW!0W 0!500W !008U !#ffffffXX!01W!0WPo8U!0W=8U1each Online?08UW0Q 8U _,SE::Advert::OBJECT_CACHE_TIMERA/usr/www/resources/ADAP3/GenericObject2.pmR-CLASS]' sty

    Would you like to advertise your business on Score Exchange?

    !Get more students!SE_Advert_get_info8U!ADAP3::SQLإ8Urt8UH 8Uw8U8U !!E!46 students8U!1W!0W!0W!0W!0W 8U1www.scoreexchange.com/sponsorsom/1x<g8U!This is an upbeat piece for soprano, flute and clarinet. It is based on a funny poem by Scott Emmons, about a baker named Harry who suffers from "baker's block." A jazzy melody is accompanied by contemporary harmonies and amusing, quirky rhythms--this is simply a fun piece!U11.50W48U28U0!1С8Um8U!1WT8U!0W!0WXo"8U!1Wۣ8U!107560W|8U!0WR8U10000-00-00 00:00:00U8U0Hark! The Herald Angels Sing for Saxophone Quartet is essentially a very entertaining Theme and Variations in a Latin style on a Christmas time favorite! For hundreds of other arrangements by Kenneth Abeling not offered at Score Exchange please visit:U!HASHW8U!HASHW !08U !008Urrencies!1W81a88085!0W !590589W 10UT8Ug/7be0)o downl0@]/8U85Uhא8U8U( 4U@78U8U(t85U D8U;8Ux6o3U8UW8U7UȽ 8UhAT2Ui8U~6U8U`;8U&85UH98UΌ2UL8U(6U7UX38U`2U8U%8U5U`8U"c2Up,#8Uh8U`85U'C8U%3U8U;6Ux8UH8U46UW;8U s8Ud2U8UvD8U(t85UP08UXf85Un8Uf`7U88UP48Uhd2U8U8Um19UJ19Uf`7U@Q8Ux4U`m48U38U2U8UH8U8U8U54UXk7UH5U8U2UP̣8U8UH6U@8UU6U8Uh4U0n18U38UOm2UxϠ8Uxa85U88UPO8Uc`7U[8U85Uf8U3UЈ8U,8UX68U~5U 48Uxq8U16U|B8U 8UH4Up$8U)6U.28UT8UX2U 9U8U^i2UxĮ8U85U` U8U8U6U8U85UH<7UX8U&_2U@8Uxq8UH6U&W8UE3U8U8<25U8U`8U8B5U`8UP8U&_2U#8UX:8U&85Ux8U6U08U8U`85U.8U8Uc`7U<8UZ85Uh8Up8U(x5U8Z8UX2U8U(b2Up28UpA3U85U8Ux~5UH8U885U48U87Ux?8Ux8U5UO.8U,_2U8Ux4U8U&85UM8UxG8U46U8Up,5U(8U+_2U[,8U6U7UX8UX~`2UhA8U3UH"8U5U8U`S8U5U@9UH1_2UHd<8U4UhO8U6U8U"85U8U2UП8Ur=8U739U`39UX85Um8U8<25U8UB5UX8U3U%8Uh2U`E8U 4U̡8Uc2Uȗ8U~5U6UH:8U8UH4Ux8U@b7U c2Uk8UЮ8U5U@8U6U8U2U`Y8UX85U@8U885UPx8UZ85U8U`\q2U8U8U8U+9Uz 9U&85U(s8UX8U4UpvD8U m2Ux@8UPx8U85U~N8U$3Uz8Uȧ8U c2U(J/8U>T2U8/8U6UP8UH%85U88U,_2U 8U_85UH.8U8U98U"85U8Ue85U`g<8U3Uӡ8U4U8UP:8UX,09U/9U 8UX~5U8U/8U&_2Uɣ8UC8U7UP8U25U8U0f8UH85U_8U45U@=8U)6UhP}8U49UHa,9U-9U)6U8U8UH85U08Uxa85UXv8U=4U S8U_85U;8U(`3U4Ux!3U( 7U8U7U88U)6U48U0\q2U8U8U8Q8U5UXB8U!8UH4U8N8UΌ2U88USC8Uc`7Ul68U`3U藱8U85Uظ8U$2U8X8U2U@'8U87Uh;8U(b2Uȗ8U87UX8U8U&_2U88U 4U`7Uh5o3U8U0r8U~5UxS8Uhr8Up09U>09U)6U8UHb85U 18UXf85U8U&85U`U8Uz5Um8U25Uó8U7U8U885UP8UxB5UX8Ux4U8U"85U8UH~5Ux8UP6U8Uؑ8U.9U.9U'8U\4U(g8Uf`7Uk68UA6U8U!X078U!allW1P8U4U4U4U0Qpb8U1Copyright © 2014KVAMusic Edition1$8UPr!1 XR8Us="refin!0Wlabel> !WWbox" val!0W>Bagpipe!0W &(`!8U!(  ahPX u8Ueh49U  $( (  $( 9U$(P9U@9U  8U49U WXLP X`39U0.8U 9U"9U+@c8U !0T8U!0W1WW0!0С8U !08U֣8U!0W Qhttps://img.sheetmusic.direct/catalogue/product/hl-CelticIrish-lg.jpgQ88U!HASHW!HASHW!HASHW!HASHW!HASHW17383737c4834983c57bf570287ea77a5!0X!0W17W0aA8U07U/26UHi! I'm David Rubenstein. During the week I'm an oceanographer, but during the weekends I turn into a music composer. When I was a teenager I took piano lessons. My teacher was wonderful--he was able to teach me improvisation, arrangement, and composition techniques. The styles he taught were jazz and semi-classical. I started composing music for a while, but it was SO time consuming! The manuscript paper had holes in it from repeated erasures! Then, a few years ago I became aware that computers can aid in the process, so I started to use Cakewalk and Sibelius to produce my masterpieces. I've composed a number of pieces for videos, multimedia CD-ROMs and computer games, for web pages and of course, instrumental and choral music for live performances. I am sure you will enjoy my compositions--my style emphasizes both an emotional aspect for immediate enjoyment, and intellectual underpinnings, so that repeated listenings will not become boring. Enjoy!1279078W d8UX8U0!HASHU?8U X98UB8UB3Up4U 2U4U,9@7UP8UP8Us8UC8UPZ,8U 8U!"!N8U!NAMEWq,8U0 8U38UЧ28Uxk;8UP;8Up8U1~`8U98Uq17U1StatusIDgSizewolourionIDKeyU!0w5U@8U !FieldW Lefebvre - Suite for Winds No.1 pour flûte, hautbois, clarinette, cor et basson, Op.57 Charles Lefebvre, transcribed by J.G. Cucó Barber !0\8U !0PX8U!WW10Wg0!08U !18U 1pr3UX?8Uy!49Y8U !0000-00-00 00:00:00[{"Desc":"","Url":"http://www.ouco.net","Text":"Oxford Chamber Orchestra"},{"Desc":"","Url":"http://www.amadeusorchestra.co.uk","Text":"Amadeus Orchestra"}]U0a8U!0000-00-00 00:00:00U!0WP8U!1WX!0W8U!WW548562!2Wp!2W!0.00WM8U1WWl8U8U0!0p38U !2016-12-28 00:00:0011EF!0W; seUID2!1W ߭8U0>8UDU8U;8UD8U18UD8U8UD 8U8UDp$8U |8U8UDp8U9UD8U(8U NJ8UDv8U8UDW"8UԱ8U 8UR8U @ M;8U@V8UD (:8UV8U8UDt8U`18UD` 8Up<8UD0S8U8UDD8UP8UDS8U8UП18UD =8U]8UDPeB8UXD8U8"8U18UD8U0`8UD8UX8U18UD8U8UDL8Ud8UD98U y8Ue8UD 8U@xZ6U8UDp8UpE8UD@|8U28UDɄ8Upޣ8UD\8UN8UQ8UD4Uұ8U 8UP8UD8U3UDp!8U!8UDC8U`X8UDeC8UPP8UD8UhF8U(f"8UE8UUF8Uw88UD#8U8UD 8U v8UD8U28U;8UD_C8UU8U[8UDЎ8Uz8UD88UvV8UDY8U@ 8U 8U8U @8UG8UЪ6U38U8UDŖ8U?C8UD8U`8UDV8U@),8UD8UHH8UH3U 8UD@8UH8U D@M8UC8UU?8U@8Up8UD8Uk8UD8U8UD8U8UD8UdW8UD C8U0R8U @P8U`8UP<8UD g'2U318UfphT8UPN8UDpK8UȏC8UUr8UH8UUpiT8Uk8UDZ8U ,F8Uf8UDP8U@J8UP8UwPU8Uٌ8UD8UL8U 8U7UD8UJ8U@*7U8U018UD`8U0c8UD8U`Pt8UD\8U08UDC8U8UD8ULn5U;8UDPK#8UK8UH3U8U @8U<8UU8UB8UD08U0+8UD8U@ 8U8UU8UDP8Ur3U`?}8UD`8U`8U D8U@KB8UD28U8U 8U0NJ8UD I8UP!8UD8UK78UU8U@C8UU8U8UD`08U6o3Ur/8UDN8U8U @`K8U8UDP\8UD18UD8U@V8UD 48UQ8UD`8U 8UD@H8U l8UD8UQ8UD?s8UP8UD@t9U+8Uvݤ8UY8UD`8U8U `8U 8U8UU008U+8U8U @`M8U0@8UD x8U{V8UD%8U{!8U @8U؋C8UUD8U@8U 9UD8U A8UDP7U`78UDM8UO8Ue8UDqU8UO8U8UD#8U8UD0K;8U8UD8U8UD8U/8U?}8UD0 8UP8UP8U8U w?8UxR8U @8U8U  b8Up8U 08UP8UD8U08U2D8UD@^8U8U 08U8UDz8U 28UDX8UP8U8U8U`2U8U8W8UX~`2U8U@8U m2Uȶ8UX8UOm2Uච8U88Uc85U8U`8U2U8UXf85Ux8Ue85U8UW4U`8U(g85U08U8Uc85U8UP8UOm2U8U(8U m2U؝8U8UX~`2U8U8U`2U8UHb85U 8U(8U&_2U88UhAT2UP8U8DT2Uh8U>T2U8U8U7U8U4UȞ8U88UH5U(8U8U(t85Uؠ8Up85U8UR8Uj6U8U885U8UI85U@8U8U85Up8Uxa85UxM8U85UhA8U6U 8U8UH4U:8UX2U88Uh4U8U8U6U`8U6Ux8U T8Uh_2Ux"8U85U8U885U8U85U98Ux8U^i2U`|C8UΌ2U/8Un4U@\V8U2U`8UU8U2UY8UV8U5Ux8U4Uࡤ8U]78U8U`Ϡ8U8U5U8U0\8Ux6o3Uȡ8U6U`8U(b2U8U+_2U8U,_2U(8Uh/_2U@8U6UX8UV8UX:5Up8Ux4U8Uh5o3U8Uh2U8U/_2UТ8U 4U袤8U0Y8U16U8Ux\8U46U8U=4U08U45UH8UH1_2U`8U85Ux8U85U8UXDe3U8U87U8U؝2Uأ8UX85U8U85U8U)6U 8U885U88U85UP8U85Uh8Up,5U8Ux85U8U Z8UH85U8U85UȤ8UY8U4Uत8U2U8UZ8UX2U8U85U(8UX 85U@8UH!85UX8U"85Up8U3U8UH%85U8UPW8U&85U8U(6UХ8U&85U襤8UhG85U8U8<25U8UW8U 6U08UZ85UH8UP6U`8U5Ux8UA6U8U)_2U8U54U8U_85Uئ8U_85U8U`\8U`85U8UW8Uc`7U 8Uf`7U88U25UP8U25Uh8U25U8UX8U c2U8U"c2U8U(g85Uȧ8Ug85U৤8UW4U8UXf85U8Ue85U(8U W8Uc85U@8UZ8UOm2UX8UV8U m2Up8U8Z8UX~`2U8UX8U`2U8UHb85U8UY8U&_2UШ8UhAT2U訤8U8DT2U8U>T2U8U\8U7U08U4UH8UW8UH5U`8U([8U(t85Ux8Up85UΠ8U ]8Uj6UϠ8U885UϠ8UI85U0Ϡ8Up[8U85UHϠ8Uxa85UP8U85Ux8U6U08U\8UH4U`8UX2U8Uh4U8U[8U6U`8U6Ux8UX^8Uh_2UP:8U85U8U885UH8U85U8UX8U^i2U008UΌ2U?8Un4Ui?8U2Up48U_8U2U8Ua8U5UPР8U4UѠ8U88U٠8UhZ8U5Uؠ8U(8Ux6o3UѠ8U6U8Р8U(b2UѠ8U+_2UѠ8U,_2UҠ8Uh/_2UҠ8U6U0Ҡ8U`8UX:5UHҠ8Ux4U`Ҡ8Uh5o3UxҠ8Uh2UҠ8UYb8Uq {rrɴɴ++!!ffEETT@68UWaHL}8U@N=8U萿4UASE_AdvertCampaign_desc_table_desc_table1/usr/www/resources/ADAP3/SQL.pm#08U14U85U5U4U4UA(F,8U8U(S8U8U5U4Uq8U!TemplateID8U 1SHOW FULL COLUMNS FROM AdvertCampaigns!DBD::mysql::stU8U1 xPXA8U1select,insert,update,references0!TypeWd' data-!Collationratic Re!NullW @.8UB8U0t8Ua/8UXϤ8U7U68U]28U78US8U8U7Uǭ8UHV8U@98U!:8UxF8U8UX8Uפ8U8U T8UM8U,8U,8Up78U ل8U`!8UX8U T8Us8U8}?8U@8U>8U׈8U8U7U:8U:B8U898Ux8U/8U8t8Uh 8UX?8Uȑ8U\28U@uF8U8U18Uh?8U`8UX!18U098U@>8U@048U`c88UΤ8U!8U{8U`38U 8U18U֥8Ux"18U8UxR8U8U7Us8UPΤ8U0m8Ux/8U98UЕ3U`|"8U,8U"c2U8U)_2U8U7UH85U}8U4U8U5Uf8UH5Up8Uh4U8Uh5o3U8UxK 9U7U87U 8Uv5U7UH8U7U8U3Ux38UX-3UY8U5U28UA6U@8U轲4U(8U9U c2U>8U8U46U8Up3U`8U8U&85U(^9UI8U(t85UB8UXf85U8U^5U98UXDe3UA8U(6Uh?8UXDe3U`8UW4U@08U 8UA-9U-9U8UE39U!39UhCc5U8UppD8U16U8UX8U85U88Ux;8U`85U68Ug85U}S8U6U8Uxa85U8U8Ua09Up:09U2U{8U07Uu8U@V8U!:8Uhd2Uhz8U25U8UH>8U m2U8UX6Uq8UH1T5UAF8Uz8UL2U_8U5UP8U8U22Uh8UG3U(t85U8UH!85U?8U$2U:8U0*3U,8U4UX8Uh2U 8U8$2UQ8U67U5U^8Ux6o3U28U/_2UH8UP6UH/8U6U@Q8Up{8U5Up^8U+5Up8Ug85U8U8z8UH5Ux28U_5U8U7U&85U(18UE3U7UPt8U&_2U(8UXT5U8/8UXf85Up 8U25U8U4U =8U98U*3Ul<8U8<25U38U25Ux8U6U8U45UXN=8U0B8U 6UH8UhCc5U`8UhAT2UX8U8Ux6o3U8UH1_2U!78U8DT2U58UI85U@Q8U+_2Up08Ub5Up,8U ,8UX5UȮ8U4U8U_85U ~8U3U2Uf`7UA8UhD8U85UH8U88U5U8UH5U 8Uf`7U(D8U3U8U8Uc85U8~8U#2U18U@59U.9U.9UH!85U`)8U5U8Uxa85Uh8Uh2U;8U878Uj6U8U>T2UȖ7U8U,9U8U85U(8UРM8U5U(N8U85U A8UH88UD8UH%85U8Up,5UD8U 9U7U z9Uxa85U8U 8U(t85U,8U+_2UУ8U>T2UM8UXf85U 9U8^3Uh=8UPT8UH.9U19U8U5U 8UJ8Uh$09U/9U8U7UX8Ux~5UF8UP6U;8Uz"8UX:5Ut8U"c2UhN8U8UW4U8Uh/_2U4F8Uحp3U8U85U8U87U8UF8U&85U8U 9Uh09U(09Uȳ~5U8Uɭ8Ux6o3U,8U+_2U`7UE3Uf8UHb85Um8Uf`7U<8U85UJ8U48U8V,9U9UuD8UOm2UhxS8U(g85Uࣙ8UH7U8U85Uض98UP 8U85UH8Uƌ8U~5Uh18UP38UX,9UȒ8U`9U.9U-9U85Up08UI85U8U"85Ud?8U/_2U8U8U5U T8U)6UN8U4U8UhG85UP7U؝2UP.8UI85Ux#8U85U(?8UpŌ8U8~5U`]8UE 9U8 /9U.9U9r4U8U>T2U 7Up,5U+C8U؝2U%=8UHb85U08Ux4U8U85U.8U;8Uh_2U08U8U`8U0ό8U28U8U(H8Uhr8UH*8U8UA8UO8UV8UQ<8U.8Ux8U!8Upj;8UP8U#8U8Uh8UV8U&8U8U8Uu8U8U'v8U28U8UI"8U68U8U38U܈8Uz8U`A8U8U@t8Ux{8Up%8U8UȪ8Uˤ8UI.8U7UTC8U#8U 8U 8U[7U8U8US8UVC8UO8U8UHŭ8U8UkD8U`y8U0˭8U8"8U8U8UsS8UM8Uъ8U8U8U}8UV8U@ 8UP08U΄8U8Up8U@ߊ8U177678QW8U13Ux8U[)u>129519!140896Wl8U!2017-06-09 17:10:17U10000-00-00 00:00:00τ8U0!I Surrender AllPN8U!23W!0W88U!3W#8U!2WPN8U!2013-06-04 22:01:14U!2017-11-22 16:42:32U!W.S. Weeden28U!John Turner k8U!1896W!W8U12001W0!sibW$8U!42WX8U!0W88U!I surrender All.sibU!2013-06-04 22:01:14U!22WG8U!4853W8U!15W :8U!3XH 8UThis arrangement is one of those you could use on April 15th (just kidding). Quiet and contemplative pieces for your worship service are often needed and this one would definitely fill the bill. Joy is scored for TTBB and piano. This is a cheesy arrangement of the old Sunday School song "I’ve got the joy, joy, joy down in my heart". Nice barbershop quartet sound, with a little southern gospel feel without all the thrills. Guaranteed to get the audience singing, especially when a strong men’s choir is available. This was composed in 1982 for the Trevecca College Ambassador’s Men’s choir for the kick-off of a new campus ministry, to whom it has been dedicated. Just have fun with it.U !2.95W!1W!0W!0W!WW!anon.W!0W!WW!WW!WW!YYp8U!608055W!0Wɵ8U!0W!0.00W@l8U!2.95Wq8U!0.00W8U!0W8E8U!WW$8U!0.00WHU8U["140896","138505","201637","73854","50463","141835","399096","183069","142289","138662","170650","166166","199763","117534","129843","128089","126287","120575","163562"]8U@w8U!1]8U!0Wq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } "8U!0.0000W!2011-05-08 10:53:481Ive got the Joy TTBB and piano =8U!0W!0W!3W!2013-03-15 20:18:32!0W!0WA(I’ve got the) Joy - TTBB and piano Rick Bartlett anon. Joy is scored for TTBB and piano. This is a cheesy arrangement of the old Sunday School song "I’ve got the joy, joy, joy down in my heart". Nice barbershop quartet sound, with a little southern gospel feel without all the thrills. Guaranteed to get the audience singing, especially when a strong men’s choir is available. This was composed in 1982 for the Trevecca College Ambassador’s Men’s choir for the kick-off of a new campus ministry, to whom it has been dedicated. Just have fun with it.!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0Wk8UM8UF8U8Uq8U 8U98Uh|8U8U8GP8Uۊ8U8U88U858UPB-8U8UA8U[8U&8U8U8U8UX%8UP8UhP8U8U8U28U}8UH68U?8U#8U"8US8UH8UH(8Uz8Ux8Up8UHC8UT8U(8Uɵ8U&8U(8U­8Up8U@l8U-8U o8U 38U88U8U8UB8U8E8Uȭ8US8U$8UX28U98Ux#8UHU8UW8U8UT8UH8U3U`8U؊8U98UXQ 8U=8U 8Uӈ8U8U8U@N8U!2020-09-16 19:06:52U!0WF8U!0000-00-00 00:00:0087!WW!0W!0W0f8U!0WPN8U!0W607297!1W`!650x919W!0WZC8U!0We8U!5.00W205051!2023-05-01 03:34:34!2023-05-01 03:34:36!217466W@W8U!197818WPO8U!0000-00-00 00:00:0097!0000-00-00 00:00:0018Ut-20048918U,^608296!2016-12-28 00:00:000420!0W ! 8U!X(X8U!3.54WX8U!0W8U!0W !USQLrencyID!José Gregorio8U1Cucó Barber4UUV8U0!08Xxt8U!WWA8U!WWs8U10W01WW0!108U 18U^Q181537!1.50'08U !2011-05-08 01:20:10U!0W !10ޤ8U02004200!0W !1Д8U Mockingbird 2-Part Choir Charlie Foxx, Inez Foxx, Carly Simon & James Taylor, Toby Keith Duet With Krystal, James Taylor, Charlie Foxx, Inez Foxx Roger Emerson !0W!0W!0W!0Wࢮ8U!0000-00-00 00:00:00!WW!0W !0V8U !USQLrencyID!0000-00-00 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00:00:00U!0W*8U!0W*8U!0W+8U!WW*8U!0W()8U10W8+8U0!0XrIDPubl!0WX@8U!WW@8U!WWA@8U!0WeExchang!Clarinet SoloEPSCoun!WW8U!WW !\X\@8U!WW!2.99Y8U["285791","286028","288228","288984","291191","301314","301331","301370","309422","310833","311173","312093","312668","314691","314811","319080","321187","322436","324166","338907"]!2020-09-03 20:34:10U!0W8U!0000-00-00 00:00:00U!WW 8U!0W8U!0W!0W8U!0W10W8U8U0!0[B8U!0W!0.0000W!0000-00-00 00:00:00!LullabyWư8U!0W!0W?!0Wǰ8U!0000-00-00 00:00:00U!0W!0W?1Lullaby Cello Solo Johannes Brahms U!0W !0W !0W!0Wǰ8U!0000-00-00 00:00:00!WW !0W!0Wǰ8U!0W!YhY !918552W!0W8Ȱ8U!0W!0.00W !0.00W!0.00WȰ8U!1W !1W !0W!0Wɰ8U!1W !140732W !WW !robertpuff8UC;8U!1W[{"Desc":"","Url":"http://www.imdb.com/name/nm0699992/","Text":"My Film Credits"},{"Desc":"","Url":"http://www.musicprep.com/","Text":"My Business Website"},{"Desc":"","Url":"http://www.rpmseattle.com/","Text":"My Personal Website"}]Q**Robert Puff** I'm a professional music preparer and editor, arranger, orchestrator, score producer, music librarian and educator. I've had the privilege of working with a number of today's top composers and celebrity performers preparing orchestral music for everything from film scores and video games to CD recordings and symphonic pops concerts. My company, RPM Seattle Music Preparation, has prepared scores and parts for over 150 feature films and video game soundtracks since 1995. My success in this field wouldn't be possible without all the great copyists, engravers, proofreaders and others who have worked with me over the years at RPM. One of my great loves is composing and arranging for woodwind quintet. I am proud to have a number of these represented on Score Exchange. I hope you enjoy my work!="0" >Serbia Email::Sender::Success__WITH__Email::Sender::Role::HasMessage::SUPER::new(@_); } Moo->_constructor_maker_for($class); return $class->new(@_); } elsif ($INC{"Moose.pm"} and my $meta = Class::MOP::get_metaclass_by_name($class)) { return $meta->new_object( $class->can("BUILDARGS") ? $class->BUILDARGS(@_) : $class->Moo::Object::BUILDARGS(@_) ); } } my $args; if ( scalar @_ == 1 ) { unless ( defined $_[0] && ref $_[0] eq 'HASH' ) { die "Single parameters to new() must be a HASH ref" ." data => ". $_[0] ."\n"; } $args = { %{ $_[0] } }; } elsif ( @_ % 2 ) { die "The new() method for $class expects a hash reference or a" . " key/value list. You passed an odd number of arguments\n"; } else { $args = {@_}; } if (my @missing = grep !exists $args->{$_}, "message") { die "Missing required arguments: ".join(', ', sort @missing); } my $new = bless({}, $class);; if (exists $args->{"message"}) { $new->{"message"} = $args->{"message"}; } return $new; _for_sendmail->($args->{"sendmail"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"sendmail\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"sendmail"} = $args->{"sendmail"}; } unless (($args)[0]->{__no_BUILD__}) { $new->Email::Sender::Transport::Sendmail::BUILD($args); } return $new; $new->{"allow_partial_success"} = $value; } { my $value = ( exists $args->{"debug"} ? $args->{"debug"} : $default_for_debug->($new) ); do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "debug", name => "debug", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_debug->($value); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"debug\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"debug"} = $value; } if (exists $args->{"helo"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "helo", name => "helo", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_helo->($args->{"helo"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"helo\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"helo"} = $args->{"helo"}; } { my $value = ( exists $args->{"host"} ? $args->{"host"} : $default_for_host->($new) ); do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "host", name => "host", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_host->($value); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"host\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"host"} = $value; } if (exists $args->{"localaddr"}) { $new->{"localaddr"} = $args->{"localaddr"}; } if (exists $args->{"localport"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "localport", name => "localport", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_localport->($args->{"localport"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"localport\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"localport"} = $args->{"localport"}; } if (exists $args->{"port"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "port", name => "port", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_port->($args->{"port"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"port\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"port"} = $args->{"port"}; } if (exists $args->{"sasl_password"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "sasl_password", name => "sasl_password", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_sasl_5fpassword->($args->{"sasl_password"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"sasl_password\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"sasl_password"} = $args->{"sasl_password"}; } if (exists $args->{"sasl_username"}) { do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "sasl_username", name => "sasl_username", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_sasl_5fusername->($args->{"sasl_username"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"sasl_username\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"sasl_username"} = $args->{"sasl_username"}; } { my $value = ( exists $args->{"ssl"} ? $args->{"ssl"} : $default_for_ssl->($new) ); do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "ssl", name => "ssl", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_ssl->($value); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"ssl\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"ssl"} = $value; } { my $value = ( exists $args->{"timeout"} ? $args->{"timeout"} : $default_for_timeout->($new) ); do { local $Method::Generate::Accessor::CurrentAttribute = { init_arg => "timeout", name => "timeout", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_timeout->($value); 1; }) { $_error = $@; if (!ref $_error) { 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    The Irish Rover - Piano, Vocal & Guitar Chords (Right-Hand Melody)
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    The Irish Rover - Ukulelelaby-590724.html">Lullaby - Cello Duet
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    Lullaby - Clarinet and Piano
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    ="solocommon_34" >Tambourine

    Other Instruments

    Find scores that use of these instruments
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    Woodwind
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    Genre

    Blues music Classical music Classroom materials Country music Folk music Jazz music Latin music Modern classical music Other Ragtime music Rock and Pop music World music

    Purpose

    A specific event > Baptism A specific event > Bar / Bat Mitzvah A specific event > Birthdays A specific event > Christmas A specific event > Christmas (sacred) A specific event > Easter A specific event > Funerals A specific event > Harvest festivals A specific event > National days A specific event > Weddings Film / TV soundtracks General performance Learning or teaching how to play an instrument Learning or teaching music theory National anthems Theatre Work in progress for review / critique Worship

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    al 8U @ 49U49UT9U $(`8U 8Up 9U 59Urx    9U 9U 29U08UP8U`&8U49UX9U78U@49U`9UP 59UЯ 9U08U09U9U8UF8U49U/9U (P 9U/8U8U8U0T9U.8U$(*0e2024-0@h8U )8U8)8U`8UDp8UqN8UD9U_8U  д9U8UDR 9U9UP8U`:8UD8Up8UD@8U !8UD8Up!8UD8U`!8UD8U( 9UD9UpZ8U j8U9UD@7U*8U*8U@B8UD*"8U*8UHU8U8U H9U`8U 8U0ܑ8UD;8U358U2i8UD8Uxy9U8U`8UD`O8Ux+8U;8 9UUw9Ux09U `8U+8U_48UDY8U78UD8U@8U H8U @0a8U8UD0@8U!49U0_,9Uc8U @O8UD@8U 58UD>8U@%8UD0A8UX9U @w9U#8UDPA8U8UD0!9U9UD8U4 9UU;#8U@-8U8UDA8U!8UDC8U8UDA8U!8UDC8U`"8UD8U 9UDk8U!8UD0C8U8UDP8U!8UD8U,9U*9UDh8U _8U P8UU8U2.8Up8UXT8U8UD8UZ8UD`9Uǥ8UDw8UptT8UD8U8UD`>8Up8UDw8U0I28UD>8UK28UDw8U08UD8U0a8UD8U 8UD^8Uxp,9U8U`8UD`8U>8UD8UQ8UU\8U@:8UF8UD=8U8UD+08Up8UD8UP8UD@8UbW8UD 8UQB8UD8U@8UD 8U8UD8UԮ8UU8U7 9UU9Up-8U8U-8U8U8U8UD8U8UDb8U9U8U9Uf9U:}8UDP8U938UD8U :8UD^8U 8U58UPt8UD 6U8UD`8UQ8U85U`8U  8U`8UD9UXP69U#9U9U@'8UD7U59U368U"8Uš8UD 8U98UD8U@c8UD8Un8UI8UD@8UpO8UD 8U8U 9UDH8Ul8U(i 9U8Ul8UU@8U@ 19U`,9U48UȎ 9U P58Ud8UDp8Ui8UD8U"8UD 8UXN8UUM8U 58Uݑ8UD 9UP8UO8UUu8UpN8UDp9Ub9U `08U8U 8Uh9U @P8U9Ux/9U 8c39Up9U8U9U 8U8U PDT8UD0H8U 9UU9U8 9UUB8Uc8UD@F8U:8UDX9UPt8UDP8U@29U~8Up 9U@e9UD9U*8U 9UDp9U9UD O8U8UX8UDм8U N8UD8U;9UDП8U78Up.8U9UD08U8UD8U!8UDC8U0!8UD 8U8UDA8U8UDp8U!8UDPC8U8UD98U8UD98U 8UD:8U08UDд8UdefScor!W8U12014W0Q\8UxO8U!1X!1W1WW0!XX!WW1WW0!sib`8U!305W !650x919 8U !135708W !0.0000] ;8U!2011-06-10 12:11:041Masters In This Hall SATB-buyers/!0W!0W!4W!2013-04-17 19:52:21!0W!0WMasters In This Hall (SATB) trad. William Morris Tony Tournoff Fairways Music This arrangement should appeal to those who like something a little different at Christmas. It is very straightforward and easy to learn.s" id="card-log!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0WȝB8Ux 8U`#8U%8U`W8UX<8U8U(O8U 8U8UH8UA8U8U |O8U =8U(}8Ud;8Uג8U}8Ub;8U8U` #8U8U؈8U.8U0+48U@}8UuF8U -8U F8U8UP;8UrD8U8Uz38U@=8U0,8UO8U8U8U8UT8U;8U=8Ub;8U88U88U8͌8Uy8UH:8UгV8UT8U8U8UpS8U8U78U(08U z?8Uм>8U8U[8U:-8U(18Uc8U8U8Ui;8U8UX8U"8U8Uhۈ8Uxt8U0]88U(Q8U88UkD8Uule" src!2020-09-27 03:06:43U!0W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-27 03:46:30!2023-04-27 03:46:34!237878W!217447W!0000-00-00 00:00:00!0000-00-00 00:00:00Q"8U!156151 68U !76525W !2017-06-09 17:10:17U10000-00-00 00:00:008U0!23W[8U!0WH8U!3W8U!1W48U!2013-03-18 21:42:16U!2017-11-22 16:45:56U!20048X#8U!0W 88U!2W@F8U1WW0!sibW48U!129W?8U!0W[8U1Always - SSA and piano.sib8U08U!2013-03-18 21:42:16U!3W8U!658W88U!2W#8U!1.50X38U!2013-03-18 22:00:05U!0W%8U!1W#8U!0W|8U!WW78U!0W@F8U10W38U0!Rick Bartlett4U!WW !1.50X8U!2018-04-28 12:31:12U!0Wh8U!1W 38U!0W@8U!WWО8U!0W$8U10W8U0!0[pJ8U!WWAPermission granted by TRO 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8U?["140896","138505","73854","201637","50463","141835","142289","199763","170650","183069","399096","117534","166166","138662","163562","128089","76525","126287","129843","192794"]8U!2020-08-27 02:03:18!1W!0000-00-00 00:00:00!WW!0W!0W!0W!0W!1W!650x919W!0W!1W!3.00W!2023-03-20 02:07:07!2023-03-20 02:07:27!1692440W!2548744W!0000-00-00 00:00:00!0000-00-00 00:00:00QjS8U!bodyU::st !201998Ww!2017-12-20 02:27:33U10000-00-00 00:00:00 d8U0!O Holy Night[8U!23W8U!0W8U!3W?8U!2W[8U!2018-12-23 16:38:55U!2018-12-23 21:45:01U!Adolphe Adam P8U!Philip Le Bas !W8U!1847WP-8U12017W0!sibW[8U!81943W 8U!0W08U1O Holy Night - NP - sib 8.sibP8U!2018-12-23 16:38:55U!5Wh8U!768W$8U!2WX8U!5X88U!1.50xXf?8U!2018-12-23 16:38:56U!1WG8U!0W8U!0W :8U1WWx8UW0!5.00\8U!1W!0W!0W1. I will make you a love song to charm and beguile, from the flute of a nightingale, nightingale's trill; and the theme of its music shall be all the while that I love you and always will Though its words may seem old as the sky and, the sky and the sea, and worn smooth as the stones in a stream, I will give them the lilt of my heart's melody and a tenderness sweet as a dream. and the theme of its music shall be all the while that I love you, and always will mmm.!WW!0W!WWCopyright 2003 - Text used with permission from the poet, from the book "Shared Beauty". Duplication prohibited without express permission from the composer. 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    A Man At Bethsaida [print up to 30]
    by Shirley McLean
    Choir + keyboard
    $1.50
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Pace is a choral arrangement of Silent Night, combined with Joseph Smith’s testimony of Christ from the Doctrine and Covenants, Section 76. 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Pop/Rock song about separation. 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Pleasing harmonies in chorus - Sounds better on the MP3 version!8U!1.50W 8U!1W(8U!0W qQ8_6U2X,8q19U9U8U9UQV@mKW@mW@m1B &P11@]9Ueason3s}e}08Uu88UDЫ8Up8UD8U38UD8U>8U{8UD@b8UM8UD;8U'8U @08U78UDp8UP8UD_8Up88UD8U`8Up8UDp 8U@8UD`-8Upp8UDP8U`8UP&2U[8U @w2U28UD@>8U 8U8U(j8U:8UD08U8UD\9U;8UD+8U;8UD8U;8UD+8Uj8U;8UDЛ8U08U ( B9U8UD8UP;8UDP8U ;8UDp8U:8UD8U;8UD8U0;8UD8U8Up;8UD8U;8UD8U;8UD 8U;8UD8Up#8UD8U 8Upe8UD>8U@;8UD08U<8UD -8U@<8UDИ8U<8UD@-8U <8UD8U;8UD08U8UD>8U<8UDP8Up<8UDd8UP<8UDa8UR8UD@8U`*8UD 8Upe8U 8UD0 9U0<8UD8U`}68UD >8U<8UDPd8U<8UD0d8U<8UDp8U<8UD`-8U<8UD8U<8UD8U<8UD8U=8UD8U=8UD8U =8UD8U0=8UD 8U@=8UD@8UP=8UDpd8U`=8UDd8Up=8UDd8U=8UDp8U=8UD 8U=8UDd8U=8UD@8U=8UD8U=8UD8U=8UD8U=8UD8U>8UD08U>8UDP8U >8UDp8U0>8UD8U@>8UD8UP>8UD8U`>8UD8Up>8UD08U>8UDЦ8U>8UDD 8U>8UDD 8U>8UDD 8U>8UDP8U>8UDp8U>8UD8U>8UD8U?8UDР8U?8UD8U ?8UD8U0?8UD08U@?8UDP8UP?8UD 8U`?8UD 8Up?8UD 8U?8UD8U?8UD08U?8UDP8U?8UDp8U?8UD8U?8UD8U?8UD8U?8UD8U@8UD8U@8UD08U @8UDP8U0@8UDp8U@@8UD8UP@8UD8U`@8UD8Up@8UD8U@8UD08U@8UDP8U@8UDp8U@8UD8U@8UD8U@8UDХ8U@8UD8U@8UD8UA8UD08U9U @9U0 8Ut8U09U08UDk8UpC8UD`8U`a8UD8U u8UP@8UС9UD Уl3UPu8UP8U 98U2 9UU>8U8UDpF8UJ5U @8Up8UD8U@!8UD8U&8UD8UP!8UD@E8U!8UD8U8UJ8U@T9UD P 7U8ݮ8UU08U48UD8Uv8UP 9UD8U048UD8Uw8UB8UD@88UpQ8UUi8U8UD࿓8U\8U  8Uxw8U8UDPF8U@8UD 9Uw8U8U0 9UD 9U`8UD`9UDate: Tue, 23 Apr 2024 20:05:20 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="UTF8" Content-Transfer-Encoding: quoted-printable From: ScoreExchange.com customer services To: camicosgriff@gmail.com Reply-To: info@scoreexchange.com Sender: info@scoreexchange.com Subject: Action required: Activate your Score Exchange account @c3U@8UU8@c3UDate: Tue, 23 Apr 2024 20:05:20 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="UTF8" Content-Transfer-Encoding: quoted-printable From: ScoreExchange.com customer services To: camicosgriff@gmail.com Reply-To: info@scoreexchange.com Sender: info@scoreexchange.com Subject: Action required: Activate your Score Exchange account Hello, Your account at Score Exchange requires activation. This step might be requ= ired if you have just registered a new account, want to become a seller, or= you have changed your email address for an existing account. To activate your Score Exchange account, please visit this url: https://www.scoreexchange.com/myaccount/activate?c=3Da&u=3D6DF8D7BC-01A4-11= EF-910F-911ECFE50ADB&d=3Da19febd19e9dc89724bb12649c1dd40a This link will expire in 24 hours. If it's already too late, you can get a = new activation link here: https://www.scoreexchange.com/myaccount/activate --=20 The Score Exchange Team https://www.scoreexchange.com/ https://www.facebook.com/ScoreExchange/ https://twitter.com/scoreexchange * TAKE THE SCORE EXCHANGE TOUR - https://www.scoreexchange.com/tour * ADVERTISE ON SCORE EXCHANGE - https://www.scoreexchange.com/sponsors * BECOME A PLATINUM PUBLISHER - https://www.scoreexchange.com/myaccount/pla= tinum Score Exchange is a trading name of ADAP Solutions Ltd. Company Number 5022580, VAT number GB 892 4929 72 w2U(w2Uw2Uw2U@w2Uȷw2Uw2U1Email::Sender::Role::HasMessageUM PUBLI1Email::Sender::Role::HasMessageccount/p1`8U]3U4U4Ug name o1/usr/local/share/perl5/Role/Tiny.pm0, V!8F7U2U2UDate: Tue, 23 Apr 2024 20:05:20 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="UTF8" Content-Transfer-Encoding: quoted-printable From: ScoreExchange.com customer services To: camicosgriff@gmail.com Reply-To: info@scoreexchange.com Sender: info@scoreexchange.com Subject: Action required: Activate your Score Exchange account Hello, Your account at Score Exchange requires activation. This step might be requ= ired if you have just registered a new account, want to become a seller, or= you have changed your email address for an existing account. To activate your Score Exchange account, please visit this url: https://www.scoreexchange.com/myaccount/activate?c=3Da&u=3D6DF8D7BC-01A4-11= EF-910F-911ECFE50ADB&d=3Da19febd19e9dc89724bb12649c1dd40a This link will expire in 24 hours. If it's already too late, you can get a = new activation link here: https://www.scoreexchange.com/myaccount/activate --=20 The Score Exchange Team https://www.scoreexchange.com/ https://www.facebook.com/ScoreExchange/ https://twitter.com/scoreexchange * TAKE THE SCORE EXCHANGE TOUR - https://www.scoreexchange.com/tour * ADVERTISE ON SCORE EXCHANGE - https://www.scoreexchange.com/sponsors * BECOME A PLATINUM PUBLISHER - https://www.scoreexchange.com/myaccount/pla= tinum Score Exchange is a trading name of ADAP Solutions Ltd. Company Number 5022580, VAT number GB 892 4929 72 QRole::Tiny::_COMPOSABLE::Email::Sender::Role::HasMessage Content-Type: q2Ufq2Uq2Ul38UL3U3u2U`L3UXr4UF7ULQ3Uax7U 8Ugu4U!8F7U2Ut H!Moo::Role Score EQRole::Tiny::_COMPOSABLE::Email::Sender::Role::HasMessageu have just regQRole::Tiny::_COMPOSABLE::Email::Sender::Role::HasMessageanged your emaiQRole::Tiny::_COMPOSABLE::Email::Sender::Role::HasMessageange account, pQRole::Tiny::_COMPOSABLE::Email::Sender::Role::HasMessage::ISAEQ*Role::Tiny::_COMPOSABLE::Email::Sender::Role::HasMessage::DOES54a2f10)!038U !2020-09-14 21:56:22a)3U8U2UQ8U Role::Tiny::_COMPOSABLEWXaP3U8U2U1x<@c3U1Method::Generate::Accessor !camicosgriffUTx!|L5UteUUU\0258U7Ub8U(3Ud4U`,3UnL7U:T8UnL7U8UW8UA5U@5U`04U4U20:10:34Aſ8U`VxA 8UVxĿ8U`8U108U4U)8U0aǿ8U@8UTx8U8UA 8U`xE8UA8UUx`8U@8UA 8U@8U@Tx "A8UUx 8U1sasl_username is a read-only accessorAĿ8U@Tx 1K5U4Ureexchange.com 0A8U`Vxap8U˿8UTx8U̿8U14U4U4U4U!E7U8)QSubject: Action required: Activate your Score Exchange accountom>18U8UUx!(eval 328)meTxQSubject: Action required: Activate your Score Exchange accountom>10:34Aȿ8Uȿ8Urx0ȿ8UA8Uϔx8Uȿ8UA0xAɿ8U4U0T8U 8U4U4U4U4U4U4U4U4U4U4U4U9123202!Q1Email::Sender::Role::HasMessage From: SQEmail::Sender::Success__WITH__Email::Sender::Role::HasMessageosgriff@gm1Email::Sender::Role::HasMessagem Sende!Moo::Rolem A8U KxX}8U!08U !15W !K5UK5UK5U!3UWion: 1.0!120UP8U !0000-00-00 00:00:00!ResellerNetwork ax-T8U 2UX;r4U!4~8UD8U!1W aU3U P|L5U4UA8U8UȬu2CODE(0x55e533f16340)4U3U4U4UV5U?8U4U4Ud3U4U5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U1786591ate: Tue, 23 Apr 2024 20:05:20 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="UTF8" Content-Transfer-Encoding: quoted-printable From: ScoreExchange.com customer services To: camicosgriff@gmail.com Reply-To: info@scoreexchange.com Sender: info@scoreexchange.com Subject: Action required: Activate your Score Exchange account Hello, Your account at Score Exchange requires activation. This step might be requ= ired if you have just registered a new account, want to become a seller, or= you have changed your email address for an existing account. To activate your Score Exchange account, please visit this url: https://www.scoreexchange.com/myaccount/activate?c=3Da&u=3D6DF8D7BC-01A4-11= EF-910F-911ECFE50ADB&d=3Da19febd19e9dc89724bb12649c1dd40a This link will expire in 24 hours. If it's already too late, you can get a = new activation link here: https://www.scoreexchange.com/myaccount/activate --=20 The Score Exchange Team https://www.scoreexchange.com/ https://www.facebook.com/ScoreExchange/ https://twitter.com/scoreexchange * TAKE THE SCORE EXCHANGE TOUR - https://www.scoreexchange.com/tour * ADVERTISE ON SCORE EXCHANGE - https://www.scoreexchange.com/sponsors * BECOME A PLATINUM PUBLISHER - https://www.scoreexchange.com/myaccount/pla= tinum Score Exchange is a trading name of ADAP Solutions Ltd. Company Number 5022580, VAT number GB 892 Date: Tue, 23 Apr 2024 20:05:20 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="UTF8" Content-Transfer-Encoding: quoted-printable From: ScoreExchange.com customer services To: camicosgriff@gmail.com Reply-To: info@scoreexchange.com Sender: info@scoreexchange.com Subject: Action required: Activate your Score Exchange account Hello, Your account at Score Exchange requires activation. This step might be requ= ired if you have just registered a new account, want to become a seller, or= you have changed your email address for an existing account. To activate your Score Exchange account, please visit this url: https://www.scoreexchange.com/myaccount/activate?c=3Da&u=3D6DF8D7BC-01A4-11= EF-910F-911ECFE50ADB&d=3Da19febd19e9dc89724bb12649c1dd40a This link will expire in 24 hours. If it's already too late, you can get a = new activation link here: https://www.scoreexchange.com/myaccount/activate --=20 The Score Exchange Team https://www.scoreexchange.com/ https://www.facebook.com/ScoreExchange/ https://twitter.com/scoreexchange * TAKE THE SCORE EXCHANGE TOUR - https://www.scoreexchange.com/tour * ADVERTISE ON SCORE EXCHANGE - https://www.scoreexchange.com/sponsors * BECOME A PLATINUM PUBLISHER - https://www.scoreexchange.com/myaccount/pla= tinum Score Exchange is a trading name of ADAP Solutions Ltd. Company Number 5022580, VAT number GB 892 4929 72 Date: Tue, 23 Apr 2024 20:05:20 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="UTF8" Content-Transfer-Encoding: quoted-printable From: ScoreExchange.com customer services To: camicosgriff@gmail.com Reply-To: info@scoreexchange.com Sender: info@scoreexchange.com Subject: Action required: Activate your Score Exchange account Hello, Your account at Score Exchange requires activation. This step might be requ= ired if you have just registered a new account, want to become a seller, or= you have changed your email address for an existing account. To activate your Score Exchange account, please visit this url: https://www.scoreexchange.com/myaccount/activate?c=3Da&u=3D6DF8D7BC-01A4-11= EF-910F-911ECFE50ADB&d=3Da19febd19e9dc89724bb12649c1dd40a This link will expire in 24 hours. If it's already too late, you can get a = new activation link here: https://www.scoreexchange.com/myaccount/activate --=20 The Score Exchange Team https://www.scoreexchange.com/ https://www.facebook.com/ScoreExchange/ https://twitter.com/scoreexchange * TAKE THE SCORE EXCHANGE TOUR - https://www.scoreexchange.com/tour * ADVERTISE ON SCORE EXCHANGE - https://www.scoreexchange.com/sponsors * BECOME A PLATINUM PUBLISHER - https://www.scoreexchange.com/myaccount/pla= tinum Score Exchange is a trading name of ADAP Solutions Ltd. Company Number 5022580, VAT number GB 892 4929 72 qx~5Ux8Ur3UQÝ6Ux8U Role::Tiny::_COMPOSABLE::Emailr servicaH8Ur3U2UqHC3U8U@(3UQ6U8U]&Role::Tiny::_COMPOSABLE::Email::Sendera8U@(3U2Uq%4U8U8Uap 5U8U~P,Role::Tiny::_COMPOSABLE::Email::Sender::RoleADB&d=3Da1a>F8U8U2UqH~6U~6U 8Uh3U$2U8UxN2U8Uq@7U8U k<+8Role::Tiny::_COMPOSABLE::Email::Sender::Role::HasMessagetwitter.com/scaRole::Tiny::_COMPOSABLE::Email::Sender::Role::HasMessage::messageur * ADVERTISE a@ J5U8U2U!0[8U QRole::Tiny::_COMPOSABLE::Email::Sender::Role::HasMessageions Ltd. Comp1xI#'2UDate: Tue, 23 Apr 2024 20:05:20 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="UTF8" Content-Transfer-Encoding: quoted-printable From: ScoreExchange.com customer services To: camicosgriff@gmail.com Reply-To: info@scoreexchange.com Sender: info@scoreexchange.com Subject: Action required: Activate your Score Exchange account Hello, Your account at Score Exchange requires activation. This step might be requ= ired if you have just registered a new account, want to become a seller, or= you have changed your email address for an existing account. To activate your Score Exchange account, please visit this url: https://www.scoreexchange.com/myaccount/activate?c=3Da&u=3D6DF8D7BC-01A4-11= EF-910F-911ECFE50ADB&d=3Da19febd19e9dc89724bb12649c1dd40a This link will expire in 24 hours. If it's already too late, you can get a = new activation link here: https://www.scoreexchange.com/myaccount/activate --=20 The Score Exchange Team https://www.scoreexchange.com/ https://www.facebook.com/ScoreExchange/ https://twitter.com/scoreexchange * TAKE THE SCORE EXCHANGE TOUR - https://www.scoreexchange.com/tour * ADVERTISE ON SCORE EXCHANGE - https://www.scoreexchange.com/sponsors * BECOME A PLATINUM PUBLISHER - https://www.scoreexchange.com/myaccount/pla= tinum Score Exchange is a trading name of ADAP Solutions Ltd. Company Number 5022580, VAT number GB 892 4929 72 1Date: Tue, 23 Apr 2024 20:05:20 +0100 MIME-Version: 1.0 Content-Type: text/plain; charset="UTF8" Content-Transfer-Encoding: quoted-printable From: ScoreExchange.com customer services To: camicosgriff@gmail.com Reply-To: info@scoreexchange.com Sender: info@scoreexchange.com Subject: Action required: Activate your Score Exchange account Hello, Your account at Score Exchange requires activation. This step might be requ= ired if you have just registered a new account, want to become a seller, or= you have changed your email address for an existing account. To activate your Score Exchange account, please visit this url: https://www.scoreexchange.com/myaccount/activate?c=3Da&u=3D6DF8D7BC-01A4-11= EF-910F-911ECFE50ADB&d=3Da19febd19e9dc89724bb12649c1dd40a This link will expire in 24 hours. If it's already too late, you can get a = new activation link here: https://www.scoreexchange.com/myaccount/activate --=20 The Score Exchange Team https://www.scoreexchange.com/ https://www.facebook.com/ScoreExchange/ https://twitter.com/scoreexchange * TAKE THE SCORE EXCHANGE TOUR - https://www.scoreexchange.com/tour * ADVERTISE ON SCORE EXCHANGE - https://www.scoreexchange.com/sponsors * BECOME A PLATINUM PUBLISHER - https://www.scoreexchange.com/myaccount/pla= tinum Score Exchange is a trading name of ADAP Solutions Ltd. 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$class->BUILDARGS(@_) : $class->Moo::Object::BUILDARGS(@_) ); } 8Up8U4U93U4U4U893U4U4U4U4U93U:3U4U4U4U4U4U:3U4U4U6U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4Up6U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4UPAJ5U`8UP9U$$@9U$=;8U8U9UP8U$$ 9U$= 8Uy8Ur2U8Up9Up8U/8U8U`:8U$$0&9Up48U]}p8U]}{8U8U$=0$9U 8U`28U$$*9U$=(9U8U+9U$$9U$=9U8U9U$$9U$=9U8U9U$$9U$=9UP 8U9U$$9U$=9U8U$$08U$=9U08U@9U$$ 8U$= 8U8U9U$$ 9U$= 9U9U9U9U 9U8U8U8Up8U I8UpJ8UP8UPN8UP8U8UK8UZ8U$$M8U$=p8U$$8U$=8UPҕ8U$$8U$=8U8UM8U$$8U$=8U 8Up8U9U@8U8U 8UP8U8U=9U`8U$$F9U$=D9Un9U 8U00:32.80q r5UQEmail::Sender::Success__WITH__Email::Sender::Role::HasMessage3 20:10:32QEmail::Sender::Success__WITH__Email::Sender::Role::HasMessager8U if ($Moo::MAKERS{$class}) { if ($Moo::MAKERS{$class}{constructor}) { return $class->Email::Sender::Success__WITH__Email::Sender::Role::HasMessage::SUPER::new(@_); } Moo->_constructor_maker_for($class); return $class->new(@_); } elsif ($INC{"Moose.pm"} and my $meta = Class::MOP::get_metaclass_by_name($class)) { return $meta->new_object( $class->can("BUILDARGS") ? $class->BUILDARGS(@_) : $class->Moo::Object::BUILDARGS(@_) ); } 2024-04-23 20:00:32.7802272024-04-23 20:10:32.0000001766101713898832.7802271389884h8U8Ux8Uq if (exists $args->{"message"}) { $new->{"message"} = $args->{"message"}; } rguments: ".joV8U3U2U(`8U3Us8Uh88UP 8U®8Uata => ". $_[0] ."\n"; } $args =aEmail::Sender::Success__WITH__Email::Sender::Role::HasMessage::new$class expects a!1416X8U!arWw!WW!WW!WW!WW!WW !h08U8U["88308","168223","140556","78183","140617","151528","59699","188994","140520","4062","75247","23092","173346","140618","4413","79408","31140","32625","6032","79766"]1)8U8U8U؇F8U<8U1Concert for guitar and orchestraQEmail::Sender::Success__WITH__Email::Sender::Role::HasMessage::newUILDAa# BEGIN quote_sub PRELUDE package Method::Generate::Constructor; BEGIN { $^H = "2018"; ${^WARNING_BITS} = "UUUUUUUUUUUUUUU\001"; %^H = ( ); } # END quote_sub PRELUDE my $class = shift; $class = ref($class) if ref($class); if ($class ne "Email::Sender::Success__WITH__Email::Sender::Role::HasMessage") { if ($Moo::MAKERS{$class}) { if ($Moo::MAKERS{$class}{constructor}) { return $class->Email::Sender::Success__WITH__Email::Sender::Role::HasMessage::SUPER::new(@_); } Moo->_constructor_maker_for($class); return $class->new(@_); } elsif ($INC{"Moose.pm"} and my $meta = Class::MOP::get_metaclass_by_name($class)) { return $meta->new_object( $class->can("BUILDARGS") ? $class->BUILDARGS(@_) : $class->Moo::Object::BUILDARGS(@_) ); } } my $args; if ( scalar @_ == 1 ) { unless ( defined $_[0] && ref $_[0] eq 'HASH' ) { die "Single parameters to new() must be a HASH ref" ." data => ". $_[0] ."\n"; } $args = { %{ $_[0] } }; } elsif ( @_ % 2 ) { die "The new() method for $class expects a hash reference or a" . " key/value list. You passed an odd number of arguments\n"; } else { $args = {@_}; } if (my @missing = grep !exists $args->{$_}, "message") { die "Missing required arguments: ".join(', ', sort @missing); } my $new = bless({}, $class);; if (exists $args->{"message"}) { $new->{"message"} = $args->{"message"}; } return $new; E::Score2024-0ANo Turning Back Jonathans Theme OrchestraUtainer" !0W ]7UO2UQ2U2UD8Ux5U @3U8UH8Up4Uh8U8UD)8U8UD)8U8UD*8U8UD *8U 8U08UD 8U@8UD08UP8UDP8U`8UDp8Up8UD8U8UD8U8UDЭ8U8UD8U8UD8U8UD08UМ8UD@*8U8UD`*8U8UD*8U8UD*8U8UD*8U 8UD8U08UD08U@8UDP8UP8UDp8U`8UD8Up8U8U8U8U8U8UD8UН8UDШ8U8UD8U8UD8U8UD08U8UDP8U 8UDp8U08UD8U@8UD8UP8UD8U`8UD8Up8U8UDP8U8UDp8U8UD8U8UD8U8UDЮ8UО8UD8U8UD8U8UD08U8UDP8U8UDp8U 8UD8U08UD8U@8UP8U048UDЁ8U`48UD08Up48UDP8U8UDp8U@8UD8U08U8U`8UD@,8U8UD,8U8UD,8UI28UD,8Ups8UD-8Upc8U .8U8UD08U 8UD8U08UD8UP8UD8UPg8UD8U8U48U8UDp8U8UDб8U8UD8Uh8UD8U0cT8UD08U[8U8U@8UDP8Up8UD8U8UDй8U<8UD8U7UD8UM28Up8UО8UD 8U8UD 8U8UD!8Ux;8UD0!8U`:08UDP!8U8U08U'8UD8U'8UD`8U'8UD8U`ӌ8UD8U38UD8U@j8U8U.8UD 8U@.8UD8UP.8UD8U`8UD8U8UD8Uf8Up!8U`8UD8U8UD8U8UD8U@f-8UD08U`G8UDP8U5=8U(8U8UD 8U 8UD8U08UD8U8UD8U 8UD8U8U.8U 8UDp8UP8UD8U`8UD8U.8UD8Uߞ8UD08U8U8U8UD`b8U8UDb8U8UDb8U?08UDc8U8UD c8Ug8Up8U`Z8UD`z8UZ8UDm8UZ8UDm8U8UDm8U}8UDm8U?8U8U`8UD`8U a8UD8U0a8UD8UY8UD8U08U Я8U8U2`8Us8U0T8UD 8U08UDа8Up8UD`,8U8U08UD+8U 8UD08U8UD8Up8UD 8U8U8UD,8U@8UD,8UP8UD ,8UP8U  !7U0.8UD8U@.8UD@J8UdefScor8U8U8Uػ8U8U8Uн8U8Uh8U`8U8UX8Uȹ8U 8UH8Uȼ8U8U:8U@|8U`8UX8U8U8U8U8U8UP8U8U8Ux8UP8U(8U(8U8Uh8Uؾ8U8U08U8U8U8U8U`8U8U8U8U8UHn8U 8U8U8U08U(8U8U8Up8U88U8U8U 8UX8U8U/8U8U8U8U8U8U88U@8Uh8U8U8Ux8Uȿ8U8U8U8U @This is an original composition for the Orchestra dedicated to my oldest daughter Christine - "Chrissy". It begins with a gentle Cor Anglais Solo with decorated parts for Piccolo and Flute (Song Birds) and gradually builds and then dies away in the last bars. Chrissy is a very accomplished singer and Flautist. The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration = 3:05 mins.8U!7.50W$8U!1Wk8U!0W8U!0WHN8U!WW}8U!WWh8U!0WS8U!WW8UQCopyright © 2022 BJE Music belliget@hotmail.com www.bjemusic.com8U!For Christine NeavesU!1X@s8U!0W08U!WW4U!0W4U!0W4U!1W4U10W4U0Red Robin – Orchestra This is an original composition for the Orchestra. The original tune was written in 2004 and then expanded and arranged for the full orchestra in 2022. It has a light-hearted feel with a light rock beat. There is also a version for Concert Band. There are only 3 chords used in this composition – Eb, Bb, and Bb maj7. The bassline is also fairly repetitive and sustained throughout. There is also a basic chorded optional Piano accompaniment part included. The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 3:00 mins. The score and parts are available at Score Exchange and www.bjemusic.com Playing score at Youtube: https://youtu.be/aEqa47qTqxg )8U!7.50W!0W!0W!0W!WW!WW!0W!WWQCopyright © 2004 BJE Music belliget@hotmail.cm www.bjemusic.com*8U!WWScores!2022-07-19 05:11:35U!0000-00-00 00:00:00!644W7U!662720W!0W8U!0W7U!25.00W8U!23.00W 7U!25.00W8U!23.00Wx8U!0W88U!WW7U!0.00W!WW7U!0000-00-00 00:00:0011W8U 7U0!1.50(Y,8U!2022-07-20 13:48:04U!1WdefScor!0WZipConve!0WonStarte!WW -8U!0Wr-8U!0W-8U!1WeScores!0WishedZi!0.0000W !2022-07-20 14:03:01!0(Y!0000-00-00 00:00:00!WWm8U!0W!0W!0W!XhX!373247W8U!0W!0W!0.00W!40.00W !$_QUOTEDWA4U:8U4U4U4U8U2.144407Q8U8U8U!HASH8U !62781r8Uers WHER1WW0!HASH8U !(eval 330)8U@Tx!078U !(eval 330) !{"width":226,"position-y-pc":"0","faces":{"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"B12088E8-965F-11E8-A310-534C3DFF0F43","position-x-pc":"0"}eload!0W-condens!170Was="font!225Wsorigin>!0000-00-00 00:00:00tle>10000-00-00 00:00:00d+json">0A@98U@98Urx 68U!$_QUOTEDpm!08U !WhyEtsySMH1202! 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seURL!buenos airesa_6JSSD710000-00-00 00:00:0013899121.0.00a P 8U3I5UA8U'iCODE(0x55e5382e91b8)4U=8U4U4U`B8Up8U4U4U&8U4UzS8U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U.000000 ;@ $(LP,0jpAH!( 68CHAH08С8U@8U8U8UD8U8UD8UД8UD8U8UD8U8UD08U8U8U 8U08U@8UP8UDP8U`8UDp8Up8UD8U8UD8U8UDp8U8UD8U8UD8U8UD8UЕ8UD8Up8U8$8UbW8UD l8U r8U8UR8UD8U S8UD8U0S8UD8UPՌ8UD08U8U 8U8U2`8U%8U=8U;8UDP8Upo8UD"8U8U0o8UD"8UТ8U08UD 8Ut8UD08Uo8Uo8UD"8U@o8UD "8UPo8UD@"8U8U  8U8UD8U8UD`8U8UD8U 8UD8U08UD8U@8UD8UP8UD8U`8UD08Up8UD8U8UD8U8UD 8U8UD@8U8UD8U8UD8UЗ8UD8U8UD8U8UDP8U8UD8U8UD8U 8UD08U08UDP8U@8UD p8UP8UD8U`8UD8Up8UD08U8UDP8U8UDp8U8UD8U8UD8U8UD8UИ8UD 8U8UD8U8UD 8U8UD@8U8UD`8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8UD 8U8UD@8U8U8UD`8U8UD8U8UD8UЙ8U8UD8U8UD8U8UD8U8UD08U 8UDP8U08UDp8U@8UP8UD 8U`8UD`8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD 8UК8UD@8U8UD`8U8UD8U8UD08U8UDP8U 8UDp8U08UD8U@8UD8UP8UD8U`8UD8Up8UD8U8UD08U8U8U8U8UЛ8U8UDP8U8UDp8U8UD8U8UD8U 8UDP8U08UDp8U@8UD8UP8UD8U`8UD8U8U@8U58UDP8Up8UP8UШ8UD8U8UDp8U8UD8UT8UD8U8U 8U8U28U8Uh9U20B8UD8Uv8UD98U@8Uu8UDp98U8Upa8UDP8Uz8UD028Uu8Uv8UD:8Uu8UD98Uu8UD98U08U  8U8UD68U8UD@8U8UD8U8UD8U8UD8UН8UD8U8UD8U8UD 8U8UDе8U8UD8U 8UD8U08UD8U@8UD08UP8UDP8Uб8UQCopyright © 2009 BJE Music belliget@hotmail.com www.bjemusic.comAOur Life Began (The Fifth Day of The Year) - Orchestra!0WD8U!2W8U!1W( 8U!2018-06-01 08:47:59U!2018-06-01 09:18:35U!Brendan Elliget8U!WW8U!2009W8U10W0!sibWe8U!154WxS8U!0W`8UaOur Life Began - (Theme 171) Orchestra NP3 - 2018 Extended ending.sib8U(s8U!2018-06-01 08:47:59U!0WC8U!1277WP8U!0W8U!3X8U!1.50Xhy8U!2018-06-01 08:48:01U!1W!0W!0W!WW!0W (b2U%8U+_2U&8U,_2U&8Uh/_2U0&8U6UH&8U08UX:5U`&8Ux4Ux&8Uh5o3U&8Uh2U&8U/_2U&8U 4U&8U8U16U&8U(8U46U'8U=4U '8U45U8'8UH1_2UP'8U85Uh'8U85U'8UXDe3U'8U87U'8U؝2U'8UX85U'8U85U'8U)6U(8U885U((8U85U@(8U85UX(8Up,5Up(8Ux85U(8Uи8UH85U(8U85U(8U8U4U(8U2U(8UH8UX2U)8U85U)8UX 85U0)8UH!85UH)8U"85U`)8U3Ux)8UH%85U)8U8U&85U)8U(6U)8U&85U)8UhG85U)8U8<25U*8U`8U 6U *8UZ85U8*8UP6UP*8U5Uh*8UA6U*8U)_2U*8U54U*8U_85U*8U_85U*8U8U`85U*8U08Uc`7U+8Uf`7U(+8U25U@+8U25UX+8U25Up+8UP8U c2U+8U"c2U+8U(g85U+8Ug85U+8UW4U+8UXf85U,8Ue85U,8Uе8Uc85U8Ux8UOm2UС8U8U m2U8U8UX~`2U8U8U`2U8UHb85U08U8U&_2UH8UhAT2U`8U8DT2Ux8U>T2U8U8U7U8U4U8U8UH5Uآ8Uع8U(t85U8Up85U8Uл8Uj6U 8U885U88UI85UP8U 8U85Uh8Uxa85U!8U85U8,8U6U8UȺ8UH4UN8UX2UP,8Uh4U8U8U6UH8U6U`8U8Uh_2U08U85U8U885U08U85UH8U8U^i2U`8UΌ2Ux8Un4U8U2U8U8U2U8U8U5Up8U4Uإ8Uh8U(8U8U8U5U$8U8Ux6o3U8U6UX8U(b2U8U+_2U8U,_2U 8Uh/_2U88U6UP8U8UX:5Uh8Ux4U8Uh5o3U8Uh2U8U/_2UȦ8U 4U8U8U16U8U`8U46U8U=4U(8U45U@8UH1_2UX8U85Up8U85U8UXDe3U8U87U8U؝2UЧ8UX85U8U85U8U)6U8U885U08U85UH8U85U`8Up,5Ux8Ux85U8U8UH85U8U85U8U8U4Uب8U2U8U8UX2U8U85U 8UX 85U88UH!85UP8U"85Uh8U3U8UH%85U8U88U&85U8U(6Uȩ8U&85U8UhG85U8U8<25U8U8U 6U(8UZ85U@8UP6UX8U5Up8UA6U8U)_2U8U54U8U_85UЪ8U_85U8UH8U`85U8Uh8Uc`7U8Uf`7U08U25UH8U25U`8U25Ux8U8U c2U8UmeArtisThis original minor-keyed theme was written in 1982 as a short round. It has now been expanded to a full orchestral arrangement. It begins with the original theme for the woodwinds and strings with more instruments including brass and strings being added as the round develops. The composition continues to expand harmonically using the elements of the original round throughout. With a final climax in the last few bars, it then dies away on the last major chord. [Updated and expanded 17-01-2020] There are parts for Harp and optional Piano (Not on the score). The only percussion parts are for Timpani and Glockenspiel… The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 5:08 mins. [Score and Recording updated 22-09-2019] !5.50W!1W!0W!0W!WW!WW!0W!(Theme 27)QCopyright © 1982 BJE Music belliget@hotmail.com www.bjemusic.comU!WW!2020-01-17 07:46:56U!0000-00-00 00:00:00!340W8U!917414W!0W@8U!0W8U!25.00W8U!23.00W8U!25.00Wp8U!23.00Wض8U!0W8U!WW@8U!0.00W18UG=197778!202490W8U!35W !2020-01-17 08:01:53U1Ancient Days In Times Past Orchestra!0W!0W!17W!0000-00-00 00:00:00!0W!0WQAncient Days - In Times Past - Orchestra (Theme 27) Brendan Elliget This original minor-keyed theme was written in 1982 as a short round. It has now been expanded to a full orchestral arrangement. It begins with the original theme for the woodwinds and strings with more instruments including brass and strings being added as the round develops. The composition continues to expand harmonically using the elements of the original round throughout. With a final climax in the last few bars, it then dies away on the last major chord. [Updated and expanded 17-01-2020] There are parts for Harp and optional Piano (Not on the score). The only percussion parts are for Timpani and Glockenspiel… The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 5:08 mins. [Score and Recording updated 22-09-2019] resZipConve!0W!1W!0W!0W!0000-00-00 00:00:00!WW!0W!540W!800W8U08U8Uh8U08U88Uh8U@8U8U8U8U8U8U8U8U`8U 8U;8U8Ux8U8Up8U8U8U(8U8U8U@8UX8U8U8U8U8U8U8Up8U8U8U8U08Ux8U8U8Uh8U(8U88U8U@8UX8U8UX8UȽ8U8U8U 8U8U8U88Up8U8UH8UP8Uض8U 8U8UP8U8U8Uо8Uؼ8U8UH8U8U8U`8Uȷ8U8U8UmPurchas["393175","125192","2774","20566","114581","15013","96818","203162","34105","124927","90433","15594","164723","12114","362453","16393","164894","15211","15014","387464"]!2020-09-28 06:08:07!1W!2019-09-25 14:43:27174308994-DF9A-11E9-9A5B-78 !147902W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-03-14 10:44:21!2023-03-14 10:47:32!11033100W!16248235W!0000-00-00 00:00:00!0000-00-00 00:00:00QH8U1 2UH8UF4105361Feeling Fine (Theme 241) - Orchestra!35W!0W!2W!1W!2018-10-03 03:05:46!2018-10-03 05:56:52ABrendan Elliget 2014 (Revised 2018) MAGA 5378U!WW 8U12018W0!sibW!154W!0WaFeeling Fine - Theme 241 FULL Orchestra 2018 v4 Trombones Longer Version.sibU8U!2018-10-03 03:05:46!0W!1021W!0W!1.50XH8U!2018-10-03 03:05:48U!1W8U!1W8U!0Wx8U!WW8U!0W 8U10W08U0!0^ 8U!4W“Feeling Fine” is an original composition for Orchestra which initially started out as a Violin Solo against a string background continuo. (Hence the repetitive nature of most of the string parts and some woodwind parts.) Now expanded to a full orchestral arrangement. On each repeat, there is a different combination of melodies and countermelodies with an expanded instrumentation. The optimistic nature of the music is reflected in the title. The Viola part is also available as an optional Violin 3 part in the PDF. The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 3:45 mins 8UdefScor!4.50W!0W!0W!0W!WW!WW!0W!WW!WW!2018-10-03 03:41:20U!0000-00-00 00:00:00!287W08U!211926W!0Wx8U!0WH8U!20.00W 8U!18.00W@8U!20.00W8U!18.00W8U!0W8U!WWx8U!0.00WQp8U!PhotoDisplayY !1^8U!0W!0.0000W!2018-10-03 03:22:271Feeling Fine Theme 241 Orchestra8U!0W!0W!6W!0000-00-00 00:00:00!0W!0WFeeling Fine (Theme 241) - Orchestra Brendan Elliget 2014 (Revised 2018) MAGA 537 “Feeling Fine” is an original composition for Orchestra which initially started out as a Violin Solo against a string background continuo. (Hence the repetitive nature of most of the string parts and some woodwind parts.) Now expanded to a full orchestral arrangement. On each repeat, there is a different combination of melodies and countermelodies with an expanded instrumentation. The optimistic nature of the music is reflected in the title. The Viola part is also available as an optional Violin 3 part in the PDF. The MP3 was recorded with NotePerformer 3. 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The MP3 is recorded with NotePerformer 3. Grade 4 Duration = 3:40 mins8U8U!0W!1W!0W!0W!0000-00-00 00:00:00!WW!0W!407W!614W8U8U8U8U8U8U8U8U`8UX8U8UP8U8U8U@8U8U8U;8Uh8U8UP8U8U8U8U8U8UH8U8U8Up8UH8U 8U 8U`8U`8U8U8U8Up8U8U8Ux8UX8U8U8U8U8U8U8U8U8U(8UH8U8U8Uh8Ux8U8U8U8U8U8U88U8U8U8Ux8U8U08U88U8U8U8UP8U8U(8UX8U8U 8U["360522","94128","504812","207471","535158","143556","520789","519439","494491","37446","113926","369687","129716","195820","153689","45433","485360","164335","421098","133646"]8U!2020-09-24 08:27:30!1W!2019-09-25 14:08:561A1BAF6D8-DF95-11E9-BF25-78 !85286W!0W!0W!0W!1W!650x918W!0W!0W!5.00W!2023-03-18 16:22:31!2023-03-18 16:25:22!12636959W!17648832W!0000-00-00 00:00:00!0000-00-00 00:00:008U0#8U`t8UD8Upt8UD8Ut8UD8Ut8Ut8Ut8Ut8Ut8Ut8UD08Ut8UDP8Uu8UDp8Uu8UD78U u8UD@88U0u8UD`88U@u8UD88UPu8UD88U`u8UD88U$8U8Uf8UD8U.8UpS8U8UDF8U 8UDG8U08UD0G8U@T8UDPG8UP8U 8U08U2%8U8U%8U>8U8UD8UB8UDp8U0&8UPB8UD8U`8U8UD8U8UD8U B8UB8UD8U`B8UD8UpB8UD08U8U  8Uv8UDp08Uv8UDl8Uv8UD m8Uv8UD@m8Uv8UD8Uv8UD8Uv8UD8Uv8UD 8Uw8UD8Uw8UD8U w8UD8U0w8UDl8U@w8UD08UPw8UDP8U`w8UDp8Upw8UD8Uw8UD@8Uw8UD`8Uw8UD8Uw8UD8Uw8UD8Uw8UD P{8Uw8UD|8Uw8UD|8Ux8UD|8Ux8UD|8U x8UD}8U0x8UD0}8U@x8UDP}8UPx8UDp}8U`x8UD }8Upx8UD}8Ux8UD8Ux8UD8Ux8UD 8Ux8UD@8Ux8UD`8Ux8UD8Ux8UD8Ux8UD8Uy8UD8Uy8UD8U y8U0y8UD8U@y8UD08UPy8UDP8U`y8Upy8UDp8Uy8UD8Uy8UD8Uy8UD08Uy8UDP8Uy8UDp8Uy8Uy8UD 8Uy8UD8Uz8UD 8Uz8UD@8U z8UD`8U0z8UD8U@z8UD8UPz8UD08U`z8UDP8Upz8UDp8Uz8UD~8Uz8UD ~8Uz8UD@~8Uz8UD`~8Uz8UD~8Uz8UD~8Uz8UD~8Uz8UD~8U{8UD8U{8UD 8U {8U:8U:8U:8U:8U:8UD@8U:8UD`8U;8UD8U;8UD8U ;8UD`8U0;8UD8U@;8UD8UP;8UD8U`;8UD8U`/8U%8U8UDpG8U 8UP8U8UD}8U8UD@~8U8UD`~8Ui8UD~8U8U 8Up8U2P08U'8UP8U8UDpa8U8UD@8U08U8UD8UP8U 8UD08U08UDJ8U`8U8UD`8U8UD8U8UD8U`H8U  8U<8UD8U<8UD i8U<8UDPi8U<8UDpi8U<8UDi8U<8UDi8U<8UDi8U<8UDi8U=8UDj8U=8UDj8U =8UDj8U0=8UDh8U@=8UDk8UP=8UD k8U`=8UD@k8Up=8UD`k8UX\8U!503^038U!758Wx8U8Up8UP8U8U 8UP8U(8U8U8Uh8U8UP8U8U8UH8U8U;8U8U8U8UX8U8U8U8Up8U8U(8U@8U8U8U8U8U8U8UX8U8U@8U8U8U`8U8U8UP8U8U 8U8U(8U@8U8U@8U8U8Ux8U8U8U8U 8UX8U8U8U88U8U8U8U88U8Uh8U8U8U8U08Ux8U8UH8U8U8U8UeverCrop["393175","125192","2774","20566","114581","96818","80997","15013","15594","124927","90433","15014","164723","387464","362453","114982","118311","34841","393631"]? !2020-08-28 02:26:53!1W!2019-09-25 13:53:15170600986-DF93-11E9-B6D0-78PhotoDis!145502W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-03-21 13:33:35!2023-03-21 13:36:16!6944647W!7918381W!0000-00-00 00:00:00!0000-00-00 00:00:00  $(=@ AH"(VX %(CH08~AH$(SON!1H8U5165755!184890W(8UQCopyright © 2011 BJE Music belliget@hotmail.com www.bjemusic.comAGeorgia’s Horn for Solo Horn and OrchestraU`E7U!65WW!609W8U!2W8U!1W`E7U!2016-04-24 15:05:10U!2018-01-14 07:32:08U!48XZ8U!1XZ8U!0WZ8U1WW0!sibW/A8U!154W&8U!0W}8UqGeorgia's Horn (Theme 225) Horn Solo with Orchestra v2 [C] Lower Key FULL Version NR v2.sibU8U!2016-04-24 15:05:10U!14W8U!1576W 8U!2WШ8U!Brendan Elligeth8U!WW8U!2011W8U!0W !0X78U!1W58U!0W68U!0.0000XXH68U!2016-06-12 11:46:36UAButterflies Small Orchestra Revised 201648U10W68U0aJust as two butterflies dance around each other in flight during the sunny days of spring or summer, so do these two Flutes and Clarinets in this short composition for orchestra with an optional piano part. Originally written for two clarinets and piano it has been expanded here to a small orchestra - No Trumpet, Trombone or Tuba parts. If you use this piece, let me know how it goes - Write a review! Also available as a Flute Duet, Bassoon Duet and a Clarinet Duet as well with piano accompaniment. This arrangement revised in June 2016. Grade = 3-4 Duration = 2:25 mins.OrigFile!5.00W!1W!0W!0W!WW!WW!0W!WW!WW!0Y78U!WW!0.00WT8U["393175","125192","2774","20566","15013","114581","96818","203162","124927","16393","15594","80997","90433","12114","363198","164723","15014","34105","164894","362453"]8Uh78U!2020-09-17 13:24:24U!1W68U!2019-09-25 13:37:44U145EAB14E-DF91-11E9-8692-788U48U!131490W58U!0W68U!0W H%85U0F8U48U&85UHF8U(6U`F8U&85UxF8UhG85UF8U8<25UF8UX58U 6UF8UZ85UF8UP6UF8U5UG8UA6U G8U)_2U8G8U54UPG8U_85UhG8U_85UG8UT8U`85UG8U(58Uc`7UG8Uf`7UG8U25UG8U25UG8U25UH8UH68U c2U(H8U"c2U@H8U(g85UXH8Ug85UpH8UW4UH8UXf85UH8Ue85UH8U48Uc85UH8U`S8UOm2UH8U48U m2UI8U78UX~`2UI8U58U`2U0I8UHb85UHI8U78U&_2Uc8UhAT2U c8U8DT2U8c8U>T2UPc8UpU8U7Uhc8U4Uc8U58UH5Uc8US8U(t85Uc8Up85Uc8UU8Uj6Uc8U885Uc8UI85Ud8UT8U85U(d8Uxa85Upy8U85U8U6U8UT8UH4UȤ8UX2U}8Uh4U8UT8U6U(8U6U@8UV8Uh_2U8U85Uh8U885U8U85U8Ux68U^i2U8UΌ2U(8Un4UM8U2UM8UX8U2UN8U88U5UhA8U6Ue8U4Uf8UHY8U5U0e8U_8Ux6o3Uf8UI8Un8U(b2Uf8U+_2Uf8U,_2Uf8Uh/_2Uf8U6Ug8UY8UX:5U(g8Ux4U@g8Uh5o3UXg8Uh2Upg8U/_2Ug8U 4Ug8U\8U16Ug8UH_8U46Ug8U=4Ug8U45Uh8UH1_2Uh8U85U0h8U85UHh8UXDe3U`h8U87Uxh8U؝2Uh8UX85Uh8U85Uh8U)6Uh8U885Uh8U85Ui8U85U i8Up,5U8i8Ux85UPi8U\8UH85Uhi8U85Ui8U[8U4Ui8U2Ui8Uh]8UX2Ui8U85Ui8UX 85Ui8UH!85Uj8U"85U(j8U3U@j8UH%85UXj8U Z8U&85Upj8U(6Uj8U&85Uj8UhG85Uj8U8<25Uj8UZ8U 6Uj8UZ85Uk8UP6Uk8U5U0k8UA6UHk8U)_2U`k8U54Uxk8U_85Uk8U_85Uk8U0_8U`85Uk8UPZ8Uc`7Uk8Uf`7Uk8U25Ul8U25U l8U25U8l8Up[8U c2UPl8U"c2Uhl8U(g85Ul8Ug85Ul8UW4Ul8UXf85Ul8Ue85Ul8UY8Uc85Ul8U]8UOm2Um8UY8U m2U(m8U]8UX~`2U@m8UZ8U`2UXm8UHb85Upm8U\8U&_2Um8UhAT2Um8U8DT2Um8U>T2Um8U_8U7Um8U4Un8UZ8UH5Un8U]8U(t85U0n8Up85UHn8U_8Uj6U`n8U885Uxn8UI85Un8U@^8U85Un8Uxa85U8U85UA8U6UA8U^8UH4U8UX2UD8Uh4U[8U^8U6UB8U6U(B8U(a8Uh_2U(N8U85UPA8U885UA8U85U@N8U[8U^i2UXN8UΌ2UpN8UpyrightR!0[ c8U!8W!0000-00-00 00:00:00!0W!0W!0WButterflies - Small Orchestra (Revised 2016) Brendan Elliget Just as two butterflies dance around each other in flight during the sunny days of spring or summer, so do these two Flutes and Clarinets in this short composition for orchestra with an optional piano part. Originally written for two clarinets and piano it has been expanded here to a small orchestra - No Trumpet, Trombone or Tuba parts. If you use this piece, let me know how it goes - Write a review! Also available as a Flute Duet, Bassoon Duet and a Clarinet Duet as well with piano accompaniment. This arrangement revised in June 2016. Grade = 3-4 Duration = 2:25 mins.Updf8U!0Wf8U!0WdefScor!0WHiddenH!0Wg8U!2017-03-31 17:41:21U!2017-06-09 17:10:17U!0000-00-00 00:00:00hang!WWrIDPubl!868155W8h8U!0Wg8U!0W!h8U!18.00WeExchang!15.00WEPSCoun!18.00Ws8U!15.00W 1p(5Uh8U N2026821h8U^z202629QTheme 240 CB Fanfare Orchestra ONLY 2016 [Eb] Higher Key.sib1Occasional Fanfare No. 2 - OrchestraU!35WD8U!0Wh>8U!3WX8U!1W8U!2018-01-06 04:35:06U!2018-01-06 04:50:10U!Brendan Elliget8U!WW 8U!2013W08U10W0!sibW8U!154W8U!0W:8U!2018-01-06 04:35:06U!3WxS8U!1338W`8U!3W8U!1.50XX8U!2018-01-06 04:35:09U!1W8U!1W8U!0W8U!WW8U!0W08U!0W@8U!1W QTheme 216 Epic Steve - Full Orchestra Revised 10-0-2018 v3 TU Parts.sib1"Epic Steve" - Orchestra.508399/div> T2U.8U8U7U.8U4U.8U8UH5U.8U8U(t85U.8Up85U.8U8Uj6U/8U885U(/8UI85U@/8U@8U85UX/8Uxa85U8U85U8U6U8U8UH4U8UX2Uϡ8Uh4U08U8U6U8U6U8U8Uh_2UHx8U85U8U885U8U85U`x8U8U^i2Uxx8UΌ2Ux8Un4Uh8U2U8U8U2U8UЌ8U5U`08U4U18U8U8U88U5U@&8U(8Ux6o3U18U6UH08U(b2U18U+_2U18U,_2U28Uh/_2U(28U6U@28U8UX:5UX28Ux4Up28Uh5o3U28Uh2U28U/_2U28U 4U28U(8U16U28Up8U46U38U=4U38U45U8UH1_2U8U85U8U85U08UXDe3UH8U87U`8U؝2Ux8UX85U8U85U8U)6U8U885U؝8U85U8U85U8Up,5U 8Ux85U88U8UH85UP8U85Uh8U8U4U8U2U8U8UX2U8U85UȞ8UX 85U8UH!85U8U"85U8U3U(8UH%85U@8UH8U&85UX8U(6Up8U&85U8UhG85U8U8<25U8U8U 6UП8UZ85U8UP6U8U5U8UA6U08U)_2UH8U54U`8U_85Ux8U_85U8UX8U`85U8Ux8Uc`7U8Uf`7Uؠ8U25U8U25U8U25U 8U8U c2U88U"c2UP8U(g85Uh8Ug85U8UW4U8UXf85U8Ue85Uȡ8U8Uc85U8U8UOm2U8U8U m2U8U08UX~`2U(8U8U`2U@8UHb85UX8U8U&_2Up8UhAT2U8U8DT2U8U>T2U8UВ8U7UТ8U4U8U؍8UH5U8U 8U(t85U8Up85U08U8Uj6UH8U885U`8UI85Ux8Uh8U85U8Uxa85U38U85U$8U6U&8U8UH4U 8UX2UV8Uh4UX&8U8U6U&8U6U'8UP8Uh_2U8U85U(&8U885U&8U85Uȧ8UȎ8U^i2U8UΌ2U8Un4U8U2U8U8U2U8U8U5U8U4U8U8Uh8U8U`8U5U08U8Ux6o3U8U6U8U(b2U8U+_2U08U,_2UH8Uh/_2U`8U6Ux8U8UX:5U8Ux4U8Uh5o3U8Uh2Uئ8U/_2U8U 4U8U`8U16U 8U8U46U88U=4UP8U45Uh8UH1_2U8U85U8U85U8UXDe3Uȧ8U87U8U؝2U8UX85U8U85U(8U)6U@8U885UX8U85Up8UlityScor["494345","198757","187382","23103","20840","161471","500509","15807","60323","198754","95927","500582","79626","539144","23263","190713","87555","484597","393880","28504"] @!2020-09-13 07:29:01!1W!2019-09-25 13:52:34158737D3A-DF93-11E9-BB11-78ishedZi!134642W!0W!0W!0W!1W!650x839W!0W!0W!5.00W!2023-03-21 15:07:05!2023-03-21 15:08:59!5724306W!6426818W!0000-00-00 00:00:00!0000-00-00 00:00:00@#8U8U=8UDj8U=8UD0j8U=8UDPj8U=8UDpj8U=8UDа8U=8UD 8U=8UD8U=8UD 8U>8UD@8U>8UD`8U >8UD8U0>8UD8U@>8UD8UP>8UD8U`>8UD 8Up>8UD`8U>8UDk8U>8UDk8U>8UDk8U>8UDk8U>8UDl8U>8UD l8U>8UD@l8U>8UD`l8U?8UDl8U?8UD8U ?8U0?8UD8U@?8UDе8UP?8UD8U`?8Up?8UD 8U?8UD@8U?8UD`8U?8UD8U?8UD8U?8UD8U?8U?8UD 8U?8UD@8U@8UD`8U@8UD8U @8UD8U0@8UD8U@@8UD8UP@8UD8U`@8UD8Up@8UDл8U@8UD8U@8UD8U@8UD8U@8UD8U@8UD8U@8UD 8U@8UD@8U@8UD`8UA8UD8UA8UD8U A8U0A8U@A8UPA8U`A8UpA8UD8UA8UD8UA8UD8UA8UD8UA8UD8UA8UD8UA8UD8UA8UD 8UA8UDP8U8U008UK8UD~8U@8U8U8UD08U8UD8U8UD8U8UDУ8U@H8U 8U`8U28U18U8U8UDy8U`8UD88U8U 8UD08Uq8U8UD0J8U@c8UDR8U8Up8UD88U08UDP88U@8UDp88UH8U  8UC8UD8U C8UDP8U0C8UD8U@C8UD8UPC8UD8U`C8UD8UpC8UD8UC8UD 8UC8UDЮ8UC8UD8UC8UD8UC8UD8UC8UD08UC8UDP8UC8UDp8UD8UD8UD8UD@8U D8UD8U0D8UD8U@D8UD8UPD8UD08U`D8UD P8UpD8UD 8UD8UD@8UD8UD`8UD8UD8UD8UD8UD8UD8UD8UD8UD8UD8UD8UD 8UE8UD8UE8UD8U E8UDЯ8U0E8UD8U@E8UD8UPE8UD08U`E8UDP8UpE8UDp8UE8UD8UE8UD8UE8UD8UE8UE8UD08UE8UDP8UE8UDp8UE8UF8UD8UF8UD8U F8UD8U0F8UD8U@F8UD 8UPF8UD@8U`F8UpF8UD `8UF8UD8UF8UD08UF8UDP8UF8UDp8UF8UD8UF8UD8UF8UD` 8UF8UD 8UG8UD 8UG8UD8U G8UD 8U0G8UD@8U@G8UD`8UPG8UD8U`G8UD8UpG8UD8UG8UD8UG8UD8U1Fx5U8Uϲ202490QShades of Eltham - Orchestra 2018 Revised Orch Instruments only.sib1Shades of Eltham - Orchestral Version!35W8*8U!0W8U!3Wpy8U!1W[8U!2018-10-29 14:50:56U!2018-01-14 11:17:55UAMusic by Brendan Elliget MAGA 537 (Revised 2018)8U!WWh8U12009W0!sibW}8U!154Wh8U!0WS8U!2018-10-29 14:50:56U!0W8U!1185W`E7U!0Wh>8U!1.50X8U!2018-10-29 14:50:58U!1W8U!0WИ8U!0W08U!WW@8U!0Wh8U!0Wx8U!1W !1^8UA short fanfare type composition for full orchestra - Introduction by 3 Trumpets and 2 Horns followed by a restatement for full orchestra. Optional 3rd Violin (Sub Viola) part. The MP3 was recorded with NotePerformer. ​Grade = 3.5 Duration = 1:30 mins.U!3.95W!1W!0W!0W!WW!WW!0W1Shore Fanfare for Orchestra ectedFaQCopyright © 2013 BJE Music belliget@hotmail.com www.bjemusic.com8U!WW!2018-01-06 04:50:10U!0000-00-00 00:00:00!183W@8U!704211W!0W8U!0WX8U!7.50W08U!5.00WP8U!7.50W8U!5.00W 8U!0W8U!WW8U!0.00WQ8U!43614W !0^8U!0.0000W!2018-01-06 04:43:431Occasional Fanfare No 2 OrchestraScor!0W!0W!3W!0000-00-00 00:00:00!0W!0WaOccasional Fanfare No. 2 - Orchestra Shore Fanfare for Orchestra Brendan Elliget A short fanfare type composition for full orchestra - Introduction by 3 Trumpets and 2 Horns followed by a restatement for full orchestra. Optional 3rd Violin (Sub Viola) part. The MP3 was recorded with NotePerformer. ​Grade = 3.5 Duration = 1:30 mins.m!0W!0W!0W!0W!2018-01-06 04:48:56{ "width" : 198, "position-y-pc" : "0", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 300, "position-x-combined" : "left", "position-x" : "left", "position-y" : "top", "position-y-combined" : "top", "average-center-x" : 0, "average-center-y" : 0, "id" : "F94885B0-F29C-11E7-8FF2-EE996D0E93A3", "position-x-pc" : "0" } resScores!0W!505W!762Wؐ8Ux8UЕ8U8Ux8U8U8U8UH8U@8Uȑ8U88U8U8U(8U8Uh8U<8UP8U8U88U8U8U8Up8UЏ8U08U8U8UX8U08U8U8UH8UH8U8U8U8UX8Ux8U8U`8U@8U8Up8U8U8U8U8U8U8U8U08Uؖ8Uh8UP8U`8U8U8U8U8U8U 8Up8U8U8U`8UȔ8U8U 8U8U8Uؓ8U88U8U8U@8U8U.8U["494345","198757","187382","23103","20840","161471","15807","60323","500509","539897","198754","500582","79626","95927","539144","23263","87555","86829","28504","190713"]oresScores!2020-09-28 01:20:04!1W!2019-09-25 13:52:1714E578170-DF93-11E9-A548-78eExchang!143107W!0W!0W!0W!1W!650x917W!0W!0W!5.00W!2023-03-21 19:24:31!2023-03-21 19:26:16!4882781W!4535545W!0000-00-00 00:00:00!0000-00-00 00:00:00М8U 8UG8UD 8UG8UG8UG8UG8UG8UH8UD@8UH8UD`8U H8UD8U0H8UD8U@H8UD8UPH8UD8U`H8UD8U 8UD8U08UD 8U8Uh8U8UD8U8Up8UP8UD8U8UD8U8UD8U48UD08UH8U 8U8U28UХ8U8UD ԟ2U8UD8U8UD0b8U8U8UDa8U8U@8UDR8U&8UD@!8U8U8UDPb8U8UDa8U8UDa8UH8U  "8UP8UD8U`8UD8Up8UD8U8UD08U8UDP8U8UDp8U8UD8U8UD8U8UD`8U8UD8U8UD8U8UD8U8UD 8U 8UD@8U08UD`8U@8UD8UP8UDв8U`8UD8Up8UD8U8UD08U8UD8U8UD P8U8UD08U8UDP8U8UDp8U8UD8U8UD8U8UD8U8UD8U 8UD8U08UD 8U@8UD08UP8UD8U`8UD8Up8UD8U8UD 8U8UD@8U8UD`8U8UD8U8UD@8U8UD`8U8UD8U8U8UD8U8UD8U 8UD8U08U@8UD 8UP8UD`8U`8UD8Up8UD8U8UD8U8UD8U8U8UD 8U8UD 8U8UD@8U8UD`8U8UD8U8UD8U8UD8U 8UD0"8U08UDP"8U@8UDp"8UP8UDP8U`8UDp8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8U8UDp8U8U8U8U 8U08U@8UD8UP8UD8U`8UD8Up8UD&8U8UD`'8U8UD'8U8UD'8U8UD'8U8UD'8U 8Up8U.8UDP8U.8U8U8UD8U8UD8U8UD8U8UD8UH8U pI8U8U28U8U6o3U8UD 8U8UD`z8Up8UЬ8UDy8U8U`8UD`!8U49U 9U8U 8UDz8U8UDz8U8UD z8U I8U  [8U8UDI8U8UD`J8U8UDJ8U8UDJ8U 8UDJ8U08UDJ8U@8UDK8UP8UD0K8U`8UD8Up8UD8U8UD 8U8UDJ8U8UD@8U8UD`8U8UD8U8UD8U8UDPK8U8UDpK8U  78HPAH48ah !(FH,0PX _`$( !2019-08-10 03:05:59U10000-00-00 00:00:008U0AShow Me (The Love In Your Heart) - Orchestra8U!0W@s8U!3W08U!1Wн8U!2021-05-05 05:28:15U!2021-05-05 05:26:33U!Brendan Elliget8U!WW8U!1992W(8U10W0!sibWC8U!154W8U!0W8UaShow Me (The Love in Your Heart) Theme 063 [Eb] ORCHESTRA 2021 Score v6 FINAL.sib8U!2021-05-05 05:28:15U!3W8U!961W8U!1W`O8U!4X8U!1.50X$8U!2021-05-05 05:28:17U!1W4U!0W4U!0W4U!WW4U!0W !0^8U!7WShades of Eltham (Eltham Concert Band - 35 Years of Music) - Orchestral Version Dedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various “shades” or moods of the music or even perhaps, the “shady” bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters “E” and “A” in the word “Eltham” suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright “two-four” march-like theme, probably the “Main” theme, and a variation of this theme in slower “three-four” time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in “four-four” occurs about two-thirds into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both “three four” melody against the “two-four” one resolving in the last few bars in a dramatic way. I hope you enjoy my musical tribute to the “Shades”. The MP3 has been recorded with Note Performer. Grade = 4 Duration = 7:20 Minsxchang!5.95^8U!0W!0W!0W!WW!WW!0W85U8Up,5U8Ux85U8U8UH85UШ8U85U8U08U4U8U2U8U88UX2U08U85UH8UX 85U`8UH!85Ux8U"85U8U3U8UH%85U8U8U&85Uة8U(6U8U&85U8UhG85U 8U8<25U88U8U 6UP8UZ85Uh8UP6U8U5U8UA6U8U)_2UȪ8U54U8U_85U8U_85U8U8U`85U(8U8Uc`7U@8Uf`7UX8U25Up8U25U8U25U8UИ8U c2U8U"c2UЫ8U(g85U8Ug85U8UW4U8UXf85U08Ue85UH8UP8Uc85U`8Uh8UOm2Ux8U 8U m2U8U8UX~`2U8U@8U`2UH8UHb85U`8U8U&_2Ux8UhAT2U8U8DT2U8U>T2U8Ux8U7U8U4U8U8UH5U8U8U(t85U 8Up85U88U8Uj6UP8U885Uh8UI85U8U8U85U8Uxa85U輏8U85Uh<8U6U818U8UH4U8UX2Uk8Uh4U08U8U6Uh18U6U18U8Uh_2U08U85U08U885UP18U85UH8U8U^i2U`8UΌ2Ux8Un4U 8U2U88U8U2UP8U8U5U8U4U8Uh8U08U8U5U8U8Ux6o3U8U6U8U(b2U 8U+_2U88U,_2UP8Uh/_2Uh8U6U8U8UX:5U8Ux4U8Uh5o3U8Uh2U8U/_2U8U 4U8U8U16U(8UP8U46U@8U=4UX8U45Up8UH1_2U8U85U8U85U8UXDe3U8U87U8U؝2U8UX85U8U85U08U)6UH8U885U`8U85Ux8U85U8Up,5U8Ux85U8U8UH85U8U85U8U8U4U8U2U 8Up8UX2U88U85UP8UX 85Uh8UH!85U8U"85U8U3U8UH%85U8U(8U&85U8U(6U8U&85U8UhG85U(8U8<25U@8U8U 6UX8UZ85Up8UP6U8U5U8UA6U8U)_2U8U54U8U_85U8U_85U8U88U`85U08UX8Uc`7UH8Uf`7U`8U25Ux8U25U8U25U8Ux8U c2U8U"c2U8U(g85U8Ug85U8UW4U 8UXf85U88Ue85UP8U8Uc85Uh8U8UOm2U8U8U m2U8U8UX~`2U8U8U`2U8UHb85U8U8U&_2U8UhAT2U8U8DT2U(8U>T2U@8U8U7UX8U4Up8U8UH5U8U8U(t85U8Up85U8U8Uj6U8U885U8UI85U8UH8U85U8Uxa85U8U38U(Eltham Concert Band - 35 Years of Music) Dedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band8UQCopyright © 2009 BJE Music belliget@hotmail.com www.bjemusic.com!WW!2018-01-14 11:17:55U!0000-00-00 00:00:00!236W8U!627063W!0W08U!0W8U!30.00Wh8U!25.00W8U!30.00W`8U!25.00WX8U!0W8U!WW08U!0.00W18U(K<84406!414688W8U!35W !0X^8U!0.0000W!2018-10-29 15:03:171Shades of Eltham Orchestral VersionU!0W!0W!28W!0000-00-00 00:00:00!0W!0WShades of Eltham - Orchestral Version (Eltham Concert Band - 35 Years of Music) Dedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band Music by Brendan Elliget MAGA 537 (Revised 2018) Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Orchestral Version Dedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various “shades” or moods of the music or even perhaps, the “shady” bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters “E” and “A” in the word “Eltham” suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright “two-four” march-like theme, probably the “Main” theme, and a variation of this theme in slower “three-four” time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in “four-four” occurs about two-thirds into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both “three four” melody against the “two-four” one resolving in the last few bars in a dramatic way. I hope you enjoy my musical tribute to the “Shades”. The MP3 has been recorded with Note Performer. 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Hence the title… It is a light pop ballad type arrangement of an original tune for Orchestra. An optional part for piano is also included. The MP3 was recorded using Note Performer 3... There are several other versions available including Flute Duet with Piano and Concert Band. Grade = 3 Duration = 3:40 mins.ScoresPhotoFac!5.95W!1W!0W!0W!WW!WW!0W!WW!WW!2018-06-01 09:17:30U!0000-00-00 00:00:00!235W 8U!802324W!0Wh8U!0W88U!30.00W8U!25.00W08U!30.00W8U!25.00W8U!0W8U!WWh8U!0.00W!0XP8U!1W1650x919W 8UH8U0!0^P8U!12W!0000-00-00 00:00:00!0W!0W!Our Life Began (The Fifth Day of The Year) - Orchestra Brendan Elliget This catchy little piece was written on the date of our 24th Wedding Anniversary - 5th January 2009 and is dedicated to my wife Glenys. Hence the title… It is a light pop ballad type arrangement of an original tune for Orchestra. An optional part for piano is also included. The MP3 was recorded using Note Performer 3... There are several other versions available including Flute Duet with Piano and Concert Band. 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It sounded like a Russian dance, hence the name. This version is for a full orchestra with percussion parts: Tambourine, Triangle, Timpani, Xylophone, and Drum Set. Let me know what you think. Composed in 2007, I have revised it somewhat in August 2020. There is also a version for Concert Band. Grade = 3.5 Duration = 2:20 mins. YouTube video: https://youtu.be/KNkStkYOQqU otoWidth?!5.95W!1W!0W!0W!WW!WW!0W!WWaCopyright © 2007 (Revised 2017) BJE Music belliget@hotmail.com www.bjemusic.com !WW!223Y,8U!962927W!0W/8U!0W!22.00W-8U!18.00W/8U!22.00W*8U!18.00W.8U!0W0-8U!WW+8U!0.00WX,8UQ48U1HU8U%/o^1848901186033W,8U.8U0qLittle Russian Dance - Orchestra Brendan Elliget This composition started out as a short motif for clarinet but quickly developed into a complete composition and will probably be part of a suite of three pieces. It sounded like a Russian dance, hence the name. This version is for a full orchestra with percussion parts: Tambourine, Triangle, Timpani, Xylophone, and Drum Set. Let me know what you think. Composed in 2007, I have revised it somewhat in August 2020. There is also a version for Concert Band. Grade = 3.5 Duration = 2:20 mins. 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It has now (2019) been arranged for Full Orchestra. There are optional parts for Piano (Not on the score) and Bass Guitar. The MP3 was recorded with NotePerformer 3. Also available for Concert Band and Brass Band Grade = 3 Duration = 4:21 mins. !5.50W!1W!0W!0W!WW!WW!0W!WWaCopyright © 1992 BJE Music Revised 2019 belliget@hotmail.com www.bjemusic.com8U!WW!330YP8U!521782W!0W88U!0W!25.00W8U!22.00WP8U!25.00W(8U!22.00WH8U!0W8U!WW8U!0.00W8UQ8U1p7U88Urq55359184406W88U`8U0!0]p8U!14W!0000-00-00 00:00:00!0W!0WShow Me (The Love In Your Heart) - Orchestra Brendan Elliget This composition was originally written in 1992 for Mixed Ensemble in the style of a light rock ballad. It has now (2019) been arranged for Full Orchestra. There are optional parts for Piano (Not on the score) and Bass Guitar. The MP3 was recorded with NotePerformer 3. Also available for Concert Band and Brass Band Grade = 3 Duration = 4:21 mins. ng!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!568W!850W8Up8U8U8Up8Ux8U8U8U@8U88U8U08U8U8U 8U8U`8U8=8UH8U8U08U8U8U8Uh8U8U(8U8U8UP8U(8U8U8U@8U@8U8U8U8UP8Up8U8UX8U88U8Uh8Ux8U8U8U8U8U8U8U(8U8U`8UH8UX8Ux8U8U8U8U8U8U8U8U8UX8U8U8U8U8U8U8U08U8U8U88U8U8U["118706","128856","125853","134818","164412","207730","207371","53098","135025","130847","184305","75075","74474","135072","85856","85848","205575","17204","40898","207758"]8U!2020-09-28 06:11:44!1W!2021-05-05 05:23:581B626760E-AD59-11EB-A013-788383FEA0E1U!126795W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-29 12:30:24!2023-04-29 12:33:59!12773098W!17978905W!0000-00-00 00:00:00!0000-00-00 00:00:00!2017-06-10 01:46:11U10000-00-00 00:00:008U0AQuiet Time (For my sister Ann) - Orchestra8U8U!35W8U!0W8U!2WC8U!1W8U!2016-09-21 09:15:36U!2018-03-12 01:02:08U!Brendan Elliget8U!WW8U!2006W8U10W0!sibWн8U!154Wh8U!0W(8UaQuiet Time (For my sister Ann) Theme 152 Orchestra 2013 Full Orchestra.sib8U8U!2016-09-21 09:15:36U!1W8U!1618W08U!0WP8U!3X8U!1.50hX(%8U!2016-09-21 09:15:40U!1W`8U!0W4U!98055W4U!WW !0X8Uq{ "GroupOrd" : "70", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "14390" } !0.0000W@8U!2020-09-20 12:29:20UAHomecoming Hymn Orchestra with Solo Voice@aI wrote this tune in 1996 and gave it the title of "Homecoming Hymn" with no words in mind. I asked my wife Glenys to write some suitable words. She did, and what beautiful and appropriate words they are! This is a fairly straightforward arrangement for full orchestra suitable for Solo voice or congregational use. A Piano part with a Vocal is also included. There are also optional parts for Alto, Tenor, and Baritone Saxophones, Euphonium TC, or BC if you want a Concert Band arrangement. The MP3 was recorded with NotePerformer. Grade = 3 Duration = 2:40 mins. 8Uї8U!4.95W8U!1WScores!0W !0Wdef202!WWq8U!Glenys Elliget8U!0WScoresA[with Optional Concert Band Instruments]8Uhange12QCopyright © 1996 BJE Music belliget@hotmail.com www.bjemusic.comxchang!WWNetwork!0000-00-00 00:00:00U!242W!412968W8U!0W!0W(8U!20.00W8U!18.00W`8U!20.00W8U!18.00WX8U!0WP8U!WW8U!0.00W(8UQx8U1f4U8U6$54204!55359W 1h8U"%165014QWally's Jig 2010 Orchestra Extended (Theme 187) TU Parts 2015.sibqWally's Jig and Lament (In Memory of my father Walter James Elliget - "Sir Walter") - OrchestraC8U!35WxS8U!0W`8U!2W8U!1Wx8U!2015-02-05 07:11:21U!2021-03-20 15:23:19U1Brendan Elliget MAGA 537H8U!WWX8U!0W8U!0W !sibW8U!154Wa8U!0WXs8U!2015-02-05 07:11:21U!0W8U!1611W8U!0Wp8U!4X8U!1.50hXy8U!2015-02-05 07:11:25U!1W8U!1W8U!0WHO8U!WW !0X0\8U!0WZ8U!1W[8U!0Wp[8U!0.0000W`\8U!2016-04-24 15:31:09UQGeorgias Horn for Solo Horn and Orchestra8U\8UPGeorgia’s Horn – Horn Solo and Orchestra: This piece was written for my niece, Georgia Cotter, who at the time was learning to play French Horn at school. It is written in a comfortable range for the French Horn. Hopefully one day she will perform it. It consists of a repeating 3/4 theme mainly played by Solo Horn or Horn section, with various countermelodies which build up at each re-statement. This version is for full orchestra which includes parts for Harp, Piano and Glockenspiel. The Concert Band version is also available - See under Related Scores. The MP3 was recorded with NotePerformer. Grade = 3 Duration 3:50 mins. pConversionSta!5.50Wrted20:!1WScores5!0Wished88!0WdefU!WWScores!WWtSize-0!0WScores !WWZipForma!Georgia Cotterhange!2018-01-14 07:32:06U!0000-00-00 00:00:00!165W_8U!39968W!0W`\8U!0W0_8U!25.00WZ8U!20.00W(^8U!25.00W\8U!20.00WZ8U!0W[8U!WW`_8U!0.00WQ8U!8UW !1.50XSE::Scor!2016-04-24 15:05:15202!1W ,0/0NPAH)0*0 ,0[`AH)0*0 `9U9U_`8U!0^`8U!0W!6W!0000-00-00 00:00:00!0W!0WGeorgia’s Horn for Solo Horn and Orchestra Brendan Elliget Georgia’s Horn – Horn Solo and Orchestra: This piece was written for my niece, Georgia Cotter, who at the time was learning to play French Horn at school. It is written in a comfortable range for the French Horn. Hopefully one day she will perform it. It consists of a repeating 3/4 theme mainly played by Solo Horn or Horn section, with various countermelodies which build up at each re-statement. This version is for full orchestra which includes parts for Harp, Piano and Glockenspiel. The Concert Band version is also available - See under Related Scores. The MP3 was recorded with NotePerformer. Grade = 3 Duration 3:50 mins. !0W!1W!0W!0W!2017-03-31 17:36:50A{"width":204,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"43D9EF1E-1630-11E7-8AC9-80FB92E4E4B1","position-x-pc":"0"}8U8U!0W!459W!675W]8U8Ub8U[8UP]8UX^8U^8U`b8U `8Ub8U^8U^8UY8Ub8Ub8U]8U@a8U<8U([8UZ8Ua8Ub8Ua8U`8UHb8U\8Uc8U`_8Ux_8U0b8U`8U`8U]8U ]8U8U_8Ua8UZ8U0\8UP`8U`8U8`8U_8Ua8UH\8UXa8U]8U`\8Ux\8U^8Uxb8Ua8UZ8U8U@[8U(^8U8Z8UX[8U\8U_8UhZ8Up^8UZ8U`Y8U[8Upa8U8Ua8Ub8U`8U\8Uh`8U`8U[8U`8U[8U\8U_8USKUSKU["195379","199155","165963","165951","517361","517376","203487","144150","172034","427630","483972","184879","113511","165759","407254","125882","139091","369459","187492"]U8U!2020-09-26 09:36:31!1W!2019-09-25 13:37:0012BBABD0A-DF91-11E9-BF25-78ption?!100919W!0W!0W!0W!1W!650x841W!0W!0W!5.00W!2023-02-15 13:04:35!2023-02-15 13:08:06!6598726W!10849987W!0000-00-00 00:00:00!0000-00-00 00:00:00n4U8U2U8Ub8U2U8U@8U5Uo8U4Uq8Up-8UHU8U8U8]8U5Ue8U8Ux6o3Uq8U6Uo8U(b2U0q8U+_2UHq8U,_2U`q8Uh/_2Uxq8U6Uq8U(8UX:5Uq8Ux4Uq8Uh5o3Uq8Uh2Uq8U/_2Ur8U 4U r8U8U16U8r8U8U46UPr8U=4Uhr8U45Ur8UH1_2Ur8U85Ur8U85Ur8UXDe3Ux8U87U8U؝2U8UX85U8U85U8U)6U8U885U8U85U 8U85U88Up,5UP8Ux85Uh8U8UH85U8U85U8Uh8U4U8U2U8U8UX2U8U85U8UX 85U8UH!85U(8U"85U@8U3UX8UH%85Up8U8U&85U8U(6U8U&85U8UhG85U8U8<25U8U8U 6U8UZ85U8UP6U08U5UH8UA6U`8U)_2Ux8U54U8U_85U8U_85U8U8U`85U8U8Uc`7U8Uf`7U8U25U 8U25U88U25UP8U8U c2Uh8U"c2U8U(g85U8Ug85U8UW4U8UXf85U8Ue85U8U8Uc85U8U08UOm2U(8UX8U m2U@8U8UX~`2UX8Ux8U`2Up8UHb85U8UX8U&_2U8UhAT2U8U8DT2U8U>T2U8U@8U7U8U4U8UH8UH5U08U8U(t85UH8Up85U`8U8Uj6Ux8U885U8UI85U8U8U85U8Uxa85Uh8U85U:8U6Uf8U8UH4UP8UX2U8*8Uh4Ue8UP8U6U8f8U6UPf8U8Uh_2U08U85Uxe8U885U f8U85UH8U88U^i2U`8UΌ2Ux8Un4Uh8U2U8UX8U2U8U8U5Up8U6U8U4U08U8U5U8U+8Ux6o3U8UH8U@ 8U(b2UH8U+_2U`8U,_2Ux8Uh/_2U8U6U8U`8UX:5U8Ux4U8Uh5o3U8Uh2U8U/_2U 8U 4U88U8U16UP8U,8U46Uh8U=4U8U45U8UH1_2U8U85U8U85U8UXDe3U8U87U8U؝2U(8UX85U@8U85UX8U)6Up8U885U8U85U8U85U8Up,5U8Ux85U8U8UH85U8U85U8U8U4U08U2UH8U88UX2U`8U85Ux8UX 85U8UH!85U8U"85U8U3U8UH%85U8U8U&85U8U(6U 8U&85U88UhG85UP8U8<25Uh8UP8U 6U8UZ85U8UP6U8U5U8UA6U8U)_2U8U54U8U8U BH AHX`"( 28@H/0GH)0/0  '(CH?b8UP8U8UDp8U8UD p8U8UD8U8UD08U8UDP8U8UDp8U8UD8U8UD8U8UD8U8UD8U 8UD 8U08UD`8U@8UD8UP8UD8U`8UDО8Up8UD8U8UD8U8UD08U8UD`8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD 8U8UD8U 8U08UD8U@8UD 8UP8UD@8U`8UD`8Up8UD8U8UD8U8U8UD 8U8UD8U8UD8U8UD8U8UD08U8UDP8U8UDp8U8UD@8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD 8U8UD@8U8UD`8U8UD8U8UD8U8U8U8U8U 8U08UD8U@8UD8UP8UD8U`8UD8Up8UD 8U8UD 8U8UD 8U8UD 8U8UD@ 8U8Uo8U68UD8U8UDp8U8Uh9U2I85Up8Up8UI8U 8Up8U28Up8Ui9U28UDp8UpL8UDk8U8UL8Uࣔ8UD@8U8UD8U`;8UD8UK8UDj8UL8UDk8U@L8UD k8UPL8UD@k8U J8U  @8U8UD 8U8UD8U8UD 8U8UD@8U8UD`8U 8UD8U08UD8U@8UD8UP8UDp8U`8UD8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD08U8UD8U8UD 8U8UD@8U8UD 8U8UD@ 8U 8UD` 8U08UD#8U@8UD #8UP8UD@#8U`8UD`#8Up8UD#8U8UD#8U8UD#8U8UD#8U8UD $8U8UDP$8U8UDP8U8UDp8U8UD8U8UD8U8UD8U 8UD8U08UD8U@8UD08UP8UD&8U`8UD&8Up8UD&8U8UD'8U8UD '8U8UD@'8U8U8UD'8U8UD'8U8UD'8U8UD'8U8UD(8U8UD (8U 8U08UD@(8U@8UD`;8UP8UD;8U`8UD;8Up8UD;8U8UD;8U8UD<8U8UD?8U8UD?8U8UD?8U8UD$8U8UD$8U8UD$8U8UD$8U8UD%8U 8UD0%8U08UDP%8U@8UDp%8UP8UD%8U`8UD%8Up8U8U8U?1x8U`?106319QTwo Sisters - Full Orchestra (Theme 193) Jan 2015 TU Parts.sibATwo Sisters (For Lorraine and Glenys) - Orchestra8U!35W}8U!0WW!2W/A8U!1W&8U!2016-09-21 01:58:53U!2018-01-13 02:01:02UABrendan Elliget MAGA 537 15-08-2010 (Theme 193)8U!WW8U12009W0!sibW`E7U!154Wh>8U!0W8U!2016-09-21 01:58:53U!0WC8U!1350W8U!0W8U!1.50X8U!2016-09-21 01:58:58U!1W8U!0W@8U!0W08U!WW8U!0W8U10W8U0!0X8U!0W8U!1WP8U!0W8U!WW8U!0.0000Wx8U!2015-02-05 07:30:06U12W8U0This tune was written in memory of my late father - Walter James Elliget, a sailor during World War II and a musician in the Navy as well….He loved Celtic music and he loved to dance! Let me know what you think. It is a simple jig-like tune repeated several times building each time with additional instruments and counter melodies, The middle section, the Lament, is also a variation of this theme with some minor chords and other counter melodies added. This arrangement is for Orchestra. There is also a Concert Band version as well. Please let me know what you think of the composition. Write a review! Grade = 3 Duration = 4:20 mins!4.50W!0W!0W!0W!WW!WW!0W!WWQCopyright © 2010 BJE Music belliget@hotmail.com www.bjemusic.com8U!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW8U!719628W!0W8U!0W8U!30.00W8U!27.00W8U!30.00W(8U!27.00W8U!0WP8U!WW8U!0.00WQH8U!0000-00-00 00:00:00qWallys Jig and Lament In Memory of my father Walter James Elliget Sir Walter Orchestra8U8U!0W!0W!15W!0000-00-00 00:00:00!0W!0WWally's Jig and Lament (In Memory of my father Walter James Elliget - "Sir Walter") - Orchestra Brendan Elliget MAGA 537 This tune was written in memory of my late father - Walter James Elliget, a sailor during World War II and a musician in the Navy as well….He loved Celtic music and he loved to dance! Let me know what you think. It is a simple jig-like tune repeated several times building each time with additional instruments and counter melodies, The middle section, the Lament, is also a variation of this theme with some minor chords and other counter melodies added. This arrangement is for Orchestra. There is also a Concert Band version as well. Please let me know what you think of the composition. Write a review! Grade = 3 Duration = 4:20 mins!0W!1W!48W!59W!2017-06-07 05:52:261{ "width" : 207, "position-y-pc" : "59", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [ { "y" : 130, "width" : 91, "x" : 53, "center-y" : 175.5, "height" : 91, "center-x" : 98.5 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [ { "y" : 135, "width" : 86, "x" : 57, "center-y" : 178, "height" : 86, "center-x" : 100 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 300, "position-x-combined" : "48%", "position-x" : "center", "position-y" : "center", "position-y-combined" : "59%", "average-center-x" : 99.25, "average-center-y" : 176.75, "id" : "1A845A90-4B3D-11E7-962C-D34B1B3C47F8", "position-x-pc" : "48" } 8U!521^8U!753WH8U8U@8U 8U8U8U 8U8U8U8U88U8Up8Up8U8U8U8U<8U8U08U8U(8Uh8U`8U8U@8U8U8U8U8U8Ux8Ux8U8U8U(8UP8U`8U8U8U08U8U8U 8U8U8U`8U8U8Uh8U8U8U8U8U8U8U8U8U(8Up8U8U8U8U8UP8U8U8U88U8U8Up8U8UH8U8U8U8U8UX8UImageSiz["156417","96897","196239","62309","43090","121228","196524","203993","42465","144168","197778","203829","540340","99025","5256","155538","131130","129244","196488","34317"]!2020-09-28 22:59:09!1W!2019-09-25 13:29:2411BF6522C-DF90-11E9-A548-78eHeightm!110597W!0W!0W!0W!1W!650x918W!0W!0W!5.00W!2023-04-08 12:49:23!2023-04-08 12:53:34!12977338W!21043092W!0000-00-00 00:00:00!0000-00-00 00:00:00`8U 8U8U8U8UD%8U8UD%8U8UD&8U8UD D8U8UDD8U8UDE8U 8UD E8U08UD@E8U@8UDpE8U0 8U8U8UD9U8U @8U7U`8Up8U +9U049U8UJ8U 0&8U08U2 8U8U8U8UDp8US8UD8U8UR8U38UD8U@9U98UD8UR8UDТ8US8UDУ8UR8UDP8UR8UDp8U`J8U  e8U`8UD8Up8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8U8UDp8U8UD 8U8UD@8U8UD`8U8UDP8U 8UD8U08UD8U@G8UD8UPG8UD8U`G8UD8UpG8UD8UG8UD8UG8UD8UG8UD0Y8UG8UDPY8UG8UDZ8UG8UDZ8UG8UDZ8UG8UD[8UH8UD0[8UH8UDP[8U H8UDp[8U0H8UD[8U@H8UD[8UPH8UD[8U`H8UD8UpH8UD 8UH8UD@8UH8UD`8UH8UD8UH8UD8UH8UD8UH8UD8UH8UD 8UH8UD^8UI8UD ^8UI8UD^8U I8UD^8U0I8UD^8U@I8UPI8UD_8U`I8UD _8UpI8UD@_8UI8UD`_8UI8UD_8UI8UD_8UI8UI8UD_8UI8UDPa8UI8UDpa8UI8UDa8UJ8UDa8UJ8UDa8U J8UDa8U0J8UDd8U@J8UDd8UPJ8UDd8U`J8UD[8UpJ8UD\8UJ8UD0\8UJ8UDP\8UJ8UDp\8UJ8UD\8UJ8UD\8UJ8UD\8UJ8UD\8UJ8UD]8UK8UK8U K8U0K8U@K8UPK8UD0]8U`K8UDP]8UpK8UDp]8UK8UDi8UK8UDi8UK8UDi8UK8UDj8UK8UD0j8UK8UD`j8U8U8Ul8U @0~9U8U8UD 8U09U8U 9U@8UX8U@*7U@J8U ]8Up8U28Uh8U8U8UDF8U8UD08U8U`8UDP8U98UD8U98UD8U8UDk8U8UD8U8UDP8U8UD8U8UD8UJ8U  08UL8UDp8UM8UDU8UM8UDU8U M8UDV8U0M8UD V8U@M8UD@V8UPM8UD`V8U`M8UDV8UpM8UD0W8UM8UDPW8UM8UDpW8UM8UD`U8UM8UDW8UM8UDW8UM8UDW8UM8UDW8UM8UDV8UN8UDV8UN8UDV8U N8UDW8U0N8UD@8U@N8UD`8U188Ui@143614QTheme 199 Oboe Solo - Flying South v4 Full strings Revised 2017.sib1Flying South - Oboe Solo with Orchestra!56Wa8U!0Wh8U!3WP8U!1W8U!2017-07-07 05:44:27U!2018-03-12 00:58:20U!Brendan Elliget18U!WW18U!2010W18U10W0!sibW8U!154Wx8U!0W(s8U!2017-07-07 05:44:27U!2WC8U!1815WP8U!1W8U!1.50X(38U!2017-07-07 05:44:28U!1W28U!0Wh28U!165034WX38U!WW18U!0W18U!0W38U!1W !0^ 8U!5WAn original composition for orchestra written to celebrate the coming together of two sisters. Adopted Lorraine found previously unknown sister Glenys (my wife) in 2009 and three brothers after twenty years of searching to find her family - all full blood siblings The composition starts with the rather slow sad "Lorraine Theme" on the oboe and then on bass instruments - followed by a faster moving "Glenys Theme" played by the flute and piccolo both of which Glenys actually plays. Both themes eventually play together depicting the ultimate joyful meeting of the two sisters! The MP3 was recorded with NotePerformer. Grade = 3 Duration = 4.55 minsc!4.95W!0W!0W!0W!WW!WW!0W!Full OrchestraQCopyright © 2010 Brendan Elliget belliget@hotmail.com www.bjemusic.comATo my wife Glenys and her sister Lorraine$8U!2018-01-13 02:01:01U!0000-00-00 00:00:00!112W+8U!893477W!0W08U!0W+8U!30.00W8U!26.00W8U!30.00W`8U!26.00W8U!0W8U!WW ,8U!0.00WQp08U!43090W !1^&8U!0W!WW!0.0000W!2016-09-21 02:28:24ATwo Sisters For Lorraine and Glenys OrchestraeScores!0W!0W!10W!0000-00-00 00:00:00!0W!0W!Two Sisters (For Lorraine and Glenys) - Orchestra Full Orchestra Brendan Elliget MAGA 537 15-08-2010 (Theme 193) An original composition for orchestra written to celebrate the coming together of two sisters. Adopted Lorraine found previously unknown sister Glenys (my wife) in 2009 and three brothers after twenty years of searching to find her family - all full blood siblings The composition starts with the rather slow sad "Lorraine Theme" on the oboe and then on bass instruments - followed by a faster moving "Glenys Theme" played by the flute and piccolo both of which Glenys actually plays. Both themes eventually play together depicting the ultimate joyful meeting of the two sisters! The MP3 was recorded with NotePerformer. 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It features a plaintive yet restful Oboe Solo theme with mixed Ensemble of Flute, Piano, Strings, Clarinets, Horn and Harp... It suggested to me a bird or group of birds flying. Let me know what you think... The MP3 certainly gives a better idea of how the piece should sound! ngeScores!3.50W!1W!0W!0W!WW!WW!0W!WW!WW!WW!2017-06-09 17:10:17U!0000-00-00 00:00:00!WW68U!458686W!0WX38U!0W(68U!16.00W18U!14.00W 58U!16.00W38U!14.00W18U!0W28U!WWX68U!0.00WQ:8U!0p.8U !0^]8Uq{ "GroupOrd" : "200", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "14389" } es!0.0000W!2017-07-07 05:48:341Flying South Oboe Solo with Orchestra!0W!0W!13W!2013-04-18 03:42:30!0W!0WFlying South - Oboe Solo with Orchestra Brendan Elliget This little piece is still in development. It features a plaintive yet restful Oboe Solo theme with mixed Ensemble of Flute, Piano, Strings, Clarinets, Horn and Harp... It suggested to me a bird or group of birds flying. Let me know what you think... The MP3 certainly gives a better idea of how the piece should sound! i!0W!1W!0W!0W!2017-07-07 05:58:38{ "width" : 205, "position-y-pc" : "0", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 300, "position-x-combined" : "left", "position-x" : "left", "position-y" : "top", "position-y-combined" : "top", "average-center-x" : 0, "average-center-y" : 0, "id" : "F3D80742-62D0-11E7-8C00-D3811441E1DD", "position-x-pc" : "0" } resScores!0W!545W!797W48UH:8U98U28UH48UP58U58UX98U78U98U58U58U08U98U88Ux48U888U<8U 28U18U88U98U88U78U@98U38U:8UX68Up68U(98U78U78U48U48U:8U68U88U18U(38UH78U78U078U68U88U@38UP88U48UX38Up38U58Up98U88U18U`:8U828U 58U018UP28U38U68U`18Uh58U18UX08U28Uh88U0:8U88U98U78U38U`78U78U28Ux78U28U38U68UeExchang["160660","26136","69455","78960","67892","78851","102596","109678","106756","389098","108318","3911","10405","62170","72179","111805","40103","109669","110997","64673"]iceGBPPriceGB!2020-09-12 07:10:20!1W!2019-09-25 13:03:5318B66E986-DF8C-11E9-8692-78SimilarS!135181W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!2023-04-26 05:42:46!2023-04-26 05:43:47!5388406W!6497773W!0000-00-00 00:00:00!0000-00-00 00:00:00 8U0l8UPN8UD@8U`N8UD`8UpN8UD8UN8UD8UN8UD8UN8UD8UN8UD8UN8UD 8UN8UD @8UN8UD8UN8UDX8UO8UD0X8UO8UDPX8U O8UDpX8U0O8UDX8U@O8UDX8UPO8UDX8U`O8UDX8UpO8UDY8UO8UD8UO8UD8UO8UDP8UO8UDp8UO8UD8UO8UO8UD8UO8UD8UP8UD8UP8UD 8U P8UD@8U0P8UD`8U@P8UPP8UD8U`P8UD8UpP8UD8UP8UD8UP8UD8UP8UD 8UP8UD@8UP8UDМ8UP8UD8UP8UD8UP8UD8UQ8UDГ8UQ8UD8U Q8UD8U0Q8UD08U@Q8UDP8UPQ8UDp8U`Q8UD8UpQ8UD8UQ8UDД8UQ8UQ8UQ8UQ8UQ8UD8UQ8UD8UQ8UD08UR8UDP8UR8UD@8U R8UD8U0R8UD 8U@R8UD@8UPR8UD`8U`R8UD8Uxr8U8Uc8U @Px8Uo8U 8U 8U p8U@T8UD@C8UpS8UD8UWT8UDB8UJ8U p8U08U2hs8U8U 7UD8U8UD}8Up8UDp8Us8U8U8UD k8U08UD`k8U`8UD08U8UD8U8UD8U@8UD8UP8UD08UJ8U  8US8UD8US8UD 8US8UD 8US8UD@8US8UD`8US8UD8US8UD8US8UD8UT8UDp8UT8UD8U T8UD8U0T8UD8U@T8UDд8UPT8UD8U`T8UD8UpT8UD08UT8UD8UT8UD8UT8UD 8UT8UD@8UT8UD`8UT8UD8UT8UDP8UT8UDp8UU8UD8U`8UD8Up8UDи8U8UD8U8UD8U8UD08U8UDP8U8UDp8UФ8UDP8U8UDp8U8UD8U8UD8U8UDе8U 8UD8U08UD8U@8UD08UP8UD8U`8UD8Up8UD8U8UDP8U8UDp8U8UD8U8U8UD8UХ8UD8U8UD8U8UD 8U8UD@8U8UD`8U 8U08UD 8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD 8U8UDP8U8UDp8U8UD8UЦ8UD8U8UD8U8UDй8U8UD8U8UD8U 8UD08U08UDP8U@8UDp8UP8UD8U`8UD8Up8U8U8U8U8U1Handel Messiah Suite (v) - Pifa0!38463W(8U!2022-07-12 04:24:04U12017-06-09 21:54:25H8U01Anthem (Theme 64) - Orchestray8U!35W8U!0W(8U!3W8U!1Wy8U!2016-09-21 09:33:24U!2022-07-12 04:27:21U!Brendan Elliget8U!WWh8U!1992Wx8U10W0!sibW 8U!154WШ8U!0Wh8UA00 Theme 64 Anthem Full Orchestra 2016.sibU8U!2016-09-21 09:33:24U!2W8U!1896W$8U!1W8U!2hX8U!1.50HXp&8U!2016-09-21 09:33:35U!1WX8U!0W8U!72762W 6U8U:8UX:5U8Ux4U8Uh5o3U8Uh2U8U/_2U8U 4U 8U 8U16U88Uh8U46UP8U=4Uh8U45U8UH1_2U8U85U8U85U8UXDe3U8U87U8U؝2UXl8UX85Upl8U85Ul8U)6Ul8U885Ul8U85Ul8U85Ul8Up,5Um8Ux85Um8U8UH85U0m8U85UHm8U8U4U`m8U2Uxm8U8UX2Um8U85Um8UX 85Um8UH!85Um8U"85Um8U3Un8UH%85U n8U@8U&85U8n8U(6UPn8U&85Uhn8UhG85Un8U8<25Un8U8U 6Un8UZ85Un8UP6Un8U5Un8UA6Uo8U)_2U(o8U54U@o8U_85UXo8U_85Upo8UP8U`85Uo8Up8Uc`7Uo8Uf`7Uo8U25Uo8U25Uo8U25Up8U8U c2Up8U"c2U0p8U(g85UHp8Ug85U`p8UW4Uxp8UXf85Up8Ue85Up8U ;8Uc85Up8U8UOm2Up8U:8U m2Up8U(8UX~`2Uq8U8U`2U q8UHb85U8q8U8U&_2UPq8UhAT2Uhq8U8DT2Uq8U>T2Uq8Uȅ8U7Uq8U4Uq8UЀ8UH5Uq8U8U(t85Uq8Up85Ur8U8Uj6U(r8U885U@r8UI85UXr8U`8U85Upr8Uxa85Uo8U85U8U6U8U8UH4UxS8UX2Uh8Uh4UV8U؄8U6U88U6UP8UH8Uh_2U8U85Ux8U885U 8U85U8U8U^i2U8UΌ2U(8Un4U8U2U08U8U2UH8U8U5Uxs8U88Up8U6U`s8UX8U5U8UX8Ux6o3Ut8U4Ut8U(b2Ut8U+_2Uu8U,_2U(u8Uh/_2U@u8U6UXu8U8UX:5Upu8Ux4Uu8Uh5o3Uu8Uh2Uu8U/_2Uu8U 4Uu8UX8U16Uv8U8U46Uv8U=4U0v8U45UHv8UH1_2U`v8U85Uxv8U85Uv8UXDe3Uv8U87Uv8U؝2Uv8UX85Uv8U85Uw8U)6U w8U885U8w8U85UPw8U85Uhw8Up,5Uw8Ux85Uw8UH8UH85Uw8U85Uw8U(8U4Uw8U2Uw8U8UX2Ux8U85U(x8UX 85U@x8UH!85UXx8U"85Upx8U3Ux8UH%85Ux8Ux8U&85Ux8U(6Ux8U&85Ux8UhG85Uy8U8<25Uy8U؊8U 6U0y8UZ85UHy8UP6U`y8U5Uxy8UA6Uy8U)_2Uy8U54Uy8U_85Uy8U_85Uy8U8U`85Uz8U8Uc`7U z8Uf`7U8z8U25UPz8U25Uhz8U25Uz8Uȋ8U c2Uz8U"c2Uz8U(g85Uz8Ug85Uz8UW4Uz8UmeArtis!5^08UThis just started out as a little tune late one evening, but quickly developed into a suite for a small orchestra. It is in three sections but played as one continuous movement. Introduction - Interlude and Fugue - Reprise and Finale. Any comments or suggestions are welcome! The only Percussion part at this stage is the Timpani. I may add more later... The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration = 5 mins. [Updated - 22/02/2023]resUpdate!4.95W!1W!0W!0W!WW!noneW!0W!(Revised 2018)QCopyright © 2006 BJE Music belliget@hotmail.com www.bjemusic.comUpdate!WW!2023-02-22 04:26:28U!0000-00-00 00:00:00!270W88U!153750W!0W8U!0WP8U!18.00W8;8U!16.00WH8U!18.00W8U!16.00W8U!0W؁8U!0W8U!WW!0.00Wh8UQ8U!0^8Uq{ "GroupOrd" : "100", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "14389" } !0.0000W!2018-05-01 17:13:051Baxter Suite No 2 OrchestraPlatinum!0W!0W!14W!2013-04-17 10:02:23!0W!0W!Baxter Suite No. 2 - Orchestra (Revised 2018) Brendan Elliget none This just started out as a little tune late one evening, but quickly developed into a suite for a small orchestra. It is in three sections but played as one continuous movement. Introduction - Interlude and Fugue - Reprise and Finale. Any comments or suggestions are welcome! The only Percussion part at this stage is the Timpani. I may add more later... The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration = 5 mins. [Updated - 22/02/2023]8U!0W!0W!49W!17W!2017-10-31 12:09:50{"width":172,"position-y-pc":"17","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":21,"width":61,"x":53,"center-y":51.5,"height":61,"center-x":83.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"49%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":83.5,"average-center-y":51.5,"id":"7231EF4A-BE34-11E7-8FEC-BB7EAC9F1129","position-x-pc":"49"}!1W!484W!843WЃ8Up8UȈ8U8Up8Ux8U8U8U@8U88U8U08U;8U8U 8U8U`8U<8UH8U8U08U8U8U8Uh8UȂ8U(8U8U8UP8U(8U8U8U@8U@8U8U؇8U8UP8Up8U8UX8U88U8Uh8Ux8U8U8U8U8U8U8U8;8UЉ8U`8UH8UX8Ux8U8U8U8U8U8U:8U؁8U8UX8U8U8U8U8U8UІ8U08U8U8U88U8U88U["494345","198757","187382","23103","20840","161471","60323","500509","15807","539897","198754","500582","79626","95927","539144","23263","87555","86829","190713","28504"] ?!2020-09-24 19:39:28!1W!2019-09-25 12:42:0017C5AD040-DF89-11E9-AFAE-78!475719W!368W!521W!0W!1W!650x919W!0W!0W!5.00W!2023-02-22 04:28:33!2023-02-22 04:29:38!8632712W!9300454W!0000-00-00 00:00:00!0000-00-00 00:00:00 `h   -0RXfhOP*0$(+028IP(0AH 16Uh8U 414688!97594WQCarmel's Theme - Orchestra (Theme 205) Update 2022 Horn 3 added.sib1Carmel’s Theme - Small Orchestra8U!35W!0W!2W!1W!2022-09-08 15:45:22!2022-09-09 08:24:08!Brendan Elliget8U!WWP8U!2011W`8U10W0!sibW!154W!0W!2022-09-08 15:45:22!10W!2210W!1W!1.50X8U!2022-09-08 15:45:24U!1W8U!0Wȋ8U!170493W8U!WW88U!0W`8U10Wp8U0!3^P8UThis tune was composed for my sister Carmel (One of five sisters!). It has a gentle flowing feel building with each restatement. Basically as a Flute Solo with a small orchestral ensemble accompaniment. Let me know what you think. Listen to the MP3 - A much better sound! A very reasonable price! [Updated 9th September 2022] If you downloaded this composition before this date, please contact me to obtain a free update... 8U8U!5.00W!1W!0W!0W!WW!WW!0W!WW!WW!(to my sister Carmel)!2022-09-08 15:25:33U!0000-00-00 00:00:00!076Wp8U!399845W!08Y8U!0W8U!18.00W`8U!15.00W8U!18.00W8U!15.00WP8U!0W8U!WW8U!0.00W!0W8U11W8U0!PreeceW !1^8U!0Wq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } 8U!0.0000W!2022-09-08 15:55:311Carmels Theme Small Orchestra8U!0W!0W!4W!2013-04-13 20:41:10!0W!0WCarmel’s Theme - Small Orchestra Brendan Elliget This tune was composed for my sister Carmel (One of five sisters!). It has a gentle flowing feel building with each restatement. Basically as a Flute Solo with a small orchestral ensemble accompaniment. Let me know what you think. Listen to the MP3 - A much better sound! A very reasonable price! 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Orchestra with Solo Voice [with Optional Concert Band Instruments] Brendan Elliget Glenys Elliget I wrote this tune in 1996 and gave it the title of "Homecoming Hymn" with no words in mind. I asked my wife Glenys to write some suitable words. She did, and what beautiful and appropriate words they are! This is a fairly straightforward arrangement for full orchestra suitable for Solo voice or congregational use. A Piano part with a Vocal is also included. There are also optional parts for Alto, Tenor, and Baritone Saxophones, Euphonium TC, or BC if you want a Concert Band arrangement. The MP3 was recorded with NotePerformer. Grade = 3 Duration = 2:40 mins. 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In this Rag I have tried to combine the best parts of my previous rags to compose something new. Enjoy!!1.00W !W`X8U !XX8U!1Wh8U!0W(8U!1W8U!0W8Uq{ "GroupOrd" : "170", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "14389" } 1A short orchestral piece that will be part of a suite at some stage. The Choir parts have no lyrics as yet. Parts are now available for full orchestra including piano. Any comments or suggestions are welcome! MP3 recorded with NotePerformer 3. Grade = 3 Duration = 2:30 mins. @ Gr!5.00W!1W!0W!0W!WW!noneW!0W!WW1BJE Music Copyright 1992OrigFile!WW!180Y8U!812219W!0W8U!0W!15.00W8U!10.00W8U!15.00Wx8U!10.00W8U!0W8U!WWh8U!0.00W(8UQ 8U!24.99 t8U 8U!14.99W@!0W !0.0000^*8U!2016-09-21 09:59:411Anthem Theme 64 Orchestrarade !0W!0W!11W!2013-04-25 10:26:06!0W!0WaAnthem (Theme 64) - Orchestra Brendan Elliget none A short orchestral piece that will be part of a suite at some stage. The Choir parts have no lyrics as yet. Parts are now available for full orchestra including piano. Any comments or suggestions are welcome! MP3 recorded with NotePerformer 3. Grade = 3 Duration = 2:30 mins.,8U!0W!1W!62W!62W!2017-03-31 11:14:36{"width":199,"position-y-pc":"62","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[{"y":173,"width":20,"x":113,"center-y":185,"height":24,"center-x":123}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"62%","position-x":"right","position-y":"bottom","position-y-combined":"62%","average-center-x":123,"average-center-y":185,"id":"DDC85A7E-15FA-11E7-8AA3-FC6F6755966C","position-x-pc":"62"}8U08U!1W!505W!761W 8U 8U 8U8U8U8U8U8U8U8U8U8UH8UH 8Up8U8U8U=8U8U8U8U 8U@8U88U8U8Ux 8U8U8U8Ux8UP8UP8U8U 8U8U(8U88U8U8U8U8U8U8U8U8U88U8U8U@8U8UX8Ux8U 8U8U8U8U8U8UH8U8U8Uh8U8U(8U8U 8U8U` 8Uh8UH8U8U 8U8U8UX8U8U08UeScores["494345","187382","198757","23103","20840","500509","161471","15807","60323","198754","95927","500582","79626","23263","539144","87555","190713","393880","484597","96197"]iceDefault!2020-09-11 02:33:28!1W!2019-09-25 12:41:011596CF6BC-DF89-11E9-8692-78Scores!139302W!378W!534W!0W!1W!650x918W!0W!0W!5.00W!2023-05-06 12:03:49!2023-05-06 12:06:21!6381941W!10532972W!0000-00-00 00:00:00!0000-00-00 00:00:00!0000-00-00 00:00:0010WWЙ8U0!0000-00-00 00:00:00U1WW8k8U0!5X FROM Sc!0000-00-00 00:00:00ETED10WSC LIMIT 25 OFFS0!08U 1157026738U.Z0This is the 5th installment of my suite from Handel’s Messiah for brass quintet and choir, which I plan on completing sometime soon. I have added appropriate dynamic/performance markings as needed to aid in an appropriate interpretation for performing this style of music on brass instruments. This suite is arranged to work equally well with all movements performed together, or played seperately throughout the duration of a church service or musicale. This 5th movement, although for Brass Quintet alone, acts as a musical interlude to the suite. It is my pleasure to introduce the fifth movement, "Pifa". Please note that I have also included parts for Trumpets 1 & 2 in C to be used at the player’s discretion. (Oct 06, 2005)8U!0W qNo Turning Back (Jonathan's Theme) - Theme 169 Orchestra fully written out NP 2018 (2) With Bridge.sib'Walking Around' is a 'Rag' inspired composition in 12/8. The piece is in a ternary form and contains 3 main themes (two of which are in the middle section).؜8U!1.00W!1W8U!0W=8U!0W!WWP!WWon for g!0W8U!YouTube - @arobertowen!WWP8U!WWk8U!X8X!0W0!0WP11Wc People's Repub0!008U QNo Turning Back (Jonathan's Theme) - Orchestra Brendan Elliget This is an original composition for Orchestra with an optimistic light rock feel - Dedicated to my son Jonathan. There is also a version for Concert Band. The MP3 is recorded with NotePerformer 3. Grade = 4 Duration = 3:23 mins 88UPx8U8Up8UP8U8U 8UP8U(8U8U8Uh8U8U08U8U8UH8U8U =8U8U8U8UX8U8U8U8Up8U8U(8U@8U8U8U8U8U8U8UX8U8U 8U8U8U`8U8U8UP8U8U 8U8U(8U@8U8U@8U8U`8U08U8U8U8U 8UX8U8U8U88UP8U8U8U88U8Uh8U8U8U8U08Ux8Uh8UH8U8U8U8UD8U["66461","47161","66424","48455","71623","362434","9846","113043","58467","45146","128535","202846","528733","69926","181902","61603","418349","418768","362870"]8U!2020-09-16 17:38:55!1W!2020-09-20 04:15:201832ED8A8-FAEF-11EA-AAF3-788383FEA0E1U!113137W!0W!0W!0W!1W!650x918W!0W!0W!5.00W!2023-04-29 22:44:14!2023-04-29 22:49:55!9688753W!13909171W!0000-00-00 00:00:00!0000-00-00 00:00:00 8UG8U8UD`8U8UD{8U8UDP|8U8UDp|8U8UD|8U8UD|8U8UD|8U@H8U8U_8UD :8UP8UN8U  8U8UP8UH8U8UK8U `8Up8U20I8U`8U 8U8UD58U`8UD8UI8U8U8UDP8U8UD08Ub9UD@8U8UD8Up8UD8U08UDP8U@8UDp8UK8U  М8U8UD@a8U 8UDW8U08UDX8U@8UD0X8UP8UDPX8U`8UDpX8Up8UDX8U8UDX8U8UD`Y8U8UDY8U8UDY8U8UDY8U8UDZ8U8UD Z8U8UD@Z8U8UD`Z8U8UDX8U 8UDX8U08UDY8U@8UD0Y8UP8UD8U`8UD8Up8UDp8U8UD8U8UD8U8UDВ8U8UD8U8UD8U8UD08U8UDP8U8UDp8U8UD8U8UDZ8U 8UDZ8U08UDZ8U@8UDZ8UP8UD[8U`8UD [8Up8UD@[8U8UD`[8U8UD8U8UD8U8UD8U8UDp8U8UD8U8UD8U8U~8UD8U~8UD8U~8UD 8U~8UD@8U~8UD`8U8UD8U8U 8UD8U08UD8U@8UD8UP8UDЙ8U`8UD8Up8UD8U8UD08U8UDp8U8UD8U8UD8U8UDW8U8UDW8U8UD8U8UDГ8U8UD8U8UD8U 8UD08U08UDP8U@8UDp8UP8UD8U`8Up8U8U8U8U8UD8U8UDД8UЀ8UD8U8UD8U8UD8U8UD8U8UD8U 8UD8U08UD08UR8UI8UR8U(8Ur8U 9U0,8UD0~9Uxj7U"P6U8S8UM8U 0У8U8UD@8UK8U 8UP8U2S8UxJ8U.9Uд8UP8U8UD8UT8U`8U@T8UXT8U0X8UD7UP8UD8U8UD8U8UD8U8UD8U L8U  08UP8UD8U`8UD 8Up8UD08U8UDP8U8UDp8U8UD8U8UD8U8UDЍ8UЂ8UD8U8UD8U8UD8U8UD8U8UD@8U 8UD`8U08UD8U@8UD8UP8UD8U`8UD8Up8UD08U8UDP8U8UD8U8UD 8U8UD8U8UDк8UЃ8UD8U8UD8UeScores!2022-01-22 05:19:48U10000-00-00 00:00:00n8U01Dance for Ann (Theme 61) - Orchestra!35W8U!0Wy8U!3WC8U!1WP8U!2016-09-22 07:28:19U!2022-01-22 05:19:48U!Brendan ElligetPo8U!WWo8U!2001Wn8U10W0!sibW8U!154W8U!0Wp8UADance for Ann Theme 61 FULL Orchestra 2016.siby8U!2016-09-22 07:28:19U!0W8U!1676W8U!0WHO8U!1.50Xp8U!2016-09-22 07:28:27U!1Wpp8U!0W(p8U!96274Wq8U!WWo8U!1Wn8U10Wp8U0!1X08U!0W8U!1W8U!0Wp8Uq{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "14389" } U!0.0000W This is the second piece I have composed for my sister Ann reflecting a quiet time in the morning or evening and her caring nature. It has been scored for full orchestra with extra (optional) parts for Piano Accompaniment, Piano Melody, Guitar, Vibraphone, Keyboards (Warm Pads) and Harp. Violin 3 is a sub for the Viola part. Grade = 3 Duration 2:45 mins UR^8U!5.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YY08U!281506W!0W8U!0W!28.00W`8U!24.00W08U!28.00W8U!24.00W(8U!0W8U!WW8U!0.00xX8UQ0n8U1g4U(a8U^ס45160154204W8U@8U0!2016-09-21 09:38:13U1Quiet Time For my sister Ann Orchestra!0W!0W!6W!2013-04-18 23:16:14!0W!0WQuiet Time (For my sister Ann) - Orchestra Brendan Elliget none This is the second piece I have composed for my sister Ann reflecting a quiet time in the morning or evening and her caring nature. It has been scored for full orchestra with extra (optional) parts for Piano Accompaniment, Piano Melody, Guitar, Vibraphone, Keyboards (Warm Pads) and Harp. Violin 3 is a sub for the Viola part. Grade = 3 Duration 2:45 mins ngeScores!0W!0W!0W!0W!2017-03-31 11:39:51A{"width":203,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"65037F48-15FE-11E7-9B68-9B3F9EC1D1D5","position-x-pc":"0"}erAllParts?!0W!524W!774W8Um8U(m8U8UP8UX8U8Ul8U 8Ul8U8U8U8UXm8Ul8U8Uk8UP=8U(8U8Uk8Um8UPl8U8Ul8U8Um8U`8Ux8Ul8U8U8U8U 8Um8U8U8l8U8U08UP8U8U88U8Ul8UH8Uk8U8U`8Ux8U8Ul8Uhl8U8Um8U@8U(8U88UX8U8U8Uh8Up8U8U`8U8Uk8Um8U l8Upm8U8U8Uh8U8U8U8U8U8U8UmeArtis4U8U8UH5UG8U8U(t85UG8Up85UG8U8Uj6UG8U885UH8UI85U H8U@8U85U8H8Uxa85Us8U85U8U6UX8U8UH4Ux8UX2Ua8Uh4U}8U8U6U8U6U8Uk8Uh_2U/8U85U(8U885U8U85U/8U8U^i2U08UΌ2U08Un4U8U2Uأ8U@m8U2U8U88U5U8U6U(I8U4UJ8Un8U5U@I8Us8Ux6o3UJ8UPH8U88UR8U(b2UJ8U+_2UJ8U,_2UJ8Uh/_2UK8U6U K8UHn8UX:5U8K8Ux4UPK8Uh5o3UhK8Uh2UK8U/_2UK8U 4UK8Up8U16UK8Ut8U46UK8U=4UK8U45UL8UH1_2U(L8U85U@L8U85UXL8UXDe3UpL8U87UL8U؝2UL8UX85UL8U85UL8U)6UL8U885UM8U85UM8U85U0M8Up,5UHM8Ux85U`M8Uq8UH85UxM8U85UM8Up8U4UM8U2UM8U r8UX2UM8U85UM8UX 85UN8UH!85U N8U"85U8N8U3UPN8UH%85UhN8Un8U&85UN8U(6UN8U&85UN8UhG85UN8U8<25UN8U8o8U 6UN8UZ85UO8UP6U(O8U5U@O8UA6UXO8U)_2UpO8U54UO8U_85UO8U_85UO8Us8U`85UO8Uo8Uc`7UO8Uf`7UP8U25UP8U25U0P8U25UHP8U(p8U c2U`P8U"c2UxP8U(g85UP8Ug85UP8UW4UP8UXf85UP8Ue85UP8Un8Uc85UQ8UPr8UOm2U Q8Uxn8U m2U8Q8Uq8UX~`2UPQ8Uo8U`2UhQ8UHb85UQ8Uxq8U&_2UQ8UhAT2UQ8U8DT2UQ8U>T2UQ8U`t8U7UQ8U4UR8Uho8UH5U(R8Ur8U(t85U@R8Up85UXR8Ut8Uj6UpR8U885UR8UI85UR8Ur8U85UR8Uxa85U8U85U8U6U8Us8UH4U8UX2U@s8Uh4U(s8Ups8U6U08U6UH8Uu8Uh_2U8U85Up8U885U8U85U 8UXp8U^i2U88UΌ2UP8Un4U8U2U8Uxw8U2U8Uq8U5UI8U6US8U4U(U8U8x8U5US8Up8Ux6o3UU8U8U8U(b2U@U8U+_2UXU8U,_2UpU8Uh/_2UU8U6UU8Ux8UX:5UU8Ux4UU8Uh5o3UU8Uh2UV8U/_2UV8U 4U0V8Uz8U16UHV8U8U46U`V8U=4UxV8U45UV8UH1_2UV8U85UV8U85UV8UXDe3UV8U87UW8U؝2U W8UX85U8W8U85UPW8U)6UhW8U885U(8U85U@8U85UX8Up,5Up8Ux85U8U`8UH85U8UetOfPart["156417","196239","62309","43090","196524","121228","203829","96897","42465","203993","144168","99025","5256","155538","34317","131130","45160","120949","504647","196488"]0:Scores!2020-09-04 23:11:57!1W!2019-09-25 12:44:241D27E712A-DF89-11E9-A548-78Lyricist!105864W!388W!548W!0W!1W!650x919W!0W!0W!5.00W!2023-05-04 07:36:35!2023-05-04 07:38:31!4446915W!6583250W!0000-00-00 00:00:00!0000-00-00 00:00:00 *0  p49U)0OPdh#( 6818 AHeh48\` !2016-09-21 01:46:15U11Wx8U0AA Mother’s Love (Theme 137) - Orchestra8U(8U!35W8U!0WP8U!2Wh8U!1W(8U!2016-09-21 01:46:09U!2018-05-13 04:59:01U!Brendan Elligety8U!WWy8U!2006Wx8U10W0!sibW8U!154W8U!0W 8UaA Mother's Love - FULL Orchestra No Repeats Written Out v4 2016 (Theme 137).sib8U!2016-09-21 01:46:09U!2W`O8U!2353W8U!0W$8U!3X8U!1.50hX8U!0HXp&8U!83195W18U!WW4U!1W4U!0W !4^8UThis little tune was written for my sister Ann. It was originally arranged for a small mixed ensemble but I have now re-arranged it for a full orchestra. Parts for Harp, Piano, Vibraphone and Guitar are included in the score. Any comments or suggestions welcome! Listen to MP3 to get a better idea how it should sound! Grade = 3.5 Duration = 3:40 mins. Playing Score: https://youtu.be/DCWFEyWwZhsUȾ8U!5.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YYp8U!139551W!0Ws8U!0W!22.00Wq8U!18.00Ws8U!22.00Wn8U!18.00Wr8U!0WHq8U!WWo8U!0.00Wpp8UQhx8U1x8UT2U8U8U7U 8U4U88Uy8UH5UP8Uh8U(t85Uh8Up85U8U`8Uj6U8U885U8UI85Uȩ8U8U85U8Uxa85U8U85UJ8U6UI8UX8UH4UXs8UX2U8Uh4U8U(8U6UHJ8U6U`J8U8Uh_2U8U85UI8U885U0J8U85U(8Uz8U^i2U@8UΌ2UX8Un4UH8U2U`8U08U2Ux8U8U5U T8U6UЪ8U4UP8U8U5U8U8Ux6o3U88U(a8UH8U(b2Uh8U+_2U8U,_2U8Uh/_2U8U6UȬ8U88UX:5U8Ux4U8Uh5o3U8Uh2U(8U/_2U@8U 4UX8U8U16Up8U8U46U8U=4U8U45U8UH1_2UЭ8U85U8U85U8UXDe3U8U87U08U؝2UH8UX85U`8U85Ux8U)6U8U885U8U85U8U85Uخ8Up,5U8Ux85U8U8UH85U 8U85U88Ux8U4UP8U2Uh8U8UX2U8U85U8UX 85U8UH!85Uȯ8U"85U8U3U8UH%85U8U8U&85U(8U(6U@8U&85UX8UhG85Up8U8<25U8U(8U 6U8UZ85U8UP6Uа8U5U8UA6U8U)_2U8U54U08U_85UH8U_85U`8U8U`85Ux8U8Uc`7U8Uf`7U8U25U8U25Uر8U25U8U8U c2U8U"c2U 8U(g85U88Ug85UP8UW4Uh8UXf85U8Ue85U8U8Uc85U8U@8UOm2UȲ8Uh8U m2U8U8UX~`2U8U8U`2U8UHb85U(8Uh8U&_2U@8UhAT2UX8U8DT2Up8U>T2U8UP8U7U8U4U8UX8UH5Uг8U8U(t85U8Up85UhH8U8Uj6UH8U885UH8UI85UH8U8U85UH8Uxa85UX8U85UT8U6U8T8U8UH4U08UX2UC8U1A Mothers Love Theme 137 OrchestraU!0W!8W!2013-04-16 22:37:33!0W!0WA Mother’s Love (Theme 137) - Orchestra Brendan Elliget none This piece of music was written for my mother who has just turned 75. She loved and cared for all 10 children equally showing no favorites. Thanks, Mum! Originally arranged for a mixed ensemble, it has now been expanded up to a full orchestra with a piano part included. The MP3 gives a much better impression of the overall feel of the piece - it was recorded with NotePerformer.!0W!1W!75W!63W!2017-03-31 11:24:44{"width":202,"position-y-pc":"63","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[{"y":149,"width":64,"x":119,"center-y":187.5,"height":77,"center-x":151}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"right","position-x":"right","position-y":"bottom","position-y-combined":"63%","average-center-x":151,"average-center-y":187.5,"id":"48AEBBF2-15FC-11E7-AFFA-C76317816CD6","position-x-pc":"75"} !1W!426W!631W 8U8U8Uxz8U8Uȿ8U8U8U8U8U8U8Ux8UH8Up8U8U8U=8Uz8Uy8U8U8U@8U88U8U8Ux8U8U8U8Ux8UP8UP8U8U8U8U(8Uy8U {8U8U8U8U8U8U8{8U8U88UP{8Uh{8U@8U8UX8Ux8U8U0z8U8U(y8UHz8U8UH8UXy8U8Uy8UPx8Uz8U8U8U8U`8Uh8UH8U8U 8Uz8U8Uz8U{8U08U["96897","156417","196239","62309","43090","196524","121228","203829","203993","42465","144168","5256","99025","131130","155538","34317","120949","196488","165871","129244"]!2020-09-16 18:06:08!1W!2019-09-25 12:42:2418B10B370-DF89-11E9-BB4F-78X8U!65133W!409W!579W!0W!1W!650x919W!0W!0W!5.00W!2023-05-05 14:31:35!2023-05-05 14:33:22!5848991W!9541522W!0000-00-00 00:00:00!0000-00-00 00:00:00  ;9U69U +0  eh MPy P79U8U&((8U 9U*8U0. 9U59U0 9U9U039U@/8U 39U Z9U059U49U 49U59U ,H8U39U39U8UX59U49U`9Uf48U 10S4Uh8U&Bv38463QCopyright © 2001 BJE Music belliget@hotmail.com www.bjemusic.comAI Will Never Forget You : Song for Marian - Orchestra!35W!0W!2W!1W!2020-08-26 03:52:05!2020-08-26 03:19:27!Brendan Elliget@8U!WW8U!2001W8U10W0!sibW!154W!0WASong For Marian Theme 112 NP3 Orchestra 2020.sib8U!2020-08-26 03:52:05!7W!2407W!0W!1.50X8U!2020-08-26 03:52:06U!1W`8U!0W8U!79926W8U!WW8U!1W8U10W8U0!3^8UThis little tune was composed and dedicated to my dear sister Marian who was tragically killed in a car accident. I experimented with some midi sounds to get the overall effect I wanted. The music reflects the sorrow of her loss but the joy of knowing she is in heaven! The score has now been expanded to a full symphony orchestra including Harp and Piano. The MP3 was updated and recorded with NotePerformer 3... Let me know what you think of the composition. Grade = 3.5 Duration = 2:40 mins!4.50W!1W!0W!0W!WW!noneW!0W1(Theme 112-Revised 2020)eExchang!WW!2020-08-26 03:19:27U!0000-00-00 00:00:00!475W8U!306817W!0W8U!0W8U!25.00W8U!23.00W8U!25.00W88U!23.00W8U!0W`8U!WW8U!0.00W!0X8U!0W15.00W8U8U0!1^8U!0Wq{ "GroupOrd" : "110", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "14389" } ?!0.0000W!2020-08-26 04:04:57AI Will Never Forget You Song for Marian Orchestrares!0W!0W!9W!2013-04-13 05:50:18!0W!0WqI Will Never Forget You : Song for Marian - Orchestra (Theme 112-Revised 2020) Brendan Elliget none This little tune was composed and dedicated to my dear sister Marian who was tragically killed in a car accident. I experimented with some midi sounds to get the overall effect I wanted. The music reflects the sorrow of her loss but the joy of knowing she is in heaven! The score has now been expanded to a full symphony orchestra including Harp and Piano. The MP3 was updated and recorded with NotePerformer 3... Let me know what you think of the composition. 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Jay Bocook) - 2nd Bb Trumpet!650x919[PU8U!0Ww!0W!5.00W!2023-02-20 12:15:11!2023-02-20 12:15:11!86743W!77390W!0000-00-00 00:00:00!0000-00-00 00:00:00Q`98U1&v6UA8UHOyv607218!607217W!2024-02-25 18:51:09U10000-00-00 00:00:00PQ8U0!The Break !275HYores WHE!4W!1W`!2023-03-24 08:42:45U!2023-12-07 12:34:46U!Robert Owen@8U!WWm8U!2023WS8U10W0!pdfW!225145W10W0!XX!0WADS_STOR!0W`!0Weexchang!907620Xrchestra!0W`8U10WVersion)F0!X8U !0W@1WW0!1D8U 8U!0Wp!8U!WW8U!0.0000W!2014-09-08 12:36:55!0W !0X!0000-00-00 00:00:00U!usWp8U!CamiW!0WX8U!0W!WWP<8U10W0!0000-00-00 00:00:0010W0!2013-04-17 12:44:4810W0Ql8U8U=8U8U@H8U8UD08U8UDP8U8UDp8U 8UD8U08UD8UH8U8U_5UI8Up8UD8U0I8U 8U p48U`I8U8U@L8U @8Uа8U2I8U 8U8U8U8UD9U J8UP9UPJ8UhJ8UP99UDG8UH8UUp7U8Up8U @8UJ8UL8U  @08UP8UDp|8U`8UD|8Up8UD}8U8UD0}8U8UDP}8U8UDp}8U8UD}8U8UD}8U8UD`~8U8UD~8U8UD~8U8UD~8U8UD8U 8UD 8U08UD@8U@8UD`8UP8UD}8U`8UD}8Up8UD~8U8UD0~8U8UD8U8UD%8U8UD&8U8UD&8U8UD'8U8UD '8U8UD@'8U8UD`'8U8UD'8U 8UD'8U08UD'8U@8UD'8UP8UD8U`8UD8Up8UD8U8UD8U8UD 8U8UD$8U8UD$8U8UD$8U8UD$8U8UD%8U8UD %8U8UD *8U8UD@*8U 8UD`*8U08U@8UD*8UP8UD*8U`8UD*8Up8UD*8U8UD+8U8UD0+8U8U8UDP+8U8UD,8U8UD,8U8UD,8U8UD-8U8UD0-8U8UDP-8U 8UD/8U08UD08U@8UD 08UP8UD|8U`8UD|8Up8UD(8U8UD0(8U8UDP(8U8UDp(8U8UD(8U8UD(8U8UD(8U8UD(8U8U8U8U 8U08U@8UD)8UP8UD0)8U`8UDP)8Up8UDP48U8UD58U8UD058U8UDP58U8UDp58U8UD58UPS8UI8UhS8U85US8U 8US8Ub9U2S8UL8U p)8UP8U2@T8UK8U8U 9U>8UD8U0O8UT8Upy8U8UfC8UP8U 8UU8U J8U 9U @8U0 8U8U8U8UD8U008U`8U `8U/9U 9U` 9U V8UW9U,9U8UPV8UPa9U pl9U8UV8Up8UP8U`8U9U8UDp 8U8UDpF8U 8UD08U(8U8U@|8UW8U8Upr8UD@I8U49UD8U39U$,9Up8UD 9U4-04-23 C{"currencySymbol":"$","itemCount":0,"itemIds":{},"unreadMessageThreads":"0","totalGross":0,"creditBalance":"0.00","totalGrossInCurrency":"0.00","itemIdsInKits":{}}271.html\">Rag in Ab 08 Dec 22$1.001080\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t589272Another Rag in Ab 08 Dec 22$1.001390\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t589403Calon Lân - Piano Arrangement 19 Feb 24$1.002897\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t589768Walking Around 16 Dec 22$1.001413\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t590218Clychau Aberdyfi (The Bells of Aberdovey) - Piano Arrangement 22 Dec 22$1.001760\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t590897Myfanwy (Beloved) - Piano Arrangement 11 Jan 23$1.001822\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t592056Another Other Rag in Ab 17 Jan 23$1.001120\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t594570La Pénombre 24 Mar 23$1.00980\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t602050Stuck on a Chord 12 Jun 23$1.00680\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t606864The End 11 Sept 23$1.00400\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t607210A Fragile Balance 11 Jan 24$1.00370\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t607212An Empty House 11 Jan 24$1.00380\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t607213Far From Reality 17 Sept 23$1.00340\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t607215Larger Than Life 11 Jan 24$1.00400\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t607216Say When. 11 Jan 24$1.00370\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t607217The Break 11 Jan 24$1.00340\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t607218The Salesman 11 Jan 24$1.00370\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t616574Shimmering Lights 11 Jan 24$1.00320\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t616575Red Skies 11 Jan 24$1.00230\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t616576Y Pistyll Rhaeadr 12 Jan 24$1.00220\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t","pagination":""}ical music!4.50^08U!1W!0W!0W!WW!noneW!0W!WW!WW!WW!YY8U!281832W!0W8U!0W!30.00W@8U!26.00W8U!30.00W8U!26.00W8U!0Wp8U!WW8U!0.00W8U!0XX@8U!0W!1W(8U!650x919W10W8U 8U0!1^8U!0Wq{ "GroupOrd" : "40", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "14391" } U!0.0000W!2011-05-08 08:04:471Australian Calypso Concert Band8U!0W!0W!11W!2013-03-15 13:16:12!0W!0WQAustralian Calypso - Concert Band Brendan Elliget none The catchy little calypso tune was originally written to feature two clarinets with piano accompaniment but has been expanded here to a full concert band arrangement. There is plenty of interest in each part. The original tune was written in 1999 but not revised until 2008. If you use this piece, write a review and tell me how it goes. The clarinet duet version is still available. [See associated scores.] The MP3 was recorded with NotePerformer 3. (Updated 20th September 2018) Grade = 3.5 Duration = 2:50 mins.res!0W!0W!0W!0W!2017-03-31 12:12:32A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":161,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"F615F318-1602-11E7-97B7-E1E151336ACF","position-x-pc":"0"} !0W!1266W!681W8U 8Ux8Uh8U08U88Uh8U08U8U8U8U8U8U8UЬ8U`8U 8UK8U8Ux8U8U`8U8U8U8U8Uح8U@8UX8U8U8U8U8U8U8Up8U8U8U8U08Ux8U8U8Uh8U(8U88U8U@8UX8U8UH8U8U8U88U 8U8U8U88Up8U8UH8UP8U8U(8U8UP8U8U8U8U8U8UH8U8U8U`8U8U8U8UoreAndPa["199276","122195","201258","115226","197931","178538","54213","189853","159437","171","121041","180208","178952","82282","180189","362707","180144","75455","57105","124042"]lParts?!2020-09-05 19:15:08!0W!2019-09-25 12:48:59176877258-DF8A-11E9-BF25-78LicenseS!83466W!0Wxa85UM8U85U!8U6U8U8UH4UL8UX2U8M8Uh4UPM8U8U6Un8U6UxL8U8Uh_2U M8U85Un8U885Un8U85Un8U8U^i2Un8UΌ2Uo8Un4U o8U2U8o8U8U2UPo8U8U5UX8U6U8U4U( 8UP8U5U8U8Ux6o3U 8UB8UH|8UP8U(b2U@ 8U+_2UX 8U,_2Up 8Uh/_2U 8U6U 8U8UX:5U 8Ux4U 8Uh5o3U 8Uh2U 8U/_2U 8U 4U0 8U8U16UH 8UP8U46U` 8U=4Ux 8U45U 8UH1_2U 8U85U 8U85U 8UXDe3U 8U87U 8U؝2U 8UX85U8 8U85UP 8U)6Uh 8U885U 8U85U 8U85U 8Up,5U 8Ux85U 8U8UH85U 8U85U 8Uذ8U4U( 8U2U@ 8Up8UX2UX 8U85Up 8UX 85U 8UH!85U 8U"85U 8U3U 8UH%85U 8U(8U&85U 8U(6U 8U&85U0 8UhG85UH 8U8<25U` 8U8U 6Ux 8UZ85U 8UP6U 8U5U 8UA6U 8U)_2U 8U54U8U_85U 8U_85U88U88U`85UP8UX8Uc`7Uh8Uf`7U8U25U8U25U8U25U8Ux8U c2U8U"c2U8U(g85U8Ug85U(8UW4U@8UXf85UX8Ue85Up8U8Uc85U8U8UOm2U8UȮ8U m2U8U8UX~`2U8U8U`2U8UHb85U8Uȱ8U&_2U8UhAT2U08U8DT2UH8U>T2U`8U8U7Ux8U4U8U8UH5U8U8U(t85U8Up85U8U8Uj6U8U885U8UI85U 8UH8U85U88Uxa85UA8U85UY8U6UX8U8UH4U 8UX2U8Uh4Up8U8U6UY8U6UY8U08Uh_2Uho8U85UX8U885UY8U85Uo8U8U^i2Uo8UΌ2Uo8Un4Uo8U2Uo8Uȷ8U2Uo8U8U5U@8U4U8UP'8Uo7U8U@8U5U 8U@8Ux6o3U8U6U(8U(b2U8U+_2U8U,_2U8Uh/_2U8U6U 8Uи8UX:5U88Ux4UP8Uh5o3Uh8Uh2U8U/_2U8U 4U8U@8U16U8U8U46U8U=4U8U45U8UH1_2U8U85U8U85U8UXDe3U(8U87U@8U؝2UX8UX85Up8U85U8U)6U8U885U8U85U8U85U8Up,5U8Ux85U8U08UH85U08U85UH8U8U4U`8U2Ux8U8UX2U8U85U8UX 85U8UH!85U8U"85U8UScores!0^8U!5.00W!2023-05-02 03:17:47!2023-05-02 03:18:35!5041820W!4703417W!0000-00-00 00:00:00!0000-00-00 00:00:00 $(.0>@dh.0*0 8U KP!(AH AH$(88U8Up8U 8UD8U08UD8U@8UD08UP8UDP8U`8UDp8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD 8U8UD@8U8UD`8U8UD8U8UD8U8UD8U 8UD8U08UD8U@8UD8UP8UD8U`8UD 8Up8UD@8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD 8U8UD8U8UD08U8UDP8U 8U08UD8U@8UD8UP8UD8U`8UD8Up8UD8U8UD08U8U8UDP8U8UD8U8UD8U8UD 8U8UD@8U8UD`8U8UD8U8UD8U 8UD8U08UD8U@8UD08UP8UDP8U`8UDp8Up8UD8U8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8U8U8U8U8U 8U08UDp8U@8UD8UP8UD 8U`8UD@8Up8UD8U8UD8U8UD08U8UDP8U8UD8Ux8U8Uv88UD8U8UDp/9U8UU8U(7 9UU48U9UD`W9U9U 9UDd9Uг8U 8U8U2h8Ux8U~5U8Up8U8U8U@88UD9U9UDPE9U@9UDE9U@Y9UD0q9UX8Up8U-9U@(,9U8U08U  p8U8UD08U8UD8U8UD8U8UD8U8UD8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UDp8U8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8U8UD 8U8UD@8U 8UD`8U08UD8U@8UD8UP8UD8U`8UD8Up8UD8U8UD8U8UD 8U8UD@8U8UD P8U8UD`8U8UD8U8UD8U8UD08U8UDP8U8UDp8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8U8UDп8U8UD8U8UD8U8U8UD@8U8UD`8U8UD8U8UD8U8UD8U8UD8U 8U08UD8U@8UDP8UP8UDp8U`8UD8Up8UD8U8UD8U8UD8U8UD8U8UD08U8UDP8U8UD8U8UD8U8UD8U8UD8U8UD8U 8UD 8UdefScor!0[p8U!2W r8U!1Wp 8U!2023-06-19 08:03:04U!2023-06-21 02:42:35U!08X8U!6Wp8U!WW8U17.50W0!sibW8U!154Wl48U!0Wx8UaThe Moon Is Low (In the Sky) - Theme 267 Orchestra v6 WFO 2023 Ending 2.sibU`8U!2023-06-20 04:05:28U!0WY8U!127W8U!0Wl48U!1.50X8U!2023-06-20 04:05:47U!1W08U!0W8U!0W8U!WWX8U!0W8U10W8U01Music by Brendan Elliget MAGA 5374U!WW4U10W4U0!117797Xp8U!WW88U!1W8U!0W8U!1W8Uq{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17421" } QThe catchy little calypso tune is written to feature two clarinets with piano accompaniment. There is plenty of interest in each part. The original tune was written in 1999 but not revised until 2008. A very reasonable price! If you use this piece, write a review and tell me how it goes. Grade 4 Duration 2:54 mins &8U!5.00W!1W!0W!0W!WW!noneW!0W!WW!WW!WW!0.00Yp8U["79677","66887","63925","64401","64936","23061","22092","84804","76303","23064","32556","26003","23062","18882","33220","160970","23065","26004","33936"]8U!2020-09-28 23:39:04U!0W@8U!2019-09-25 12:48:15U15C61407A-DF8A-11E9-B6D0-788U!4944W8U!0W!0W8U!0W11WX8U8U0!2011-05-08 07:49:24UAAustralian Calypso for Two Clarinets and Pianot8U!0W!0W!6W!2013-04-08 23:17:54!0W!0WAustralian Calypso for Two Clarinets and Piano Brendan Elliget none The catchy little calypso tune is written to feature two clarinets with piano accompaniment. There is plenty of interest in each part. The original tune was written in 1999 but not revised until 2008. A very reasonable price! If you use this piece, write a review and tell me how it goes. 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@8U`f9UU8U8U @;8Up8UU8U;8UD8Uo9UJ,9U8UD88UЭ8U29U @8UD 9U099UD0o8U8UU@y8Uc9UD@@8U e8Up% 9UD@8Up8UU8U08U08UD8U`^ 9UXc8U @`8U49UD9UP8UD@@8U9UD9U8 9UUH8U8U @@ 9UF8UD8UP 9UO9U @09Ud8UDK9Uk9Uv8U08UPD8UD09U8Ug8U19UP8UY8UD!9UW8UU8Ul9U Q9UDp9U%8UD8U8UD8UP8U x9Ug8Uhi8U59U`F,9Ui9UD@8U8UD@@0s9UX49U 8U8U 08Uh8U9U8UU8Uh8U4U"p9U59U%8UP 8UD8U8UD58U=8U9UR8UD8U8U @9Uu8UD`C9Ua8UDЏ9Ui8U9U^8U @8UI9U(8UDP8UX78UHj8U 8UD`8U8U@e8U ( 18U8UDp8Ur8U@ڭ8U 8U`L8UU9U9UDP8U@g39U0S,9U KB8UD 9UPk8UP9UDP9U{8UDP:8U@8Ue8U @8U9UD 9U4U9UD8U@s8UD8U(l8U0;8UD8U8UDpq9Ue85Ul8Uhl8U `8UDz8U8UD9Ul8U/9UD 0z9U`m8U9U 08Ud9UD9U 9U09U39U+9Ut8U}8U+9U`&8UD8U P8UDt9Ux8UU8U8UDk8Ux8U Pn8UK8UU9UN8UD8Up8U 9Un8U%9U P8U 08U<8UB5UDC8UDo8Ug8UDb8U09UD p9U`^8U  9Uܑ8UD 9Ux8UG,9U /9UD C8U8Udiv clas!1Y"8U!0W`8U!WWp9U!0W9U!0000-00-00 00:00:00UQX8U!3739U 1f4dc21ef932c9de3998ef5679bb660021HASHf8Uw$0!2017-06-09 17:10:17U10000-00-00 00:00:00 9U0Studying Hard for The Big Band Lukas Borek Here is the big band version af the tune I composed for the jazz combo. Straight eights and shuffled 16’s. A piece of smooth/pop-jazz music.8U!0pq8U !5.00@8U !5.00 b8U !0000-00-00 00:00:00!0W1WW0!0t8UrdRemind!0W@11W0!0.0000`8U +9Us8U 9U 9U 9U 9U0 9UD 9U@ 9UD 9UP 9UD 9U` 9UD8Up 9UD8U 9UD8U 9UD8U 9UD8U 9UD8U 9UD 8UЧ 9UD@8U 9U 9UD`8U 9UD8U 9UD8U 9UD8U0 9UD8U@ 9UD8UP 9UD8U` 9UD8Up 9UD 8U 9UD@8U 9UD`8U 9UD8U 9U 9U859U 8UE19U08U859U8U`C.9U,9U"/9U@8U 9U8U@59U8U@9U59U08U@+9U759U@9Uw8Uw8UL19U,9Uw8U49U@,9U x8Uw8UP,9U-8U+9U`8UU09UR-9U+9UH 19U@8UP3UD@`68U39U`,9U59U8Ux.9U0,9U29U49U0 39U,9Uf/9U 59UH8U,9U59U+9U659U`,9U459U0,9U 9U,9U39U +9U8UU 8U0#9U`29U,9U9U ,9U(29U03U(/9U+9U!39U+9U609UPk8U08U0+9UH59U,9U0) 9UDi9U 8U 8UU 9U {8U&5U 9UD;8U/9U+9U-9U,9Upk8U8Uu9U-9U,9Uy09U8U 8U H8U9U,9U(E19U`8Ud39U,9U@|8Up3U9UD9UX -9U`+9U 39Up,9U8U8U 29UDp7U.9U+9UI19U+9Uq,9Up8U08UDp8Up8UD9U`8U <9Uh/9U0i49U+9U59U+9Up59UP+9Ug,9U +9U@/9U+9U9U0+9U049U+9U8UD9U8UUB8U-9U8U59Up+9Ul,9U+9U-9U+9U~8U@*7UP.9U`+9U`,9U8Ux 8U @.9U+9U19U59U 9UDp9U29U +9U8l39U0+9U8U@+9Uм8U 8U8U28Up79Uh$9UL9U,9U49U,9U+9U9U 9U.9U0+9U *8U p7U 49UP,9U,9U+9U9UP19U`+9UI.9UP,9Uh29U(8U@39UP+9UX 19U+9U 68U,9U=09U8U8UD!9U28UFh29U,9U-9U8U.9Up39U<9UD,8U (/9U,9U0*/9U8Uh09Up+9U8U+9U-9U`+9Up8U_5UHc/9U+9Uh49U,9Up49U,9U8UP8U,9U(8U{49U-9U39U09U08Ui/9U0+9U8/9U+9U.9UЌ59U8-9U8UdefScors8UЃ8U49U ,9UF-9Up+9U8U8M.9U+9U@"39U,9U 39U+9U09U,9U49U,9U.9U@,9Uhv49U3Up-9U,9U8U49U,9U@e9U 9U/59U 8U8M-9U8Uh8U 8U,9U19U 8U/9U+9U(59U,9Up39UЪ8Ue8UЯ8UhG19UД49U(8U<8U -9U8U -9U+9UL-9U8U59U@+9Up/9U8U$/9U8U`9U8U8Uo/9U h8U.9UP+9U09U`8UX/8U @49U ,9U49U8U(8Up8UP19U8U@8U  h19U`8U8U@ 69Uz8U8UP8Uxr49U8UК29U ,9UM19U08U9UDP8U-9U8U8UH8U8U29Up,9Uxb9U,9U`l/9Up,9U@19U8Up09U8U8U8U09U+9U8U 39UЉ8Upe/9UP+9U8p49UP8UP18UD8Uj39U8U7U+9UȂ8U+9U@Q19U+9UF19U+9UM-9U+9U39UP+9U@9U 9U29U`8Uhi39U@+9UH69U8U09U+9UP8UpQ19U8~09U+9U@8UU:8U`8U+9Uq9U+9UP49U +9U^8U@+9U`L-9U ,9Us49Up,9UQ19U,9U 8U,9UX,9U`,9Up8U 9U,9U8Ud,9U,9U,9UH^8U,9U@-9U@,9U39U,9Up.9U,9Ux~8U0,9U39U,9U29UХ,9U19U ,9U/9Up,9U19U,9U!/9U,9U8U`,9Uȥ9U,9UO19U,9Ux8UP,9U.9U,9U49U,9U`/9U@,9U59U,9U88U8U0j,9U0,9Up109U,9U19Uv 9Uh59U ,9UP-9U59Uo,9U,9U/59U,9U(49U0,9UX)/9U,9Uc/9UЬ,9U(:09U ,9U29Up,9U29U,9UHI19U,9Ux49U`,9U7U,9U8U,9U -9UP,9UXG69U,9Uh+/9U,9UH/9U`m,9U,9UX`8U,9UHi/9U0,9U0' 9UD@9U8U4U59U ,9U@109U59U@H19U@9U8J.9U8Uh,9U`,9U29U,9U8UU9Uh8UP,9U"39U,9U|8U,9Ux59U@,9UȘ.9U,9U-9UP8U`09U0,9U>09U69Upm39Uж,9UX59UP8UI.9Up,9U19U,9UL-9U,9U0c/9U`,9U-9U,9Uk8U,9UX29UP,9UȽ,9U,9Uа 9U,9U0d,9U@,9U029U,9U8U!W8U !2 9UcoreIncl!2W !51SE::Score_save_dataave_data0!David Burndrett q 39U!UUID i7U !78UWw!HASHX!HASHW QEV8U!2023-04-28 02:06:06aС8U3U萿4U1x<С8UA/usr/www/resources/ADAP3/GenericObject2.pmQj8Up8U 9U~8U!XX!1W(G 9U!1W8U!2.03W58U!WW9U!WW8U!WW`9U10000-00-00 00:00:00U(8U0!anonymous8U Q&5U8Ua( 5U 8U萿4U03U3U3U3U0 3U 3U3Uh 3UP3U3U3U3U83U03U`3Uh3UH۠8Uhw9UH\9Up3U 9UP8Ub8U3Uh8U3U9UP\8U9U{7U8UX 9Ur8U`J8U8U` 9U{8Ue9U9Up9UX9U09Udio is also good.
    Read more about uploading Ma X 9U 萿4Uac8U!225i9Uintosh; !290WAppleWeb!0WGecko) C!0W !NOh[eexchang!RIWl-ye-pas!uto_increment!WW,"name":!utf8_general_cis by forQ8U7+SE_API_Publisher_get_info!DBD::mysql::sters by b! 9U0+8U 1SE_API_Publisher_get_info`KeyU!0000-00-00 00:00:00c P!IDW 1SELECT * FROM Publishers WHERE ID =?UA/usr/www/resources/ADAP3/GenericObject2.pmg/","offers"A/usr/www/resources/ADAP3/GenericObject2.pmQ8U8UX9U09U!000-00-00 00:00:00!8B8U A78U09U@8Uw9U 8U4UE8U1 9U8UPl8U8U88UQ5U8U%- SE::API::Publisher::OBJECT_CACHE!"5Uql::st T8UI 9UȐ9UF8U)8U.8Up48UPc;8U8UH49U9UT59U69UPR8U8Uh8U!8UX59U89U@8U49UP8U9U9U(9U9U8Ux8U8UD8Up69U8Un8UI8U%8U0H8UP8U68Uh~9UH 9U69Up9Up8UxA49U 59U9U 9U~8U(8U8U69UG 9U39U039U9U(8UB8U?8U( 9U@8UhO8U89U 08U9UP8U49U8UuF8U39U8Uh39U8U!nicholaspalmer@8U!2W~7U[ { "Desc" : "Lists all music available", "Url" : "www.nicholaspalmer.com", "Text" : "" } ] U!1W@T9U!1W 1SE_API_Publisher_desc_table_desc_table1/usr/www/resources/ADAP3/SQL.pm195297',14U85U5U4U4UA0I}8Ux8Uxj8U蟊8U5U4U1SHOW FULL COLUMNS FROM Publishers1/usr/www/resources/ADAP3/SQL.pm,8U1FieldW08Up8U08UD@8U@8UD`8UP8UD8U`8UD8Up8U8U8U8U8U8UD8U8UD8U8UD8U8UD 8U8UD@8U8UD`8U 8UD8U08UD8U 8UH8U-9Uh9U9UD`v9Uw09UP1,9U49U 9UP 9U08U D` 9UO8UUЕ8U8U 8U 8U2(8U8U8Uvr8UX8U8UD 9U8U9U @L9UY8UE8UD]9Up8UD s8UpM8UDa8Up8U099UD Pd4UH8UX 9U`8U8UU08U9UD 6U@,9U.,9U8U@B5UP>9UD<8UY9U @p9U8U88U8UD9UPw8UD xZ6U9U 8UD[8U8U c9U0*8UDf8Us8UD 8U8U\-8UDP 9U 8Ue9U| 9U8UD08UH29U8UpV8UX;8U+9U`_8UD`8U09U49U39Uc8UDm8U8UD8U8UDB8UH8U9U) 9UD`8U8U8U(6UP&2U8U8U 8U88U`$9U 9U(8U @9U8U =9UD~8U29U} 9UȰ8U8UL8UDG8U8U 8UDo 9U@8U X8Uݑ8UD8U8Uv9U8U8UY8UD9UM9U @8U8U8U08UH8U 9UU 9U8U 8U[9U @8U8U8U8Up&8UD7U8U 8U8UD9UP8Uh8UA18UDp8U2U8U 9UP 9U 8U8U8U9UD q8U@8UX8UxI19UR5U8U8U8U8U8,9U 8U/,9U9UD`8U@#8UD 9UH8U +8UDPP9U09UD8UP9U @9U8U8U8U)9UD 9U8UP8UDЊ9U9U }9U9U8U  48Upe8UD @9U8U (@8UX9Ux8U H:8UP 9U8U9UD 9U 9UD8U08UD(9UЫ8UDk8Up59UD8Up8Up8Uv8U28UD8Uq9U @8UD08U8U @5Us8U8U 8U39UDP7Us="col-x!0000-00-00 00:00:00U!1W9U!1WP8U!0W u8U!WW9U!0Wp8U!0WHmS8U10W8U0!ZZPq8U!WW8U!0Wh8U!WW`8U!WW8U!WWX78U!0.00Y 9U!WW!0000-00-00 00:00:00U!0W!0000-00-00 00:00:00U!WW9U!0WHmS8U!0Wp+9U!0Whg8U!0W9U!1WP8U!WW"8U!7W!1W@8U!000W10000-00-00 00:00:00U?8U0!1.50p8U !0]p8U!0W!0W!WW!WW!0W!WW!WW!0000-00-00 00:00:00U!0000-00-00 00:00:00!678W 8U!331301W!0W8U!0W 8U!25.00W8U!23.00W 8U!25.00W8U!23.00Wp8U!0W08U!WW 8U!0.00W!WW 8U!0000-00-00 00:00:0011W8U 8U0!1]8U!0W!0.0000W!0000-00-00 00:00:001The Moon Is Low In the Skyseview.m!0W!0W!16W!0000-00-00 00:00:00!0W!0WQThe Moon Is Low (In the Sky) Music by Brendan Elliget MAGA 537 dules/!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!536W!778W( 8Uh48U 8U8U8U 8U 8U 8U 8U 8U 8U 8UP8UP8Ux 8U8U 8UK8U8U8U 8U8UH 8U@ 8U 8U 8U 48U 8U 8U 8U 8UX 8UX 8U8U848U 8U0 8U@8U8U 8U 8U 8U 8U 8U8U 8U@ 8U8U8UH 8U 8U` 8U8U48U8U 8U8U8U8UP 8U8U 8Up8U8U08U 8UP48U 8Uh8Up 8UP8U 8U( 8U8U 8U`8U8U8 8U/js/0000!2023-06-19 08:14:02U1DD15347E-0E70-11EE-88EC-8EA1F6CA0AAFe" !105851W!0W!0W!0W!1W!650x919W!0W!0W!5.00W!0000-00-00 00:00:00!0000-00-00 00:00:00!0W!16767182W9999/app!0000-00-00 00:00:00.mjs!0000-00-00 00:00:00 srcQ48UaStudying Hard Lukas Borek This is a piece of a bit funk/smooth jazz style. The first idea to compose this came into my mind during my studying for the final exams at the conservatory. It should be played at cca. 100 BPM with straight eights and light swing 16’s. There’s a space for drum solo and open section for soloists.!0W 1HASH8Uw$0!W8U 10.00W0!X8UctCache !Zlicska 1364, Expire!Kolin8X!0000-00-00 00:00:00U!0000-00-00 00:00:00U14373W98UP8U0!WW!WWan>1WW8U0L8UXr8UV8UP8Uh8Up"9UPD8U`E8U8UP8U08U8U8U@8U(8U<8Ul-xs-4 cQ~8U!0W!0.00W!418768W!1W!0W!1W!0000-00-00 00:00:00!0W88U!WW8U10.00W88U0!0000-00-00 00:00:00!WW!0000-00-00 00:00:00!0W!5W!0W!0W!1W`8U!F8U88U`68Uj9U؏8U(8UPD3U8UG8U8UsD8U8U8U3U=8Uef="#fac!0_8U!1W!0W!CandyW`8U!1W !0000-00-00 00:00:00U!0W !0(X`9U!0W`8U!1W4U!0000-00-00 00:00:00!921844WQ9U!Double Bass!0W!0.00W!418768W!0W!0W!1W!08X18U6a921844!2020-02-23 17:58:40!2014W !0000-00-00 00:00:00!WW!0000-00-00 00:00:00!0W!1W!0W!0W!1WC8Uxx8U3U8UI8U`}8U9Uc8U8U 8U8U#8Uأ8U8U 8U =8Uount/payQ8U!0W!0.00W!418768W!1W!0W!1W!0000-00-00 00:00:00!0W8U!WW 8U10.00W0h8U0!0000-00-00 00:00:00!WW!0000-00-00 00:00:00!0W!3W!0W!0W!2W 8UG8U8UP8U8U8UX8U8,8U9U8U8Ux 9UȎ8Up|8UP~8U8=8Ucon glyp!0_8U!1W!0W1@7Ux8Uu855514!921845^8UQ 8U!Drums Set!0W!0.00W!418768W!0W!0W!1W!0000-00-00 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00:00:00U!4W`Т8U!0W    9UPR9U `zT8U 9U8U  59U   8U9U  49U 0*9U 69U8Up49U>H 8Utx9UP +058U+049U#(8U>@OP\` *0Ax<\8Ua98Uh2Ua $new->Email::Sender::Transport::Sendmail::BUILD($args); unless (($args)[0]->{__no_BUILD__}) { $new->Email::Sender::Transport::Sendmail::BUILD($args); } !56pp4Up8U!0W A8U`VxQ8Uh^{"Email/Sender/Transport/Sendmail.pm18U8UΔx " if (exists $args->{"message"}) { $new->{"message"} = $args->{"message"}; } entAttribute = { init_arg => "sendmail", name => "sendmail", step => "isa check", }; my $_error; { my $_old_error = $@; if (!eval { $@ = $_old_error; $isa_check_for_sendmail->($args->{"sendmail"}); 1; }) { $_error = $@; if (!ref $_error) { $_error = "isa check for \"sendmail\" failed: ".$_error; } } $@ = $_old_error; } die $_error if $_error; } ; $new->{"sendmail"} = $args->{"sendmail"}; } name"} = $args->{"sasl_username"}; } L8U d8UǮ8U(7UP8U8Uh28U8U8U88Uv8UHѣ8U8Uh8U\8U88U8Un3U18UF=8U8U8U8U֡8U8UQ8UN=8U@"8UP|=8U $@ = $_old_error; apg6U8UB02Ua3UwS8UB02UA03Uڔx 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((?^:(?^:(?^:(?^:(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*[^\x00-\x1F\x7F()<>\[\]:;@\\,."\s]+(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*)|\.|\s*"(?^:(?^:[^\\"])|(?^:\\(?^:[^\x0A\x0D])))+"\s*)+)|(?:(?^:(?^:(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*[^\x00-\x1F\x7F()<>\[\]:;@\\,."\s]+(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*)|(?^:(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*"(?^:(?^:[^\\"])|(?^:\\(?^:[^\x0A\x0D])))*"(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*))+)))A Pt8U@.>.>k.d90(>X9.NR: @8B.0\@?.390(>'9.N!: @8.0W@.78?790)98?790)9.:8?7: S\8>k.d90(>X9.NR: @8B.0\@?.390(>'9.N!: @8.0W@.78?790)98?790)9.:8?7-.0+..(90">@. @.0\@ 8?70"98?7.>.>k.d90(>X9.NR: @8B.0\@?.390(>'9.N!: @8.0W@.78?790)98?790)9.:8?7: S\8>k.d90(>X9.NR: @8B.0\@?.390(>'9.N!: @8.0W@.78?790)98?790)9.:8?7.>k.d90(>X9.NR: @8B.0\@?.390(>'9.N!: @8.0W @.78?790)98?790)9.:8?70">@. @.0\@ 8?70">k.d90(>X9.NR: @8B.0\@?.390(>'9.N!: @8.0W @.78?790)98?790)9.:8?78?78AqpA0xA2UA3UnL7UO8U8U@8U(8Uy $valueA4U4U4U4U4U4U>{"timeoaP8U 8UTx 8U 8U :AP8UP8UUx!$_UNQUOTED@x!camicosgriff@gmail.comA8UUx V8U 8UapV8UpV8UUx :!(eval 319)8U Az8Uz8Urx8UA@V8Uڔx1!@ 8U`Vx!camicosgriff@gmail.com!8U8U AX8U`VxAY8UY8UrxX8UAPY8U@TxA8U8U Քx&X8UY8UA08UUx 8UP8U!120Ute`8U!120Ute_for_port!l8Ute_for_helo.$_!HASHW !8Ute_for_host!2020-07-17 05:07:51(?^:((?^:(?^:(?^:(?^:(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*[^\x00-\x1F\x7F()<>\[\]:;@\\,."\s]+(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*)|\.|\s*"(?^:(?^:[^\\"])|(?^:\\(?^:[^\x0A\x0D])))+"\s*)+)|(?:(?^:(?^:(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*[^\x00-\x1F\x7F()<>\[\]:;@\\,."\s]+(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*)|(?^:(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*"(?^:(?^:[^\\"])|(?^:\\(?^:[^\x0A\x0D])))*"(?^:(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|(?^:\s*\((?:\s*(?^:(?^:(?>[^()\\]+))|(?^:\\(?^:[^\x0A\x0D]))|))*\s*\)\s*)))*\s*\)\s*)|\s+)*))+))))_8U18_8UGJ539722!258UrowsUe.comd! y5UW a;4U 08U3U1ProfileAboutMeleAboutMe7U0rp? ( * / 0 _ ` 00lass="tA4U4U4U8Ue8U4Uga8Urp? ( * / 0 _ ` 00e2024-0A4U4U4UB8U8U4U71389886!Email::Address!camicosgriff@gmail.com!A! Ascoreexchange.com closing connection on ne by itself !! A/usr/share/perl5/vendor_perl/Exporter/Heavy.pmA/usr/share/perl5/vendor_perl/Exporter/Heavy.pmqph8Uk8Uj8U -8U@k8Uj8U11zL5U w2UΔx "`!A! qc8U ؤ8Uqp8Us8U`s8Ur8Us8Us8Uql8Upo8UPo8Un8Uo8Un8U111L5UL5UΔx "`!A! A8UUx P8UC8U1xIX8U!0(X8U!WWh8U!WW8U!WW 111/usr/share/perl5/Net/Cmd.pm!A! q`32U8UB02U8Ub8U8UP<8U<8Uh8U@l8Uk8Ut8Ue quarteqPu8Ux8Uw8U`w8UPx8Uw8U111camicosgriff@gmail.coml class!A! 1h4Uh4Uph4Uh4Uh4U!WW!camicosgriff@gmail.com1ƻ8Uƻ8U x !camicosgriff@gmail.com!WW!camicosgriff@gmail.comh4Uh4UPh4Uh4Uih4U(lh4UPhh4Ugh4UXfh4Ueh4Ueh4UPeh4Ueh4Uch4Ufh4Uch4Uch4Ubh4U!h4U"h4Uhh4U h4Uh4U8h4U(g4Uh4UHg4Ug4Ug4Ug4UPg4Ug4Ug4U(g4U@g4U g4U@g4Uxg4U`g4Ug4Ug4Ug4Uеg4Ufg4UXfg4Ug4Ueg4Ufg4Upcg4Udg4UXg4Udg4U8f4Ug4Uf4Uf4U8f4Uf4Uf4Uf4UXf4UUS3U8Uh$3U03312024-04-23 20:11:08.0000006048981713898868.610331l">Jazzx|8U"WWX|8Uq"WWWW713898868.603909abindex }8U|8U!WW}8U!WW29092024-04-23 20:11:08.0000001771161713898868.592909 band2U â8UHv2U13U18U0!ЦL5Uet::INET::SUPERA8UKx(6.8U!8UzLSC-000344-1v !K5U T CT !2011-05-07 21:32:05!`8U^8U!8U@a18U!camicosgriff@gmail.comQH8U8U8U8Uh8U1 xi+8U1 xi+8U1`[8U๢8U4U4U(8UA'8U8U8UQ;8U R8U-8UW:0BQ8U8U8UQ8U8UP8Uk8UW8U1 xiH8U1 xiH8U1Method::Generate::Accessor4UQpP8U!. U8U@Tx! 8UW 8U8UP8U8Up8U8UP8Uۢ8U/8UXO8UI2U@3U`9UCV8U6UP6U 8U(9U0)8UQr8U@8UAQUITTO:>pR8U@!8U8UTxa 8U 8UUx !$_UNQUOTED_sub PRE!205ߵ8U A@4U@4Urx@8UxH8UxL5UxL5Ud4UF8UnL7U8UnL7US8U8U]8UB=8U08U4U!$_QUOTEDeWA8U8UUx1Method::Generate::Accessor !I08Ux8UUxA{8U{8UUxAPy8UPy8UUxy8U!$_QUOTEDx8U A|8UUx u8U|8UA4U4UUxa@:8U`C8U+2U!$_UNQUOTED!(eval 324)P\x!Sub::Quote!Z8U@8U !(eval 324)8U${$_[1]-!$_UNQUOTED8U Ay8U`Vx!(eval 324)UUU!K5U=8Uge.com1MIME-Version: 1.0 24 20:05:20 +0100 A08U08UUxa8U8UUx !portUOBAL::!(eval 322)8UAE8U`Vxap8U08UTxp8U8U!Sub::Quote!(eval 322)A8UUx D8U8UAP8UVx8U@8U!PyL5U8yL5UA8U8UUx! 8U8U@Tx!S3UK8U A 8U@Tx!1wL5Uw2UΔx "`1x<HH8U1p8UΔx !nameU2)8UTx18U8UUx!$default_for_portA8U8UÖxI@8UP8U!(eval 322)UUU\025!init_arg)UUU8UAP8UP8Urx8UAP8UP8UUx8U18U8U0x,a8Up8UTx8U8UA8U@TxAP8U`xE8UA D8U8U@Tx"A8UUx@8U8U1port is a read-only accessorA@8U`Vx18Up8UUxA8UUx D8Ua8U8UTxF8U`8U1Method::Generate::Accessor8U8U!portU2)SE::ScorA 8UUxE8U8UA8U8UBx8UA8U`Vx !H8U0-8U A4U`э8U4U4U4U 8U`A08U08Urx4U!$_QUOTED) !X(X8U1x<1x<aP2U8UTx?8U@8UXaR8Uh8UB02UA k8U0kxQ1U8Uq-/usr/share/perl5/Net/Config.pmPAp8URx 8U8UA8U8U Convert::8U 8UA5UȞ8UV/Convert::EBCDIC1xI8U!Pۡ8Uh8U Ac8UUxJ8U$2U1x<`8U1Ȼ8UȻ8U x A@8U Քx&B8U8U!$_QUOTEDpmA`8U`8Urx8U!8UXT8U!$default_for_portA8U8UrxP2UA8U@Tx a 8U8UTx`8U8U W!$_UNQUOTED!isa check8U Ap8Uϔx@8U`8Ua8U8UUx W!$ssl_classpm !(eval 321)8UA8UVx8U@8UA8U8UÖxI8U8U!(eval 321)UUU !Sub::Quote!(eval 321)A 8U 8UUxA8U`Vx!ExporterAp8UUx @8U8UA 8U 8UUxQؤ8UEj#/usr/share/perl5/Net/SMTP.pm5U14U4U4U4U1 8U 8UUxQ4U4U4U4U4U4U4U4U+0100 A8U8Urx8UA8U8UUx8U!(eval 321)8UTxA8U@Tx A8U@Tx A8U`xE`8UA8U8U@Tx "A8UUx@8U8UA8U`VxA`8UUx8Ua8U8UTx 8U8UXA8U`Vx1timeout is a read-only accessor0W8U$8UG=8Ud4U8k8UnL7U8UnL7U8U\8U08U 8U(ؐ8U4U9386202A0xA@8U4U8U(8U4U4U4U4U4U4U4U4U4U4U4U.000000a32Ua8UB02Ua 32U8UB02U4U8U]D4U@I2UW8U58UH8U6U3U2UC2Ua98U S8U$2U! S8Up\V8U 18U8UUxAP8U`Vx!(eval 323)UUU@TxAw2UVxw2UP8UA g4U8U2/7 Net/SMTP.pmU@ 8UA8U8UrxH8U!Net::SMTP8U A08U08UUx!M8U NG rx! 8U LS !`$8Up V8U AU6UH8U CODE(0x55e538a1d688)4U e8U4U4UX8U8U4U4UH8U4Uߓ8U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U17505714U4U 8U8U4U`S8U7UpT8U4U08U8U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U } q2UPq2UJ5UH18U 88Ueq2U0~5U8U8J5UJ5UJ5UXaq2U8Uۥ8U)8UR2Uw2U[q2Uq2U)4UZ/8UX2Udq2UXw2Uh`q2UPw2Uh,4UV2UW2Uآ8U8UT2UЛ8U`P2U3U`J5Uq2UpV8UPT2UJ5U8U8`q2UتJ5Uq2UJ5U(q2Udq2U*4U q2Up΄8UA_5UU2Ufq2Upn8UHH8U!`L5UHL5U25A`8U`8UUx8UA 8U@Tx A`8U`xE8UA8U 8U@Tx "A 8UUx8U 8UA8U`VxA8UUx8U!(eval 325)8UTxAp8U@Tx !$_QUOTEDpmU 1`8U`8UUxa8U8UTxPW2U~8UA8Uϔx`4U8UA0xA}8U4U8UT8U4U4U4U4U4U4U4U4U4U4U4Up 'Net::a2U T8U%Hv2UAL5UL5UUxa8UP8UTx`8U8U!$_UNQUOTEDUx!IO::Socket::INETA8U8Urx`8UA8UUx 0L5UP8U!(eval 326)${$_[1]-Q8Ԣ8U0X8UP8U1TO:UAп8Uп8Urx8UA8U8UUxA8Uϔxк8Uп8U!(eval 326)8U@!08Ur8U A8U@Tx A(8UU CODE(0x55e538c96b70)4UU8U4U4Up18U8U4U4U^8U4U8U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U_)->respAл8Uл8Urx8U!S3UED8U Aк8U Քx&BP8Uл8UAP8U`VxAp8U`Vx!(eval 326)UUUA8UVxо8U08UA8Up8UÖxI08U8U!$_UNQUOTED8U A8U8Urx08UA8U8UUx8U!(eval 326)8UTxAP8U@Tx Aо8U@Tx !127.0.0.18U A8U`xE8UA08Up8U@Tx "Ap8UUx08Up8UA08U`VxA8UUx08Ua08Up8UTxq2U8U!ProfileUrl8U 18U8UUxA8U8UUx14U4U4U4U0A0xA8U1localport is a read-only accessor1И8UИ8UUx!$_UNQUOTED8U A8U8Urx`8UA8U@Tx"A8U Քx&B8U8U!$value@8UTxA8U@Tx#Ap8Up8Urx 8UA8U`8Uϔx8Up8UDW8U8U8w2Ud4U8UnL7Uh{8UnL7U48U8U*8Ul68U8U4UA8U`Vx A08U08Urx8UAp8U@Tx$ApF8U8U Քx&8U08UA8UUxpF8UA08UUx8U8UA 8U 8U`xF8U!08U !(eval 323)UUU\0254UA08U08Urx0C8UAw2Uw2UUx8UAw2U@Tx A`8U`8UWx%E08U 8UA8URx 8U8UA8U8U@Tx%@A08U UxA08UUx08UA08Up8ULxp8U8UAP8UP8U@Tx&@!stepU8UTxA8U8U@Tx'A8U8U@Tx(@!(eval 322)8UTxA8U@Tx)A08U08UWx%E8Up8U1Method::Generate::Accessordentify A8URx 08U8U1P8UP8UΔx !!$_errorW!$_QUOTED8U Aw2U`xE8UAP8UC8U@Tx "AP8UUxP8UC8U!L5UxL5Ue.coma8U8UTx8U8U!(eval 322)1Method::Generate::Accessory use thA 8U Ux18UΔx !$_old_error!(eval 322)A 8U 8UUx8UA8U8UWx%E8U 8Ua8U8UTx p8Up8U1Method::Generate::Accessorss->errA8UUx 8U8U!(eval 322)A8U UxA8UUx8U18U@8UΔx A08U08UWx%E8U@8Ua8U8UTx"P8U8U1Method::Generate::Accessor7.463573A8UxL8U8U!$isa_check_for_port18UΔx 18U@8UΔx #A8UUx8UA8UUx8U@8U18U8UUxA 8U 8U`xE8Ua8U8UTx#8U8U!(eval 322)1Method::Generate::Accessor4-23 20:A8U@Tx*a8U8UTx$8U8U!(eval 322)1Method::Generate::Accessor8UA8U8UxK8UA8U8UUxa8U1 8UΔx !(eval 322)AP8U UxAP8UP8UUx8UA08U08UWx%E8UP8Ua8U 8UTx&8U8U1Method::Generate::Accessor8UAP8URx 8U8U1`8UΔx A8Ux08UA8U8UUxa`8U1Method::Generate::Accessor 18UΔx 1isa check for "port" failed: 8UA8U8U@Tx+A8U@]xCp8U8UA8UUx08U8Uap8U8UUx(8U8U!(eval 322)A8Udx8Up8UA8UUx8Ua08U8UTx'8U8U!(eval 322)1Method::Generate::Accessorp8UAP8Udx8U 8U1`8U`8UQxAP8UP8UUx 8Ua8UP8UTx!8U8U!(eval 322)1Method::Generate::Accessor`8UA8U Ux!(eval 322)A8UUx@8U1@8U8UΔx A8UWx%E8U8Ua8U8UTx+8U8U1Method::Generate::Accessor4-04-23 A@8U@8U]x8U8U!(eval 322)1Method::Generate::AccessorWAP8U`VxA8UUxp8Ua8U8UP\x8U8U8Ua8U8UTx @8U 8UAP8UUx 8U8U1p8U8UΔx #18U8UUxA8U`xE8U18UP8UΔx A8UVx8U 8UA8UUx8Ua8U8UTx-8U8U!(eval 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1/usr/share/perl5/Net/Cmd.pm8U18U x 18U8UUxA8U8Uwx&E`8U8Ua8U8UTxW8UP8U1/usr/share/perl5/Net/Cmd.pmUpA8U8Uwx&E8U08U18Ux !@doWj8UA@(8UUxDP8U:8U1:8U:8UUx!000@8U8U!2023-04-18 10:34:53U!2023-04-18 10:34:57U!184680W !3434885`8U !My scores8U10W0!08U1La Entrerriana - Full Score.pdf0'Rag in Ab', is a piano composition inspired by Scott Joplin's rags. I was particularly inspired by the melody of Joplin's 'Sunflower Rag' and the harmony of 'Pineapple Rag'. Unlike the structure that is used in the majority of Joplin's rags (Ax2, Bx2, A, Cx2, Dx2), I have opted for more of a rondo form (Ax2, Bx2, A, Cx2, A) as I felt this would better suit the melodies. 11.00W0A4Uȸ5U4U]5U4U@^5Up^5U^5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U76.72775@!0000-00-00 00:00:00!0W10W0!08Uptional"!WW081a8808!0W !2U8U !6779599U 10L5USentdeation0!418349l::st !18U ![^\s]{75,}8UWx!75W !email_gmdate::Creator0!109187`7U !0W !# comment !info@scoreexchange.com1Content-Type: text/plain 5:20 +0100 !0 48U aס8Uu68U\V3U!pY8U8U!ID:User::IDH08U!X8U8UA/usr/www/resources/ADAP3/GenericObject2.pm8U@1136108UiredDatetion0!@3Uql::stOM Objeca`"8U^4U/26U1EmailConfirmRequiredmRequired0!Rag in Ab8U FROM Sc!0W DELETED10WSC LIMIT 25 OFFS0AȌ8U8UA8U8U5U4U@!08Xnj8U!0W`sU8U!6Wz8U1WW01sibW0qi4U 1T8U4U!W8Udap_html!0W Qx8USE::User::Image::OBJECT_CACHE!P8UO8U !u8U9U!W08U 1HASH`9Ut Music PDF0!TelEve9U !HASHW !HASH`8U !W@8U !2024-04-23 20:04:20!0.0000`G8U !0C8U10W0!2013-04-28 12:19:12!2011-06-16 09:28:29!0`8Uintosh; !0WAppleWeb!0WGecko) C10W37.368U0!1`9U !W7U !1.508Up!Rosendo Mendizabal1d2UM8Uw$0!0E8U A8U(By[170.203.209.80@!22XctCache !2013-04-26 23:25:00pire!0W571892',!0W INTERVA1Consolation Phillip Rawle !0Wb8U!0W8U!0W!0W !358U !2023-04-27 10:22:11!2023-04-27 10:23:18c We!4555651Wo instru!7274013Wtion of !0000-00-00 00:00:00nd p!0000-00-00 00:00:00Q8U!0HX!0000-00-00 00:00:00axe8U8UgG5U!1@3U !18UrowsU!myscoresrows !2016-09-19 19:11:53!0WRL!1073W!0W='571892!Phillip Rawle!WW Qq8U@8UH8U!TitleSortingU !08U !0W@10W0!HASHWscores/5ѪSIBELIUSD0"SIBELIUSD:w%L%6nI?H Ϭ Fh8+/S7n>Vi|^P`75 )r$eąID"YrRIHWA"K(9޿F#rq'+ UU&hG WmJkВy^;}ΰ!lBAsdp(mp~:Ɛ/xuGI#Ms0}I·KhtC[e 9BժAHJLTȿ}$Rb~"&&ޕu^q(6ճ7q-lz f cm6S  מجitt_AX߱cm㇩_3`f~]^«r´c_y,Ĭ,KƭR*>$#9+=l&Li$=eŇ5oD=l;KYh}v;xqMzr9Q.si+*4, 7lA]]V9ZG i[,:f"`PHN0?Ӽ1 , هnwl|Xc2=~_t @.E2gdQa6vJ:~:Be{q XSNiHT%,Ê+w^hgn}keI,5] ߩ2tr^M'eBvwI3|_<&b,J \jgfٕ9U6Vo|fuR!b fg79^(TDGC !XX vm6tWCHks3 Zʍ nx&(J|bfEE2!˙JHOgn Ycg#}}xt6[%gY3%UӛK Kh[::3Fy Ȼ7^yC͈7k6I6HsS ^l!L]lR.ùQINUJ`^_ a/*̢¦=v3tיy=iyg|DdFt7_u 5dE<ħ(U IKu;ҷ3IuIc uxhEqv('~ZMmd1J@! )$o9}ޤ{g]8%H4 ʎa1_ɁV3?v^_3`5Q_OlgkkGL ͡,*'[~&wG@a[#6 [&VC0vxW!x~=L\ηLj:.em@ ǜY @[j56[mZ1~:Ⱥ &qe% cc(-iY٠\l[K"2}uܒvsbxN_ LajUΌ/{N7k݆d(3nZ/weX+TXtJfV@nP6u9֐o~HSqdc hs1h1H U_@2^P/I$ _+<ڵ{^')-kfϵEJqrNom2z /vò|'жV7bg{XViCз8ccu ZvhvCQY"1_"K0Y*f'Kd[BK8h`*KCrU= }e+QFwU/, E@`a/diGQ$sOR=dJ =LE,QJ^YAT=>#d[cjA˙ёO(*YIT6h52tEqIho|O !eS혇 ~q , å_kZ Ќf!zZw=i'Vx2k7fsC<Іȉi& b```P]?MoRKhW0%aJ`%LhCUd:#3u^3Y]C\7mީ h[c_~ZRq+tHymt5Zh7n 4JQ,E#),Ų=˚UbUmfh߻J.Zy#ٞ5&sRǚ_ӘxFq%R'U@#B e5P}4DbsK54.T̿ rM|(ޢ#47 =ZKu>wZ%V%_M|Tvb >K%BQh++Lf^)1tRlǓT!ALcp0DkţJ 7Ҳ8Rht|<<չV+5#J %r55°$)UM^Z{zxLOWd0^6'ZalG2_c6R=1)?[Q*r9 !reVrO56̻/ "N,6Ğ{f쩠Z{!mT`` nn5˝7 Y:יU8%Ru>wK'a\{Б,JAi 2b;'߅*<ܜ+ă5t+Kʼ,Ԍ*Iåshtr [؛k g&ld^r 50 &WJjqJvҢ2eмYNX)6q =IXr#ly&K}ryQ5~Sޑwc:p gTuT"tZں alA4z+f`d*Woy`&ls8x+9HHr?p?В@ՋEIn1+zjHB\N==L/*9 7E w'`{` bvl+Qyu L_Q9KNZ,D.<3#KHeLK Y#NwQ,:5Z pL0%*(b;7f9$.>- =Bcj"1EOìu?èb(`j3M/GS/M)5ꗡDoJw )Z Qj# v8XBǂf'j*)ۅ5arO tҶ[ $'9Is?O0}٤*fry$4QUc'-30DsM'Q%pHj.Fњя9wsذou69u(W`3od(|c!z{q.T*wH3u=a7U̵Ebxov]Au\6뇋B@- =F7VQ:jH?;j#$'9*`tf]Vg|}b A9]w*d8u^ygI]Ql8mss} &YddcL~La-I{EAfu{BRO ;z 0>Y}3Љ5 *)W1Z9(zkgO>tP4}@ .U;E)ޟ8C\lFygjܲ:)>@ŽʁHx-O?7!㌬;Tu% Z tՎxc<ٲ^rɹIFȑh5Mv "!;Ot3owƝW\xHyfLmŀڥ:^H T?X'l8C  r(7lSd?||Y?ΞzOŪ0 F$_CY~2_"#_X6G԰,<]& d=tl8 3( JU;Ra|xCFg5H8OwI@.xd\ =}l==`vUt mF}a7M^V;hEM \.1[ukGuUa{ec59>Mla-`nb&4#=A7X \1GKo(ʢm[ mOq9jZ]Ҳg;8Ơ\\[9i(Bos%d7Ĺj MMH OHmn5ݓ5 >ޅd1T-}e(q6w}VGA#/]rב%r 2:x8 ʣ( l^M.ҏof>\ʳJkǵLz: |.oC%!ۻiTGex?'cbCs{qV9!&KՒ̣,YXj5EjDYir˪Яy2br.tE=4K>R}(/m5P>riޝ^ߎ=&xܿVmB'On\f` Xk<՞K59s|"y`+$c3}׍^ ~6a-H)ϬAc[08EL1S^,Kg1KɐijtM*Ny󄝵꟰3{`d\$h%BŚoU&ny3 @!@0zB"S{8+QlhΛ$s)b 0tU䘌ʊ`d$+*`J(?&~F_W AQ mKѮAmu,_ (7lH^jSDDy"ڰؙf^l89Va+Bf௽8K{-'vɘr?z.>iI5ҾGkxDy3Ptʸ  sgݙph߼3A?iPÓrwYSS;0_ R[_a*8C;J'J^XG1Z- ‚?zaHaު*e8dlȳTJ}QGt&a-\/ƔeG>h|8⎤Е*5>7X)&lp=gfۅvwO_TIץR&^8)\ :'_YZ>ίO m(LbuXG\QIu ť E ˤ[wl`}+NAP H4y42d:ZQ7u 邽ܲ)S0]l'Du1]k庂cb1vtYcD>sU{;qvn qk۷E(#X5Nk1ڕ H%0m7~(IL:bved6[`TH$೒yrMgX[Wne\D-зP˜~h<=L/a 0' {t)ُOI88F0Ÿ8;uY&_<Ǵ& q ^xzHwkq2W! v#ݦh QcteȆa>$r;x:)Q83m\`OzX߃)g R1&R&ְsGu0~X;8ǂUK`Az[|3'^&^ssV~MR~A -MUƄxo,wSmBVEs:yE:"!R Amk9(|''RYS(%„< ϰ299e- /.ڃoۺbUN H G…M<2^~o}ћДM[n߲pP)C I TL%z7 K I'LQUa+\19C5>#?U}30eIV8Ey$^8kҥs3R;v ,;U˦ ,{ZP{#aCf<>ST3KIkgױ\p[g'xV$ұM|D5; ˻;D{)~0EXOH ^s:2u5{ѺZgr HYaJ4issr 6["ۮk4.X/rXh0CHu;bgRO&wܐT`EL'mK fցO(]rgf:QkQ̺d&P!)NM,c䩴Pכtg! 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VgdJfߌSB7)".+3f \sCdoW̰9_mHa޶ cFrc<%etTĎR(gx!"-kPrV䚆8.=tQ5 qn5X5Q\=KJ{vu#C[jςO=S(+r"p C;Y[Z[F{i eI~g[jDV6ucg{V"!);O&m;ٌ`_hHW6=`,ͭibu)狑FXz6…W♍=$(W[m@Q ͐KOwL+I3^ǵ'fH7 #nCWC*,.8i0Nz 7?&.0̖IR+cx|ΐ3Q ~@bl(WP']LeZߝs`/~'e}e^-c`@cp+n} o1;+.zv& O_/W+GUuq/ú:l!Ao$QY*LJY]ym8|C@KKc Xsd!Z*dAr(.<~A>xJƦ"̗=iR4j?Ϳ#gⰖj.)+)[a^wG+n%xν:^jq2֧ʡblZ}Jي{-3"k(4- LM* '^ y?75}MD-7<+﯃M)P\H%mА`N"3ԥwddxpg IB2H+Ph2]6 Ά@rϝWؔK6'өj8bS7dҰP Ц`8A  fĸ$l򟼡+oNqAVZrH{>/:O(G[ <~\U.vĞ>+B":iV4͌mE/lv%[rJESg{>"7H 5蹷]V@A-Bː0,Бr!ӿ TŦjO\LNCc[) Um%p[ά.Ժi5&mU:Mwn;2/+ؙ6 7~LLx)CNO5qlx=e{J1CK0:M@-^_|6kH[EwXuvvn2o2+ְ0]X{[NHZ 7sAm6r?֏][K? S oksĦzAp[Mm}h.r|.EICRUTk8vK)[13DW衦S`!7Ǽ\IE:Viw t{ʺ~j2:^S!W/̴cq=hC~t? m)R5?]{4K3X#nk ^UŚoi/N"F*XFKW;NcxǖeqU;5h)+Mf>NT.KP6 j0z`#>Pd\H57P_,jPk܀aWelcome to my catalog of pieces and arrangements that are available online. Most of these scores will be available for FREE for the near future. I want you to have them! If you use them, drop me a note to say so-- it makes me happy. Then, if you are able, please donate at [[http://www.nicholaspalmer.com/reprintlicense|my website]] and click on "Reprints". I have published a few works professionally (www.wlp.jspaluch.com, [[http://www.giamusic.com|www.giamusic.com]], [[http://www.masterworkspress.com|www.masterworkspress.com]]), but most of my performable output is here for you to download. You can hear samples of my recorded work at [[http://www.nicholaspalmer.com|my website]] and see what I'm up to. The personal content on this site is not likely to change very often, but the scores will be coming as fast as I write them. 8U!62624W@`8U!0W!1W!0Wfonts/fi!0YP8U!0WPC8U!0Wl9U!0W58U!WW9U!1WHx8U15E5F4484-886F-11E9-B731-F3D41D17C629U!0WP8U!0W!0000-00-00 00:00:00!0W!2021-09-15 08:03:29!2021-09-16 02:12:21U!0W!1W.8U!0W !1(XRepublic!Uncategorised musicU!18852WCentral !1W QH8U9U!http://schema.org!Suo Gan is here presented as in solo vocal score with an accompaniment based on the harp version also available here. The text includes the Welsh, a transliteration, a singable English prose text and a new Christmas text. [12-2007]A correction has been made in the lyrics. !10.00W !0W8U!1W!WW!Robert Bryan q059Ux8U059Ux8Up6UY8U8UH4UB8UX2Ud8Uh4U 8Uh8U6UP8U6Uh8U8Uh_2UH8U85U8U885U88U85U`8UP8U^i2Ux8UΌ2U8Un4U8U2U8U@f8U2U8U8U5U8U9U8U6UP8Ug8U5Uh8Ul8Ux6o3U8U4U8U(b2U8U+_2U8U,_2U8Uh/_2U08U6UH8UHg8UX:5U`8Ux4Ux8Uh5o3U8Uh2U8U/_2U8U 4U8Ui8U16U8Um8U46U8U=4U 8U45U88UH1_2UP8U85Uh8U85U8UXDe3U8U87U8U؝2U8UX85U8U85U8U)6U8U885U(8U85U@8U85UX8Up,5Up8Ux85U8Uj8UH85U8U85U8Ui8U4U8U2U8U k8UX2U8U85U8UX 85U08UH!85UH8U"85U`8U3Ux8UH%85U8Ug8U&85U8U(6U8U&85U8UhG85U8U8<25U8U8h8U 6U 8UZ85U88UP6UP8U5Uh8UA6U8U)_2U8U54U8U_85U8U_85U8Ul8U`85U8Uh8Uc`7U8Uf`7U(8U25U@8U25UX8U25Up8U(i8U c2U8U"c2U8U(g85U8Ug85U8UW4U8UXf85U8Ue85U8Ug8Uc85U08UPk8UOm2UH8Uxg8U m2U`8Uj8UX~`2Ux8Uh8U`2U8UHb85U8Uxj8U&_2U8UhAT2U8U8DT2U8U>T2U8U`m8U7U 8U4U88Uhh8UH5UP8Uk8U(t85Uh8Up85U8Um8Uj6U8U885U8UI85U8Uk8U85U8Uxa85UI69U85U8U6U8Ul8UH4Uh8UX2U8Uh4U88Upl8U6Uh8U6U8Un8Uh_2U8U85U8U885UP8U85U8UXi8U^i2U 8UΌ2U88Un4UP8U2Uh8Uxp8U2U8Uj8U5U8Uȭ9Uf 9U6U\ 9UPq8U5U] 9Uk8Ux6o3U`^ 9U4Ux^ 9U(b2U^ 9U+_2U^ 9U,_2U^ 9Uh/_2U^ 9U6U^ 9Uq8UX:5U_ 9Ux4U _ 9Uh5o3U8_ 9Uh2UP_ 9U/_2Uh_ 9U 4U_ 9Us8U16U_ 9Uk8U46U_ 9U=4U_ 9U45U_ 9UH1_2U_ 9U85U` 9U85U(` 9UXDe3U@` 9U87UX` 9U؝2Up` 9UX85U` 9U85U` 9U)6U` 9U885U` 9U85U` 9U85Ua 9Up,5Ua 9Ux85U0a 9Ut8UH85UHa 9U85U`a 9Us8U4Uxa 9U2Ua 9UXu8UX2Ua 9U85Ua 9UX 85Ua 9UH!85Ua 9U"85Ub 9U3U b 9UH%85U8b 9UdefScor -0&(*0*0+0 !()0(0 ( 8UQ0g8U1ȃ8U]{f370075!370631W!2019-01-10 17:06:12U10000-00-00 00:00:00g8U01Be Thou My Vision for Clarinet Quartet !44Wc8U!511W@Y8U!2W8X!2WeScores!2019-01-10 16:58:05dZi!2023-02-24 22:20:31!sibW _8U 8UЅ8U8U`8U0 8U8U8U8U8U@8U 8U 69U8U8U8U8UP8U8U 8U8U8U8U8U8UP9U08Up8U8UP8UІ8U08U8p 69U#9U8Uh8Upp8Up8Ux8U8U 8U8Ux08U`8U@8UxP8Up#9Up8U8U 69UЇ8U8Uh8UЈ8U8Up8Up8U8Uh 8Ux08U@8UxP8Ux8UxP#9U8Up8U#9U&(,0.0vx-0&(8U8U8U8U8UА8U8U8U8U8U 8U08U@8UP8U`8Up8U8U8U8U8U8UБ8U8U8U8U8U 8U08U@8UP8U`8Up8U8U8U8U8U8UВ8U8U8U8U8U 8Up8Uidden paC69U08U~8UR69UN69UP59UDӕ8U}8U8U4U0K69UR69U8O69UQ69UH8U|8Uk8U8Up8U8R69U8U(M69UЯ%9U`8UpT8UQ69U J8U8Up8U88U@q8U 8Uq8UP8U`r8U8Us8Uh8Us8U8U@t8UL8U7Ux8Ut8Uؔ8U@u8UxQ69U"9U8U R69U ($9U`8UЖ8U 8U$9U $9U8U8U8U8UX>#9U08Ux8U8U8Ut9U(#9UH8U08UX8U88U8Uؗ8U8U`8UP8U h8U!8U"8U#8U$Ș8U%8U&8U'8U((8U)@8U*X8U+p8U,8U-8U.8U/Й8U08U18U28U0($9U08U8UM69Ux8U(#9Up#9U 59UD8U~8UD 8U08UD`S8U8U8UD8U !9UDP"!9U !9UD"!9Up!9UD|!9U8UD8U@8UDS8U8UD8U8UD08US8U  8UЉ8UDe8U8UDPf8U8UDf8U8UDf8U8UDf8U 8UDf8U08UDg8U@8UD g8UP8UDg8U`8UDg8Up8UDh8U8UD0h8U8UDph8U8UDh8U8UDh8U8UDh8UЊ8UD@g8U8UDg8U8UDg8U8UDh8U8UDi8U 8UD 9U08UD 9U@8UD 9UP8UD@ 9U`8UD` 9Up8UD 9U8UD 9U8UD 9U8UD 9U8UD 9U8UD@ 9UЋ8UD0i8U8UDPi8U8UDpi8U8UDp 9U8UD 9U 8UD 9U08UDЅ 9U@8UD 9UP8UD 9U`8UD0 9Up8U8UDP 9U8UDp 9U8UD 9U8U8UD 9UЌ8UD 9U8UD 9U8UD 9U8UD@ 9U8UD` 9U 8U08UD 9U@8UDp 9UP8UD 9U`8UD 9Up8UDЌ 9U8UD 9U8UD 9U8UD0 9U8UDP 9U8UDp 9UЍ8UDf8U8UD f8U8UD` 9U8UD 9U8UD 9U 8UD 9U08UD 9U@8UP8UD 9U`8UD 9Up8U8U8U8U8U8UD@ 9UЎ8UD` 9U4-23 20:QHڵ8U<3U!Homeut9999998!ӨA 8Up 8Uc.-expires@Ф8Uؤ8U8UȤ8U8U8U  ?defScoreExchangeMp3sMp3sID8UID8UP %$9U8UQ@[1072243$9U$9UP1$ 09U-9U588242`,9U`,9U166225!^8U59UP0/9Uإ8Uf178319[49U -9U 059U(8UK579134q.9U29U 039Ux8U(177992!P$9U39U0Ь39UȦ8U /562508! 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69U-9U0@/9UH8Uc176337!P59U !-9U0]19U8UOx205052y59UP/9U 0",9U8Uh168882q`Z09U+9U 0 +9U88U5w184777!P$9UP+9U0,9U8Uk/V17828929U 869U 0Pw 9Uض8U]175972@/9U0/9U 0,9U(8U8119!8U,9Up0/9Ux8U#137368H39UP39U 0 Q39Uȷ8UN177706.9U0-9U 0H,9U8U1ʖ596872qP{-9U@h19U 0`19Uh8U y174956! 39U19U0p9U8U:t125962A`/9U 19U/9U8UnMY173063! 69U@/9Up0@/9UX8ULI 95518! 69U29U049U8U- 178240Ql59Up;39U/9U8U176932!`8Upb.9Up0g8UH8U{6463!P$9Uh8U0-9U8U`K7471AH39U,9U 049U8UT\U178125q19UМ+9U 059U88U174945!8U059U00`49U8U_r"174362-9UЃ39U 039Uػ8U?539125q+9U`739U 0739U(8UBW175002!^8U@29U00 /9Ux8U1j177906q w/9U,9U 0,9Uȼ8URd176472!09U O/9UP00,9U8UN174865`;19U39U 0-9Uh8U ^174350!8U0-9Up049U8U;֚178079!P$9U49U00B/9U8UiȽ120335.9U009U 0W.9UX8U^176067q,9U@F59U 019U8U145926!8U19U0P09U8U}178809!09U8U0p09UH8UM401306ap09U49U 0P49U8Uj616476z19U!.9U 0`"19U8U`b176374!^8U X.9Up0!.9U88U2547269q09UP,9U 0/9U8U 3177616! 9U/9U0;39U8UZ6880!009Up+9U09U(8UoB177993q-9U.9U 0.9Ux8U#617971!09U.9U008U8UF>60489259U0069U29U8U608579p519U039U 0 .9Uh8U175336!^8U@8Up059U8Uc402473 y-9UP{,9U 0p{,9U8Uh&175038@59U09U 009UX8UϺ613609q8UP569U 0 w39U8U>C%178504!`8UPw39U0069U!8U49Us="refineField " rel="Saxophone"> "> Quintet< 49U08U https://www.scoreexchange.comearch?q=%22Benjamin%20McKee%22%20%22Mattias%20Larsson%22%20%22Daniel%20Reynolds%22%20%22Daniel%20Sermon%22%20%22Daniel%20Platzman%22%20%22Justin%20Tranter%22%20%22Robin%20Fredriksson%22&page=3 8Uq9U!p9U 3U "Benjamin McKee" "Mattias Larsson" "Daniel Reynolds" "Daniel Sermon" "Daniel Platzman" "Justin Tranter" "Robin Fredriksson"U8Uq059U059Up49U8U p8UHY;6U;6Uquot; &q1X 8Us="refineField " rel=""> <8U8XqX~8UineField "> Quartet< IsSoloInstrumentq 8U8U8U8U8U8U8U08UH8U`8Ux8U8U8U8U8U8U8U 8U88UP8Uh8U8U8U8U8U8U8U8U(8U@8UX8Up8U8U8U8U8U8U8U8U08UH8U`8Ux8U8U8U8U8U8U8U 8U88UP8Uh8U8U8U8U8U8U8U8U(8U@8UX8Up8U8U8U8U8U8U8U8U08UH8U`8Ux8U8U8U8U8U8U8U 8U88UP8Uh8U8U8U8U8U8U8U8U(8U@8UX8Up8U8U 9U8U8U8U8U8UW8U@p8U8U 8U?08U8UWH8U@8U`8U8Ux8U8U8UW8U@08U8U`8U88U8U(8U 8U8U8UW8U@8U 8U?88U8U8UP8U8U@8Uh8U-group has-feedb8U 8U?8UhZ`8U8Untrycode" class=8U-label col-md-5"8UW8U8Uo9U(8U@8U@8UX8U08UX8U 8U8Up8U8UW8Ubutton" class='b8Uink btn-xs img-l8U-icon' tabIndex=8Ua-toggle='toucht8Ue="The country t8Ulive in is impor8Uus because if yo08U purchase we areH8Ud to charge diff`8Uxes (VAT) to difx8Uarts of the worl8U class="glyphico8Ucon-question-sign> p 8U(8U8U 8U8U8U8U8U8U8U8U8U8U&69UP8Ux8U8U8Ua8U`8UP(69U8U8UH8U@8U8U'69U8U8U8U8U8UX8UX8U'69U8U8U08U (69U&69U8U8U8U8U8U 8U8U@8U m9UP8UH8U8U`8U'69U8U'69U8Uh8U&69U 8UP8UH'69U8U@8U(58U8U8U8U8Uh8Up8U8U8U(8Uh(69U8U8U'69U88U!8U@8U8U8UD 9U8UD 9U8UD 9U8UD 9U 8UD 9U08UD 9U@8UD@ 9UP8UD 9U`8UD 9Up8U8UDЍ 9U8UD 9U8UD 9U8UD0 9U8UDP 9UЏ8UDp 9U8UD 9U8UD 9U8UDЎ 9U8UD 9U 8UD 9U08UD0 9U@8UP8U 8UD@S8UP8UDS8U`8UDS8Ut8UDS8U`}8UDT8Uy8U8Uw8UDp[ 9U x8UD[ 9U0x8UD[ 9U8UD\ 9U8UD0\ 9U8U8U~8UD!8U~8UD`!8U~8UD!8U8UD!8U8UD!8U s8U8U38UDQ8U38UDPR8U38UDpR8UH8UDR8Up78UDR8Ux7Upx8U0:8UDP\8U`:8UD\8Up:8UD\8U8UD\8U8UD]8Uj48U8U 8UD8U 8UD8U 8UD08U 8UDP8U 8UDp8U 8U 48UP8UD8U8UD 8U8UD@8UМ8UD`8U@~8UD8U`r8U:8U8UD068U08UD68U@8UD68U@8UD68U=8UD68UI8U@ 8U8UD8U8UD`8U8UD8U8UD8U8UD8UF8U8U 8UDЀ8UP8UD08U`8UDP8UP8UDp8U k8UD8U8U8U@g8UD8Upg8UD8Ug8UD08UP8UDP8UQ8UDp8U=8U8Um8UD 8Un8UD8Un8UD8U8UD8Up 8UD8Ul8U0a8U8UDpG8U8UDG8U8UDG8U08UDH8U 8UD0H8Uk8Ug8U 8UD _8UP8UD_8U`8UD_8U=9UD_8U8U P 9U(4U"@85UP8U8Ug 9U9U 38UDQ8Ux8UD[ 9U8Uw8UDZ 9U!9UD|!9U!9UD}!9UЁ!9UD!9Uw8UD[ 9Ux8UD[ 9Uw8UD0[ 9Uw8UDP[ 9U8U  0O8U 8UD 9U08UD 8U@8UD8UP8UD8U`8UD8Up8UD08U8UDP8U8UDp8U8UD 8U8UD 8U8UD 8Uе8UD0 8U8UD` 8U8UD 8U8UD 8U8UD 8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8UD08U8UD 8U8UD@8U8UD`8U8UD8U8UD8Uж8UD8U8UD8U8UD8U8UD 8U8UD08U 8UD 8U08UD8U8UATraditional Irish arranged by David Burndretth8U!David Burndrettg8U10W0!496W ^8U!0W^8UAbe thou my vision for clarinet quartet prs.sib 8U!2019-01-10 16:58:05U!0Wc8U!1122W@Y8U!1Wc8U!1.00Xi8U!2019-01-10 16:58:06U!1Wpi8U!1W(i8U!0Wj8U!WWh8U!0Wg8U10Wi8U0!0YЍ8U!2W8U!This arrangement is about grade two to three standard upwards. I have tried to keep it simple while making it sound interesting for all standards of playing. Each instrument gets part of the tune. The clarinet 4 part can double as a bass clarinet part. ACopyright © February 2013 (Burndrett Music)U{8U!WW["108316","37491","156166","94873","109528","419181","135662","424319","96536","159414","140427","137657","139679","97905","171890","101886","160029","362449","170110"]8U8U!2020-09-06 00:24:55U!1W8U!0000-00-00 00:00:00U!WW8U!0Wh8U!0W8U!0W!650x919X8U!0W10W8U8U0!1[P8U!0W!0.0000W!2019-03-13 20:26:331Fr Elise for Clarinet QuartetScores!0W!0W!2W!0000-00-00 00:00:00!0W!0WQFür Elise for Clarinet Quartet Ludwig van Beethoven arranged by David Burndrett David Burndrett This works well as a concert piece or just for fun! The clarinet four part is the same as the bass clarinet part, if you need one. Check out my catalogue or related scores below for more of my music for clarinet quartet. U!0Wl8U!0W8U!0WeExchang!0WNetwork!0000-00-00 00:00:00neA!WW8U!0W08U!0WdefScor!0WHiddenH!Y(Y8U!192799W8U!0W8U!0WeExchang!3.95WrIDPubl!3.95W8U!4.00WL8U!0Wq8U!WWeExchang!0.00WEPSCoun!0W8U!1W xZxZanel panel-default refineOption refineDateAdded " id="refineDateAdded">

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    !WW0Quartet of Clarinets in Bb0)6U8U85U8UX85U8U87U8Up,5UP8U؝2U8U8UH85U8UV8UX:5U@8U6U(8U8UX2U8U"85U@8U3UX8UH%85Up8U8U&85U8U(6U8U&85U8UhG85UП8U8<25U8U'69U 6U8UZ85U8UP6U08U5UH8UA6U`8U)_2Ux8U54U8U_85U8U_85U8U8U`85Uؠ8U`'69Uc`7U8Uf`7U8U25U 8U25U88U25UP8U&69U c2Uh8U"c2U8U(g85U8Ug85U8UW4Uȡ8UXf85U8Ue85U8Up&69Uc85U8U8UOm2U(8U8F 9U m2U@8U'69UX~`2UX8U0'69U`2Up8UHb85U8U&69U&_2U8UhAT2U8U8DT2UТ8U>T2U8U 8U7U8U4U8Ux'69UH5U8Up8U(t85U 8Up85U88Uh8Uj6UP8U885Uh8UI85U8U8U85U8Uxa85U8U85U8U6U8U`8UH4U8UX2U8Uh4U(8U08U6U@8U6UX8U8Uh_2Up8U85U8U885U8U85U8U88U^i2U8UΌ2U8Un4U8U2U8U88U2U08U8U5U8Uq9Ux8U6UH8U8U5U`8U8Ux6o3U8U4U8U(b2U8U+_2U8U,_2U8Uh/_2U(8U6U@8U@8UX:5UX8Ux4Up8Uh5o3U8Uh2U8U/_2U8U 4U8U8U16U8U8U46U8U=4U8U45U08UH1_2UH8U85U`8U85Ux8UXDe3U8U87U8U؝2U8UX85U8U85U8U)6U8U885U 8U85U88U85UP8Up,5Uh8Ux85U8U8UH85U8U85U8U8U4U8U2Uh8U8UX2U8U85U8UX 85U8UH!85Uȿ8U"85U8U3U8UH%85U8U8U&85U(8U(6U@8U&85UX8UhG85Up8U8<25U8U08U 6U8UZ85U8UP6U8U5U8UA6U8U)_2U8U54U08U_85UH8U_85U`8U8U`85Ux8U8Uc`7U8Uf`7U8U25U8U25U8U25U8U 8U c2U8U"c2U 8U(g85U88Ug85UP8UW4Uh8UXf85U8Ue85U8U8Uc85U8UH8UOm2U8Up8U m2U8U8UX~`2U8U8U`2U8UHb85U(8Up8U&_2U@8UhAT2UX8U8DT2Up8U>T2U8UX8U7U8U4U8U`8UH5U8U8U(t85U8Up85U8U8Uj6U8U885U08UI85UH8U8U85U`8Uxa85U8K8U85U8U 8Uq2U 2U2U 9U!8UP8U SE::Score (8U $9U 8Uwm39U8U 1072254 Quarte!098U0 00:00:00!2014U0916:59:15!KeyValue` 9U !P8UY8U 07U 8UWPP49U39UA/seview/preview/scores/94873/20141109165915/0/1x260.png!496[ 8U!0W1fur elise for clarinet quartet prs.sib!2019-03-13 20:23:39U!3Wh+8U!1265W C8U!2Wp`8U!1.00X8U!2019-03-13 20:23:41U!1Wh8U!1W 8U!0W8U!WW8U!0W8U10W8U0!0Y|9U!2WУ9UThis works well as a concert piece or just for fun! The clarinet four part is the same as the bass clarinet part, if you need one. Check out my catalogue or related scores below for more of my music for clarinet quartet. 8U!2.95W8U!0W4U!1W4U!0W4U!WW4U!WW4U!0WP@8U1WWWW0!5.00U28 23:39:15Jupiter Hymn for Clarinet Quartet by Gustav Holst arranged by David Burndrett. Written for Quartet of Clarinets in Bb with a duration of 2 mins. Purchase, download and print sheet music PDF file now!Jupiter Hymn for Clarinet Quartet by Gustav Holst arranged by David Burndrett. Written for Quartet of Clarinets in Bb with a duration of 2 mins. Purchase, download and print sheet music PDF file now!a 8UC9U!!ID 8U !8U08U @(?^:INITIAL_ANALYTICS_STORAGE_PERMISSION)@!others8U QHF8UV59U1x8U.Z@type1instrumentationNavMenu44@8U!W8Up!0000-00-00 18U .156166!157079W !172981W !5119U !2014-11-09 16:59:15 8U8U8U08UELECTEDCATEGORY0 08U8U Q069UXtp://schema.org","itemListElement":[{"item":{"name":"Home","@id":"https://www.scoreexchange.com/"},"position":1,"@type":"ListItem"},{"item":{"name":"Search","@id":"https://www.scoreexchange.com"},"position":2,"@type":"ListItem"}],"@type":"BreadcrumbList"}]Cornet 1}8U 8Uan>bel> 8U88U@ 9U9U8Ux8U8UH9Ux9U*8Ux8UP8Uh8U_8U8Uغ8U9Ux8U8Ux 9U?8U(8Ux9U+9U.9UH8U8Ux58UȈ8UX#8Uh8U18U*8U(8Ux8U9U09U8U@[9U}8U}8U`Y9U78U:59U39U.9U9U`8U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U1WW0!0H]p#8U!0W!0W!0000-00-00 00:00:00!WW!0W!0W!0W 9U$9Uf9U9U8U 88U9US8UxR8U``8U8U 9U8Uz"8U08U8U48U`9Ux8UH8U 9U9U 9U9Ur9U9Up9U8UЏ8Up8U 9U9U9U.8UH9Uh8U9U\8U.8U8U@8UD8U d8U?8U 9U9UP48UP8UV8UhD8UD8UЩ8U7U`9U&8U8UP9Ux#8U`+8UP7UG8UE8UpA8U48U`8U8UG8UB8U@8U@"9U8U(8U8U 9UK 9UH8U(9U8U`S8U

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    8U8Up 0E0h9U !Search!2024!301072W1Clarinet 1 in Bb0!W@8UX?8U!WW !2611811ADAP3::FunctionArgs::DESTROYtionae!.8U!675759Y.8U!0W!0W d8U!0.00W!7.95WP8U!5.00W`9U!0W7U!WW8U!0.00W`+8U["108316","156166","37491","419181","109528","393669","159414","171890","424319","140427","96536","139679","135662","420254","137657","97905","170110","171419","160029"]8U12020-09-23 19:43:55U8U0!0Y88U!2Wx8U!2013-05-20 15:12:57U!0W_8U!0Wx8U!Jupiter Hymn for Clarinet Quartet Gustav Holst arranged by David Burndrett David Burndrett This works well as concert piece or just for fun! The clarinet four part is the same as the bass clarinet part, if you need one. I have added an optional piano part. 4U10W4U0!0Y88U!0W!114W '8U!0W.8U!0.00W!0000-00-00 00:00:00!0W!0W!WWtp://sch!0000-00-00 00:00:00{"it!0000-00-00 00:00:00tps:!0000-00-00 00:00:00posi!0000-00-00 00:00:00{"it!50Wid":"htt!0000-00-00 00:00:00,"po!0W !SE::Score::scoreErrors11.00 9U#9U#9U0XV8U8U(8U/8UX8UE8U8Uh48Uxw8U(L8U@8U8UIV8UH8UP΢8UX$9U1INITIAL_ANALYTICS_STORAGE_PERMISSIONU!08U1IDgeDisplayYntUPER7U01SE::Score::setErrorCountstUޓ8U!2014-11-09 16:59:15!25W13513W0!HASH8Ub' data-!HASHW -\4Uk-\4Uk-\4Uk-\4Uk-\4Uk-\4Uk-\4Uk-\4Uk-\4Uk>8UU8U4U>8U0<8U4Up<8U=8U<8U=8Up=8Up:8U>8U=8Up:8U28U4U?8U0?8UP?8Up?8U?8U?8U?8U?8U?8U@8U0@8UP@8Up@8U@8U@8U@8U@8UA8U0A8UPA8UpA8UA8UA8UA8UA8UB8U0B8UPB8UpB8UB8UB8UB8UB8UC8U0C8UPC8UpC8UC8UC8UC8UC8UD8U0D8UPD8UpD8UD8UD8UD8UD8UE8U0E8UPE8UpE8UE8UE8UE8UE8UF8U0F8UPF8UpF8UF8UF8UF8UF8UG8U0G8UPG8UpG8UG8UG8UG8UG8U08USH8U2U8Uy8U2U8Ut8U5Ug 9Uȃ8UX18U6U'8UH8U5U'8U N8Ux6o3U)8U4U0)8U(b2UH)8U+_2U`)8U,_2Ux)8Uh/_2U)8U6U)8UH8UX:5U)8Ux4U)8Uh5o3U)8Uh2U*8U/_2U *8U 4U8*8U 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c2Uh$8U"c2U$8U(g85U$8Ug85U$8UW4U$8UXf85U$8Ue85U$8Up8Uc85U%8U`t8UOm2U(%8Up8U m2U@%8Us8UX~`2UX%8Uq8U`2Up%8UHb85U%8Us8U&_2U%8UhAT2U%8U8DT2U%8U>T2U%8Upv8U7U&8U4U&8Uxq8UH5U0&8Ut8U(t85UH&8Up85U`&8Uv8Uj6Ux&8U885U&8UI85U&8Uu8U85U&8Uxa85U8U85U] 9U6U 8Uu8UH4U8UX2U8Uh4U] 9Uu8U6U^ 9U6U0^ 9Uw8Uh_2U@8U85UX] 9U885U^ 9U85UX8Uhr8U^i2Up8UΌ2U8Un4U8U 1The Trout (4th Movement) for Clarinet Quartet Franz Schubert arranged by David Burndrett David Burndrett This is a fun piece for clarinet quartet and it is about grade one standard upwards! Each part gets the tune.  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8U~u456978!HASHW 8U!HASHW(8U!HASHW %8U!HASHW8U1HASHWp8U8U0!ID9U This catchy little calypso tune was originally written to feature two clarinets with piano accompaniment but has been expanded here to a full orchestral arrangement. There is plenty of interest in each part. There is an optional Piano Accompaniment part included in the score. The original tune was written in 1999 but not revised until 2008 and 2019. If you use this piece, write a review and tell me how it goes. The clarinet duet version is still available and as well as a version for Clarinet Choir (Sextet) and Concert Band. [See associated scores.] The MP3 was recorded with NotePerformer 3. 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17:38:371sibWP8U0!!0!9Ueexchang!0000-00-00 00:00:002022!0W`!0Witar Cho!0W Leadshe1WWsheet music now!01Consider all ye passers byZ0Q8U!0_9U10W0!2022-09-23 10:41:06!10`H9U !08Uend of m!0W@!0000-00-00 00:00:00!0W!0000-00-00 00:00:00!0000-00-00 00:00:00!SearchData8U Qr8U:8U8U!X`8U!WW10000-00-00 00:00:00U`9U0!USQLrencyIDConcert for guitar and orchestra (2000) with reminiscens (Joaqu�n Rodrigo Concierto de Aranjuez) in second part. 1W8U*$563304 P 9U0 9U78`q8U49U09U 0 9U49U89U9U19U;9U 69U`Q8U8U@D8U  8UPp59U>@39U !@ 49UR8U  59U`8U39U(;8U (d48U08Up09U  8UB8U.0pǡ8U@69UB9U (9U 49U8U0p39U59U !(8Uz8U9U9U1paulbrookshorniii@gmail.com565868!WW !WW !5302510ޯ8U Q.5Udvertise | !23.99p9U GOIN’ FISHIN’, S.A. & Piano (Guitar Optional) is 2-part canon (and may also be sung in 3 or 4 parts). The tune swings and the lyrics sing of the simple joys of fishing, including finding some worms ("look at ’em squirm).!TotalSalestotalSales1i8Uxnu530251!0K8U!0.00W!0000-00-00 00:00:00!0W8U!0W !0.0000p8U !418349@Z7U !2019-08-27 06:48:12!0xX8U!147040Ww!WW!1W!0W11W0!W e8U !JPC[k8U1k8U 8U8UAV@mX@mX@m!JPXW1`p8U p8Uo8UiAV@mX@mAW@m!JPSW1o8Uo8U`o8UAV@mX@mX@m!J2CW1m8UPm8U8UAV@mX@mX@m!J2KW1 n8Um8Um8U`8UAV@mX@mX@m!JNGW18U8Ul8UAV@m @mAW@m!JPGW1@o8Uo8Un8UAV@mX@mX@m!JPMW1m8Ul8U m8UAV@mX@mX@m!JPTWApl8U0l8Ul8U2IENDB`s@!30 68U 10000-00-00 00:00:00de:j35{0!2013-04-17 09:37:1010W:00Upublic08r8UW4U`8U,_2UP8UX85U.59U,_2U8U8Uxv8U@8U4U 8U2U8U@3U -9UH`8U4U5Ux9U9UH~/9U`f/9Uk`7U(8U885U8UHݵ8U.9U.9U9UX09UHw09U9Uhg8U@8UX8U`3UpW8U3UД8UW4U@8U6U59U?8U`78Ut8Uh_2U0L8Ux4Uh&8U3UH8U`8UHB09U009Um8U5U88U_5U0S8U8P8Ud2U8U_85U8U(8U=4Uxk8U85U7UX85UH8Ux6o3U 9U8U7U8Uc2U8U"85Ui8Uy7U8Uh2U9U8UR6UL9UP8U5Uf8U7U]8U 8U5Up,8Uy8U,9U8U5UH9U85U.8Uo8U=4Uk9U%8U6U8U87U`8U6U}7UxB5UhY8U>T2U8Ug85U 8Ux8U=4UM9Up3UX8U9UH`/9UH-/9Uحp3U(A8U,8U16Uf8Ux9U.9U819U`/9U-9UP-9U6U^8U͢8U7UK8U8U8U=4U68U5U8U5UX9Uh~5Uh$2U08U5U*8U8j8Ux,.9U19U8DT2U蚖8Uإ8U7U7Ux98U,9U`p,9U6Ux9Uh~5U(c8UP6Uh/8U-9UH-9U@Q-9UT8U7U@8UHb85U8UZ85Uh8U08U5Uh8Uh9U8UJ"8U(t85U`8U85U@{8U"c2U@8U8UN{7Uhu8UH8Uc85U8U6U8U4U 8UP"8U8k4U8U(@49UM39U $39Ua8Ur8U8U"/8U5U(8U5Up8U`P8U,9UX,9U>8U5U8UH5U8 9Up8UX[,9U0 9Uh8U8UȲ 9U6U8UȾ9UH~5U,8U8U5U<48Ux4Uآ8U8#7U088U~5Ug8UΌ2U28U)6U`8U 4U8UH5U8UX85Ug8U885U8U48Uc85Uhq 9U85U?8U!8UH5U!8U;8U(,9U,9Ux6U8"8Ux*/8Uj6U.8U]8U(S/9UX)/9U54U8U)6Ux8U)6UP?8UhG85U28U&85U` 9U8U=4UpC8U85UX8U9UD,9U8U藷8Uj6Uz48U8U(8Uf8U5U8UH~5Uv 9UA6UxU9U6UV8UH49U/9U/9Ux6o3U؉8U2Uܓ8UH8U/9Uk/9U5U8U9U;19U 19U85Uxz8U_85Up8U49U8,9U8U8Ux/9UP/9U09U6U=8Uy7UhV8Up8UX.9U.9U~5U`8UH!85U18U6UP8UX8U16U(:8U~5U8UC8UHl-9UpK-9Uc2Uy 9U(5U8UHb85U@8Uг8U7Ux8Ux$8U$.9U`19Up85U-8Ub59UhT09Uh609U&85UP8U+_2Uk8UH~5U@.9U7Uhe8U<8U4U68UH4U8UA6U8UC8U16U(&8UP`8U+9Uw8U8m8U&85UY8UK8U9UH9U_85U8U9Uh~5U[9US8Ud2UR9U`8U;8U8U8Ur8U8U9U8Ue8Up48U<8Up8Ux8U 9UL8U8U8UW8U`9U 9US8U 9UH8UXF8U8U8U 9Uy8Uس8UP8U*8UH9U(U8U8UC8U88Up/8UP;8U9UP9U0 9U8UPC8U 38U8U9U 9UxF8U8Ux8U 9U9UpU8U`l8UH48UHr9UP8Uܵ8U}"8U8UD8U0w8U08U98UP8Uز8U{8UM8UH78U8U/8UХ9U`i9U۵8UJ 9UP9Ug8UConcert for guitar and orchestra Jonas Tamulionis none Concert for guitar and orchestra (2000) with reminiscens (Joaqu�n Rodrigo Concierto de Aranjuez) in second part. 8U!0W8U10W(v8U01WWp|8U8U0$8U8 9U @{8UwE7U @pI9UR8UD 8Uʓ8UD@$8UC?8UDQ8U089UD9U`i8U `m8UU8UD8U M8UD08U@tT8UDPt8UP8U p8UP18U\8UDf9U k9U28UD0 8U8UU@8Uh78U 8UUp7U`8UD8U8UDE8U c8UD98U(8U9U8UDF9U8U8Uȶ8U0D8UDg8Uy8U)8UD8Uc8UD`8U08UD v8U8Uȶ8U8UDs8U8UD8UM8UDp8U8UD0C8U`8UD8Uk9U28UDpm8U8UU8U#8UDPK8U8UD@9U 9UD8U8UV8UD0n9U8UD8U`8UD@9U0=8UD8U88Uȶ8Us8UDA8U 9Uu8UDK8UHr5UX6Uq9U9U @p8U S8Up38UD%9U@}8UD|8UǓ8UDu8U8U 8UD 8U8U(f8UD`8UZ8U \8UЌ8Ur8U8U5U8UD O8UP=9UDФ9U`8UDt8Un7U" 16U8UD9U@8UD8UЧ9UD8UBC8UDР8U_9U 8UD8Uu88UDP8U@8UD9U:9U49UD`8U8UD >8U78UD8U9UD_8U8UDP8U 8U 8U8UDB8U9U @X8Uu8UD+8U8UD8U0508UD8U@8Up 9UzV8UD8U8UD8UT8UD8U8UD8U08UD8U@e9U`` 9U 9U0E8UD@u8U_5UP&2U8UDo8U8UD*8Up8UD8U9U@38UD 8U08UDp8UV8UDi8U g9U2;8UDP8U(,8UD@88U88UH8UD S8U୔8UDU8U 8U8UD8U@8UDp 8U9U8U @ 8U<8UD?8U`S8U  F8U@?8U8UDP8U@8UD@d8UPg 9UD 9Um7U" 16U8UD09UV8UDP8Up;9UD@m8U78U`8Up=3U8UU8UK8UD Pd4U8UW8U  p8U9U2ʓ8UD`9U8UP9U8U4U" 16U X9UD 8UH8U@8UDA8UХT8UDJ8U8UD0d8U9UDg8U?18U28U @ 8U`8UD68UvN8UD*-8U29U69U 9UDG8U 8U P9UDh8U X8UD%08U8U8U0u8U 8Ufpd8U8UD!8UMt8UDp8U i8UD8Uá8UD8UPq8UDj8U8UH8U8U@8U 8U8U8U 8U8U8U8U88U8Up8Up8U8U8U؜8U:8U8U08U8U(8Uh8U`8U8U@8U8U8U8Uȝ8U8Ux8Ux8U8U8U(8UP8U`8Uȗ8U8U08UЛ8U8U 8U8U8U`8U8U8Uh8U8U8U8UH8Uؖ8U8UЕ8U8U(8Up8U8U8U8U8UP8U8UО8U88U8U8Up8U8UH8U8U8U8U8UX8U8U!650x918^8U!0W!0W!5.00W!2023-03-10 14:04:01!2023-03-10 14:07:04!12920292W!19379839W!0000-00-00 00:00:00!0000-00-00 00:00:00 OPAH+0$( SX =@AH y "(;@8UQ8U1H8UW7420980!sibx[Hy8U!154W!0WU8UaA Dragon's Heart (Theme 97) FULL Orchestra 2020 Combined FINAL v3 Extended Link.sibU!2020-01-16 04:23:59U!0Wж8U!1195WU8U!0W8U!1.50X8U!2020-01-16 05:20:10U!1Wp8U!0W(8U!0W8U!WW8U!0W8U10Wк8U0!4(YC8U!1Y8U!0W8U!0.0000W8U!2020-01-16 05:42:06U1A Dragons Heart Orchestra8U8U!0W4U!0W4U!10W4U!0000-00-00 00:00:00U10W4U0This original tune was written in 2001 with a light rock-ballad feel. Dedicated to my wife Glenys. It has no lyrics as yet. This composition has now been updated (2019) and arranged here for Orchestra. There are optional parts for the 3rd Clarinet and Bass Clarinet. [Updated 25-04-2020] A version for Concert Band is also available on this website. The MP3 was recorded with NotePerformer. Grade = 3 Duration = 4:30 minse8U!5.50W!1W!0W85UЫ8U)6U8U885U8U85U8U85U08Up,5UH8Ux85U`8Up8UH85Ux8U85U8UP8U4U8U2U8U8UX2Uج8U85U8UX 85U8UH!85U 8U"85U88U3UP8UH%85Uh8U8U&85U8U(6U8U&85U8UhG85Uȭ8U8<25U8UP8U 6U8UZ85U8UP6U(8U5U@8UA6UX8U)_2Up8U54U8U_85U8U_85U8U8U`85UЮ8U 8Uc`7U8Uf`7U8U25U8U25U08U25UH8U@8U c2U`8U"c2Ux8U(g85U8Ug85U8UW4U8UXf85Uد8Ue85U8U8Uc85U8U8UOm2U 8U8U m2U88U8UX~`2UP8U8U`2Uh8UHb85U8U@8U&_2U8UhAT2U8U8DT2UȰ8U>T2U8U(8U7U8U4U8U8UH5U(8Ux8U(t85U@8Up85UX8Up8Uj6Up8U885U8UI85U8U8U85U8Uxa85U 8U85Uh8U6Uy8Uh8UH4U8UX2U@8Uh4UPy8U88U6Uy8U6Uy8U8Uh_2U8U85U y8U885Uy8U85U8Up8U^i2U8UΌ2U8Un4U8U2U8U@8U2U(8U`8U5U8U4U(8U8U8U8U5U8U8Ux6o3U8U6U8U(b2U@8U+_2UX8U,_2Up8Uh/_2U8U6U8UH8UX:5U8Ux4U8Uh5o3U8Uh2U8U/_2U8U 4U8U8U16U8U8U46U8U=4U08U45UH8UH1_2U`8U85Ux8U85U8UXDe3U8U87U8U؝2U8UX85U8U85U8U)6U 8U885U88U85UP8U85Uh8Up,5U8Ux85U8U8UH85U8U85U8U8U4U8U2U8U 8UX2U8U85U(8UX 85U@8UH!85UX8U"85Up8U3U8UH%85U8Uظ8U&85U8U(6U8U&85U8UhG85U8U8<25U8U88U 6U08UZ85UH8UP6U`8U5Ux8UA6U8U)_2U8U54U8U_85U8U_85U8U8U`85U8U8Uc`7U 8Uf`7U88U25UP8U25Uh8U25U8U(8U c2U8U"c2U8U(g85U8Ug85U8UW4U8UXf85U8Ue85U(8U8Uc85U@8UP8UOm2UX8Ux8U m2Up8U8UX~`2U8U8U`2U8UHb85U8Ux8U&_2U8UhAT2U8U8DT2U8U>T2U8U`8U7U08U4UH8Uh8UH5U`8U8U(t85Ux8Up85U8U8Uj6U8UP8UQCopyright © 2001 BJE Music belliget@hotmail.com www.bjemusic.comfScor!WW!2020-04-25 04:32:08U!0000-00-00 00:00:00!353W8U!539663W!0W8U!0W8U!25.00W؟8U!23.00W8U!25.00W8U!23.00WȠ8U!0W8U!WW8U!0.00WQ8U!202326W !0.0000^8U!2020-04-25 04:31:06AOnce More I Hold You In My Arms OrchestrahangeScores!0W!0W!9W!0000-00-00 00:00:00!0W!0WOnce More (I Hold You In My Arms) - Orchestra Brendan Elliget This original tune was written in 2001 with a light rock-ballad feel. Dedicated to my wife Glenys. It has no lyrics as yet. This composition has now been updated (2019) and arranged here for Orchestra. There are optional parts for the 3rd Clarinet and Bass Clarinet. [Updated 25-04-2020] A version for Concert Band is also available on this website. The MP3 was recorded with NotePerformer. Grade = 3 Duration = 4:30 mins8U!0W!1W!0W!0W!0000-00-00 00:00:00!WW!0W!539W!797W08Uз8U(8UX8Uб8Uز8U8U8U8U8U 8U8U8UX8U8U8U8U8:8U8Uh8U8U8UP8UH8Uȶ8U(8U8U8U8U8U8U`8U`8U8U8U8U88U8U8Uд8U8U8U8U8UȰ8Uص8UH8U8U8UP8U8Uh8U؟8U08U8U8U8U(8U8UX8U88U8UȠ8U8U8U8U8U 8Up8Ux8UX8U8U08U8U8Uh8U8U@8UZipForma["156417","62309","196239","43090","196524","121228","203829","42465","203993","96897","144168","99025","5256","131130","155538","34317","120949","45160","196488","364969"]ualVersionD!2020-09-10 17:39:06!1W!2020-04-24 15:11:5018ABDBD98-8635-11EA-91B7-788383FEA0E1es!117825W!0W!0W!0W!1W!650x918W!0W!0W!5.00W!2023-03-10 18:29:02!2023-03-10 18:33:02!9399359W!12578296W!0000-00-00 00:00:00!0000-00-00 00:00:008U`8Up8UD`8U8UD8U8UD8U8UD8U8UD 8U8UD@8UТ8UD`8U8UD8U8UDP8U8UDp8U8UD8U 8UD8U08UD8U@8UD 8UP8UD8U`8UD 8Up8UD@8U8UD`8U8UD8U8UD8U8UD8U8UD8UУ8UD 8U8UD08U8UD8U8UD8U8UD8U 8UD8U08UD 8U@8UD@8UP8UD`8U`8UD8Up8UDЬ8U8UD8U8U8UD8U8UD08U8UDP8UФ8U8UD8U8UD8U8UD8U8UD8U 8UD8U08UD`8U@8UP8UD 8U`8UD8Up8UD08U8UDP8U8UDp8U8UD8U8UD8U8UD8UХ8UD8U8UD8U8UDP8U8UDp8U8UD8U 8UD8U08UDп8U@8UD8UP8UD8U`8UD08Up8UDP8U8UDp8U8U8U8U8UЦ8U8UD8U8UD8U8UD8U8UD@8U 8UD8U08UD 8U@8UD@8UP8UD8U`8UD 8U8U8UPɥ8UD8U 8Up<8UP8UD88U8UD88U8UD98UL8UD098U8U 8U8U28U8U8U `8UD8U8UDb8UH8U8UDb8U8Ul8UD8U8UDn8UP8U8UDb8U8UD b8U8UD@b8U08U  8U8UD8U8UD8U8UD 8U8UD@8U8UD`8UШ8UD8U8UD8U8UD8U8UDp8U8UD8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8UD08U8UDP8U8UDp8U8UD8U8UD8U`8UD8Up8UD8U8UD`8U8UD8U8UD8U8UD8U8UD8U8UD8U8UD 8U8UD@8U8UD 8U8UD`8U 8UD8U08UD8U@8UD8UP8UD8U`8UD8Up8UD 8U8UD@8U8UDp8U8UD8U8UD8U8U8UDЀ8U8UD8U8UD8U8U8UD@8U 8UD`8U08UD`8U@8UD8UP8UD8U`8UD8Up8U8UD8U8UD8U8UD8U8UD08U8UDP8U8UDp8U8UD8U8UD8U8UD8U8UD8U 8UDP8U 885U8UI85U8U8U85U8Uxa85U8U85U8U6U8U8UH4U8UX2U3Uh4U8Up8U6UH8U6U`8U8Uh_2U@8U85U8U885U08U85UX8UX8U^i2Up8UΌ2U8Un4U8U2U8U8U2U8U8U5U8U4U`8U0s8UH8U8U8U5U 8U 8Ux6o3UH8U6U8U(b2Ux8U+_2U8U,_2U8Uh/_2U8U6U8U8UX:5U8Ux4U8Uh5o3U 8Uh2U88U/_2UP8U 4Uh8U 8U16U8Uh8U46U8U=4U8U45U8UH1_2U8U85U8U85U8UXDe3U(8U87U@8U؝2UX8UX85Up8U85U8U)6U8U885U8U85U8U85U8Up,5U8Ux85U8U8UH85U08U85UH8U8U4U`8U2Ux8U8UX2U8U85U8UX 85U8UH!85U8U"85U8U3U8UH%85U 8U@8U&85U88U(6UP8U&85Uh8UhG85U8U8<25U8U8U 6U8UZ85U8UP6U8U5U8UA6U8U)_2U(8U54U@8U_85UX8U_85Up8UP8U`85U8Up8Uc`7U8Uf`7U8U25U8U25U8U25U8U8U c2U8U"c2U08U(g85UH8Ug85Uغ8UW4U8UXf85U8Ue85U 8U8Uc85U88U8UOm2UP8U8U m2Uh8U(8UX~`2U8U8U`2U8UHb85U8U8U&_2UȻ8UhAT2U8U8DT2U8U>T2U8U8U7U(8U4U@8U8UH5UX8U8U(t85Up8Up85U8U8Uj6U8U885U8UI85Uм8U`8U85U8Uxa85U 8U85Uʮ8U6U8U8UH4Uy8UX2U38Uh4U88U8U6Uȳ8U6U8UH8Uh_2U8U85U8U885U8U85U8U8U^i2U8UΌ2U08Un4UH8U2U`8U8U2Ux8U8U5U8U4UX8U8U8UX8U5UX8UhJ8Ux6o3U@8U6Uؽ8U(b2Up8U+_2U8U,_2U8Uh/_2U8U6Uп8U8UX:5U8Ux4U8Uh5o3U8Uh2U08U/_2UH8U 4U`8UX8U16Ux8UJ8U46U8U=4U8U45U8UH1_2U8U85U8U85U8UXDe3U 8U87U88U؝2UP8UX85Uh8U85U8U)6U8U885U8U85U8U85U8Up,5U8Ux85U8UH8UH85U(8U85U@8U(8U4UX8U2Up8UH8UX2U8U85U8UdefScor BH  +0AH9@ +0>@HPQX8U!2019-08-29 01:01:45U!0000-00-00 00:00:00!334W88U!193373W!0W8U!0WP8U!25.00W(8U!22.00WH8U!25.00W8U!22.00W8U!0W8U!WW8U!0.00W!362453XQCopyright © 2018 BJE Music belliget@hotmail.com www.bjemusic.com!9]P8U!0000-00-00 00:00:00!0W!0WNew Horizons (Orchestral Version ) Brendan Elliget This early theme of mine has been developed and expanded to full orchestra. A rising theme with a descending bass line... The MP3 was recorded with NotePerformer 3 Grade = 3 Duration = 3:35 minsScoreExc!0W!1W!0W!0W!0000-00-00 00:00:00!WW!0W!536W!791W8Up8U8U8Up8Ux8U8U8U@8U88U8U08U8U8U 8U8U`8U:8UH8U8U08U8U8U8Uh8U8U(8U8U8UP8U(8U8U8U@8U@8U8U8U8UP8Up8U8UX8U88U8Uh8Ux8U8U8U8U8U8U8U(8U8U`8UH8UX8Ux8U8U8U8U8U8Uh8U8U8UX8U8U8U8U8U8U8U08U8U8U88U8Uspect["494345","198757","187382","23103","20840","161471","15807","60323","500509","539897","198754","500582","79626","95927","539144","23263","87555","86829","28504","190713"]eScores!2020-09-27 08:29:32!1W!2019-09-25 15:11:40nSta164EEB790-DF9E-11E9-A548-78ScoreExc!154426WZipConve!0WrsionFin!0Whange!0WtSize!1WScoreExc!650x918WZipForma!0Wdef!0WScores!5.00WManualVe!2023-03-11 09:04:56eExc!2023-03-11 09:07:12OneA!7397593WPageOneA!10782075Wdef!0000-00-00 00:00:00es!0000-00-00 00:00:00Q8U!418495Y8UQCopyright © 2008 BJE Music belliget@hotmail.com www.bjemusic.com!Never Alone (Orchestra)!35WV8U!0WHX!3W!1W(d8U!2019-08-31 16:09:5112019-08-31 16:33:33itySetOfPart0!422370WP8U!0W؟8U1WW8U0AOnce More (I Hold You In My Arms) - Orchestra 8U!35WW!0W !2W /_2U88U 4UP8Ux 8U16Uh8U8U46U8U=4U8U45U8UH1_2UȞ8U85U8U85U8UXDe3U8U87U(8U؝2U@8UX85UX8U85Up8U)6U8U885U8U85U8U85UП8Up,5U8Ux85U8Uh 8UH85U8U85U08UH 8U4UH8U2U`8U 8UX2Ux8U85U8UX 85U8UH!85U8U"85Uؠ8U3U8UH%85U8Uȗ8U&85U 8U(6U88U&85UP8UhG85Uh8U8<25U8U(8U 6U8UZ85U8UP6Uȡ8U5U8UA6U8U)_2U8U54U(8U_85U@8U_85UX8U8U`85Up8U8Uc`7U8Uf`7U8U25U8U25UТ8U25U8U 8U c2U8U"c2U8U(g85U08Ug85UH8UW4U`8UXf85Ux8Ue85U8U8Uc85U8U8UOm2U8Uh8U m2Uأ8U 8UX~`2U8UX 8U`2U8UHb85U 8U8 8U&_2U88UhAT2UP8U8DT2Uh8U>T2U8U 8U7U8U4U8U( 8UH5UȤ8Up8U(t85U8Up85U8Uh8Uj6U8U885U(8UI85U@8U8U85UX8Uxa85UX8U85U8U6U@8U`8UH4Up8UX2U88Uh4U8U08U6Up8U6U8U8Uh_2U8U85U8U885UX8U85U8U 8U^i2U8UΌ2U8Un4U8U2U8U88U2U08UX8U5U`8U4Uȧ8Up8U8Uw8U 8U5U@8U8Ux6o3U8U6UH8U(b2U8U+_2U8U,_2U8Uh/_2U(8U6U8p8U@8UX:5UPp8Ux4Uhp8Uh5o3Up8Uh2Up8U/_2Up8U 4Up8U8U16Up8U8U46Up8U=4Uq8U45U(q8UH1_2U@q8U85UXq8U85Upq8UXDe3Uq8U87Uq8U؝2Uq8UX85Uq8U85Uq8U)6Ur8U885Ur8U85U0r8U85UHr8Up,5U`r8Ux85Uxr8U8UH85Ur8U85Ur8U8U4Ur8U2Ur8U8UX2Ur8U85Us8UX 85U s8UH!85U8s8U"85UPs8U3Uhs8UH%85Us8U8U&85Us8U(6Us8U&85Us8UhG85Us8U8<25Us8U08U 6Ut8UZ85U(t8UP6U@t8U5UXt8UA6Upt8U)_2Ut8U54Ut8U_85Ut8U_85Ut8U8U`85Ut8U8Uc`7Uu8Uf`7Uu8U25U0u8U25UHu8U25U`u8U 8U c2Uxu8U"c2Uu8U(g85Uu8Ug85Uu8UW4Uu8UXf85Uu8Ue85Uv8U8Uc85U v8UH8UOm2U8v8Up8U m2UPv8Uidden-sm(8U8U 8U 8U 8U8U8U8U8U8U8U8U8UP8Ux8U 8U8UP:8U 8U 8U8U8UH8U@8U8U 8U8U8U8U8U8UX8UX8U 8U8U8U08U@ 8U 8U8U8U8U8U8U 8U8U@8U 8U 8UH8U8U`8U8U(8U 8U8U8U 8U 8UP8U8U8Up 8U8U0 8U8U8U8Uh8Up8UP 8U8U(8U 8U8U` 8U 8U88Uhref="#f!1]8U!2020-03-24 06:18:1013C4D736C-6D97-11EA-80A2-788383FEA0E1d S!153256W!0W!0W!0W!1W!650x918W!0W!0W!5.00W!2023-03-08 11:43:08!2023-03-08 11:46:31!13476390W!17462094W!0000-00-00 00:00:00!0000-00-00 00:00:00 ,0AH78AH*0ux -0RXAH+0 .0 14Uȸ5U4U]5U4U@^5Up^5U^5U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4U4UA12 Jan 24!0HY='hidden!0W!0WX!XXan class!732536W :ty8UWs="refineField " rel=""> r Hymn f!8UWs="refineField " rel=""> Larsson" "DaniqXd8Umon" "Daniel Platzman" "Justin Tranter" "Robin Fredrikss!08U@u 9U @8U8U !YYs="refineField " rel="Guitar"> an>D WHERE Insa8UWs="refineField " rel="Guitar"> an>in` x49U8Us="refineField " rel=""> spa8UWs="refineField " rel=""> on 8U8X 8UaXX0A8U8Uurger-master hamburger"> Condit p59Up59U 8Z`($9Us="refineField " rel="">  8UWs="refineField " rel=""> 8UWs="refineField " rel=""> St Anthony Chorale for Cla 8U> A 8U@29Ucell-for-clarinet-quartet-171890 8UWA8U@29U8U"/scores/dance-of-the-ho@08U vice-width,iJ49UW/source-sans-pro-v14-vietnamese_latin-ext_latin_greek-ext_greek_cyrillic-ext_cyrillic-600.woff2" as="font" type="font/woff2" crossorigin> in-600.woff2"J49UW/source-sans-pro-v14-vietnamese_latin-ext_latin_greek-ext_greek_cyrillic-ext_cyrillic-regular.woff2" as="font" type="font/woff2" crossorigin> "/fonts/fJ49UW/fira-sans-condensed-v5-vietnamese_latin-ext_latin_greek-ext_greek_cyrillic-ext_cyrillic-300.woff2" as="font" type="font/woff2" crossorigin> scr!Ь49U8^Ь49UЬ49Uet Quartet by Gustav Holst arranged by David Burndrett. Written for Quartet of Clarinets in Bb with a duration of 2 mins. Purchase, download and print sheet music PDF file now!">
    XZHZHZ-no-5-for-clarinet-quartet-158129.html">Hungarian Dance No.5 for Clarinet Quarte8U"/scores/radetzky-march-for-clarinet-quartet-157506.html">Radetzky March for Clarinet Quartet8U"/scores/scarborough-fair-for-clarinet-quartet-157079.html">Scarborough Fair for Clarinet Quartetq@p 9U|8U{8U"/scores/rule-britannia-for-clarinet-quartet-155806.html">Rule, Britannia! for Clarinet QuartetAW1W!WW0!8U8U 9UD"9U09UD"9U 8UD#9U8U 0]8U8m7U"@85U08U)8U8Ug 9U8UD 8U`8UD8U8U8UD8U("9UDB"9U("9UDPB"9U/"9UD"9U 8UD`8Up8UD8U08UD8U@8UD8U@8U  I8U:8UDPS8U:8UDS8U:8UDT8U:8UD T8U;8UD@T8U;8UD`T8U ;8UDT8U0;8UDT8U@;8UDPU8UP;8UDpU8U`;8UDU8Up;8UDU8U;8UDU8U;8UDV8U;8UD0V8U;8UDPV8U;8UDT8U;8UDU8U;8UD U8U;8UDpV8U<8UDV8U<8UDV8U <8UDb8U0<8UDb8U@<8UDb8UP<8UDb8U`<8UDc8Up<8UD0c8U<8UDPc8U<8UDpc8U<8UD c8U<8UDc8U<8UDa8U<8UDa8U<8UDa8U<8UDa8U=8UDb8U=8UD b8U =8UD@b8U0=8UD`b8U@=8UDf8UP=8UD f8U`=8Up=8UD@f8U=8UD`f8U=8UDf8U=8U=8UDf8U=8UDf8U=8UDg8U=8UD g8U=8UD@g8U>8UD`g8U>8U >8UDp88U0>8UD@98U@>8UDpS8UP>8UDS8U`>8UDg8Up>8UDg8U>8UDg8U>8UDg8U>8UD`I8U>8UDI8U>8UDM8U>8UDM8U>8UDM8U>8UDN8U?8UD0N8U?8UDPN8U ?8UDpN8U0?8U@?8UDN8UP?8UDN8U`?8Up?8U?8U?8U 8U 8UDN8U 8UDN8U 8UDO8U 8UDc8U 8UDd8U 8UDd8U 8UDd8U 8UDe8U0 8UD0e8U8U8U8UD0#9U8U9U9UDF9U9UDpF9U9UDF9U8UDF9U 8U 8UX4U"@85U8Ux8U`8U8U8UD8U8UDP68U8U8UDp58U /"9UD"9UP/"9UD "9UМ"9UD"9U8UD58U 8UDp68U8UD58U8UD68U8U  08UP 8UD]8U` 8UD ^8Up 8UDP^8U 8UDp^8U 8UD^8U 8UD^8U 8UD^8U 8UD^8U 8UD_8U 8UD_8U 8UD_8U 8UD`8U 8UD@`8U 8UD``8U0 8UD`8U@ 8UD`8UP 8UD_8U` 8UDP_8Up 8UDp_8U 8UD`8U 8UD`8U 8UD 8U 8UD8U 8UD8U 8UD8U 8UD8U 8UD8U8UD08U8UDP8U 8UDp8U08UD 8U@8UD8UP8UDa8U`8UD a8Up8UD@a8U8UD`a8U8UD8U8UD8U 8U &(.018QX&(%()0'()0%(@neA!511[8U!3W8U!2W!8U!2019-01-24 12:13:49U!2023-02-24 22:21:23UAGeorge Friderik Handel arranged by David Burndrett8U!David Burndrett&8U10W0!sibW(9U!496W@B8U!0WL8U!2019-01-24 12:13:49U!0W8U!1123W88U!0WB8U!XX(8U!0W'8U!0WH(8U!1W(8U!0W(8U!0.0000Wp'8U!2019-01-24 12:16:22U12019-01-24 12:20:31U0!0X8U!2W4U!1.00HX4U!2019-01-24 12:13:50U!1W4U!1W4U!0W H8UX:5U@8Ux4UX8Uh5o3Up8Uh2U8U/_2U8U 4U8UX8U16U8U!8U46U8U=4U8U45U8UH1_2U08U85UH8U85U`8UXDe3Ux8U87U8U؝2U8UX85U8U85U8U)6U8U885U8U85U 8U85U88Up,5UP8Ux85Uh8UH8UH85U8U85U8U(8U4U8U2U8U8UX2U8U85U8UX 85U8UH!85U(8U"85U@8U3UX8UH%85Up8U8I8U&85U8U(6U8U&85U8UhG85U8U8<25U8U8U 6U8UZ85U8UP6U08U5UH8UA6U`8U)_2Ux8U54U8U_85U8U_85U8U!8U`85U8U8Uc`7U8Uf`7U8U25U 8U25U88U25UP8U8U c2Uh8U"c2U8U(g85U8Ug85U8UW4U8UXf85U8Ue85U8UI8Uc85U8U8UOm2U(8UH8U m2U@8U`8UX~`2UX8U88U`2Up8UHb85U8U8U&_2U8UhAT2U8U8DT2U8U>T2U8U"8U7U8U4U8U8UH5U08UP 8U(t85UH8Up85U`8UH"8Uj6Ux8U885U8UI85U8U 8U85U8Uxa85U'8U85U88U6U@Y8U@!8UH4UÔ8UX2U8Uh4U8U!8U6U8U6U8U#8Uh_2U8U85U8U885U8U85U8U8U^i2U8UΌ2U(8Un4U@8U2UX8U%8U2Up8U8U5U8U8S8U8U6U(8U%8U5U@8U+8Ux6o3U8U4U8U(b2U8U+_2U8U,_2U8Uh/_2U8U6U 8U &8UX:5U88Ux4UP8Uh5o3Uh8Uh2U8U/_2U8U 4U8U(8U16U8U+8U46U8U=4U8U45U8UH1_2U(8U85U@8U85UX8UXDe3Up8U87U8U؝2U8UX85U8U85U8U)6U8U885U8U85U8U85U08Up,5UH8Ux85U`8U)8UH85Ux8U85U8U`(8U4U8U2U8U)8UX2U8U85U8UX 85U8UH!85U 8U"85U88U3UP8UH%85Uh8U&8U&85U8U(6U8U&85U8UhG85U8U8<25U8U'8U 6U8UZ85U8UP6U(8U5U@8UA6UX8U)_2Up8U54U8U_85U8U_85U8U+8U`85U8U&8Uc`7U8Uf`7U8U25U8U25U08U25UH8U(8U c2U`8U"c2Ux8U(g85U8Ug85U8UW4U8UXf85U8Uores!XX8U!0WP8U!0W8U!1W8U!0W8U!0.0000W88U!2018-12-10 21:19:53U1Three Blind Mice for Clarinet QuartetThis is an arrangement of 3 blind mice that starts in a classical style, then develops into a jazzy section! The clarinet four part can double as a bass clarinet part.ScoresScores!2.95W!0W!1W!0W!WW!WW!0W!WWACopyright © April 2008 (Burndrett Music)fScoreExchang!WW!YY8U!962636W!0Wp!8U!0W!4.95W8U!4.95W!8U!4.00W I8U!0W 8U!WW8U!0.00WP8U["84391","73692","71841","71735","125816","71831","71732","71863","159313","146139","361779","71876","146146","146169","363196","39550","146164","100061","35107"]8U!2020-09-07 18:06:26!0H\18U!0W!2W!0000-00-00 00:00:00!0W!0W!Three Blind Mice for Clarinet Quartet Traditional arranged by David Burndrett David Burndrett This is an arrangement of 3 blind mice that starts in a classical style, then develops into a jazzy section! The clarinet four part can double as a bass clarinet part.efScoreExchang!0W!0W!0W!0W!0000-00-00 00:00:00!WW!0W!0W48U!0W58U!1H[eExchang!0000-00-00 00:00:00coUp!WW58U!0W|58U!0W58U!0WeExchang!0WtingTit!1Wh68U!650x919W68U!0WH68U!0WeExchang!5.00WNetwork!2023-03-16 15:54:53U!2023-03-16 15:55:17U!1039441W68U!1125143WdefScor!0000-00-00 00:00:00enH!0000-00-00 00:00:00UQ&8U1x78U[172981!388075W(9UQarrival of the queen of sheba for clarinet quartet prs.sib8UAArrival of the Queen of Sheba for Clarinet Quartetn144W8Ux8U0The Death of Ase (from Peer Gynt) for Clarinet Quartet Edvard Grieg arranged by David Burndrett David Burndrett This is about grade 1-3 standard upwards. I have added an easy optional piano part.!0W_85U8U98U`85U8US8Uc`7U8Uf`7U8U25U8U25U08U25UH8UT8U c2U`8U"c2Ux8U(g85U8Ug85U8UW4U8UXf85U8Ue85U8UHS8Uc85U8UV8UOm2U 8US8U m2U88U`V8UX~`2UP8U8T8U`2Uh8UHb85U8UV8U&_2U8UhAT2U8U8DT2U8U>T2U8UP:8U7U8U4U8UT8UH5U(8UPW8U(t85U@8Up85UX8U:8Uj6Up8U885U8UI85U8UW8U85U8Uxa85U@] 9U85U@(8U6U8U98UH4Uh8UX2UP.8Uh4U(8U`98U6U(8U6U(8U;8Uh_2U8U85U(8U885U(8U85U8UT8U^i2U8UΌ2U8Un4U8U2U8Uh=8U2U 8UV8U5U8UU8UX8U6U8U@>8U5U8UC8Ux6o3U8U4U(8U(b2U@8U+_2UX8U,_2Up8Uh/_2U8U6U8Up>8UX:5U8Ux4U8Uh5o3U8Uh2U8U/_2U8U 4U08U@8U16UH8U(D8U46U`8U=4Ux8U45U8UH1_2U8U85U8U85U8UXDe3U8U87U 8U؝2U 8UX85U8 8U85UP 8U)6Uh 8U885U 8U85U 8U85U 8Up,5U 8Ux85U 8UA8UH85U 8U85U 8U@8U4U( 8U2U@ 8UHB8UX2UX 8U85Up 8UX 85U 8UH!85U8U"85U8U3U8UH%85U8U?8U&85U8U(6U 8U&85U88UhG85UP8U8<25Uh8U`?8U 6U8UZ85U8UP6U8U5U8UA6U8U)_2U8U54U8U_85U(8U_85U@8UD8U`85UX8U0?8Uc`7Up8Uf`7U8U25U8U25U8U25U8UP@8U c2U8U"c2U8U(g85U8Ug85U08UW4UH8UXf85U`8Ue85Ux8U>8Uc85U8UxB8UOm2U8U>8U m2U8UA8UX~`2U8U?8U`2U8UHb85U8UA8U&_2U 8UhAT2U88U8DT2UP8U>T2Uh8UD8U7U8U4U8U?8UH5U8UB8U(t85U8Up85U8UD8Uj6U8U885U8UI85U(8U C8U85U@8Uxa85Ug 9U85U8U6U`8UC8UH4Uc8UX2UF8Uh4U8UC8U6UH8U6U`8UF8Uh_2U88U85U8U885U08U85UP8U@8U^i2Uh8UΌ2U8Un4U8U2U8UG8U2U8UB8U5U 8UHt8Ul 9U8U6U08UxH8U5UH8UX!8Ux6o3U8U4U8U(b2U8U+_2U8U,_2U8Uh/_2U8U6U(8U`8U!0\PI8U!0WW8U=8UP=8UT8UV8UW8UW8U=8U:8U<8UW8UhW8U0S8U=8U<8UV8U;8Ua8UT8US8U;8U8=8Ux<8Up;8U<8UV8U=8U:8U :8U<8U:8U;8U8W8UxV8U=8U8:8U`<8U T8UU8U:8U@;8U:8U98U0<8UU8U<8U W8UU8UU8Ux98U =8U<8U`S8U>8UT8UW8US8UT8UU8U:8US8UW8UPT8US8UU8U<8U=8UH<8U=8U;8U0V8U;8UX;8UhT8U(;8U@U8UpU8Uh:8U!2018-11-14 00:23:17U!0000-00-00 00:00:00!WW !442280W!0W8U!0W !0.00W !7.95W!5.00W8U!0W !WW !0.00W `8Uf8U(f8U88U8U8U88Ue8U8Ue8UP8U8U8UXf8Ue8U08U8U(a8U8UH8U8Uf8U 8Ux8Ue8UX8Uf8U8U(8Ue8U8U8U8U8Uf8U@8Uh 8Ux8U8U8UH8U8U8U8 8U8U 8Ux8U8U(8U8Ue8U 8U8Uf8U8U8U8U8U@8U8U8U 8U8UX8Uh8U 8Uf8UP 8Upf8U8U8U8U`8U8U08U8U8Up8USE::Scor!5.00]0S8U!2023-02-25 07:44:30!2023-02-25 07:44:48!1049207W!1017075W!0000-00-00 00:00:00!0000-00-00 00:00:0018T8U߈T369361!370075WPH8U!2019-01-03 18:06:54U10000-00-00 00:00:00p8U01Haydn Rocks! for Clarinet Quartet8U!44WW8U!511WF8U!2WI8U!2W8U!2019-03-27 20:33:10U!2023-02-24 22:19:36UAJoseph Haydn arranged by David Burndrettq8U!David Burndrettp8U10W0!sibWc8U!496W ^8U!0W^8UAhaydn rocks! for clarinet quartet prs.sib8U8U!2019-03-27 20:33:10U!2WPY8U!1068W8U!1W 8U!0hX8%8U!1WȪ8U!1.00(X|9U!2019-03-27 20:33:11U!0W!0W !2.95X\X8U!0W!1W!0W!WW!WW!0W!WWACopyright © February 2016 (Burndrett Music):09.000000!WW!YYi8U!358611W!0Wl8U!0W!0.00Wj8U!6.95Wl8U!4.00Wg8U!0Wk8U!WWHj8U!0.00Wh8U["130571","52245","139676","6441","157506","172834","171370","69788","70409","196041","70402","62705","172981","121789","77628","147755","149331","16899","155550","130636"]i8Uk8U!1[[8U!0We2024-0!0.0000W4-04-23 !2019-01-10 17:02:3598861Be Thou My Vision for Clarinet Quartet!0W\8U!0W4-23 20:!2W20:11:09!0000-00-00 00:00:007641!0WHC!0WH]8UBe Thou My Vision for Clarinet Quartet Traditional Irish arranged by David Burndrett David Burndrett This arrangement is about grade two to three standard upwards. I have tried to keep it simple while making it sound interesting for all standards of playing. Each instrument gets part of the tune. The clarinet 4 part can double as a bass clarinet part.:01:09.17!0W.000000!0W8. ;10WI/oYr{W,0Q]]^8U^8U "Benjamin McKee" "Mattias Larsson" "Daniel Reynolds" "Daniel Sermon" "Daniel Platzman" "Justin Tranter" "Robin Fredriksson" - Score Exchange
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    V8Upb8U@,9UV8UV8UV8USE::Score2024-04-23 20:01:11.3138882024-04-23 20:11:11.0000001778591713898871.313888W8UW8U@W8UJW8UeW8UW8UW8UW8USE::Score2024-04-23 20:01:11.3075652024-04-23 20:11:11.00000063391713898871.307565@X8UW8UW8UW8UX8U X8U'X8U9X8USE::Score2024-04-23 20:01:11.2980762024-04-23 20:11:11.0000001751141713898871.298076X8UXX8UX8UX8UX8UX8UX8UX8USE::Score2024-04-23 20:01:11.2914562024-04-23 20:11:11.0000001779051713898871.291456Y8UY8U0Y8U:Y8UUY8UpY8UwY8UY8USE::Score2024-04-23 20:01:11.2852712024-04-23 20:11:11.0000003632141713898871.2852718Z8UY8UY8UY8UY8UZ8UZ8U1Z8USE::Score2024-04-23 20:01:11.2773732024-04-23 20:11:11.0000001762481713898871.277373Z8UPZ8UZ8UZ8UZ8UZ8UZ8UZ8USE::Score2024-04-23 20:01:11.2708172024-04-23 20:11:11.0000001759361713898871.270817[8UZ8U([8U2[8UM[8Uh[8Uo[8U[8USE::Score2024-04-23 20:01:11.2648752024-04-23 20:11:11.0000001748201713898871.264875(\8U[8U[8U[8U[8U\8U\8U(\8USE::Score2024-04-23 20:01:11.2580492024-04-23 20:11:11.000000218321713898871.258049\8U@\8Up\8Uz\8U\8U\8U\8U\8USE::Score2024-04-23 20:01:11.2180132024-04-23 20:11:11.0000005894011713898871.218013x]8U\8U]8U"]8U=]8UX]8U_]8Uq]8USE::Score2024-04-23 20:01:11.2119192024-04-23 20:11:11.0000001773481713898871.211919 ^8U]8U]8U]8U]8U^8U^8U^8USE::Score2024-04-23 20:01:11.2045532024-04-23 20:11:11.0000001758691713898871.204553^8U8^8Uh^8Ur^8U^8U^8U^8U^8USE::Score2024-04-23 20:01:11.1982182024-04-23 20:11:11.0000001748311713898871.198218p_8U^8U_8U_8U5_8UP_8UW_8Ui_8USE::Score2024-04-23 20:01:11.1915862024-04-23 20:11:11.0000001743851713898871.191586`8U_8U_8U_8U_8U_8U_8U`8USE::Score2024-04-23 20:01:11.1855562024-04-23 20:11:11.0000001746721713898871.185556`8U0`8U``8Uj`8U`8U`8U`8U`8USE::Score2024-04-23 20:01:11.1788822024-04-23 20:11:11.000000871291713898871.178882`a8U`8Ua8U a8U%a8U@a8UGa8UYa8USE::Score2024-04-23 20:01:11.1698812024-04-23 20:11:11.0000001774061713898871.169881b8Uxa8Ua8Ua8Ua8Ua8Ua8Ub8USE::Score2024-04-23 20:01:11.1639532024-04-23 20:11:11.0000005448961713898871.163953b8U b8UPb8UZb8Uub8Ub8Ub8Ub8USE::Score2024-04-23 20:01:11.1585452024-04-23 20:11:11.0000001761531713898871.158545Xc8Ub8Ub8Uc8Uc8U8c8U?c8UQc8USE::Score2024-04-23 20:01:11.1523342024-04-23 20:11:11.0000002050501713898871.152334d8Upc8Uc8Uc8Uc8Uc8Uc8Uc8USE::Score2024-04-23 20:01:11.1462592024-04-23 20:11:11.0000001760081713898871.146259d8Ud8UHd8URd8Umd8Ud8Ud8Ud8USE::Score2024-04-23 20:01:11.1406182024-04-23 20:11:11.0000001779851713898871.140618Pe8Ud8Ud8Ud8Ue8U0e8U7e8UIe8USE::Score2024-04-23 20:01:11.1345652024-04-23 20:11:11.0000001372871713898871.134565e8Uhe8Ue8Ue8Ue8Ue8Ue8Ue8USE::Score2024-04-23 20:01:11.1159182024-04-23 20:11:11.0000005587431713898871.115918f8Uf8U@f8UJf8Uef8Uf8Uf8Uf8USE::Score2024-04-23 20:01:11.1067152024-04-23 20:11:11.0000001774771713898871.106715Hg8Uf8Uf8Uf8U g8U(g8U/g8UAg8USE::Score2024-04-23 20:01:11.0765662024-04-23 20:11:11.0000001960541713898871.076566@8U(@8U1. Which in the day of wrath are done By God on me his only Son, his only Son. on me, his only Son, his only Son. To see the King of Kings neglected... And for our sin of all rejected, And for our sins of all rejected Come let us mourn, and mourning sing Our thanks with tears, Our thanks with tears, with tears, Our thanks with tears for his suffering, for his suffering.U!Prayer book(9U!0W@B8U!WWL8U1WW 8U0!0X8U !!SKU7U 1Tired of all those rough scores, sold at high prices indeed? Try the difference between a rookie publisher and a pro one. Very accurate scores, a wide range of music of all kinds. Send me an e-mail for suggestions and/or proposts for scores you wish to see published (at reasonable cost, of course): the only limit is your fantasy, I am able to produce ANY kind of score with a quality that other publishers can only wish or dream to have. 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9U!38W!0W!0W!2WX-8U 78UK 9UL8UF9UP+4UY8U9U68Uy8U9U9U9U`D8U9U 9U .<0!0Xp8UConsider, all ye passers by per coro e organo/for choir and organ in do minore - in C min John Amner Prayer book Yari Piras 8U!0W8U10WP.8Uc8U0!HASHU!SE::Score::Typeculty!g8Uonfig 1PlatinumCantAffordReminderSent0!0000U008U !08Xx8U!WWB8U!noneW8U10W0!44W !HASH9U !09U !12762049U qت8U04U萿4U!HASHW !09UrdRemind!0.00W 10WScorePartSID0!268UasketIte!Nicholas Palmer'12006W0!W`K9U !sib>8U a/myaccount/messages?c=showThread&id=B89D580E-0011-11EF-8387-3C6416FC75B98U`!2014-11-09 16:59:15A@iR5UpiR5U0v9UjR5U@9UPkR5UkR5U!h{8UP]9U!gridikraja12@yahoo.com!Refunded8U Ό8U8UO8Uo8U8U 8Uf8Upn8U8U8UҢ8U`?8U8U 8U28U8U88U/8UPr8Ux8U28U8UL8U38U8U T8UV8UЋ8U@8U؇8UН3U$8U8UH8U`8Ux8Us8Ux`3U u8U(8U^68Up8U(m;8UU8Uz8UXg8UL8U!8U8U8U38Up8U8U88UX}8UpV8U7U`s"8U38U8U8U 8UB8U(8U8U`8Up8Up ,8U8Uۊ8U8U(8UPN8U(8Ux8Ug8U8Up8U.:sL!0hXΞ=!WW0 $!0.00WOOOO!XXr8U!0W$I!0W !!0@.8U!0W10W0!SE::Score=?1x<8U!HASH!1@I8U !pngP 9U Q/data/www/www.scoreexchange.com/htdocs/../resources/preview-dark.pngQV@mW@m W@m8iZ2^P!25383W_8U!Same Old Moon !0Q8U q2U 2U2Up!Tirana7U !0P8U !919UAV@mW@mW@m18U9U8Ucǎy7{AV@mW@mW@m!EPDFWk!'>}P19U9UP9UAV@mW@mBm!EPIWRPH1P9U9U9U1p9U09U9U0!0 9U 19U=h 39366911WR8U8U0qThe Legend of the Monkey King Yvonne Timperley freelance composer/arranger-Low brass specialist !X09U!0.00W10Wg0V8U8U88U2UX2U2Uؑ8U(h9UH8Uا2U7U~4U!Ws8U !Tenor Sax part 3q8U1select,insert,update,references@1TypeW0!23@G8U !44467W !2017-11-22 17:44:04130ADE202-886F-11E9-B731-F3D41D17C629!0W!0Wp!0000-00-00 00:00:00X!1W~"T!2024-02-15 08:05:3723!@!2024-04-17 10:07:47R)H!0WՊVa!1W,1M3!0Wd6!WW'qm!0WK;wHe`!0000-00-00 00:00:00m{UQ88U!PlatinumLastActivated!08U ![] @i7U !0000-00-00 00:00:00Q(?^s:^((?:[a-zA-Z][a-zA-Z0-9.+\-]*:)?)(?://([^/?\#]*))?(.*)$)ttp.pmpm!4Uql::stw1SHOW FULL COLUMNS FROM MessageThreads1/usr/www/resources/ADAP3/SQL.pmKeyU!ID04U !DBD::mysql::stW!NAMEql::st !16:59:150 00:00:001 xP9U!Collationimp_data!NullWX!KeyW 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    My music
    Butterfly Dance
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    Last Flight Out
    Last Flight Out (Tabs)
    March of the Ants
    March of the Ants (Guitar and String Quartet)
    Nothing More to Say
    Sounds Like Rain
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    SCORETITLESCORE-DET 9UN-INSTRUMENTATION

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  • Baritone Saxophone
  • Bass Clarinet
  • Bassoon
  • Clarinet
  • Contra Alto Clarinet
  • Contra Bass Clarinet
  • Cor Anglais / English Horn
  • Flute
  • Harmonica
  • Oboe
  • Piccolo
  • Recorder
  • Soprano Saxophone
  • Tenor Saxophone
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    Parts

    Qty

    1072236!0"$9U0$$9U@p"$9Urage': 'INITIAL_ADS_STORAGE_PERMISSION', 39UW.modal-body { 00@8U@8U3 039UWlc(100vh - 250px00#$9U#$9Uan/0!8U$$9U@0#$9U gtag(){dataLayer.push(arguments);} @39UW @P$$9UataLayer = window.dataLayer || []; @1W8Uth: 768px) { P-8UJupiter Hymn for Clarinet Quartet for Quartet of Clarinets in Bb by Gustav Holst arranged by David Burndrett - Sheet Music PDF file to download!09U !1.00UQL

    This works well as concert piece or just for fun!

    The clarinet four part is the same as the bass clarinet part, if you need one.

    I have added an optional piano part.

    AGustav Holst arranged by David Burndrett@!0000-00-008U 1WWofitthtml01A0CA72AE-01A4-11EF-910F-911ECFE50ADB!0000-00-009U Clarine!WP9U !0000-00-00 !2.95U4873.jpg8Z8Zs="refineField " rel="Singer"> 9UWs="refineField " rel="Singer"> label> Ppp9Uss='group'>
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    Baritone (Brass)CornetEuphoniumHornMellophoneTromboneTrumpetTuba
    Acoustic Guitar (notation)Acoustic Guitar (tab)BanjoBass Guitar (notation)Bass Guitar (tab)Classical Guitar (notation)Classical Guitar (tab)Electric Guitar (notation)Electric Guitar (tab)Jazz Guitar (notation)Jazz Guitar (tab)Ukulele
    AccordionCarillonCelestaHarpsichordKeyboardMelodicaOrganPiano
    GlockenspielMarimbaOther pitched percussionTubular BellsVibraphoneXylophone
    CymbalsDrum KitSnare DrumTambourineTimpaniTriangleWood Blocks
    AltoBaritone (Singer)BassSopranoTenorTrebleVoice
    CelloDouble BassHarpViolaViolin
    Alto ClarinetAlto SaxophoneBagpipesBaritone SaxophoneBass ClarinetBassoonClarinetContra Alto ClarinetContra Bass ClarinetCor Anglais / English HornFluteHarmonicaOboePiccoloRecorderSoprano SaxophoneTenor Saxophone
    Big bandBrass bandConcert band / wind bandDrum corpsMarching bandMilitary bandSchool band
    Brass bandBrass choirBrass quartetBrass quintetBrass trio
    Brass choirBrass quartetBrass quintetBrass trioClarinet choirDouble reed ensemblePiano trioSaxophone quartetString quartetString quintetString trioWind quartetWind quintetWoodwind choirWoodwind trio
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    DuetTrioQuartetQuintetSextetSeptetOctetLarge mixed ensemble
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    Piano four handsKeyboard + choirSolo instrument + pianoKeyboard + voice
    Pop groupR & B band
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    ChoirChoir (barbershop)Choir + keyboardChoir + orchestraVoice + guitar Voice + keyboard
    Double reed ensembleWind quartetWind quintetWoodwind choirWoodwind trio
    Blues musicClassical musicClassroom materialsCountry musicFolk musicJazz musicLatin musicModern classical musicOtherRagtime musicRock and Pop musicWorld music
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    Easy (Grades 1-3)Moderate (Grades 4-6)Difficult (Grades 7+)Not applicable (e.g. worksheet)
    Original compositionArrangementTranscriptionOther (e.g. worksheet) "Benjamin McKee" "Mattias Larsson" "Daniel Reynolds" "Daniel Sermon" "Daniel Platzman" "Justin Tranter" "Robin Fredriksson" - Score Exchange
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    taЦ0 "Benjamin McKee" "Mattias Larsson" "Daniel Reynolds" "Daniel Sermon" "Daniel Platzman" "Justin Tranter" "Robin Fredriksson" - Score Exchange

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    stra<ѪW'9U "Benjamin McKee" "Mattias Larsson" "Daniel Reynolds" "Daniel Sermon" "Daniel Platzman" "Justin Tranter" "Robin Fredriksson" - Score Exchange
    9`/9U^`/9U-9Uzz music Latin music Modern classical music Other Ragtime music Rock and Pop music World music

    Purpose

    A specific event > Baptism A specific event > Bar / Bat Mitzvah A specific event > Birthdays A specific event > Christmas A specific event > Christmas (sacred) A specific event > Easter A specific event > Funerals A specific event > Harvest festivals A specific event > National days A specific event > Weddings Film / TV soundtracks General performance Learning or teaching how to play an instrument Learning or teaching music theory National anthems Theatre Work in progress for review / critique Worship

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    Blues music Classical music Classroom materials Country music Folk music Jazz music Latin music Modern classical music Other Ragtime music Rock and Pop music World music
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<!-- xs slide out menu headings --> <!-- InstanceBeginEditable name="doctitle" --> <title>"Benjamin McKee" "Mattias Larsson" "Daniel Reynolds" "Daniel Sermon" "Daniel Platzman" "Justin Tranter" "Robin Fredriksson" - Score Exchange