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EBdef ScoreExchangeUsersUsers PhotoUpdated PhotoUpdated ? ECdef ScoreExchangeUsersUsers EmailInvalid EmailInvalid ?ODdef ScoreExchangeUsersUsersEmailInvalidSinceEmailInvalidSince ? EEdef ScoreExchangeUsersUsers NameFormatID NameFormatID ? SFdef ScoreExchangeUsersUsersCatalogueExtraTitleCatalogueExtraTitle ?gGdef ScoreExchangeUsersUsersCatalogueExtraInstrumentationCatalogueExtraInstrumentation ?OHdef ScoreExchangeUsersUsersScoreCountCurrentScoreCountCurrent ?  @=Idef ScoreExchangeUsersUsersPlatinumPlatinum ? @GJdef ScoreExchangeUsersUsers CreditBalance CreditBalance ? öKKdef ScoreExchangeUsersUsersPlatinumRenewalPlatinumRenewal ? QLdef ScoreExchangeUsersUsersPlatinumDoNotRenewPlatinumDoNotRenew ?]Mdef ScoreExchangeUsersUsersPlatinumRenewalAttemptedPlatinumRenewalAttempted ?WNdef ScoreExchangeUsersUsersPlatinumPaymentMethodPlatinumPaymentMethod !ýiOdef ScoreExchangeUsersUsersPlatinumCantAffordReminderSentPlatinumCantAffordReminderSent ? mPdef ScoreExchangeUsersUsers PlatinumReactivationReminderSent PlatinumReactivationReminderSent ? WQdef ScoreExchangeUsersUsersPlatinumLastActivatedPlatinumLastActivated ? SRdef ScoreExchangeUsersUsersPlatinumLastEnabledPlatinumLastEnabled ? ]Sdef ScoreExchangeUsersUsersWatermarkDefaultDarknessWatermarkDefaultDarkness ?QTdef ScoreExchangeUsersUsersAdvertsEnabledDateAdvertsEnabledDate ? SUdef ScoreExchangeUsersUsersDefaultLicenseScoreDefaultLicenseScore ?SVdef ScoreExchangeUsersUsersDefaultLicensePartsDefaultLicenseParts ?_Wdef ScoreExchangeUsersUsersDefaultLicensePerformanceDefaultLicensePerformance ?[Xdef ScoreExchangeUsersUsersDefaultLicenseRecordingDefaultLicenseRecording ?UYdef ScoreExchangeUsersUsersDefaultLicenseProfitDefaultLicenseProfit ?5Zdef ScoreExchangeUsersUsersUUIDUUID !lþE[def ScoreExchangeUsersUsers AllowReviews AllowReviews ?Q\def ScoreExchangeUsersUsersPhotoFileVaultUUIDPhotoFileVaultUUID !lþc]def ScoreExchangeUsersUsersDefaultPlatinumScoreIncludeDefaultPlatinumScoreInclude ? @I^def ScoreExchangeUsersUsersLockedReasonIDLockedReasonID ? A_def ScoreExchangeUsersUsers LockedDate LockedDate ? O`def ScoreExchangeUsersUsersAllowSmallPaymentAllowSmallPayment ?Yadef ScoreExchangeUsersUsersLastAccountLockReason3LastAccountLockReason3 ? Ibdef ScoreExchangeUsersUsersLastUnlockDateLastUnlockDate ? Ycdef ScoreExchangeUsersUsersSellerDiscountOverrideSellerDiscountOverride ? Iddef ScoreExchangeUsersUsersEmailConfirmedEmailConfirmed ?Medef ScoreExchangeUsersUsersNeedsNewPasswordNeedsNewPassword ??fdef ScoreExchangeUsersUsers CreatedIP CreatedIP !-ýUgdef ScoreExchangeUsersUsersEmailConfirmRequiredEmailConfirmRequired ?]hdef ScoreExchangeUsersUsersEmailConfirmRequiredDateEmailConfirmRequiredDate ? iþjþ2Princess Leia's Theme (from Star Wars: A New Hope)41275222021-02-18 00:00:002023-05-06 00:00:00002021-02-18 00:00:000000006.200000Super Easy Piano1.500000-00-00 00:00:000000000û0.00000000-00-00 00:00:00.Princess Leias Theme from Star Wars A New Hopeû0000000-00-00 00:00:0000ûSPrincess Leia's Theme (from Star Wars: A New Hope) Super Easy Piano John Williams 00000000-00-00 00:00:000000000-00-00 00:00:000000-00-00 00:00:00963305000.00û0.000.0011001294091 John Williams3.490000-00-00 00:00:0000000-00-00 00:00:00000û01 1276x1650510.000000-00-00 00:00:000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:00ûûmþ0:000000-00-00 00:00:00ûûmþ00 00:00:00000000-00-00 00:00:000000-00-00 00:00:00ûûmþgement of a score that I played in college. I have not been able to source an original score yet so all I can tell you about it is that it is very pleasant and soothing to play! (All things being equal, the flute and violin players should switch parts on the repeats.) 00002017-03-31 11:11:09ü*{"width":282,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"629C06FC-15FA-11E7-96CA-EBC1E414B160","position-x-pc":"0"}02722892017-06-09 17:10:172017-06-09 19:37:37554091133.951.953.951.95ûûûûû00.00¨["41881","180492","136946","71656","183417","147756","171736","109599","97501","116153","172702","183251","172330","368355","132524","144195","172005","149997","95892"]2020-09-04 13:28:5002019-09-25 12:40:0135BCC45E-DF89-11E9-BF25-786840210297û01650x919005.002023-05-06 18:53:482023-05-06 18:53:513992403779960000-00-00 00:00:000000-00-00 00:00:00ûûmþn-x":"center","position-y":"top","position-y-combined":"top","average-center-x":88,"average-center-y":73,"id":"FD641164-512F-11E7-9EAA-ECFC7A227F16","position-x-pc":"44"}22019-06-06 16:27:3800000-00-00 00:00:000001500.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00500000-00-00 00:00:00000001$9E2D7914-886F-11E9-92BA-F3D41D17C629000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00kþ02:21ü*{"width":248,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"9E038E9C-512B-11E7-B04C-BD1FA3DC5C60","position-x-pc":"0"}02019-06-06 16:25:0500000-00-00 00:00:0041142011.602024-03-10 20:12:5101Credits2024-03-08 08:04:062024-04-17 08:04:552023-04-10 20:12:512023-03-24 22:22:44200000-00-00 00:00:00000001$42CBD3C2-886F-11E9-B731-F3D41D17C629000000-00-00 00:00:0002023-06-15 08:05:312023-06-15 21:39:0801000000-00-00 00:00:00kþperforming locally in the South Florida area. He is a member of the Society of Composers, Inc. and The American Society of Composers, Authors & Publishers. =Works selected for performance through national and international competition *Three Poems for Soprano Voice & Piano - Univ. of Wisconsin New Music Festival 1988  (this piece is now included in the Archives and Manuscript Division of the NYC Public Library) *Dawning (piano) Television Belgrade, Yugoslavia 1994 (this piece is now included in the Archives and Manuscript Division of the NYC Public Library) *Spooky Waltz (piano) ppIANISSIMO New Music Festival, Sofia, Bulgaria 1999  *Bagatelle No.1 (string orch) Living Composer Concert, Wisconsin 2005  *On The Lake (str. orch) Living Composer Concert, Wisconsin 2005  =Other performances *Renewal (full orch) Audubon Symphony Orchestra Audubon, PA 1992 *Essay on Silent Night (str. quartet) Lancaster, PA 1999  *Dimension 20 (mixed ensemble) Chicago 2012 =Music Reviews =American String Teacher Journal *August 1999 - Bagatelle No. 1 *November 1999 - Essay on Silent Night *August 2000 - The Kerry Dance *August 2000 – Too-ra-loo-ra-loo-ral, That’s an Irish Lullaby *February 2001 - Menuetto from Piano Sonata No.1 Op. 49 No. 2   *November 2001 - On The Lake =Clavier  *May/June 2005 - Six Etudes for Hand over Hand Arpeggio *September 2005 - My Very First Waltz *September 2005 - I Think I Hear an Echo *October 2005 - O Christmas Tree *October 2005 - Essay on Silent Night II *November 2006 - Christmas Swings *September/October 2016 - O Holy Night *September/October 2016 - Greensleeves000001024841410000000-00-00 00:00:00010118.080000-00-00 00:00:000000-00-00 00:00:0000043352018-02-16 23:46:24ü[{"width":300,"position-y-pc":"35","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":55,"width":101,"x":98,"center-y":105.5,"height":101,"center-x":148.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":76,"width":63,"x":41,"center-y":107.5,"height":63,"center-x":72.5},{"y":56,"width":100,"x":99,"center-y":106,"height":100,"center-x":149}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":52,"width":109,"x":94,"center-y":106.5,"height":109,"center-x":148.5}]},"height":300,"position-x-combined":"43%","position-x":"center","position-y":"top","position-y-combined":"35%","average-center-x":129.625,"average-center-y":106.375,"id":"AE2302C0-1373-11E8-932C-B879493C7B0A","position-x-pc":"43"}42019-06-06 16:29:2100000-00-00 00:00:0040116000.000000-00-00 00:00:00000000-00-00 00:00:000000-00áØšúUšúUà™úUø™úUЙúUÈ™úU  Â?hšúUpšúU8šúUPšúU(šúU šúUý !ýdefersScoreExchangeLInstrumentationGroupsInstrumentationGroupsIDúUIDúUdefúUScoreExchangeInstrumentationGroupsInstrumentationGroupssNameEmNamemail!ýý @ ›úU šúU àšúUäšúUòšúUøšúUþšúU›úU›úU›úUdefScoreExchangeUsersUsersPasswordPassword!ýý @À›úU8›úU?x›úU|›úUŠ›úU›úU–›úU¢›úU®›úU»›úUdefScoreExchangeUsersUsersPayPalEmailPayPalEmail!ýý @ectCa`œúUØ›úUCachedmœúUœúU*œúU0œúU6œúUAœúULœúUYœúUdefScoreExchangeUsersUsersSalutationSalutation!ýýeyValueúUxœúU VE Day¸œúU¼œúUÊœúUÐœúUÖœúUãœúUðœúUýœúUdefScoreExchangeUsersUsersOrganisationOrganisation!ýý @cce˜úUúUlies of XúU\úUjúUpúUvúUúUˆúU•úUdefScoreExchangeUsersUsersAddress1Address1!ýý@ng 0žúU°úUnds did ðúUôúUžúUžúUžúUžúU žúU-žúUdefScoreExchangeUsersUsersAddress2Address2!ýý@ meÈžúUHžúUe who wiˆžúUŒžúUšžúU žúU¦žúU¯žúU¸žúUÅžúUdefScoreExchangeUsersUsersAddress3Address3!ýý@and`ŸúUàžúU brought ŸúU$ŸúU2ŸúU8ŸúU>ŸúUEŸúULŸúUYŸúUdefScoreExchangeUsersUsersCountyCounty!ýý@rmany høŸúUxŸúUrelieved¸ŸúU¼ŸúUÊŸúUПúUÖŸúUߟúUèŸúUõŸúUdefScoreExchangeUsersUsersPostcodePostcode!ýý@str˜ úU úUcing andP úUT úUb úUh úUn úUz úU† úU“ úUdefScoreExchangeUsersUsersCountryCodeCountryCode!ýýid no0¡úU° úUst 1945,ð úUô úU¡úU¡úU¡úU¡úU¡úU)¡úUdefScoreExchangeUsersUsersTelDayTelDay!ýýenderedÈ¡úUH¡úUcelebratˆ¡úUŒ¡úUš¡úU ¡úU¦¡úU­¡úU´¡úUÁ¡úUdefScoreExchangeUsersUsersTelEveTelEve!ýýeed an X¢úUà¡úUey are A ¢úU$¢úU2¢úU8¢úU>¢úUB¢úUF¢úUS¢úUdefScoreExchangeUsersUsersFaxFax!ýýd Fleð¢úUp¢úUou need °¢úU´¢úU¢úUÈ¢úU΢úUÖ¢úUÞ¢úUë¢úUdefScoreExchangeUsersUsersWebsiteWebsite!ýýsibleˆ£úU£úUmail.comH£úUL£úUZ£úU`£úUf£úUp£úUz£úU‡£úUdefScoreExchangeUsersUsersVATNumberVATNumber!ýý@i ¤úU £úU12To thà£úUä£úUò£úUø£úUþ£úU¤úU¤úU¤úUdefScoreExchangeUsersUsersSendNewsSendNews?'. °¤úU8¤úU great mx¤úU|¤úUŠ¤úU¤úU–¤úU›¤úU ¤úU­¤úUdefScoreExchangeUsersUsersTownTown!ýý@ baP¥úUȤúUperformi¥úU ¥úU¥úU ¥úU&¥úU2¥úU>¥úUK¥úUdefScoreExchangeUsersUsersAgreedTermsAgreedTerms? httè¥úUh¥úUhange.co¨¥úU¬¥úUº¥úUÀ¥úUÆ¥úUÎ¥úUÖ¥úUã¥úUdefScoreExchangeUsersUsersCreatedCreated? an ax¦úU¦úUy are AL@¦úUD¦úUR¦úUX¦úU^¦úUa¦úUd¦úUq¦úUdefScoreExchangeUsersUsersIDID? 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Sections can be repeated as many times as you wish, so the piece can be as long as you wish. 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composer.!!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#HöúU!0g#¸÷g# Š#úU!2017-03-31 13:49:45A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":92,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"8A7C481A-1610-11E7-B107-FFFF967BC41A","position-x-pc":"0"}!0g#¸÷g#!344#¸÷g#!106#¸÷g#!2017-06-09 17:10:17!2017-06-13 12:36:05!÷g#¸÷g#!89219¸÷g#!0g#¸÷g#!0g#¸÷g#10.00Ø÷g#˜ù"úU0!830374¸ùg#`¬#úU!0g#¸÷g#!0g#¸÷g#H¯#úU!0.00¸÷g#!2.00¸÷g#¬#úU!0.00¸÷g#`¯#úU!0g#¸÷g#8%úU!÷g#¸÷g#X®#úU!0.00¸÷g#À¬#úU±["82222","109032","103020","103018","147420","32911","90297","114197","52408","17970","37907","102550","121568","97084","13547","62670","62956","127143","80548"]#úU!2020-09-21 11:56:37úU!1g#¸÷g# Este es un arreglo "flamenco" muy efectivo y atractivo para marimba. Funciona muy bien para "marimba solo" o para grupo de percusión.Esta obra es perfecta para una audición de clase. De esta forma se puede acompañar con palmas, cajón o pequeña percusión.U!0g#¸÷g#!0g#¸÷g#e2024-0!1g#¸÷g#4-04-18 !0g#¸÷g#71347217!÷g#¸÷g#pýúU!0.0000¸÷g#ÅýúU!2013-12-03 20:52:21Scor!VALS FLAMENCO9514202!0g#¸÷g#5025671!0g#¸÷g#¨þúU!3g#¸÷g#RþúU!0000-00-00 00:00:00úU!0g#¸÷g#29:36.87!0g#¸÷g#.000000AVALS FLAMENCO Para Marimba popular Moisés Ayala This is a very effective and attractive for marimba "flamenco" arrangement. Works great for "marimba solo" or Percussion ensemble . This work is perfect for an audition class.This can be accompanied with clapping, drawer, toms or small percussion. Este es un arreglo "flamenco" muy efectivo y atractivo para marimba. Funciona muy bien para "marimba solo" o para grupo de percusión.Esta obra es perfecta para una audición de clase. De esta forma se puede acompañar con palmas, cajón o pequeña percusión. !ùg#¸ùg# rúU!223624¸÷g#!0g#¸÷g#ÕpúU!0g#¸÷g#!0.00¸÷g# !úU!20.00¸÷g# Ä`úU!0.00¸÷g#(BkúU!0g#¸÷g#°\›úU!÷g#¸÷g#H(_úU!0.00¸÷g#àúUÑ["88347","128861","6947","39101","17982","71248","139098","103331","103332","76772","63868","8554","122740","128227","105560","187004","14690","200036","35064","52122"](oúUøX‰úUÐ!2011-05-08 12:33:21úU1The Christ Childs Lullaby415835!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!2013-04-12 14:07:07!0g#¸÷g#!0g#¸÷g#ÁThe Christ Child’s Lullaby trad. Father Ranald Rankin Colin Douglas My arrangement of a beautiful old gaelic lullaby. 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00:00:00úU!0000-00-00 00:00:00úU!12154¸÷g# ¡úU!1.50¸÷g#€¡úU!alain_jacquesà¡úU!2g#¸÷g#@¢úU![]g#¸÷g# ¢úU!0g#(øg#£úU!0g#¸÷g#`£úU!0g#è÷g#À£úU!1g#¸÷g# 13g#àÍúUtAttempted0Á["72320","143980","166153","141060","72536","103967","86351","140038","149977","55170","60029","115550","84778","121683","83158","196792","90639","149978","430035","51688"] and Viola !2020-09-03 17:42:43cces!0g#¸÷g#r any sc!0000-00-00 00:00:00e is!÷g#¸÷g#spired b!0g#è÷g#x men of!0g#¸÷g# Marek KuceraRaspa all rights reserved ASCAPhalten - www.traunmusik.at UK & Europe, adm. by Integrity Music, part of the David C Cook family, songs@integritymusic.com) www.stuarttownend.co.ukommons, 171 2nd St. Suite 300, San Francisco, CA 94105 USA.ber!20108øg#€À!úU!0g#¸÷g#8À!úU!2g#¸÷g#(Á!úU16.50€Ã`úU0!sib#è÷g#t the at!337#¸÷g# !2017-06-09 17:10:17úU10000-00-00 00:00:008 !úU0!42769΃úU A¸ úU  úUˆ úUp úUX úU@ úU( úU úUø úUà úUÈ úU° úU˜ úU€ úUh úUP úU8 úU  úU úUð úUØ úUÀ úU¨ úU úUx úU` úUH úU0 úU úU úUè úUÐ úU¸ úU  úUˆ úUp úUX úU@ úU( úU úUø 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Dr.!Clintloyed musician!Cooperey Ave!Äá»— Terrace Monte!unshine Coast!Nneland Palatinate!-1 1HN13ingen!czg#¸÷g#!194320810377!01 970 2993402!/a4787486!Keith¸÷g#!TU37552607#!1g#¸÷g#!-chesterhenbachauá!0000-00-00 00:00:00!0000-00-00 00:00:00!8458¸÷g#!0.00¸÷g#!kuceravesonta!1g#¸÷g#!TrumanCapote1756°}2úUªÀZ úUp®:úUDàtúUÐd!úU Ðj úU€êˆúU2 [ úUøˆ3úUPä÷úUDV#úU°¶lúUÿðï>úUPxzúU€[ úU@}`úUD – úU° »úUÀ?ÎúUD€P§úU YúUDð !úU¯qúUDæòúU8››úUÿàq7úU°o^úUÿp¾…úU¾GúUDð›)úUð-úUD þóúUÀxúUD`¾úU`ÉÉúUÿ`0úU 4ÿúUDÐCúUpTûúUD€s÷úUðhúUD ñúUвúUDÆúU0­ðúUDÀ/gúU@ úUDò„úU`háúUD ƒÉúUÒƒúUÿð6.úUP¨,úUD uúU@žÁúUD`sóúU Ù8úUD kiúUð¼1úUD`•ƒúUÀ] úUàØ2úUDå1úUyƒúUDP’ƒúU`]éúUD õ$úU ÂúUDÀGOúUðØ2úUDŠƒúU0[múUD RúUÕ7úUDƒ#úUà¹ìúUÀñûúUvðZDúU0¦úU°»ÚúUD€«úUЦúUD€“KúUèúUDðhúU_ úUà‡yúUD`ÙúU@_ úU(ñƒúUx©VúUÿ€7úU€™ÜúUD@£)úU€¾1úUD°•ƒúU@º1úUDt|úU¿úUD”ƒúU°•úUDCúUÒyúUÿÄfúUPaúUD0°‚úU0J9úUDúU{ÒúUDp÷ÔúU0³HúUDÐZÄúU@úUDàsÌúUðï@úUD wÎúUúUD`yúU Ø2úUD !úUÌ2úUD  –ƒúU°Ø2úUD@!úUà¿1úUD•ƒúU°"¦úUD“KúU°{ƒúUD°“ƒúUd!úU  €ÃƒúUàVüúUDД{úU €fúUD°;úUpî@úUD`áúUÀb§úUDÀ“KúUTŸúU ÀœKúUÈa úUàÅúUDðhiúU€ túUDà“KúU$úU2(b úU júU`ºìúUÞxúUÿ IúU®‰úUDгœúUpÀœúUw¹úUÿ@›èúUÀB‡úUD@²÷úUÐb úUR;èb úUØnúU0%¦úUDàšKúUàn~úUDàlNúUdúUDÀ‡öúU {ƒúUD @ã1úU@ÒèúUÿunúU ñÆúUD0×÷úUÙ2úUD P†ƒúU@†úUDÀ–ƒúUpjúUD`pgúUÐØ2úUDð‰ƒúU@~júUD`ŸIúUpáúUDpìØúU€¦úUÐeVúU@rkúUDÀšKúUÀ{ƒúUDГƒúU€d úU[ úU)[úU0w#úUDì úUpkÏúUÿðŠ†úUà%úUD@¦úUPô#úUD6úU ØgúUÿ ¸"úU°ýàúUDpWOúU€XFúUDÀ VúU°oúUDÐhúU@úUDð—úU~ÑúUÿ` úU@éèúUD°_èúU°b!úU  À§ùúUqúUDÇúúUèe úU¡ƒ!f@“iúUDÐEÖúU@Ö2úUDPk úUÐdøúUDp[úUÌûúUDà[úUƒúUDšƒúU€Ô2úUDàçƒúU ƒúUD@šƒúUÀƒúUD t|úU€àüúUD îjúU4ŠúUDPúU0½9úUDð˜OúU`a§úUÐØ úUD JúU8g úUèà=úUÿ€ßtúU ¼1úUD çƒúU`úUD€ÒúUp1 úUD ƒ#úU?eúUÿ ÜiúUp`úUÿÐAmúU×2úUD`σúU° \úUDðKúU`ŽcúUDðš½úUÐéÈúUD0–óúU CúUD úU Ù úUD€ÈùúUPvaúUD L4úUpÒRúUÿàúUàŸ_úUDàofúU°îõúUDðÅôúUYüúUD EýúU  [úUD ­úUðzƒúUD šƒúU0„³úUDp”{úU {ƒúUD áƒúU…ƒúUDðæƒúUPa!úU  €èƒúU°ƒúUDt|úU „ƒúUDçƒúU€üúUD ·$úUÀúUDðCúúU¯IúUD°~KúUà¦úUDÀ’KúUP,úUD°–gúU =§úUàˆAúUD ÄdúU úU ò2úUDðƒ„úUP¦úUDà’KúUP÷2úUDp‚„úUes and tQ0>ƒúU18k úU‚G*83420141DavidØ÷g#iredDate0ÑStephen DeCesare (Rhode Island) is an accomplished American composer/arranger/performer. His remarkable work list is over 18,000 compositions which include sacred/liturgical music, chamber pieces, ballet, oratorios, works for orchestra, and musicals...most of which can be found here on this site. CCLI ID: P562873 (Either under "Stephen DeCesare" or "Exultet Music") For more information, you may also visit his personal page: www.sdecesare.comge!0g#¸÷g#nter-y":!0g#¸÷g#E7-947B-!0g#¸÷g#x-pc":"0!0g#¸÷g#tion-x-c!øg#ˆøg#-x":"cen!128181¸÷g#r","posi!1g#¸÷g#average-!0g#¸÷g#33,"aver!÷g#¸÷g#500C2074!0g#è÷g#1739","p!0g#¸÷g# !3g#¸÷g#!2019-06-06 16:26:16!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!34¸÷g#!0g#¸÷g#!0.00¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!redits¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0000-00-00 00:00:00!0000-00-00 00:00:00!30#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!John¸÷g#!1g#¸÷g#16CE62C66-886F-11E9-B731-F3D41D17C629!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!2021-06-15 08:03:04!2021-09-13 08:03:16!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!Alain¸÷g#!0g#ø÷g#˜ŽúU10g#Ø÷g#hŽúU0!Jacques¸÷g#1alain.m.jacques@gmail.com!Toutesmesparts1alain.m.jacques@gmail.com!÷g#¸÷g#!The Gentle Way!22 Stanley Ave!øg#8øg#!÷g#¸÷g#@úU!0g#¸÷g#˜ŽúU1ElthamØ÷g#ÈŽúUXúU0!÷g#¸÷g#!÷g#¸÷g#!VIC#¸÷g#!3095¸÷g#!aug#¸÷g#!0412738438g#!61412738438#!÷g#¸÷g#!0g#¸øg#!÷g#¸÷g#@úU!31186¸÷g#¨úU!1g#¸÷g# ŽúU!0g#¸÷g#ØúU!÷g#¸÷g#hŽúU!0g#¸÷g#xúU10g#Ø÷g#ÈŽúUúU0±French born I have migrated to Australia in 1989 and set to music 72 poems from French Literature in the years 1993-2003 without realising many had already been set to music by such composers as Claude Debussy, Gabriel Fauré, Charles Gounod or Henri Duparc. I just wanted to sing French Art Songs but not in the XIX century style; I was inspired by the French poetry set to music by the popular song-writer Georges Brassens. I had discovered the Oxford Book of French Verses where I found many poems that I loved. My perspective, which is reminiscent of the minstrels and troubadours of old, is that the singer and the melody are to serve the poem –as the poem is also serving a higher perspective. Being just a melodist, not a musician properly speaking, I could not do the reverse –using the poem for my own musical creativity. The melodies I offer are simple and, to my ears and my heart, serve well the poems in their humility. They are like folk-songs in their simplicity and naivety, except maybe for their rhythm or metric structure: their flexible signature adapts to the poem, at times offering composite patterns of 5/4, 15/8, 7/4, 11/4 or even 13/4. After I had written a few melodies I happen to meet, in 1995, a great singing teacher: Jacques Pottier; former tenor from Paris Opera he was then teaching at Melbourne University his remarkable singing technique; as I started to take private lessons with him, he discovered my songs and wanted me to sing only my own songs that he loved immediately. This encouraged me to write more and more songs, rewarded by his appreciation, which gradually over the years reached 6 dozens. After 3 years I realised that my songs would be better served if I let him sing them –which he was delighted to do. As we found some good guitarists to play the accompaniment we could start recording: a first album of 4 songs was recorded in 2002 with James Cannon on the guitar and a second album of 12 songs in 2006 with Melchior Martin on the guitar. The first album was sent to some musicians in France, and it received the praise of the famous French conductor Paul Ethuin (1924-2011) – who, by the way, asked where I had learned composition! Four albums of French poetry were gradually published on iTunes over the subsequent years. And a few songs, sung by Jacques Pottier, are on YouTube. Recently, in 2012, I found a young talented musician in Melbourne, Ashley Meliki Shoup who provided piano arrangements for 54 of my songs. Thanks to her contribution I am so happy to share my melodies (with better clothes) on Score Exchange. I hope to give singers as much enjoyment and appreciation for French poetry as I have. The problem I have is about classification: The genre of my songs is close to Folk song, also to Popular song, but because it is poetry set to music it relates more to Art Songs which is Classical Music. In truth it should be Mélodies (in French ‘mélodies’ is another name for ‘chansons poétiques’ –art songs, or lieder in German). I offer all my apologies if this may have misled some people. Thank you for your understanding and appreciation. P.S. I have also provided an English translation in the info of the Sib file, and often I was able to create a bilingual singable rendition. P.S. Also I am gathering a kind of compendium of French Art Songs: it gives, for the lovers of French poetry, the possibility of comparing the various settings of a same poem by other composers. P.S. I have realised now, in 2015, that so many people have tried to set to music French poetry, some times more than a hundred for just one single poem! This movement reached a maximum during the period from the end of the 19th century to the First World War. The romantic period gave in France an explosion of poetry which, like a field of poppies, bloomed into songs. So the task of gathering a compendium of French Art Song goes far beyond my ability: I will only transcribe a few more and then stop; in the doing it I have learned a lot about the difference between melodies and their accompaniments in serving the singer and the poem. May you all see the beauty of simplicity and spaciousness in art songs, which I would call heart songs. !0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!1g#¸÷g#!1g#¸÷g#!46.80¸÷g#!÷g#¸÷g#!÷g#¸÷g#1÷g#Ø÷g#0! This composition is scored for an unusual array of instruments, including 2 steel drums. This large ensemble will provide interesting sonorities and a welcomed change to any concert program. View other HaMaR PERCUSSION PUBLICATIONS at: www.hamarpercussion.comrigCorruptOrig!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0.0000¸÷g#!2011-06-10 16:55:46!Beat The Boredom!0g#¸÷g#!0g#¸÷g#!10g#¸÷g#!2013-04-17 12:17:44!0g#¸÷g#!0g#¸÷g#Beat The Boredom Dave Collins HaMaR PERCUSSION PUB This composition is scored for an unusual array of instruments, including 2 steel drums. This large ensemble will provide interesting sonorities and a welcomed change to any concert program.0!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 14:00:59A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":92,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"1C29D20E-1612-11E7-AD70-82E0ADF26557","position-x-pc":"0"} úUÀ úU!0g#¸÷g#!344#¸÷g#!106#¸÷g#€íúU@— úU˜– úUXëúU íúU(îúUXîúUP– úUðïúU– úUpîúUàíúU¨éúUÈ– úUð• úUPíúU0• úU˜Ù„úUøêúUhêúU• úU€– úUÀ• úU˜ðúU8– úUxìúUø– úU0ïúUHïúU – úUØïúU°ðúU°íúUðìúU— úU`ïúU¨• úU˜êúUìúU ðúUhðúUðúUèîúUx• úUìúUH• úU˜íúU0ìúUHìúU îúUh– úUØ• úUØéúU — úUëúUøíúUêúU(ëúU`ìúU¨ïúU8êúU@îúUÈêúUéúUˆëúU`• úU(— úU• úUà– úUÈðúU¨ìúU8ðúU€ðúUàêúUPðúU¸ëúUèëúUïúU0• úUÈ2!úUx‘#úU€êúU86(úU‘#úUÈíúUhÂúU¨‘#úUÅÁúUÀ‘#úUÀïúU8ÓÝúUØ‘#úU(ÂúUð‘#úUxÂúU’#úUîúU¸ÈÁúU ’#úUHÂúUs(úUˆ<ÂúUøT$úU(ä‹úU[ŽúU¸îúUxY'úUkeúUˆHVúUØA¤úUØÛ.úU°ZŽúUˆîúUH&úU@[ŽúU˜öúUX[ŽúU• úUÂ]úU¨ô úUXCÂúU€ZŽúUDÂúU([ŽúUØDÂúUÀô úUpëúUX„gúUØô úUH§¸úU õ úU˜ýúUõ úUh}TúU`ñ úU°– úUØ·~úU€õ úUЗ úUˆ­úU(“#úU¨U)úU”#úUX‚ŽúU¸œ#úUíúUÈÓGúUຠúU( úUˆ¹TúUx”#úU¨GáúU“#úUèÏ`úU¨”#úUXQ]úUÀ”#úUHR]úUØ”#úUU]úUð”#úUHŽÑúU•#úU¸— úUhŸúU •#úUèÎ.úU8•#úUx¸TúUP•#úUg¸úUh•#úUèU]úU€•#úU8Ô.úU˜•#úU(š úUȆ‹úU°•#úUp úU˜Š‹úUÈ•#úU¸&*úUà•#úUˆz¾úUø•#úUXY]úU–#úUZ]úU(–#úUȵÁúU@–#úU8u6úUX–#úUx ÄúUp–#úUèEVúUˆ–#úU¸V]úU –#úU˜¶ÁúU¸–#úUÈÇèúUЖ#úUÀÁúUè–#úUx¸ÁúU—#úU(¹ÁúU—#úUèqúU0—#úUعÁúUH—#úU› úU¨ºÁúU`—#úUx»ÁúUx—#úUø™ úU¸šúU—#úUÈk¸úU¨—#úU› úUn¸úUÀ—#úUè½ÁúUØ—#úUˆ¿ÁúUð—#úUˆÀÁúU˜#úUxÁÁúU ˜#úU˜>úU8˜#úUÃÁúUP˜#úUH˜ úUèÃÁúUh˜#úUx~‹úU€˜#úUh·ÁúU˜˜#úUÇÁúU°˜#úU(Ý»úUȘ#úU¨˜ úUx]µúUà˜#úUêÁúUø˜#úUø¸ÝúU™#úUøúúU(™#úU¨eúU@™#úUýÁúUX™#úUØÃúUp™#úUHL]úUˆ™#úUhO]úU ™#úUX úUÂúU¸™#úUx˜ úUlòúUЙ#úUxoòúUè™#úU¨‚¼úUš#úUØ•¼úUš#úUx—¼úU0š#úU˜™ úUxFaúUHš#úU˜HaúU`š#úUˆÂúUxš#úUXÂúUš#úUx%úU¨š#úUÈ ÂúUÀš#úU˜ ÂúUØš#úU˜ úU¸ÂúUðš#úUÀ› úU¨ukúU›#úUè— úUH3kúU ›#úU0› úU¤^úU8›#úU™ úU¸«^úUP›#úUÂúUh›#úUèš úU¨ÂúU€›#úUÈÞ)úU˜›#úU˜á)úU°›#úUøÛ)úUÈ›#úUÐ úUhúúúUà›#úUÈ2!úUø›#úUؘ úU86(úUœ#úU œ úUhÂúU(œ#úUÅÁúU@œ#úUž úU8ÓÝúUXœ#úU(ÂúUpœ#úUxÂúUˆœ#úUhœ úU¸ÈÁúU œ#úUHÂúUxúUˆ<ÂúUúU(ä‹úUX» úU úUxY'úUÐOŽúUˆHVúU@L¤úUØÛ.úUøº úUàœ úUH&úUˆ» úU˜öúU » úUPŸ úUÂ]úUhõ úUXCÂúUȺ úUDÂúUp» úUØDÂúU8õ úUÈ™ úUX„gúUPõ úUH§¸úUðô úU˜ýúU˜õ úUh}TúUxô úUè  úUØ·~úUXó úU¢ úUˆ­úU¨#úU¨U)úUŸ#úUè súUn'úU`› úUÈÓGúUˆ“#úU€ÃúUˆ¹TúUøž#úU¨GáúU#úUèÏ`úU(Ÿ#úUXQ]úU@Ÿ#úUHR]úUXŸ#úUU]úUpŸ#úUHŽÑúUˆŸ#úUð¡ úUhŸúU Ÿ#úUèÎ.úU¸Ÿ#úUx¸TúUП#úUg¸úUèŸ#úUèU]úU #úU8Ô.úU #úU`¤ úUȆ‹úUg'úUÈÃúU˜Š‹úU g'úU¸&*úU8g'úUˆz¾úUPg'úUXY]úUhg'úUZ]úU€g'úUȵÁúU˜g'úU8u6úU°g'úUx ÄúUÈg'úUèEVúUàg'úU¸V]úUøg'úU˜¶ÁúUh'úUÈÇèúU(h'úUÀÁúU@h'úUx¸ÁúUXh'úU(¹ÁúUph'úUèqúUˆh'úUعÁúU h'úUpÁúU¨ºÁúU¸h'úUScores!650x459Øûg#ð¤ úU!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-25 19:13:22!2023-04-25 19:13:39!4650724¸÷g#!4346305¸÷g#1¦ úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00resQX— úU1¨¦ úUïÇäÃ102550!121568¸÷g#`WúU!2017-06-09 17:10:17úU10000-00-00 00:00:00˜ úU0!After Sunset MúU!64g#è÷g#€MúU!0g#¸÷g# !3g#Èøg#WúU!1g#¸÷g#xWúU!2011-06-19 08:03:55úU!2017-11-22 17:09:36!Jessica Siddallø¢ úU!÷g#¸÷g#X£ úU!2005¸÷g#h¢ úU!0g#è÷g#!3g#¸÷g# !3g#Èøg#ZipConve!1g#¸÷g#onStarte!2012-01-26 01:21:45úU!2021-06-28 17:24:47úU!0g#Høg#À˜ úU!0g#¸÷g# ™ úU!6g#¸÷g#0˜ úUA© 2003 Darrin Bounds All Rights ReservedúU@ABlue Steel David Wainwright none the String Family A little 12 bar blues for steelband. The piece itself lasts one minute, but with two soloists and the repeat of the tune to finish it will cover 4 minutes. The first and second parts are around Grade 4 Trinity College / ABRSM. Cello & Bass are Grade 3« úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#°±`úUP·`úU¨¶`úUˆ¯`úUP±`úUX²`úUˆ²`úU`¶`úU ´`úU¶`úU ²`úU²`úUØ­`úUض`úU¶`úU€±`úU@µ`úUX©2úU(¯`úU˜®`úUµ`úU¶`úUе`úUÈ´`úUH¶`úU¨°`úU·`úU`³`úUx³`úU0¶`úU´`úUà´`úUà±`úU ±`úU ·`úU³`úU¸µ`úUÈ®`úU0°`úUP´`úU˜´`úU8´`úU³`úUˆµ`úUH°`úUXµ`úUȱ`úU`°`úUx°`úUв`úUx¶`úUèµ`úU®`úU°·`úU@¯`úU(²`úU8®`úUX¯`úU°`úUس`úUh®`úUp²`úUø®`úUH­`úU¸¯`úUpµ`úU8·`úU µ`úUð¶`úUø´`úUØ°`úUh´`úU°´`úU¯`úU€´`úUè¯`úU°`úUÀ³`úUˆ° úU!þg#þg#0° úU!0g#¸÷g#!210#¸÷g#!297#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-05-04 16:23:29!2023-05-04 16:23:34!646428¸÷g#!619710¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00 LŽúUª0² úUGŽúUDpÉ úU GŽúUDÉ úU°GŽúUD'úUÀGŽúUD°'úUÐGŽúUDÐ'úUàGŽúUD€È úUðGŽúUD È úUHŽúUDÀÈ úUHŽúUDàÈ úU HŽúUD0¿`úU0HŽúUDŸ'úU@HŽúUDŸ'úUPHŽúUD°Ÿ'úU`HŽúUDП'úUpHŽúUDðŸ'úU€HŽúUD 'úUHŽúUD0 'úU HŽúUDP 'úU°HŽúUDp 'úUÀHŽúUD 'úUÐHŽúUD° 'úUàHŽúUDP¿`úUðHŽúUDР'úUIŽúUDð 'úUIŽúUD¡'úU IŽúUD0¡'úU0IŽúUDð'úU@IŽúUDàž'úUPIŽúUDP¡'úU`IŽúUDp¡'úUpIŽúUDóúU€IŽúUD óúUIŽúUDóúU IŽúUD°óúU°IŽúUDÐóúUÅÁúUÀIŽúUDðóúUÐIŽúUDôúUàIŽúUD0ôúUðIŽúUDPôúUJŽúUDpôúUJŽúUDôúU öúU JŽúUD°ôúU0JŽúUD€õúU@JŽúUD õúUPJŽúUDÀõúU`JŽúUDàõúUpJŽúUDöúU€JŽúUD öúUJŽúUD`øúU JŽúUD€øúU°JŽúUD øúUÀJŽúUDÀøúUÐJŽúUDàøúUàJŽúUDùúUðJŽúUD ùúUKŽúUD@ùúUKŽúUD`ùúU KŽúUD€ùúU0KŽúU@KŽúUDððúUPKŽúUDñúU`KŽúUpKŽúU€KŽúUKŽúU KŽúU°KŽúUD0ñúUÀKŽúUDPñúUÐKŽúUDpñúUàKŽúUDñúUðKŽúUD@òúULŽúUD`òúULŽúUD€òúU LŽúUD òúU0LŽúUDÐòúU€¹ úUZŽúUÐEúUDÀúóúU°¹ úUøNŽúU 0rúUDA2úU‡úUDð°úUÀ #úUDÀD2úU
Woodwind
Brass
Keyboards
Singers
Guitars
Strings
Percussion (pitched)
Percussion (unpitched)
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00:00:00!0g#¸÷g#€!0g#¸÷g#tAttempt!0g#è÷g#P úU!0000-00-00 00:00:00!ÊiúUÈ÷g# !173#Xùg# !0g#¸÷g#@!3.00¸øg#@’€úU!0000-00-00 00:00:00úU!1g#¸÷g#ø]úU!1g#¸÷g#pézúU!0g#¸÷g#8‚úU!÷g#¸÷g#(SúU!0g#¸÷g#˜îzúU10g#Ø÷g#htúU0!Spiritualg#\!úU!Stephen DeCesareÐ^úU!0g#¸÷g# 1 g#pp!úU˜ù"úU˜ù"úU0!ARRAY0!úU!øg#PuúU !0.0000¸÷g#@!2012-10-29 22:57:09A6 Atmospheric Christmas Carols for piano!0g#¸÷g#À!0g#è÷g#uantityS!12g#¸÷g# !ø~úU@úU1ADAP3Ø÷g#0!SMD_IDt::SMD_ID¬xúU!250#pÐ^úU !2017-06-21 00:00:00!0g#¸÷g# A/usr/local/share/perl5/Text/Unidecode/x20.pmQ¸_!úU¬!¾¦Text/Unidecode/x20.pmP!-g#øg#@!--g#è÷g#!--g#¸÷g# !USQL700yID!÷g#€œÔúU !61p®¹úUineFieldQè!úU0d|úU0˜_úUÈZúU!2024-04-09 18:55:19 WHE!pdf#è÷g#hall-of-!238785¸÷g# 1xa!úUrD1Ö87373!ÊiúUrkerUdows NT !gúUX}úUA/usr/www/resources/ADAP3/GenericObject2.pmet6@!`·ƒúUÀ€ úU !÷g# ‘*úU Beatles1359928Ø÷g#Ð(úUkúU0!ˆé9úUàËqúU !0g#˜üg#b!úU!0g#¸÷g#CAROL - ’I WONDER AS I WANDER’ Arranged for Choir SSAA a cappella Arranged for female Voices SSAA Arr. GRAHAM GARTON Appalachian traditional ? John Jacob Niles 1934 Graham Garton There is also a Solo Voice with Piano accompaniment for this Carol.P múU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#3zúU¨•aúUx½lúU¨Ê‚úU@ziúU˜5úUH§"úUH ]úUÈDhúU(súU@6ŽúUÀÍ|úUð]‰úUxMúUpÖúUxà§úU8Ú0úUà yúU sŠúUtyúUøêtúUÜ0úU@Í…úU@…túUhviúU ±{úUÐí‹úUˆó‹úU`ªfúUˆ?kúU (úUàÅúUˆ‘qúUPVnúU@úU ,}úU nsúUhšzúUpÕyúUˆiúU `^úU˜Ÿ_úU(Œ}úUìeúUºúU`7ŽúU`3}úUPŠúUèó‹úU2ŸúUè±›úU˜5ŽúU.ŸúU –aúUÀcdúUà”zúU˜þuúUÌpúU½‰úUX¢kúUàjoúUÐgúU°jsúUhþˆúU@kúUðÄúUØïbúUèÏ‚úU|úUØ”ŽúUøóqúUÀyúU—eúU ¿"úU ]úU¸ŒwúU uúU«fúU#ŒúU!2017-06-09 17:10:17úU!0000-00-00 00:00:0038!÷g#¸÷g#!753911¸÷g#!0g#¸÷g#Ðå€úU!0g#¸÷g#p¸3úU!0.00¸÷g#491710!6.00¸÷g# !4.50¸÷g#!0g#è÷g#ЭœúU!÷g#¸÷g# ÁI am a a saxophonist (flute, clarinet, guitar and piano also) out of Miami, Florida. I earned a degree in Music Education at the University of Miami where I studied under David Pope. I developed my style and sound at a gospel church in New York where he grew up and got my early musical training. I am the Music Director at Christopher Columbus High School where I run the jazz band, rock ensemble, music production, and percussion courses. I am a producer, writer, arranger, performer, and studio musician and have a recording studio where I work with the Production team "The Pushers". I arrange music for saxophone quartets, Jazz Bands, Pep Bands and many different performing groups. !0g#¸÷g#!0g#¸÷g#©!úU!0g#¸÷g# m!úU!0g#¸÷g#!4g#¸ùg#è¬!úU!0g#¸÷g#Ь!úU!0g#¸÷g#8®!úU!2g#¸÷g#¸!úU!0g#¸÷g#ð­!úU!0.00¸÷g#P®!úU!0000-00-00 00:00:00úU!0g#¸÷g#È«!úU!0g#¸÷g#˜«!úU!÷g#¸÷g#¸¬!úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!50g#¸÷g#10000-00-00 00:00:00è©!úU0!0g#øg#@ô&Y#!1g#è÷g#!0g#¸÷g# 1 g#0]!úU0!HASHÈ÷g# 1 g#Ðs!úUÀõ&Y#0AЯ³úUÀõ&Y#1q!úUSúqïx20::a¢úUXCúU˜q!úUA˜q!úU ´*) (eval 308)qHr!úUÿÿÿÿAHr!úUa_Text::Unidecode::x20!1g#C~úU !0g#¸÷g#@!÷g#¸÷g#`!0g#¸÷g#€!0g#¸÷g# !1g#¸÷g#À!0g#¸÷g#à!÷g#è÷g#!0.0000¸÷g# !@$úUded_okay10g#p úU˜ù"úU01 g#Ø÷g#Àµ;úU0±nthem for SATB & Organrics & Chordsnd Melody)umentsgen für Orgel und Trompete in C, O Come All Ye Faithful, Good King Wenceslas and Jingle BellsetOfPart°!HASHU10000-00-00 00:00:00Lin-Manuel M0!Tabloid Magazinea2 Halloween Themes for solo piano Danse Macabre Hall of the Mountain 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I've done a number of quartet arrangements through the years and have had great success/response/feedback every time they've been performed. This one is a real burner and is inspired by of the the funkiest sax men of all time - Maceo Parker.!6.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#Shake Everything You've Got Words and Music by Maceo Parker Copyright (c) 1992 MACEO SONGS This arrangement Copyright (c) 2016 MACEO SONGS All Rights Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC. All Rights Reserved Used by Permission Ð"úU!÷g#¸÷g#!ùg#¸ùg#!úU!0.00¸÷g#±["76245","69519","69517","156112","162429","196533","158821","158827","146293","123304","189578","159596","144586","88369","198533","169700","69523","159048","168845"]!2020-09-24 16:10:31úU!0g#¸÷g#È !úU!2019-09-25 13:44:31úU138675F8A-DF92-11E9-AFAE-78À!úU!77875¸÷g#!0g#¸÷g#¨!úU!0g#¸÷g#10g#Ø÷g#x!úU !úU0!0g#Øûg#p "úU!18.8800¸÷g#!0000-00-00 00:00:00AShake Everything Youve Got Saxophone Quartet!0g#¸÷g#!0g#¸÷g#!15g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#@ô&Y#!0g#¸÷g#ÑShake Everything You've Got Saxophone Quartet Maceo Parker Keith Cooper 1979 I have been teaching high school music for 15 years and as a saxophone player, I've always wanted to showcase my sax section. I've done a number of quartet arrangements through the years and have had great success/response/feedback every time they've been performed. This one is a real burner and is inspired by of the the funkiest sax men of all time - Maceo Parker.!0g#¸÷g#€"úU!0g#¸÷g#p"úU!0g#¸÷g#!0g#¸÷g#€"úU!2017-06-05 03:33:35úU!øg#¸øg#!398163¸÷g#€"úU!0g#¸÷g#0"úU!0g#¸÷g#!0.00¸÷g#€"úU!16.00¸÷g#"úU!10.00¸÷g#10g#Ø÷g# "úUp"úU0!÷g#`"úU1÷g#Ø÷g#q0!raythompsonúU ! g#P"úU1÷g#Ø÷g#0!÷g#à<2úU ! g#À"úU1 g#Ø÷g#‘0è;wúUPbúUXKhúU@ìzúUØiúU@,ƒúU˜%ƒúUìgúU°HqúUÈXúUð™}úUØvúU‘aúU¨W‰úUØïjúUøúUHébúU8žgúU(LúUø'aúUØÏsúUHòmúU8ª$úUðjúUà¢fúU˜n‚úUH–zúUH4_úUàX‰úU8.€úUø^vúU0ò]úU˜æaúU°úUXŠúUØqúU0X›úU™_úUœúU@Ö‡úU(¨uúU¨ïeúU *]úUXBhúU(èbúUØõ]úULhúUPµŒúUPñwúUilúU@ʼnúU8´xúU¨ŸzúU˜‚úUpŠúUøî€úUgúUØæeúUøtgúUXeoúU óqúUlyúUð³xúUXCqúU(±kúU¨îŽúU`àŠúUا~úUÈ ŠúUp¢rúUhÍsúUÀŠúU€úUˆ©fúU€GfúUà.ƒúU€*eúU!Copyright ©U !1.95¸÷g#@!1g#¸÷g#`!1g#¸÷g#€!1g#¸÷g# !1g#¸÷g#À!1g#¸÷g#àQ5BCC45E-DF89-11E9-BF25-7892B94379Cms'tarted"úU¸÷g#P! g#0"úU1 g#Ø÷g# 0!0000-00-00 00:00:00! g#À"úU1 g#Ø÷g#‘0‘0oiúUØwŠúU ä‡úU˜avúU oúUàátúUii1~xdúU woúU‘Copyright © 1935 by Peer International Corporation Copyright Renewed International 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0Àw~úUhá"úU¤j472698¡@yúUð AúU 0 ìúU¸á"úUá»ÂÂ495184q€IúUà(=úU 0@o7úUâ"úUéc2’495173!@+œúUpo7úUÀ0ÀöHúUXâ"úUf§Á—442993qP´6úU0M$úU 0—VúU¨â"úU¾Æ 503221!PÔ9úUÿ:úU`0`¡AúUøâ"úULY387608p úUhBúU 00$ßúUHã"úU²g¤387607!Í7úUNúUp0ð 4úU˜ã"úUD¡Ÿ466339qàòdúU€ðwúU 0 VúUèã"úU XØ481803!°±ŽúUÐVúU0'¼úU8ä"úU«€è§481793!0Ø"úUp*xúUÐ;úUˆä"úUäò'481788!ŽIúU ;úUp0@EuúUØä"úU¹fÊ481786qÀe[úUÀúU 00úU(å"úUÅ493066!PÔ9úUÐIúU0`¥DúUxå"úU'¬Ð493056Pñ‚úU`3múU 0ptnúUÈå"úU§SØ#493055!àdúU tnúUp0p4múUæ"úU8²º472681qP2FúUÐ|¸úU 0 ã:úUhæ"úUåïy°528177!ŽIúU }¸úUP0àÕúU¸æ"úU‹¤x422442a0€núUÀ¼úU 0 7KúUç"úU'-ªE450326q£KúUðdwúU 0ewúUXç"úUqÍh422477!àÄ6úU |îúUÀ0ð¼úU¨ç"úU7ûl366803qÀ€@úUpçúU 0×éúUøç"úU¤'8*422949!PçúU@Y9úUà0žkúUHè"úUìÿ×422939 \ƒúU€,uúU 00UyúU˜è"úUûç^ü466315!@+œúU`UyúUp0ðãyúUèè"úU{Ê&í466308q`úU°‚EúU 0ЂEúU8é"úUäì»416481!8úUƒEúU0ð€púUˆé"úU³§Æ¥466291ÑpF'úU ”dúU 0”dúUØé"úUA=e415966«ýúU`*úU 0€*úU(ê"úUëÒÚš4662781€;úU¸÷g#64190Ïó«0ÐMy music is mainly choral, with some notable solo exceptions. It is generally not too difficult to perform (though some pieces are a little challenging) and aims to be accessible to the listener. My guiding principle is to write (or arrange) a good melody and let it be heard through the harmony. An early influence on my style has been Gregorian chant: more recent ones renaissance and mediaeval choral music. My only opera is "Romeo and Juliet", using only text from Shakespeare's play and intended for untrained voices and chamber orchestra - uploaded here in May 2015. If you'd like to look at/listen to some other stuff, such as my mediaeval style "Requiem", it's on my website, www.ptsheetmusic.com. There are free pdf's available there (including instrumental parts) of every item on the website, including all those on Score Exchange. Please inform me by e-mail if you intend to perform any of the pieces, at philipthick@doctors.org.uk ˜ù"úU10g#Ø÷g#˜ù"úU0!0g#¸ùg#ؼjúU!0g#¸÷g#˜kúU!÷g#¸÷g#x\ÀúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!30g#¸÷g#™!úU!0000-00-00 00:00:00úU!0g#¸÷g# WmúU!0g#¸÷g#x0fúU!0g#¸÷g#!0g#¸÷g#PNÂúU!0g#¸÷g#0¹ÐúU!÷g#¸÷g#11g#Ø÷g#8<âúU01{"width":240,"position-y-pc":"47","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":73,"width":136,"x":49,"center-y":141,"height":136,"center-x":117}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":72,"width":135,"x":49,"center-y":139.5,"height":135,"center-x":116.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":69,"width":144,"x":45,"center-y":141,"height":144,"center-x":117}]},"height":300,"position-x-combined":"49%","position-x":"center","position-y":"center","position-y-combined":"47%","average-center-x":116.833333333333,"average-center-y":140.5,"id":"A15779C2-512C-11E7-AB12-DA886FCB12E7","position-x-pc":"49"}eúUdefúU!3g#¸÷g#Ø„áúU0ÉúUЪÌúUÙúUP ÎúU°´júUh®múUèÝÞúU°åÇúU`t‡úU`mÉúUP¥"úUX ÃúUHÍúUˆÑúU €áúUXÒÃúUà«ÂúU¨gÑúU€Ç`úU0ÒúUx0fúUØ–ÄúU(•ÄúUЮ›úUPQÐúUPNÂúU¨ízúU`›YúU@dúU¥ÓúUÈñÏúUheúU uÚúUؼjúU`|ÚúU˜kúU°hÃúU˜BgúU˜åÒúUÐaÀúUZ¿úU0³múU¨­ÂúU€®ÈúUÅÆúUpksúUðÝtúU ÌhúUàÃÀúU@²ÅúU`'ÇúUX‘júUÈhúU ®ÙúU4fúUXÂiúUà.ÇúU€|ÞúUx$ËúUÈ®ÉúU¸¿ŒúUxîËúU˜´ÂúUHxiúU8þˆúUè„ÎúUÃúU¶ÀúU’eúUèBuúU8<âúUMyScores154183D46-886F-11E9-9F08-F3D41D17C629\t!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!2023-12-16 08:04:48!2023-12-16 09:39:12!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00QˆWÔúUQÀè$úU!HASHU169835Ø÷g#púU `õúU0Á[ { "Desc" : "Free downloads of choral and instrumental originals and arrangements", "Url" : "http://www.ptsheetmusic.com/", "Text" : "My music" } ] !60659È÷g# !1g#piAúU !0g#¸÷g#!÷g#¸÷g#ðNúU!0.0000¸÷g#àÀïúU!2018-11-03 05:49:21441Jingle Bells Concert Band HúU!0g#¸÷g#225302!0g#¸÷g#À!5g#¸÷g#!2013-04-09 16:24:22úU!0g#¸÷g# !1g#8øg#!0g#¸÷g#ÕáúU!0g#ø÷g#иÂúU11g#Ø÷g#ˆàúUðÿØúU0!÷g#¸÷g# !ýg# FúU nTúU!ùg#¸ùg#¸[/úU!588022¸÷g#!0g#¸÷g#(SVúU!0g#¸÷g#!0.00¸÷g#h°üúU!1.50¸÷g#ÐŽúU!0.00¸÷g#¨/fúU!0g#¸÷g#0ÓÚúU!÷g#¸÷g# 'aúU!0.00¸÷g#0SØúUÑ["83904","117338","116263","187024","175524","157433","156294","201497","76545","155017","160876","153921","116141","189888","175535","145202","153919","178925","152327","140306"]úUÐ|BúUÐ!1g#ˆüg# ÿ"úU!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2014-03-10 08:42:50!Beyer80¸÷g#!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#1Beyer80 Beyer enjoifun music school !0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 16:15:34A{"width":218,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"E98E4BBE-1624-11E7-8C23-C9D7EC0C0967","position-x-pc":"0"}úU !0g#¸÷g#!600#¸÷g#pq@úU!825#¸÷g#U¼úU!2020-09-29 10:43:1262!1g#¸÷g#À!2019-09-25 13:24:4217351D416-DF8F-11E9-BB11-78úU !91218¸÷g#!0g#¸÷g#Í7úU!0g#¸÷g#`ˆúU!0g#¸÷g#221762!1g#¸÷g# !650x916¸÷g#!0g#¸÷g# Ñ—úU!1g#¸÷g# úU!3.00¸÷g#465414!2023-04-15 03:30:54!2023-04-15 03:31:02!215543¸÷g#pçúU!313074¸÷g#K¼úU!0000-00-00 00:00:0013!0000-00-00 00:00:00!0g#ðuÎúUrformanc!3g#¸÷g# !Thicknes÷g#’s lul1philipthick@doctors.org.uk0!0g#p6úU !2020-09-21 00:44:14!1g#ˆøg#!Uncategorised music!27819¸÷g#!1g#¸÷g#@#úU!0g#¸÷g# _îúU!÷g#è÷g#ladh Chr!0g#¸÷g# 1ÊaúUØ#úU|l,Äu!øg#`\îúU!Northumberland1NE45 5EL÷g#0!0g# ®ZúU !650x918°Ã2úU !373#ø÷g#¸˜èúU13g#Ø÷g#ÍKúU0!0000-00-00 00:00:00!84594°(VúU 1H #úU¼'ø604096!0000-00-00 00:00:001Winter Wind#0!HASH@§úU !CoverArtUrlSmallAchristopher.maxim@yahoo.comúUˆEÆúUèD¬úU@!900#о(úU !1g#¸ùg#!0g#¸÷g#@>ÌúU!55g#¸÷g#þYúU!40g#¸÷g#ðSÂúU!2024-03-15 19:20:17úU!{ "faces" : {} } U!0g#¸÷g#ø(ÇúU!2024-03-15 19:20:14úU!0g#¸÷g#¨øg#!0000-00-00 00:00:00!4g#¸÷g#À§¯úU!0g#¸÷g#!0g#¸÷g#!293#¸÷g#!1g#¸÷g#nwern' (10.04Ø÷g#xcelling) PIANO 0!øg#=úUpr-úU!0g#¸÷g#@)LúU!0g#¸÷g#`¶™úU10g#Ø÷g#0!2120360óúU 1(#úUzûëT196487APiano, Vocal & Guitar Chords (Right-Hand Melody)1www.christophermaxim.co.ukP4ÏúU!÷g#¸÷g#!1g#è÷g#!London¸÷g# 10º²úU(#úU(¢ñæ v!0g#ÀmúUers WHER10000-00-00 00:00:000!1g#po,úU!1g#è÷g#!0g#¸÷g# !0g#à#úU11g#Ø÷g#0!0g#°q úUtAttempt!0g#¸÷g# !Film/TV¸÷g#12g#Ø÷g#0!÷g#0™†úU 1ðóxúU#úUó‰,585577!øg#¸øg#XkúU!974896¸÷g#ˆÎýúU!0g#¸÷g#`ÌúU!0g#¸÷g#¶múU!0.00¸÷g#˜úU!0.00¸÷g#°ÛúU!0.00¸÷g#ȱÙúU11g#Ø÷g#°eÃúU0!Parenti€¦÷úUcoreIncl!tjtrumpet2323@gmail.com!HASH¸÷g#!HASH¸÷g#!HASH¸÷g#1a170942bd037233b59ad6a32f7aca6ae!0g#ðÌßúU !BulaVinaka1357! 1X#úU·Ä‹603892! **Christopher Maxim (b.1971)** is published in the UK by Banks, Church Organ World, Fagus, The Royal School of Church Music and Stainer & Bell. His principal publisher is Paraclete Press (USA) who issue many of his choral pieces and most of his organ music. [[https://paracletesheetmusic.com/composer/maxim-christopher]] Chris's music is performed around the world. It has been broadcast on the BBC and American radio, recorded on several CDs (UK, USA, Germany), and featured in music festivals. It has been performed by such notable musicians as baritone Roderick Williams, organists Dr John Kitchen and the late André de Jager, and the Latvian Radio Choir; and heard in many prestigious venues including St Paul's Cathedral, Kidderminster Town Hall, the John and Alice Butler Hall (University of Dubuque), and the former Wanamaker Store (Macey's Center City) in Philadelphia. Chris welcomes commissions and many have been published by the companies listed above. To commission a composition or arrangement, please visit his website. Please note that anthems, motets and other larger choral pieces on this site are priced as they are because the purchaser is given permission to make multiple copies for their choir. If you perform Chris's music, please email him to let him know via the 'Contact Seller' link on this page. He is very grateful to musicians who have contacted him from as far away as Australia, Canada, South Africa and the USA. Website: [[http://www.christophermaxim.co.uk]] YouTube site: [[http://www.youtube.com/user/chrismaxim1]] * **A composer of real inventiveness** (Martin Clarke, Organists' Review) * **Idiomatic, enjoyable and satisfying music** (Huw Morgan, Church Music Quarterly) * **A distinctive and characterful voice** ​(Francis O'Gorman, Organists' Review) * **Skilfully composed music** (Stephen Pattinson, Church Music Quarterly) * **A composer who is a dab hand at capturing the essence of the carol tradition** ​(Rebecca Tavener, Organists' Review) * **A beguiling fluidity of musical effect** (James L. Montgomery, Church Music Quarterly) * **Christopher Maxim clearly understands what works well for choirs and organists** (Claire Hobbs, Organists' Review) * **An individual voice** (Michael Overbury, Organists' Review)? !2024-04-23 13:53:05úU!0g#¸÷g#¨ÊÝúU!0g#¸÷g#ÀÞáúU!Account¸÷g#ðSÂúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!2022-05-23 13:53:05úU!2020-02-01 10:57:16úU!30g#¸÷g#åiúU!0000-00-00 00:00:00úU!0g#¸÷g#þYúU!0g#¸÷g#!0g#¸÷g#˜ÔÊúU!0g#¸÷g#@éÇúU!0g#¸÷g#1÷g#Ø÷g#`êÞúU0XFÈúUpÀàúU0·‰úU`ÚúU(¯ÙúUÈ{ŠúUð”ËúU ÝúUðhÍúU¨pÉúU ÄÍúUpj±úU€ƒÎúUð¦uúU¸šYúUøW¿úU¨hXúU`¦§úU@>ÌúUð³múUþYúU ÑÆúUhvúU°šlúUXìÒúU˜ÔÊúUà1fúU˜êgúU^àúUPÞúU° úUxþgúU84ÄúU0ÁúUíÏúU¨ÊÝúU°èÏúU(ŒÏúUP‘ÄúU`ÁúUðSÂúU°îÏúU®ßúU€¬ÌúUàEgúUضÐúUø(ÇúU¨£!úUäÎúU(»¿úUð|úUøKÂúUåiúU¨-fúU-ÛúUÈ ÊúU(ÎúUpÝÒúU¨-iúUÀÊÃúU 4lúU¸ìÏúUjÃúUø¿húUàâiúUPKYúU£!úUÐÛúUÐIÓúU,ÇúU`êÞúU? !1g#xüg# "#úU10C86EB16-E301-11EE-B797-B39C539980F0U!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00Q2âúU!1g# îúU1132064Ø÷g#0Q/usr/www/resources/ADAP3/GenericObject2.pm€ïŠúUШ'úUP!0g#€´NúU!0g#¸÷g#P}ùúU!1g#¸÷g#ÐëúU!650x919¸÷g#225417!0g#¸÷g# !0g#¸÷g#!5.00¸÷g#@™#úU!2023-01-31 16:15:10úU!2023-01-31 16:17:0019872696Ø÷g#27284ÿÿÿÿ0!1g#Ðr%úU !447#ðP úU!0g#¸÷g#`RúU18 Christmas Trumpet Trios - 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In performance the number of repetitions could vary. A version for brass is also available.úUHOúU!1.50¸÷g#èóFúU!0g#¸÷g#ž¿úU!0g#¸÷g#@CWúU!0g#¸÷g#È´7úU!÷g#¸÷g#h#úU!÷g#¸÷g#ˆùLúU!0g#¸÷g#|—úU!÷g#¸÷g#ë<úU!Copyright ©David Grace!÷g#¸÷g#rRúU!0.50Xøg#ÀÅAúU!2016-07-11 12:21:33úU!1g#¸÷g#ØŠFúU!1g#¸÷g#8;9úU10g#Ø÷g#Pç(úUÈ÷g#0!this arrangement ©2012!÷g#¸÷g#±["186623","77889","69580","90925","76845","65107","36766","95501","202728","112380","395623","30784","205031","22043","127094","63149","197592","65106","91891"]%NúU!2020-09-09 10:36:07!1g#¸÷g#(ë,úU!0000-00-00 00:00:00úU!÷g#¸÷g#Ð\íúU!0g#¸÷g#€Û@úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#XfhúU!1g#¸÷g#NVúU!0g#è÷g#Á3úU!5.00¸÷g# !1g#xùg#€k.úU!0g#¸÷g#375986!÷g#¸÷g# !0.0000¸÷g#!2022-11-28 23:59:30úUAAmazing Grace Gospel Style for piano and trumpet76011!0g#¸÷g#!0g#¸÷g#!7g#¸÷g#ð6ðúU!2013-04-19 13:04:50úU!0g#¸÷g#458076!0g#¸÷g# 12017-06-09 17:10:17ÎÌ‘ª0A ôHúUXR#úU†`Âæ18.118.184.237@!John Williams !2023-04-01 11:24:52úU!594802¸÷g#!813560¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¸ßúU1shenandoah for violin and cello prs.sib!2020-08-09 12:43:30úU!43g#¸÷g#€eúU!4686¸÷g#È9áúU!34g#¸÷g#ðúU!øg#¸øg#pì[úU!0g#¸÷g#À¤õúU!0g#¸÷g#°¯úU!1g#¸÷g# ¿úU!0g#¸÷g#0LÿúU!÷g#¸÷g#ˆëúU!8.4480¸÷g#ˆRÀúU12020-08-09 12:43:50úU0!0g#èùg#¸(úU!3g#¸÷g#`å¿úU!2.95¸÷g#ÐyúU!0g#¸÷g#pJúU!1g#¸÷g#@]úU!0g#¸÷g#è/ÂúU!÷g#¸÷g#èýòúU!÷g#¸÷g#túU!0g#¸÷g#]ÛúU!÷g#¸÷g#øºõúUACopyright © March 2013 (Burndrett Music)úUx…úúU!÷g#¸÷g#˜ù"úU!1.50Høg#˜ù"úU!2020-08-09 12:43:31úU!0g#¸÷g#˜ù"úU!0g#è÷g#˜ù"úU!0g#¸÷g# !0g#¸øg#@ågúU!0g#¸÷g#ÐÆúU!1g#¸÷g# ÑúU!0g#¸÷g#ð¤ÉúU!÷g#¸÷g#ÐÔýúU!0.0000¸÷g#8\àúU!2013-08-08 12:57:01úU18 Duets for Flute And Bassoon0QEight Easy Duets! Ode To Joy, Oh, When The Saints, Swing Low, Sweet Chariot, The Can Can, Jupiter Hymn, Comin’ Round The Mountain, Scarborough Fair, Autumn from the Four seasons. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part.!4.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#QCopyright © August 2013 (Burndrett Music) www.burndrettmusic.co.uk29!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#À7 úU!917220¸÷g#!0g#¸÷g#ÐÔýúU!0g#¸÷g#} úU!0.00¸÷g#€ìÎúU!6.45¸÷g#ÆúU!1.50¸÷g#ˆCúU!0g#¸÷g#ÐÆúU!÷g#¸÷g# ÑúU!0.00¸÷g#h¹"úU!137954øg#ores WHE!496#è÷g#@£2úU!0g#¸÷g# 1X]#úUêWV137954!0g#¸ýg#`]#úU!0g#¸÷g#!9g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#Á8 Duets for Flute And Bassoon L.Beethoven, G.Holst, J.Offenbach, A.Vivaldi, Traditional. David Burndrett Eight Easy Duets! Ode To Joy, Oh, When The Saints, Swing Low, Sweet Chariot, The Can Can, Jupiter Hymn, Comin’ Round The Mountain, Scarborough Fair, Autumn from the Four seasons. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part.10117!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#xìúUèKúUðDÈúUø-úU¸½©úUx ûúUø-eúU°öúUhù]úUÐÎœúU“ÛúUXOÜúU˜#kúU ²ÂúU°gúUøåúU¸a³úUÈèÁúUø„úUYöúUà‡øúU@ºZúUxïøúUØ:‹úU`6lúUØÝúU¥ÌúUh¹"úUèFgúU` ÝúU@XÀúU˜9úU°ªúUè‹úUðúúUøÐúUHp|úUðûgúU@ågúUhâúUÑúU°¶úUÀ7 úUøMúU1 úU úUðÀúúUÐÔýúUøqÚúUxÂÀúU°ÈúUˆ&¬úU€ìÎúUàˆ€úU€VnúUÆúU¶ÐúUè`öúUˆCúU`¬kúU@"øúU˜NÜúUÐÆúUˆ†ÞúU ÑúU8ÅàúU¨ÓúU`Â_úU0ûúUHÖÊúUÒýúUÈ-úU¨XÿúUÐ;ïúUúUèÑúUØsÚúUà ÍúU@ÈkúUÁ["205514","201532","205513","201535","142818","142424","142421","142849","205518","142846","205511","201533","366607","205512","153418","170937","72489","143126","142819","142808"]U!2020-09-16 23:22:14!1g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#p!0g#¸÷g#!1g#¸÷g# EØúU!650x919¸÷g#¤ úU!0g#¸÷g#456359!0g#¸÷g#À!5.00¸÷g#!2023-04-18 19:36:57úU!2023-04-18 19:37:22úU!2034015¸÷g#386321!2884708¸÷g# !0000-00-00 00:00:00!0000-00-00 00:00:00úUQŠÇúUQThis is my arrangement of the lovely Shenandoah for violin and cello.1Shenandoah for Violin and Cello!49g#¸÷g#úU!0g#¸÷g#¡ÆúU!2g#¸÷g#¸6ÑúU!2g#¸÷g#3ýúU!2020-08-09 12:43:30úU!2024-03-09 14:35:23úUAAmerican Traditional arranged by David Burndrett¤õúU!David BurndrettˆRÀúU10g#Ø÷g#01sib#Ø÷g#2õƒf™0a@ë#úU(Æ"úUu &,úU!ñ#úUø¼"úU1“5úU(k#úU»«VÂ162248(ñ#úUØò#úUˆ9úUÀò#úUˆ9úU¨ò#úUfúUøeúUò#úUˆ9úUxò#úU˜ù"úUpÊ‹úU`ò#úUHò#úU0ò#úUò#úUŠJúUò#úUèñ#úUÐñ#úU¸ñ#úU ñ#úUˆñ#úUpñ#úUXñ#úU@ñ#úU‹JúUŒJúU€‹JúUÈ‹JúUà‹JúU8‹JúU¸ŒJúUJúUˆŒJúU0JúU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úUtitle> <1˜ù"úUèäIúU˜ù"úUŠJúU˜ù"úU`ŠJúUŠJúUØŠJúU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU!HX%úUZ%úUað‚ÐúU ØgúU GšúUaàS%úU0Ä"úU*H ÊúU!€S%úUÀR%úU!ADAP3::SQLúU !8»úUmp3/0/69448.mp31/usr/www/resources/ADAP3/SQL.pm0aè˜úU pâ%úUZ GšúUq¨¹&úUèå%úUè &,úUA/usr/www/resources/ADAP3/GenericObject2.pm@!47386ø÷g#H%úU147386Ø÷g#ÀtúU%úU01 JTY#Pð¯úUaØÞ9úU  _úU,H ÊúU!SE_Score_Mp3_get_info!2019-09-25 13:25:421(r#úU•Fò238785q¬$úUÀõ#úUï&,úU!ADAP3!0000-00-00 00:00:00!&!0¬$úUH¬$úUQ/usr/www/resources/ADAP3/GenericObject2.pmÿÿÿÿP!ADAP3!0g#›&úU 1PhotoHeighthotoHeight0!Pð#úUÈí#úUQ¸œ$úU0$úUA/usr/www/resources/ADAP3/GenericObject2.pms://@!HASH¸÷g#!HASH¸÷g#!HASH¸÷g#!HASH¸÷g#!HASH¸÷g#!CODE¸÷g#!2.00`yúU !X]RúU1/profiles/kucerapasenaa01èu#úUã 230607a ð#úUf8õ:úUa˜ð#úUf8õ:úUpòŽúUÀÈ—ÄÛU÷ X@ (@pòŽúUÀÈ—¸Œ@ŠP„@pòŽúUÀÈ (pòŽúUÀÈpòŽúUÀȱ ø?ÐÛ'úUd pòŽúUÀÈpòŽúUÀÈP&úU‚£Ðú'úUd °(úUd}à(úUd} (úUd  Y)úUdC ^)úUd_Ð^)úUd_·)úUd^0·)úUd^0*úUd Pê*úUd 0/+úUd\ 3+úUd*P3+úUd* ,úUd#Ð,úUd#àƒ,úUd É,úUd/ÀÉ,úUd/à‚-úUd ð(/úUdMg/úUd}{/úUd~P/úUd>p‘/úUd] ž/úUd à÷/úUd>à‰0úUdRàŽ0úUd,0úUd,`ä0úUd pJ1úUd. 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Funciona muy bien para "marimba solo" o para grupo de percusión. 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The orchestration has parts for double Woodwind, 2 Trumpets, 2 Horns, Tenor Trombone, Timpani and Strings. The Bassoon solo part is written for a virtuoso player and Conductor. All proceeds of any sales of this music will go to Angels Charity for Autism Support in Hertfordshire U.K. Many thanks. 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U!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#hÌúUˆžúUàžúU@ÊúUÌúUÍúU@ÍúU˜žúUØÎúUÐÐúUXÍúUÈÌúUÈúUžúU¸ÐúU8ÌúUøÏúU­„úUàÉúUPÉúUÈÏúUÈžúUˆÐúU€ÏúU€žúU`ËúU@žúUÎúU0ÎúUèÐúUÀÎúU˜ÏúU˜ÌúUØËúUXžúUHÎúUpÐúU€ÉúUèÊúUÏúUPÏúUðÎúUÐÍúU@ÐúUËúUÐúU€ÌúUËúU0ËúUˆÍúU°žúU ÐúUÀÈúUèžúUøÉúUàÌúUðÈúUÊúUHËúUÎúU ÉúU(ÍúU°ÉúUÈúUpÊúU(ÐúUpžúUXÐúU(žúU°ÏúUËúU ÏúUhÏúUÈÉúU8ÏúU ÊúUÐÊúUxÎúUb'úU!0g#¸ýg# 'úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#xýg#@'úU!1g#¸÷g#!3.00¸÷g#!2023-04-27 14:36:08!2023-04-27 14:36:17!919993¸÷g#!798315¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q žúU!3.00¸øg# žúU!2011-06-10 13:50:13úU!0g#¸÷g#(žúU!0g#¸÷g#àžúU!154818¸÷g#ОúUq Add a little calypso to your next concert. Easy going melody for 8 percussionists.p!0g#˜øg#HOúU!0g#¸÷g#¨OúU!0g#¸÷g#È#úU!÷g#¸÷g#h#!úU!÷g#¸÷g#À(úU!0g#¸÷g#Ø@xúU1÷g#Ø÷g#€z›úU žúU0!Sunshine Calypso“'úU!64g#¸÷g#àLUX#!300#¸÷g#`!3g#¸÷g#¨LúU!1g#¸÷g#MúU!2011-11-01 08:19:35úU!2017-11-22 17:29:56úU!2g#8øg#x_žúU1I am simply reposting some old pieces!2.00è÷g#_žúU!1g#¸÷g# !sib#¸÷g#XœúU!6553¸÷g#Èó#úU!0g#¸÷g#pßoúU!÷g#¸÷g#…súU!0000-00-00 00:00:00úU!0g#¸÷g#KúU!1320¸÷g#ˆ`%úU!0g#¸÷g#Hùg#!1.50¸øg#ažúU!2011-05-08 05:30:39úU!0g#¸÷g#˜`žúU!0g#¸÷g#P`žúU!109798¸÷g#@ažúU!÷g#¸÷g#À_žúU!0g#¸÷g#è^žúU10g#Ø÷g#ø`žúU0!John Speasg#!÷g#¸÷g#!2000è÷g#!0g#¸÷g# !ûg#xûg#!÷g#¸÷g#?!ùg#¸ùg# žúU!965327¸÷g#!0g#¸÷g#ˆžúU!0g#¸÷g#!0.00¸÷g#ОúU!33.50¸÷g# žúU!24.00¸÷g#xžúU!0g#¸÷g#˜žúU!÷g#¸÷g#žúU!0.00¸÷g#hžúU±["82222","109032","147420","103018","147432","103020","32911","114197","37907","90297","52408","17970","97084","121568","13547","62670","62956","127143","80548"]žúU!2020-09-02 14:47:37!0g#(ùg#hžúU!0g#¸÷g#!1g#¸÷g# !0g#¸÷g#q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } ?!0.0000¸÷g#hžúU!2011-06-10 13:50:21úU!HaMaR Calypso!!10g#Ø÷g#?0!1g#¨ùg#0°`úU!0g#¸÷g#ø®`úUq{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "29325" } U!0.0000¸÷g#¯`úU!2011-05-08 01:53:52úU!Blue Steelg#8MúU!0g#¸÷g#˜MúU!0g#¸÷g#øMúU!3g#¸÷g#XNúU!2013-04-27 16:26:55úU!0g#¸÷g#OúU!0g#¸÷g#xOúU12017-06-09 17:10:17úUpŽ#úU0!5g#¨ûg#€'úU!2484¸÷g#XVúU!3g#¸÷g#WúUñ Using the basic instrumentaion of snare drum, bongos and 2 tom-toms, this composition relects the Spanish influence of the composer.n View other percussion ensembles and the entire HaMaR catalog at: www.hamarpercussion.comúU!0g#¸÷g# ‘ Using the basic instrumentaion of snare drum, bongos and 2 tom-toms, this composition relects the Spanish influence of the composer.!4.00¸÷g#h#!úU!0g#¸÷g#À(úU!0g#¸÷g#Ø@xúU!0g#¸÷g#€z›úU!÷g#¸÷g#HWuúU!÷g#¸÷g#è¶"úU!0g#¸÷g# 6lúU!÷g#¸÷g#àßúU!÷g#¸÷g#xêúU!÷g#¸÷g#HPŽúU!2011-06-10 14:05:18úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!156422¸÷g#˜ù"úU!0g#è÷g#˜ù"úU!1g#¸÷g# A little 12 bar blues for steelband. The piece itself lasts one minute, but with two soloists and the repeat of the tune to finish it will cover 4 minutes. The first and second parts are around Grade 4 Trinity College / ABRSM. Cello & Bass are Grade 3U¢'úU!1.50¸÷g#!1g#¸÷g#29:43.83!1g#¸÷g#.000000!0g#¸÷g#ttom-sm!÷g#¸÷g#`£'úU!none¸÷g#§£'úU!0g#¸÷g#4-18 21:!÷g#¸÷g#21:39:43!÷g#¸÷g#3.810755!÷g#¸÷g#ass="sho!0g#¸ùg#0°`úU!0g#¸÷g#!0.00¸÷g#³`úU!9.00¸÷g#!7.50¸÷g#`°`úU!0g#¸÷g#0³`úU!÷g#¸÷g#®`úU!0.00¸÷g#(²`úU±["82222","109032","103018","103020","147420","147432","32911","90297","114197","37907","17970","102550","121568","97084","13547","62670","62956","127143","80548"]úU!2020-09-20 06:18:27úU!0g#è÷g#è¯`úU!0000-00-00 00:00:00!0g#høg#SE::Scor!0g#¸÷g#0119202!94705¸÷g#6031481!÷g#¸÷g#x¦'úU!1g#è÷g#‹#úU!0g#¸÷g# q C&úUØGšúU10g#°%úUB0A/usr/www/resources/ADAP3/GenericObject2.pmúU@a˜Ï$úUpélúUb &,úU!Xz€úUð#wúU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úUhased">I!1g#ø÷g#¨äúU159398Ø÷g#ØbúU0!3g#ð™ÔúU !0g#àlŒúU11g#Ø÷g#0!fúU˜‡lúU!ADAP3::SQLg#r Saxoph!DBD::mysql::stker - Sh!0g#¨ úU !27g#¸÷g# !(¶búU›`úU1h{]úU8Š]úUƒ]úUh‡]úU°‡]úUèˆ]úU(!úUà‡]úU…]úUïeúUˆ©"úUPÔ%úUð%'úUxH\úU(%úUÈ‹úU ‡]úU@'úUØ{ÂúU ÊvúU˜ÇoúU°¥"úUpˆ]úUà~ úU8Æ'úU¸‚]úU ²!úU`ƒ]úUxuÂúU˜~]úUÀ%'úUˆˆ]úUx}]úU¸ŒúUÈ %úUÈ„]úU8@úUˆ+ÂúUHƒ]úU¸ˆ]úU¸|]úU`úU °húUø$ûúUØ€]úUÐ !úUø{]úUˆ.ÂúU€‡]úUø'úU@‚]úUˆ|]úU8‡]úUh.ƒúUx†]úUwlúUÐNúU¸!'úUÈJfúUèŒúU°~]úUX$'úUˆ'úU€YÔúU§"úU`èÁúU@úU ÃúUÐ]úU€úUP{]úU ±uúU°‹úUà„]úUF\úUP×%úUX‚]úUÀƒ]úU@|]úUØúU  !úUX—aúUè‚]úUH6ÁúUðƒ]úUÈ¡!úU8{]úU¸LßúU†]úUXˆ]úU@¦&úUð?úU0rúUÖ%úU‡]úU˜‡]úU`†]úU˜(XúUp`öúU¨$úUpwýúU0 !úUè…]úU¨ úU˜„]úUðtúU¨úUÀ­&úU€]úU¸²!úU†]úUèœ$úUX]úUÈ(XúUøëlúU8]úU؆]úUˆ‚úU@Ï‚úUÈ{]úUpŹúUÀ†]úU8„]úU0€]úUø(XúU(ŽhúU(]úUP¨"úU(%úU(|]úUÐŒúUø¥"úUp‚]úU°LúU]úU$úUØ,úUP]úUØãúUûúU …]úUuÂúUðê€úU`uÂúU0ƒ]úU`#úUHÜÁúU}]úUØ}]úU‚]úU°FÌúUƒ]úUð}]úU ‚]úUà]úU¨vkúU°7}úU¨ ÔúUÀgúU0†]úU°kúU³!úU0ŸËúU€]úU¨€]úUîúUƒ]úUH†]úU`'úU ˆ]úU‰]úUÈðþúU ]úU˜]úU8~]úU8ÄlúUØÐ%úUX%úU™ËúU('úU@]úUè]úU°]úUàþúUøC\úUx'úU†]úUxdúUx"'úUà{]úUЈ]úU@…]úUØúUøiúUÐÕ%úU@ùúUX…]úU|]úU°(XúU€„]úUø×%úUð€]úUXD\úU@$'úU؃]úUöúU€]úUè¨uúUÀ}]úU€~]úUˆ]úUP‘€úUx€]úUÀ¦$úU¨òúUx­&úU€ãÁúUhùúU {]úUˆµ!úU 'úUø‹úUÈ~]úU`€]úU ~]úU@ˆ]úUp|]úU¨ƒ]úU}]úU0#úUˆ±cúUXtýúUˆ]úUØúU€¨"úU HrúU¨ÔúU8½‡úU,úUÿÿÿÿPX\úU1˜ù"úUèäIúU˜ù"úUŠJúU˜ù"úU`ŠJúUŠJúUØŠJúU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU!2024-04-08 20:36:431À*‹úU¨»'úU]¯D597119!0g#ð§¦úU !÷g# [úU !èÿhúU¸},úU10 HúU@AúU˜ù"úU˜ù"úU0!øg#¸øg#!0g#¸÷g#xãtúU!0g#¸÷g#Ø>qúU!0000-00-00 00:00:00úU!1g#¸÷g#xÏýúU!1g#¸÷g#¸úU!0g#¸÷g#°MúU12019-06-06 16:24:05úUØúU0!-Age: 27 -Location: Cambridge, United Kingdom [[https://www.facebook.com/edwinsungmusic | Edwin Sung Music on facebook]] [[https://www.instagram.com/edwinsungcomposer | Edwin Sung Composer on Instagram]] A keen freelance composer and arranger willing to share his love of music making with musicians around the world to do the same. 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Saxophone quartetShake Everything You've Got Saxophone Quartetw/scores/195135/20170605030628/0/1x400.png 400w, /seview/preview/scores/195135/20170605030628/0/1x500.png 500w, /seview/preview/scores/195135/20170605030628/0/1x600.png 600w, /seview/preview/scores/195135/20170605030628/0/1x620.png 620w" sizes=" (min-width:768px) 720px, (min-width:992px) 620px, (min-width:1200px) 650px, calc(100vw - 30px) " style="margin: 0 auto;" alt="page one of Shake Everything You've Got Saxophone Quartet" >
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Shake Everything You've Got Saxophone Quartet

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Composer
Maceo Parker
Arranger
Keith Cooper
Year of arrangement
2014
Publisher
1979
Difficulty
Moderate (Grades 4-6)
Duration
4 minutes
Genre
Jazz music
License details
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I have been teaching high school music for 15 years and as a saxophone player, I've always wanted to showcase my sax section. I've done a number of quartet arrangements through the years and have had great success/response/feedback every time they've been performed. This one is a real burner and is inspired by of the the funkiest sax men of all time - Maceo Parker.

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Reviews of Shake Everything You've Got Saxophone Quartet

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Saxophone quartetShake Everything You've Got Saxophone Quartet
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Kiai Surgi, Mengelo Tengah No. 33 RT 01 RW X¥úU!Indonesiag#¦úU!61361¸÷g# Á["134135","80138","153855","102464","91272","125532","205237","187782","402376","149234","103064","189820","109322","114880","107320","154169","88879","29049","207226"]!2020-09-18 23:27:32úU10g#Ø÷g#0aww.music4classicalguitar.comom/les/MartinTousignantA/feed`QAn arrangement of Mattinata for Bb Soprano Saxophone & Piano. Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite. More than a half-century later this song was recorded by Italian-born tenor Sergio Franchi on his American-debut album, Romantic Italian Songs (RCA Victor Red Seal, 1962).[1] In only three months, Franchi's album of mostly Neapolitan favorites songs placed number seventeen on the Billboard Top 200.[2] Thirty-six years later (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.468623!0g#`@³úU¨‘ZúU!1g#À•úU QÈ 9úU!67259è÷g#x ¤úU!A Star above the Castle!2011-05-07 00:16:30aAn arrangement of Mattinata for Bb Soprano Saxophone & Piano. Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite. More than a half-century later this song was recorded by Italian-born tenor Sergio Franchi on his American-debut album, Romantic Italian Songs (RCA Victor Red Seal, 1962).[1] In only three months, Franchi's album of mostly Neapolitan favorites songs placed number seventeen on the Billboard Top 200.[2] Thirty-six years later (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.úUp~úU`!˜»múU¸÷g#!ARRAY0£úU1ARRAYØ÷g#01HasBeenConvertedOncevertedOnceð¨±úU1ReExtractInfoxtractInfoù"úU¨é#úU!pð½úUàÙjúU!0g#M³úU E\úU!0g#¸÷g#h<¦úU!0000-00-00 00:00:00úU!÷g#¸÷g# !0g#0.‚úU 18qcúU˜ù"úU˜ù"úU˜ù"úU8DtúU1ScoresRequireApprovaleApprovalèQâúU1216398Ø÷g#0ßsúUh ‹úU0!0g# £IúU !122626ø÷g#°±úU10g#Ø÷g#¨ÍúU0!Smith¸÷g#øg#!janjo53220@gmail.com1jansmith9@hotmail.co.ukÀÔjúU0a 0}úU x,ÅúUÕ˜‰¤úU!PUTúUerl/6.05âßúU!BúU BúU!2013-04-12 13:46:49!55468øúU !2024-04-08 20:36:431¨y2úUIÆE81304!0g# ¤3úU !1.50°²'úU ACan the Circle be Unbroken flute voice piano.pdf!0g#8øg#!Canberra÷g#¸4ƒúU!0000-00-00 00:00:00úU10000-00-00 00:00:00úUˆ4ƒúU0QFree Fallin' Guitar Chords/Lyrics Tom Petty, Tom Petty, Jeff Lynne 18{2úU‹¤?‚o!0g# =2úU !DavidðŒ3úU !0g#p(¨úU !5748 2úU!0.00¸÷g#!DavidVaughan!1g#¸÷g#PÙ1úU!44830øg#!0g#è÷g#!1g#¸÷g# !1g#P(úU Qhttps://www.youtube.com/channel/UCkFiNXLcO8WdidKISJRXVrA/feed!contact@dpvaughan.com!÷g#ÀÛhúU !øg# 2úU!75 Fullerton Crescent1RICHARDSONg#0à|3úUª }2úU€Ø2úUD p’ƒúU@¼1úUD cƒúUÍ2úUDŽ2úUðÌ2úUDÐ2úU`kjúUDV úUÀŸúUDÀíúUhûHúUÿ ÓnúUp×2úUD€åƒúUp¼1úUDp|2úU€–oúU0Í2úUDPŽ2úU Í2úUD0Ž2úUP¼1úUD0|2úU`Í2úUD€Ù1úUpÍ2úUD Ù1úU€Í2úUDÀÙ1úUÍ2úUDàÙ1úU Í2úUDÚ1úU°Í2úUD Ú1úUÀÍ2úUD2úUÐÍ2úUD°2úUàÍ2úUDÐ2úUðÍ2úUDð2úUÎ2úUD‘2úUÎ2úUD0‘2úU Î2úUDP‘2úU0Î2úUDp‘2úU@Î2úUD !úUPÎ2úUDÀ!úU`Î2úUDà!úUpÎ2úUD!úU€Î2úUD !úUÎ2úUD@!úU Î2úUD`!úU°Î2úUD€!úUÀÎ2úUD !úUÐÎ2úUD°3úUàÎ2úUDà3úUðÎ2úUD°·2úUÏ2úUDз2úUÏ2úUDð·2úU Ï2úUD¸2úU0Ï2úUD0¸2úU@Ï2úUDP¸2úUPÏ2úUDp¸2úU`Ï2úUD¸2úUpÏ2úUD°¸2úU€Ï2úUDи2úUÏ2úUDð¸2úU Ï2úUD¹2úU°Ï2úUD0¹2úUÀÏ2úUDP¹2úUÐÏ2úUDp¹2úUàÏ2úUD¹2úUðÏ2úUD3úUÐ2úUD03úUÐ2úUDP3úU Ð2úUDp3úU0Ð2úUD3úU@Ð2úUD°3úUPÐ2úUDÐ3úU`Ð2úUDð3úUpÐ2úUD3úU€Ð2úUD03úUÐ2úUDP3úU Ð2úUD€3úU°Ð2úUD 3úUÀÐ2úUDÀ3úUÐÐ2úUDà3úUàÐ2úUD3úUðÐ2úUD 3úUÑ2úUD@3úUÑ2úUDÀ!úU Ñ2úUDà!úU0Ñ2úUD!úU@Ñ2úUD !úUPÑ2úUD@!úU02ýúUÿ8oúU…2úU§>@úUDA®úU¦úUD@“KúU0| úUD 0JúU|ƒúUDP–ƒúUÙ2úUD0ŠƒúUpxƒúUD†ƒúU aúUD@±éúUÀàúUDÉiúU0§DúUDðwšúUðXúUD`0NúUìúUD`,üúUŽ¿úUÿp×TúU xƒúUDДƒúUÀØ2úUD`!úU|ƒúUD0–ƒúUð{ƒúUD–ƒúU€xƒúUD”ƒúU0|ƒúUDðã1úU@|ƒúUDä1úUP|ƒúUD 0ä1úU`|ƒúUDPä1úUp|ƒúUDpä1úU€|ƒúUDä1úU|ƒúUD°ä1úU |ƒúUDÐä1úU°|ƒúUD‹ƒúUÀ|ƒúUD°‹ƒúUÐ|ƒúUDЋƒúUà|ƒúUDð‹ƒúUð|ƒúUDŒƒúU}ƒúUD0ŒƒúU}ƒúUDƒúU }ƒúUD0ƒúUp´úUDPƒúU`´úUDpƒúU ³úUDàÁƒúUÀË2úUDƒúU`Ñ2úUD ƒúUpÑ2úUD@ƒúU€Ñ2úUD`ƒúUÑ2úUD€ÂƒúU Ñ2úUD ÂƒúU°Ñ2úUDÀƒúUÀÑ2úUDàƒúUÐÑ2úUDÃúUàÑ2úUD ÃúUðÑ2úUD@ÃúUÒ2úUD`ÃúUÒ2úUD`ã1úU Ò2úUD€ã1úU0Ò2úUDпƒúU@Ò2úUDð¿ƒúUPÒ2úUDÀƒúU`Ò2úUD0ÀƒúUpÒ2úUDPÀƒúU€Ò2úUDpÀƒúUÒ2úUDÀƒúU Ò2úUD°ÀƒúU°Ò2úUDÐÀƒúUÀÒ2úUDðÀƒúUÐÒ2úUDÁƒúUàÒ2úUD0ÁƒúUðÒ2úUDPÁƒúUÓ2úUDpÁƒúUÓ2úUDÁƒúU Ó2úUD°ÁƒúU0Ó2úUDǃúU@Ó2úUD°ÇƒúUPÓ2úUDÐǃúU`Ó2úUDðǃúUpÓ2úUDȃúU€Ó2úUD0ȃúUÓ2úUDPȃúU Ó2úUDpȃúU°Ó2úUDȃúUÀÓ2úUD°ÈƒúUÐÓ2úUDÐȃúUàÓ2úUDðȃúUðÓ2úUDɃúUÔ2úUD0ɃúUÔ2úUDPɃúU Ô2úUDpɃúU0Ô2úUDɃúU@Ô2úUD°ÉƒúUPÔ2úUDÐɃúU`Ô2úUDðɃúUpÔ2úUDʃúU qÇúUD X@úU}õúUDPÖûúU€ÉÎúUD~æúU!0g#PÙ1úU!0g#høg#!1g#¸÷g#!1g#¸÷g#€2úU!Uncategorised musicÿÿÿ!27899è÷g#ÿÿÿ!1g#¸÷g# !µbúUðNGúU1ÈŽ2úUòC\> y!3g#°| úU !aug#8øg#ˆ¥úU!61402755855#è¥úU!61402755855#H¦úU1÷g#Ø÷g#0!0g#в2úU !øg#øg#!ACT#¸÷g#12905Ø÷g#0Q/usr/www/resources/ADAP3/GenericObject2.pm°'£úU†ùúUP!0g#°}úU !0g#¸øg#!÷g#¸÷g#¸4ƒúU!2g#¸÷g#P6ƒúU!2g#¸÷g#à6ƒúU!0.00¸÷g# 6ƒúU!÷g#¸÷g#˜6ƒúU!÷g#¸÷g#Ø5ƒúU1÷g#Ø÷g#è4ƒúUX4ƒúU0!÷g#0z2úU (ÞîúUd2úU0MÈúUàçøúUƒúU(_vúUP€%úU€SúUDúU€1ÛúUÀ¦úU ðúU`CüúU8¤gúUÐıúUœúUhýúUØÊúUúU˜6úU(úUMÿúUxìúUx ÉúUˆÐ…úUÈ„úUp¤ÌúUh3úU1_úUÀúU°iúUÐEfúUCùúUøjúUP úUÀþúU€ÑúU(‹þúU¸@ßúUxñ úU`3lúU(- úU`¦›úU…îúUh¢õúUäîúUðw úUØOúU0ÞúU°ÑyúU€®ÅúUæøúUèâúUNüúUøçgúU°Ò úUP«õúU^úUà­üúU€ÍúU0¤ÈúUh„úUhnÆúUp±cúUhúUx¬üúU¨ ýúUðPmúUÖkúUH[öúUŠwúUø3eúUhVúU€!úU0ŒúUXkúúU`úU¨ãûúU!ùg#×îúU5úU!408088¸÷g#@v½úU!0g#¸÷g#369955!0g#¸÷g# !0.00¸÷g#!1.50¸÷g#°-øúU!0.00¸÷g#ðüúU!0g#¸÷g#369905!÷g#¸÷g# !0.00¸÷g#Ñ["24944","180883","181521","180870","161340","186687","143210","196695","180880","180863","180848","194087","199269","200792","190152","180866","199508","362721","159225"]€ôúU0¼lúUÐ!M33 3LDøg#!gbg#¸÷g#1÷g#Ø÷g#0!0000-00-00 00:00:00!1g#0Q§úU!2019-03-28 17:36:55!2019-03-28 20:41:301sib#Ø÷g#0!÷g#Ðë!úU !0g#å¯úUpg/20130!0g#¸÷g# !÷g#ø÷g# 1Californiag# class='composer0!0g#€„úU10g#Ø÷g#0!÷g#0múU13.54Ø÷g#0!÷g#+!úU 1ˆš2úUfô$1603481162261Ø÷g#uantitySetOfPart0!162276¸÷g# !2023-04-30 20:23:03!2023-04-30 20:23:05úU!195102¸÷g#0‹ƒúU!173521¸÷g#Ù›úU!0000-00-00 00:00:00!0000-00-00 00:00:00Q¸'$úU1œ2úUb  é78390!178418úg#ores WHE!2017-06-09 17:10:17úU10000-00-00 00:00:00àö9úU01Peace - Around The World›6úU ä#úU!41g#¸÷g#XúU!275#¸÷g#ÀH„úU!2g#¸÷g#å)úU!1g#¸÷g# ä#úU!2011-11-01 07:46:34úU!2017-11-22 17:37:30úU!Otto B. 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Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 26th October, 2014 Enjoy!U@1No particular instrument[úU01handsoffmybass@hotmail.com0!24900ÀggúU !0g# ¨ýúUpatible;!÷g#è÷g#www.goog!0g#¸÷g# !0000-00-00 00:00:00!0g#8øg#äúU!0g#¸÷g#`È úU!÷g#¸÷g#ø!ûúU13.54Ø÷g#0!0g#¸÷g#YúU!0g#¸÷g#211324!÷g#¸÷g# !2013-08-16 00:00:00!0g#¸÷g#гñúU!5g#è÷g#`$ÙúU!1g#¸÷g# !÷g#°ÃúU11.50Ø÷g#0QØ´2úU_J™¥ SE::Currency::OBJECT_CACHE_TIMER!2018-02-23 12:48:34úU!÷g#è÷g#!405468¸÷g# !0g#àï„úUtAttempt!÷g#¸÷g# 14b2835f626d8f0b0bc2857d3a145fd4d!HASHð›ÔúU ±[{"Desc":"A selection of video recordings of works composed by David Vaughan on Youtube","Url":"https://www.youtube.com/channel/UCkFiNXLcO8WdidKISJRXVrA/feed","Text":"Filmed performances of David Vaughan's music"},{"Desc":"Website of game composer Jason Hayes, of Blizzard Entertainment fame; composer of music in the WarCraft and StarCraft series","Url":"http://www.musicbyjason.com","Text":"Jason Hayes, Composer"}]2úU!2019-06-06 16:25:59úU!0g#¸÷g#8ƒúU!0000-00-00 00:00:00úU!4g#¸÷g#à6ƒúU!0g#¸÷g#°9ƒúU!0g#¸÷g#:ƒúU!50g#¸÷g#Ø5ƒúU!0g#¸÷g#ˆ7ƒúU!0.00¸÷g#X7ƒúU!0000-00-00 00:00:00úU!0g#¸÷g#P6ƒúU!0g#¸÷g#!÷g#¸÷g# 6ƒúU!0000-00-00 00:00:00úU!0000-00-00 00:00:0010000-00-00 00:00:00ˆ4ƒúU01ع2úU&ÜF§144518!÷g#Ø*úUuantityS!2010-03-18 00:00:00!2024-04-17 00:00:00hang!÷g#¸÷g# !÷g#ÀÔjúU !0g#çüúU!1g#¸÷g# !!FlutesesnsbrsAœÞ7Þ !(?^si:)¸÷g# qp!2012-07-05 14:42:54FROM!1g#¸÷g#ET_ATON(!1g#¸÷g# LIMIT 1!0g#¸÷g#!0g#œ|úU!0g#¸÷g# !0g# ç¯úUä&úU!0g#¸÷g#P;¾úU!1g#è÷g#€ºÏúU!650x919¸÷g# !0g# ¨úU !0g#¸÷g#@!2g#¸÷g#`!2013-04-25 18:50:40!0g#¸÷g# !0g#¸÷g#ACowboy song Sergio Lopez- Figueroa none ...U !0g#è÷g#ð¿2úU!0g#¸÷g# !øg#ÐûXúU!÷g#¸÷g#Ø!0g#è÷g#!0g#¸÷g# 1÷g#€F2úUð¿2úU0 3úU0!HASH0å1úU !HASH¸÷g# ÑThese pieces are the result of many years of teaching experience. The ideas and wishes of many my students are reflected in these pieces. Very often, original compositions (still) too hard to play, but these works are easy to realize. Particular examples are the pieces “Hi Elton“, and the “Prelude 1750“. Some pieces also offer improvisational free space, like the pieces "Oriental Tune," "Claire de lune" and the Jazz Bicinium "Sketch in Blue".!68623øg#tAttempt!2017-06-09 17:10:17úU12018-02-22 13:32:05ÈÁvúU0!1g#¸øg#0~iúU!0g#¸÷g#Ј9úUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } ðþúU!0.0000¸÷g#€¿úU!2011-05-08 00:57:27úU!Cowboy song# !Sergio Lopez- Figueroaqp!0g#8øg#H¾àúU!2010¸÷g#X'ÎúU!4g#¸÷g#@ùuúU135.00Ø÷g#0!0g#7úU 1÷g#à]úUEE-89B3-3C6416FC0!0g#І§úU!0g#¸÷g#10g#Ø÷g#ÿÿÿÿ0!HASH¸÷g#Àq2úU!HASH¸÷g#Àq2úU!HASH¸÷g#pÀ2úU!HASH¸÷g#!HASH¸÷g#1`KTY#B1258318`ñàúU-kings-128315.ht0!0000-00-00g#!¸÷g#A/usr/www/resources/ADAP3/GenericObject2.pm!÷g# 1instrument.wind.recorder.sopranouartet)!3g#¸÷g# !÷g#àñúU10g#Ø÷g#0!2017-06-09 17:10:17úU10000-00-00 00:00:00XXÜúU0!Arteplageg#è 8úU!41g#¸÷g# ßýúU!275#¸÷g#ð}¤úU!2g#¸÷g#Э¤úU!1g#¸÷g#è 8úU!2011-11-01 07:45:51úU!2017-11-22 17:37:30úU!Otto B. HartmannQúU!÷g#¸÷g#ØŸ.úU!2003¸÷g#xÙkúU10g#Ø÷g#0!sib#¸÷g#°!÷g#è÷g#!0000-00-00 00:00:00!0g#øg#!0g#¸÷g#Ø10g#Ø÷g#0!8.448øg#˜ðúU!0g#¸÷g#ø[EúU!0g#¸÷g#P½úU10g#Ø÷g#010g#Ø÷g#hl-00148031-lg.j0!÷g#`KhúU10.00Ø÷g#0aA Man And A Woman (Un Homme Et Une Femme) [Jazz version] (arr. 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My music
">Op. 1
Op. 3
Op. 4
Op. 8
Op. 10
Op. 11
Choral Arrangements
SATB
O Canada! / Ô Canada! (SATB)
The Star-Spangled Banner (SATB)
Handbell Choir Arrangements
Two-Octave (G4-G6)
Op. 7
This Is The Day
National Anthems
The Star-Spangled Banner (SATB)
O Canada! / Ô Canada! (SATB)
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name="solocommon_29" >Timpani

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Blues music Classical music Classroom materials Country music Folk music Jazz music Latin music Modern classical music Other Ragtime music Rock and Pop music World music

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class="sortByOption">Date added "Ž4úU>ÁzúUÎúUÁzúUÎúU "Jon Paige" "Brad Nix" - Score Exchange
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Nichelmann Kevin Love This is a slight re-arrangement of a score that I played in college. I have not been able to source an original score yet so all I can tell you about it is that it is very pleasant and soothing to play! 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12:11:22úU!Warm wind G MinorœúU!0g#¸÷g#GhanaúUÿp•dúUWWúUÿàÔ]úUž!úUÿ¾túUЊúUÿ=úU€—úUÿÐV™úU õ“úUÿ°GoúU ¹?úUÿp8‡úUàz‚úUf0¦túU¨´úUÿ~JúUÈü‰úUÿ°c^úUÈÏžúUÿ°”HúUPToúUÿÀ çúU"wúUÿÀ‡EúU€VúUDp·ÑúU€÷ÏúUDà§túU`TúUÿ =FúU°«>úUÿ°œFúUÀ:5úUÿäiúUÐmEúUÿÓ úU`CúUÿPð®úUà·CúUÿ` úUÍ·úUÿ@4KúUp¥3úUD@É~úUÀ2ÑúUÿðKúU`À|úUÿ@‡úU`âxúUÿð”>úU CúUÿ˜•úU’±úUDpUúU? úUÿдúUn@úUÿPc[úU`Í8úUÿ`{.úU¸ižúUÿ0KZúU ×xúUÿÀmúUp!ÝúUÿ@?óúUô úUÿ-úUÈ1zúUÿÀ¨úUø¬!úUÿÀ°ŠúU¨á®úUÿàEUúU@ úUDÒúU.„úUÿ€°úUÿ`RúU"¡úUÿ0å‚úUðÃSúUÿЗ;úUÀ}úUÿ ½ úU¨WCúU¼ƒ!fXlžúUÿ û9úUàCºúUÿ€ ¸úUúUPˆ[úUÿ°7FúU ºúUÿ\>úUPU¢úUÿ ÜIúU˜õBúUÿ 4½úUHà²úUÿ°·gúU˜p8úUÿPÿåúUØäúUÿ°DzúUÀ,¿úUÿàˆúU(dúUÿP—úU8wúUÿZ—úUàeúUDºúUÿÀ`!úUþKúUÿ°È6úU€N8úUÿåbúU8¹DúUÿ ZhúU ¿7úUÿ ŽúUx‚gúUÿðìBúU:¹úUÿÀ )úU(¤ƒúUÿ¹ÚúU ÐCúUD°xkúUัúUÿ·ÐúU21:40:04‘Margit’s First Piano Boogie (KS) Josef Peter Traun This composition is an example for a 12-bar blues in the key of C major for pianoplayer beginners. A simple pattern in the left hand join some typical phrases of boogie woogie in the right hand. Chorus 1 and 2 should be examples, how you can improvise around the chords. This boogie is dedicated to my wife Margit, who had tried to learn playing the piano. An arrangement for 1 or 2 guitars is also available. Enjoy it! If you’ve made a recording (sound or video file) during a rehearsal or a concert or even a music production of one of my compositions or arrangements, I would be glad if you could send me all these material (mp3, mp4) for my archives. I´m also interested in concert programms (PDF). Thank you! Falls Sie einen Ton- oder Videomitschnitt während einer Probe, einem Konzert oder vielleicht sogar eine Musikproduktion von einer oder mehrer meiner Kompositionen oder Arrangements gemacht haben, ersuche ich um Zusendung des Ton- oder Videomaterials (mp3, mp4) für mein Archiv. Ich bin auch an Konzertprogrammen Ihrer Aufführungen im PDF-Format interessiert. Danke! 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4úU0^úU(Ú“úUhdúU`é¼úUðHAúUˆèúU8¿åúU€cÑúUèŒLúUجVúUà¤GúUx-úU`RúUÐÃÃúU¸³úUhq·úUÀi úUØäbúUï3úUâ@úU81úU˜•›úU¸ž"úUH þúUèÈEúUh›CúUX ¼úU`¸DúUðOúUh1úUHQuúUxÄÃúU¸Þ2úUˆ…ÌúU0Š›úU¨Ü[úU òúU€&CúU˜É€úU°„úUÀ)½úUØ!uúUØKÞúUøí9úU¨ºÁúUºúUà6úU(ûúU}dúUˆlÖúU8{™úU`jÐúUŽ‰úUøéXúU%úU¨ÆœúUXüúU°3ÃúUÀÔúUèû›úU áIúU`Á½úUxuúU¸ 7úUÈVÔúU¸ÝÀúU A9úU¸ŽHúU¸j‹úU˜j úUX\—úUÊ]úUøœ>úUÈÕaúUزúUðÊúUøóíúU@»7úU8ÂÃúUζúUx ¯úU(LVúUÈ€7úUé¼úUèø+úU¸h”úU°û¡úU` úU˜òúUÐ¥KúU 4úU˜0ßúUà³…úU¨ã6úUÈÿœúUèv¹úU82·úUè"=úU ù¶úUH @úUO¢úUPõ¡úU`$·úU±A Blues A Day (GS plus TAB) aus "Ragtime Guitar", Band 1 Josef Peter Traun A 12bar blues for fingerpicking guitarists. Have fun! Links: [[ https://www.youtube.com/watch?v=K5x_xXJqJYk | Performed by Jorge Sotres (Spain) ]] If you’ve made a recording (sound or video file) during a rehearsal or a concert or even a music production of one of my compositions, I would be glad if you could send me all the realeted material (mp3, mp4) for my archives. I´m also interested in concert programms (PDF). Thank you! Please take also a look on my website at [[https://www.scoreexchange.com/profiles/jptraun | Scoreexchange ]] , [[ https://www.scoreexchange.com/profiles/221528 | traunmusik on Scoreexchange ]] and my publishing company [[ https://www.traunmusik.at | traunmusik ]]. Please take also a look on the website of my daughter Marion Traun at [[ https://www.scoreexchange.com/profiles/179338 | Scoreexchange ]] , [[ https://www.youtube.com/user/mariontraun | Youtube ]] and her [[ www.mariontraun.at | Homepage ]]. -- Falls Sie einen Ton- oder Videomitschnitt während einer Probe, einem Konzert oder vielleicht sogar eine Musikproduktion von einer oder mehrer meiner Kompositionen gemacht haben, ersuche ich um Zusendung des Ton- oder Videomaterials (mp3, mp4) für mein Archiv. Ich bin auch an Konzertprogrammen Ihrer Aufführungen im PDF-Format interessiert. Danke! Auf diesen Webseiten finden Sie weitere Veröffentlichungen von [[ https://www.scoreexchange.com/profiles/jptraun | Josef Peter Traun ]] , [[ https://www.scoreexchange.com/profiles/221528 | traunmusik auf Scoreexchange ]] und mein Musikverlag [[https://www.traunmusik.at | traunmusik]]. Und hier noch Links zu den Kompositionen meiner Tochter Marion Traun [[ https://www.scoreexchange.com/profiles/179338 | Scoreexchange ]] , [[ https://www.youtube.com/user/mariontraun | Youtube ]] und ihre [[ www.mariontraun.at | Homepage ]]. !0000-00-00 00:00:00ea-B!÷g#¸÷g#àJ¹úU!0g#¸÷g#°üœúU!2480¸÷g#!3508è÷g#Ð!2023-03-19 22:05:56 NCúUª@±CúU0ÙúUÿÀÙéúUxPêúUÿ X;úU(ÁaúUÿ€K'úU¸ë¼úUÿàt>úUýwúUDp¦ÚúU(ržúUÿ@GúU0¥ƒúUÿð‘ÐúUè)ÛúUÿ ±túU\‰úUÿP—IúU@É}úUÿÀ ÛúU7ÐúUD HÃúUŸ6úUDIúUxÙðúUÿÂgúU8ƒAúUÿ0´úU`<ºúUÿðÇFúU(CúUÿr7úUpÆvúUÿ€˜VúU˜ù¶úUÿ`ÉÏúUp»CúUÿ e‹úUÐM´úUÿÐmúUxbúUÿ0ßúU˜¡ºúUÿ°ÕéúUÀwæúUÿ`IHúUjžúUÿ(²úUHA°úUÿ á2úU@ÄúUÿp+úU˜PUúUÿP‘VúU@ýŒúU @€’ØúU@ìkúUÿMHúU¨ð2úUÿÐ ˜úU IúUÿú3úU`š6úUDÐO6úUø]»úUÿ0:úUøUúUÿàŠmúUXÑUúUÿPËfúUX€‰úUÿp¿¶úUÀ ‰úUÿ¯œúUhÙ¹úUÿ¾"úUÀ‡wúUÿàèNúUÐŒ#úUÿ€ÍaúU@ÿúUÿðÿÏúU0µCúUHMúUhËèúUÿ`¯°úUðÖCúUDFçúUàñèúUD '>úUåuúUÿ`úU€^úUD ¢cúUPÒúUD`JúUÓRúUÿˆúU@ˆúUDà@úúUÈó¶úUÿð%MúUðÕEúUÿàþúU¨6úUÿ CWúUØ^ÐúUÿpéXúUh¶CúU>úUÿ ÷›úUмúUD°/ÙúUÐcÐúUÿòxúU˜h¾úUÿà¶_úU ”áúUÿP>úUxȾúUÿ€þGúUH£úUÿà­túUXcÐúUÿw>úUÀÀSúUÿà;MúUWúUÿ%çúU ½úUDÀVÃúUø~¹úUÿð>HúUˆPKúUÿ¸IúU˜Š³úUÿ€æúU¡¯úUÿ^—úUÍvúUÿ¶¾úUÀäúUÿ@èyúUˆ^úUÿ¨zúU R[úUÿÐi!úUÀ®@úUÿÀ úU ²½úUÿÐäSúU/ÐúUÿ@§/úU¥ úUÿ`”•úUP6úUÿpàyúUºDúUÿБ•úUhoúUÿ€€+úU03úUÿ0ÐúUx ¯úUÿÀÆfúUعfúUÿPYúUp>¯úUÿPÐúUè?_úUÿ0ìwúUÈö5úUÿp/.úU _8úUD ½]úUðh_úUDPEXúUè³úUÿУ‡úUð‰úUÿp$úUXý5úUÿ€²6úU`z6úUÿ`tnúUPzmúUD·úU€5uúUÿPp7úUpÿBúUÿ€ìwúU³@úUÿ`æúUˆ%¡úUÿ€¿túUx&¡úUÿ Æ@úUðÄ]úUÿÀ\;úUدiúUÿØÑúU 7úUDпUúUÀ }úUD©túUHúUÿð*GúU°ü‰úUÿpYúU@œ4úUÿ°CUúUq^úUÿ0&—úU@C½úUÿph¯úU€½úUD@'>úU ¥^úUÿ0@lúUÌ»úUÿ€$úU°„úUÿ ÈtúU#IúUÿð;ôúU fúUÿ€v6úU!púUD`@XúU°ú#úU2!´úUD@†úUxivúUÿ6xúUCúUÿP°/úUȦYúUÿà¾EúUÎNúUÿ0ÂÏúUp›žúUDÀe½úUØ”;úUÿ0ÑúUÐ úUD°…úUcvúUÿp}cúUÅ‹úUÿà‹LúU€GÒúUÿ`X9úUŽúUÿ`úUÐo>úUÿ08½úUH–œúUÿ@ úU@š²úUÿЋ.úU°bÐúUÿàÕwúU8[lúUÿÐ%²úUÀ‚½úUX3uúUÿ Ö]úUxúUÿ0¹‚úUhmñúUÿ@{cúUÐþúU  VÄúUPt>úUÿ`ºmúUh”úUÿ€.ŸúUp €úUD€UÃúU &”úUÿð³¯úU ø>úUD@ÚúU0ø>úUD°·‰úU@ø>úUDз‰úUPø>úUDð·‰úU`ø>úUD¸‰úUpø>úUD0¸‰úU€ø>úUDP¸‰úUø>úUDp¸‰úU ø>úUD¸‰úU°ø>úUD`ÚúUÀø>úUD€ÚúUÐø>úUD ÚúUàø>úUDÀÚúUðø>úUD ·‰úUù>úUD@·‰úUù>úUD`·‰úU ù>úUD€·‰úU0ù>úUDÀ¹‰úU@ù>úUD้úUPù>úUDº‰úU`ù>úUD º‰úUpù>úUD@º‰úU€ù>úUD `º‰úUù>úUD º‰úU ù>úUDÀº‰úUá0¦°úU°O—úU°ÞiúUˆÁCúUÎ@_A505536!Š•úUàÞiúUp0`8KúUØÁCúUS<§þ505529!hÑúU8KúUÀ0¢AúU(ÂCúU)f505503! êÑúU0AWúU0 ZyúUxÂCúUÉÏ3445888!P&yúUpßúU`0`Ú9úUÈÂCúU¾„vo445881ñ°ÚGúUä±úU 0P4!úUÃCúU{«‰)486325 ôÑúUÐþúU 0€•dúUhÃCúUÞèK501510!P”‰úU÷lúUp00ÏúU¸ÃCúU'ÇèR445842q@ClúUð±ýúU 0ð)=úUÄCúU*vþN501498!À(îúU *=úU`0Àå±úUXÄCúU/Ðñ445838aàŠúU½"úU 0ÓÑúU¨ÄCúU«k”$445837!8úU0ÓÑúUp0 ±úUøÄCúUƒçËá445829!@+œúUP±úUÀ0`ŒzúUHÅCúUõÖ‘T445815! 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01g#xUúUute And Clarinet0Aèøg#èøg#ðMZúUxßIúUàLUX# Ø ¾úU!p±ÃúUÈ÷g#ðPœ0000000000999999999Þ@à"•úUøHúUøÌ"úU˜ ÂúU@Þ#úU úUÈ€SúUø‘8úUýÁúUàáÙúUøjnúU8ÓÝúUhUlúU¨‚¼úUð·QúUˆvêúUøvaúUÃaúU(ä‹úUPNLúU¸?úUïÿúUH®ÃúUÐuÉúU˜Š‹úUøÑÜúUHM˜úUxFaúUð2éúUN‡úUX5•úU@BxúUÀÁúUò úU¸-úUhÂúUðPúUÇÁúUíúUXiúUˆ­úU¨CóúUØDÂúUTTúUˆ–DúUˆ­úU ˜ðúUèÏ`úU¸?$úUب.úUn¸úU(é¢úUˆž%úU¨ÂúUx¾ËúUèqúU¸“—úUZ]úU@¯úUx»ÁúUúUHL]úUôkúUØ•¼úUˆÍïúU¸„úUøßbúUØ7–úU¨GáúUPfúU¸&*úU(s/úUêÁúU`,úUd#úUˆ¹TúUh^.úUø™úUh}TúU¨¿íúUh}TúU`VLúUÈk¸úU)úUHÂúU0.÷úUHÂúU0 OúUêÁúUCúUØñŽúUØ·~úU` 'úUè}LúU8ÓÝúUè) úU ÌúUÂ]úU€ÀÄúUÈÓGúUðWåúUÂúUhÛ)úUàóúUxY'úUçêúUØIdúU¨ÂúU XcúUÑúU¸ÈÁúU¨aJúUúUlòúU¸˜úUðQ„úUâFúUxTåúU(î`úUè;múUhîúUÛ0úUhúúúU˜¬úUXQ]úU8ô¢úUxÞúUØÇúUH§¸úUØ…5úUÈÇèúUð–úUx ÄúUPHúUhI™úUäjúUãÇúUÂúUXŠIúUx’úU86(úUHæúUȵÁúUHúUèÏQúUèÃÁúUàîFúUPÆ úUȆ‹úU8²(úUÅÁúUàùÞúUÈÇèúU¨âDúU(ãúU86(úUSúUh·ÁúU¨ò8úU(¹ÁúUðoúUHQEúUÈÓGúU(ÞúUÈÇèúU€¼%úUØì9úUÂ]úUð©KúUHÂúU³:úUÈ$ðúU¨UVúU¨èÅúUZ]úU(MúUø%iúUhúúúUøà,úUHÇ:úUØ·~úUàá9úUHL]úUÈ"úU¨eúU¹‚úUx¸TúU¸tRúUˆ"ðúUÂ]úU¨ÖjúUˆÀÁúU?:úUˆÀÁúUè¨KúU@ªNúUX„gúU€6áúUèqúU ®úUè½ÁúUØJúUh·ÁúUÀgúUH§¸úUôÀúUÀ•9úUlòúU€ŒéúUð¨ØúUn¸úU=kúU8u6úU/úU˜á)úU°7úU¸z•úUhúúúU8ËGúUð9úUhúúúUH^JúU{iúU¨îúUðÆúUÀÁúU˜}™úUXQ]úUð‡#úUèÎ.úU QUúUÃÁúU¯úUˆfúU8ÓÝúUmúUØÛ.úUHr%úUèqúUèènúU¨‚¼úUÀUMúU k}úU€úUÀ_»úUh·ÁúU(õ-úU€W/úU8ÓÝúUx/úUèqúUØÏ/úU¨xúU¸«^úUø OúUÅÁúUøÜçúUè]úUÈÓGúUøð0úUHþúU8ÓÝúU˜,úUxÂúUPëçúUȵÁúU õMúU ¢úUØ‹•úUxVúUþúUˆ¹TúU€¯±úU0¤æúUX„gúU ¸òúUx¸ÁúU@:*úUp&ÛúUX„gúUÈ2úUØ•¼úUHúUHL]úU€ŒúUØÀúUx]µúU€§kúU´úUlòúU/*úUXÁ#úUH3kúUx(dúUHÂúUøO.úU($úUè0ùúU°äéúUØ•¼úUÈߟúUÈ#úUÈÓGúU[ úUh"LúUèÃÁúU {)úUqðIúUAClaire de lune (Easy Piece for Piano) Part 6 of 16 Easy Pieces for Piano Thilo Plaesser, 2012 Thilo Plaesser These pieces are the result of many years of teaching experience. The ideas and wishes of many my students are reflected in these pieces. Very often, original compositions (still) too hard to play, but these works are easy to realize. Particular examples are the pieces “Hi Elton“, and the “Prelude 1750“. Some pieces also offer improvisational free space, like the pieces "Oriental Tune," "Claire de lune" and the Jazz Bicinium "Sketch in Blue".U!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 15:05:43A{"width":210,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"2790F254-161B-11E7-8B91-E90E0B2BE50E","position-x-pc":"0"}úUH%YúU!0g#¸÷g#p¼lúU!711#¸÷g#ˆä½úU!1012¸÷g#°@¯úU!2019-09-25 13:13:18úU1DBC48446-DF8D-11E9-8692-78úUÐjÁúU!160786¸÷g#(ûxúU!0g#¸÷g#ЈÝúU!0g#¸÷g#¸úU!0g#¸÷g#H©øúU!1g#¸÷g#ÌïúU!650x919¸÷g#`§žúU!0g#¸÷g#HD úU!0g#¸÷g#h3ÀúU!5.00¸÷g#ÐóúU!2023-02-16 20:22:25úU!2023-02-16 20:22:27úU!119882¸÷g#˜è«úU!114178¸÷g#ØúûúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úUQh.úU18øIúUƒˆp^128065!÷g#°#úU ñ “ƒ!f¶0Îä`ˆÙAlƒ!frÞ(Û`ˆÙAlƒ!f)®(Û`ˆÙAû‚!f@ß¾`ˆÙAoƒ!f ‹×Û`ˆÙAý‚!f§³k¿`ˆÙAƃ!fÚ…ñ`ˆÙAoƒ!fÚØÛ`ˆÙAœƒ!fÜð8ç`ˆÙAmƒ!fyiÛ`ˆÙA@~ƒ!f4G’ß`ˆÙA¹ƒ!fÅq“ô`ˆÙAlƒ!fcÔ$Û`ˆÙAoƒ!f)’×Û`ˆÙA“ƒ!fý/Îä`ˆÙA¥ƒ!fAbté`ˆÙA„ƒ!f²,á`ˆÙAmƒ!f‘)~Û`ˆÙAwƒ!f”KûÝ`ˆÙAlƒ!f³E(Û`ˆÙAlƒ!fRH$Û`ˆÙAõ‚!fÂOb½`ˆÙAhƒ!f¼­ Ú`ˆÙAlƒ!f¡%Û`ˆÙAÿ‚!f¼õ¿`ˆÙAû‚!f«Bß¾`ˆÙAõ‚!fd½`ˆÙAÃ!fÏ öð`ˆÙAû‚!ftFß¾`ˆÙAmƒ!fŠs~Û`ˆÙAõ‚!fÔE`½`ˆÙAlƒ!fP%Û`ˆÙAlƒ!fòµ$Û`ˆÙAý‚!f;l¿`ˆÙAý‚!fÒ4l¿`ˆÙAlƒ!fçÆ'Û`ˆÙAø‚!faã¾`ˆÙAý‚!fÅl¿`ˆÙAœƒ!f³ì8ç`ˆÙA„ƒ!f9ð"á`ˆÙAû‚!f:?ß¾`ˆÙAû‚!fèNß¾`ˆÙAý‚!f…l¿`ˆÙAoƒ!f‘~ÖÛ`ˆÙA¶ƒ!f!Ê…í`ˆÙAlƒ!fI $Û`ˆÙAû‚!fç7ß¾`ˆÙAmƒ!f|F|Û`ˆÙAø‚!fc "¾`ˆÙAhƒ!fš&Ú`ˆÙAoƒ!f/ÀÔÛ`ˆÙAhƒ!fm:Ú`ˆÙAû‚!fpCß¾`ˆÙAø‚!f¼X"¾`ˆÙAû‚!f4Gß¾`ˆÙAû‚!fíDß¾`ˆÙAoƒ!f,ØÔÛ`ˆÙAý‚!fŠ®l¿`ˆÙAÃ!fµPöð`ˆÙAƒ!fÈ^”Å`ˆÙA΃!fsJ£ó`ˆÙAø‚!f/4"¾`ˆÙAû‚!fD3ß¾`ˆÙAmƒ!fø¨jÛ`ˆÙAmƒ!fÛN~Û`ˆÙAø‚!f V¾`ˆÙA²ƒ!f}Œì`ˆÙAhƒ!fÍ• Ú`ˆÙA´ƒ!f?‘í`ˆÙAhƒ!fPüÚ`ˆÙAû‚!fP:ß¾`ˆÙAû‚!f®*ß¾`ˆÙAû‚!fÚ8ß¾`ˆÙA°ƒ!f­5ì`ˆÙAÃ!fEžïð`ˆÙAsƒ!f¸wåÜ`ˆÙAœƒ!få8ç`ˆÙAø‚!f¼!¾`ˆÙAû‚!f&4ß¾`ˆÙA¹ƒ!fBÒhî`ˆÙAlƒ!f‹%Û`ˆÙAÈ^ïþx¯º?û‚!fàHß¾`ˆÙAý‚!fÏùU¿`ˆÙAø‚!fÍæ ¾`ˆÙAõ‚!f5²d½`ˆÙAû‚!fi6ß¾`ˆÙA = ×£p=#@õ‚!f’^_½`ˆÙAìQ¸…ë@õ‚!f/Nf½`ˆÙAõ‚!fº b½`ˆÙAlƒ!f!Í(Û`ˆÙAû‚!fLß¾`ˆÙAmƒ!f½å~Û`ˆÙAsƒ!fÐ`éÜ`ˆÙAhƒ!f·´ Ú`ˆÙA˜ƒ!fÅ&æ`ˆÙAœƒ!fIô8ç`ˆÙAlƒ!fTS(Û`ˆÙAp!17g#¨ûg#PJúU!1.50¸øg#€þúU!2015-01-31 01:50:57úU!1g#¸÷g#0èúU!1g#¸÷g#ˆÀ-úU!0g#¸÷g#0(NúU!÷g#¸÷g#H úU!0g#¸÷g#H¦ìúU10g#Ø÷g# À&úU0!4g#xúg#(¡×úU!÷g#¸÷g#³:úU!2.00¸÷g#0;úU!0g#¸÷g#@;úU!1g#¸÷g#ðJúU!0g#¸÷g#XúU!÷g#¸÷g#¨ùg#!÷g#¸÷g#(0úU!0g#¸÷g#xSLúU!÷g#¸÷g# .#úU!Copyright (C)è³ úU!÷g#¸÷g#€,™úU!1g#øøg#0·(úU!0g#¸÷g#hHúU!÷g#¸÷g#Ø$˜úU!0.0000¸÷g#PÉ"úU!2015-01-31 02:10:41úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!10g#¸÷g#˜ù"úU!0000-00-00 00:00:00úU10g#Ø÷g#˜ù"úU0!0.00¸ùg#¨„ÞúUÁ["162451","366559","159633","192513","144123","430443","485584","190530","161919","157236","202549","368809","138355","362750","191795","91902","207176","201316","166589"]ÍKúU!2020-09-11 16:21:29úU!1g#¸÷g#H¹&úU!2019-09-25 13:19:11úU1AE0D6008-DF8E-11E9-BB11-78!6661¸÷g#!0g#¸÷g#ÀÄúU!0g#¸÷g#@;"úU!0g#è÷g#èd#úU!1g#¸÷g# !ûg#èûg#` JúU!0.0000¸÷g#!2013-06-25 04:28:00ASvendsen Romance for Viola and String Orchestra!0g#¸÷g#!0g#¸÷g#!14g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g# úUSvendsen Romance for Viola and String Orchestra J. Svendsen Op.26 P. Wood Mymusicscores.com Svendsen composed his Romance for violin and Orchestra Op.26 in G major, in 1881. He had been working in Leipzip for a few years and had just returned back to Norway. Apart from being a composer Svendsen was a violinist and had studied under Ferdinand David at the Leipzig Conservatory. This work is a beautiful piece of music full of lush melodies and fab to play. 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My father played by ear in the key of F#, except for one piece he was taught in E flat, and his brother Chris made & played Hawaiian guitars in a band. My mother's family also had a few musicians among them but they never kept in touch. I worked semi-pro on accordion from age 14yrs changing to piano at about 18yrs to the present, & professionally for 20 yrs in most types of band, but have a leaning toward mainstream jazz. I became a qualified music teacher in 1975.I specialise in teaching & playing Piano & Recorders, band vocals, group work, composition, theory and acting the fool. I dislike pompous academia and firmly believe that music is not on the page but from the heart and that it should be performed so. My past includes a cruise round the world in 1964 as my 1st pro job; making a record with a very talented 8pce band with whom I worked for about 4 yrs; doing a live broadcast for the BBC; and a BBC programme called "Night Ride"; some years with Mecca ballrooms around the country; Summer seasons; Winter seasons; WMCs; Night club work backing world class artists; music festivals, with pupils having huge successes and presently I'm working with two local Big Bands in County Durham and doing a few odd gigs. Nearly all my works are songs for various instruments & can be played by most with a little thought! I hope they meet with your approval! Visit my web site at [later] Pete. !0g#¸ùg#@{ñúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0g#¸÷g#øjúU!1g#¸÷g#x‘„úU!0g#¸÷g#P ýúU!÷g#¸÷g#0­¿úU!0g#¸÷g#XúU!0000-00-00 00:00:00úUQ…úU!TrenthamwhúUSUPER!÷g#è÷g#”öúU!Staffordshire !Bodal çúU!LCg!E2Y3Svf2c6i 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(úUêÁúU°!KúU@AeúUÀYeúUD¾CúU€²úUD€³'úUÐa‡úUD@ËIúUÐÕ(úUDP+*úUÐ úUDúU€I)úUD P¿2úUуúUÿp}7úU`ÃÎúUD€«7úUÀäÀúUDÃúU`•OúUDPújúU y!úUN&úUDPo"úUð^²úUÿ€°*úU ôAúUD ¬ÔúU£ÁúUDÐF&úU`éúUDÐgúUpúUD@™úUЉúUD`U¦úUÀ#/úUDÐà6úUÀóÆúUD°=CúU0†úU@úUD@eúU0øàúUDp÷$úU€1úUD ëMúUð dúUD€ŠOúUpÐúUD`N¨úUP=HúUDQ úU¥wúUD@«úU@ÿÃúUD2úU¨Å`úUÿ0ýlúU@œwúUDð6úUàúUD³úU`ÂúUD`A`úU€¿*úUD`¯úúU ÄþúUDÐ=`úUÀŽiúUD0œ2úU(%KúU°ÂhúUD°.OúU€"‹úUDPKúUànVúUDPzkúU gIúUDëúUàìúUD éØúU°yúUDÐmúUP«úUD$ úU`z"úUDÐ6xúU¸ò2úUÿÀ\™úUÐúUDÀzùúU@ëúUqThe Story For Flute And Clarinet Marek Kucera SATB & Organ Simon Biazeck SImon Preece ges (Musical), Kelly Keagy ayed in college. I have not been able to source an original score yet so all I can tell you about it is that it is very pleasant and soothing to play! (All things being equal, the flute and violin players should switch parts on the repeats.) is is a great choice to play something different and yet familiar.moving up a scale-wise sequence in the middle before returning to G position. The right hand finishes with a G7 (root position) at the end. Both hands have a small amount of chromatic movement. ASCAP, [[ https://www.scoreexchange.com/profiles/221528 | traunmusik on Scoreexchange ]] and my publishing company [[ https://www.traunmusik.at | traunmusik ]]. Please take also a look on the website of my daughter Marion Traun at [[ https://www.scoreexchange.com/profiles/179338 | Scoreexchange ]] , [[ https://www.youtube.com/user/mariontraun | Youtube ]] and her [[ www.mariontraun.at | Homepage ]]. -- Falls Sie einen Ton- oder Videomitschnitt während einer Probe, einem Konzert oder vielleicht sogar eine Musikproduktion von einer oder mehrer meiner Kompositionen gemacht haben, ersuche ich um Zusendung des Ton- oder Videomaterials (mp3, mp4) für mein Archiv. Ich bin auch an Konzertprogrammen Ihrer Aufführungen im PDF-Format interessiert. Danke! Auf diesen Webseiten finden Sie weitere Veröffentlichungen von [[ https://www.scoreexchange.com/profiles/jptraun | Josef Peter Traun ]] , [[ https://www.scoreexchange.com/profiles/221528 | traunmusik auf Scoreexchange ]] und mein Musikverlag [[https://www.traunmusik.at | traunmusik]]. Und hier noch Links zu den Kompositionen meiner Tochter Marion Traun [[ https://www.scoreexchange.com/profiles/179338 | Scoreexchange ]] , [[ https://www.youtube.com/user/mariontraun | Youtube ]] und ihre [[ www.mariontraun.at | Homepage ]]. All Ye Faithful (Adeste, Fideles) 29. O Come, Little Children 30. O Come, O Come, Emmanuel 31. O, Little Town of Bethlehem (American) 32. O, Little Town of Bethlehem (British) 33. O Sactissima 34. O Tannenbaum 35. Silent Night 36. Up on the House Top 37. A Virgin Unspotted 38. We Three Kings of Orient Are 39. We Wish You a Merry Christmas 40. What Child Is This? sociation for "Sunrise". Jazz critic Gary Giddins wrote about the song's impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match 'Moonlight Serenade' for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004). The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as Army V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released as the Navy V-Disc No. 160A and the Marine Corps V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces (AEF) was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour. utiful song just before death has a long pedigree in Western thought, and the Greek philosopher Socrates is credited with saying “Will you not allow that I have as much of the spirit of prophecy in me as the swans? For they, when they perceive that they must die, having sung all their life long, do then sing more than ever, rejoicing in the thought that they are about to go away to the god whose ministers they are.†The proverbial singing swan, used as a metaphor for the final great effort, becomes a much-embraced concept in the arts, literature, and music, as exemplified in the famous madrigal setting by Orlando Gibbons (1583-1625). The silver Swan, who living had no Note, when Death approached, unlocked her silent throat. Leaning her breast against the reedy shore, thus sang her first and last, and sang no more: “Farewell, all joys! O Death, come close mine eyes! More Geese than Swans now live, more Fools than Wise.†Franz Schubert’s final and horribly painful days in November 1828 included bouts of delirium, requests for novels by James Fennimore Cooper, ceaseless singing and moments of great lucidity when he was working on his compositions. Schubert had been seriously ill for some time, but it’s impossible to tell by the quantity and consistency of his compositions. “In just his final 14 weeks, he wrote his last three piano sonatas, and the heart-melting C-Major String Quintet.†A few short months after Schubert’s death, the Viennese publisher Tobias Haslinger published a group of fourteen Schubert songs composed to texts by three different poets. Wishing to present this publication as Schubert’s final musical testament to the world, Haslinger and Schubert’s brother Ferdinand entitled the collection Schwanengesang (Swansong). Containing some of the greatest Lieder that Schubert ever composed, there is still disagreement about whether or not Schwanengesang is actually a cycle. There are contradictory accounts concerning the origin of Schubert’s thirteen songs with lyrics by Ludwig Rellstab and Heinrich Heine, published together with “Die Taubenpost,†with lyrics by Johann Gabriel Seidl. In the original manuscript in Schubert’s hand, the first 13 songs were copied in a single setting, on consecutive manuscript pages, and in the standard performance order. There is some suggestion that Schubert had intended to publish the settings of Rellstab and Heine separately, as he offered the Heine set of poems to the Leipzig publisher Probst. “Die Taubenpost,†meanwhile, has no connection to any of the first 13 songs and was appended by Haslinger to round out Schubert’s Schwanengesang. Rellstab’s poems passed to Schubert via Anton Schindler, Beethoven’s assistant. It has been suggested “almost every song in Schwanengesang deals with love or it’s absence, linking it to Beethoven’s “An die ferne Geliebte.†The Rellstab set ranges from the singer inviting a stream to convey a message to his beloved in the opening “Liebesbotschaft†(Message of love), to the concluding “Abschied†(Farewell) when the singer bids a cheery but determined farewell to a town he must now leave forever. angeqAn exciting arrangement of eight popular swinging xmas carols arranged for trombone, Euphonium & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed! The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas. The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to "comp". These Carols are playable by moderately advanced performers and are perfect for parties, church services, "busking" & recitals. Range is very moderate, nothing high at all. Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! Reviewer Chet Heflin Date 29th Sep 2006 Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of "Ding Dong Merrily On High" is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs. solo part on request in TC from: keithterrett@gmail.comA{"width":214,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"9EB9C938-15FC-11E7-B099-9C2D0690A248","position-x-pc":"0"}!0g#¸÷g#!230#¸÷g#!322#¸÷g#8òDúUP±ÂúU0¶júUâúU@LmúU`ƹúUGúUøBúUÀÚIúUPHÂúU ËhúUY˜úUøWúU ÊúUØ¡ÓúU˜˜íúU lÑúUŠúU Ý7úUDÀ%+úUpfúUD@Z`úUPJ)úUÐ… úUD€@*úU°–úUDÐÞýúUî5úUD 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Written for Duet + keyboardnd band Guitar, standard tuning [tab])!3g#ÙKúU18.00Ø÷g#0!3g# ÅkúU !839033ø÷g#nita Leo10g#Ø÷g#bara Belle"01762DF324-132F-11EC-84EE-B153C87B2AFC2'10g#Ø÷g#m/bot.html)0!1g#PŠÓúU!139123¸÷g#Ø1÷g#Ø÷g#g0!0000-00-00 00:00:00!0g#¸÷g#Ø!0g#¸÷g#g!0000-00-00 00:00:00úU10000-00-00 00:00:00úU08xúU0!Guitar Chords/Lyrics1÷g#Ø÷g#0!0g#>#úU !1.50ðÜKúU!2017-06-08 13:10:0411g#Ø÷g#0!0000-00-00 00:00:00!0g#¸÷g#10g#Ø÷g#ÿÿÿÿ01à]núUˆßKúUŒ¢Þ“31815!For Unto Us a Child is Born (From "Messiah" - for children’s choir) G. F. Handel The Bible (Isaiah 9:6) Mary Rose Jensen Garden Rose Music A children's choir arrangement of a classical Christmas favorite: "For Unto Us a Child is Born" - a chorus from G. F. Handel's "Messiah." The two easy parts can be sung by any two equal groups of treble singers. Useful in church and schools. Purchase of this score will enable you to print as many copies as needed for your choir. You are also granted permission for any type of performance (e.g. during a church service or concert) or recording with limited distribution. Please do contact me if any recording will be sold. This score may be transposed. 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The Spirit, loosed from mortal pains, And pierces dark domains Where doubt and fear occlude its vision. Must we remain confined in chains – The sole release from bleak disgust: Ashes to ashes, dust to dust? ... the spirit? Love. Love stirs despairing minds to turn To emulate the fiery dove: To free our souls, our flesh we must Consign to flame, calcine to dust.with me and Your rod and staff are the comfort I need to know. And I will 2. (He guides my) ways in righteousness, and He annoints my head with oil, and my cup, it overflows with joy, I feast on His pure delights.anses ev'ry stain of sin, shed for you: drink and remember He drained death's cup that all may enter in to receive the life of God. So we share in this Bread of life, and we drink of His sacrifice, as a sign of our bonds of grace around the table of the King. 4. And so with thankfulness and faith we rise to respond: and to remember. Our call to follow in the steps of Christ as His body here on earth. As we share in His suffering, we proclaim: Christ will come again! And we'll join in the feast of heav'n around the table of the King.rip on me, for I am His and He is mine – bought with the precious blood ofthay. Và đêm nay, má»™t đêm trăng yên lành, vì má»™ng Æ°á»›c không còn xa vá»i, sẽ mãi không còn xa xôi.ces loud: blessed Savior, blessed Savior, To the only Son of God, Jesus Savior of the world. So we raise our voices loud: blessed Savior, blessed Savior, To the only Son of God, Jesus Savior of the world, Jesus Savior of the world, Jesus Savior of the world. 4. So we raise our voices loud: blessed Savior, blessed Savior, To the only Son of God, Jesus Savior of the world. world. So we raise our voices loud: blessed Savior, blessed Savior, To the only Son of God, Jesus Savior of the world. 4. May the people of the earth look upon you and be saved, for your mercy freely flows as your blood did on that day. So we raise our voices loud: blessed Savior, blessed Savior, To the only Son of God, Jesus Savior of the world, Jesus Savior of the world, Jesus Savior of the world.Christmas we wish you a merry Christmas and a happy new year. Good tidings we bring, to you and your kin, good tidings for Christmas and a happy new year. We wish you a merry Christmas we wish you a merry Christmas we wish you a merry Christmas and a happy new year. On the first day of Chrismas my true love sent to me a partridge in a pear tree. On the second day of Christmas my true love sent to me, two turttle doves, and a partridge in a pear tree. On the third day of Christmas my true love sent to me three french hens, two turtle doves, and a partridge in a pear tree. On the fourth day of Christmas my true love sent to me, four calling birds, three french hens, two turtle doves, and a partridge in a pear tree. On the fifth day of Christmas my true love sent to me, five golden rings! Four calling birds, three french hens, twoturtle doves, and a partridge in a pear tree. On the sixth day of Christmas my true love sent to me, six geese a laying, five golden rings! Four calling birds, three french hens, two turtle doves, and a partridge in a pear tree. On the seventh day of Christmas my true love sent to me, seven swans a swimming, six geese a laying, five golden rings! Four calling birds, three french hens, two turle doves, and a partridge in a pear tree. On the eighth day of Christmas my true love sent to me, eight maids a milking, seven swans a swimming six geese a laying five golden rings! Four calling birds three french hens two turtle doves and a partridge in a pear tree. On the ninth day of Christmas my true love sent to me, nine ladies dancing eight maids a milking seven swans a swimming, six geese a laying, five golden rings! Four calling birds three french hens two turtle doves and a partridge in a pear tree. On the tenth day of Christmas my true love sent to me, ten lords a leaping, nine ladies, dancing, eight maids a milking, seven swans a swimming six geese a laying, five golden rings! Four calling birds, three french hens, two turtle doves, and a partridge in a pear tree. On the eleventh day of Christmas my true love sent to me, eleven pipers piping, ten lords a leaping, nine ladies dancing, eight maids a milking, seven swans a swimming, six geese a laying, five golden rings. Four calling birds, three french hens, two turtle doves, and a partridge in a pear tree. On the twelfth day of Christmas my true love sent to me, twelve drummers drumming, eleven pipers piping, ten lords a leaping, nine ladies dancing, eight maids a milking, seven swans a swimming, six geese a laying, five golden rings! Four calling birds, three french hens, two turtle doves and a partridge in a pear tree. Jingle bells, jingle bells jingle all the way. Oh what fun it is to ride in a one horse open sleigh hey! Jingle bells, jingle bells, jingle all the way. Oh what fun it is to ride in a one horse open sleigh. Up on the housetop reigndeer pause, out jumps good old Santa Claus. Down through the chimney with lots of toys, all for the little ones, girls and boys. Ho Ho Ho! Who wouldn't go? Ho Ho Ho! Who wouldn't go Up on the housetop click click click! Down through the chimney with old Saint Nick! Oh Christmas tree Oh Christmas tree, your branches green delight us, Oh Christmas tree oh Christmas tree, your branches green delight us. They're green when summer days are bright, they're green when winter snow is white. Oh Christmas tree oh Christmas tree, your branches green delight us. Should old aquaintance be forgot and never brought to mind. Should old aquaintance be forgot and days of old lang syne. 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!2019-04-06 21:51:44span!2019-10-31 08:44:30clas!Mozart arr. D.W. 2014!David Wheatley¸ª‡úU!0g#¸÷g#ð¹4úU10g#Ø÷g#0!sib#¸÷g#xøg#!854#¸÷g#!0g#¸÷g#Ð{iúUAEine kleine Nachtmusic mvt 3 for flute and pno.sib738!2019-04-06 21:51:44!0g#¸÷g# 0¨%úUH&úU€ä úUˆ<ÂúUØ}¤úU˜ ÂúU8Í/úUˆ\úU¸«^úUÝúUøúúU¸Ó5úUXCÂúUÀ¼+úU˜>úU(¦ÛúUÈÎúU¸«^úU¸ùLúUÈ ÂúU`LCúUHR]úU€†5úU É6úU¨6!úU`þ‰úU08¿úUøŸúU œúU¨GáúU pöúUˆ²ÅúUhúúúUðQ¢úUøúúUpúUØDÂúU B!úU¸šúUøÉIúUýÁúUÈcúUˆ<ÂúUXª;úUˆx“úUù„úU@úUÏ]úUPUåúUX>+úUˆ­úU88–úUÊúUx]µúUÀúUXÂúUxNiúUøÛ)úU€CúUÀÁúUÐAúUg¸úUÈõBúU(¹ÁúUpx)úU(ÂúUðˆ5úUx—¼úUÐ!&úUÈÇèúUÓ€úUXÂúU…)úUg¸úU êúúUxé úUxAWúUÈÚxúUU]úU€©!úU@ýÚúUˆ3‘úUø:¯úU8u6úUá5úUˆÀÁúU˜oúUȵÁúUhKúUعÁúU V%úUøÒ¨úUð‡úUeJúUÈüúUè½ÁúU0i:úUðŒ9úUÂúU`®úUØÃúUØ OúUHÂúUHƒ÷úU(ÂúU¸:áúUPXúU86(úUˆá[úUÈøGúU¨ukúU€å&úUØ•¼úU0ÀJúUZ]úUh©;úU˜>úU€ƒúUÈ ÂúUøÎìúU0Ñ…úUXÏ´úUØÉúUÃÁúU`C-úU˜“ŸúU´ŽúUËúU ÒKúU¤^úUPnWúU¸ŽHúUð`oúU(ÂúUàûFúUúUÈÓGúUÐKúUÀÁúUØÁ.úUH²zúUYúU¨Ü>úUH—úU¸ÂúU2—úUÂúU¨¶9úU¨U)úU°[.úU¨U)úUà²!úU(™úU8ÓÝúUè•*úUÈÇèúUHíúU˜¶ÁúUHXþúU˜ ÂúUˆ¡ úUØ•¼úUûÚúU8Ô.úUÍ8úUH!>úU¸>úU0„CúUx¸TúUø§úU¸±ËúUxdÄúUàU2úUˆ­úUà‹úUˆ¿ÁúUˆMúUˆ$NúU¸ÈÁúUˆGúUˆHVúU¸­¤úUˆ<ÂúUÀrúUèqúUÐø2úUx¸ÁúU°)9úUÀ%3úUøĆúUÀ3ÛúU8&NúUhŸúU€ÊúUÅÁúUX2úU±úUxFaúUØÙ#úUÇÁúUHÑ¥úUعÁúUHˆ0úU˜ýúUP¼.úUÈk¸úU€PUúUØÄúU¤^úUáDúUàbúU¨ÂúU¸ ðúUèEVúUàAÆúUHÂúU~¤úU¨U)úUâgúUÀÁúU¨rƒúU€úUn¸úUh7úUÀÁúU`ü„úUx—¼úUð‘VúUˆÀÁúUØñŒúUÈÓGúU84 úUÂúUpdúUØhúUX„gúU úúUziúU(ñRúU€„dúUˆz¾úU`o%úU0ÍúUhRúUèé úUÐÌ:úUø\“úU(DúUÀÁúU Š^úU˜ ÂúUèî úU(¹ÁúUpá#úUè¬ÉúUX„gúU¸´TúUêÁúUW7úU7úU¸ÂúUhGúUx¸ÁúUÐ&˜úUÈ ÂúU®úUýúU8ÓÝúUˆ)úU8u6úU(ÊúUЇ,úU86(úUp_NúUÈÇèúU NðúUÈ2!úUðúU@ˆúUhŸúUp£ÛúUˆ»#úU8ÓÝúUPoÁúU8_úU86(úUˆþúUØ•¼úUh9éúUø¸ÝúU€ú-úU˜öúUxý*úUèÏ`úUpeJúUxÁÁúUØFúUU]úUàÍúU ùCúUÂúUpiÄúUØDÂúU‘ÊúU¨.‹úU˜^™úU0\±úUX•?úU¨ÂúU˜Ð úUØ0ªúUXY.úUØÛ.úUà¨úUXY]úUX#HúUÈk¸úUhØúU¨eúUÅíúUh}TúUøšFúUx»ÁúUèÏìúU˜ ÂúUø?6úUÈk¸úU@ÙÙúUx¸TúU¨ø°úUxÂúU(kÜúUHqBúUˆ¹TúU fHúU\)úUˆ­úU¨†úU˜ ÂúUÈN!úUg¸úU07úUÈ2!úU€úUÇÁúU˜JúUÂúU°ãPúU¸&*úU z9úU°|>úUœ›úU ‘¿úU¨‚¼úUÈfúUˆz¾úU¸{9úUzMúUèÃÁúUÈQËúU ¢úU¸ÂúUøö†úUZ]úUH/#úU(Ý»úUçúUØ•úUˆ­úUX¢'úUmúUxFaúUX„™úUÈ ÂúU(±KúUèU]úUpå úU ] úUèÃÁúUÀÿúUxoòúUîúUØÛ.úUàJ7úU¨õfúUˆmúU ižúU˜ ÂúUP %úU¸;wúUÂ]úU ƒ[úUèU]úUÈMúUñThanks for visiting my page and you are invited to contact me, if you think useful. LI wenping, First grade composer. Born in 1962, in 1995 graduated from Shanghai Conservatory of music.Presently live in the Beijing , is the professional person. In 1998, participated in the Taiwan provincially established symphony orchestra to draft the tune competition, "Eulogize tian-mu mountain" (erhu and orchestra) wins the excellent work prize. 2007-2008, the Beijing Symphony Orchestra commissioned about the national anthem and the theme song for the Games of the XXIX arranger, adapter one hundred. Recommended to you, especially large music "world charm", the world music, commissioned by the China National Symphony Orchestra, Beijing Symphony Orchestra，China Broadcasting Symphony Orchestra ,China Broadcasting Chinese Orchestra and China National Orchestra about Li Wenping creation, adaptation, transplantation, orchestration, Chinese musical instrumentsor orchestra, chamber music scores. Vielen Dank für Ihren Besuch auf meiner Seite und Sie sind herzlich eingeladen, mich zu kontaktieren, wenn Sie denken, nützlich. 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A deliberate attempt is made to take advantage of the lyrical qualities of the clarinet and this results in melodic motifs that permeate the composition.!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ø¢æúUpŸ¦úU˜*lúUhúUpKmúU¡éúUÈ‚úUHFgúU‰9úU UAúU î`úUÐnkúU(núU04CúU@œˆúU€êúUPÃÍúUØ­ÅúUø ¹úUÐŽúUÿúUø*cúU PdúUX¥dúU€w0úU`ïøúU@@úUø†JúU@oúU˜hÊúU¸îþúUèKgúU°OéúU`ÚúUxoœúU8K{úU˜úU¨¶ÐúU@%oúUF+úU°t<úU¸]çúU¸ŸjúUÈ núU°)NúUƸúUàÎÆúUHdúUðÚ<úUp IúU¸%múU˜™cúU€6&úU€NÐúU8tgúUÐå,úU+cúUà¶3úU8´FúUh úU8´ÂúUX| úU8oOúU(IúU(ÍúU ÈeúU¨WúUÀéWúU°úU€ úUÈq<úUýßúU¨|úU0ÆnúUÀìúU¨'úUxbúU`núUpûíúU!0g#Xýg# MúU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 00:54:45!2023-05-01 00:55:00!1528384¸÷g#!1383151¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¸üEúU1XMúU¥îF147163!85916¸÷g#QDuo Concerto for Violin Clarinet and Orchestra Movement 2úUQDuo Concerto for Violin, Clarinet and Orchestra - Movement 2U¸ûúU!35g#¸÷g#!0g#¸÷g#!4g#¸÷g#!1g#¸÷g#!2011-06-12 10:42:26!2024-03-07 12:47:35!Olulana Alofe8¼-úU!÷g#¸÷g# 9úU!2009¸÷g#ÈzKúU10g#Ø÷g#0!sib#¸÷g#!665#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!1008¸÷g#!0g#¸÷g#!1.50¸øg# úU!2011-05-08 14:22:34úU!0g#¸÷g#“MúU!0g#¸÷g#H©dúU!142455¸÷g#éiúU!÷g#¸÷g#hïÎúU!0g#¸÷g#ÈzKúU10g#Ø÷g#HDFúU0!3g#¨ûg#€MúUÑThe second movement of Duo Concerto for Violin, Clarinet and Orchestra is in free form. A few bravura passages of medium difficulty are given to the soloists. 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Save time: purchase all the parts in one convenient spiral bound print edition at http://www.lulu.com/content/paperback-book/parts-for-christmas-carols-vol-1-for-band-or-orchestra-%28with-optional-chorus%29/7848741 These 10 four-part carol arrangements are extremely versatile and can be used with band, orchestra, brass ensemble, or any instruments you have available. Simply make sure you have a good balance of soprano, alto, tenor, and bass lines. The arrangements work well with or without the chorus. Use the last phrase or entire carol as an introduction when accompanying congregational singing. You can even provide contrast by varying the instruments for each verse (ex: woodwinds first verse, all second verse, violin and piano third verse, etc.). The piano reduction can fill in any missing parts in your ensemble. The following parts are identical and are included only for ease of reading the score: Clarinet 1/2=Trumpet 1/2, Bassoon=BassTrombone=Cello. ALSO: the chorus parts (only) are available FREE at http://drfeezell.com/freesheetmusic/choir Carols in this set include: The First Noel; O Come, All Ye Faithful; It Came upon the Midnight Clear; Angels from the Realms of Glory; Hark! The Herald Angels Sing; Lo! How a Rose E’er Blooming; I Heard the Bells on Christmas Day; Silent Night (Stille Nacht); We Three Kings; and O Little Town of BethlehemúU@óhúUÁChristmas Carols (Band/Orchestra, with opt. chorus, flexible arrangements), vol. 1 trad. Mark Feezell, Ph.D. A BARGAIN -- 10 GREAT ARRANGEMENTS FOR ONE LOW 4.45! Save time: purchase all the parts in one convenient spiral bound print edition at [[http://www.lulu.com|www.lulu.com]]/content/paperback-book/parts-for-christmas-carols-vol-1-for-band-or-orchestra-%28with-optional-chorus%29/7848741 These 10 four-part carol arrangements are extremely versatile and can be used with band, orchestra, brass ensemble, or any instruments you have available. Simply make sure you have a good balance of soprano, alto, tenor, and bass lines. The arrangements work well with or without the chorus. Use the last phrase or entire carol as an introduction when accompanying congregational singing. You can even provide contrast by varying the instruments for each verse (ex: woodwinds first verse, all second verse, violin and piano third verse, etc.). The piano reduction can fill in any missing parts in your ensemble. The following parts are identical and are included only for ease of reading the score: Clarinet 1/2=Trumpet 1/2, Bassoon=BassTrombone=Cello. Carols in this set include: The First Noel; O Come, All Ye Faithful; It Came upon the Midnight Clear; Angels from the Realms of Glory; Hark! The Herald Angels Sing; Lo! 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The most well known English version, with some minor variations, was translated by Eleanor Hull and published in 1912. In 1919, the lyrics were set to the tune of the Irish folk tune "Slane", to which the song is sung to this day, both in English and Irish. The song dates from at least the eighth century, though it has often been attributed to the sixth-century Irish Christian poet Saint Dallan. The original Old Irish text, "Rop tú mo Baile" is often attributed to Saint Dallán Forgaill in the 6th century. The text had been a part of Irish monastic tradition for centuries before its setting to music. It was translated from Old Irish into English by Mary Elizabeth Byrne, M.A., in Ériu (the journal of the School of Irish Learning), in 1905. The English text was first versified by Eleanor Hull, in 1912, and is now the most common text used. Be Thou My Vision is a traditional Irish hymn the words of which are often attributed to Dallán Forgaill the sixth century Irish poet, the music was added by the Welsh composer David Evans in the 1927 and is based on the music of the Irish folk song ’Slane’ which is believed to possibly date back as far as the fifth century and is about St. Patrick defying the pagan King Lóegaire of Tara by lighting candles on Easter Eve. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.392389!0g#þg#à’NúU!1g#¸÷g#!72g#¸÷g#!82g#¸÷g#!2017-12-19 13:36:28q{ "width" : 300, "position-y-pc" : "82", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [ { "y" : 110, "width" : 30, "x" : 200, "center-y" : 128, "height" : 36, "center-x" : 215 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 157, 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Baritone (Brass)CornetEuphoniumHornMellophoneTromboneTrumpetTuba
Acoustic Guitar (notation)Acoustic Guitar (tab)BanjoBass Guitar (notation)Bass Guitar (tab)Classical Guitar (notation)Classical Guitar (tab)Electric Guitar (notation)Electric Guitar (tab)Jazz Guitar (notation)Jazz Guitar (tab)Ukulele
AccordionCarillonCelestaHarpsichordKeyboardMelodicaOrganPiano
GlockenspielMarimbaOther pitched percussionTubular BellsVibraphoneXylophone
CymbalsDrum KitSnare DrumTambourineTimpaniTriangleWood Blocks
AltoBaritone (Singer)BassSopranoTenorTrebleVoice
CelloDouble BassHarpViolaViolin
Alto ClarinetAlto SaxophoneBagpipesBaritone SaxophoneBass ClarinetBassoonClarinetContra Alto ClarinetContra Bass ClarinetCor Anglais / English HornFluteHarmonicaOboePiccoloRecorderSoprano SaxophoneTenor Saxophone
Big bandBrass bandConcert band / wind bandDrum corpsMarching bandMilitary bandSchool band
Brass bandBrass choirBrass quartetBrass quintetBrass trio
Brass choirBrass quartetBrass quintetBrass trioClarinet choirDouble reed ensemblePiano trioSaxophone quartetString quartetString quintetString trioWind quartetWind quintetWoodwind choirWoodwind trio
Piano four handsDuetTrioQuartetQuintetSextetSeptetOctet
Big bandJazz comboJazz quartetJazz trio
Mariachi bandSalsa band
LeadsheetsWorksheets
DuetTrioQuartetQuintetSextetSeptetOctetLarge mixed ensemble
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00:00:00!÷g#¸÷g#±^úU!885233¸÷g#!0g#¸÷g#šUúU!0g#¸÷g#0±^úU!0.00¸÷g#¨—UúU!0.00¸÷g#È›UúU!0.00¸÷g#0šUúU!1g#¸÷g#˜˜UúU!1g#¸÷g#X™UúU!0g#¸÷g#`±^úU!0g#¸÷g#!1g#¸÷g#H±^úU!53203¸÷g#1ˆ¢UúUf·Á300091qTotal Eclipse Of The Heart Piano & Vocal Bonnie Tyler, Glee Cast, Glee (TV Series), Jim Steinman ractI!0g#¸÷g#!0g#¸÷g#!0g#èüg#@£UúU!0g#¸÷g#!0g#¸÷g#P›UúUPµ^úU¨´^úU(™UúUðšUúUø›UúU(œUúU`´^úU ²^úU´^úU@œUúU°›UúUx—UúUØ´^úU´^úU ›UúU@³^úUx ‡úUȘUúU8˜UúU³^úU´^úUг^úUȲ^úUH´^úUHšUúUµ^úU`±^úUx±^úU0´^úU²^úUà²^úU€›UúUÀšUúU µ^úU±^úU¸³^úUh˜UúUЙUúUP²^úU˜²^úU8²^úU±^úUˆ³^úUè™UúUX³^úUh›UúUšUúUšUúUа^úUx´^úUè³^úU¨—UúU°µ^úUà˜UúUÈ›UúUØ—UúUø˜UúU0šUúUر^úU˜UúUœUúU˜˜UúU—UúUX™UúUp³^úU8µ^úU ³^úUð´^úUø²^úUxšUúUh²^úU°²^úU°˜UúU€²^úUˆ™UúU¸™UúUÀ±^úUInfoSM_ABonnie Tyler, Glee Cast, Glee (TV Series), Jim Steinman!4.75¸÷g#![]g#¸÷g#!2020-08-24 11:21:03!0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#ó¨UúU!0g#¸÷g#eExchang!0g#¸÷g#edScoUp!0g#¸÷g#°©UúU!0g#¸÷g#l©UúU!0g#¸÷g#•©UúU!522x696¸÷g#eExchang!3g#¸÷g#tingTit!1g#¸÷g#XªUúU!0.00¸÷g# ªUúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00hang!0g#¸÷g#Network!0g#¸÷g#@neA!0000-00-00 00:00:00úU!0000-00-00 00:00:00úUQhµ^úU1SE_Advert_AdvertImage_get_info!334861è÷g#!41g#È÷g# 1Total Eclipse Of The HeartúU(ÀNúU!41g#¸÷g#øÎRúU!257#¸÷g# KúU!3g#¸÷g#(øg#!2g#¸÷g#Scores!2014-03-14 00:00:0012024-04-12 00:00:00úUE2úU0Á[{"on":1,"name":"scoreid"},{"on":1,"name":"sku"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"price-score-and-parts"},{"on":1,"name":"price-set-of-parts"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":1,"name":"mp3"},{"on":1,"name":"composer"},{"on":1,"name":"subtitle"},{"on":1,"name":"platinum"},{"on":1,"name":"status"}]á @ãNúU€ÑúU Ú~úU 0íbúU0è5úU «úUÀg>úUlAúU`-+úUÐüàúUÀ¼ŸúUP§¾úUP@UúUTXбúUÐ2úU ^UúU›6úU@ÑaúU@…¼úU`?úUýUúUçúU*ØúUp:=úU`ÕíúU· úUÐÂhúUð&EúUp EúU@‚úUðr¿úU°|ÒúU  b`úUÐ zúU`·œúU ':úU°xaúU¶‹úUàB©úUPRŸúU+búUPjxúUzúUÐWfúUðrxúU ôÃúUð 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ASCAPl-smСSearch results page on Score Exchange for '"Jon Paige" "Brad Nix"'chael Gallina%22 %22Traditional American Folksong%22'Lopez" "Kristen Bell"' AGood King Wenceslas Swings - Elementary Piano(´DúU!275#è÷g#ÀFxúU!3g#¸÷g# 1Dory Previn, Gato BarbieriúUØG-úU!1.99¸÷g#`rúU1[]g#Ø÷g#¨Ï°úUÀÏ°úU0!Simon Biazeck !CGI::Carp::warn !øg#ê·úU!÷g#¸÷g#1÷g#Ø÷g#014g#ð@LúU`rúU°|úU01njrmuse@icloud.comþÿÿÿÀµ$úU0!0000-00-00 00:00:00úU1÷g#Ø÷g#ÀŠúU0áhttps://www.scoreexchange.com/search?q=%22Jon%20Paige%22%20%22Brad%20Nix%22.htmlmlina%2522%20%2522Traditional%20American%20Folksong%25220%22Robert%20Lopez%22%20%22Kristen%20Bell%22&page=8ontent="image/jpàYou searched for '"Jon Paige" "Brad Nix"'chael Gallina%22 %22Traditional American Folksong%22'Lopez" "Kristen Bell"'1Margits First Piano Boogie KS!0g#¸÷g#P!2g#¸÷g#p!2013-04-12 21:38:04!0g#¸÷g#!0g#¸÷g#!0g#Èøg#@¡uúU!0g#¸÷g#0!0g#¸÷g#uJúU!0g#¸÷g#¨‚úU!0000-00-00 00:00:00!÷g#¸÷g#HCúU!0g#¸÷g#аCúU!0g#è÷g#French P!0g#¸÷g# 18ÄUúU€á¼8247834VúUõ†úU c2úUHv±úUÈ¥VúUpÇ°úUÈ|ŠúU°VÔúUÀYØúU`”îúU@ÎúU€oGúU0È…úU‹úUHVmúUhùyúU@¢úU@bDúU úU¨ahúU0\/úU°shúUˆuWúU• úUˆ LúUУ úU˜â}úU˜´™úU9²úU.yúU˜?~úU`QúUà&3úUx3æúU°pdúUXD"úU¨”†úUÚ±úUèo<úUˆžúUÄ3úUà@úUÀy±úUøx5úU°OyúUXs‚úU0½úUh¬„úUÈð,úUxleúU€çúUø†súU¸ÕyúUÈ€-úUàSzúU8,@úU@÷ŸúUE.úUÀ 7úU¨¹_úUð úU˜åúUhk0úUè‹@úUHÎúU8Ï2úUè—`úUà¥yúU`øæúUЇúUèOèúU /ƒúUH¹ÙúUªúUGúUËŠúUxfúUðŽ€úU!2023-04-11 01:12:47úU!2023-04-11 01:12:52!202291¸÷g#!274688¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q8xGúU!0g#¨ûg#`ÉUúU!1g#¸øg#8ÒúU!0g#¸÷g#4úU!÷g#¸÷g#؇úU!0g#¸÷g#À±‡úU!0g#¸÷g#ð”DúU!1g#¸÷g#ð êúU!0g#¸÷g# ©VúU10.0000Ø÷g#n‚úU0!1g#¨úg#è>úU!÷g#¸÷g#¨L²úU!1.50¸÷g#Èò¡úU!0g#¸÷g#8ª´úU!0g#¸÷g#`³úU!0g#¸÷g#¸(ÅúU11. All of me. Why not take all of me? Can't you see I'm no good without you. Take my lips I want to lose them. Take my arms I'll never use them. Your goodbye left me with eyes that cry. How can I go on dear without you? 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This arrangement: © 2011 Dan CutchenúU!÷g#¸÷g#Á["77889","186623","69580","76845","90925","36766","65107","129463","395623","112380","202728","22043","95501","30784","205031","197592","127094","63149","65106","91891"]kúUH„fúU!2020-08-26 15:02:47úU!0g#¸÷g#0)lúU!0000-00-00 00:00:00úU!÷g#¸÷g#¨$úU!0g#¸÷g#ØkúU!0g#¸÷g#°IÌúU!0g#¸÷g#!0g#¸÷g#¸*úU!1g#¸÷g#10g#Ø÷g#»-úU`¬dúU0Lovely theme and variation arrangement of this powerful hymn for Bb Trumpet and piano. Time: approximately 5:25!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!1.2800¸÷g#!0000-00-00 00:00:001And Can It Be for Bb Trumpet and Piano!0g#¸÷g#!0g#¸÷g#8úU!16g#¸÷g#àMúU!0000-00-00 00:00:0052!0g#¸÷g# !0g#¸÷g#And Can It Be - for Bb Trumpet and Piano Theme and Variations Thomas Campbell, Tune: Sa­gi­na Dan Cutchen Music !0g#¸÷g#!0g#¸÷g#`ËúU!0g#¸÷g#LúU!0g#¸÷g#219309!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#  GúU!0g#¸÷g#€ÿTúU!0g#¸÷g#458208!696591ùg# !1g#¸÷g#!3g#¸÷g# æ%úU!8.00¸÷g#€ÿíúU!8.00¸÷g#458178!8.00¸÷g#À!8.00¸÷g#!0g#¸÷g#À×7úU!÷g#¸÷g#ClúU!0.00¸÷g#2192881650x841@^VúU1—úUýHúU0á ¥¨@X úU  û·úU0’¾úUàVUúUp´‹úU0¤ŠúU0WgúU ±úUà±DúU '„úU0¦úUÀoVúU28àlúUP“ÏúUÀù?úUNÊúUc>úU ½~úU!(`œÜúUµ¸0”úU°‰ÐúU 6úUY@úU g_úU  EúU€ÏSúUÀ2úUn°úUÀÏúUà7IúU ÓXúU 0ÙQúUЈ±úU*0#( P^úU«IúU€û±úU `QlúUpØ”úUÐNúUpe¸úU¨_úU7ÃúUàrzúU`^úU0i¸úUÐ%„úUp–:úU êbúU è]úU`vPúU0?úUÕ7úUPºúU00EúUàÄéúU[8úU»ÛúU ðúU•úUøúúUP³6úU¨eúUh³6úUýÁúU€³6úUØÃúU˜³6úUHL]úU°³6úUhO]úUȳ6úUrVúUÂúUà³6úUŸ@úUlòúUø³6úUxoòúU´6úU¨‚¼úU(´6úUØ•¼úU@´6úUx—¼úUX´6úU 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00:00:00!÷g#¸÷g#xrVúU!63035¸÷g#!0g#¸÷g#¡@úU!0g#¸÷g#rVúU!0.00¸÷g#¸ž@úU!0.00¸÷g#Ø¢@úU!0.00¸÷g#@¡@úU!1g#¸÷g#¨Ÿ@úU!1g#¸÷g#h @úU!0g#¸÷g#ÀrVúU!0g#¸÷g#!1g#¸÷g#¨rVúU!51983¸÷g#1AC/DC, Angus Young, Malcolm Young!0000-00-00 00:00:00úU!Thunderstruck!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00qThunderstruck Piano, Vocal & Guitar Chords (Right-Hand Melody) AC/DC, Angus Young, Malcolm Young úU!0g#¸÷g#× WúU!0g#¸÷g#4-18 21:!0g#¸÷g#21:42:16!0g#¸÷g#6.788991!0000-00-00 00:00:00v> P!3g#¸÷g#$WúU!1g#¸÷g#e2024-0!0.00¸÷g#4-04-18 !0000-00-00 00:00:007233!0000-00-00 00:00:00!0g# ùúU!÷g#¸÷g#17.09Ø÷g#01÷g#PámúUž.Z0!0g#pGúU!÷g#¸÷g#Ø10g#Ø÷g#g0!0000-00-00 00:00:00Qˆ­OúU!0g#Xøg# !0g#¸÷g#@!÷g#¸÷g#!0000-00-00 00:00:001: úUh&WúU½Ã"78270!0.00Pè3úU!2020-09-28 05:43:06!1g#¸÷g#PÝúU!2020-03-17 00:22:15!17249È÷g# !0g# gúU1÷g#Ø÷g#0!361#(øg#–PúU!øg#øg#àAnúU!8953è÷g#xLnúU!1g#¸÷g# !2015-04-30 00:15:14!0g#0O@úUrrencies!0g#è÷g#¸÷g#!1g#¸÷g# !581606€0€úU !0g#o6úU !HASHøg#@!0g#@ úU98!0g#¸÷g# !0000-00-00 00:00:00!÷g#¸÷g#Ø10g#Ø÷g#g0!2024-04-14 00:00:00¡Trusting Jesus, That is All (Bb Trumpet Solo, Piano Accompaniment) is a hymn of trust and consolation based on John 14:1 and Psalm 37:5. This arrangement begins with an arpeggiated accompaniment, lending a contemplative spirit to the melody. Verse two transitions to an upbeat triple meter with some syncopation, giving it a confident, positive character. A lyric sheet is included for the option of friends or family to sing along. This hymn is appropriate for many occasions, including General Worship, Lent, or a Wedding service. Other arrangements available. Part of the “Hymns of Comfort†collection and arranged during the COVID 19 Pandemic. úU!3.00¸÷g#pøHúU!0g#¸÷g#221567!1g#¸÷g#P11g#Ø÷g#í](01è,WúU}dj612722!HASHÐYúU !597114¸÷g# !4g#è÷g#Ø*IúU!2g#¸÷g# !57014PQúU !Wig In A Box@1Stephen Trask44baa08)0!0000-00-00 00:00:00úU1÷g#Ø÷g#àû„úU0!øg# RúUpatible;!1.50è÷g#www.goog!0000-00-00 00:00:00!1g# M±úU!2.99è÷g#!GBP#È÷g# !Updated€1eúU !0g#†"úU !2020-09-28 19:53:30!0g#¸÷g#s="refin!0000-00-00 00:00:00l> !÷g#¸÷g#box" val!0g#¸÷g#>Melloph!0g#¸÷g#!0g#¸÷g#s="refin!0g#¸÷g#label> !0g#¸÷g#box" val!522x696¸÷g#>Trumpet!5g#¸÷g#pan> !0.00¸÷g# !0g#€vÎúU!1g#¸÷g#13.00Ø÷g#ÿÿÿÿ01HASHØ÷g#0!2010-03-18 00:00:00!2022-04-26 00:00:00ÈÎúUà,úUð¿)úUøtúU  [úUxš3úUà5@úUФ(úUp:PúUx+CúUh ÉúUÐzúUHCúUÀjkúU`GÅúU10g#¡9úUSTORAGE_PERMISSI0!HASHè÷g#!0g#@ŠúU!0g#¸÷g#pHúU10g#Ø÷g#227708ÿÿÿÿ0!11771øg#!28212è÷g#!smd_h_0000000000107664!0000-00-00 00:00:00úUQxf—úU!÷g#ÑhúU 1365109Ø÷g# ñúU¸÷g#0!91891¸÷g# !77889È÷g# !2g##óúU!0000-00-00 00:00:00!278182¸÷g# !0000-00-00 00:00:00!HASH íëúU !HASH ¤iúU !0g#øg#ores WHE!4g#è÷g#@!0000-00-00 00:00:00!6g#XúU ATPT-Trusting Jesus, That Is All-Score.pdfWúU byúU!2020-04-14 23:53:36úU!0g#¸÷g#ø°úU!358#¸÷g#øKúU!0g#¸÷g#hRGúU!0g#¸øg#pƒ9úU!0g#¸÷g#+!úU!÷g#¸÷g#XyFúU!0g#¸÷g#P8‹úU!0g#¸÷g#(núU!1g#¸÷g#búU!0g#¸÷g#áúU10.0000Ø÷g#ÐekúU0!3g#èøg# ÿúU!øg#Èøg#¸øg#!Edgar P. 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I took 10 years of piano lessons, sang in the kid's choir at church, joined a rock-band, pursued my dream of being a youth pastor only to return to music again and again. Now I train students how to play in bands, tinker with jazz and classical music and hope to continue to write and arrange, and by the grace of God, give it all away. Thank you for checking out my page. May God Bless you and may God, not music be the center of your worship! 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YOURE THE ONE I GIVE MY KISSES TO.pdf(àúUÐèúU!2017-04-21 23:59:22úU!1g#¸÷g#hÙ/úU!508#¸÷g#XÄúU!0g#¸÷g#hüúU!2g#høg#ˆ, úU!÷g#¸÷g#€&úU!1.50¸÷g# üaúU!1g#¸÷g#IúU!0g#è÷g#!0g#¸÷g# 1. Five foot five with dark brown eyes and a come here smile my heart stood still when I met Miss Peron. Days went by, Miss Peron and I started falling in love Proud as punch with my honey bunch next to me. Side by side we'd stick together thru cloudy skies or stormy weather, I never knew how happy life could be. Now she's my missus and all my kisses belong to her She stole my heart and we'll never part my darling Miss Peron darling Miss PeRon! My darling Miss PeRon! My darMiss PeRon!ÎúU!Andy Pobjoy#!1g#¸÷g#!÷g#¸÷g#1Copyright © 2012 Andy Pobjoy448868!÷g#¸÷g#!0g#¸ùg#žúU!0.00¸÷g#!1.50¸÷g#ع/úU!0.00¸÷g#!0g#¸÷g#8¨ÅúU!÷g#¸÷g#hîlúU!0.00¸÷g#HÜ*úUÁ["115643","125384","6605","76319","194106","362540","126947","141557","148352","99794","516826","194102","201661","201668","164881","201662","148356","92173","194112","100629"]!2020-09-28 01:19:56úU!0g#¸÷g#12019-09-25 13:12:05úU8[úU0!0g#èûg#ôWúU!0g#¸÷g#1Miss Peron Andy Pobjoy  !0g#¸÷g#!0g#¸÷g#!46g#¸÷g#!25g#¸÷g#!2017-03-31 14:53:161{"width":258,"position-y-pc":"25","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":41,"width":66,"x":86,"center-y":74,"height":66,"center-x":119}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":40,"width":70,"x":83,"center-y":75,"height":70,"center-x":118}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":38,"width":71,"x":85,"center-y":73.5,"height":71,"center-x":120.5}]},"height":300,"position-x-combined":"46%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":119.166666666667,"average-center-y":74.1666666666667,"id":"6A46E10A-1619-11E7-AB74-B6FEF4403F88","position-x-pc":"46"}PIúU!3g#¸÷g#490009!600#¸÷g#!695#¸÷g#!øg#øg#0*ñúU!252280è÷g# U!úU!0g#¸÷g# á $(P=RúUOP  pgúUÀÞVúU QŸúUÐzúU0«úU°ëbúU@Ø6úU`BÃúUà‰NúU}õúUµçúU„úUÀœ6úU  ŠúU (PÀiúUp‘úU0CÎúU°b‡úU !ÛúU àñÇúU`'EúUËЕ˜€™»úUnCúUðœúUŒçúUà^úUpÒúU ‚uúU úUP¡6úU#( €úU°Š úUÀ€HúU ƒuúU@6úU`w!úUKP/0æèÐ.wúU™æúU€•0úUðe•úUƒ7úUNúU `¡@úUHß'úUQ@9JúUQø¢ÈúUà=lúU1¨XúUw—0151257!41g#È÷g# ±["67305","360206","63977","137366","73232","65168","202001","32869","121445","143620","51084","17553","76684","66668","517275","39504","53386","88584","63550"]°!0g#p3núU !Tuo @MúU€!Di #¸÷g#€!Zhang ¸÷g# MkúU!Mang è÷g#À!Chi ¸÷g# !Huo °íkúU {NúU1Zhai Ø÷g# 0¡A study piece with key changes to teach the pupil to listen for different keys. Different hand positions, techniques and a waltz rhythm. XúU@ô&Y#!1.50¸÷g#!0g#¸÷g# !0g#¸÷g#@ô&Y#!0g#¸÷g#!÷g#¸÷g# !÷g#¸÷g#@ô&Y#!0g#¸÷g#!÷g#¸÷g# !Copyright ©@ô&Y#!÷g#¸÷g#!0g#Høg# !0g#¸÷g#@ô&Y#!1g#¸÷g#!0g#è÷g#@ô&Y#!÷g#¸÷g# !gbg#(øg#P GúU!01892 529392èà úU!01892 529392hƒIúU!01892 529392 aThe Twelve Days of Christmas - Concert Band trad. Brendan Elliget This is a straight forward arrangement of this traditional carol suitable for singing. It has separate music for Verses 1 to 5 but for Verses 6 to 12: a bar is repeated the appropriate number of times within the repeated strain for these verses. 1st time played once, 2nd time played twice etc. up to the 7th time played 7 times. My score actually only plays up to the 8th Day of Christmas then finishes....but you should get the idea! 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Bach arranged by Keith Terrett Music for all Occasions Arioso by J.S.Bach arranged for Bb Tenor Saxophone & Piano. Ich steh mit einem Fuß im Grabe (I am standing with one foot in the grave), BWV 156, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the third Sunday after Epiphany and first performed it on 23 January 1729. The cantata is well known for its opening sinfonia for orchestra and oboe solo. BWV 156 was Bach's fourth and last cantata for the Third Sunday after Epiphany. The prescribed readings for the Sunday were taken from the Epistle to the Romans, rules for life (Romans 12:17–21), and from the Gospel of Matthew, the healing of a leper (Matthew 8:1–13). The librettist was Picander. He incorporated two chorale tunes: "Machs mit mir, Gott, nach deiner Güt" by Johann Hermann Schein (1628) and "Herr, wie du willt, so schicks mit mir" by Kaspar Bienemann (1582). The sinfonia was likely derived from an earlier oboe concerto and was later adapted as part of Bach's Harpsichord Concerto in F minor.[1] The term arioso, which in Italian literally means ‛airy’, designates a style of solo opera singing between recitative and aria. Arguably the famous arioso ever composed, today’s piece serves as the opening sinfonia of cantata BWV 156 by Johann Sebastian Bach. Scoring and structure: The work is scored for three vocal soloists (alto, tenor, and bass), four-part choir, oboe, two violins, viola, and basso continuo. It has six movements: Sinfonia Chorale (soprano) and aria (tenor): Ich steh mit einem Fuß im Grabe Recitative (bass): Mein Angst und Not Aria (alto): Herr, was du willt, soll mir gefallen Recitative (bass): Und willst du, dass ich nicht soll kranken Chorale: Herr, wie du willt, so schicks mit mir Sinfonia: The opening sinfonia is scored for oboe, strings, and continuo. It is in F major and common time.[1] Compared to the later version for harpsichord, the melody is straightforward and unembellished, and is harmonically conceived to prepare the second movement. The second movement is a combined tenor aria and soprano chorale with obbligato strings. Unusually, it begins with a syncopated continuo line under unison strings. The movement also features sequences and harmonic contrasts. Both bass recitatives are secco and in minor mode. The first, the third movement of the cantata, is characterized by a disjunct melodic line and a concluding arioso line. The second, the fifth movement, is comparatively "lighter in mood and spirit".[4] It anticipates the melody of the final chorale setting. The alto aria is accompanied by oboe and violin in parallel thirds and sixths. The movement includes several instances of word painting. Formally, the movement is an altered da capo aria. It has a "generally sunny affect … only momentarily disturbed by more charged harmonies". The final movement is a four-part setting of the chorale in C major. The phrase lengths are varied to provide a "hint of timelessness". Recordings: American Bach Soloists, Jeffrey Thomas. J. S. Bach: Cantatas Volume II. Koch International Classics, 1992. Amsterdam Baroque Orchestra & Choir, Ton Koopman. J. S. Bach: Complete Cantatas Vol. 20. Antoine Marchand, 2003. Bach Collegium Japan, Masaaki Suzuki. J. S. Bach: Cantatas Vol. 49. BIS, 2010. Figuralchor der Gedächtniskirche Stuttgart / Bach-Collegium Stuttgart, Helmuth Rilling. Die Bach Kantate. Hänssler, 1973. Holland Boys Choir / Netherlands Bach Collegium, Pieter Jan Leusink. Bach Edition Vol. 11. Brilliant Classics, 1999. Monteverdi Choir / English Baroque Soloists, John Eliot Gardiner. J. S. Bach: Cantatas for the 3rd Sunday of Epiphany. Archiv Produktion, 2000. Notes The term arioso, which in Italian literally means ‛airy’, designates a style of solo opera singing between recitative and aria. Arguably the famous arioso ever composed, today’s piece serves as the opening sinfonia of cantata BWV 156 by Johann Sebastian Bach. oresLicenseS{"width":243,"position-y-pc":"23","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":35,"width":67,"x":92,"center-y":68.5,"height":67,"center-x":125.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":36,"width":68,"x":91,"center-y":70,"height":68,"center-x":125}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":35,"width":70,"x":91,"center-y":70,"height":70,"center-x":126}]},"height":300,"position-x-combined":"52%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":125.5,"average-center-y":69.5,"id":"68B6F950-161F-11E7-9CEB-DE88DABA5A18","position-x-pc":"52"}XúU!3g#¸÷g#!250#¸÷g#!308#¸÷g#˜êeúU ‹]úUpm±úUx#úUèjµúUPs[úUtúUxrdúUXò}úUH<úUØ9úU°„túUÈ̱úUhJrúUÐ5wúU¨ã§úU˜%¬úUè,€úUptlúU0ð}úUð&túUHÅ_úUH¼_úU  ‚úU¨ýuúU(<ŽúUøGhúUÀ iúU(¦úUp‚úUðÙ‚úUø:zúUeµúUÈtyúU(esúU°TxúU°fúUH úU;qúU—‹úUOnúU˜°húUprúUø°kúU HnúU€súU`C‹úU@¨gúU¸¹°úUH#]úUà/ˆúU „múUXesúU˜éŽúU¸[úU0´°úU¨°{úU0´ŒúU°moúUHôˆúUH?úU¸.aúUЮhúU îgúU8:zúU HuúUÐ/}úU7ŽúU˜LúU@¸_úU,túUøËyúUìbúU y[úU˜^‰úU lµúU˜ÅúUØs|úU0XúU!0g#¸üg#ðXúU!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x839¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-20 17:07:57!2023-04-20 17:08:29!2445832¸÷g#!4350922¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QX@qúU!2g#¸ûg#’XúUAn arrangement of Puccinin’s beautiful aria ’Nessun Dorma’’ from Turandot arranged for Bb Tenor Saxophone & Piano. In the act before this aria, Calaf has correctly answered the three riddles put to all of Princess Turandot’s prospective suitors. Nonetheless, she recoils at the thought of marriage to him. Calaf offers her another chance by challenging her to guess his name by dawn. (As he kneels before her, the Nessun dorma theme makes a first appearance, to his words, "Il mio nome non sai!") If she does so, she can execute him; but if she does not, she must marry him. The cruel and emotionally cold princess then decrees that none of her subjects shall sleep that night until his name is discovered. If they fail, all will be killed. As the final act opens, it is now night. Calaf is alone in the moonlit palace gardens. In the distance, he hears Turandot’s heralds proclaiming her command. His aria begins with an echo of their cry and a reflection on Princess Turandot. artsªúU!3.00¸÷g# !137557è÷g#heªúU!60g#È÷g# !109714¸÷g#ЪúUQRuggero Leoncavallo (1857-1919) Arranged by Keith TerrettbúUAMattinata for Bb Tenor Saxophone & Piano¬úUhï½úU!60g#¸÷g# b_úU!573#¸÷g#€—XúU!3g#¸÷g#Ò—XúU!2g#¸÷g# ˜XúU!2018-05-29 15:25:21ores!2022-06-28 12:08:01dZiAMattinata for Bb Tenor Saxophone & Piano.sibU@!2014-04-30 16:45:45úU!2022-08-31 08:26:37AJohn Hughes (1873-1932) Arranged by Keith TerrettˆúU!Keith Terrett€§›úU10g#Ø÷g#0!sib#¸÷g#!250#¸÷g#!0g#¸÷g#ACwm Rhondda for Saxophone Quartet-Quintet.sibÈ»búU!2014-04-30 16:45:45!2g#¸÷g#!1984¸÷g#!3g#¸÷g#!0g#¸øg#·xúU!0g#¸÷g#póˆúU!1g#¸÷g#hDfúU!0g#¸÷g#(¯~úU!÷g#¸÷g#¨£kúU!0.0000¸÷g#ˆëgúU!2014-04-30 16:56:19úU10g#Ø÷g#àZúU0!0g#8ûg#ð"úU!1g#¸÷g#8WbúU‘Copyright © 2008 Music for all Occasions Publishers (keithterrett@gmail.com) www.music foralloccasions.org.uk Edited 2014àF¤úU!2017-06-09 17:10:17úU!0000-00-00 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The tune is a variation of an earlier bugle call known as the Scott Tattoo which was used in the U.S. from 1835 until 1860, and was arranged in its present form by the Union Army Brigadier General Daniel Butterfield, an American Civil War general and Medal of Honor recipient who commanded the 3rd Brigade of the 1st Division in the V Army Corps of the Army of the Potomac while at Harrison’s Landing, Virginia, in July 1862 to replace a previous French bugle call used to signal "lights out". Butterfield’s bugler, Oliver Wilcox Norton, of East Springfield, Pennsylvania, was the first to sound the new call. Within months, "Taps" was used by both Union and Confederate forces. It was officially recognized by the United States Army in 1874. "Taps" concludes many military funerals conducted with honors at Arlington National Cemetery, as well as hundreds of others around the United States. The tune is also sounded at many memorial services in Arlington’s Memorial Amphitheater and at grave sites throughout the cemetery. Captain John C. Tidball, West Point Class of 1848, started the custom of playing taps at military funerals. In early July 1862 at Harrison’s Landing, a corporal of Tidball’s Battery A, 2nd Artillery, died. He was, Tidball recalled later, “a most excellent man.†Tidball wished to bury him with full military honors, but, for military reasons, he was refused permission to fire three guns over the grave. Tidball later wrote, “The thought suggested itself to me to sound taps instead, which I did. The idea was taken up by others, until in a short time it was adopted by the entire army and is now looked upon as the most appropriate and touching part of a military funeral.†As Tidball proudly proclaimed, “Battery A has the honor of having introduced this custom into the service, and it is worthy of historical note.†It became a standard component to U.S. military funerals in 1891. "Taps" is sounded during each of the 2,500 military wreath ceremonies conducted at the Tomb of the Unknown Soldier every year, including the ones held on Memorial Day. The ceremonies are viewed by many people, including veterans, school groups, and foreign officials. 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17:38:40‘The mp3-file contains the piano-piece together with a play-along track which is available at www.eckharddeppe.de!sib#¸÷g# ‘Michael Thomas Andrews is a composer, arranger, and orchestrator writing in a broad range of styles for professional and amateur musicians. He has written arrangements for BBC Songs of Praise, the All Souls Orchestra, and bass-baritone Jonathan Veira. He is currently orchestrating a film score due for release early next year. He has written works for Lontano, Spirituoso, soprano Juliet Fraser, Juice, and the Old Royal Naval College Chapel Choir. Andrews is a member of the newly-formed Modi Ensemble and regularly writes new compositions in a broad range of styles, including contemporary-classical, jazz, musical theatre, soundtracks, and church music for professionals and amateurs. Andrews has studied composition with Robert Keeley, Joseph Phibbs, Deirdre Gribbin, Errollyn Wallen, Stephen Montague, and Paul Bartholomew (Jools Holland) and has a first-class degree from King's College London in music. Aside from composition, Andrews works as a freelance music director and teaches piano and composition privately. He is Director of Music at Christ Church Highbury and is Conductor of the St John's Highbury Vale School Choir. -\úUSE::Scor!0g#xøg#0457202!Unnamed¸÷g#4481351!36622¸÷g#.\úU!1g#¸÷g#Â-\úU!0g#¸÷g#.\úU1÷g#Ø÷g#29:32.45383920200¬§úUˆ<±úUp¼žúUШ§úUHF™úUغžúU˜d™úUHr¦úUè%FúUÀºžúUX;±úU8»žúUèH™úU8N\úUˆ‚QúU8õ[úUèG™úUºžúUèÎ.úU°iúUˆýˆúU¨ºžúUD™úUø¨úU¯™úUà#&úU¸ŽHúUȲ¥úU\úUXa8úU8Þ9úU³úU@¤XúUø´ËúUPN\úUXg8úU€AúUHyïúUP:úUè/\úUˆBúU˜»žúU¸ŽHúUx·¥úUhH™úUؽžúU¨´áúU°¾žúUؘ úU¨ÂúUðeßúU°ª§úUCúU¸.¦úU@¨§úUˆ¹TúU@¼žúU`¶úUˆ<±úUè6ZúUH¬§úUˆ)“úU@.¦úUøúúUp@\úU˜@±úU·¥úUØÃúUÁjúU˜ñÀúUÐÆ7úUˆ‚QúUx¶júU¨eúUH™\úU¸ŽHúU¡úUHL]úU@\úUˆýˆúUºjúUè%FúU !núUØ6\úUˆ¹TúUX»júUè5\úUHF™úU€«úUD™úUè¸júUø4\úUCúU ºjúU€4\úUÈBúUH¹júUhH™úU`¶júUhI™úU»júUHQ1úUà·júU˜@±úUèµjúU¨3\úUG™úUøºjúU¨´áúU°´júUHŽÑúUPºjúUp5\úUˆ)“úU0¶júUX;±úUиjúUèH™úU€ºjúUèG™úUعjúUX2\úUˆBúU¹júUxf™úU(»júUX³ËúU@»júU(´ËúUhºjúUHBúU˜Z|úUBúU}}úUà4\úUXa8úUà´júU˜ñÀúU(¦úU`3\úUˆ<±úU¸ úUxD±úU ¸júUXg8úUH¶júUXd8úUàŸúUø´ËúU˜núU¸±ËúUÀ¹júUèI™úUð¹júUHyïúUp»júUÈ4\úU˜z™úUˆ»júU¸{™úU »júUH]™úU¸»júU˜\™úUлjúU¨È‹úUè»júU 7\úUè^™úU¼júU¸_™úU¼júUÈÇèúU0¼júUXa™úUH¼júUHb™úU`¼júU@5\úUXÆúUx¼júUˆ²ËúU¼júU˜d™úUA§úUhe™úU A§úUèu>úU8A§úUØ3\úUg™úUPA§úUx6\úU8[™úUhA§úU¸Z™úU€A§úUz™úU˜A§úU8{™úU°A§úUH›™úUÈA§úUÐ5\úU(}™úUàA§úUˆsïúUøA§úU8™úUB§úUtòúU(B§úUlòúU@B§úUxoòúUXB§úU¨‚¼úUpB§úUØ•¼úUˆB§úUx—¼úU B§úU8^™úU¸B§úUÈnïúUÐB§úU¸¡HúUèB§úU3\úUè¯ËúUC§úU(ΨúUC§úUøÒ¨úU0C§úUÈwïúUHC§úUh¸þúU`C§úUè2\úUhDFúUxC§úUh½þúUC§úU°1\úUxûúU¨C§úUH1‘úUÀC§úUX#úUØC§úUð6\úUˆ3‘úUðC§úUX5\úUÈ5‘úUD§úU8ÁþúU D§úU6\úU(ûúU8D§úUÈAâúUPD§úU6\úUø\“úUhD§úU¯™úU€D§úUh7\úU¨°™úU˜D§úU˜Ô™úU°D§úUÐ2\úUØÕ™úUÈD§úU3\úUH²™úUàD§úUØèúUøD§úUx9\úUÈ[™úUE§úUÈŠ†úU(E§úU¸8\úUìëúU@E§úUP7\úU¸ÝÀúUXE§úUÀ9\úU8±<úUpE§úUˆ2\úU+ÖúUˆE§úUȳ”úU E§úU8ë”úU¸E§úUØ.kúUÐE§úU˜7\úUØ'òúUèE§úU@8\úUxuúUF§úUà7\úUÈ®ËúUF§úUxm^úU0F§úU¨ šúUHF§úUÈÓGúU¨¹júUø¯úUP£\úU¨GáúUØ™\úU;\úUˆ­úUð™\úUعÁúU(k¦úU»¦úUHF™úU0œ\úUx¸ÁúUXk¦úUhH™úUp›\úU(Ý»úU(@\úU˜@±úUðœ\úUÇÁúUè@\úUD™úU`œ\úUè%FúU¸›\úUhI™úUØœ\úUx ÄúUˆk¦úU¸ŽHúUÈ´júU º¦úUCúUX¸júU¨¹¦úUÈBúUHœ\úU¼¦úUˆ¹TúUø\úU踦úUG™úU°\úU˜º¦úUˆ)“úU¨œ\úUˆ‚QúUxœ\úUèG™úU ž\úUˆýˆúUŸ\úUX;±úUœ\úU¨´áúU€š\úUHŽÑúUÈ\úUø´ËúU(ž\úUèH™úU€\úU8=\úUˆBúUP\úU¸±ËúUО\úUxf™úUèž\úUð=\úU!0g#8ùg#x ¤úU!÷g#¸÷g#°E¤úU!0000-00-00 00:00:00úU!2g#¸÷g#!920#¸÷g#x ¤úU!0g#¸÷g#°E¤úUÑWritten in the first days of Febrary, 2008. The Star mentioned in this song is only one: Licia And the Castle is Torrechiara's Castle, in Parma, Italy. A key-place for us.úU3núU™ƒúUÐ0ͦúUªp?\úUà]§úUDàg§úUð]§úUDh§úU^§úUD h§úU^§úUD@h§úUè?\úUðÓ¦úU¼ƒúUD @îyúUÅÁúUP=„úUD€xúUÀ¦úUDPÄžúUp=„úUDP„KúUðúUDp×"úU`°ƒúUD@xúU@UŸúU  àM¦úUÀ@\úU0E@=„úUDxúUÀ±ƒúUDàwúU`5§úUD0 ¦úU A\úUàb§úUD€¦úU PŸúU `a\úU¶ŸúU2€A\úUð¥\úU€ÿ†úUDðjZúU0¡fúUD€úU`/ÚúUÿPK·úUpÕüúUDÀ‰úU›VúUÿôÑúUB\úUàS†úUD€qZúUµIúUD ŠúU`+…úUD0‡ZúU°%…úUD0xúU€`§úUD b\úU0ÿ†úUD ÓúU€®yúUD0‚ZúUPÚËúUDp€úU0‡úUDPe9úU‡úUD0e9úUàO&úUDšOúU0C\úU H†úUDxúUÀ‡úUDe9úU0‡úUD0§úUD ¦úU>§úUDÀ¦úU >§úUDà¦úU !77g#p¦úU!Walton Road#1÷g#Ø÷g#0!÷g#ø÷g#1÷g#Ø÷g#010g# $túU502c780)f{Ï0!2023-03-28 22:55:35úU!0g#è÷g#ØܨúU!0000-00-00 00:00:001Matthews÷g#iredncludeúU0!0g#Àó*úU ÑCurrently Director of Music Sawbridgeworth Parish Church (Great St Mary's) and Canning Town Catholic Church (St Margaret's and All Saints) Freelance full time as an organist and also as a cocktail pianist having played at some of the top venues in London including The Ritz, The Cafe Royal, The Dorchester, Park Lane Hotel, Intercontinental hotel, Hampton Court Palace, The Banqueting Hall Whitehall etc etc Composer, Arranger and Conductor.ÀÝ2úU!0g#¸÷g#ˆ|úU!1g#¸÷g#Øùg#!0g#¸÷g#À|úU!0g#¨ùg#€túU!0g#¸÷g#H­úU!0g#¸÷g#Ï‹úU!÷g#¸÷g#`ô~úU!1g#¸÷g#àcnúU15D8F900E-886F-11E9-AB4E-F3D41D17C629U!0g#¸÷g#p¸júU!0g#¸÷g#œ\úU!0000-00-00 00:00:00úU!0g#¸÷g#˜ù"úU!2023-12-16 08:05:14úU!2023-12-16 08:51:52úU!0g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU10g#Ø÷g#˜ù"úU0My work as a musician includes teaching, directing music in church, choral conducting, and performing as a clarinettist, pianist and organist. The pieces on my Score Exchange page mostly relate to one or more of these activities. At the moment I am Director of Music at Oxford High School. I conduct Cumnor Choral Society, and am Director of Music at St. Helen's Church, Abingdon. I play regularly in several chamber ensembles, and also fit in some occasional choral singing. The scores available here include original vocal and choral compositions, a range of choral arrangements, especially of Christmas items, including a selection of descants, and several arrangements for wind quintet and clarinet quartet. You are welcome to perform any of the music you download from this page. It would be great if you could contact me to let me know about any performances. I also ask that you include my website URL, http://www.ptfoster.com in any printed programmes. I hope you enjoy what you find here. úUY\úU{"width":200,"position-y-pc":"48","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":86,"width":114,"x":54,"center-y":143,"height":114,"center-x":111}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":87,"width":112,"x":55,"center-y":143,"height":112,"center-x":111}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":85,"width":116,"x":53,"center-y":143,"height":116,"center-x":111}]},"height":300,"position-x-combined":"56%","position-x":"center","position-y":"center","position-y-combined":"48%","average-center-x":111,"average-center-y":143,"id":"DC84DFDA-512C-11E7-85A9-FA4082A3B613","position-x-pc":"56"}!3g#¸÷g#Pz§úU`§úUà€§úU€€§úU@x§úU€§úUÈz§úUè{§úU˜w§úUØ|§úUx|§úUð|§úUy§úUy§úUèx§úUà}§úU(~§úUÀ|§úU°w§úU°€§úUxy§úU|§úUÈ€§úUÀ§úUpx§úUHy§úU§úUP€§úU x§úU˜€§úU¸~§úUPw§úU8z§úUÐ{§úUX~§úU¸{§úU ~§úUðv§úUàz§úU§úUz§úUx§úU§úU w§úU8}§úU`|§úUy§úU§úUø}§úUx§úUH§úU(x§úU€z§úUhz§úU0§úU8€§úUˆ~§úUh€§úUÐ~§úU@~§úU°}§úU €§úUX{§úU˜z§úUÀy§úU¸x§úUø€§úUاúU@{§úUh}§úU€w§úUÞ`\úU!0g#þg#`\úU!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00QX§úU!2023-02-21 18:40:3012023-02-21 18:40:430!Clacton-on-sea!0000-00-00 00:00:0010000-00-00 00:00:000!øg#Øøg#0Ô£úU!1.50€Á2úUH ¤úU!2011-05-08 00:57:21úU!0g#¸÷g#P\úU!0g#¸÷g#(\úU!90369¸÷g#P&\úU!÷g#¸÷g#e%úU!0g#¸÷g#10g#Ø÷g#0!Copyright ©U !÷g#¸÷g# !2022-11-12 13:59:07!24900ø÷g#10g#Ø÷g#0!PtµúU!0g#‘ÓúU10g#Ø÷g#0!÷g#àÓßúU !0g# ÝýúU`žúU!647#¸÷g#@!0g#¸÷g#`!øg#¸øg#8‰!úU!0g#¸÷g#ØŸ.úU!0g#¸÷g#°F7úU!1g#¸÷g#@{KúU!0g#¸÷g#ÛáúUq{ "GroupOrd" : null, "StoreGroupOrd" : "101440", "StoreGroupID" : "0", "GroupID" : "0" } !3g#høg#!øg#Høg#!2011-05-07 01:05:20!0g#¸÷g#`d\úU!0g#è÷g#!37482¸÷g# 1jamiejohnhutchings@gmail.com!Mrg#è÷g#!÷g#¸÷g# !0g#0è¥úUpg\úU!0g#¸÷g#@!0g#¸÷g#!1g#¨úg# !650x919¸÷g#À\úU!0g#¸÷g#À!1g#¸÷g#ð\úU!3.00¸÷g#(\úU!2023-05-07 19:43:01úU!2023-05-07 19:43:01úU!96704¸÷g#`b\úU!93749¸÷g#pg\úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úUQˆd8úU1¨i\úU–u¸v26076!78390Èøg#ores WHE!2017-06-09 17:10:17úU10000-00-00 00:00:000LúU01Dawn [ez classical piano])úUàY7úU!41g#¸÷g#Ø$úU!275#¸÷g#P!2g#è÷g#!1g#¸÷g# !494502 ž&úU ![]g#°€xúU !2017-11-22 17:37:30úU!Otto B. 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    , Mozart - Divertimento K439b no 1 for flute violin and viola transcribed by David C Wheatley, Mozart - Divertimento K439b no 5 for 3 flutes transcribed by David C. Wheatley, Mozart - Divertimento K439b no 4 for 3 flutes transcribed by David C. Wheatley, Mozart - Divertimento K439b no 2 for flute trio transcribed by David C. Wheatley, Boccherini - Minuet (from the string quintet) freely arranged for flute choir, Mozart - Divertimento K439b no 1 for flute trio transcribed by David C Wheatley, Mozart - Divertimento K439b no 2 for flute violin and viola transcribed by David C Wheatley, Faure - Pie Jesu (Requiem) for Flute and organ with pedals, Mozart - Divertimento K439b no 3 for 3 flutes transcribed by David C. Wheatley, Pachelbel - Canon transcribed for flute quartet, Mozart - Divertimento K439b no 4 for flute clar and bsn transcribed by David Wheatley, Mozart - Divertimento K439b no 4 for flute oboe and bsn transcribed by David Wheatley, Mozart - Divertimento K439b no 3 for flute clarinet and bassoon transcribed by David Wheatley, Mozart - Divertimento K439b no 3 for flute oboe and bassoon transcribed by David Wheatley, Mozart - Divertimento K439b no 1 for flute oboe and bassoon transcribed by David Wheatley, Mozart - Divertimento K439b no 2 for flute oboe and bassoon transcribed by David Wheatley, Mozart - Divertimento K439b no 2 for flute clarinet and bassoon transcribed by David Wheatley, Mozart - divertimento K439b no 1 for flute clarinet and bassoon transcribed by David Wheatley , Tyrolean Trio for flute trio and piano by David Wheatley, Bach - Trio on ’Herr Jesu Christ, dich zu uns wens’ transcribed for flute, violin and bassoon by David Wheatley, Bach - Trio on ’Herr Jesu Christ, dich zu uns wens’ transcribed for flute, violin and cello by David Wheatley, With apologies to a certain drunken sailor by David Wheatley for flute violin and viola, Mendelssohn - Song without words op102 no 5 for flute and piano, Mozart - Eine kleine Nachtmusik mvt 4 (rondo) for flute and piano, Mendelssohn - Song without words op 62 no 6 'Spring Song' for flute and piano arranged by David C Wheatley, Mozart - Eine kleine Nachtmusic (complete) for violin and piano, Mozart - Eine kleine Nachtmusic (complete) for flute and piano, Mendelssohn - Song without words op 38 no 2 for flute and piano, Tambourin (Gossec) arranged for flute and piano, Mendelssohn - Song without words op 53 no 1 for flute and piano, Mendelssohn - Song without words op 38 no 1 for flute and piano, Mendelssohn - Song without words op102 no 3 ('Tanzlied') for flute and piano, Mendelssohn - Song without words op 53 no 2 for flute and piano and Rubenstein - Melody in F arranged for viola and piano by David C Wheatleyef="/scores/the-saints-visit-havana-with-a-touch-of-w-a-m-for-bb-soprano-tenor-saxophone-piano-61568.html">The Saint’s Visit Havana with a Touch of W.A.M. for Bb Soprano/Tenor Saxophone & Piano, The Saint’s Visit Havana with a Touch of W.A.Mozart for Eb Alto Saxophone & Piano, Norwegian Summer Rain for Jazz Quintet (Tpt, A.Sax, Piano, DB & Drumset), Träumerei in F for Saxophone Ensemble S, S, A, T & B and Von fremden Landern und Menschen for Saxophone Quintetp§úUØ]úUHâ·»231242!ð¶~úU†rúUp0H°úU(]úUÍzŽ231241! €ŒœúU0 kúUqúUx]úU*û231234›cúUQ¹úU 0€±šúUÈ]úUÅ3k255152!nqúU°±šúUp0€Q¹úU]úUT`Bè255144aÔ~úU ’rúU 0@’rúUh]úUÆ&ŸÈ255135PƒúUÀ©_úU 0à©_úU¸]úU¼«©á216345Áàè¯úU0srúU 0ÐKzúU]úU›7$231215qð€‹úUÃ3úU 0 Ã3úUX]úU”~231213!pÚ3úUPÃ3úUP0@Ÿ|úU¨]úUvu¾255104qÀŠ[úU¹úU 0 ¹úUø]úUÖ¬¥255102!P'rúUÐåuúUð0p°úUH]úUMÊ^\255095±À©oúU@iúU 0iúU˜]úUŒŽŸ255086a7°úU@kúU 0`kúUè]úUm¥üÚ231211@8‡úU€½¤úU 0ðMoúU8]úU]¼ '216334qÀÇ}úU`†uúU 0 ÁmúUˆ]úU&‡I216317!P"~úUPÁmúUÀ0ð½¤úUØ]úU3h‰ý216303!ðû2úU ¾¤úUÐ0yuúU(]úUæ @216295±ÐÝœúUP„júUðtúUx]úU#l)±216294!ðùwúUÚuúUp0P+|úUÈ]úU»a6¾255019a°ºúU°túU 0ðlúU]úUèj®216283PpúU0ÆeúU 0 €‹úUh]úUBöîÛ254993!.±úUP€‹úUp0PÆeúU¸]úUª+{õ254970q‘{úU€¦úU 0@§úU]úU¥1p»254969!p^úUp§úU0†júU±Apache2::RequestRec=SCALAR(0x55fa14a9e390)nvalid field value... LicenseScore in SE::Score (didn\'t match (?^:^(0|1)$)). Bad attempted value was: \'2\'2\''‘ ±WARNING (continuing anyway): Tried to set invalid field value for LicenseScore in SE::Score (didn't match (?^:^(0|1)$)). 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In September 1580 a ballad was published in England, with this melody and known as "A New Northern Dittye of the Lady Greene Sleeves". In 1865, William Chatterton Dix wrote this popular Christmas Carol to the tune of "Greensleeves." It has been a favorite since that time. ŸšúU0YŠúU!2.95¸÷g#êúU!0g#¸÷g#p³búU!0g#¸÷g#øéŒúU!0g#¸÷g# 3ŒúU!1.50˜øg#@HeúU!2018-07-26 23:46:22úU!1g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!2017-06-09 17:10:17úU10000-00-00 00:00:00úU0!1.50¸ùg# œ_úU!0.00¸÷g#!0g#¸÷g#È¥úU!÷g#¸÷g#!0.00¸÷g#ÐúUÁ["88347","128861","39101","6947","17982","71248","103331","128227","76772","139098","103332","122740","52122","187004","8554","63868","105560","200036","14690","35064"]p‡úU!2020-09-28 20:41:34úU!0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#10g#Ø÷g#œúU¸¸_úU0!0g#Øúg#6kúUAOnce in Royal David's City Descant H. J. Gauntlett C. F. Alexander Peter Foster At carol services, a well-sung descant is one of things that sends a slight shiver up my spine. 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15:46:58!825576¸÷g#°Q~úU!753254¸÷g#XלúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úUQÛœúU!Tracy Poeg# !1g#¸÷g#@!Copyright © Tracy PoeATo my loving wife Rhonda Poep‰eúUecording@!2013-10-05 18:20:15!1.50øg#idth: 99!2012-10-29 22:55:13art !0g#¸÷g# aðVúU˜‡‹úUó(¿1úUA/usr/www/resources/ADAP3/GenericObject2.pmÿÿÿA/usr/www/resources/ADAP3/GenericObject2.pm 1SE_Instrument_desc_table_desc_tableØÕœúUxÛœúUÐÚœúU¸ÔœúUxÕœúU€ÖœúU°ÖœúUˆÚœúUHØœúU@ÚœúUÈÖœúU8ÖœúU¨ÒœúUÛœúU(ÚœúU¨ÕœúUhÙœúUؾ"úUvúU@ÔœúU8ÙœúU¸ÚœúUøÙœúUðØœúUpÚœúU€ÓœúU0ÛœúUˆ×œúU ×œúUXÚœúU0ØœúUÙœúUÖœúUàÓœúUHÛœúU¸×œúUàÙœúUÔœúUÀÒœúUxØœúUÀØœúU`ØœúU@לúU°ÙœúUÐÔœúU€ÙœúUðÕœúU°Q~úUÕœúUøÖœúU ÚœúUÚœúUÓœúUØÛœúU˜ÓœúUPÖœúUÕœúUxÒœúUè|túUØœúU8ÓœúU˜ÖœúUúUX?kúU ÔœúU˜ÙœúU`ÛœúUÈÙœúUÛœúU ÙœúUHÕœúUØœúUØØœúUXÔœúU¨ØœúUpÔœúUÈÓœúUèלúUSE::Scorá  (0*0    EH$(("( ¬°PÒúU     0 (%((%(  "((ŽH29:40.61!0g#0@&úU !82222¸÷g#àLUX#!0000-00-00 00:00:00úU1÷g#Ø÷g# ·!úU0!world dance#P#úU!64g#¸÷g#VÎúU!0g#¸÷g#ØA¤úU!3g#¸÷g#€ŒúU!2g#¸÷g#XVúU!2011-06-10 13:23:34úU!2017-11-22 16:50:47úU1Yiannis Hrysomallis (Yanni)Xµ!úU!Muhammad Yusuf Sulaiman!0g#è÷g#pµ!úU!0g#¸÷g# !sib#¸÷g#àMúU!368#¸÷g#@NúU!0g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!149#¸÷g#!5169¸÷g#!5g#¸÷g#!2g#¨øg#Athis is arranged for keyboard percussion!1.50¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#è÷g#!÷g#¸÷g# QWellbrae Five Piano Solos Mark Bisson Editable Scores Five wistful piano pieces in a modern, romantic, classical style. The Audio supplied is a mix of extracts from all 5 pieces. 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Works great for "marimba solo" or Percussion ensemble . This can be accompanied with clapping, drawer or small percussion. Este es un arreglo "flamenco" muy efectivo y atractivo para marimba. Funciona muy bien para "marimba solo" o para grupo de percusión. 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Colin Douglas November 20091The Virgin Mary had a Baby Boyè“#úU!22g#¸÷g#o'úU!0g#¸÷g#Pz'úU!3g#¸÷g#0\cúU!2g#¸÷g#è“#úU!2020-11-09 12:09:06úU!2020-11-09 12:17:14úU!øg#8øg#÷€úU!20.00¸÷g#˜ÐœúU!0g#¸÷g#èÁ_úU11g#Ø÷g#0!sib#¸÷g#ùg#!786#¸÷g#481139!0g#¸÷g#`!the virgin mary_v6.sib!2020-11-09 12:09:06úU!1921¸÷g#ÀˆúU!15866¸÷g#448491!13g#¸÷g# !Colin Douglas!0g#¸÷g#p¼gúU!0g#è÷g#€ÚeúU!4g#¸÷g# á €Ð‹úU <@¨°   (  =@†ˆBH¬°FHvx(0çèKP ûP úU%(  B48€¦¾úUUXQCan the Circle be Unbroken (Will the Circle be Unbroken) AP Carter Cascia Talbert "Can the Circle Be Unbroken (By and By)" is a country/folk song reworked by A. P. Carter from the hymn "Will the Circle Be Unbroken?" by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother. The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song "Daddy Sang Bass" and the Atlanta song "Sweet Country Music". It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame. This arrangement is for flute, voice and piano.!1g#¸øg#ˆiúU!0g#¸÷g#ÀyúU{ "GroupOrd" : "40", "StoreGroupOrd" : "107910", "StoreGroupID" : "0", "GroupID" : "5391" } È oúU!0.0000¸÷g#`§"úU12023-01-26 09:23:52úU0!2003øg#!0g#è÷g#({›úU!1g#¸÷g# !5912øg#ores WHE!6g#¸÷g#1trad.Ø÷g#01colliedug@googlemail.com *núUAcolliedug@googlemail.com@ `úUªyzúUDЃúU\úUD€ö{úU7rúUD°Ì¾úUð;eúUU`’†úUÐfúUD€\aúUo~úUDã_úU€ÍúUDðM‚úUàþÒúUD°H³úUÀó_úUD`ù»úUлŸúU"ЭqúUD`Œ°úU0åkúUÐm~úUD°d%úUô`úU T[úU€úUD ÛaúUàJ_úUDWkúU°kúU"°[múUDÀ¼úU°|%úUv`(úU€ {úUD°‚ÛúU°Ú…úUD°eÛúUÐô`úU8<%úUU·úU¬túUDÐVhúUêÁúU0&…úUDÀGúU0vzúUD°µiúUðkAúUDЪTúUÐiiúUDÛÛúU®súU{öúUDp§öúUXC%úUUüÌúUP%ZúUD ú{úUG_úUD:úUÀeúUD [^úU€*"úU  P‹úU#úUDPìÜúUð@úUD ɳúU0Õ&úUD°˜&úU ²oúUD0túUÇúUD°àpúUð«qúUDà/$úUPL]úU±úUDWáúUÀZlúUD0ƒiúU÷`úUïhúUD€ýlúUÀ±ZúUD04àúU8T¿úUÀ‚úU`!úU°¸YúUD˜lúU öúUà˜ŒúUDÖÅúU€ úUDPÞúUÐ!qúUDоpúUØ—ZúUðPúUÿPžúU@àjúUD€þlúUð“yúUD@ÊÒúUÐ)ØúUD°[úU°¶YúUD P9úU QœúUD ÐÆúU@×~úUDTàúU°túUDð[$úU@Ÿ]úUDà+dúU dúUDàôpúU@%úUDP¥ÙúUpŸaúU DðîiúUàU€úUD pqúU° wúUD‹úU€©‰úUDÐþ‰úU€ù`úU0ð{úUD°ÚÛúUð¤ŠúUDæ¾úU'uúUD@–lúUPßkúUD`£ÙúU0½úUpê{úUD0ã‰úU@¦]úUDP˜2úU@-ZúUD°GvúU°xúUD0tçúU@9¬úUPúUD°W©úUÐþÑúUD0OïúU°òÆúUDPóïúUÁrúUD°KÁúUà ŒúUD †ˆúU@qzúUD€ ÞúUqWúUúUH0ðúUÿ€ê>úUÀ¦ŠúUDAfúU õgúUDóùúU°D_úU@ë_úUDÀPàúU` eúUDpÿzúUØû`úU`túUD AÃúUü`úU lúU Ê‚úUÐAˆúUD ÌnúUÀúUD£oúU0ΛúUDÐÓúU0DËúUD`!úU0ÎfúUDPudúU°ü`úU "úU”iúUD@.HúUÀÕ&úUD°¿úU`´qúUà‰ßúUD`ÆîúU(ý`úUØNúU@ý`úUØ‘‰úU±úUDàV8úUpÑmúUDPò¼úU {|úUDðmúU°túUDP@¼úU@ê{úUD†ÜúUPiœúU  @ˆˆúU diúUD`UÔúUÀ»‚úUDЗ‡úUþ`úU0…›úU -vúUDk¿úU0X€úUDð1!úUÀ;‚úUDàÊ»úUÀömúUDp|úU€³YúUD cÏúUpâúU" eúUD¿ÒúU0®‰úUDÀYúU0°súUDpe‚úU°TÌúUD@CúU úUDðWrúUpúUDPÛúU „húUDp<ŸúU)úUD€S&úU ]eúUD`ÈsúUЗ°úUD`–gúU€àúUD@!õúUÐ5[úUD (ÓúU –úUDJvúUÀæ`úUD°i]úUðƒúUD0%{úUð½ÁúUðÿyúUD`S®úUpÎ^úUDÐbÞúU ßúUD€öàúU Ó$úUDØ)úU{„úUDP“°úUð eúUDÐ|ÉúUPL]úUàdúUD ùzúUP"âúU2°m~úUDðyªúUÐ:eúUU`Á`úU€2rúUDPaŽúUpÉrúUD0ÁáúU°úUD hÛúUÐfúUDmÞúUð¿GúUDå_úU°ÐËúUD`C/úU6"úU  € úU€ïYúUD €úU€‹xúUDðù»úUâkúUD@ÔÅúUÐKgúUD žÇúUðtªúUD0fúU`U&úU °Õ(úUZ€úUD (úU ögúUDÀËúU!0g#¨ùg#˜BúU!0g#¸÷g#Ø#úU!÷g#¸÷g#hQ$úU!÷g#¸÷g#¸‰úU!0g#¸÷g#øT$úU!÷g#¸÷g#@L¤úU!÷g#¸÷g#@VúU!÷g#¸÷g#èVúU!2.75¨øg#HWúU!2011-06-10 14:05:20úU!0g#¸÷g#xLúU!0g#¸÷g#ØLúU!156424¸÷g#8MúU!0g#øg#˜MúU!0g#è÷g#øMúU!1g#¸÷g# !ûg#¨ûg#ÀaúU!÷g#¸÷g#àLUX#!ùg#¸ùg#èà úU!0.00¸÷g#±["82222","109032","103020","103018","147420","147432","90297","114197","52408","17970","37907","102550","121568","97084","13547","62670","62956","127143","80548"]úU!2020-09-25 07:24:32úU!0g#¸÷g#˜â úU!0000-00-00 00:00:00úU!÷g#¸÷g#!0g#¸÷g#!210#¸÷g#Ðã úU!297#¸÷g#Øá úU!0g#è÷g#@à úU!1g#¸÷g# !1g#Xùg#Hùg#!0g#¸÷g#q{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "10838" } !0.0000¸÷g#!2011-05-07 19:01:35!Dreamhunter#!0g#¸÷g#!0g#¸÷g#!12g#¸÷g#!2013-03-15 12:33:58!0g#¸÷g# !ùg#¸ùg#è¾!úU!23204¸÷g#!0g#¸÷g#°º!úU!0g#¸÷g#!0.00¸÷g# ¾!úU!20.25¸÷g#˜º!úU!13.75¸÷g#(Á!úU!0g#¸÷g# »!úU!÷g#¸÷g#`¿!úU!0.00¸÷g#8À!úU±["82222","109032","147420","147432","102550","52408","90297","114197","37907","17970","97084","121568","32911","103018","62670","62956","13547","127143","8584"]¿!úU!2020-08-28 04:06:42!0g#þg#Ð aúUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } 809202!0.0000¸÷g#!2011-06-10 14:05:34!DOMMED¸÷g#!0g#¸÷g#!0g#¸÷g#!7g#¸÷g#!2013-04-18 19:14:29!0g#¸÷g#!0g#¸÷g#ÑDOMMED Raul Domenech Rubio HaMaR PERCUSSION PUB Using both pitch and non-pitched percussion instruments, this quintet has a Spanish flavor that would add variety to any concert program. :29:49.54!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 13:49:46A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":92,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"8B1F9F06-1610-11E7-ADF4-879151E16299","position-x-pc":"0"}362282!0g#¸÷g#!344#¸÷g#!106#¸÷g#h½!úUx¶!úU°·!úUhÀ!úUø½!úU¼!úUл!úU¸!úU¨¹!úU@¸!úUè»!úU¸»!úU0túUh·!úU0¹!úUˆ¾!úUˆ¸!úU€h2úUð¿!úU€À!úUH¹!úUà·!úUp¸!úUx¹!úU€·!úUp¾!úU(¸!úU»!úUøº!úU˜·!úUPº!úUhº!úUP½!úU¾!úU8·!úUȺ!úUи!úUÀ¿!úUè¾!úU º!úUÀ¹!úU¹!úU°º!úUè¸!úU¿!úU¹!úU€½!úU ¾!úU¿!úUx¼!úUø·!úU`¹!úU(Á!úU¨¶!úUÀ!úU »!úUÁ!úU¨¿!úU`¿!úUp»!úUà•!úU¼!úU8À!úUÐ)€úUо!úU¹!úU¶!úU¸¸!úUX¸!úU8º!úU°½!úUº!úUع!úU À!úUð¹!úUH¿!úU¿!úU€º!úU21:39:49!0g#Èýg# aúU!2019-09-25 13:03:111726A2132-DF8C-11E9-A548-78qaúU!25275¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-26 17:23:42!2023-04-26 17:23:54!1681063¸÷g#!1535520¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q·!úU!Marimba por Tangos1.sib!2013-12-03 15:02:47úU!0g#¸÷g#¿úU!2271¸÷g#ÐVúU!0g#¸÷g#0WúU!1.50¸øg#˜¶#úU!2013-12-03 15:02:51úU!1g#¸÷g# ¶#úU!1g#¸÷g#ص#úU!0g#¸÷g#ȶ#úU!0g#øg#Hµ#úU!3g#¸÷g#p´#úU10000-00-00 00:00:00úU0!2g#øùg#0OúU±This is a very effective and attractive for marimba "flamenco" arrangement. Works great for "marimba solo" or Percussion ensemble . This can be accompanied with clapping, drawer or small percussion. Este es un arreglo "flamenco" muy efectivo y atractivo para marimba. Funciona muy bien para "marimba solo" o para grupo de percusión. De esta forma se puede acompañar con palmas, cajón o pequeña percusión.!2.00¸÷g#!0g#¸÷g#!1g#è÷g#!0g#¸÷g# !1.50¸øg#`³!úU!2011-05-08 13:01:32úU!0g#¸÷g#P´!úU!0g#¸÷g#È´!úU!137149¸÷g#س!úU!÷g#¸÷g#¶!úU!1g#¸÷g#ˆµ!úU11g#Ø÷g#x³!úU0!none8üg#PaúU!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!439852¸ùg#`³!úU!0g#¸÷g#!0g#¸÷g#Èè úU!0.00¸÷g#!1.50¸÷g#س!úU!0.00¸÷g# è úU!0g#¸÷g#ˆµ!úU!÷g#¸÷g#h±!úU!0.00¸÷g#³!úU±["109032","103018","103020","147420","147432","32911","114197","90297","37907","52408","102550","17970","121568","97084","13547","62670","62956","127143","80548"]úU!2020-09-18 21:10:38úU!0g#¸÷g# !1g#Hûg#21:39:48!0g#¸÷g#8.765844q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } 9:48.74!0.0000¸÷g#.000000!2011-05-08 13:01:46!world dance#@ aúU!0g#¸÷g#‡ aúU!0g#¸÷g#4-18 21:!30g#¸÷g#21:39:48!2013-04-14 11:24:131647!0g#¸÷g#ð–{úU!0g#¸÷g#(!aúUworld dance Yiannis Hrysomallis (Yanni) none Muhammad Yusuf Sulaiman this is arranged for keyboard percussion`!aúU!0g#¸÷g#µ!aúU!0g#¸÷g#SE::Scor!0g#¸÷g#3536202!0g#¸÷g#3903591!0000-00-00 00:00:00úU!÷g#¸÷g#B"aúU!0g#¸÷g#‘"aúU!0g#¸÷g#29:48.64!0g#¸÷g#.00000012017-06-09 17:10:17úUÀnúU0!0g#¸ùg# esúU!Account¸÷g#øŽ}úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!2023-09-11 17:59:23úU!2023-09-11 17:57:34úU!50g#¸÷g#@¥›úU!0000-00-00 00:00:00úU!0g#¸÷g#°‹úU!0g#¸÷g#ÈdúU!0g#¸÷g#˜McúU!0g#¸÷g#!0g#¸÷g#˜ úU!÷g#¸÷g#XôbúU!0g#¸÷g#10AC396EC-69FA-11EE-A48A-2A93221BE81E!0g#¨ùg#8»]úU!0g#¸÷g#0åžúU!0g#¸÷g#‡3úU!0g#¸÷g#HÚ2úU!0g#¸÷g#èÈ„úU!2023-10-13 19:55:14úU!{ "faces" : {} } U!0g#¸÷g#ÉúU!4g#¨øg#°Ì}úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!27g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!9.40¸÷g#˜ù"úU!2024-05-11 17:59:23úU!0g#¸÷g# H§¸úUQŠúU˜ýúUpc²úUʱúUH3kúUXàˆúU(Ý»úUÿúUx»ÁúUÈXWúUH ýúU¨ukúU¦ úUø gúUxFaúU`¥±úUˆ¹TúU ‹úU¸±ËúUHbnúUÈÍsúUhÂúUX8‰úUh·ÁúU`1úUxÂúUð9múUØ0ªúUhŒóúUÈ2!úU {oúU0CôúUX„gúU°§úUÅÁúUØÐúU( úUèÖcúUà úUxFaúU€$gúU˜¶ÁúU°tqúU()¬úUØ·~úUÀwvúU˜¶ÁúUX°úU°~úUìëúU6ÑúUg¸úU8R‚úUعÁúUpéhúUˆ®gúUXùúU(>'úUØDÂúU@Q©úUˆ9úU0RúU å[úUx]µúUاxúUx 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This piece, scored for percussion ensemble, is a representation of a mythical place, hidden deep within the shrouded confines of a jungle. The place is the abandoned stone city of a forgotten civilisation. Once the home of spiritually-inclined tribal folk, the abandoned ruins have been reclaimed by the relentless will of the verdant jungle. Yet the serene timelessness of the jungle has not fully driven away the lingering memory of the former tribal inhabitants, as the spirits of the Enlightened Ones, known as the Dreamhunters, make their otherworldly presence felt to any that stray within the borders of the lost territory. The sounds of unearthly war drums and unseen forces shatter the relative silence of the ancient jungle, causing intruders to flee before the wrath of the eternal spirits of dreams. Techniques of note are the use of wine glasses (four are required, and are tuned by adding water to them and performed with wet fingers running around the opening of the glasses), the bowing of the vibraphone at bar 69 (a double bass bow is recommended), and the metric modulation in the beginning section of the Coda.ÑDreamhunter The Lost Tribes David Vaughan none David Vaughan was commissioned to compose this piece for the Iona College Senior Percussion ensemble as part of the Composers in Schools Project Series 2 in 2002 and copies have been sold in Australia, the Netherlands, Peru, the United States, Taiwan, Belgium and the Northern Mariana Islands. This piece, scored for percussion ensemble, is a representation of a mythical place, hidden deep within the shrouded confines of a jungle. The place is the abandoned stone city of a forgotten civilisation. Once the home of spiritually-inclined tribal folk, the abandoned ruins have been reclaimed by the relentless will of the verdant jungle. Yet the serene timelessness of the jungle has not fully driven away the lingering memory of the former tribal inhabitants, as the spirits of the Enlightened Ones, known as the Dreamhunters, make their otherworldly presence felt to any that stray within the borders of the lost territory. The sounds of unearthly war drums and unseen forces shatter the relative silence of the ancient jungle, causing intruders to flee before the wrath of the eternal spirits of dreams. Techniques of note are the use of wine glasses (four are required, and are tuned by adding water to them and performed with wet fingers running around the opening of the glasses), the bowing of the vibraphone at bar 69 (a double bass bow is recommended), and the metric modulation in the beginning section of the Coda.á *0¡¨ °yúU   78¡¨  ÒØ Ûà*0!1.50¸øg#`¬#úU!2013-12-03 20:51:37úU!1g#¸÷g#è«#úU!1g#¸÷g# «#úU!0g#¸÷g#¬#úU!0g#øg#«#úU!0g#¸÷g#8%úU10g#Ø÷g#H¬#úU0 This is a very effective and attractive for marimba "flamenco" arrangement. Works great for "marimba solo" or Percussion ensemble . This work is perfect for an audition class.This can be accompanied with clapping, drawer, toms or small percussion. Este es un arreglo "flamenco" muy efectivo y atractivo para marimba. Funciona muy bien para "marimba solo" o para grupo de percusión.Esta obra es perfecta para una audición de clase. De esta forma se puede acompañar con palmas, cajón o pequeña percusión. !2.00¸÷g#ÈßúU!0g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!÷g#è÷g#˜ù"úU!0g#¸÷g# !0g#8úg#‘{búU!3g#¸÷g#Å{búU!1g#¸÷g#Scores!2011-08-10 12:35:11ork!2017-11-22 17:22:30úU!0g#8øg#úU!1g#¸÷g#ðúU!÷g#¸÷g#úU11.95Ø÷g#0!sib#¸÷g#¼|búU!2730¸÷g#ä|búU!0g#¸÷g#eExchang!Additives.sibrIDPubl!2011-08-10 12:35:11úU!0g#¸÷g#\}búU!872#¸÷g#}búU!0g#¸÷g#eExchang!Amy Parking#EPSCoun!÷g#è÷g#ØVeúU!0g#¸÷g# !4g#¸ùg#؈²úU!0g#¸÷g#Àˆ²úU!0g#¸÷g#(Š²úU!77g#¸÷g#‡²úU!0g#¸÷g#à‰²úU!0.00¸÷g#@Š²úU!0000-00-00 00:00:00úU!0g#¸÷g#¸‡²úU!0g#¸÷g#ˆ‡²úU!÷g#¸÷g#¨ˆ²úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!20g#¸÷g#10000-00-00 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Rock drum set, rhythm guitar , lead guitar and bass guitar are instrument parts in most of my scores. Trombone, flute, viola and piano parts are prevalent and most of the songs have vocals with original lyrics. I have been composing original works since 2010. My catalog is free for performances but you will need my Permission for any recordings. All my scores are $2.00 to print all parts. If this nominal fee that I ask is too much then contact me and I will e-mail you the PDF for free. I have been a vocaloid producer since 2009 making animated music videos on YouTube. Vocaloid software first came out in 2004 and replicates the human voice by using sound samples from human voice actors. I have licences for the following vocaloid voice banks and have used them in the past: Vocaloid 1 with Zero-G's English voice named Lola, Vocaloid 2 with Power FX's voice bank named Sweet Ann, Zero-G's voice bank named Sonika and Crypton Future Media's Voice bank named Hatsune Miku who is the first Japanese vocaloid and in my opinion the only one of the early vocaloids to sound realistic; therefor, I wrote many early songs in Japanese with the help of my pen-friend Hiro Ando from Kobe, Japan who provided romaji and kanji lyrics. In 2015 I upgraded to Yamaha's Vocaloid 4 editor and have licences for Crypton Future Media's voices of Hatsune Miku (Japanese), Hatsune Miku English (voice actor Saki Fujita), Kaito (Japanese) and Kaito English (voice actor Kaito Ishikawa). I have also programmed Miku and Kaito to sing in Yiddish and have written a Yiddish rock opera. Check out my other profile under Tracy Poe of Point of Truth Church Robinson where I post my early works. I began my musical training when I went to fifth grade a second time at East Haven Baptist school who had an elementary school band directed by Joanne Kaufman. So in 1974 at the age of 11 I began to study the alto saxophone in a private elementary school band. I must have showed some promise because I was soon enlisted into Joanne Kaufman's preforming band the The Texas Hot Shots all accordion band and combo playing alto saxophone and bass accordion. Soon my awesome older brother joined the band played the bass accordion and I was moved to 4th chair 2nd accordion. With practice I am a fairly good musician but I had to work hard at it and after three years by the age of 14 I had given up being a musician. I began composing in October 2010 on the freeware Anvil Studio but by Song 40 I had begun using Sibelius First. I am completely self taught as a composer having no formal training save my childhood experience as a performing musician. I used to look at other composers sheet music for ideas about chords and keys but have since figured out the keys and matching chords so that by Song 500 I no longer used any outside influences in my work. On this profile I have all songs with a higher number than Song 498 with the exception of the songs in Japanese that were before Song 500. I have another profile with the early works I did before Song 498. Publishing rights for these songs are given by me to the Point of Truth Church in Robinson, Texas which is my step daughters church and one that actively helps the homeless here in Waco, Texas.  €úU!0g#øg#pjzúU!1g#è÷g#426678!1g#¸÷g# ÀFeúUª0í{úUD°ÇúU©eúU¹]úUÐÏÌúUDð¾úUH‰úUUC~úUpJ_úUDpX©úUЀ|úUD°âúU yúUD |®úU ªeúUx¯aúUðòiúUD)qúUð[ úUD0ðfúU`<‡úUD`x¿úUPgúUDÐ>úU€›búUDÀÇšúU ¼ÚúUD`²,úU cúUD0ŽúU€â úUD§iúUP`}úUDP"iúU°½ˆúUDð›ÇúUàí{úUD0ÛoúUp¨‹úUD°È$úUP_úUDvoúUÖfúUD›ÉúUÐË"úUD`ܾúUPIÊúUD0ÿoúUÀA"úUDPVhúUÐnkúUD@%¼úUÐEúUD ¨˜úUÀè_úUDà\*úU.ŠúUDÐ,àúU a}úUDP`púU`aaúUD0_ÁúU›búUDàeúUà£súUDà\núU0UúUDô­úUð âúU2@ËúUDÐpóúU cúUDÐB2úUàÖ&úUDˆ*úUÀ)EúUD°[{úU‡YúU €ÐɉúU@±ªúUD À”|úUÀxúUDðoÞúU€ÑØúUD`"úU #qúUD`ŸúU`húUD PvúUìhúUDŒqúU›°úUÐŽúUDÀZ^úU°}}úUÿ`!8úU ºoúUDÐr¼úU0§‹úUDpô­úUðŒúUD ÞúUÐóhúUD ŠúU)ZúUD@®óúUêÁúU•ÐúUDpŸïúUЮeúUð8dúU¸äúUÿ`x`úU¯eúUÀÅúUDpïúUpËúUD`àÃúUðÃÁúU°]œúU  Ð(ŠúU0m~úUDðè»úU°ºYúUDpªúUÐ úUDÐM úU0¥]úUDà€xúU€cúUDà.ÃúUhŸ³úU @ðùlúUð˜0úUDÀnúUpþÒúUD èŠúU@tÀúUD@!ïúUÐœúU"ðqúU`¦‹úUD0ZfúUˆ ^úUÿ`õ›úU`—°úUD0'rúUð£[úUD0½ÄúU`àúUDðGšúUÐúUD`!úUPcúUDàë¾úU€{úUDÐyªúU@Á]úUD¹kúUPHúUàúUDÀÊúUŽúUDð>½úU üeúUÐñ|úUDPvhúU°åúUDàmúUxD%úUU ¸(úUð‘úUDP»2úUhxxúU €°ŒkúU0²eúU ×_úU`júUDp¾úUpÑúUDúU ×eúUàÉ"úUD ‚úU€W€úUDPnøúU`ð{úUD€BàúUزeúUX}ÑúUÿ€}úU0›wúUD0ŠúUðSmúUDPšXúUf`úUD@Ç_úUÀ,rúUD³‚úUÀyúUD PÜßúUå}úUD ‘ÜúU ojúUD á_úU1‰úUD +àúU°úUDLvúUx¢YúUÿð©úU°ûWúUD@¡NúUg~úUD@ ®úUàßjúUD€l`úU@©úUD0Þ»úUpRœúUDpiúU CoúUD ïjúUÐPýúUDpÕúUÐaœúU П©úU 'búUÀDúUDà7ÕúUðhúUD ž‰úUúU @`!úUP€eúUD@‚úUD©úUDš¼úU°wúUDà²ÁúU@Á‡úUD@%aúUðåSúUD€EúU€:©úUD<$úUpdœúU @X"úUðÖjúUDð¿úUÀ]CúUDÐ@¼úU€¯-úUDèöúU`VLúU_üúUD “üúU€7HúUD7€úUP¶eúUÐ=ŒúUh¶eúUµqúUD %ÃúUPÑÍúUDpÊìúU0ŸdúUDpo½úUÀúUDpGúU@ó«úUDpXªúU!‹úUD°&½úUP~úUDÐ’†úU èúUDàÏÅúUðžŒúUD€gŠúU€=ÎúUDpVúUðÑmúUDÀé]úU°1ŠúUD@ë­úU@…eúUDÀ—lúU€¯úU`ŽúUD ¾ÈúUà'úUD ðëúU ‡fúUD×ÅúU°ŽúUDPonúU²úUD€múUpHˆúUD`°oúU`ÒúUD ã¿úUHAeúUUàŸúUðzúUD …eúU°„xúUDÀÕiúU°î}úUp¥¡úUD a¹úUð¸eúU@#túUDЇúU@R€úUDбnúUÉ^úUD`!¼úU!An arrangement for Saxophone Quintet of Kela Bela’s Overture Lustpiel, in a tour de force for your next concert. Lustspiel was composed by the Hungarian/Czech composer/conductor Keler-Bela who was born in 1820 and died in 1882. The word Lustspiel means "comedy" in German. The composer, known mainly for his waltzes traveled from Germany in 1874 to tour in England in 1875. This piece was a major part of his orchestra’s repetoire during his 1875 concert tour. Presently, the only part of the work that is still performed is the Overture, usually for Concert Band. Mr. Terrett has done an exemplary job of ensuring the spirit of the music is intact for the Saxophone Quintet version. There is life and joy in the music and fun to perform as well as listen to. For advanced performers about 7 minutes in length. Kela Bela (1820-1882), came to England in 1874, and again in 1875, touring and conducting concerts of his music. Lustpiel, also known as his comedy overture became a firm favourite in Victorian England.eúUdefScorLustpiel Overture for Saxophone Quintet Kela Bela Keith Terrett Music for all Occasions The Overture Lustpiel would make a great opener for your next concert or recital. Lustspiel was composed by the Hungarian/Czech composer/conductor Keler-Bela who was born in 1820 and died in 1882. The word Lustspiel means "comedy" in German. The composer, known mainly for his waltzes traveled from Germany in 1874 to tour in England in 1875. This piece was a major part of his orchestra’s repetoire during his 1875 concert tour. Presently, the only part of the work that is still performed is the Overture, usually for Concert Band. Mr. Terrett has done an exemplary job of ensuring the spirit of the music is intact for the Saxophone Quintet version. There is life and joy in the music and fun to perform as well as listen to. For advanced performers about 7 minutes in length. nd!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 13:17:17A{"width":202,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"01A96D14-160C-11E7-AD42-D3D7CC1F9A13","position-x-pc":"0"}Edito ÄeúU!0g#¸÷g#!185#¸÷g#!274#¸÷g#°JkúU°î€úU¿ZúUX¹úU¸øwúUÐ4ŸúUˆîmúUˆÈpúU`.ˆúU`±úUxOcúUkdúUè«núU§fúUqgúU˜¡!úUø^‰úUØÖ%úUбúUð›qúUˆ2}úU°ÊdúUð núU0—‹úUÀ݇úU0þYúUg|úU8Á‰úU``vúU1ˆúUXjúUÈ–qúU>YúUˆóˆúU-]úUÐPúUHNúU]úUp‚búUЈúU°¨~úUà dúUø[úUèå‡úUðeµúU úYúU¨{[úUHOuúUÈwyúU°û‹úUpR~úUøªnúUÈËyúUØÐyúU€¡$úU(qdúUÈð]úUHÍúU¨!úUIYúUðÜaúUøõ‹úU€SfúUÀ/eúU¸½ZúU¸€úUxÏsúUHoúU¸R{úUphdúUÐúUø°uúUÐoúU0FrúU súUUxúU“wúUˆ³ŒúU? ö!2019-09-25 12:57:51úU1B3557E4A-DF8B-11E9-BB4F-78çÈeúU!12088¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x501¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-28 11:12:37!2023-04-28 11:13:33!5239214¸÷g#!8732506¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q@ÎiúU!8.00ø÷g#Àà‡úU10g#Ø÷g#ðyúU0!60g#¸÷g#!552#¸÷g#°úU!4g#¸÷g#ˆ°]úU!2g#¸÷g#HŠiúU!2019-12-23 04:55:31úU!2023-11-06 05:28:04úU!Keith Terrettè¯fúU!0g#¸÷g#àŠúU!0g#¸÷g#Àà‡úU112g#Ø÷g#0!sib#¸÷g#p9túU!250#¸÷g#à!0g#¸÷g#(NúUA8 Carols for Bb Tenor Saxophone & Piano (MFAO).sibúU!2019-12-23 04:55:31úU!4g#¸÷g#ÀfúU!2045¸÷g#ÀçúU!2g#¸÷g#p9túU!3.00¸øg#P›gúU!2019-12-23 04:55:32úU!1g#¸÷g#0ïeúU!0g#¸÷g#@q[úU!157738¸÷g# úUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } 1tradØ÷g#À"€úUÈ÷g#0!Solveigs sang arranged for Bb Tenor Saxophone & KB. he American metal group Kamelot used the melody of "Solveig's Song" in "Forever", from its album Karma. The Norwegian metal group Midnattsol also used it in their song "Tapt Av HÃ¥p",[28] as did the Faroese metal group Týr in their song "Valkyrjan". The French hip-hop producer Wax Tailor used a looped sample of the melody in the song "Sometimes" from the album Hope & Sorrow. Jane Birkin used the melody for "Lost Song" of the 1987 album of the same name.úUfÑeúU!3.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#a© 2007 www.musicforalloccasions.org.uk(keithterrett@gmail.com) Ed. 2014ÒeúUdefScor!÷g#¸÷g#Á["198366","198150","98429","158126","185602","413839","391096","207124","114214","457573","137579","137640","126633","207439","109714","156807","207530","163973","457459"]úUP’ˆúU!2020-09-04 18:06:14úU!1g#¸÷g#¨ÝŠúU!2019-09-25 13:26:31úU1B4A4B014-DF8F-11E9-B6D0-78úU€êgúU!9809¸÷g#!0g#¸÷g#!0g#¸÷g#ÀÌvúU!0g#¸÷g#h±~úU!1g#è÷g#X=YúU!650x917¸÷g# !Solveigs sang arranged for Bb Tenor Saxophone & KB. he American metal group Kamelot used the melody of "Solveig's Song" in "Forever", from its album Karma. The Norwegian metal group Midnattsol also used it in their song "Tapt Av HÃ¥p",[28] as did the Faroese metal group Týr in their song "Valkyrjan". The French hip-hop producer Wax Tailor used a looped sample of the melody in the song "Sometimes" from the album Hope & Sorrow. Jane Birkin used the melody for "Lost Song" of the 1987 album of the same name.úU×eúU!0g#¸÷g#defScor!0g#¸÷g#WarningC!1g#¸÷g#-!0g#¸÷g#€×eúU!÷g#¸÷g# ×eúU!0.0000¸÷g#defScor!2014-07-23 07:44:39itySASolveigs sang for Bb Tenor Saxophone Keyboardo ØeúU!0g#¸÷g#@ØeúU!0g#¸÷g#defScor!2g#¸÷g#ZipConve!0000-00-00 00:00:00arte!0g#¸÷g#ØeúU!0g#¸÷g#âØeúU!3g#Xùg#ÙeúU!6.00¸÷g#eScores!3.00¸÷g#ishedZi!6.00¸÷g# !3.00¸÷g#5","1431!0g#¸÷g#0419","2!÷g#¸÷g#]2020-0!0.00¸÷g#25 13:25!0g#Xøg#B4F-781!0g#¸÷g#5.0020!5.00¸÷g#4-13 09:!2023-04-12 10:44:36-00 12023-04-12 10:44:50Uh<ŒúU0!155682˜úg# ®xúU!2.50ø÷g#À·°úU10g#Ø÷g#|úU0QCome Back To Sorrento(Torna a Surriento) for Eb Alto Saxophone & Piano!60g#¸÷g#ÐqúU!554#¸÷g#(NúU!2g#¸÷g#ÀÔ‹úU!2g#¸÷g#ˆ|úU!2022-08-23 10:06:35úU!2022-08-23 10:10:35úUAErnesto De Curtis Arranged by Keith Terrett0vyúU!Keith TerrettÀ·°úU10g#Ø÷g#0!sib#¸÷g#pØsúU!250#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úUACome Back To Sorrento for Eb Alto Sax & KB.sib˜ù"úU!2022-08-23 10:06:35úU!1g#¸÷g# QNessun Dorma for Bb Tenor Saxophone & Piano ed. 2014.sibúUANessun Dorma for Bb Soprano/Tenor Saxophone & Piano!60g#¸÷g#!573#¸÷g# ƒnúU!3g#¸÷g#ðï~úU!2g#¸÷g#181866!2018-07-29 15:24:59!2022-06-27 09:22:521Giacomo Puccini Arranged Keith Terrett!Keith Terrett¹úU!0g#è÷g#_°úU!2011¸÷g# !sib#¸÷g#230164!250#¸÷g# !0g#¸÷g#!2018-07-29 15:24:59úU!5g#¸÷g#`½wúU!2810¸÷g#230155!4g#¸÷g#`!1.99¸øg#ñjúU!2018-07-29 15:25:01úU!1g#¸÷g#8¸°úU!0g#¸÷g#XúU!171109¸÷g#ˆ¯fúU!1g#øg#ÈŽwúU!0g#¸÷g#p÷YúU11g#Ø÷g#(ëmúU0x¸TúUpqúU¸_™úU˜·júUXCÂúU0$oúUøúúU0ÂúU @ŸúUhúúúUèèéúUHŽÑúU˜9ŒúU˜öúUh€°úU¸ŽHúUøZ|úUÈá‡úUHF™úU0ßÅúU¸ŽHúU #úU8Ô.úUqŽúU¨´áúUXÑÓúUÈ2!úU0ï!úUp[úUÈÂ2úUØ©ŸúUعÁúU¸[|úUüúUå±úU˜G_úUèU]úU(‘`úU˜xFúUX¼ÐúUxç›úU˜öúUP¸núUÇÁúU˜æwúU(¹ÁúUà¹$úUøˆwúU¸šúU 8{úUHÂúUPaúU˜ ÂúU0åwúUX³ËúUÐcrúU°gbúUŸúUø^UúUØþßúUH3kúUÈÆïúUÈk¸úU¸ÀkúU°SÿúUØ·~úU8Ã`úU(¹ÁúU0ÿ^úUèU]úUps3úU¸_™úUØÔmúUx»ÁúUûxúUØ•¼úU@éúUhµŒúU¸«^úU ƒúU`ßaúUlòúUÐ÷‰úUBúUˆàˆúUà‰úUX­úUú‰úUZ]úU(^úUè½ÁúU¸¬xúUˆ¹TúU(þtúU˜éüúUÄúUDÂúU ÛwúUÃÁúU¨ê&úU˜ýúUøËèúUˆ¹TúU˜4úUÃÁúUŽúUHŽÑúUp¬eúUÅÁúU06ZúU™úUh2 úUÕ·úU°ƒ²úU¸«^úU8@‰úUH³xúUxY'úUx¼rúU¸*€úU ‘túUhO]úUˆÒúUx¸TúUÀsúUØ.kúUøüúU(¨núUˆ­úUÁuúU˜á)úU’úUh€²úUˆ¹TúUàð‰úUÈdúU˜Š‹úU ƒúUø)ÉúUÈvúUx»ÁúUhÕ}úU hÃúU¨ukúUÌúUxoòúU¨TaúU€0úUH&úU¨MúU˜ ÂúUp¨ŸúUàŒ‹úU¸ÈÁúU€®gúUH§¸úUÐ&›úUˆÀÁúUHzíúUèúU¨ºÁúU ÒàúUˆÂúU šúUØ`úúU8ÓÝúU(úUÈÇèúUášúU(Ý»úU@|úUø´ËúUxØqúUÈk¸úUÈÖˆúUÄúUÀåšúUÈÇèúU 'wúUXd8úUð§ÆúUx%úUèäÅúU°+}úUH&úU­úU8Ô.úUÑŽúU˜á)úU`,wúUU]úUhcúUDÂúU@¢{úUXQ]úU`súUÃÁúUèÍhúUx ÄúU(ì®úUx ÄúU˜äoúU átúUÂúU ¾fúU(MúU°Ÿ1úUHÂúUxIjúU oêúUÂ]úUhFòúUxD±úU€¯ñúUÅÁúUhbrúUÏbúU¨ÂúU0qEúU³úUÈoùúU`V{úUÂúUˆÇ®úUYŒúU8ÓÝúUH°úUèU]úU˜z°úUÀÁúUQúUh·ÁúU@³[úUHÌlúUH3kúU]ŠúU¿vúUhÂúU[úU¸&*úU@³"úU˜ïáúU°öZúUÈÇèúUèúUÀ±ŒúUÈÓGúUdrúUȳ”úUX#)úUÈÓGúU8V%úUÈk¸úUèªÃúUH§¸úU€0dúU8Ô.úUpe:úU0Ä"úU¨ÂúUø†oúUHÂúU(=œúU(ä‹úUèCúUxémúUˆ¹TúU¨ÀnúU8ÁþúUø ŽúUÅÁúUPÏcúUx~‹úU8úúUZ]úUèB3úU°û„úUxuúU5…úU(ÂúUÄyúUpˆbúUhÂúU8ÏhúU öGúU+ÖúUðÊúUˆóŽúUXùúU¸qúUpžlúUhÙÑúU@+ÑúUض!úUØŸúUÐcúUxoòúU é&úUg¸úU°¬púUÈÓGúUp‹úU |úUhÐúUh„^úUà‚ÁúUXÏ´úU€ˆýúUèqúU¸x"úU(¹ÁúUH/~úUÈk¸úU¸®ÞúUHL]úUh¬XúUxÁÁúUhtúUØDÂúUØ(zúUÂúUX—ÑúUU]úUÈ-úUHê(úUˆ­úU(t³úUè¬ÙúU¨ºÁúUÍÿúU8ÂhúU¸ÈÁúUˆmúU¨%úUÈéFúU(NfúUˆBúUˆ'úUè5‰úU@á€úUgÊúUˆ¹TúU`‰lúU8ŒsúUp)¾úUˆHVúUðîÚúU¸V]úUP}úUg¸úUˆtgúU˜ýúUÈÏ}úUÈÞ)úUx=túU0óÛúU8RÃúU0C3úU¨‚¼úUøÛqúUh΂úU¸ÂúUøû~úUÅÁúU[uúUx~‹úUàÕcúU˜HaúUˆPúUØÃúUðÐúUèÎ.úUÈÑúU)øúU¸šúU€fúU`Ù‚úUx]µúU’`úUø¸ÝúU8-iúUˆ8úU(v3úUèÎ.úUà²[úUÈÓGúUxÀ[úUhO]úU0ÿ`úUÈÓGúU„úU1This was written at the request of Craig Hawkins, after his wonderful review (!) of the two-part arrangement. I have taken the two part treble arrangement and worked it into a full SATB and organ edition. If you are performing this, please do get in touch via the link below.P [úU!5.00¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!Archangel Gabriel!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!1g#¸ùg#¯uúU!0g#¸÷g#!÷g#¸÷g#ðëŽúU!0.00¸÷g#Á["88347","128861","6947","39101","17982","71248","139098","103331","103332","76772","8554","63868","105560","122740","187004","128227","14690","200036","52122","35064"]dúUà,ˆúU!2020-09-05 10:05:03úU!1g#¸÷g#ÈŽ€úU!0000-00-00 00:00:00!÷g#¸÷g#òjúU!0g#¸÷g#1230#Ø÷g#0£gúUðù}úU0!29.0000èûg#õeúU!2022-08-09 13:15:591Caccini Ave Maria SATB Organðd!úU!0g#¸÷g#!0g#¸÷g#!6g#¸÷g#!2013-03-15 22:46:01!0g#¸÷g#!0g#¸÷g#qCaccini - Ave Maria [SATB & Organ] Jamie John Hutchings Archangel Gabriel This was written at the request of Craig Hawkins, after his wonderful review (!) of the two-part arrangement. I have taken the two part treble arrangement and worked it into a full SATB and organ edition. If you are performing this, please do get in touch via the link below.!0g#¸÷g#p'húU!0g#¸÷g#448030!0g#¸÷g#p!0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#@¥XúU!0g#¸÷g#448015!0g#¸÷g# !0g#¸÷g#!2022-08-15 10:34:05úU!0000-00-00 00:00:00úU!÷g#¸÷g#442144!210960¸÷g# !0g#¸÷g#!0g#¸÷g# ý[úU!0.00¸÷g#@m‡úU!5.00¸÷g#442133!0.00¸÷g#À11g#Ø÷g#©`¨ÿ0á 18 (%(¡@úUpÒúU9@@ucúU „ƒúU0jpix€MúU P±úUÀ¨EúU "(#((0 }úUð!oúUˆ9úUX6úUˆ9úUsúU°KpúUèzúUˆ¶|úUˆ9úUè‚^úU˜ù"úUpÊ‹úUXž~úUØ•`úU€GeúUXhfúUŠJúU•úU€ÜzúU°õ~úU‘‰úU`qúU82úU ‡oúUP«eúU€™túU‹JúUŒJúU€‹JúUÈ‹JúUà‹JúU8‹JúU¸ŒJúUJúUˆŒJúU0JúU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU 1˜ù"úUèäIúU˜ù"úUŠJúU˜ù"úU`ŠJúUŠJúUØŠJúU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU!X×zúU¨ÞˆúU!fgúU!-values# p©eúUªuPúUD°Õ~úU°f~úUDp¡ZúU©‹úUD€ã¿úUÐÇÌúUD@$#úU@¬ZúUDà7¼úU°dúUDíÉúUÀ+ZúUDpÚÛúU M!úUD0Ù¾úU@FiúUDÐý…úU …YúU €@jZúUÜkúUD f‚úU€,”úUÿÐÙ`úUH fúUàqúU@›uúUðÄÎúUDÚúUðÚbúU €Í&úUp¶úUDpÚòúU¨zÈúU Ð^`úUDP¹(úUÐi#úUDð&úU`îˆúU2=þúUëhúUD°bpúU >úUÐ#fúUðG™úU@!qúUDåŒúU€fúUDÀ¡oúUPžúUDÀû…úUÖ…úUD@æÜúUдúUDƒðúUPIúUDPæNúUHŸúU  PYhúU@fúU€CoúUD0ƒúU@%úUUÀ¥$úUì@úUD TúUp`¾úUÿ€~.úUÏúUÿ`s úU#'úU €àtoúUÀªZúUD`ôsúUØN‰úUU0jiúUÀ6ÛúUD øúUpkxúU @Ð_úUejúUDå¼úU`fúUh(úUxfúUêÁúU~RúUD `VSúU0¿úUDpäjúUcúU(ZúUDëÃúUPL]úU€-úUDzþúUszúUD°Y¼úUSúUDéúU0lÔúUD¶&úUP—búUDàVkúU°üÄúUDajúU[úUDSÔúU fjúUD°YúU` úUÀùXúUÿ¡4úUÐ)uúUD°X^úU(fúU`ƒ^úUÐbúUDÐ3®úUˆqxúU @€Ð‰úU°ukúUD’ÜúU wúUDÀBàúUR€úUDP«¼úUPL]úU°L!úUDÀ—]úUÀQœúUDpˆúUÐi~úUD@†(úUÑlúUDОúUàj úUpV€úUD¢oúUylúUD #úU0òaúUD %ÍúUØÆúUÿ IUúU0ãkúUh`úUD0?húU°¹YúUD0fáúU'ZúUD XúUªŠúUDPMvúU:]úUD`)rúU°¡úUDcóúUŒúUD`Á¼úUPL]úU€ŒúUD0‚iúUYúU €0¡‰úUPñÆúUDæúUpÓCúUD€ÅVúU@.ÝúUDÐùúUøfúUØs‹úUà˜]úUDà±€úU(fúU`ùtúUpMúUDð¥TúUÐUúUDe"úU`†xúUD &¨úU@*uúUD¿úU@úUDÐX©úU`ÓfúUDàñúUd`úUD0øÜúUèfúUÏúUмüúU˜ÇúUÐÔnúUD ™ñúUP]iúUD ä€úU0¿‡úUD ³‚úU`;©úUD »¼úU úUDóÃúUpúUD­fúUPhjúUD ®úUp¤ŠúUDÐ9úU0w{úUDÀÛúU{ÑúUÿ@`yúUÖ~úUD ã¿úU°²túUDðÚúU8fúU°PœúUDÀÈúUàj}úUDpâ¼úU1[úUD@ò»úUàûgúUDlúUÒÍúUD ÇdúUÈfúU0¸YúUDÐÞ¼úUâiúU @ ™&úU 9eúUU@Â`úUàøôúU €àC;úU`™úU2)/úUDP^úU0xúUD×ÒúUPôgúUDpÊÒúU æ}úUDp%{úUV€úUD€)®úU0½GúUDÀT%úUpYúUDw¥úUùŒúU €@ÚoúU`n÷úUD`×îúU ciúUDPÁ»úUHfúUˆqúU`fúU¨ÛzúUêÁúU(gúUÿp¦°úU¨fúUè:òúUð‘\úUD˦úU0Ê€úUDP‹úUà0ZúUD ÚÜúU°wzúUD ¢húU(ËúUÿ`<¢úUà`úUD0){úUàxúUD“†úU #púUD`8júUÀ8ÛúUD°iîúU î{úUDP•]úU`²úUDà’¯úUÀ·ÊúUDðP³úUàfúU@±úUDÀÿfúUfúU0føúUDp‘úUaúUDàâÍúU xTúUD _îúUPP_úUDPu¼úU0õgúUD m"úUÐ@eúUUU…úU ŽcúUDxúU°FgúUD À—€úUà#:úUDP®)úUhis set of arrangements received an excellent review in Clavier.g" is very easy to play.ute violin and viola. It needs 3 good players to bring it off, and is a useful end of concert encore. Enjoy!p ca nam nữ sinh viên Äại há»c Văn hóa Nghệ thuật Quân Ä‘á»™i. ional singing. Visit http://drfeezell.com for more carols and arrangements. A complete set of parts is available. NOTE: THESE ARRANGEMENTS CANNOT BE USED with other arrangements in the series, because the keys and octaves have been changed. Carols in this set include: The First Noel; O Come, All Ye Faithful; It Came upon the Midnight Clear; Angels from the Realms of Glory; Hark! The Herald Angels Sing; Lo! How a Rose E’er Blooming; I Heard the Bells on Christmas Day; Silent Night (Stille Nacht); We Three Kings; O Little Town of Bethlehemano reduction can fill in any missing parts in your ensemble. The following parts are identical and are included only for ease of reading the score: Clarinet 1/2=Trumpet 1/2, Bassoon=BassTrombone=Cello. ALSO: the chorus parts (only) are available FREE at http://drfeezell.com/freesheetmusic/choir Carols in this set include: The First Noel; O Come, All Ye Faithful; It Came upon the Midnight Clear; Angels from the Realms of Glory; Hark! The Herald Angels Sing; Lo! How a Rose E’er Blooming; I Heard the Bells on Christmas Day; Silent Night (Stille Nacht); We Three Kings; and O Little Town of Bethlehem06 Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of "Ding Dong Merrily On High" is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs. solo part on request in TC from: keithterrett@gmail.comad particular influence in folk music, and has become an emblematic African American spiritual. Its universal message has been a significant factor in its crossover into secular music. "Amazing Grace" saw a resurgence in popularity in the U.S. during the 1960s and has been recorded thousands of times during and since the 20th century, occasionally appearing on popular music charts.  in 1693. It included, among other types, several chorales written using outdated models. Of these, Nun lob, mein Seel, den Herren (Psalm 103) is based on the German polyphonic song; it is one of the very few Pachelbel chorales with cantus firmus in the tenor. Wir glauben all’ an einen Gott is a three-part setting with melodic ornamentation of the chorale melody, which Pachelbel employed very rarely. Finally, Jesus Christus, unser Heiland der von uns is a typical bicinium chorale with one of the hands playing the unadorned chorale while the other provides constant fast-paced accompaniment written mostly in sixteenth notes. Pachelbel only used the bicinium form in two other pieces. fficial hymn of the United States Marine Corps. It is the oldest official song in the United States military. The "Marines’ Hymn" is typically sung at the position of attention as a gesture of respect. However, the third verse is also used as a toast during formal events, such as the birthday ball and other ceremonies. Carl Fischer, LLC (the “Ownerâ€), hereby grants Music for All Occasions (the “Licenseeâ€), during the term hereof, non-exclusive permission to include the copyrighted musical work entitled The U. S. Air Force by Robert Crawford (the “Musical Workâ€) in a newly arranged medley “American Songs for Concert Band†Keith Terrett, and to print, publish, distribute, advertise, exploit, market and sell copies of the same (the “Publicationâ€) as per the terms. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com s!2017-03-31 15:51:19úUA{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":198,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"867B32BA-1621-11E7-85D2-B977225A5187","position-x-pc":"0"}úU±0fúU!0g#¸÷g#!276#¸÷g#!183#¸÷g#Øò]úU(dúUp+túUà.}úUðRrúUH7‹úUhâ[úU˜ÐsúUpÈoúU  úUø zúUøN~úUøiµúUŒbúU@ùˆúUõŽúUÀcsúUýuúUh‘wúU˜(€úU˜Æ…úU@úqúUƒmúU úUÀwúUø¤rúUÐËsúU(£úU¨˜aúU @YúUÐiúUh~‡úU˜úU¤fúU ¸ŒúUH®°úUX‘búU0öwúU0ƒmúU0ulúU0Ù‚úUPŠjúUø€úU݇úU€hyúU°lúUȨ~úUؘaúUèaúUX1túUHÆdúU˜w‚úU 'múUP¸‰úUˆúU(¨$úUÉvúU`—‹úUˆlúU0¯cúU€moúU8!úU˜k‚úUP™_úUø!]úU¨MxúUqúU¸¢!úUèüuúUfsúUh®úUHGúUègúUpª°úU·"úU %ƒúUúU8!]úU 5fúU!üg#hüg#à4fúU!0.00¸÷g#Á["52664","51858","66548","12795","130974","88863","42173","66348","366549","393247","90277","534745","90103","139889","108618","40775","143973","147734","97224","52515"]coresPageHeig!2020-09-09 07:37:58!1g#¸÷g#!2019-09-25 13:20:201D73D695A-DF8E-11E9-B6D0-78eScores!12002¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!650x1003÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-18 14:22:15!2023-04-18 14:25:47!17350657÷g#!27184791÷g#v8fúU!0000-00-00 00:00:00hang!0000-00-00 00:00:00tPaQÈÇlúU!sib#Øúg#ores WHE!250#¸÷g#eScores!0g#¸÷g#Count?1Pachelbel Canon for Saxophone Octet.sib!2015-03-17 00:14:11úU!1g#¸÷g# {úU!1585¸÷g#fúU!1g#¸÷g#@âqúU!0g#¸øg#ÀšrúU!÷g#¸÷g#XÉúU!0.0000¸÷g#xœúU!2015-03-17 00:20:30úU1Pachelbels Kanon for Saxophone OctetU!0g#¸÷g#¨)ŸúU!0g#è÷g#@Î`úU!13g#¸÷g# !6g#¸øg#rtedZip!1g#˜øg# ‰@!0g#¸÷g#€;fúU!÷g#¸÷g# ;fúU!÷g#¸÷g#defScor!0g#¸÷g#ZipConve!÷g#¸÷g#ionFinis11.50Ø÷g#ÈàvúU8àvúU0!An arrangement of M’Appari Tutt’ Amor from Martha for Eb Alto Saxophone & Piano. Oder Der Markt zu Richmond (Martha, or The Market at Richmond) is a ’romantic comic’ opera in four acts by Friedrich von Flotow, set to a German libretto by Friedrich Wilhelm Riese and based on a story by Jules-Henri Vernoy de Saint-Georges. Flotow had composed the first act of a ballet, Harriette, ou la servante de Greenwiche, derived from a text by Saint-Georges, for the ballerina Adèle Dumilâtre. This was first performed at the Grand Opéra in Paris on 21 February 1844. The time available for the composition was short, so the second and third acts were assigned, respectively, to Friedrich Burgmüller and �douard Deldevez. 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S .Bach Fugue. Great piece if you can find 5 other players to fugue along with! This arrangement for 6 low brass comes from J. S. Bach’s miscellaneous preludes, fugues, fantasias and toccatas for keyboard. The original Fugue in B-flat Major, BWV 954 (which is an arrangement itself that Bach made from J.A. Reincken: Hortus musicus); is a delightful work! In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a fuguing tune, which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation.U!0g#¸ùg# ¿úúU!÷g#¸÷g#!0.00¸÷g#ˆ]2úU±["197735","362248","115497","393261","101577","122034","25912","89643","66275","51302","155775","51303","91169","171355","166521","134692","169480","160251","98987"]!2020-09-14 07:50:28úU!1g#¸÷g#(ÌQúU!2019-09-25 13:26:261B1D2828A-DF8F-11E9-B6D0-78úU!25482¸÷g#ˆ  úU!0g#¸÷g#10g#Ø÷g#(£ úU¹úU0aA little fugue for six Trombones, Euphoniums or Baritones (or a mixed ensemble), inspired by a J. S .Bach Fugue. Great piece if you can find 5 other players to fugue along with! This arrangement for 6 low brass comes from J. S. Bach’s miscellaneous preludes, fugues, fantasias and toccatas for keyboard. The original Fugue in B-flat Major, BWV 954 (which is an arrangement itself that Bach made from J.A. Reincken: Hortus musicus); is a delightful work! In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a fuguing tune, which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation.!!0.0000˜üg#€ñfúU!2018-08-31 11:29:05AFugue for 6 TromboneBaritonesEuphoniums low brass BCres!0g#¸÷g#!0g#¸÷g#!12g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#áFugue for 6 Trombone/Baritones/Euphoniums (low brass BC) Johann Sebastian Bach Keith Terrett Music for all Occasions A little fugue for six Trombones, Euphoniums or Baritones (or a mixed ensemble), inspired by a J. S .Bach Fugue. Great piece if you can find 5 other players to fugue along with! This arrangement for 6 low brass comes from J. S. Bach’s miscellaneous preludes, fugues, fantasias and toccatas for keyboard. The original Fugue in B-flat Major, BWV 954 (which is an arrangement itself that Bach made from J.A. Reincken: Hortus musicus); is a delightful work! In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a fuguing tune, which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation.úUdefScor!0g#hùg#QualityS!1g#¸÷g#öH!25g#¸÷g#@øfúU!47g#¸÷g#`øfúU!2018-08-27 16:23:40Scor!2018-08-31 15:02:15onve!0000-00-00 00:00:00arte!÷g#¸÷g#°øfúU!807454¸÷g#ùfúU!0g#¸÷g#<ùfúU!0g#¸÷g#eScores!0.00¸÷g#ishedZi!12.59è÷g# !9.60¸÷g# !0g#ð§úUXcàúU!0g#¸÷g#!÷g#¸÷g#1÷g#Ø÷g#àëÒúU0!0g# áŠúUrrencies!28g#è÷g# !0g#¸÷g# !2019-06-06 16:25:19úU10g#Ø÷g#°+ÞúU0!Nino¸÷g#à6vúU!dnino04@gmail.com‚úU!dnino00¸÷g#øg#!dnino04@gmail.comÚúU1÷g#Ø÷g#472021stElemen0!0g#`-/úU !0g# â.úU!0g#¸÷g#10.00Ø÷g#0!øg#øg#¨¿5úU!898882è÷g#!0g#¸÷g# 10g#ÐÃ2úUs/duet.htmlúU0a lúU0ßúU+ ˆ§çúU1àITY#c °¦úU!11.00P xúU !0g#0ý úU !0000-00-00 00:00:00!0.0000¸øg#°lúU!2014-07-16 09:25:18úUAVon fremden Landern und Menschen for Saxophone Quintet!0g#¸÷g#ð#múU!0g#¸÷g#`£núU!1g#¸÷g#¨]úU12013-04-14 18:10:41úU0!Set for Saxophone Quintet,Von fremden Ländern und Menschen has been arranged for two Sopranos, one Alto, Tenor and Baritone. I hope this transcription offers saxophone groups a new and challenging piece,from the Romantic period. I have altered the mm from 108 to 80!!1.99¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#°lúU!101772¸÷g#!1g#¸÷g#H‰úU!3g#¸÷g#!3.98¸÷g#ð#múU!2.99¸÷g#XwúU!3.98¸÷g#¨]úU!2.99¸÷g#0ivúU!0g#¸÷g#xÑ^úU!÷g#¸÷g#Øp‚úU!0.00¸÷g#0D~úU±["150835","148165","21351","135808","198839","69515","150836","153426","38942","69586","164701","35991","159803","1204","150874","393937","1377","166592","527869"]!Set for Saxophone Quintet,Von fremden Ländern und Menschen has been arranged for two Sopranos, one Alto, Tenor and Baritone. I hope this transcription offers saxophone groups a new and challenging piece,from the Romantic period. 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Classic March Collection) Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement of several popular American military marching songs, arranged for Concert/Wind Band. Tunes include The American Air force Song (copyright clearance has been obtained through Carl Fischer LLC, the Marine Hymn, Taps, Caisson Song & Anchors Aweigh. A Great arrangement for your next performance, which features all sections of the band! The U.S. Air Force" is the official song of the United States Air Force. Originally, the song was titled as "Army Air Corps". Robert MacArthur Crawford wrote the lyrics and music during 1938.In 1947, when the Air Force became a separate service, the song became the "Air Force Song". The song is based on the "Caisson Song" written by field artillery First Lieutenant (later Brigadier General) Edmund L. Gruber, Lieutenant William Bryden, and Lieutenant (later Major General) Robert Danford while stationed at Fort Stotsenburg in the Philippines in March 1908. The tune quickly became popular in field artillery units. In 1917 the Secretary of the Navy and army Lieutenant George Friedlander of the 306th Field Artillery asked John Philip Sousa to create a march using the "Caisson Song." Sousa changed the key, harmony, and rhythm and renamed the song and had been told that it dated back to the Civil War. Although an army magazine claims that Sousa passed on his royalties to Gruber, other sources state that Gruber became involved in a prolonged legal battle to recover the rights to music he had written and that had been lifted (unknowingly or not) by Sousa and widely sold by sheet music publishers who reaped profits while Gruber received nothing. The music became so popular that it was also used in radio ads by firms such as the Hoover Vacuum Company. Gruber lost his battle in the courts. They ruled that he had waited too long to complain and that his music was by that time in the public domain. "The Caisson Song" was never designated as the official U.S. Army song likely because the lyrics were too closely identified with the field artillery and not the entire army. The official song retains Gruber’s music, but with re-written lyrics. "Anchors Aweigh" is the fight song of the United States Naval Academy, and as a result, the song is strongly associated with the United States Navy. It was composed in 1906 by Charles A. Zimmerman with lyrics by Alfred Hart Miles. When he composed "Anchors Aweigh", Zimmerman was a Lieutenant, and had been bandmaster of the United States Naval Academy Band since 1887. Miles was Midshipman First Class at the Academy, in the class of 1907, and asked Zimmerman to assist him in composing a song for that class, to be used as a football march. Another Academy Midshipman, Royal Lovell (class of 1926) later wrote what would be adopted into the song as its third verse. Taps" is a musical piece sounded at dusk, and at funerals, particularly by the U.S. military. It is sounded during flag ceremonies and funerals, generally on bugle or trumpet, and often at Boy Scout, Girl Scout and Girl Guide meetings and camps. The tune is also sometimes known as "Butterfield’s Lullaby", or by the first line of the lyric, "Day is Done". The "Marines’ Hymn" is the official hymn of the United States Marine Corps. It is the oldest official song in the United States military. The "Marines’ Hymn" is typically sung at the position of attention as a gesture of respect. However, the third verse is also used as a toast during formal events, such as the birthday ball and other ceremonies. Carl Fischer, LLC (the “Ownerâ€), hereby grants Music for All Occasions (the “Licenseeâ€), during the term hereof, non-exclusive permission to include the copyrighted musical work entitled The U. S. Air Force by Robert Crawford (the “Musical Workâ€) in a newly arranged medley “American Songs for Concert Band†Keith Terrett, and to print, publish, distribute, advertise, exploit, market and sell copies of the same (the “Publicationâ€) as per the terms. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comúU1An arrangement of Pachelbel's Kanon for Saxophone Octet. Pachelbel's Canon is the name commonly given to a canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue für 3 Violinen mit Generalbaß) (PWC 37, T. 337, PC 358), sometimes referred to as Canon and Gigue in D or simply Canon in D. It is his most famous composition. It was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Like most other works by Pachelbel and other pre-1700 composers, the Canon remained forgotten for centuries and was rediscovered only in the 20th century. Several decades after it was first published in 1919 the piece became extremely popular. The piece's chordal progression has been appropriated in numerous commercial pop hits, particularly during the 1990s, such as in Pet Shop Boys cover of "Go West", Coolio's "C U When U Get There" and Green Day's "Basket Case". It is frequently played at weddings and included on classical music compilations, along with other famous Baroque pieces such as Air on the G String. Although a true canon at the unison in three parts, it also has elements of a chaconne. It has frequently been arranged and transcribed for many media.@ÊeúU1An arrangement of Pachelbel's Kanon for Saxophone Octet. Pachelbel's Canon is the name commonly given to a canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue für 3 Violinen mit Generalbaß) (PWC 37, T. 337, PC 358), sometimes referred to as Canon and Gigue in D or simply Canon in D. It is his most famous composition. It was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Like most other works by Pachelbel and other pre-1700 composers, the Canon remained forgotten for centuries and was rediscovered only in the 20th century. Several decades after it was first published in 1919 the piece became extremely popular. The piece's chordal progression has been appropriated in numerous commercial pop hits, particularly during the 1990s, such as in Pet Shop Boys cover of "Go West", Coolio's "C U When U Get There" and Green Day's "Basket Case". It is frequently played at weddings and included on classical music compilations, along with other famous Baroque pieces such as Air on the G String. Although a true canon at the unison in three parts, it also has elements of a chaconne. It has frequently been arranged and transcribed for many media.!0000-00-00 00:00:00úU!0g#¸÷g#!0g#¸÷g#±Pachelbel's Kanon for Saxophone Octet Johann Pachelbel (1653-1706) Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement of Pachelbel's Kanon for Saxophone Octet. Pachelbel's Canon is the name commonly given to a canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue für 3 Violinen mit Generalbaß) (PWC 37, T. 337, PC 358), sometimes referred to as Canon and Gigue in D or simply Canon in D. It is his most famous composition. It was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Like most other works by Pachelbel and other pre-1700 composers, the Canon remained forgotten for centuries and was rediscovered only in the 20th century. Several decades after it was first published in 1919 the piece became extremely popular. The piece's chordal progression has been appropriated in numerous commercial pop hits, particularly during the 1990s, such as in Pet Shop Boys cover of "Go West", Coolio's "C U When U Get There" and Green Day's "Basket Case". It is frequently played at weddings and included on classical music compilations, along with other famous Baroque pieces such as Air on the G String. Although a true canon at the unison in three parts, it also has elements of a chaconne. It has frequently been arranged and transcribed for many media.nqúU!0g#xüg#ð:húU!0g#¸÷g#!53g#¸÷g#!45g#¸÷g#!2017-03-31 16:56:181{"width":293,"position-y-pc":"45","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":102,"width":63,"x":122,"center-y":133.5,"height":63,"center-x":153.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":104,"width":63,"x":123,"center-y":135.5,"height":63,"center-x":154.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":103,"width":64,"x":122,"center-y":135,"height":64,"center-x":154}]},"height":300,"position-x-combined":"53%","position-x":"center","position-y":"center","position-y-combined":"45%","average-center-x":154,"average-center-y":134.666666666667,"id":"9A0A9358-162A-11E7-A464-81ED62C45462","position-x-pc":"53"}úU !3g#¸÷g#!293#¸÷g#`²súU!300#¸÷g#0åvúUÁ["134964","516951","167163","167387","167157","48469","208362","180344","94753","193080","149366","167324","178409","177413","74562","132750","167459","167322","167813","162481"]662!2020-09-28 01:48:06!1g#¸÷g#!2019-09-25 13:30:04úU1337417A4-DF90-11E9-A548-78úU!14754¸÷g#€Ÿ›úU!0g#¸÷g#ú°úU!0g#¸÷g#206604!0g#¸÷g# !1g#¸÷g#!650x839¸÷g#0;fúU!0g#¸÷g#prúU!0g#¸÷g#234857!5.00¸÷g# !2023-04-07 15:27:08!2023-04-07 15:28:13úU!4086287¸÷g#ðŸiúU!6805896è÷g#279432!0000-00-00 00:00:00›$úU¨ºÁúUƒúUèqúUPÁnúU(Ý»úU`߀úUxÚúUhŸúUø“EúU˜ ÂúU˜P©úU˜úU¸ÂúU`Í_úUx—¼úU ó‰úU(”YúUÈÓGúUXx}úUh·ÁúUˆáwúUèEVúUÀu€úUxoòúUX|úUÈk¸úUȤmúUÃÁúU*›úUˆHVúUØ$úUÅÁúUh=múU ,_úUX„gúUx_ŠúU˜öúUðúUhO]úUÝ°úU(Ý»úUhÑŽúU÷ˆúUn¸úUHü`úU(¹ÁúUˆ­]úUøÒ¨úUèåúUˆ¿ÁúUx¬aúUˆ‚QúUˆýÖúU(¶°úUÈÓGúU:!úUÇÁúU¸5ÂúUÀ»zúU¨±*úU ·´úUXVŒúU¨ukúU€úUˆÂúU¨=3úUh¸þúU(¦júU¨µúUÐAmúU¨GáúUȳaúUøƒÓúUO©úUhP^úUØØ[úUÎÚúU¸ŽHúU€7¯úU ìÁúUØ·~úU0gúUØ•¼úU¨5dúU°‡úU˜é>úUsyúU7¬úUÀrÜúUHLnúUhÐúU¨J±úU˜|úU€‰°úUÈÞ)úUÐJaúUˆÀÁúUtúUØÛ.úU]ÛúUˆHVúU`9{úUHä[úU¨ÂúU oúU˜”}úU8[™úUXaúUÅÁúUH:`úU¨U)úU(!zúUø*túUhŸúUÿ^úUx»ÁúU ÙˆúU¸*€úUÐø^úUœúUȆ‹úUèà®úUp'_úU¨ÂúU0ŒúUhaúUÂúU0ÀnúUØÃúUøC{úUÀvgúUˆ¹TúUhˆŒúUhágúU¸«^úUp+iúUHR]úUоòúUH9zúU¨ºÁúUÉhúU¸púUÂúU˜TŠúUH§¸úUø‰úUêÁúU¨ÿúU BhúU8ÓÝúU™1úUÅÁúUˆ¯gúUÈÓGúU¨ÚqúU˜HaúU€ƒ°úU°rXúU¸ÝÀúU ˜ÀúU¸*€úU”ZúUh}TúU8‘dúUh]âúUˆOúUX¥úUp"gúUÅÁúU0 ³úUx ÄúUÐ ˜úUXCÂúUˆ¥šúUÈ2!úU8Š^úUèu>úUØÙsúUXY]úU€ÂyúU¸|úUCúUˆl‹úU˜á)úUpî!úUÈŠ†úU°@múUˆÀÁúUПmúUHY#úUH`'úU@£1úUØ oúU˜Š‹úUÈ0œúU¨µúUXzúU¨U)úU0"yúUÈÔyúUx]µúUøJ©úU¸ŽHúUØE¯úU KYúUH&úU ¢³úU˜ ÂúUà(›úUÀÏ©úUhDFúUÐnŽúUDÂúU;~úUÈ2!úU ¥júUV‰úU¸ÈÁúUØYúU8oDúUMúUàÀÀúU¤^úU ÷ZúUHL]úUøqúUXCÂúU8ÞqúU¸ŽHúUèŽúUØÛ.úU¤júUpÐ2úUèÃÁúU0B úUÂúU€û¦úUxÂúUAÉúUxÁÁúUJ±úU¸ŽHúU˜ô^úUØÉvúUˆ­úU_úUdvúU86(úUà*wúU(Ý»úU8÷úUHŽÑúU(Ó€úUè½ÁúU(»®úUعÁúUP†}úUÈk¸úUÐhñúUˆ¹TúUýJúU¸ŽHúU0ZuúU8þúU M©úU0NyúU˜›úUÐ2ÛúUXÂúUàdkúUpÆZúUxuúU}úU(ÂúU½ŠúUg¸úUà[kúUúU¸ÈÁúUà¯úU˜öúUÐ!úUˆHVúUÈOúU¨GáúU°d_úUÈ2!úUKòúU`µvúUèU$úUà¸oúUðöúU¸«^úU mgúU˜¶ÁúU¸È!úUÈ2!úUðú~úU0ÛýúU¨ÂúUà—ÀúUÐN^úU(î±úU¸|úU(´ËúUHÀlúU  ÃúUH3kúUàµ[úU Ý0úUhŸúUˆúUlgúUˆ¹TúU¸_‡úUHÂúUà¬púUHÂúU`êÝúUØ•¼úUÈBúUHŽÑúUàO‚úUÈ ÂúU˜§‚úU¸¡HúU°TpúUXdúUØ·~úU`…oúU˜>úUh…úU¸&*úUpÄüúU( ÃúUˆ)“úUèä¿úUøÛ)úUH/wúUD™úU‰zúU¸V]úUpÄ®úUÃÁúUýúUÈÇèúU¸å›úU¨U)úUØ­eúUèEVúUh,úU˜öúU(õúUàö]úUˆ­úUÛvúU˜ýúUжpúU(w[úU¸ÈÁúU¨¾kúU8ŠÃúU(´aúUȵÁúUˆ_uúUXCÂúUTuúUè½ÁúUð–GúUHL]úUÀ+úU(/fúUÂúU0"úU8u6úU¸…zúU¨‚¼úU;kúUÈÞ)úUÀ9¯úUÅÁúU0ˆúU¨íwúUn¸úU˜9œúUÈk¸úU 1wúU¨eúU¨¬…úUø¸ÝúUØâaúU!ýg#À8rúUð£búU!÷g#¸÷g#!÷g#¸÷g#!21.00¸ùg#ÈgvúU!0g#¸÷g#!÷g#¸÷g#À³{úU!0.00¸÷g#Á["88347","128861","39101","6947","17982","71248","103331","139098","76772","103332","122740","63868","128227","8554","187004","105560","52122","200036","14690","35064"]àŠúUÀ€túU!2020-09-20 15:06:08úU!0g#¸÷g#°ÁiúU!0000-00-00 00:00:00!÷g#¸÷g#ðÖyúU!0g#¸÷g#1210#Ø÷g#ØyúU(ö‹úU0¡An arrangement for unison children’s voices and small orchestra of the English tradional carol ’On Christmas Night All Christians Sing’.`+yúU!1g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#{ "GroupOrd" : "200", "StoreGroupOrd" : "180", "StoreGroupID" : "2822", "GroupID" : "696" } ·múU!0.0000¸÷g#!2011-05-06 19:06:20!Sussex Carol!0g#¸÷g#!0g#¸÷g#!8g#¸÷g#!2013-04-15 06:52:01!0g#¸÷g#!0g#¸÷g#ÁSussex Carol trad. anon. Peter Martin An arrangement for unison children’s voices and small orchestra of the English tradional carol ’On Christmas Night All Christians Sing’.!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#lsúUØ“€úUpŽjúU hvúUˆ…túU°*aúUÈ6eúU!úUP=úUp´›úUPÊdúU¨iúUPÄiúUðs‚úU‹]úUPŸ_úUh§núU0ªúU°.}úUp¨›úUâ‡úUoúUX5wúU úUxûqúU •wúU˜*júU°ÁiúUê€úU°ÍpúUÀì]úUàžrúU€SnúUù]úUQxúU€§núU°|úUБjúUÈgvúU Ñ|úUàÄvúUisúUÀ³{úUXŸnúU ÌúUh]úU BkúUH&múU¨ˆúU0æbúU¸«núUð&múUPŠaúUð£núUànúUD`ÇnúUzúUPügúUD€JOúUà¢wúUD0è¾úUpØúUDðcúU`Ç‚úUD@×ÒúU ÊrúUDÐÚúU ”dúUD0‹ÍúUpfaúUDœXúUÐÚjúUD QÔúU€ê}úUD€–õúU@¸YúUDЊúUt²úUDpÉúUpÂjúUU (ŒúUàhaúUD à¿úU@7 úUDðiúU ÌúUD€|®úUàOÍúUD@IúUдúUD óNúUÀÿeúUD ÅpúUtzúUDà¯ÁúUðH™úU +vúUDO§úU€…YúU €p-ŒúU0¤[úUDžÊúUxihúUPŠŽúUD°:fúU€“±úUDPå¾úUeúUDÀ+ÆúU` yúUDpç€úUОŒúUDðÉÈúUÐýgúUDàäpúU08HúUD@õúUP±súUD ÐÂúUp‹±úUDpûsúU€²¹úUD€þ‚úUtxúU €Ðå‰úU  búUDAúU ÛkúUDèÜúUðáiúU @P©'úU@B‚úUDP–ÜúU`•uúUD`“lúUhúU @ !úU™ÜúUDàbúU€7]úUDq‡úUÐö2úUD09±úUpkhúUËúU0é‹úUUàãTúUž°úUD@ÄÅúU¸khúUàJöúUÐkhúUpäiúU€øwúUDÐðjúUp±súUDÀœ‰úU`ÝgúUðmxúU @€"ŠúUPÁ‡úUD°}ÉúU`YœúUD°TÔúU`i}úUD@æ¼úU 1úUDД‡úU`–uúUD0ÏÅúUÀlhúUXËúUÐ.ŠúUDÅ&úU€’OúUDð*úUy|úUD ®úU 1úUDðÉeúUPÕüúUDðÑiúU` cúUD0óeúUÐùàúUDà´&úU€mhúUÈÀjúUî{úUDŽ$úU1. 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I Keeping faithful ev'ryday.púUALooking for a song with a football theme, the composer was inspired by the brilliant Roy Castle and his song “Dedicationâ€, used on his very popular show Record Breakers. So, using that as its base, the tune was composed around it. 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Ti si mi u krvi mipogledom me miluje luk'o da me dodiruje jei svaki put kao da je prprvi vi iz Äista mira nestat će al' požuda ne prestaje krvi godina to liko dugih godina uzimanja davanja ostaje ostajem posljednji i prvi i smiÅ¡ljam slatke prevare al Ä‘avose ne predaje ti si mi u krvi ako te vedu cigani Äergari ili te ukradu straÅ¡ni haremski Äuvari ako te odvedu ja ću da poludim bez tebe ne umijem viÅ¡e jutrom da se budim ako te odvedu sve će da se sruÅ¡i pamti me k'o prijatelja, Äuvaj me u dukad misliÅ¡ da je prekasno za snove za sve ti si mi u krvi.p“vúU!S. KovaÄg#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#0¬núU!465220¸÷g#!0g#¸÷g#Ø]úU!0g#¸÷g#ˆNfúU!0.00¸÷g#`ƒtúU!5.00¸÷g#H:ŽúU!3.00¸÷g#ðÌiúU!0g#¸÷g#ézúU!÷g#¸÷g#}túU!0.00¸÷g#€slúU!0g#<%úU !÷g#¸÷g# QpÓŠúU!1g#(üg#iúU!0g#¸÷g#!÷g#¸÷g#!10.2400¸÷g#!2012-07-03 16:43:38!Ti si mi u krvi!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2013-04-15 08:25:07!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#€¬úU!0g#¸÷g#478394!0g#¸÷g#p!0g#¸÷g#±["88347","128861","39101","6947","17982","71248","103331","139098","76772","103332","122740","52122","63868","187004","8554","105560","200036","14690","35064"]529777!2020-09-26 19:17:42!0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#Àt¥úU!0g#¸÷g#529757!0g#¸÷g# !0g#¸÷g#!0g#¸÷g#ð¯iúU!1g#¸÷g#húU!650x919¸÷g#426250!0g#¸÷g#À!1g#¸÷g#!3.00¸÷g#YúU!2023-02-17 06:20:04úU!2023-02-17 06:20:2399!863048¸÷g# !829969¸÷g#!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g# €ÀhúUª×núUD ]lúU úUDûúU@w{úUDð%½úU¾‡úUDðf½úUÀ‡†úUDð®úUШúU  0ŽgúU#túUD©oúUà#iúUËúUð4súUD‡{úUðç`úUDP(rúUøû¡úUÿð[FúU„ŽúUD`¢ÙúUÀBÐúUÀ…ŽúUDð)úUÐ"âúU2p‹yúUDlúU@‘uúUDPåŒúU¶úU€$úUDA$úU $&úUDpwÞúU`7súUDÐ iúU ,ZúUD z‘úU§ZúU`%iúUX}úU°žvúUD€@úUy|úUD0"½úU€E%úUUs!úU ÂúUD°°³úUà£[úUD0SiúU üyúUDðXaúUÀƒúUD0”(úUúUD ÕúUêÁúU¤ŠúUD0}lúU€‹YúU €À}‰úUP„fúUD`p"úU0€ úUD í!úUð¬+úUêÁúU`–dúUDÐ+ÃúUzúUD éÉúUà@©úUÀW&úU  ÿ úUðƒxúUD`+{úU€—¼úUŽúU@é}úUD@ôsúUàÌúUD¿úUðŸ¾úUÿüoúU0ΨúU P‚‘úUp2IúUD {gúU€¹úUDÀ1vúU ¶3úU  à÷þúUðúUD@5ZúUànxúU €ŠúU0á}úUD–gúUP~úUDÀmúUp6RúUD0eúUë%úU ài}úUD ®úUPL]úUð(iúUPK;‚úUD0$úUæ0úUÿíhúUPËrúUD`¼úUP™uúUD°…{úUÈè›úUÿ@g±úUP,ÜúUD ‘úUàœvúUD€4ÆúU€TúUD°â¼úU [&úU  ÐgúUK‰úUUÐRöúU€z|úUD0!½úUr‰úUðZ€úUDPºúU0ѨúU S"úUð¿]úUD0”ÜúUðÅrúUDöpúUÐ%uúUD )rúUp¤^úUDÀ›húUÀ¬YúU O_úUD0M„úUàËúUD°*¼úUwúUD@3½úU š]úUD`bqúU°â`úUDЩšúU°%‰úUDÊÈúU0~fúUD@°ŒúUÐ {úUDð,‚úUð”dúUDÀ^½úU0}ÑúUDÒôúU€ÅrúUDTfúU€±‰úUD`ÞúU,iúU³ZúUD02¨úUPF™úU`úUDð¹šúU\múUDM‚úU°*IúUD°úúUàƒhúUDPáÛúU …úUD0¬búU€À‚úUD %qúUpZWúUD¾dúUPwhúUDàxÜúU ŒúUD@iúU ÿzúUDÀ5àúUp;‚úUDÐRÔúUDúUDp©šúU@nAúUDà†kúU Î"úUD`¡súU -iúU(ËúUàÄ€úUD@²àúU€"cúUDÀÄnúUŠfúUD°G¼úU öúU@ŽúUD È¾úU`åàúU p(®úU Ÿ]úU@‡úU caúUDð0®úUp=%úUD"úUCúUDð"¼úUÀ.iúU ´rúUð {úUD°H!úUÀPlúUDpÔúU-ŠúUDÀôÃúUp’cúU å`úUD`wúU ÙnúUDà$qúUðÞkúUD°ðúUðÛjúUD@›©úUP&cúUD xúUð“úUD cqúUðAúUDà4NúU È‚úUDÐ%ŠúUÐP>úUÿ@ dúUYlúUDÐ`ŽúU0ÓqúUD€ÄdúU@0iúU°BgúUD ¿úUp0iúU°±úUD ÿsúUÀHŸúU  p’_úUpyzúUD¾ÅúUÐ0iúU ý½úUDPQúUÀ«ÓúUDPåzúUPz%úU2`¼¹úUDÀ 6úU@húUD€UiúU€:]úUD ¼úU@iaúUDÁ»úU0Í'úUDpMúU–púUD°Ÿ‹úUH@1úU @0¡&úU`6 úUDðX}úUÐbœúU P”gúU`âßúUPtkúUDÐÙtúUÀ˜úU2 ¦súUDP¸¼úU |úUD°±úU°.rúUP{múUD ÃdúU £]úUD€þ»úUà„`úU`$cúUDàÃúUàæúU!2023-05-05 09:38:29úU!2023-05-05 09:39:36!6984982¸÷g#!11419733÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q€qWúU1X4iúUÙ¤K…46807 ¡Carol Of The Bells (String Quartet) trad. none Jan Smith Harmonie Publications "Carol Of the Bells" is also known as the "Ukraine Bell Carol" or as "Ring Christmas Bells". The tune is based on an ancient Ukraine pagan chant known as "Shchedryk" which is used as an ostinato 4 note melody pattern within the range of a minor 3rd. It is of prehistoric origins and was associated with the New Year. =búU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#hBúU€ïGúUÔkúU¨m<úUȤjúUè&•úUØì,úUˆcúU èoúU˜µNúU ^úU0búU@[ úUP›¦úU¸lúU¸)fúUÐßøúU¸KaúUðLmúU8±¿úU¸ãÄúU eúU¸TúUøƒNúU¸g8úU¨’`úU0WúU úU¸RSúU°¡júUðÒLúUhÖhúU(†•úUàlúUèvGúUgÝúUX÷úUzoúU„*úU¹&úUˆóúUðž_úUðÊçúUx‰WúUP húUð,&úUûúUxyÚúUÀeúU@]ÔúUH¹#úU0áiúU€‚LúUø'cúUKAúUè.úU(%ûúU@ÅúUà„úUÀhúUˆÏúU€óúUhªaúU¬aúUè¨kúUèQúU˜ãMúU`:@úU0˜`úU(öúUg<úU¨-úU¨lbúUˆúU€ðlúUKgúU˜n<úUˆŒÏúUŠ–úU!0g#Øýg#0;iúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-30 13:01:51!2023-04-30 13:02:01!904688¸÷g#!793366¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q0ØhúU1ˆ=iúUÓG¶M282928!160578¸÷g#QJazz Christmas Jingle Bells for Saxophone Quartet SATB or AATBQJazz Christmas - Jingle Bells (for Saxophone Quartet SATB or AATB)úU!11g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2g#¸÷g#!2017-10-24 22:47:29!2020-02-16 18:16:501J. Pierpont Arr. Ken AbelingXÚëúU!Kenneth AbelingðÆbúU!0g#è÷g#hyeúU!0g#¸÷g# !sib#¸÷g#!630#¸÷g#!0g#¸÷g#1Jazz Christmas Song - Jingle Bells.sib!2017-10-24 22:47:29!74g#¸÷g#!6143¸÷g#!31g#¸÷g#!1.50¸øg#ˆNúU!2017-10-25 00:16:43úU!1g#¸÷g#HeúU!1g#¸÷g#hx5úU!0g#¸÷g#PKÂúU!÷g#¸÷g#p:`úU!0g#¸÷g#¨o—úU10g#Ø÷g#ðOjúU0!2g#8ýg#ÀAiúUQThis crowd-pleasing arrangement of Jingle Bells for Saxophone Quartet alternates between swing and Latin on the verses and choruses respectively. The Soli and Tutti sections will show off the precision of your ensemble. For hundreds of other arrangements by Kenneth Abeling not offered at Score Exchange please visit:!3.00¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!Copyright g#!÷g#¸÷g#Á["369435","192586","150624","201926","202227","150802","101720","201223","362078","158735","365982","166267","177973","131931","173498","138830","94984","394238","403288"]úUh\úU!2020-09-16 20:35:53úU!1g#¸÷g#°ÍkúU!2019-09-25 13:27:32úU1D92088C8-DF8F-11E9-B562-78úUà›úU!336105¸÷g#!0g#¸÷g#!0g#¸÷g#H‰iúU!0g#¸÷g#0ÒbúU!1g#è÷g#ˆeúU!650x841¸÷g# !1g#üg#€FiúU!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2017-10-25 00:34:22!0g#¸÷g#!0g#¸÷g#!5g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#áJazz Christmas - Jingle Bells (for Saxophone Quartet SATB or AATB) J. Pierpont Arr. Ken Abeling Kenneth Abeling Lincoln Music Publications This crowd-pleasing arrangement of Jingle Bells for Saxophone Quartet alternates between swing and Latin on the verses and choruses respectively. The Soli and Tutti sections will show off the precision of your ensemble. For hundreds of other arrangements by Kenneth Abeling not offered at Score Exchange please visit:úU !0g#¸÷g#!1g#¸÷g#À"úU!0g#¸÷g#Q÷úU!0g#¸÷g#201683!2017-10-25 01:50:13!2017-10-25 01:50:24!0000-00-00 00:00:00!÷g#¸÷g#p¡KúU!8660¸÷g#@ÈFúU!1g#¸÷g#201611!3g#¸÷g#p!10.00¸÷g#!7.00¸÷g#ÀÕkúU!10.00¸÷g#pRdúU!7.00¸÷g#201604!0g#¸÷g#p!÷g#è÷g#!0.00¸÷g# !6.10¸ùg#02túU!3.60¸÷g#!0g#¸÷g#°kyúU!÷g#¸÷g#!0.00¸÷g#ÐäaúU±["56618","69304","77380","69270","129189","198148","69295","68623","207781","198364","69311","51267","62448","159059","69315","69310","3","157142","69278","87982"]úU!2020-09-04 10:29:21!1g#¸÷g#!2021-06-22 08:48:00úU12AB73504-D32E-11EB-8D57-66A19A2DDA81151400Ø÷g# tœúUˆúU0{ "GroupOrd" : "210", "StoreGroupOrd" : "210", "StoreGroupID" : "3058", "GroupID" : "22209" } úUÐNiúU!14.3000¸÷g#!2021-06-22 08:51:46AA Serenade for Eb Alto Saxophone KeyboardúU ö @!0g#¸÷g#qOiúU!0g#¸÷g#¡OiúU!3g#¸÷g#Scores!2013-04-09 12:12:56!!!0g#¸÷g#ÀOiúU!0g#¸÷g#PiúU!0g#Øúg#6PiúU!0g#¸÷g#eScores!0g#¸÷g#Count?!2017-03-31 11:43:46úUA{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":212,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"F1587E8A-15FE-11E7-92BA-C03C59F3D238","position-x-pc":"0"}úUdefScor!0g#¸÷g#ZipConve!330#¸÷g#ionFinis1400#Ø÷g#¸¼{úU(¼{úU0!2021-05-26 18:59:00úU!19048øg#è‹júU!2007¸÷g# ½_úU!4g#¸÷g#h?YúU1÷g#Ø÷g#0!sib#¸÷g#x;œúU!250#¸÷g# ¨júU!0g#¸÷g#ÈzoúU1Czardas for Alto Saxophone & Piano.sib!2021-03-06 10:11:50úU!15g#¸÷g#(ÚvúU!4563¸÷g#(ÖcúU!11g#¸÷g#ંúU!Vittorio Monti€‹úU!Keith Terrett !131970¨ûg#UiúU!2022-08-22 06:53:00úU12017-06-13 15:00:26€ÇpúU01Fallen Heroes for Saxophone ChoirúU!56g#¸÷g#,iúU!0g#¸÷g#poúU!3g#¸÷g#Y[úU!1g#¸÷g#@ÞiúU!2014-06-12 03:41:49úU!2024-01-18 02:04:291Keith Terrett Transcribed by Nigel Wood!÷g#¸÷g#úU!2010è÷g#0:‹úU!0g#¸÷g# !sib#¸÷g#ð9‰úU!250#¸÷g#ÈaúU!0g#¸÷g#XˆúU!Fallen Heroes NSC.sib!2014-06-12 03:41:49úU!4g#¸÷g#ø{vúU!2192¸÷g#(•œúU!2g#¸÷g#ø^yúU!øg#¸øg#°qgúU!6356¸÷g#ðmúU!1g#¸÷g#øŠbúU!3g#¸÷g#Ê|úU!30.00¸÷g#šŽúU!15.00¸÷g#¸RxúU!30.00¸÷g#p(múU115.00Ø÷g#p²xúU0!2021-03-06 10:11:52úU!1g#¸÷g# ½_úU!0g#¸÷g#k^úU!122432¸÷g#HIfúU!øg#8øg#Xå‡úU!994229¸÷g#(ŸrúU!0g#¸÷g#h?YúU10g#Ø÷g#˜•!úU0ñMonti’s Csardas for Eb Alto Saxophone and Piano, with s touch of the exotic rumba! 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It should be sung with an earthy gusto. This is a practical version as the words are mostly in english. This means it can be used to put the message across rather than just being an entertaining piece to listen to. Also being practical, there are three versions, as in my experiance, the original key of C#minor is far too high for some singers.UXefúU!1.50¸÷g#(¹]úU!0g#¸÷g#ðbúU!1g#¸÷g#xT‚úU!0g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!Tony Matthews˜ù"úU!1g#¸÷g#˜ù"úU!÷g#è÷g#˜ù"úU!÷g#¸÷g# !Priscilla Jane OwensU!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#ætúU!684397¸÷g#!0g#¸÷g#ИzúU!0g#¸÷g#!0.00¸÷g#€î€úU!4.45¸÷g#èÜŠúU!1.50¸÷g#ÏiúU!0g#¸÷g#øàaúU!÷g#¸÷g#àMkúU!0.00¸÷g#xêzúUÑ["88347","128861","39101","6947","17982","71248","103331","139098","76772","103332","122740","8554","187004","63868","105560","128227","52122","200036","14690","35064"]˜2_úUÖŠúUÐ!1g#øúg#€ÜŽúU!0g#¸÷g#471675q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } !0.0000¸÷g#!2011-05-07 20:32:05úU!Will Your Anchor Hold!0g#¸÷g#534105!0g#¸÷g#À!10g#¸÷g#!2013-04-12 21:38:00úU!0g#¸÷g#à‹¦úU!0g#¸÷g#471641Will Your Anchor Hold W.J. Kirkpatrick Priscilla Jane Owens Clint Higgs Ebenezer Methodist Church Based on Methodist Hymn #634, "Will Your Anchor Hold", this is a new tune set for SATB choir and piano. Light hearted and easy to sing. ênúU!0g#¸÷g#À'húU!0g#¸÷g#502389!0g#è÷g# !0g#¸÷g# °ÚiúUª VlúUDÀÔ¿úUP.ŠúUD&rúU˜=júU0Y úUD4øúUxÄåúUÿ ºúUÐk~úUD€Ì»úUàGþúUDÀúU` púUDPöeúUpZ€úUD &rúU«‹úUDÀ/$úUpž]úUD°HvúUpúUD À>AúUÀ6súUD ŠúUP­+úUà[#úUðokúUàD©úUD gúU ŸÇúU  úUðï4úUÿàÍ úU@…úUD`'ÓúUÀUeúUD IúUÕlúUDðshúUÔ›úUD°ý‚úUPõúUD+ŒúUA1úU @ E{úU DjúUPL]úU ÂúUDð'úU ¤[úUD`ù­úU d úUD È_úUÀ×júUDpðÝúUfúUDÞeúU öúU(Ô!úU @ ÇfúU€(vúUD°¿áúU`ÞúUD°<ýúUÀ–cúUDЛûúUžÏúUDPöXúUØEjúUp%cúUD ZaúUFjúUp[úUD{ÂúUðH‰úUU ‘!úU0yúUDà""úU€8ËúUD0/øúUð*úUD Ý'úUPfúUðòúUDDàúUtkúUD lúU0“yúUD HnúU€Û÷úUD°`ÒúU°É¨úU @]lúU@(‹úUD€ßúU```úU@žLúUNœúUDPƒúU0ïuúU @°ãïúU0g•úUà¡[úUD0gÞúUàcúUD AàúU0¢úUD€0¹úUð>eúUUp &úU qúUD ÅÂúU =þúUD0ùÌúU0LJúUD@hÛúUÀN‰úUUpr!úU @*úUàwúU° qúUð–°úUD°X©úUwªúUDà=`úU_}úUD°u¿úUðHjúUIjúUàI‰úUUÐd1úU8IjúUPÄrúUDP–ÊúU€°túUD p]úUÀqúUD°ðqúU@"púUD0§]úUð-ŠúUD`ØÅúUC1úU @`¼‡úUàIjúUhÖvúU€t{úUD0œÉúUP3úUD€™úúU(JjúU[œúU  V"úU`·ÿúUDœøúU°œvúUD†eúUÐùŒúU €eúU@zúUD0ô­úUP¸SúUÿð ˜úUÐJjúU˜ÈkúU°bœúU  a~úUÀŠŽúUDð)dúUKjúU°Q|úU0˜vúUD ÖßúUðGÎúUDÀ«œúU°¶úUfàý$úUxKjúU VúUD°³‚úU`úUD@ß_úUà¼úUD ùÌúU¾ÆúUD P³¦úU·úUDàô»úUp²ŸúU2 LjúU |húUD`)âúUÐÀ€úUD0âúU&‹úUD@˜¼úUÅÁúUðâúU2à°qúUD:rúUP»ŸúU"ð±]úU°gúUD°ð·úU€ª^úUD ÉúU öúUA MjúU`ö&Y#A NjúU NjúU'Y#'`MjúUAÐNjúUÐNjúU`a'Y#¯g‡`NjúU NjúUAàMjúUz'Y#È1ð=gúUð=gúUÐõ&Y#A€PjúU`a'Y#¯D€;gúUÐNjúUANjúUz'Y#Èa€;gúUNjúU°ô&Y#·Þ=gúU°=gúUâÛóAˆOjúU( 01write_chunk_eofNjúUa¸—ÑúUø–ÑúU߈ŒÀúU1àFTY#<¸—ÑúUA/usr/share/perl5/vendor_perl/Net/HTTP/Methods.pmA0\'Y#°A =gúU1ðPjúU0QjúUÐõ&Y#ApQjúU`ö&Y#A@>gúUÀõ&Y#‚ðPjúUA UjúU`a'Y#¯E@>gúUAðQjúU`ö&Y#ApRjúUpRjúU'Y#°QjúUAàUjúUàUjúUÀõ&Y#pTjúUA°RjúU@ô&Y#AðRjúUpQjúUÐc)Y#IðQjúUpRjúUA UjúU°ö&Y#¦°RjúUÀPjúUA UjúU UjúUÀõ&Y#ðRjúUa°QjúU0SjúU°ô&Y#·ã€>gúUÐSjúUâÜóA/usr/share/perl5/vendor_perl/Net/HTTP/Methods.pm™cúUA †cúUÀõ&Y#¶ pSjúUpƒcúU!$self¸÷g#A VjúU0 'Y#€1úUàòsúUˆz¾úU 7~úUèU]úU¨}úUU]úU€(úUÈ ÂúUpÈÉúU ýúUxY'úUP¦ñúUÇÁúU ÂúU˜@±úU¸vúUHÂúUdkúUxf™úUø·õúUÈ>‹úU86(úUXŽúU8¿·úUØq•úU(#€úUè½ÁúUøFúU0•WúUÂ]úU¸µõúUŸúUزúU˜HaúU@X|úUði}úUxFaúUð4–úUH8~úU¸üÚúUpUúUHŽÑúUX^úUØÞ6úUðÈIúU`}]úUHR]úU9ÑúUHŽÑúU¸ÃkúUعÁúUÀé°úU¨‚¼úUPd_úUˆ<ÂúU¨éoúUx~‹úUgúUˆÂúUhâúUHÂúUx9ZúU` ]úUxuúUÿxúUXCÂúU0.úUÅÁúUÈúúU¨eúUàzúUXÝtúU0SêúUèU]úUðÖjúUعÁúU˜JúU8\ÃúU`–ÀúUH¾’úU@ž~úUÈþˆúU¨ÂúU°Õ$úU¨µúUˆÏŽúU(†›úUÈfFúU¨TåúU@ÅiúU¸ÂúU8QúU°˜!úUX„gúUXÕ€úUØ ûúU˜Š‹úU¸ïhúUعÁúUè<3úU˜¶ÁúUˆÄ®úU¸V]úUHø!úUøúUÈÓGúU¨ýúUg¸úU@GúUØÛ.úUàNwúU¸ŽHúUyúU¸&*úUènfúUˆ<ÂúUx´búUU]úUÐ^úUH§¸úU0 núU¸ŽHúUàòŠúU0•YúUX„gúUX°úU˜¶ÁúUpß›úU(+]úUØ·~úU¨P]úU`0}úUhúúúUÛˆúUH§¸úU/ÔúUÀÏáúUˆ¹TúUPv¾úU¨‚¼úU’ÍúUPºÜúUØ'òúU0åÅúU˜öúUðúUH©kúU˜Š‹úUˆ¯úU¤_úUȆ‹úU87{úUP iúUhŸúU°/úU(Ý»úU¸¥{úUÐwŠúUXd^úU ½‚úU !úU¨ºÁúUàgúU8ÁþúUàEúU0>júU˜z™úUàÿúUÈk¸úUÈ={úUØífúU¨ÂúUðéúúUg¸úUÐódúUàzúU¸ÈÁúUX]úU4€úU¨ukúUPCøúUx~‹úU úUØÃúUÐËmúU8]úUȆ‹úU`†zúU¨‚¼úUÀxÐúUÃÁúU(ädúU¸ŽHúU°\²úU…túU¸ÂúUp{›úUøúúU •iúU¨ šúUhùúUÈ ÂúUø cúUˆÀÁúU@ì&úU˜>úUpü~úUØ|úU_|úUx%úUâÑúUˆz¾úUœšúU¸sEúU Ÿ%úUØDÂúUˆ¯rúUCkúUèÃÁúUpXwúUx*€úUhíZúUèÎ.úUЬÛúU˜ ÂúU€YðúUZ]úU={úUH§¸úU(:dúUˆz¾úUP[uúU¨êzúU8±<úUàÀhúUÈÓGúUxNaúUÈ ÂúU8YÏúU¸&*úUàQ]úUXÂúU¨B{úUDÂúUhúU( ±úU¤^úU(íŒúUhY›úU¸ÂúU@ qúU[úUhLØúU˜ù"úUè9úU¨ÂúU¨†zúUXY]úUHá®úUpÑsúUx]µúUè1~úU!W.J. KirkpatrickniúU!Clint Higgs#xêzúU!2003¸÷g#ÏiúU10g#Ø÷g#0!sib#¸÷g#€‰žúU!285#¸÷g#èJ¬úU!0g#¸÷g#ÍŒúU!÷g#¸÷g#o'úU!0000-00-00 00:00:00úU!5g#¸÷g#è„'úU!5769¸÷g#æžúU!2g#¸÷g# ðžúU!1.50¸øg#ætúU!2011-05-07 20:31:57úU!0g#¸÷g#0-€úU!0g#¸÷g#@kvúU!70870¸÷g#€î€úU!÷g#¸÷g#XO{úU!1g#¸÷g#ÏiúU10g#Ø÷g#˜2_úU0!4g#ùg#˜%‚úU‘Based on Methodist Hymn #634, "Will Your Anchor Hold", this is a new tune set for SATB choir and piano. Light hearted and easy to sing.!2.95¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU1÷g#Ø÷g#˜ù"úU0!2.95üg#PšjúU!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!Charles Wesley!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸ùg#À(_úU!0.00¸÷g#!2.95¸÷g#È¡kúU!0.00¸÷g#!0g#¸÷g#p•}úU!÷g#¸÷g#XìwúU!0.00¸÷g#è¬~úUÁ["88347","128861","6947","39101","17982","71248","139098","103331","103332","76772","63868","8554","122740","128227","105560","187004","14690","200036","35064","52122"]Ð`úU!2020-09-02 18:41:22úU!0g#¸÷g#10000-00-00 00:00:00úUhJuúU0!1g#úg# !0g#¸÷g#q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } kúU!18.2400¸÷g#PZúU!2011-06-10 14:14:3924!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#àZdúU!2013-03-15 18:15:06úU!0g#¸÷g#502404!0g#¸÷g# !2017-06-09 17:10:17!0000-00-00 00:00:00úU!÷g#¸÷g#0è~úU!143047¸÷g#44136410g#Ø÷g#6{úUA¥úU0`=júUª¬YúU  œàúU†úUDμúUPæ`úUD`ƒúU`$uúUD€lúUŸŒúUD€™lúU júUˆp°úUUPYúUTmúUDÀ=®úUÀikúUDKÁúU $uúUDàU1úU`,‹úUD`#"úUpkúUDðúúUðÄVúUD€ XúUíõúUDÀB`úU€úUDp¢uúU æúUDÕÅúUð¾oúUD@þ‚úU`[gúUD `1oúU0#cúUD o‡úUà¡júUHP|úU LúúUD ó/úUàD_úUD§]úU(¢júUð-›úUÐùgúUDðçsúU° œúU" ™dúUD`>rúU E"úUDð[aúU@¨[úUDÐu‰úU°qúUD°’ÜúUТjúU02ÜúUDpbGúUpƒ|úUDPŽ|úU]}úUDð3àúU!±úUDðÜúUŽŽúUD€â_úU ËRúUx£júUØTúU0šÐúU'úUD`…ùúUz"úUDà]˜úU0vÓúUD øúúUPŒ±úUDðþ­úU ²úUD WqúU0ÙwúUÿ0¡úUðÐúUDð$#úUeúUD°sdúUí_úUDξúU lúUD`PúU`·úUD õÔúUP_múUðé—úUD°Ì<úU fúUDpÔÒúUðmkúUDð#)úUàž]úUD &úU€¡]úUDàw|úU`‚eúUD ’ÜúUðÄcúU –°úUDàÑžúUˆ¥júUH| úU` dúUDàÆpúU òÅúUDàP¯úUyzúUDã€úUp dúU`ŽhúUDð¿múU@cúUD —wúU ôöúUD•úúU¯YúU  PÄeúU„úUDÀjœúU@€úUDqqúU¦júUÐ1úUD`Š[úU`K!úUDPŸ©úU`f}úUD@÷súUÉ]úUDàÊßúUŽúUDð˜úU€ñ{úUDj‰úU Ú~úUD¿úU°CoúUDÊúUÐÌnúUD@‘XúU°öŒúU @@Ü}úUpúUD€ëîúUæàúU  M®úUð{|úUD€ÛeúU°ˆ‹úU`½YúUDÐ}ÉúU°caúUD0ápúU(¨júUý<ˆ:eúUU0’4úUÀËjúUÐnïúU2ŠúUDþ»úU`¡vúUD0"úU@XlúUD°Ï»úUÐe}úUDponúU _—úU öúU ÖlúUD`ÀúUp™ÁúUD@K`úUpDúUD`´ÊúUpuúUDp·ÅúU€kAúUD ¢)úUèE1úU @ð dúUúUD0CúUÐѨúU  @ÜgúUÀÑúUDÀûïúUàfúUDÀ¶húU±túUD ²àúU¶oúUD@wúUàËfúUD %¼úUiiúUDP`áúUÀœúUD°u®úU€1ŠúUD;úU@ÂqúU €piZúUK†úUDàëÔúU ­YúU ðÖ¿úU Ð9úUDð‡PúUàSúUD í úU«júU0búU(«júUˆ=~úUÊ€úUD€¾šúU ²úUD`Á¿úUë_úUD`ÃpúU°ˆYúU €0ωúUПwúUD0:júUPêbúUDà éúUµtúUDûsúU [úUD°ûòúU`{úUDàúUðÑúUDðáñúU ýúUàõÇúUD@øúUpC*úUÀÒ°úU@‹ŽúUð{lúUDàõúUàMUúUD€rgúU`Ë"úUD@ø»úUجjúU°~YúU0ÂúUDI¯úUPË"úUP|úUDðdŠúUðê_úUD Û`úU skúUD ÇúUð?úUDÀ[úU`ê«úUDðwúUPL]úUð`úUDУÊúU@³fúU €àémúUà­júUîŒúUࢊúUDƒ¼úU`¸oúUD ÜeúUÐ*úUDµhúU€ QúUD 1gúU '…úUD0êÔúUp®júU ‹úU@AnúUDPɳúUÀÖlúUDàoÏúUà„`úUD`ª)úUðW€úUD æÃúUõÓúUp{úUD€€úU‚eúUD€PàúUÀüiúUD pÕßúU°BoúUDÀœ¼úU iaúUD€—wúU°&vúUD°)dúUÅÁúUÐU'úUDPhÅúUâúUD€bîúUN‰úUUp<&úUˆ¤yúUh¡§úU袧úUˆ¢§úUp¡yúU¢§úUÐœ§úUð§úUˆ¡yúUàž§úU€ž§úUøž§úU¢yúUð¢yúU@¡yúUx ¨úU蟧úU0 §úUÈž§úU`¢yúU¸¢§úU£yúU˜ž§úUТ§úUÈ¡§úU(¡yúU¢yúU¡§úUX¢§úU° yúU ¢§úUÀ §úU8£yúUp¤yúUاúU` §úUÀ§úU¨ §úU€£yúU蜧úU˜¡§úU@¤yúU€¡§úU ¡§úUP£yúU@Ÿ§úUhž§úU¡yúU£§úU §úU¸¡yúUP¡§úUСyúU¸¤yúU ¤yúU8¡§úU@¢§úU §úUp¢§úUØ §úUH §úU¸Ÿ§úU(¢§úU`§úU œ§úUø£yúU0¢yúU£§úUࡧúUH§úUpŸ§úU ¡yúU ´júUP–úUª´júUPý†úUD@mZúU`H†úUD xúUp­yúUDÀ‹ÓúU U0úUD SúU0íÈúUDðZúU°4§úUDð[úU¸´júUð©ŠúUD Q§úUè´júUPÿ†úUD°t9úUT†úUD…ZúU0D‚úUD@ŠúUHµjúU;,úUDvúU°ÍqúUD€€úUpDnúUDPsúU ’NúUD`vúU å%úUDpsúU@4§úUD0ó[úUà‘\úUDàʦúU 7§úUD0½ úU04§úUDó[úU©yúUD€V§úUP4§úUDPó[úU 4§úUD0ò[úU0O†úUD@oZúUðþ†úUDw\úUpO†úUD°b9úUÀ:„úUDÐvúU :„úUD°vúUP°ƒúUD0vúU:„úUDðvúU°;„úU@<„úU°”\úUD(\úU;„úUð™uúUDàúU€;„úUÐÒbúU pq9úUзjúU <ð;„úUDpvúUP;„úUDPvúUÐŒ\úUDɦúU’\úUD@˦úU°yúUDô[úUð´ŸúUwàƒúUêÁúU ©yúUD V§úU¨¸júU4§úUDò[úU`4§úUD€ñ[úUБ\úUDÀ‘§úUð6§úUDð˜ƒúU0˜\úUDä¦úU€5§úUDÀò[úU <„úU@˜\úUD°ä¦úUp˜\úUDå¦úU˜¹júUp°yúUD°ó[úU5§úUD°ï[úU€°yúUDÐó[úUà4§úUDpï[úUЯyúUD™ƒúU ¼ƒúUDðuúUÀ4§úUD ð[úUЩyúUDp2núU5§úUDP2núU€˜\úUD0å¦úU ºjúUÐ;„úUDuúUÀ`§úUD@ÍjúUð4§úUDï[úU ¯yúUD`ñ[úU`°yúUD°2núUP°yúUD2núUÐ4§úUD@ð[úU°yúUDðó[úU °yúUD`˜ƒúU°°yúUD€˜ƒúUÀ°yúUD ˜ƒúUаyúUDÀ˜ƒúUà°yúUD›§úUð°yúUD°›§úU±yúUDЛ§úU±yúUDð›§úU ±yúUDœ§úU0±yúUD0œ§úU@±yúUDPœ§úUP±yúUDpœ§úUàLŸúU ð0núUµŸúU2ȼjúUPäúUM†úUD ÚÔúU0ÔbúU  eiúU€Ø&úUD`húU@b7úUD@ßyúUY§úUD°à¦úUþÒúUD@'xúUðíSúUD„¿úUðM(úUD gúUpH†úUD`ÙÔúU@Á€úUD€Æ~úUÐ1úUÅÁúUÐDúUDàyúU`;„úUD…KúUÀ(úUD ÝyúU°K†úUD0ñÔúU ^§úUD`h§úUÐ’uúUD@húU¾júU¨¾júU ý†úUD€mZúU 2úUDÀbúU :ÌúU°&%úU2ßúUDàlþúUð3,úUD@vúUpl$úUDpÞyúUÐý†úUDnZúU€¿júUà¥wúUD€6múU°¿júUpFúUD P£úU¸¥súUÿ ë·úU°ß8úUD°ÝyúUðƒúUDhúUÐCúUD@'¥úU@ÀjúUXÀjúUÈ·júUÀ5§úUD6múUàFúUDÐÞyúU`î_úUDð*ÃúU0ÑbúU P‚ZúUÐÀjúUbúUèÀjúUÐ<„úUÞúUDàßyúU0ÁjúU:„úUD@‹KúUðZ§úUD`Š§úU–KúUDrúUO úUD0µhúU€9„úUDb9úUð+…úUD 'xúUðHgúUDÀßyúUðÿ†úUDo9úU`‹NúUDàtúUÐ8§úUDàpZúU@­ðúUD`uúUý†úUDmZúUàý†úUD mZúU Ö&úUD€húU0þ†úUD nZúU0ŽkúUD`'xúUÔúUD0dúUåJúUDðÝyúU +…úUD'xúU0G†úUDxúU°85úUÿÐÄúUp¡EúUD€vúUpåNúUDñkúUàcúUD0túUŸÖúUDðrúUÀvÅúUD0súU ½*úUD€úUÿ†úUD oZúU`ý†úUD mZúU ÄjúU‘example for beginners of a closed music structure as a basis to improvise and play in diffferent ways combining both hands.úUØ$úU!1.50¸÷g#@aúU!1g#¸÷g#@]"úU!0g#¸÷g#0KNúU!0g#¸÷g#PÓ/úU!÷g#¸÷g#úU!none¸÷g#X‡0úU!0g#¸÷g#ˆúU!÷g#¸÷g#PÒúU!÷g#¸÷g#€WúU!÷g#¸÷g#@Ò8úU!1.50p™„úU(, úU!2011-05-06 23:07:49#!0g#¸÷g#olo inst!0g#¸÷g#ith peda!25645¸÷g#ss='pric!÷g#¸÷g#usd='1.510g#Ø÷g#v>
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Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite. More than a half-century later this song was recorded by Italian-born tenor Sergio Franchi on his American-debut album, Romantic Italian Songs (RCA Victor Red Seal, 1962).[1] In only three months, Franchi's album of mostly Neapolitan favorites songs placed number seventeen on the Billboard Top 200.[2] Thirty-six years later (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.àA/usr/www/resources/ADAP3/GenericObject2.pmt-715@!0g#xùg#:ÏúU!÷g#¸÷g#(CgúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#È|úU!1.50¸÷g#!0g#¸÷g#!0000-00-00 00:00:00#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#10g#Ø÷g#0!H2úU¸÷g#core', '!0g#8øg#!0g#¸÷g#(CgúU!1g#¸÷g#10g#Ø÷g#P ÌúU0!0g#øg#~!0g#è÷g#!623117¸÷g# !2015€„úUiÿúU!0g#¸÷g# 10000-00-00 00:00:00minderSentt0!2g#`ˆ úU !0g#øg#ores WHE!1g#è÷g#!0g#¸÷g# ø›3úU(œ3úU°›3úU›3úU¸œ3úUpœ3úU€›3úU@œ3úUÈ›3úUœ3úUˆœ3úU3úU3úUh›3úU œ3úU=‹úUAÐÔjúUÀÌßúUÀõ&Y#&ÈúU1Jan Smith(úUtryCodeesúU0¡€TxúUè¼lúUø±úUà­›úUˆsúUû}úU@‚úUÖ%úU avúU%E° kúU !0g#ø÷g#14g#Ø÷g#0è½ÁúUغ]úUØGYúU¨ukúU ÓcúU(ƒÞúUÈÓGúUpÎÉúU¨‚¼úUPbhúUZ]úU¨•úUØ•¼úUppvúUZ]úUØTaúU˜ýúU¸Ê"úUøÛ)úUç®úUÈ ÂúU kfúUˆ¹TúUÈãwúU( ŠúUˆ­úU(ßqúU€n|úU¨ukúU8pŽúUø„þúUhŸúU8½úUx¸TúUÐhÜúUˆ¿ÁúUPˆdúU@koúUhÐúU`ÇyúUx»ÁúUh7ÉúU8{™úUˆ[ŠúU8ë”úUË¥úUÅÁúUP«júUX\vúUxFaúUÐcúU˜öúU8X‡úUعÁúU€¼yúUxÂúUÑ$úU`å‰úUèÌfúUÀ¢8úUHÂúUp¶núU8Ô.úU¸¤ƒúUx~‹úUÈ^‡úU˜á)úUï‰úU(SúUȆ‹úUðé úUØDÂúU8à€úUx ÄúU˜>3úU˜>úU°kúUˆ¿ÁúUèŸðúUx»ÁúU8m@úUø=wúU¨ºÁúUš`úU@û}úUŸúUúUÐTÏúUÈÇèúU€lúUx—¼úUð¯úUø¸ÝúU8çoúUDÂúUkúUÇÁúUàLaúUO:úUXÏ´úU ýúUh}TúUofúUÈk¸úU¨}úUH›™úUh=¯úU¨µúUð•úUøúúUˆÉŽúUð ‚úU8[™úUàÌcúUèÎ.úUq†úUÅÁúUèúU(ÂúU]kúUè^^úU¤^úU@uúUèÎ.úU(.iúU¸V]úU0–œúU¸`úUxY'úU ‹úUx ÄúU^_úUøÛ)úUð·púU¨eúU`ÓŽúUÅÁúUÐ cúUØDÂúU@QeúUpr|úU˜Š‹úUHc_úU(£ƒúU`Ú‹úUÀÁúU¸ý{úU¸ŽHúU•~úU˜á)úU€€úUèEVúU°~ÈúUø¸ÝúUÀuÐúUÃÁúU¯úU¨GáúU`é0úU8u6úU˜ÄúUÈ ÂúUÐÑúUØÃúUàäqúU@1ŸúU¸ŽHúU`€zúU¸ŽHúU8ý^úUx%úUÈX‡úU`úU¸«^úUè‹úUP8ùúUÂúUPúUH9gúU@ÛÐúU˜ ÂúU8µnúUp>íúUèÃÁúUÀ5*úUh·ÁúUè+wúUPiúUˆ¹TúUH§1úUx*€úUPZŠúU¸V]úUжŠúUÐÁúU¨°™úU™-úU¸NuúUxFaúUÈ`núUg¸úU8ñóúU`3€úUn¸úUÐvúUˆÂúUˆ"úUˆ¼KúUÈBúUäDúU8u6úUÚvúUxÁÁúUXIÃúUxÂúU`LMúU¸,ÞúU86(úUç&úUXÎsúU¨ºÁúUðusúUŸúUàÁŠúUêÁúUpVyúU¸ŽHúU@crúUh2ƒúUØÑúU`rÐúU°ðeúUlòúUè #úU¨µúU`¶rúU¨‚¼úU†lúUhO]úU ¼kúUx»ÁúU°³‡úUg¸úU(ÈúU˜á)úUé°úUˆ¿ÁúU—‰úU Ï…úUˆ¹TúU°¼kúUh}TúUZkúU˜ŽäúUøzàúU¨GáúUÈW[úUÇÁúUp1wúU¸ŽHúU€òŠúUˆ¿ÁúU¸ñ‰úUx~‹úU ¹‡úUØFfúUn¸úUPgŽúUêÁúUð1úU @Ð>'úU„lúUDpÍiúU°{|úUD%¿úU®‰úUD`ÃÑúU [éúUD ùjúUà•uúUDà6½úU Ü…úUD°Z]úU Ê^úUD ¦qúUϨúU  `ìaúU•úUDpA®úU€ŽxúUDà!úUð_úUDð®¹úU=%úUDÁ¿úUÀ1úUDPëqúUêÁúUÊkúUx{4úUèz4úUˆÃ,úU°Ð3úUÀÒ4úUÒ4úU¸Ô4úUÓ4úU0Ò4úUèÔ4úUàI5úUØE5úU`K5úU(J5úU˜Û6úUK5úUÀà6úUà)6úUHæ6úUðà6úUø[8úU`æ6úUðc8úUàd8úU 9úUød8úUè9úU€9úUà9úUHZ8úUX9úU@9úUàß9úU˜9úUÈë9úUØÞ9úUxí9úUxá9úUˆ~HúU¨í9úUˆ2IúU|HúU6IúU¸2IúU&úU˜ç%úUPø%úU€õ%úUÀñ%úUÈÞ%úUð£%úU¨\$úUh˜%úU8]$úUP}&úU €&úUè@&úUP¡%úUè'úUXù%úUß'úU`ˆ&úU‹&úUh'úU‹&úU` 'úU'úUP'úU€ƒ&úU€L'úU0'1úU})úUx 'úU°L'úUP³$úU¯‡úUЖ‰úU^%úUÈð‰úUˆoúU˜Ï$úU`êlúUº"úUñŒúUp(wúUجaúUÐ…zúU ZbúU(r‹úU`J"úUÈ’súUس&úUÑcúUúaúU8“úUx΋úUð[rúU ŽúUˆáiúUH qúUˆÃuúU¸'lúUƒúU efúUÀcyúUHÿtúUÀ#wúU¶úU€ü‰úU0oŽúU½[úUx‰^úU@é«úU:…úUPå«úUŽdúU8ÐÉúU¨ÂÏúU0QÒúU@tÜúU˜K\úU ¨½úUÈ¡ŸúU lúUàŠÝúU¬ÃúU¸ÉŽúU aÓúUàsúU÷ŠúUÀE5úU iùúUHýúU0ƒ÷úUØ«úUPñúU˜-òúU`^ÄúU¸YúUÀ"úU@>kúUHˆúUHH¬úU`™¿úUH‡ÅúUànàúU“œúU`PpúU˜ gúU(OËúUX¿ØúUh»ØúUˆÓúUxM]úUÐèÊúU€[_úUR|úUP×súUØ/ÚúU`6'úU8›;úU5SúUðŠ[úUNTúU8j%úUÈ_KúUÐBEúUP'úU˜PðúUÀŠFúU°æaúU¸öëúUhí úU°ÎGúU(ÔúUx°íúU"oúUPDúU0'?úU\ŠúUˆ+¿úU¸ÔúU@å©úUivúU^9úU€UúUø¹NúUø°DúUÀúúU¸UúUà:ºúU¸ëIúU˜]»úUPuúUHUúU¨ÚÙúUUúU@üJúUHpžúUW»úUÀ8OúUŠ³úUhw}úUÀ°iúUà=ºúUÀvúUP?¡úUXr·úUèQQúUøµúU ÷6úUÈ’¼úUÈk·úUÀÑúUتiúU¸ˆ³úUfµúUHl@úUP¼lúUXbUúU@o·úU)¡úU@@úUèôƒúU [»úU×O447837qÐ*dúU`ÉnúU 0ç‡úUØÖkúUôO,447830!ð/ƒúU@+kúU00Û`úU(×kúU ƒ˜524531Á @ŽúUÀzúU 0 çúUx×kúU¤:n4524528Á`Ñ~úUpË~úU 0àŠpúUÈ×kúUhýèi506145!à&cúU‹púUp0àË~úUØkúUÐ…k502354!ð/ƒúUàÑkúU0`4núUhØkúUhQY502343! ã~úUðÿŠúU`0À ˆúU¸ØkúU¤ïÿ4478061pž‚úU€Ú|úU 0°é~úUÙkúU”É ~447788!À[lúUàé~úUp0à+ŽúUXÙkúUÑá447764‘`A|úU€ súU 0ÒˆúU¨ÙkúU(¹°ô447761qðŠ}úUðxúU 0À+^úUøÙkúUÒàŒ„447739!à,^úUð+^úUÀ0  súU!ADAP3::SQL502311q˜9úU ( |úUž(¿1úU1SimilarScoresIDsJSONmilarScoresIDsJSONá 0àNúU18eúU (°Û{úUHPTX,0 _`\`#(ðø$( !( ë¯úU28 @/4úU #(  JP €úU 8@ ¨°À»úU(    #(A/usr/local/share/perl5/Text/Unidecode/x67.pmU@ô&Y#A8ékúUÄPÉText/Unidecode/x67.pm!Zui €‡úU !Que ¬)úUàêkúU1Dang Ø÷g#`0h¡úU8úUГúU ’úUP’úU€’úU°’úUà’úU“úU@“úUp“úU “úUúUðúUx‘úUèúUØ‘úUhúUðúU(úU˜úU` úUXúU#úUH#úUXCúU€¹aúUHJpúUPÀúUàQÃúU D‰úU+IúU0DúUà3ÀúUÈüVúU0èPúU°ÖzúUˆ=úU€@@êkúUPëkúU@ô&Y#¡pMkúU¸÷g#@ô&Y#aàXúUÀékúU @êkúUàMkúU@ô&Y#!Fei ð ÎúU !Chu pékúUàêkúU1Ji #Ø÷g#`00!÷g#ðNkúUÀõ&Y#!÷g#¸÷g# !Ci #íkúU€1Sha Ø÷g#@0!1g#0ìkúUÀõ&Y#!61.53¸÷g# !Eburi Ъ)úU€1Za #Ø÷g#@¸÷g#0!0.00%úU°ô&Y#!0000-00-00 00:00:00!0g#¸÷g# !Lei àëkúU1Ke #Ø÷g#@öLúUÐîúU0!Gavin­ïúU !øg#ðjúU !÷g#¸÷g#1÷g#0kúUgÎúUÀœ;úU0!gw.musicprep@gmail.com!0.00ðþfúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0g#¸÷g#524190!0g#¸÷g# !0000-00-00 00:00:00!0000-00-00 00:00:001¸ïkúUà°îÙoqNO TE VAYAS DE NAVARRA (Pasodoble - Jota) Ignacio Román y Rafael Jaén Samuel Hernandez Avila !IEQLrencyID!["250982"]g#€Œ5úU!2020-07-31 14:16:09úU!0g#è÷g#foúU!0000-00-00 00:00:001øðkúUI¶à£{!0g#(úg#ˆXúU!0g#¸÷g#P‘XúU!2017-06-14 18:48:34úU!190#Èùg#Ø$XúUÁ["38703","158139","10673","198449","520561","158361","187760","170802","150677","194376","504577","182257","15560","194020","203811","22676","133669","145063","151791"]F1úUˆF1úU!2020-09-23 20:18:04úU!0g#¸÷g#Ñ1úU!2019-09-25 13:43:52úU1215EE10A-DF92-11E9-B6D0-78úU¨&2úU!8147¸÷g#€ úU!0g#¸÷g#(øg#!0g#¸÷g#@ÎúU!0g#¸÷g#z' data-11g#Ø÷g#ÎúUÈ÷g#0!0g#àsuúU10g#Ø÷g#P¿úU0!0000-00-00 00:00:00!0000-00-00 00:00:00Q1€úU1ˆôkúUc®³325146!328818¸÷g#!0000-00-00 00:00:00úU10000-00-00 00:00:00˜RYúU0!The Sound Of Music!guybunce@hotmail.comU!B33th0v3n22# !57g#ðº?úU !583216¸÷g# !17408(øg#8LTúU!1g#¸÷g#¸FWúU!0g#è÷g#³5úU!÷g#¸÷g# QGlenn was the principal flute of the [[http://www.osv.org.ve|Venezuelan Symphony Orchestra]] for 30 years and one of the founding professors at the world famous '[[http://www.elsistemausa.org/el-sistema-in-venezuela.htm|El Systema]]' in Venezuela. He has dedicated a great deal of time in re-editing a vast amount of the standard and Latin-American flute repertoire, making it much easier to read and adding his own articulations, ornamentation and breathing suggestions. You will find his [[/search?uid=247|flute editions]] to be very helpful with your teaching.éúUP!2.95ð3oúU !0.00¸øg#ÈðæúU!2014-02-20 18:39:35úU!0g#¸÷g#À£úU!1g#¸÷g#öŸúU!0g#¸÷g#`ÎúU!÷g#¸÷g#xwMúU!0g#¸÷g#XƒúU10g#Ø÷g#°ÕúU0!1g#húg#!0g#¸÷g#pÞDúU!0g#¸÷g#À½‹úU!1g#úg#MoroccoúU°^úUH§¸úUø>xúUh¸þúUð­^úUˆHVúU`IeúUx¸TúUHscúU(ä‹úUhgkúUˆÀÁúUðÆ!úU¨eúU(,ðúUg¸úUÈKúUÇÁúU†^úUø¸ÝúU˜mñúUBüúUÈÓGúU°ºúUÂúUãqúUH©úU˜ù"úU°·xúUÈÓGúU°ˆúUøúúUp)vúU˜ƒÓúUø[uúU¸9‹úUH&úUˆÜqúUZ]úU8-õúUø¸ÝúU¨„dúUx»ÁúUè ƒúUˆÀÁúU¸üúU`csúUn¸úUØ)iúUèEVúU1wúUHR]úUðÈhúUÄúUa²úUØDÂúUhóúU˜ ÂúU@)›úUx¸ÁúUÀ¯úUpHcúU¸ÈÁúUð~€úUXY]úU7œúUhO]úU`ÓóúUˆ‰wúUˆ¹TúU°gŽúUHR]úUðýúU(¹ÁúU÷¦úU(júUH&úU(WúUx—¼úUÈIúUX³ËúU€¦ƒúUøÛ)úUØeÁúU¨‚¼úUótúUx~‹úUø“úU˜Š³úU0ùSúUhdnúUhCmúUX~úU(ä‹úUpé®úUHÂúUøZŽúU(Ý»úUoúUà¨>úUèôúUðt¹úUÈ ÂúUЄ úUØŠúUCúU8 kúUˆ¹TúUPZbúU¨.!úU˜ƒúUXa™úUÈÚsúUØDÂúU¸ðdúUHyïúUè‰8úUˆ<ÂúUX ŽúUpÆúUlòúUhÏïúU¸5ÒúU¤^úUH5úUø˜°úU°3XúUxoòúUŒúUØ%0úU ü~úU(BúUHF™úU˜&zúU igúUÂúU0 vúU˜\™úUðgúUˆPúU¨ÂúUÀ¬…úUÈTmúUØ·~úU‘óúUèˆúU¸«^úU@ídúU°ÐúUn¸úUßDúU8#úUh4¬úU`=-úUýÁúUàyúUXHHúUhŸúU 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Помарнацкий0!0g#¸øg#(W:úU!0g#¸÷g#XÏEúU!1g#¸÷g#8|`úU!0g#¸÷g#ÐÜGúU!÷g#¸÷g#ØÖ0úU!0.0000¸÷g#°¨PúU!2019-03-25 15:13:19úU12019-03-25 16:01:34úU0áDas Prelude ist auch in dem Sammelband 12 Pop-Preludes Easy to Moderate enthalten (s. Notenkatalog). The Prelude is also available in the collection 12 Pop-Preludes Easy to Moderate ( see score Catalogue).°¾æúU!2.00¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!www.eckharddeppe.de!÷g#¸÷g#Á["126090","207204","197482","116098","370024","163986","485608","69629","119621","138656","124314","156275","4251","131","128851","86989","133","1181","193268","368793"]*úUúU!2020-09-10 11:51:43úU!1g#¸÷g#ˆiQúU!0000-00-00 00:00:00úU!÷g#¸÷g#XÏEúU!0g#¸÷g#8|`úU!0g#¸÷g#8@íúU!0g#¸÷g#!0g#¸÷g#ÜûúU!1g#¸÷g#10g#Ø÷g#É5úU8$þúU0APrelude 11 From 12 PopPreludes Easy to Moderate‚7úU!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!0000-00-00 00:00:00úU!0g#¸÷g#°óúU!2g#¸÷g#471862!Prelude 11 ( From 12 Pop-Preludes Easy to Moderate) Eckhard Deppe Das Prelude ist auch in dem Sammelband 12 Pop-Preludes Easy to Moderate enthalten (s. Notenkatalog). The Prelude is also available in the collection 12 Pop-Preludes Easy to Moderate ( see score Catalogue).4úU!0g#¸÷g#481364!0g#¸÷g# !0g#¸÷g#!0g#¸÷g#`4LúU!0000-00-00 00:00:00úU!÷g#¸÷g#481349!0g#¸÷g# !0g#¸÷g#!0g#¸÷g#ëNúU!545803øøg#Àb©úU!0g#¸÷g#471819!0g#¸÷g# !0.00¸÷g#!2.00¸÷g# ¯JúU!0.00¸÷g#`¡@úU!0g#¸÷g#481296!÷g#¸÷g#p!0.00¸÷g#1650x919зlúU0ŽIúU ˜3úU0ø´ËúUèµ7úUøúúUH×qúUg¸úUxsúU8þúU L]úUÐß^úUhŸúUÀˆúU QnúUhÂúU™~úUÈ ÂúUð¬aúUrgúUH&úUPÞoúUÇÁúUà¾QúUXCÂúUà°‡úUXQ]úUÐãjúUhO]úUè€úUŸúUø~ˆúUˆÂúU¨nvúU¨—úUPŸúUHÂúUè„'úUÈ ÂúUˆÕèúU¨¹&úUH3kúUL7úUøÑKúUØ'òúU8mƒúU¸&*úU frúUxÁÁúU€SþúU`pyúU¨ºÁúU@hfúU ÔdúU¸šúU˜áoúUèEVúUØLúUÈ ÂúUø÷`úUg¸úUh#lúUHW‰úU¨ÂúU0;~úU˜ ÂúUÀ«]úUHŽÑúU-úUÈÇèúUÁkúU(ÂúUx8ŒúU(FúU¨ukúU80*úU ÎpúU¨ÂúUð?‰úU˜ƒÓúU`±púUx¸ÁúUÑúUˆz¾úU0•úU0VúUø›ŠúU˜æDúU@SŒúUhúúúUà‡zúUÐ:úU¸šúUø ôúUØ1²úUˆ¹TúU SúUP¡ŽúUÂ]úU kúU¸ŽHúUè‹lúUØDÂúUÈù‰úUÈÞ)úUP¤úU˜¶ÁúUðVúUÀÛiúU(}™úU@ª"úUè›úU¨’`úUèÎ.úUø³‡úU¨U)úUPÌhúUèEVúUèÒ€úU˜@±úU€lúU8u6úU0þòúUØãtúUhúúúUSúUHL]úUX»rúUúUH&úUÛsúUŸúU8ÆhúU§úUH&úUðëŒúUÐcZúU¨ºÁúUèdúUH[3úUÐÂÓúU`&]úUxY'úU`¬³úUxÂúUÛ$úUHyïúU@§úUHþgúUh4¬úUÀwOúUx—¼úU ãiúUÈŠ†úU°¸ØúUx½‰úU¨ukúUØUúUh·ÁúU8ƒ}úUx2aúUhŸúULjúUhßÇúUH3kúU­iúUØèúU@ë!úUØ]úUˆ­úU°Ú_úUx¸ÁúU¨núUýÁúU@cúU¨‚¼úU^úU€‚iúUh;ôúUHUÏúUx%úU04÷úU˜¶ÁúUÐØúUèqúUèpYúUø¸ÝúUP!aúUˆÌúUˆ¹TúU‘úUx¸ÁúUè³búUØ·~úUpélúU€+ËúU89¬úUäqúU˜ýúU¨|múUx¸TúUHÕYúU˜öúU`5œúU¨GáúUØiúUØÃúUP9~úUX…búU¤^úUøúUP£IúUØ·~úU ÁúUxÂúUp²rúUZ]úUarúU8Ô.úU` úUU]úUEÞúU€ÐdúU¨ukúU˜q‹úUXY]úUÀ`kúU¸Ø‚úUhúúúUèrúUêÁúU€ˆúU†múUÂ]úU@‡úUD &úUŒ†úUDà úUà0rúUD€—ÊúU°<‡úUD°±núUà³úU µúUD b úU`›aúU àÓfúUDl‰úU@1úUDà)!úU˜êlúU¸#úU;núUDÀSkúUp$ZúUD0¼úUPcaúUD°ëÃúU  SúUD°ëúUëlúUPÃ]úUD`ƒúUž[úUDÀ*®úUjœúU  ÀFmúU Ú~úUD°{úU°~júUD  †úUÐë_úUDP<¼úUÀï_úUD •|úUЉßúUD0¯kúUÀ$uúUD/àúU@GúúUD`hýúU@…ŽúUD ´šúU0ʨúU  @ÅdúU {úUDоáúU@O8úUD¥`úUp~{úUD€úU úU`ð_úUD @e‰úU¡vúUD÷»úU0µYúUD°¦‰úUp [úUèJ‰úUUr!úUÐcúUD@$±úU`ðˆúU2±úUD$ÛúU°túUDÐôeúUpqúUDpɳúU°à`úUD`Ü®úUfúUDP«™úUpœvúUDp[ÝúU@RÁúU Àq˜úUYúU € $úUIoúUD”]úU´qúUDðšÊúUðyúUD -{úU{úUD8júUð)púUD”_úU0»oúUDYhúU›vúUDÀð`úUÐÉœúUDðâúUhúUD0Ù¿úU`šdúUDàreúUÀozúUDª]úUð\œúU  púU ¶ÊúUDÐì úUðË[úUDP¤RúUÀ³úUD ¾húUà³oúUDèÃúU° vúUD`‚úU` úUDN úUØïlúU(ËúUÅúUD ŒªúUp‰_úUDÀ‡ˆúU I(úUDhúUPxúUD@ÑžúU ²úUD U"úU°]úUD@g]úUÀH‰úUUÀ.&úUPýyúUD Î¼úUp&ZúUD°g]úU0žpúUpúúúUÀúUDÌßúU°búU˜ÜqúUÿðÓIúU@ñlúUPeúUD€>rúUÀiúUD@Š(úU°‚húUD ÞÃúUàGúUD´2úU`òhúUD0aÞúUPJÍúUD°Ê™úUpºJúUD€ù/úUÐÑœúU¨æ§úU(AwúUXâ‡úUÀ˜YúUˆ½ZúUhÂ"úU\ZúUHõYúU ‚]úUS{úU˜­cúUXkdúUîeúU/túUõjúU((múU°™qúUÀ®úU˜HYúU¸ !úU¸º"úUB‹úUÐèeúUØêwúUàp`úU7}úUHeúUÈ™qúU(œúU[úUP~túU€þrúU0lsúU`†júU³~úUˆjúUÀætúU8úU€MkúU{túUè%múUxÆlúU ³uúU(y‡úU`­{úUpmúU ù‹úUìjúUˆ5úUÀChúU¸ÑdúU@éÞúU@œúU˜ŠmúU §$úU˜Ž]úUÌdúUzúUˆq`úU¸ß‡úUhúUÐ8ÏúUXúU(ugúU ™ˆúUp&ƒúUðÍúU@z`úUpô]úUèߊúUØàtúUriúU¨ !úUèˆtúUPƱúU€DkúU [úUaölúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00QX–‹úU!3g#ÀI³úU !71016¸÷g#àLUX#!2017-06-09 17:10:17úU10000-00-00 00:00:00° lúU0AWatchman's Song The (Saxophone Quartet)úUÀ€ˆúU!44g#¸÷g#úlúU!552#¸÷g# ‹úU!3g#¸÷g#ÀS[úU!2g#¸÷g#À€ˆúU!2011-06-22 08:30:26úU!2017-11-22 17:11:28úU1Edward Grieg. Arr :- Johnny Jones.úU!Jan Smithg#¸‚úU!0g#è÷g#vúU!0g#¸÷g# !sib#¸÷g#P5`úU!1215¸÷g#H kúU!0g#¸÷g#¤1úU!÷g#¸÷g#xš{úU!0000-00-00 00:00:00úU!0g#¸÷g#8ÐvúU!2176¸÷g#`ªgúU!0g#¸÷g#¨U©úU!3g#ˆøg#àW|úU!1.50høg#pbfúU!2011-05-08 08:41:26úU!0g#¸÷g# ßúU!0g#¸÷g#8©"úU!120631è÷g#!÷g#¸÷g# !0g#¸øg#8ŠúU!1g#¸÷g#° !úU!0g#¸÷g# ±úUq{ "GroupOrd" : "40", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20874" } U!0.0000è÷g#`‹‹úU!2011-05-08 08:40:00This is an easy little piece to perform, in which, everyone has the chance to play the melody. Possibly, somewhat dated in style, as it was after all, composed in the 17th century. It has transcribes to the SATB saxophone quartet quite well. ýlúUàülúU!3.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#8ŠúU!636136¸÷g#!0g#¸÷g#@æ[úU!0g#¸÷g#!0.00¸÷g#xÖyúU!9.00¸÷g#ØUcúU!6.00¸÷g#€jlúU!0g#¸÷g# 5úU!÷g#¸÷g#ØAqúU!0.00¸÷g#° !úU±["53193","127908","164854","34678","88361","83857","73013","68027","73674","87838","12494","99382","173709","103266","113035","11167","114713","38943","2416"]`‹‹úU!2020-09-07 23:29:531A la Matina Saxophone QuarteteExchang!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2013-04-12 13:20:24!0g#¸÷g#!0g#¸÷g#qA la Matina (Saxophone Quartet) Claudio Macchi. Arr :- Johnny Jones. Jan Smith Harmonie Publications This is an easy little piece to perform, in which, everyone has the chance to play the melody. Possibly, somewhat dated in style, as it was after all, composed in the 17th century. It has transcribes to the SATB saxophone quartet quite well. múU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#x©$úU˜moúUX\‰úUh؇úUÈÎyúUp/}úUÀ_úUØ!ƒúUÀCuúU0ˆúU°´~úUÐåtúUàmoúUóqúUè¦úU0wúUhˆwúU0?úU(ÑsúU8 úUЙrúU€dpúUð÷ˆúU8¤kúU@oúUðMxúU %¬úUX^°úUPmsúU¸múU`r`úUH­~úU ¹"úU`lúUXëbúUpò}úUP úUøhyúU8ŠúU œúUx,múU .zúU@æ[úU¸[úU¸-ˆúUà§núU úUxÖyúU¨©›úUÍyúUèð‹úUȲŒúU€jlúU¸«húU¨‚úU 5úUí‹úU`4‹úUØAqúU(¯{úUˆÎpúUx²›úU° !úUx[úU ±úU¸´cúUqŠúUÈdúUx iúUoúUø'múUÐåeúU¨ÀiúU ŠúU€ä‡úU`‹‹úU€…]úU˜súU÷múU!0g#8ýg#°múU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 20:34:37!2023-05-01 20:34:40!519825¸÷g#!495436¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¨loúU1`4úUh múU³~(¤67192!68236È÷g# !82263¸÷g#QGirls Dance from Polovetsian Dances Tenor Saxophone and PianoQGirl's Dance from 'Polovetsian Dances' (Tenor Saxophone and Piano)!60g#¸÷g#@QúU!552#¸÷g# zsúU!3g#¸÷g#8<œúU!2g#¸÷g# Û›úU!2011-06-22 08:39:09úU!2017-11-22 17:11:35úU1A.P.Borodin. Arr :- Johnny Jones.úU!Jan Smithg#eµúU!0g#è÷g#˜&_úU!0g#¸÷g# !sib#¸÷g#8àiúU!1215¸÷g#HiúU!0g#¸÷g#ofúU!÷g#¸÷g#°-wúU!0000-00-00 00:00:00úU!0g#¸÷g#ÐÏŽúU!2903¸÷g#€2`úU!0g#¸÷g#H£múU!2g#høg#à¬púU!1.50Høg#x ‹úU!2011-05-08 13:02:23úU!0g#¸÷g#!0g#è÷g#PÜ1úU!137202¸÷g# !71304¸÷g#Scores!2017-06-09 17:10:17úU10000-00-00 00:00:00H/eúU01Solvejg's Song (Saxophone Quartet)U!44g#¸÷g#Scores!554#¸÷g#g!ý!3g#¸÷g#ZipForma!2g#¸÷g#ÁmúU!2011-06-22 08:30:45úU!2017-11-22 17:11:28res1Edward Grieg. Arr :- Johnny Jones.U!Jan Smithg#¨~[úU!0g#è÷g#NnúU!0g#¸÷g# !sib#¸÷g#HiddenH!1215¸÷g#0múU!0g#¸÷g#ìmúU!÷g#¸÷g#múU!0000-00-00 00:00:00hang!0g#¸÷g#rIDPubl!2619¸÷g#ÈmúU!0g#¸÷g#ŒmúU!5g#Høg#±múU!0g#(øg#eExchang!0g#¸÷g#EPSCoun!120990è÷g#ȨšúU!÷g#¸÷g# !1.99]fúU!0g#¸÷g#@11g#Ø÷g#Èu3úUˆ@\úU01HASH@jŒúUcoreIncludeSER)0!0g#ÀŸúU ñWARNING (continuing anyway): Tried to set invalid field value for LicenseScore in SE::Score (didn't match (?^:^(0|1)$)). Bad attempted value was: '2' at /usr/www/resources/ADAP3/GenericObject2.pm line 1588. ADAP3::GenericObject::checkNewFieldValue('SE::Score', 'HASH(0x55fa14cb55a0)', 2) called at /usr/www/resources/ADAP3/GenericObject2.pm line 497 ADAP3::GenericObject::create('SE::Score', 'HASH(0x55fa149fa1c8)') called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Score.pm line 544 SE::Score::create('SE::Score') called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Handlers/MyAccount/Scores.pm line 2331 SE::Handlers::MyAccount::Scores::upload() called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Handlers/MyAccount/Scores.pm line 85 SE::Handlers::MyAccount::Scores::handler('Apache2::RequestRec=SCALAR(0x55fa14a9e390)') called at -e line 0 eval {...} called at -e line 0 0 aÀgzúU¸÷g# @0múU1HASHU KTY#sþÿÿÿh¯ÑúUñ
    Parts
    Clarinet in Bb and Flute
    l="nofollow">Fender Rhodes
    =540018" rel="nofollow">Violin 2 (Student Grade 5-6 / Teacher) Lai, Francis L!÷g#pú úU10g#Ø÷g#0!D.B.p¤ÖúU 1HASHØ÷g#DF file to downl0!0g#¸ùg#€eÝúU!0g#¸÷g#!0g#¸÷g#jkúU!0.00¸÷g#!0.00¸÷g#p^ÀúU!0.00¸÷g#È ÍúU!2g#¸÷g# XÐúU!2g#¸÷g#_àúU!2g#¸÷g#XÆúU!2g#¸÷g#ÀÄhúU!2g#¸÷g#@XÐúU!0g#¸÷g# £ßúU!÷g#¸÷g#!0.00¸÷g#@ÆÆúU!÷g#¸÷g#10000-00-00 00:00:00úUóÁúU0!0g#èøg#÷ÚúU!0g#¸÷g#èWÛúU!0g#¸÷g#è¬ÆúU!0000-00-00 00:00:00úU!0g#¸÷g#ˆ’¿úU!0g#¸÷g#ˆ`ÄúU!÷g#¸÷g# ÿÀúU!0g#¸÷g#xÄúU!0g#è÷g#°tÙúU!0g#¸÷g# 1SE_Score_insert_customsert_customY#!R³úU`múU 1÷g#°6vúU 0!0g#ø÷g#rry-chri10g#Ø÷g#itable-for-grade0!1g#€š&úU 1ÈmúUÂϱ÷622514!0g#ùg#0“úU!÷g#¸÷g#àLUX#!0.0000¸÷g#!2022-07-15 10:04:0512 Ein bichen traurig Pop Piano!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0000-00-00 00:00:0010g#Ø÷g#0hO]úU˜äÂúUØDÂúU kúUˆ¿ÁúU0ázúUˆ<ÂúUàINúUXCÂúUàm³úUˆHVúUHåiúUDÂúUp´aúUD™úU@|OúUHR]úU8“túUØŸyúUxûúUøB\úUà0~úU¸;lúU0»ŠúU¨GáúUQ]úU˜>úUÈ“túUXCÂúUƒúUx¸ÁúUÈŠ^úUU]úU(®ŸúUDÂúUXÀyúUXYHúU¸šúUXS0úUØÛ.úUèÞ€úUȵÁúUˆˆúU¸ŽHúU°–úU¸ŽHúUÑ!úUˆQzúUˆIúU(4úU(¹ÁúUHahúUØq úUˆI"úUøúúU¸äšúU¨GáúU2'úUˆHVúUðoŽúUx—¼úUØZyúU˜öúUvØúU moúU¸šúU@anúUèU]úU8ë®úUÃÁúUHªþúUÈMhúUˆ­úUÐyYúUX¨húUèúUÆkúUÈÞ)úU`/úUxÂúUâšúUèqúUè?3úU8Â-úUn¸úUHê‚úU(MúU˜e²úUXàúUx]µúUÜúUx/ŸúU¸ÈÁúUè?júU˜á)úU€ú–úUˆÞ-úU¨ºÁúU°e+úUèÏ`úU`ÿtúUÀ›_úUˆ­úUÀ¾yúUxqôúU(¹[úU(Ý»úUX©gúUx%úUðZuúUx—¼úU¨ËcúUعÁúUøTúUÐÒúUèzáúU°„ÌúUx*€úUH ƒúU˜öúU0g©úUÈÓGúU¸¸rúU˜¶ÁúU¨¸‡úU¸ÝúUx#ùúUø–húUظöúU¸ˆúU˜ýúU8í!úUèÏ`úUØFjúUø¸ÝúUÐ EúU˜>úUXˆdúU˜ ÂúUX ŽúU8 4úUXx$úUHÎJúUXÂúU0’túU8u6úUÐ"ÅúU±úUH&úU`ý¦úUØDÂúU «kúUØDÂúUørHúU˜öúUp´lúUX‘qúUH3kúUX²úUSÜúUH3kúUp)›úU¸&*úUv"úU iúUˆ¹TúUÀP|úUèÆÑúUn¸úUÀÜsúUعÁúUX–‰úUˆHVúUˆ_úUÅÁúU"lúUXQ]úUÐjnúUx ÄúUÐçwúUh·ÁúU˜"ÙúUx ÄúU7ZúUˆ<ÂúUæžúU(MúUX|ˆúUU]úU qŽúU¨cvúUHÛßúUøuYúUPÐsúUX„gúU~gúUÛ¼úUøì¨úUè½ÁúUàoúUè#ƒúU¸ÂúU0hnúUÅúUxFaúUØW‡úUxÂ_úUèÃÁúU ŽúUZ]úU¨ƒúUðAYúUn¸úU°6œúUøÇpúUH&úUèR[úU:‹úUhÂúU(mnúUˆÀÁúUHS|úUèqúUH2œúUU]úU°áqúUØ•¼úUhlúUøÛ)úUà÷xúU¨GáúUØcfúUg¸úU`·ŠúUøΉúU˜«júU‘‹úU¤^úU@WúUèÎ.úUHLjúUèýYúUX„gúU‰zúUعÁúUXœšúUèqúUˆ kúUèâ‡úUˆ¹TúUx:3úUÈÞ)úUåsúU˜ýúUÿaúUÇÁúUØåwúU(MúU°]búUHR]úUPúUøúúUP%7úUØÃúU€îñúUx¸ÁúUÈPMúUêÁúUàÏcúUhI™úU€·eúUØNúUÂ]úUqúUÐ6²úUhÂúU(‚lúUÈtúU8«júUøúúU˜¾JúUXQ]úUøÈkúUèÕ|úUlòúUPû±úUè©búU8rvúUÈ2!úUHy"úU¨á[úU8ÓÝúU`qúU¨‚¼úUŸ{úUÈÿgúU¨ÂúU@’ÅúUð]úUX„gúU(¨múUh¾ŒúUˆ­úU@“‰úUXeúUX„gúUp:òúUÈ ÂúU˜ùkúU˜HaúUÎ}úUhO]úUPÃ`úU¨U)úU˜zqúU@È`úUhÂúUprúUIhúUxûúU°gúU˜>úUpã®úU¨ówúU¨ÂúUp^úUˆ<ÂúUh3~úUŒeúUxY'úUý¦úUH‹,úUèÒ[úUH@ÒúUHIfúUxFaúU€ÚsúUˆ¿ÁúU8-úUˆHVúU`ºlúUÇÁúU˜ÆhúUØ•¼úUеúUx¸TúU@ˆlúUÀÁúUH?‰úUpÞåúUXÿåúUh–SúU˜¶ÁúU0¸$úUXY]úUàîúUè½ÁúU8wqúUÈ ÂúU(³ÃúUPçûúU1úUˆÍKúU¨GáúU(ñéúUOvúU8B±úUÅÁúU Ð$úUÐ6€úUȤkúUÀØŸúUØ•¼úUÀbnúU˜ ÂúU¨±îúU˜¶ÁúUø¾[úUHÂúU(x}úUèÀöúU¨°úU˜ù"úU¨‚¼úUXF úU@klúUH3kúUhæFúUˆÀÁúU8ÆfúUQCan the Circle be Unbroken (Will the Circle be Unbroken) AP Carter Cascia Talbert "Can the Circle Be Unbroken (By and By)" is a country/folk song reworked by A. P. Carter from the hymn "Will the Circle Be Unbroken?" by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother. The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song "Daddy Sang Bass" and the Atlanta song "Sweet Country Music". It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame. 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P. Carter from the hymn "Will the Circle Be Unbroken?" by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother. The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song "Daddy Sang Bass" and the Atlanta song "Sweet Country Music". It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame. 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GRAHAM GARTONúU@» úU01À)ÌúUènúUîï)98388!2017-06-09 17:10:17úU10000-00-00 00:00:00蓈úU0QThere is also a Solo Voice with Piano accompaniment for this Carol.QCAROL - ’I WONDER AS I WANDER’ Arranged for Choir SSAA a cappella!22g#¸÷g#°~úU!0g#¸÷g#491966!3g#¸÷g#p!2g#¸÷g#!2014-06-17 20:53:22úU!2017-11-22 17:42:52úUACAROL – 'I WONDER AS I WANDER' –Female SSAA.sib1núU<^P606779!San MartínúU!22002è÷g#!peg#¸÷g# !Redruth%núU!0000-00-00 00:00:0010000-00-00 00:00:000!0g#ÀpUúU 0X²úUª°júUГ²úUDà%núU “²úUDPG‚úU`DÊúUD ŽïúU@”²úUD)núU°“²úUDÐ*núU@“²úUD° …úUð“²úUD (núU`”²úUD€núUp”²úUD núU”²úUD@(núU@:êúUD@r9úU`'…úUD°„ZúU°P†úUDЃZúUÀ“²úUDÀ%núU@•²úUDI‚úUà”²úUDàù{úUP•²úUD°I‚úUÀ”²úUD ù{úU”²úUD%núUP†úUD‰ZúU ”²úUD0%núU•²úUD€*núUð”²úUD@*núUpR†úUDˆZúUPQ†úUD ˆZúUð:„úUDp„ZúU 5§úUD€“§úUД²úUDÀù{úU¸núU0•²úUDpI‚úU •²úUD *núU°”²úUDP%núU`•²úUDÐI‚úUp•²úUDðI‚úU€•²úUDJ‚úU•²úUD0J‚úU •²úUDPJ‚úU°•²úUDP&núUÀ•²úUDp&núUЕ²úUD&núUà•²úUD°&núUð•²úUDÐ&núU–²úUDð&núU–²úUDàbúU 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[Organ pedals], SOPRANOvt-3-menuetto-for-flute-and-piano-397325.html">Mozart - Eine kleine Nachtmusik mvt 3 (menuetto) for flute and piano, Mozart - Divertimento K439b no 5 for flute violin and viola transcribed by David C Wheatley, Mozart - Eine kleine Nachtmusic mvt 2 (Romance) for flute and piano, Mozart - Eine kleine Nachtmusic mvt 1 (allegro) for flute and piano, Mozart - Divertimento K439b no 3 for flute violin and viola transcribed by David C Wheatley, Teddy Bear's Picnic freely arranged for Flute choir, Mozart - Divertimento K439b no 1 for flute violin and viola transcribed by David C Wheatley, Mozart - Divertimento K439b no 5 for 3 flutes transcribed by David C. Wheatley, Mozart - Divertimento K439b no 4 for 3 flutes transcribed by David C. Wheatley, Mozart - Divertimento K439b no 2 for flute trio transcribed by David C. Wheatley, Boccherini - Minuet (from the string quintet) freely arranged for flute choir, Mozart - Divertimento K439b no 1 for flute trio transcribed by David C Wheatley, Mozart - Divertimento K439b no 2 for flute violin and viola transcribed by David C Wheatley, Faure - Pie Jesu (Requiem) for Flute and organ with pedals, Mozart - Divertimento K439b no 3 for 3 flutes transcribed by David C. Wheatley, Pachelbel - Canon transcribed for flute quartet, Mozart - Divertimento K439b no 4 for flute clar and bsn transcribed by David Wheatley, Mozart - Divertimento K439b no 4 for flute oboe and bsn transcribed by David Wheatley, Mozart - Divertimento K439b no 3 for flute clarinet and bassoon transcribed by David Wheatley, Mozart - Divertimento K439b no 3 for flute oboe and bassoon transcribed by David Wheatley, Mozart - Divertimento K439b no 1 for flute oboe and bassoon transcribed by David Wheatley, Mozart - Divertimento K439b no 2 for flute oboe and bassoon transcribed by David Wheatley, Mozart - Divertimento K439b no 2 for flute clarinet and bassoon transcribed by David Wheatley, Mozart - divertimento K439b no 1 for flute clarinet and bassoon transcribed by David Wheatley , Tyrolean Trio for flute trio and piano by David Wheatley, Bach - Trio on ’Herr Jesu Christ, dich zu uns wens’ transcribed for flute, violin and bassoon by David Wheatley, Bach - Trio on ’Herr Jesu Christ, dich zu uns wens’ transcribed for flute, violin and cello by David Wheatley, With apologies to a certain drunken sailor by David Wheatley for flute violin and viola, Mendelssohn - Song without words op102 no 5 for flute and piano, Mozart - Eine kleine Nachtmusik mvt 4 (rondo) for flute and piano, Mendelssohn - Song without words op 62 no 6 'Spring Song' for flute and piano arranged by David C Wheatley, Mozart - Eine kleine Nachtmusic (complete) for violin and piano, Mozart - Eine kleine Nachtmusic (complete) for flute and piano, Mendelssohn - Song without words op 38 no 2 for flute and piano, Tambourin (Gossec) arranged for flute and piano, Mendelssohn - Song without words op 53 no 1 for flute and piano, Mendelssohn - Song without words op 38 no 1 for flute and piano, Mendelssohn - Song without words op102 no 3 ('Tanzlied') for flute and piano, Mendelssohn - Song without words op 53 no 2 for flute and pianoa with a Touch of W.A.Mozart for Bb Tenor Saxophone & Piano, Czardas for Bb Soprano Saxophone & Piano, The Saint’s Visit Havana with a Touch of W.A.M. for Bb Soprano/Tenor Saxophone & Piano, The Saint’s Visit Havana with a Touch of W.A.Mozart for Eb Alto Saxophone & Piano, Norwegian Summer Rain for Jazz Quintet (Tpt, A.Sax, Piano, DB & Drumset), Träumerei in F for Saxophone Ensemble S, S, A, T & B!+yúU`k°úUp0à›úUhnúUßp¸-215766!@åúUœúU0 ‘xúU¸núU TRŸ215764 ­šúU ½eúU 0 ƒŠúU‘núU׳ïÐ215756!nqúUPƒŠúUp0°v¹úUA‘núUÊØúUÀ1)Y#pÌØúUA ”núU'Y#§P‘núU@ËØúUA ”núU ”núUÀõ&Y#‘núUAp—núUp—núUÐ÷&Y#%Eð“núUP’núU1’núUÀn'Y# ²€!$abs¸÷g#A@Ë[úU@Ë[úU`a'Y##¯FàÍ[úUà’núUA ’núUz'Y#MÈaàÍ[úUË[úU°ô&Y#·›ÀÍ[úUÂËúU â¢ñ!(?^:[^/]+$)# 10”núU0”núUÀn'Y# "!URI::_genericAP’núUP’núU`a'Y#¯Fp”núU0”núUAð“núUz'Y#@È1 “núU “núUÐõ&Y#ap”núU’núU°ô&Y#·‹Ð“núU•núU âœñ1/usr/share/perl5/URI/_generic.pm0 01B3 A€ÚúUÿ*Y#Á0˜núU˜núU1ЖnúUP–núUÀn'Y# "!URI::_generic1–núU–núUÀn'Y# "!URI::_genericA0œnúU0œnúU`a'Y#¯E@—núU—núUA—núU—núU`a'Y#¯g‡Ð–núU–núUAP–núUz'Y#AÈ1À•núUÀ•núUÐõ&Y#A–núUz'Y#BÈ1p•núUp•núUÐõ&Y#a@—núU–núU°ô&Y#·Œ •núUЗnúU 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    Score ID

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Kirkpatrick Arranged by Edwin Sung Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 23rd October, 2014 Enjoy!úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#°ügúUp¾ÍúU0pÊúU8+iúUöØúUPßáúUH!áúUðçÛúU`húU¨ÞÇúU@ÔdúUÇúU˜ÐáúUQgúUÌdúU0ÆúU˜nÃúU`KÌúUØ_ÀúU@[ÙúUð¸àúU0ûgúUP®ÅúU˜_ÔúUð[ÔúU8¾ŒúUxGÓúU€kÑúU˜È|úU(ùuúU0ÊúU˜WÐúUÔÚúU°ÑÆúU ÅÆúU(‰]úU¨ŠáúU˜‹úU°…fúUØ$ƒúUèÄúUеÐúUpêËúUHÝúU …ÏúU²{úUÐ ÚúU/júUÐd¿úU-ÄúUx(ÎúU 1fúUXÅlúUÐ&ÒúUxŠÏúUˆ,ÁúUx'ËúU`‡fúUð3ÒúU˜TÜúU@iÝúUð$iúUèóËúUȱjúU ÂÆúU.ÁúUØÝúU°”ÄúU˜:lúU ìÛúUHƒmúUÀˆÎúU°ÂÆúUPéÎúU ²ÉúU¸˜ÄúUпlúUˆõÏúU0 00:00:!0g#þg#`õoúU!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-10 19:59:01!2023-04-10 19:59:28!584205¸÷g#!908424¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¨JÓúU16913F422-2E97-11EB-B177-4CCFA22AC803!160348¸÷g#©ôúUQCopyright © 2014 by Edwin Sung http://www.edwinsung.comŽÏúUQJoy to the World (for violin duet, suitable for grades 1-5)PûoúU!42g#¸÷g#`ëŒúU!372#¸÷g#BúU!2g#¸÷g#ÐÙ‹úU!2g#¸÷g#°Y²úU!2014-09-13 10:13:49úU!2017-11-22 16:44:23úU!Traditional#àšlúU!Katrina Sung Å¹úU!0g#¸÷g#¨§ÅúU12014Ø÷g#0!sib#¸÷g#°©±úU!81g#¸÷g#MúU!0g#¸÷g# ZªúU!ViolinDuet.siby}úU!2014-09-13 10:13:49úU!0g#¸÷g#ðsúU!1066¸÷g#X¢³úU!0g#¸÷g#ˆÁ®úU!1g#høg#ß®úU!1.50Høg# é®úU!2014-09-13 10:14:28úU!1g#¸÷g#Ð7áúU!1g#è÷g#!0g#¸÷g# !øg#¸øg#èÃúU!0g#¸÷g#ÀÕáúU!0g#¸÷g#Ø iúU!1g#¸÷g#h®ÜúU!0g#¸÷g#8oXúU!÷g#¸÷g#à.ÁúU!0.0000¸÷g#`mÆúU12014-10-02 01:28:47úU0áThis duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Chistmas ideally! Date published: 2nd October, 2014 Enjoy!rmanceLicen!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0.00¸ùg#èÃúUÁ["173800","162469","164857","164685","124044","160178","162261","166176","164784","162248","160519","170822","162212","164769","162112","160489","160186","406218","162276","161793"]!2020-09-12 14:04:24úU!1g#¸÷g#ЉÇúU!0000-00-00 00:00:00úU!÷g#¸÷g#Ø iúU!0g#¸÷g#@!úU!0g#¸÷g#!0g#¸÷g#7zúU!0g#¸÷g#11g#Ø÷g#ˆi|úU00ÁúU0AJingle Bells for violin duet suitable for grades 15úU!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#aJingle Bells (for violin duet, suitable for grades 1-5) Traditional Arranged by Edwin Sung Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Chistmas ideally! 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Llewelyn Thomas5!÷g#¸÷g#Á["88347","39101","6947","128861","139098","17982","71248","103332","103331","63868","8554","76772","122740","128227","1362","105560","187004","362454","52122","200036"]7zúUhçbúU!2020-07-29 04:37:12úU!1g#¸÷g#Hš!úU!0000-00-00 00:00:00úU!÷g#¸÷g#˜(ƒúU!0g#¸÷g#ø’‹úU!0g#¸÷g#˜zúU!0g#¸÷g#!0g#¸÷g#PgúU!1g#¸÷g#1650x918Ø÷g#àUúU!úU0!1g#¨ûg#ÃpúU!0g#¸÷g#!0.0000¸÷g#0£vúU!2017-05-26 18:38:20úU!Kum Ba Yag#471291!0g#¸÷g#p!0g#¸÷g#!4g#¸÷g#ЙcúU!0000-00-00 00:00:00úU!0g#¸÷g#471271!0g#¸÷g#AKum Ba Ya SATB a Cappella Alan Llewelyn Thomas anon !0g#¸÷g#`n^úU!0g#¸÷g#486581!0g#¸÷g# !0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#°}lúU!0g#¸÷g#465279!0g#¸÷g# !0g#¸÷g#!øg#èøg#ÀzúU!559090¸÷g# TZúU!0g#¸÷g#471242!0g#¸÷g# !0.00¸÷g#!9.00¸÷g#özúU!6.00¸÷g#ÝgúU!0g#¸÷g#478524!÷g#è÷g#45236!0.00¸÷g# Ø(µúU`£{úUøÛ)úUðúU8A‹úU¨ºÁúUˆïúUØVvúUP·rúUXQ]úUX¾fúUHŽÑúUð cúU8u6úUàûaúUøÛ)úU¸fúUˆ<ÂúUˆEZúUhO]úU€~úUØDÂúU0|ÙúU8Ô.úU°núUØÛ.úU`û{úUÃÁúUÎJúU`ëŽúUxY'úU@Ð}úU(%júUH&úU({°úUöËúUhÂúU(ñ^úUX8wúUX„gúU =‰úUØ•¼úU€UaúUhO]úU 6~úUøúúU€uˆúU¨U)úUH¡1úUÂúUxùúUˆ¹TúU¨‡iúU€ÑyúUÂúU¸ïÑúU¸8ÏúU¸«^úUp7~úU˜ ÂúUeÁúUÈðŸúUlòúU0×5úU(ä‹úUxÝ›úUØkúUÈx°úU@£húU(¹ÁúUh¹aúUØkúUØÕ™úUX­]úU¨eúUàÒ}úU(MúU@~qúUêÁúUè”úUØÃúU 5ÂúUXY]úUP`ÎúU ŠúUÂúU(PúUÈÇèúU0éÂúUØDÂúU0BZúUÈk¸úU0Ñ$úUˆ²ËúU…úUH§¸úUèanúU(¹ÁúUPafúUˆ<ÂúUx_núU(Ý»úU€_rúUÅÁúUðŒ^úUÂúU؇ŒúUx»ÁúU8¯úUÈÞ)úUpS‚úUˆÀÁúU˜ö!úUx~‹úU˜xvúUØ•¼úU YkúUȵÁúU¸àzúU‚úUCúUpOúUx¸ÁúUˆOpúUÈk¸úUjcúUØÃúU|€úUHà^úU86(úU¨Ý›úUx ÄúUx¯³úUP±~úUn¸úU8ÃhúU˜ýúU€afúUøúúUÐúU€yúUÈ5‘úUXF\úUx¸TúUH4`úU¸&*úUÈ¿uúUZ]úU òŠúUDÂúUøhúUˆz¾úUËIúUXÂúUÓƒúUˆHVúU æžúU@[úU¸ŽHúU­úUêwúUˆ­úU°NbúU¨GáúUàìdúU¸ŽHúU8ssúU˜¶ÁúUÀ`yúU(óDúU¸wîúUffúUعÁúU¸ü8úUU]úUÐ.œúUx¸TúUhhúUÈk¸úUÈ=‰úUXÂúU°Ñ_úUعÁúU¸ÚzúUÃÁúU˜XyúUȵÁúU §ŸúUhøÀúUøžBúUøƒÓúU¨û‰úU QfúUȆ‹úU€Ã®úUx%úUäqúU¨GáúU¨vcúUxoòúU 6úUˆ¹TúU¨üxúU(Ý»úUVbúU¨2úUÈÓGúU QÛúUp^°úUH3kúU8VeúU0ÒdúU¨ÂúUuYúU`¤ úU8ÓÝúU0qHúUÀÁúU cúUp–MúUn¸úU€êúUxÁÁúU8½rúUÈ ÂúUx“*úU@êŽúUˆ­úUðsúUÂúU˜"›úUhO]úU~òúUhH™úUPª½úU(£ƒúUH½búUøúúUàgfúUx~‹úU°]úUêÁúU0fŽúUxÁÁúUJúUˆz¾úUpHeúU8™úUx¹òúUýÁúUˆVaúUˆÂúUp¸úUXÂúUØÃÉúU(ÂúUØè[úU˜öúU„›úU@iyúUhÂúUPQpúUx»ÁúUpƒgúUèH™úUØ°úU8¥éúU˜z™úUÀ¾úU8èiúU¨ºÁúUàHËúUèEVúU(6`úUh§rúUˆ­úUp¢{úUˆHVúUXàÝúU˜¶ÁúUknúUh·ÁúUXéhúUh}TúU¨V]úU¸–‹úUhúúúUgúU(²ÂúUè^™úUè?húUˆÂúU@‰ÅúUx—¼úU|qúU ”aúUè^™úU¸ÄúU¸ÅvúUxFaúUÈ®úUhúU86(úU°J©úU¸ŽHúU0G\úUˆ¹TúUàÁnúUx~‹úUŽúUÈÓGúU¸'YúU8Ô.úU¸GaúU ÙúUxûúUè×vúUøÛ)úU؉lúUŠúUˆ¹TúU ˆúUˆ¿ÁúUÀÅ®úU@p±úUx]µúUhW|úUhöYúUˆ­úUÐgnúUøÛ)úU0$›úUˆÀÁúUPXiúU¸©éúUèÃÁúU(#úUx—¼úUè¯úU ­kúU8ÓÝúUðÜwúU¸ÛúU¸&*úU(ÏgúUàu5úU¸ÂúUpLúUx¸TúUÈ“úU¨‚¼úU@yˆúU(¹ÁúUp0úUØ,úUhúúúU`®oúUø¸ÝúUè©gúUøÛ)úUXU[úU¨‚¼úUˆ`húUÈÓGúUHHaúUàoêúUWEúUxÉúU¸ŽHúUC¯úUx%úU°RaúUøÛ)úUp€úUXCÂúUsúUXY]úUÈ=òúUýÁúU4dúUˆ<ÂúUÀW‡úUHŽÑúULúUÀ²húU!554#¨ûg#×púU!3g#¸÷g#ø#úU!2g#¸÷g#`!2014-04-30 18:29:02úU!2022-07-03 22:46:24úU!2g#8øg#`í[úU!2.00øg#h¾lúU!2014-04-30 18:29:08úU10g#Ø÷g#0!sib#¸÷g#°žúU!250#¸÷g#HtvúU!0g#¸÷g# ÷xúUaWhen The Saints Visit Havana with a touch of WAM for Eb Alto Saxophone & Piano.sibúU!2014-04-30 18:29:02úU!0g#¸÷g#ofúU!1860¸÷g#°-wúU!0g#¸÷g#Hùg#!0g#¸øg#rlúU!106825¸÷g#h¾lúU!0g#xøg#øSnúU{ "GroupOrd" : "240", "StoreGroupOrd" : "240", "StoreGroupID" : "3058", "GroupID" : "22209" } ¨InúU10.0000Ø÷g#˜t‚úU0!Traditional Arr:Terrett!Keith Terrett˜ù"úU!0g#è÷g#˜ù"úU!0g#¸÷g# ÁAn arrangement with a little Latin Rumba twist and touch of Mozart in the final section entitled ’When the Saints with a touch of WAM’, arranged for Bb Soprano or Bb Tenor Saxophone & Piano. The Trombone version is published in Canada by:www,cherry-classics.com When the Saints Go Marching In", often referred to as "The Saints", is an American gospel hymn that has taken on certain aspects of folk music. Though it originated as a spiritual, today people are more likely to hear it played by a jazz band. The song is sometimes confused with a similarly titled composition "When the Saints are Marching In" from 1896 by Katharine Purvis (lyrics) and James Milton Black (music). cor!3.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#a© 2007 www.musicforalloccasions.org,uk(keithterrett@gmail.com) Edited December 2012res!÷g#¸÷g#!0.00¸ùg#xÑúU¡["13333","14777","67909","42117","9960","93275","18812","103903","729","992","13387","169693","93355","17223","77043","61680","169572","169054","8379"]!2020-09-04 17:12:10úU!1g#¸÷g#è¾_úU!2019-09-25 12:45:45úU102C2B68E-DF8A-11E9-BB4F-78úUÈQxúU!10152¸÷g#!0g#¸÷g#!0g#¸÷g#8®fúU!0g#¸÷g#`oœúU!1g#è÷g#˜]µúU!650x919¸÷g# ñAn arrangement for Bb Soprano Saxophone & Piano of ’The Saints’ with a touch of Rhumba and just a hint of W.A Mozart! Rumba is a family of percussive rhythms, song and dance that originated in Cuba as a combination of the musical traditions of Africans brought to Cuba as slaves and Spanish colonizers. The name derives from the Cuban Spanish word rumbo which means "party" or "spree". It is secular, with no religious connections. Rhythmically, Afro-Cuban folkloric rumba is based on the five-stroke pattern called clave and the inherent structure it conveys. Carlos Vidal Bolado (better known simply as Carlos Vidal) was the first to commercially record authentic folkloric rumba (Ritmo Afro-Cubano SMC 2519-A and 2520-B, circa 1948).!1g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#{ "GroupOrd" : "90", "StoreGroupOrd" : "90", "StoreGroupID" : "3058", "GroupID" : "22209" } fParts? ö!0.0000¸÷g#!2013-10-09 09:28:31aThe Saints Visit Havana with a Touch of WAM for Bb SopranoTenor Saxophone PianorScoreA!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!2013-04-17 13:09:42!0g#¸÷g#!0g#¸÷g#aThe Saint’s Visit Havana with a Touch of W.A.M. for Bb Soprano/Tenor Saxophone & Piano Traditional Arr:Terrett Keith Terrett Music for all Occasions An arrangement with a little Latin Rumba twist and touch of Mozart in the final section entitled ’When the Saints with a touch of WAM’, arranged for Bb Soprano or Bb Tenor Saxophone & Piano. The Trombone version is published in Canada by:www,cherry-classics.com When the Saints Go Marching In", often referred to as "The Saints", is an American gospel hymn that has taken on certain aspects of folk music. Though it originated as a spiritual, today people are more likely to hear it played by a jazz band. The song is sometimes confused with a similarly titled composition "When the Saints are Marching In" from 1896 by Katharine Purvis (lyrics) and James Milton Black (music). FraPêpúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 11:50:00A{"width":247,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"CFC7793C-15FF-11E7-A63D-F029F8CA6D43","position-x-pc":"0"}oresSimilarS!0g#¸÷g#!204#¸÷g#!247#¸÷g#ht‚úU¨ÏdúU¨uúU /}úUøsœúU¸p±úUXb‰úUØ‚úU˜–YúUøGkúU`‰túUP*múU`,aúUxh^úU¨€‡úU¸™rúUhLúU iúU ziúU.²úU0¤_úUØodúU[úU8/²úUÀxœúUÈQxúU@\vúUÈ»ŒúUúUÀh±úUhÔ|úU °uúUX“ˆúUø!úU µ°úU°çeúU /_úUPnúUxÑúU|úUàý}úU°_ZúU¬›úU@‹aúUدhúU¨^ZúU8°kúU‚²úUÐ>wúUxsúU(EfúU¸ lúU¸g^úU.€úUHb^úUè¾_úU°÷}úUÑ^úUèıúUxwúU ®cúU@„²úUh¤!úUï]úUxbµúUpÜ^úUkµúU`ÄZúUˆ+múUyúU8ö]úUPÒ^úU 7eúU`oœúUèsúU˜]µúU ™ŽúU8÷wúUdefScor!0g#8üg#`ñpúU!0g#¸÷g#!5.00¸÷g#!2023-05-03 11:56:25!2023-05-03 11:56:41!925875¸÷g#!1509868¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QH~úUQTraumerei for Saxophone Ensemble (S,S, A, T & B) in F.sibbúUATräumerei in F for Saxophone Ensemble S, S, A, T & B!0g#¸÷g#(ÖcúU!4g#¸÷g#ંúU!2g#¸÷g#¸÷g#!2014-12-19 02:58:45úU!2022-06-26 19:27:22úU!18388øg#ȧkúU!0g#¸÷g#°§rúU!3g#¸÷g#¸æ[úU13.99Ø÷g#0!sib#¸÷g#à!250#¸÷g#èQ©úU!0g#¸÷g#XfhúU!2014-12-19 02:58:45úU!0g#¸÷g#h5úU!2049¸÷g#ÀÕzúU!0g#¸÷g#°žúU!1.99¸øg#Ø !úU!2014-12-19 02:58:48úU!1g#¸÷g#ð gúU!0g#¸÷g#XvúU!70815¸÷g#p­°úU!1g#øg#øXúU!0g#¸÷g#¸æ[úU11g#Ø÷g#X¯fúU0!Robert Schumannàá›úU!Keith Terrett !60908¨øg#zúU!0g#ø÷g#¨InúU10g#Ø÷g#Ð:qúU0aThe Saint’s Visit Havana with a Touch of W.A.Mozart for Eb Alto Saxophone & PianoúU160g#Ø÷g#°žúU¨ØvúU0!3g#ýg#À÷púU1An arrangement for Alto Saxophone & Keyboard of the Allegro from Torelli’s Trumpet Concerto. Giuseppe Torelli (22 April 1658 – 8 February 1709) was an Italian violist, violinist, teacher, and composer. Torelli is most remembered for his contributions to the development of the instrumental concerto (Newman 1972, p. 142), especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets (Tarr 1974). Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti (Schnoebelen and Vanscheeuwijk 2001). On 27 June 1684, at the age of 26, he became a member of the Accademia Filarmonica as suonatore di violino (Schnoebelen and Vanscheeuwijk 2001). By 1698 he was maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach, where he conducted the orchestra for Le pazzie d’amore e dell’interesse, an idea drammatica composed by the maestro di cappella, the castrato Francesco Antonio Pistocchi, before leaving for Vienna in December 1699 (Schnoebelen and Vanscheeuwijk 2001). He returned to Bologna sometime before February 1701, when he is listed as a violinist in the newly re-formed cappella musicale at San Petronio, directed by his former composition teacher Perti (Schnoebelen and Vanscheeuwijk 2001). He died in Bologna in 1709, where his manuscripts are conserved in the San Petronio archives. Giuseppe’s brother, Felice Torelli, was a Bolognese painter of modest reputation, who went on to be a founding member of the Accademia Clementina. 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Giuseppe Torelli (22 April 1658 – 8 February 1709) was an Italian violist, violinist, teacher, and composer. Torelli is most remembered for his contributions to the development of the instrumental concerto (Newman 1972, p. 142), especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets (Tarr 1974). Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti (Schnoebelen and Vanscheeuwijk 2001). On 27 June 1684, at the age of 26, he became a member of the Accademia Filarmonica as suonatore di violino (Schnoebelen and Vanscheeuwijk 2001). By 1698 he was maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach, where he conducted the orchestra for Le pazzie d’amore e dell’interesse, an idea drammatica composed by the maestro di cappella, the castrato Francesco Antonio Pistocchi, before leaving for Vienna in December 1699 (Schnoebelen and Vanscheeuwijk 2001). He returned to Bologna sometime before February 1701, when he is listed as a violinist in the newly re-formed cappella musicale at San Petronio, directed by his former composition teacher Perti (Schnoebelen and Vanscheeuwijk 2001). He died in Bologna in 1709, where his manuscripts are conserved in the San Petronio archives. Giuseppe’s brother, Felice Torelli, was a Bolognese painter of modest reputation, who went on to be a founding member of the Accademia Clementina. 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Colin Douglas November 2009 anon. 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This work has great melodies which should have your audience tapping their feet! The march has interesting parts for everyone, and your band should enjoy performing it. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Breaking news:Keith is now Composer in Residence to the Kinta Valley Wind Orchestra in Malaysia. "úU!0g#¸÷g#˜ù"úU!0g#¸÷g#10g#Ø÷g#uantitySetOfPart0!2017-06-09 17:10:17úU10000-00-00 00:00:00PÄiúU0!Sussex CarolŠúU!22g#¸÷g#367396!0g#¸÷g#p!3g#¸÷g#!2g#¸÷g# ›úU!2011-06-10 11:36:01úU!2017-12-12 13:59:2390!trad.øg# !Peter Martin10g#Ø÷g#°1›úU0÷fúU0ÇÁúUXÊHúUعÁúUX¶]úU° úUxY'úU0b(úU¸ŽHúU ^‡úUØÃúU³rúUx~‹úU žmúUˆ¹TúUÉüúU¸±ËúU ^ŠúU8xúU˜¶ÁúU° qúUèI™úU¨@§úUˆ¹TúU€÷túUøÛ)úUÈàwúUèßtúUlòúUènúUˆîbúUÂ]úUˆTeúUHÂúU€úUÅÁúUHÇúUÈúØúUÈBúUÐÒŽúUˆHVúUpž¹úUèqúU0|›úU˜\™úU¸íáúU`úUhDFúU âˆúUhØ?úU¸šúU°ë úUÈ2!úUXƒúU8Î|úUhŸúUøÝšúU˜ñÀúU`Y|úU¨GáúUø²"úUØÛ.úUÀ™œúUX#úUnÁúUøúúU8úxúUØÛ.úUâwúUÇÁúU`:3úUˆ¿ÁúU^yúUðdÔúU8+=úUò“úU˜ÄiúUxY'úU€€oúUÈÓGúU8ÙˆúUÈ2!úU`…úUHL]úUHCtúUxÁúUˆ­úU¸›*úU¨‚¼úUÐþ–úUHR]úUàsúU¨‡ÏúU¸ úU@7úUX úUP»púUøÛ)úU CZúUÈÓGúU¿júUˆ¿ÁúU0¯úU˜ ÂúU¸ 1úU¨µúU°B±úU˜á)úU@MGúUȵÁúUØØÈúU€ LúU(Z³úU`ÉúUªéúUG™úU¸¤FúU€ûúUhŸúUø„kúUp%úU¨ºÁúUxXÛúUÈÇèúUÀÅ‹úUx¸TúU KÃúUè½ÁúUðåšúU¸±ËúU­júU@BôúUØ·ÝúUWúU0}úU8ÓÝúUàZ[úUHR]úUP#zúUÈk¸úU@‚lúUHÂúU¨lÿúU0ÿ°úUn¸úUØ ‹úUHR]úUððtúU˜>úUØÁyúU8mpúU8ÓÝúU˜¯úUÂúUúúUU]úUn³úUøçoúUxY'úU€ƒúUZ]úUš‰úUˆ¹TúUpàzúUÅÁúU úUȵÁúU®±úUx—¼úU@eŽúU^µúUlòúUðÝoúUè•|úUØ´púU¨eúU°æŒúUÈ2!úU€ròúUඩúUˆ­úU qúU(´ËúUHúU˜öúUPßúU(oúUøNbúUˆz¾úUÈvúU¨ šúU@íŒúUèÏ`úUÐvúUÈÇèúUèRpúU0Ø„úUȆ‹úU8^úU0|úUø\“úU˜ cúUÈ2!úU@éÝúU˜>úU€ŠzúUýÁúUÀŽúUU]úUø­³úUˆz¾úU MúUèU]úU0/dúUè½ÁúU˜I¬úUØq úU¸cúUhO]úU˜1ÂúUèìwúUAAn arrangement of Stanley's Trumpet Voluntary for two Eb Alto Saxophones & Piano; for young/amateur players. John Stanley was born in London on 17 January 1712. At about the age of two, he had the misfortune to fall on a marble hearth with a china basin in his hand, an accident which left him almost blind. He began studying music at the age of seven. Under the guidance of Maurice Greene, composer and organist at St. Paul's Cathedral, he studied "with great diligence, and a success that was astonishing" (Burney). At the age of nine he played the organ, probably as an occasional deputy, at All Hallows Bread Street. The organist died on 23 September 1723 and exactly one month later eleven-year-old Stanley was appointed organist to the church at a salary of £20 per annum. When he was fourteen "in preference to a great number of candidates" (Burney) he was chosen as organist at St Andrew's, Holborn, and at the age of seventeen became the youngest person ever to obtain the Bachelor of Music degree (B.Mus.) at Oxford University. In 1734 he was appointed organist to the Society of the Inner Temple - a position which he held until his death in 1786. It was at the ancient Temple Church that his brilliant playing upon the organ and harpsichord attracted the attention of many fine musicians including George Frideric Handel, who regularly visited the church to hear him. Stanley was also an outstanding violinist. In 1738 Stanley married Sarah Arlond (daughter of Captain Edward Arlond of the East India Company), who brought him a dowry of £7,000 per annum. Sarah's sister Ann, who at this time lived with them, became the blind composer's copyist. Though virtually blind, Stanley had a remarkable memory which helped him direct many of Handel's oratorios and to enjoy music-making and card games with his many friends. If he had to accompany a new oratorio he would ask his sister-in-law to play it through just once - enough to commit it to memory. He frequently played the organ at the Vauxhall Gardens and was first choice to play at charity events and at the launch of any newly built church organs. He even found time to teach. His oratorio Jephthah was first performed in 1757. After Handel's death, in 1760 Stanley began a partnership with the composer John Christopher Smith and later with Thomas Linley, in order to continue with the series of oratorio performances at Covent Garden. For the first season Stanley composed Zimri. Stanley accompanied all oratorios, and played a concerto during each interval. Also in 1760 he composed an ode in memory of George II and as homage to George III; it was first performed at the Drury Lane Theatre. On the occasion of the King's wedding in 1762 he composed a dramatic pastoral oratorio, Arcadia. Handel had been a Governor of the Foundling Hospital, London. The Hospital's Chapel organ was Handel's gift, and Handel himself directed eleven performances of Messiah there, so raising 7,000 pounds for the charity. Continuing yet again in Handel's footsteps, Stanley was elected a governor of the Hospital in 1770, and from 1775 until 1777 he directed the annual performance of Handel's Messiah in aid of the hospital funds. In 1779 Stanley succeeded William Boyce as Master of the King's Band of musicians. In this capacity he composed many New Year and Birthday odes to the King but unfortunately this music has not survived. Stanley's last work was probably an ode written for the King's birthday (4 June 1786). Stanley never heard its performance as he died at his home in Hatton Garden on 19 May 1786 aged 74. Stanley's works include the opera Teraminta, the dramatic cantata The Choice of Hercules, twelve other cantatas with texts by John Hawkins, the oratorios Jephtha, The Fall of Egypt and Zimri, and instrumental music, notably three volumes of voluntaries for organ (1748, 1752, and 1754). Nearly all of the voluntaries feature a short, slow introduction followed by either a solo-stop movement (such as the so-called trumpet voluntaries) or a fugue. Some of the former have been arranged in modern times for string chamber orchestra and trumpet. AAn arrangement of Stanley's Trumpet Voluntary for two Eb Alto Saxophones & Piano; for young/amateur players. John Stanley was born in London on 17 January 1712. At about the age of two, he had the misfortune to fall on a marble hearth with a china basin in his hand, an accident which left him almost blind. He began studying music at the age of seven. Under the guidance of Maurice Greene, composer and organist at St. Paul's Cathedral, he studied "with great diligence, and a success that was astonishing" (Burney). At the age of nine he played the organ, probably as an occasional deputy, at All Hallows Bread Street. The organist died on 23 September 1723 and exactly one month later eleven-year-old Stanley was appointed organist to the church at a salary of £20 per annum. When he was fourteen "in preference to a great number of candidates" (Burney) he was chosen as organist at St Andrew's, Holborn, and at the age of seventeen became the youngest person ever to obtain the Bachelor of Music degree (B.Mus.) at Oxford University. In 1734 he was appointed organist to the Society of the Inner Temple - a position which he held until his death in 1786. It was at the ancient Temple Church that his brilliant playing upon the organ and harpsichord attracted the attention of many fine musicians including George Frideric Handel, who regularly visited the church to hear him. Stanley was also an outstanding violinist. In 1738 Stanley married Sarah Arlond (daughter of Captain Edward Arlond of the East India Company), who brought him a dowry of £7,000 per annum. Sarah's sister Ann, who at this time lived with them, became the blind composer's copyist. Though virtually blind, Stanley had a remarkable memory which helped him direct many of Handel's oratorios and to enjoy music-making and card games with his many friends. If he had to accompany a new oratorio he would ask his sister-in-law to play it through just once - enough to commit it to memory. He frequently played the organ at the Vauxhall Gardens and was first choice to play at charity events and at the launch of any newly built church organs. He even found time to teach. His oratorio Jephthah was first performed in 1757. After Handel's death, in 1760 Stanley began a partnership with the composer John Christopher Smith and later with Thomas Linley, in order to continue with the series of oratorio performances at Covent Garden. For the first season Stanley composed Zimri. Stanley accompanied all oratorios, and played a concerto during each interval. Also in 1760 he composed an ode in memory of George II and as homage to George III; it was first performed at the Drury Lane Theatre. On the occasion of the King's wedding in 1762 he composed a dramatic pastoral oratorio, Arcadia. Handel had been a Governor of the Foundling Hospital, London. The Hospital's Chapel organ was Handel's gift, and Handel himself directed eleven performances of Messiah there, so raising 7,000 pounds for the charity. Continuing yet again in Handel's footsteps, Stanley was elected a governor of the Hospital in 1770, and from 1775 until 1777 he directed the annual performance of Handel's Messiah in aid of the hospital funds. In 1779 Stanley succeeded William Boyce as Master of the King's Band of musicians. In this capacity he composed many New Year and Birthday odes to the King but unfortunately this music has not survived. Stanley's last work was probably an ode written for the King's birthday (4 June 1786). Stanley never heard its performance as he died at his home in Hatton Garden on 19 May 1786 aged 74. Stanley's works include the opera Teraminta, the dramatic cantata The Choice of Hercules, twelve other cantatas with texts by John Hawkins, the oratorios Jephtha, The Fall of Egypt and Zimri, and instrumental music, notably three volumes of voluntaries for organ (1748, 1752, and 1754). Nearly all of the voluntaries feature a short, slow introduction followed by either a solo-stop movement (such as the so-called trumpet voluntaries) or a fugue. Some of the former have been arranged in modern times for string chamber orchestra and trumpet. !0g#øúg#!÷g#¸÷g#!0.0000¸÷g#!2014-08-05 14:25:05qStanley Trumpet Voluntary Opus 6 No 5 for two Eb Alto Saxophones Piano young players version!0g#¸÷g#!0g#¸÷g#Ï!8g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#Hùg#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 16:33:11!2017-06-09 17:10:17!0000-00-00 00:00:00!÷g#¸÷g#!427069¸÷g#!1g#¸÷g#!3g#¸÷g#!8.00è÷g#!4.00¸÷g# !0g#¸øg#h±úU!0g#¸÷g#˜ ŠúU!1g#¸÷g#ˆËiúU!0g#¸÷g# YŒúU!÷g#¸÷g#ø`^úU!0.0000¸÷g# !úU!2020-06-15 06:51:29úU10g#Ø÷g#PgvúU0!2022-03-09 13:01:04úU!0000-00-00 00:00:00!÷g#¸÷g#€dúU!9536¸÷g#!1g#¸÷g#ø`^úU!3g#¸÷g#;zúU!38.00¸÷g#(TnúU!19.00¸÷g#àÐdúU!38.00¸÷g#ØcoúU!19.00¸÷g#˜ ŠúU!0g#¸÷g#ˆËiúU!0g#¸÷g#he|úU!1g#¸÷g#!0g#¸÷g#ÐjµúU!1g#¸÷g#10g#Ø÷g#PgvúUX‰]úU0APaddys Day St Patricks Day March for ConcertWind Band!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!7g#¸÷g#˜ù"úU!0000-00-00 00:00:00úU!0g#¸÷g#Ð'!0g#¸÷g#tAttempt!0g#øg#P*rúU!0g#¸÷g#0(10g#Ø÷g#uantitySetOfPart0!92449¸÷g#p…rúUA8 Swinging Xmas Carols for Tenor Saxophone & Pianoá +0   ð=IúUBH€~HúU Ê#Ð#  :@ð©¾úUQX`m¸úU F~úU0 ŠúUÐeCúU    !297#PʇúU!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-05-10 05:15:50!2023-05-10 05:16:04!1797335¸÷g#!1701240¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q0ö€úU!31g#(øg#x˜úU!2017-03-31 15:15:27úU!615#P5ZúUøSˆúU!409#¸÷g# 1X;rúU5NÃr!0g#°!úUà­ŸúU!0g#¸÷g#àLUX#!÷g#¸÷g#!1g#¸÷g#1÷g#Ø÷g#0Qø%#úUQ&#úUX&#úUà%#úUˆ-ˆúU!0g#°ïúU10g#Ø÷g#0!HASH¸÷g# ASELECT * FROM InstrumentationGroups WHERE ID =?@!0g#ûXúU QìúUàëúUÈëúU°ëúUxòbúU1Woodwind÷g#ir0128g#Ø÷g#¸8múUpWúU0!0g#¸úg#`Á©úU!0g#¸÷g#>rúU!0g#¸÷g#"head" -!50g#¸÷g#`Á©úUQ˜-túU!19g#èùg#!1g#ðjúU10g#Ø÷g#0999999998ONÞ0!Piano triog#@@rúU!0g#¸÷g#`@rúU!0g#¸÷g#Èûg#!0g#¸÷g# CrúU!50g#¸÷g#99999999QØ2júU!12g#ˆøg#Qð§fúU!String quartet€—´úU!0g#¸÷g# BrúU10g#Ø÷g#"head" --> 0!0.00à ±úU Q8¸$úUQSwing That Gavotte (Saxophone Quartet)¨¶múUPaXúUjð®"úU3èéIúU!<²úU!2017-03-15 04:24:14!1g#¸÷g# !HASHU!2017-11-22 17:11:28a EúU (¿1úUQúUA/usr/www/resources/ADAP3/GenericObject2.pmg#@Qøµ$úU113g#Ø÷g#pþÿÿÿ0ƒlúU0XÂúUÚ‹úUÂúUxúU3¸úU(¦/úUø‡úUU]úUÈßjúUXHkúU˜z™úU89~úUøúúUI™úUØ•¼úU\úUøÛ)úU(ÏæúUx…OúU¨×}úU¨`vúUg™úU¹iúUg¸úU¸ DúUÈÞ)úUhŸ1úUèEVúU^`úUZ]úUˆ“ úUøòEúUxY'úU(œeúU()€úUÈ5oúU CúUà!múU˜Š‹úU€ù!úUXQ]úUPª‚úUˆz¾úU[yúU`„ÏúUxFaúUøtüúU8{™úU6”úU(ä‹úU°b²úUÈáeúUhÐúUpÙqúUHŽÑúU >múUè½ÁúUÈUuúU¸V]úUð±púUøÒ¨úUÈrOúUÈfµúUȆ‹úU(bŽúU(ä‹úUðlŽúUXÞÁúUH¼IúU¨<¯úUHŽÑúU¨»kúUëgúUhúúúU˜Ü®úUÐmÍúUxFaúU%ñúUlòúU(ü±úUˆHVúUúUXa™úU896úU¨U)úUX{°úU`ü³úUøIúU¸ÌƒúU˜HaúUèÆyúUÈ6úUèͱúU¸ŸºúUèÏ`úUH\|úUÈ ÂúU0=_úUx ÄúU€múUˆæÇúUØ·~úU(x)úU~]úUÈÇèúUˆyˆúUˆHVúU0¬kúUøÛ)úUHq3úUx¸TúU¸júU¸|úUxY'úU¨ø!úUXCÂúUhŠ^úU˜4wúUÂ]úU(ñZúUÅÁúUàbúUЖ!úU86(úU˜ª‚úUðaöúU4úUPñ¸úUh}TúUhÞqúU蹉úUxFaúUØlöúU(âgúU¨ÂúU¨qYúU`þ¼úUèþúU˜²úUlòúUhsúUØÃúU˜ßzúU¸HfúUlòúUðêlúU ‹júUè¯ËúU8¤‚úUÀðwúU¨ukúU@‘úUØDÂúUx§júUÈk¸úUÈUúUà÷€úUÂúUˆU]úU¨eúUghúU8kúU˜Š‹úUefúUXCÂúUøçúúU¸V]úU(ÍúU€AuúUhÂúU¸yúUèqúU¨ôŒúUx*€úUp(iúUð®EúUø1FúUm>úUhÁlúUxFaúUðýûúUx—¼úU`8ŒúUˆz¾úUL©úU¨‚¼úU(åÙúU@ýYúUH&úUÀ6ZúU¸ŸnúUxØßúUpÓcúU ÛúUI(úU8ÙUúU0 lúU8ÓÝúUèðŒúU˜ñÀúUàÌ}úUèqúUBúUØÃúU(R]úUxoòúUÀó^úUÈÓGúU(ŽúUÈ2!úUЙ‰úUè\vúUH3kúUxådúUx¸TúUø5ªúU¨GáúUÐ$zúU¨eúUPŠúUhO]úUÈó!úUx¸ÁúU09úU(Ï‚úUÂúU(ŽtúUxÁÁúUè3húUXÔoúUÂúUè—úUðU›úUxûúUØ,wúUXY]úU(ZõúUˆHVúUXˆúU¸îeúUhDFúU äsúUè÷]úUxY'úU[ªúU¨U)úUXãlúU€ÄsúUˆ¹TúUÐælúUÈ2!úU8’úU˜ ÂúUð°úUÈÞ)úUP¬±úUx%úUÀ·núUhO]úUxI©úU(MúUè núU0ÉlúU¸šúUh$wúUXCÂúUSëúU€vúU¨ÂúU˜û¦úUعÁúUÈ cúUø¸ÝúUàJúUÂúU`€ˆúUXY]úUžøúUè½ÁúU(Ù$úUhO]úU b‡úUˆz¾úU0nvúUØÃúU¨0›úUX#úU°ž½úU(ä‹úUxJpúUˆ¹TúUî úUh}TúU€€ÙúUÀJúUØ·~úU¨!}úUX‚úUhÂúU°ãsúUèÎ.úUè[[úUˆ‚QúU¨TGúUˆHVúU°H!úU¸&*úUÀÚqúUøúúUp{"úU8ë”úU˜QbúUØ•¼úUÀJêúUx%úUpcúU8Ô.úUÈ9~úU8u6úUø0#úUèÏ`úU(bkúUÈk¸úUHúUHR]úUàµbúUZ]úU@‹úU¨qúUxY'úUȇlúUˆýˆúUù^úU°–qúUH3kúUˆ,›úUعÁúUhúUx¸ÁúUÐz€úUÈÇèúU¨SbúU(Ý»úU –‰úUHL]úUØ+YúU®úU86(úUøPúU¸ŽHúUX‹zúU¸&*úU0ïZúUg¸úU0µúUXY]úU(–ZúU˜>úUÐTúUÐÔúUØø)úUxÏ úU(MúU6‰úU˜¶ÁúU0ËcúUXQ]úUX|YúUÑ…úU¸&}úU`æúU¸ÄÍúUˆ¹TúU8ç úUȤrúUÂúUx_|úUÃÁúUP@{úUÃÁúUh³aúU(ÂúUxOúUX%ðúU¤^úU¨KúU˜uúU¨±úUøúMúUèÎ.úUج‚úU(ä‹úUˆÁhúU˜HaúU0šZúU!727473¸ùg#@’€úU!0g#¸÷g#!0g#¸÷g#(kpúU!8.95¸÷g#!3.00¸÷g#8‚úU!8.95¸÷g#øˆúU!3.00¸÷g#˜îzúU!1g#¸÷g#x'ƒúU!1g#¸÷g#€>kúU!0g#¸÷g#° oúU!0g#¸÷g#ø]úU!1g#¸÷g#oúU!0g#¸÷g#!÷g#¸÷g#xdúU!0.00¸÷g#1÷g#Ø÷g#htúUàzúU0aGo Down, Moses (Duet for Violin and Viola) Spiritual Stephen DeCesare The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged as a duet for Violin and Viola with Piano accompaniment. Accessible and appropriate for any school or concert setting.!0g#¸÷g#!1g#¸÷g#10g#Ø÷g#010g#ððßúUvatedtesúU0€|gúUªP/‰úUD°0ÃúUà´úUD°ôúUûiúUDp%)úU0EnúUDðúU°°™úU`ùgúUD4®úU=súUD`¾ÈúUÅÁúUÝjúU`ÒfúU KúúUD pòúUFÊúUDà³÷úU1‰úUD0®úUP&‰úUD0v®úUÍ"úUD`f]úU`ÇŸúU €`GËúU@©ŠúUDpçsúUnrúU _iúUDÐ^súUPWÉúUD`O£úUðê}úUD°áÛúU6 úUD ‡úU 2rúUDÀùeúUð²úUD°7$úUÀÏfúUD@Á¼úUp¹ÿúUDPÈóúUðô|úUDP×'úU·úU €ÐAúU ®túUD@úUÐA"úUD0ùsúUÐÎCúUD ®úU`}úUDmŠúU˜[rúUèaúUزGúUUÐó*úU¸óôúU @  úUÀ¦aúU  /búUD°¦ÙúUkjúUD `P]úUÀšbúUDÐæÛúUà°úU €P£úUX\rúU+púUD¹ÁúU`‘yúUD¡ÇúU -ZúUD ¨iúUÀÕnúUDÐÞúUð#'úU €°oúUp0rúUDÐÊÈúU¿1úUD@gýúUЩHúUDp¬JúU€åSúUD`%úU j úU JgúUDÐ_½úUàß~úUD°.#úUà4iúU2¨]rúUÉ‚!fPB©úUDðFvúU OÁúU  `[ÞúUPÂúUD@àúUpÇgúUD »vúU }|úUDPxÞúUÈ!ÔúU @Ð4‡úUÀƒxúUDpmÞúU@õhúUD°¸húU@(púUDÐaŽúU`ôwúUDÃLúUpúUD Á¿úUúUD@qqúU xeúUDÜeúU°œÝúUDÐ%†úUÐüiúUDpŸúU 6"úU  °#úU€ñ|úUD°´÷úU`ЋúUDÀG}úUÅÁúUxúUD€G‚úUiúUDP^îúU@:]úUDà YúU0×›úUD€GàúU€‡xúUD°ñgúU`rúU°®túU©©úU”yúUD`*úU€¯‰úUÀC©úUD`¿úU`ïõúUDÀYúUªaúUP¢ÜúUDP+±úU„ úUD€Ì™úU°Ê¨úU 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They were originally conceived as incidental music for American TV drama or TV. They should be played with a generous amount of well judged sustain pedal. To hear how they should sound, go to my bandcamp page: www.http://markbisson.bandcamp.com/U!0g#è÷g#pÔœúU!1g#¸÷g# !0000-00-00 00:00:00!0g#à €úU !0.00¸øg#ÀÒœúU!2.00¸÷g#úU!0.00¸÷g# ÔœúU!0g#¸÷g#ÒœúU!÷g#¸÷g#°Q~úU!0.00¸÷g# ÓœúU!650x919ø÷g#ÓœúU10g#Ø÷g#ÈÓœúU0!0g#øg#!15g#è÷g#!2.00È÷g# !°î‚úUmezone7:11!ðhúUÐqúU !10g# ™&úU A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":225,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"0EC8C182-161D-11E7-8733-910F3DF12E93","position-x-pc":"0"}ЕsúU!720#¸÷g#!540#¸÷g#!øg#8øg#!53230¸÷g#!0g#¸÷g#10g#Ø÷g#0qÑcúU@ #úUÔ&,úUQ6 Atmospheric Christmas Carols for piano Angels from the Realms of Glory, Hark The Herald Angels Sing, God Rest Ye Merry Gentlemen, O Come All Ye Faithful, Good King Wenceslas and Jingle Bells arr. Mark Bisson Mark Bisson Editable Scores 6 Christmas Carols arranged for Piano in an atmospheric, contemporary popular American style. They were originally conceived as incidental music for American TV drama or TV. They should be played with a generous amount of well judged sustain pedal. 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This arrangement, for 3 Saxophones, AAT, will certainly get your audiences feet tapping.œæsúU!3.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#è”YúU!486567¸÷g#!0g#¸÷g#0RcúU!0g#¸÷g#ÈÝ0úU!0.00¸÷g#`1ˆúU!7.50¸÷g#¨k±úU!4.50¸÷g#x¯kúU!0g#¸÷g#¨ ‚úU!÷g#¸÷g#ptœúU!0.00¸÷g# mpúU!jeffrey1(úU !71013è÷g#øEúU!44g#È÷g# 1¨ésúUæ À²71013!0g#(þg#°ésúUq{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "21149" } res!0.0000¸÷g#!2011-05-08 12:41:38!0g#¸÷g#!0g#¸÷g#!5g#¸÷g#!2013-04-10 04:46:42!0g#¸÷g#!0g#¸÷g#qCan Can from Orpheus In the Underworld (3 Saxophones, AAT) J. Offenbach. Jan Smith Harmonie Publications The celebrated dance "Can Can" is from the Operetta "Orpheus In the Underworld" which was composed by Jacques Offenbach, and first performed in 1858. This arrangement, for 3 Saxophones, AAT, will certainly get your audiences feet tapping.defScor!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ÈúUÀO›úUðžYúUúˆúU¨RfúUÐßtúUPÂZúUÈy`úUà‡búUÀ»ZúU8êmúUˆ¨uúUØ£núUPÒ±úU°ƒúUØαúUÀðzúUøY›úUPS›úU§~úU¸º©úU@W›úU ‚úU´ŒúUP“aúUÐômúU¢gúU mpúUè±úU ;ŽúUX»xúUà4}úU êŽúU@yúU0[›úU(ËvúUÀ\µúUH‚úUPxúUXŠúUx‘‹úUèR{úUè”YúUh^úUh,_úU€dúU šeúU0RcúU8úUÐIúU‹úUˆúU`1ˆúU`Å_úUÈslúU¨k±úUPvúU€½xúUx¯kúU]ŒúUXËsúUHiúU¨ ‚úU!úUptœúU`ulúUr`úU gúUP[úU°öYúUH€úU¨coúU0qúUðSxúUà[úU9zúUhë[úUÐsŠúUentYear±["80574","80536","78175","80834","20606","36827","148346","46831","80785","160993","61778","433009","148320","80837","193364","73089","178396","178395","178387"]? !2020-09-14 12:35:49!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-30 11:37:26!2023-04-30 11:37:32!693341¸÷g#!626644¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q˜Ã_úU!2017-06-09 17:10:17úU10000-00-00 00:00:00¸ß§úU01German Dance (Saxophone Quartet)úU!44g#¸÷g#QbúU!552#¸÷g#8ÐvúU!3g#¸÷g#`ªgúU!2g#¸÷g#¨U©úU!2011-06-22 08:31:37úU!2017-11-22 17:11:29úU1Joseph Haydn. 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    Woodwind
    Brass
    Keyboards
    Singers
    Guitars
    Strings
    Percussion (pitched)
    Percussion (unpitched)
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I've done a number of quartet arrangements through the years and have had great success/response/feedback every time they've been performed. This one is a real burner and is inspired by of the the funkiest sax men of all time - Maceo Parker.|úUàþsúU ïtúUªdjúUDPa®úU˜´>úUÿà ´úU`y{úUD )âúU RuúUøWŠúU€ógúUD ÓúU@CnúUD0çÛúU%cúUD  ¬|úUœdúUD‘úU ûeúUD°ÈúUÐM‰úUU¦~úUHSuúUH| úUðzúUDûÉúU€cjúUD²€úU€múU pýjúUÐŒúUDpUáúUÀSuúUpŽúUDðŸ¼úUÓúUD ¿úUð lúUD€ÍôúUÆrúUD •úUg}úUD@ûúU@î{úUDÐlúUhTuúU€ŸfúUD ¿ñúUÀ_ úUDðþjúUÐ]múUDp2{úUð¶úUv`‹}úUÐ>‚úUDàŒ²úUhL‰úUUàóúUàÆúUDpygúU(UuúUXËúU0V€úUD¹‚úUÀ÷iúUD©ÇúUPÍéúU0ÅrúUDàͼúU ¥wúUDAhúU°;súUDàeúUP‚úUD ùÜúU"âúU2`\`úU` ÐúUDÐ ŠúU€_iúUDÀ°^úUx“úU°{úUDÀüÉúU@ÃúUðuúUDP–¼úUPÔúU @àááúUPæúUDÇDúUpƒxúUDpmúUà("úUD †úU !ŒúUDП¼úUÀwúUD°\½úU ýeúUD`‹úU່úUDœjúU|úUDÐH£úU€*búUDà€iúUðŸpúUD ªšúU@dúUÐ{{úUD` múU@ÇÎúUDp¯úUhúUD@þlúU`N!úUD0 qúUmkúUDÀ—ÊúUÀbjúUDP§]úU È"úUDÉÈúU`ì#úUˆXuúUXËúU@˜[úUÀwuúU€Ÿ]úUDPxÏúU ækúUD€*úU@²qúUD@VáúUÞúUD°‡ÇúU`ÖnúUDpµùúU@{úUDÐj½úU œdúUD0|úUð¼úUDpFNúUð vúUD Œ(úUàÊœúUDp0âúU0ŽúUD 8ÓúUÅÁúUÐúUDpa®úU‘uúUDP`ŽúU ZuúU°kúU2¸1úUDJÿúUhZuúUpŒYúU €`$úU eúUDÀúU †#úU@^~úU0kúU2P¯túUDP'rúU,ZúUDÐH®úUp(‰úUD /ÃúU0~|úUDЩÙúU@BnúUDÐbpúU@„ÄúUDàm©úUcúUDÀÊ»úUÐ^ úUD‹ÍúU@xúUD€iúUð%cúU0úUD¾púUè[uúU(ËúU\œúU ÐÅ$úU úUDÐß»úUÀ@1úU @0"úUð_!úU ÀãÔúUhúUDÀŒªúU@GÎúUD`§úU€U€úUDpVqúU¨\uúUÐE‚úUDPº‚úUpkúUD A$úU@ïhúUD®úU`¯qúUÅÁúU@®súUDÂpúU0[úUDð–úU@ùIúU2°èkúUD€>ÃúU`âúUD a½úU€\CúUDÀâþúUðñ_úUDðÓ¼úUà]uúU`t{úUD@sÓúU0¿úUDÐY}úU@(búUDÐV‹úU@üyúUD ~ÛúU°,ÑúU°È‹úUp¸YúUD€ÆšúU`LúUDŠ úUP2búUD°ÿ­úU°±úUDàÛúU 4ÜúUD@¥óúUÐúUDÀ9úU£búUDÞúUà^`úUDPÁeúU@W€úUDpiqúU€ûÃúUDðªúU—vúUD€¼púUPàVúUD°ÍfúU`’cúUD .{úUpájúUD¿úU@Ù…úUD`ˆúUð–púUD2{úU€Ë€úUDPûsúU M!úUD°ÉÈúUP púUDÀáÉúUà:‡úUD€}‘úUàdúUD°ËeúUà7ŠúUD`†{úU´úU2?ÎúUDÿoúUÀ wúUDÅpúUà`uúUg`úUD@€ÜúUphNúUD!vúUàùiúUDÐiúUÅ€úUDpw¼úU°?‚úUD ¢ÙúUàL_úUD°ü‚úUÐkúU2@u6úU(nÏúUÿàc<úU@ž^úUD dúUpXœúUDà"¿úU€ƒúU0’cúUD`ÙoúU¡

    Purpose

    A specific event > Baptism A specific event > Bar / Bat Mitzvah A specific event > Birthdays A specific event > Christmas A specific event > Christmas (sacred) A specific event > Easter A specific event > Funerals A specific event > Harvest festivals A specific event > National days A specific event > Weddings Film / TV soundtracks General performance Learning or teaching how to play an instrument Learning or teaching music theory National anthems Theatre Work in progress for review / critique Worship
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It is a most for your next Christmas concert. ðúU !1g#°©%úU !÷g#Ã%úU !Film/TVøg#!1g#ø÷g#14.75Ø÷g#0!0.00Hûg#À$ÛúU!2g#¸÷g#(CgúU!÷g#¸÷g#(5fúU!2g#¸÷g#!0g#¸÷g#!÷g#¸÷g#È|úU!÷g#¸÷g#!ÂòúU qÿÿÿÿ1little tango for flute choir .sib1ReExtractPartstractPartsir .sib1˜ù"úU˜ù"úU˜ù"úU˜ù"úUaÈ¡ŸúUhXÇúU# ˆ§çúUThis score was submitted for publication and has not been given the opportunity to appear on the big catalogs. I have performed it with my ensemble with outstanding ovation. I hope this work get to be know more in the future. Thanks.súU!OrigFileTypeigFileType!@núU(ºyúU!sibúUAJohn Henry Hopkins Arr. 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00:00:00úU10000-00-00 00:00:008º4úU0!20.008øg#(§IúU!0g#¸÷g# ·ÂúU!1g#¸÷g# úU10g#Ø÷g#01˜ù"úUk×úUÐj×úU˜ù"úU˜ù"úUahttps://img.sheetmusic.direct/catalogue/product/the-mission-movie-lg.jpgllow">Ennio Mor!2g#¸÷g# 1Ennio Morricone0!1.50ðÞúU !2011-10-02 21:38:52!1g#¸÷g# ‘ ‡9úU€BPúU˜€šúU` ªúUhsýúUØ–RúUÀTúU¸ùDúU!2022-12-02 01:01:4012022-12-02 01:01:400!0g#Èúg#!÷g#¸÷g#@!0000-00-00 00:00:00Q(»„úU!379#Høg# GúU!0g#¸÷g#!0g#¸÷g#8ñÁúU!÷g#è÷g#à ¹úU!0000-00-00 00:00:00!37687 ,eúU class="!smd_h_0000000000176388qhttps://img.sheetmusic.direct/catalogue/product/the-mission-movie-md.jpgp!1g#ø÷g#13.99Ø÷g#0Q;úU!36995¸÷g#!300923¸÷g#!0g#è÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!227497¸÷g#àLUX#!0000-00-00 00:00:00úU10000-00-00 00:00:00,MúU0!Theme from Hamlet~úU!41g#¸÷g#X§ úU!275#¸÷g#°‘vúU!3g#¸÷g#Ø=úU!2g#¸÷g#À5~úU!2007-03-01 00:00:00úU!2021-03-12 00:00:00úU!øg#8øg#pÖIúU!÷g#¸÷g#€KVúU!0g#¸÷g#ø‘ÄúU10g#Ø÷g#0!÷g#¸÷g#PõGúU!0g#¸÷g#ÀiJúU!0g#¸÷g#=úU!÷g#¸÷g#Ø "úU!2007-03-01 00:00:00úU!0g#¸÷g#hùÞúU!3g#¸÷g# ß2úU!0g#¸÷g#˜ÔgúU!0g#¨øg#¸{)úU!÷g#¸÷g#Pó†úU!7.09¸÷g#Ø)úU!0g#¸÷g#ØqEúU!0g#¸÷g# ¸úU!0g#¸÷g#€>búU!÷g#è÷g#!÷g#¸÷g# !2001-04-09 00:00:00úU!2024-04-17 00:00:00úU!øg#8øg#hÞBúU!÷g#¸÷g#(¡7úU!0g#¸÷g#èøúU10g#Ø÷g#0!÷g#¸÷g#!0g#¸÷g#0ÖFúU!0g#¸÷g#@·gúU!÷g#¸÷g#503371!2001-04-09 00:00:00!0g#¸÷g#!62g#¸÷g#€ úU!3g#¸÷g# §ËúU!1.50¸øg#¨ÍúU!0000-00-00 00:00:00úU!0g#¸÷g#­ÉúU!0g#¸÷g# ›.úU!0g#¸÷g#øbQúU!÷g#¸÷g#À¡[úU!0g#¸÷g#èøúU10g#Ø÷g#Æ÷úU0!0g#Høg#!÷g#¸÷g#!8.44¸÷g#°SHúU!0g#è÷g#`îúU!0g#¸÷g# á  ¨°68eð9@   Põ©úU:@Úà0 æúU`,:úUSXPótúU hp°ÿYúU08$(0é¯úU@Höø @Hnp åè  (qThis is Mozart’s famous art song "An Chloe", arranged for children. This is a really fun piece for young students. I really encourage you to give it a try. This piece is arranged with simplified notation to meet the Paint with Piano Red Level Requirements. You can find more information about the curriculum (currently under development) at [[http://www.Paintwithpiano.com ]]. For teachers interested in this material the following information will be helpful: *Think of this notation as a movable Do staff *Red = Tonic (rest) *Blue = Dominant (tension) *Yellow = Sub Dominant (intensifier) *Orange = Sub Mediant (weak rest or weak intensifier i.e. red+yellow) *Purple = Mediant (weak rest or weak intensifier i.e. Red+Blue) *Dark Yellow = Super Tonic (intensifier) *Dark Blue = Leading Tone (tension) *Green = Applied chords *Black = Nonharmonic tones`¨vúU!1.50¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!2017-06-13 17:20:31!÷g#¸÷g#hVúU!973458¸÷g#!0g#¸÷g#ˆPVúU!0g#¸÷g#hÐkúU!0.00¸÷g# Í<úU!1.50¸÷g#8ŠfúU!0.00¸÷g#˜È¸úU!0g#¸÷g#4úU!÷g#¸÷g#(i‚úU!0.00¸÷g#È®FúU!0g#8øg#!0g#¸÷g#8~oúU!5.00¸÷g#12023-04-14 13:16:02úUÀ¯múU0!ûg#ûg#0!0.0000¸÷g#P!2014-04-09 10:22:25!To Chloe÷g#p!0g#¸÷g#!0g#¸÷g#ðªvúU!5g#¸÷g# ¦vúU!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g# Á["83904","117338","116263","187024","175524","156294","157433","201497","155017","76545","116141","160876","189888","175535","153921","153919","145202","8776","126712","152327"]4982!2020-09-16 02:23:22!1g#¸÷g#æûúU!2019-09-25 13:25:051815C4410-DF8F-11E9-9A5B-780!77920¸÷g# !0g#¸÷g#@!0g#¸÷g#`!0g#¸÷g#!1g#¸÷g# 1650x841Ø÷g#°QhúU`)úU0Q€¬AúUøíúUP€šúU1¨­vúU¶× o!0000-00-00 00:00:00!2023-06-10 18:51:1312023-06-10 18:48:11úU0SúU0!moulette07úU !1g#`”ƒúU !41g#È÷g# !2021-09-02 01:35:42úU10g#Ø÷g#(l;úU0!NAKAGAWA÷g# !0g#Àl:úU !2306275pUhúU!0000-00-00 00:00:0010000-00-00 00:00:00ÿÿÿÿ0!1g#ËbúUrdRemind!0000-00-00 00:00:00!0000-00-00 00:00:00WHER1÷g#Ø÷g#0!0g#ÐókúU !0g#¸÷g#!1276x1650g#Ð …úU!3g#¸÷g#ÆmúU!1g#¸÷g#409807!0.00¸÷g# !0000-00-00 00:00:00!0000-00-00 00:00:00úU!0g#¸÷g#YúU10g#Ø÷g#409810àÀúU0!0000-00-00 00:00:00WHER!0000-00-00 00:00:00úU!3642¸÷g# qhttps://img.sheetmusic.direct/catalogue/product/the-good-the-bad-and-the-ugly-movie-lg.jpgp!0g#ÙúU Q°lOúUh#úUh9PúU!2013-04-17 00:00:00!0g#¸÷g#྆úU!1g#¸÷g#°žúU10g#Ø÷g#424720°!úU0!32.00ð"±úU!gavin_whitlock11g#Ø÷g#ÿÿÿÿ01Hue, Serenade for flute & pno0!42465l::st !1g#@œCúU@œCúUAa catchy little tune written for my pupilsg#`!2.00¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!none¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#ÈjkúU!32448¸÷g#!0g#¸÷g#ð)fúU!0g#¸÷g#!0.00¸÷g#ÐJúU!2.00¸÷g#øTÂúU!0.00¸÷g#ˆeúU!0g#¸÷g#øÇeúU!÷g#¸÷g#ˆ.iúU!0.00¸÷g#dúUÑ["83904","117338","116263","187024","175524","157433","156294","201497","76545","155017","160876","153921","116141","189888","153919","178925","175535","145202","152327","8776"]æúU _çúUÐ!1g#üg# ·vúU!0g#¸÷g#{ "GroupOrd" : "140", "StoreGroupOrd" : "50", "StoreGroupID" : "1404", "GroupID" : "30713" } `¹vúU!0.0000¸÷g#!2011-05-07 16:39:00!Another Bit of Rag!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!2013-04-17 05:33:00!0g#¸÷g#!0g#¸÷g# qAnother Bit of Rag Elizabeth Sidebotham none a catchy little tune written for my pupils€µvúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#0!0g#¸÷g#P!2020-09-28 07:48:42 Nam!0g#¸÷g#p!0000-00-00 00:00:00!÷g#¸÷g#0£vúU!0g#¸÷g# ·vúU!210#¸÷g#!297#¸÷g#!0g#¸÷g# !1g#¸÷g#@!650x919¸÷g#`!0g#¸÷g#`!0g#¸÷g#0¦BúU!5.00¸÷g#À!2023-05-07 19:41:21!2023-05-07 19:41:22!63334¸÷g# 160623Ø÷g#ÿ9Ï0!gbg#®úUÈ«þúU!÷g#¸÷g# !0g#¸øg#èó@úU!0g#¸÷g#8¢yúU!÷g#¸÷g#`Ó_úU!0g#¸÷g#~áúU!0g#¸÷g#ØlnúU!0g#¸÷g#˜~úU!0g#¸÷g#’+úU10.0000Ø÷g#؆WúU0!÷g#è÷g#!÷g#¸÷g# ØèúU0D±úUXÂúUÈå®úUà÷úUx]µúUØÍÜúU¨núUhŸúUÐídúUØÃúU”œúU8u6úU gfúUÂúU€,úUã‡úU¸ÈÁúU )YúUxÁÁúU¸GúU(¹ÁúU`ßÅúUˆéÇúU¨ÂúUˆúU¸ŽHúU¨ÊÜúU˜HaúUøž!úU¨µúU€K]úUèI™úUŽúUˆz¾úU˜›múU(ŽeúUhúúúUð|úUÖ^úU¨ÂúUó!úUx¸ÁúUÅhúUè½ÁúU¨Å®úU8ËúUH3kúU3iúUg¸úU x"úU˜ýúUÈN3úUÂúUXÒóúUx ÄúUèãúUÅÁúUx†zúU8€úU0@xúUXY]úUÈ}oúUˆsïúUH‹úU¨b úU±‡úU`@‹úUx]µúU°í‰úUXQ]úUð¦šúUH#þúUØ·~úUÀÚ}úUDÂúUx húUx ÄúUpcúU˜¶ÁúU~úUhO]úUð­rúUˆz¾úU°ë®úUèÎúUØ·~úUèbúUˆz¾úUp¶búUg¸úU˜ÜvúUhO]úU˜5`úU¨µúU°ðZúUèÎ.úUúEúUHL]úUˆHúUÇÁúUH2~úUÈ2!úU¸”úUz™úU núUx~‹úUàsúUp~*úUÈx°úU 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=©úUDòaúUp1súUD0`ÁúU`ààúU Àó»úUÐFnúUD€‰ˆúUÐà}úUD"½úU`ŽÃúUDQ úUÐŽúUD`’]úU öúU èkúUDð¾púU0 úUD€ãñúUP"túUDÍ_úU!2023-02-20 04:43:10úU!3696298¸÷g#!4837572¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QpÎiúUñAn arrangement of several popular American military marching songs, arranged for Concert/Wind Band. Tunes include The American Air force Song (copyright clearance has been obtained through Carl Fischer LLC, the Marine Hymn, Taps, Caisson Song & Anchors Aweigh. A Great arrangement for your next performance, which features all sections of the band! The U.S. Air Force" is the official song of the United States Air Force. Originally, the song was titled as "Army Air Corps". Robert MacArthur Crawford wrote the lyrics and music during 1938.In 1947, when the Air Force became a separate service, the song became the "Air Force Song". The song is based on the "Caisson Song" written by field artillery First Lieutenant (later Brigadier General) Edmund L. Gruber, Lieutenant William Bryden, and Lieutenant (later Major General) Robert Danford while stationed at Fort Stotsenburg in the Philippines in March 1908. The tune quickly became popular in field artillery units. In 1917 the Secretary of the Navy and army Lieutenant George Friedlander of the 306th Field Artillery asked John Philip Sousa to create a march using the "Caisson Song." Sousa changed the key, harmony, and rhythm and renamed the song and had been told that it dated back to the Civil War. Although an army magazine claims that Sousa passed on his royalties to Gruber, other sources state that Gruber became involved in a prolonged legal battle to recover the rights to music he had written and that had been lifted (unknowingly or not) by Sousa and widely sold by sheet music publishers who reaped profits while Gruber received nothing. The music became so popular that it was also used in radio ads by firms such as the Hoover Vacuum Company. Gruber lost his battle in the courts. They ruled that he had waited too long to complain and that his music was by that time in the public domain. "The Caisson Song" was never designated as the official U.S. Army song likely because the lyrics were too closely identified with the field artillery and not the entire army. The official song retains Gruber’s music, but with re-written lyrics. "Anchors Aweigh" is the fight song of the United States Naval Academy, and as a result, the song is strongly associated with the United States Navy. It was composed in 1906 by Charles A. Zimmerman with lyrics by Alfred Hart Miles. When he composed "Anchors Aweigh", Zimmerman was a Lieutenant, and had been bandmaster of the United States Naval Academy Band since 1887. Miles was Midshipman First Class at the Academy, in the class of 1907, and asked Zimmerman to assist him in composing a song for that class, to be used as a football march. Another Academy Midshipman, Royal Lovell (class of 1926) later wrote what would be adopted into the song as its third verse. Taps" is a musical piece sounded at dusk, and at funerals, particularly by the U.S. military. It is sounded during flag ceremonies and funerals, generally on bugle or trumpet, and often at Boy Scout, Girl Scout and Girl Guide meetings and camps. The tune is also sometimes known as "Butterfield’s Lullaby", or by the first line of the lyric, "Day is Done". The "Marines’ Hymn" is the official hymn of the United States Marine Corps. It is the oldest official song in the United States military. The "Marines’ Hymn" is typically sung at the position of attention as a gesture of respect. However, the third verse is also used as a toast during formal events, such as the birthday ball and other ceremonies. Carl Fischer, LLC (the “Ownerâ€), hereby grants Music for All Occasions (the “Licenseeâ€), during the term hereof, non-exclusive permission to include the copyrighted musical work entitled The U. S. Air Force by Robert Crawford (the “Musical Workâ€) in a newly arranged medley “American Songs for Concert Band†Keith Terrett, and to print, publish, distribute, advertise, exploit, market and sell copies of the same (the “Publicationâ€) as per the terms. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comvúU An arrangement of several popular American military marching songs, arranged for Concert/Wind Band. Tunes include The American Air force Song (copyright clearance has been obtained through Carl Fischer LLC, the Marine Hymn, Taps, Caisson Song & Anchors Aweigh. A Great arrangement for your next performance, which features all sections of the band! The U.S. Air Force" is the official song of the United States Air Force. Originally, the song was titled as "Army Air Corps". Robert MacArthur Crawford wrote the lyrics and music during 1938.In 1947, when the Air Force became a separate service, the song became the "Air Force Song". The song is based on the "Caisson Song" written by field artillery First Lieutenant (later Brigadier General) Edmund L. Gruber, Lieutenant William Bryden, and Lieutenant (later Major General) Robert Danford while stationed at Fort Stotsenburg in the Philippines in March 1908. The tune quickly became popular in field artillery units. In 1917 the Secretary of the Navy and army Lieutenant George Friedlander of the 306th Field Artillery asked John Philip Sousa to create a march using the "Caisson Song." Sousa changed the key, harmony, and rhythm and renamed the song and had been told that it dated back to the Civil War. Although an army magazine claims that Sousa passed on his royalties to Gruber, other sources state that Gruber became involved in a prolonged legal battle to recover the rights to music he had written and that had been lifted (unknowingly or not) by Sousa and widely sold by sheet music publishers who reaped profits while Gruber received nothing. The music became so popular that it was also used in radio ads by firms such as the Hoover Vacuum Company. Gruber lost his battle in the courts. They ruled that he had waited too long to complain and that his music was by that time in the public domain. "The Caisson Song" was never designated as the official U.S. Army song likely because the lyrics were too closely identified with the field artillery and not the entire army. The official song retains Gruber’s music, but with re-written lyrics. "Anchors Aweigh" is the fight song of the United States Naval Academy, and as a result, the song is strongly associated with the United States Navy. It was composed in 1906 by Charles A. Zimmerman with lyrics by Alfred Hart Miles. When he composed "Anchors Aweigh", Zimmerman was a Lieutenant, and had been bandmaster of the United States Naval Academy Band since 1887. Miles was Midshipman First Class at the Academy, in the class of 1907, and asked Zimmerman to assist him in composing a song for that class, to be used as a football march. Another Academy Midshipman, Royal Lovell (class of 1926) later wrote what would be adopted into the song as its third verse. Taps" is a musical piece sounded at dusk, and at funerals, particularly by the U.S. military. It is sounded during flag ceremonies and funerals, generally on bugle or trumpet, and often at Boy Scout, Girl Scout and Girl Guide meetings and camps. The tune is also sometimes known as "Butterfield’s Lullaby", or by the first line of the lyric, "Day is Done". The "Marines’ Hymn" is the official hymn of the United States Marine Corps. It is the oldest official song in the United States military. The "Marines’ Hymn" is typically sung at the position of attention as a gesture of respect. However, the third verse is also used as a toast during formal events, such as the birthday ball and other ceremonies. Carl Fischer, LLC (the “Ownerâ€), hereby grants Music for All Occasions (the “Licenseeâ€), during the term hereof, non-exclusive permission to include the copyrighted musical work entitled The U. S. Air Force by Robert Crawford (the “Musical Workâ€) in a newly arranged medley “American Songs for Concert Band†Keith Terrett, and to print, publish, distribute, advertise, exploit, market and sell copies of the same (the “Publicationâ€) as per the terms. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com !0g#øg#$!÷g#¸÷g#uantityS10.0000Ø÷g# "úUðhÛúU0!0g#(øg#ur-Verse!1g#¸÷g#nds) - m!0g#è÷g#sibibu!0.0000È÷g# !158866¸÷g#!4.00ø÷g# žzúU10g#Ø÷g#øl^úU0!49g#¸÷g#€ð‰úU!0g#¸÷g#°UuúU!3g#¸÷g#ØVŠúU!2g#¸÷g#0^rúU!2014-08-05 14:21:16úU!2022-08-05 10:09:52úUAJohn Stanley (1713-86) arranged by Keith TerrettoúU!0g#¸÷g# žzúU10g#Ø÷g#0!sib#¸÷g#ø#úU!250#¸÷g#H gúU!0g#¸÷g#ȸ]úUStanley Trumpet Voluntary (Opus 6, No. 5 in D), for 2 Eb Alto Saxophones & Piano (Young player) 2014.sib#P"~úU!2014-08-05 14:21:16úU!2g#¸÷g#221847!1935¸÷g#À!1g#¸÷g#!1.99¸øg#XŸrúU!2014-08-05 14:21:20úU!1g#¸÷g#/ŸúU!0g#¸÷g#ÀѱúU!0g#¸÷g#Ø œúU!0g#øg#pËsúU!0g#¸÷g# žzúU11g#Ø÷g#lúU0!Keith Terrett á ©°CH©° (-0 eh‚ˆdh(0°¹ÏúU ª°ŠúU¨° DH 0˜OúUµ¸ ¶ úU –ÑúUdh%("( ˆÃúUÞà+0QøèúU!4g#Xøg#ts !40g#¸÷g# !0g#Èùg#tationsI!20g#¸÷g#D FROM I!0g#¸÷g#LEFT JOI!50g#¸÷g#strumentQàtúU!51g#øøg#!0g#wúU10000-00-00 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18:56:49úU!0000-00-00 00:00:00!÷g#¸÷g#phwúU!1264¸÷g#!0g#¸÷g#¸ewúU!0g#¸÷g#ˆhwúU!10.99¸÷g# 2úU!8.99¸÷g#€gwúU!10.99¸÷g#èewúU!8.99¸÷g#2úU!0g#¸÷g#Ð2úU!÷g#¸÷g#¸hwúU!0.00¸÷g#!÷g#¸÷g# hwúU!0000-00-00 00:00:0010g#Ø÷g#pewúU˜gwúU0!0g#8þg#àCwúU!22g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#1The Devil Went Down to Georgia Flute Version James Wainwright Marshall, John Thomas Crain, Charles Fred Heyward, Fred Laroy Edwards, William Joel Digregorio and Charles Daniels Charles Daniels Cascia Talbert I've always wanted to arrange and perform this song for flute. I took the iconic fiddle solo and created my own version on flute. "The Devil Went Down to Georgia" is a song written and performed by the Charlie Daniels Band and released on their 1979 album Million Mile Reflections. The song is written in the key of D minor.hangeScores!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!420#¸÷g#!420#¸÷g#gwúU¨lwúUlwúU 2úU¨fwúU°gwúUàgwúU¸kwúUxiwúUpkwúUøgwúUhgwúUð2úU0lwúUXkwúUØfwúU˜jwúUð2ŸúU@2úU°2úUhjwúUèkwúU(kwúU jwúU kwúUfwúU`lwúU¸hwúUÐhwúUˆkwúU`iwúU8jwúU8gwúUxfwúUxlwúUèhwúUkwúUà2úUˆewúU¨iwúUðiwúUiwúUphwúUàjwúU ewúU°jwúU gwúU¸ewúUÐewúU(hwúUÐkwúU@kwúU 2úUmwúUX2úU€gwúUP2úUp2úUèewúU0iwúU€2úUÈgwúU2úU`2úUÐ2úUÈjwúUlwúUøjwúUHlwúUPjwúU0fwúUÀiwúUjwúU(2úUØiwúU2úUpewúUiwúUfo!2023-09-09 15:50:00úU1250200D8-4F20-11EE-A14E-8EA1F6CA0AAFU!22497¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x841¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!665522¸÷g#!0000-00-00 00:00:00!2023-09-09 15:44:51 ÔúUªNwúU ŒúUDPgÞúU°ŽúUD@-{úU íhúUDõ»úU qúUDàølúUwúU ^wúU¾úU2¸NwúUXÛúUÇ^úUD°ò¼úU0E‘úUDp[‘úUÀò1úUDÐ2úUOwúU€ò1úUDP2úUÐjªúUDÀˆªúUÀjªúUD ˆªúUÐpªúUD°³úUPò1úUÐò1úUDA‘úUò1úUDp2úU ò1úUD2úU`wúU  ú1úU øúUD@RžúU ‰úUDÀ`wúU°‰úUDà`wúUÀ‰úUDawúUЉúUD awúUà‰úUD@awúUð‰úUD`awúU‰úUD`RžúU‰úUD_wúU ‰úUD _wúU0‰úUD@_wúU@‰úUD`_wúUP‰úUD_wúUPç1úUD°_wúU`ç1úUD€awúUpç1úUD awúU€ç1úUDÐ_wúUç1úUDp^wúU ç1úUD^wúU°ç1úUD°^wúUÀç1úUDÐ^wúUÐç1úUD†úUàç1úUDð†úUðç1úUD†úUè1úUD0†úUè1úUDP†úU è1úUDp†úU0è1úUD†úU@è1úUDÀ†úUPè1úUDà†úU`è1úUD †úUpè1úUD†úU€è1úUD0†úUè1úUDP†úU è1úUDp†úU°è1úUD†úUÀè1úUD°†úUÐè1úUDІúUàè1úUDð†úUðè1úUD †úUé1úUD0 †úUé1úUDP †úU é1úU0é1úUDp †úU@é1úUD †úUPé1úUD†úUÅÁúU`é1úUD°†úUpé1úUDІúU€é1úUDð†úUé1úUD†úU é1úUD0†úU°é1úUDP†úU öúUÀé1úUDP÷1úUÐé1úUDðø1úUàé1úUDù1úUðé1úUD0ù1úUê1úUDPù1úUê1úUDpù1úU ê1úUDù1úU0ê1úUD°ù1úU@ê1úUDÐù1úUPê1úUDðù1úU`ê1úUDp`wúUpê1úUD`wúU€ê1úUDp†úUê1úUD†úU ê1úUD°†úU°ê1úUDІúUÀê1úUDð†úUÐê1úUD†úUàê1úUD0†úUðê1úUDP†úUë1úUë1úU ë1úU0ë1úU@ë1úUPë1úUDp†úU`ë1úUD@õ1úUpë1úUD`õ1úU€ë1úUD€õ1úUë1úUD õ1úU ë1úUDÀõ1úU°ë1úUDàõ1úUÀë1úUDö1úUÐë1úUD0ö1úUHXwúU˜NwúU¤]úUD ÛúUÐJ!úUDP˜júU°ÊmúUD`gáúU,úUDÀ”(úUÀXwúU0púUp@‚úUD .#úUðùQúUDPY{úU@wúU ‘úUоúU28YwúUPwúUPYwúUX€K‘úUD  †úUE‘úUDP‚úU˜YwúUPE‘úUDЂúU qªúUD0€³úUqªúUD€³úU E‘úU E‘úUDp‚úU`E‘úUDð‚úUpE‘úUD‚úU wúU  =‘úUà÷úUD`êúUàì1úUD@‘úUðì1úUD`‘úUí1úUD€‘úUí1úUD ‘úU í1úUD@`wúU0í1úUDÀ‘úU@í1úUDà‘úUPí1úUD‘úU`í1úUD ‘úUpí1úUD@‘úU€í1úUD`‘úUí1úUD€‘úU í1úUD ‘úU°í1úUDÀ‘úUÀí1úUDà‘úUÐí1úUD‘úUàí1úUD ‘úUðí1úUD@‘úUî1úUD`‘úUî1úUDp‘úU î1úUD †úU0î1úUD†úU@î1úUD0†úUPî1úUDP†úU`î1úUDp†úUpî1úUD†úU€î1úUD°†úUî1úUDІúU î1úUDð†úU°î1úUD ‘úUÀî1úUD†úUÐî1úUD0†úUàî1úUDP†úUðî1úUDp†úUï1úUD†úUï1úUD°†úUS^wúUQÀlwúU!Cascia Talbert(nwúU!2005¸÷g#ˆnwúU!2023¸÷g#˜mwúU14g#Ø÷g#0!pdf#¸÷g#¨øg#!238785¸÷g#pŽ#úU!0g#¸÷g#€UúU1Before He Cheats-Score_and_Parts.pdfU!2023-10-26 16:21:57úU!0g#¸÷g# žúUAJosh Kear and Chris TompkinsUàé&úUè¶"úU@1(`wúU5ØßÍ12822712g#Ø÷g# ÎÑúUtg#0!2023-10-03 20:42:10úU10000-00-00 00:00:00hmwúU0!Before He CheatsIDPubl!26g#¸÷g#ˆawúU!0g#¸÷g#LawúU!4g#¸÷g#qawúU!2g#¸÷g#eExchang!2023-10-03 20:31:11Coun!249#À_wúUxç1úU!0g#¸÷g# !5.00øýg#°awúU!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!324869¸÷g#!0000-00-00 00:00:00!2023-08-18 18:50:55QH2úU!1979èýg#àbwúU!2023¸÷g#!4g#¸÷g#aI've always wanted to arrange and perform this song for flute. I took the iconic fiddle solo and created my own version on flute. "The Devil Went Down to Georgia" is a song written and performed by the Charlie Daniels Band and released on their 1979 album Million Mile Reflections. The song is written in the key of D minor.N‘úUN‘úU!6.99¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!Charles Danielsx¸ÁúUøÝúU(¹ÁúUÞúUèqúU(ÞúUعÁúU@ÞúUHfwúU¨ºÁúUXÞúUx»ÁúUpÞúUè2úU¸šúUˆÞúUÈk¸úU ÞúUÀfwúUn¸úU¸ÞúUè½ÁúUÐÞúUˆ¿ÁúUèÞúUˆÀÁúUßúUxÁÁúUßúU˜>úU0ßúUÃÁúUHßúU82úUèÃÁúU`ßúUx~‹úUxßúUh·ÁúUßúUÇÁúU¨ßúU(Ý»úUÀßúU˜2úUx]µúUØßúUêÁúUðßúUø¸ÝúUàúUøúúU àúU¨eúU8àúUýÁúUPàúUØÃúUhàúUHL]úU€àúUhO]úU˜àúUˆhwúUÂúU°àúUh2úUlòúUÈàúUxoòúUààúU¨‚¼úUøàúUØ•¼úUáúUx—¼úU(áúUˆ2úUxFaúU@áúU˜HaúUXáúUˆÂúUpáúUXÂúUˆáúUx%úU áúUÈ ÂúU¸áúU˜ ÂúUÐáúU2úU¸ÂúUèáúUðfwúU¨ukúUâúUØ2úUH3kúUâúU`fwúU¤^úU0âúUø2úU¸«^úUHâúUÂúU`âúUfwúU¨ÂúUxâúUÈÞ)úUâúU˜á)úU¨âúUøÛ)úUÀâúUiwúUhúúúUØâúUÈ2!úUðâúUÈ2úU86(úUãúUPgwúUhÂúU ãúUÅÁúU8ãúUHiwúU8ÓÝúUPãúU(ÂúUhãúUxÂúU€ãúU˜gwúU¸ÈÁúU˜ãúUHÂúU NúUˆ<ÂúU¸NúU(ä‹úUÐ ‰úU@hwúUxY'úU¨‰úUˆHVúUÐNúUØÛ.úUp ‰úUhwúUH&úU ‰úU˜öúU ‰úU€jwúUÂ]úUpÆŒúUXCÂúU@ ‰úUDÂúUè ‰úUØDÂúUˆÆŒúU¸2úUX„gúU ÆŒúUH§¸úU¸ÆŒúU˜ýúUÐÆŒúUh}TúUèÆŒúUlwúUØ·~úUÇŒúU8mwúUˆ­úUÈNwúU¨U)úU0PwúUnúUXXwúUfwúUÈÓGúU€ÚúUrwúUˆ¹TúUPwúU¨GáúU°NwúUèÏ`úUHPwúUXQ]úU`PwúUHR]úUxPwúUU]úUPwúUHŽÑúU¨PwúU mwúUhŸúUÀPwúUèÎ.úUØPwúUx¸TúUðPwúUg¸úUQwúUèU]úU QwúU8Ô.úU8QwúUowúUȆ‹úUPQwúUØrwúU˜Š‹úUhQwúU¸&*úU€QwúUˆz¾úU˜QwúUXY]úU°QwúUZ]úUÈQwúUȵÁúUàQwúU8u6úUøQwúUx ÄúURwúUèEVúU(RwúU¸V]úU@RwúU˜¶ÁúUXRwúUÈÇèúUpRwúUÀÁúUˆRwúUx¸ÁúU RwúU(¹ÁúU¸RwúUèqúUÐRwúUعÁúUèRwúU€pwúU¨ºÁúUSwúUx»ÁúUSwúU`owúU¸šúU0SwúUÈk¸úUHSwúUøpwúUn¸úU`SwúUè½ÁúUxSwúUˆ¿ÁúUSwúUˆÀÁúU¨SwúUxÁÁúUÀSwúU˜>úUØSwúUÃÁúUðSwúU°mwúUèÃÁúUTwúUx~‹úU TwúUh·ÁúU8TwúUÇÁúUPTwúU(Ý»úUhTwúUnwúUx]µúU€TwúUêÁúU˜TwúUø¸ÝúU°TwúUøúúUÈTwúU¨eúUàTwúUýÁúUøTwúUØÃúUUwúUHL]úU(UwúUhO]úU@UwúUÀrwúUÂúUXUwúUàmwúUlòúUpUwúUxoòúUˆUwúU¨‚¼úU UwúUØ•¼úU¸UwúUx—¼úUÐUwúUowúUxFaúUèUwúU˜HaúUVwúUˆÂúUVwúUXÂúU0VwúUx%úUHVwúUÈ ÂúU`VwúU˜ ÂúUxVwúU€mwúU¸ÂúUVwúU(qwúU¨ukúU¨VwúUPmwúUH3kúUÀVwúU˜pwúU¤^úUØVwúUpnwúU¸«^úUðVwúUÂúUWwúUPpwúU¨ÂúU WwúUÈÞ)úU8WwúU˜á)úUPWwúUøÛ)úUhWwúU8swúUhúúúU€WwúUÈ2!úU˜WwúU@nwúU86(úU°WwúUˆqwúUhÂúUÈWwúUÅÁúUàWwúU€swúU8ÓÝúUøWwúU(ÂúUXwúUxÂúU(XwúUÐqwúU¸ÈÁúU@XwúU?aCopyright © 1979 SONGS OF UNIVERSAL, INC. 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Q/usr/share/perl5/vendor_perl/Net/HTTP/Methods.pmPA/usr/share/perl5/vendor_perl/Net/HTTP/Methods.pmYÜúUA°5húUØdhúU¸ç½úUðà›úUˆ9úUÀÐúU504981A˜ù"úU@ùÀúU@’ÀúUø|ÐúU˜ù"úU˜ù"úU!http_keep_alive@Ý‹úUA/usr/share/perl5/vendor_perl/Net/HTTP/Methods.pm58120!øÀÏúU€ÈÜúU !http_send_te 1(ÀwúUˆÑ‘ù605914ÁI studied piano from an early age and accompanied choirs from the age of 14. Having gained Associate and Licentiate diplomas with the London College of Music I began teaching and writing music. As accompanist I have taken part in many festivals,competitions and concert tours. In the past I have played for theatre groups and their productions. In 2003 my composition, "The Hedgehog Song" for four part male choir,was the winning entry in the composers' competition and was performed by the English Concert Singers as part of the Gala concert during the International Male Voice Choral Festival. A new song for TTBB called "The Glade" has won 2nd prize in the 2005 International Male Voice Choral Festival competition and another called "S'funny" has been Highly Commended. A third attempt has gained 3rd prize in the 2007 composers' competition and it is called "In search of whales". Several of my choral pieces have been performed namely; "Trust not to Joy", "I saw three ships", "Star of stars", "Cornwall (my anthem)", and "The Web" which will be premiered by the choirs from Victoria BC and Nanaimo under the direction of Mr Wade Noble. In Autumn 2007 I undertook a 3 week tour of Singapore and New Zealand as accompanist and soloist to the Trelawny Male choir from Cornwall. In July 2008 I was awarded first prize once more for my TTBB song entry entitled "Travel in Style", written in March 2008, and performed in Cornwall in July 2008. The Colne valley Male Voice Choir also performed this winning song at the Gala concert at the Hall for Cornwall in Truro in May 2009. The entry "Oh Puss Number One" for TTBB gained a special commendation at the 2011 International Choral Festival being performed at its Gala Concert. I accompanied the massed Cornish choirs at the Royal Albert Hall in November 2013 and at the Plymouth Pavillion in 2014 as well as touring as accompanist to the Trelawny choir to Eastern Canada in 2015.°'£úUÁ[{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"scoreid"},{"on":1,"name":"status"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":1,"name":"prints"},{"on":1,"name":"price"},{"on":0,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"},{"on":1,"name":"mp3"},{"on":0,"name":"sku"},{"on":1,"name":"composer"},{"on":0,"name":"subtitle"},{"on":0,"name":"platinum"}]!2g#¸÷g#!2g#¸÷g#!3.38¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!57g#¸÷g#!47g#¸÷g#!2022-07-22 20:37:23!{ "faces" : {} } !0g#¸÷g#x]úU ©ÌúU@3JúU°ÃúUOúUPOúU0ÛëúU€âÒúUè–íúU° IúU¨ TúUø.ÄúU€ÅÑúUh0úU(FjúU`Ü!úU(“„úU:úU0-ÄúUjOúU°IúUà öúU8ÔÊúUð¤VúUàZxúUXµÅúUà+ÞúU˜ó9úU˜hTúU 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On 8 May 1945, Prime Minister Winston Churchill made an announcement on the radio at 3pm that the war in Europe had come to an end, following Germany's surrender the day before. Why it’s Important: VE Day is a national holiday in many of the former allied countries. It commemorates the day the Allies formally accepted the unconditional surrender of the armed forces of Nazi Germany. It is a very important holiday for most nations, as it marks the end of the Holocaust and Hitler’s Nazi regime. How did VE Day happen? How did VE Day happen: Victory in Europe Day, generally known as V-E Day, VE Day or simply V Day, is celebrated on May 8, 1945 to mark the formal acceptance by the Allies of World War II of Nazi Germany's unconditional surrender of its armed forces. The formal surrender of the German forces occupying the Channel Islands did not occur until the following day, May 9, 1945. 8 May 1945 – VE (Victory in Europe) Day – was one that remained in the memory of all those who witnessed it. It meant an end to nearly six years of a war that had cost the lives of millions; had destroyed homes, families, and cities; and had brought huge suffering and privations to the populations of entire countries. Millions of people rejoiced in the news that Germany had surrendered, relieved that the intense strain of total war was finally over. In towns and cities across the world, people marked the victory with street parties, dancing and singing. But it was not the end of the conflict, nor was it an end to the impact the war had on people. The war against Japan did not end until August 1945, and the political, social and economic repercussions of the Second World War were felt long after Germany and Japan surrendered. VE Day March celebrates that triumph. If you promise to record this march on Youtube, I will send you a free set of parts and a score. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comnd Agnes Chan!ùg#¸ùg#ànyúU!1g#¸÷g#ð€úU126B94318-886F-11E9-AB4E-F3D41D17C629U!0g#¸÷g#ˆ·"úU!0g#¸÷g#˜GrúU!0000-00-00 00:00:00!0g#¸÷g#°‹€úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#à!úU!0g#¸÷g#!0000-00-00 00:00:00úU!8¢1úUø›múU!0g#¸ûg#P÷úU!0g#¸ûg#p÷úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#QualityS!0000-00-00 00:00:00úU!÷g#¸÷g#{øúU!0g#¸÷g#Scores!0g#¸÷g# !0g#¸÷g#ished39!650x919Øúg#ñøúU!0g#¸÷g#ùúU!0g#¸÷g#Scores!5.00¸÷g#g!ý!2023-05-07 03:53:03orma!2023-05-07 03:53:24úU!2128883¸÷g#ÅùúU!1965442¸÷g#Scores!0000-00-00 00:00:00ork!0000-00-00 00:00:00úUQ(úU!2013-12-03 20:51:32!2017-11-22 17:39:18!2g#8øg#Ȫ#úU!Para Marimba(«#úU!÷g#¸÷g#8%úU1÷g#Ø÷g#0!sib#¸÷g# !114197¸÷g#úU!2017-06-09 17:10:17úU10000-00-00 00:00:00ÐúU0!Additivesg#`WúU!64g#¸÷g# 1Cascia Talbert, known as the country flutist on YouTube, is a professional performer, composer, arranger and music teacher. She studied music and flute at the University of Wisconsin at Whitewater graduating with a BA in 2001. While in college she performed in the flute choir and played piccolo with the marching band and concert band. She started teaching private flute lessons in 1998 while in college. Cascia has over 25 years of performance experience playing her flute and singing with church choirs, for weddings, private gatherings and currently with a local Christian band. Along with performing she writes and arranges music for flute. You can watch her performances on YouTube @casciatalbertmusic6739. Cascia lives in the Chicago area with her husband, five children and three cats. !0g#¸÷g#P!0g#¸÷g#!0g#¸÷g#=`úU10g#Ø÷g#€}úUP€úU0ÀªúUªàKoúUDо¼úUpy"úUDЂMúU€úUpJ‰úUU@“"úUp›ŒúUDðÑiúUàÉ^úUD³ÁúU0ŠYúU €Ð°úUÀÑËúUDयúUð=‚úUD॰úU@½YúUD¹iúUðá—úU¨ÑžúUÿ@9FúU EgúUDà½húU€ÄúU €€Ð¿úUðŽQúUDжúU+rúUDà¬úUuúUD€ÜúUÀqúUDêòúUâúUD€apúUp.ŠúUDð>!úU5súUDP™XúUƒ_úUDTÔúUpfúUD@öúU`FgúUDàÌÒúU‰†úUDð^®úUp eúUÀ˜úUD:ŠúUp£]úUD°¬úU ûúUD ;júU(ŽúU@ŽúUpÝYúU $túUD¦ÙúU!2022 Œ"úU !2017¸÷g#Aget_purpose_ids_from_score_idom_score_id@á `hÐ0úU£¨@r¿úU!( ítúUóø;@  ÀwõúU"(Ћ´úU@EúU  à&„úU(aP0súUP0súU°ô&Y#·<ŽúUPŽúUêŒòA/usr/share/perl5/IO/Uncompress/Inflate.pmiúU !IO::Uncompress::InflateA/usr/share/perl5/IO/Uncompress/Inflate.pm!IO::Uncompress::Inflate1°ŽúUÀn'Y# 3A°ŽúUÀõ&Y#”7ŽúUŽúU1 0súU 0súUÐõ&Y#A ŽúU ŽúU0)Y#&@ŽúU!2ndingZEA°#ŽúU°#ŽúU@ô&Y#¢AÀ(ŽúU&ŽúUf)Y#Q&ŽúU0'ŽúUA`%ŽúU`%ŽúU`a'Y#¯E€ŽúU°#ŽúUa€ŽúU ŽúU°ô&Y#·=ðŽúU°ŽúUêò˜PªúU(QªúUxÐúU¨äÝúU°ÝÅúUàÀfúU€GÆúUÐËÓúU ÜúUXíÚúU oúU(ÎúU(lÄúU <ÑúUÐÌúUpIËúU˜ÜÈúU¨ñáúU 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Ensemble","Url":"http://reynard.dpwww.co.uk","Text":"Reynard Publishers from the UK"},{"Desc":"U.K. Publisher of Fanfare & Soliloquy for Soprillo Saxophone","Url":"http://www.saxtetpublications.com/catalogue/viewrecording.php?id=295","Text":""},{"Desc":"Publishes my arrangements for Brass & Wind Quintets","Url":"https://www.cimarronmusic.com/catalogsearch/result/?q=keith+terrett","Text":"Cimarron Music Press"},{"Desc":"Publishes my arrangements for Flexible Band","Url":"http://phoenix-music-samples.co.uk/samples/9516/index.html","Text":"Phoenix Music, Welsh Music Publisher based near Denbigh, North Wales."},{"Desc":"You will find my arrangement of Total Eclipse of the Heart.","Url":"http://www.bernaertsmusic.com/en_GB/sheets?title=Total Eclipse of the Heart","Text":"Belgiun Publisher of Pop Concert Band Music"},{"Desc":"Fanfare & Soliloquoy for Bass Clarinet & Piano","Url":"http://www.bassclarinet.org/alea/ALEA1078.html","Text":"Alea Publshing & Recording - Music for Bass Clarinet"},{"Desc":"American publisher of my warm-ups for Concert Band","Url":"http://www.matrixmusic.com/cgi-bin/concert_csvsearch.pl?search=Keith&method=exact&order_by=title","Text":"Matrix Concert Band Publications USA"},{"Desc":"Publisher of Havana Rhubarb Rumba for Recorders","Url":"http://americanrecorder.org","Text":"The American Recorder Society"},{"Desc":"Publisher of my Swinging in Paradise for Concert & Brass Band","Url":"www.musikverlag-frank.ch","Text":""},{"Desc":"Publisher of my marches","Url":"http://echelonmusicpress.com/concert-marches/","Text":""},{"Desc":"My German publisher of Recorder music","Url":"http://www.edition-tre-fontane.de/76.html?&cHash=e8a9549af2&tx_ttproducts_pi1[backPID]=14&tx_ttproducts_pi1[cat]=8&tx_ttproducts_pi1[product]=906","Text":""},{"Desc":"Publisher of my arrangement of Blues for Big Ears","Url":"http://www.warwickmusic.com/Main-Catalogue/Sheet-Music/Bands-Ensembles/Wind-Ensembles/Terrett-Blues-for-Big-Ears-EN081","Text":""},{"Desc":"Norwegian publisher of my instrumental and flexible band music","Url":"https://musikkforlagene.no/produktkategori/komponister/tu/terrett-keith/","Text":""},{"Desc":"Austrian publisher of my Concert Band march:Queen of Hearts","Url":"http://www.helmamusic.com/de/shop/sh_shop_hm.asp?suche=detail&sess=22479@150GR242GR74GR146","Text":""},{"Desc":"Dutch Concert Band publisher of my music for band.","Url":"http://www.artifexmusic.nl/english/Keith-Terrett.html","Text":""},{"Desc":"Dutch publisher of my Percussion Music","Url":"http://www.dutchmusicpartners.com/a-percussionist-goes-ballroom-ds.5ask","Text":""},{"Desc":"American Publisher of my Tuned Percussion Music","Url":"http://www.hamarpercussion.com/windmallet.html","Text":""},{"Desc":"European National Anthems 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and compositions for Clarinet Ensemble","Url":"http://reynard.dpwww.co.uk","Text":"Reynard Publishers from the UK"},{"Desc":"U.K. Publisher of Fanfare & Soliloquy for Soprillo Saxophone","Url":"http://www.saxtetpublications.com/catalogue/viewrecording.php?id=295","Text":""},{"Desc":"Publishes my arrangements for Brass & Wind Quintets","Url":"https://www.cimarronmusic.com/catalogsearch/result/?q=keith+terrett","Text":"Cimarron Music Press"},{"Desc":"Publishes my arrangements for Flexible Band","Url":"http://phoenix-music-samples.co.uk/samples/9516/index.html","Text":"Phoenix Music, Welsh Music Publisher based near Denbigh, North Wales."},{"Desc":"You will find my arrangement of Total Eclipse of the Heart.","Url":"http://www.bernaertsmusic.com/en_GB/sheets?title=Total Eclipse of the Heart","Text":"Belgiun Publisher of Pop Concert Band Music"},{"Desc":"Fanfare & Soliloquoy for Bass Clarinet & Piano","Url":"http://www.bassclarinet.org/alea/ALEA1078.html","Text":"Alea Publshing & Recording - Music for Bass Clarinet"},{"Desc":"American publisher of my warm-ups for Concert Band","Url":"http://www.matrixmusic.com/cgi-bin/concert_csvsearch.pl?search=Keith&method=exact&order_by=title","Text":"Matrix Concert Band Publications USA"},{"Desc":"Publisher of Havana Rhubarb Rumba for Recorders","Url":"http://americanrecorder.org","Text":"The American Recorder Society"},{"Desc":"Publisher of my Swinging in Paradise for Concert & Brass Band","Url":"www.musikverlag-frank.ch","Text":""},{"Desc":"Publisher of my marches","Url":"http://echelonmusicpress.com/concert-marches/","Text":""},{"Desc":"My German publisher of Recorder music","Url":"http://www.edition-tre-fontane.de/76.html?&cHash=e8a9549af2&tx_ttproducts_pi1[backPID]=14&tx_ttproducts_pi1[cat]=8&tx_ttproducts_pi1[product]=906","Text":""},{"Desc":"Publisher of my arrangement of Blues for Big 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In September 1580 a ballad was published in England, with this melody and known as "A New Northern Dittye of the Lady Greene Sleeves". In 1865, William Chatterton Dix wrote this popular Christmas Carol to the tune of "Greensleeves." It has been a favorite since that time. ð_ŠúU!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2018-07-26 23:47:57!What Child Is This SAB!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!2013-04-12 22:05:41!0g#¸÷g#!0g#¸÷g#áWhat Child Is This? (SAB) Traditional English Tune William Chatterton Dix Paralee Miles Eckman This beautiful timeless melody has been known for over 400 years as "Greensleeves". In September 1580 a ballad was published in England, with this melody and known as "A New Northern Dittye of the Lady Greene Sleeves". In 1865, William Chatterton Dix wrote this popular Christmas Carol to the tune of "Greensleeves." It has been a favorite since that time. zúU!0g#¸÷g#!0g#¸÷g#!50g#¸÷g#!57g#¸÷g#!2017-03-31 14:32:421{"width":245,"position-y-pc":"57","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":93,"width":158,"x":44,"center-y":172,"height":158,"center-x":123}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":93,"width":155,"x":45,"center-y":170.5,"height":155,"center-x":122.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":92,"width":160,"x":43,"center-y":172,"height":160,"center-x":123}]},"height":300,"position-x-combined":"50%","position-x":"center","position-y":"center","position-y-combined":"57%","average-center-x":122.833333333333,"average-center-y":171.5,"id":"8A83984E-1616-11E7-8D60-E175361981AA","position-x-pc":"50"}|ã448751!3g#¸÷g# !216#¸÷g#1264#Ø÷g#ÀzúUÐŽXúU0á ÆVúUZ`0ÛúU%(¬°-0ÐíYúU*0 pœúU68  ( ÈÐ/0    1H ((+0ep (/0=@·0(  `Ð  ( CHÆÈ=@ §vúU/ˆ 0=@ 8@ {€·0aJohnny Jones sadly passed away in December 2019 - he wanted his music to live on . The following account, is what he wrote about his life, work and music . Hi there, I was born in Maerdy, Rhondda Valley in S.Wales, December 1942, my musical skills became apparent in my early teens when I began playing the clarinet. Whilst at school I performed with the Glamorgan Youth Orchestra as principal 2nd clarinet,1958-1960. Having passed an entry audition I joined the Royal Air Force as a musician in 1961. On completion of my training at the RAF School of Music at RAF Uxbridge I joined my first established band as a solo clarinettist at RAF Locking, and then in 1965 to the College Band at RAF Cranwell. In June 1966 I began a tour in the Far East Air Force Band based at RAF Changi, Singapore.My 4 and a half years at Singapore were used constructively. I taught myself to play the saxophone and flute. During this period I began seriously arrange music for the military and swing band. I Formed my first dance band "The Frontliners", and became well known on the hotel circuit. This led to a contract to arrange music for Radio Television Singapore; which in turn led to my teaching clarinet to Lee Kwan Yew's, the Prime Minister of Singapore, two sons. Nov.. 1970 I returned to the UK to the Western Band at RAF Locking. 1971, I formed and organised 2 bands - an 8 piece gig band, "The Severn Sounds", which became Western Bands formal dance band, and a 17 piece swing band, "Touch of Class", which performed mainly at charity balls and functions; eventually becoming renowned throughout the South and West of England. The next 4 years were taken up with studying music under the tutorship of Dr Ken Abbott, and much arranging, some even for the Royal Marine and Army Services, especially with Cpt Terry Kenny. In Oct.. 1976 I joined the Central Band of the RAF at Uxbridge as a clarinettist and bari-sax player in the RAF Dance Band. I formed yet another 17 piece big band "Swing Wing". This band was eventually to become the "New Squadronaires". In my 'spare' time I began teaching evening classes at High Wycombe, which in turn led to the formation of Bucks Youth Jazz Orchestra, of which I was the principal woodwind instructor, alongside NYJO's Bill Ashton. 1978 the Principal Director of Music RAF, Wg Cdr John Martindale, appointed me to the post of Staff Arranger to the RAF Music Services. I have the privilege of being the only person to hold this position. 1981, I won the Studio Music Award for an original composition. 1982 the David Marcus Award for best arrangement; this led to numerous commissioned pieces for the Coldstream Guards Band, by their Director of Music, Major Derek Kimberly. 1983 back to the School of Music as Chief Woodwind Instructor.1985, a 3 years tour in RAF Germany Band, at RAF Rheindahlen. On completeion of the Bandmasters Course, under the tutorship of Dr Derek Heally, I was appointed Bandmaster of the College Band; then, as a final tour of duty returned to the Western Band. I retired from the RAF in December 1997, after nearly 37 years service that has taken me to 67 countries worldwide. I reside with my wife Cathrine in Aberdare, S.Wales, and spend most of my time composing and arranging. Many of my arrangements, 294 Concert Windband and well over 1000 Swing Band charts, are still performed throughout the world and form an important part of many bands' repertoire. Cathrine my wife passed away March 2nd 2010. Please excuse me for late replying to e-mails as I am currently undergoing treatment for Colon Cancer. Yours musically Johnny Jones. !0g#ùg#Pr°úU!0g#¸÷g#@œúU!0g#¸÷g#€GŠúU!÷g#¸÷g#˜úU!2g#¸÷g#!2g#¸÷g#!34.75¸÷g#!÷g#¸÷g#p!÷g#¸÷g#!÷g#¸÷g#RLÞ10000-00-00 00:00:00úUonfig0!1g#°HúU !1g#à‹&úU @/ÒúUpCÈúUhHÅúU8®gúU¨sÚúUðÑúUÁúUxjÉúUø´júUx¶ÀúUYÙúUøåÄúU ÉúUè_súUˆÕÃúUÐoÊúUxJjúUØRrúUH3ÞúUh)ÎúUàè[úU ÔúU˜nkúUØjÝúUˆ©ÓúU¸2ÇúU@¸ÀúUèãÒúU6ÏúU°`úUxeÍúU(ÁúUÀÓÃúUàŒËúU»ÍúU€.iúU@uÊúU°ÎhúUØvkúU¸ÉÃúU wÚúUÐo|úUÍúUÎÑúUØÇÆúUÀªÅúUhÝúUhîÄúUpÑúU0¿ÍúUøÀúUXÔáúU(ÆúU°·ÙúUÐ/ÁúUX¯gúUíÁúUˆÏÃúU¸)iúUp%]úUp×áúU8ÊoúU˜èÛúUÐ[ÙúU¨ªÅúU ÆúU°²ŒúUh]ÙúUðÓÊúUønÝúUXLÈúUøºÜúU,iúU¨ÁúUØOuúU`ÊÃúU˜™_úU1x úU>*‰83646!44g#È÷g# !0g#P%úU !0g#Pd0úUers WHER10000-00-00 00:00:000!HASH€âßúU !5.000œ©úU !0g# ‹kúUuantityS!0g#¸÷g# !Laughter In The Rain!0g#°{¯úUpatible;!0g#¸÷g#www.goog10g#Ø÷g#À]úU40.665980!372#¸÷g# !SEQLig !0g#€òàúU ±["183090","42812","30453","5087","89155","7035","199005","67172","96273","58131","27461","77359","83904","51405","9569","368847","103808","138929","360541","27358"]!2016-10-04 23:09:25!DBD::mysql::st 1615957Ø÷g#@2úUtyIDU0AÈ£úUÁ]h\ 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21:40:13.0000002212471713472213.175490Ø0‘úUH0‘úU‚0‘úUx0‘úU‰0‘úU¤0‘úU¿0‘úUÆ0‘úUØ0‘úUSE::SMD::Product2024-04-18 21:30:13.1353102024-04-18 21:40:13.0000002212441713472213.135310€1‘úUð0‘úU(1‘úU 1‘úU11‘úUL1‘úUg1‘úUn1‘úU€1‘úUSE::SMD::Product2024-04-18 21:30:13.1147582024-04-18 21:40:13.0000002212361713472213.114758(2‘úU˜1‘úUÐ1‘úUÈ1‘úUÙ1‘úUô1‘úU2‘úU2‘úU%2‘úUSE::SMD::Product2024-04-18 21:30:13.1127492024-04-18 21:40:13.0000006961713472213.112749UÐ2‘úU@2‘úUx2‘úUp2‘úU2‘úUœ2‘úU·2‘úU¾2‘úUÐ2‘úUSE::SMD::Product2024-04-18 21:30:13.0618502024-04-18 21:40:13.0000002212301713472213.061850x3‘úUè2‘úU"3‘úU3‘úU)3‘úUD3‘úU_3‘úUc3‘úUu3‘úUSE::SMD::Product2024-04-18 21:30:12.9907162024-04-18 21:40:12.0000006651713472212.990716oun3‘úU(º°úU 3‘úUH»°úU¸º°úUàZúUXZúUàaLove For You - Love For Me Otto B. Hartmann none OBHMUSIC Sagl Grischa Batanoff is a Pseudonym of Otto B.Hartmann (Gema) "Love For You - Love For Me" is original-published by "OBH Musikverlag Otto B.Hartmann" (Suisa)Lugano/Switzerland and sub-published for UK and Ireland by "Hartmann Entertainment Ltd."(Gema)Glasgow/UK-Scotland°3‘úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#Grischa Batanoff is a Preudonym of Otto B.Hartmann (Gema) "Sono tanto felice" is original-published by "OBH Musikverlag Otto B.Hartmann" (Suisa)Lugano/Switzerland and sub-published for UK and Ireland by "Hartmann Entertainment Ltd."(Gema)Glasgow/UK-ScotlandúU!2.95¸÷g#@c+úU!1g#¸÷g#QNúU!0g#¸÷g#°ð0úU!0g#¸÷g#Ø~,úU!÷g#¸÷g#ø:úU!none¸÷g#ˆÎ/úU!0g#¸÷g# íúU!÷g#¸÷g#È°KúU!÷g#¸÷g#pJNúU!÷g#¸÷g#ÐÒìúU!0.0000Xùg#È10úU!2011-05-07 01:37:19úU!Sono tanto felice&úU!0g#¸÷g#‚)úU!0g#¸÷g#à¤'úU!2g#¸÷g#¨øg#!2013-04-27 14:25:32úU!0g#¸÷g#ÇöúU!0g#¸÷g#˜ù"úU!øg#8øg#˜ù"úU!766182¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU10g#Ø÷g#˜ù"úU0¡Fancy Bobbie Gentry Cascia Talbert "Fancy" is a song written and recorded by Bobbie Gentry in 1969. The country song was a crossover pop music hit for Gentry, reaching the top 40 of the Billboard Hot 100 and the top 30 of the Billboard country chart. It was covered in 1990 by country music artist Reba McEntire on her album Rumor Has It. 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Nelson wrote the song while living in Houston, working for Pappy Daily's label D Records. He was also a radio DJ and performed in clubs. Nelson then moved to Nashville, Tennessee, working as a writer for Pamper Music. Through Hank Cochran, the song reached Patsy Cline. 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    Strings
    0!0g#¸÷g#!40g#¸÷g#!0g#¸÷g#!50g#¸÷g#Q0ÝŠúU!53g#¸ûg#`{‘úUQ/usr/www/resources/ADAP3/GenericObject2.pmg#¨²›úUP!Sextet¸÷g#!0g#¸÷g#!50g#¸÷g#!0g#¸÷g#!50g#¸÷g#. of tQαúU!54g#¨úg#!DBD::mysql::st 1~ÀZuúU@^~úU!Septet¸÷g# }‘úU!0g#¸÷g# content!60g#¸÷g#SCRIPTIO!0g#¸÷g#~‘úU!50g#¸÷g#es="180xQ0¼xúU!55g#Hùg#!2017-06-09 17:10:1710000-00-00 00:00:000!Octet¸÷g#2x32.png!0g#¸÷g#€‚‘úU!70g#¸÷g#"headFir!0g#¸÷g#ditable !50g#¸÷g#°Ó‡úUQÐhoúU!35g#è÷g#L©úU!Orchestrag# !59899@OúU Qà^úúU!90úUntation13g# ¬púU0!Brass quartett" type=!0g#¸÷g#/fonts.g!0g#¸÷g#=Source+!0g#¸÷g#ira+Sans!50g#¸÷g#ðQh3túUQYúU!0g#¸÷g#998/app/!0g#¸÷g# the men!0g#¸÷g# files -!50g#¸÷g#¢©úUQÈ—}úU!10g#ø÷g#1Jazz combog#¨YúUØqúU0!tocfMENU_BS 0761!Mixed ensemblespþÿÿÿ!°± úU!0‘úUlib/Gc/Nd.plUaú‰úU*X™ úUaØd²úU,X™ úUQP¸$úU˜¸$úU ¸$úUÐ|úU!IsDigit> g#506429aP-úUjàbrúUvX™ úUaÀ¢úUj Þ°úUvX™ úUaÀOúUjð·ŠúU4X™ úU1`V[úU˜ù"úU˜ù"úU˜ù"úU0J{"msg":"","ok":true,"html":"\n\t\t\t
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    Good King Wenceslas Swings - Elementary Piano
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    by Traditional - arr. Nick Raspa
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    Margit’s First Piano Boogie (KS)
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    by Josef Peter Traun
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    $3.00
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    Maple Leaf Rag, very easy piano version (S. Joplin)
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    by Scott Joplin - arr. Daniel Schertle
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    The Entertainer, very easy to play (S. Joplin)
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    by Scott Joplin - arr. Daniel Schertle
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    Solo instrument (Piano)
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    $1.80
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    A Blues A Day (GS plus TAB)
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    by Josef Peter Traun
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    Solo instrument (Classical Guitar [notation])
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    $3.00
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    Christmas Swings - El./early intm. Piano
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    by Various - arr. Nick Raspa
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    $19.99
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    Gospel
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    by Graham Caldecott
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    Movable scales
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    by Joel Perry
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    Solo instrument (Electric Guitar [notation])
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    Warm wind (G Minor)
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    by Eugene Egorov
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    Kind Wishes
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    by Fishel Pustilnik
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    Solo instrument (Piano)
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    $1.99
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    When The Saints Go Marchin’ In (piano)
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    by traditional - arr. Melanie C. Rist
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    Solo instrument (Piano)
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    $2.95
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    Dominant 7th Tree of Scales
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    by Gregg Mazel
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    Solo instrument (Alto Flute)
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    $1.50
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    Froggy Dance
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    by Fishel Pustilnik
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    Solo instrument (Piano)
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    $1.99
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    Clown's Smile
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    by Fishel Pustilnik
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    Solo instrument (Piano)
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    $1.99
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    All of Me
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    by Seymour Simons - arr. Theresa Britt
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    Solo instrument (Voice)
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    $1.50
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    Deck The Hall With Swing - Elementary Piano
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    by Traditional - arr. Nick Raspa
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    Resolution Rag
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    by Florian Krüger
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    Solo instrument (Piano)
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    $2.00
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    \n\t\t"}o Shout
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    by Words and music by \\nCharles Hammell
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    Leadsheets
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    $1.50
    \n\t\t\t\t\n\t\t\t\n\t\t"}div class='composer'>by Brendan Elliget\n\n\t\t\t\t\t
    Concert band / wind band
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    $5.50
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    For Unto Us a Child is Born (From \"Messiah\" - for children’s choir)
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    by G. F. Handel - arr. Mary Rose Jensen
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    Choir + keyboard
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    $15.00
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    A Fanfare for New Horizons - for Four Horns and Concert Band - Full Score and Parts
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    by Jason McChristian
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    Concert band / wind band
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    $30.00
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    The Twelve Days of Christmas - Concert Band
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    by trad. - arr. Brendan Elliget
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    Concert band / wind band
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    $4.00
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    \n\t\t"}7.html\" class='page-one img-link lazy' data-inline-bg-url=\"/score_img/200w/20221202131019/304977.jpg\">\n\n\t\t\t\t
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    Watch Chimes (from 'A Few Dollars More')
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    Artist: Ennio Morricone, Ennio Morricone
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    Solo instrument (Piano)
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    $8.44
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    \n\t\t\t\n\t\t"}\n\t\t\t\t\n\t\t\t\n\t\t"}>Responsorial Psalm - Baptism of the Lord, Yr. C\n\t\t\t\t\t
    by setting by Bernie Hernandez
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    Voice + keyboard
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    $1.50
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    UNTIL WE MEET AGAIN
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    by Jye Bryant
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    Voice + keyboard
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    $3.00
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    YOU ONLY GET WHAT YOU PAY FOR
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    by Jye Bryant
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    Voice + keyboard
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    $1.50
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    Jack and Jill O’Lantern (Gr4, G)
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    by Forest Durland - arr. Forest Durland
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    Voice + keyboard
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    $5.00
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    hier spielt das Leben
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    by Andreas Kleinert
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    Voice + keyboard
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    $8.00
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    Joy to the World
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    by traditional - arr. Nils Landgren, Jonas Knutsson, Jeanette Köhn, Eva Kruse, Sharon Dyall, Jessica Pilnäs, Ida Sand, Johan Norberg
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    Voice + keyboard
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    $3.99
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    Rat Dance
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    by Philip R Buttall
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    Voice + keyboard
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    $2.95
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    The way you look at me
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    by Words and music by Kit Grenon
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    Voice + keyboard
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    $2.50
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Irvine). A flowing 6/4 underpins the piece, with the Crimond melody in 3/2 time juxtaposed above. The accompaniment has for the most part a distinctively minor feel to it, although the well known melody is usually in the major. 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A great ballad for your sax player to get his/her teeth into! Treble clef parts are available, e-mail me your request:keithterrett@gmail.com úU0‘™úU!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2016-11-09 00:52:08AKeep the Fire Alive for solo C Trombone Concert Band!0g#¸÷g#!0g#¸÷g#!10g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#aKeep the Fire Alive for solo C Trombone & Concert Band Composed and arranged by Keith Terrett Music for all Occasions n original of mine arranged here for solo C Trombone & Concert Band. A great ballad for your sax player to get his/her teeth into! 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" Nariaki Nakamiura Reference(Japanese version) https://youtu.be/9FlBXfFCXZk!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 18:07:11A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":225,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"814F3EE0-1634-11E7-BEE8-BFDD1FFDE6D8","position-x-pc":"0"}úU !0g#¸÷g#!1024¸÷g# èúU!768#¸÷g#cúU!2017-06-09 17:10:1730!0000-00-00 00:00:00!÷g#¸÷g#!841874¸÷g#ÝGúU!0g#¸÷g#À£;úU!0g#¸÷g#448228!0.00¸÷g# !1.50¸÷g#!0.00¸÷g#pçúU!0g#¸÷g#PˆúU!÷g#¸÷g#221349!0.00¸÷g# 1EDD3C7EC-DF91-11E9-BB11-78Ê01Ð’gúUØÈ™úU»(å682361É™úU Ï Þ583964!585556¸÷g#+&úUQPräludium E-Dur aus: 24 kleine Präludien für Orgel Eckhard Deppe APräludium E-Dur aus: 24 kleine Präludien für Orgel!41g#¸÷g#¨‹0úU!634#¸÷g#Р$úU!3g#¸÷g#` OúU!1g#¸÷g#˜û6úU!2022-10-16 08:21:43úU!2022-11-12 13:59:43úU!Eckhard DeppeÈîÏúU!÷g#¸÷g#(ÆúU!2022¸÷g#pÏÑúU10g#Ø÷g#0!sib#¸÷g#VúU!24900¸÷g#àKúU!0g#¸÷g#Ø9úU!Präludium E-Dur.sibU!2022-10-16 08:21:43úU!0g#¸÷g#X"úU!151#¸÷g#ØQúU!0g#¸÷g# …3úU!2g#xøg#Ø2*úU!÷g#¸÷g#ˆ”-úU!2.50¸÷g#¨L7úU!1g#¸÷g#xà9úU!0g#¸÷g#ã9úU10g#Ø÷g#Ð/KúUÈ÷g#01Part 6 of 16 Easy Pieces for Piano1Copyright © 2012 Thilo Plaesser!÷g#¸÷g#@!132331¸ùg#ÿ7úU!0g#¸÷g#!0g#¸÷g#ˆ‚ úU!0.00¸÷g#!1.95¸÷g#°ÔúU!0.00¸÷g#p8%úU!0g#¸÷g#8ý%úU!÷g#¸÷g#HæúU!0.00¸÷g#øúU±["124609","128073","179537","49845","128071","29882","44943","17840","159982","27778","35193","30019","128069","163106","57459","128060","144235","201624","26428"]úU!2020-09-02 13:00:31úU!0g#¸÷g# !1g#hùg#!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2012-06-28 13:50:311Claire de lune Easy Piece for Piano!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#0!2013-04-18 23:54:41!0g#¸÷g#!0g#¸÷g#p12017-06-09 17:10:17é.‡ 0ñ ©‡úUk 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Fallin'ømJúU!58g#¸÷g#¨@húU!0g#¸÷g#?'úU!3g#¸÷g#šúU!2g#¸÷g#ømJúU!2015-07-06 00:00:00úU!2024-04-01 00:00:00úU!øg#8øg#Ê!úU!÷g#¸÷g#`Ê!úU!0g#¸÷g#pÉ!úU10g#Ø÷g#0!÷g#¸÷g#P«úU!0g#¸÷g#¨åúU!0g#¸÷g#ÀEúU!÷g#¸÷g#0:¾úU!2015-07-06 00:00:00úU!0g#¸÷g#pæôúU!1g#¸÷g#ÀÎWúU!0g#¸÷g#¨šðúU!1.50Èøg#˜Ë!úU!0000-00-00 00:00:00úU!0g#¸÷g# Ë!úU!0g#¸÷g#ØÊ!úU!0g#¸÷g#ÈË!úU!÷g#¸÷g#HÊ!úU!0g#¸÷g#pÉ!úU!0g#è÷g#€Ë!úU!0g#¸÷g# !0g#¸ùg# šúU!0g#¸÷g#!1g#¸÷g#xšúU!29476¸÷g#1Tom Petty, Tom Petty, Jeff LynnešúU!4.75¸÷g#Á["403004","212818","212978","212987","212992","213310","215214","215262","239081","240737","241166","242426","243958","243960","243961","245327","245334","245345","245346"]!2020-09-18 22:35:30úU!0g#¸÷g#p šúU!0000-00-00 00:00:00úU!÷g#¸÷g# !0.0000Hûg#30:52.70!0000-00-00 00:00:00000!Free Fallin#1145re!0g#¸÷g#ðšúU!0g#¸÷g#7šúU!0g#¸÷g#4-18 21:!0000-00-00 00:00:000:52!0g#¸÷g#2.687222!0g#¸÷g#-link so!0g#¸÷g#ØšúU!0g#¸÷g#e2024-0!0g#¸÷g#4-04-18 !0g#¸÷g#71347225!0000-00-00 00:00:00úU!÷g#¸÷g#ešúU!0g#¸÷g#SE::Scor!0g#¸÷g#6411202!0g#¸÷g#5256451!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!÷g#¸÷g#A šúU!380214¸÷g#30:52.64!0g#¸÷g#.000000!0g#¸÷g#288444!0.00¸÷g#x šúU!0.00¸÷g#¸PIúU!0.00¸÷g#- end of!1g#è÷g#øRIúU!1g#¸÷g# !øg#¸øg#€#úU!0g#¸÷g# @íúU!0g#¸÷g#€óJúU!1g#¸÷g#˜c&úU!0g#¸÷g#ÀøJúU!÷g#¸÷g#xB+úU!0.0000¸÷g#pÔLúU12015-09-23 14:40:09úU0Bottesini's bass was said to be a unique instrument with a remarkable sound. It was built by Carlo Antonio Testore in 1716. The instrument was owned by several, unknown bass players. It nearly met its end in the 1830s as it sat backstage in a marionette theater in Milan. Bottesini purchased the Testore in 1838 for 900 lire. 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Arr :- Johnny Jones. Jan Smith Harmonie Publications Peer Gynt is a play by the author Henrik Ibsen with incidental music by Edward Grieg. Solveig is a girl who Peer Gynt abandons and this 'lament' is a portrait of her grief and hope that someday he will return. Grieg later arranged 2 orchestral suite from it; Op.46 and Op.55. I have modified the bass part, somewhat, into a slow modern beat style.  ‰@!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ˆpŠúU R{úUPSnúU¦gúU09wúU˜ oúUW‰úU°éŽúUˆV‰úU×úU þuúUP2ˆúUH/eúU¸iúUðËúUØúU8ÎyúUpEhúUày`úUÈçbúUPátúU(ziúUÀÏ`úUð£!úUÌoúU núUøâ[úUpzœúUŒ]úU˜n|úUÀÊ‚úU€öqúUpKuúUðìmúU(íŽúUÐ9ˆúUp™ŽúU€f^úUðÉpúU°EúU *²úU8ËyúU°žnúU˜y`úUÈš}úU˜T{úUXIqúU±úUx[›úUPGhúU`”‹úURcúU°gúU¸kœúUXsŠúU@eoúU@ì[úU ˆjúUPë€úUÉvúUøþuúU ö]úU ³cúUd^úUØ^ZúUˆà[úU—ˆúUHd|úUh­húUÈ‘€úUX;úUø']úU8º{úUÐúU8-túUhÍdúU˜lúU8›ˆúU³šúU!0g#øýg#вšúU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 19:34:50!2023-05-01 19:34:58!856663¸÷g#!789775¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¨ÒpúU!521153À‡ úU !71032¸÷g#àLUX#!2017-06-09 17:10:17úU12018-02-22 13:34:10@šeúU01Toccata ( arr :- 10 Saxs)úU8<œúU!56g#¸÷g#!554#¸÷g#@QúU!3g#¸÷g# zsúU!2g#¸÷g#8<œúU!2011-06-22 08:30:27úU!2017-11-22 17:11:28úU1J.S.Bach. Arr :- Johnny Jones.múU!Jan Smithg#°–qúU!0g#è÷g#`æbúU!0g#¸÷g# !sib#¸÷g#X¥{úU!1215¸÷g#8àiúU!0g#¸÷g#HiúU!÷g#¸÷g#ofúU!0000-00-00 00:00:00úU!2g#¸÷g#hrvúU!2616¸÷g#ÐÏŽúU!1g#¸÷g#€2`úU!5g#˜øg#H£múU!1.50xøg#à¬púU!2011-05-08 08:41:49úU!0g#¸÷g#`_úU!0g#¸÷g#x9ZúU!126337¸÷g#ŒzúU1÷g#Ø÷g#@¥¨úUÈ÷g#0!0g#¸øg#¸”YúU!0g#¸÷g#XŸŽúU!1g#¸÷g#Ø’qúU!0g#¸÷g#ØLfúUq{ "GroupOrd" : "370", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20874" } !0.0000¸÷g# ÑTaken from Edward Griegs "Lyric Suite", which are 10 sets written for the piano. I was asked to arrange this slow piece for a junior Saxophone quartet, hence it's easy performing simplicity.Scores!3.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#¸”YúU!363183¸÷g#!0g#¸÷g#PWxúU!0g#¸÷g#!0.00¸÷g#ˆÉ|úU!9.95¸÷g#h?úU!6.00¸÷g#`T‰úU!0g#¸÷g#˜×‚úU!÷g#¸÷g#¨búU!0.00¸÷g#XŸŽúU±["81822","72649","121373","46019","68523","74994","104502","73012","73016","123408","417823","127908","12494","34678","88361","164854","87838","173709","68027"]üYúU!2020-09-29 07:19:01!2011-05-08 08:41:44úU1Watchmans Song The Saxophone Quartet!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!2013-04-17 05:24:31!0g#¸÷g#!0g#¸÷g#AWatchman's Song The (Saxophone Quartet) Edward Grieg. Arr :- Johnny Jones. Jan Smith Harmonie Publications Taken from Edward Griegs "Lyric Suite", which are 10 sets written for the piano. 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Sections can be repeated as many times as you wish, so the piece can be as long as you wish. Good for a music class, or to use as a basis for improvisation."úU!1.50¸÷g# !ùg#¸ùg#Xš úU!959103¸÷g#!0g#¸÷g#@ úU!0g#¸÷g#!0.00¸÷g#ˆš úU!22.00¸÷g#X úU!12.00¸÷g#0˜ úU!0g#¸÷g#Pœ úU!÷g#¸÷g#¸š úU!0.00¸÷g# ™ úU±["82222","109032","103020","103018","147420","32911","147432","90297","114197","52408","17970","37907","102550","97084","62670","13547","62956","127143","80548"] úU!2020-09-26 20:09:52!0g#Xþg#›úUAfter Sunset Darrin Bounds Steel Band Steel Drums Steel Pans Calypso Soca Trinidad World Music Percussion›úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#Ø› úUx¡ úUР úU°™ úUx› úU€œ úU°œ úUˆ  úUHž úU@  úUÈœ úU8œ úU˜ úU¡ úU(  úU¨› úUhŸ úUP™ úUÀ˜ úU8Ÿ úU¸  úUøŸ úUðž úUp  úUК úU0¡ úUˆ úU  úUX  úU0ž úUŸ úUœ úUH› úUH¡ úU¸ úUàŸ úUð˜ úUXš úUxž úUÀž úU`ž úU@ úU°Ÿ úUpš úU€Ÿ úUð› úUˆš úU š úUøœ úU   úU  úU0˜ úUØ¡ úUh™ úUPœ úU`˜ úU€™ úU¸š úUž úU˜ úU˜œ úU ™ úUp— úUà™ úU˜Ÿ úU`¡ úUÈŸ úU¡ úU Ÿ úU› úUž úUØž úU8™ úU¨ž úUš úU@š úUè úU&›úU!0g#(þg#ЛúU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0.00¸÷g#!2023-04-23 18:59:42!2023-04-23 18:59:57!1418561¸÷g#!1211941¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00á ±¸`hÐØ¢¨ qx`h”˜¢¨ |€,›úUQ¡ úU!1.50¸øg#¤ úU!0g#˜øg#X£ úU!71833¸÷g#¤ úU!÷g#¸÷g#У úU!1g#¸÷g#À¤ úU!0g#¸÷g#@£ úU!1g#¸÷g#h¢ úU10g#Ø÷g#x¤ úU0!1g#˜øg#¸NúU!0g#¸÷g#OúU!0g#¸÷g#xOúU!÷g#¸÷g#XœúU!none¸÷g#Èó#úU!0g#¸÷g#pßoúU1÷g#Ø÷g#…súU@„súU01h›úU IY62670!97084¸÷g#`LúU!2017-06-09 17:10:17úU10000-00-00 00:00:00ÈúU0!Twelve Days in November!64g#è÷g#NúU!0g#¸÷g# 1h›úU¨?œ62956!102550¸÷g#¨LúU!2017-06-09 17:10:17úU10000-00-00 00:00:00HžúU0!HaMaR CalypsoÀ!64g#¸÷g#à!0g#è÷g#!3g#¸÷g# !1.50¸øg#èÊúU!2011-05-08 18:34:03úU!0g#¸÷g#pÊúU!0g#¸÷g#(ÊúU!168762¸÷g#ËúU!÷g#¸÷g#˜ÉúU!1g#¸÷g#ÀÈúU10g#Ø÷g#ÐÊúU0!1.50xøg#hž#úU!1g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU1÷g#Ø÷g#˜ù"úU0!ûg#¸ûg#@›úU!÷g#¸÷g#!0g#¸ùg#¤ úU!0g#¸÷g#!0.00¸÷g#˜ÃúU!1.50¸÷g#!0.00¸÷g#À¤ úU!0g#¸÷g#°ÃúU!÷g#¸÷g#h¢ úU!0.00¸÷g#¨ÂúU±["82222","109032","103018","103020","147432","147420","32911","114197","90297","102550","52408","17970","121568","97084","13547","62670","62956","127143","80548"]úU!2020-09-16 21:37:37úU!0g#è÷g#H¤ úU!0000-00-00 00:00:00q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } !0.0000¸÷g#?!2011-05-07 20:43:10úU!Jaracara÷g#¸ÞúU!0g#¸÷g#!0g#¸÷g#?!23g#¸÷g#hßúU!2013-04-19 16:53:54úU!0g#¸÷g#!0g#¸÷g#?!2017-06-09 17:10:17úU!0000-00-00 00:00:00úU!÷g#¸÷g#!!1248704Ø÷g#?0 ÝšúUª°!›úU xúUD ˜¼úUPϨúU  °„yúUèM‰úUUе úU0Æ‚úUD`ÛúUð…#úU$úULgúUDÁáúUàè}úUD°‘úUcúUDpi‰úU B"úU€òöúUDàçœúUÀþúUDpgqúU·ˆúUDp½ÂúUðÒúUD ŒªúUàÇ^úUDp múU@ýÄúUDðØôúU€ãJúUD°­NúUåúUD°@¼úU ýgúUDP½€úUhkúUDÀš‰úUȳ§úU °@‚úUD`¼úUм‡úUDøúU@x"úUDßKúUð*ZúUDýsúUØfúUDÐ_púU0KgúUp†múUDpe¾úU`ŒúUD b½úUh$›úUÍ)úUH>eúUU ÁŽúU`eúUD '"úU°$›úUh*iúUàì}úUDpÚúU`£búUD \fúUø$›úUð%ZúUDðYÝúUÀ«qúUD0úU°ýmúUD`iúUàò{úUD ¼úU >›úUdaúUDà®úUð…_úUDà°^úU púUD€XjúUàÄqúU €žhúU ð{úUD ¤túU ÓúUD$,úUÀOÁúU €ÛÜúU@IˆúUDVúúU°½úUwàÁ`úU`&›úUЋhúUD€˜úúU0Ó›úUD0aáúU€žpúUDÀzÜúUPÌ›úUDpWÄúU0š°úUDà#rúUð&›úUH| úUÀ~{úU8vxúU @$úU8'›úUù~úU@•púUD°c‚úU€0]úUЬqúUDPØ`úU°õgúU0B‚úUD@4¼úU` yúUD€›ÇúU€˜úUD7úU`ªEúUD6úU°@gúUDDàúU@žpúUD­ÇúU€ŸúUD°³‰úU°¯LúU € ¤˜úUàyzúUD PßÃúU0ýgúUD`áúU uúUDÀ°ŒúUpŽ²úUDÛ¾úU ŽŽúUD@ôÜúUPMûúUDppÌúUŽúUDà9úU ¨súUD ñúU0dúUD@ÚÒúUH)›úUðßjúU öúU°¿úUD0*ŒúU0”yúUDð&ÃúUোúUD0Õ‰úU0I úUDÐëÍúUð(vúUD0‘úU`¥ŒúUDP¾áúU`¯‰úUDðZÝúU ¯ZúUD@¨ÙúU@túUDp9ÆúU€ÂœúUD >®úUÀxúUDÀïòúUç`úUD€¼¼úU@¬úUDð@OúU¬súUD@[ÞúU [úUDЮúU½‚úUDð­ŠúUÑfúUD`vÏúUÐ_`úUD€ÙKúU ±úUDp˜oúUC©úUD ÈúU ŸdúUD°ÿjúU?úUDÀ.{úUpúUDðùúU?!úUDlúUNlúUDÀÞpúU fúUDPeîúUðf6úUD@òWúU@¯túUDd‰úU°~eúUDàä€úU`’úUDÀ€¾úU@¹YúUD  úU •dúUà˜dúUD'½úU ,búUDeÛúU âkúUDЦÙúU€™núUp3[úUD<¼úUà 1úUDÐ_aúU -›úUÀRŸúU  °–KúU ØúUD WúUðªtúUD~¼úUà€júUD3šúU úUD`ÌßúU`Ø$úUD ’öúU€/úUDpa*úUÀ©YúU ÷ÉúU\úUDðÆóúUPVùúUD ŒúUP(úU  ‰úUp$ØúUPÉ€úUD qúUÀ›dúUDp°€úU`Ø~úUDÐ&{úU@™búUD ¢ZúU€’úUD°_ýúUûyúUD JáúU ˆçúUDÀðgúU/›úUø|wúUÐÑnúUD` ÛúUÐUmúUDð-àúUð¨‰úUDƒúUpkúU20Ñ9úU…lúUD0½úUÐõúU  ŠLúU`Ú&úUDPæúUÐ7súUD@,‚úU úUDÁeúU C©úUD`ÈeúU€¼GúUU0Þ‰úUðKˆúUDÐÛúU`.]úUD0•‡úUh0›úU>túU€Œ\úUD `2úU öúUÀaCúUD ìúUp~úUDÈúUÐciúUD€±àúUÐNûúU Æ]úUD¨oúU`ŠyúUDÀ£|úU@1›úUÛjúUp1›úUˆ1›úU8/_úUq Guy Bunce (b.1980) graduated in 2001 from Kingston University where he specialized in composition and won the Kingston Composition Prize for Dulce et Decorum Est written for Baritone and Orchestra and based on Wilfred Owen’s poem. He went on to achieve a Masters degree in composition at Royal Holloway University of London, studying under Philip Cashian, Tansy Davies, Brian Lock, and John Woolrich. After being awarded a scholarship from Royal Holloway, he completed a PhD in composition (2013) under the supervision of Mark Bowden. Guy gained recognition with a number of compositions and arrangements that have received performances both locally and worldwide. Recent commissions and performances include: Okeanos Ensemble, Royal Holloway Chapel Choir and Sinfonietta, Voces Capituli (Belgium), and Voices Anon Choir. In addition, his pieceWounding Dart, based on music by Dowland, was performed in July 2008 by pianist Rolf Hind and percussionist Joby Burgess as part of CoMA’s Summer Festival. His musical style straddles genres with rhythmic gestures, grooves and technology more commonly found in dance clubs reinterpreted through the eyes of a contemporary composer. An interest in borrowing material by deconstructing both musical and non-musical processes can also be found in his output and features as a research interest in his current PhD music. Recent pieces include a piano concerto (Aphelion, 2007) for piano, orchestra, and computer, a symphony (Diverging Lines, 2008) for Chamber Orchestra and Electronics, and Allegory (2009) for chamber ensemble, ‘Three Haiku, for large choir and organ' (2011), Through Glass Mountains for Orchestra (2012), plus music to the radio play 'The Landlady' (2012) by Roald Dahl. When not composing concert music, Guy works as a film composer and has written scores for a number of films which have met with international success at film festivals across the world. Most recently, Bedford Park Blvd was selected to be shown at the 2010 London Film Festival in October 2010. Current projects include a Sonata for Violin & Piano (2013, a choral piece (Haiku III), a string quartet (Enigma), a piece for large orchestra (Astrum), and a cantata for two choirs and orchestra. When not composing, Guy enjoys freelancing as a professional conductor and arranger for both choirs and instrumental ensembles. He currently conducts Voices Anon choir in Maidenhead, New Egham Singers, Progeny, and Windsor Soundswell Choir. 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An optional piano part is included in the list of parts. Grade = 2.5 Duraton = 1:13 mins. 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0CbúUPkúU2€$púUD਩úUà)[úUD —¼úU@O;úUD`×úUðUúU¸µeúUPL]úU„úUD PàúUÐj~úUDà€ÛúUPVúU LúUhVúUdúUDÐÛ¾úU˜VúUPê_úUD@ÛúUÈVúUðLJúUD šjúUøVúU !1317¸ùg#°,úU!0g#¸÷g#!0g#¸÷g#˜/úU!44.83¸÷g#!34.83¸÷g#à,úU!44.83¸÷g#°/úU!34.83¸÷g#ˆ*úU!1g#¸÷g#¨.úU!1g#¸÷g#-úU!1g#¸÷g#x+úU!1g#¸÷g#8,úU!1g#¸÷g#à/úU!0g#¸÷g#!÷g#¸÷g#È/úU!0.00¸÷g#1÷g#Ø÷g#˜,úUÀ.úU0QCan the Circle be Unbroken (Will the Circle be Unbroken) AP Carter Cascia Talbert "Can the Circle Be Unbroken (By and By)" is a country/folk song reworked by A. P. Carter from the hymn "Will the Circle Be Unbroken?" by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother. The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song "Daddy Sang Bass" and the Atlanta song "Sweet Country Music". It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame. 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Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have composed these duets so that they can be played by players of all standards. Each part gets the tune! Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests. This is a very flexible arrangement for brass duo. The pieces can be played as a large group band piece (like in the audio and score) or as any combination of duet. For example Trumpet 1 and Bass Trombone 2, or Euphonium 1 and Horn 2, or Cornet 1 and Trumpet 2 would also work well. I have added an optional piano part. Check out the related scores for some more brass duets.!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ð,úUÐßúUX¬ÉúUȘ úUІÏúU²üúUè¡ØúUš¦úUgúUúUÀžõúU@‹úU…%úU°6úU8ÍúUè9ùúU¨¶¿úUpÙúUÐ úUØÚúUp]2úUøõŽúUx*fúU°­úUh'øúU`RÿúUp úUpKrúUˆÌÃúUH݇úU-úUØ£¦úUð)úUèìÇúUøÏ úUàa÷úUDÅúU "ûúU@#úUx¯úUÉvúU0êÞúUغúúUxõYúUö úUpëtúU8WmúUhàaúUè"úUð4 úU(¬ÅúUˆ7úU¨©úU¸”eúUpúU8=ÌúU0cúUÈÿqúUÐ$ÎúU ʹúU¹úU¨¡õúU ¨úUPSÿúUðóÏúUȹcúUM{úUh§ùúUˆTúU®múU`)øúUh…áúUHÌdúU8ÕúU˜júUðÏúUx úU¨ÃlúU QØÀúU1êúU¾zs142488!181031¸÷g# ;îúU!0000-00-00 00:00:00úU1÷g#Ø÷g# JúU01Greensleeves for Violin and Cello Duet!49g#¸÷g#ÀíúU!0g#¸÷g# ÐúU!2g#¸÷g#èKâúU!2g#¸÷g#¨LþúU!2017-12-18 22:58:53úU!2024-03-09 06:14:44úU1Traditional arranged by David Burndrett!David Burndrett¨JÂúU!0g#è÷g#ÈÔkúU!0g#¸÷g# !sib#¸÷g#¢øúU!496#¸÷g#úU!0g#¸÷g#¡ÆúU1greensleeves for violin and cello.sib!2017-12-18 22:58:53úU!19g#¸÷g#ðúU!2330¸÷g#êúU!9g#¸÷g#¨ÇúU!2g#xøg#`ÝàúUAThis works well as a concert piece or just for fun. U!2.95¸÷g#0Q‚úU!0g#¸÷g#€ÍúU11g#Ø÷g#€8ýúUÈ÷g#0!0g#¸øg#؉úU!÷g#¸÷g#XÎúU!0g#¸÷g#°ëÄúU!0g#¸÷g#ÀaúU!1g#¸÷g#x½÷úU!0g#¸÷g#ÈåúU!÷g#¸÷g#ð˜eúU10.0000Ø÷g# %iúU0áEight Easy Christmas Duets! Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests.ðúU!3.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#°…ZúU!0g#¸÷g#448019!÷g#¸÷g# 1Copyright © October 2011Žô442148!÷g#¸÷g#p!ùg#¸ùg#؉úU!2808¸÷g#!0g#¸÷g#°äúU!0g#¸÷g#!4.95¸÷g#x½÷úU!4.95¸÷g# ²júU!1.50¸÷g#ð˜eúU!0g#¸÷g#8úU!÷g#¸÷g#à;úU!0.00¸÷g#XÎúUÑ["205514","201532","205513","201535","142818","142424","142421","142849","205518","142846","205511","201533","366607","205512","153418","170937","72489","143126","142819","142808"]UX}áúUÐ!2014-11-09 16:15:56A8 Easy Christmas Duets for Violin and Cello°XšúU!0g#¸÷g#gôúU!0g#¸÷g#442101!8g#¸÷g#p!2013-03-14 17:10:17!0g#¸÷g#,úU10g#Ø÷g#ÀÌgúU@×­úU010g#Ø÷g#iredDate0.292150bžúU0hžúUˆgžúUh`žúU0bžúU8cžúUhcžúU@gžúUežúUøfžúU€cžúUðbžúU¸^žúU¸gžúUàfžúU`bžúU fžúUµ…úU`žúUx_žúUðežúUpgžúU°fžúU¨ežúU(gžúUˆažúUègžúU@džúUXdžúUgžúUèdžúUÀežúUÀbžúUbžúUhžúUpdžúU˜fžúU¨_žúUažúU0ežúUxežúUežúUøcžúUhfžúU(ažúU8fžúU¨bžúU@ažúUXažúU°cžúUXgžúUÈfžúUè^žúUàùúU 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Sit back, relax, close your eyes and escape to your dream paradise. 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It brings another approach by using Steel Drums. Thank's for listening. Fernand.U11.50Ø÷g#@«aúUHWuúU0!0g#ùg#ores WHE!4g#¸÷g#àLUX#!2g#¸÷g#!2023-09-09 15:44:51úU!2024-04-09 18:56:49úU‘James Wainwright Marshall, John Thomas Crain, Charles Fred Heyward, Fred Laroy Edwards, William Joel Digregorio and Charles Daniels1pdf#Ø÷g#HWuúU0\|úU01(RžúUñÑw!608286¸÷g#€UúU12023-10-03 20:43:52úUÀ(úU0!238785¨ùg#xOúU!0g#¸÷g#XœúU!2023-09-09 15:44:51úU!0g#¸÷g#pßoúU!416#¸÷g#…súU!0g#¸÷g#ˆ="úU!0g#¸øg#ˆewúU!0g#¸÷g#2úU!1g#¸÷g#Ð2úU!0g#¸÷g#ˆ2úU!0.0000¸÷g#¸ewúU!0000-00-00 00:00:00úU1The Devil Went Down to Georgia2úU!0g#¸÷g# 1Cascia Talbert8ž#úUPž#úU0!Präludium C-Dur.sib!0g#¸þg# TžúU!÷g#¸÷g#A© 1999 Fernand Vezina (SOCAN) RT086296490CAual`UžúU!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#ÀYžúU!153947¸÷g#!0g#¸÷g#$žúU!0g#¸÷g#ØYžúU!0.00¸÷g#°!žúU!1.50¸÷g#ÐXžúU!0.00¸÷g#8$žúU!0g#¸÷g# "žúU!÷g#¸÷g#`#žúU!0.00¸÷g#ZžúUQ^žúU!2g#ÀÇnúU !0g#¸÷g# !1g#¸þg#PWžúU!0g#¸÷g#q{ "GroupOrd" : "50", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "29265" } res!0.0000¸÷g#!2011-05-06 23:45:21!Mambo Vez Steel DrumsÇÁúUHAžúU(Ý»úU`AžúU("žúUx]µúUxAžúUêÁúUAžúUø¸ÝúU¨AžúUøúúUÀAžúU¨eúUØAžúUýÁúUðAžúUØÃúUBžúUHL]úU BžúUhO]úU8BžúUØYžúUÂúUPBžúUø!žúUlòúUhBžúUxoòúU€BžúU¨‚¼úU˜BžúUØ•¼úU°BžúUx—¼úUÈBžúU#žúUxFaúUàBžúU˜HaúUøBžúUˆÂúUCžúUXÂúU(CžúUx%úU@CžúUÈ ÂúUXCžúU˜ ÂúUpCžúU˜!žúU¸ÂúUˆCžúU@%žúU¨ukúU CžúUh!žúUH3kúU¸CžúU°$žúU¤^úUÐCžúUˆ"žúU¸«^úUèCžúUÂúUDžúUh$žúU¨ÂúUDžúUÈÞ)úU0DžúU˜á)úUHDžúUøÛ)úU`DžúUPZžúUhúúúUxDžúUÈ2!úUDžúUX"žúU86(úU¨DžúU XžúUhÂúUÀDžúUÅÁúUØDžúU˜ZžúU8ÓÝúUðDžúU(ÂúUEžúUxÂúU EžúUèXžúU¸ÈÁúU8EžúUHÂúUWúUˆ<ÂúU0WúU(ä‹úU€z'úUYžúUxY'úUÀ#úUˆHVúUHWúUØÛ.úU z'úU`YžúUH&úU°z'úU˜öúUÈz'úUÐ[žúUÂ]úU°ò úUXCÂúUðy'úUDÂúU˜z'úUØDÂúUPò úUH#žúUX„gúUøò úUH§¸úUÀñ úU˜ýúUøt úUh}TúUpê úUh]žúUØ·~úUxñ úUˆ^žúUˆ­úU@FžúU¨U)úU¨GžúUûšúUˆäžúUà$žúUÈÓGúUˆ„'úUàcžúUˆ¹TúUGžúU¨GáúU(FžúUèÏ`úUÀGžúUXQ]úUØGžúUHR]úUðGžúUU]úUHžúUHŽÑúU HžúUp^žúUhŸúU8HžúUèÎ.úUPHžúUx¸TúUhHžúUg¸úU€HžúUèU]úU˜HžúU8Ô.úU°HžúUà`žúUȆ‹úUÈHžúU(džúU˜Š‹úUàHžúU¸&*úUøHžúUˆz¾úUIžúUXY]úU(IžúUZ]úU@IžúUȵÁúUXIžúU8u6úUpIžúUx ÄúUˆIžúUèEVúU IžúU¸V]úU¸IžúU˜¶ÁúUÐIžúUÈÇèúUèIžúUÀÁúUJžúUx¸ÁúUJžúU(¹ÁúU0JžúUèqúUHJžúUعÁúU`JžúUÐažúU¨ºÁúUxJžúUx»ÁúUJžúU°`žúU¸šúU¨JžúUÈk¸úUÀJžúUHbžúUn¸úUØJžúUè½ÁúUðJžúUˆ¿ÁúUKžúUˆÀÁúU KžúUxÁÁúU8KžúU˜>úUPKžúUÃÁúUhKžúU_žúUèÃÁúU€KžúUx~‹úU˜KžúUh·ÁúU°KžúUÇÁúUÈKžúU(Ý»úUàKžúU`_žúUx]µúUøKžúUêÁúULžúUø¸ÝúU(LžúUøúúU@LžúU¨eúUXLžúUýÁúUpLžúUØÃúUˆLžúUHL]úU LžúUhO]úU¸LžúUdžúUÂúUÐLžúU0_žúUlòúUèLžúUxoòúUMžúU¨‚¼úUMžúUØ•¼úU0MžúUx—¼úUHMžúUP`žúUxFaúU`MžúU˜HaúUxMžúUˆÂúUMžúUXÂúU¨MžúUx%úUÀMžúUÈ ÂúUØMžúU˜ ÂúUðMžúUÐ^žúU¸ÂúUNžúUxbžúU¨ukúU NžúU ^žúUH3kúU8NžúUèažúU¤^úUãžúUÀ_žúU¸«^úU ãžúUÂúU8ãžúU ažúU¨ÂúUPãžúUÈÞ)úUhãžúU˜á)úU€ãžúUøÛ)úU˜ãžúUˆdžúUhúúúU°ãžúUÈ2!úUÈãžúU_žúU86(úUàãžúUØbžúUhÂúUøãžúUÅÁúUäžúUÐdžúU8ÓÝúU(äžúU(ÂúU@äžúUxÂúUXäžúU cžúU¸ÈÁúUpäžúUHÂúU`WúUˆ<ÂúUxWúU(ä‹úU…'úUÈcžúUxY'úUo'úUˆHVúULúUØÛ.úU „'úU˜cžúUH&úU0…'úU˜öúUH…'úUfžúUÂ]úUèaúUXCÂúUp„'úUDÂúU…'úUØDÂúUbúU€`žúUX„gúUbúUH§¸úU0búU˜ýúU¸4lúUh}TúUÐ4lúU gžúUØ·~úUè4lúUúúUˆ­úUxåžúUeScores!19g#ˆþg#`hžúU!2013-04-09 21:53:56!0g#¸÷g#!0g#¸÷g#Mambo Vez (Steel Drums) Fernand Vezina (SOCAN) none This piece of music can be arranged for small ensembles, combos, big bands and concert bands. It brings another approach by using Steel Drums. Thank's for listening. 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The sleigh bells give a note of celebration and wintery feeling. Other HaMaR Christmas percussion selections include: LITTLE DRUMMER BOY and 8 CAROLS FOR CHRISTMAS. Don’t Start The Holiday Program Without Us! 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for Percussion Ensemble!0g#¸øg#ОúU!0g#¸÷g#˜žúU!157050¸÷g#XžúUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } žúU!Jingle BellsˆžúU!0g#¸÷g# QFor your next Christmas Concert, include this percussion ensemble septet arrangement by Paul Williams. The sleigh bells give a note of celebration and wintery feeling. Other HaMaR Christmas percussion selections include: LITTLE DRUMMER BOY and 8 CAROLS FOR CHRISTMAS. Don’t Start The Holiday Program Without Us! !9.00¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#!367815¸÷g#¸õžúU!0g#¸÷g#!0g#¸÷g#žúU!0.00¸÷g#ÐõžúU!30.00¸÷g#¨žúU!21.00¸÷g#ÈžúU!0g#¸÷g#0žúU!÷g#¸÷g#˜žúU!0.00¸÷g#XžúUQúžúU!4g#ð`!úUtAttempt!2g#è÷g#Ð'úU!2024-04-09 18:27:20¡ For your next Christmas Concert, include this percussion ensemble septet arrangement by Paul Williams. The sleigh bells give a note of celebration and wintery feeling. Other HaMaR Christmas percussion selections include: LITTLE DRUMMER BOY and 8 CAROLS FOR CHRISTMAS. Don’t Start The Holiday Program Without Us! 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Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer., and echo. instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 26th October, 2014 Enjoy!oard Top 200.[2] Thirty-six years later (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.s, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song "Daddy Sang Bass" and the Atlanta song "Sweet Country Music". It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame. This arrangement is for flute, voice and piano.182720/ÁThis beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer.ons from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!rty-six years later (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.ss and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame.ÁThis beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer.ons from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!rty-six years later (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.ss and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame.18vŸúU2qñ71014!623117¸÷g#d to set!0000-00-00 00:00:00úU1÷g#Ø÷g#ÐkúU0!÷g#¸÷g#€‹úU!0g#¸÷g#/Generic!0g#¸÷g#(ÖcúU!0g#¸÷g#ંúU!0g#¸÷g#€‹úU!2024-04-18 21:30:24úU!0000-00-00 00:00:00úU!øg#8øg#ŸØúU!÷g#¸÷g#ÀÄhúU!0g#¸÷g# XÐúU10g#Ø÷g#0!sib#¸÷g#ange.com!496#¸÷g#core.pm !0g#¸÷g#30:24 20!¸ëÊúUèSiúU!0000-00-00 00:00:00www.!0g#¸÷g#/../perl!0g#¸÷g#nt/Score10g#Ø÷g#18 21:30:24 20240Q(¨›úU!0000-00-00 00:00:001ÈyŸúUÕqHö474683Q˜³aúU!0000-00-00 00:00:00WHER1÷g#Ø÷g#01tasty tango for clarinet choir.sib!0g#àöÐúU!0g#¸÷g#ðruúU10.00Ø÷g#227515ÿÿÿÿ0!HASHÈ÷g# !3g#ð//úU 1x{ŸúUg›ó77889!0g# zŸúUIDdDate10g#Ø÷g#à5WúUÐL(úU0!41g#è÷g#ˆ¿fúU!125#¸÷g# 10B8D60E4-E596-11EA-83D7-788383FEA0E1U!149041¸÷g#àehúU12020-08-24 00:11:58úU0!0000-00-00 00:00:001Angry Inchg#0Q xyúUÀõ&Y#ðˆeúUa8·gúU€¹aúU¨*!úUÁThis beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer.ons from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!rty-six years later (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.ss and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame.1{"width":210,"position-y-pc":"27","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":39,"width":82,"x":76,"center-y":80,"height":82,"center-x":117}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":39,"width":81,"x":76,"center-y":79.5,"height":81,"center-x":116.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":38,"width":84,"x":76,"center-y":80,"height":84,"center-x":118}]},"height":300,"position-x-combined":"56%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":117.166666666667,"average-center-y":79.8333333333333,"id":"A19D8B32-512D-11E7-A567-963F75A63922","position-x-pc":"56"}"NewCondition",!3g#¸÷g#ntext":"!0000-00-00 00:00:00Can !0g#¸÷g#/a>This beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer.

    g, and echo.

    s while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!

    Date published: 26th October, 2014 Enjoy!

    rd Top 200.[2] Thirty-six years later (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.

    ckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song "Daddy Sang Bass" and the Atlanta song "Sweet Country Music". It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame.

    This arrangement is for flute, voice and piano.

    class="glyphicon glyphicon-refresh"> Reset transposition

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    This beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer.

    v> ddition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!

    Date published: 26th October, 2014 Enjoy!

    (eight years after Franchi's death) the same album placed number one hundred sixty-seven on the Billboard 200.

    ain was incorporated into the Carl Perkins song "Daddy Sang Bass" and the Atlanta song "Sweet Country Music". It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame.

    This arrangement is for flute, voice and piano.

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Mozart Originally for 3 basset horns in F, the divertimenti K439b all transcribe well for both other wind and also string ensembles, many combinations are already available on 'score exchange'- put 'Mozart Divertimento K439b transcribed by David Wheatley' in the search box to find them. Mp3 recordings of all are available to listen to.ludium!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2018-01-18 08:19:41A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":168,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"68568544-FC28-11E7-9480-ECC911B9A87A","position-x-pc":"0"}name="twitter!0g#¸÷g#!1920¸÷g#!1080¸÷g#èËnúUÀVwúU(ÌçúU°PdúUÀqêúUpÉ¡úUHEúUhí`úU áúU0‰øúU ÂXúUˆŽúU e¹úUÈÃwúUÀúU˜ôlúU àOúUå8úUÞúU0­ŽúUÈÿPúUPxêúUðØhúUسèúUpvXúU­ŽúU öúUè…úUàc³úU`‹!úUòyúUÀ iúU ‚úU CÓúU`…NúU¨xeúU@R˜úU¨RmúU`÷úU@ËeúUx®EúUxúU˜êoúU¨cnúU€FEúUàRVúU0ÖÊúUøÀwúUÈÐáúU@º3úUøOúUHžéúU¸ úUnúUpÔhúUˆ›+úU0KúUÀ(xúU¨NŒúU¨Y˜úU 1YúUÀÈ2úUx¢IúU’CúUHªSúUˆfúU°XƒúU¸QHúUÈ1ïúU¨EEúU‚9úU¨«EúU¸Ô@úUˆÌTúU¨÷†úU PéúU€œúU°êoúUge/png" !1g#Èýg#€¢úU!2019-09-25 13:52:351588DEA30-DF93-11E9-AFAE-7832x32.pn!561635¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x917¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-03-21 15:05:58!2023-03-21 15:07:02!5503939¸÷g#!8877057¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q0IúU1 4'úUH"¢úUn¶ø202309!202323¸÷g#!2023-10-28 11:16:30úU10000-00-00 00:00:00È[ZúU0qMozart - Divertimento K439b no 2 for flute oboe and bassoon transcribed by David Wheatley.úUø6BúU!18g#¸÷g#!0g#¸÷g#!3g#¸÷g#!3g#¸÷g#!2017-12-27 19:43:47!2023-10-28 11:16:30!W.A. Mozart#QúU!÷g#¸÷g#Ø<íúU!0g#¸÷g#H8`úU10g#Ø÷g#0!sib#¸÷g#!854#¸÷g#!0g#¸÷g#ADivertimento K439b no 2 for flute oboe and bassoon.sib!2017-12-27 19:43:47!5g#¸÷g#!1014¸÷g#!1g#¸÷g#!5.00¸øg#ÖúU!2017-12-27 19:43:49úU!0g#¸÷g#…@úU!1g#¸÷g#ÐMEúU!0g#¸÷g#øŒ„úU!÷g#¸÷g#ø@íúU!0g#¸÷g#H8`úU10g#Ø÷g#ØÏáúU0!17g#ˆüg#°&¢úU‘Another of Mozart's delightful serenades - originally for 3 basset horns - here transposed up a fifth and transcribed for flute oboe and bassoon. Other ww combinations of this piece are available. An idea of the tempi may be gathered by listening to the mp3 file. Many more of my compositions and transcriptions may be seen and heard at www.scoreexchange.com/profiles/dwheatleypan class="lin!6.00¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#Acopyright this transcription: David C. 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    tandard tuning [tab])!0000-00-00 00:00:0014382c4886adda06d47f75cee8fb3bf1c!HASH@EêúU !Georges HueúU !0g#@ShúU¸ã}úU!÷g#¸÷g#!0.0000¸÷g#PHúU!2013-10-15 10:43:31úU!Conflicts of Hearts!0g#¸÷g#À!0g#¸÷g#!1g#¸÷g#Ð03úU!0000-00-00 00:00:00!0g#¸÷g#ðIúU!0g#¸÷g#0@£úUÑConflicts of Hearts John Porter Copyright ©1988 John H.F. 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Tastes in music are very wide however, I do have a slight preference for those that use sing-able melodies as their subjects with clear developments of those melodies. Of late he has been writing music for a variety of adult ensembles and creating thoughtful and fun works for children and students alike for [[ http://archwaymelodies.com | Archway Melodies.]] U!40832¸÷g#ЄúU!0g#¸÷g#HÄúU!1g#¸÷g#¡…úU!0g#¸÷g#:…úUá[{"on":1,"name":"scoreid"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"}]"úU!2g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!23.56¸÷g#˜ù"úU!÷g#è÷g#˜ù"úU!÷g#¸÷g# 1I have been playing the piano since the age of 10 and was able to memorize chords, passages and even entire pieces with little effort, playing by ear. I took piano lessons for 5 years and was able to sit the Royal Schools of Music Examinations from England for grades 1 - 6 in both theory and practical. I have been an organist, pianist, and accompanist for Ebenezer Methodist Church since the age of 15 and have been able to play and be exposed to a wide variety of music along the way. In the last few years, have made attempts at choral work. I have never been to college to formally study music and have no degrees in it. However, because of the talents which I have been blessed with so much of it comes naturally. Often, I will just be sitting down, watching something or listing to a song and a tune would pop into my head. In a few minutes, its on paper. I have had opportunities to listen to professional piansts I am influenced by professional musicians such as Mark Hayes and Craig Curry. Over the last few years I have had the opportunity to meet Benjamin Harlan, Craig Curry, Mack Wilberg and Mark Hayes. I have also attended a composers workshop in Decatur, Georgia in June 2007 where Joseph Martin, J. Paul Williams, Robert Sterling and Brant Adams conducted workshops in music and lyrics. This has been a life changing moment in my music writing. Now that I have this outlet, I am more encouraged to submit songs, works, pieces etc for you to enjoy. I hope and trust that my pieces can be an inspiration and a blessing to someone somewhere somehow. 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PŒÊúU`˜‰¤úU!1Ø°¦úU}¥Ê€ß!{"width":300,"position-y-pc":"0","faces":{"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[]},"height":283,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"DB315B24-959E-11E8-8088-67553DFF0F43","position-x-pc":"0"}!0g#è÷g#@!231#¸÷g# ÑNew August Fanefare Michael Z West Coast Rock School New August Fanfare was written as a gift for my mother�s birthday. I wanted to write a fanfare type arrangement to represent a celebration of her date of birth, the first day of August, hence the name �New August�. In keeping with the old style eighteenth century fanfares I wanted to incorporate a baritone solo, as well as keeping the entire piece rather short, only about three minutes and forty-seconds. The piece is broken into ten major sections, and some with smaller subsections. The entirety of the work should be played in a light-spirited joyous manner even throughout the dark middle passage. This is a celebratory piece after all.@”gúU!0g#¸÷g#`{úU!0g#è÷g#441028!0g#¸÷g# 1˜¶¦úU³½ª.622511!10.00hùg#!nicholashersh!1g#¸÷g#A[{"Desc":"","Url":"www.nicholashersh.com","Text":""}]Conductor, Cellist, and Arranger. B.A. in Music (Stanford University), M.M. in Orchestral Conducting (Indiana University). 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!0g#¨ûg#p§úU!1g#¸÷g#hó#úU!0g#¸÷g# ô#úU!0g#¸ùg#Ⱥ¦úU!18g#¸÷g#°º¦úU!0g#¸÷g#¼¦úU!0.00¸÷g#¹¦úU!0000-00-00 00:00:00úU!0g#¸÷g#0¼¦úU!0g#¸÷g#h=\úU!÷g#¸÷g#¨¹¦úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00!30g#¸÷g#°=\úU!0000-00-00 00:00:00úU!0g#¸÷g#10g#Ø÷g#è;\úU0!0g#8ùg#PzúU!0g#¸÷g#àÆhúU!0000-00-00 00:00:00úU!0g#¸÷g#­úU!0g#¸÷g#hNúU!0g#¸÷g#ˆ¸júU!÷g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!10.16¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU1÷g#Ø÷g#˜ù"úU0I was born in Liverpool (Bootle), and spent my first 18 years growing up in the outskirts of the city in a small town called Maghull. The family then moved to Staffordshire where I have lived ever since. I learnt to play a brass instrument just before I was 7, starting as most people do on cornet. At 10 I moved onto (Eb) Tenor Horn, but was introduced to French Horn at the start of my Secondary School education, taking my first exam (Grade 3 Royal Associated Schools) on this orchestral instrument. Subsequently I took my Grade 5 on Tenor Horn. I was brought up in a Salvation Army family, and played in both Junior & Senior Bands at Liverpool Walton (Church). On the start of my Senior Band career I was asked if I fancied playing trombone which I then went on to take my Grade 6 & 8 in the following 12 months. I continued to play Trombone when I moved to Cannock, played most instruments in the Band over the years, focusing on Euphonium for quite a few years. I am an active member of The Salvation Army, and have been for all of my life. This is where most of my influences have been. Since moving to Cannock I have taken up musical positions of Junior & Senior Choir Leader, Deputy Bandmaster and also Bandmaster for 5 years. I have a passion for Brass Banding, and enjoy listening to both Army and secular music. My favourite composers are many, with my favourite pieces including Resurgam (Ball), Just As I Am (Heaton), Light Of The World (Goffin). My Gran taught me to play the piano at a young age, but I never really progressed beyond this stage until I was a teenager, when I became very interested in using the piano to learn basic harmony principals. This I now use to create my music. I love playing the piano, and am currently the pianist for the Cannock (SA) Junior & Senior Choirs, as well as Church pianist. 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P. Carter from the hymn "Will the Circle Be Unbroken?" by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother. The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song "Daddy Sang Bass" and the Atlanta song "Sweet Country Music". It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame. 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The ideas and wishes of many my students are reflected in these pieces. Very often, original compositions (still) too hard to play, but these works are easy to realize. Particular examples are the pieces “Hi Elton“, and the “Prelude 1750“. Some pieces also offer improvisational free space, like the pieces "Oriental Tune," "Claire de lune" and the Jazz Bicinium "Sketch in Blue".!1.95¸÷g#˜ä úU!0g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU10g#Ø÷g#0Ü©úUÀF¨úU0Pþ"coreExchange ScoreTypes ScoreTypesIDID ? BBments.FamilyID='3' ORDER BY CommonInstruments.Ord tations.ID = InstrumentationsInGroups.InstrumentationID WHERE InstrumentationGroupID ='18' ORDER BY Instrumentations.Ord, Instrumentations.Name ", "Text" : "" }, { "Desc" : "", "Url" : "http://", "Text" : "" }, { "Desc" : "", "Url" : "http://", "Text" : "" }, { "Desc" : "", "Url" : "http://", "Text" : "" } ] üüMarek Kucera lives in the Czech Republic. He has been teaching at Basic school of art since 1990. His main subjects are guitar and ,the Music theory. 2007 he gradualy Conservatory in Teplice at composition class whose leader is professor Vaclav Buzek. 32526010011Uncategorised music2880100000000-00-00 00:00:00000110.000000-00-00 00:00:000000-00-00 00:00:0000048432017-06-14 19:18:47ü{"width":250,"position-y-pc":"43","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":68,"width":118,"x":63,"center-y":127,"height":118,"center-x":122}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":63,"width":120,"x":62,"center-y":123,"height":120,"center-x":122},{"y":50,"width":180,"x":29,"center-y":140,"height":180,"center-x":119}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"48%","position-x":"center","position-y":"center","position-y-combined":"43%","average-center-x":121,"average-center-y":130,"id":"E979C952-512D-11E7-AA00-C8B308D5A98F","position-x-pc":"48"}32019-06-06 16:26:1600000-00-00 00:00:000003400.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00300000-00-00 00:00:00000001$6CE62C66-886F-11E9-B731-F3D41D17C629000000-00-00 00:00:0002021-06-15 08:03:042021-09-13 08:03:1601000000-00-00 00:00:00ition-y":"center","position-y-combined":"56%","average-center-x":113,"average-center-y":131,"id":"8106D168-512C-11E7-8D28-E3B4600221CE","position-x-pc":"38"}32019-06-06 16:25:4200000-00-00 00:00:004001700.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00300000-00-00 00:00:00000001$58FA02E0-886F-11E9-B731-F3D41D17C629100000-00-00 00:00:0002021-04-16 08:03:222021-05-19 16:52:5501000000-00-00 00:00:00],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"46%","position-x":"center","position-y":"top","position-y-combined":"36%","average-center-x":136.75,"average-center-y":107.25,"id":"E110F5EA-512A-11E7-B252-D3733A597DB7","position-x-pc":"46"}22019-06-06 16:24:4200000-00-00 00:00:0040025500.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00200000-00-00 00:00:00001001$35036D0E-886F-11E9-B731-F3D41D17C629000000-00-00 00:00:0002023-08-15 08:05:182023-08-15 14:15:0301000000-00-00 00:00:00-B04C-BD1FA3DC5C60","position-x-pc":"0"}02019-06-06 16:25:0500000-00-00 00:00:0041142011.602024-03-10 20:12:5101Credits2024-03-08 08:04:062024-04-17 08:04:552023-04-10 20:12:512023-03-24 22:22:44200000-00-00 00:00:00000001$42CBD3C2-886F-11E9-B731-F3D41D17C629000000-00-00 00:00:0002023-06-15 08:05:312023-06-15 21:39:0801000000-00-00 00:00:00pianist performing locally in the South Florida area. He is a member of the Society of Composers, Inc. and The American Society of Composers, Authors & Publishers. =Works selected for performance through national and international competition *Three Poems for Soprano Voice & Piano - Univ. of Wisconsin New Music Festival 1988  (this piece is now included in the Archives and Manuscript Division of the NYC Public Library) *Dawning (piano) Television Belgrade, Yugoslavia 1994 (this piece is now included in the Archives and Manuscript Division of the NYC Public Library) *Spooky Waltz (piano) ppIANISSIMO New Music Festival, Sofia, Bulgaria 1999  *Bagatelle No.1 (string orch) Living Composer Concert, Wisconsin 2005  *On The Lake (str. orch) Living Composer Concert, Wisconsin 2005  =Other performances *Renewal (full orch) Audubon Symphony Orchestra Audubon, PA 1992 *Essay on Silent Night (str. quartet) Lancaster, PA 1999  *Dimension 20 (mixed ensemble) Chicago 2012 =Music Reviews =American String Teacher Journal *August 1999 - Bagatelle No. 1 *November 1999 - Essay on Silent Night *August 2000 - The Kerry Dance *August 2000 – Too-ra-loo-ra-loo-ral, That’s an Irish Lullaby *February 2001 - Menuetto from Piano Sonata No.1 Op. 49 No. 2   *November 2001 - On The Lake =Clavier  *May/June 2005 - Six Etudes for Hand over Hand Arpeggio *September 2005 - My Very First Waltz *September 2005 - I Think I Hear an Echo *October 2005 - O Christmas Tree *October 2005 - Essay on Silent Night II *November 2006 - Christmas Swings *September/October 2016 - O Holy Night *September/October 2016 - Greensleeves000001024841410000000-00-00 00:00:00010118.080000-00-00 00:00:000000-00-00 00:00:0000043352018-02-16 23:46:24ü[{"width":300,"position-y-pc":"35","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":55,"width":101,"x":98,"center-y":105.5,"height":101,"center-x":148.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":76,"width":63,"x":41,"center-y":107.5,"height":63,"center-x":72.5},{"y":56,"width":100,"x":99,"center-y":106,"height":100,"center-x":149}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":52,"width":109,"x":94,"center-y":106.5,"height":109,"center-x":148.5}]},"height":300,"position-x-combined":"43%","position-x":"center","position-y":"top","position-y-combined":"35%","average-center-x":129.625,"average-center-y":106.375,"id":"AE2302C0-1373-11E8-932C-B879493C7B0A","position-x-pc":"43"}42019-06-06 16:29:2100000-00-00 00:00:0040116000.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00880000-00-00 00:00:00111001$DB3C92F4-886F-11E9-AD60-F3D41D17C629000000-00-00 00:00:0002023-06-15 08:05:332023-06-15 13:52:3901000000-00-00 00:00:00core-title-134067" data-inline-bg-url="/score_img/200w-pg/20130102172857/134067.jpg">
    Kanon C-Dur Brass Quartet
    by Thomas Graf
    Brass quartet
    $4.00
    POR UNA CABEZA - Tango for string trio and piano
    by CARLOS GARDEL Arr. MIGUEL OLIVEIRA - arr. MIGUEL OLIVEIRA
    Quartet
    $9.00
    Carol of the Bells
    by Mykola Leontovych - arr. Robert Steadman
    Solo Flute + piano
    $1.95
    Happy Birthday To You! (for cello duet, suitable for grades 1-5) (159CODU01)
    by Mildred & Patty Hill - arr. Katrina Sung
    Duet of Solo Violoncellos
    $2.00
    More music for classroom materials
    2022ems. (Reed 259) Tobias Haslinger, Schubert's publisher, collected the songs together as a cycle, most probably for financial reasons, as Die schöne Müllerin and Die Winterreise sold very well as collections. Taubenpost is considered to be Schubert's last Lied. Franz Liszt later transcribed these songs for solo piano. Schubert also set to music a poem named Schwanengesang D744 by Johann Senn, unrelated to this collection. Schubert's Serenade arranged for Treble Recorder & Keyboard. Schwanengesang ("Swan song") D 957 (Deutsch catalogue) is the title of a posthumous collection of songs by Franz Schubert. The collection was named by its first publisher Tobias Haslinger, presumably wishing to present it as Schubert's final musical testament to the world. Unlike the earlier Die schöne Müllerin and Winterreise, it contains settings of three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed 1828 and published in 1829 just a few months after the composer's death on 19 November 1828. In the original manuscript in Schubert's hand, the first 13 songs were copied in a single sitting, on consecutive manuscript pages, and in the standard performance order. All the song titles are by Schubert, as Heine did not give names to the poems. (Reed 259) Tobias Haslinger, Schubert's publisher, collected the songs together as a cycle, most probably for financial reasons, as Die schöne Müllerin and Die Winterreise sold very well as collections. Taubenpost is considered to be Schubert's last Lied. Franz Liszt later transcribed these songs for solo piano. Schubert also set to music a poem named Schwanengesang D744 by Johann Senn, unrelated to this collection. We still don’t know exactly where the idiom “Swansong†actually originated, but presently we use it to mean a last effort or final production coming from someone in a respective field before retirement, or sometimes, death. It is probably most familiar to us from the world of sports, “with Kobe Bryant scoring 60 points in his final game, or Peyton Manning winning the Super Bowl in his last season.†The concept that swans sing a beautiful song just before death has a long pedigree in Western thought, and the Greek philosopher Socrates is credited with saying “Will you not allow that I have as much of the spirit of prophecy in me as the swans? For they, when they perceive that they must die, having sung all their life long, do then sing more than ever, rejoicing in the thought that they are about to go away to the god whose ministers they are.†The proverbial singing swan, used as a metaphor for the final great effort, becomes a much-embraced concept in the arts, literature, and music, as exemplified in the famous madrigal setting by Orlando Gibbons (1583-1625). The silver Swan, who living had no Note, when Death approached, unlocked her silent throat. Leaning her breast against the reedy shore, thus sang her first and last, and sang no more: “Farewell, all joys! O Death, come close mine eyes! More Geese than Swans now live, more Fools than Wise.†Franz Schubert’s final and horribly painful days in November 1828 included bouts of delirium, requests for novels by James Fennimore Cooper, ceaseless singing and moments of great lucidity when he was working on his compositions. Schubert had been seriously ill for some time, but it’s impossible to tell by the quantity and consistency of his compositions. “In just his final 14 weeks, he wrote his last three piano sonatas, and the heart-melting C-Major String Quintet.†A few short months after Schubert’s death, the Viennese publisher Tobias Haslinger published a group of fourteen Schubert songs composed to texts by three different poets. Wishing to present this publication as Schubert’s final musical testament to the world, Haslinger and Schubert’s brother Ferdinand entitled the collection Schwanengesang (Swansong). Containing some of the greatest Lieder that Schubert ever composed, there is still disagreement about whether or not Schwanengesang is actually a cycle. There are contradictory accounts concerning the origin of Schubert’s thirteen songs with lyrics by Ludwig Rellstab and Heinrich Heine, published together with “Die Taubenpost,†with lyrics by Johann Gabriel Seidl. In the original manuscript in Schubert’s hand, the first 13 songs were copied in a single setting, on consecutive manuscript pages, and in the standard performance order. There is some suggestion that Schubert had intended to publish the settings of Rellstab and Heine separately, as he offered the Heine set of poems to the Leipzig publisher Probst. “Die Taubenpost,†meanwhile, has no connection to any of the first 13 songs and was appended by Haslinger to round out Schubert’s Schwanengesang. Rellstab’s poems passed to Schubert via Anton Schindler, Beethoven’s assistant. It has been suggested “almost every song in Schwanengesang deals with love or it’s absence, linking it to Beethoven’s “An die ferne Geliebte.†The Rellstab set ranges from the singer inviting a stream to convey a message to his beloved in the opening “Liebesbotschaft†(Message of love), to the concluding “Abschied†(Farewell) when the singer bids a cheery but determined farewell to a town he must now leave forever. 0060252017-03-31 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def9:16ScoreExchange1Users15Users74DefaultLicenseScoreúUDefaultLicenseScoreúUdefúUScoreExchangeUsersUsersorDefaultLicenseParts6.10DefaultLicenseParts9:16def000ScoreExchange15Users03UsersDefaultLicensePerformance¨úUDefaultLicensePerformance¨úUdefúUScoreExchange-0Users1:Users08DefaultLicenseRecordingDefaultLicenseRecordingdef5457ScoreExchangeUsersUsersDefaultLicenseProfitUDefaultLicenseProfitUdefScorScoreExchange1:Users02Users02UUID18 UUID:16def000ScoreExchange15Users05UsersAllowReviewsUAllowReviewsUdefúUScoreExchangeUsersUsersPhotoFileVaultUUID8 21:PhotoFileVaultUUID4-18 def9:16ScoreExchange1Users15Users91DefaultPlatinumScoreIncludeDefaultPlatinumScoreIncludeúUdefúUScoreExc1All 204 world national anthems are here, arranged for Brass Quintet/Strings. You will also find music to suit all needs including full symphony orchestra, concert/brass band, brass quintet, string orchestra, wind quintet, oboe consort, recorder consort, saxophone ensemble, trombone & low brass ensembles. Commissions are open. The complete catalogue can be found on [[/profiles/keith_terret|Keith's Profile]]. NEW:Check out my new ''Jazz for 5 Brass Series'':[[/scores/132953.html|Don't Get Around Much Anymore]], [[/scores/168883.html|Hello Dolly]], [[/scores/169035.html|Satin Doll]], [[/scores/168996.html|Pennsylvania 6-5000]], [[/scores/169429.html|Tin Roof Blues]] & [[/search?uid=250&q=Fur+Elise+Boogey+Woogie|Fur Elise Boogey Woogie]], C Jam Blues, Equinox, That's a Plenty and Moonlight Serenade.!1g#è÷g#iredDate!0g#¸÷g# 1HASHûúUpþÿÿÿx4!úU0!÷g#ÀT úU !78929i°úU !2g# ÷úU !27165¸÷g# !0g#Š}úU !0g#8øg#![]g#¸÷g#XÛ¨úU!÷g#¸÷g#¨Ü¨úU10g#Ø÷g#(Û¨úUøÚ¨úU0!÷g#¸÷g##úU!÷g#¸÷g# ‹3úU!÷g#¸÷g#x[ úU!SA680XH¸÷g#0©¨úU!gbg#è÷g#!7542153500g# !Christo Pavlov 1pw³úUȤ¨úUÿX8ûp!Kilgetty*¨úU!0000-00-00 00:00:0010000-00-00 00:00:000!÷g#È÷g# !Alan Llewelyn !24900à´úU!0g#¸÷g#°”lúU!Prelude 2.sib12019-03-28 17:36:55úU0!ØÌ úU¦ŠúU !7542153500úU!7542153500g#1÷g#Ø÷g#0!d_burndrett@yahoo.co.uk!0g#¸øg#!1g#¸÷g#XÛ¨úU!1g#¸÷g#xܨúU!Compositions ݨúU!198013¸÷g#€Ý¨úU!1g#¸÷g#ØܨúU!0g#¸÷g#hݨúU1÷g#Ø÷g#(Û¨úUˆÛ¨úU0!÷g#è÷g#ÿÿÿ!0g#¸÷g# !Ô¯úUql::st 10g#ݦúUPpq8úU0!0g#–ÌúU !0g#¸÷g# !÷g#Ž$úU !0g#ðƒúU10g#Ø÷g#0Q˜$múU °cúUH[úU!vstrom650g# !41g# äüúU !£g#0”ÔúUers WHER11g#Ø÷g#0!606158€©¨úU !463386ЧúU !sib# ƒúU Achrisevans@blueyonder.co.ukúU ÿÀúU°ÁnúU@!øg#ÐÇ¥úUÀE‰úU!18.3040¸÷g#ÐúU!2017-12-19 18:00:28úU!0g#È÷g# 1lenn was the principal flute of the [[http://www.osv.org.ve|Venezuelan Symphony Orchestra]] for 30 years and one of the founding professors at the world famous '[[http://www.elsistemausa.org/el-sistema-in-venezuela.htm|El Systema]]' in Venezuela. He has dedicated a great deal of time in re-editing a vast amount of the standard and Latin-American flute repertoire, making it much easier to read and adding his own articulations, ornamentation and breathing suggestions. You will find his [[/search?uid=247|flute editions]] to be very helpful with your teaching.7&uid=462 | arrangements for string quartet]]. If you need an arrangement that can't be found here, [[http://www.scoreexchange.com/profiles/jjacklich?c=showEmail | get in touch with Joel]].available at **Score Exchange**.ght Serenade.!0000-00-00 00:00:00úU!265#¸÷g#(øg#!63.20¸÷g#!mainstreamg#11g#Ø÷g#0!Olja€½¨úU !ýg#èýg#¯¨úU!÷g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!54g#¸÷g#!51g#¸÷g#!2023-03-28 22:55:36!{ "faces" : {} } !0g#¸÷g#ܨúUâ¨úUä¨úU°ã¨úU Û¨úU8ã¨úUøݨúUߨúU°Ú¨úUà¨úU¨ß¨úU à¨úUܨúU¨Ü¨úUÐÛ¨úUå¨úUá¨úUXá¨úUðߨúUXÛ¨úUàã¨úUxܨúUÀߨúUøã¨úUðâ¨úU8Ú¨úU€Ý¨úU0â¨úU€ã¨úU˜Ú¨úUÈã¨úUèá¨úUˆÛ¨úUPݨúUߨúUˆá¨úUèÞ¨úUÐá¨úUàÚ¨úUÞ¨úUÀâ¨úU ݨúU¨â¨úUHâ¨úU@Û¨úUhà¨úUߨúUhݨúU@ä¨úU(á¨úU(Û¨úUxâ¨úUÈÚ¨úU°Ý¨úU˜Ý¨úU`â¨úUhã¨úU¸á¨úU˜ã¨úUâ¨úUpá¨úUàà¨úUPã¨úUˆÞ¨úUÈݨúUØܨúUܨúU(ä¨úUã¨úUpÞ¨úU˜à¨úUøÚ¨úU2978202!0g#¸ýg#À´¨úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!1g#¸÷g#144BE12A2-CDB3-11ED-8BD0-8EA1F6CA0AAFU!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 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A Fanfare for New Horizons - Trumpet 4 in Bb4úU!0000-00-00 00:00:00úU!0g#¸÷g# !øg#(øg#`dúU!0.00¸÷g#8>9úU!0g#è÷g#˜ù"úU!0g#¸÷g# !725251¸÷g#Q¨gúU!0g#¸÷g#!0.00¸÷g#!196485¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#8øg#1hm©úUKÉ”w725251A20. A Fanfare for New Horizons - Trombone 2úU@!2017-07-13 23:49:15!pdf#¸÷g#!0000-00-00 00:00:00!3g#¸÷g#!61g#¸÷g#!2g#¸÷g#!0g#¸÷g#!2g#¸÷g#(þ(úUðƹúUاúUн3úUH¥ÌúUpº3úUi—úU¸8lúUˆˆ@úUˆlúU@TjúUˆ§OúUð*úUp÷cúUøghúUˆë`úUtLicense!725252þg#Ào©úUQ0ÉeúU!0g#¸÷g#!0.00¸÷g#!196485¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g# RÂúU!÷g#¸÷g#°19úU10.00Ø÷g#¨2aúU0!2017-07-13 23:49:49!pdf#¸÷g#!0000-00-00 00:00:00!3g#¸÷g#!60g#¸÷g#!2g#¸÷g#!0g#¸÷g#!2g#¸÷g#°ÔÊúUàglúU RÂúUØ&úU(eúUø9&úUè·úU@׆úU6 úU ±ÂúU «æúU ¡"úU ¦ÌúUh!lúUèðËúUP[úUÝs©úU!0g#øýg#s©úU!0g#¸÷g#!0g#¸÷g#1t©úU×âZ„725252A22. A Fanfare for New Horizons - Euphonium (Bass)!196485è÷g#8>9úU!0g#¸÷g# !øg#(øg# cúU!0.00¸÷g#X¾9úU!0g#è÷g#˜ù"úU!0g#¸÷g# !725253¸÷g#QèoÉúU!0g#¸÷g#!0.00¸÷g#!196485¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#8øg#1˜v©úUp'S725253A28. A Fanfare for New Horizons - Percussion 3@!2017-07-13 23:50:04!pdf#¸÷g#!0000-00-00 00:00:00!3g#¸÷g#!61g#¸÷g#!2g#¸÷g#!0g#¸÷g#!2g#¸÷g#HokúUøSÿúU˜ÍkúUˆ&fúUHÌnúU¸æÏúU QaúUhÑkúUÐrkúU¨ÃeúUéúU¸âWúUeúU ‰9úUÐÎeúU˜ŠúUà!725254Èýg#ðx©úUQ8DfúU!0g#¸÷g#!0.00¸÷g#!196485¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#@EôúU!÷g#¸÷g#ÀéúU10.00Ø÷g#x,cúU0!2017-07-13 23:50:26!pdf#¸÷g#!0000-00-00 00:00:00!3g#¸÷g#!53g#¸÷g#!2g#¸÷g#!0g#¸÷g#!2g#¸÷g#˜„ûúUðº÷úU@EôúULaúUH,`úU€AùúUxs<úU>gúUÈ¿¸úUhq<úUø~oúU˜«~úUЯæúU†þúU`LjúUp&•úUðLRúU!0g#ˆýg#À|©úU!0g#¸÷g#!0g#¸÷g#1  púUH}©úUÒÝØÁ725254A21. A Fanfare for New Horizons - Bass Trombone cúU!0000-00-00 00:00:00úU!0g#¸÷g# !0g#(øg#póÀúU!1g#¸÷g#`]lúU!0000-00-00 00:00:00úU!0g#¸÷g# !725255¸÷g#QxË)úU!0g#¸÷g#!0.00¸÷g#!196485¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#8øg#1È©úU][@725255A25. A Fanfare for New Horizons - TimpaniGúU@!2017-07-13 23:50:52!pdf#¸÷g#!0000-00-00 00:00:00!3g#¸÷g#!65g#¸÷g#!2g#¸÷g#!0g#¸÷g#!2g#¸÷g#€îíúUp|MúU8KFúUÐhbúUh#úUHô úUø 4úUxsÚúUÐ<úU «dúU˜abúU˜húU(êIúU˜8MúU(Ï0úU€‰GúU!7252568üg# ‚©úUQ`¸aúU!0g#¸÷g#!0.00¸÷g#!196485¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#hªjúU!÷g#¸÷g#àªmúU10.00Ø÷g#¸iúU0!2017-07-14 02:44:16!pdf#¸÷g#!0000-00-00 00:00:00!3g#¸÷g#!56g#¸÷g#!2g#¸÷g#!0g#¸÷g#Pà¸úU!2g#¸÷g#ðm@úUheúUP™`úUhªjúUÀ09úU°ÊeúU¨kúUp‰ÇúUðǸúU(ümúUxlbúUÀªÓúUb¿úUPÔÊúU°çûúU¸Ñ©úUø•úU449547!0g#(úg# !0g#¸÷g#!0g#¸÷g#•UúU1x†©úUÁtOM725256A23. A Fanfare for New Horizons - Euphonium (Treble)úU!0000-00-00 00:00:00úU!0g#¸÷g# !øg#(øg# ÞPúU!0.00¸÷g#¸ ÿúU!0g#è÷g#˜ù"úU!0g#¸÷g# !725239¸÷g#pQÀeúU12. A Fanfare for New Horizons - Flute 1!0g#¸÷g# 10.00Ø÷g#éMF0ÑPeter Martin was born in West Yorkshire. He studied both violin and viola with Suzanne Rozsa and Nannie Jamieson at the Guildhall School of Music and Drama, from which he graduated in 1978. In 1986 he was appointed Head of Strings for a LEA music service in Greater Manchester. In addition to his duties as a teacher, Peter has performed regularly throughout the north of England as a free-lance violinist/violist. He has also written and arranged a great deal of educational string music, much of which has been published. His pieces regularly appear on the A.B.R.S.M. string examinations syllabus. In August 2011 he retired from teaching in order to devote more time to writing and arranging and launched www.mainly4strings.co.uk. Backing tracks for many of the scores available here and a host of other scores can be found on the publisher's own website http://www.mainly4strings.co.uk An increasing number of scores available on Score Exchange can also be viewed and listened to on the publisher's You Tube channel https://www.youtube.com/channel/UCqV3ON4VRYPR2LVt8Bx6b0g Copyrighted arrangements by the publisher are available @ http://www.sheetmusicplus.com/publishers/mainstream-music/6964 .sersUsersAd!0g#¸ùg#¯©úU!0g#¸÷g#x¯©úU!0g#¸÷g#à°©úU!÷g#¸÷g#èªúU!1g#¸÷g#˜°©úU127DCC526-886F-11E9-A780-F3D41D17C629!0g#¸÷g#ȪúU!0g#¸÷g#È°©úU!0000-00-00 00:00:00!0g#¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#¯©úU!1g#¸÷g#!0g#è÷g#¯©úU!÷g#¸÷g# qPeter Martin was born in West Yorkshire. He studied both violin and viola at the Guildhall School of Music and Drama, from which he graduated in 1978. In 1986 he was appointed Head of Strings for a LEA music service in Greater Manchester. He has written and arranged a great deal of [[http://www.scoreexchange.com/search?instrumentationid%5B%5D=12&instrumentationid%5B%5D=13&instrumentationid%5B%5D=14&instrumentationid%5B%5D=35&instrumentationid%5B%5D=37&uid=265 | educational string music]], much of which has been published. 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1H·$úU¸&#úUØ·$úUø¸$úUøêeúUè##úU(¶$úU`r[úU%#úUH'#úU˜%#úUx$#úU¸¶$úUÿÿÿÿ1~¨D±úUàwúU!0000-00-00 00:00:00Qˆ&#úUQ &#úUè&#úUp&#úU€yúU!3552€8ýúU aH²‚úUX™ úU!18g#`’°úU !615855à|‘úU !1g#¸øg#!1g#¸÷g#ÀªúU!2019-06-06 16:24:20úU!0g#¸÷g#èªúU!0000-00-00 00:00:00úU!0g#¸÷g# ªúU!0g#¸÷g#àªúU10g#Ø÷g#ðªúU`ªúU01[ { "Desc" : "Obtain backing tracks and view more scores here.", "Url" : "http://www.mainly4strings.co.uk", "Text" : "www.mainly4strings.co.uk" }, { "Desc" : "Follow the music of Peter Martin & recent additions to mainly4strings on Twitter", "Url" : " http://twitter.com/mainly4strings", "Text" : "" }, { "Desc" : "Arrangements of popular copyrighted songs for orchestra/string quartet.", "Url" : "http://www.sheetmusicplus.com/publishers/mainstream-music/6964", "Text" : "Sheet Music Plus" }, { "Desc" : "View an increasing number of the publisher's compositions and arrangements on You Tube.", "Url" : "https://www.youtube.com/channel/UCqV3ON4VRYPR2LVt8Bx6b0g", "Text" : "You Tube Channel" } ] 3472138.736591!627#˜ùg#9.299489!0g#¸÷g#ØÆ©úU!0.00¸÷g#e2024-0!2017-11-30 00:00:00-18 !1g#¸÷g#71347213!0g#¸÷g#Ç©úU!÷g#¸÷g#eÇ©úU!0000-00-00 00:00:00Scor!0000-00-00 00:00:00202!0000-00-00 00:00:00111!0000-00-00 00:00:00úU!27g#¸÷g#òÇ©úU!0000-00-00 00:00:00úU!0g#¸÷g#28:58.6510g#Ø÷g#.00000041769310H±HúUˆ¹TúU»ßúUP *úUxFaúU ¿%úUÂúUHÝúUx~‹úU°8úUúúU¸«^úUÈ%˜úUÐa8úUhÖ[úU(3kúU˜ýúU¸JNúU˜3oúUH3kúU˜ÈúU GúUHndúU°™úUèEVúUè×yúUDÂúUàRGúUN˜úUxY'úU8VþúUXQ]úUPêúU˜ ÂúUôúU >ŸúU˜ÖbúU ÷úUx—¼úUè…&úUx»ÁúU€JúUÅÁúUp‡0úUx¸TúU `ÏúU˜á)úU8TëúU¨¢.úUx]µúU@9úUˆ¿ÁúUxqmúUÈÇèúU¬LúUÈÇèúU`?múUØ@úUl-úU`bRúUuØ©úU±Amazing Grace - Easy Blues Piano traditional arr. Scot Ranney Scot Ranney This version of Amazing Grace has a fairly easy left hand and some simple but effective blues embellishments in the right. You could use the right hand material in any Bb blues style song, solo or jamming with a group. You can also play it a bit faster and it will sound great. 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    24-04-18 21:39:48.0000003903391713472188.641597565981Ø«úUH«úU000000x«úU‚«úU«úU¸«úU¿«úUÑ«úUSE::Score2024-04-18 21:29:48.5412882024-04-18 21:39:48.0000003903581713472188.541288565961€«úUð«úU000000 «úU*«úUE«úU`«úUg«úUy«úUSE::Score2024-04-18 21:29:48.3561562024-04-18 21:39:48.0000005344411713472188.356156565901(«úU˜«úU000000È«úUÒ«úUí«úU«úU«úU!«úUSE::Score2024-04-18 21:29:48.3218402024-04-18 21:39:48.0000005344401713472188.321840689811ЫúU@«úU000000p«úUz«úU•«úU°«úU·«úUÉ«úUSE::Score2024-04-18 21:29:48.2981742024-04-18 21:39:48.0000004493571713472188.298174689971x«úUè«úU000000«úU"«úU=«úUX«úU_«úUq«úUSE::Score2024-04-18 21:29:48.2773482024-04-18 21:39:48.0000004493491713472188.277348357371 «úU«úU000000À«úUÊ«úUå«úU«úU«úU«úUSE::Score2024-04-18 21:29:48.2135932024-04-18 21:39:48.0000004493481713472188.213593165141È«úU8«úU000000h«úUr«úU«úU¨«úU¯«úUÁ«úUSE::Score2024-04-18 21:29:48.1916842024-04-18 21:39:48.0000004493091713472188.191684165121p«úUà«úU000000«úU«úU5«úUP«úUW«úUi«úUSE::Score2024-04-18 21:29:48.1686762024-04-18 21:39:48.0000004492941713472188.168676164981«úUˆ«úU000000¸«úU«úUÝ«úUø«úUÿ«úU«úUSE::Score2024-04-18 21:29:48.1466612024-04-18 21:39:48.0000004492781713472188.146661565821À«úU0«úU000000`«úUj«úU…«úU «úU§«úU¹«úUSE::Score2024-04-18 21:29:48.0758352024-04-18 21:39:48.0000004492701713472188.075835565741`«úUØ«úU000000«úU«úU-«úUH«úUN«úU`«úUSE::Score2024-04-18 21:29:48.0676962024-04-18 21:39:48.000000396321713472188.067696«úUx«úU1.346435¨«úU²«úUÍ«úUè«úUï«úU«úUSE::Score2024-04-18 21:29:47.9979042024-04-18 21:39:47.0000004492681713472187.997904000000°«úU «úU1.325416P«úUZ«úUu«úU«úU—«úU©«úUSE::Score2024-04-18 21:29:47.9470492024-04-18 21:39:47.0000004492301713472187.947049000000X«úUÈ«úU1.305426ø«úU«úU«úU8«úU?«úUQ«úUSE::Score2024-04-18 21:29:47.8716762024-04-18 21:39:47.0000004492231713472187.871676000000«úUp«úU1.249055 «úUª«úUÅ«úUà«úUç«úUù«úUSE::Score2024-04-18 21:29:47.8145892024-04-18 21:39:47.0000005027911713472187.814589000000¨«úU«úU1.182449H«úUR«úUm«úUˆ«úU«úU¡«úUSE::Score2024-04-18 21:29:47.7944432024-04-18 21:39:47.0000005027751713472187.794443000000P «úUÀ«úU1.138355ð«úUú«úU «úU0 «úU7 «úUI «úUSE::Score2024-04-18 21:29:47.7179952024-04-18 21:39:47.0000005027741713472187.717995000000ø «úUh «úU1.118650˜ «úU¢ «úU½ «úUØ «úUß «úUñ «úUSE::Score2024-04-18 21:29:47.6601032024-04-18 21:39:47.0000004491671713472187.660103000000 !«úU!«úU1.098157@!«úUJ!«úUe!«úU€!«úU‡!«úU™!«úUSE::Score2024-04-18 21:29:47.6395372024-04-18 21:39:47.0000004491511713472187.639537000000H"«úU¸!«úU1.074625è!«úUò!«úU "«úU("«úU/"«úUA"«úUSE::Score2024-04-18 21:29:47.6185202024-04-18 21:39:47.0000004951261713472187.618520000000a·

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    class="sortByOption">Date added ÁÓ«úUSE::Score2024-04-18 21:29:38.4631872024-04-18 21:39:38.0000004656691713472178.463187®²úUpÔ«úUàÓ«úU•Ðª9Ô«úUÔ«úU5Ô«úUPÔ«úUWÔ«úUiÔ«úUSE::Score2024-04-18 21:29:38.3900002024-04-18 21:39:38.0000004656461713472178.390000Ô«úUÕ«úUˆÔ«úU29724¸Ô«úUÂÔ«úUÝÔ«úUøÔ«úUÿÔ«úUÕ«úUSE::Score2024-04-18 21:29:38.3272982024-04-18 21:39:38.0000004656451713472178.327298ÀÕ«úU0Õ«úU!`Õ«úUjÕ«úU…Õ«úU Õ«úU§Õ«úU¹Õ«úUSE::Score2024-04-18 21:29:38.2849372024-04-18 21:39:38.0000004656311713472178.284937"n\hÖ«úUØÕ«úU0;]úUÖ«úUÖ«úU-Ö«úUHÖ«úUOÖ«úUaÖ«úUSE::Score2024-04-18 21:29:38.2639112024-04-18 21:39:38.0000005025881713472178.26391134929׫úU€Ö«úU0húU°Ö«úUºÖ«úUÕÖ«úUðÖ«úU÷Ö«úU ׫úUSE::Score2024-04-18 21:29:38.2439442024-04-18 21:39:38.0000005025821713472178.243944¸×«úU(׫úU X׫úUb׫úU}׫úU˜×«úUŸ×«úU±×«úUSE::Score2024-04-18 21:29:38.2233072024-04-18 21:39:38.0000005025811713472178.2233072ZúU`Ø«úUÐ׫úU0Ø«úU Ø«úU%Ø«úU@Ø«úUGØ«úUYØ«úUSE::Score2024-04-18 21:29:38.2037612024-04-18 21:39:38.0000004895631713472178.203761£úUÙ«úUxØ«úU`clúU¨Ø«úU²Ø«úUÍØ«úUèØ«úUïØ«úUÙ«úUSE::Score2024-04-18 21:29:38.1787872024-04-18 21:39:38.0000004895521713472178.178787°Ù«úU Ù«úU(Ù«úUPÙ«úUZÙ«úUuÙ«úUÙ«úU—Ù«úU©Ù«úUSE::Score2024-04-18 21:29:38.1553552024-04-18 21:39:38.0000004895471713472178.155355 GâúUª Ù«úUÐqâúUD r]úUàqâúUDÀr]úUðqâúUDc]úUrâúUD°c]úUrâúUDÐc]úU râúUDðc]úU0râúUDd]úU@râúUDÀa]úUPrâúUDàa]úU`râúUDb]úUprâúUD b]úU€râúUD@b]úUrâúUD`b]úU râúU°râúUD€b]úUÀrâúUD b]úUÐrâúUD @¥úUàrâúUDÀ@¥úUðrâúUDà@¥úUsâúUDA¥úUsâúUD A¥úU sâúUD@A¥úU0sâúUD`A¥úU@sâúUD€A¥úUPsâúUDÐA¥úU`sâúUDðA¥úUpsâúUDB¥úU€sâúUD0B¥úUsâúUDPB¥úU sâúUDpB¥úU°sâúUDB¥úUÀsâúUD°B¥úUÐsâúUDÐB¥úUàsâúUD>¥úUðsâúUD°>¥úUtâúUDÐ>¥úUtâúUDð>¥úU tâúUD?¥úU0tâúUD0?¥úU@tâúUDP?¥úUPtâúU`tâúUDp?¥úUptâúUD?¥úU€tâúUD°?¥úUtâúUDÐ?¥úU tâúUDð?¥úU°tâúUD@¥úUÀtâúUD0@¥úUÐtâúUDP@¥úUàtâúUDp@¥úUðtâúUDG¥úUuâúUD G¥úUuâúUD@G¥úU uâúUD`G¥úU0uâúUD€G¥úU@uâúUD G¥úUPuâúUDÀG¥úU`uâúUDàG¥úUpuâúUDH¥úU€uâúUuâúUD H¥úU uâúUD@H¥úU°uâúUD`H¥úUÀuâúUD€H¥úUÐuâúUD H¥úUàuâúUDÀH¥úUðuâúUDàH¥úUvâúUDI¥úUvâúUD I¥úU vâúUD@I¥úU0vâúUD`I¥úU@vâúUD€I¥úUá«úU!á«úUPó«úUDXªúU€ó«úUDðXªúUó«úUDYªúU ó«úUD0YªúU°ó«úUDPYªúUPL]úUêÁúUаªúUDÀ̪úU±ªúUD ͪúU±ªúUD@ͪúU ±ªúUD`ͪúU0±ªúUD€ÍªúUPL]úUêÁúU ·ªúUDàòŸúUP·ªúUD@óŸúU`·ªúUD`óŸúUp·ªúUD€óŸúU€·ªúUD óŸúUPL]úUêÁúUkªúUD ‰ªúU0kªúUD€‰ªúU@kªúUD ‰ªúUPkªúUDÀ‰ªúU`kªúUDà‰ªúUPL]úUêÁúUPqªúUD€³úU€qªúUDð€³úUqªúUD³úU qªúUD0³úU°qªúUDP³úUPL]úUêÁúUðlŒúU@C*úUÄAp6%úU$²úU öúU aaúUDÐp®úUðÁŸúU³úU €5‰úUðâúUDPˆ®úUtkúUDp‡®úUÀ5 úUDð‡®úU ìõúUD´÷úU€îYúU @³úU @€6$úUÐhŒúU tŒúUãkúUD®úU³úU @€¡©úUðuªúUDÐhŒúUèå«úU(9húUîYúU  9ŸúU{úUDàV®úU@yöúUDûúUJ!úUDÀF®úU@YWúUDÀlúUÀŒcúUDpˆ®úUó|úUD°„®úU‰kúUDZ£úU@ÄúUDÐ}£úU`›ÁúUDÀk£úUÀ¿oúUD„®úUÀ:©úUD`V®úUð‹xúUDðo®úUàhúUD ÃÔúUÐâÿúU @…úUcøúUD0>OúU ò|úUDð€®úUÅÁúUtúUD0„®úU åàúU @>®úU๧úU PÇrúUD@F®úUð”úUDU®úU€ÅŸúU € œ&úU cúUD‚®úUð€`úUDð²yúUäVúUD_ÅúUÐc'úUÀXœúUD ‹®úUPùúUàèúU dúUDW®úUHíYúU àÅŸúU €P.ŒúUP²³úU 2búUDpU®úUdefScorá *0@g¸úU`{wúU BH 7UúU ððAúU°­HúU"( np&(µ¸ 08Z`À÷«úU!0000-00-00 00:00:00úU10000-00-00 00:00:00h8¥úU0!Burn (from Hamilton)U!26g#¸÷g#(ùg#!0g#¸÷g#pOwúU!3g#¸÷g#ZwúU!2g#¸÷g#‚úU!2016-03-14 00:00:00úU!2024-04-17 00:00:00úU!øg#8øg#(9¥úU1Lin-Manuel Miranda, Alex LacamoireúU!0g#è÷g#°8¥úU!0g#¸÷g# !0g#è÷g# !÷g#¸÷g# !W.A. Mozart#ˆ}fúU!÷g#¸÷g#ð•úU!0g#¸÷g#py_úU10g#Ø÷g#0!854#¸÷g#˜]úU!0g#¸÷g#8Þ€úUAMozart Divertimento K439b no 2 for fl vi vla.sib púU!2019-04-30 21:28:50úU!0g#¸÷g#ho¹úU!596#¸÷g#€ZúU!0g#¸÷g#òðúU!5.00¸øg# FAúU!2019-04-30 21:28:51úU!0g#¸÷g#8®ÜúU!1g#¸÷g#à¬AúU!0g#¸÷g#ˆëlúU!÷g#¸÷g#ˆ¹úU!0g#¸÷g#py_úU10g#Ø÷g#Xž(úU0!17g#ùg#ˆ€UúUA very worthwhile companion to the Beethoven serenade for flute violin and viola. All the K439b divertimenti are now available. For a fun piece for the same trio why not try my 'with apologies to a certain drunken sailor' which has already sold many copies."úU16.00Ø÷g#˜ù"úU0!5.00¸øg#ÀÊXúU!2019-04-04 14:55:46úU!0g#¸÷g#°>gúU!1g#¸÷g#À¤ŽúU!0g#¸÷g#PìËúU!÷g#¸÷g#€OEúU!0g#¸÷g#ðnúU10g#Ø÷g#s|úU0!0g#èýg#þ«úU!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#Acopyright this transcription: David C. Wheatley 2017U!÷g#¸÷g#!ùg#¸ùg#ÀÊXúU!562999¸÷g#!0g#¸÷g#X ÍúU!0g#¸÷g#!16.00¸÷g#PìËúU!13.00¸÷g#IdúU!16.00¸÷g#ðnúU!13.00¸÷g#ènhúU!0g#¸÷g#xTƒúU!÷g#¸÷g#Øé,úU!0.00¸÷g#°>gúU!2019-05-03 08:43:47úU!0000-00-00 00:00:00!÷g#¸÷g# 1x¬úUóý¼´399914!0g#ž&úU !1g#Øýg# ¬úU!0g#¸÷g#!0.0000¸÷g#!2019-04-04 14:56:39aMozart Divertimento K439b no 1 for flute trio transcribed by David C Wheatley` úU!0g#¸÷g#!0g#¸÷g#!12g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#Mozart - Divertimento K439b no 1 for flute trio transcribed by David C Wheatley W.A. Mozart Many of Mozart's Divertimenti transcribe well to different instruments - here very successfully for 3 flutes - why not listen to the mp3 above the score.!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!1920¸÷g#!1080¸÷g#(S<úUpµÜúU@TçúU ä@úUÀ$LúU8] úUÀýEúU( 7úUHJèúUp-MúUÐ4úU€ªmúU8Õ^úUà·èúU0mkúU˜LúU0‘!úU [ØúUP7úU€9úU°tÊúUhúUð€øúU(ÕKúU½úUHwêúUÀ¢ØúUH‚KúUHXàúUøKVúUàÈXúUÝúU`'YúUGSúUÁzúU€Ñ¡úUXYúUÐá'úUÀÊXúU°(ËúU¨úU£[úUX ÍúU°OEúUXâ@úUÕ2úU`dÔúUPìËúU˜<úUøÔkúU<"úU¸6@úUðnúU­¿úUøÎXúUènhúUšMúU8¦IúUxTƒúUØ™+úUˆôyúUp¼VúUØé,úUÀôËúU°>gúUèCVúU@(cúUˆúúUðýmúUàhÃúUЪOúU€êúUHÊÑúU —úUèúqúU`OdúUs|úU ×ÊúUÁ["48576","133700","98624","110384","105088","72235","126343","191003","88005","53580","172145","442997","188087","81303","68801","115908","529497","362450","66937","529494"]À¢úU!2020-09-16 12:04:09!1g#¸÷g#!2019-09-25 14:44:3719D6ACE6E-DF9A-11E9-BF25-78491008!561635¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x917¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-03-14 03:23:11!2023-03-14 03:25:07!5677752¸÷g#!9643107¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q(–†úU!David Wheatleyhß@úU!0g#¸÷g#hr[úU!2019¸÷g#ØbwúU12g#Ø÷g#0!sib#¸÷g#p–—úU!854#¸÷g# Á+úU!0g#¸÷g#7éúU!2019-08-17 15:49:08úU!0g#¸÷g#ÈimúU!606#¸÷g#XjmúU!0g#¸÷g# ÷MúU!2.00¸øg#È)3úU!2019-08-17 15:49:09úU!0g#¸÷g#ˆÆàúU!1g#¸÷g# ê`úU!0g#¸÷g#ðÚ@úU!÷g#¸÷g#}BúU!0g#¸÷g#ØbwúU10g#Ø÷g#x²múU0!One of Mendelssohn's most well known piano miniatures which transcribes well for flute and piano. The piano part is considerably more difficult than the flute. Other pieces from the 'Songs without words' are also available for various w.w. with piano accompaniment."úU˜ù"úU!4.50¸÷g#˜ù"úU!0g#è÷g#˜ù"úU!1g#¸÷g# qMozart - Divertimento K439b no 2 for flute violin and viola transcribed by David C WheatleyúU!50g#¸÷g#Ð|æúU!0g#¸÷g# ‡úU!3g#¸÷g#506481!3g#¸÷g#À!2019-04-30 21:28:50!2019-05-03 08:43:47#!sib#È÷g# !1.50¸øg#hW{úU!0000-00-00 00:00:00úU!0g#¸÷g#ðjúU!0g#¸÷g#pW›úU!0g#¸÷g#x}túU!÷g#¸÷g#`úU!0g#¸÷g#ÈiúU10g#Ø÷g#(R~úU0!0.00¸ùg#hW{úU!1g#¸÷g#!1g#¸÷g#ÈBqúU!0g#¸÷g#!0g#¸÷g#x}túU!1g#¸÷g#Y°úU!133420¸÷g#ÈiúU¡Albert Johnson, Lin-Manuel Miranda, Albert Johnson, Lin-Manuel Miranda, Christopher Wallace, Roger Troutman, Kejuan Waliek Muchita, Osten Harvey, Jr.!1.99¸÷g#Qè,ƒúU!NAMEql::st !0g#¨ûg#`¬úU!0g#¸÷g#13472194!0.0000¸÷g#m-12 mar!0000-00-00 00:00:00úU!My Shot from Hamiltonct!0g#¸÷g#4322024!0g#¸÷g#5343617!0g#¸÷g#p¬úU!0000-00-00 00:00:00úU!0g#¸÷g#SE::SMD:!0g#¸÷g#9:54.459ÑMy Shot (from Hamilton) Guitar Chords/Lyrics Albert Johnson, Lin-Manuel Miranda, Albert Johnson, 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URGENTLY need the FREE SCORCH DOWNLOAD. This can be downloaded FREE from here - -> http://tinyurl.com/scorch19 Jonathan FeBland (b.1960) trained at the Royal Academy of Music, London (1978-82). He has a major presence at YouTube here - -> http://www.youtube.com/FeBlandMusic FeBland's work has been published and in print with Universal Edition since 1986. His music is available all over the world as published sheet music and has been so continuously since June, 1986. 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He began playing tuba and euphonium at age 12 and developed quickly enough to join the Michigan All-State Honors Band on tuba by age 16. He married Jana Ennis of Northport, Michigan in 1987, then began music studies at Central Michigan University (1988-1990). Jana’s teaching job in South Dakota led him to a magna cum laude music degree from Northern State University (Aberdeen, South Dakota) in 1992. After two years of teaching, he joined the US Army as a tuba player in 1994 and remained there until 2000. In 2001 he moved to Herndon, Virginia and became a mail carrier while playing tuba in Army National Guard and community bands. In 2009 he returned to the US Army as a tuba player on a 5-year leave of absence from the US Postal Service.!÷g#PdúUrdRemind!÷g#¸÷g# 18å­úU²tò\q!0g#¸þg#@å­úU!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ø,²úU¨rlúU@<ŽúU`|²úUX›}úUÈß[úU8ÄiúU(Õ‚úUø‚]úUȽxúUHioúU ˜ˆúU¸!úUð£rúU€NúU€´xúU0fvúU¸ŒúUh^ŒúU`vúU ÎoúU°rúUÈÊlúUð úUýrúU˜²°úUè›}úU( iúUˆZúUHvúU 1júUÐÔpúU•YúUHooúUXcZúU˜NxúUÀþYúUpìzúUÀÜ0úUÀ gúUƒtúU‹aúU°ÂZúU`ó}úU°•‹úUˆŽjúU â[úU8|úUÀ»©úUxéeúUp%úUÀpúU¦›úU˜4€úU˜º{úUZ‰úU'júUàq|úUëzúU0´úU(‹úU !úU˜2²úU'€úU˜ëzúU(ºZúU€ˆ]úUX(úU˜Ô‚úU˜²ŒúU€6ŸúUˆçŽúUxu`úUÎoúUØ“wúU@t[úU`núU˜~túUher men!0g#¸þg#Pê­úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 08:42:01!2023-05-01 08:42:05!606394¸÷g#!581417¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¸súU1í­úU:•àonAMaurice Ravel. Arr :- Johnny Jones.@!2017-06-09 17:10:17úU10000-00-00 00:00:00 úU01Bolero (Soprano Sax and Piano)!60g#¸÷g#Ð_úU!551#¸÷g#ÈNúU!3g#¸÷g#@²gúU!2g#¸÷g#˜®rúU!2011-06-22 08:25:25úU!2017-11-22 17:11:24úU!Jan Smithg#¨C‹úU!0g#¸÷g#ÀdúU!0g#¸÷g# ÞaúU14g#Ø÷g#0!sib#¸÷g#ncúU!1215¸÷g#YúU!0g#¸÷g#H+lúU!÷g#¸÷g#x´búU!0000-00-00 00:00:00úU!3g#¸÷g#0ßwúU!4025¸÷g#˜ zúU!3g#¸÷g#¸õxúU!2.25høg#x¦ŸúU!2011-05-08 06:29:15úU!0g#¸÷g#€ôúU!0g#¸÷g#@{qúU!126533è÷g#`HúU!÷g#¸÷g# !øg#¸øg#¸:qúU!0g#¸÷g#àêeúU!0g#¸÷g#xÀŒúU!1g#¸÷g#{iúU!0g#¸÷g#H)múUq{ "GroupOrd" : "150", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20874" } ÑThis orchestral instrumental piece was composed in 1872.� It is well known for being the theme music to the T.V. series "Alfred Hitchcock Presents" and the "Alfred Hitchcock Hour".� úUüò­úU!3.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#¸:qúU!598513¸÷g#!0g#¸÷g#`õqúU!0g#¸÷g#!0.00¸÷g#H)múU!9.95¸÷g#@KuúU!6.00¸÷g#86aúU!0g#¸÷g#°SfúU!÷g#¸÷g#¢rúU!0.00¸÷g#àêeúUÑ["88361","83857","114213","156594","38943","71014","38582","111238","56586","90052","206496","203637","169917","74672","76728","81950","74993","113086","45662","193113"]h'júUëŽúUÐ!0.0000¸þg#ö­úU!2011-05-08 09:21:17AFuneral March Of A Marionette Saxophone Quartet÷­úU!0g#¸÷g#!0g#¸÷g#!8g#¸÷g#!2013-04-10 17:15:14!0g#¸÷g#!0g#¸÷g#AFuneral March Of A Marionette (Saxophone Quartet) Charles Gounod. Arr :- Johnny Jones. Jan Smith Harmonie Publications This orchestral instrumental piece was composed in 1872.� It is well known for being the theme music to the T.V. series "Alfred Hitchcock Presents" and the "Alfred Hitchcock Hour".� U!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#øÌúU0WúUˆŸrúUøªkúUˆ4aúU(«kúU@·cúU€]°úU˜ÒúU¾ZúUˆ1júUXAwúU +€úU(múU@¢$úU0Y°úUP8ˆúUXбúUèè§úUÈ×%úUøÂúUàätúUÀgúUˆì€úUˆKhúUpÿˆúUÐiúUØšˆúU œgúUøÄ`úU(uúU Ü‡úUyúUä[úU™zúU¦gúU5ŸúUÀÄúU¸:qúU lúUt‚úUá§úU`õqúUø(¬úU0 `úU žrúUdúUH)múUÈpdúUîŽúUè’€úUàLúU86aúU€DhúUp œúU°SfúUX©úUÀ¶~úU¢rúUÆúU(ù‹úUàJfúUàêeúU(niúUxÀŒúUP4}úUsúU`ä[úUétúU ­›úU iúUèœgúUpõzúU¸Ò‚úUp»_úUí€úUh'júUsúUs!2020-09-18 12:30:44úU!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 15:23:04!2023-05-01 15:23:13!932031¸÷g#!845655¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QÈûˆúU!2017-06-09 17:10:17úU10000-00-00 00:00:00˜±úU01Bolero (Tenor Sax and Piano)^úU!60g#¸÷g#èÖàúU!552#¸÷g#°=múU!3g#¸÷g#ðõ‰úU!2g#¸÷g#Ð^úU!2011-06-22 08:27:50úU!2017-11-22 17:11:25úU!0g#8øg#XHuúU!0g#¸÷g#ˆÈdúU!4g#¸÷g# ÞŠúU12.25Ø÷g#0!sib#¸÷g#«ŸúU!1215¸÷g#0(YúU!0g#¸÷g#_[úU!÷g#¸÷g#è}úU!0000-00-00 00:00:00úU!25g#¸÷g#:3úU!7594¸÷g#KúU!18g#¸÷g#˜túU!2011-05-08 07:36:52úU!0g#¸÷g#ˆÈdúU!0g#¸÷g#`ÖyúU!126534¸÷g#Ð>úU!÷g#¸÷g#Ø0€úU!0g#¸÷g#ð“wúU!0g#¸÷g# ÞŠúU11g#Ø÷g#àŠúU0!Jan Smithg# !1.50¸øg#˜ !úU!2011-05-08 08:41:22úU!0g#¸÷g#àjlúU!0g#¸÷g#‡túU!120625¸÷g#ÈVnúU!÷g#¸÷g#ð6úU!0g#¸÷g#8±xúU10g#Ø÷g#PHYúU0!0g#¸þg#€®úU!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#èbsúU!359156¸÷g#!0g#¸÷g#ÈVnúU!0g#¸÷g#ÀŠúU!0.00¸÷g#8±xúU!10.00¸÷g#øÑ‚úU!6.00¸÷g# «núU!0g#¸÷g#hGkúU!÷g#¸÷g#àjlúU!0.00¸÷g#0”‹úU1¨®úUÓZä74958!65323¸÷g#AMaurice Ravel. Arr :- Johnny Jones.UÀ¿úU@!1g#¸þg#®úU!0g#¸÷g#q{ "GroupOrd" : "120", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20874" } !0.0000¸÷g#!2011-05-08 08:41:321Deep River Saxophone QuarteteScores!0g#¸÷g#!0g#¸÷g#!5g#¸÷g#!2013-04-09 14:27:10!0g#¸÷g#!0g#¸÷g#ÁDeep River (Saxophone Quartet) USA Traditional. Arr :- Johnny Jones. Jan Smith Harmonie Publications A typical traditional negro spiritual, arranged in a slow swing style.ProgramNo!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#í€úU0,]úUÈ°uúUÀémúUÐ|úU 6aúUqúUÈágúU¸èbúUpL~úU0êzúUpqdúUp'²úUh–aúUˆ'²úU¸±úU úUèµ~úU80ŸúU múUpúUÐñmúUè˜}úUØRcúUÀr`úU¸dúUÀ²húU0”‹úU@DZúUXˆúUhbZúUˆ‘eúUðAqúUøágúU6zúU„búUøi±úUȾŒúU˜ !úU8 ±úU8ÑyúU²›úUèbsúUØ4²úUðlúUÈEqúU©kúUÈVnúUplúUÐÙ^úUPbúU€4€úU8±xúUPÛŠúUè}`úUøÑ‚úUà5‹úUp¼‰úU «núUoœúU ÆúUz‡úUhGkúU 6ŽúUàjlúUP¸ŒúUP›úUxÎ…úUXŒwúU@òwúUH4²úU(€úUѱúUè¿lúU@esúUàW°úUPHYúU€gúUScores±["42812","7035","5087","30453","89155","67172","199005","96273","58131","27461","77359","166045","9569","103808","51405","27358","83904","11236","368847","360541"]nseS!2020-09-15 22:20:54!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 20:24:37!2023-05-01 20:24:42!763310¸÷g#!702996¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q€ iúU1h®úUsëÑ70815!74958è÷g#!44g#È÷g# !2017-06-09 17:10:17úU10000-00-00 00:00:00з"úU01Bolero (Alto Sax and Piano)!60g#¸÷g#(ú‰úU!554#¸÷g#«ŸúU!3g#¸÷g#0(YúU!2g#¸÷g#_[úU!2011-06-22 08:28:01úU!2017-11-22 17:11:25úU!Jan Smithg#PÆ…úU!0g#¸÷g#hÓoúU!0g#¸÷g#PÿqúU14g#Ø÷g#0!sib#¸÷g#àÉhúU!1215¸÷g#__úU!0g#¸÷g#ˆrcúU!÷g#¸÷g# súU!0000-00-00 00:00:00úU!7g#¸÷g#pŸ{úU!5273¸÷g#8áqúU!6g#¸÷g#ø¢júU!2.25høg#0ßsúU!2011-05-08 07:42:07úU!0g#¸÷g# ¹|úU!0g#¸÷g#ˆý{úU!126471è÷g#ÁnúU!÷g#¸÷g# !"Bolero" is a one - movement orchestral piece by Maurice Ravel, and was originally composed for the Ballet Russes.� Ravel regarded the piece as an experiment in a very special and limited direction, and issued a warning to the effect that what he had written was a piece lasting 17 minutes and consisting wholly of "orchestral tissue without music" - of one very long gradual crescendo.� The melody of "Bolero" is well known o many, and has been featured in op culture, motion pictures, video games and even in Dr Who.�� xchang!3.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#ÀŒaúU!917387¸÷g#!0g#¸÷g#°ý}úU!0g#¸÷g#!0.00¸÷g#Ø0€úU!3.95¸÷g#ÐÈpúU!0.00¸÷g# ÞŠúU!0g#¸÷g#¿xúU!÷g#¸÷g#ðFhúU!0.00¸÷g#ˆÈdúU±["79852","13558","25639","75821","67695","78463","184740","127779","66255","72868","79296","16769","71036","144285","69285","67204","122441","45388","30276"]émúU!2020-09-09 20:26:39!0g#¸þg#°®úUq{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "21392" } U!0.0000¸÷g#!2011-05-08 07:36:561Bolero Tenor Sax and PianoÀ®úU!0g#¸÷g#!0g#¸÷g#!8g#¸÷g#!2013-04-09 03:54:20!0g#¸÷g#!0g#¸÷g#Bolero (Tenor Sax and Piano) Maurice Ravel. Arr :- Johnny Jones. Jan Smith Harmonie Publications "Bolero" is a one - movement orchestral piece by Maurice Ravel, and was originally composed for the Ballet Russes.� Ravel regarded the piece as an experiment in a very special and limited direction, and issued a warning to the effect that what he had written was a piece lasting 17 minutes and consisting wholly of "orchestral tissue without music" - of one very long gradual crescendo.� The melody of "Bolero" is well known o many, and has been featured in op culture, motion pictures, video games and even in Dr Who.�� !0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#8Ò^úUvúUÈ!úUð=ŽúU¨¡_úU(3ŽúUˆI{úUкZúU°[ŒúUX–ˆúUÈEYúU°(€úU˜±úU8~ŠúUÀýˆúUðä[úU˜[úU¨Ý^úU oúUXHuúU€úUxÁZúU?wúUÀ6úUwyúUHwúU£_úUPY›úU0 œúUmdúUXZúU«núU€$júU8ŽúUh gúUèðˆúUà[úU8¯°úUÀŒaúU€jsúUxFhúU°¹cúU°ý}úUwiúU0ôŽúUˆ•€úU¤úUØ0€úU ðmúUøn‚úUÈ.ƒúUX-_úU ÞŠúU(ëeúU·‰úU¿xúUð×^úU ÌúUðFhúUаúUˆRxúUH)eúUˆÈdúU œˆúU`ÖyúUÀ‘ˆúUp”YúU ÎúUh$úUÈƱúUhœ_úU’ˆúU8-]úU€ yúUp¿vúUémúUàŠúUв!úU!0g#¨þg# &®úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-05-02 06:56:35!2023-05-02 06:56:41!411599¸÷g#!340546¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¸ÅiúU1÷g#PïßúUpþÿÿÿøÂ"úU0!70937è÷g#!44g#È÷g# !2017-06-09 17:10:17úU10000-00-00 00:00:00h;‹úU0ACarol Of The Bells (Saxophone Quartet)¸÷g#!554#¸÷g#@²gúU!3g#¸÷g#˜®rúU!2g#¸÷g#zúU!2011-06-22 08:33:25úU!2017-11-22 17:11:31úU!trad.8øg#03wúU!Jan Smithg#ØDqúU!0g#¸÷g#@`úU10g#Ø÷g#0!sib#¸÷g#YúU!1215¸÷g#H+lúU!0g#¸÷g#x´búU!÷g#¸÷g#øãwúU!0000-00-00 00:00:00úU!35g#¸÷g#˜ zúU!7305¸÷g#¸õxúU!21g#¸÷g#x¦ŸúU!3g#xøg#h ‹úU!1.50Xøg#€ôúU!2011-05-08 10:15:38úU!0g#¸÷g#`HúU!0g#¸÷g#I±úU1126240Ø÷g#˜ù"úU0!0g#¸øg#h!múU!0g#¸÷g#ÀdúU!1g#¸÷g#èqdúU!0g#¸÷g#Â_úUq{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "21388" } U!0.0000¸÷g# !"Bolero" is a one - movement orchestral piece by Maurice Ravel, and was originally composed for the Ballet Russes. Ravel regarded the piece as an experiment in a very special and limited direction, and issued a warning, to the effect that what he had written was a piece lasting 17 minutes, and consistin wholly of "orchestral tissue without music" - of one very long gradual crescendo. The melody of "Bolero" is well known to many and has been featured in pop culture, motion pictures, video games and even in Dr Who. ®úU0®úU!3.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#h!múU!64078¸÷g#!0g#¸÷g#È[úU!0g#¸÷g#!0.00¸÷g#øϱúU!6.20¸÷g#Œ€úU!2.25¸÷g# ÞaúU!0g#¸÷g#’qúU!÷g#¸÷g#xMxúU!0.00¸÷g#ÀdúU¡["11813","106021","38542","12926","12619","7949","13182","13344","8932","7640","15252","10609","14735","7147","15280","67882","15157","14743","11110"]12020-09-19 23:25:26úU`riúU0!2011-05-08 06:29:25úU1Bolero Soprano Sax and PianoeScores!0g#¸÷g#!0g#¸÷g#!8g#¸÷g#!2013-04-12 22:53:23!0g#¸÷g#!0g#¸÷g#Bolero (Soprano Sax and Piano) Maurice Ravel. Arr :- Johnny Jones. Jan Smith Harmonie Publications "Bolero" is a one - movement orchestral piece by Maurice Ravel, and was originally composed for the Ballet Russes. Ravel regarded the piece as an experiment in a very special and limited direction, and issued a warning, to the effect that what he had written was a piece lasting 17 minutes, and consistin wholly of "orchestral tissue without music" - of one very long gradual crescendo. The melody of "Bolero" is well known to many and has been featured in pop culture, motion pictures, video games and even in Dr Who. Scores!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#²xúUˆi‚úU0›eúUÍ|úU(oúUÀȱúU tlúUˆèbúUÉlúU04_úU@ðŽúUHúU úUèÖ^úU(ZúUPš}úUà„búUð¬cúUhî€úU¨C‹úUX°úUxuiúUð£kúUÈdoúUØ–wúUˆ¾_úU@î]úUÈÒ±úU(Š‹úU8ddúUÀïeúU8­cúUXËpúUoúUpŸrúU¨*¬úU˜Ø^úU˜–eúUh!múUÛ0úUH0zúU˜bZúUÈ[úU Í…úU¦gúU0ìeúUªúUøϱúU`–}úURnúU˜lúUÈ«fúU ÞaúUèBhúUDúU’qúU8OúUÈpœúUxMxúUhMkúUô]úUð`úUÀdúUÈ“YúUèqdúUPu‡úU ªhúU¸¬~úUxÃsúUè¤'úU0oúUHwúUˆ£fúUp+eúU`¾ZúUØDúU`émúUH`úUdefScor!0g#¨þg#ð;®úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-05-02 18:14:25!2023-05-02 18:14:30!572212¸÷g#!491143¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QXîeúU1ÀõÐúU¨>®úU%•`/67191!94976è÷g#!46g#È÷g# !2017-06-09 17:10:17úU10000-00-00 00:00:00h\›úU01Bizet Has His Day (Saxophone Quartet)!554#¸÷g#Ð^úU!4g#¸÷g#àÉhúU!2g#¸÷g#__úU!2011-06-22 08:30:22úU!2017-11-22 17:11:28úU1Georges Bizet. Arr :- Johnny Jones.U!Jan Smithg#8‰úU!18g#¸÷g#À…oúU!0g#xøg#€»[úU!3g#¸÷g#HÎ}úU!1.508øg#¨)gúU!2011-05-08 17:46:16úU!0g#¸÷g#èÐcúU10g#Ø÷g#˜ù"úU0!øg#¸øg#Ð úU!0g#¸÷g#ØDqúU!0g#¸÷g#Hé§úU!1g#¸÷g#ˆ¼ŒúU!0g#¸÷g#øóbúUq{ "GroupOrd" : "90", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20874" } Q"Carol of the Bells" is also known as the "Ukraine Bell Carol" or as "Ring Christmas Bells".� The tune is based on an ancient Ukranian pagan chant known as "Shchedryk" which is used as an ostinato 4 note melody pattern within the range of a minor 3rd. It is of prehistoric origins and was associated with the coming new year.!5.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#Ð úU!10993¸÷g#!0g#¸÷g#(hpúU!0g#¸÷g#!0.00¸÷g#øóbúU!11.95¸÷g#po‚úU!6.00¸÷g#@`úU!0g#¸÷g#8ÐoúU!÷g#¸÷g#øqúU!0.00¸÷g#ØDqúU±["50252","72538","72694","65664","40454","9418","67104","127398","53817","72648","126826","30606","126263","21627","82152","21097","66595","73015","31444"]XÈlúU!2020-09-11 17:04:23!0.0000¸þg#Ð]®úU!2011-05-08 10:15:511Carol Of The Bells Saxophone Quartet!0g#¸÷g#!0g#¸÷g#!8g#¸÷g#!2013-03-15 15:23:21!0g#¸÷g#!0g#¸÷g#¡Carol Of The Bells (Saxophone Quartet) trad. Jan Smith Harmonie Publications "Carol of the Bells" is also known as the "Ukraine Bell Carol" or as "Ring Christmas Bells".� The tune is based on an ancient Ukranian pagan chant known as "Shchedryk" which is used as an ostinato 4 note melody pattern within the range of a minor 3rd. It is of prehistoric origins and was associated with the coming new year.!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ð]ŒúUø¼"úUðe±úUpœˆúUHu`úUªuúUx×úUèryúU¸kvúUˆm^úUàoúU ØúUh;‹úUÈêgúU¸‹úU˜búUð£gúU@ _úU“aúU03wúU˜ ±úU(NuúUø¤núUÐ\vúUˆ.aúU¨{`úUÀ@‹úUð¤_úUPªnúU@|úU[úU a^úUðï]úU¸…múU€5ˆúUØï]úUø5ˆúUˆö‹úUÐ úU(²úU8`°úUðÏpúU(hpúU˜¶©úUp!úU௰úUpäaúUøóbúU(t`úUˆôqúU(jµúU@è§úU@`úUízúU¸súU8ÐoúU€]µúUÈ3aúUøqúU˜ËúU̱úUxrúUØDqúUøõˆúUHé§úUpI{úUxö}úUÈ'aúUHIcúU yúU6²úU d±úUhngúUèpúU`ÉvúUXÈlúUÀ)]úUðxiúU f®úU!0g#¨þg#Ðe®úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 08:45:05!2023-05-01 08:45:13!906212¸÷g#!796823¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q}`úU1ÀpžúUˆh®úU¢v± 69436!72691è÷g#!44g#È÷g# !2017-06-09 17:10:17úU10000-00-00 00:00:00PÎúU01Adagio in G minor (Saxophone Quartet)!552#¸÷g#_[úU!3g#¸÷g#è}úU!2g#¸÷g#ЙZúU!2011-06-22 08:30:22úU!2017-11-22 17:11:28úU1Tomaso Albinoni. Arr :- Johnny Jones.!Jan Smithg#¸(túU!0g#è÷g#ÀÊúU!0g#¸÷g# !sib#¸÷g#ˆrcúU!1215¸÷g# súU!0g#¸÷g#Ì}úU!÷g#¸÷g#pŸ{úU!0000-00-00 00:00:00úU!0g#¸÷g#ø¢júU!309#¸÷g#0ßsúU!0g#¸÷g#ÀÙwúU!5g#ˆøg# ¹|úU!1.50høg#ˆý{úU!2011-05-08 08:39:42úU!0g#¸÷g#”iúU!0g#¸÷g#@*zúU!120534è÷g#ˆÙqúU!÷g#¸÷g# !1g#¸øg#`UcúU!0g#¸÷g#`ÒsúU!1g#¸÷g#ð½ŒúU!0g#¸÷g#kúUq{ "GroupOrd" : "80", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20874" } U!0.0000¸÷g# qOne of the many well known tunes from the incidental music to Daudet's play "L'arlesienne". The play's were a flop, but thankfully Bizet's delightful music lives on. Here Iv'e sorta brought it up to date snd made it into a swing style number. In the intro to this piece of music perhaps it would help if the tacit players clapped an off beat rhythm ? úU!5.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#`UcúU!146550¸÷g#!0g#¸÷g#h%ƒúU!0g#¸÷g#!0.00¸÷g#H—!úU!12.50¸÷g#p.múU!7.50¸÷g#è ±úU!0g#¸÷g#€˜‹úU!÷g#¸÷g#è®uúU!0.00¸÷g#`ÒsúU±["42812","93313","7035","5087","89155","74373","39569","67172","38356","126090","51344","96273","27461","58131","149238","145592","27358","9569","51405","11236"]yúU!2020-09-17 06:00:48!2011-05-08 08:39:47úU1Bizet Has His Day Saxophone Quartets!0g#¸÷g#!0g#¸÷g#!9g#¸÷g#!2013-04-09 00:27:41!0g#¸÷g#!0g#¸÷g#áBizet Has His Day (Saxophone Quartet) Georges Bizet. Arr :- Johnny Jones. Jan Smith Harmonie Publications One of the many well known tunes from the incidental music to Daudet's play "L'arlesienne". The play's were a flop, but thankfully Bizet's delightful music lives on. Here Iv'e sorta brought it up to date snd made it into a swing style number. In the intro to this piece of music perhaps it would help if the tacit players clapped an off beat rhythm ? ellingP!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#@ndúU`ÉsúUXñmúUÐœúU@%júUü}úU``úUÈoúU˜eúUˆÃ"úU˜íjúUp‚úUh\›úUh)_úU¨Á"úU0„]úUÈAuúUP°kúUøÝ0úUèúU˜|úUr[úU°œqúU@HfúU`LcúUPׂúU°júUX•zúUP¶cúUÜ0úUˆºZúU˜’‹úUÐNcúU)eúU8}²úUÈ@wúU°â[úUˆNnúU`UcúU¨Í|úU@/€úUðòqúUh%ƒúUPÎ|úUhMnúUH5ŸúU0'¬úUH—!úU(È`úUð ‚úU`yúUˆu‚úUè ±úUqdúU8–YúU€˜‹úUÈ|úUÀ{`úUè®uúUÆ_úUèevúU¨±úU`ÒsúU(ðŽúUð½ŒúU˜ oúU(²~úU`RfúUà+€úUHZúUPvœúUð&]úUx´°úU¸‹múUÈlúUÍyúU'€úUàvœúUeExchang!0g#¨þg#Pz®úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 20:34:45!2023-05-01 20:34:56!1300086¸÷g#!1137601¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q°yœúU1}®úUßõ72572!70815è÷g#!44g#È÷g# !2017-06-09 17:10:17úU10000-00-00 00:00:00Xð‹úU01Ave Verum Corpus (Saxophone Quartet)!554#¸÷g#H+lúU!3g#¸÷g#x´búU!2g#¸÷g#øãwúU!2011-06-22 08:31:38úU!2017-11-22 17:11:29úU1W.A.Mozart. Arr :- Johnny Jones.fúU!Jan Smithg#P“YúU!0g#è÷g#¸·cúU!0g#¸÷g# !sib#¸÷g#ˆ|ˆúU!1215¸÷g# Ø‹úU!0g#¸÷g#ÈTúU!÷g#¸÷g#X[búU!0000-00-00 00:00:00úU!1g#¸÷g#p>‰úU!2540¸÷g#À…oúU!1g#¸÷g#€»[úU!3g#ˆøg#HÎ}úU!1.50høg#¨)gúU!2011-05-08 09:21:11úU!0g#¸÷g#èÐcúU!0g#¸÷g#PJúU!123081è÷g#è.dúU!÷g#¸÷g# !163279¸øg#Ù0úU!÷g#¸÷g#ˆPŒúU!0g#¸÷g#¸úU!0g#¸÷g#@}[úU!1g#¸÷g#­úU!0g#¸÷g#H†búU!2017-06-09 17:10:17úU10000-00-00 00:00:00úU0±Carol of the Bells is also known as the "Ukraine Carol" or as "Ring Christmas Bells". The tune is based onan ancient Ukraine pagan chant known as "Shchedryk", which is used as an ostinato 4 note melody pattern within the range of a minor 3rd. It is of prehistoric origins and was associated with the coming new year. Also arranged for various other quartet ensebles. Please see my homepage for further details.defScor!6.45¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸ùg#Ù0úU!0g#¸÷g#!0.00¸÷g#ÀX›úU!15.45¸÷g#!9.00¸÷g#­úU!0g#¸÷g#P‰úU!0000-00-00 00:00:00úU!0g#¸÷g#€»[úU!2106¸÷g#HÎ}úU!0g#¸÷g#¨)gúU!4g#xøg#h núUqBased on 2 English folktunes, synonymous with the chase on horseback through the countryside.ȪŸúU!4.00è÷g#(°búU!1g#¸÷g# !0g#¸øg#pè§úU!0g#¸÷g#H1ŽúU!1g#¸÷g#øHYúU!0g#¸÷g#(#úUq{ "GroupOrd" : "70", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20874" } U!0.0000¸÷g# Q"Ave Verum Corpus" is a short Eucharist Hymn dating from the 14th century and is attributed to Pope Innocent VI, which has been set to music by various composers.� The title means "Hail, true body".� Mozart's setting was written to celebrate the feast of "Corpus Christi" and is autographed dated 17 June 1791. Scores!3.25¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#pè§úU!671256¸÷g#!0g#¸÷g#˜ ‚úU!0g#¸÷g#!0.00¸÷g#loúU!9.25¸÷g# 5‹úU!6.00¸÷g#`©rúU!0g#¸÷g#p‚‡úU!÷g#¸÷g#pÇ…úU!0.00¸÷g#H1ŽúU±["73013","99382","55139","10917","49812","42702","92049","31658","49659","55128","22987","95067","71013","87845","20133","60079","42336","73011","49641","14403"]^úU!2020-09-16 12:36:21!2011-05-08 09:21:20úU1Ave Verum Corpus Saxophone QuartetU!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!2013-04-09 20:46:20!0g#¸÷g#!0g#¸÷g#±Ave Verum Corpus (Saxophone Quartet) W.A.Mozart. Arr :- Johnny Jones. Jan Smith Harmonie Publications "Ave Verum Corpus" is a short Eucharist Hymn dating from the 14th century and is attributed to Pope Innocent VI, which has been set to music by various composers.� The title means "Hail, true body".� Mozart's setting was written to celebrate the feast of "Corpus Christi" and is autographed dated 17 June 1791. !0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ÈlúUÐ6ŽúU êtúUÀ9úUdúU€‘}úU€éaúU èeúUÀõ]úU Ö^úU \ZúU`õYúUXð‹úU`݇úUHÑ^úU0‚úU` gúUhdúUh¡rúUèw[úUÀúUÈè[úU8bZúUw‚úU [úU¸¶‰úUöˆúU˜°cúUpúU€@wúU`°{úUèwúU§kúUؘeúUHiúU@²úUPý}úU t[úUpè§úU(·©úU@šqúU˜}²úU˜ ‚úU8w‚úU€úU˜YZúUd|úUloúU cµúUо_úUx|úUÀsgúU`©rúUøœúUÆsúUp‚‡úU@ˆbúU(hvúUpÇ…úUhË‚úUpHnúU0ÏiúUH1ŽúUH±úUøHYúUh—}úUØC‹úU€ÍdúUøµ°úU˜ò‹úUئrúUÈplúU8kgúUÐþ}úU°gvúUk^úU€±{úUà=úUå®úU!0g#¨þg#p·®úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 15:23:14!2023-05-01 15:23:19!532146¸÷g#!494873¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00 Ÿ³úUª°¹®úU°cúUD`–®úU°]múUD Ï®úUN!úUD@Ï®úUPúUD`Ï®úU€ŒúUD€Ï®úUtúUD Ï®úU°r{úUDÀÏ®úUš°úUDàÏ®úU@ ‹úUDЮúUÀŽúUD ЮúUCoúUDήúU@{úUD0ήúU°Í›úUDPήúU ÷iúUDpήúUÐ*‰úUDήúUúyúUD°Î®úUúUDÐήúU`+‹úUDðήúU€zúUDPÒ®úUÀ£wúUDpÒ®úUƇúUDÒ®úUï|úUDÓ®úU eaúUD Ó®úUÐÄ€úUD@Ó®úUÅÁúU@YúUDpÓ®úU€žŠúUDÓ®úUp/]úUD°Ó®úU0~eúUDÐÓ®úU0 eúUDðÓ®úUúUDÔ®úU öúU€¿rúUD0Ô®úUÐ8‚úUDÕ®úU°mzúUD0Õ®úUÐ\úUDPÕ®úU ƒ_úUDpÕ®úUp¨‰úUDÕ®úU°faúUD°Õ®úU@–°úUDÐÕ®úUP×fúUDðÕ®úU°EoúUDÖ®úUà™uúUDð’®úU`NœúUD“®úUPxúUD@ЮúU€dúUD`ЮúUÐd}úUD€Ð®úU€wúUD Ð®úUÐ'uúUDÀЮúUpâjúU ²úUDàЮúU°eúUDÑ®úU úUÐ!‹úU ?gúU@CoúU€b`úUÐŒ†úUD Ñ®úUšpúUD@Ñ®úUðó|úUD`Ñ®úU€þgúUD€Ñ®úU0ÜjúUD0Ò®úU#púUD@Ú®úUЯtúUD`Ú®úU@°súUD€Ú®úUà;‡úUD Ú®úUø¿®úU¬³úUð úUD`’ûúU “úU20ýáúUD€MñúU=úUà lúUD°púUà³qúUD+úUð.rúUD0µ&úU`çàúU €ì®úU°kúU2èÀ®úUh­³úUpoúUDjúU '&úUD5¯úU%ZúUD ¯úUHÁ®úUpB‡úUD ¯úUpjúU°â÷úUD°—úU°IúUDÀ#úU uúU°î_úUD@¯úU%púUDÀ¯úUÖjúUDà¯úUÀçàúU  Àø®úU !ŒúUD°’®úU0ŠxúUD ¦®úUðwhúUDÐ’®úUÐTmúUDমúUÀCgúUD§®úU @ˆúUD §®úU€ŒúUD@§®úU ê{úUD`§®úUÐ*‹úUD¨®úUàGˆúUD0¨®úU0ŠúUDP¨®úUPà`úUDp¨®úU@*‰úUD¨®úU njúUD°¨®úU@ÄrúUDШ®úUÐ4 úUDð¨®úUÐ\iúUD€§®úU€µtúUD §®úUàÙnúUDÀ§®úU@túUD৮úU0ÉúUD©®úUð…úUD0©®úU”púUD ©®úU`È€úUDÀ©®úUp úUDàñ®úUð“uúUDò®úU'‰úUD ò®úUð0rúUD@ò®úUp”±úUD`ò®úU°»YúUD€ò®úUùiúUD ò®úUPTúUDÀò®úUеoúUDÐð®úUàŽúUDðð®úUÐ5ŠúUDñ®úUýúUD0ñ®úUô|úUDPñ®úUðšuúUDpñ®úUà!púUDñ®úUÐ[`úUD°ñ®úU ³úUDðô®úU@ ±úUDõ®úUÐtkúUD0õ®úU0$vúUD õ®úUËmúUDÀõ®úU°úUDàõ®úUÅÁúU@ÅrúUD ö®úUÇ€úUD@ö®úU œ]úUD`ö®úUpÆúUD€ö®úUÀ3§úUD ö®úUPŒúUDÀö®úU öúU #cúUDàö®úU ³‰úUD ÷®úU`Æ‚úUDÀ÷®úU`²¹úUDà÷®úU°1úUDø®úUÀŽúUD ø®úU@ wúUD@ø®úUaúUD`ø®úU`—búUD€ø®úU@Ø…úUD ø®úUÐGgúUDP¦®úU¿YúUDp¦®úU°¦[úUDàò®úUƒxúUDó®úU0F©úUD ó®úU°å{úUD@ó®úU°úUD`ó®úUP 1úUÐMœúUD€ó®úUðØ…úUD ó®úU€ƒúU UúUà eúUpúUP‡fúUScoresQpøwúU!2017-06-09 17:10:17úU10000-00-00 00:00:00°VnúU0!43g#È÷g# QEver popular evergreen gospel number arranged in 3 settings.U1Amazing Grace (Saxophone Quartet)!554#¸÷g#:3úU!3g#¸÷g#KúU!2g#¸÷g#˜túU!2011-06-22 08:26:55úU!2017-11-22 17:11:24úU1USA Traditional. 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Jan Smith Harmonie Publications This is a very popular nursery rhyme whhich has been given a complete revamp in the swing style; and, the mice have become real "cool cats".!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#à‡úUÐúUøpdúU¨ÌpúUð3wúU`U›úU€múU€JhúU°ÊvúUлxúU0žYúU8*aúUð4ˆúU€§uúUp"]úUë[úU¨åaúUQ›úUè‹búUÈ(ƒúU(IYúU¥uúU¸VúUÐBuúU83túUð®úUp súU@à[úUð7‹úUà¼ZúUXª°úUxRcúU¸2€úU°XúU¨ŠúU0rpúUxx[úUÀ ‚úU°]úU˜íbúU±cúUàóqúU°^‰úUx)ŸúUOxúUøngúU@;wúUøjœúUØ“zúUÑúU@r|úU˜¥úUrúU7ˆúUH oúU€µ°úU¨>qúUø·xúUh‚úUÈgdúUˆ,¬úUàÆ…úU¨1_úUê(úU8 iúUàdúU ¨›úU€Z°úUØìgúU(…búU80ÂúUh,ˆúUpº"úUègµúUЈbúU(i|úU¨ ]úUÀs|úUenseScor!0g#¨þg#0Ú®úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!1g#¸÷g#!0g#¸÷g#!2.00¸÷g#!2023-05-01 21:04:10!2023-05-01 21:04:31!993301¸÷g#!855945¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00À¹®úUªpÜ®úU@²úUDÀó®úUp\múUDàó®úUÇ"úUDô®úUàöiúUD ô®úU ó_úUDÐô®úU*‰úUDÐü®úUp-‹úUDðü®úUâ}úUDý®úU ±úUD0ý®úU`Ý®úUÈÀ®úUà 1úUDÀ°.úUÐ}húUD NúU ¼3úU   õúUÐúUDˆMúUÐó|úUD0yóúU 0ÝúUDàÂñúU`ÅúUDð¥¯úU çàúU ÿ®úUðµüúU2PÞ®úU0®úU`ÿ¢úUDà–¡úUàdúUDp[¯úU€Y€úUDÐ5¯úU°Þ®úU°òiúUDP5¯úU€ÆÌúUDà#úUÀøgúUD $úU·ÿúUDÀáúUÀ¤]úUP?‡úUDð5¯úU %ZúUDp5¯úUÀŽúUD5¯úUèàúU  À ¯úUPŽúUD¦®úU0ZúUDÐÊ®úU Ž±úUD0¦®úUÀfúUDË®úUС]úUD Ë®úU¦súUD@Ë®úUPµqúUD`Ë®úU`ô|úUD€Ë®úU5 úUD0Ì®úUà«túUDPÌ®úU á~úUDpÌ®úUàhúUDÌ®úU j}úUD°Ì®úUPwzúUDÐÌ®úU°ËmúUDðÌ®úUpŒúUDÍ®úU d~úUD Ë®úU°åkúUDÐË®úU Æ‚úUDðË®úUPbaúUDÌ®úU0wúUÐCúUÈa‰úUXèbúU¨T‰úUÿuúU y`úUêzúUP[‰úUPÃ_úU‰múU8n‚úUpl‚úUàôwúU°úU°-múU`€‡úU :wúU¨°úU@8úU€joúU ójúU˜ðbúUã§úU˜ÓpúUÐëtúUàJuúU˜ŽúUxsúUH rúUðŒeúU ±úU@I~úU1ˆúUHÏpúUxßaúUpNuúUx*€úUÐ¥rúU9wúU ‹úUè-_úUøì‹úUímúUÀ¦kúU·ŒúU8êeúU`5túUpSúU¨xœúUPˆ]úUøþrúUHšrúU`h±úUUcúUø»‰úU¦húU(yúU`yúU¸ÈsúU iúUPhúUulúUÀ‰úUH«°úU ±úUhGrúU°tgúUaúU8{túUŠ€úUÀÉsúUÐpúU€Û‡úU˜§rúUdefScor!0g#¨þg#Àü®úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x459¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-02 11:08:39!2023-05-02 11:08:52!1525313¸÷g#!1399886¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¨ÌoúU!0g#0U%úU !370426¸÷g#Ø1City of Stars (from La La Land)0Q1st Symphonie des Noels Saxophone Quartet Christmas FestivalQ1st Symphonie des Noels (Saxophone Quartet, Christmas Festival){úU!554#¸÷g#8áqúU!3g#¸÷g#ø¢júU!2g#¸÷g#0ßsúU!2011-06-22 08:31:35úU!2017-11-22 17:11:29úU1M.D. de Lalande. Arr :- Johnny Jones.!Jan Smithg#ø³cúU!0g#è÷g#H©núU!0g#¸÷g# !sib#¸÷g#h­‚úU!1215¸÷g#lúU!0g#¸÷g#(¹púU!÷g#¸÷g#è¿[úU!0000-00-00 00:00:00úU!0g#¸÷g#`ŒúU!2052¸÷g#h\²úU!0g#¸÷g#`9{úU!5g#høg#( núU!1.50Høg#(HeúU!2011-05-08 09:18:02úU!0g#¸÷g#ˆFúU!0g#è÷g#`yoúU!122957¸÷g# !1.50¸øg#ðP~úU!2011-05-08 07:12:08úU!0g#¸÷g#pCúU!0g#¸÷g#HæmúU!115599¸÷g#°4wúU!÷g#¸÷g#`2eúU!0g#¸÷g#x–€úU10g#Ø÷g#ágúU0!0g#¸þg#`¯úU!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#@UxúU!406408¸÷g#!0g#¸÷g#°4wúU!0g#¸÷g#©núU!0.00¸÷g#x–€úU!10.00¸÷g#0Ú‡úU!6.00¸÷g#iúU!0g#¸÷g# vúU!÷g#¸÷g#pCúU!0.00¸÷g#p®›úUQÐsúU!0g#@æmúU !3g#¸÷g# !1g#¸þg#ð¯úU!0g#¸÷g#q{ "GroupOrd" : "50", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20874" } U!22.4000¸÷g#!2011-05-08 07:12:251Amazing Grace Saxophone QuartetScores!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!2013-03-15 18:08:30!0g#¸÷g#!0g#¸÷g#ÁAmazing Grace (Saxophone Quartet) USA Traditional. Arr :- Johnny Jones. Jan Smith Harmonie Publications Ever popular evergreen gospel number arranged in 3 settings.eckedProgramNo!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#9úU€lúU°HYúU`núU`,múUˆÙ‡úUhyœúUh'úU!úU(ÂlúU¸¥rúUHµ©úU¨†túUH¬uúUàþˆúUÀaZúUØ2eúU@ŽeúU –júUHª~úUØInúUà]µúU01ŽúU@iúUè6úUè1túUÀ úUp®›úUýrúU úqúU°‡túU@¢kúUè[úUxöwúU˜yúU0lœúU0‘ˆúU GhúUðP~úUèWnúU€tgúUÀìbúU@UxúUÀ'€úUXø€úUïbúU±úU°4wúUÐÜŠúU°˜ŽúU–}úU¸CqúUx–€úUÈ…úU@À"úU0Ú‡úUPyúU8·xúUiúUPsiúU˜ŠúUH™zúU vúUp£úUpCúUøk|úUÈsúUÐ`úUP'múU ˆúU¸‘múUXnsúUP­húUp|úUHαúUø´{úUágúU85²úUScores±["99382","73013","55139","10917","49812","42702","92049","49659","31658","55128","71013","22987","95067","87845","60079","14403","73011","20133","49641","42336"]censeS!2020-09-17 20:58:06!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-18 04:30:05!2023-04-18 04:30:11!647535¸÷g#!621405¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00€Ü®úUªÐ¯úUð±úUD(¯úU §wúUD (¯úUP­súUD@(¯úUúUD`(¯úU 'vúUD€(¯úUp²úUD (¯úU¶qúUDÀ(¯úU€ûeúUDà(¯úUˆ±úUD ï®úU0˜dúUDÀï®úUðƒ_úUDàï®úUúUDð®úUÐ.ZúUD ð®úUà„eúUD@ð®úU 1rúUD`ð®úUdúUD€ð®úU°%vúUD+¯úUfúUD0+¯úU ðiúUDP+¯úU …fúUDÀ+¯úU›búUDà+¯úUó_úUD,¯úUÅÁúUp[úUD0,¯úU €|úUDP,¯úU@ƒúUDp,¯úUðtúUD,¯úUÐé{úUD°,¯úUàzeúUDÐ,¯úU öúU€c~úUDð,¯úUð©súUD /¯úUÐõ|úUD@/¯úU@œvúUD`/¯úUÀ!±úUD€/¯úUÀÂrúUD /¯úU—búUDÀ/¯úUPÝ`úUDà/¯úUðcúUD0¯úU1ZúUD 0¯úUðxúUDÊ®úUügúUD0Ê®úUÞ~úUD)¯úU {húUD )¯úUÀ~fúUD@)¯úU€j}úUD`)¯úU°ŠxúUD€)¯úUÐÝ~úU dúUD )¯úUÀi~úUDÀ)¯úU@2[úU µtúUƒeúUæúUð§wúU°$‰úUDà)¯úU1ZúUD*¯úUÀ~húUD *¯úUˆ†úUD@*¯úU@žvúUDð*¯úU°ýúUDP4¯úU ‰±úUDp4¯úUp-púUD4¯úUE&úUD°4¯úUè¯úU°è®úU(òôúU @„ úUplâúUD€–úúU°¡fúUD°9NúUH¯úUXmúUDð“úUx¯úU¯úU èàúU F¯úUPµüúU2دúUê®úU°›fúUD ÓôúUÐgiúUDÐRkúU ßVúUDPþ,úU8¯úU0¤€úUDP:£úUIþúUD€dÿúU@ úUDÀdÿúUàåÈúUDÀ(kúUòÓúUD zÎúU°ëöúUDð)úU°·CúUÿðy@úU07SúUÿ ˜!úU€èàúU  ÐU¯úUê_úUDí®úUpÜúUD ¯úU ²úUD í®úUàdiúUDp¯úU`uúUD¯úU°zúUD°¯úUàÀ‡úUDЯúU`DoúUDð¯úU òiúUD ¯úU{úUDÀ¯úUàwúUDà¯úUeúUD¯úU .búUD ¯úUpcúUD@¯úU0"túUD`¯úUÂ^úUD€¯úUÿgúUD¯úUÀm~úUD@¯úU/rúUD`¯úU`€úUD€¯úUŽúUD ¯úU0¢vúUD ðK¯úU ”púUDàM¯úU@TmúUDN¯úUà úUD N¯úU°ÌmúUD@N¯úUÀå}úUD`N¯úUpŒ†úUD€N¯úUEoúUD N¯úU_úUDÀN¯úUpŽúUDàN¯úUyúUDO¯úU€¿ˆúUDÀ¯úUpO_úUDà¯úU0”dúUD¯úUÀN_úUD ¯úU@eúUD@¯úUpºoúUDàJ¯úUP‰ŽúUDK¯úU€}{úUD K¯úU€zúUD@K¯úU–vúUD`K¯úUwúUD€K¯úUË›úUD0Q¯úUp*ZúUDPQ¯úU`‡xúUDÐÿ®úUÅÁúU ÓúUDpQ¯úU°ÛkúUDQ¯úU0(úUD°Q¯úUpµoúUDÐQ¯úUð³ZúUDðQ¯úUszúUDR¯úU öúU0qzúUD 0R¯úUÐé`úUD°T¯úU°\úUDÐT¯úUp>"úUDðT¯úU° úUDU¯úU`úgúUD0U¯úU <‡úUDPU¯úU¨‹úUDpU¯úUxúUDU¯úU@ˆúUD°U¯úU•púUD O¯úUeúUD@O¯úU0ßjúUD`O¯úU ²YúUD€O¯úUÀyúUD O¯úUñ_úUDÀO¯úU`ÎfúUDàO¯úU0úU0€_úUDP¯úUPÏmúUD P¯úUàˆfúUð[úU`´túU`;súU0rúUÀ›búUD@P¯úU €úUD`P¯úUedPageOQCopyright © 2014 by Edwin Sung http://www.edwinsung.com[ÙúUaGod Rest You Merry, Gentlemen (for violin duet, suitable for grades 1-5)HúUÐmvúU!42g#¸÷g#`ŒúU!372#¸÷g#h\²úU!2g#¸÷g#`9{úU!2g#¸÷g#( núU!2014-10-28 20:01:26úU!2017-11-22 16:44:24úU!Katrina SungiúU!0g#¸÷g#@ŒÄúU!2014¸÷g#Ð8ÁúU12g#Ø÷g#0!sib#¸÷g#ˆÙqúU!81g#¸÷g#h^‡úU!0g#¸÷g#Ø1`úU!ViolinDuet.sibˆ³|úU!2014-10-28 20:01:26úU!1g#¸÷g#0õ‰úU!1081¸÷g#àOúU!1g#¸÷g#ØÑcúU!øg#¨øg#8å«úU!1.50ˆøg#€p€úU!2014-10-28 20:01:30úU!1g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!÷g#è÷g#˜ù"úU!0g#¸÷g# áFor 2 Alto and Tenor Saxophones. An introduction to classical music. No1, Nocturne from "Midsummer Nights Dream" Mendelsohnn, Andante. No2, Dance of the Cygnets from "Swan Lake" Tchaikowski, Allegro Moderato. No3, Lament from "Ossian's Fingal" Brahms, Adagio. No4, Ode to joy from "Symphony No9" Beethoven, fast and slow tempos. No5 Waltz, one of Strauss' many, easy waltz tempo. No6, Trepak based on "Op.39 No13, "Album for the Young" Tchaikowski, Vivace.ì'¯úU!4.50¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!none¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg# PŒúU!607914¸÷g#!0g#¸÷g#3_úU!0g#¸÷g#!0.00¸÷g# Ê…úU!9.00¸÷g# éaúU!4.50¸÷g#Ù0úU!0g#¸÷g#èY‰úU!÷g#¸÷g#ðdúU!0.00¸÷g#P!úU±["60498","42332","39910","88009","81473","38780","84833","38717","81472","80786","35994","39511","76411","53830","39554","149093","180396","124025","84831"]@WZúU!2020-09-05 09:08:15!1g#¸þg#+¯úU!0g#¸÷g#q{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "21149" } U!0.0000¸÷g#!2011-05-08 08:05:0816 Classics for 3 Saxophones AATcked?!0g#¸÷g#!0g#¸÷g#!14g#¸÷g#!2013-04-10 00:48:53!0g#¸÷g#!0g#¸÷g#16 Classics for 3 Saxophones (AAT) Jan Smith none Harmonie Publications For 2 Alto and Tenor Saxophones. An introduction to classical music. No1, Nocturne from "Midsummer Nights Dream" Mendelsohnn, Andante. No2, Dance of the Cygnets from "Swan Lake" Tchaikowski, Allegro Moderato. No3, Lament from "Ossian's Fingal" Brahms, Adagio. No4, Ode to joy from "Symphony No9" Beethoven, fast and slow tempos. No5 Waltz, one of Strauss' many, easy waltz tempo. No6, Trepak based on "Op.39 No13, "Album for the Young" Tchaikowski, Vivace./¯úUf/¯úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#à‘€úU(½"úUèÄ_úUHéeúU çtúU[úUÀÏiúUhK~úUà^úU@ÔoúUx2júUpiúU°VnúU`žqúUHÚ^úUèúUXŒúU¨ldúUè9‹úU("múUèdúU@¦úUØolúUnsúU [°úU¨ŠúU˜Û§úUpã[úU€¤uúU€2ŽúUÀ‰aúUðÒdúUXÓ^úU(.aúUØ&aúU07úU€MhúU_µúU PŒúU(±úUhúU€ngúU3_úU8š}úUˆCqúU0á[úU€"ƒúU Ê…úU ß[úUh“aúUÖoúU€júUÙ0úUH“zúUU°úUèY‰úUh±úUø !úUðdúUðDqúU°¯°úU¸Û0úUP!úU²cúUé§úU ÿqúU趌úUhŠtúUPîzúUŠ€úU(‹búU00zúU0 oúUXÂvúU8N~úU@WZúU Þ§úUØiúU€4¯úU!0g#¨þg#@4¯úU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-05-02 03:16:36!2023-05-02 03:16:54!2023550¸÷g#!1809132¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00à¯úUª€6¯úUp{úUD€P¯úUà,ZúUDàY¯úU@Ï^úUDZ¯úUðæ}úUD°Z¯úUЈ†úUDÐZ¯úU`!túUDðZ¯úU0ÙnúUD[¯úU@7¯úU¸¯úUPL]úUp7¯úU0yzúUDpÌQúU 7¯úU`¡]úUD€yúUÐ7¯úU¼úU`èàúU ð\¯úUP¶üúU208¯úU ¯úU úU@0úUDàúUÿðŽçúU8B¯úU`˜KúUD°âùúUhB¯úU0šfúUDùïúU˜B¯úUúUDÞúUÈB¯úU0kúUøB¯úUðÃûúUD”ñúU(C¯úUÅÁúUXC¯úUpC¯úUøcÎúUˆC¯úUàQJúUD ÀúU¸C¯úU=êúUDŒúUèC¯úU`UúUD€ÝhúUD¯úU@ÑmúUDp›½úUHD¯úUp14úUDÑwúUxD¯úU°xúUDÐz‰úU¨D¯úU€éõúUDp3ÕúUØD¯úU€&RúUE¯úU E¯úU8E¯úU€ÅúUDДúúUhE¯úUÀèàúU °åúU˜E¯úU =ÛúUD@.†úUÈE¯úU€ÒúUDP³múUøE¯úUPáeúUD0dúU(F¯úU€eøúUDÀŽ½úUXF¯úU Q€dsúU!ùg#¸ùg#hÍvúU!88026¸÷g#!0g#¸÷g#0 ÔúU!0g#¸÷g#!0.00¸÷g#ÐñbúU!0.00¸÷g# ¨ÉúU!0.00¸÷g#`gÃúU!1g#¸÷g#h£ØúU!1g#¸÷g#­ÅúU!0g#¸÷g#ðÊÆúU!0g#¸÷g#‚úU!1g#¸÷g#¨ØúU!7819¸÷g#QMarcos Valle, Norman Gimbel, Paulo Sergio Valle, Marcos ValleÌÃúU!4.75¸÷g# !0g#˜ùg#y}úU!0000-00-00 00:00:00úU!0g#¸÷g#ðsúU!0g#¸÷g#X¢³úU‘So Nice (Summer Samba) [Jazz version] (arr. Brent Edstrom) Piano Solo Marcos Valle, Norman Gimbel, Paulo Sergio Valle, Marcos Valle !0g#¸÷g#ÓúU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0000-00-00 00:00:00úU!÷g#è÷g#˜ù"úU!0g#¸÷g# !øg#¸øg#plúU!0g#¸÷g#h,²úU!0g#¸÷g#ÉúU!1g#¸÷g#Àb±úU!0g#¸÷g#¨oúUq{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "20874" } ñMichel-Richard de Lalande was a French composer and Organist who worked mainly in the French court and apart from church music he wrote entertainment music for the "King's Suppers", balletmusic and music for special occasions among which are a number of Symphonies with Christmas carols.� Many of his works were performed by windplayers.� I wonder what he would have thought, if he were to hear a saxophone quartet playing this delightful period piece. Also for Clarinet quartet. !4.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#ÐÅsúU!90815¸÷g#!0g#¸÷g#¨oúU!0g#¸÷g#@lúU!0.00¸÷g#8vúU!10.95¸÷g#0CkúU!6.00¸÷g# ËpúU!0g#¸÷g#h,²úU!÷g#¸÷g#ÉúU!0.00¸÷g#pQcúU!959**úU !HASH ÀBúU 1City Of Stars (from La La Land)0!HASHU!0.0000¸þg# Q¯úU!2011-05-08 09:18:07!0g#¸÷g#!0g#¸÷g#!14g#¸÷g#!2013-04-15 12:21:27!0g#¸÷g#!0g#¸÷g#1st Symphonie des Noels (Saxophone Quartet, Christmas Festival) M.D. de Lalande. Arr :- Johnny Jones. Jan Smith Harmonie Publications Michel-Richard de Lalande was a French composer and Organist who worked mainly in the French court and apart from church music he wrote entertainment music for the "King's Suppers", balletmusic and music for special occasions among which are a number of Symphonies with Christmas carols.� Many of his works were performed by windplayers.� I wonder what he would have thought, if he were to hear a saxophone quartet playing this delightful period piece. Also for Clarinet quartet. âT¯úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#˜miúUèFYúUhMcúUÈžŽúU`õ]úU(¹úUòjúUS›úUð—ˆúU0É`úU`ïjúUx¬cúU´°úUp‚túU¨2túU±xúU^‰úUàGcúUooúUàh|úU*€úUHÊ|úU`Y°úUXŒ}úUxwŠúU`½ŒúUPxŠúUpQcúUx|úU°ãaúU¨±úU(äaúU¨&túU¸Ï‚úUP8ŽúUà–_úU0±úU}‡úUplúU˜Þ^úUpó‹úU0dZúUÐÅsúUð¸cúUÐTnúUxÖ‚úU ®úU¨oúU0ÌlúU0–€úUÓyúUp(]úU8vúUàE~úUhí]úU0CkúU`êwúUˆWnúU ËpúUHu[úU CYúU@EuúUh,²úU@hvúUÉúU8™qúUP]úU˜fúUhQ{úUÉ`úU:ˆúU(hlúUhrúUz`úU`˜eúU¸Õ|úUH lúU¸epúUZ¯úU±["73013","99382","55139","10917","49812","42702","92049","31658","49659","55128","22987","95067","71013","87845","20133","60079","42336","73011","49641","14403"]¯úU!2020-09-16 12:34:08!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-05-01 15:44:30!2023-05-01 15:45:02!1600015¸÷g#!1414812¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q°asúUAEllacombe (II) - Chorale PreludeúúU@1÷g#ûúUewrmanceÃç0aThe Righteous Brothers, The Piano Guys, Alex North, Hy Zaret.com/bot.html)`!NAMEql::st !0.000ÿXúU !152356ðÑ3úU !Ellacombe-organ.pdfIncl!2023-07-03 20:56:0518?:úUð{úUúUè}úU0!2g#ð²NúUP!2011-07-12 00:00:00!/623117_0.pdf00:00úUA{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":295,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"520CE528-E704-11E7-B648-CB1F65FB7527","position-x-pc":"0"}!0g#¸÷g#!260#¸÷g#!256#¸÷g#!0g#èøg#!0.00¸÷g#!1.50¸÷g#!0.00¸÷g#!0g#¸÷g#!÷g#¸÷g#!0.00¸÷g#!0g#øg#!1g#è÷g#!3.00¸÷g# !!CB1 1HQùg# !gbg#¸÷g# !07747686298#@!÷g#¸÷g# !÷g#¸÷g# !0000-00-00 00:00:00!81g#¸÷g# !0.00¸÷g# !edwinationer`!1g#è÷g#€![]g#¸÷g# Astuart@stuarttownend.co.ukúU0½lúU°ÍÉúU@ACopyright E. 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John currently works outside of music but sings in the Priory Singers of Belfast which specialises in the Choral Evensong repertoire. From 1993 until its demise in 1999, John sang in a choir called the Gryphon Consort, which also specialised in the Choral Evensong repertoire. John's top musical interests include Baroque music (on period instruments), Neoclassical music, Mahler, English Pastoral music, brass band "art" repertoire (as a former euphonium and baritone player), unusual instruments, organ music and cathedral/collegiate/chamber-style choral music. Non-musical interests include photography (especially architectural), museums and galleries, tv dramas and documentaries, and interesting food :-)R—¯úU!51051¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00úU!0g#¸÷g#x­múU!1g#¸÷g# ¥ÉúU!1g#¸÷g#°+ÒúU!23g#¸÷g#hÿgúU!1g#¸÷g#(@ßúU!0.20¸÷g#X¾ÍúU!2023-10-05 08:11:40úU!0g#¸÷g#@õÛúU!1g#¸÷g# ryúU!Credits¸÷g# ²ÐúU!2023-10-03 08:06:06!2024-04-15 08:04:21úU!2022-12-05 08:11:40úU!2020-07-05 20:35:34130g#Ø÷g#(,ÛúU0!0g#øýg# ™¯úU!0g#¸÷g#!42g#¸÷g#!62g#¸÷g#!2017-06-14 19:07:51!{"width":218,"position-y-pc":"62","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":98,"width":171,"x":7,"center-y":183.5,"height":171,"center-x":92.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":100,"width":172,"x":7,"center-y":186,"height":172,"center-x":93}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":93,"width":184,"x":0,"center-y":185,"height":184,"center-x":92}]},"height":300,"position-x-combined":"42%","position-x":"center","position-y":"bottom","position-y-combined":"62%","average-center-x":92.5,"average-center-y":184.833333333333,"id":"629D2F60-512C-11E7-BF3D-A414426749A8","position-x-pc":"42"}ö !3g#¸÷g#îÎúU8…áúU¸Î¹úUPkÃúUðY°úU ~ÚúU zúU€ÉúUÀdúUhÿgúU0úUHáúUèÆÃúUplyúU°ÞúU(²ÉúUHíÛúUX{ÚúUèUÐúU`çÇúU ²ÐúUWÐúUH|²úU¸†ÞúUPmúU0áÒúU¸ÝúU87ÁúU°=ÏúUè ÝúU(2ÏúUŠÛúUPnyúUxáÒúU ÃúUx­múU ÊúUjÊúU¤úU¸È¹úU°+ÒúUhúUÀVmúUPzúU(@ßúUÀ_ÙúUX¾ÍúUX½ZúU€EgúUˆúqúUˆ2lúU”lúU@õÛúU8ÀjúU€¥fúU¨ÔúU@IßúUØÊúU ÍúUHÙÚúU‚ÎúUº¿úUè,ÛúU¨Æ¹úU˜´júUàEÅúU¼múUØùwúUYmúU¹júU(,ÛúUù¡¯úU!0000-00-00 00:00:00úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!1g#¸÷g#150A4F0AA-886F-11E9-A780-F3D41D17C629mLa!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!2023-12-16 08:04:26!2024-03-15 08:05:27!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00QàeÑúU!øg# ¥¯úU!0000-00-00 00:00:00!0000-00-00 00:00:00!1319¸÷g# ÇúU!9.00è÷g#-all-lov!christopher_maximQWinter Wind Cello and Piano The Piano Guys, The Piano Guys U!1g#høg#ers WHER!0g#Høg#xcelling!0g#(øg#¸÷g#!1g#¸÷g#!0g#è÷g#!Uncategorised music!0g# s\úU AThe Banana Boat Song DayOìúUhí úU@1Czech.Trad. arr. 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See if you can source them all and find out what happens in the end. Separate parts are available and I recommend listening to the MP3. 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šŠçŒ´ÌXïÿ-Å»lüëvRxcš#”‘C)Æ2È  (¢Š(¢Š(¢Š(ªRj(š¼Zq‚ròDdóB~ìzëÇò«´QEP·ÔÒ}^ïO°{eF.O ¸f€/ÑE3ÌO7ÊÞ¾fÝÛ3Î=qé@¢ŠB@'PÑYŸÛpHÄZ[Ý] ë$e?8ðÍOg©[^HÐÆÌ“ ËC*p=pzqÅ\¢Š(¢ªC¨A6£qb…¼ëuV|Ž0Ý9«tQEQEQE6GXãi$`¨ –bxw QXÅúZÌ.…¾qö“nÞWçŠÛ3ĶæàȾH]þf~]¸Îs銒ŠÂ‹Åº\’ &t…Ûb\<,±1öjÜ$’@œÐÑYÖ:݆¡=œÞt.çe/\`õ&§ªÚiq#Ý;!Â")fsè  ´VVâBèÚ¯Î݈Ê1£=kV€ *;‰â¶·’yÜ$Q©fcÐT.õËK=&=JáfH$ÆO›žœP9°úU!0000-00-00 00:00:00úU!0g#¸÷g#ØÛúU!0g#¸÷g#h·ÜúU!3.00Èøg#¨fúU!0g#¸÷g#`+ úU!÷g#¸÷g#ØOúU!0.00¸÷g#°húU!0g#Høg#0ýùúU!1g#¸÷g#øg#!650x919¸÷g#ÐoÒúU!0g#è÷g#!0g#¸÷g# !÷g#œÔúUcoreIncl!0.0000¸÷g# 1Swing That Gavotte (Saxophone Quartet) Jan Smith Harmonie Publications This piece of music, yet once again started out, many years ago, as an exercise in 2 part counterpoint, that led eventually into easy structural harmonisational development. The jazz element fell simply into place. !0.00/!úU!1g#¸÷g#11g#Ø÷g#0ÁThis duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 26th October, 2014 Enjoy!!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#è÷g#!1.50È÷g# !÷g#Pú{úU 11g#`©3úUSTORAGE_PERMISSI0x™lúUÀ0ÁúUHÊhúU(OmúU°plúUø®ÅúUØ,]úUHgúUp£ÉúU8ë[úU¨äÁúU¸iÊúUXéÄúUЧÌúU§ÌúUà@ÌúU¨‡ÞúU8”zúU)ÇúUH¾àúUˆæzúU(€áúU KÜúUKjúUØ—!úUÀ2âúU€‹ÛúUØ$ËúUÐÆÝúU¸ÛÚúUhÍúU ¯ÜúUà±ÅúUàÑÊúUÈ·ÙúU(ÆúUЬÜúU-ÁúU0-ÇúU¸ø€úUÈ`¿úU8`úU‹úU@Á_úUhÃÀúUèjÍúU ÍúUP ÀúU(/ÞúUHlœúUÈ(ÇúU ÎúU@ùuúU`ŠÇúUx9úUGYúU0HÌúUØ8âúU ÏÊúU0dÔúU`ífúU`çlúUX'ÎúU "áúUè]àúUÀ>ßúU¸ðˆúUxulúUƒiúU8WÐúUPímúU¨š$úUˆ†ÛúU QhúUp#áúU òÎúU`¢ØúUÀúUøÆÍúUe (Sax!øg#xøg#https://!632194¸÷g#ores/swi!0g#¸÷g#e-quarte!0g#¸÷g#":4,"@ty!0.00¸÷g#:"Breadc147.00Ø÷g#àøXúUP|úU0qj¨<¯úUH(¿1úU!0g#“!úU !÷g#¸÷g#@1public domainvated0!2023-05-01 18:56:40˜ÙúU±ŒúUP;ùúUx÷ úUø‹€úUà.ïúU0š úU°dúUðÒúUiúúU¸ˆbúUX®úU¸* úUø…]úU ¸júUxvÚúU°ûùúU ÔúUÀØúUAúUàPÿúUð3ÛúU8ˆfúU@ÈúU`ƒúU,þúU|úU`iúúU˜öúUpÇúUà–úU0º÷úUø$þúUÀ `úUàÊ`úUˆôbúUèáîúU¸NüúU°÷úUÀgúU§õúUˆßgúUHÚúUè áúU¯úU0aöúUˆ¨ÿúU ÎúUfúU¨5ŸúU` ÿúUÈöúUX‘YúU(ŸùúU`/úUàîúUÀ~fúUø6úU¨…%úUË úU°ùúU úUlúUÀúúUèÔýúU¤ùúU0¬üúUÛýúUèKúU`1ŽúU¸îøúU¨÷úUHÆúUÐ3_úUPûúU؃úUèÔúU€¶úUp!0g#xüg#°J°úU!0g#¸÷g#!1g#¸÷g#!650x892¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-02-16 23:00:47!2023-02-16 23:01:06!1036852¸÷g#!1678345¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QàsúU11g#`ûúUpþÿÿÿÐ-ÓúU01165892Ø÷g#uantityScoreart0!161341¸÷g#ÀÿƒúUQKeith Getty, Kristyn Getty, Russ Holmes & Stuart Townend8úU!OH, HOW GOOD IT ISúU!41g#¸÷g#ø0wúU!351#¸÷g#¸÷g#!3g#¸÷g# ØqúU!1g#¸÷g#ðbÎúU!2014-10-06 12:50:08úU!2017-12-22 00:32:47úU!øg#8øg#xÊúU!2014¸÷g#¸a¿úU!0g#¸÷g#03ïúU14g#Ø÷g#0!sib#¸÷g#à´fúU!9394¸÷g# ÇúU!0g#¸÷g#€åÝúU1Oh, how good it is - melody line.sibU!2014-10-06 12:50:08úU!147#¸÷g#•úU!2530¸÷g#¸ŸÍúU!61g#¸÷g#ÀrÐúU!øg#ˆøg# ïdúU!1.50¸÷g#˜ùúU!0g#¸÷g#… úU!0g#¸÷g#(&úU!0g#¸÷g#OóúU!0g#ðœúUh§úU!÷g#¸÷g# !181095¸÷g# !2017-06-09 17:10:17úU10000-00-00 00:00:00‚%úU0!Sad Cellog#!41g#¸÷g#p ÅúU!374#¸÷g# òúU!3g#¸÷g#449737!2g#è÷g#4!2016-01-13 07:08:36èù‹úU¸«^úU€úU0{[úU¸ÈÁúUè³]úU Ã"úUˆ­úUˆ‰dúU WÀúUÈ5‘úU8^ôúUPhÖúUèF”úUèõXúUx~‹úUð¦³úU¨–wúUˆ­úUø ƒúUˆ6CúU8ÓÝúU8¡úU°ŠúUȆ‹úU(‘túU˜ ÂúUX‚zúUˆÂúUXúUhÚyúUX„gúUðý¦úUêÁúU0ÅhúUU]úU@øúU˜ ÂúUØv}úUèÎ.úU¸µrúUȵÁúU N±úUè–úU˜¥ŠúUˆR8úU8u6úUh»|úU¨µúUØëdúUØ•¼úUpàYúU€ä§úUxFaúUôúUpQrúU¨ÂúU8PúU(ä‹úU'úUˆèúUÂúU@KúUpÜŠúUˆ­úUà@‰úUëŽúU¸ÈÁúUØjúUÈ ÂúU¸ˆzúUZ]úU°÷^úU8Ô.úU@ÆkúU°dúU8ÓÝúU¨fkúU(£ƒúU@ßqúUZ]úUàë®úUÒÇúUpè¼úUpßúUx]µúU0¬ÞúU8Ô.úUp^úUZ]úU ãúUªNúU¨ukúU éýúU¸kúU8¤úUè0úUoúU˜Š‹úU!¹úUxoòúU8§úUøúúU@q€úU ÐýúU¸«^úUZfúU˜ ÂúUÈ@{úUpß6úUØ÷dúUÚÏúUýÁúUÅhúUSDúU8fúU¸&*úUXß°úUÅÁúUxÑ$úUÈ2!úUpøúUè½ÁúU˜°‡úUXg8úUP ðúU˜á)úUð´ŠúUȾlúUX„gúU@£júU˜á)úUxêÑúUèÎ.úUh™2úUHÂúUQbúUˆ¹TúUúXúUØÃúUÐúUøÛ)úU¨€úU˜öúUÐúUÃÁúU@húUÈÇèúUX¸úUðkµúUȆ‹úUXãúUÈ2!úUp}úUˆ¿ÁúUø ¹úU@|úUØ·~úU(õ`úU¨GáúUÀ“iúU˜ýúU(–‰úUX9‹úUn¸úUJ©úU˜ ÂúU‚ÈúU¸&*úU°úU(£ƒúUnnúUx*€úU@gnúUÃÁúUð\ŠúUð»ZúUˆ­úUH½ŠúUø‚úUèÃÁúU8“`úU`<ÌúU¸šúU¸iúUHÂúUˆ|ˆúUÂúU *ýúUØ•¼úUæwúUZ]úUýúUxoòúUàa_úU(MúU˜œúU˜a‰úUG™úUð±ÃúUøƒÓúUÐXbúU¸ŠúUȆ‹úU&gúUŸúU€ÝsúUnœúU¨G1úU¨ÇŽúU`ÂÀúU86(úUx±ÎúUxÂúUØ¿®úUmÉúUÂ]úUSpúUȵÁúUÐk³úUˆz¾úU˜wqúUb±úU¨ÂúU0·ŠúUh}TúUЩgúU˜á)úUh[ôúUÈâ“úU(/³úU '#úUg¸úUà­úUxoòúU¨ÄúU(MúUxsúUø¸ÝúU¨Ÿ~úUØÛ.úUØÞ®úU¨ šúUx(ÝúUÈÓGúUèåoúU˜¾ŒúUˆ¹TúUÜiúU¸ŽHúUÐKúUˆ<ÂúUèü¦úU„úU8[™úU€>;úUè½ÁúU˜X‚úU8v[úU¤^úUõ!úUHR]úU¨,dúUxÁÁúUðfúU˜HaúUàÄúUH¦›úU¸šúU`P|úUØ°¦úUPZ|úU(ä‹úUOMúUˆHVúUÍŒúU€rúU¨ÂúU8][úUèÃäúUèúU°7úUýÁúUh®eúUˆHVúUp³búU(`úUH&úU‹‰úUø yúU¤^úUH#wúU(MúU@ÐhúU(ä‹úU˜òáúUÀSxúU¸«^úU€ÝiúUhkÖúUH›dúUè†ÑúUh}TúU0ØvúUg¸úU˜ÝúU˜Õ'úU¸ŽHúUØ2ŒúUPÇoúUxFaúU越úUèÏ`úU.úUpiúUˆ¹TúUhúúU(MúUØÔ$úU˜ÍúUÈ[™úUpŠóúU(Ý»úUˆ¿¾úUèÎ.úU¸k³úUÂúU8eúUêÁúU"OúUè½ÁúUˆ”`úUèEVúU¸núU˜›ŽúUhŸúUz°úUHR]úUx6ZúUHŽÑúUHˆ°úUh+}úUCúU0M±úUˆÀÁúU¨¹úU¸tDúU0£{úUHÂúUPÓ/úUˆÌ‚úUȆ‹úU„zúU¨‚¼úUð½¾úUè ŠúU¨ÂúUà>xúU¸OúUбaúU¸V]úU÷ÀúU˜¶ÁúU°¾ŠúUXCÂúU¸¼núUÈÞ)úU°$gúUèKôúU8»MúUGkúU˜>úUhªaúUÂúUX&ñúUx¸TúUXÛÐúUÈk¸úU`ÙúUè½ÁúUT[úU¨µúUX¬xúUÇÁúUpdúUÄúUX„gúUxæ›úUH§¸úU¨§ÛúUÃÁúUh“-úUx ÄúUhè«úUȵÁúUÐõúU@JúU8h|úUÀ¸úUH}‡úUøæ$úUøžùúU89úUpÈLúU˜“aúU`—úUè‹9úUHR:úU0LúUp/ÞúU8%úUÈ $úU˜7(úU¾"úUPÔ0úUˆ^,úUø úUÀúU(ÑLúUÀäúU¨´úUô6úU(ç$úU0ø]úUp;JúUÀÏLúU[úU‰9úU0UúU`;úU $NúUå$úUÀ¦úUÅ5úU(öúUXHúU 'úUø¾úUàu úUP“úU¨{LúU¸ úUH[úU¨ÈMúUh +úUФ.úUH›úUØòJúU¸!9úUÈYúU˜“úUà&$úU¸zúUb úUHâIúUàúUð-úUP%LúUÀâIúU(ôúU@µÀúU8Ã#úUhúUøF+úU@äÎúUÈ 8úUhô.úUðXÿúUÐ0úUðUúU \úUxÖkúUúU¨¾ZúU!2.95¸øg#!0.00¸÷g#!0g#¸÷g#!÷g#¸÷g#0!0.00¸÷g#P!0g#øg#`!1g#¸÷g#p13.00Ø÷g#ñã­60!0g#P §úU!0g#¸÷g#1÷g#Ø÷g#0!Copyright E. Deppe 20221Øg°úUúWŠ144059±["128073","49845","159982","128071","44943","179537","27778","17840","29882","128060","163106","128069","30019","35193","26428","128065","57459","25526","144235"]!0.0000°ïßúU !÷g#0¼úU !0.00h°úU !0g#Høg# !0g#¸÷g#!14g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g# !104936È÷g# q ,,ÚÚ  ŸŸ¢<¢<¿¿E¤E¤ì3 ì3   ;õ;õÚÚ‚¥ ‚¥ ÈÈÍvÍv cRúU(w°úUÑMusic Educator and composer born in Venezuela. He holds a M.A. in Music Composition from West Texas A&M University. He has taken additional studies in composition at the Ohio State University. Some of his works have been premiered in the UK, Canada, USA, Korea and South America. Most of his repertoire is focused on school & church instrumental and choral music. He is currently directing the music department at Mount Vernon Academy in Ohio. USA. !156248¸÷g#385738!0g#¸÷g# !1g#¸÷g#!0g#¸÷g#€­kúU!0g#øg#Ѓ¯úU!1g#¸÷g#38569211g#Ø÷g#œ|úUT"úU0À±[úUª0!túUD BàúUpÇËúU°ŽàúUD ¦ËúU$púUD ÛúUмYúUDP„úU QúUÿÛúUPúU0ºŸúU"`VúUD¿KúU`žLúUDð€±úUpúUD Â¿úU0×…úUD@ªoúUPí{úUP|°úUÐÖ2úUD }úU -IúUD}ßúUÍmúUDàg¾úUÇ]úU´ÚúUD }ËúU€ 1úUD S½úU ú©úUDàòpúU`-ŠúUD°ó¼úU°Ÿ°úUD )[úUà¶ÊúUD0vóúU0±úUPL]úUPÅúUDp#ÁúU°#/úUD0%ÀúUðxúUDfÂúUaaúUD`í¼úU€1‰úUDÀåÉúU°óhúUD`r}úUPÆúUD°ËîúU@ñ|úUD0®iúU`ƒ_úUàŽúUD({úUPò_úUP©‹úUDнúUÀ6]úUDEñúU°&púUDXqúUØ~°úUøßzúU@!púUD`¹úUð(úU `ŠúU@¸¸úUD ‚úUàA"úUD@ؼúUðV úUDàùòúU0?ˆúUD0ÔÒúU€!ŒúUD ý»úU€é}úUD09núUàÎnúUD ©|úU 8súUDYúUˆáxúUÿ ëBúUèYúU PvlúU ²úUDðl¥úU@švúUD¸iúUŒßúUD°†KúU c}úUD f]úUPÓmúUÀŇúUD€ÄÈúUð|úUD?®úU°‡múUD0³œúUj•úUDÛ úUCÙúUD@úUPœúUÐ×júUD ÚúUH°úUXÎmúU úUD@+$úU ­YúU ÐeÛúUÀNúU  ÀÐNúU¨°úU D‚úUDÿ‚úU ÞÉúUDÀ‹ªúUPP;úUDô_úU„úUD@ƒfúU YúU €°$úU8‚°úUœpúUD žXúUPÿeúUD ß_úUàXlúUD0,âúUàhúUDpÞúU ÉmúUDÛúU°²úUD€‚ÏúU`©súUD°ÿ‚úUðAnúUD0+¼úU ˆxúUD&ÆúU@cúUDÀ([úUР[úUDà£ÇúUYúU €ÀpuúU­%úUDpí»úU ómúUD0ïúU@oÇúUDàž|úU@K(úUD ŠVúU@™úUD@u¿úU胰úU8ÊúUpµqúUD@ü‚úU„°úUËúUÀ³ˆúUD@ãÛúUðQ_úUD€:úUûeúUDðYfúUðN€úUDà§búUP%vúUD0b*úUÑ›úUD>½úU ýyúUDÀôpúUP&búUD ¬úUÀZúUDÐÿZúU ·ÿúUD€ÿúU`¾]úUD€·ÇúUàhkúUD€9ÔúU@Å‚úUD°<½úU€ˆiúUD€èŠúU @gúUD éÉúU IŸúU 0]núU0|úUDÐìZúUj}úUDÀÃÂúUÐD‚úUDг€úU΀úUD ¿ÒúU†°úU(ËúUPúUDàøúUPÅéúUDð›7úU"œúU" S€úUD0Œ²úU° ²úUD@‡úUàî@úU¸†°úUø±úUP:©úUD€¿úUÐ1rúUD0B½úU0„YúU €ÀadúU`9]úUDÀÈÈúUvŒúU³(úU  P+dúUÀdúUD ^ÝúU0Û…úUD0‹‡úUðÔbúU úUÀ*vúUÿ`ÿÿúUÈâfúUU°ú|úU؇°úUP*ÚúUð‡°úU`í…úUà eúUD` YúU ´túUD`ÞeúU ¾YúUDð÷lúUhˆ°úUàWŠúU ½úUD`eÿúU0ÜlúUD˜ÇúU†fúUDg½úU°6[úUD°¼úUàˆ°úUHv‹úU°½GúUDúU@¥wúUDhqúU eúUDpÁ¾úUp™púUD`ß¼úUÀDúUD°ï¾úUp‰±úUD à—|úUˆ‰°úU•ÚúU@´lúUÿpÌIúUµ¹úUDЪúUQ'#úUQ0'#úU8µ$úU'#úUøÇsúU!1g#@Á©úU ‘¼‰úUŠúUlúUpd±úUè_‰úUÐŽeúUlúU°BúU3 class=QP'úUQXÌúU!Contra Alto Clarinett; !9g#¸÷g#"Gl!0g#¸÷g#="form-c!0g#¸÷g#> QÀiúU!Contra Bass Clarinetd="!9g#¸÷g#="form-c10g#Ø÷g#> 0†júUÀgúUHòbúUxâaúU@ÙúUÐœúU 3eúU¸.ŸúUà§gúU0œúU°‹wúUu`úUx=‹úU˜—€úUxsyúUn}úU!GBP# `~úU !0g#È÷g# 12016-03-02 00:00:000!50g#È÷g# a0 úUjÀÚ‹úU,X™ úUaBurn (from Hamilton) Guitar Chords/Lyrics Lin-Manuel Miranda, Lin-Manuel Miranda !11groups !1g#¸÷g# !÷g#”ûúU Á

    Composer / Arranger

    ²úU¸÷g# @à‘°úUiv class="modal-!IDg#$úU á éðü°ODúU*  $(eh`hp±úUµ¸°QúU w›úU0¼júU à¼júU+0 wÒúU@…ÑúU28PlCúU à„úU p@UúU.0#(QX=@ (Ð$EúUUXMattinata arranged for Bb Tenor Saxophone & Piano(English: Morning), was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite. !2.99¸÷g#ˆ°]úU!0g#¸÷g#HŠiúU!1g#¸÷g#xfkúU!0g#¸÷g#HâwúU!÷g#¸÷g#0húU!÷g#¸÷g#ÈCúU!0g#¸÷g#!÷g#¸÷g#QCopyright © 2011 Music for all Occasions (keithterrett&gmail.com)!÷g#¸÷g#!1.99¸øg#!2018-05-29 15:25:23!1g#¸÷g#!0g#¸÷g#!171162¸÷g#q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } !0g#ø÷g#ØLcúU11g#Ø÷g# oŠúU01 Taps (Last Post) for Concert Bandion !2g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2g#¸÷g#!2021-06-09 22:49:57!2024-01-16 02:18:221Arranged by Keith TerrettÈlúU!Keith Terrett0[úU!0g#è÷g#x÷ˆúU!2013¸÷g# !sib#¸÷g# anthem !250#¸÷g#as the o!0g#¸÷g#of Engla1American Last Post for CB.sibsed tradit!2021-06-09 22:49:57em o!3g#¸÷g#ving not!3798¸÷g#d as suc!2g#¸÷g#Queenâ€!2021-06-09 22:49:59úU!1g#¸÷g#pùuúU!0g#¸÷g# ÒyúU!0g#¸÷g#¸»xúU!0g#8øg#ð,túU!0g#¸÷g#à³›úU!1g#¸÷g#ØLcúU10g#Ø÷g#xp‚úU0!1g#ùg#ons Publ!0g#øøg#served U!÷g#¸÷g#ing, len!÷g#¸÷g# prohibi!0g#¸÷g#ones, W!÷g#¸÷g#band. 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On 8 May 1945, Prime Minister Winston Churchill made an announcement on the radio at 3pm that the war in Europe had come to an end, following Germany's surrender the day before. Why it’s Important: VE Day is a national holiday in many of the former allied countries. It commemorates the day the Allies formally accepted the unconditional surrender of the armed forces of Nazi Germany. It is a very important holiday for most nations, as it marks the end of the Holocaust and Hitler’s Nazi regime. How did VE Day happen? How did VE Day happen: Victory in Europe Day, generally known as V-E Day, VE Day or simply V Day, is celebrated on May 8, 1945 to mark the formal acceptance by the Allies of World War II of Nazi Germany's unconditional surrender of its armed forces. The formal surrender of the German forces occupying the Channel Islands did not occur until the following day, May 9, 1945. 8 May 1945 – VE (Victory in Europe) Day – was one that remained in the memory of all those who witnessed it. It meant an end to nearly six years of a war that had cost the lives of millions; had destroyed homes, families, and cities; and had brought huge suffering and privations to the populations of entire countries. Millions of people rejoiced in the news that Germany had surrendered, relieved that the intense strain of total war was finally over. In towns and cities across the world, people marked the victory with street parties, dancing and singing. But it was not the end of the conflict, nor was it an end to the impact the war had on people. The war against Japan did not end until August 1945, and the political, social and economic repercussions of the Second World War were felt long after Germany and Japan surrendered. VE Day March celebrates that triumph. If you promise to record this march on Youtube, I will send you a free set of parts and a score. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. 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  • Brass trio
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  • String quartet
  • String quintet
  • String trio
  • Wind quartet
  • Wind quintet
  • Woodwind choir
  • Woodwind trio
  • Groups of the same instrument
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    9à—“úU@žúUà—“úU@žúU "> Modern classical music Other Ragtime music Rock and Pop music World music

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  • !0g#¸÷g#xÓÔúU!0g#è÷g#e2024-0!2017-06-14 18:50:36!0.002ÉúU class='1kgsmusic÷g#ata-usd='0!69790l::st !0.00ˆøg#!carolynmorris!1g#¸÷g#[ { "Desc" : "", "Url" : "www.carolynmorris.com.au", "Text" : "" } ] €Q/usr/www/resources/ADAP3/GenericObject2.pmP!0000-00-00 00:00:00!8383¸÷g#10.00Ø÷g#0!2022-11-12 14:01:37The songs listed under Praise and Worship format are songs that have been performed in our church through the years. Other music will be added that have been sung in outreach events. I will also add instrumentals that I have written over the years. Hope You enjoy! 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00:00:00!øg#8øg#PŽÁúU!÷g#¸÷g#°ËúU!0g#¸÷g#3ÇúU10g#Ø÷g#0!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!2017-05-05 00:00:00!0g#¸÷g#!5g#¸÷g#!2g#¸÷g#!0g#¸øg#0úU!0g#¸÷g#°ËúU!0g#¸÷g#ÈBjúU!0.0000¸÷g#ÀhúU!0000-00-00 00:00:00úU1City Of Stars from La La Land@wúU!0g#è÷g#P=lúU!0g#¸÷g# !0g#Èûg#'ÕúU!÷g#¸÷g#!6.20¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ass="gly!÷g#¸÷g#margin-r!÷g#¸÷g#me Notes!0g#¸÷g#id="coll!Easy Pianog#llapse c!÷g#¸÷g#Øúg#!÷g#¸÷g#491326!ùg#¸ùg#0úU!423928¸÷g#!0g#¸÷g#H¡_úU!0g#¸÷g#!0.00¸÷g#à4ÁúU!0.00¸÷g#ˆ#iúU!0.00¸÷g#3ÇúU!1g#¸÷g#@hsúU!1g#¸÷g#ðÛÞúU!0g#¸÷g#°ËúU!0g#¸÷g#ÈBjúU!1g#¸÷g#ð݃úU!131691¸÷g#QRyan Gosling & Emma Stone, Justin Paul, Benj Pasek, Justin HurwitzúU!3.49¸÷g# !1.50˜øg#Ç™úU!0000-00-00 00:00:0028!0g#¸÷g# !0g#¸÷g#!0g#¸÷g#å$úU!÷g#¸÷g#°úU10g#Ø÷g#5065130!0g# jYúU (5úUP:úU`ß·úUH–éúU¨ÒŒúUØ“éúUx–éúUX˜éúUP”éúU §TúUð«TúU äúU8äúUæúUXâúUHæúUpŒúUhŒúU@ßúUx>úU€?úU°?úUGúU¸âúU»"úU˜Â"úU€¶"úUhUyúUø(úUUiúUÈpgúU0P ôúUX-ÕúUÜ®;ü864743!ð”ƒúU0,ÕúU0ðôúU¨-ÕúUPtê^864742‘ôúUp¾úU 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Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! 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Chords/LyricsúU!÷g#¸÷g#4-18 21:!÷g#¸÷g#21:42:34!1.50è÷g#4.947118!0000-00-00 00:00:00Qˆ×ëúU!Pédale¸÷g# ±Nr.: 45 Fis Dur Präludium- for organ and trumpet in C 52 Intraden, Passacaglien, Präludien, Fantasien und Fugen für Orgel und Trompete in C Josef Johann Michel !0g#ˆøg#!0g#¸÷g#!78288Høg#!1g#¸÷g#‚úU!0g#¸÷g#!÷g#è÷g#!0g#¸÷g# A179DA8F2-42A6-11ED-A746-4F25F5556F5Dhen-liebe-@1è?ÖúU² V340428QDaniel began learning and composing for organ at the age of 12, having regular lessons with Chris Totney (Director of music at St Johns, Devizes) and Dr. Richard Godfrey (President of SWOS and Organ Advisor to the Salisbury Diocese). After becoming a member of the Lyme Regis Organ School (LROS) and frequent student at the LROS yearly residential courses, Daniel was appointed to the committee as advisor in 2016 before its evolution into the South Wessex Organ Society. He draws inspiration from the music of composers such as Alain, Durufle, Messiaen and Langlais but also regularly performs British Romantic organ music from composers such as Wolstenholme, Elgar and Hollins. In September 2016, Daniel was appointed the Honorary Secretary of the Charles Villiers Stanford Society (see below for link) and works with the society to promote Stanford's music through performance and through their annual Stanford Festival. [[http://www.thestanfordsociety.org|The Stanford Society]] If you are interested in Daniel's music or have any comments at all, please do get in contact. toDisplá[{"on":1,"name":"scoreid"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"}]fScor!2g#¸÷g#!2g#¸÷g#!0.68¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!40g#¸÷g#!26g#¸÷g#!2017-06-14 19:24:53{"width":142,"position-y-pc":"26","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":60,"width":36,"x":39,"center-y":78,"height":36,"center-x":57}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"40%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":57,"average-center-y":78,"id":"C41370EA-512E-11E7-BF0A-FD8855EC7A18","position-x-pc":"40"}@!1g#¸÷g#v úUxJÓúU@ÚúU5úUàÊúUÀGÓúU@ËúU§ØúU gúU8®ÂúUPˆfúUàõ‹úUH›úUØ&úUèXÜúUè¿vúU(ËúUø-úU8€%úUèúúU8MhúUÈàîúUð.ˆúUpÑúUe|úUøîúU°¤rúUgÆúUH·÷úUˆêÎúUxzûúUð¡2úUسÅúUðAgúU7úUPòŽúUÓúUø”ÛúUp†iúU0<ïúU‘‹úUp;ïúUðztúUØéúU(‡îúU@“‹úUPùúUÀÌiúUx3ÁúUèøwúUÈwÚúU `öúUHÕýúUÈ;ùúU0ùúUûúU}ÞúUûqúUØãúU ßûúUH5úU€ûúU3úU¨ÒúUð²úUÐ öúUTúU8%iúUÀ†ûúU`î úU0š¦úU¯üúUý!0g#Øýg#°MÖúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!1g#¸÷g#17CA13B5A-886F-11E9-AB4E-F3D41D17C629U!0g#¸÷g#!3g#¸÷g#!2024-02-15 08:05:19!0g#¸÷g#!2024-02-15 08:05:19!2022-04-15 08:04:24!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00Qˆ:âúU!øg#¸øg#¸ úU!0.00¸÷g#`'úU±["124609","49845","128071","179537","29882","44943","17840","27778","159982","35193","30019","128069","163106","128060","57459","128065","144235","201624","26428"]úU!2020-09-03 05:09:51!HASH@…—úU 10g#p ËúUIDdDateµ$úU0!650x459èøg#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-05-05 01:26:40!2023-05-05 01:26:41úU!118969¸÷g#ÀîúU!108610¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!Roy OrbisonúUv class=!Roy Orbison# Á["124609","128073","159982","49845","29882","44943","17840","128071","179537","27778","128060","163106","30019","26428","128069","35193","128065","75899","57459","108087"]úUŒ!úU!2020-09-28 21:13:40úU!0g#¸÷g#h^÷úU!0000-00-00 00:00:00úU!÷g#¸÷g#ØŸ.úU!0g#¸÷g#°F7úU!210#¸÷g# =úU!297#¸÷g#!0g#¸÷g#p‚MúU!1g#¸÷g#1650x919Ø÷g#ÐýúU *MúU011.50Ø÷g#à†~úU0ªNúU0!2020-03-16 15:46:34Q µ8úU1HVÖúUãò®49768!144230xøg#ores WHEQAus: 12 Klavierstücke für den Anfängerunterricht www.eckharddeppe.de12. 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Wilkinson A follow up to my first Bavarian Waltz. Inspired by a trip to southern Germany and a visit to Schloss Neuschwanstein. Like the first it has strange chord changes and a sense of unrest especially towards the end.!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g# !0000-00-00 00:00:00!÷g#è÷g#!0g#¸÷g# ¸&*úUHº¤úUˆz¾úU`º¤úUXY]úUxº¤úUZ]úUº¤úUȵÁúU¨º¤úU8u6úUÀº¤úUx ÄúUغ¤úUèEVúUðº¤úU¸V]úU»¤úU˜¶ÁúU »¤úUÈÇèúU8»¤úUÀÁúUP»¤úUx¸ÁúUh»¤úU(¹ÁúU€»¤úUèqúU˜»¤úUعÁúU°»¤úUÈwÖúU¨ºÁúUÈ»¤úUx»ÁúU໤úU¨vÖúU¸šúUø»¤úUÈk¸úU¼¤úU@xÖúUn¸úU(¼¤úUè½ÁúU@¼¤úUˆ¿ÁúUX¼¤úUˆÀÁúUp¼¤úUxÁÁúUˆ¼¤úU˜>úU ¼¤úUÃÁúU¸¼¤úUø,OúUèÃÁúUм¤úUx~‹úU輤úUh·ÁúU½¤úUÇÁúU½¤úU(Ý»úU¨aÖúUX-OúUx]µúUÀaÖúUêÁúUØaÖúUø¸ÝúUðaÖúUøúúUbÖúU¨eúU bÖúUýÁúU8bÖúUØÃúUPbÖúUHL]úUhbÖúUhO]úU€bÖúUzÖúUÂúU˜bÖúU(-OúUlòúU°bÖúUxoòúUÈbÖúU¨‚¼úUàbÖúUØ•¼úUøbÖúUx—¼úUcÖúUHvÖúUxFaúU(cÖúU˜HaúU@cÖúUˆÂúUXcÖúUXÂúUpcÖúUx%úUˆcÖúUÈ ÂúU cÖúU˜ ÂúU¸cÖúUÈ,OúU¸ÂúUÐcÖúUpxÖúU¨ukúUècÖúU˜,OúUH3kúUdÖúUàwÖúU¤^úUdÖúU¸-OúU¸«^úU0dÖúUÂúUHdÖúU˜wÖúU¨ÂúU`dÖúUÈÞ)úUxdÖúU˜á)úUdÖúUøÛ)úU¨dÖúU€zÖúUhúúúUÀdÖúUÈ2!úUØdÖúUˆ-OúU86(úUðdÖúUÐxÖúUhÂúUeÖúUÅÁúU eÖúUÈzÖúU8ÓÝúU8eÖúU(ÂúUPeÖúUxÂúUheÖúUyÖúU¸ÈÁúU€eÖúUHÂúUèMúUˆ<ÂúUè­¤úU(ä‹úUˆ­¤úUÀyÖúUxY'úUhE¤úUˆHVúUPËúUØÛ.úUÖÐúUyÖúUH&úU®¤úU˜öúU0®¤úU|ÖúUÂ]úUà8¾úUXCÂúUà‡¤úUDÂúU®¤úUØDÂúUø8¾úUxvÖúUX„gúU9¾úUH§¸úU(9¾úU˜ýúU@9¾úUh}TúUX9¾úU˜}ÖúUØ·~úUp9¾úUX~ÖúUˆ­úUˆfÖúU¨GáúUpfÖúUˆ<ÂúU({úUxÖúUÈÓGúUð·¤úU8YzúUxFaúUà7UúU8‰ÖúUpÖúU|3úUx–úU`åúU úUXåXúU¹cúUØÃúUˆÕTúU &öúU¸ÂúUÐüsúU€’ËúUn¸úU(ÛäúUptLúUh´gúUÀêúU0z[úU8ÓIúUЬ>úUèu>úU¨¶õúU°dkúUèŸ/úU¨ó–úUèÎ.úU€‘#úUŸúUÈhÖúUÈÞ)úUFEúUx—¼úU@EbúU˜¶ÁúUH*VúUÅÁúU¸Ÿ½úUXQ]úUXAúUˆ¹TúU°hÖúU±AúUˆ­úU¸YWúU8u6úU°çéúUÈÇèúUàÚÅúUx~‹úUà7'úUȳ”úU¸sHúU8Ö¶úU¨&XúUØ•¼úUh• úUÀúDúUˆ)“úU8„úUØÃúUˆžÐúUèUúU¸ŽHúU¨ÊóúUÈÓGúUøQpúUxë¡úU…“úU@v¹úUïúU8ÓÝúU9'úUx¸ÁúUØ4kúUÀÖúUx*€úUàhÖúUhì“úUøhÖúU8î“úUiÖúUÈÓGúUÐ?ÑúU úUhXÉúU(iÖúU¨GáúU8hÖúU0‚ÖúUˆ­úUhhÖúUȳ”úUðkúUˆ@úU:LúU(“;úU¸{™úU0 !0000-00-00 00:00:00m-gr!÷g#¸÷g#@!649721¸÷g# !0g#¸÷g#="input-!0g#¸÷g#à¨ÖúU!0.00¸÷g#€3úU!14.50¸÷g# col-md-!10.50¸÷g#e-terms'10g#Ø÷g#ðó(úUðó(úU0±This is a short, quiet meditative piece. Easy to play, I think. The accompaniment part is a variation on Bach’s Well Tempered Clavier, Book I, Prelude I.0.÷úU!2.95¸÷g#X+úU!1g#¸÷g#.ÊúU!0g#¸÷g#PüƒúU!1g#¸÷g#I¿úU!÷g#¸÷g#PóúU!none¸÷g#(­úU!0g#¸÷g#àÇúU!÷g#¸÷g#X2¾úU1Copyright 2004, Richard J. 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It is scored for 2 Flutes, Oboe, " Clarinets, 2 Bassoons, 4 Horns, 2 Trumpets, 2 Tenor Trombones, Bass Trombone, Tuba, Timpani and Strings. All proceeds from any sales of this score and parts will go to Angels Charity for Autism support in Hertfordshire UK. 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"ÀúúU01ÜúUDÐ’¹úUÐú¾úUDž¾úUàrAúUDP+úUpï^úU &úUDÀaúUØV¿úUUPúUæJúUDðM%úUp¤úUD°<úU0ÚúUDð¬iúUкüúU2‡ÒúUÐ+oúU@ûáúUD°…¯úUÐ2LúUD°Y{úU`â¥úUDàˆMúU`=ÒúUÐñmúUDà©3úU3ÈúU@•AúUD âhúUxYßúUÿP™úUPL]úUËÌúUDà¹úU@EúUD0—úUàÍ úUD€MúUÀrúUDPJ`úU³>úUÿpßbúU{õúUЇ^úUDÐ3úU dÈúUD0èüúUð|TúUDðaIúU8ÂúU @0úU§wúUD Ç&úU&gúUDðËúU¨ÙúUpâÙúU ‡kúUDP+òúUÀãÀúUDà|úU@húUDÀ=úU€ÞúUD`‹¯úUPôUúUD`ìúUЛÜúUDð7ÒúUp1úUD`eýúU°âúUf%âúU€oúUDcúU`4[úUD°ÉÔúU ÍáúUD`'súUPL]úU@PÊúUD@}úUœúUDà?ïúU`‰MúUD7gúU0,gúU@ƒÙúUÀ­þúUàçúUD@ÊÀúUmúUDðßúUÀRJúUD •[úU@ýúUDPãþúU¨fúU €€ÐŸúUÐÑØúUD`Y±úUжþúU €@aðúU!2023-04-27 14:04:38úU!2023-04-27 14:05:11!1621748¸÷g#!2192434¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q0tŠúUArranged for Eb Alto Saxophone & Piano"Torna a Surriento" is a Neapolitan song said to have been composed in 1902 by Ernesto De Curtis to words by his brother, Giambattista. The song was copyrighted officially in 1905; it has since become wildly popular, and has been sung by performers as diverse as Frank Sinatra, Beniamino Gigli, Elvis Presley, Dean Martin, Enrico Caruso, José Carreras, Plácido Domingo, Luciano Pavarotti, Ruggero Raimondi, Meat Loaf, Mario Lanza, Franco Corelli, Robertino Loreti, Giuseppe Di Stefano, Muslim Magomayev, Francesco Albanese, Jerry Adriani, Roberto Carlos, Alfie Boe, Anna Calvi, Karel Gott, and Norton Buffalo with George Kahumoku, Jr.; Sergio Franchi covered the song in his 1962 RCA Victor Red Seal debut album, (Romantic Italian Songs), which peaked at #17 on the Billboard Top 200.[1] Claude Aveling wrote the English language lyrics, which are titled "Come Back to Sorrento". Doc Pomus and Mort Shuman re-arranged it and wrote a new set of lyrics for Elvis Presley ("Surrender"). The song was supposedly written at the request of a friend of Giambattista's, Guglielmo Tramontano, who was mayor of Sorrento in 1902 when the prime minister of Italy, Giuseppe Zanardelli, stayed at his hotel in that town; it was claimed that the piece was meant to celebrate Zanardelli's stay. More recent research indicates that the song may merely have been reworked for the occasion; family papers indicate that the brothers deposited a copy with the Italian Society of Authors and Editors in 1894, eight years before they claimed to have written it. In the television show The Honeymooners, Ralph Kramden identifies the song in preparing for his appearance on a quiz show called "The $99,000 Answer." He mistakenly identifies it as "Take Me Back to Sorrento" and says it was written by "Ernesto Dequista," which his friend Ed Norton says is "absolutely correct." àŒÙúU±["154165","104408","44741","129185","81671","26625","153711","93846","110509","120442","57508","97235","143145","208176","173728","30419","207833","409082","152545"]!2020-09-16 14:28:02!1g#¸÷g#h\ZúU!2019-09-25 13:25:56úU19F9A08EA-DF8F-11E9-BB4F-78úU0vyúU!16664¸÷g#¸6ŽúU!0g#¸÷g#ÄZúU!0g#¸÷g#!0g#¸÷g#èÈsúU!1g#¸÷g#1650x840Ø÷g#ßtúUˆO~úU0± Arranged for Eb Alto Saxophone & Piano"Torna a Surriento" is a Neapolitan song said to have been composed in 1902 by Ernesto De Curtis to words by his brother, Giambattista. The song was copyrighted officially in 1905; it has since become wildly popular, and has been sung by performers as diverse as Frank Sinatra, Beniamino Gigli, Elvis Presley, Dean Martin, Enrico Caruso, José Carreras, Plácido Domingo, Luciano Pavarotti, Ruggero Raimondi, Meat Loaf, Mario Lanza, Franco Corelli, Robertino Loreti, Giuseppe Di Stefano, Muslim Magomayev, Francesco Albanese, Jerry Adriani, Roberto Carlos, Alfie Boe, Anna Calvi, Karel Gott, and Norton Buffalo with George Kahumoku, Jr.; Sergio Franchi covered the song in his 1962 RCA Victor Red Seal debut album, (Romantic Italian Songs), which peaked at #17 on the Billboard Top 200.[1] Claude Aveling wrote the English language lyrics, which are titled "Come Back to Sorrento". Doc Pomus and Mort Shuman re-arranged it and wrote a new set of lyrics for Elvis Presley ("Surrender"). The song was supposedly written at the request of a friend of Giambattista's, Guglielmo Tramontano, who was mayor of Sorrento in 1902 when the prime minister of Italy, Giuseppe Zanardelli, stayed at his hotel in that town; it was claimed that the piece was meant to celebrate Zanardelli's stay. More recent research indicates that the song may merely have been reworked for the occasion; family papers indicate that the brothers deposited a copy with the Italian Society of Authors and Editors in 1894, eight years before they claimed to have written it. In the television show The Honeymooners, Ralph Kramden identifies the song in preparing for his appearance on a quiz show called "The $99,000 Answer." He mistakenly identifies it as "Take Me Back to Sorrento" and says it was written by "Ernesto Dequista," which his friend Ed Norton says is "absolutely correct." .400 –ÙúU!0g#¸ýg#`–ÙúU!0g#¸÷g#!Come Back To Sorrento(Torna a Surriento) for Eb Alto Saxophone & Piano Ernesto De Curtis Arranged by Keith Terrett Keith Terrett Music for all Occasions Arranged for Eb Alto Saxophone & Piano"Torna a Surriento" is a Neapolitan song said to have been composed in 1902 by Ernesto De Curtis to words by his brother, Giambattista. The song was copyrighted officially in 1905; it has since become wildly popular, and has been sung by performers as diverse as Frank Sinatra, Beniamino Gigli, Elvis Presley, Dean Martin, Enrico Caruso, José Carreras, Plácido Domingo, Luciano Pavarotti, Ruggero Raimondi, Meat Loaf, Mario Lanza, Franco Corelli, Robertino Loreti, Giuseppe Di Stefano, Muslim Magomayev, Francesco Albanese, Jerry Adriani, Roberto Carlos, Alfie Boe, Anna Calvi, Karel Gott, and Norton Buffalo with George Kahumoku, Jr.; Sergio Franchi covered the song in his 1962 RCA Victor Red Seal debut album, (Romantic Italian Songs), which peaked at #17 on the Billboard Top 200.[1] Claude Aveling wrote the English language lyrics, which are titled "Come Back to Sorrento". Doc Pomus and Mort Shuman re-arranged it and wrote a new set of lyrics for Elvis Presley ("Surrender"). The song was supposedly written at the request of a friend of Giambattista's, Guglielmo Tramontano, who was mayor of Sorrento in 1902 when the prime minister of Italy, Giuseppe Zanardelli, stayed at his hotel in that town; it was claimed that the piece was meant to celebrate Zanardelli's stay. More recent research indicates that the song may merely have been reworked for the occasion; family papers indicate that the brothers deposited a copy with the Italian Society of Authors and Editors in 1894, eight years before they claimed to have written it. In the television show The Honeymooners, Ralph Kramden identifies the song in preparing for his appearance on a quiz show called "The $99,000 Answer." He mistakenly identifies it as "Take Me Back to Sorrento" and says it was written by "Ernesto Dequista," which his friend Ed Norton says is "absolutely correct." žÙúU @!0g#èûg#ÀžÙúU!1g#¸÷g#!10g#¸÷g#!57g#¸÷g#!2017-03-31 16:25:45‘{"width":300,"position-y-pc":"57","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":145,"width":49,"x":5,"center-y":169.5,"height":49,"center-x":29.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"center","position-y-combined":"57%","average-center-x":29.5,"average-center-y":169.5,"id":"552D42FC-1626-11E7-9AC4-E93FE42D112A","position-x-pc":"10"}0¢ÙúU!1g#¸÷g#P¢ÙúU!256#¸÷g#defScor!256#¸÷g#QualityS!2017-06-09 17:10:17H!0000-00-00 00:00:00úU!÷g#¸÷g#ð¢ÙúU!274812¸÷g#defScor!1g#¸÷g#ZipConve!3g#¸÷g#onStarte!5.00¸÷g#@£ÙúU!2.50¸÷g#’£ÙúU!5.00¸÷g#Ì£ÙúU!2.50¸÷g#eScores!0g#¸÷g#ishedZi!÷g#è÷g# !0.00¸÷g# !2022-06-27 08:07:00úU!Keith TerrettšˆúU!1926¸÷g#(HuúU!2011¸÷g#p¢$úU12g#Ø÷g#0!sib#¸÷g#(ƒúU!250#¸÷g#h<ŒúU!0g#¸÷g#ð"úUANessun Dorma for Eb Alto Saxophone & Piano ed. 2014.sib!2018-07-29 13:16:03úU!5g#¸÷g#øñúU!2771¸÷g#,iúU!2g#¸÷g#poúU1G.Puccini Arranged Keith Terrett!2017-06-09 17:10:17úU10000-00-00 00:00:00¸|úU0!60g#¸÷g#!554#¸÷g#È»búU!2g#¸÷g#˜ÏúU!2g#¸÷g#¨VpúU!2018-05-28 15:41:47úU!2022-06-28 10:41:07úU!Keith Terrett tyúU!1904¸÷g#ØnúU!0g#¸÷g#ôˆúU11g#Ø÷g#0!sib#¸÷g#ð"úU!250#¸÷g#à!0g#¸÷g#˜eªúUAMattinata for Eb Alto Saxophone & Piano.sibúUàˆúU!2018-05-28 15:41:47úU!0g#¸÷g#(ƒúU!2034¸÷g#h<ŒúU!0g#¸÷g#ð"úU!1.99¸øg#ЊúU!2018-05-29 00:40:08úU!1g#¸÷g#`ýuúU!0g#¸÷g#8ç§úU!169142¸÷g#°0eúUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } 1Ruggero Leoncavallo (1857-1919) !3.00ø÷g#p¢$úU10g#Ø÷g#88ŽúU0ANessun 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0yúUÂúUD úU€ˆNúUDpG¼úUÐ$gúUDðv½úU0cúUDðwŒúU03zúUÿP™LúU`ÏjúUD (ÿúUáuúUˆàúUDðïúU`5”úUÿ°‡»úUG"úUDÜòúU4HúU`¯úUD€îòúU(úUDÀHîúU°ÂÎúUD@ôúU0±úUD€ßúUm°úUU0ΰúU`àïúU HÙúUD@S³úU°ŽúUD x2úU€RúUDüúU@SúUD€ÈúU`ÌûúUD°TóúU@` úUDu÷úUP?ÙúUD ›úUÇúUÂúUD€ÑîúU ºúUDÐ?…úUJúUD@ÐÀúUPlúUD€ZvúU°aøúUD ¿úUÀ&húU°âÀúUD€xfúUqAn arrangement of Cwm Rhondda for Saxophone Quartet/Quintet. Cwm Rhondda, taken from the Welsh name for the Rhondda Valley, is a popular hymn tune written by John Hughes (1873–1932). It is usually used in English as a setting for William Williams’s text Guide Me, O Thou Great Jehovah (or, in some traditions, Guide Me, O Thou Great Redeemer),[1] originally Arglwydd, arwain trwy’r anialwch in Welsh. On account of a line in this English translation, the tune (and hymn) is often called Bread of Heaven. In Welsh the tune is most commonly used as a setting for a hymn by Ann Griffiths, Wele’n sefyll rhwng y myrtwydd. John Hughes (22 November 1873 – 14 May 1932) was born in Dowlais and brought up in Llanilltud Faerdref (in English: Llantwit Fardre). At age 12 he began work in Glynn Colliery in his home town and subsequently became a clerk at the Great Western Colliery Pontypridd where he worked for over 40 years. He served as a deacon and leader of the congregational singing in Salem Baptist Chapel Llanilltud Faerdref.[2][3] The first version of the tune, called "Rhondda" was written in 1905 for the Cymanfa Ganu (hymn festival) in Pontypridd, when the enthusiasm of the 1904–1905 Welsh Revival still remained.[4] The present form was developed for the inauguration of the organ at Capel Rhondda, in Hopkinstown in the Rhondda valley, in 1907.[5] Hughes himself played the organ at this performance, using the English translation of William Williams’s words because of the large number of English-speaking industrial workers who had immigrated to the area.[6] A number of his other compositions were popular during his lifetime, but have not lasted. The name was changed from "Rhondda" to "Cwm Rhondda" by Harry Evans, of Dowlais, to avoid confusion with another tune by M O Jones. The hymn is usually pitched in A-flat major and has the 8.7.8.7.4.7 measure which is common in Welsh hymns. The third line repeats the first and the fourth line develops the second. The fifth line normally involves a repeat of the four-syllable text and the sixth reaches a climax on a dominant-seventh chord—emphasised by a rising arpeggio in the alto and bass parts. The final line continues the musical development of the second and fourth (and generally carries a repeat of the text of the sixth). On account of these vigorous characteristics, the tune was resisted for some time in both Welsh and English collections but has now become firmly established. History[edit] William Williams Pantycelyn (named, in the Welsh style, ’Pantycelyn’ after the farm which his wife inherited) is generally acknowledged as the greatest Welsh hymnwriter.[9] The Welsh original of this hymn was first published as Hymn 10 in Mor o Wydr (Sea of Glass) in 1762. It comprised six verses.[10] (References to a five verse version in Pantycelyn’s Alleluia of 1745[11] appear to be incorrect.) It was originally titled Gweddi am Nerth i fyned trwy anialwch y Byd (Prayer for strength for the journey through the world’s wilderness). Peter Williams (1722-1796, no relation of the author but well known for his popular edition of the Welsh Bible, with notes.[12][13]) translated part of the hymn into the English version given above, with the title Prayer for Strength. It was published in Hymns on various subjects, 1771. This translation is the only Welsh hymn to have gained widespread circulation in the English-speaking world.[14] The present-day Welsh version, given above, is essentially a redaction of the original to parallel Peter Williams’s English version. A result of the translation process is that the defining phrase Bread of heaven does not actually occur in the original (where the Welsh would be Bara nefoedd; it is a paraphrase of the references to manna. The Welsh word Arglwydd corresponds more-or-less to the English Lord, in all its senses. It is used in the Old Testament to represent the Divine Name (the tetragrammaton) and in the New as the standard honorific for Jesus Christ. Accordingly Peter Williams translated it as Jehovah in accord with the practice of his time. Many English-language hymnals today translate it as Redeemer. The following version of the original is taken from Gwaith Pantycelyn (The Works of Pantycelyn). All but the second verse is given, with minor variations, in the Welsh Hymnbook of the Calvinist and Wesleyan Methodists, published by the assemblies of the two churches. Cwm Rhondda for Saxophone Quartet/Quintet S, A, T, Bari & Contra Bass John Hughes (1873-1932) Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement of Cwm Rhondda for Saxophone Quartet/Quintet. Cwm Rhondda, taken from the Welsh name for the Rhondda Valley, is a popular hymn tune written by John Hughes (1873–1932). It is usually used in English as a setting for William Williams’s text Guide Me, O Thou Great Jehovah (or, in some traditions, Guide Me, O Thou Great Redeemer),[1] originally Arglwydd, arwain trwy’r anialwch in Welsh. On account of a line in this English translation, the tune (and hymn) is often called Bread of Heaven. In Welsh the tune is most commonly used as a setting for a hymn by Ann Griffiths, Wele’n sefyll rhwng y myrtwydd. John Hughes (22 November 1873 – 14 May 1932) was born in Dowlais and brought up in Llanilltud Faerdref (in English: Llantwit Fardre). At age 12 he began work in Glynn Colliery in his home town and subsequently became a clerk at the Great Western Colliery Pontypridd where he worked for over 40 years. He served as a deacon and leader of the congregational singing in Salem Baptist Chapel Llanilltud Faerdref.[2][3] The first version of the tune, called "Rhondda" was written in 1905 for the Cymanfa Ganu (hymn festival) in Pontypridd, when the enthusiasm of the 1904–1905 Welsh Revival still remained.[4] The present form was developed for the inauguration of the organ at Capel Rhondda, in Hopkinstown in the Rhondda valley, in 1907.[5] Hughes himself played the organ at this performance, using the English translation of William Williams’s words because of the large number of English-speaking industrial workers who had immigrated to the area.[6] A number of his other compositions were popular during his lifetime, but have not lasted. The name was changed from "Rhondda" to "Cwm Rhondda" by Harry Evans, of Dowlais, to avoid confusion with another tune by M O Jones. The hymn is usually pitched in A-flat major and has the 8.7.8.7.4.7 measure which is common in Welsh hymns. The third line repeats the first and the fourth line develops the second. The fifth line normally involves a repeat of the four-syllable text and the sixth reaches a climax on a dominant-seventh chord—emphasised by a rising arpeggio in the alto and bass parts. The final line continues the musical development of the second and fourth (and generally carries a repeat of the text of the sixth). On account of these vigorous characteristics, the tune was resisted for some time in both Welsh and English collections but has now become firmly established. History[edit] William Williams Pantycelyn (named, in the Welsh style, ’Pantycelyn’ after the farm which his wife inherited) is generally acknowledged as the greatest Welsh hymnwriter.[9] The Welsh original of this hymn was first published as Hymn 10 in Mor o Wydr (Sea of Glass) in 1762. It comprised six verses.[10] (References to a five verse version in Pantycelyn’s Alleluia of 1745[11] appear to be incorrect.) It was originally titled Gweddi am Nerth i fyned trwy anialwch y Byd (Prayer for strength for the journey through the world’s wilderness). Peter Williams (1722-1796, no relation of the author but well known for his popular edition of the Welsh Bible, with notes.[12][13]) translated part of the hymn into the English version given above, with the title Prayer for Strength. It was published in Hymns on various subjects, 1771. This translation is the only Welsh hymn to have gained widespread circulation in the English-speaking world.[14] The present-day Welsh version, given above, is essentially a redaction of the original to parallel Peter Williams’s English version. A result of the translation process is that the defining phrase Bread of heaven does not actually occur in the original (where the Welsh would be Bara nefoedd; it is a paraphrase of the references to manna. The Welsh word Arglwydd corresponds more-or-less to the English Lord, in all its senses. It is used in the Old Testament to represent the Divine Name (the tetragrammaton) and in the New as the standard honorific for Jesus Christ. Accordingly Peter Williams translated it as Jehovah in accord with the practice of his time. Many English-language hymnals today translate it as Redeemer. The following version of the original is taken from Gwaith Pantycelyn (The Works of Pantycelyn). All but the second verse is given, with minor variations, in the Welsh Hymnbook of the Calvinist and Wesleyan Methodists, published by the assemblies of the two churches. !0g#¸úg#178044!87g#¸÷g#°!43g#¸÷g#!2017-03-31 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The Spirit, loosed from mortal pains, And pierces dark domains Where doubt and fear occlude its vision. Must we remain confined in chains – The sole release from bleak disgust: Ashes to ashes, dust to dust? ... the spirit? Love. Love stirs despairing minds to turn To emulate the fiery dove: To free our souls, our flesh we must Consign to flame, calcine to dust.qHt@úU ÿÿÿ`t@úUHt@úUpÛúU!0”‰úUàÅtúU 1.50U0 00:00:00!0g#€)HúU !TÑúUøg#!de#1÷g#Ø÷g#0!0.00`ÆmúU !0000-00-00g#coreIncl!÷g#È÷g# !¸÷g#€ÏIúU!0000-00-00g#!0000-00-00g# !øg#€wúU!÷g#¸÷g#10g#Ø÷g#ÿÿÿÿ0!18úU0 00:00:00úU!1g#€eyúU !00:00:00ÆmúU !sib# î5úU!2014-05-06 18:43:5111g#Ø÷g#01The Spirit loosed from mortal pains!SE::Score::scoreErrors!0000-00-00úU!÷g#¸÷g#10000-00-00úUason3s0Marek Kucera lives in the Czech Republic. He has been teaching at Basic school of art since 1990. His main subjects are guitar and ,the Music theory. 2007 he gradualy Conservatory in Teplice at composition class whose leader is professor Vaclav Buzek. @RÚúU!32526¸÷g#UÚúU!0g#¸÷g#p“‰úU!1g#¸÷g#!0g#¸÷g#!1g#ø÷g#1Uncategorised music0!0000-00-00úU!SymbolKiúU 1NeedsNewPassword01MinimumPurchaseQuantityÒÏúU0!0g#ˆùg#xSbúU!0g#¸÷g#°ÒúU!÷g#¸÷g#à$×úU!1g#¸÷g#¨û‰úU!1g#¸÷g#ÿÿÿÿ!0.00¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#è÷g#!0g#¸÷g# qThe Spirit, loosed from mortal pains Anthem for SATB & Organ Simon Biazeck SImon Preece ÿÿ ÝIúU¨øg#s="refineField " rel="">
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    8UúU ¹úUˆ >úUD¿úU¨´úU ?úU؇>úUˆÜ”úUÈ=äúU˜À´úUU·úU€bäúUH‘íúU$¾úU@nDúUx(±úUx%ÒúUè ÝúU8‡úUð¤¿úUà\žúUȆJúU@"ûúU`ÖBúUó`úUÀÚ5úU€ÕIúUÊXúU>ßúUØ_wúU`×MúU¨ ·úU ^)úUP‘“úUð»ºúU€úU¨Ô¶úU8ó¹úU€RHúU0ÒPúUÈ×BúU>úUÙPúUXܶúU(ÑPúUH‡UúUÐû³úU˜ì{úU  úU *CúU \¯úU8ì6úUÛPúU°¡gúUP)ÒúUECúU(2YúUpc2úUXfÖúU8j úUXw¶úUxñ‰úUØLdúUøÉ´úU€x[úUðBúU¨û¼úU°Ï2úU0Ô5úUX„‰úUˆë úU¨UúU !0g#øg#ø÷g#!0g#è÷g#!0g#¸÷g# !øg#Xøg#!÷g#¸÷g#1http://www.learnjazzpiano.comUsers WHER!÷g#è÷g#!0g#¸÷g# !0g#Ð÷úU!James Cookg#1÷g#Ø÷g#0!1g#¸øg#!1g#¸÷g#å¨úU!All Other Scoreså¨úU!25791¸÷g# æ¨úU!1g#¸÷g#ðå¨úU!0g#¸÷g#Èæ¨úU!÷g#¸÷g#Xç¨úU10g#Ø÷g#*©úUøæ¨úU0!BellinghamúU!0000-00-00 00:00:00úU!0000-00-00 00:00:0018267Ø÷g#0!262272€/ÉúU!info@bigbang-lab.com!0.008øg#!scotranneyg#å¨úU!1g#¸÷g#°æ¨úU10g#Ø÷g#*©úUøvLúU0!0g#ÈJúU !Hartmann îúU !2019-06-06 16:26:15úU10g#Ø÷g#Èæ¨úU0!÷g#Àt9úU1÷g#Ø÷g#0!ThiloÈ÷g# 1scot2@learnjazzpiano.comPeúU!lopozrit÷g# !0g#`VúU!0g#è÷g#!1g#¸÷g# !0g#høg#!0g#Høg#!1g#¸÷g#!0g#¸÷g#0!÷g#è÷g#iredDate!69081¸÷g# !CarolynŒÓúUiredDate!MorrisÈ÷g# Q[ { "Desc" : "You can find Scot's Jazz Piano Notebook, piano sheet music, and other materials at Lulu (best site for people who self publish.)", "Url" : "http://www.lulu.com/spotlight/scot_ranney", "Text" : "jazz books" }, { "Desc" : "a destination website when it comes to jazz piano discussions, lessons, and other resources. Since 1996.", "Url" : "http://www.learnjazzpiano.com", "Text" : "LearnJazzPiano.com" }, { "Desc" : "", "Url" : "http://www.facebook.com/scotranney", "Text" : "Facebook" }, { "Desc" : "", "Url" : "http://twitter.com/#!/scot_ranney", "Text" : "Twitter" }, { "Desc" : "Some of Scot's stuff", "Url" : "http://yourlisten.com/scot.ranney", "Text" : "recordings on YourListen.com" } ] ÀmûúU!0g#øøg#524990!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#À $úU!0g#¸÷g#à‘púU!÷g#¸÷g#608576!1g#¸÷g#!1g#¸÷g#!17.29¸÷g#@ƒLúU1÷g#Ø÷g#жúUMúU0JfúUx]µúUY‚úUˆz¾úUà9úU0­ÅúUx]µúUPè¢úUèÎ.úUØw3úU`çúU¸šúU#FúULÈúUx*€úUhæáúUÈnïúU¨<ÍúUx%úUxOðúU¨„ÀúUÈù"úUèU]úUÌúUøóúUhúúúU˜ˆ¡úUˆ¹TúUýûúUHR]úUø^uúUz™úU0bÓúUØ–ÜúU˜ù"úUȵÁúUÀîýúUÐêÎúUHF™úUøqmúUXÂúUxùúUèH™úUJÃúU(Ý»úUŒóúU˜>úUÈýxúUH§¸úUCúU ¤AúUˆ<±úU¸1GúUÂúUX³±úU(ä‹úUXOúUà1ÇúUhDFúUØ-ÔúUÈ2!úU`O‚úUx~‹úUXhÜúUH›™úUÀcÇúU ôÛúU¸ÈÁúUðí:úU0êiúU¨´¾úUØQ.úUØÊÊúU¨ºÁúUˆ{úU0ñ úUÂúUHßðúUHŽÑúUè+ÚúU¨eúUhÇ!úUH§¸úU0« úUx%úU@~ÙúUX;±úUÏúU(èøúUÈÓGúUðÆßúU8u6úU8Ì?úU¸{™úUÈw”úUx—¼úU^ßúUx%úU !LúUx ýúUèÃÁúUàIúU kÖúU¸ºtúU 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Overture for Saxophone Quintet!52g#¸÷g#ÐÛúU!554#¸÷g#ÐqúU!3g#¸÷g#(NúU!2g#¸÷g#ÀÔ‹úU!2014-07-28 17:08:29úU!2022-06-18 09:11:19úU!Kela Belag#ð›qúU!Keith Terrett€SfúU!0g#¸÷g#ÈËyúU10g#Ø÷g#0!sib#¸÷g#°úU!250#¸÷g#ˆ°]úU!0g#¸÷g#HŠiúU!2014-07-28 17:08:29úU!4g#¸÷g#HâwúU!2150¸÷g#0húU!2g#¸÷g#ÈCúU!5g#¨øg#8ƒqúU!1.99ˆøg#x;œúU!2014-07-28 17:08:32úU!1g#¸÷g#ÈzoúU!0g#¸÷g#ðÁyúU!157980¸÷g#ðû‰úU!1g#è÷g#˜ù"úU!0g#¸÷g# !2.00¸øg# #úU!2014-04-07 06:46:05úU!0g#¸÷g#ðøjúU!0g#¸÷g#ÈÞŠúU!170155¸÷g#ÈvlúUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } !0g#þg#ÛúU!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!2012 MFAOg#!÷g#¸÷g#!ùg#¸ùg# #úU!107463¸÷g#!1g#¸÷g#X¬{úU!3g#¸÷g#!6.00¸÷g#ÈvlúU!3.00¸÷g#0Ö‚úU!6.00¸÷g#pÎpúU!3.00¸÷g#°±úU!0g#¸÷g# 5}úU!÷g#¸÷g#`ê€úU!0.00¸÷g#ðøjúU±["163437","172332","7812","60336","172338","207782","155096","44262","365108","44260","36560","96055","56256","155095","95646","155105","97602","157037","155094"]A little Tango I composed in 20 minutes for Eb Alto Saxophone & Piano. Great number for your next performance.iceSet!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0.0000¸÷g#!2014-04-07 06:46:46ATwenty Minute Tango for Eb Alto Saxophone Piano ÛúU!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!2013-04-18 02:10:32!0g#¸÷g#!0g#¸÷g#áTwenty Minute Tango for Eb Alto Saxophone & Piano Keith Terrett Music for all Occasions A little Tango I composed in 20 minutes for Eb Alto Saxophone & Piano. Great number for your next performance.oresLicenseP!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 13:31:40A{"width":197,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"0423AB98-160E-11E7-881C-A17891A89A80","position-x-pc":"0"}úULÛúU!0g#¸÷g#!79g#¸÷g#!120#¸÷g#H+²úU§$úUpßtúUØ'ƒúUˆ•}úU@ÃZúU0ä[úU¸9ˆúUØG~úUøMrúU@ŠúUÐkiúU@CYúUœúUh’‹úUˆ”júUðVxúU0$ƒúU@:qúUpúUhsúUð¤úUð•qúU€3túU 5ŽúU8?qúUo`úU(a^úUØïmúUwúUúUH súU˜o±úU0Í‚úUøžgúUøNxúU88ˆúUÐúU #úUÈ|úUxÀvúU 7}úUX¬{úU€iúUo‚úUžYúUH£!úUÈvlúU°ÄvúULfúUkµúUà§úUpÎpúUH|úU -_úU°±úUˆ·cúUPúU 5}úUðIfúU/ˆúU[ZúU`ê€úUð4_úUðøjúUØœúUÅ"úUˆ)}úU¨.²úUP oúUسxúU8EYúU «fúU8 iúU 3júU'_úUP|úU˜º_úU62!2020-09-02 04:51:00úU!1g#¸÷g#!2019-09-25 12:59:591FFA602F6-DF8B-11E9-BB11-78ize? !2479¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-27 23:16:27!2023-04-27 23:16:59!1171019¸÷g#!1718086¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q +múU!1g#¸øg#p‚búU!0g#¸÷g#€SfúUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } wyúU!0.0000¸÷g#0FrúU!2014-07-28 17:13:09úU!0g#È÷g# 1The Overture Lustpiel would make a great opener for your next concert or recital. Lustspiel was composed by the Hungarian/Czech composer/conductor Keler-Bela who was born in 1820 and died in 1882. The word Lustspiel means "comedy" in German. The composer, known mainly for his waltzes traveled from Germany in 1874 to tour in England in 1875. This piece was a major part of his orchestra’s repetoire during his 1875 concert tour. Presently, the only part of the work that is still performed is the Overture, usually for Concert Band. Mr. Terrett has done an exemplary job of ensuring the spirit of the music is intact for the Saxophone Quintet version. There is life and joy in the music and fun to perform as well as listen to. For advanced performers about 7 minutes in length.  ‰@!6.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#È»búU!÷g#¸÷g#˜ÏúU!÷g#¸÷g#¨VpúU!3g#¸ùg#p‚búU!12.00¸÷g#!6.00¸÷g#ø[úU!12.00¸÷g#!6.00¸÷g#HOuúU!0g#¸÷g#Ø,eúU!÷g#¸÷g#ÈËyúU!0.00¸÷g#(qdúUÁ["82124","392566","141894","145922","193811","138112","192382","158841","149591","192014","182503","399280","185496","133143","93338","151146","396866","192385","185209"]úUðlúU!2020-08-31 07:43:4611g#Ø÷g#“wúUØž_úU01Lustpiel Overture for Saxophone Quintet!0g#¸÷g#P3œúU!13g#¸÷g#¨ØvúU!2013-04-12 14:44:54úU!0g#¸÷g#P5`úU!0g#¸÷g#H kúU!2017-06-09 17:10:17úU!0000-00-00 00:00:00úU!÷g#¸÷g#˜ù"úU!172485¸÷g#˜ù"úU11g#Ø÷g#˜ù"úU0‘Mattinata arranged for Eb Alto Saxophone & Piano. Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. 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(keithterrett@gmail.com)@gÛúU!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#@sŠúU!449595¸÷g#!1g#¸÷g#ˆ¯fúU!3g#¸÷g#Àê(úU!6.00¸÷g#p÷YúU!3.00¸÷g#È[úU!6.00¸÷g#9úU!3.00¸÷g#èRxúU!0g#¸÷g#8¸°úU!÷g#¸÷g#[xúU!0.00¸÷g#1iÛúU’M}q72104!98424è÷g#H£gúU!60g#È÷g# An arrangement of Puccinin’s beautiful aria ’Nessun Dorma’’ from Turandot arranged for Bb Tenor Saxophone & Piano. In the act before this aria, Calaf has correctly answered the three riddles put to all of Princess Turandot’s prospective suitors. Nonetheless, she recoils at the thought of marriage to him. Calaf offers her another chance by challenging her to guess his name by dawn. (As he kneels before her, the Nessun dorma theme makes a first appearance, to his words, "Il mio nome non sai!") If she does so, she can execute him; but if she does not, she must marry him. The cruel and emotionally cold princess then decrees that none of her subjects shall sleep that night until his name is discovered. If they fail, all will be killed. As the final act opens, it is now night. Calaf is alone in the moonlit palace gardens. In the distance, he hears Turandot’s heralds proclaiming her command. His aria begins with an echo of their cry and a reflection on Princess Turandot. U¡mÛúU!0g#øýg#`mÛúUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } nÛúU!0.0000¸÷g#!2018-07-29 15:25:48ANessun Dorma for Bb SopranoTenor Saxophone Pianoo!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2013-04-25 15:28:41!0g#¸÷g#!0g#¸÷g#Nessun Dorma for Bb Soprano/Tenor Saxophone & Piano Giacomo Puccini Arranged Keith Terrett Keith Terrett Music for all Occasions An arrangement of Puccinin’s beautiful aria ’Nessun Dorma’’ from Turandot arranged for Bb Tenor Saxophone & Piano. In the act before this aria, Calaf has correctly answered the three riddles put to all of Princess Turandot’s prospective suitors. Nonetheless, she recoils at the thought of marriage to him. Calaf offers her another chance by challenging her to guess his name by dawn. (As he kneels before her, the Nessun dorma theme makes a first appearance, to his words, "Il mio nome non sai!") If she does so, she can execute him; but if she does not, she must marry him. The cruel and emotionally cold princess then decrees that none of her subjects shall sleep that night until his name is discovered. If they fail, all will be killed. As the final act opens, it is now night. Calaf is alone in the moonlit palace gardens. In the distance, he hears Turandot’s heralds proclaiming her command. His aria begins with an echo of their cry and a reflection on Princess Turandot. ðsÛúU!0g#Èýg#°sÛúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 13:41:30A{"width":200,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"63727DE4-160F-11E7-BB56-92995462B0B5","position-x-pc":"0"}úUÔvÛúU!0g#¸÷g#!200#¸÷g#!299#¸÷g#ؘqúU@SúUÈ[ŒúU˜JkúUp™!úUðeúU`LrúUø oúUа°úU(³ŒúUàÓdúUx9zúUÀúUÊ…úUxŠúU Á‰úU8‡búUÐ;zúUx lúUP`^úU©úUøgdúUà”€úU ‘búUèßgúUPªuúUà|úU[xúUÀIkúUˆµxúU°dvúU˜W°úUøbúU&]úU˜5ˆúUHe±úU@ÈdúUGrúUñjúUpoúUx°fúUXI~úU@sŠúU`DqúUúUHWúU(dúUˆ¯fúU`ÆiúU°gúUHà§úUÀ†túUp÷YúU˜žrúUà'múUÈ[úUx ŠúUðÙ0úU9úU¯úU|úU@»{úUèRxúU úU8¸°úUÈ°kúU0§~úU°fµúUx¡_úUØ[úUÇ|úU迉úU 5²úUˆ#úU°§kúUH£gúU(ëmúUè(túUF{ÛúUÁ["198366","198150","158126","413839","391096","207124","114214","185602","126633","207439","457573","158093","137640","137579","207530","156807","163973","419060","109714"]angeScores!2020-09-16 02:28:42!1g#¸÷g#!2019-09-25 13:02:011487C9EF4-DF8C-11E9-AFAE-78defScor!27731¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-20 04:33:54!2023-04-20 04:34:11!1229344¸÷g#!1495547¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00úUQ€HqúU!1.20¸øg#P’ŽúU!2018-07-29 13:16:04úU!1g#¸÷g#opúU!0g#¸÷g# ¬~úU!171116¸÷g#˜ zúU!1g#øg#Õ|úU!0g#¸÷g#p¢$úU11g#Ø÷g#P¡núU0!1g#úg#°fúU!0g#¸÷g#(ƒúU!÷g#¸÷g#h<ŒúU!÷g#¸÷g#˜ùg#!0g#¸÷g# ¨júU!÷g#¸÷g#ÈzoúUACopyright © 2011 MFAO (keithterrett@gmail.com)ðû‰úU!÷g#¸÷g#èQ©úU!0g#èøg#XfhúUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } ˜túU!0.0000¸÷g#˜ù"úU!2018-07-29 13:16:50úUANessun Dorma for Eb Alto Saxophone Piano"úU˜ù"úU10g#Ø÷g#˜ù"úU0!Keith TerrettdoúU!1904¸÷g# t‚úU!0g#¸÷g#ŒjúU11g#Ø÷g#0!sib#¸÷g#0XúU!250#¸÷g#175733!0g#¸÷g# !2018-05-29 15:25:21!0g#¸÷g#ÀšÂúU!1556¸÷g#p¯ÝúU!0g#¸÷g#607696Mattinata arranged for Bb Tenor Saxophone & Piano(English: Morning), was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite. !0g#¸÷g#!0g#¸÷g#p ÅúU!1g#¸÷g#€¾úU!0g#è÷g#175981!0.0000¸÷g# ˆz¾úU8züúUx»ÁúUèRúUÈÇèúU ª úUH§¸úU8õBúUHyïúUÅÄúU˜HaúUÑúUèÎ.úU(@YúUHR]úUh cúUˆÀÁúUÀúúUX~ÚúU¸«^úU¨D¿úU 1&úUhŸúUpEúU°Ï·úU€JrúU¨ÂúUÀÜúU8ÕúUŸúUpï:úU,ÛúU8[™úU¿fúUx%úUèóúUˆ¿ÁúUØAúUH§¸úUèÙúUg¸úUh úUx—¼úUÈ1óúUèU]úUð[ÏúUxm^úUX^ÎúUàÅêúU˜–úU`µ´úU¸ŽHúU`úUxoòúUˆßúU0¥ØúU¸«^úUPë÷úUøÛ)úUpmúU˜>úUÐDøúUÈÇèúUxrúUhO]úUȘ;úUàËçúUh4¬úUxZcúUX(úUˆ‰cúUp·úUˆHVúUˆ¨kúUHŽÑúUHyoúU˜>úU@9úU8Ô.úU@aÎúUؤúU˜ÕúU`G±úUÃÁúU8(ÊúU¸&*úU°ôúUh}TúUhšôúU¸‹úU¨ºÁúUp@áúUèH™úU€}ÂúU¨U)úU`®ÎúUx—¼úUè°¾úUð9³úUNúUË·úUæeúUH&úUXJÒúUÇÁúU¸AúUˆ¹TúUÐÊúU`NVúUèÃÁúU˜ŠdúUÂúU¸UXúU¸¡HúU°—áúU˜öúUðÑïúU ”ÛúU86(úUà²ØúU°ùæúUH&úUÃtúUX[°úUˆ¹TúUptÜúUHŽÑúUØ%úUxÂúUH-ÂúU`VmúUÈBúUhßÈúU8IVúUØ#VúUÈŠ†úU ÏúUP¨ŽúUèÃÁúU8kúUxãúUxY'úUüúU(÷lúU8ŠÝúUÐ)RúUhúúúUXJòúUhe™úUØ÷±úUX®kúUÈÓGúUH™áúUñ@úUˆ­úUÈ>úUÈÞ)úUØãIúUxžúUèÃÁúUUMúUȵÁúU šúU­ÓúUhÂúUØ¿ÄúU¨U)úUÒÁúUˆéúUH&úU°=ÍúUx»ÁúUh'XúUx ÄúUP©;úUˆÚOúUøéúU"ÄúUÈ2!úUè:áúU(æfúU8ÓÝúUA¿úU˜¶ÁúUpä#úUÈ2!úU8.núU¨ÇhúUÂúU¨ø‰úUÈÓGúUg9úUxÁÁúUh!öúU¯™úUXAúUýÁúU8ÎúUàØGúUˆ­úUø>úUhžùúU¸ÈÁúUÈSâúU8/3úUè%úUè²CúU8u6úUx"úUXTúU8ÓÝúU¨áqúUfoúU86(úU•ZúU(ΨúU¤ÆúU¨éiúU8-ŸúUH­^úUHŽÑúUPLNúUèÎ.úUP¨MúUh8JúU¸YúU¸ïúUˆ]àúUhÂúU0ÈúUÅÁúU`ŽúUÈ ÂúUúUHL]úUvúU¨GáúU ‚kúUȳ”úUp ÓúUÐ#úUhÂúUÈ…#úUx%úUpYúU¨ŒúU˜ù"úU8Ô.úU@ MúUˆz¾úU0L™úUø¸ÝúU±ØúUh}TúU°\õúUxÁÁúUH:¾úU`$áúU˜z™úU0ÀßúU žúUÈåxúU€¯@úUØWúU86(úUP@múU äúU¨ºÁúUøiúU°áúUˆ3‘úU¸ÊïúU°yúUhŸúUðºÎúUXQ]úUà\fúU¨eúUˆôÊúU˜BúUhÂúU©„úUØ[ÔúU¸šúUXÜmúU€_2úUȆ‹úU0=ÆúU1/usr/share/perl5/URI/_generic.pmÜúUA@–ÛúU`ö&Y#!@arg¸÷g#Ap›kúU ˜ÛúU'Y#à•ÛúUAà–ÛúU`ö&Y#!URI::_genericAðèÚúU'Y#€–ÛúUAЗÛúUÀõ&Y#”ðèÚúUPèÚúUAðèÚúU —ÛúUÀõ&Y#” —ÛúUà–ÛúU1€–ÛúUà–ÛúUÐõ&Y#AàškúUàškúUð'Y# &E@`—ÛúU —ÛúUa —ÛúUЗÛúU°ô&Y#·aÀ–ÛúUp˜ÛúU âˆñ1/usr/share/perl5/URI/_generic.pmA`øÆúUÐò*Y#» öÆúU kúU1 –kúUà!)Y# 2!@seg¸÷g#A°™ÛúU õ&Y# A°™ÛúUÀõ&Y#0™ÛúUA°‘kúU°ÛúUÀ1)Y# p™ÛúU1àœÛúUà!)Y# ³€!URI::_genericAÀšÛúU õ&Y# AÀšÛúUÀõ&Y#@šÛúUA@œÛúU'Y#€šÛúUaÇúU`ßúU°ô&Y#·qðúÆúU`›ÛúU â”ñ1/usr/share/perl5/URI/_generic.pmˆ9úUA0\'Y#°A@êÚúU1àFTY#<è±iúUAàœÛúUÀõ&Y#”@œÛúUð™ÛúU1ð™ÛúUð™ÛúUÐõ&Y#A@œÛúUœÛúUÀõ&Y#”°œÛúUÀšÛúU1@šÛúUÀšÛúUÐõ&Y#A0¡ÛúU0¡ÛúUð'Y#&E@pœÛúUœÛúUa°œÛúUàœÛúU°ô&Y#·d šÛúU€ÛúU â‰ñ1/usr/share/perl5/URI/_generic.pm3úUA0˜kúU`†ÐúUÐò*Y#» `”kúUЄÐúU1ÀžÛúU žÛúU0 'Y# 2A`žÛúUÀõ&Y#AÀžÛúUÀžÛúUÀõ&Y#‚6ðÛúU žÛúU!%ÛúU¸÷g#439524A`ŸÛúU@ô&Y# !Aœ0;~ÐÞq ‚ÐúU ‚ÐúU F'Y#!E`žÛúUÀžÛúU]!(?^:%)¸÷g#!URI::_generic öËúU!%25#¸÷g#’júUAœ0% ÛÞ1`KTY#Bq•ÑúU•ÑúU !(?^:;)¸÷g#aðÛúU`ŸÛúU°ô&Y#·eðŸÛúU }ÐúU âŠñ@NÛúUª€µIúUD *úUêÁúUæÀúUD æúUADúUDÐfúUðdúUÿð=úUPMgúU JúUD€ÑõúU¸*úUDÐÛ/úU`QgúUD ÊsúUt°úUU°žÞúU0Ë[úUD0ø{úUÀóaúUD`‡úU ª‰úUDÐüóúU@HÙúUDP#¯úU€±ZúUDFúUpÕ$úUDà¶NúUÐIÙúUDÐ#úU <ÛúUD@àñúU°GÍúUDpzóúU`™:úUD°-úUúUD BúUPîÇúUDÿúU@šúUDîúUPL]úUÐnâúUDPíoúU0sÇúUDð2¨úUð1úUfúUD°Á'úU€HúU I°úUÿPÓnúU0ý¡úUÿÀšIúU ?júUDõúUðÃúUD ´&úUpv1úUDÀÞúUÀ`[úUD@@Ð.ÑúU€ÂúUD,ÿúU0‰_úUDDNúU@Ú6úUD§úUPçÓúUD€ìNúU ¼ÊúUDPb.úU ­úUD ~#úU }ÑúUD  œ,úUp)úUDp4gúUÀù¸úUÿйÐúUúUD°ýúU?ÛúUD£óúUPúUD°”úUÀÑúUD =júU IDúUCúUÿPŸlúU Ø7úUDÐs&úUPÀrúUD`øjúU e[úUPJöúUÀ²úUDàë úUÐèÈúUDàõ½úU@5rúUD°…£úUE—úUDÀ…8úU€œ°úUD½wúU0oáúUDàG¯úUpÄFúUDÐþ/úUPgúUD€¾ñúUpLÉúUXAúUD€ÞúU€KÍúUD€EšúU ÚÉúUDPü]úU`ŽÐúUD`-òúU0.-úUDЪúU€°GúUU EúUp8ÿúUDp×öúUÀYœúUDpÃ[úU@¨ÛúUˆÿúU€#úUD@øúUFIúU  (úUÐìAúUD ˆVúU@]ÌúUDá úUp>öúU °ßúU`JúUD°àÐúUài°úUU0±|úU@@ÊúUðhúUD€Ç1úU%eúUP¼ÚúUD%ÿúUÀŸ£úUD ÑeúU‹ßúUDO°úUPâüúUDÀŠ úU`ÚØúUDôüúUpÆ9úUDàFAúU0)KúUDpåúU@Â9úUD€ÅÀúU°Â€úUD@øúU ²3úU  ÀDùúU@ýÒúUD xªúUc úUD [cúU@ÕùúUDpgúUPÕúúUDPµùúUàÑúUD š[úU0RŸúUDþúUp¤]úUDðiúU ïTúUDp\6úUXÊúUÿÀ̱úU`¦wúUDpî"úUdúUD d úU ˜ÞúUD 0ÒvúU€d`úUD`YšúU ¹súUXûúUDðzßúU¨–³úU @û$úU°ŽAúUDÀoúU`®fúU €pämúUúUDàQxúUàŒÍúU õàúU.IúUDL/úU€ ¬úU0DúUDÐ:šúUÀVûúUD b™úUÀÐúUDv¥úU€;úUÐ-búUDà±ÿúU0¤lúUÎ9úUD€•yúUðÖúUD°3ÕúU ­ÛúU`—ÍúUàÅ]úUD úUÒúUD€ÕîúUÐuSúUD@>±úUP¹GúUUPo6úUÐVùúUD@GOúUêÌúU@ÙùúUDP§úUШáúUD@@ ÇÚúUÀ´þúU €@åïúU³úUDðÚ1úUp¾‹úUèðôúU @P| úUn²úUDàWâúUàø!úUDp)úUD`8úU0yúUÿ€ ƒúU€ýmúU°NúUDp­múUp¾ÊúUD úUjÔúUð§,úUD°´kúUÐoèúUD«RúUºoúUD Š+úU°òöúUD€¿óúU€ƒÃúUD`dkúU8°ÛúU lúUDpá úU@‰múUDð €úUðL*úUD°I%úUhJxúUÿða<úUIúUDàúU0·úUD@xúúU¤]úUD fýúU¸1úUD@ïàúUÀd‡úUD^xúUˆ_7úUÿ` =úU`ûÅúUD (ïúUX±ÛúUÞ‚!f!%escapes™$úU !0g#@[úU !0g# <°úU!0.00¸÷g#10.00Ø÷g#0Q(?^s:^((?:[a-zA-Z][a-zA-Z0-9.+\-]*:)?)(?://([^/?\#]*))?(.*)$)ttp.pmpm!11g#à"úUllo (1851ȲÛúU3°*ï70936!HASHÈ÷g# a by Marek Kuceraichelael Jaén n Gallup, Boris Williamshone & Piano`!HASHвÛúU Q'Apache2::RequestRec=SCALAR(0x55fa14a9e390)'valid field value...'icensQ('Apache2::RequestRec=SCALAR(0x55fa14a9e390)')alid field value...')!`¥wúUÀ‘núU±ÿÿÿÿ˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU€á (0€¤ÃúU28ÐüaúU38¬°$(X` úU|…úUWÉúUpìúU *0Àt!úU$(¾GúUp p~YúU,0¼ŸúU½úUÀý`úU àÒ&úU zúUã„úU 8@µ¸op!(0ËúUµ2úU`SúU68ºÐ£DúU6úU ( (ÀJúU KfúU`-ÜúU °â†úU 8@0±úU áAn arrangement of the English National Anthem for Saxophone Quintet. The official anthem of England, being a country within the United Kingdom, is that of the United Kingdom, namely “God Save the Queenâ€. All the countries of the United Kingdom, however, have unofficial local anthems of varying degrees of popularity and official-ness; England’s anthem in this regard is harder to determine. National anthems of the countries of the United Kingdom are often determined is by what is played at sporting events, especially those where play against other British countries are concerned. In some, “God Save the Queen†is used for England, even in play against other areas of the United Kingdom where their respective local anthems are used, in a few others another patriotic song might be used (such as “Jerusalemâ€) or “Land of Hope and Gloryâ€, which is used by many sporting teams representing England or local teams within England. Because it is often associated with English sporting teams, “Land of Hope and Glory†often is a popular choice for consideration of an English anthem. Taken from Elgar’s “Pomp and Circumstance March No. 1 in Dâ€, this patriotic song may be familiar to N. American audiences as being played at convocation ceremonies. The song was first performed in 1902 and, at the request of the new king of the United Kingdom, King Edward VII, words were written for the occassion of his coronation the following year. One must keep in mind that no anthem has been decreed by law as the official national anthem of England (even “God Save the Queen†is used traditionally as the national anthem of the United Kingdom, having not been officially declared as such); and “God Save the Queen†seems to remain the most popular anthem within England. “Land of Hope and Glory†is only used, as mentioned above in some (but, importantly, not all) sporting events as well as several national anthems collections that represent a separate anthem for England. Thank you for choosing Music for all Occasions. Visit www.musicforalloccasions.org.uk for more Editions. 2014 © Music for all Occasions Publications - All Rights Reserved Unauthorised copying, hiring, lending, redistribution is prohibited. c! English National Anthem (Did Those Feet in Ancient Times) for Saxophone Quintet C. Hubert H. Parry arr. Keith Terrett Keith Terrett Music for all Occasions An arrangement of the English National Anthem for Saxophone Quintet. The official anthem of England, being a country within the United Kingdom, is that of the United Kingdom, namely “God Save the Queenâ€. All the countries of the United Kingdom, however, have unofficial local anthems of varying degrees of popularity and official-ness; England’s anthem in this regard is harder to determine. National anthems of the countries of the United Kingdom are often determined is by what is played at sporting events, especially those where play against other British countries are concerned. In some, “God Save the Queen†is used for England, even in play against other areas of the United Kingdom where their respective local anthems are used, in a few others another patriotic song might be used (such as “Jerusalemâ€) or “Land of Hope and Gloryâ€, which is used by many sporting teams representing England or local teams within England. Because it is often associated with English sporting teams, “Land of Hope and Glory†often is a popular choice for consideration of an English anthem. Taken from Elgar’s “Pomp and Circumstance March No. 1 in Dâ€, this patriotic song may be familiar to N. American audiences as being played at convocation ceremonies. The song was first performed in 1902 and, at the request of the new king of the United Kingdom, King Edward VII, words were written for the occassion of his coronation the following year. One must keep in mind that no anthem has been decreed by law as the official national anthem of England (even “God Save the Queen†is used traditionally as the national anthem of the United Kingdom, having not been officially declared as such); and “God Save the Queen†seems to remain the most popular anthem within England. “Land of Hope and Glory†is only used, as mentioned above in some (but, importantly, not all) sporting events as well as several national anthems collections that represent a separate anthem for England. 2014 © Music for all Occasions Publications - All Rights Reserved Unauthorised copying, hiring, lending, redistribution is prohibited. defúUØAúU`vúU ¶©úUçzúUð,júUX@YúUÈ„múUHrpúUGqúUp‹úU@ö‹úU8Æ_úUøôzúUø]úUH˜aúU "ƒúU¸>úUHžqúUh›gúUàqúUȬ°úU`ÀlúUè÷júUðQŒúUÐÿˆúUà̱úUc^úU(ñbúUPÕ^úUxChúUhdúU/ŸúUØúuúUxŒaúUH6wúUôˆúUˆúUøW°úUpU{úUhì‹úUÀÐyúU0zúUàÊdúU súUivúU_^úU¸B‹úU8}úUÈGhúUèLúUð¬uúU@NuúU°nyúUxSxúU 2}úUxÊ|úUØÈ…úU`îŽúUè‹úU júUÀfdúUðzúU8ÍpúU¸ŠúU¸ÌyúU¨úUàtyúUVŒúUˆÒ‚úU0³~úU !úU¸ YúU(|úUˆÂvúU¸‚‡úU ´~úU€ ŠúU ¯úUScores180013B66-DF8F-11E9-BB11-78úUecording!4712¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x460¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-14 15:34:07!2023-04-14 15:34:54!1277553¸÷g#!1980392¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QxUcúUQKeep the Fire Alive for Bb Soprano Saxophone & Concert BandUªjúU!2g#¸÷g#ßÛúU!0g#¸÷g#°íZúU!3g#¸÷g# }qúU!1g#¸÷g#¹úU!2016-11-09 00:11:47úU!2024-01-03 11:56:07úU!4g#8øg#ðÆ`úU!1.60øg#h³húU!2016-11-09 00:11:50úU11g#Ø÷g#0!sib#¸÷g#Xè›úU!250#¸÷g#°€úU!0g#¸÷g#ˆKúU!2016-11-09 00:11:47úU!0g#¸÷g#hšªúU!1524¸÷g#èZªúU!0g#¸÷g#€eªúU!0g#¸øg#LcúU!0g#¸÷g#h³húU¡An original of mine arranged here for solo Bb Soprano Saxophone & Concert Band. A great ballad for your sax player to get his/her teeth into!_ZúU10g#Ø÷g#ðk±úU0!øg#øg#˜ù"úU!0g#¸÷g#˜ù"úU10g#Ø÷g#˜ù"úU0!4.99˜üg#°ßÛúU!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#QCopyright © 2011 MFAO (keithterrett@gmail.com) Edited 2013úUScoreExc!÷g#¸÷g#!949306¸ùg#¨ÕpúU!0g#¸÷g#!0g#¸÷g#¸-²úU!0.00¸÷g#!8.99¸÷g#€w‚úU!4.00¸÷g#x$¬úU!0g#¸÷g#02ŸúU!÷g#¸÷g#XÆúU!0.00¸÷g#ø¡rúU±["144295","430132","92574","69305","50661","207819","50041","94317","144156","57296","94331","94330","200228","207820","50144","114675","63248","144050","10203"]{úU!2020-09-16 21:46:49úU!1g#¸÷g# An arrangement of a popular Chinese song for Bb Tenor Saxophone & Piano. Great piece for your next performance!úU!0g#¸÷g#wúU!0g#¸÷g#H“iúU!1g#¸÷g#`¦šúU!0g#¸÷g#èªúU!÷g#¸÷g#पúU!0.0000¸÷g#[ªúU!2021-01-31 21:44:21úUAJasmine Flower The for Bb Tenor Saxophone PianoˆúU!0g#¸÷g#°fúU!0g#¸÷g#(ƒúU!4g#¸÷g#h<ŒúU!0000-00-00 00:00:00úU!0g#¸÷g#8WbúU!0g#¸÷g#XfúU1Jasmine Flower (The) for Bb Tenor Saxophone & Piano Chinese folk (Jiangsu) song from the Qing dynasty Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement of a popular Chinese song for Bb Tenor Saxophone & Piano. 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Suo Gân (Welsh pronunciation: [sɨɔ É¡É‘Ën]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800. The lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. eScores!þg#8þg#ÐxÜúUaCopyright © 2007 www.musicforalloccasions.org.uk(keithterrett@gmail.com) Edited 2013!÷g#¸÷g#!2018-04-01 09:44:01úU!0000-00-00 00:00:00!÷g#¸÷g#°êjúU!390556¸÷g#!0g#¸÷g#H¬húU!0g#¸÷g#8jlúU!0.00¸÷g#˜VcúU!6.19¸÷g#8³húU!3.20¸÷g#Èt‚úU!0g#¸÷g#¨2júU!÷g#¸÷g#ÃZúU!0.00¸÷g# õ€úU!121358O|úUtAttempt!÷g#è÷g#vŸúU!0g#¸÷g# 1x{ÜúU;g+51442941An arrangement for Bb Tenor Saxophone & Piano of a Welsh folk song, used in the film The Empire of the Sun. Suo Gân (Welsh pronunciation: [sɨɔ É¡É‘Ën]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800. The lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. ðÜúU!0g#øýg#°ÜúU!÷g#¸÷g#!0.0000¸÷g#!2018-04-03 12:57:291SUOGAN for Bb Tenor Saxophone PianoU!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#‘SUO-GAN for Bb Tenor Saxophone & Piano Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement for Bb Tenor Saxophone & Piano of a Welsh folk song, used in the film The Empire of the Sun. Suo Gân (Welsh pronunciation: [sɨɔ É¡É‘Ën]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800. The lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. !0g#Èýg#°…ÜúU!0g#¸÷g#!33g#¸÷g#!78g#¸÷g#!2018-04-02 16:33:29a{ "width" : 300, "position-y-pc" : "78", "faces" : { "/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [], "/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [], "/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [], "/usr/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [ { "y" : 142, "width" : 55, "x" : 70, "center-y" : 175.5, "height" : 67, "center-x" : 97.5 } ] }, "height" : 224, "position-x-combined" : "left", "position-x" : "left", "position-y" : "bottom", "position-y-combined" : "bottom", "average-center-x" : 97.5, "average-center-y" : 175.5, "id" : "319755F4-368B-11E8-AB4D-95BEED28936B", "position-x-pc" : "33" } efScor!1g#¸÷g#!259#¸÷g#!194#¸÷g#Ø4úUp"úUà[vúU€ô€úUÈÐœúUPµúUPçbúU¸,ƒúU`ªúUûˆúUfoúUp.eúUHòjúUÀ‡wúU@F~úUXÅiúU°œúUØ%_úU( ±úU(úUÀÜaúU0dúUP5ˆúU8núUh4wúU ‹€úUh*eúU õ€úU ®uúUÀ›YúU`[úUÈÍiúUÌ‚úU(hsúUð÷‹úU@aµúUpŠ‹úU€úU(ËpúU¸oyúUpÈdúUPasúU°êjúUÈù]úU@ÌúUÐò€úU@ÒyúUH¬húU87úU0[úUxšˆúUûYúU˜VcúUxºŒúU˜Ú0úU8³húUè‘júU(èmúUÈt‚úU°gdúUgúUˆdµúU¨2júU@±úUÃZúUHlúUÀGYúUØõYúUW°úU€PfúU¸jµúU€¥úUxÉiúUÀdZúU0õqúU8ŠúUÐ~²úUèd±úUbŽÜúU±["144047","430132","92574","69305","50661","207819","50041","94317","144156","57296","94331","94330","207820","200228","50144","114675","63248","144050","10203"]ÜúU!2020-09-14 10:23:59!1g#¸÷g#!2019-09-25 13:21:111F5D19288-DF8E-11E9-B6D0-78œÜúU!7514¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x918¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-18 05:34:42!2023-04-18 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@0‚múUDPûïúUp¸1úUDPùúUà ^úUð åúUD iúUðG—úUD v‡úUØT|úUÿ€®~úU`³JúUD oúU°·FúUD0ÃúUØŠúU`ÊúUÕyúU¸Å‰úUxisúUàøˆúU 2ŽúU` ±úUHeµúUÐ*²úU`RrúUøglúUØ”‹úU(ÅvúUðOrúU€vœúUÒpúULkúUXkiúU(Û0úUP‰‹úU(yúUà úU gdúUÀ™zúUˆÇ±úUmúUzŠúU h‚úUoŠúUkúUˆwœúUЂúUpniúU°$múUÀøjúU`‡wúUp–‹úUèñmúUhòŽúUìjúU [úUèrúUÀôŽúU@fZúUNúUÈó]úUÈúUà7wúUPZxúU¨ƒmúU8ÞŠúUÇúUè}[úUx-¬úUulúU³{úUhüYúUëŽúUxIuúUØ¿xúUdúUøÍiúUàœúUˆ !úU$úU¨+ˆúUÀ !úUx$ƒúU˜|úUHFkúU-}úUØJYúU¨OrúU@/zúUPq‚úURrúU0øYúU^ÚÜúU!1g#(þg#ÚÜúU!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-03 11:56:47!2023-05-03 11:57:03!882083¸÷g#!1432921¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q0ì]úUAn arrangement of Monti’s famous Csardas for Bb Soprano Saxophone and Piano, with just a hint of the exotic rumba from Martinique! Great piece for a recital or concert. My thanks are extended to Nigel Wood of Saxtet Publications, for checking out the solo part for me. Visit www.soprillo.com for info on Nigel’s new CD of music for Soprillo Saxophone. Csárdás (or Czardas) is perhaps Italian composer Vittorio Monti’s most famous composition. A rhapsodical concert piece written in 1904, it is a well-known folk piece based on a Hungarian csárdás. It was originally composed for violin, mandolin or piano. Nowadays, it is usually played on the violin, but can also be played as a piano solo, saxophone solo, on the accordion, as an orchestral arrangement, as a Tuba solo, or on glass bottles. The duration of the piece is about four and a half minutes.žßÜúU!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#±["104056","35688","72898","104066","104064","8008","97579","48350","73916","37564","4468","98002","82549","4414","33052","82547","78618","137207","81587"]+€úU!2020-09-23 18:44:45!1g#¸÷g# l±úU!2021-08-10 06:01:36úU109A92BC0-F998-11EB-9296-B153C87B2AFCU!291998¸÷g#h°uúU!0g#¸÷g#œrúU!0g#¸÷g#!1g#¸÷g#¸HnúU!0g#¸÷g#11g#Ø÷g#H‹‹úU ŠúU0An arrangement of Monti’s famous Csardas for Bb Soprano Saxophone and Piano, with just a hint of the exotic rumba from Martinique! Great piece for a recital or concert. My thanks are extended to Nigel Wood of Saxtet Publications, for checking out the solo part for me. Visit www.soprillo.com for info on Nigel’s new CD of music for Soprillo Saxophone. Csárdás (or Czardas) is perhaps Italian composer Vittorio Monti’s most famous composition. A rhapsodical concert piece written in 1904, it is a well-known folk piece based on a Hungarian csárdás. It was originally composed for violin, mandolin or piano. Nowadays, it is usually played on the violin, but can also be played as a piano solo, saxophone solo, on the accordion, as an orchestral arrangement, as a Tuba solo, or on glass bottles. The duration of the piece is about four and a half minutes.ngeScores!1g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#{ "GroupOrd" : "20", "StoreGroupOrd" : "20", "StoreGroupID" : "3058", "GroupID" : "22209" } çÜúURçÜúU!8.4480¸÷g#!2019-08-11 15:17:361Czardas for Bb Soprano Saxophone Piano!0g#¸÷g#!0g#¸÷g#!6g#¸÷g#!2013-04-10 03:07:00!0g#¸÷g#!0g#¸÷g#áCzardas for Bb Soprano Saxophone & Piano Vittorio Monti Keith Terrett Music for all Occasions An arrangement of Monti’s famous Csardas for Bb Soprano Saxophone and Piano, with just a hint of the exotic rumba from Martinique! Great piece for a recital or concert. My thanks are extended to Nigel Wood of Saxtet Publications, for checking out the solo part for me. Visit www.soprillo.com for info on Nigel’s new CD of music for Soprillo Saxophone. Csárdás (or Czardas) is perhaps Italian composer Vittorio Monti’s most famous composition. A rhapsodical concert piece written in 1904, it is a well-known folk piece based on a Hungarian csárdás. It was originally composed for violin, mandolin or piano. Nowadays, it is usually played on the violin, but can also be played as a piano solo, saxophone solo, on the accordion, as an orchestral arrangement, as a Tuba solo, or on glass bottles. The duration of the piece is about four and a half minutes.U0ìÜúU!0g#¸÷g#!0g#¸÷g#!54g#¸÷g#!70g#¸÷g#!2021-08-09 20:08:33á{"width":291,"position-y-pc":"70","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[{"y":216,"width":39,"x":119,"center-y":239.5,"height":47,"center-x":138.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":132,"width":98,"x":129,"center-y":181,"height":98,"center-x":178}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"54%","position-x":"center","position-y":"bottom","position-y-combined":"bottom","average-center-x":158.25,"average-center-y":210.25,"id":"3F31259E-1604-11E7-BC86-84E0E238B37C","position-x-pc":"54"}êïÜúU!2g#¸÷g#!873#¸÷g#!898#¸÷g#ChúUh‚úUHñ‹úUÈRŒúU 2zúUد›úUPK~úU¨úUðïmúUù‹úU€™YúU`mgúUxÕoúUX«kúUÈc±úU l±úU8ÊvúUÈzúU¸kiúU¨ãtúU¨UnúU@|úU¸l|úUØÒoúUZZúUø$]úUðpyúUœrúUÈéŽúU°MhúUpÒyúUàñ€úUOúU`tŠúU¨)múUؽlúU#úU`åaúU¸&ƒúUðooúU€VcúU ëzúU蜎úU=‹úUX¥gúU0h±úU˜ÎúUÌlúUˆt`úUèÏ|úU€p`úUhÇ`úU€®fúU  gúU0šgúUà=wúU`ŠwúU0©húUØdZúUçmúUXUxúUh¨fúU`súUàtúUh°uúUÐå‡úUp¶úUèÑdúU˜ÞŠúUèÿˆúU X{úUàÑyúU`FuúUˆ‚úU:ˆúUÀldúUH‹‹úU(܇úUZôÜúU!7151xùg#eScores!1g#¸÷g#lityScor!3g#¸÷g#€ôÜúU!4.00¸÷g#ÒôÜúU!2.00¸÷g# õÜúU!4.00¸÷g#eScores!2.00¸÷g#rtedZip!0g#¸÷g# ‰@!÷g#¸÷g#põÜúU!0.00¸÷g#õÜúU!650x9198øg#defScor!0g#¸÷g#ZipConve!0g#¸÷g#ionFinis15.00Ø÷g#È×púU8×púU0!167159¨ùg#HâwúU!6.00ø÷g#˜qyúU10g#Ø÷g#¸Ì|úU01Pachelbel's Kanon for Saxophone Octet!55g#¸÷g# ¨júU!0g#¸÷g#ÈzoúU!3g#¸÷g#ðÁyúU!2g#¸÷g#ðû‰úU!2015-03-17 00:14:11úU!2024-03-24 12:28:24úUAJohann Pachelbel (1653-1706) Arranged by Keith Terrett!Keith Terrett˜qyúU!0g#è÷g#!0g#¸÷g# !Franz Schubert(I~úU!Keith Terrett°PrúU!1828¸÷g#`|úU12007Ø÷g#0!250#¸÷g#8ƒqúU!0g#¸÷g#x;œúUAA Serenade for Eb Alto Saxophone & Piano (ed. 2014).sib!2021-06-22 08:50:46úU!2g#¸÷g#ðû‰úU!3713¸÷g#0húU!2g#¸÷g#ÈCúU!1g#¸øg#02túU!0g#¸÷g#°PrúU!102126¸÷g#˜rúU!1g#Xøg#HLcúU!0g#¸÷g#ÐäaúU!1g#¸÷g#¸ÒyúU!0g#¸÷g#`|úU10g#Ø÷g# tœúU0!1g#ùg#ંúU!1g#èøg#€‹úU!0g#¸÷g#¨˜túU!÷g#¸÷g#pØsúU!÷g#¸÷g#X¹núU!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!1.20è÷g#!2021-06-22 08:50:47qCopyright © 2015 Keith Terrett - 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This arrangement would make a beautiful addition to your repertoire. Schwanengesang ("Swan song") D 957 (Deutsch catalogue) is the title of a posthumous collection of songs by Franz Schubert. The collection was named by its first publisher Tobias Haslinger, presumably wishing to present it as Schubert's final musical testament to the world. Unlike the earlier Die schöne Müllerin and Winterreise, it contains settings of three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed 1828 and published in 1829 just a few months after the composer's death on 19 November 1828. In the original manuscript in Schubert's hand, the first 13 songs were copied in a single sitting, on consecutive manuscript pages, and in the standard performance order. All the song titles are by Schubert, as Heine did not give names to the poems. (Reed 259) Tobias Haslinger, Schubert's publisher, collected the songs together as a cycle, most probably for financial reasons, as Die schöne Müllerin and Die Winterreise sold very well as collections. Taubenpost is considered to be Schubert's last Lied. Franz Liszt later transcribed these songs for solo piano. Schubert also set to music a poem named Schwanengesang D744 by Johann Senn, unrelated to this collection. Schwanengesang ("Swan song") D 957 (Deutsch catalogue) is the title of a posthumous collection of songs by Franz Schubert. The collection was named by its first publisher Tobias Haslinger, presumably wishing to present it as Schubert's final musical testament to the world. Unlike the earlier Die schöne Müllerin and Winterreise, it contains settings of three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed 1828 and published in 1829 just a few months after the composer's death on 19 November 1828. In the original manuscript in Schubert's hand, the first 13 songs were copied in a single sitting, on consecutive manuscript pages, and in the standard performance order. All the song titles are by Schubert, as Heine did not give names to the poems. (Reed 259) Tobias Haslinger, Schubert's publisher, collected the songs together as a cycle, most probably for financial reasons, as Die schöne Müllerin and Die Winterreise sold very well as collections. Taubenpost is considered to be Schubert's last Lied. Franz Liszt later transcribed these songs for solo piano. Schubert also set to music a poem named Schwanengesang D744 by Johann Senn, unrelated to this collection. We still don’t know exactly where the idiom “Swansong†actually originated, but presently we use it to mean a last effort or final production coming from someone in a respective field before retirement, or sometimes, death. It is probably most familiar to us from the world of sports, “with Kobe Bryant scoring 60 points in his final game, or Peyton Manning winning the Super Bowl in his last season.†The concept that swans sing a beautiful song just before death has a long pedigree in Western thought, and the Greek philosopher Socrates is credited with saying “Will you not allow that I have as much of the spirit of prophecy in me as the swans? For they, when they perceive that they must die, having sung all their life long, do then sing more than ever, rejoicing in the thought that they are about to go away to the god whose ministers they are.†The proverbial singing swan, used as a metaphor for the final great effort, becomes a much-embraced concept in the arts, literature, and music, as exemplified in the famous madrigal setting by Orlando Gibbons (1583-1625). The silver Swan, who living had no Note, when Death approached, unlocked her silent throat. Leaning her breast against the reedy shore, thus sang her first and last, and sang no more: “Farewell, all joys! O Death, come close mine eyes! More Geese than Swans now live, more Fools than Wise.†Franz Schubert’s final and horribly painful days in November 1828 included bouts of delirium, requests for novels by James Fennimore Cooper, ceaseless singing and moments of great lucidity when he was working on his compositions. Schubert had been seriously ill for some time, but it’s impossible to tell by the quantity and consistency of his compositions. “In just his final 14 weeks, he wrote his last three piano sonatas, and the heart-melting C-Major String Quintet.†A few short months after Schubert’s death, the Viennese publisher Tobias Haslinger published a group of fourteen Schubert songs composed to texts by three different poets. Wishing to present this publication as Schubert’s final musical testament to the world, Haslinger and Schubert’s brother Ferdinand entitled the collection Schwanengesang (Swansong). Containing some of the greatest Lieder that Schubert ever composed, there is still disagreement about whether or not Schwanengesang is actually a cycle. There are contradictory accounts concerning the origin of Schubert’s thirteen songs with lyrics by Ludwig Rellstab and Heinrich Heine, published together with “Die Taubenpost,†with lyrics by Johann Gabriel Seidl. In the original manuscript in Schubert’s hand, the first 13 songs were copied in a single setting, on consecutive manuscript pages, and in the standard performance order. There is some suggestion that Schubert had intended to publish the settings of Rellstab and Heine separately, as he offered the Heine set of poems to the Leipzig publisher Probst. “Die Taubenpost,†meanwhile, has no connection to any of the first 13 songs and was appended by Haslinger to round out Schubert’s Schwanengesang. Rellstab’s poems passed to Schubert via Anton Schindler, Beethoven’s assistant. It has been suggested “almost every song in Schwanengesang deals with love or it’s absence, linking it to Beethoven’s “An die ferne Geliebte.†The Rellstab set ranges from the singer inviting a stream to convey a message to his beloved in the opening “Liebesbotschaft†(Message of love), to the concluding “Abschied†(Farewell) when the singer bids a cheery but determined farewell to a town he must now leave forever. 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18:40:34úU!0g#¸÷g# WÿúU!0g#¸÷g#ë'úU!61637¸÷g#Ø.JúU!÷g#¸÷g#ØÔLúU!1g#¸÷g#¨ÕúU10g#Ø÷g#°úU0!noneþg#`«ÝúU!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#8x[úU!305307¸÷g#!0g#¸÷g#xñMúU!0g#¸÷g#!0.00¸÷g#Ø.JúU!1.50¸÷g#X@PúU!0.00¸÷g#¨ÕúU!0g#¸÷g#WàúU!÷g#¸÷g#˜:JúU!0.00¸÷g#"£úUÑ["126090","207204","197482","116098","370024","163986","485608","69629","119621","124314","138656","156275","4251","131","193268","128851","133","86989","1181","519340"]°úU¼&úUÐ!1g#þg#®ÝúU!0g#¸÷g#q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } éEúU!0.0000¸÷g#!2011-05-07 18:40:41!Times Change!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2013-04-28 13:46:25!0g#¸÷g#!0g#¸÷g#‘Times Change Kevin Stephenson none This song has some symbolism with me. Just a casual write really. Hope you like it.<417649!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ˆÒ_úU¨ˆ„úUèx-úUˆ°NúUðè8úUàtúUx8úULúUHOúUÐÆúUž:úUP˜9úU¨Ç:úUØmQúU€UNúU00RúUØVAúU ŠúU˜ÿqúUpŒ}úU°W#úUØîúU€qQúUÐ ýúUH†úUàNSúUøƒÖúU@QHúUxzMúU`‚šúU¨õçúUÈ8úUœ9úUÀž úUÈ‚úU8Ú_úUèúU( ÝúU8x[úU*ƒúU˜óJúU[úUxñMúU1@úU¸ç8úU a÷úU0®AúUØ.JúUKÿúU¨…úUàKgúUÀúU¨ÕúU˜"úUÈMHúUWàúU0gÃúU`¶ÐúU˜:JúUhaúUPÁZúU88úU"£úUè[úU WÿúU°túU'úUøHVúUPþCúU8DúU˜gmúUPBPúU ÉEúUàº,úUhÊúUH§ßúU°úU|[úU²3úU!2020-09-17 03:06:10úU!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!210#¸÷g#!297#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-05-07 06:00:33!2023-05-07 06:00:36!179280¸÷g#!163514¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QHn[úU1x¸ÝúUÁ:ÞÕ527682!125014¸÷g#8ë<úU!2017-06-09 17:10:17úU10000-00-00 00:00:00p;7úU0!Get it RightX·lúU!41g#¸÷g#ØŠFúU!275#¸÷g#`WNúU!3g#¸÷g#à­6úU!1g#¸÷g#X·lúU!2012-04-14 21:14:16úU!2017-11-22 16:51:14úU!David Piper#€qgúU!÷g#¸÷g#ˆG+úU!0g#¸÷g#ø\úU10g#Ø÷g#0!sib#¸÷g#®6úU!408#¸÷g#øâqúU!0g#¸÷g#€@òúU!Get it Right.sibHbúU!2012-04-14 21:14:16úU!0g#¸÷g#/húU!633#¸÷g#Ø£eúU!0g#¸÷g#¨ZlúU!3g#˜øg#HØúU!÷g#¸÷g#¸œ4úU!1.50¸÷g#À èúU!0g#¸÷g#ÈÔjúU!0g#¸÷g#f`úU!0g#¸÷g#hÚ,úU1÷g#Ø÷g#ðefúUÈ÷g#0!1.50¸øg#àFúU!2011-05-08 11:10:40úU!0g#¸÷g#h] úU!0g#¸÷g#PÓLúU!129859¸÷g#À‘HúU!÷g#¸÷g#€[úU!1g#¸÷g#HTHúU10g#Ø÷g# 1túU0!1g#Xüg#`½ÝúU!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!none¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#àFúU!658533¸÷g#!0g#¸÷g#`?+úU!0g#¸÷g#!0.00¸÷g#À‘HúU!1.50¸÷g#0ÀŒúU!0.00¸÷g#HTHúU!0g#¸÷g#bíúU!÷g#¸÷g#˜ÒMúU!0.00¸÷g#@ýæúUÑ["126090","207204","197482","370024","116098","163986","69629","119621","485608","124314","156275","138656","4251","193268","131","86989","133","128851","1181","519340"] 1túUH1 úUÐ!1g#hûg#Ð&úU!0g#¸÷g#À`4úUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } 50242!0.0000¸÷g#À!2011-05-08 11:10:5215678 Piece of Mind ballet 44U !0g#¸÷g#!0g#¸÷g#p€VúU!2g#¸÷g#‘dúU!2013-04-17 10:50:2418!0g#¸÷g#°!0g#¸÷g#Á...5,6,7,8: Piece of Mind [ballet: -4/4] Todd Tanis none This is piano music arranged for ballet class in a slow 4/4 meter. This is from the book entitled "...5,6,7,8:" `4úU!0g#¸÷g#ð[úU!0g#¸÷g#493017!0g#¸÷g# !0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#ÿ?úU!0g#¸÷g#450195!0g#è÷g#8!0g#¸÷g# pLèúU¨µúU(è#úUDÂúU`oÐúUh}TúU@ÛæúUøúúUøIúU úUxRúU!&úU`ÓÊúU¸‹.úUȽCúUøúúUèöúUèÏ`úUˆÏúUX« úUh4¬úUð>YúUعÁúUh‘~úU8ÐðúUx]µúU0ßúU ûGúUXÆúUpAúUx»ÁúUÐ’#úU0Ë)úUn¸úUP?GúU˜HaúUh}™úUXQ]úUÈOúUØV°úUg™úUðî¿úUg¸úUÈ’ÔúU¨‚¼úU°²úU0“?úUhŽ„úU°&æúUhÅÝúUÈ5‘úU¨ÆúUèU]úUxÜDúUˆÀÁúU@ÚjúUØDÂúUpËÁúUˆÀÁúU ¯îúU˜{5úU¨ÂúUÐì¢úU˜HaúU(vˆúUØ•¼úUøúUØÛ.úU %5úULgúUhÂúU­ÃúU(JúUXŠúU0;húUèVÃúU0ÀúU¨Ò úU¨®úUXg8úUIúUh}TúUÀG±úU ò{úUˆŒôúUp/¼úUHL]úU“ úUÅÁúU`¿úUZ]úUˆŸkúU˜ýúUø±9úUx%úU`7úUDÂúU“óúUg¸úU#åúUÐ.¹úU¨ÓaúUÄúUxoòúU@::úUh·ÁúU¨sàúU½ÍúUhDFúU÷ÀúUè!8úUÈ*PúUÈÞ)úUÐ8'úUÈ ÂúU :úU(ÂúU ÙdúU@p[úUx?oúUð¢JúUxé§úUxY'úU@‡óúUÑMúU¨Â†úU˜…úUÀÁúUÐï-úUHyïúU¨¢¹úUnúU”ÐúU(º.úU¸¡HúU(¥kúU°™úUÂúUø¬ÎúUXQ]úU˜ñkúUˆHVúUàúU¨GáúUP0õúU¨¹xúU˜Š‹úUxñ½úUÃÁúUؾŠúUxÂúU8JúUÈÀ8úUH&úUÐK7úU°ÞWúUØ'òúU°ÕmúU˜d™úU@CÃúUÈÓGúUèÎúUýÁúUØOúUÈÓGúUH€kúUh·ÁúU€&úUÈÞ)úUpz¾úUýÁúU ŽÅúU¨”îúU¸šúUàVÏúUg¸úUX²9úUg¸úUÈùZúUÈ2!úU¸@úUH§¸úU˜LÒúU `úU˜Š‹úUˆ‰ýúU˜HaúU¨¾%úUx±úUX„gúU° IúU¸ÝOúUxuúUpúU(zLúU¨ukúUèk@úUˆz¾úU˜ƒ›úUÅÁúUÐêšúU¨eúU8|úUH°ÜúUèHúUˆ>kúUPe|úUìëúU«ñúUèEVúU`ÖÐúUx¸ÁúUàë&úUHR]úU€z˜úU0kXúU¨ÂúUmúUHöØúU¸«^úUØÝàúUˆHVúUˆ7úUèÏ`úUØñÚúUHô)úUȆ‹úUhµúU¨GáúU¸–ÍúU¸ñúUÈx°úU BóúUÎkúUÈÓGúUx¤úU¸V]úU€PõúUˆ¿ÁúUà0úUÀgÆúU¨ukúU ÙúU·úUx]µúUP$VúU0°xúU86(úUð¯KúU˜Ê´úUÐbŽúUøÛ)úUÀ$ÊúUH£ÿúU8ÓÝúUbôúU°÷úU86(úUPƒúUèEVúU؈úU¨GáúUДkúUØÛ.úUhôhúUÈ FúU˜Š‹úU8JúU ÔúU8[™úUø¡úU(ä‹úU,úUx»ÁúU 8zúUعÁúU€aåúUÀÒhúUèTúU€É"úU˜ÀÍúU86(úUø¢þúU˜ýúUXþ„úUè½ÁúUPlúUtòúU $ÈúUØ9úU8ØàúUXQ]úULúU¸V]úUp3SúUXd8úU¹$úUxÁÁúU€›—úUˆÂúU ÇHúU¨U)úU°ïúUXY]úUðúUXÍ úU¸ÈÁúUxsüúUøúúU ™ÑúU8Ô.úUøíúUXa™úUkúU¨ÊäúUØ·~úU }úUø¸ÝúUˆÅúUH¿8úU8ÓÝúU0/úUP0oúUHq$úUpHbúUÐä8úUXa8úUЄ”úUÈÉ8úUžèúUàDúUXY]úUXrWúU(C¿úUx¼úUõáúUpä=úUè {úUÐÎúUD°®ÀúU¨J¿úUU@à1úUpøÅúUD FŠúUÈ‘”úUÿ¨P½úUÿ€túUðCÚúUD0|yúUÈûúUDúU€ð—úUDÀô~úU–ÞúUDpÝúU€–búUDP¨úU°_5úUD`MúU 0ÉúU°F"úUD `ÇúU™búUD°#úUÐÒúUDóïúU,ÝúUD /ÿúU ÒúUDàŠLúUÐXúUDkúUpë@úUD`_aúU@«úU €`+úUPimúUÀLÍúUD@‚yúU lÔúUDPaúU0~RúUD0wNúU ²ŸúUe÷úUD]OúU0»%úU `£áúUD@@ÐÙÝúUà„ÑúUDÀEŠúUèÚdúUUÐÊúUvžúUÿ€¨°úU0£ÜúUD=[úUЖ³úU @ÔßúUð‹±úUD°ÕûúU‰kúUD NøúUÂúU @wÔúU ö§úUDÀÏfúU<ÿúUD°‘úúUãJúUD©5úUP lúUD°ÐfúU@ÂsúUDÐ÷üúUð¹úUD`gúU@ÞúUD÷úúU ÜÉúUD0XñúUÀ.ºúUUmúUÀÈÌúUDÀ úUð¢úUÿM”úU˜6PúUÿð4ŸúUØ$ÂúU @ÜËúUð\ÉúUHìÝúU؇ýúU@؃úUÿ`v^úUPsÒúUDàÈUúUÅúUD °,úUà‘dúUDð #úUàûWúUD ëúUЈ±úUDæñúU ÅVúUD ¼—úU ’úUDÐúU0¶úUÐL*úUD@@P°ßúUiúU` ÂúUD7vúUˆP‰úUUp¬¹úU`½ÊúUDð{yúUÐiúUDÀî[úU8šÅúUD€`ÊúUðf[úU^úUH#ÂúU @ð÷ÏúU,úUD†úU ÇjúU áúU!0.00¸ùg#coúU±["64788","86750","91262","200255","91861","92224","94163","20437","35497","89827","104879","87162","35021","113571","164853","47471","91827","126791","90395","88042"]!2020-09-18 02:01:27úU!1g#¸÷g#X"úU!2019-09-25 13:34:54úU1E08C1B80-DF90-11E9-A548-78à¿"úU!8932¸÷g#P'aúU!0g#¸÷g#!0g#¸÷g#hjvúU!0g#¸÷g#11g#Ø÷g#jµúU£fúU0±An arrangement of an old popular Xmas song called Mitt hjerte alltid vanker arranged for Saxophone Quartet. Mitt hjerte alltid vanker" ("My Heart Always Wanders") is an old Scandinavian Christmas song, released as a single with Norwegian singer Sissel in 1995. "Mitt hjerte alltid vanker" was written by the Danish bishop and hymn writer Hans Adolph Brorson. It came out on print for the first time in. ? @G!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2015-12-21 10:21:08AMitt hjerte alltid vanker for Saxophone QuartetScores!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#1Mitt hjerte alltid vanker for Saxophone Quartet Norwegian folksong Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement of an old popular Xmas song called Mitt hjerte alltid vanker arranged for Saxophone Quartet. Mitt hjerte alltid vanker" ("My Heart Always Wanders") is an old Scandinavian Christmas song, released as a single with Norwegian singer Sissel in 1995. "Mitt hjerte alltid vanker" was written by the Danish bishop and hymn writer Hans Adolph Brorson. It came out on print for the first time in. lo`öÝúU!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 17:23:44A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":295,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"6F006C74-162E-11E7-A56D-B8C6BED74EB4","position-x-pc":"0"}úU8ùÝúU!0g#¸÷g#!220#¸÷g#!217#¸÷g#ÈiúU %júUdúUˆÎiúUðS{úU—zúU çŽúU€ !úUà“qúU@lúUP›ŽúUP÷wúUà*múUÐuyúU`CkúUÒdúU°ï‹úU€túUøË‚úUXEkúUPžgúUØÃ`úUÀKúUP `úU ÐœúU¯uúUH=ŽúUP'aúU(WZúUÀűúUwœúU`¿xúUpþ}úUøÁ¹úU¨ÆvúU !úUð2júU*}úUcoúUR›úUàÛŠúU°ËúU¸_vúU8l±úUPoŠúUÐœúUIcúU8·_úUà{túU`›qúUp÷qúU(qlúU8Æ…úUx×^úU€ëzúUp±úU½lúU²~úUø¼©úU8*ŸúUèÂiúU˜8ˆúU¨ulúUÐp±úUà¿"úUP !úUH³!úUöjúU˜ý}úU(úUdúU˜GhúU05eúUp«húUÐ@úU(_úUjµúUÀ¬kúU¬ýÝúU!650x502Øýg#pýÝúU!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-01 17:19:57!2023-04-01 17:21:15!568749¸÷g#!882771¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QˆÙúU!0g#À•ƒúU !159059ˆûg#àLUX#!3.99ø÷g#4ŽúU10g#Ø÷g#€gdúU0AVesti La Giubba for Eb Alto Saxophone & PianoˆêdúU!60g#¸÷g#€7{úU!554#¸÷g#¨WkúU!3g#¸÷g#ÙvúU!2g#¸÷g#Ø$úU!2018-05-01 14:42:40úU!2018-05-01 15:01:31úUARuggero Leoncavallo Arranged by Keith Terrett !úU!Keith Terrett4ŽúU11892Ø÷g#0!sib#¸÷g#˜brúU!250#¸÷g#ÈzúU!0g#¸÷g#ÀƒzúUAVesti La Giubba for Eb A.Saxophone & Piano.sib˜_²úU!2018-05-01 14:42:40úU!0g#¸÷g#wúU!1831¸÷g#H“iúU!0g#¸÷g#`¦šúU!2014høg#!3g#¸÷g#!1g#(øg#!0g#¸÷g#!÷g#è÷g#!÷g#¸÷g# ¡"Frankie and Johnny" arranged for Soprano Saxophone & Piano(sometimes spelled "Frankie and Johnnie"; also known as "Frankie and Albert" or just "Frankie") is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. ÞúU!3.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#aCopyright © 2015 Keith Terrett - All Rights Reserved keithterrett@gmail.comUVÞúU!÷g#¸÷g#Á["400510","169057","400364","400547","400482","400514","400499","400362","400360","400357","400361","400548","400358","400546","400359","475041","77043","169572","61680"]úU8$]úU!2020-09-22 05:02:59úU!1g#¸÷g#âaúU!2019-09-25 13:31:09úU15A7D76BA-DF90-11E9-BB4F-78úUø“YúU!5705¸÷g#!0g#¸÷g#!0g#¸÷g#X(]úU!0g#¸÷g#€úU!1g#è÷g#€Á¹úU!650x458¸÷g# !0g#(üg#0ÞúU!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2015-05-19 16:20:50AFrankie Johnny for Bb Soprano Saxophone PianoeExchang!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!Frankie & Johnny for Bb Soprano Saxophone & Piano Traditional Arranged by Keith Terrett Keith Terrett Music for all Occasions "Frankie and Johnny" arranged for Soprano Saxophone & Piano(sometimes spelled "Frankie and Johnnie"; also known as "Frankie and Albert" or just "Frankie") is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. 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N*úUD@ÀÐBÍúUUéúUD€4NúUµ1úUD@Ç&úUHúUD°JúU€ø@úUDÀëùúUPÞúUx6ÍúUqCzardas for Bb Tenor Saxophone & Piano Vittorio Monti Keith Terrett Music for all Occasions A sensational arrangement of Czardas for Bb Tenor Saxophone and Piano, with just a hint of the intoxicating Rumba rhythm; making my arrangement very unique! "Csárdás" (or "Czardas") is a composition by Italian composer Vittorio Monti. A rhapsodical concert piece written in 1904, it is a well-known folkloric piece based on a Hungarian csárdás. It was originally composed for violin, mandolin or piano.There are arrangements for orchestra and for a number of solo instruments. The duration of the piece is about four and a half minutes. The piece has seven different sections, usually of a different tempo and occasionally key. The first half of the piece is in D minor, then modulates to D major, back to D minor, and then finally finishes in D major. The first section is Andante – Largo, followed by a large increase in speed to Allegro vivo. This then slows down to Molto meno. The piece then slows down more to Meno, quasi lento. The piece then suddenly picks up in pace and is at Allegro vivace. It then slows down to Allegretto and finally to Molto più vivo. The tempo changes make the piece exciting and interesting, but even with all of these tempo changes, it is generally expected that there should be some rubato to add feeling to the piece. There are also many different dynamic changes in the piece, ranging from pianissimo to fortissimo. In the Meno, quasi lento section, the violin plays "artificial," "stopped," or (less accurately) "false" harmonics. This involves the violinist placing their finger down on the note and playing another note, with the finger only just touching the string 5 semitones above. This gives the effect of the violin sounding two octaves (24 semitones) higher. Great piece for a concert or recital, or just to add a new piece to your repertoire. My thanks to Nigel Wood for checking over the solo part prior to publication. To hear Nigel perform my Fanfare & Soliloquoy go here: https://saxtetpublications.com/catalogue/viewitem.php?id=334&PHPSESSID=6g8g6m99qb1uije2pg7cs6c7m4ðXÞúUA{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":111,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"3FD1CF76-1604-11E7-A9EC-A5EF9B229E45","position-x-pc":"0"}úU([ÞúU!0g#¸÷g#!271#¸÷g#!153#¸÷g#@qúUð}‡úUøK{úUHfvúUXº©úU€™eúU YúUèyúUÄsúU°N{úU˜Ž}úUhGuúUÇZúUpÔdúU0bµúU`ÄúUø¤uúU˜»‰úUø‚úU@¼‰úUÌsúU0Â_úUèhdúUXxúU݇úU`£rúUX4aúUñ]úUÀrœúUH¹xúUл_úUÈ{‡úU gúUÀM~úU@­°úUhƒ²úUରúU5aúU°íeúU@ÿˆúUÚ‡úU#úUcvúUð†múUx‚úUp¼ŒúUHdZúUHAúU¸?‹úUЭúUXà[úUp[xúU˜Ë‚úUè_úU°äeúU Ó`úU€YZúUP±úU°ŸYúUˆúYúU€ÄlúU|úU˜ScúU@é[úUu[úUgúUdúUÐO{úU ´›úU(‘júUˆX°úUÈ`úUð±úU˜ˆúU¸ÆúUØsúU( gúU°§$úUœ_ÞúU!6795Øýg#`_ÞúU!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!650x918¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-02-14 23:22:40!2023-02-14 23:23:24!3133389¸÷g#!4641873¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q˜PhúU!ùg#¸ùg#èñmúU!0.00¸÷g#±["203881","136674","113081","395625","457260","457323","504412","147316","96799","185817","93313","77889","186623","11140","156812","192507","72607","14830","56814"]!2020-08-28 05:12:03úU!1g#¸÷g#Ø¿xúU!2019-09-25 12:45:45úU102BE6232-DF8A-11E9-B6D0-78zŠúU!10152¸÷g#!0g#¸÷g#Ø&túU!0g#¸÷g#10g#Ø÷g#RrúU ZúU0!An arrangement for Bb Tenor Saxophone & Piano of ’The Saints’ with a touch of the exotic Cuban Rumba and a hint of W.A. Mozart! Great piece for your next concert. Rumba is a family of percussive rhythms, song and dance that originated in Cuba as a combination of the musical traditions of Africans brought to Cuba as slaves and Spanish colonizers. The name derives from the Cuban Spanish word rumbo which means "party" or "spree". It is secular, with no religious connections. Rhythmically, Afro-Cuban folkloric rumba is based on the five-stroke pattern called clave and the inherent structure it conveys. Carlos Vidal Bolado (better known simply as Carlos Vidal) was the first to commercially record authentic folkloric rumba (Ritmo Afro-Cubano SMC 2519-A and 2520-B, circa 1948).!1g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#{ "GroupOrd" : "320", "StoreGroupOrd" : "320", "StoreGroupID" : "3058", "GroupID" : "22209" } úU hÞúU!0.0000¸÷g#!2013-10-09 09:55:08aThe Saints Visit Havana with a Touch of WAMozart for Bb Tenor Saxophone PianoÂhÞúU!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!2013-04-19 02:48:38!0g#¸÷g#!0g#¸÷g#ÁThe Saint’s Visit Havana with a Touch of W.A.Mozart for Bb Tenor Saxophone & Piano Traditional Arr:Terrett Keith Terrett Music for all Occasions An arrangement for Bb Tenor Saxophone & Piano of ’The Saints’ with a touch of the exotic Cuban Rumba and a hint of W.A. Mozart! Great piece for your next concert. Rumba is a family of percussive rhythms, song and dance that originated in Cuba as a combination of the musical traditions of Africans brought to Cuba as slaves and Spanish colonizers. The name derives from the Cuban Spanish word rumbo which means "party" or "spree". It is secular, with no religious connections. Rhythmically, Afro-Cuban folkloric rumba is based on the five-stroke pattern called clave and the inherent structure it conveys. Carlos Vidal Bolado (better known simply as Carlos Vidal) was the first to commercially record authentic folkloric rumba (Ritmo Afro-Cubano SMC 2519-A and 2520-B, circa 1948).úU@mÞúU!0g#¸÷g#defScor!0g#¸÷g#ErrorCou!0g#¸÷g#gTit!0g#¸÷g#ÀmÞúU!2017-03-31 11:49:59úUA{"width":247,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"CF414E20-15FF-11E7-B87A-D8F9FDD4C543","position-x-pc":"0"}onFinishedZi!0g#è÷g# !204#¸÷g# !An arrangement for Sopranino sax of the Allegro from Torelli’s Trumpet Concerto. Giuseppe Torelli (22 April 1658 – 8 February 1709) was an Italian violist, violinist, teacher, and composer. Torelli is most remembered for his contributions to the development of the instrumental concerto (Newman 1972, p. 142), especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets (Tarr 1974). Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti (Schnoebelen and Vanscheeuwijk 2001). On 27 June 1684, at the age of 26, he became a member of the Accademia Filarmonica as suonatore di violino (Schnoebelen and Vanscheeuwijk 2001). By 1698 he was maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach, where he conducted the orchestra for Le pazzie d'amore e dell'interesse, an idea drammatica composed by the maestro di cappella, the castrato Francesco Antonio Pistocchi, before leaving for Vienna in December 1699 (Schnoebelen and Vanscheeuwijk 2001). He returned to Bologna sometime before February 1701, when he is listed as a violinist in the newly re-formed cappella musicale at San Petronio, directed by his former composition teacher Perti (Schnoebelen and Vanscheeuwijk 2001). He died in Bologna in 1709, where his manuscripts are conserved in the San Petronio archives. Giuseppe's brother, Felice Torelli, was a Bolognese painter of modest reputation, who went on to be a founding member of the Accademia Clementina. 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a8ÝúUXÜŠúUèš_úU!0g#@:vúUing anyw!0000-00-00 00:00:00eld !÷g#¸÷g#n SE::Sc!0g#¸÷g#0|1)$)).!0g#¸÷g#: '2' at!0g#¸÷g#3/Generi!0g#ˆúg#ADAP3::G!0000-00-00 00:00:00alue!÷g#¸÷g#fa14cb55!0g#¸÷g#www/reso!0g#¸÷g#t2.pm li!0g#¸÷g#ject::cr!0g#¸÷g#0x55fa14!1g#¸÷g#a/www/ww!÷g#¸÷g#cs/../pe!7g#¸÷g#544 SE:!1g#¸÷g#e') call!000¸÷g#eexchang!0000-00-00 00:00:00Hand!0000-00-00 00:00:00e 23!0g#¸÷g#unt::Sco!0g#¸÷g#/data/ww!0000-00-00 00:00:00cs/.!0000-00-00 00:00:00ount1little tango for flute choir .sib!2024-04-18 21:30:24!0g#ø÷g#10g#Ø÷g#(CgúUP ÌúU0!2Aàñ7úUXÑßúUäé‘”missing ¶lúU!ag##ÁúU !ADAP3::SQLg#ing anyw!xÚ6úUÈ÷g# 1SELECT LAST_INSERT_ID()ore (did0!Guitar Chords/LyricsÑWARNING (continuing anyway): Tried to set invalid field value for LicenseScore in SE::Score (didn't match (?^:^(0|1)$)). Bad attempted value was: '2''2''úUea°G2úUƒ˜úU@ô&Y#a¸2IúU ð(ÈúU(¿1úU!623117eg#ib/SE/Ha!IDúUeg# 1¸ÓßúUÐÆÕR8187!496úUÿÿÿÿÿÿÿÿ !÷g#òúU 1˜ù"úUk×úUÐj×úU˜ù"úU˜ù"úU!÷g# `1úU1÷g#Ø÷g#ms.min.jcon" siz0!370377P›ÔúU !42g#È÷g# !HASH!÷g#0ÔßúU1÷g#Ø÷g#ms.min.jef="/fav01XÕßúUü¯×á¿’d> !ϊ̸÷g#1¨ÕßúU‹Laåá¿“á¿—="a!ῢ¸÷g#1˜ÖßúUÕç³á¿¢f2"!ϋ̸÷g#1èÖßúU²‚rÀá¿£urc!ÏÌ“¸÷g#18×ßúU¿"yÐῤ !0g#¸÷g# !÷g#àÔßúU/svg/log1÷g#Ø÷g#-12 col-011g#>$úU class='composer010g#€ÅÊúU¼2SK0!÷g#àßúU/svg/log1÷g#Ø÷g# aria-la01144059Àk¾úUuantitySetOfPart0!128315¸÷g# !HASH1ÀyúU¨áßúU¥Ÿ72649!øg#(øg#˜ù"úU!÷g#¸÷g#˜ù"úU!÷g#è÷g#ÐaúU!÷g#¸÷g# qhttps://img.sheetmusic.direct/catalogue/product/star-wars-a-new-hope-md.jpgs-md.jpgdium.jpgp!ʼn#pN³úU !0g#kúUˆhúU!0000-00-00 00:00:00!÷g#¸÷g#10g#Ø÷g#Я"úU0!g# æßúUö&Y#1g#Ø÷g#°æßúU0Check out the catalogue below, for a complete list of music and with various instrumentations of the same pieces. David Burndrett is a freelance double bass player as well as being a popular composer, arranger and music educator. Many of his works have been sold, published and performed internationally. Most of his scores on Score Exchange are suitable for use in schools and other amateur ensembles. There are scores for a wide range of instrumentations available so there's bound to be something available for your group's next concert. If you're looking for something specific you can send requests to David by [[http://www.scoreexchange.com/profiles/BurndrettMusic?c=showEmail | getting in touch directly]]. !g# ñßúU@ô&Y#1g#Ø÷g#0!÷g#ÀàßúUe alread1÷g#Ø÷g#but not  0!P?ÓúU ñÏúU˜ºÀúU€(áúU ’ÇúU(µÜúU¨ŸlúU`ÍÃúUÐcÃúUÐ ÍúUÈ(€úU°ŽÇúU˜ÔúUà2ˆúUÁúUPÑúU°NmúU`ªßúU@ÔúU‹ÒúUè)ÄúUðÝúUHÒáúU˜âÇúUøèÇúU°'júUÈÍúUˆ»ÀúUXOÐúUøÝÚúUtÊúUà4fúUàŒÎúUXw[úU`ÇúUø…ÁúUÍúU€‡úUVÀúUÍúU¸FÅúUxkúUˆCÓúU`¶múUÈZ¿úU ĹúU8ÑúUx­ÙúU OÜúUàÇúUplÑúU€¥ßúUXÛúUÈÙáúU¿júUÐÃúUHªgúUxtXúUÈehúUXïÏúUø&ÎúU(j^úU yúUx¹ÙúU ÑúU8‚ÁúU€&ÎúU„iúUèÁÀúUklúU0*iúUP¢ÓúU !g#À­|úU1g#Ø÷g#A0!0000-00-00 00:00:00!g#ÀúU1g#Ø÷g#Pú€úUÑ0 ZßúU`±¾úUˆ9úU¨múUˆ9úU˜íÊúU(^lúU¨júUÈYÏúUˆ9úUTâúU˜ù"úUpÊ‹úUèaßúU†ÈúU˜°ÞúU°ÙvúUŠJúUp„ÂúUð#gúUˆDÉúUàlÁúUp’áúU¿júU–~úUøÜÈúUØEÞúU‹JúUŒJúU€‹JúUÈ‹JúUà‹JúU8‹JúU¸ŒJúUJúUˆŒJúU0JúU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU 1˜ù"úUèäIúU˜ù"úUŠJúU˜ù"úU`ŠJúUŠJúUØŠJúU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU1÷g#pó[úUÀE‰úU@LËúU01¨ïßúUpÉúUØáúU¸«^úU°7úUH*ÒúUÂúUˆ"õúU¨GáúUhIúUðÍÃúUè2FúUPq}úU(¹ÁúU˜ïúU@*3úUhŸúUà4úU8Ô.úUêúUDÂúUh‡?úUÐÃ-úUÈo±úUHê~úUx¸TúUÝÐúUˆ¿ÁúUöúU¸ŽHúU¸ÔÈúUÐÁ úU¤^úUˆ$úUxÄúU¨ºÁúU¸ì&úUèqúUH`úUxoòúU€´õúU ,úU¸èGúU8ëúU@p‰úUÈmúU>—úUx—¼úUà÷úUèÏ`úU¸júUÈk¸úUÐŽúUhI™úU€ïýúUg¸úUÈÌúUèEVúUxr¾úUPÊhúUXš›úU¨×€úU0A†úUÈÓGúU˜úUH1‘úUèÅßúUPßfúU¸«^úUÐ 9úU¨‚¼úU8øúUh·ÁúUšhúUÀÁúU`óÑúUøøúUX¼2úU(]`úUȼºúUØ'òúU¸múUÅÁúUúUX‰ÁúUˆBúU°ŒóúU€äúUxY'úU0 ïúUØDÂúUhÅ—úUÐÏúUÈBúUHnjúUعÁúU DZúUHb™úUh×gúUØ•¼úUÀ¡SúU¸,ÇúUè^™úUЛ¿úU&CúU ©îúUˆ}LúU¨ukúUÇúUøiúU¨µúU[CúUJÅúUH&úU•ÍúUêÁúU¨hfúUˆÀÁúU8_"úUXƒÓúUØßÅúU¸V]úUX1úUHBúUØíÑúUÀ kúUXY$úU@gúUh}TúUø™úUXQ]úUàÞoúUèÏ`úU(è°úUØDÂúU  úU8ÁþúU¸gHúU×úUhÂúUPäúúUX½àúUÈÓGúU0¸ÒúUx¸TúUP3dúU¨ù'úU(§ƒúUв úUX&9úU˜¢búUxG~úUhŸúUxàgúUèqúU€ªKúU [,úU(Z³úU8XKúUðïbúUx*€úUà†ÊúUÈ ÂúUxÇ úU€¹žúU˜ŽŠúU‡ÑúUàéŽúU¸«^úUøÇ!úUÀbúUh‘ŠúU S4úUعÁúU0ÔúUx¸TúUˆúUè½ÁúU¨+úU°A‹úUˆ­úU¸‰#úUˆHVúU°°iúUØ•¼úUp:ÀúU1°wìúUXàúUk=j97235á 6IúU¬°€ë…úU  0»ÚúU0¤6úU0†uúU  .múU¬°JPàbWúU£¨ ÐíHúU ‹úU »¸úUúUKP$(‡ úU cCúUôÅúU!(µ¸0u…úU ‹±úUàÒØúU0vAúUÐm°úUÀ3RúUaPÕÙúUÀÕÙúU°ô&Y#·(ðÓÙúU°àúU â(ñ1/usr/share/perl5/URI/_server.pmà…ÒúUAðàúU@ô&Y#"1/usr/share/perl5/URI/_server.pm ²1€àúUÐàúUÀõ&Y#1ààúUààúUÀn'Y# !URI::_server!//g#¸÷g#A0àúU0àúU@ý&Y#C€àúUààúU1€àúUÀn'Y# !URI::_serverAÀàúUÀàúU@ý&Y#CFðàúU0àúU1ðàúUÀn'Y# A0àúU0àúU@ý&Y#CF€àúUÀàúU1`àúUÀn'Y# A àúU àúU@ý&Y#CFðàúU0àúU1ÐàúUÀn'Y# AàúU@ý&Y#CF`àúU àúUAÀÌàúUö&Y#DPàúUÐàúUAðàúU°ö&Y#¦Љ‰úUðàúUa€àúUàúU°ô&Y#·)°àúU àúU â(ñ10ÌàúU0ÌàúUàñ*Y#ºAðàúUÀõ&Y# PàúUa@‰‰úU àúU°ô&Y#·#`àúUÀàúU â*ñ1/usr/share/perl5/URI/_server.pmÀA ÒÌúUÐò*Y#» 0àúU àúU1`àúU`àúUàñ*Y#ºA ÒÌúU°ö&Y#¦ †‰úU0àúUA ÒÌúU ÒÌúUÀõ&Y# `àúUa…‰úU àúU°ô&Y#·"pàúU@àúU â,ñ1/usr/share/perl5/URI/_server.pm`ÏúU!URI::_serverð}ÅúUAÐÒÌúUÿ*Y#ÁàúUÐàúU1àúUÀn'Y# AÐàúUÐàúUÐõ&Y# ¸ßúUª,úUD‡:úUpkúUDÿoúUp‰júUDàýúUpÏØúUDúUPŠÐúUD aÃúUÀàúUè;ÍúUp,úUD0¡fúU°±IúUDàXOúU }TúUD é_úUPò2úUD0ãNúU zÆúUD°ÃúUžžúUDÀñúUÐ[úUD€úU`o²úUDÙ½úUÀ“yúUD ¦óúUàgúUD0½ñúUÊúUDÐô½úUp<úUD°\úUÐØbúU  `ßúUÐHÍúUD N¼úU€ÂúUD°ðúUkúUD@ÒôúU€ù5úUD¡3úUˆàúU€H|™úUà¦ÐúUÅúUDðâNúUÐàúU*HÐuÅúUDðûúUÿÑúUDà¿ñúUØúUUЩtúU pÒúUDÀŒƒúUhý„úUÿ°ÜFúU€@GúUDjúU°}ÆúUD0ùúUp£‹úUDPš¯úU`žßúULìúUЯ:úUD³—úUÀc[úUD@@Å‹úU0"ÚúUD@DâúU€ü·úUDp…úU ðôúU @€y úU°¹úUDдdúUhàúU(ÇúUeúUD0O[úUËgúUDà¦yúU°àúUðWúUD #zúU )púUDoøúU  kúUD 0ÒvúU`èÈúUô!úUDë5úU óÅúUDúúúUpÞüúUDàÍúU€b úU •OúUD+§úUÀÐØúUD âmúUÐúUDЮkúU døúUD@ ¬úUÀkkúUD`Ç9úU0púUDðyçúUð¸DúUDLúU ^ÉúUD àhÒúU°ÏúúUD£iúUÀgkúUˆÔúU @ÀY~úU€º¸úUD@¢úUðc!úU  ÃiúU`ÖØúUD`úUP‡múUDÀ›úU0fúUD°xŸúU`>IúUDгkúU@³JúUD CúU½húUDðíKúUP!àúU¨¶fúUàÔÄúUPìÓúUDÅñúU»DúUÿ x9úU¶ÚúUD€ÎßúUàkúUD€^ñúUpNúUD€”"úU°·úUD {øúU o>úUÿ€oúUŠ±úUD0hmúURúUDPy#úU`ÒlúUDS úUð<‚úUD à*VúU "àúUèúUÐûÃúUD€*±úUàÅáúUD\cúUÀ±úU`ºÓúU pŒÝúU„ŽúUDÀ$ÿúUpìÓúUD@xúU îÆúUD¤¯úUPÞúUD`ŒŸúUà$gúUD`á†úU×­úU@(uúUD`|úU€dúUD0­øúUhîôúU @0þôúUð#àúUXÐúUkúUDÐÁ'úU€RÁúU "@NßúU ÷úUDð_èúU … úUDPñúUP»ÓúU €p^úU¤ŒúUDÐGšúU@ˆÃúUD úUØeúUDP6iúUÛüúUDÐwóúUð¾ÊúUDÀ›úU€,êúU  à›fúUÀÑQúUD€­ZúU6lúUDpeúU@%àúUÈQXúU ]úUDP%ïúU@ýáúUDPÏþúU°.úUD`WúUpf˜úUDÐõúU ž°úUD `ÖñúUà‹úUDнôúUÄúU €€PÓšúU¸úUD vuúU&àúU@'ÌúUh[>úUÿðEúU©-úUD` úU múUD hîúU´3úU  ÀõúUP-rúUD#ÁúUÀvâúU0W€úUD°sîúUÈö¶úUÿPMúUÐœÁúUD0áñúUPL]úU•ÖúUDàNúUðÂ^úUºÓúU @ ÁúUàÂúU €Ø¹>úUÿ`>UúUk°úUU`ÞÓúUÄúUÿ úUPö!úUDPÔúUN*úUD š,úUÐéõúUDpGîúU0*úUD`vúU  úUDÐ0/úUŸ°úUD`9úUbUúUDpCHúUÀzúU€úUD€ûðúU`ÃþúUDnòúUÐx„úUDpÖcúUlÇúUD ÝúU ÂúU° xúU`è{úUDÀÍßúU dúUD0g°úUµËúUÐácúUD Ž/úU0…kúUD`ÉñúU¨)àúU@ÑfúUD`ZvúUð„lúUDeýúUÈr°úUU øXúU@(úUD æCúUQ°iúU1Toccata (Alto Sax and Piano)P5`úU!60g#¸÷g#H kúU!554#¸÷g#¤1úU!3g#¸÷g#.àúU!2g#¸÷g#P5`úU!2011-06-22 08:28:09úU!2017-11-22 17:11:25úU!0g#8øg#à+¬úU!5g#¸÷g#x•júU!1.75ø÷g#€súU12011-05-08 07:45:350!sib#¸÷g#ÀS[úU!1215¸÷g#À€ˆúU!0g#¸÷g#Ø vúU!÷g#¸÷g#(=œúU!0000-00-00 00:00:00úU!1g#¸÷g# ìšúU!4841¸÷g#ÀP]úU!2g#¸÷g#¨Z‡úU!0g#¸øg#€Q~úU!0g#¸÷g#x•júU!122308¸÷g#88úU!÷g#¸÷g#XÑsúU!0g#¸÷g#PmœúU!0g#¸÷g#Ú‡úU!1g#¸÷g#€súU10g#Ø÷g#ÔúU01J.S.Bach. Arr :- Johnny Jones.ù"úU!Jan Smithg#˜ù"úU!0g#¸÷g# !øg#¸øg#X›úU!0g#¸÷g#H²cúU!0g#¸÷g#HbµúU!1g#¸÷g# XŒúU!0g#¸÷g# ¤gúUq{ "GroupOrd" : "60", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "21392" } QThe "Polovtsian Dances" are perhaps the best known selection of Alexandra P. Borodin's opera "Prince Igor". This particular dance "Gliding Dance of the Maidens", or simply "Girls Dance", has been adapted many times. In 1953 it was known as the popular song "Stranger In Paradise" from the musical "Kismet". In 1940 Artie Shaw, a fantastic jazz clarinetist, recorded "My Fantasy", which has a tune almost identical to this dance. Also arranged as Tenor Sax solo with String Orchestra accompanimet, and as a Saxophone Quintet, SATTB, please see my homepage for these. U!3.25¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#túU!127225¸÷g#!0g#¸÷g# ¤gúU!0g#¸÷g#0`súU!0.00¸÷g#˜kyúU!4.75¸÷g#€ðeúU!1.50¸÷g#èÎiúU!0g#¸÷g#H²cúU!÷g#¸÷g#HbµúU!0.00¸÷g#HÒoúU1È4àúUÿ@Ê83644172649Ø÷g#uantitySetOfPart01(5àúUÑÜN68623!0.0000øýg#05àúU!2011-05-08 13:02:28!0g#¸÷g#!0g#¸÷g#!5g#¸÷g#!2013-04-12 17:33:05!0g#¸÷g#!0g#¸÷g#ÑGirl's Dance from 'Polovetsian Dances' (Tenor Saxophone and Piano) A.P.Borodin. Arr :- Johnny Jones. Jan Smith Harmonie Publications The "Polovtsian Dances" are perhaps the best known selection of Alexandra P. Borodin's opera "Prince Igor". This particular dance "Gliding Dance of the Maidens", or simply "Girls Dance", has been adapted many times. In 1953 it was known as the popular song "Stranger In Paradise" from the musical "Kismet". In 1940 Artie Shaw, a fantastic jazz clarinetist, recorded "My Fantasy", which has a tune almost identical to this dance. Also arranged as Tenor Sax solo with String Orchestra accompanimet, and as a Saxophone Quintet, SATTB, please see my homepage for these.ndPa!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#°ÅZúU@X°úUà›ŽúUhúUPæaúU `ZúUàÞtúU ˜‹úU‡úU`:ˆúUpœ!úUXKkúU€6eúUpœgúU˱úUPÏ…úUp;zúU€yiúU€¡núU˜ÇlúUÑ^úUˆÛ0úU(‡úUøŠmúU0²úUúU(1túUHÒoúU8XúUpÆúU@²{úUð“}úU¸’}úU‹júU(YúU8 súUPçeúUhÐsúUX›úUè%]úUÖyúU8–aúUtúU°3aúUXùuúUˆpúUãgúU ¤gúU [úUè²xúUð1ŽúU¸â‡úU˜kyúUHûYúU˜PfúU€ðeúUвxúU¸”qúUèÎiúUeúUÈ°cúUˆõwúUH²cúUØ}úUHbµúU`e±úUˆ+júUà|`úUhAkúUØ:ŽúUØhµúU É…úUÀö}úU¨rúU¨IkúU n‚úU0ãtúUÐw`úUmeArtis±["140936","42812","7035","30453","5087","89155","67172","96273","58131","27461","77359","9569","166045","51405","83904","27358","11236","138929","360541","22632"]!2020-09-13 18:00:03!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-04-30 08:29:49!2023-04-30 08:29:52!394251¸÷g#!354928¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qxb±úU!2017-06-09 17:10:17úU10000-00-00 00:00:00P¢fúU01This Old Man (Saxophone Quartet)úU!551#¸÷g#¤1úU!4g#¸÷g#xš{úU!2g#¸÷g#!2011-06-22 08:30:22úU!2017-11-22 17:11:28úU!0g#8øg#ŠmúU!0g#¸÷g#0®úU!2g#¸÷g#•€úU11.50Ø÷g#0!sib#¸÷g#ày€úU!1215¸÷g#À€ˆúU!0g#¸÷g#Ø vúU!÷g#¸÷g#(=œúU!0000-00-00 00:00:00úU!0g#¸÷g# ìšúU!4929¸÷g#ÀP]úU!1g#¸÷g#¨Z‡úU!2011-05-08 08:39:39úU!0g#¸÷g#0®úU!0g#¸÷g#à'júU!120531¸÷g#à úU!÷g#¸÷g#p®húU!0g#¸÷g#X0ˆúU!0g#¸÷g#•€úU11g#Ø÷g#€/²úU0!trad.è÷g#!Jan Smithg# AThis is an adaptation of the Toccata from J.S.Bach's celebrated "Toccata and Fugue in D minor", which is probably his most well known Organ piece.� Bach wrote 7 such pieces between 1707 and 1710.� The Toccata is a keyboard work, often free in form, intended to show off the ability of the performer.GàúU!4.25¸÷g#0GàúU!0g#¸÷g#defScor!1g#¸÷g#ErrorCou!0g#¸÷g#gTit!÷g#¸÷g#°GàúU!÷g#¸÷g#ÐGàúU!0g#¸÷g#defScor!÷g#¸÷g#WarningC!÷g#¸÷g#!÷g#¸÷g#PHàúUq{ "GroupOrd" : "290", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "21137" } or!0.0000¸÷g#°HàúU!2011-05-08 07:45:54úU1Toccata Alto Sax and PianoUdefScor!0g#¸÷g#ZipConve!0g#¸÷g#onStarte!8g#¸÷g#`IàúU!2013-04-09 22:12:59úU!0g#¸÷g#ìIàúU!0g#¸÷g#eScores!øg#øg#ishedZi!41153è÷g# !0g#¸÷g# áAn arrangement of Robert Schumann’s delightful miniature ’’Traumerei’’ for Saxophone Ensemble, from his ’’Scenes from Childhood’’, originally composed on February 24th for Pianoforte. The instrumentation is SSAT & B. Kinderszenen (German pronunciation: [ˈkɪndÉËŒstÍ¡seËnÉ™n]; original spelling Kinderscenen, "Scenes from Childhood"), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. In this work, Schumann provides us with his adult reminiscences of childhood. Schumann had originally written 30 movements for this work, but chose 13 for the final version.Robert Polansky has discussed the unused movements. Nr. 7, Träumerei, is one of Schumann’s best known pieces; it was the title of a 1944 German biographical film on Robert Schumann.Träumerei is also the opening and closing musical theme in the 1947 Hollywood film Song of Love, starring Katharine Hepburn as Clara Wieck Schumann. Schumann had originally labeled this work Leichte Stücke (Easy Pieces). Likewise, the section titles were only added after the completion of the music, and Schumann described the titles as "nothing more than delicate hints for execution and interpretation". Timothy Taylor has discussed Schumann’s choice of titles for this work in the context of the changing situation of music in 19th century culture and economics. In 1974, Eric Sams noted that there was no known complete manuscript of Kinderszenen. °ÈúU!0g#øûg#ðOàúU!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2022-06-26 19:27:22úU!0000-00-00 00:00:00!÷g#¸÷g# gvúU!19204¸÷g#!0g#¸÷g#p­°úU!3g#¸÷g#ˆjµúU!7.98¸÷g#¸æ[úU!3.99¸÷g#øy[úU!7.98¸÷g#í]úU!3.99¸÷g#°§rúU!0g#¸÷g#ð gúU!÷g#¸÷g#Ø‘‹úU!0.00¸÷g#!5.00øg#8ÐdúU!2023-05-06 14:53:0512023-05-06 14:53:26úU0VxúU0!0g#Øùg#{ "GroupOrd" : "70", "StoreGroupOrd" : "70", "StoreGroupID" : "3061", "GroupID" : "22198" } ~šúUp!0.0000¸÷g#!2014-12-19 03:12:33úUATrumerei in F for Saxophone Ensemble S S A T B617838!0g#¸÷g# !0g#¸÷g#!4g#¸÷g#@ÃÛúU!2013-04-17 06:27:46úU!0g#¸÷g#529251!0g#¸÷g# !0g#ø÷g#10g#Ø÷g#ÐÂúU AÃúU0ü=úU¸”ÝúUÈù"úU núUØÊiúU ÅlúUØéúUȆ‹úU ‘BúUDÂúU(ÑúUÑúUlòúUˆeÇúUð¡¿úUˆ)“úUà5úUXY]úU(–VúUˆ<ÂúUÐÃNúUb^úUÈBúUSÛúU0FüúUˆ)“úUèBöúU¨ šúU¸Õ€úUx—¼úUPµ(úUÈk¸úU‰0úUH½ñúU¸¸cúUðþÞúU˜á)úU(·cúUèÎ.úUHìúUøúúUØaúU˜öúU0ÖÐúUø¸ÝúUÙqúUúU¸«^úUØ+úUˆ<ÂúU(ùaúUèÏ`úUˆ«úUÈ ÂúUÀê¢úU¸ŽHúU8DóúUAjúUhÂúU 2¾úU J<úUˆi8úU°úUH©úU˜ù"úU¸ŽHúUÈêåúUfmúUˆ3‘úU´±úUXÂúU:—úU°ƒ'úUlòúU@q8úU˜HaúUðÙwúUHÂúU {òúU8îúUˆ­úU8…úUˆÀÁúU@¿úU¸{™úU(úUJÂúU(ûúUÀáÝúUHù@úUÈÛoúU¨GáúUÐÈúUhO]úUˆÊúU°ðJúUˆ­úU°Â”úU *ÎúUhúúúUˆlúU(¹ÁúU/`úUȵÁúUOCúUÈk¸úUp‘`úU€ƒ²úUÂúU fúUÀÁúUÐìúU‹JúUÂ]úU(ôƒúUÈk¸úU8éáúUˆÇ(úUП'úU˜¶ÁúUpè úU¸&*úUjÄúUêÁúU¸+úUèÎ.úUÐü6úU0¢ÌúU¤^úUÈÍÁúUÇÁúU UlúUXÙúUÈ5‘úUf:úUh.öúUhŸúU e:úUêÁúU#úUU]úUPðúUP«úUXýÏúU0®@úUˆzœúU¸šúUpbÇúUŸúUèñ†úUXºúUØn8úUPûHúUžYúUÂ]úUà‘ÅúUÈ ÂúUØï4úU®ÌúUÈÓGúU¨ûÍúU@À¯úU¨TíúUˆŒ|úU8u6úU@‚kúUð¢ÌúU+ÖúU°ÌhúUèÎ.úU0+úU¨eúUHx,úUø´ËúUQúU@£2úU˜Š‹úUøÖúUX¹uúUH úU VWúUêÁúU(K$úUøBúU¸šúUÐY¢úU¸#ËúUˆ¹TúU€ŠÝúU¨ô úUH&úU¸HMúU8ÞúUÐÎÓúUˆ<ÂúUÈ×ÿúU¨‘HúUH3kúUxýëúU¸&*úU"úUØé úUøEúUˆ)óúUØÛ.úU@\[úUXåmúUÈù"úUPJgúU8zîúU TXúUÐÃúUx]µúUê&úUx»ÁúUФ6úU@ 2úUÈ"%úU~DúU0ÈMúUhŸúU@ÈúU¸V]úUx®ÃúUx»ÁúUÐæÝúU˜·™úUh4¬úUà“-úUˆ¹TúUp%õúU¨eúUXÓúU;ïúUÂúU(‡óúUÈ2!úUø ÌúUˆýˆúUjúUHR]úUÐ*úU0X¹úUXWäúUôýúUx—¼úUP„~úUH§¸úU áðúUø¸ÝúUpéÑúUHŽÑúU ôúUXQ]úUx¶rúU˜ÍnúU˜úUAºúUðJÈúU¸ÈÁúUÂúU¨U)úU äðúU(Ý»úUpLpúUèÎ.úU'õúUpÍúUH&úUHàúUh}TúUYúUXcÃúUˆ<±úUX·iúUXY]úU¨œhúUè½ÁúU AúUHŽÑúU0C_úUØÛ.úU@ðáúU@ úU¸šúU óúU¸&*úU+¾úU íËúUHF™úU@u‹úUðgTúUn¸úUÐHóúU`‹ÎúUhúúúU £¹úUêÁúUhfúUˆ¿ÁúUhGúU0zûúUˆ­úUÎúU¨GáúUÐæ&úU°²°úUØ·~úUgúU@ù‹úUhÂúU¨LâúUˆHVúU¸ìôúU(¹ÁúUX~˜úUàAúUˆ­úUðúhúUýÁúU÷úU¨U)úUèôúUˆ¿ÁúUÃlúUÈÇèúUØ9úUèEVúUXe%úU°NVúUø ¸úUàÝäúUHg2úUÈÓGúUÐ@GúUP_úUhÂúUX+ÚúU˜á)úU€6BúU¸ŽHúUHã úUˆš~úUøT$úU`âwúU¨GáúUP`úUøhÊúUxY'úU%úUZ]úU`M]úUعÁúU0ÌÉúUÇÁúUÏúUp¦õúUH&úU¨BeúUØÃúUX/5úU°/CúUxFaúUˆäaúUH”€úU¸«^úUðÀVúUDÂúUЭLúUØ’eúUÈ®ËúUè!ÝúU˜Ô™úUx–”úU+MúUèÃÁúUà˜úUÈÞ)úUx@ÆúUعÁúU@8&úUúDúUÂ]úUðÔ5úUˆz¾úU°úUà†!úU¸ÈÁúU(îðúUHÂúUÈY²úU¸²;úUÐóÚúUèÎ.úU¨üEúUèÏ`úUpMiúUªßúUXa8úUà]ßúUÈW{úUȆ‹úU8ÌúUH©úU˜ù"úUxÂúUРþúU`v‚úUÈ[™úU0$múUœÞ9 @ÿÿÿÿÿÿÿÿÿÿÿûÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿp{u0:U9Þ'ÞÞÀ kúU!(?^:(.*@))g#!gàúU¸÷g#!÷g#¸÷g#A@iàúUÀhàúUÀõ&Y#ÎàúU1`KTY#Ba œÞ@9Þ0@ÞAÞ€¬úU°qÿÿÿ` gúUÿÿÿ` gúU!$port¸÷g#!URI::_server:portfo!¨ÆúUpïÑúUP gúU1ÀjàúUÀn'Y# ²€!$self¸÷g#@I;úU1húUhúUÀn'Y# AàgàúUàgàúU@ü)Y#›‚!URI::_serverAÍàúU@ô&Y#AÀhàúU û&Y#ª@ÎàúUÎàúUAÍàúUÍàúUÀõ&Y#iàúUA ÑÙúU ÑÙúUÐ÷&Y#%E@iàúUÍàúUaPÍàúU€iàúU°ô&Y#·% hàúU jàúU â&ñ1/usr/share/perl5/URI/_server.pmA ÑÙúU ÐÙúUÀõ&Y#plàúU1`ÑÙúUÀn'Y# ²€A ÙÌúU ÙÌúUÐ÷&Y#%E`hàúUàgàúUa`hàúUÀjàúU°ô&Y#·1kàúU`kàúU â-ñ1/usr/share/perl5/URI/_server.pm˜ù"úU1URI::_server˜ù"úU˜ù"úU01làúUlàúUÀn'Y# 2!:àúU÷g# A€ÎÙúU@ô&Y#! (øg#ÔÆúUAjàúU õ&Y#!(?^:(:\d+)\z) @àúUªÀ²œúUDï?úUÔúU @ ÚÝúU°aaúUDPR`úU@¥úUD ®…úUPmàúUðªþúUàú2úU@cÈúU˜màúUÿ¾úU°màúU°§-úUD3úUàãÈúUD ôïúU`ÂÿúUDиvúU4,úUDP‚ùúU¶3úU  ºúU€*ÜúUDp—ïúU eCúUD0 oúUÐ^üúUD ½úUPª´úUÿðúU˜OúUD@¾úU°ÈGúUD°oúU¿§úU ÐümúUD Á0úU`^”úUÀUÁúU "ÿŽúUðçÀúUD àZSúU@üÃúUDP˜ÌúUpÐØúUDŽ~úUÈž³úU @ûlúUøÔúU €°ÐøúUDÀ¦úU0úUD0§vúUØoàúU€WÁúU  ˜TúUD`voúU pàúUÀ` úUD0-ïúUÐÇýúUD@tÎúU€Ã‡úUDðk™úU&cúUD°ƒðúU°ÖüúUÐâúUfð&âúUADúUD`oaúU ŸÖúUDu%úUpDÊúUDPBSúU ÔúU € 4áúUPˆàúUD hïúUÀ úUD Y úU`FúUD0¢iúU`œÝúUz úUD` .úUpÏCúUD`rgúUðÐúUD pÖÁúUÀd˜úUDàñúU@IÊúUD }úUÐÆcúUp"ÚúUDpµ‹úU`éÈúUD u~úUèO¿úUUpmúUð¶+úUà¦úUD0¾)úU íúUÿ`‘úUð,húUÿp<ôúU`cúUDàÇúU—&úU °kfúU`ŒhúUDPA/úU`5úUD€éúUð„ÊúUÀiÈúUP¿úUUàA³úU@òÆúUDð'ÿúU ê"úUD°R•úU ‰kúUD ¾úU°sàúUæ úUD ´ÿúUÓnúUD€5úUÀhúUDÀ júU(%úUÿÀÙ:úUà:UúUDðÓVúUðúUDà5úUXtàúU0üEúUðúUDp-úUHRÛúUÿ šAúUHT>úUÿ΀úUÌ úUDÀ‚ýúUÐtàúU@°’úUD •úU Þ úUD‘úúUpÇÙúUDÀú2úUh6úUD€g\úUHuàúU çÈúUD€šóúU…múU  ˆ7úUàŸŒúUD€Ù8úUhúUD–2úU~PúUDð':úUàçÈúUDPsîúUК°úUDàZ"úUHðuúU @@ÜïúUà( úUDYRúU gúUD s%úU°žžúU0œúUñ1/usr/share/perl5/URI/_server.pmA‚àúU`ö&Y#A‚àúUÀõ&Y#”ÐàúU`àúUA àúUÀõ&Y#à€àúU1à€àúU`àúUÀn'Y# #1 àúU àúUÐõ&Y#A°=ÚúU`a'Y#¯E àúUaÐàúU‚àúU°ô&Y#·U@àúU ‚àúU â>ñ1/usr/share/perl5/URI/_server.pmà­fúUApwjúU°ö&Y#¦<ÚúUƒàúU1 @ÚúU @ÚúUàñ*Y#ºApwjúUpwjúUÀõ&Y# ЂàúUaÐ<ÚúU@ƒàúU°ô&Y#·N„àúUàƒàúU â@ñ1/usr/share/perl5/URI/_server.pmpËÐúU!URI::_server495126AzjúU°ö&Y#¦PøÑúUxjúU1PñÅúUPvjúUÀn'Y# "!URI::_server!URI::_serverвÉúUAàujúUàujúU@ý&Y#CPñÅúU°ujúUá Pk°úUBHVX€ˆ±úU  ÐŽÏúU}ÆúU¬°ðêÈúU¨°ïtúUÐø·úU 0Á9úU  ‰ŠiúU`˜€úUBH ¼úUÐ(/úUpkúU¸À#múU/0Ð~›úU› Ô9úU©°À_”úU (µ¸P?úU!0000-00-00 00:00:00úU!0g#¸÷g#!0g#¸÷g#Trumpet Tune from the Island Princess for Saxophone Quintet Jeremiah Clarke(c.1674-1707) Arr:Keith Terrett Keith Terrett Music for all Occasions An arrangement of Trumpet Tune for Saxophone ensemble. Thought to have been born in London around 1674, Clarke was a pupil of John Blow at St Paul’s Cathedral. He later became an organist at the Chapel Royal. After his death, he was succeeded in that post by William Croft. Clarke is best remembered for a popular keyboard piece: the Prince of Denmark’s March, which is commonly called the Trumpet Voluntary, written about 1700.[2] From c. 1878 until the 1940s the work was attributed to Henry Purcell, and was published as Trumpet Voluntary by Henry Purcell in William Sparkes’s Short Pieces for the Organ, Book VII, No. 1 (London, Ashdown and Parry). This version came to the attention of Sir Henry J. Wood, who made two orchestral transcriptions of it, both of which were recorded. The recordings further cemented the erroneous notion that the original piece was by Purcell. Clarke’s piece is a popular choice for wedding music, and has been used in royal weddings. The famous Trumpet Tune in D (also incorrectly attributed to Purcell) was taken from the semi-opera The Island Princess, which was a joint musical production of Clarke and Daniel Purcell (Henry Purcell’s younger brother)—probably leading to the confusion. ™àúU!0g#(þg#ИàúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 16:20:04A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":132,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"8A979A1A-1625-11E7-844C-B66E5179297D","position-x-pc":"0"}changeScores!0g#¸÷g#!970#¸÷g#!430#¸÷g#PSfúUpv‡úUHÝŠúU0x`úU ŽeúUØ#]úU¸ÈiúUÀfpúUð~[úUàšzúUàß[úU¥'úUH°fúU€'túUZúUX›úUPPrúUÐyúU I{úUP3aúUXÉZúUø]úU¸.múUPppúUЀ[úUHÍ‚úUxç[úUØ5eúUP`úUxyúUP—zúUh6eúUxúuúUh×yúUàH~úU(3_úUHopúUÈvúU°»úUfsúUhXŒúUhÐ`úU°f±úU`s|úU¦›úUfoúU0úURrúUø§uúUÐÈdúU'€úUèpŠúUÀvúUÀŽúUlúU°-júUxïjúUh¡!úUøzúUHÑúU0æeúU`ÃlúUpì€úU¨`úUȪkúU’YúU@•zúUÜaúUXEuúUp¸{úUø­kúU¨'ƒúU€”€úU(þ}úUXO~úU€ÔyúUøs`úU([úU` àúU±["150835","148165","21351","135808","31555","198839","69515","150836","38942","69586","164701","35991","1204","159803","393937","150874","1377","527869","166592"]úU!2020-09-24 16:49:41!1g#¸÷g#!2019-09-25 13:25:1518792A28E-DF8F-11E9-BB11-78œ¡àúU!120679¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x459¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-14 09:49:52!2023-04-14 09:50:43!2109807¸÷g#!2479459¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¸¤'úUÑ An arrangement of Taps for Concert Band. The tune is a variation of an earlier bugle call known as the Scott Tattoo which was used in the U.S. from 1835 until 1860, and was arranged in its present form by the Union Army Brigadier General Daniel Butterfield, an American Civil War general and Medal of Honor recipient who commanded the 3rd Brigade of the 1st Division in the V Army Corps of the Army of the Potomac while at Harrison’s Landing, Virginia, in July 1862 to replace a previous French bugle call used to signal "lights out". Butterfield’s bugler, Oliver Wilcox Norton, of East Springfield, Pennsylvania, was the first to sound the new call. Within months, "Taps" was used by both Union and Confederate forces. It was officially recognized by the United States Army in 1874. "Taps" concludes many military funerals conducted with honors at Arlington National Cemetery, as well as hundreds of others around the United States. The tune is also sounded at many memorial services in Arlington’s Memorial Amphitheater and at grave sites throughout the cemetery. Captain John C. Tidball, West Point Class of 1848, started the custom of playing taps at military funerals. In early July 1862 at Harrison’s Landing, a corporal of Tidball’s Battery A, 2nd Artillery, died. He was, Tidball recalled later, “a most excellent man.†Tidball wished to bury him with full military honors, but, for military reasons, he was refused permission to fire three guns over the grave. Tidball later wrote, “The thought suggested itself to me to sound taps instead, which I did. The idea was taken up by others, until in a short time it was adopted by the entire army and is now looked upon as the most appropriate and touching part of a military funeral.†As Tidball proudly proclaimed, “Battery A has the honor of having introduced this custom into the service, and it is worthy of historical note.†It became a standard component to U.S. military funerals in 1891. "Taps" is sounded during each of the 2,500 military wreath ceremonies conducted at the Tomb of the Unknown Soldier every year, including the ones held on Memorial Day. The ceremonies are viewed by many people, including veterans, school groups, and foreign officials. 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©U!÷g#¸÷g#11.50Ø÷g#0Q/data/dynamic/seview/scores/7/1/1/3/623117/v20240418213024/0/1.jpg!1.50pëÔúUon!0000-00-00 00:00:00!HASH¸÷g#!HASH¸÷g#!HASH¸÷g#!HASH¸÷g#!HASH¸÷g#!300úU141g#p]fúU~ÿÿÿÿ0!0g#008úU !0g#¸÷g#!0g#¸÷g# ÍúU!0g#è÷g#àcIúU!0g#¸÷g# !1g# ¡kúU1David Ninog#0!0g#`õúU !USQLrencyID!0g#pùXúU !HASHÔüúU This score was submitted for publication and has not been given the opportunity to appear on the big catalogs. I have performed it with my ensemble with outstanding ovation. I hope this work get to be know more in the future. Thanks.ÿÿ10g#0òúU class='composer01We Three Kings John Henry Hopkins Arr. David Nino David Nino This score was submitted for publication and has not been given the opportunity to appear on the big catalogs. I have performed it with my ensemble with outstanding ovation. I hope this work get to be know more in the future. 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Oder Der Markt zu Richmond (Martha, or The Market at Richmond) is a ’romantic comic’ opera in four acts by Friedrich von Flotow, set to a German libretto by Friedrich Wilhelm Riese and based on a story by Jules-Henri Vernoy de Saint-Georges. Flotow had composed the first act of a ballet, Harriette, ou la servante de Greenwiche, derived from a text by Saint-Georges, for the ballerina Adèle Dumilâtre. This was first performed at the Grand Opéra in Paris on 21 February 1844. The time available for the composition was short, so the second and third acts were assigned, respectively, to Friedrich Burgmüller and �douard Deldevez. The opera Martha was an adaptation of this ballet. ˜DáúU!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } EáúU!31.9000¸÷g#!2021-05-25 09:32:44AMAppari Tutt Amor for Eb Alto Saxophone PianorèEáúU!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2013-04-24 22:19:31!0g#¸÷g#!0g#¸÷g#±M’Appari Tutt’ Amor for Eb Alto Saxophone & Piano Friedrich Von Flotow Arranged by Keith terrett Keith Terrett Music for all Occasions An arrangement of M’Appari Tutt’ Amor from Martha for Eb Alto Saxophone & Piano. Oder Der Markt zu Richmond (Martha, or The Market at Richmond) is a ’romantic comic’ opera in four acts by Friedrich von Flotow, set to a German libretto by Friedrich Wilhelm Riese and based on a story by Jules-Henri Vernoy de Saint-Georges. Flotow had composed the first act of a ballet, Harriette, ou la servante de Greenwiche, derived from a text by Saint-Georges, for the ballerina Adèle Dumilâtre. This was first performed at the Grand Opéra in Paris on 21 February 1844. The time available for the composition was short, so the second and third acts were assigned, respectively, to Friedrich Burgmüller and �douard Deldevez. The opera Martha was an adaptation of this ballet. PhotoHeight!0g#¸÷g#!0g#¸÷g#!55g#¸÷g#!79g#¸÷g#!2017-03-31 13:41:18‘{"width":209,"position-y-pc":"79","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":195,"width":84,"x":73,"center-y":237,"height":84,"center-x":115}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"55%","position-x":"center","position-y":"bottom","position-y-combined":"bottom","average-center-x":115,"average-center-y":237,"id":"5C7CE876-160F-11E7-B2F8-82EF035C3F29","position-x-pc":"55"}esSellingS!1g#¸÷g#!170#¸÷g#!243#¸÷g#(5úU(}[úUÞ[úUðhµúUØ-ƒúUÀÆdúU©›úUxætúU°ngúUØýˆúUÀÏsúU &€úUFrúUøcµúUY›úUèñbúUH ±úUBkúUxIhúU0c‰úU .eúU¦"úUð ŠúU8U‰úUøÄiúUˆâ§úU¸qœúUàÅZúUÈÝaúU8ˆ€úUHz‡úU ±›úU¨dúU˜yúUÀoúUxÐ%úUøJhúU`‰múUˆryúU09zúUÈ!úUpÙ^úUðidúU躩úU ŸŽúUHŠúUp:qúUèܧúUHP{úUhoŠúU@bsúU°úU c^úU¸û}úUÚ‚úU¸IYúU@ !úUh™aúUàúU ÄiúUP-múU@tœúU¸Q›úUOuúUP(€úUØö}úU^°úUXR{úU »úU°&_úU€MnúUвúUà‡múUØ@kúUèo|úUÈîwúU°¡núU8‘wúUQáúUQø|úU±["154165","104408","44741","129185","81671","155682","26625","153711","93846","110509","120442","57508","143145","208176","173728","30419","207833","409082","152545"]!2020-09-16 19:05:54!1g#¸÷g#ð•eúU!2019-09-25 13:01:37úU139ED7FC0-DF8C-11E9-A548-78úUØnúU!14002¸÷g#`ýuúU!0g#¸÷g#hïŽúU!0g#¸÷g#!0g#¸÷g#X‘múU!1g#¸÷g#1650x918Ø÷g#àëzúUx»©úU0‘Mattinata arranged for Eb Alto Saxophone & Piano. Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite. úU!1g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0.0000¸÷g#!2018-05-29 00:43:581Mattinata for Eb Alto Saxophone Piano3!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2013-04-16 11:49:39!0g#¸÷g#!0g#¸÷g#Mattinata for Eb Alto Saxophone & Piano Ruggero Leoncavallo (1857-1919) Keith Terrett Music for all Occasions Mattinata arranged for Eb Alto Saxophone & Piano. Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite. úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 13:38:05A{"width":201,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"E98D1912-160E-11E7-9205-F734DDA470DE","position-x-pc":"0"}ScoreExchang!0g#¸÷g#!230#¸÷g#!343#¸÷g# gúUp—_úUˆ±húU¨7ˆúU€2²úUÕdúUÈ|úUøœúU œúU°ñzúU°›gúU˜ÝaúU¸|úUÀAqúUˆÑdúUð•eúU@ŒwúU`úUÈɱúU tyúUWnúUÈ*ŸúU‰úUPlúUWxúU8•ŽúU(*_úUhïŽúUX ±úU€ÑúU8­›úUôŽúU¸ëjúURnúU¸#¬úU¨±°úUÀ_µúU0DYúUЊúUx oúUÉdúU€`úUðƒbúU ª$úU(KrúU¸QhúU¨¿_úU°0eúU8moúUHÎ…úUX,ƒúUà{ŠúUôˆúUœgúU—!úUpmúUP¶©úUP¯°úUÈœqúU˜gsúUøQ~úUðÔ^úUØnúUÀivúU`ýuúU(2€úUh‹úUÈíbúUø­húUÈ4}úUÀõqúUˆžzúUˆËlúU°ŠaúUXsúU0aZúUàëzúUø»ŒúUdefScor!øg#øg#ZipConve!14850¸÷g#ionFinis11g#Ø÷g#ºeúUˆ¹eúU0qArioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Eb Alto Saxophone & HarpsichordªúU!554#¸÷g#È»búU!3g#¸÷g#˜ÏúU!3g#¸÷g#¨VpúU!2021-06-08 16:20:34úU!2021-06-08 16:19:42úU!0g#8øg#˜µ°úU!2g#¸÷g#h‡júU!2.50°gáúU¨ÎúU10g#Ø÷g#0!sib#¸÷g#àˆúU!250#¸÷g#°fúU!0g#¸÷g#(ƒúUAArioso for Eb Alto Saxophone & Harpsichord.sibð"úU!2021-06-08 16:20:34úU!0g#¸÷g#XfúU!1514¸÷g#àú`úU!0g#¸÷g#øñúUAJ.S. 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ÎúU`ÚúU@ͱúUø.zúUÆúU¨°¿úUh¿àúUˆýqúUÐ2zúUp&iúUP5‹úUøNÅúUh[úUàÀúUèFÈúUP¥ÉúU8ÚúUè,ÒúUЀáúU8YàúU²¿úU8ÑúUضjúUˆòÁúUØpkúU0ŽˆúU`PgúU€(ËúUá @ŽiúUlp«°:@78˜m°úUeh&(à”úU>UúUËÐ ÐôaúUµ¸  g˜úU ”úUô5úU@H p‚õúUð“ÏúU @ó§úU0múU`:ÛúU lèúU$(»úU/ðÛúU9@ঞúU`ž¹úU ²‹úUp_úU°mxúUpt#úU˜ g>úU \`uCúUP°‹úU–ÚúU,0!965483Hþg# âúU!1640379¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q˜’ŽúU!0g#€Ú‚úU€Ú‚úU!0g#¸÷g#‘Von fremden Landern und Menschen for Saxophone Quintet Robert Schumann Keith Terrett Music for all Occasions Set for Saxophone Quintet,Von fremden Ländern und Menschen has been arranged for two Sopranos, one Alto, Tenor and Baritone. I hope this transcription offers saxophone groups a new and challenging piece,from the Romantic period. I have altered the mm from 108 to 80!úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 11:06:28A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":199,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"BB6643B6-15F9-11E7-AD4C-F21567DEBBBA","position-x-pc":"0"}changeScores!0g#¸÷g#!300#¸÷g#!199#¸÷g#ùjúUÈÊiúUàbúU ÁvúUxÙ‚úUÐjúUPAkúU8/ŽúU«›úUØcvúUèhoúU$¬úUPè[úUh2²úU¸tœúUégúUàÒ±úU82²úU8Ã_úUHkµúU­{úUhl^úUðyúU€úUà“YúUØp|úU µúU༩úUˆkiúU NcúUèézúUq±úU »xúU¸¸!úUÐÀ"úU ‘€úU@oúUÐWnúU°lúU›YúU@wœúU£núUH‰úU¨ñŽúU@—aúUàÍoúU@õwúUð#múUX!úU iúUp8}úUà0ŸúU¨]úU¨p‚úUˆ£_úU0ivúU(|úU` ‚úUxÑ^úUè<ŽúUžYúU ·©úUØp‚úUp!yúU0D~úUH,]úUyúUÀZŒúUȹ"úU«~úU|²úUHv‚úU¸ˆúU =wúUÈÌ…úUpšYúUàç§úU8çmúUßâúU!2020-09-28 03:08:33úU!1g#¸÷g#!2019-09-25 12:39:251205DBB86-DF89-11E9-B6D0-78`âúU!12047¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-07 06:50:58!2023-05-07 06:51:46!840951¸÷g#!1671663¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q4ŸúU!2g#€‰(úU 12022-05-22 21:09:390±I wrote this for a Good Friday service after a short-term missions trip to Arizona (I think; it was a few years back). It's unconventional for such a piece, but we performed it anyway, I don't remember if the congregation was in shock. I will make lead sheets and a simple piano/vocal version available soon. Feel free to play it faster, perhaps at 89. Video: https://youtu.be/pwpR1nZk0VAúU°ñ ¼ƒ!fö|µö`ˆÙA¼ƒ!f%µö`ˆÙA¼ƒ!f–µö`ˆÙA¼ƒ!f?ĵö`ˆÙA¼ƒ!ftzµö`ˆÙA¼ƒ!fdXµö`ˆÙA¼ƒ!f-{µö`ˆÙA¼ƒ!fù÷´ö`ˆÙA¼ƒ!fçmµö`ˆÙA¼ƒ!fÕ{µö`ˆÙA¼ƒ!f„fµö`ˆÙA¼ƒ!f£µö`ˆÙA¼ƒ!f»Hµö`ˆÙA¼ƒ!fY÷´ö`ˆÙA¼ƒ!f*Ƶö`ˆÙA¼ƒ!fò˜µö`ˆÙA¼ƒ!fÞµö`ˆÙA¼ƒ!fÓJµö`ˆÙAšƒ!f Íöð`ˆÙA¼ƒ!f~·ö`ˆÙA¼ƒ!f“ÿ¶ö`ˆÙA¼ƒ!fï·ö`ˆÙA¼ƒ!f þ¶ö`ˆÙA¼ƒ!fT·ö`ˆÙA΃!f¸·ö`ˆÙAƃ!f6·ö`ˆÙA¼ƒ!fÒþ¶ö`ˆÙA¼ƒ!f]ü¶ö`ˆÙA¼ƒ!frþ¶ö`ˆÙAÞ‚!f'f¡·`ˆÙAÉÞ‚!fj¢·`ˆÙAÞ‚!f–C¢·`ˆÙAÞ‚!fp^¢·`ˆÙAÞ‚!fƒÁ¢·`ˆÙA)0@ìQ¸…ë@ìQ¸…ë@ìQ¸…ë@ìQ¸…ë@š™™™™™ù?š™™™™™ù?ìQ¸…ë@ìQ¸…ë@ÉìQ¸…ë@ìQ¸…ë@hƒ!f4ø Ú`ˆÙA@ªƒ!fv‚ê`ˆÙAø?ðÒƒ!fzª“ô`ˆÙAðLƒ!f-±1Ó`ˆÙAðø?ø?ññø?ø?Þ‚!fYm¤·`ˆÙAÞ‚!f{i¤·`ˆÙAÖ‚!f™d¸µ`ˆÙAÞ‚!f/l¤·`ˆÙAÞ‚!fur¤·`ˆÙAÞ‚!fìl¤·`ˆÙAÞ‚!fÑt¤·`ˆÙAÖ‚!f®c¸µ`ˆÙAÞ‚!f]n¤·`ˆÙAÞ‚!fCu¤·`ˆÙAÞ‚!fðk¤·`ˆÙAÞ‚!fzp¤·`ˆÙAÞ‚!fn¤·`ˆÙAÞ‚!fïu¤·`ˆÙAÞ‚!f¶j¤·`ˆÙAÞ‚!f6s¤·`ˆÙAÞ‚!fsh¤·`ˆÙAÞ‚!fãn¤·`ˆÙAÞ‚!føq¤·`ˆÙAÞ‚!fwj¤·`ˆÙAÞ‚!f m¤·`ˆÙAÞ‚!f6r¤·`ˆÙAÞ‚!f3j¤·`ˆÙAÖ‚!fob¸µ`ˆÙAeScoresQÀÀúUpãfúU€Ô|úU!71583àBrúU 10g#@6vúUpþÿÿÿÐ-ÓúU0!1319358@ &úU 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Concerto for Eb Sopranini Saxophone & Keyboard!60g#¸÷g#h5úU!566#¸÷g#ÀÕzúU!4g#¸÷g#°žúU!2g#¸÷g#HtvúU!2014-06-30 22:37:30úU!2021-07-27 05:20:22úU!20068øg#ÀÚ§úU!3g#¸÷g#0étúU!1.99 ,âúUx!úU10g#Ø÷g#0!sib#¸÷g#P´eúU!250#¸÷g#àá›úU!0g#¸÷g# áqúUaAllegro from the Concerto for Trumpet arr. for Eb Sopranini Saxophone & KB.sib˜ù"úU!2014-06-30 22:37:30úU!0g#¸÷g#˜ù"úU!1914¸÷g#˜ù"úU!Keith Terrett˜ù"úU!0g#¸÷g# !580418ùg#!2.50ø÷g#`|úU10g#Ø÷g#p@úU0AA Serenade for Eb Alto Saxophone & Keyboard —ÃúU!60g#¸÷g#175642!554#¸÷g# !3g#¸÷g#!2g#¸÷g#"$úU!2021-06-22 08:50:46úU!2021-06-22 08:50:11!sib#È÷g# Ð@VúU¯°úUóEúUØ•¼úU°õúU¬gúU¨µúU$múU¨PÜúUøEúU¨ÉEúUˆÀÁúUØA úU ™_úUˆ<±úUt3úU`MmúUÂúUHÚúUÇÁúU°¾(úUx¹8úUˆ­úUH¥!úUX#úUÐTJúU8„úU¸«^úUÀµÒúUÐCÅúUˆ­úU°¸lúUH§¸úUЇúUèU]úUjúUHR]úU€B!úU`ÿØúU¨ºÁúU µØúUýÁúU`sàúUØ•¼úU/ÊúUˆ ÊúU¸šúUàð#úU¸^ÀúUȆ‹úUXäÅúUPÛ§úU¨ºÁúU 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Written for Duet with a duration of 4 mins. Purchase, download and print sheet music PDF file now!","image":["https://www.scoreexchange.com/score_img/1200x630-pg/20140506183511/154259.jpg"],"@context":"http://schema.org/","offers":{"availability":"OnlineOnly","priceCurrency":"USD","price":"1.50","@type":"Offer"},"itemCondition":"NewCondition","@type":"Product"},{"@context":"http://schema.org","itemListElement":[{"item":{"name":"Home","@id":"https://www.scoreexchange.com/"},"position":1,"@type":"ListItem"},{"item":{"name":"Instrumentations","@id":"https://www.scoreexchange.com/instrumentations"},"position":2,"@type":"ListItem"},{"item":{"name":"Duet","@id":"https://www.scoreexchange.com/instrumentations/duet.html"},"position":3,"@type":"ListItem"},{"item":{"name":"The Story For Flute And Clarinet","@id":"https://www.scoreexchange.com/scores/the-story-for-flute-and-clarinet-154259.html"},"position":4,"@type":"ListItem"}],"@type":"BreadcrumbList"}]511/154259.jpg"> The Story For Flute And Clarinet - Download Sheet Music PDF file
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    The Story For Flute And Clarinet

    FORMATTEDSUBT
    By: Marek Kucera
    For: Duet
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Special thanks to the wonderful City Bells sax quartet (www.citybells.co.uk) for providing the recording from which the mp3 excerpts are taken.!3717345pÕ†úU QMax Colpet, Franz Waxman, Max Colpet, Jeremy LawrenceP1O Holy Night for Violin and Viola Duet10g#Ø÷g# Nowell Descant<0!0g#pîúU!÷g#¸÷g#€NúU!8.44¸÷g#îDúU10g#Ø÷g#283564ˆPúU0!÷g#ð®úU !÷g#,ßúUcoreIncl!0g#¸÷g# 1È îúUX‚Ôë77486!0.0000øg#ores WHE!0000-00-00 00:00:00goog!0g#È÷g# ÁJingle Bells (Concert Band) Version 1 James Pierpont Arranged By Brendan Elliget MAGA 537 Brendan Elliget This is a straightforward and easy arrangement of the well-known Christmas song - It would be a suitable accompaniment for singing the traditional words. An optional piano part is included in the list of parts. Grade = 2.5 Duraton = 1:13 mins. (2 Verses) The MP3 was recorded with NotePerformer [Updated 30-11-2018] !úU!0g#ÐuúU!0g#¸÷g#10g#Ø÷g#0Q˜X÷úU!0g#“iúU !575925ˆøg#0?ÏúU!0000-00-00 00:00:00úU!2023-07-19 19:26:59Q€f±úU1ÈîúU½<1_142818!0g#¯úU10.00Ø÷g#0O Holy Night for Violin and Viola Duet Adolphe Charles Adam arranged by David Burndrett David Burndrett Each instrument gets part of the tune. Check out my related scores or catalogue for more music for violin and viola duet. 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Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part. 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SAB voices with piano accompaniment arr. by Pamela Webb Tubbs From "The Creation" Franz Joseph Hadyn arr. by Pamela Webb Tubbs Pamela Webb Tubbs Here is an abbreviated version of Hadyn’s "The Heavens Are Telling" (from the oratorio, "The Creation"), arranged for Soprano, Alto and Baritone voices with piano accompaniment. Pitched down a whole step down from the original key of C major, it’s easier for range-challenged choirs (like mine!). Judicious cuts allow the anthem to be sung in about three minutes. I composed the new words in the "B" section. Enjoy!!38!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 14:22:08A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"10B95EB4-1615-11E7-B698-C73DA97755D2","position-x-pc":"0"} úU!0g#¸÷g#!6000¸÷g#!6000¸÷g#þúUÀÁúU¸5ïúU(¥úUØô úU/úU˜AùúUÀ}úU8ÃúUè‡ÎúU¨*ÛúU¸×úU·úúU(»_úUˆŒ€úUsÚúU¨xýúUŒÛúUàÏ úU0öúUðqXúUèŽþúU˜=wúU0!÷úU˜SöúUè¨úUXýúU¨*ËúU½úU€`ÙúU€ªúU@eúUh-úU€ÛúU úUJúU6ÞúU`½úúUÞáúUxlœúUÀ ÿúUHdúUH†múUˆWöúUXwúUˆ²úUˆƒfúU€¸÷úU€1ÏúUXöúU˜‚]úU(wúUà4lúU°$ûúU ¿öúUˆ6 úUH­ÅúU`qÍúUòúUˆËúUhÐýúUˆègúUÈ•ËúU úU…úU@[ÀúU púUpS‰úUàjúU(uÉúUˆ½úUÐåúU úUŒúUÀæbúUPÊúU(iÉúU¸| úU !0g#8øg#hbÆúU!0g#¸÷g#ØTŒúU!5g#¸÷g#Ø0ïúU1Copyright © October 20110!sib#¸÷g#èœðúU!496#¸÷g#˜¦ûúU!0g#¸÷g#¨ úUA8 Christmas duets for violin and double bass.sibÕ‹úU!2013-07-30 19:55:04úU!25g#¸÷g#XªXúU!3328¸÷g#è›ôúU!17g#¸÷g#èœðúU!1.50øùg#hçûúU!2013-07-30 19:55:07úU!0g#¸÷g#¸GÌúU!1g#¸÷g#HöÛúU!0g#¸÷g#`¹ÐúU!÷g#¸÷g#àÃúU!0g#¸÷g#Ø0ïúU!0g#¸÷g#XBúU!1g#¸÷g#èøg#!0g#¸÷g#ÇöúU!÷g#¸÷g#¨øg#!0.0000¸÷g#9ÉúU!2013-07-30 19:56:02úUA8 Easy Christmas Duets for Violin And Double Bass"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU18g#Ø÷g#˜ù"úU0!0g#Èûg# ¢îúUá1. Then let us all with one accord sing prais es to the Heavenly Lord, That has made Heaven and earth of nought, And with his blood mankind has bought. Nowell, No well, Nowell, Nowell, Born is the king of Is rael.!anonymousg#!0g#¸÷g#€hgúU!÷g#¸÷g#[úU!Copyright ©449601!÷g#¸÷g#p!ùg#¸ùg#ïbúU!606410¸÷g#!1g#¸÷g#°ätúU!2g#¸÷g#!6.00¸÷g#€„múU!6.00¸÷g#èÆÝúU!6.00¸÷g#ÈyúU!6.00¸÷g#ñþúU!1g#¸÷g#à• úU!1g#¸÷g#˜(ËúU!1g#¸÷g#p2zúU!0g#¸÷g#/úU!÷g#¸÷g#!0.00¸÷g#È­úUQ ÑsúU!1.00ˆøg# !2016-09-21 23:10:06!1g#¸÷g#€BòúU!1g#¸÷g#ðV#úU!0g#¸÷g#472322!÷g#è÷g#8üúU!0g#¸÷g# p"õúUª0§îúUЂúUDÐ0£úU0ÕÍúUDÐåýúUjjúUDp™úU˜×úUUÀ‰¾úUð‹úUDObúUÀ_UúUDàáúU@tíúUUÀÁCúUð&úUDUjúU`ÇýúUD ·óúU MúUD=šúU ±úUD0±'úUêÁúU°›žúUDài¹úU ÔÉúU@hUúUD@¼5úU@OúUD`ÜlúUðógúUD‚ðúUáùúUD åýúUúUD`…ýúU`©úU €  úU ÚËúUD`\úUÀõiúUD@bÌúU þlúUD€3šúU€zúUDоúUð÷ÇúUDj¾úUPzúUDlšúU€IúúUDШoúUðÂïúUÿ@{núUpÝ÷úUDpJîúU ‚öúUDñúU€dÈúUDwhúUömúUDÐfóúU Ò úUD@xþúUçkúUDPWšúU0O&úU0iúUD¯÷úU` fúUD T¹úU@{úUDB`úUÐü±úUD /JúU¯úUD@H/úUPGgúUDð¯¦úU°é«úUD@~úUнüúUv —úUÀõúUD\šúUÀ úUDÕDúU€«îúU úU ŽÐúUDÀ'*úUAÏúU `„¾úU0(‹úUD0KûúUÐÑúUD0ûõúUø«îúU!7úUœoúUDp:úU\0úUD NúUÀnúUDàTúU ¼ìúUD€ }úUÃÊúUDàôÔúU0„`úUDpW`úUÀIýúUDP©JúU'-úUD@ÓíúUPþÒúUD ÔñúUz!úUD ©˜úUPÜúUDàc™úU`÷àúUDðóúúUàZøúUD áöúUàJÊúUD€EýúU€=ËúUDà;&úUÃÿúUD€T#úU€à}úUD°o™úUPžúUD0vþúUÀúUP*ÜúUDÐÄ0úU@RÌúUD˜÷úU0SúUD0üúU°‚õúUD àÌúUÀF*úUD€5úUÊFúUDðxúUˆ35úUÿðÂÚúU0š:úUDàëùúU ÞúUU`âúUpúUD`Ò÷úU ­;úUD $qúU•uúUDQOúU€D©úUD XúúUÕFúUD ê@úUPïöúUDðÓñúUhˆCúUÿ R—úUp*EúUD°¿úU "±úU LýúUDàÉNúU¿ÛúUDÀÊ~úUg÷úUDðüúUÐÄìúUDà'úUè¯îúUðºúUàYFúUD ilúUðýÃúUD`CîúUýQúUDÀ™úUÐ ‚úUD@ãHúU ÉSúUDúUPhúUDÀú<úU 5IúUDöúU°WÌúUDoóúUà?þúUDàÆôúUPL]úUÀ]ÄúU@¹úUD ýúUÀŒúUD°|úU/ÜúUP½ÔúU  0³ûúU ø©úUD X"úU„fúUDð'îúU°±îúU(ËúU`"ôúUDPlúU0múU àúLúUà- úUD€ÈòúU0úU°iÔúUDÊùúUúUD 7oúUPúUD`DúUúUD€ZjúU€ÞúUDpÈDúU¶¸úUD ‡úU úUD€Ž"úU€%[úUD0‘LúUHðúUÿpðdúU€ôõúUDðÃúUêÁúU€¾ýúUD0èýúUH µúUÿo9úU€êõúUD@JúUˆçuúU @À<úúUP±:úUDPç+úUÐzõúUDÀ{úUýúUD€YúúUðŠßúUD0!#úU`ÚžúU°ƒjúUDà•þúUêÁúU@ÒËúUDp&úU(ÈHúUÿPëyúU ‹ÃúUD {ÍúUpÏÍúUD múU„múU `QúU—[úU ÔËúUD€c™úUp+úUD@»óúU€H-úUÿàUyúUКÖúUDp<úUÅúUDk¾úUPqúUÿ°2)úU*ØúUDàÃ0úU@Þ úUàÌþúUDÍúUàúUD…‡úU€ŒúUD|5úU0ë†úUD`<#úU¼9úUDàÐÀúUhk>úUÿ£‡úUp7IúUD@†©úUPÛ‹úUD0^ûúU°ŽúUDØòúUPÖøúUD½kúU ñ?úUD`[OúU ¯úUDðÍúUàòöúUDÀôúU cúUD€¦îúUðlFúU  à±yúUPTÌúUDà1ñúU@+:úUD úU¨°"úU¸¬fúUÀúU¼júUˆxÚúUÐÍúUÐXÀúU ðeúU ¥fúUàkÃúUø·ÜúU¸õwúUÌÑúU@IÈúUˆÆÝúU0݇úU€±ÂúU WàúU@jÍúUøØúU`ÚúUiúUäfúUˆLjúUH'€úUîËúU úUˆìÏúUWÀúU(‡ÎúU8sœúUØ3ÛúUÈ%ËúUÈ4zúUˆùˆúU>ÓúUðçÇúU8ÂÆúU¸ÀúU`αúUÏkúUø®gúUÀbúUðGÅúUKÅúU˜EÅúUx›qúU8¨ÓúU€ˆfúUÐÍúU ˆÏúUˆ²¿úUíÏúU ëlúU°¡kúU˜®fúUØÝúUpïÛúU°«gúU kúU ìÎúUèýßúUpÉúUuÚúU¨ÞiúU­fúU˜ßÒúU0ŠÇúU(ÆúUkpúUÏiúU0&múU0MxúUعÀúU@LgúU8KÐúU ÜáúUDZúUÒúUurchaseQ!0g#(þg#@»îúU!0g#¸÷g#!5.00¸÷g#!2023-04-10 18:57:08!2023-04-10 18:57:23!730686¸÷g#!1216197¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q˜KgúU!2014-10-26 19:20:48úU!1g#¸÷g#è®húU!1g#¸÷g#xÉúU!0g#¸÷g#ðÛúU!÷g#¸÷g#¨-ÄúU!0g#¸÷g# ËúU!0g#¸÷g#ÔúU11g#Ø÷g#ÁàúU01This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 26th October, 2014bÎúUp³¾úU!2.00¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!÷g#è÷g#˜ù"úU!÷g#¸÷g# !0g#¸øg#È.ÄúU!÷g#¸÷g#HÅÍúU!0g#¸÷g# KÓúU!0g#¸÷g#X¬gúU!1g#¸÷g#˜ ÔúU!0g#¸÷g#¸¯¿úU!÷g#¸÷g#¸©úU10.0000Ø÷g#0¹múU01This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 28th October, 2014 Enjoy!ÄîúU!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#_›úU!972451¸÷g#!0g#¸÷g#˜ ÔúU!0g#¸÷g#@€úU!0.00¸÷g#¸©úU!5.00¸÷g#h½ÀúU!3.00¸÷g#€KÂúU!0g#¸÷g#HÅÍúU!÷g#¸÷g# KÓúU!0.00¸÷g#'¬úU!Thompson;$úU !162212è÷g#àÝúU!42g#È÷g# 1ÇîúU°ph162212!2014-10-28 09:45:26úUQAngels We Have Heard On High for violin duet suitable for grades 25úU!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#±Angels We Have Heard On High (for violin duet, suitable for grades 2-5) Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 28th October, 2014 Enjoy!changeScores!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ðÞÇúUÚúUˆÚúUxÞúUÀÀúUø§núU˜¬°úUHàúU¸¯gúU¸ßgúUиÀúUÐ`húU%ÇúUø=lúU(!kúUÀÊhúUºÜúUp\vúUPîwúUÈ‹ÛúU.iúUèÃÆúU ÀhúU>ßúU¡ÓúUxZŒúUÀa2úU'¬úU¨ÑúUà(ÄúU ÀúUȱúU8_2úU šlúUøŽÄúUÐézúUPeÑúU€WÀúUÈ.ÄúUÐ/iúUðGÂúU`-ÛúU_›úUðFuúU(†iúU¸fÝúU˜ ÉúU˜ ÔúU µÂúU˜WmúUP¥ÓúU0°ÉúU¸©úUX@ßúU8BÈúUh½ÀúUoÑúUÀÛúU€KÂúUèÿrúU8#ÎúUÐìÁúUHÅÍúUˆ&€úU KÓúUp˹úUÐRÅúU@RÂúUH°¿úUhhúU°ÅÆúU€åiúUÀçfúUêÞúUh3aúU¤ÌúU0¹múUðAÈúU‰ÐîúUÁ["124044","160178","186779","170822","162215","162212","143921","161793","162469","164685","160186","166176","162217","160519","406218","162112","162276","173800","160242"]coreExchang!2020-08-07 04:15:48!1g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-10 19:10:28!2023-04-10 19:10:44!804001¸÷g#!1328967¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00úUQð'iúUQCopyright © 2014 by Edwin Sung http://www.edwinsung.comÇÃúUQO Come, All Ye Faithful (for violin duet, suitable for grades 1-5)úU!372#¸÷g#¸‰úU!2g#¸÷g#XÄhúU!2g#¸÷g#ȪŸúU!2014-10-26 19:20:43úU!2017-11-22 16:44:24úU!John Francis WadeÀúU!Katrina Sungè®húU!0g#¸÷g#ÔúU12014Ø÷g#0!sib#¸÷g#HiddenH!81g#¸÷g#PÖîúU!0g#¸÷g# ÖîúU!ViolinDuet.sib4ÖîúU!2014-10-26 19:20:43hang!1g#¸÷g#rIDPubl!1048¸÷g#èÖîúU!1g#¸÷g#¬ÖîúU!2g#Høg#ÑÖîúU!0g#(øg#eExchang!÷g#¸÷g#EPSCoun!÷g#è÷g#ÈëoúU!1.50È÷g# !2020-09-12 06:51:59úU!1g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#!0g#¸÷g#ØOúU!0g#¸÷g#ÐøúU!0g#¸÷g#èâúU!0g#¸÷g#°Ò úU!1g#¸÷g#à­üúU!650x892¸÷g#hnÆúU!0g#¸÷g#húU!1g#¸÷g#h3úU!3.00¸÷g#!2023-02-18 00:51:20úU!2023-02-18 00:51:281720365Ø÷g#`úUpwúU0!2016-01-25 14:08:48!1g#¸÷g#`‰ƒúU!1g#¸÷g#–ñúU10g#Ø÷g#442309àwúúU0h}TúU8ÆïúU(ä‹úU(HEúUÇÁúUX5ðúUÈ ÂúU0d9úUÂúUØ(dúU8ïÎúUØ·~úUpÑúUx¸ÁúU0&úU˜ ÂúU{úUx»ÁúU¸.ÚúUhyúU@C!úUhqkúUx­~úUˆ35úU(Ý»úUöúUèqúUhçúUˆéfúUØ·~úU0FÆúU¨¢IúU¸ÉCúUî“úU(Ý»úUpcÄúUxoòúUÈûëúUˆ¿ÁúU áoúUÈÇèúUÈ¢húUð/úUè^™úUˆ ðúUX«ÿúUØ·~úUÐÞúUØÃúU¸QðúU¨U)úUØ`ñúU8úUx]µúUx¥úUÛúUØêwúUð=–úUXd8úU9eúUHÂúUÐVúUØÃúU8ÓUúU€˜ƒúUHkúUp©uúUX€[úU¨ºÁúU`ôúUèÎ.úUØ&õúUˆ<ÂúUÐÅùúU€búUH&úUhÐúUx¸ÁúUhð úUè½ÁúU(úU(ÎpúU¸šúUƒÌúUøÛ)úU`SêúUx5úUx]µúU á2úU0­ÜúUÈ5‘úUXÒÿúU˜ ÂúU—‰úUXCÂúUˆ°úUU]úU@Ø€úUèEVúUðÿƒúUXQ]úUPÔóúUh¸þúUØê:úUÈÞ)úUèGøúUˆHVúUØÍæúUh·ÁúU0ÂòúUˆ¸múUØ'òúUp¥úUعÁúUôúUÈÇèúU¨2…úUˆz¾úUÀ£ŸúU(îúUˆ­úU¸éúUØN‡úU(QZúUÐËúUø¸ÝúUà‰úúU¨˜[úUÏtúU`¸úU8u6úU hñúUøúúUèIúU˜á)úUØ”‡úUh·ÁúUôúUHˆsúUøHHúUptÿúUˆHVúUøoúU8u6úUˆ„úúUÀ£ùúUG™úUÐÎÁúU˜ ÂúU¨älúUˆÀÁúU?ÆúUˆ<ÂúU@¬úUˆ‚QúU¨ÅòúUȵÁúU0;œúUóíúU@úU(IëúU§éúUxY'úUà'gúUhO]úUh¦¹úU˜>úU¨p‹úUXnúU¸&*úUðÑOúUpfTúU¨ºÁúUPm:úUX³ËúUA úUxÀuúUH2³úUÀ÷húU(öúUg™úUˆ¬ÛúUèÎ.úUøÉÄúU˜ýúUÀ.çúUU]úUÈ\ÄúUø¸ÝúUi"úUhuŠúUhúúúU˜ÓúUŸúUp gúUx%úU púU9úU¨ukúUHvúUˆ¿ÁúUÿúUuúU¸ÈÁúU$úUHR]úU¨AúUèEVúU(žGúUÈk¸úUhùúUÇÁúU .úUÂúU@s3úUXY]úUø~UúUXQ]úUxw3úUñ úU¤^úUøºúUèqúU doúUÈ ÂúUXàdúUh·ÁúUh;çúU'úU¨ºÁúUéúUXQ]úU“ðúU(×úU85úU›}úUˆBúU !ÝúUÃÁúUh.‡úUh}TúUèÄòúUعÁúU@ZïúUˆÀÁúUðñ½úUhO]úUXˆkúUX;±úU°ÆfúU¸úU˜z™úUrúUÅÁúUè¾õúUè@úUÂúU¨}úUˆz¾úUРžúUPUƒúUȆ‹úUÈÈkúU8ÓáúUhÂúU`‡3úUx»ÁúU¨ðúUxÂúU°0òúU8{™úUàH¿úUÐôæúUxFaúUÀ-¾úUˆ<ÂúUhÀòúU¸ŽHúUð$úUxÂúUöñúUˆ<ÂúUÈšúUèqúU¨“ýúU8IVúU½lúUØ9úU89¬úUX@6úUèu>úU ÜúU°¡¦úU¨ukúU ÈúUhSnúUÂ]úUà9úU¸V]úU`'HúUHyïúU¨«ÃúUXWàúUH3kúUˆôúUÈ ÂúUHƒdúUÈÞ)úU m¹úU ŒîúU¸ÈÁúU€ úUXÅúUxpúUÇÁúU0kúUÓ0úUÈx°úU ÊúUhO]úUÀÝúUXQ]úUHÙjúUÐ ªúUØ[#úUh¨CúUèÎ.úUHZôúUXÙ@úUlòúUØwúU ÍúUhDFúU@ðúUØDÂúU 6úUˆ)RúUØR9úUPR…úU(Ý»úUØz†úUÐü|úUX2ÒúUÜÑúUxÂúUXæúUèÏ`úUèHúUhVúUPÎúU(j‚úUÂ]úU8ñZúUSÀúU86(úU8ZúUÐFPúUX¯~úUPêðúUèOÂúUhùúU Ô/úU¸&*úUP×óúUøèÏúUÂ]úU }úúUHÂúU¸IúU˜>úUøÌúU(ÂúUØþúU˜á)úUrmúUèI™úU˜éiúUêÁúUÈ\ïúUx—¼úUuöúU˜HaúU ×ìúU8‰‰úU˜ûdúU|úUHR]úUàÓúU0RúU¨ukúU8eØúU QcúUhúúúU°ó úUg¸úUˆWfúUÐgúU!0g#¨ûg#°éîúU!3g#¸÷g#¨kjúU!1g#¸÷g#XàÝúU!2016-09-21 21:55:34úU!2022-10-02 16:27:25úU!C. Evansøg#èöúU!÷g#¸÷g#˜(ËúU!0g#¸÷g#ÈyúU10g#Ø÷g#0!sib#¸÷g#(êýúU!178#¸÷g#øžðúU!0g#¸÷g#ÉúU1The First Nowell - Last Verse.sibúU!2016-09-21 21:55:34úU!57g#¸÷g#ØóúU!4402¸÷g# ÐúU!18g#¸÷g#èKâúU!0g#¸øg#ïbúU!1g#¸÷g#˜(ËúU!0g#¸÷g#p2zúU!÷g#¸÷g#PþùúU!0.0000¸÷g#€„múU!2016-09-21 23:17:07úU1The First Nowell DescantÀBÌúU!0g#¸÷g# !1g#Xøg#˜ù"úU!÷g#¸÷g#˜ù"úU!6.00¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU10g#Ø÷g#˜ù"úU0±Here is an abbreviated version of Hadyn’s "The Heavens Are Telling" (from the oratorio, "The Creation"), arranged for Soprano, Alto and Baritone voices with piano accompaniment. Pitched down a whole step down from the original key of C major, it’s easier for range-challenged choirs (like mine!). Judicious cuts allow the anthem to be sung in about three minutes. I composed the new words in the "B" section. Enjoy!!8!4.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#1. The heavens are telling the glory of God, The wonders of His work displays the firmament, The wonders of His work displays the firmament. The brilliance of day bespeaks holy light, The voicces of stars harmonious and bright, repeat silent songs of praise thru the night. The heavens are telling the glory of God, The wonder of His work, The wonder of His work, displays the firmament. In ev'ry land resounds the word, never unperceived, ever understood. Ever, ever, ever understood. In ev'ry land resounds the word, never unperceived, ever under stood. Ever, ever, ever understood. Ever, ever, ever, ever understood. The wonders of His work, the wonders of His work displays, displays the firmament. The heavens are telling the glory of God, the wonders of His work displays, displays, the firmament, displays the firmament, displays the firmament, displays the firmament.úU!Pamela Webb Tubbs!1g#¸÷g#!From "The Creation"!2011¸÷g#!÷g#¸÷g#!2023-04-17 04:30:39úU!2023-04-17 04:31:13!2883954¸÷g#H†múU!4951592¸÷g#!0000-00-00 00:00:00úU!0000-00-00 00:00:00úUQaàúU12017-06-14 19:21:03ScoresúU0!180465¸÷g#…úU!2017-06-09 17:10:17úU10000-00-00 00:00:00ø:ïúU01The First Nowell DescantöñúUøžðúU123g#Ø÷g# …úUÈ÷g#0±Here is an abbreviated version of Hadyn’s "The Heavens Are Telling" (from the oratorio, "The Creation"), arranged for Soprano, Alto and Baritone voices with piano accompaniment. Pitched down a whole step from the original key of C major, it’s easier for range-challenged choirs (like mine!). Judicious cuts allow the anthem to be sung in about three minutes. I composed the new words in the "B" section. Enjoy!!!0g#¸÷g#!0g#¸÷g#0NøúU!1g#¸÷g#491926!0g#¸÷g# !÷g#¸÷g#!9.7280¸÷g#°múúU!2016-01-19 23:44:43úU‘The Heavens Are Telling HAYDN from The Creation from Psalm 19 for 3part SAB voices with piano accompaniment arr by Pamela Webb Tubbs!0g#¸÷g#!0g#¸÷g#€ù«úU!7g#¸÷g#Px¦úU!2013-04-16 21:39:4602!0g#¸÷g#P!0g#¸÷g#Á["96029","161690","131354","188132","128890","139312","196754","97625","186827","142883","102660","163194","132699","118333","146170","128045","361660","90537","187194","399706"]úU!2020-09-29 05:44:44úU!1g#¸÷g#491842!2019-09-25 13:07:3610FEC5BA0-DF8D-11E9-A548-78Ÿ491806!2716311¸÷g# !0g#¸÷g#!0g#¸÷g#à5úU10g#Ø÷g#`VúUÊÀúU0@§îúUªÐûîúUà@úUD@¾ôúUÐéöúUD°KûúUPf÷úUDÐ ½úUàLúUD0~úU>úUDÀN[úUàkúUDÀúîúU`ØØúUD°‚NúU¹úUvp†úU`ìˆúU2YéúUDÀšmúURÍúUDöúUP+úUDCîúU@úUDpÿnúU8µ?úUÿ0´6úUúÅúUDúUtúUDEÖúUôúUDà™,úUÄÐúUÿñ±úU`jèúUDðä.úU@RúUD°[úUªCúUÿÐFúU [ úUD ¦IúUðöúUD ÀúU0ŒúUD½ûúU€Ç@úUDàK,úU0¸FúUDðígúUXþîúUÃúUÖøúUD`Y úUЗmúUDpòKúUà9ÛúUD o*úU¨v}úUÿàtúUÐLJúUD”vúU°oÀúUD³ûúUÿîúU@j(úU0úUD°Ì úU@¶¹úUDÀHFúU`.ZúUDà2ûúUpžúUD°úUÀmúUD@HîúUÿîúU¨gÖúUð®DúUà"/úUDP¼¨úU0ÌjúU­úU¸ð“úUÿ;yúUà¦HúUDÀúU|úUDÐ ôúUÐóáúUÿPÇFúUà¨EúUD`ª¯úU@_ úUD@(ÕúU ÝjúUD —îúU púUDà/úU°ïúUHâLúU@¥úUD€èÖúUšúUD0×NúUÐg~úUDÀVúU'IúUÿW)úUàÔúúUDÀ“%úUåÀúUDÐiiúU€%JúUD°ô8úUPšÖúUD fúUêõúUDðW¾úU0”±úUDÈúúUÀsxúUDÀâ‚úUPHÊúUD‘úU`¤úUDÍúUøôúU €0)¥úU`)púUD@÷òúUà°ZúUDà¨óúUÀFÚúUD¡úU€ùàúUD°@/úU°üúUDÀhiúU@ÓXúUD &íúUðóöúUD`\‹úU€ŒúUD`CÿúUÚ…úUD€3úúU ¤^úU uÅúUDp÷úU7úUD€AýúUpÑÌúUD 1/úUúUDÐXúUPf~úUDyóúUð|ÄúUD@a™úU  TúUD°õqúUpOÚúUDpÖúUðáÿúU  &úUÐjúUD€¡óúU°ÁrúUD˜úUpé}úUDPÑfúU@¤úUD TúúUÀªHúUD3AúU€úUD p˜úUPí¼úUÿ°VúUÄGúUD€ÊgúUлúUDð ôúU0ïúUPƒúU`ÒøúUD°ROúUOÍúUD`OúUàÁúUDP~°úU ´DúUD%HúUP[ùúUD@âjúU@ˆmúUDPßúUðc6úUDPo úUWBúUD€ŽYúU ÂúUDñúU°×úUDíNúUÀªHúUDQ#úUPxÆúUDu™úU £úUD@üþúU  ¡úUD@\_úUpÌmúUDð­ûúUÐa úUD°_úUÐyúUDPÂmúU7 úUD°ûúU°døúUD° ôúUàÉlúUD0õfúUÀsúUD0µùúUÀïõúUúUDÀ`úUŒúUDùúUPh†úUD`ÆúUànxúUDÉUúU-úUDpúU@AþúU0ªZúUP@úUD½úUÐzÆúUD ÅúUoúUDð,ŠúU¸Î/úUÿË úUP0úUDÌNúU @úUDàŽ"úUÍ9úUD <±úUPyƒúUD`ÅúUȹcúU±John graduated from the Royal Academy of Music in 1986 with a B-Mus degree and LRAM teaching diploma. From this point onwards music became both his profession and life. His musical interests are diverse: Classical, Jazz and Pop, to name a few. He has worked as a keyboard player for many pop artists and in West End shows in London. He often tours Europe and beyond as a Rock 'n Roll musician. He enjoys composing and arranging, especially for TV and film. In the past John has worked for Roland (the electronic instrument manufacturer) both as a clinician and demonstrator. He now has a close link with Yamaha musical instruments and their R&D as a music programmer.ïúU!65965¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!4g#¸ùg#ðáiúU!0g#¸÷g#¨«ÌúU!0g#¸÷g#À%ÎúU!34g#¸÷g#€àaúU!0g#¸÷g#Ð4túU!0.00¸÷g#`­ÙúU!0000-00-00 00:00:00úU!0g#¸÷g#ð-ÛúU!0g#¸÷g#¨@kúU!÷g#¸÷g#€ÆúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!50g#¸÷g#10000-00-00 00:00:00xílúU0!56g#(þg#ïúU!2023-06-13 23:22:53!{ "faces" : {} } !0g#¸÷g#ˆNhúUˆxkúU¨ ÀúUö€úU @ÏúUˆHhúUJÌúU`skúU˜=ÏúUÐ4túU¸okúUÐÄÍúUÐpÍúUp ÀúU’lúU ¨úUøÿÜúUx@‹úU@,ÛúU0tXúUPkhúU°èÞúUà÷ØúU 'ÎúU°³húU©ÈúUˆÒÚúU8jvúU FÈúUP~úUX‰ÇúU´~úU°õËúUˆqiúUðáiúU(ÇúU¨«ÌúU0¶múUÈ\húU â§úUÍkúU€àaúU¥ØúUx¶ÜúUˆg¿úU`­ÙúU°Ì±úU ½ZúU ÀúU8ÜiúU0ž_úUhËÊúUX ËúU¨@kúU°HjúUXÚáúU !kúUè#áúU ÌkúUÒáúUè­ÌúU `2úU°ãÎúUØÐÝúUÍúUÜÚúU¦uúUØ~áúUøßÇúU(ÍúUô‹úUxílúU@ïúU!0g#þg# ïúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!1g#¸÷g#1D1DC8FE4-0A38-11EE-B13C-8EA1F6CA0AAFEm!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00Q ôbúU!0000-00-00 00:00:001.1 !2024-04-08 20:39:43tern!0g# ­ZúUrrenciesAOlulana Alofe April 2009@!Mrg#øg#!÷g#¸÷g#1C/Buen Suceso, 240!0000-00-00 00:00:00!0000-00-00 00:00:00úU!68530¸÷g#ÈbÝúU!0.00è÷g# ÛúU!÷g#¸÷g# !Sanz de Madrid !2020-04-06 00:00:00!2020-07-15 00:00:00!233493¸øg#!1g#¸÷g#0¤ÓúU!0g#¸÷g#ÈÚÚúU!÷g#¸÷g##úU!0g#¸÷g#ØòqúU!0g#¸÷g#@¬múU!0000-00-00 00:00:00úU10g#Ø÷g#èÀúUøsúU0!÷g#è÷g#!÷g#¸÷g# !0g# \~úU!0g#è÷g#!0g#¸÷g# !1g#8øg#!Madrid¸÷g#0¤ÓúU!0000-00-00 00:00:00úU10000-00-00 00:00:00úUøø‹úU0!÷g#¸÷g#!÷g#¸÷g#!Madrid¸÷g#128008Ø÷g#0!mitre 588úUarts WHE!øg#øg#R BY Nam!÷g#è÷g#!÷g#¸÷g# Q¸búUñ[ { "Desc" : "", "Url" : "www.sibeliusmusic.com", "Text" : "sibeliusmusic-online sheet music" }, { "Desc" : "", "Url" : "www.g7music.net", "Text" : "g7music - online sheet music" } ] ÑMy Name is Juan Carlos Sanz de Madrid. My short name is J. C. Sanz. I live in Madrid, Spain and I am 69 years old. My profession is Industrial Engineer and I am retired. All my life, Music was and is my hobby. In my youth I performed with amateur Jazz groups. I Play Guitar, Bass, Sax, Electronic Organ & Keyboards. All my musical knowledge is self learned. Recently I get Sibelius notation software and I am beginning to arrange and composing music.!49242¸÷g#¾úU!0g#¸÷g# data-in!1g#¸÷g#!0g#¸÷g#ID='4867!0g#ø÷g#ÿÿÿ1÷g#Ø÷g# (Rejoice)tsEna0!2022-06-19 13:58:57!2022-06-19 19:34:51!esg#ïúUxgrúU!34915484306#–ÚúU!÷g#¸÷g#y"úU!÷g#¸÷g#øú¾úU!511#xøg#ÓúU!0.00¸÷g# ÿÀúU!jcsanz¸÷g#x˜húU!2g#¸÷g#!0g#p!ïúU11g#Ø÷g#0!ernesto.org@gmail.com!÷g#¸÷g#1÷g#Ø÷g#0!1g#p©\úU1˜ù"úU˜ù"úU˜ù"úU˜ù"úU018$ïúU‘b v!0000-00-00 00:00:00úU!0g#¸÷g#ÈeÔúU!0g#¸÷g#x9lúU!0g#¸÷g##úU!62g#¸÷g#0êÏúU!0g#¸÷g#pÆúU!0.00¸÷g# )ËúU!0000-00-00 00:00:00úU!0g#¸÷g#heÑúU!0g#¸÷g#سÂúU!÷g#¸÷g#ÈÚÚúU!0000-00-00 00:00:00!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00130g#Ø÷g#øø‹úU0!0g#øûg#P&ïúU!0g#¸÷g#!÷g#¸÷g#!1g#¸÷g#!1g#¸÷g#!0.68¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#mScoreIn!0g#¸÷g#¸(ïúU!0g#¸÷g#l(ïúU!46g#¸÷g#•(ïúU!29g#¸÷g#eExchang!2017-06-14 18:55:57Loc!{"width":300,"position-y-pc":"29","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":36,"width":59,"x":108,"center-y":65.5,"height":59,"center-x":137.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":33,"width":64,"x":106,"center-y":65,"height":64,"center-x":138}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":37,"width":58,"x":108,"center-y":66,"height":58,"center-x":137}]},"height":224,"position-x-combined":"46%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":137.5,"average-center-y":65.5,"id":"B8CEC5C6-512A-11E7-9330-D6E1F86766D3","position-x-pc":"46"}UHÁúU !Elton Johng#ø°húU!÷g#¸÷g#HèîúU!0g#¸÷g#À ±úU10g#Ø÷g#0!138948¸÷g# ß®úU!0g#¸÷g#x¯úU!Song_for_Guy.pdf€ÂúU!2019-03-30 05:25:42úU!3g#¸÷g#ÀgúU!709#¸÷g#púU!3g#¸÷g#À¬³úU!1.50¸øg# “ËúU!0000-00-00 00:00:00úU!1g#¸÷g#p¨ÿúU!1g#¸÷g#.þúU!0g#¸÷g#ðxiúU!÷g#¸÷g#0uúU!0g#¸÷g#À ±úU10g#Ø÷g#ðOüúU0!5g#Høg#Ð$ÝúUThis score is a one page PDF and is transposed to C-key to play without any difficulties.°ñúUÈ÷g#€¨eúU¨ÓÿúU8u6úUà[KúU0¥ÌúUèÃÁúU˜!RúUèbúU¨ºÁúUÈAMúUHÂúU@¬MúUø¸ÝúUhÔöúUèÎ.úU¨°iúUÈk¸úUˆ½ÇúUˆz¾úU x}úU˜Ê´úU3ÂúU蟳úU`VpúUêÁúUØùúUh›ùúU8ÓÝúU˜ÏúUXCÂúUÀB{úU˜/_úU¸šúUXÎúU¨U)úUà%àúUh&6úU¤^úUˆÛìúUH”ËúUhŸúUx qúU¨GáúUPþ¡úUHR]úUà 6úUˆHVúU´¾úUU]úUÈåjúUˆ”`úU¸šúUèdfúUXCÂúUˆOÃúUèEVúUÈ‹ýúU¨eúUàšÀúUÇÁúUPm¾úUˆiWúU˜Š‹úU ­;úUU]úUˆ5 úUˆRØúUXÆúU šúUxÁÁúU¸¸fúU(XØúUX„gúUà$õúUø¸ÝúUð¸‡úU(´ËúU¸púUÃhúU¨°™úU gúUx¸TúUˆGøúU(´úU­úU8Ó®úU0ÿ úUhÐtúUHôsúUØÃúUˆ³†úU;ÏúUxY'úUð…úúU°‚ŠúU(ë>úU ãuúUßîúUxFaúUˆÇïúUˆ<ÂúUHUðúUH§¸úUH¿AúUèÎ.úUÈÇúUpl0úUxY'úUÐAúUU]úUÀNúU(¹ÁúU˜–úUèEVúU ÏúU¸ŽHúU6núUHL]úU8úUðIgúUˆ­úU0rÜúUxbwúUˆ8FúUØŠúUHL]úUH‹ úUðÕÃúUXþúUÐÏtúU°³ìúU86(úU®;úUˆz¾úUÀ¸ÒúU¨‚¼úUeúUÀM˜úUn¸úU´ØúUø¸ÝúUXÎúUˆÂúUHÆùúUÀÁúU˜,úUH‰úUxFaúUØÈ`úU˜¶ÁúUèUËúU¨U)úUø¹%úU˜ýúUØ|úUxÐÑúUÂ]úU8áIúUÈnïúU &úUèU]úU¨³ úU˜¶ÁúU€G©úUøÛ)úUðCóúUÙ!úUlòúUøÖvúUP1ÒúU¨ºÁúUX¢„úUXCÂúU`ìúU8Ô.úU¸jÁúUHL]úU8ÔÐúUØDÂúUÀ ÄúU(ä‹úU@…lúUØÃúUUQúU˜öúU°õÚúUx—¼úUðúUèEVúUèD¬úU˜ýúUçúU˜ ÂúUpïúUˆ”ŸúUÐúUT¢úUÐ¥úUˆ­úUØqHúU°ÛúU¨¼aúU0¶>úUˆHVúUè˜áúU˜ ÂúUxüúUÈÞ)úU ×úUØÛ.úUTïúU$÷úUˆ¹TúU˜’ úU˜ýúU dnúU ùúU¸«^úUØ 'úU8Ô.úU01úUˆ<ÂúU £GúU˜öúUˆºcúU¸‚øúU¨ukúU0€OúU˜@±úUÐ4éúU¸V]úU ªÞúUXçÎúUˆ)“úUÀGêúUèÏ`úUˆpEúUKüúUhúúúU R3úU˜>úU`ì úUx»ÁúU€„úUp[úUhì‚úUh}úU˜HaúUèi‹úUŒJúU¨µúU°x;úUˆ<ÂúU(IWúUx»ÁúU(ÐüúUèˆþúUhÂúU(©þúU˜>úUp¥úUXÂúUH|úUعÁúU¨´†úUÂúUsjúUýÁúUȃ°úUèÎ.úU€2kúUýÁúUXx"úUèU]úUðÿúU@*úUˆBúU¸pÁúUØDÂúU°åçúUhO]úUø7ÉúUXCÂúUàÆúUxoòúUˆìñúUè½ÁúUx“ÚúUÀÁúUðÀùúUH§>úUHŒ»úUØÜDúU¸ä{úUXóúUhDúUøÛ)úUPMðúUXQ]úUH?kúUØ•¼úUclúU¨ÑúU+ÖúU€¾ùúUˆz¾úU°»lúUÀÁúUÈöúUxD±úU°xÌúUHŽÑúU`kúUÀLkúUÈÓGúU¸ÂúU¸{úU¸ísúUˆz¾úUXúUÈÇèúU8›—úUHL]úUï úU(ä‹úU(ÓHúU˜\™úU ðúUÈ2!úU8göúUÃÁúUØ™œúU¨GáúU€èúU¨‚¼úU°üúUàé€úU8„SúUˆ³±úU˜öúUx[ðúUh}TúU˜èôúUDÂúUxÈHúUÈ|iúUȆ‹úU¨rÿúUX÷úUFúUø¬½úUHL]úU(%úUXé[úU¨ÂúU [iúU8Ô.úU(¬MúUH§¸úU8QLúUعÁúU°z™úU0OúUxFaúU°LúUȵÁúU˜1 úUÈÞ)úUðß#úUúUxY'úU¨¯úU°8úUÂ]úUp³oúUèèþúUÈÓGúUÑúUˆ¹TúUØ=úUÈ ÂúUà1ÂúUýÁúUxhúU0T„úUhâ:úU?úU å‡úUhÂúU0ÜìúUèÎ.úUxoúUq{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "24299" } !16.8960¸÷g#!2022-03-06 22:41:01QDescant to Blaenwern Love divine all loves excelling PIANO VERSIONúU!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!2013-03-14 18:03:42!0g#¸÷g#!0g#¸÷g#Descant to 'Blaenwern' (Love divine, all loves excelling) PIANO VERSION W. P. Rowlands Charles Wesley Christopher Maxim In this version of my descant to ’Blaenwern’, the organ accompaniment has been transcribed for piano. This is one of my most popular arrangements and has been downloaded many times. If you use it, I’d love to know. Please tell my by email. Between the two versions (organ accompaniment/piano accompaniment), this arrangement has been downloaded over 1,200 times!!0g#¸÷g#!0g#¸÷g#!57g#¸÷g#!49g#¸÷g#!2017-03-31 13:39:331{"width":240,"position-y-pc":"49","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":90,"width":110,"x":82,"center-y":145,"height":110,"center-x":137}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":91,"width":110,"x":82,"center-y":146,"height":110,"center-x":137}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":87,"width":117,"x":79,"center-y":145.5,"height":117,"center-x":137.5}]},"height":300,"position-x-combined":"57%","position-x":"center","position-y":"center","position-y-combined":"49%","average-center-x":137.166666666667,"average-center-y":145.5,"id":"1DE3AC1C-160F-11E7-B698-B6AC2324062B","position-x-pc":"57"}póúU!3g#¸÷g#!568#¸÷g#!710#¸÷g#¸¦ÈúU@îøúU@kúU(úúU0'ÒúUX¬ÙúU€, úU`]ŒúU0‹%úU@¹úU€`úULÿúUÙúUPúU˜ÙúUx” úU(ÌkúU êjúUÐØyúU¸çËúUx÷úUnXúUËÊúUø¾úUˆ÷úU@Ö úU TúU`‡ÏúUèÎúU µÐúU°¢õúU(;lúUðŒúU@L{úUˆ«úU Ç úUh1ÁúU¸ù úUÈ3úUhäûúUÈdúU 2ÄúU”ŽúU¸FYúUÐèúU@#¬úU :âúU0£!úU¨=ùúU úU:ùúUpûúUh8úU ;ïúUKÜúUˆŸùúU8ÓúUX…þúUÈGuúU@ëøúU˜eÝúUTÿúUØ&úUH0ïúU¨È úU0¶~úUùˆúU`GYúU€gsúU°¥2úU˜ýúUXY÷úUð,úU¸ryúUðœËúU¸ýúU ïÏúU(dúU!1g#üg#ÐJïúU!2019-09-25 13:01:481407948BA-DF8C-11E9-B562-78ð"±úU!106142¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-03-31 04:55:51!2023-03-31 04:55:56úU!406422¸÷g#534465!480881¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00úUQÒúU1˜MïúU"Òª%180465¡The Story For Flute And Clarinetins: A New Hope)pe)them) - C. Hubert H. Parrynged by David C WheatleyeatleyyŸã€ "Fulffy, Why ? 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@1˜ù"úUèäIúU˜ù"úUŠJúU˜ù"úU`ŠJúUŠJúUØŠJúU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU˜ù"úU!LicenseScorecenseScore!SKUScore::SKU QCopyright © 2015 by Edwin Sung http://www.edwinsung.comåÁúUQThe Twelve Days Of Christmas (for violin duet, suitable for grade 2-6)!42g#¸÷g#àOúU!372#¸÷g#ØÑcúU!2g#¸÷g#8å«úU!2g#¸÷g#€p€úU!2015-07-08 16:33:43úU!2017-11-22 16:44:22úU!0g#8øg#2ÁúU!2015¸÷g#¨áúU!4g#¸÷g#:ÁúU11.50Ø÷g#0!sib#¸÷g#P_rúU!81g#¸÷g#è7~úU!0g#¸÷g#¨púU!ViolinDuet.sib@¢³úU!2015-07-08 16:33:43úU!5g#¸÷g#ðÞ®úU!1367¸÷g#ˆé®úU!4g#¸÷g#¨¯úU!2015-07-08 17:00:12úU!1g#¸÷g#¨áúU!1g#¸÷g#ÑúU!0g#¸÷g#ÄúU!÷g#¸÷g# àúU!0g#¸÷g#mÊúU!0g#¸÷g#:ÁúU11g#Ø÷g#ð‚ÎúU01This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Chistmas ideally! Date published: 16th September, 2014 Enjoy!O¥!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#QCopyright © 2014 by Edwin Sung http://www.edwinsung.comL¹úU !÷g#¸÷g#Á["173800","162469","164857","162261","160178","406218","124044","164685","166176","162248","164784","170822","162212","164769","160489","162276","162112","162208","160186"]U¨}túU!2020-09-28 09:35:48úU!1g#¸÷g#_ÆúU!0000-00-00 00:00:00úU!÷g#¸÷g#hÎÃúU!0g#¸÷g#È‹ÒúU!0g#¸÷g#HPÐúU!0g#¸÷g#!0g#¸÷g#XÉÆúU!1g#¸÷g#1650x919Ø÷g#ÛiúU¨ÐÝúU0!1g#xýg#°ûïúU!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2014-10-30 22:28:45QHark The Herald Angels Sing for violin duet suitable for grades 15!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#ÑHark! The Herald Angels Sing (for violin duet, suitable for grades 1-5) Felix Mendelssohn Arranged by Edwin Sung Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Chistmas ideally! Date published: 16th September, 2014 Enjoy!úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#8ZÀúU·ÜúUðñËúUpSŒúU(ÛÚúUˆñ]úUè•}úUˆÀhúU˜ÔÃúU 8zúU9wúUà‘ÇúUÞúUÐ6úUXqiúU0pÑúUPKÈúU@å‡úUP ØúU*iúUø%ÇúUàlúUŸÌúUX2wúU»ZúUqúUxŸÌúUHPÐúUøNÂúU ãiúUØfúUHËúU8åÒúU€kÊúUHÑúU±úU0öØúUø ÉúUøôÛúU€±úUø_2úUèãÞúUPZ¿úUÐïlúU žlúU`“ÛúUÐÚúU8ßÇúUX˜ÄúUÀ_^úUÀ³ÐúU0BÌúUø½ÍúU06fúUÈ[úU_ÆúUÀgÃúUH­ÙúU9lúU8Þ‡úUþqúU@ÑúUhÎÃúU(JÌúUÈ‹ÒúU–ˆúU8‚úU˜+ËúUЃ]úUx ÊúU˜%ÛúUhÚúU ÀúUcÃúU¸f2úUÏúUÛiúU°®ÂúU !3590388ùg#!0g#¸÷g#ÐøúU!0g#¸÷g#à&òúU!0.00¸÷g#529482!5.00¸÷g# !3.00¸÷g#!0g#¸÷g#@áùúU!÷g#¸÷g#À§ëúU!0.00¸÷g#493328!0g#øg# !0g#¸÷g#15.00Ø÷g#0æ úU@MúU00ÂïúUª`éúU0b úUD`œ úUÐTúUDyóúU°‹³úUD øúU ÂúUD0^OúUà.‡úUÿw+úU@5]úUDPvþúUP}ÒúUD`júU°ðúUÀ_RúUp…múUD`þcúUðºÿúUD0½úU` iúUD0võúUÐ&LúUDÐF^úU ööúUD0ÑúUiáúUDÀ{øúU°þáúUDp6úU°²úUD ôúUÀµÛúUD°ZšúU°pVúUD jAúU Ú úUD OñúUMuúUÿ WæúUqúUD "@úU}úUÿpl8úU0ÞQúUD ?£úU`N9úUD°#úUÐ’.úUDà5NúU`þWúUD]úU°wmúUD@TkúUÀt#úUDplšúUP\ÉúUD ‚#úU úUD@ËaúU âúUD—ñúUäêúUD@ãKúU€ŽúUDPñúU@˜€úUDÁ4úUÍSúUD°Ð`úU 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    Clarinet in Bb and Flute
    l="nofollow">Fender Rhodes=540018" rel="nofollow">Violin 2 (Student Grade 5-6 / Teacher)¸÷g#ÐmúUoff2" crossorigin>
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    Clarinet in Bb and Flute
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    3
    as-for-violin-duet-suitable-for-grades-2-6-162215.html?part=540018" rel="nofollow">Violin 2 (Student Grade 5-6 / Teacher) 26th October, A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":295,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"62AF82EC-E703-11E7-8A38-8353649A0F46","position-x-pc":"0"}es-2-@_ñúUªPZúUDp²öúUð%ôúUDàðgúUp~húUDpc‹úU ×ùúUDP.ÕúUð?DúUDpÙþúU0húUD0ò„úU 8iúU2@Á*úUDPůúUÀwÓúUDÀ¾ôúUð3ÿúUDÀ©óúU múUDp#kúU  úUD ŒöúUÀ úUD€ˆúU`¢»úUD0)íúU0ÖøúUD0–úUPL]úU°úUÀ0ÜúUD€ ½úUð#úUÿ2LúU ÂúUDÀÂ0úUð§-úUD0bèúUÐúaúUD€5±úUP„úUD^DúU°ÙêúUDÐ:úUðOûúUDðýjúUPtúUDð¡úU÷ÇúUD ˆVúU éàúU ’úU¸CúUÿþúUÐOúUDpiSúU0›úUD©QúU ÐúUD0÷júUÐ ²úUÿàÁ…úUð“úUD ÕúUp±DúUD®ïúUPyúUD×öúU fÖúUÿ%uúU€ŒàúUD°3úU _ úUD`b¯úUPmáúUD>úUÀUlúUDÀ¼ôúUÀúUDÀbÒúUP˜úUD€pGúU z…úUDà_gúUàŒúUDðúUÅÁúUP×7úUD° WúUoáúUD0`#úU0¾ÔúU  ÀI•úU€XúUD 'üúU`,ÜúUDà¿úUÐIúUDzóúU€¸ÿúUDЙOúU@¯ZúUD@øúúUà}úUD°ôúUÀ·úUD@TOúUª;úUDPšgúUÙ úUD°_þúUX©ñúU°¶ÊúUDðZúUPRýúUDðÿúUðÄÙúUD=OúU`\eúUD°ðjúUЇ±úUDÀCîúU`ÜúUU —ÌúU@ò|úUDðNùúUpqúU€¶JúUD€’·úU°’àúUDà3NúU °IúUD'üúU€<úUD âúU¨ÝúUD GýúUðâúUD€húUð1[úUD€HOúU páúUDúU`%úUD@eúU ïÈúUD0úúU€ä"úU2žŠúUD Q¹úU ÊÌúUDпôúU`à÷úUDð”øúUð¬,úUD`ÌiúUwzúUD@QóúUPmjúUDPÅúU°lúUD ˆúU0GGúUD >AúUнúUDðrúUNúUD §5úU`ÄÎúUDp uúUPQ-úUÿ0BuúUwSúUD0›OúU 1úUDÀ¸~úU úUD ¾úU0DÚúUD‚ÉúU0ð5úUD`Y"úUÕúUPÞúUDNùúU6:úUD0úU°¸júUD€´eúUúUD ÂæúU ybúUDÐ%¢úU edúUD°7WúUà/úUDpÒñúU0FgúUD0g™úU°‚_úUD ¿úUÐÉÌúUDïjúU]úUDPójúUÀœžúUD0ºýúU€s×úUD ç:úU [0úUDàÒúUpêÈúUD å(úUP(úUÚ úUD’ñúU ÄúUDÀêîúU@ÖúUÈ®ñúUóúUD°È÷úU ·)úUDpt~úU¯ñúU°»ÔúU ^úUP½YúUD¿úUðn¿úUDp ¿úUådúUD`@úUÀÂþúUØ‘ úUÿ0—½úU ÂÛúUD0ÇøúUÐ4[úUDÀOúUЇNúUD€$óúU -:úUDÛ°úU€ÌBúU–:úUDÀ¼kúUð:êúUDëúU€úUD KBúUÀXúUpíÈúUD@ìîúUÐDúUDPLšúU ð…úUD0¾úU×ÉúUD úU€ÿÑúUDÀÿþúUpkáúUDðnÒúUÐúUDð.8úU`ØùúUDpcóúU0´JúUÿ@p¯úUðhúUD>NúUàüúUDúúUúUD úU°¼kúUU`µWúU^úUD0—ØúUà±ñúUØ¿ÏúUÿ°þÏúUPL]úU …TúUDдmúU0fúUDÐ AúUÀúUDÄôúUÀ5ÿúUDàÚúU@Ì úUDp¦iúUhéuúU €@ÖjúU°¨;úUD7úUðQúUD@WkúU(ÃcúUÿ FoúU` núUDðAúU³ñúUØÆùúU­žúU €@ø‰úUð]5úUð˜úUD ¿úU`Ý6úUD@Œ'úUК€úUDyúUiÈúUDÀüúUáCopyright © 2009 Gettymusic & Thankyou Music (Adm. by CapitolCMGPublishing.com excl. UK & Europe, adm. by Integrity Music, part of the David C Cook family, songs@integritymusic.com) www.stuarttownend.co.uk!÷g#¸÷g#@0vúUAMY SOUL WILL MAGNIFY THE LORD MagnificatžœÆ481111!0g#¸÷g# !0g#¸÷g#!2g#¸÷g# ÒúU!0000-00-00 00:00:00úU!0g#¸÷g#448518!0g#¸÷g#ÀMY SOUL WILL MAGNIFY THE LORD (Magnificat) Keith Getty, Kristyn Getty & Stuart Townend Jodem Music Ltd my 448510!0g#¸÷g# Á["173800","162469","164857","164685","124044","160178","162261","166176","164784","160519","170822","162212","164769","162112","160489","160186","162276","406218","161793"]Ul·ñúU!2020-09-11 10:36:14!1g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-03-21 04:52:19!2023-03-21 04:52:43!1023171¸÷g#!1577870¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¶úU!2023-05-11 18:27:26úU!2023-05-11 18:27:39!507499¸÷g#!802582¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qèc2úU!2g#¨ûg#ðºñúU!2g#¸÷g#`yoúU!2014-09-11 17:02:37úU!2017-11-22 16:44:23úU!Traditional#ÆÍúU!Katrina SungÈ}ÚúU!0g#¸÷g#˜KmúU12014Ø÷g#0!sib#¸÷g#8å«úU!81g#¸÷g#€p€úU!0g#¸÷g#ÀgúU!ViolinDuet.sibˆ³|úU!2014-09-11 17:02:37úU!2g#¸÷g#0õ‰úU!1038¸÷g#àOúU!1g#¸÷g#ØÑcúU!0g#¸øg#è`húU!0g#¸÷g#È}ÚúU!1g#¸÷g#°ÀÀúU!0g#¸÷g#ÈímúU!÷g#¸÷g#øŠúU!0.0000¸÷g#¨kúU!2014-09-11 17:04:25úU12017-06-09 17:10:17úU0!2g#ˆøg#ð0¾úU!1.50høg#`9ÉúU!2014-09-11 17:02:41úU!1g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#è÷g#˜ù"úU!÷g#¸÷g# !øg#¸øg#ÚúU!0g#¸÷g# Å¹úU!0g#¸÷g# jµúU!1g#¸÷g#Ø°ÉúU!0g#¸÷g#` !úU!÷g#¸÷g#HöØúU!0.0000¸÷g#¨§ÅúU12014-09-13 10:16:33úU01This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That's why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 13th September, 2014ÂñúUrÂñúU!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#ȆÎúU!389694¸÷g#!0g#¸÷g#` !úU!0g#¸÷g#ð7ˆúU!0.00¸÷g#¨§ÅúU!5.00¸÷g#xtÍúU!3.00¸÷g#È´ÙúU!0g#¸÷g# Å¹úU!÷g#¸÷g# jµúU!0.00¸÷g#ÐélúU!1g#€løúU !160242è÷g#¶!úU!42g#È÷g# 1^€úUXÅñúUÝÅ%Ñ160242AJoy to the World for violin duet suitable for grades 15!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#‘Joy to the World (for violin duet, suitable for grades 1-5) Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That's why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 13th September, 2014!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#س"úUèËúU@ëjúUJÜúUðpÚúUêfúUXÎúU ÈÆúUøhúUPqÑúU0ÁZúUˆ²ÙúU€ŽÏúU OgúUྉúUèÚúUÀébúUdhúUh®ÙúUàšlúUè¦ÉúU0DjúUÈQÜúUøkÆúUè¬ÐúUHY°úUàÖáúUÐélúUð³¿úUÀñÎúUÈoXúUpRÀúU° ÀúUPÔkúU×áúU`~iúUÈnÊúU¼júUÚúUˆÔúU ­ÌúUØaÑúUȆÎúU •ËúUŸlúUHp‚úUølúU` !úU`ÄÆúUxeúU0aÆúU |iúU¨§ÅúU˜BßúU7ÄúUxtÍúU¸_úUÈv[úUÈ´ÙúUˆCßúUa°úUXôYúU Å¹úUˆƒÁúU jµúU$ËúU súU¸’ÄúU€ÂÆúUø|ÞúUÀçlúUÍÝúU8…ÞúUh4ÞúU •ÒúUXUÐúU IÐúUhfÍúUvÎñúUÁ["173800","162469","164857","164685","160178","124044","162261","166176","162248","164784","160519","170822","162212","164769","162112","160489","160186","406218","162276","162215"]or!2020-09-14 23:48:52!1g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-11 19:50:05!2023-05-11 19:50:24!541652¸÷g#!889524¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q ÑúU!2017-12-22 10:17:29úU1Keith & Kristyn Getty & Stuart Townend!÷g#¸÷g# ÖáúU!2007è÷g#PµúúU!0g#¸÷g# !sib#¸÷g#pé®úU!9394¸÷g#pÕñúU!0g#¸÷g#ج³úUACome, People Of The Risen King - melody line.sibé®úU!2016-01-06 13:40:29úU!90g#¸÷g#8x3úU!3271¸÷g#ÓúU!64g#¸÷g# §úU!øg#¸øg# múU!0g#¸÷g#àÊúU!0g#¸÷g#Ø°fúU!1g#¸÷g#¸:úU!0g#¸÷g# 2úU!63.2400¸÷g# ¥rúU!2016-01-06 13:42:17úU1COME PEOPLE OF THE RISEN KING0!4g#Èøg#ëúU!÷g#¸÷g#ÀÿƒúU!1.50¸÷g#à´fúU!0g#¸÷g# ÇúU!0g#¸÷g#€åÝúU!0g#¸÷g#  ÇúU!1g#øg#0õkúU!1g#è÷g#!0g#¸÷g# QCopyright © 2014 by Edwin Sung http://www.edwinsung.com»júUQThe First Noel (for violin duet, suitable for grades 1-5)d? !372#¸÷g# aOnce In Royal David’s City (for violin duet, suitable for grades 2-6) Henry John Gauntlett Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 26th October, 2014 Enjoy!pan cl!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#`dÝúUè`ÔúU+ÞúUÂÀúU@ÚúU(élúU5fúU(ÏÑúUPhúUø9âúU`öÛúUµ¿úUxÊÊúUÐÏÑúUHétúUè]2úU8ÊúUH~iúUÈ1ÄúU€Ë‚úU8nÑúUHMÐúU`jÊúUp?kúU€ÔúU¨–ÒúUȱÂúU°ÖáúU°®ÐúUˆ«›úUèkúUàÂàúU˜ËhúU„ÎúU¸ÀúUPåÇúUx1ŽúU(¤ÌúU(ȹúUàÚúU¸ÝÞúU NhúUhúUMgúUçÏúU°`ÀúUÞÒúUˆòÏúU`jÃúUŒaúUÐ’lúU`ÐkúUH¨ÌúU°®ßúUPHjúU¨ÌvúU(v‡úU``úU ¡ÌúUH̹úUèƒiúUè¬gúU ÝÇúUÀ!úUh oúU€‘ÛúU`jhúUÈBßúUY‰úUèfÊúUèÑúUxÓúU!0g#¸÷g#¸–ŽúU12014Ø÷g#0!sib#¸÷g#À¥±úU!81g#¸÷g#° ŽúU!0g#¸÷g#°©±úU!ViolinDuet.sibMúU!2014-10-28 10:42:24úU!34g#¸÷g#y}úU!1782¸÷g#˜eÑúU!8g#¸÷g#ðsúU!2g#xøg#X¢³úU!1.50Xøg#ˆÁ®úU!2014-10-28 10:42:28úU!1g#¸÷g# é®úU!1g#¸÷g#`ªžúU10g#Ø÷g# ésúUÈ÷g#0!øg#¸øg#°…fúU!0g#¸÷g#èóËúU!0g#¸÷g# ÂÆúU!1g#¸÷g#À¼júU!0g#¸÷g#/júU!÷g#¸÷g#°ˆÇúU!0.0000¸÷g#XÅlúU12014-10-23 20:20:12úU0áThis duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 23rd October, 2014 Enjoy!e the scor!2.00¸÷g#ass="buy!0g#¸÷g#addToBas!1g#¸÷g#gin-top-!0g#¸÷g#IONONLYC!÷g#¸÷g#-heading!÷g#¸÷g#t">!0g#¸÷g#>ADDTOBA!0g#¸÷g#div> !0g#¸÷g#argin-to!0g#¸÷g#">SCORET!2017-06-09 17:10:17deta!0000-00-00 00:00:00 mar!÷g#¸÷g#"left-co!77789¸÷g#t-contai!0g#¸÷g#øg#!0g#¸÷g#10.00Ø÷g#@PúU`µëúU0à£ñúUª úUD „[úU úUDÐHúU`¾úUDð?`úU°KýúUH7-úUÿ0t6úUÖ úUDðtøúU ZlúU0ƒÃúUD !úU0Ú÷úUDœWúUÀhxúUDôúUð8kúUD€§&úU †àúUDpà úUØéñúU@VÒúU€ƒõúUD0ôúU`¢úUD`Ú úU°xúUD€YýúU@˜ÜúUDþÔúUð¤]úUDÀ‹kúU Ö úUD`ýõúUàõBúUÿ8b‰úUćúUDààúU@0úUD`ÂúUÀ•dúUDг2úU`2búUD`[úU ‹úUDð¾KúU@‘AúUDð»lúUàÂúUD÷úU@àúUD``óúUàûàúUDÐúUDpBúUàÉGúUDðt%úULýúUDЖùúUÀa5úUð·úUD0àÐúU&úUDà‚úUÀïñúU€‰ŽúUD.ÕúU`Î^úUD ÝþúUPL]úUð wúUDðÚ úUØÞŸúUÿ j-úU°™žúUD[¾úUhðñúUèçÅúUeúU ÍúúUD –{úUà£úUPÓCúUD0fIúUàðñúUàÏúúUDp¯úUÀXBúUD›)úUÀÐÌúUD`†~úU@2‰úUDÿøúU@úU z!úUDÀ{úU¸ýºúUÿ`­œúUPÉúúUD ÀíîúUçAúUDÀG&úUP+‹úUDÀ¢óúUpHúUD !úU°¾ÿúUD0JîúUÐõúUDpOïúU ãuúU Hðs‰úUðHýúUDÚûúUеÊúUD¥úúU ÂúUàKÍúUD`*ÿúU° ~úUÿë>úUÀŽúUDðo úU`ì@úUD ¿oúU íöúUD oèúUPÞ6úUDpXgúUÀúUD >NúU°wWúUD€C/úUPóñúUè3÷úU¹ÊúUDÀ ñúUðúUD`î/úUÈãuúU @°ÔüúU@yúUD€RkúUPÜ…úUDPw½úUà KúUD ÑDúUøóñúUXËúU€ÜüúUD ”‚úU »úUDP|÷úU0—KúUDµqúU Q;úUD@{KúUpôñúUP÷úU íLúUYûúUD  îúUúUD ÅôúU`ÄðúU `.éúUIúUDP¨úúUà±úUD¦úúU àúUDàŽ%úU OúUD@ÞúUÀeúUDðh™úU@ÒúUDÀ#úUðD©úUD€AúU`T2úUD  ’úUxC_úUÿÀ¡´úUЙúUD° ½úU¶7úUÿðUHúU02úUDù2úUPÐmúUDp¢úUЕúUDà±ÚúU€u°úUDàUÃúUÿáúUDuøúUÅÁúU€î"úUDÝþúULþúUÿ 6!úUÀÒúUD^‹úUpúUDpsúUÐÞ)úU°úUD°¨ûúU0/úUDçLúUPL]úU@ÓúUD îúU@)KúUDà[ëúUP$úU2`5ÛúUD@ îúU tÀúUD€ÿNúU wúUDÀìîúUpÍ úUDà›øúU0iVúUDпŸúU °ZúUDPÄúUȤ°úUÿÐ9‡úU ž0úUDàMúU°Ò úUDÕúUp‰ŽúUD ç úUÀÕ›úUDpRñúUAO Holy Night SATB SopranoTenor Soloists and Organ!0g#¸÷g#!0g#¸÷g#!13g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#ÑO Holy Night! (SATB + Soprano/Tenor Soloists and Organ) Four-verse arrangement with Dwight’s usually unsung extra verses Adolphe Adam John Sullivan Dwight Matthew MacGregor after John E. 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Stuart was brought up in West Yorkshire, and now lives in Brighton with his wife Caroline and three children - Joseph, Emma & Eden. He tours and leads worship at events around the UK and abroad, pioneering a distinctive style of acoustic folk that sets his music apart from the mainstream 'rock worship' style that dominates the scene. Stuart continues to write with long-time collaborator Keith Getty, but has also worked with other talented writers including Gary Sadler, Mark Edwards, Phil Baggaley and Matt Redman. An accomplished keyboard player and guitarist, he is also an established recording artist, with eight solo albums to his name to date, as well as featuring on numerous live event albums.âùúUqStuart is one of the leading worship songwriters of his generation: from "[[http://www.scoreexchange.com/search?uid=9394&q=how+deep+the+father's+love|How Deep the Father's Love]]" to "[[http://www.scoreexchange.com/scores/128564.html|In Christ Alone]]", "The Power of the Cross" to "Beautiful Saviour", his songs are sung in churches and events around the world, and his lyrics acclaimed in the same breath as those of Watts and Wesley. Visit his [[http://www.scoreexchange.com/profiles/stuarttownend|profile page]] or [[http://www.scoreexchange.com/search?uid=9394|search for his music now »]]úU !1g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g# ÜìúU!2g#¸÷g#€ôúU!2g#¸÷g#366810!124.53¸÷g#`1!÷g#¸÷g#!÷g#¸÷g# XúU!÷g#¸÷g#ðúU!0000-00-00 00:00:0015!÷g#¸÷g#p!0000-00-00 00:00:00!0g#¸÷g#° úU!0g#¸÷g#€Ù×úU!0g#¸÷g#369504!70g#¸÷g# !37g#¸÷g#!2017-06-14 19:20:15úU!0g#˜ùg#À@õúU!0g#¸÷g#534633!0g#¸÷g# !0g#¸÷g#!0g#¸÷g#@ešúU!÷g#¸÷g# îúU!1g#¸÷g#15579716F9DEFAC-886F-11E9-AD60-F3D41D17C629U!0g#¸÷g#369617!0g#¸÷g# !0000-00-00 00:00:00!0g#¸÷g#ÀØ×úU!0000-00-00 00:00:00úU!0000-00-00 00:00:0087!0g#¸÷g# °èñúUªè»§úU °µúUD X úUà7úUDÐk\úU ´úUD0úU<úUD0aïúUrAúUD,±úUà-úUD WúúUàÃúUD0ûòúU°GúUD ­(úU`.òúUXx.òúUØc%úUÿp¶úUОúUD` KúU@ÐúUDDXúUpàcúUD NwúUàÙ$úUD0ØúUàïÓúUDP‘ŸúU€ügúUDÀHúUÌ€úUDÀ¡‹úU`Ó9úUDÐñKúUà†yúUD€:úUм1úUDÐèýúU€%úUDp›múU€OúUDðãúU` ¼úUD`wJúUðÅúUDÐûúUЀÄúUD@úUPšúUDôúUðÏmúUD€‹ÓúUÐfVúUD€¼úU`RlúUD #ýúU¨å“úUÿà 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0ÇúU0SBúUD üúU|¹úUÿp•úU°ÈûúUD ²$úU€dúUÿpSúUˆúUUàîúUp;úUD€î6úUPÍCúUHýFúUÿÐúUwWúUDP//úUÕ€úUÿ€WEúU ³@úUÿ`o9úU`ßúUDÀ¶NúU`Ç9úUÀm¿úUD (ÛúU°1-úUDËbúU võúUD@liúUÐ@êúUD ^6úUàjUúUDÀB0úUO¥O¥qhttps://img.sheetmusic.direct/catalogue/album/76dce4d0-d892-4aa4-8465-9a18f237ec12/large.jpgp!2g#È÷g# !950456'úU!Bob Dylang# Á["124609","128073","49845","128071","179537","44943","17840","27778","159982","29882","128060","163106","35193","30019","128069","26428","57459","128065","144235","128076"]12020-09-13 21:03:200!HASHÐKúU ÑA chorale prelude (3 minutes in length) on the popular hymn tune "Crimond" (melody written in 1817 by J.S. Irvine). A flowing 6/4 underpins the piece, with the Crimond melody in 3/2 time juxtaposed above. The accompaniment has for the most part a distinctively minor feel to it, although the well known melody is usually in the major. One of a collection of organ pieces in different styles. To see more, please visit www.simonpeberdymusic.com!0g#¸÷g# !0.008ùg#!0.00¸÷g#€Ü1úU!0.00¸÷g#211200!1g#¸÷g# !1g#¸÷g#!0g#¸÷g#@ÀïúU!0g#¸÷g#³lúU!1g#¸÷g#465528!73845¸÷g# 1Jimmy Buffett, Jimmy Buffett211198!1.99è÷g#7!2020-08-22 12:19:30!2014-10-26 20:37:5611g#`àßúUe670e78)mlúU0!øg#8øg#°®ÅúU!÷g#¸÷g#hQmúU!0g#¸÷g#­~úU10g#Ø÷g#0!496#è÷g#!1g#¸÷g# !0g# *úU !0g#¸øg# ßúU!÷g#¸÷g#¸ ÊúU!0g#¸÷g# .iúU!0g#¸÷g#ÈË|úU!1g#¸÷g#èËúU!0g#¸÷g#ØÅ_úU!29.5600¸÷g#(‹úU12016-01-13 15:22:01úU0ÑCopyright © 1999 Thankyou Music (Adm. by CapitolCMGPublishing.com excl. UK & Europe, adm. by Integrity Music, part of the David C Cook family, songs@integritymusic.com) www.stuarttownend.co.ukúU!÷g#¸÷g# !0g#€ ôúUdap_html!0.00è÷g#@!1.50¸÷g# !÷g#púU !0.00—úU !Simonp!757úUcoreIncl!speberdy@yahoo.com1x AúUP §úUP€3GúU0!HASHtmlg !2019-01-14 00:30:45úU!0000-00-00 00:00:00úU!÷g#¸÷g# &úU10g#Ø÷g#0!USQLrencyIDQhttps://img.sheetmusic.direct/catalogue/product/la-la-land-movie-lg.jpg!0g#È÷g# 1páËúUxôúU„†¿52285!2017-05-05 00:00:00ÁThis duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 26th October, 2014 Enjoy!w.scoreexchang!÷g#€ó¦úU!8.44¸÷g# áFluten Bbals]n Ca>2 (Student Grade 5-6 / Teacher)úU˜_ÑúU!0g#˜øg# !0g#¸÷g#!0000-00-00 00:00:00úU!0000-00-00 00:00:00úUQcúU!0g#Às‰úU !3g# $úU!2g#¸÷g#12019-01-04 00:00:000QCopyright © 2014 by Edwin Sung http://www.edwinsung.comP!2g# º2úU!2018-08-27 00:00:00!0g#`Æ2úU¸2ÒúU1÷g#Ø÷g#0!World in Union.sib!0.00¸ùg# “ËúU!1.50¸÷g#!0.00¸÷g#¸ÎúU!0g#¸÷g#!÷g#¸÷g#ðxiúU!0.00¸÷g#—úUÁ["395355","395880","396004","396000","395997","395354","395876","395961","395999","395723","396003","395968","395353","474944","395987","395995","538132","395877","474950"]@¼÷úU!2020-09-22 12:50:23!0g#¸÷g#pYŒúU!2019-09-25 14:50:43177F9F744-DF9B-11E9-BB11-78úU0!1g#8ùg#210766!0g#¸÷g#°!0.0000¸÷g#!0000-00-00 00:00:00úU!Song for GuyP»ÝúU!0g#¸÷g#448274!0g#¸÷g# !1g#¸÷g#!0000-00-00 00:00:00úU!0g#¸÷g#àüúU!0g#¸÷g#44826112019-03-30 05:27:26999998Þ0!0.00 ŠðúUpatible;!0g#è÷g#www.goog!÷g#¸÷g# !1.50èúg# !0g#¸÷g#!0g#¸÷g#¦ÎúU!1g#¸÷g#à&ÙúU!÷g#¸÷g#442219!÷g#¸÷g#À!0g#¸÷g#!÷g#¸÷g#ðÄuúU!÷g#¸÷g#KkúU!÷g#¸÷g#210883Song for Guy Elton John This score is a one page PDF and is transposed to C-key to play without any difficulties.úU!0g#¸÷g#210881!1g#¸÷g# !0g#¸÷g#!0g#¸÷g#€ úU!0000-00-00 00:00:00úU!÷g#¸÷g#471781!0g#¸÷g# !220#¸÷g#!216#¸÷g#ÀÍúU!486878øg#ðЯúU!0g#è÷g#210860!0g#¸÷g# `ÊóúUª°_ÉúUD@PñúUàædúUD¸yúUÀfúUD POúU0EÙúUD Ë0úUÅÁúU@%:úUD€*úU€OúUD0S¹úUñiúUD0¾úUÀ«súUD ùfúUÀ}ÆúUD½'úU ÜkúUD ÌøúU@_éúUD@@NúUXôúUXËúU°­úU €P9 úUP-úUDà?úUÐXÉúUº_úUDpfúURúUD€?8úUâfúUU@¾oúU¨–¾úUÿÐ|@úUP:=úUD¼húU RûúUD`³ùúUHôúU súUàÃþúUD`úUàéuúU €0£úU°k¿úUD¿úUà úUDp]îúU0úUÇýúUDàFšúU°¾QúUÿP¡/úUÐ]‡úU2ÑøúUDà…ÉúUÂœúUDðŠ¾úUðœÜúU0@‚úUD°™øúU0“iúUD “úU€ŽúUD`ýúUÐsÅúUDzÍúUè/vúUÿ€M™úU@ûiúUD VúúU€úUDÐ úUpÆÎúUD vßúUH6ÛúUÿð„.úU0ˆàúUDw(úUÀ‚³úUD0BúU†³úUD¼úUÊúúUD€úUP 1úU@ÓøúUD ùÔúUpLfúUD`ôúU`[‰úUÿ°"9úU°úUDLïúU€ ÁúUD°;OúUÀ—úUD0ajúUèÛúUUp„(úU 7ÛúUD BúU`3úUPàúUDlúUÀÀúUD@Ý úU0XúUDi0úU€[ úUD0ÇúUÀ€õúUD`øÔúUP}"úUDxúU%EúUD ŒåúU îqúUD@•"úUÀñFúUÿ€G>úU°¿ÛúUD >ñúUÀÜúUUÀnúU6úUDPúU`üIúU2 wúUDp»úUÐWÌúUDp ½úU°»üúU2ÅÁúUPXûúUDÚúúUÞ÷úUDÐ’%úUØ·§úU €¾3úU `¨ÎúUÀúUD ù‡úUPÝúUU¤3úUJgúUD°•ûúUPxúUD@Ú úU€ dúUD°ÁúU`×úUDÐo úUÀxúUD`—øúU0Ï"úUDPO úU`”›úUÿpö)úUð4ÿúUD PôjúU@˜ÖúUD`gúU XúUDÐO[úU0%ZúUDðdþúU¤úU 0HúUD+húUñ úUÿP]>úU@9úUD(šúU=ôúUÕbúU  `–½úU&úUD`ùúU€€ úUDWkúUPD‚úU°ôHúUàØlúUD þõúU0±úUD +JúUàôúUH>GúU°j}úUDð úUðÞ÷úUDÐò úUˆ£žúUÿ°|$úUPˆÃúUDÀÉJúUPÙùúUD€;ŠúU  úUDaúU0$/úU ‹ÐúUpŸpúUDƤf441677‘`´GúUð÷{úU Ð:búU69.93726@0p»èúU˜0ôúU6k<441662!P”‰úUàRúUà0ðu@úUè0ôúU?0›^441660q ~6úUÐvnúU 0`?LúU81ôúUŸOÞê441644!àÄ6úUpwnúU€0…EúUˆ1ôúU&Y441638Á0R$úU0ø›úU 0àãXúUØ1ôúUMïŸ=441633!ŽIúUð®œúUp0 ø›úU(2ôúUnÔì|441625!àdúUÐø›úU 0ÛGúUx2ôúUƒŒû˜441623±@F·úUp)yúU 0p~9úUÈ2ôúU´b441584!°ƒ¯úU ~9úUp0€*yúU3ôúU@ Kí441583PØúUànÃúU 0 Ý`úUh3ôúUï©¢û441582ÁÀ úU°V>úU 0@úU¸3ôúUÿlÜ441568!8úUpúUp0°V>úU4ôúU}°Â}441567!Í7úU=úU0P·GúUX4ôúUë#441559A ’FúUÉFúU 0 ’çúU¨4ôúUî_Æ441486 Y^úU`ÇúU 0.ŸúUø4ôúU]lÈÑ441472!8úU0.ŸúUp0 ÈúUH5ôúUvÝØ“441463q`i±úU`úHúU 0€úHúU˜5ôúUâdV441461!°ƒ¯úU°úHúU`00Æ2úUè5ôúU“Œùâ441453±@³¾úUðăúU 0À†úU86ôúUuÉt367555q€!9úUp$ùúU 0$ùúUˆ6ôúUn÷“"441432! 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Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer.

    ¸÷g#¸÷g#`AThis beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer.r Choià"²úU §IúUà"²úU §IúU468121Q Ì#úU00ôúU;k!§473702!P”‰úUp…+úU€0`¬~úUX…ôúU.%{#473680!pXÚúU—LúUÐ0˜ÐúU¨…ôúUü¤ü9402901!pXÚúU ›½úU 0P.úUø…ôúUWÞî482852q€ÊúU>úU 0 ?úUH†ôúU{¤´482829!pXÚúU0dúUÀ0ÐÛúU˜†ôúUÜ©‘473671±05)úU›·úUâ…úUè†ôúUàê{@432042!P”‰úUÀâ…úUp0P"ßúU8‡ôúUú7ò@118716!@ŽŠúU Ó+úUÀ0ð›·úUˆ‡ôúU"‡˜½454742Á€Z9úU úU°Ô+úU؇ôúU#ÂÌ›454736aÀ²_úUØbúU 0ÀœFúU(ˆôúU½ï™²454735!ŽIúU ‚ úUp0€k[úUxˆôúUŸlAï454728!8úU°k[úUÀ0°óúUȈôúUßHœ63082!0óíúUàóúU0€ØbúU‰ôúUG—ã468090!PÔ9úU@´MúU°0P¢úUh‰ôúUu’Ò468081á0ë‡úUPdwúU 0°2œúU¸‰ôúUæ”/ï454693‘onúUàY™úU 0€3 úUŠôúU³*ÑÌ525668 SúUàxHúU 00 )úUXŠôúU·÷¥2525658! …»úU` )úUp0yHúU¨ŠôúU­¿S­473660qà‘ºúU€)úU 0°Ê€úUøŠôúUûéVÅ473659!P”‰úU QeúU`0àNúUH‹ôúUРÁà473657!pXÚúU ~úU°0^™úU˜‹ôúUž‚Y149224± ç‚úU`ÃÚúU 0@ê±úUè‹ôúUÙsEŠ473652! h”úUpê±úUp0pÄÚúU8ŒôúUÍtq454671pûúUÀéyúU 0°|úUˆŒôúUw?454655! …»úUà|úUp0°ÅƒúUØŒôúUþõKô416326!À(îúUàŃúUÀ00ÝGúU(ôúU¹tjÒ454633!h8úU`ÝGúU 0°YúUxôúU’Db454610‘`ºtúU€>yúU>búUÈôúUExe[454608! …»úU@>búUp0 0½úUŽôúU—¯S473645áð\<úU (RúU 0 \ƒúUhŽôúUÞ'©478905!PçúUP\ƒúUp06½úU¸ŽôúUa#lÕ478902ÁPñ‚úU`p6úU 0Ð¥FúUôúUÎ>¬Í503919!Š•úUpòHúUp0€p6úUXôúU¸} 478887!@ŽŠúU•úU`0€à:úU¨ôúUè525625Q€ÂaúUÀ‡LúU 0€Ö]úUøôúUè"C¡4736210ç±úUPÅjúU 0ÆjúUHôúU+$»?482750± ±"úU™IúU 0 ×FúU˜ôúU¤>7Ò4827480œ´úUÀì‡úU 00¨DúUèôúU“K¤`468044qÀ´úUwcúU 0wcúU8‘ôúU>îùq468043!À¼úUÀwcúUÀ0°MeúUˆ‘ôúU¶A Ï503914!Š•úU°í‡úU`0›lúUØ‘ôúU±71ü6552!@ŽŠúU0€cúU€00–úU(’ôúUu¬R454556PÝ úU` úU 0 ™¶úUx’ôúUaû-H454548!àHúUЙ¶úUp0Ð úUÈ’ôúU“&ÃÙ468038q0[EúUpd!úU 0ð§åúU“ôúU&Ûùþ416253!PÉ+úU ¨åúUÀ0`£úUh“ôúUFKúUH•ôúU(]Ý467986!PÉ+úU`LZúU0ð'uúU˜•ôúU—Að503901qÀŒŠúU@ØnúU 0ÀÑ úUè•ôúUÂiǽ454533!P”‰úUpÛ+úU`0àThúU8–ôúUš 454516 »2úU;KúU 0‹–úUˆ–ôúUJŒ•Î4545081€ÖbúUP0ßúU 0 ¹EúUØ–ôúUíÀVå454493±àjûúU ú‡úU 0 ’¶úU(—ôúUIÅ5h454483!PÔ9úUP’¶úUp0û‡úUx—ôúU†AE454477pÜGúU€VEúU 0ð,îúUÈ—ôúU¥dK8426972qТíúUÀ‰zúU 00ŠzúU˜ôúU=òï}426953!ŽIúUðPíúUÀ0 VEúUh˜ôúUÇÌ‹403897!àÄ6úU þdúU0 2ßúU¸˜ôúU^ŽÓ@TôúUª@µjúUDðVhúUÐkÔúUDÐUjúUðBÙúUDójúUp‰yúUDÐ.úUÔvúUÿ€ÖSúU§úUDp}úU1úUD g#úUPPýúUD •%úU°çSúUD §NúUð6=úUD vúU`„ßúUDÐpúU]5úUDÐÉIúUf÷úUD ö<úUÈCúUÿx6úU°GxúUÿVúU0«‹úUD@ÕúUðúU«,úUD€úU`6,úUDª(úU@±<úUÐÞúUDUúúU€Á[úUDýnúU@²)úUD°ß­úUðØüúUDúU¸«súUÿð?MúU€é`úUD0úúU€ôöúUD`ÙúUpzúUD\ýúUÐômúUD°¥3úU0žvúUÐ@úUD 9ýúUˆ 7úUÿ IúU°‹ßúUD¢úU P_úUD0?`úUàœÜúUD°n„úUÀIúUá÷úUDPÁWúU0_úUDngúU ÃúUDàÜòúUH^`úUÿ@?HúU@X úUD°§úUFIúU  -úU·úUD“úúUÐÑúUDÍiúUøœôúUðJÙúUD0œZúUð»ƒúUD0{úUP#úUD@.úU JDúUD`àDúUÐ5rúUD îÌúU·3úU  `QjúU°ÆBúUÐ_ úUDp ÕúUоüúU2àÒ úUD^¯úU`¹úUD ü8úUÐ>ÿúUD žiúU°[ÉúUD`#úU^%úUD f°úU€l÷úU°‚ƒúUD0!úUžôúUH‘4úUÀÙVúUD0¨úUÀÞúU0ÈûúUD€!úUÐq÷úUDIùúUŸôúUpqPúUDÌGúUmâúUDÀZîúU°fúUD€v%úU ÑúUDhþúUÀÏúúUD`6úU€OúúUD@KùúU`5+úU]ÉúUD åòúUqæúUÿpHHúU–ÞúUDÀ†úUìõúUD`ÁúU°ŒúUD`CiúU aúUDpúƒúU lúUDðúU°{ÄúUD.NúUšúUDp*)úU°ÑÌúUDàBñúU‹ºúUDpoYúUPyúUD`.úU`+múUDPWúUF½úUÿ ´7úU+ØúUD¿núU@cúU‡ŽúUDàiÌúUÿÒúUD‡ƒúUÀaúUD€äþúU.‰úUDð=úU0ÓúUDÐ[úúUðäÀúUDpj¾úUp?öúU `Û‚úU@ûgúU@ MúUDÐ'ÀúUpEúUD°îúU0@kúUD`b'úU × úUD°O§úUÀ4úUD Â'úU`ˆúUD{þúU0}…úUDдqúUÀ"‹úUD:ýúU0MúUD€NúUàAÙúUDÄ$úUpß úUDðÃúU`ûúUÙøúUDgúUpßúUDÀ'úU€óÆúUDPñúU°Œ±úUD „±úU w"úUD€²…úUxèuúU @„ úUÐóöúUD úU0š›úUÿ0GúUÀo÷úUDðRøúUpºÔúU À¡ŸúUpãÿúU  @Ä-úUà¢ÝúUDpîúURúUD lúUÅ@úUD@ç¯úU¦úUD`¢œúU€¬,úUD0R„úUÀ´úUDàmÌúU@­qúUDÐòàúUVúUD°îúUêÁúUðó@úUDà>úU0šúUD XøúUàZeúU*%úU2ð†lúUDJ&úUPÒÍúUDÀ½úUÀMØúUPÛ~úU yúUDá)úU@ SúUDsÎúUƒ³úUDÐpßúU/ÜúUD 8ýúU@¦ôúU¼ÿúUD@ÈùúUà úUDÐ<þúU±úUD0™úUðXúUDÔiúU ÒÍúUD0ŸúúU3úUD€„‡úUÐKÚúUDàbÒúU ˆ?úUÿ÷oúUg5úUDPúU@wªúUD OOúU°£úUD/úUðÏÚúUÿ“¯úU`‡úUD4MúU§ôúU¨§ôúU 6PúUÐ+‹úUD¤úúU•úUD¿©úU³¹úU0lúUD úU@.[úUDàXšúUÀÔúU @³NúUx-ÂúUÿè±úUàÇýúUDPYúUàR¢úUÿ  AúU`8úUD°UjúU1The Twelve Days Of Christmas (for violin duet, suitable for grade 2-6) 2 prints Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 08/07/2015«ôúUa³ôúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#(ìÁúU CÈúU ÈZúUð­ßúUàˆáúUÈuXúUxYmúU0!úU  ÀúUׇúU¨gÝúUÈiúUPåÁúU¸†ÛúU8éËúU +ÄúUxMÜúU¸ÆhúUèælúU2ÁúU8«ßúU|fúU /ŽúU`\¿úUÀ ÃúUÀçiúU@kúU`·úU@)áúUXaÙúU¸iÑúUÈ®ÅúU˜èlúUÐ5ÁúUßÚúU°‹ÁúURÂúUH¡ßúU8ÔúU°ÍúUðãtúUX áúUðëËúU¨ªÓúUxáúUhIÌúU³gúU àúUh|fúUP‰ÎúU­gúUhéËúU:ÁúUÊúUðÇÝúUˆ húU€ÂhúU(LÐúU03ÄúUx¸àúUP+¬úUHnúU¨áúU(ÞÚúUÑúU^ÔúUøwkúU³"úU0MÂúUxÿØúU `úUxÚúUøVnúUàKúUXéÁúU°úUð‚ÎúUpÕÚúU0±ôúUQ ÝÒúU!1.50üg#p±ôúU!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#1Copyright © 2013 D.B.Wilkinsonchange.c!÷g#¸÷g#!0.00¸ùg#ØB.úU!4.50¸÷g#!3.00¸÷g#x€MúU!0g#¸÷g#!÷g#¸÷g# ÅúU!0.00¸÷g#Hò9úUÁ["115721","102252","199025","186257","159234","137882","183779","173708","24442","185386","85018","122270","175431","199019","174657","84843","423360","191736","187962","96704"]9úU!2020-09-12 18:00:04!1g#¸÷g#ˆõ.úU!0000-00-00 00:00:001÷g#Ø÷g#8öúU8+€úU0!1g#øùg#"},"posi!0g#¸÷g#m"},{"it!÷g#¸÷g#rs (from!0.0000¸÷g#ps://www!2016-10-17 23:02:08ty-o!IV Dialogue#370377.h!0g#¸÷g#e":"List!0g#¸÷g#umbList"!3g#¸÷g#èøg#!0000-00-00 00:00:00e.co!0g#¸÷g#erry-chr!0g#¸÷g#uitable-ÑIV. Dialogue D.B. Wilkinson The Dialogue is a call and response between a reed stop and diapasons. Again written to exhibit my passion for invoking a mysterious mood. (for violin duet, suitaÐدüúU°¾úúUheÆúUh’ŽúUˆ8ïúUpòÛúUPPúUÈCÌúUp´úU†úU€¢õúU°>ùúUhwkúU¸oúUð<ÌúUPÐýúUàágúUX+úU˜7úUèËúUPeúUxq±úU¸×ýúUh¶úU0°{úUèö úUØ÷úU¸ÌÆúUðÃúU0§2úU`4 úU(èúUÀ9ÏúU(7úUxéøúUÈdúúUÔúUpëúU0“€úUwkúU0Æ÷úUp!'úU oÑúU@2ÇúUpâ§úU¸ZöúUà‰%úUhGúU¨OúUpeoúU(\úU¸(úUP;úUð°~úUà'þúUp6úUhŽÏúUè| úUh‡úUcúUðÆúUöÛúU@ ÃúUˆNúUô€úUГ úU´úúUhþúU`™zúUÐv úUhnúUÀ*ƒúU0 úUØ ÿúUXw`úUðšùúUKÌúU367537!1g#¸ýg#0»ôúU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!0.00¸÷g#!2023-04-10 18:17:07!2023-04-10 18:17:16!720135¸÷g#!994087¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QhügúUQDescant to 'Blaenwern' (Love divine, all loves excelling) PIANO VERSION!23g#¸÷g#¨kjúU!0g#¸÷g#@ÁôúU!3g#¸÷g#húU!2g#¸÷g#ð[ïúU!2022-03-06 22:38:01úU!2020-02-17 09:02:36úU!20098øg#¸çËúU!0g#¸÷g#Ø&úU!1g#¸÷g#h8úU12022-03-06 22:38:020!sib#¸÷g# ž úU!1319¸÷g#àiúU!0g#¸÷g#(êýúU1Descant to Blaenwern piano 2015.sibúU!2022-03-06 22:38:01úU!634#¸÷g#HÂúU!12167¸÷g#8uúU!9g#¸÷g#ØóúU!0g#¸øg#È3úU!0g#¸÷g#Ø&úU!146127¸÷g#¨È úU!÷g#¸÷g#HªõúU!1g#¸÷g#0£!úU!0g#¸÷g#p9‹úU!1g#¸÷g#h8úU10g#Ø÷g# ïÏúU0!W. P. Rowlands˜ù"úU!Christopher Maxim!1.00¸øg#@¹úúU!2011-06-10 13:53:14úU!0g#¸÷g#HæúU!0g#¸÷g#(¥!úU!155058¸÷g#úU!÷g#¸÷g#@úúU!1g#¸÷g#(iúU11g#Ø÷g#HuúU0!1g#üg#ÐÂôúU!0g#¸÷g#!÷g#¸÷g#!C Winkworth#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#@¹úúU!749645¸÷g#!0g#¸÷g#(åúU!0g#¸÷g#!1.00¸÷g#úU!1.00¸÷g#€¡ÿúU!1.00¸÷g#(iúU!1.00¸÷g#úU!0g#¸÷g# Ó úU!÷g#¸÷g#0dhúU!0.00¸÷g#HæúU10•|úUXÅôúU¶¸’3115006!97625¸÷g#©õúU!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g# !1g#húg#К›úU!0g#¸÷g#506623q{ "GroupOrd" : "70", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "24169" } !0.0000¸÷g#!2011-06-10 13:53:18úUADescant to Nun Danket Now thank we all our God449917!0g#¸÷g# !0g#¸÷g#!1g#¸÷g# ºúU!2013-04-08 21:24:06úU!0g#¸÷g#492518!0g#¸÷g#ÀÑDescant to 'Nun Danket' (Now thank we all our God) J Crüger C Winkworth Michael Clarke Like most of my descants, this is written to work with the 'normal' hymnbook harmony.£÷éúÐ!650x919øýg# ÈôúU!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-11 06:15:49!2023-04-11 06:16:13!1071401¸÷g#!1407750¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q(/ÛúUQHark! The Herald Angels Sing (for violin duet, suitable for grades 1-5)!42g#¸÷g#`yoúU!372#¸÷g#°ÍôúU!2g#¸÷g#xü^úU!2g#¸÷g#ˆFúU!2014-10-30 22:26:46úU!2017-11-22 16:44:23úU!Katrina Sung*iúU!0g#¸÷g#hÎÃúU!2014¸÷g#ø½ÍúU12g#Ø÷g#0!sib#¸÷g#ˆ³|úU!81g#¸÷g#Àv"úU!0g#¸÷g#0õ‰úU!ViolinDuet.sibàOúU!2014-10-30 22:26:46úU!0g#¸÷g#8å«úU!1582¸÷g#€p€úU!0g#¸÷g#ÀgúU!1.50¸øg#øôÛúU!2014-10-30 22:26:50úU!1g#¸÷g#È‹ÒúU!0g#¸÷g#PrúU!0g#¸÷g#8ßÇúU!÷g#¸÷g# ÷wúU!0g#¸÷g#ø½ÍúU10g#Ø÷g#ÛiúU0QFelix Mendelssohn Arranged by Edwin Sung"úU˜ù"úUP!øg#¸øg#p˜ÄúU!0g#¸÷g#>ÓúU!0g#¸÷g#`ÑúU!1g#¸÷g#˜KÓúU!0g#¸÷g#(c2úU!÷g#¸÷g#pµÙúU!5.7344¸÷g#¸–ŽúU12014-10-28 10:44:02úU01This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 28th October, 2014 Enjoy!<öúU!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!2 prints÷g#!÷g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#!463792¸÷g#ˆziúU!0g#¸÷g#!0g#¸÷g#(c2úU!0.00¸÷g#|úU!6.50¸÷g#¸–ŽúU!4.50¸÷g#ðêÇúU!0g#¸÷g#ÐiÝúU!÷g#¸÷g#>ÓúU!0.00¸÷g#`ÑúU1ÔôúUR} ­160186!160519¸÷g#(¡ÌúU!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g# AAuld Lang Syne for violin duet suitable for grades 26!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#¡Auld Lang Syne (for violin duet, suitable for grades 2-6) 2 prints Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 28th October, 2014 Enjoy!!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#8TÀúU(ëbúUXpŠúUéÁúU@àiúUˆ2ÄúU¨SmúU°úUpxkúU ÉúU«ßúUð“ÄúUÐÑúUØóÏúU`ÔúU¸±cúU¢ØúUH~ÞúU°«ÜúUPÐdúUÀ?ÌúU8HÅúUªÈúU è[úUØÁúUЙ!úU<ÁúU€.ÇúUnŠúU`FhúU¨ôËúUpLgúUÐ2fúUý}úUPÊúUð{fúUÀ­ÉúUÀAÈúUp˜ÄúUpZàúU˜qÊúUSÂúUˆziúUà…ÞúUè‰ÞúUàîÏúUp{ÚúU(c2úU`ëaúUø+ÞúUX›zúU0DÅúU¸–ŽúU€àúUè¯ÐúUðêÇúU@ÑúU8±ÈúUÐiÝúU poúUx3ÏúUx”–úU>ÓúUXLÂúU`ÑúU@ôßúU8«ÈúU€—ÇúUX¬~úUøôwúU°ÀúU@¯"úU¸àúUh@ÌúUhtÚúU †áúU`pÝúUðçÄúU444597!2017-06-09 17:10:17ИôúUªàÐúUD°bjúUÐQúUD „úU0þOúUD@°úUØÜúUU`o¯úU0âúUD°]OúUÀúUD‚óúU€ØÉúUDÐrøúUàƒõúUDð¶ùúUêÁúU8V7úUÿ°~aúUdWúUDЩ úUP(úUD`€~úUPg}úUDÀôgúUÀ¬úUD úUPœúUDPJÿúUÀøúUU oZúU ÏVúUD`n‡úUà—ÁúUD`þúUp~WúUDªœúU …húUD@…ÍúU ªZúUDàøúUPDúUDð£úUpzöúUD7ÕúU@RÍúUD@yKúUа‰úUDð"úUàôúUXÑúU°¹úUD@¼óúUД.úUDPáMúUÐqúUDP²úU0ßúUDÐBÿúUZÉúUDPcþúUÐ4úUDЖ2úU ¶ÁúU°NúUD09úU ±HúUDÚ°úU°KoúUD°ôúU * úUDhgúUÐ úUDÀ¦HúUàVùúUDàbïúU Ö™úU  Àw'úU°óAúUD0`KúUÐÍ úUDpÅúU ®úUD²úU ×6úUD`K%úU€¥ÝúUD}÷úUðÒúUD0R`úUAþúU°[úUD?NúU°ïõúUP1úUDÀïÌúUpÉiúUD0MúUædúUD@ÂtúUPmaúUDpÿúU âôúU h¾úUÿ}$úU úUDPCúU0œpúUD€€PúU@Ø%úUD ¦húU`£úUp±úUD°åúUðõVúUÿ@òúUÀ wúUD0úUà´úUDpÉiúU ÐúUD0—ùúU wúUD`c¯úU€}õúUDÀØîúUÀœ³úU @ ˆvúU€¶úU €PÄÿúUð²úUDœ÷úUÀ£núUD€:úUÐíõúUDÐZjúUðö§úU ÍBúUD`ÊVúU0µúUDð¢iúU2rúUD°ÆúUàèõúUDð*úúUðÿiúUDðÓþúUÀçúUèÈúUDàTñúUÀVüúUD;ýúU°ÂÿúUDÐx~úU@púUD lþúUƒƒúUD½ôúU2ÝúUD{ßúU@±IúUD Ð'AúU^úUD°OúUÀºúUD ½úUðþlúUDúUð$/úUD°<8úUà™úUD ZúúUhÙ úUÿÐ úUðIÙúUD’¦úUÅÁúUè˜úUD¥úUÕùúUD0w™úUÀŠ[úUÿp1FúU`úU°àúUD JšúUçúUDÐACúU 7úUD@õúU°3ÜúUD L‹úU÷àúUD°‚ÉúUð³oúUDÿþúUPL]úUð@ËúUD`xóúUß úUD ‘øúUPËVúUDÀ,núUàøúUD÷yúUPúUDÐ! 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Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 7th September, 2014 Enjoy!!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ða2úUHaàúUà—ÒúUÀØáúUɹúU0p|úUðsgúU¸@YúUhoúUèpXúUˆÉÆúUÈÚúU€°cúUPÑÚúU@éfúU°ˆÛúUØÛúUð¶múU X‰úUèìlúU84ÒúUPˆÛúU`‡iúU¢ØúU [xúU€ÅàúUÐÍúUÈKjúUˆÖ‡úUøèÛúU°ÉúU(okúUP×kúUÀ{fúUÈ—ÒúU¨ ÊúUøÑÊúU{ÞúU ÙúU(KhúU@¬ÉúUˆFgúUà0eúUÐ]húU¸Ö‡úUXÌÝúUøtÊúUðAjúU ÒÑúU}áúUuXúUXLÜúU(ÆÑúUH¶múUAßúUpÝiúUˆ<ŽúUˆ~ÚúUˆÑúU)iúUmÆúU0*ÛúU¨©húUð'áúU0ÍÑúUÐìfúUˆpÍúUX¥rúU˜q‚úU¨ ÆúUÀSÜúUêiúU #ƒúU¸%]úUxÍÊúUð ÃúU(žlúUP(ÒúUÁ["173800","162469","164857","162261","160178","406218","124044","164685","166176","162248","164784","170822","162212","164769","160519","160489","162276","162112","162208","186779"]!2020-09-27 00:20:47!1g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-11 13:43:33!2023-04-11 13:43:44!506979¸÷g#!788617¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QȹàúU¡This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 08/07/2015!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!2 prints÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#ðëËúU!140410¸÷g#!0g#¸÷g# àúU!0g#¸÷g# ëÛúU!0.00¸÷g#:ÁúU!5.00¸÷g#ˆ húU!3.00¸÷g#03ÄúU!0g#¸÷g#¨áúU!÷g#¸÷g#ÑúU!0.00¸÷g#`·úU!29761608øg#!0000-00-00 00:00:00úU!0000-00-00 00:00:001ª(úUH¬(úUH©(úU`¬(úUˆ¨(úU!0g#¸ûg#õúU!÷g#¸÷g#!0.0000¸÷g#!2015-07-08 17:06:37QThe Twelve Days Of Christmas for violin duet suitable for grade 26710!0g#¸÷g# !0g#¸÷g#!5g#¸÷g#d úU!0000-00-00 00:00:00úU!0g#¸÷g#524664!0g#¸÷g# Á["173800","162469","164857","162261","160178","164685","124044","406218","166176","162248","164784","162112","162212","160489","160519","164769","161793","160186","186779"]U!2020-09-19 22:33:02úU!1g#¸÷g#0®úU!0000-00-00 00:00:0004!÷g#¸÷g#`!0g#¸÷g#!0g#¸÷g#PAÿúU!0g#¸÷g#îúU!0g#¸÷g#397403!1g#¸÷g# !650x919¸÷g#!0g#¸÷g# §úU!0g#¸÷g#À ìúU!5.00¸÷g#524574!2023-05-01 00:07:20!2023-05-01 00:07:4211744131Ø÷g#¾úUAúU0 ÝôúUª0ÑúUDð½úU`TÍúUD0÷øúUà;êúUDp§IúU ’úUD€öòúU@I 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There is also a version for Concert Band in my store. Don't play Night Flight to Madrid, try Night Flight to Barcelona! Parts are for three tenors and bass. An alternative part for the 1st Trombone is available for Alto on request:keithterrett@gmail.comlSaløÅõúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 15:55:36A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":203,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"1F3C3512-1622-11E7-8A7F-8F73D3936044","position-x-pc":"0"}úUxÈõúU!0g#¸÷g#!283#¸÷g#!178#¸÷g#€=lúU`4JúU¸OÜúUh_›úU GúUPlúUPÔQúU8fÍúU@û(úU°òDúUàÍ`úU¼úU0®NúUÎúU WúUHBúUЬVúUXæÇúU ‡ûúU0TNúUPoIúUˆû—úUPéaúUÀsÊúU@ÝúUÍIúU³KúUè úU¸DAúU@&ÛúU ©.úUxÕáúUØ úUxŽ%úUÀsyúU°x úU (iúU@–GúUXNfúUð OúUXöúUXGNúU8ÉLúU¸ISúUÐàOúU ÍIúU0òqúUPÜ@úU°0úU£%úUP…]úU‘qúUð±úUÀÎ…úUð½úUH#GúUø“WúU¨j‚úU¸mIúU ¡núUð}túUXQúUhkúUÈ'túU àëúUÞ@úU8ø úU˜²AúU8­úUºEúUˆW:úUh2úUúU8”ÛúUx/&úUà5ùúUФÌúUè5ÞúUâÌõúU!0.00þg# ÌõúU±["41728","361963","127908","164854","34678","88361","83857","12494","87838","73013","173709","73674","68027","99382","103266","114713","11167","113035","110982"]õúU!2020-09-10 19:56:38!1g#¸÷g#!2019-09-25 13:21:191FA7D2892-DF8E-11E9-BB4F-78BÎõúU!7386¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x501¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-18 02:57:33!2023-04-18 02:58:07!3872252¸÷g#!4349930¸÷g#!0000-00-00 00:00:00!2023-12-29 11:49:28QHÆúU1XÐõúU­ÚI—153786QBadinerie- Suite No 2 in Bm- BWV 1067 for C Low Brass.sibAúUaBadinerie from Suite No. 2 for C Trombone, Euphonium, Baritone & Piano (lower version))!60g#¸÷g#ÊïúU!624#¸÷g#ØüSúU!3g#¸÷g#ÈþúU!3g#¸÷g#hHúU!2021-01-25 20:56:48úU!2021-01-25 20:55:12úUAJ. S. Bach (1685-1750) arranged by Keith TerrettúU!÷g#¸÷g#pjXúU10g#Ø÷g#0!sib#¸÷g#‰8úU!250#¸÷g#ˆ7úU!0g#¸÷g#ÍOúU!2021-01-25 20:56:48úU!8g#¸÷g#x'7úU!2915¸÷g#èvìúU!5g#¸÷g#H®ÃúU!0g#˜øg#H¡$úU!1g#¸÷g#@RJúU!2.00Xøg#Ø‚ÂúU!2021-01-25 20:56:49úU!1g#¸÷g#pàúU!0g#¸÷g#`uÿúU10g#Ø÷g#°qSúUÈ÷g#0Ñ Arranged for C Trombone/Baritone/Euphonium & Piano (BC), "Amazing Grace" is a Christian hymn published in 1779, with words written by the English poet and Anglican clergyman John Newton (1725–1807). Newton wrote the words from personal experience. He grew up without any particular religious conviction, but his life's path was formed by a variety of twists and coincidences that were often put into motion by his recalcitrant insubordination. He was pressed (conscripted) into service in the Royal Navy, and after leaving the service, he became involved in the Atlantic slave trade. In 1748, a violent storm battered his vessel off the coast of County Donegal, Ireland, so severely that he called out to God for mercy, a moment that marked his spiritual conversion. He continued his slave trading career until 1754 or 1755, when he ended his seafaring altogether and began studying Christian theology. Ordained in the Church of England in 1764, Newton became curate of Olney, Buckinghamshire, where he began to write hymns with poet William Cowper. "Amazing Grace" was written to illustrate a sermon on New Year's Day of 1773. It is unknown if there was any music accompanying the verses; it may have simply been chanted by the congregation. It debuted in print in 1779 in Newton and Cowper's Olney Hymns but settled into relative obscurity in England. In the United States, however, "Amazing Grace" was used extensively during the Second Great Awakening in the early 19th century. It has been associated with more than 20 melodies, but in 1835 it was joined to a tune named "New Britain" to which it is most frequently sung today. With the message that forgiveness and redemption are possible regardless of sins committed and that the soul can be delivered from despair through the mercy of God, "Amazing Grace" is one of the most recognisable songs in the English-speaking world. Author Gilbert Chase writes that it is "without a doubt the most famous of all the folk hymns", and Jonathan Aitken, a Newton biographer, estimates that it is performed about 10 million times annually. It has had particular influence in folk music, and has become an emblematic African American spiritual. Its universal message has been a significant factor in its crossover into secular music. 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La la la la la la la la la la la La la la la la la la la la la la La la la la la la la la la la la la la la la la La la la! (instr. cue) (bass cue) I'm in love and the feeling's great. It's been so long, but love can never be too late. I'm in love, and my insides tell me it's true 'cause all I do is sit around and think of you. 1. I'm not a god, I'm just an average man who's loved and lost, and now I need a love that lasts. I've found a girl who tells me to forget my past. She makes it so, and now my scene is changing fast. 2. I'm not aloof, I'm just a private man I say what I need and make it mean as much as I can Just hear my voice, look in my eyes and hold my hand, and you will find it's not so hard to understand. 3. I'm not afraid to be a patient man, stay cool and calm and never waver from my plan. I don't want to hear any "don't"s or "won't"s or "can't"s. 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Indeed, he dedicated the work "to my friends pictured within", each variation being an affectionate portrayal of one of his circle of close acquaintances. The ninth variation, Nimrod, is here arranged for voices - not the first to do so. It is dedicated to Augustus J. Jaeger, Elgar’s best friend. It is said that this variation, as well as an attempt to capture what Elgar saw as Jaeger’s noble character, depicts a night-time walk the two of them had, during which they discussed the slow movements of Ludwig van Beethoven (the first eight bars represent the beginning of Beethoven’s **Pathetique Sonata**). The name of the variation punningly refers to an Old Testament patriarch described as a mighty hunter, the name Jaeger being German for hunter. The text is the Communion antiphon from the Mass for the Dead. //Lux aeterna luceat eis, Domine, cum sanctis tuis in aeternum, quia pius es. Requiem aeternam dona eis, Domine; et lux perpetua luceat eis. // Trans: //May everlasting light shine upon them, O Lord, with thy saints in eternity, for thou art merciful. Grant them eternal rest, O Lord, and may everlasting light shine upon them.// úU!0g#Xüg#|÷úU!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!960#¸÷g#!960#¸÷g#ð„úUè¿úúUX÷úUßúUØRúU²úU¸ÛîúUX3 úUáÄúUàVcúU˜kúUaöúUછúUp³úúUKúU`ÉúUµúUˆgúUPŠúU 5úU89úU„ÏúUÝûúUð/úU€3úUÐçÎúU@"úUHJÓúUxÈ…úUýúUx'iúU(9‹úU¸ÃöúU8`µúU(lúUS°úUx¾"úU€áúUè×úUxéûúU©üúU`Ü0úUØ_¿úUÈ!øúU¨fúU°1ÄúU0GÓúU0w úUXøúU…ûúU>ÌúU‚%úU+eúUH gúUH7 úU8ÚyúU(¬{úUÀ—ËúUˆäîúUpYúUÀcúU¸‹øúU =ÏúU€'júUXñúU@ëûúUPÂúUPä§úU°¨2úU`úU€PÿúU2âúU(ãiúUH&þúU¿úúU(9ùúU¨ö}úU«úU!2024-03-09 09:30:55úU!0000-00-00 00:00:00úU!÷g#¸÷g#405608!801830¸÷g# !0g#¸÷g#!0g#¸÷g#0eûúU!5.00¸÷g#àÄfúU!5.00¸÷g#208808!3.50¸÷g# !0g#¸÷g#!0g#¸÷g#[þúU!0g#¸÷g#ÜúU!0g#è÷g#405592!÷g#¸÷g# €PïúUªƒ÷úU`ÓÜúU°º§úU ð¯úUD!úU0e!úU  àÂúúU°nÔúUD€úúUiáúUD°õjúU@@úUDà„ÉúUð‚úUD`ékúUȃ÷úUpîÇúUDPÖòúUÀÞüúUD ˜{úUÐ¥]úUD0ÕúU°öúUD@£úU ÃúUDPROúU9ÿúUDýþúU¦úUDÀ`GúUfúUDÐÍúUðØ úUDÀÝ úU°½oúUD0YfúU/úUD`lþúU`máúUD£úU÷ÃúUD`úU®‹úUÀúUD hýúU`G_úUD0ÊùúUðºƒúUDeúUð©HúUD¬œúU`˜cúUD ¥úúU@-rúUD@óÔúUÀ…÷úU 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!sib#¸÷g#OóúU!496#¸÷g#¨ÊöúU!0g#¸÷g#P†úUA8 christmas duets for flute and oboe.sib!ÈúU¢øúU!2013-08-07 21:56:55úU!29g#¸÷g#¡ÆúU!3716¸÷g#¸6ÑúU!12g#¸÷g#3ýúU!5g#Xøg#èôÊúU!1.508øg#0ÀúU!2013-08-07 21:56:58úU!0g#¸÷g#@”úU10g#Ø÷g# ésúUÈ÷g#0!0g#¸øg#pëúU‘A setting for choir of this popular Christmas song for three equal parts and accompaniment, with a jazzy middle section.1ÇúUhGúU!0g#¸÷g#0 úU!0g#è÷g#Xw`úU!1g#¸÷g# ÑA setting for choir of this popular Christmas song for three equal parts and accompaniment, with a jazzy middle section. Any combination of parts would work - upper, lower, or mixed voices.`äùúU!3.00¸÷g#!0g#¸÷g#!1g#¸÷g#!1g#¸÷g#11. Hark how the bells, sweet silver bells all seem to say 'throw cares away' Christmas is here, bringing good cheer, to young and old, meek and the bold, Ding dong ding dong, that is their song with joyful ring all carolling, Oh how they pound, raising the sound, o'er hill and dale, telling their tale, Oh how they pound, raising the sound, o'er hill and dale, telling their tale, Gaily they ring while people sing songs of good cheer Christmas is here, Gaily they ring while people sing songs of good cheer Christmas is here, Merry, merry, merry, merry Christmas, Merry, merry, merry, merry Christmas, Ding, ding, da Ding, ding, da Ding, ding, da Ding, ding, da Ding, ding, da Ding, ding, da Ding, ding, da Ding, ding, da Dinga donga, dinga dong, Noel! Christmas is here. Ding, Ding Dinga Dong Ding!6559!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!Copyright ©!÷g#¸÷g#!328034¸ùg#pëúU!0g#¸÷g#!0g#¸÷g#p!'úU!0.00¸÷g#!7.50¸÷g#à‰%úU!4.50¸÷g#0¯úU!0g#¸÷g#¸(úU!÷g#¸÷g#à'þúU!0.00¸÷g#è| úUÁ["96029","131354","161690","128890","188132","196754","139312","97625","132699","102660","186827","361660","163194","128045","90537","142883","187194","118333","146170","399706"]12020-09-14 12:10:08úUà*túU0!0g#ˆûg#525078!÷g#¸÷g# !0.0000¸÷g#!2014-10-30 21:11:51úUAUkranian Carol of the Bells Three Equal Parts Piano2!0g#¸÷g# !0g#¸÷g#!7g#¸÷g# ÎiúU!0000-00-00 00:00:00úU!0g#¸÷g#380735!0g#¸÷g# !Ukranian Carol of the Bells [Three Equal Parts + Piano] Unknown Jamie John Hutchings A setting for choir of this popular Christmas song for three equal parts and accompaniment, with a jazzy middle section. Any combination of parts would work - upper, lower, or mixed voices.6!0g#¸÷g# !0g#¸÷g#!0g#¸÷g#àCúU!0g#¸÷g#àúU!0000-00-00 00:00:0030!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#à5úU!0g#è÷g#à¬úU!2017-06-09 17:10:17á °™cúU„ˆ~€ð@ÎúUÐ>úUÖØñøÐy`úU$gúUCH°l‡úUÜúUÉVúUŸ ð HúU0»úUCH%(  PžZúUðEGúUÜVúU€ª3úUrx   :lúU€ žúUpÄúUóøÐ$úUpÀ_úU b8úU —ÏúUp©HúU!(Z``6úUÚeúU ð³HúULPð¥vúU!USQLrencyIDƒ÷úUªÿÃúUD0[ÄúU€§úUDÀáýúU`Ü6úUD°XúUðb!úU  ×úUà@úUDÿúUàÔ úUTûúUDð˜WúUpe~úUD€ÌøúUÖúUD ÚûúU (/úUD`;$úU .‰úUD >`úUp úUDàáúU÷2úUDð±úU 5ðúUÿÐè½úU°_`úUD€×ûúU`‚öúUDÀ×îúUºÔúU 0´ÐúU UüúUD 2šúUêÁúUÐ0=úUDpßúUœ0úUDP&ªúU öúUáúUD0~eúUêÁúU°SúUDÐ 9úUPL]úUÐÞ)úU§úUDðk úU0»ýúUD°¾úU0¾ýúUD`ÂúUoúUD`¿súU°¸ÚúUD ÀúU°CúU úUD r\úU¤úUDÐ3JúUò"úUD°ŠðúUé÷úU0àúúUðVúUDÐ}úU0é†úUD¢úUÅÁúUP×CúUD@¢ŸúUÐtÇúUDà#ÕúUÐijúUDà°÷úUÀ»úUD€gúU¸A•úUÿ úU`^ úUðÍgúUDàê@úU ½ýúUD@˜øúUÀúUDðÇúUPê÷úU,úU@Ü÷úUDÀ´ñúU îõúUD€7úUPÊ[úUDäfúUô¡úUÿð çúUÐgµúUÿàþoúU  úUD0RñúU°àúUDðìîúUPÚ8úUDÀb™úU ëûúU2P+úUD0BúúUèßúUÿЗlúUp¢TúUD¯yúU]ÌúUD°x¹úUPXgúUDP-oúUpª‹úUDp úU`wmúUDбWúUêÁúU@½ýúUD€XúúU0náúUDà˜ñúU`ÐúUD°ÒñúU€!qúUDIOúU@ SúUD g0úUà
    Resolution Rag
    by Florian Krüger
    Solo instrument (Piano)
    $2.00
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    $3.99
    v> class='price priceInCurrency' data-usd='6.20'>$6.20 ='9.76'>$9.76 div class='price priceInCurrency' data-usd='7.09'>$7.09
    $8.44
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Come, ye thankful people, come, raise the song of harvest home: All is safely gathered in, ere the winter storms begin; God, our Maker, doth provide for our wants to be supplied; come to God's own temple, come, raise the song of harvest home. We ourselves are God's own field, fruit unto His praise to yield; wheat & tares together sown, unto joy or sorrow grown; First the blade & then the ear, then the full corn shall appear: Grant, O Harvest Lord, that we wholesome grain & pure may be. For the Lord our God shall come, & shall take His harvest home; From His field shall purge away all that doth offend, that day; Give His Angels charge at last in the fire the tares to cast, But the furitful ears to store in His garner evermore. Then, Thou Church triumphant, come, raise the song of harvest home; All be safely gathered in, free from sorrow, free from sin, There for ever purified in God's garner to abide: Come, then thousand Angels, come, raise the glorious harvest home!!÷g#¸÷g#!0g#¸÷g#1Come,ye thankful people,come@úU!Copyright © R.Erickson!÷g#¸÷g#Á["131354","188132","128890","161690","196754","139312","96029","97625","102660","132699","361660","163194","186827","187194","90537","128045","399706","142883","118333","187204"]úU!2020-09-05 11:52:55úU!1g#¸÷g#XÆúU!0000-00-00 00:00:00úU!÷g#¸÷g#˜úU!0g#¸÷g#0¸úU!0g#¸÷g#xVmúU!0g#¸÷g#!0g#¸÷g#ÊúU!1g#¸÷g#1650x919Ø÷g#HÎúUÐBúU0Introduction, varied harmonizations & descant to ST.GEORGE’S WINDSOR Come,ye thankful people,come Rick Erickson Come, ye thankful people, come is a well-loved Harvest Thanksgiving hymn, though the words also point towards Advent. Sir George Job Elvey (1816-1893) was one of my predecessors at Windsor, so this arrangement is careful to respect conventional harmony whilst still providing interest, excitement and colour. The introduction and second verse explore enriched harmonies and passing tones. The Faux Bourdon of the third verse may be sung unaccompanied by the choir or the melody in the tenor line soloed out on a strong reed stop. After an optional interlude and modulation the final verse has a soaring descant and interesting pedal line.€úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#èdÙúU8ž3úUØaúU`úU0XöúUˆßúUÈÞúUèr|úUèÀúU°Ñ|úUè5ïúUhyúUH>YúU0ÕúU6ïúU–ÒúU@^µúUHHÌúUÐEúU ýúUÞúUàgúUxèîúUØt úU(ˆúU¨É¹úUÈÄúUxVmúUèúU€{ûúUxOúU€·!úU¸,¬úU˜®ÓúUèSƒúUPµ°úU`œzúUð4ŽúUp¥üúUÈÉúU@8lúUðJ{úU} úU­ÈúUÈc³úU8(ƒúU&úU [úUè…úUâúU(ëþúUxï]úUà{ úUàÕ úU`z úUXÆúUP¥ÈúUÀúU0æ§úU lúU »ÀúU öúU˜úUxÛúU0¸úUhÍúU8púU¨³"úUØ5úU ÀúUÀFkúU KúU@aÙúUrXúUðJÂúUøÛûúUHÎúU@ïlúUà5úU!2017-06-09 17:10:17úU!0000-00-00 00:00:0028!÷g#¸÷g# !575377¸÷g#!0g#¸÷g# ˆûúU!0g#¸÷g#à^úU!0.00¸÷g#402907!1.99¸÷g#Ð!0.00¸÷g#!0g#¸÷g#ЕiúU!÷g#¸÷g#`¼vúU!0.00¸÷g#450266!0g#8øg# !1g#¸÷g#!3.00¸÷g#p úU12023-05-11 18:10:44úU03.375170°å÷úUª`¢úUD°mþúU€—¼úU_üúUD`b¾úU`éJúUDPRéúU@%úUD ðúUÀÚXúUDP:VúU¿rúUD0'îúU súUDÉNúUP÷ÇúUDp—úU»ÛúUDàM°úU fúUD°·$úUP6HúUD D¹úUPé—úUDP¶æúUðêFúUÿÌFúUÎyúUÿ ¼ŽúUÃÎúUDЯmúUÐ9lúUDÀŠ/úU_éúUD0ßúU à¥úUDÖúUeøúUD0µ÷úUÀvcúUD‰åúUÐBúUD€úU€ÒúUD,šúU ”ÐúUDÀëòúUÀ}öúUDÀñúU€úUDÀôøúU(ã=úUÿ€(UúU…GúUD Í_úU b`úUDpsøúU°Ÿ£úU@ÏnúUDÜ°úUp¥úUDPlúUpŠúUD€tßúU°E;úUD N/úUÐ}iúU°úUD@ÎúU ÏúUD€ŒúU úUB—úUD€ÆÀúU NÚúUDóIúU MúUD€½æúUÐ…ßúUDÀ³ùúUÚlúUð|WúUDÆCúU¨>øúU((iúU€ŒxúUDðÁôúU^úUÿ W™úUPôZúUÿмúUÀ'[úUD ~åúUPL]úU8?øúU ØúUU]~úUˆ€DúUÿð²ýúUàßœúUÿp9 úUÐÍÙúUDbúU°?øúUJƒ!fp“úUDÀ—úU‚úUD úU g úUDÐQ°úU@}múUD0':úU(@øúU€ÜvúUp‰ÐúUD@¿úUðg_úUÝúUUPt¯úUÐÏ úUDðuóúUõ}úUpÜ÷úUD ‚~úUêÁúU€úUDК÷úU€ãdúUD€dúU0°DúUD vKúUðK*úUDàñúUHAøúU€e†úUPñhúUD`º—úU0r÷úU0WúUD „ÉúUðÂúUD@{øúU~ÓúUD°VúU`ÞúUDàuiúU×úUUÐúUè ŠúUÿP±~úUSúUDÀÕ3úU€‹júUDðIÿúUúU`ÁýúUD@€¾úU öúUD°øúU  úUDÀ²$úU°´úUDжùúU uÀúUD`‰~úUÐÕbúU  è úUÀSúUHúUDðz½úU°2úUDÀž úUZéúUDðJúUðiúUD@ñúU`šúUDPgÌúU0úUDà$,úUPx†úUÿ0v úUPæÓúUD°÷úúU ÒúUD Š¾úUpN úUD€ÔwúU ³úUD@DúúU@¬IúUDÀ0(úUEëúUÿd;úU`ºÿúUD0ð'úUPøÇúUD0»úUЇ›úU |úU 3[úUD°úUÀ²2úUDÐåúUÐíÆúUD°’øúU  úUD‘~úUÅÁúUØøúUDàµ$úUp»ÔúU @h#úUø›³úU @ÐÁúUÀÄ9úUDÀ†PúU0–gúUD=úUª,úUDè5úU0HúUD€úUÐáÀúUD°úU@SúUDP"úUˆå¼úUÿ€–›úU€zúUDàØîúUXÞúUU Æ&úU ³þúU €²úUСúUÿ€±ÐúU,+úUDA0úU°ŸÁúUDàxþúU°ŸÖúUD0ñúU€áúUDÀb¾úU0ô!úUD°rúU0^%úUD0Î~úUP%JúUDPüúU°¬:úUD`S,úU`6ÿúU0I9úUDÀóyúU ûáúUDajúU0§ÝúUDÀ±lúUà:júUDàÊ<úUÀçdúUD¶búUPlÈúUD°;úUöúU0ªEúUD0*ÀúUXKÒúUÿÀÛ:úU HøúU@–/úUD@É/úU kúUD0ÕúUÐe6úUDà´,úUŒOúUDà¦úU`ZúUD¿<úU`‚úUD@åCúU°múUÿàŒ•úUŸúUDÐüjúU £úUD £`úUØüúUDÐ<šúUpçkúUD móúU¨ÍTúUÿ¼gúU`´3úU @ÌúU`]ÁúU ðZvúUàªsúUêÁúU`~·úUDpûúUà¥3úUDP(xúU[éúUDÐ7úU ` úUDPO`úU0o#úUD`ÈúU]úUD€ÔúU ž…úUÿàFúU¡1. My joy, my love, my darling thou! My treasure new, my rapture thou! My comely, beauteous babeson thou, unworthy I to tend to thee. Alleluia, alleluia, alleluia, alleluia. Alleluia, alleluia, alleluia, alleluia. 3. And tho' thou art the King of all They sent thee to a manger stall Where at thy feet they all shall fall And sing their praises unto thee. Alleluia, alleluia, alleluia, alleluia.ÐçòúU!Ranald Rankin!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!805545¸ùg#„áúU!0g#¸÷g#!0g#¸÷g#ÐÝúU!0.00¸÷g#!9.00¸÷g#˜ãîúU!7.50¸÷g#X´úU!0g#¸÷g#  ØúU!÷g#¸÷g#(‡%úU!0.00¸÷g#ÈúUÁ["131354","128890","188132","161690","139312","96029","97625","196754","102660","132699","361660","90537","163194","187194","128045","186827","360119","118333","399706","142883"]12020-09-01 04:31:30úU8áøúU0!0g#˜ýg#ÀNøúUThe Christ-child’s lullaby (Taladh Chriosda) Traditional Hebridean Ranald Rankin Philip Thicknes The author of the text, Father Ranald Rankin, was parish priest of Moidart, on the shore of Loch Shiel near Fort William, from 1834-55. He became familiar with the Hebridean waulking songs sung by tweed workers, and borrowed aspects of this tradition to produce his Gaelic poem "Taladh Ar Slanuighear", the Lullaby of the Saviour. He bequeathed it to the world as "a memento for the children of Moidart". It became part of the folk music tradition, and has been sung to differing versions of the tune he intended for it. The full text of the poem runs to 29 verses. This arrangement attempts to preserve the simple beauty of the unusual melody.`úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#èŽúU ´ÜúU° ÉúU7úUðÏýúUh5 úUAƒúUx½úU0ׇúUÀ úUxµúUðÛúU@OmúUp2ÏúUÀXöúUØ3ÇúU˜“þúU°QmúUøÊoúU¨súU`–wúUxcoúUÔúU¨¯üúUàXŒúUÈ[úU°¹öúUÿ°úUàû úU8ÁúúUX¹úU€dúU ’‹úUøóþúUháúU0P{úU ÔýúUÌúU„áúU¨âîúUØeúUèøúUÐÝúU0yÚúU°€%úUÀ£üúU@IgúU˜ãîúUÈž3úU0*}úU¹úUèúU  ØúUȹúUÀéûúU(‡%úUpúUx—ËúUÈúUؽ‰úUÀ3ÄúUP«ÅúU(¬ÂúU týúUh`°úU˜§ùúU@¨üúUh+ËúU oúUx©húU0ìøúUhnÃúUð4ùúU¨!úU€¨2úU$÷úUÀb¿úU°‘ÄúU!1g#(ûg#`šúU!0000-00-00 00:00:00úU!÷g#¸÷g#398805!0g#¸÷g# !0g#¸÷g#!0g#¸÷g#ïøúU!0g#¸÷g#ÐØúU!1g#¸÷g#398799!650x919¸÷g# !0g#¸÷g#!0g#¸÷g#€•óúU!5.00¸÷g# 0ÙúU!2023-03-27 14:52:5806!2023-03-27 14:53:37!1980153¸÷g#!2835834¸÷g#$úU!0000-00-00 00:00:00úU!0000-00-00 00:00:0082QxFüúU1ÈYøúU¬bž½161690!131450¸÷g#!2022-07-06 03:11:04úU10000-00-00 00:00:00€…ÁúU01Ave Maria (Caccini) (SATB, Piano)ZúU!23g#¸÷g# á |€° úU/00ŒMúUÀÎúU !()008û?úUÀîqúU€§vúUµ¸  jxúU@¿~úU°ü‚úU@£_úUЛmúUð(úUY` A·úUæúUpþ·úUà¯úUü ÇVúU  *0 þOúUРúU ‡¼úU ðúUð8úUp¥ùúU` œúU@ÜûúU˜húU‹wúU‹úUéþúUP$úU°ÅhúUà'úUØÚúUpUxúU¸)ÛúU8¨fúU8˜ŽúUˆWàúUUÐúUðGjúUøæÎúU›_úUøúUÀ-fúU°lúU µ¿úUð4²úUx¦üúUXiÝúUÀÒpúUè;lúU8‰ÎúUˆkúUÈ`úUpélúUhPüúU0¬úU`‰øúUfúúUˆð úU°ýúUˆéÛúUˆQhúU˜$úUàmúU¨¸öúUH7ùúUûúU8ÛúU`oúU0ªgúUð°gúUàâúU˜ÁúUgpúU¸ñ]úUpAÌúU öúU˜·ÂúUhiúU¨ïúUT÷úU¨æøúU8ºÙúU°]µúU OŒúU¨3fúU,ÄúU¨ÁúUX.úU o‚úU"ûúU8~úU0úU ÝúU(\vúUPWÜúUð $úU!2021-09-11 19:34:01!116753¸÷g#àLUX#!2024-03-08 15:58:36úU10000-00-00 00:00:00à…iúU0A8 Easy Christmas Duets for Violin and CelloúU8©îúU!49g#¸÷g#`pøúU!0g#¸÷g#¨ÊöúU!2g#¸÷g#P†úU!2g#¸÷g#8©îúU!2014-11-09 16:14:41úU!2024-03-11 05:43:12úU1arranged by David Burndrett—¦úU!David BurndrettÐcúU!0g#è÷g#XçŽúU!0g#¸÷g# !sib#¸÷g# ÐúU!496#¸÷g#èKâúU!0g#¸÷g#¨LþúUa8 Christmas duets for violin and cello Duet normal score without piano.sibúU€eúU!2014-11-09 16:14:41úU!130#¸÷g#ðúU!9601¸÷g#êúU!77g#¸÷g#¨ÇúU!5g#Høg#`ÝàúU!1.50(øg#˜mÿúU!2014-11-09 16:14:46úU!0g#è÷g#!0g#¸÷g# Eight Easy Christmas Duets! Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part. Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests.!4.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#Á["205514","205513","201532","201535","142818","142424","142421","205518","142849","205511","142846","366607","201533","205512","153418","170937","72489","142819","143126","142808"]U!2020-09-18 08:39:45úU!1g#¸÷g#˜èÁúU!0000-00-00 00:00:00úU!÷g#¸÷g#8±júU!0g#¸÷g#àÂZúU!0g#¸÷g#˜x úU!0g#¸÷g#!0g#¸÷g#¸ÿúU!1g#¸÷g#1650x918Ø÷g#0 œúUÈâÞúU0!1g#Xüg#°uøúU!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2013-07-30 19:12:54A8 Easy Christmas Duets for Viola And CelloúU!0g#¸÷g#!0g#¸÷g#!8g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#a8 Easy Christmas Duets for Viola And Cello Arranged By David Burndrett David Burndrett Eight Easy Christmas Duets! Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part. Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests.úU!0g#¸÷g# Ç úU!0g#¸÷g#P°húU!0g#¸÷g#442259!0g#¸÷g# !0000-00-00 00:00:00!÷g#¸÷g#àÀõúU!0g#¸÷g#УúU!0g#¸÷g#442226!0g#¸÷g# !ùg#hùg#!856189¸÷g#¾iúU!0g#¸÷g#-úU!0g#¸÷g#442217!0.00¸÷g# !6.45¸÷g#!1.50¸÷g#PoúU!0g#¸÷g#ÀúU!÷g#¸÷g#442201!0.00¸÷g#À!0g#(øg#!0g#¸÷g#€%ÒúU!5.00è÷g#P–úU!2023-04-19 01:54:24ÇÁúUJkúUÈ2!úU ·ËúUÇÁúUHœœúU˜>úU çéúUØDÂúU¸xÙúU86(úUÀ…núUˆz¾úU£ôúUU]úUx=xúU¨eúUHÓöúU¨eúUxAúUx¸TúUСúUxÁÁúUÈšÀúUXg8úUÈXNúUø¸ÝúUˆf+úU˜ ÂúU8f(úUØ•¼úUh¯úU˜á)úU°ÎúU¨ÒýúU¨ºÁúUx^ïúUˆ<ÂúU€"}úUøúúUHýúUØ•¼úUP<òúU Ð…úUˆ­úU(höúU˜öúU˜A™úUP÷úUèúUøúúUXQ]úUp]ÏúU¸&*úUf@úUHÂúU(êýúUè~-úU#9úU(ÛÑúUPËÆúU86(úUïúUPgúU¨ºÁúU°ãiúU˜ ÂúU°©ñúUHL]úU¸C!úUÈ×ÚúUȆ‹úUÖúU(¹ÁúU \iúU¨eúU@VWúU8{™úU= úU@ˆúU¸šúU`{wúU“uúUØ-ŸúU¸‰CúUHR]úU/úU(¦¿úUXLZúUNuúUÃÁúU°ÃAúU(¹ÁúU°íÊúUX³ËúUêóúUدõúUÈù"úUýÁúUî[úUx%úU€šúUHÂúUȽ úU^·úU¨ukúU¨p·úUxoòúUPÁúUèqúUPÝDúUàjúúUX„gúU8ñúU˜ýúUˆ¨„úUx%úUH$7úUÃÁúUØ“œúU8Ô.úUx(÷úUx~‹úUÈð úUÈk¸úUðÿ¾úUøÛ)úU(xúUÈ ÂúUÐVKúU€”ÇúUhúúúU0#úU((úU8žeúUÈÇèúU0$KúUèI™úU`^ÏúUعÁúU€îÑúU(ù†úUhÂúU¥‰úUx~‹úU¸ :úU×ÚúU¨ÂúUxÏUúUXÂúUXªîúUXY]úUðôúUýÁúU0ƒúU8ë”úU¸%úUÀøYúUlòúU@ÊïúUÂúU@îéúUB³úU(*úU2kúU8Ô.úUHÂúUÈ2!úUxí&úUØ–+úU¨ÂúUPV4úU`ÃúU¨ÂúUȸùúUh}TúUMâúU(¹ÁúU8nØúUlòúUÈìGúU˜ýúU0ò8úUàÜúUÈÓGúUxmWúUg¸úU¸DkúU(ä‹úUÈ^¢úU¨eúU˜õÀúUÅÁúUpuÙúUPQÂúU8EuúU¸Ö²úUèU]úU€…DúUXÂúU°ÈúU(ÂúUXÒúUêÁúUè@úU¸V]úUЊúúUˆ<ÂúU0ZåúUŠfúUˆ¹TúU°úU¨E.úU¨ÂúUX|~úUHŽÑúU0úUˆÂúU@Þ,úU¨GáúUpòúUÀÁúU° ³úU¸húU¸&*úU@ú‰úUˆ¹TúU˜Þ9úU8û†úUÈ„EúUpŽ²úU˜HaúUHŒFúU¨‚¼úUšûúUøúúUX[ÎúU˜¶ÁúU¨ úUp­ÌúUx]µúUÐ.ýúUÈÇèúUH¥ úUHBúUHÙÅúUpGÌúUˆ­úUXÖúU˜HaúU@úUh}TúUØÖtúUò{úU˜onúUˆ—kúUhO]úU˜/úUÂúU æ#úUÈk¸úU %ñúU0ì`úU¨ºÁúU8¿7úUÈÇèúU`øúU˜ ÂúUh¹úUÈ2!úU@ºyúU@™ úUˆBúUp7áúU¬EúU¨ã…úUXEÒúUpÀ½úUˆß9úUM…úUÀ‡›úU(µIúUHAúU°ÊúUˆ¹TúUÐÌúUÐÁÀúU¸«^úUˆ¯þúUHjÑúUØÃoúUP|úU(¸úUˆÜ"úU@üûúUHÂúUÀ"ÌúUˆ‚QúU˜©úU¬úU8M9úU  úU˜¶ÁúUXâIúU`JgúUxY'úU ãôúU@ ÔúUxY'úU ó3úU¸ŽHúU`hRúUh­üúUȆ‹úUèåúU÷úUx]µúU0)#úU˜>úU0“áúUˆz¾úUÈ‹úUˆHVúU î úUxÂúU úU(¬õúUÂúUxôúU8 ËúUX9ZúUxoòúUØ¢ôúU vêúU¨úGúU+”úUX½¯úUX+=úUÐkÏúU¨GáúUÈÀúUˆ<ÂúU@þ„úUˆ¿ÁúU(€3úUÐ?ùúUØ[#úUh·iúUx ÄúUø°KúU­SúUXâúUˆŠúU¨ÑúUX¾ÚúUÈõBúUHÂúU3ýúU°þúUx]µúU˜=øúUXQúUçúúU°VÿúU8ÓÝúU°‰úUà¬NúUH&úUØÃúUXY]úU@¡úU˜ ÂúUˆ¹ØúUýÁúU èÑúUàíúUH3kúU`µ.úU8Ô.úU¸ýòúUx%úUÈÅ—úU0dúUH3kúUÀÜúUh}TúU(nöúUxõ9úU¸ÂúU [LúU€]úUlòúUHÊŽúUDÂúU°»ßúU!650x919àúUÐ>ïúU!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-02-13 18:51:29!2023-02-13 18:51:42!1095549¸÷g#!1365243¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qp úU1HŽøúUÜ¿102637!162333¸÷g#àõ÷úU!0000-00-00 00:00:00úU1÷g#Ø÷g#hwkúU0AUkranian Carol of the Bells [Three Equal Parts + Piano]!23g#¸÷g#OóúU!0g#¸÷g#h§úU!3g#¸÷g#húU!2g#¸÷g#ð[ïúU!2014-10-30 21:07:23úU!2021-11-12 20:43:51úU!Unknown8øg#˜7úU!Jamie John HutchingsU!0g#¸÷g#¸(úU10g#Ø÷g#0!sib#¸÷g# ž úU!437#¸÷g#àiúU!0g#¸÷g#(êýúUALeontovych - Carol of the Bells Voice & Piano.sibúU!2014-10-30 21:07:23úU!3g#¸÷g#OóúU!1027¸÷g#¨ÊöúU!3g#¸÷g#P†úU!1g#Xøg#8©îúU!1.508øg#¢øúU!2014-10-30 21:07:32úU!1g#¸÷g#¡ÆúU11g#Ø÷g# …úUÈ÷g#0!1.50¸øg#ˆq[úU!2017-07-22 18:43:07úU!1g#¸÷g#Xí úU!1g#¸÷g#ØDÈúU!0g#¸÷g#¸ßûúU!÷g#¸÷g#À÷úU!0g#¸÷g#ðsúU10g#Ø÷g#ˆ}ÞúU0!0g#ýg#0“øúU!1g#¸÷g#!0g#¸÷g#á1. Breathe through the heats of our de sire Thy cool ness and thy balm; Let sense be dumb, let flesh re tire; Speak through the earth quake, wind, and fire, O still small voice of calm! O still small voice of calm!1John Greenleaf Whittier (1807-92)›úU!0g#¸÷g#!Repton Descant!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#ˆq[úU!395044¸÷g#!0g#¸÷g#búU!0g#¸÷g#!0.00¸÷g#¸ßûúU!3.00¸÷g#(¬õúU!1.50¸÷g#ðsúU!0g#¸÷g#i‚úU!÷g#¸÷g# –úU!0.00¸÷g#ÚúUÑ["96029","131354","161690","128890","188132","139312","97625","132699","102660","186827","361660","163194","128045","90537","142883","187194","118333","146170","399706"]ˆ}ÞúUÀÖÊúUÐ!1g#üg#0—øúU!0g#¸÷g#!8.4480¸÷g#!2017-07-22 18:44:34ADear Lord and Father of Mankind Descant—øúU!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#±Dear Lord and Father of Mankind - Descant Repton Descant Sir Charles Hubert Hastings Parry (1848-1918) John Greenleaf Whittier (1807-92) John McDonald ™øúU!0g#¸÷g#àZ#úU!0g#¸÷g#p üúU!9g#¸÷g#208757!54g#¸÷g#ð!2017-07-22 18:55:40!2020-09-15 02:31:59úU!1g#¸÷g#0|úU!2019-09-25 13:43:215310EC8FC88-DF92-11E9-B6D0-78.ÍúU!156258¸÷g#455343!0g#¸÷g# !0g#¸÷g#!1g#¸÷g# ýúU!0g#¸÷g#¤óúU!1g#¸÷g#455317!650x916¸÷g#€!0g#¸÷g#!0g#¸÷g#@ðûúU!5.00¸÷g# ý‹úU!2023-02-16 08:51:1993!2023-02-16 08:51:27!469477¸÷g#!476598¸÷g#à5úU!0000-00-00 00:00:00úU!0000-00-00 00:00:0064Q(úU!79862@•öúU €:øúUªÐôHúUDàMúUPøúUÈÒ$úUð ¦úUD …BúU*úUD@–ÆúUZLúUpG—úUD@K†úU°2+úUDðfúUÀw‚úU2`ÃúUD -úUàù°úUÿàHúUà/+úUDKúUÿúUDPi™úUõúUDp*úU€Ù7úUD {~úU@ÃýúUD ÕñúU`O_úUDÀ ÕúU iúUD`«óúUàLûúUD KïúU/,úUDð‚PúUð–úUD«úúUÐQúUD0õ_úUàPûúUD ˆ§úUÈšYúUÿða±úUcWúUDðó/úUxŸøúUXpúUD ËiúU°E©úUDð–ñúU -[úUDà“÷úUÀaøúUD wÌúUð!HúUÿÀ»úUä÷úUD°vúU0¦úUDðDúúUÀúUD¢iúUÐsÔúUDÐ_úU~ÆúUDp\¾úU@ÑúUD¢iúUÐ"/úUD@ªêúU‰úUD ¾úUÈ øúUÀìöúUD –úU0úUDà×úUз1úUDFÖúUyÆúUD°pÌúUлüúU2`‚ÑúUD aÒúU(úUp±úUDúUæ—úUDðÕJúU€¡#úUD0#úU ïÓúUD«ÝúUÀTÌúUDÐ[júUÐDúUDp,šúU AUúUDP*úUp¡úUDÇ÷úU b úUDàúUÐÏúUÿp-ôúUÐyúUD0øúU/-úUDàNúUPˆúUD\OúUµ3úU  júUÅÁúU@‰³úUDð½úUÞüúUh¬øúU8¼ŠúU@îèúUD0 úUÀ9úUDðÖHúUàÒCúUD°-€úU@9úUÿ°BlúUúUDpUúUàÚúUUàqúU!0g#àq(úU!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00Qx¯üúUaWhite Christmas (Choral Medley) (arr. Mac Huff) SATB Choir Irving Berlin Mac Huff Acopyright this transcription: David C Wheatley 2019!1179752 ‚úU 10g#`ò+úUB0!2023-04-20 23:21:5610000-00-00 00:00:003d8)0!÷g#p<€úU10g#Ø÷g#0HGúUp@úUЗúUHN<úUyåúUЖƒúU`×?úU ƒ3úU0b&úUȸNúU@Ç…úU¸’zúUxçiúU¸°úUMjúU!1QL !0g#PÕhúU !0g#¸÷g#!øg#¸øg#@žNúU!127008¸÷g#@|9úU!0g#¸÷g#474170!0g#¸÷g#p!0.00¸÷g#!0.00¸÷g#`gúU!0.00¸÷g#)£úU11g#Ø÷g#408696P?úU0!0g#`˜–úU Qø”úUH²øúU}*> (eval 317) €;úUP!2023-12-13 08:05:33!2020-10-15 10:04:28!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#àmfúU!0g#è÷g#!0000-00-00 00:00:001Du #vúU0!øg#øg#!÷g#¸÷g#1PAg#Ø÷g#010g#Ø÷g#EE-89B3-3C6416FC0!Trumpet 2AúU QPÛBúU1HASHØ÷g#Py(úUÈ÷g#0¡The Sound Of Music Piano Transcription Richard Rodgers, Rodgers & Hammerstein, Oscar Hammerstein II, Richard Rodgers, Oscar Hammerstein II 456754!0g#¸÷g#À!0g#¸÷g#!0g#¸÷g#PJlúU!0g#¸÷g#LúU!0000-00-00 00:00:0058!÷g#¸÷g# á[{"Desc":"about the composer Andreas Kleinert, in German and in English","Url":"http://www.andreas-kleinert-komponist.de","Text":"my homepage"},{"Desc":"an orchestra in which I am a violin player","Url":"http://www.concertino-goettingen.de","Text":"my orchestra in Goettingen"},{"Desc":"","Url":"http://www.pian-e-forte.de","Text":"A nice homepage containing information about the piano and music for piano"},{"Desc":"","Url":"http://www.thg-goettingen.de","Text":"the grammar school in which I am a teacher for music and geography"},{"Desc":"Here you can get my pieces for class orchestra and some of my choir compositions, esp. those on Plattdeutsch","Url":"www.notenpost.de","Text":"eres-Verlag Lilienthal bei Bremen"}]úU!1g#Èøg#PWpúU!1g#¸÷g#ðúU!9.02¸÷g#ø»núU!÷g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!0000-00-00 00:00:00úU!÷g#è÷g#˜ù"úU!0000-00-00 00:00:00a Winter 2017 Update: Now starting to share music via Facebook! Feel free to friend us (under my name). Also, our family CD - The Hernandez Family - "Listen For the Voice of God" is available on iTunes and at this link on CD Baby: http://www.cdbaby.com/cd/thehernandezfamily Summer 2013 Newsflash: The CD is finally finished and we've launched a Kickstarter campaign to help fund the graphics, artwork, manufacturing and duplication. Click here to check it out: http://www.kickstarter.com/projects/734019299/the-hernandez-familys-new-cd-listen-for-the-voice November 2009 Newsflash: Peter Jude Hernandez has arrived! At 5:58 on Friday November 6th, 2009! He was 9 pounds 5 ounces and 21 and 3/4 inches long. DeSales and the baby are both doing well. Thank you for your prayers. I now have a Facebook page. Feel free to 'friend' us. Thanks, and please keep us in your prayers; and e-mail us if you need prayer. It's bernieanddesales@aol.com. God bless! Bernie is originally from Marriottsville, MD. He and his family moved to Hanover, PA in 2001. He's married to DeSales Hernandez and they have seven children ranging in age from 7 to 21 years old: Elizabeth, 21; Katherine, 20; Andrew, 18; Gabriel, 16; Joseph, 15; Rebekah, 14 and Peter Jude, 7! Bernie makes his living as a musician/composer in southern Pennsylvania and in the Baltimore metropolitan area. He performs solo, with his wife DeSales, and, on occasion, with Elizabeth, Katherine and Becky, in area malls, schools and churches; and at Catholic parishes, private functions, fairs, festivals, weddings, receptions and birthday parties. Bernie and his family also perform in many senior adult communities, nursing homes and personal care homes in the area. With his wife and daughters he produced a well-received children's album called "I'm Glad We're Here!" The national U.S. organization MOPS (Mothers of Preschoolers) put the CD on their recommended listening list. DeSales, in the summer of 2008, released her scripture memory project with worship leader Pam Cavanaugh and producer Chris Metcalf. The CD is called "Scripture For A Lifetime - Building Godly Character Through Scripture Memory Songs". Bernie is the Contemporary Music Group leader at St. John Catholic Church in Westminster, MD. He was also choir director at St. William of York parish in Baltimore, MD from 2001-2007. His responsorial psalm settings (available here) are sung frequently at St. John and are used by other music directors in North Carolina, South Carolina and elsewhere in the U.S., and also in England, Australia, Canada & Malaysia. His song "I Came For Your Heart" was recorded by the rock group Cubic Feet,(produced by Grammy-nominated producer Peter Solley). The song was subsequently published by Warner-Tamerlane Publishing in New York, the music publishing entity of Warner Brothers. He's also recorded with producer Kim Fowley. Bernie was the featured vocalist/pianist at Bentley's at the Barn Restaurant in Hanover on Thursday nights until their unfortunate closing as a restaurant with live music to a diner without live entertainment as of January 2010. DefaultLicens!0g#¸ùg# (úU!263#¸÷g#°¡ÿúU!0g#¸÷g#ˆïÁúU!0.00¸÷g#8­ÿúU!0000-00-00 00:00:00úU!0g#¸÷g#úU!0g#¸÷g#PúU!÷g#¸÷g#€ðbúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00!20g#¸÷g#`ÏLúU!0000-00-00 00:00:00úU!0g#¸÷g#10g#Ø÷g#˜®ÐúU0!ûg#¸ûg#°ÈøúU!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00faul!0g#¸÷g# @!1g#¸÷g#latinumS!0g#¸÷g#ÐÉøúU!0g#¸÷g#ÊøúU!0g#¸÷g#UsersLo!2017-06-14 19:01:54? 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Indeed, he dedicated the work "to my friends pictured within", each variation being an affectionate portrayal of one of his circle of close acquaintances. The ninth variation, Nimrod, is here arranged for voices - not the first to do so. It is dedicated to Augustus J. Jaeger, Elgar’s best friend. It is said that this variation, as well as an attempt to capture what Elgar saw as Jaeger’s noble character, depicts a night-time walk the two of them had, during which they discussed the slow movements of Ludwig van Beethoven (the first eight bars represent the beginning of Beethoven’s **Pathetique Sonata**). The name of the variation punningly refers to an Old Testament patriarch described as a mighty hunter, the name Jaeger being German for hunter. The text is the Communion antiphon from the Mass for the Dead. //Lux aeterna luceat eis, Domine, cum sanctis tuis in aeternum, quia pius es. Requiem aeternam dona eis, Domine; et lux perpetua luceat eis. // Trans: //May everlasting light shine upon them, O Lord, with thy saints in eternity, for thou art merciful. Grant them eternal rest, O Lord, and may everlasting light shine upon them.// ŸúU‘1. Lux aeterna luceat eis, lux aeterna Domine: Cum sanctis tuis in aeternam quia pius es. Lux aeterna luceat eis, lux perpetua Domine: Cum sanctis tuis in aeternam, lux perpetua, luceat, luceat, luceat eis, Quia pius, luceat eius Domine, cum sanctis in aeternam, Requiem aeternam, dona eis, Domine et lux perpetua luceat eis Domine, dona eis, dona eis, dona, dona eis Requiem aeternam.lúUACommunion antiphon from the Mass for the Dead385636!0g#¸÷g#p!÷g#¸÷g#!÷g#¸÷g#*júU!÷g#¸÷g#^gúU!3.50øg#209045!2022-08-05 14:14:4410g#Ø÷g#@ LX00øúUªpp÷úUDÀ’ûúU`fúUDà2šúU ¬kúUD,zúU ›ÞúUDÀ£úúU`:ÿúUDÀ}úU€9HúUD áúUP_úUDÀUýúU@/=úUDp¤`úUÀ75úUÿ@1îúU0ÒYúUD‚úUЊhúUDÀ¿úUÀíöúUD@‘øúUPL]úUßúUD03OúUúHúUDÀ !úUÐQ_úUDP|úUÀ]øúUD@ðúUÐœTúUQûúUDðâ úUá%úUD0}ßúU‘kúUD`¾óúUpŒúUDàýþúU NúUD ò¼úUPi~úUDÀ1oúU@ÊlúU°²DúUD€¥húU0ÂüúUÿôúU ÈÚúUÿ †YúUöŠúUÿ0™;úU@éuúU @ ÉýúUF‚úUDàœ÷úU:ºúUÿ0núU°ÎÌúUD@ ûúU°+úUDÐñÌúUùúUȤ•úUÀZ úUD@_úU`\üúUD@3úúUP8úUÿðÂ…úUÀ"ØúUD`¶$úUÐ*%úU2`³úUDÀÀôúU@tSúUDÀbgúU@f÷úU°œÁúUDÐ2núUP¸úUD°§óúU0„úUDÌúU°Ð»úUÿÐ4aúUЈQúUD\*úU´"úUPðÈúUDöüúUÀVúUD@U úUP×júUDðúòúUMúUDpÉúU`cúUD %ÕúU°‰ úUDP²QúU°*¡úUÿ ò‚úUвúUD0KúUÀkáúUDÀaýúU€ úUp’>úUD€,JúU gøúUDÐ/øúUÐúUD@¥÷úUúUDÀlúU ¿ÚúUD ”%úUð¡,úUDðÊ0úU ÏúúUDpìúUPÄþúUD@!„úU0ùúU€óéúU°~ÄúUD ÂúU þWúUD€—˜úU€æúUD`˜‚úU°Ä'úUD0ÜúUP†³úUDàµÿúUPdVúUD ²qúUÀÃûúUD0­3úUÐuªúUDÀøjúU¬úU  0*ŠúUP¤ÁúUDíMúU0O;úUD â úUPžúUD`Ý úU€0úUD°HÿúU føúUDðÑòúUÐ^ úUDP«iúU0³úUD€<þúUÀ©IúUDðÆJúU°LIúU À¸úU àÑúUÿ@îúU°p~úUDÜ1úU2}úUD0òœúU`ß7úUDàØ(úUPÚúUU€ ±úU`"‹úUD°rßúU`ïèúUD VúU°•›úU @zúUHÙúUUÀò&úUÐùúUèùúUðþºúUpúUDÀ|½úUpŽàúUD€n úUPyúUD`áúU°ÎbúU  €høúUÊþúUDÖ÷úU€ïöúUD ;þúU@•/úUDxçúU@^éúUDÐèúU೉úUDÀf¾úUøZúUÿðtaúUЄöúUDœúU úUD IúU€ÅÎúUD`•úUPyúUD0s&úU2úUD3þúUPXúUD€ÿþúUÐÐ(úUD3júU yúUDPïòúU° ùúU€¯oúUP„múUD 6úUà7=úUD€$ÍúU€WfúUD°EOúUP£úUDÐLïúU°|%úU  `H/úU€ØjúUD¢÷úUÐŽ³úUD€S‹úUð úUDPúU ŒúUDwóúUÀºÚúUDÐZ#úU §úUDðpúUh÷ZúUÿ°,²úU0MúúUD@³2úU°;!úUD0¬&úU`úUDpúUX˜BúUÿ ,ùúU€úU` 1úUDÐ&úUhhúUÿ©úUd úUDpôÔúUÀö2úUDðÐûúU`D*úUD@ ƒ¾úU¨¦múU @Ð1úUDÐOïúU@äeúUDP#úU@BúUDp²úU°¥núUDÀÁbúU€TûúUDÀ’ñúU yúUDðwóúUðo÷úUDð úUpØbúU  ³ úU@;ËúUDp˜÷úU0úUDÐXúUÚíúU`eèúUðÖCúUD€ÐÀúUÐFÊúUDкûúUPœúUD°—úúU˜ú„úUÿÀ5aúU úUD°M‹úU öúU°UûúUDpáŠúUPoôúUÿ ±úUðáúUD`DúU@.úUD@¤úúUIýúUD0ÉJúUP| úUDPíOúU@uÒúUà×øúUDPÛúUàÓúúU ‡¾úUDÀLúUà(úUD°%úU‡kúUD`3'úU!øg#ÀøúUpêIúU!0.0000¸÷g#b)úU!2012-06-28 13:52:35úU1New Age Meditation Easy Piece for Piano!0g#¸÷g#H úU!0g#¸÷g#ØVÀúU!2g#è÷g#hóúU!2013-04-14 15:33:11!0.00°múU10.00Ø÷g#0!213 Sunset Dr03 úU!÷g#¸÷g# 1260620p6úUet=UTF-8_SID0!1g#p›úU!126292¸÷g#ALouis Armstrong, George David Weiss, Bob Thiele!4.75¸÷g# !British Poundsollars1£Ø÷g#0!MinimumPurchaseQuantityñA Star above the Castle Andrea Bertorelli none Written in the first days of Febrary, 2008. The Star mentioned in this song is only one: Licia And the Castle is Torrechiara's Castle, in Parma, Italy. A key-place for us.#(ñmúU!0g#¸÷g#pÈ(úU!0g#¸÷g#à&$úU!0g#¸÷g#Ð;2úU!0g#¸÷g#K„úU!0000-00-00 00:00:00úU!÷g#¸÷g# !øg#(øg#Ï!úU!÷g#¸÷g#À¿úU!÷g#è÷g#FÃúU!÷g#¸÷g# !0.000007AúU 1(ùúUAñ’Ô x!usg#ôúU!757-985-0607!÷g#è÷g#!÷g#¸÷g# 13g#Po"úUeltytionroup0!0000-00-00 00:00:00!÷g#¸÷g#¨d|úU!0000-00-00 00:00:00úU!0g#¸÷g#à†ÎúU!0g#¸÷g#ËÆúU!0g#¸÷g#€eÆúU!50g#¸÷g# ²úU151g#Ø÷g#øbÔúUȨgúU01The Banana Boat Song (Day-O)1275#Ø÷g#0!Pamela Webb#øú¾úU!Tubbs¸÷g# !÷g#SéúUè#×úU!1.50 ÷{úU !0.00 ˆ¯úUÐuKúU!0g#¸÷g#° úU!÷g#¸÷g#úúU10.00Ø÷g#0Q/usr/www/resources/ADAP3/GenericObject2.pm`Ê úUàœúUP!0g#è÷g#Ø9úU!0g#¸÷g# h+úU˜˜úU˜"úUËMúU¨'úUƒKúUÐÏúU(6úUøßúU€Ã,úU¸,LúUèšYúU€µúU€9úU¨òúU(ž%úU(a#úUàä‡úU8AúUˆ¾/úU(g)úUY#úUh–úUˆ5ÄúUpíIúU`$úUøsLúUúU ×KúU ÚúUæ'úU˜!MúU˜üúU(8úUX¨ÿúU€LúU¸8úUPsúU8)úU?.úUXa úUàAúUÈÖLúUЧ.úUØvKúUØ úU[ZúUÈ#0úU¸’ÏúUè8.úU€ê9úU˜òúU¥IúUØ‹6úU°þúU€yúUH[úUH¨"úU ‰!úUÀÂ)úU¼8úU@¹úU°6úU ;(úU úUp'úU 3úUÈÝ'úUè—úU˜Z#úUH¤ÉúUh:.úU8 úUð!úU8œúU(QúUP@"úU¸>7úU!øg#¨øg#!273392¸÷g#!0g#¸÷g#!0g#¸÷g#!0.00¸÷g#!1.50¸÷g#0!0.00è÷g#ÀùúU!0g#¸÷g# 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18:12:02úU!2024-03-11 05:42:31úU!0g#8øg#ènúU!5g#¸÷g#(_úUQCopyright © October 2011 (Burndrett Music) www.burndrettmusic.co.uk!sib#¸÷g#¨kjúU!496#¸÷g#XàÝúU!0g#¸÷g#xöúUA8 christmas duets for flute and clarinet prs.sibÂúU!2018-11-07 18:12:02úU!195#¸÷g#ØóúU!13688¸÷g# ÐúU!120#¸÷g#èKâúU!0g#¸øg#ˆÜúU!0g#¸÷g#(_úU!÷g#¸÷g#êfúU!0g#¸÷g# ÆàúU!0g#¸÷g#«ÂúU!1g#¸÷g#(eúU!0g#¸÷g#øÀÀúU1÷g#Ø÷g#¸ôþúU01Traditional arranged by David Burndrett!David Burndrett43486710g#Ø÷g#3<¿àâ0U]úU0+YúU8Ô.úU¸/0úUÈÞ)úUГóúU˜>úUhôñúUˆ<ÂúUà$úUhI™úUÀ”óúU¯aúUxY'úUе9úU¨‚¼úUHÁtúU(Ý»úUà+úUˆ¹TúUÈjÿúUXY]úUøúUعÁúUà=—úUÈÇèúUpõ`úUˆ¹TúU ¹úUÐÜûúUÂ]úUrúUøöúUÈÓGúUÐCWúUt‚úU¸4úU¸V|úUèWÿúUxFaúUúUx¸TúUàOWúUÂúUrüúU0>¿úU¸ƒúUHѲúUØÃúUXVaúU˜Š‹úU€[WúUÐ ¢úU8ɆúUØB úUˆz¾úU˜fHúUèÏ`úUHì úU˜ ÂúUØÝmúUÇÁúUPùúUˆ<ÂúU0r%úUp’RúUx]µúUÀ¼IúU¸:úUxFaúUðÂúUàÍúUhŸúU€¯úU¨U)úUøã½úU0‰múU¸šúU[ôúU¨‚¼úUøúUøÛúUølúUTúU@ÒÝúUȆ‹úU¨ÂhúU(´ËúUȉúUØ•¼úUèJÒúUg¸úUóúUx%úUzúUðÐyúU¤^úU¸úUØÃúUHOóúU˜ 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00:00:00!0000-00-00 00:00:00Qxì9úU1(xùúU´üÕŠ27165!17164(ûg#ores WHE!0000-00-00 00:00:00úU1÷g#Ø÷g#p!*úU0!Snail-Shell#Ø~,úU!41g#¸÷g#ø:úU!275#¸÷g#ˆÎ/úU!2g#¸÷g# ©¾úU!1g#¸÷g#Ø~,úU!2011-11-01 07:46:04úU!2017-11-22 17:37:30úU!Otto B. HartmannìúU!÷g#¸÷g#pÕ0úU!2003¸÷g#°VúU10g#Ø÷g#0!sib#¸÷g#!19624¸÷g#!0g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!605#¸÷g#!0g#¸÷g#!3g#Høg#àwùúU!1.50(øg# xùúU!2011-05-07 01:08:42úU!0g#è÷g#`BúU!0g#¸÷g# !øg#xøg#0h(úU!none¸÷g# »žúU!0g#¸÷g#( úU!÷g#¸÷g#154421!÷g#¸÷g# 1÷g#Ø÷g#ª?*ˆ0!0000-00-00úU10g#0ÕðúUHçõ0!1g#(øg#°â&úU!0g#¸÷g#Øì!úU!÷g#è÷g#ä&úU!0g#¸÷g# !This is Nikolai Rimsky-Korsakov's Concerto for Trombone and Military Band, re-arranged for youth orchestra. This arrangement has been performed 9 times so far, unfortunately none of the recordings has worked out (including my own!). Perhaps #10 will be the lucky number?@ÇLúU!2.00¸÷g#265990!0g#¸÷g# !1g#¸÷g#!0g#¸÷g# ßIúU!÷g#¸÷g#`1úU!none¸÷g#265981!0g#¸÷g# !÷g#¸÷g#!÷g#¸÷g#PôúU!÷g#¸÷g#Ð÷öúU!2011-05-07 18:57:4558!0g#¸÷g# !0g#è÷g#!63164¸÷g# !197259ÐÚúU !0g#°¼¯úU!0g#¸÷g#ðR;úU!5.00¸÷g#ÀÜþúU!2023-02-14 06:44:1197!2023-02-14 06:44:55!3661120¸÷g#13119663Ø÷g#SWúUp8úU0!ellenmacpherson!0g#¸÷g#1[] #Ø÷g#01Winter WindúUoreInclude0!MacphersonúU !0g#Ð3úU !ùg#Hùg#!0g#¸÷g#‹SúU!0g#¸÷g#À©FúU!0g#¸÷g#177954!0g#¸÷g#p!0g#¸÷g#!650x920¸÷g#°óíúU!0g#¸÷g#ÐwTúU!1g#¸÷g#6788!3.00¸÷g#!2023-02-13 12:58:32!2023-02-13 13:07:52úU!37476603÷g# !2011-10-12 11:37:34!pamtubbs@msn.com!PUbutr6#÷g#1pamtubbs@msn.com0!rl:st !14.90høg#!pamtubbs÷g#!1g#¸÷g#![]g#¸÷g#PùúU!175096è÷g#!0g#¸÷g# !ShowUncategorisedScores!1g#ø÷g#ÀÖÚúU10g#Ø÷g#€eÆúU0AA Penny's Worth Of Lovin' (Für 'nen Groschen Liebe)!0g#8øg#!NEW YORK÷g#¨DjúU!0000-00-00 00:00:00úU10000-00-00 00:00:00úUðSmúU0!APT 21B¸÷g# !0g#0Ù2úU !Msg#øg#!÷g#¸÷g#11560 Bordeaux Place010g#°úUcoreIncludeúU0!0g#€‡ïúU !1g#ð¡ÔúU öúU!0g#¸÷g#àLUX#!2011-05-08 08:14:38Q20 Favourite Christmas Carols for String Quartet$P!÷g#0<¨úU10g# |ùúUPÀ¾NúU0‘the story for flute and clarinetinsa new hopenn anthem - c- hubert h- parrynged by david c wheatleyeyyrr- by pamela webb tubbs!øg#0ÞúUp¶úúU!0g#¸÷g#‘!úU!0g#¸÷g#¨äúU10g#Ø÷g#0Ñ/scores/the-story-for-flute-and-clarinet-154259.htmlml86260.html-hubert-h-parry-141233.htmlavid-c-wheatley-417430.htmllmela-webb-tubbs-115006.htmlÐThere Shall a Star From !2023-05-11 05:43:2044-b!346318¸÷g#and-fugu!402648¸÷g#">Nr.: 4!0000-00-00 00:00:00 and!0000-00-00 00:00:00!Norfolk8øg#!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU11293Ø÷g#øbÔúU0qXúU0!gbg#°>#úUiredDate!01902 8842351÷g#Ø÷g#€µpúU0!÷g#È÷g# !2012-06-28 13:48:57úU!2017-11-22 17:35:05úU!13257øg#` ¤úU!0g#è÷g#collecti!New Age MeditationResolution Rag5.html">Deck The Hall With Swing - Elementary Pianoa>plin)Said Unto Me (Coronation Anthem) - C. Hubert H. Parryfor flute and piano arranged by David C Wheatleyley/a>lffy, Why ? "nt arr. by Pamela Webb Tubbsg#ÐV§úU713472238.902043óúUàŽùúUPŽùúU!650x919`ŠùúU/nr-38-h!0g#¸÷g#nd-fugue!0g#¸÷g#>Nr.: 38!5.00è÷g#as and F!2023-05-11 05:43:16Q ˆUúU!0g#PyúU 1xùúUÊ…×z!0g#¸ùg#0JgúU!0g#¸÷g#p¾júU!Account¸÷g#XLÐúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!2017-10-16 17:43:18úU!20g#¸÷g#€VÔúU!0000-00-00 00:00:00úU!0g#¸÷g#H'ÞúU!0g#¸÷g#òÛúU!0g#¸÷g#!0g#¸÷g#ËÆúU!0g#¸÷g#àk‚úU!÷g#¸÷g#11g#Ø÷g#0qXúU0!0g#xøg#’ùúU!÷g#¸÷g#e2024-0!0g#¸÷g#4-04-18 !0g#¸÷g#71347223!0000-00-00 00:00:00úU11g#Ø÷g#^7æV0ÁEight Easy Christmas Duets! Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part. Photocopying for your own use is permitted but distribution is strictly prohibited. Ë-211576!3.95¸÷g# !0g#¸÷g#!1g#¸÷g#P–½úU!0g#¸÷g#€EúúU!÷g#¸÷g#489536!÷g#¸÷g#6ÊúU!0g#¸÷g# {øúU!÷g#¸÷g#489663!÷g#¸÷g#à!0.00¸ùg#ˆÜúUÁ["205514","205513","201532","201535","142424","142849","205518","142421","205511","201533","142846","366607","205512","142819","143126","153418","170937","72489","142808"]øÀÀúU!2020-09-24 23:53:04úU!1g#¸÷g#ÆúU!0000-00-00 00:00:00úU!÷g#¸÷g#êfúU!0g#¸÷g#p@ƒúU!0g#¸÷g#!0g#¸÷g#üúU!1g#¸÷g#10g#Ø÷g#¸ôþúUè úU0!1.50øg#!2018-11-07 18:12:03!0g#¸÷g# ¸ŽHúU¨IúUh}TúU€^ÇúU˜ýúU8!úUxf™úUÀ¬ŸúUèqúUHOðúU˜ñÀúU ºúU¸V]úUúUxD±úUx¸ÒúUXzúUn¸úUðâ,úUh}TúUÀ "úUxoòúUø25úU˜ýúUhŸhúUhe™úUÀ¦úUˆ<ÂúUØËïúUÈÞ)úU`RõúUÈ ÂúUèÈúUÈAâúU3húUx—¼úU0 ùúUXY]úUóFúUØ.kúU0çúUXCÂúUèüúUx ÄúU˜ÕJúUÈÇèúUàÞÙúUˆHVúUXN7úU¨‚¼úUÐ;¯úUè½ÁúU8fúU úU&úU ¨uúU¨U)úU("ÐúUXQ]úUx­xúUíDúUx5oúU  múUØåúUh$úUÀmúUP0úUH3kúUWðúUHÁúU¸ÈÁúU¸*úU˜HaúUø@øúUx¸ÁúUÀ¼õúUxÕÃúU(Ú+úUàQoúU(¹ÁúU Ø‹úUHÅ)úUÈx°úU‹ úUÈ ÂúUˆ]ÏúU˜ ÂúUˆHÆúU¸ìíúU’•úUP¡zúUÈÌ'úUx†äúU÷húUÈÞ)úUHÌúUÈ ÂúU¨BÞúU˜ýúU¸I úUhøúUÂ]úUè®úU£ùúUÂ]úUà÷ñúUXCÂúU¸ ùúUÈÇèúU˜fúUx—¼úU0•úU€Œ%úUȆ‹úU ì 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07:02:35úU!30g#¸÷g#ÉúU!3500¸÷g#ÐúU!12g#¸÷g#ˆùúU!2016-12-03 07:02:36úU!1g#¸÷g#(¬ÂúU!1g#¸÷g#h`°úU!0g#¸÷g# 9úU!÷g#¸÷g#˜ãîúU!0g#¸÷g#8jsúU!0g#¸÷g#  ØúU11g#Ø÷g#Àb¿úU0!Traditional Hebridean1Philip Thicknes˜ù"úU0!1g#ˆüg#À¯ùúUaLike most of my descants, this is written to fit with the 'normal' hymnbook harmony.2!1.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!M Bridges and G Thring!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg# ÉúU!29305¸÷g#!0g#¸÷g# wúU!0g#¸÷g#!1.00¸÷g# °úU!1.00¸÷g#b÷úU!1.00¸÷g#H}øúU!1.00¸÷g#ð— úU!0g#¸÷g#ØýùúU!÷g#¸÷g#@>wúU!0.00¸÷g#`úúU1³ùúUº³131450!190444¸÷g#ílúU!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g# !0g#hûg#366611q{ "GroupOrd" : "50", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "24169" } !12.7824¸÷g#!2011-06-10 13:54:12úUADescant to Diademata Crown him with many crowns456359!0g#¸÷g# !0g#¸÷g#!1g#¸÷g#€gúU!2013-03-15 14:48:15úU!0g#¸÷g#386321!0g#¸÷g# ÁDescant to 'Diademata' (Crown him with many crowns) G Elvey M Bridges and G Thring Michael Clarke Like most of my 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Barnfather SAB in C.sib!2016-10-26 18:00:12úU!2g#¸÷g#Àì úU!1175¸÷g#ÈVúU!1g#¸÷g#`úU!0g#¸øg#èˆúU!0g#¸÷g#hŸõúU!÷g#¸÷g#È®gúU!0g#¸÷g#HTŒúU!0g#¸÷g#È'úU!1g#¸÷g# †iúU!0g#¸÷g#ÈkúU1÷g#Ø÷g#XÎvúU0!0g#Høg#˜ù"úU!3g#¸÷g#˜ù"úU!2.00øg#˜ù"úU!2016-10-26 18:00:15úU!0g#¸÷g# !10.00hýg#°qúúU!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#¡1. Field and fountain, moor and mountain, Following yonder star: O star of wonder, star of night, Star with royal beauty bright, Westward leading, still proceeding, Guide us to thy perfect light. 5. Glorious now, behold him arise, King, and God, and sacrifice! Heav'n sings alleluya, Alleluyathe earth replies: O star of wonder, star of night, Star with royal beauty bright, Westward leading, still proceeding, Guide us to thy perect light. 2. King for ever, ceasing never, Over us all to reign: O star of wonder, star of night, Star with royal beauty bright, Westward leading, still proceeding, Guide us to thy perfect light. O star of wonder, star of night, Star with royal beauty bright, Westward leading, still proceeding, Guide us to thy perect light. 3. Prayer and praising, all men raising, worship him, God most high: O star of wonder, star of night, Star with royal beauty bright, Westward leading, still proceeding, Guide us to thy perfect light. O star of wonder, star of night, Star with royal beauty bright, Westward leading, still proceeding, Guide us to thy perect light. 4. Sorrowing, sighing, bleeding, dying, Sealed in the stone cold tomb; O star of wonder, star of night, Star with royal beauty bright, Westward leading, still proceeding, Guide us to thy perfect light. O star of wonder, star of night, Star with royal beauty bright, Westward leading, still proceeding, Guide us to thy perect light.!ûg#Øûg#ÐwúúU!Copyright ©!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#(ö úU!266129¸÷g#!1g#¸÷g#èÍ úU!2g#¸÷g#Xz`úU!15.00¸÷g#ÐéfúU!10.00¸÷g#8ªÿúU!15.00¸÷g#PáúU!10.00¸÷g#¸[úU!0g#¸÷g# ÷ØúU!÷g#¸÷g#pÑúU!0.00¸÷g#1øyúúUÞ ¦Š196754!180709è÷g#YÙúU!23g#È÷g# !0g#úg#`·húU!÷g#¸÷g#210250!0.0000¸÷g# !2016-09-21 23:54:261We Three Kings as an anthem for SAB!0g#¸÷g#!0g#¸÷g#@<÷úU!3g#¸÷g#°0öúU!0000-00-00 00:00:0048!0g#¸÷g#!0g#¸÷g#QWe Three Kings as an anthem for SAB J. H. 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Allan Joris van der Herten The traditional Appalachian song “Down in the River to Pray†is well-known, especially since Alison Krauss and the movie “O Brother, Where Art Thou?â€(released in 2000) popularized it. Yet, its composer remains a mystery, at least in some measure. Research indicates the song was written by slaves in the 19th Century who worked in the fields. Other people believe it was perhaps a derivative of a native American tribal song that was adapted with Christian lyrics. It was reportedly published in Southern Harmony, a 19th Century hymnal, prior to many African-American spiritual songs being gathered and published during the Civil War and the post-Civil War Reconstruction period. And, what if someone told you it was written by George H. Allan in Nashville, Tennessee during slavery in the South, and was published in a slave songbook in 1867? Its appearance in “Slave Songs of the United States†in 1867, with words uniquely colloquial to black slave spiritual songs of that period, seems to point us in that direction to this song’s genealogy. The song had a different name, too, than the one by which we commonly know it today. The song as originally composed was known as “The Good Old Wayâ€, and is attributed to a G.H. (George H.) Allan in the contents section of the slave song book of 1867. The song may also be known as “Come, Let Us All Go Downâ€, but has also been known as “Down to the River to Prayâ€, and alternately as “Down in the River to Prayâ€. However, as originally constructed by Mr. Allan (or perhaps some other contemporary, most likely a slave), the song entreats worshippers to go to a valley, not a river… As I went down in de valley to pray, Studying about dat good old way, When you shall wear de starry crown, Good Lord, show me de way. O mourner, let’s go down, let’s do down, let’s go down, O mourner, let’s go down, Down in de valley to pray. What valley? If George Allan was a slave, or at least was a song collector in Nashville, one would suspect the valley is somewhere in Tennessee –lotsa valleys are there. As shown in the songbook, “The Good Old Way†was # 104, and was among a collection of spirituals in Part III of that book, in which the songs’ origins are the inland slave states of Tennessee, Arkansas, and the Mississippi River. So, perhaps slaves from Arkansas or the Mississippi Valley could have been the original composers, instead. There’s lots more that’s intriguing about this song, and many questions linger. For those who changed the word ‘valley’ to ‘river’, what was significant about going to a river? And, for those who wanna go into the river to pray (and not just to the river), is that an implied message about baptism? Whatever the message, the composer was thinking of family, as mothers, fathers, sisters, and brothers are addressed; I can imagine a slave family clinging to one another in this song’s embrace. And, we’re all sinners, the song’s conclusion reminds us. Isn’t it interesting that a song from some slaves still resonates in our culture 150 years later? !0g#Hùg#à?ýúU!0g#¸÷g#210514!0g#¸÷g#p!0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#@rÎúU!0g#¸÷g#210513!0g#¸÷g#!0g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00úU!÷g#è÷g#441920!664745¸÷g# pßúúUªýNúUÐkFúU R`úUð>ÿúU õõúUDÏòúUpø‚úUDðÎVúU ‹ýúUÿpLzúUà¯DúUD@àfúUÀ'‹úUDàY6úU³úUDp]júUÀ<‚úUDð`júU`ÐqúUD0%úUð`øúUD€KùúUÐúUD0úUPjUúUDG…úU@·YúUD 7ýúUàY@úUDàÜúUÏ‹úUD`3VúU€RúUÿâSúU0D—úUDÀquúUp˜úUDÀL/úU\4úUÿ°A¢úUÐY úUD%úUÐÞúUD@*ÿúU€úUD ³ùúUÐ×ùúUD0´÷úUð>kúUD0úUò|úUDñjúUK8úUDÀÿðúUÑúUDƒ~úU7ûúU M8Æ‹úUÿð|úU@}…úUDPúU#/úUDp¬ÚúUÐ)ÜúUDÀPúUž0úU7ûúU€œúUDàˆVúUp¹úU@gøúUD „{úUúWúUDÐ}úUPìèúUDPï(úU06júUDPÆsúUð8úUD €:úU0öwúUD`„ÆúUð6:úUD0{úU"úUD`EÿúUJgúUD úUðúUD`áöúUà±úUD „ýúUkúUD02#úU€£¡úUD°!…úUÐ:ËúUD€\óúUÿxúUD°ƒ‡úUÎúúUÐ…³úUDà÷úUÀ²‹úUDàÞDúUzúUDPˆúU ÞüúUD<$úUbúUD0ShúU°Q(úUD`è úU8×xúUÿÐÆúU€ËþúUD ûóúU.úUDWÅúU „múUD LùúUèwLúUÿ@t8úU š:úUDpkfúUÐV%úUD€¼úUtÇúUD°?OúU –°úUàzhúUD üþúU@ºNúU  p{óúU€!:úUD ‘eúU°õõúUDðÅúU ;ûúU`Ð(úUplúUD#úUè3„úUÿ^:úUxÐÏúUÿPülúU0ÑøúUDP£úU`A¡úUÿðiBúU @"úUDÐÊæúUP&‹úU0ÎVúUD0m'úU<ûúU`¨ úUwÀúUD€g úU^úUDnøúUàúUDàƒóúUh}úUDÀBïúUð±þúU €§÷úUPÇÙúUD0š÷úU-UúUÿЧDúUÐûúU¯ÞúU°>ûúUÐOJúUDP'ÍúUà|öúUD ûúU0å úUDT‹úU@½‡úU@’iúUDpFîúU×úUD %núUP[øúUD0\ýúU³úUDàµñúUðêõúUDPàöúU€àVúUDàœ úU€úUD`-*úU°´çúUD ÃbúU¨àÙúUÿÀDKúUˆÞúUU‹$úUP*úUDàkÒúU úUD0SOúU°VúUDàïúUÚùúUD0ÒñúUPÛ&úUDPsGúUæÈúU€ë«úUDàaÌúUÀtªúUD`F°úU CúUDàêMúUà„ úUD òjúU`0úUD&húU`WéúUDpáfúU°OúUDðÎõúU@>þúUD€7ÕúU„TúUDPõ/úU ~WúUDð‚ÍúU@ÿÑúUD°GñúUÀBgúUDpòúUÐ@úUD0¼'úU@IúUÿpóHúUpwúUD@e úUBûúUp/-úUD@†õúUPƒMúUDþ?úU súUDpfgúUÐÂÿúUD ð‡úU ‹±úUDP2†úUˆúUD€ÄúU€=eúUÿàÓ+úU€š]úUDh#úU+[úUDðyfúUàMúUDP&úUì¶úUÿ˜½úUÐÝúUà¡úUD@b'úU (úUÿW—úUÀ HúUD€ #úUCûúUPÊgúUЭúUDÐuúU gøúUD°úU°‰kúUDJîúU ìˆúU2Á1. Come and stand before your Maker full of wonder, full of fear; come, behold His pow'r and glory, yet with confidence draw near, for the One who holds the heavens and commands the stars above is the God who bends to bless us with an unrelenting love. Rejoice! Come and lift Your hands and raise your voice: He is worthy of our praise. Rejoice! Sing the mercies of your King, and with trembling, rejoice! We are childjoice! When you cry to Him, He hears your voice. He will wipe away your tears. Rejoice! In the midst of suffering, He will help You sing: rejoice! Come and lift Your hands and raise your voice: He is worthy of our praise. Rejoice! Sing the mercies of your King, and with trembling, rejoice! 2. (We are child)ren of the promise, the beloved of the Lord, won with everlasting kindness, bought with sacrificial blood, bringing reconciliation to a world that longs to know the affections of a Father who will never let them go. All our sick 3. (All our sick)ness, all our sorrows Jesus carried up the hill. He has walked this path before us, He is walking with us still, turning tragedy to triumph, turning agony to praise. There is blessing in the battle, so take heart and stand amazed.1Dustin Kensrue & Stuart TownendßÐúU!0g#¸÷g#ÀúU!÷g#¸÷g#456478ÑCopyright © 2013 Dead Bird Theology/It's All About Jesus Music/Townend Songs/We Are Younger We Are Faster Music Adm by Song Solutions Copycare www.songsolutions.org www.stuarttownend.co.ukÀU`úU!÷g#¸÷g#386935!0g#ˆùg# qCOME AND STAND BEFORE YOUR MAKER (Rejoice) Dustin Kensrue & Stuart Townend Jodem Music Ltd U!0g#¸÷g#ÓúU!0g#¸÷g#@PùúU!0g#¸÷g#416489!0g#¸÷g# !0000-00-00 00:00:00!÷g#¸÷g#ðúU!0g#¸÷g#ð„púU!0g#¸÷g#386829!0g#¸÷g# 12017-06-09 17:10:17D0á dh   ¸Àpxðl°úUprUúUàKfúUý¾úU +8 ^úU @ý?úU0úU/0 ý½úU P´ÏúU€xbúUphúUàrxúUã5úU¬°€ŠúU0}¯úU€SmúUp(4úU*0Ð æúU58ÀÜ>úU   júU?@ÀYúU`æ„úU ŸúUGX¸§"úU(>æúU°ÿsúUÀ5~úU,3úU€oLúU˜1RúUèu¢úUX¢úU蚟úUXAŸúU€ŸúUÈ$¸úUÀ’ŸúUÀ~[úU °úUp„!úU <~úUÌŠúUh–ŸúU`ã?úUxóÛúUÀ WúU .RúUh<~úUØq5úUH—úU ´úUÐ7ŸúUXiyúUpf¢úU`Ò`úU¢úU˜53úUÎKúUpYYúUFúU(i¢úUÀtFúU©éúUø†%úU[zúUø)@úUÏúU ‘?úU´YúU -`úUò‹úUø™ŸúUà†NúU°ÿçúUÈçúU€ ¹úUP úU—‹úUhüŸúU`½EúUÐMúU(§7úU ØFúUhgmúUH²úUàÜúU¸„3úU8¡‹úUÈNÜúUˆr¢úUXùúUÀ­SúUPü úU ˜†úUè+¸úU¸p+úUØ<æúUàõ‹úU‹èúU¸œ‹úU502530!481757øg#p!0g#¸÷g#10g#Ø÷g#°FúU0¹[úU0! £gúU8F7úU|úU€MHúUXçúU@enúU˜GgúULmúU¸OúUpBgúUà­múUjgúU¸aúUà*oúU€QFúUøä`úU!0g#Hùg#!2g#ˆøg#ÐgûúU!2g#¸÷g#àLUX#!0.00¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#è÷g#!0000-00-00 00:00:00!sib#è÷g#!2019-05-02 19:18:12!HASHàŽúU !1g#ÐèHúU !0g#‰ƒúU !÷g#àGúU !0g#øg# !÷g#¸÷g#@10.00Ø÷g#0!0g# gûúU !0000-00-00 00:00:00úU!0g#¸÷g#è20úU!115#¸÷g# çIúU!0g#¸÷g#P„dúU!0g#¸÷g#øþhúU!2g#¸÷g#€ úU!2013-04-18 19:21:19úU!0g#¸÷g# 18cûúUÆDï‹731007!77459(øg#€múU!usg#¸÷g#è¶SúU!2814994705g#¨½SúU!÷g#¸÷g# !0.00ÐÌaúU !2017-06-09 17:10:17!0g#è÷g#le!0g#¸÷g# 1GBP#‘˜úU48306b8)in-27730!1g#È÷g# Q`0úU!sib#0SÄúU !0g#p§˜úU !1g#PFúU !0000-00-00 00:00:0010g#Ø÷g#0!0000-00-00 00:00:00!0g#¸÷g#ȱ™úU!÷g#¸÷g#HiúU10.00Ø÷g#XNÿúU0!0g#¸÷g#10000-00-00 00:00:000°CíúUxáúUøüçúU°^úúUXïÄúU0&úUåÎúUPæMúUxm;úU¨xLúU÷úUØTHúU°ÙúUp3ˆúUX.fúUø1ÒúU!2013-04-18 19:21:16!0g#pdûúU !÷g#ø÷g#+±úU1433403Ø÷g#0XÔúU0!540930&íúU !2019-05-02 19:16:25!0g#¸÷g#11145Ø÷g#0!0g#±JúU !2014-10-07 01:00:42!0g#ˆøg#ÐgûúU!0g#¸÷g#àLUX#!0.00¸÷g#!0.00¸÷g#!0.00¸÷g#!1g#è÷g#!1g#¸÷g# !HASH¸÷g#!HASH¸÷g#!HASH¸÷g#!HASH¸÷g#!HASH¸÷g#!0g#° úU 1v‰úU¨jûúUZ½20489810„×úUØjûúU¡õù397325Á ðD·úU¸ýg#àq¸úUh8úU00P—ôúU8kûúU†ÁU425389!Š•úU@û‡úU€0p‡(úUˆkûúUò$ï220113qÀ½¾úU@HuúU 0 HúUØkûúUbÝêÛ425406!PÉ+úUСKúU 0ÀÞ9úU(lûúUô"@!443995!pXÚúUð:úUp0P+•úUxlûúUß ÷,376595¡Pm-úUµ_úU 0ð ÎúUÈlûúU]ا220137àžúU !—úU 0AaúUmûúU{[¦376552!àHúU@AaúUp0`Ó±úUhmûúU,c•0425628!°ƒ¯úUÓ±úUÀ0@!—úU¸mûúU³ZO 220088!PÉ+úUp!—úU`0ð¶_úUnûúU3’;÷425472@¥KúU@ÔwúU 0à\EúUXnûúU«èʳ363982!P”‰úU@Á†úUp0 (.úU¨nûúUÍ,äÔ220119qÀpÎúUÀ\EúU 0€]EúUønûúU›çbt364362!@+œúU°]EúU@0°!uúUHoûúUU 8Â220158qЇúUÐmúU 0p=lúU˜oûúUþIós363713!¸OúU =lúUà0P3œúUèoûúU¸‰Íþ417954a>úU0:úU 0`þúU8pûúU‰K»ƒ220081!¸OúU€ÅEúUp0P:úUˆpûúU© h,376541Áð¾EúU}cúU 0ôúUØpûúU¹ôê]220026!h8úU0ôúUp00}cúU(qûúUØŠnh220019!pßúUPòoúUp0°+îúUxqûúU‡ƒ>0376419!Þ"úU€Ô:úUP—ºúUÈqûúUšÝ›o219997!PÉ+úU€—ºúUp0°¼úUrûúU^%ÁÐ376451q¬¯úU•HúU 0P–HúUhrûúU‘(A.523411!PçúUPñúU0àY)úU¸rûúUýä366714ñ`)úU@HúU 0$úUsûúU^±|366806a ÜFúUu6úU 0ÀrÃúUXsûúUÉÜ‘540837q  ~úU`œ›úU 0€œ›úU¨sûúUïàrÊ366712!°ƒ¯úU°œ›úUÀ00u6úUøsûúUÁ3ß“436772qYúU â…úU 0àâ…úUHtûúU½ÓS«219983!àdúUã…úU°0p çúU˜tûúUq"WŒ4367550, úUÀEoúU 0p–úUètûúUjʯ376266ÁÎCúU ;KúU 0ƒúU8[™úUÈHúUÈYøúU`QúUèιúUØ'òúU(VôúUZ]úUPÁ(úU@húUÂúU_úUèqúU(‚úUx~‹úUp‡ÊúUÀÿ+úUl!úU(ø2úU(¹ÁúUˆ!AúUÀp;úUg™úUP±úUØ•¼úUðˆúUHÂúUp?túU(êúUHF™úUàyúUˆHVúUð…ÊúUèEVúU U|úUÃÁúUx;áúUXQ]úUxÂïúUXÅúU`ÚgúU¨GáúUXžFúUÐwúUX„gúUø_úUx¸ÁúUð!úúUxTZúUèÿ9úU€\‰úUp›7úUèÃúU(RWúU˜HaúU^úU¨GáúUèZúUøúúUûÍúUXg8úUH{úUheúUx]µúU˜}úUÈ2!úUàîñúUøÛ)úUðÎúU(¹HúUÈCúUÚyúUÀÁúUhÞúUJÓúU8ÓÝúU`–~úU˜ýúUP·7úUèÎ.úU°âjúU0*RúUÂ]úUHÅKúUÈ2!úUh6ûúUØÅ_úU¸«^úUø:¯úUDÂúU˜µ|úUn±úUèÃÁúU köúUàF³úUxçúUâúU¸[úUÈx°úU nJúUxoòúU¸|íúU˜¶ÁúUø´úUhO]úU¸üúUXY]úU8µîúUÐæÁúU¸«^úUÐâúU8IVúU°EÃúU˜öúUH ºúU°êmúU¨ºÁúU¸ðýúU(Ý»úUÙÐúUÈAâúUxÛˆúU˜á)úU8ÓúUÃÁúU€þ úUȵÁúU`´ØúUˆ<ÂúUhž{úU¸§‡úUóúU¨y}úU $júUlòúUPÃúU8€úUp.òúUxoòúUs—úU@ÊúUH3kúU8fHúU¸w`úUè¯ËúU@UúUHëÎúUˆ¹TúU¸•iúUXÄÀúUx]µúUxïúU¨GáúUàÆ"úUˆz¾úU×YúUXQ]úU ÁúUZ]úU@­XúU9ÁúU86(úUÀPúU˜ ÂúU@ßúUˆ¿ÁúUàÿúU˜òúUH3kúUðýJúU˜HaúUØXõúUÈ^÷úUX„gúUçôúUˆÂúUpÝÈúUÂúUhfÓúU¨eúU@bôúU¸\úUhðÊúUhÓhúUn¸úU²lúUH§¸úUƒ›úUعÁúUh†úU°´úUhØéúU-‡úUÀÁúURúU(Ý»úUHŠÅúU¨‚¼úU¨hHúU˜öúU@±úUÅÁúU˜ :úUù.úUhŸúU úUxÂúUÐCÃúU˜1ïúUÈ5‘úUOõúUhì“úUBÉúUÀ ùúUèÃÁúUà;úU0½÷úU8ÓÝúU CÃúUˆz¾úUwÐúUTŠúUH0yúUоúU¨eúU`úUȵÁúUxçúUÈ ÂúUxÇ7úUøúúU©øúUèÏ`úUÈ&úU˜á)úUPêÊúUØDÂúUÐ÷kúUx¸ÁúUÐ óúU8ºÐúUˆ3‘úU oÖúUà%úU¸ gúU¨ úUx—¼úUHwŸúU(Ý»úUåðúU¨eúU]cúUoúUȆ‹úUX#ñúUØÃúUòkúU ÃúUȆ‹úU8å&úUÀPSúU86(úUx«!úU¨GáúUˆÕsúU`PÂúUˆ­úU¸oúU8Ô.úUp”kúUˆŸnúUÂúUˆúúU(‰>úUHû0úUài^úUàQúU¸Ï+úU€„¸úUhH™úUpóýúUxÂúUð¯‚úUˆÀÁúUp úúUÅÁúUÐÄúUx ÄúU@öúUÈÞ)úUßÅúU˜ ÂúUÈ”úUˆg±úUX*úU ÊNúUàpúUèÃÁúUˆ…ÈúUXQ]úUà’ úU`?ÌúUhÂúUáôúU` ÆúUhÂúU`ˆúUp[úUXÆúU€äúUxoòúUðºØúUU]úUheúUÈŠ†úU ÏÜúUˆ¿ÁúU`GúUˆÛîúUXa8úU€©ñúU8i)úUÈÓGúUÐjHúUXY]úU #IúUø´ËúU0@-úU(Ý»úUঠúU ZžúUøbEúU¸ŠúU˜—úU¸ÂúU IúUp2ÁúUhŸúUÐÿúUZ]úU8DjúUx¸TúU¿õúUøúúUP›;úU8Ô.úU@0`úUÈ ÂúU üúU¨eúU(|kúUýÁúUÀ=-úUHL]úUösúUhžúUøïÿúU˜¼@úU@ômúU¸ÂúUðeúU1. As I went down to the river to pray studying about that good old way and who will wear the starry crown, good Lord, show me the way O sisters let's go down let's go down, don't you wanna go down O sisters let's go down down to the river to pray. As I went down to the river to pray studying about that good old way and who will wear the starry crown, good Lord, show me the way O fathers let's go down let's go down, don't you wanna go down O fathers let's go down down to the river to pray. As I went down to the river to pray studying about that good old way and who will wear the robe and crown, good Lord, show me the way down to the river to pray studying about that good old way and who will wear the starry crown, good Lord, show me the way O mothers let's go down let's go down, don't you wanna go down O mothers let's go down down to the river to pray. As I went down to the river to pray studying about that good old way and who will wear the starry crown, good Lord, show me the way O sinners let's go down let's go down, don't you wanna go down O sinners let's go down down to the river to pray. 2. brothers brothers !2013-05-17 17:47:20úU!0g#¸÷g#!0g#¸÷g#¨3úU8ÚîúUØÁöúUX†áúUØ/úU˜púUlúUÐZöúU׊úU ÔúUP·ÐúU +úUÈÝîúU8t‚úUX£ÈúUÆúU iÝúUX6ˆúU¸XmúUèæfúU@¦ÓúUÈBƒúU°¥õúU ìaúU8µúúUèø}úU ¤ÌúU ÎúU`lýúU°›ŽúUßúU³múUÈúUX úUÀãûúU˜iÍúUP…iúUhØúU rúU˜ŠþúUØoúU¨5úUHC‹úU‹áúU°ÜiúU°„øúU¿júU°kÉúU`TúUP§húUU{úU ©fúUØÌýúU°lúUðlúúUP°úUeÙúU€VöúU ¥ùúUÀRcúU¸FßúU¨ÚúU•ÒúU('ÎúU(1úUðJÐúUPÂ"úUxÏúUx„úUhá§úUðÊúU ¬ÜúU tkúU¨øúU¸ÃúUˆËúUø7ÁúUprÚúUS‹úU!0000-00-00 00:00:00úU!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#448211!2023-04-16 04:18:47!2023-04-16 04:19:14!3691101¸÷g#€uúU!5212925¸÷g#àÀúU!0000-00-00 00:00:0005!0000-00-00 00:00:00Q0bÙúU!2016-10-12 00:00:00!148186¸÷g#ÀrÐúU!J. H. Hopkins ïdúU!Christopher Evans!131354¸÷g# !÷g#ø÷g#à³cúU1921249Ø÷g#0AÓúU01Ave Maria (Caccini) (SATB, Organ)8189!23g#¸÷g#X%ÅúU!0g#¸÷g# úU!3g#¸÷g#8E\úU!2g#¸÷g#ˆÔúU!2022-07-06 02:35:46úU!2022-10-04 05:44:05úU!Giulio Caccini¬üúU!John Rossg#àî€úU!0g#¸÷g#à³cúU12010Ø÷g#0!pdf#è÷g#ü›úU!149#¸÷g# @4ûúUª@|úUÿ Ò[úU@njúU€±HúUDˆúU€´ZúUDP&ÕúUàÅúUDÀ–{úUðò_úUDÀµÿúUÅÁúUP¼)úU0úUD@jŒúU`:úUDpV úUà»úUD0úUà `úUÿ ̶úU@iiúUDƒúU #uúUD°ðCúU`GþúUDð¹0úUp›žúUD]úU€×êúUD€6úUàPÊúUDÒúU`_éúUD°ÒiúUÀêÈúUD¤öúUp-úUDÀýÔúUpÎbúU 0ØúUؘûúU€#JúUD`'úU€qúUDPúúUŸúUD “ñúU0úUD`ÑùúUàúU°iúUDPn™úU°|õúUDPÊùúU ŽúUDÀ ûúUŽhúUD¾úU í_úUDÀ¼ûúUÐFGúUDrëúUÐ\ÉúUDP6úUˆ^úUÿ°¯"úU {úUD@•(úU€ùmúUD`7úUð8súUD°NùúUð ìúUDp7úUPc úUD°™öúU¡ûúUÀ­þúUÐv#úUD  ýúU8¹kúUUÐÈbúUPíÐúU`IúUD€÷ùúUð…ƒúUD0wçúU ÛNúUDÀ°úU€7rúUDÐúUÓèúUÿPü0úUУŠúUDd¾úUGgúUD *ÿúU úUD ®úUÐoaúUD0fûúU°tàúUÿ ¾2úUp6úUDÐÁúUÀíàúU `YøúUù@úUD@ùúU°ýlúUDùñúU€øiúUD 0úUðuÓúUDˆúU`ôsúUÿ@k-úU—cúUDÉúU µúUDP ÷úU00lúUD0ò<úUÀSýúUD`‡½úU€úUD`ûóúU°yúUD@Ü—úU¸£ûúU8>úU€Ü úUDP¾úU h~úUDà5ÕúU{`úUDpM#úUˆ×=úUÿ€¿ŽúUðHúUDÀúUÀEÊúUD@O"úU0:=úUD | úUàüÄúUD‘ñúU šúUD õúU¹ÛúUPð—úUD #(úU@úUDõúU ŽúUDà œúU°WBúUDÚWúUPúU°¡úUD ‚úUPyúUD`yúúUC&úUDpþúUP‚DúUÿp‰EúUЗpúUDpã†úU@æcúUDulúUpXÉúUD0ìÐúUðã÷úUDЗþúUDÊúUD€¢RúUÏ(úUDÀ#úUÐjRúUÿc^úU0 úUD ,úU€³úUDÐ úU€£ÝúUDpzþúU0ßùúUQPqkúU1(§ûúU& Âq180947!0000-00-00 00:00:00úU10000-00-00 00:00:00¨"ÎúU0!41g#¸÷g#!275#¸÷g#èýòúU!2g#¸÷g#túU!2g#¸÷g#]ÛúU!2017-01-12 00:00:00úU!2024-04-16 00:00:00úU!0g#8øg#H³~úU!0g#¸÷g#(rgúU!0g#¸÷g#ÐÌÆúU1÷g#Ø÷g#0!÷g#¸÷g#X9úU!0g#¸÷g#à!0g#¸÷g#Ø]úU!÷g#¸÷g#ˆ½iúU!2017-01-12 00:00:00úU!0g#¸÷g#¸KâúU!22g#¸÷g#°}úU!3g#¸÷g#°¡úU!1.50¸øg#°+ÄúU!0000-00-00 00:00:00úU!0g#¸÷g#ÐoÉúU!0g#¸÷g#°­úU!0g#¸÷g#à0túU!÷g#¸÷g#ÐæÁúU!0g#¸÷g#ÐÌÆúU10g#Ø÷g#ÐýúU0!÷g#ø÷g#ˆZþúU1÷g#Ø÷g# •ÊúUÈ÷g#0ÑThis is an easy arrangement of Danny Boy for violin and cello duet. Both parts get the tune. Check out the related scores above for more of my arrangements for violin and cello duet.|”492090!2.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#ACopyright © July 2015 (Burndrett Music)Ùá492037!÷g#¸÷g#!ùg#¸ùg#À‰júU!530939¸÷g#!0g#¸÷g#šùúU!0g#¸÷g#!0.00¸÷g#pýúU!5.95¸÷g#øØúU!3.00¸÷g#H’qúU!0g#¸÷g#(ÛÁúU!÷g#¸÷g#ÉúU!0.00¸÷g#øúUÑ["205514","201532","205513","201535","142424","142818","142846","142421","205511","205518","142849","201533","366607","205512","72489","142808","153418","118204","170937","142819"]U ÛúUÐ!0g#Èýg#p¯ûúU!÷g#¸÷g#!0.0000¸÷g#!2015-07-13 07:05:321Danny Boy for Violin and Cello 4úU!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!Danny Boy for Violin and Cello Traditional arranged by David Burndrett David Burndrett This is an easy arrangement of Danny Boy for violin and cello duet. Both parts get the tune. Check out the related scores above for more of my arrangements for violin and cello duet.FöúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#úUPïËúUãúUpåûúUвgúU – úU÷ úUžõúU8'úU˜ýúU ƒ%úU‘}úUÐTúU€úU8i±úU¨GÂúU`Ô úU8‹ÒúUèhúUX¬ÜúUð>ÓúUøâiúUP{ûúUÐúUh³üúU(¨úU€äúUPúU xúU8JfúU8üßúU8ÉúUøªüúUØmÉúUèñþúUøÓdúUX›ÄúU -úUÀ‰júUX1úU¨úU8Õ úUšùúU/ÁúU0³ÅúU@v úUØúUpýúUðÿ°úUHÁàúU ÝúUÐï}úUH’qúU ŽúU8%€úU(ÛÁúUSÅúUXnúUÉúUpXÙúU`Ù0úUMÂúUøúU˜múU˜÷úUà‘ÄúU˜) úUhf¿úUX©ÓúUxAƒúUëËúUðÚúU¨áúUØ°ÂúU86ŸúUèÚúU€¼úUP‚úU!2020-08-29 13:12:13úU!1g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x918¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-02-15 10:22:32!2023-02-15 10:22:46!492478¸÷g#!785400¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qð¶ÙúU!ûg#¨ûg#à¹ûúU!÷g#¸÷g#!0g#¸÷g#ÐÄòúU!Trombone Duet°šáúU!÷g#¸÷g#LþúU!÷g#¸÷g#@°îúU!ùg#¸ùg#xVÂúU!504251¸÷g#!0g#¸÷g#p‹þúU!0g#¸÷g#!0.00¸÷g#ˆ[úU!0.00¸÷g#ð?ÌúU!0.00¸÷g#°„úU!1g#¸÷g#è ÀúU!1g#¸÷g#0mgúU!0g#¸÷g#øçþúU!0g#¸÷g#ñÎúU!1g#¸÷g#è„îúU!156819¸÷g#QRyan Gosling & Emma Stone, Benj Pasek, Justin Hurwitz, Justin PaulúU!2.99¸÷g# !0g#ùg# ½rúU!0g#¸÷g#ЛûúU!0.0000¸÷g#¸ìôúU!0000-00-00 00:00:00úU1City of Stars from La La Land˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0000-00-00 00:00:0010g#Ø÷g#tAttemptedfPart0!142846¸÷g#@—[úUQL.Beethoven, G.Holst, J.Offenbach, A.Vivaldi, Traditional.úU18 Duets for Oboe And Clarinet!49g#è÷g#€÷úúU!0g#¸÷g# á ÀÑFúUPÄ'úU°|búU  WX*0 úU`ÐSúUÐ!‹úUàÕúUðRhúUàaFúUðžEúU-0`IhúUð^úU¹À!0 ð{zúUšåúU`!FúU1úUAúU p1úU` ¯úU xúUàªIúU yzúU;úU  €úUuxÀ¾àúUhHÂúU(œùúU@âúUxùúU¶ŒúUð6lúUx3ÛúU@oúU@¦2úU  ÀúU7ÏúU tÊúUÈÀúU°ûúU˜ØŠúUøŠúU³ÐúUXúúU áúUhçúUË úU0þgúU8êgúUXÎúUˆ÷þúU8ítúUððzúUCüúU-múU@fúU mýúUð£ÿúUž3úU;âúU˜úU°ò‹úU*fúUè(úU¨ ÿúUÈËÊúUøªúU 0úU˜;úU€Ÿ2úUUúU°\öúUø‡þúU ºöúU°kÃúUÈ›$úUhÍúUè-²úU0áúU€¬ØúUp£ÈúUp.júU°'þúU°BƒúUˆŒÇúUpõwúU¸(úU¨T÷úU«úU€*þúU¦ùúUP¹úU¸èûúU(ÅúU8ÍýúU8¤ùúUP÷ÛúUÆúU¸úUH\¿úUˆÑýúUØ$÷úU8“þúU!2023-03-14 05:31:11úU!2023-03-14 05:31:15!232760¸÷g#!217073¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q8ÍúU1ÒûúU­îm132699!J. H. HopkinsÐéfúU10g#Ø÷g#˜±ÅúU01We Three Kings as an anthem for SABúU!23g#¸÷g#… úU!0g#¸÷g#(&úU!3g#¸÷g#OóúU!2g#¸÷g#!2016-09-21 22:06:40úU!2023-03-17 19:33:45úU!0g#8øg#` ýúU!2013¸÷g#¸[úU!3g#¸÷g#ÐéfúU1÷g#Ø÷g#0!sib#¸÷g#¸3úU!178#¸÷g# öúU!0g#¸÷g# ž úU1We Three Kings Anthem for SAB.sibjúU!2016-09-21 22:06:40úU!2g#¸÷g#xöúU!1419¸÷g#ÀˆúU!1g#¸÷g#HÂúU!2.00Èøg# üúU!2016-09-21 23:50:07úU!1g#¸÷g# ÷ØúU!1g#¸÷g#ȧúU!0g#¸÷g#èÍ úU!÷g#¸÷g#pbúU!0g#¸÷g#ÐéfúU!0g#è÷g# ýúU!1g#¸÷g# !1g#¸øg#XœúU!0g#¸÷g#ð`úU!÷g#¸÷g#€ÞûúU!0.0000¸÷g#XfúU!2017-02-16 09:40:41úU1Light Years Away Anthem for SATBøwúU!0g#è÷g#Ø­ÐúU!0g#¸÷g# !1g#¸ûg#0×ûúU!0g#¸÷g#!0g#¸÷g#a1. Light years away a star was born to lead the Maji on Their journey toward Bethlehem To greet God's only son. This light from Heav'n had taken years To penetrate the night. A compass as they journeyed on In darkness ever bright. The Maji's gifts placed before him, Of themselves they gave. The journey seemed as nothing now as they beheld the babe. The story of these kingly men Is rooted in the mind. They brought gifts to honour him, This light for humankind. 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To make this piece more accessible to my small, limited-skills choir, I lowered the key from the original Eb to D, and modified the SATB voice parts to create this SAB version. There also are numerous cuts, with the understanding that the original is perfect and preferable, but when you need a shorter version, here it is--enjoy! Background info from Wikipedia: "Christus" is the title given by the composer’s brother Paul to fragments of an unfinished oratorio by Felix Mendelssohn, published posthumously as Op. 97. The work was suggested by Christian Karl Josias von Bunsen, who compiled the German libretto from biblical sources. Composition began in 1846 and continued through Mendelssohn’s last year. The completed portions include this well-known chorus (originally SATB), in which Mendelssoh quoted Philipp Nicolai’s chorale, "Wie schön leuchtet der Morgenstern." The first performance took place in 1852.üúUQThere Shall a Star From Jacob Come (MENDELSSOHN) Advent or Epiphany anthem for SAB Choir with Organ accomp., arr. by Pamela Webb Tubbs Felix Mendelssohn Scripture (Numbers 24, Revelation 22:16) Pamela Webb Tubbs This is an updated arrangement from that which was originally posted in 2010. I edited Mendelssohn's original piece to be shorter and more accessible to my small, limited-skills choir. The key also has been lowered from the original Eb to D (use Score Exchange key option if the original key is preferred). This shorter version more easily fits into an Epiphany Offertory or Anthem time slot. The original is, of course, both perfect and preferable, but if you need a shorter, easier to learn version, here it is. Enjoy! HISTORY: "Christus" is the title given by the composer's brother Paul to fragments of an unfinished oratorio by Felix Mendelssohn, published posthumously as Op. 97. The work was suggested by Christian Karl Josias von Bunsen, who compiled the German libretto from biblical sources. Composition began in 1846 and continued through Mendelssohn's last year. The completed portions include this well-known chorus (originally SATB), "There Shall a Star from Jacob Shine Forth," in which Mendelssohn quoted Philipp Nicolai's chorale "Wie schön leuchtet der Morgenstern." The first performance took place in 1852.43A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":199,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"E87B4B62-160D-11E7-9A70-9022F1A35E9C","position-x-pc":"0"}`0±úU!0g#¸÷g#€GöúU!768#¸÷g#489065!511#¸÷g#°!2022-12-15 17:58:58!0000-00-00 00:00:00úU!÷g#¸÷g# pùûúUªBþúUDÓùúUPO&úUDðî8úUÐÎøúUDp`ÌúU°)úUD Q*úUºúUDØúU MúUDð:úUÐ ÂúUp ÝúUD úUp§[úUD oèúUðÆúUDpîúU 0úUà× úUDPŒ¹úU\úUDPZèúU±kúUDpJLúUÀ€ŠúU €¦aúU vªúUD`HOúUðHÍúUDÐu½úUà#úUK¤úUDÐh¤úU úUD jfúUaøúUÐHúUD 7úU0ÉûúUDP{úU°ƒÑúUD°e{úU5ŠúUDp¡úúU€—gúUDPÅóúU€eúUDà\‹úU`ˆÃúUD@`OúU ZúUDÐrúU` úUD ZšúUÀœŒúUDÀM°úUEÚúUDàùúUprÔúUDð^júUàXÌúUD`úóúU¿üúU2Ð núUDðì.úUÀšÜúUDàïúUpýwúUDªqúU`úUDÀr)úUÀoüúU¸íúUàªúUD`ª—úU`+xúUPwÇúUD`÷úUèø¸úUÿðR)úU€6ÚúUÿ0ÑúUP[üúUD0cþúU@|UúUÿpn”úU0:HúUD°ðfúU`¶úUDàƒÉúU@;úUDðáúUP ÂúUD@ó_úUø¹kúUUà78úUøpüúUúUD06úU°WûúUD0 ¾úU€É?úUÿP¦/úUÑQúUD05AúU ¼NúU #ÕúU˜6…úUÿ@˜úU€HýúUD îNúUPÚ%úUÐ|ÑúU˜vƒúUÿ /ßúU0ÓúúUÀž;úUDÀÙÿúU{ÆúUDÐ=ÕúUÐikúUD¬'úUOúUDÀzúU@@DúUD P#úUÀO8úUD°µKúUpúUDà\#úUØJ¡úUÿÀ8MúUÙúUDMOúU˜.úUÙúUUå!úU`­úUD0TšúUÐ#ôúUD`CNúU`¶túUD ` úUÀxúUDÀ}¯úUÐúUD°³2úU`é}úUD ›øúU°süúUp£MúUpzèúUÿ{@úU EúUÀ™LúUD`.(úUYúUDðEÖúU@ÎCúU°`ÉúUD@lÒúU@ª_úUDp&CúU€¡úUD@Š:úUÀÈþúUDðU#úUÀÙÉúUDÐ1HúU@µ>úUÿydúU·úUDÐ'îúUàyƒúUD^iúU`ñiúUDü,úU€‚³úUD®ùúUP—púUD¹óúU0ÞúUD°rÎúU @úUDÀróúU€Æ‡úUD $úUÀMúúUD€ŽøúUp¹úUD Ð]júUÀuüúU°KúUÖbúU   –úUБgúUDÀPñúUÐÃûúUD09øúU`ÑJúUÿ°˜úU@1]úUDpYjúUêÁúUúUDpPúUà×ØúUD€ ,úUàøIúU2¸äuúU @úU€”úUDúUÀìúUDðf{úUPHúUD°3'úU`íèúUD`ê_úU`Ú™úU pX-úU oúUD0¾úUÀ’úUDp$úU`±‰úUD°k¾úUÀI*úUDÖ%úU€úUD WmúUà’:úUD$(úUÀÚ™úU àæEúU€>þúUDðôúU0úUDÓiúUðßÉúUD o.úU ƒfúUDP™öúU3IúUD ž úUðì"úUD £RúU@ÐúUD€úUPŠMúUD0<€úUp;úUD` úUðGÙúUD лúUõöúUD°‘ñúUðÀ_úUD CúU þáúUDÀ7xúU@ÇýúUD€N°úUDÚúU`àkúUDð•ûúU°‘NúUDÀsFúU@úUD`ŸiúU€LoúUD ñúU°§HúUD /úUPL_úUDгÿúUðáVúUD°WAúUpŽúUDÀ“úU0VúUD aúUPÎøúUDÀèòúUÐX‡úU2 š0úUD0úUpzüúU@\gúUD`çAúUvUúUDÐ6[úU úUD0ê„úUðEJúUD@ê.úUÐoUúUD¬&úUPúUDP7õúUÐEúUDðÍúU`¸úUD@Ì÷úUpÓúúUD@kþúUpg}úUD )±úU€ÖúUD`T‹úU{üúU@²iúU ÞúUD°ÍúU öÒúUD0XšúUàùÇúUD °úU‘A transcription in a lower tessitura for C Trombone & Piano of J.S.Bach’s Badinerie. The badinerie (also spelled ’battinerie’; from French ’jesting’) is best known for its designation as the final movement of Johann Sebastian Bach’s Orchestral Suite No. 2 in B minor. The movement is light in mood, and is structured in a binary form; it is cast in a swift 2/4 metre beginning on the upbeat, much in the manner of a fast gavotte. Badineries also appear in French ouvertures by Christoph Graupner and Georg Philipp Telemann, also in fast tempos and in 2/4 or alla breve metre. The presence of an upbeat is not a consistent feature; examples by Telemann include the upbeat (including one example which is essentially a gavotte), while Graupner’s do not. While the designation ’badinerie’ is not common, its Italian counterpart ’scherzo’ appears more frequently.resScores!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2021-01-25 20:57:55aBadinerie from Suite No 2 for C Trombone Euphonium Baritone Piano lower versionExchang!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!2013-04-13 06:46:08!0g#¸÷g#!0g#¸÷g#1Badinerie from Suite No. 2 for C Trombone, Euphonium, Baritone & Piano (lower version)) J. S. Bach (1685-1750) arranged by Keith Terrett Music for all Occasions A transcription in a lower tessitura for C low brass & Piano of J. S. Bach’s Badinerie. The badinerie (also spelled ’battinerie’; from French ’jesting’) is best known for its designation as the final movement of Johann Sebastian Bach’s Orchestral Suite No. 2 in B minor. The movement is light in mood, and is structured in a binary form; it is cast in a swift 2/4 metre beginning on the upbeat, much in the manner of a fast gavotte. Badineries also appear in French ouvertures by Christoph Graupner and Georg Philipp Telemann, also in fast tempos and in 2/4 or alla breve metre. The presence of an upbeat is not a consistent feature; examples by Telemann include the upbeat (including one example which is essentially a gavotte), while Graupner’s do not. While the designation ’badinerie’ is not common, its Italian counterpart ’scherzo’ appears more frequently.rac{"width":243,"position-y-pc":"23","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":35,"width":67,"x":92,"center-y":68.5,"height":67,"center-x":125.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":36,"width":68,"x":91,"center-y":70,"height":68,"center-x":125}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":35,"width":70,"x":91,"center-y":70,"height":70,"center-x":126}]},"height":300,"position-x-combined":"52%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":125.5,"average-center-y":69.5,"id":"29A835A8-161F-11E7-B51D-9A717A12773A","position-x-pc":"52"}Selli!3g#¸÷g#!250#¸÷g#!308#¸÷g#à™YúU@ËsúU0OúUÀGSúUPØFúUXïRúU ÇÍúU@Q:úU 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Terrett°qSúUÈ÷g#0!1.50¸øg#Ø_^úU!2014-04-27 20:27:29úU!1g#¸÷g#éúU!1g#¸÷g#ÈìJúU!0g#¸÷g#ÀRúU!øg#øg#ðù.úU!434860¸÷g#°¹úU11g#Ø÷g#ÀqFúU0!0g#¸ýg#p“üúU!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#Copyright © 2008 MFAO Publishlers(keithterrett@gmail.com) www.musicforalloccasions.org.uk Edited April 2014Exc•üúU!÷g#¸÷g#!3g#¸ùg#Ø_^úU!5.00¸÷g#!2.50¸÷g#`;PúU!5.00¸÷g#!2.50¸÷g#ÀRúU!0g#¸÷g#X“CúU!÷g#¸÷g#°¹úU!0.00¸÷g#ÀçÁúU±["156088","71860","87847","76298","67623","57247","145251","30106","24046","109363","37370","29359","180636","145253","361967","154184","24049","80245","38614"]búúU!2020-09-24 18:13:19úU!1g#è÷g#À<+úU!2019-09-25 13:25:24An arrangement for Trombone Quartet with optional KB & Percussion parts of Handel's March of ’Judas Maccabaeus’ .!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2014-04-27 21:39:46aMarch from Judas Maccabaeus for Trombone Quartet optional KB PercussionüúU™üúU!0g#¸÷g#!0g#¸÷g#!3g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!March from ’Judas Maccabaeus’ for Trombone Quartet & optional KB & Percussion G.F.Handel Arranged by Keith Terrett Keith Terrett Music for all Occasions An arrangement for Trombone Quartet with optional KB & Percussion parts of Handel's March of ’Judas Maccabaeus’ úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 16:21:15A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":197,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"B48DB35E-1625-11E7-93BB-A7E0A7522B70","position-x-pc":"0"}!0g#¸÷g#!170#¸÷g#!112#¸÷g#18CCBA08E-DF8F-11E9-BB4F-78!7400¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x501¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-14 06:48:04!2023-04-14 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Yet, its composer remains a mystery, at least in some measure. Research indicates the song was written by slaves in the 19th Century who worked in the fields. Other people believe it was perhaps a derivative of a native American tribal song that was adapted with Christian lyrics. It was reportedly published in Southern Harmony, a 19th Century hymnal, prior to many African-American spiritual songs being gathered and published during the Civil War and the post-Civil War Reconstruction period. And, what if someone told you it was written by George H. Allan in Nashville, Tennessee during slavery in the South, and was published in a slave songbook in 1867? Its appearance in “Slave Songs of the United States†in 1867, with words uniquely colloquial to black slave spiritual songs of that period, seems to point us in that direction to this song’s genealogy. The song had a different name, too, than the one by which we commonly know it today. The song as originally composed was known as “The Good Old Wayâ€, and is attributed to a G.H. (George H.) Allan in the contents section of the slave song book of 1867. The song may also be known as “Come, Let Us All Go Downâ€, but has also been known as “Down to the River to Prayâ€, and alternately as “Down in the River to Prayâ€. However, as originally constructed by Mr. Allan (or perhaps some other contemporary, most likely a slave), the song entreats worshippers to go to a valley, not a river… As I went down in de valley to pray, Studying about dat good old way, When you shall wear de starry crown, Good Lord, show me de way. O mourner, let’s go down, let’s do down, let’s go down, O mourner, let’s go down, Down in de valley to pray. What valley? If George Allan was a slave, or at least was a song collector in Nashville, one would suspect the valley is somewhere in Tennessee –lotsa valleys are there. As shown in the songbook, “The Good Old Way†was # 104, and was among a collection of spirituals in Part III of that book, in which the songs’ origins are the inland slave states of Tennessee, Arkansas, and the Mississippi River. So, perhaps slaves from Arkansas or the Mississippi Valley could have been the original composers, instead. There’s lots more that’s intriguing about this song, and many questions linger. For those who changed the word ‘valley’ to ‘river’, what was significant about going to a river? And, for those who wanna go into the river to pray (and not just to the river), is that an implied message about baptism? Whatever the message, the composer was thinking of family, as mothers, fathers, sisters, and brothers are addressed; I can imagine a slave family clinging to one another in this song’s embrace. And, we’re all sinners, the song’s conclusion reminds us. Isn’t it interesting that a song from some slaves still resonates in our culture 150 years later? áyúU!1g#8øg#211183!0g#¸÷g#p!George H. 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Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have composed these duets so that they can be played by players of all standards. Each part gets the tune! Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests. This is a very flexible arrangement for brass duo. The pieces can be played as a large group band piece (like in the audio and score) or as any combination of duet. For example Trumpet 1 and Bass Trombone 2, or Euphonium 1 and Horn 2, or Cornet 1 and Trumpet 2 would also work well. I have added an optional piano part. Check out the related scores for some more brass duets.ØúU !4.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#ACopyright © October 2011 (Burndrett Music)úU !÷g#¸÷g#!ùg#¸ùg#@#úU!541006¸÷g#!0g#¸÷g#غúúU!0g#¸÷g#!9.95¸÷g#hàaúU!9.95¸÷g#XlÝúU!19.00¸÷g#¨©úU!0g#¸÷g#8=ÌúU!÷g#¸÷g#Ð$ÎúU!0.00¸÷g# ¨úUÑ["205514","201532","205513","201535","142424","142818","142846","205511","142421","205518","142849","201533","366607","205512","72489","142808","153418","118204","170937","366555"]UxƒûúUÐ18 Easy Christmas Duets for Mixed Brass!0g#¸÷g# ÅiúU!0g#¸÷g#211192!20g#¸÷g# !0000-00-00 00:00:00!0g#¸÷g#@quúU!0g#¸÷g# hØúU!2020-08-28 05:42:2403!1g#¸÷g# !0000-00-00 00:00:00!÷g#¸÷g#@quúU!0g#¸÷g#ðŽÿúU!0g#¸÷g#211190!0g#¸÷g#À!0g#¸÷g#!1g#¸÷g#P–½úU!650x919¸÷g# ÷úU!0g#¸÷g#448572!0g#¸÷g# !5.00¸÷g#!2023-04-18 16:52:56úU!2023-04-18 16:55:29úU!10781036÷g#448571!15953885÷g#ð!0000-00-00 00:00:00!2023-11-05 22:22:30á Pf†úUð­HúUЛžúUðq!úUÀ{¼úUàÜ>úU ëYúU`vúU¬° !( (Ðh•úUPý‚úUÀNUúU0|WúUPKÚúUÐ]>úU38ý›úUdhp± úU ð[8úU°»œúUÀè]úU €‰°úUfhGúU 38!0g#phøúU!1g#¸÷g#!650x918¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-03-19 04:28:50!2023-03-19 04:29:11!1479409¸÷g#!2078853¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QxFúUA8 Easy Christmas Duets for Viola And CelloúUOóúU!0g#¸÷g#¨ÊöúU!2g#¸÷g#èœðúU!2g#¸÷g# RúU!2013-07-30 19:07:43úU!2023-11-05 17:29:04úU!0g#8øg#À‰úU!0g#¸÷g#8±júU!5g#¸÷g#ЩõúU1Copyright © October 20110!sib#¸÷g#ÀˆúU!496#¸÷g#HÂúU!0g#¸÷g#8uúUA8 christmas duets for viola and cello.sibûúU ÐúU!2013-07-30 19:07:43úU!56g#¸÷g#¨LþúU!4758¸÷g#°¾ùúU!40g#¸÷g#`üúU!1.50¸øg#è‚úU!2013-07-30 19:08:55úU!0g#¸÷g#àÂZúU!1g#¸÷g#èúU!0g#¸÷g#0^öúU!÷g#¸÷g# júU!0g#¸÷g#ЩõúU10g#Ø÷g#0 œúU01Arranged By David BurndrettúU˜ù"úU1David Burndrett˜ù"úU0!0g#¸øg#fúúU!0g#¸÷g#¨æøúU!1g#¸÷g#°]µúU!0g#¸÷g#ðVmúU!÷g#¸÷g#ûúU!0.0000¸÷g#LúU!2012-04-17 10:29:35úU12017-06-09 17:10:17úU0áEight Easy Christmas Duets! Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have composed these duets so that they can be played by players of all standards. Each part gets the tune! Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests.úU!4.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#1Copyright © October 2011p!÷g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#!20375¸÷g#ˆQhúU!0g#¸÷g#!0g#¸÷g#ûúU!0.00¸÷g#КúU!4.95¸÷g#àâúU!0.00¸÷g#¸ñ]úU!0g#¸÷g#˜·ÂúU!÷g#¸÷g#¨æøúU!0.00¸÷g#°]µúU!65 Chevington Green!142481¸÷g#@!2017-06-09 17:10:17úU10000-00-00 00:00:00 ÆúU0!49g#È÷g# A8 Easy Christmas Duets For Trumpet And TromboneÐH›úU!0g#¸÷g#!0g#¸÷g#!8g#¸÷g#!2013-04-15 11:33:56!0g#¸÷g#!0g#¸÷g#A8 Easy Christmas Duets For Trumpet And Trombone Arranged By David Burndrett David Burndrett Eight Easy Christmas Duets! Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have composed these duets so that they can be played by players of all standards. Each part gets the tune! Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests.!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#211427!0g#¸÷g# Á["205514","201532","205513","201535","142818","142424","142421","142849","142846","205511","205518","201533","205512","366607","72489","142819","142808","153418","170937","143126"]!2020-09-12 18:22:43úU!0g#¸÷g#À-úU!0000-00-00 00:00:0065!÷g#¸÷g#`!0g#¸÷g#!0g#¸÷g#0áÿúU!0g#¸÷g#ŸóúU!0g#¸÷g#211418!1g#¸÷g# !650x919¸÷g#!0g#¸÷g#P–½úU!0g#¸÷g#R¼úU!5.00¸÷g#442446!2023-04-24 12:05:21!2023-04-24 12:05:25!253468¸÷g#ÐYúU!193850¸÷g#ÀfúU!0000-00-00 00:00:0039!0000-00-00 00:00:00úUQØ[öúU1pÂ[úU¨iýúU•¡Cå142481x%úU¸SúUèÎ.úU˜‹ýúUXÂúU`a úU°íúU8ÓÝúUFóúUÈÓGúU'ñúUÀtúUÈ®ËúU(²íúUpë`úU¨ºÁúUØÆ»úU(@ËúUXQMúUعÁúUÐPNúU ÃhúUhŸúUÐBÆúUXVYúUØùDúUpR±úUX¸ÀúUH&úUж¾úUØfvúUÈÓGúUpüúU`ÿ°úU¸ÈÁúUðHÞúUHHéúUÈ[™úUèyúUàüúU8ÓÝúUpÊOúUÈÞ)úUhé[úU¸V]úU˜L0úU€ÖúU¸šúUàúU@ÌúUȆ‹úU ,úUÈÞ)úUàeWúUˆÀÁúU„úU˜öúU0øƒúUx»ÁúUh²(úUx>ÓúUxY'úUàjöúUȵÁúU5™úUÈ 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NAME€°ÔúU1~øòGúUðuLúUAellenmacphersonmusic@gmail.comDuet class='@!5.95Pû"úU!0g#¸÷g#@1#úU!0g#¸÷g#pIúU!0g#¸÷g#6896!÷g#¸÷g#p!÷g#¸÷g#!0g#¸÷g#` îúU!Version 1g#°IúUACopyright © 2000 BJE Music email: belliget@hotmail.com1÷g#Ø÷g#™ò3k0!0g#°š„úU !0g#¸÷g#0“úU!0g#¸÷g#àLUX#!0g#¸÷g#€!1g#¸÷g#!650x916¸÷g# !0g#¸÷g#Y„úU!0g#¸÷g#!5.00¸÷g#pX„úU!2023-04-18 06:02:42úU!2023-04-18 06:02:47úU!247908¸÷g# !2013-12-12 16:35:46!2018-10-03 16:04:46 WHE1Matthew MacGregor after John E. 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music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That's why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 9th September, 2014 Enjoy!|ÿúU!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#!740501¸÷g#àVZúU!0g#¸÷g#!0g#¸÷g#øŠúU!0.00¸÷g#0ÁúU!5.00¸÷g#˜KmúU!3.00¸÷g#àkÝúU!0g#¸÷g#˜7ÄúU!÷g#¸÷g#È}ÚúU!0.00¸÷g#°ÀÀúU!sib#°­$úU !160186¸÷g#QCopyright © 2014 by Edwin Sung http://www.edwinsung.com°cúU!42g#È÷g# AThe First Noel for violin duet suitable for grades 15pl!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#¡The First Noel (for violin duet, suitable for grades 1-5) Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That's why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 9th September, 2014 Enjoy!úU ÿúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#€ÅhúUè£ÓúU|iúUi±úUˆX¿úUeúUXfÑúU0MmúUx8âúU¸jXúUÆÃúUµ©úU»júU`ŠÁúUxDÓúUøNmúU )ÒúUð,eúU˜HúUÆÍúUè!úU°ÔkúU tgúU4ÛúUØjÉúU¸‰ÒúUÈïËúU0gúUXžlúU° kúUH¹júU4ÞúU0ù€úUh"áúUØ=ŽúU êÎúU‚úUh´ÅúUè`húUPÅhúUÀÞfúUÀe¿úUàVZúUÀ>âúUXÌÑúU8ÀúUHaÆúUøŠúUÀ_ÀúUðqÍúUHÄhúUÉúU˜KmúUðmÆúUhkúUàkÝúU¨»"úU°ÆúU˜7ÄúUxê[úUp/ÄúUÀóÁúUÈ}ÚúU€?úU°ÀÀúUP±júUX‰ÞúUÐ}ÞúUðßÚúUØÏúU€KgúUÐÉÊúU¸2fúUêlúUÈÓáúUpÃÆúUÀ úU ͹úUPriceSetÁ["173800","162469","164857","162261","160178","406218","124044","164685","166176","162248","164784","170822","162212","164769","160519","160489","162276","162112","162208","160186"]ö!2020-09-28 09:38:08!1g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-11 13:17:50!2023-04-11 13:18:05!468321¸÷g#!759955¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q0ÙkúUASilent Night (for violin duet, suitable for grades 1-5)!372#¸÷g#°Y²úU!2g#¸÷g#fit?!2g#¸÷g#BúU!2014-09-12 07:57:26úU!2017-11-22 16:44:23úU!Traditional#èìlúU!Katrina Sung¨©húU!0g#¸÷g#(ÆÑúU12014Ø÷g#0!sib#¸÷g#À¥±úU!81g#¸÷g#° ŽúU!0g#¸÷g#°©±úU!ViolinDuet.sibMúU!2014-09-12 07:57:26úU!1g#¸÷g#y}úU!1015¸÷g#˜eÑúU!1g#¸÷g#ðsúU!1.50¸øg# ÙúU!2014-09-12 07:57:31úU!1g#¸÷g#0ÍÑúU!0g#¸÷g#¹ÂúU!0g#¸÷g#ðAjúU!÷g#¸÷g#ÞÒúU!0g#¸÷g#(ÆÑúU10g#Ø÷g#(žlúU0!ûg#¨ûg#0(ÿúU!÷g#¸÷g#MúU!÷g#¸÷g# ZªúU!ùg#¸ùg#ˆ’ÇúU!0g#¸÷g#!0g#¸÷g#h½_úU!0g#¸÷g#!000¸÷g#À/aúU!0.00¸÷g#`æûúU!0.00¸÷g#­~úUA/usr/www/resources/ADAP3/GenericObject2.pmg#@!÷g#ÀÍ&úU¸òÑúU!÷g#¸÷g# !H4úUÈqcúU!0g#¸÷g#!÷g#¸÷g#0ÁàúU!0.00¸÷g#1÷g#Ø÷g#x°gúU¶ÙúU0!0g#8ùg#¸Á®úU!0g#¸÷g#pé®úU!0.0000¸÷g#¯úU!0000-00-00 00:00:00úU!÷g#¸÷g#ÓúU!0g#¸÷g# §úU!0g#¸÷g#€ÑúU!0g#¸÷g#Š3úU!0000-00-00 00:00:00#!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU1÷g#Ø÷g#˜ù"úU0!2g#Xüg#0,ÿúUáThis duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 7th September, 2014 Enjoy!IsFree?!2.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#eExchang!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#à0eúU!981227¸÷g#!0g#¸÷g#ðAjúU!0g#¸÷g# QÐúU!0.00¸÷g#(ÆÑúU!5.00¸÷g#pÝiúU!3.00¸÷g#ˆÑúU!0g#¸÷g#¨©húU!÷g#¸÷g#0ÍÑúU!0.00¸÷g#ÈKjúU!170822øg#ores WHE!Traditional# ­ØúU!Katrina Sung 1X1ÿúU ¤ q170822!1g#hùg#1ÿúU!0g#¸÷g#â1ÿúU!÷g#¸÷g#2ÿúU!0.0000¸÷g#eScores!2014-09-12 08:01:03ZipASilent Night for violin duet suitable for grades 15úU!0g#¸÷g# 2ÿúU!0g#¸÷g#defScor!3g#¸÷g#ZipConve!0000-00-00 00:00:00inis!0g#¸÷g#Øk$úU!0g#è÷g#ðÓôúU!0g#È÷g# Qá  pæúU ÀýwúU ðÆ@úU /0NP Þ]úU°û‚úUÐOJúU }"úU±¸ òUúU  œ@úU ( дÏúU$(ÜCúU!( p~›úU àºúUp'múUÚ8úUÀ ½úU³ úU€úyúU °†±úUÀ;¢úU«°ÐHŸúU €ZBúUp#úU!181075¨ûg#PAÿúU!1g#ø÷g# mXúU1÷g#Ø÷g#¨äÇúU0AWE HAVE SUNG OUR SONGS OF VICTORY (How long?)€ÑúU!41g#¸÷g#Š3úU!351#¸÷g#0EÿúU!3g#¸÷g# §úU!1g#¸÷g#€ÑúU!2016-01-12 15:38:21úU!2017-12-22 22:11:48úU!Stuart TownendPXƒúU!÷g#¸÷g#¨OhúU!1997¸÷g# mXúU10g#Ø÷g#0!sib#¸÷g#xo¾úU!9394¸÷g#ëúU!0g#¸÷g#ÀÿƒúUAWe have sung our songs (How long_) - melody line.sibU!2016-01-12 15:38:21úU!16g#¸÷g#  ÇúU!1800¸÷g#0õkúU!13g#¸÷g#À§xúU!4g#ˆøg#X6húU!÷g#¸÷g#xïZúU!1.50¸÷g#0‘súU!1g#¸÷g#h„kúU!0g#¸÷g#ð…ÊúU!0g#è÷g#!Stuart Townend Q1. Good Shepherd of my soul, come dwell within me; take all I am and mould Your likeness in me. Before the cross of Christ, this is my sacrifice: a life laid down and ready to follow. when my days are gone, my strength is failing, He'll carry me along through death's unveiling. Earth's struggles overcome, heav'n's journey just begun to search Christ's depths and ever to follow, to search Christ's depths and ever to follow. 2. The troubled find their peace in true surrender; the pris'ners their release from chains of anger. In springs of living grace I find a resting place to rise refreshed and ready to follow. 3. I'll walk this narrow road with Christ before me, where thorns and thistles grow and cords ensnare me. Though doubted and denied, He never leaves my side, but lifts my head and calls me to follow. 4. AndpQFionan de Barra, Keith Getty, Kristyn Getty & Stuart TownendUÀ!0g#¸÷g#!÷g#¸÷g#©úúU‘Copyright © 2014 Getty Music Publishing & Townend Songs adm by Song Solutions www.songsolutions.org www.stuarttownend.co.uk209208!÷g#¸÷g#P!1.50˜øg#!2014-10-06 12:43:47úU!1g#¸÷g#P½úU!1g#¸÷g#455700!0g#¸÷g#p!÷g#¸÷g#10g#Ø÷g#€÷öúU€ÔiúU0 ‹?úUø´“úUg9úU¸¬ÜúUx]µúU(_ôúUèæÇúU¨ºÁúU¸uúU¨eúUð”4úUh·ÁúUH|múU vMúUÈÓGúUˆ°"úUýÁúUX¼ùúUxoòúU°KúU˜¶ÁúUhúUýÁúUx—ðúUXY]úUàêúUxuúU¸šúUMúUØÛ.úU„ÅúUÈ ÂúU€+ÔúUعÁúUXwwúU¨eúU8 ïúUpR°úU˜EaúU˜8úU(¹ÁúU$ÊúUêÁúU°ÀfúU¨GáúUØ#RúUØ›yúU¨ºÁúU¨\LúUÌXúU(ÐúU8~;úUx~‹úUHìúúU¾öúUÂ]úUøËóúUعÁúUzíúUøÛ)úU0#úUX™9úUh%úUpQMúUÀ‚úUˆ¹TúU8ÊúUx¸ÁúU6ZúUÈÇèúUúSúUhjúUxFaúU¸öúUHk&úUØ·~úU ,kúU€túUøŠSúU˜›úU˜qÖúUØéGúU á[úUø¸ÝúUp°úUxb³úU¨°™úUà!ÅúUÇÁúUH)úUø¸ÝúUp‹kúUÀkúUX„gúU°mñúUH§¸úUˆ…úU`?wúUH0ªúU˜K±úUÇÁúUX%ýúUg¸úUØòƒúUø¡ùúUx]µúUhRaúU¨ÌdúUÈ»"úU -kúU˜|úUxFaúUîýúUÃÁúUÍóúUxoòúUXäðúUЦ¿úUXÂEúU(ÎÁúUHŽÑúU˜[ôúUƒ>úUX+xúUÐäúUÈ ÂúU(ìôúUx—¼úU ìñúUÈk¸úU1XúUÐoúUXùúUØqOúUh·ÁúU¸™múUèÐIúU˜ 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From the breaking of the dawn to the setting of the sun I will stand on ev'ry promise of Your word. Words of power, strong to save, that will never pass away; I will stand on ev'ry promise of Your word. For Your covenant is sure, and on this I am secure: I can stand on ev'ry promise of Your word. When I 4. Hope that Grace sufficient, grace for me, grace for all who will believe; we will stand on ev'ry promise of Your word. Grace sufficient, grace for me, grace for all who will believe; we will stand on ev'ry promise of Your word. 2. (When I) stumble and I sin, condemnation pressing in, I will stand on ev'ry promise of Your word. You are faithful to forgive, that in freedom I might live, so I stand on ev'ry promise of Your word. Guilt to innocence restored You remember sins no more! so I'll stand on ev'ry promise of Your word. When I'm 3. (When I'm) faced with anguished choice, I will listen for Your voice, and I'll stand on ev'ry promise of Your word. Through this dark and troubled land You will guide me with your hand, as I stand on ev'ry promise of Your word. And You've promised to complete ev'ry work begun in me, so I'll stand on ev'ry promise of Your word. 4. (Hope that) lifts me from despair, love that casts out ev'ry fear as I stand on ev'ry promise of Your word. Not forsaken, not alone, for the Comforter has come, and I stand on ev'ry promise of Your word. Grace sufficient, grace for me, grace for all who will believe; we will stand on ev'ry promise of Your word.208739ÑCopyright © 2006 Thankyou Music (Adm. by CapitolCMGPublishing.com excl. UK & Europe, adm. by Integrity Music, part of the David C Cook family, songs@integritymusic.com) www.stuarttownend.co.ukúU!÷g#¸÷g#468419!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#¸ úU!501617¸÷g#!0g#¸÷g# ŽÒúU!0g#¸÷g#Ð9ùúU!0.00¸÷g#°åúU!1.50¸÷g# úU!0.00¸÷g#øúU!0g#¸÷g#ØƹúU!÷g#¸÷g#°ÍúU!0.00¸÷g#8§úU!11590178øg#!0000-00-00 00:00:00úU!0000-00-00 00:00:001àeËúUØúUH†181075!34.4000ùg#468381!2016-01-06 14:23:27AFROM THE BREAKING OF THE DAWN Every promise°"ÙúU!0g#¸÷g#@†úU!0g#¸÷g#468380!2g#¸÷g# !0000-00-00 00:00:00!0g#¸÷g#ðyfúU!0g#è÷g#ÐbúU!0g#È÷g# €ÈÿúUªpCþúUDÐÌNúU …lúUDàâ+úU áúUD°ƒ~úU $KúU°úUD°ƒúUPÖùúUDðj¾úU€N8úUD™WúUpŠmúUDpfÌúU•úUvàJ úU`üiúUD liúUP¨úU`”úUDPuóúU0ÀúUDÀúU`â÷úUDБúUÀˆŽúUD0•úúU ¿rúUD_KúU%êúU  «úU0DúUDpDýúUúUÀ­þúU0lúUDkoúUÐÀþúUDPÑúUºˆúUDЈKúU€iúUD púUh6œúUÿÐVúU ¡€úUDЕNúU ÂúUD¼ôúUPXÉúUD @úU`á˜úUD ù˜úU’úUD`½úU`kúUD°ašúUêÁúUüÐúUD`qúúU0»ˆúUD€öúUÀ2iúU2`<ËúUD ¿%úUàÜhúU2˜øúUU°C„úU`¯úU €À¯úU@òhúUD@ŠðúU =‚úUDNúUÐòÓúUD`ù$úU®çúUD@V@úU°zeúUD`×ûúU AÛúUD ˜úúU0ŇúUDð™óúUðãuúU @\1úU¨!úUØêúU@’úUDÀoßúUð¿ìúUDp1IúUнÿúUDiüúU˜¸ùúUÿ†úUpáÀúUDÀoþúU rúUÐ5úUDp”™úU@ÆþúUDÀ¥÷úUÀúUD0YSúUP°úUD A#úUÐÿlúUDàkÌúU@œÁúUD@~úU gÈúUD€sÌúU ÜúUD€øÌúU@”dúUDà=NúUàqúUD€ùÌúU…yúUDà©…úU0ÓFúUD —úU°jVúUD}NúUp˜ÁúUaWúUDoúU ‹³úUD°×òúU £núUDÀ—úUpýúUD “kúUÀ^ÉúUD°jÒúUà}TúUD°lúU@jÔúU -úUDÀ~úU@Ñ úUÿ7EúU°úUD ^ÖúU$úUø‡kúU ÓYúUDP yúUð¢¤úUDÐ_ÖúU€žžúUD Z úUðb}úUD`‚~úUhcúUÿêXúUækúUD@¾úUpzúUD >úUÍlúUDÅ4úUh%úU€3úUDà¥óúUȾ±úUÿýoúUPÑfúUDðÿDúU óYúUD`]úUp¯:úUDÀffúU@€júUD°ÍúU€œúUD 1íúU OœúUD0•ûúUàOœúUDpÉóúU ÚúUDÀ’{úU0ÅúUDpiþúUÀìnúUÿ× úU áúUD ¸$úU°â~úUD0zúúUP 1úUDhÅúU0eúUD@xúUðúUDPoÒúU`G‡úUDßbúU@a úUDÀÉúUðßúUDÐ-NúUƒTúUD¾eúUpÂýúUDàdÿúUÐÍ(úUD€kaúU`HúUD0ËúUP²úUD€ÁiúUšÁúUDWšúU€Ã[úUD°pëúUPtÒúUDÐíZúUðúUD÷øúUP‹kúUD°r¯úU`N&úUD 7VúUðÓúUDÐ>ÖúU0 úUDÀúU°ªIúUDPúUð úUDPi úUÅÁúU@½úUpØúUU¡uúU€ßŸúUÿ€•úU()úUÐyòúUp€múUDv½úU&FúUD€@0úUËœúUD@“úúU@Þ™úU  pàEúUà£úUD ¸IúUP„úUD}ôúU°úUp1-úUDz(úU`]úUD š2úU!ûg#¨ûg#@-úU!2.50¸÷g#  ÇúU!0g#¸÷g#0õkúU!0g#¸÷g#À§xúU!0g#¸÷g#X6húU±â€™O Holy Night’ music, lyrics and arrangement by John E. West in public domain. This arrangement © Copyright 2013 Matthew MacGregor, all rights reserved.(&úU!÷g#¸÷g#OóúUÁ["131354","188132","161690","128890","196754","96029","139312","97625","102660","132699","361660","163194","187194","90537","186827","128045","142883","399706","187204","118333"]úU!2020-09-04 07:37:44úU!1g#¸÷g#ÆúU!0000-00-00 00:00:00úU!÷g#¸÷g#(åtúU!0g#¸÷g#PúU!0g#¸÷g#اÉúU!0g#¸÷g#!0g#¸÷g#Å÷úU!1g#¸÷g#1650x918Ø÷g#¸yúU`PmúU0!2013-12-12 16:35:51úU!0g#¸÷g#˜ù"úU!0g#è÷g#˜ù"úU!0g#¸÷g# á1. O Church of Christ, invincible, the people of the Lord, empowered by the Spirit's breath and nourished by His word. His covenant of grace will be our portion evermore, for He who called us will not change, our help and our reward. O O Church of Christ in sorrow now, where evil lies in wait; when trials and persecutions come, this light will never fade. For though the hordes of hell may rage, their pow'r will not endure; our times are in the Father's hand, our anchor is secure. O 2. (O) chosen people called by grace, the sons of Abraham, who walk by faith and things unseen, and on His promise stand, that ev'ry nation of the earth will hear about this love that causes broken hearts to heal and pays our debts with blood. 3. (O) Church of Christ, upon that day when all are gathered in, when ev'ry tear is wiped away with ev'ry trace of sin; where justice, truth and beauty shine, and death is passed away, where God and man will dwell as one for all eternity. öËúU1Matt Boswell & Stuart Townend!0g#¸÷g#!÷g#¸÷g#ÐP‹úUÁCopyright © 2014 Modern Hymnal Digital/Modern Hymnal Publishing & Townend Songs/Adm. by Song Solutions CopyCare info@songsolutions.org. 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(rather limited) repertoire for solo viola and piano - made by an experienced player of both instruments. To see/hear more of my arrangements/transcriptions and original compositions why not visit: www.scoreexchange.com/profiles/dwheatley!3.50¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!David C Wheatley 2024!÷g#¸÷g#!ùg#¸ùg#Ð_÷úU!861028¸÷g#!0g#¸÷g#ШmúU!0g#¸÷g#!4.50¸÷g#¸UÜúU!1.50¸÷g#ÈÊoúU!4.50¸÷g#x~úU!1.50¸÷g#pê$úU!1g#¸÷g#ÈlOúU!1g#¸÷g#Èñ.úU!1g#¸÷g#¸3†úU!1g#¸÷g#HÐKúU!1g#¸÷g#!0g#¸÷g#`&oúU!÷g#¸÷g#10.00Ø÷g#0ÑúU°[EúU0aRubenstein Melody in F arranged for viola and piano by David C WheatleyIåúU !0g#¸÷g#!0g#¸÷g#!5g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#Rubenstein - Melody in F arranged for viola and piano by David C Wheatley Anton Rubenstein David Wheatley a useful addition to the (rather limited) repertoire for solo viola and piano - made by an experienced player of both instruments. To see/hear more of my arrangements/transcriptions and original compositions why not visit: www.scoreexchange.com/profiles/dwheatleyúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!1024¸÷g#!681#¸÷g#@èúUp°OúUØé§úUà—úUÐÆêúUf)úU“júU¨QEúUp/lúU&öúUh”lúU˜ßiúUÑ2úUw[úU¨Ù‚úUX%GúUèa^úUÀô@úU`_/úUXQzúUØÄXúUøÔ-úUˆÞ8úUpeúUCgúUàË¡úU€¼öúUHÐKúU³™úUy8úU¢gúUàiLúU°`,úUh.YúU8øúUH^TúU€´SúU9úUÐ_÷úU8¥ÈúU@:úU8meúUШmúU0élúU0¢%úUx‚úUØWúU¸UÜúUÈk;úU@µFúU0[úU@¸wúUx~úUò`úUÇÑúUpê$úU³SúU É2úUÈlOúUÀbÙúU˜±ŽúU™MúUÈñ.úUx¾¸úU¸3†úU¨ƒ8úUPÉ2úUPÅTúUðRúU0ãlúU0)iúUðçUúUØèDúU ¢éúU]húUÕ@úU0ÑúU ÈÝúU€!ýg#¨ýg#  úU!0000-00-00 00:00:00!1g#¸÷g#!2024-04-06 14:52:551F7FF2EBA-F41C-11EE-8AB3-B39C539980F0U!209212¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!1363035¸÷g#!0000-00-00 00:00:00!2024-04-06 15:39:48Q0k…úU!1g#¨ùg#Hê‚úU!0g#¸÷g#VLúU!÷g#¸÷g#&XúU!1g#¸÷g#¿lúU13BEEFF34-886F-11E9-92BA-F3D41D17C629U!0g#¸÷g#PÎRúU!0g#¸÷g#¨È úU!0000-00-00 00:00:00úU!0g#¸÷g#X»•úU!2022-02-15 08:03:36úU!2022-02-15 11:15:07úU!0g#¸÷g#6*úU!1g#¸÷g# O…úU!0g#¸÷g#@—úU1÷g#Ø÷g#€Æ‹úUX-”úU0!David Wheatley¸÷g#Currently independent consultant for use of technology in music education. Education software designer. Personal interest in choral music, especially for youth. Composer for ITV cartoon //The Telebugs//, corporate video soundtracks, pop records, school ensembles, stage plays. UK Top 20 appearances in **The Piranhas**. Previously Music Project Officer with National Council for Educational Technology (NCET, subsequently BECTA). Ex-head of music (UK secondary schools) and guitar teacher. Author of commercially published education resources and UK govt. music teacher guidance materials. 1st class hons degree in music. !279#¸÷g#0;"úU!0g#¸÷g# !1g#¸÷g# !0g#¸÷g#pZ-úU!0g#øg#!1g#¸÷g#11g#Ø÷g#div>0!1g#àð+úUcoreIncl!÷g#ø÷g#@10000-00-00 00:00:00dd0!USQLrencyID18g# uäúUtryCode0!1.99@EúUøúU!0000-00-00 00:00:00!0g#¸÷g#11g#Ø÷g#h=+úU0ADorcham Blue bossa for trumpet BbúU¸÷g#@!0g#ãLúU !0g#0"…úU!0g#¸÷g#Ø15.00Ø÷g#g0QàJvúU!HASHtmlg!2017-06-14 18:59:38!1g#¨øg#¨•`úU!31g#¸÷g#8ófúU!0g#¸÷g# ëHúU!0.00¸÷g#€À&úU!0000-00-00 00:00:00úU!0g#¸÷g#p@VúU!0g#è÷g#h÷wúU!÷g#¸÷g# á  $(@ÒúUFH=@{€0¥DúU78P@úU .4úUpaWúU @ŠyúU`r°úU ÍÐð^_úU!( ¯úUcUúUPQúU 0£EúU ú½úU°\†úUÀyúU (°¸DúU¢vúU hp  pQDúUP³DúU@±úU  Ð/4úU .0!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-02-15 18:50:07!2023-02-15 18:50:08!109982¸÷g#!101332¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QuúU!2020-07-15 16:46:49úU10000-00-00 00:00:00X]ÔúU0ADescant to 'Diademata' (Crown him with many 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Saxophone Quartet, SATB or AAAT** is a collection of the best-known Christmas carols arranged primarily for Soprano, Alto, Tenor, and Baritone Saxophones. There are alternative/additionals part 1 and 3 for Alto, and part 4 for Tenor, so these carols can also be performed by an AAAT or AATB ensemble. **20 Favourite Carols for Saxophone Quartet, SATB or AAAT ** is fully compatible with the other Brass, Woodwind and String volumes in the series. • There are also solo and duet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. • This makes them ideal for building a full and flexible band or ensemble for school, community or church. • The keys chosen are the standard singing keys • These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period. The carols are in alphabetical order and are as follows • Away in a Manger • Deck the Halls • Ding Dong Merrily on High • The First Nowell • God Rest ye Merry Gentleman • Good Christian Men Rejoice • Good King Wenceslas • Hark, the Herald Angels Sing • The Holly and the Ivy • I Saw Three Ships • In the Bleak Midwinter • It Came upon a Midnight Clear • O Cone All Ye Faithful • O Come, O Come Emmanuel • O Little Town of Bethlehem • Once in Royal David’s City • Silent Night • We Three Kings • While Shepherds Watched • We Wish you a Merry Christmas  âúU!1.00¸ùg#á@úU!0g#¸÷g#!÷g#¸÷g#ØÈ)úU!0.00¸÷g#Á["70401","70412","457477","134435","517287","131890","139988","517343","207965","134154","199831","171103","202883","363228","157522","182588","160148","139989","161879"]úUr0úU!2020-09-13 02:34:34úU!0g#¸÷g#("MúU!2019-09-25 12:49:191823A4A4E-DF8A-11E9-8692-78úUÐÌTúU!1107461è÷g#p5ÏúU!0g#¸÷g# Q20 Favourite Christmas Carols for Saxophone Quartet SATB or AAAT–UúU!0g#¸÷g#!0g#¸÷g#!21g#¸÷g#!2013-04-22 13:34:27!0g#¸÷g#!0g#¸÷g#q 20 Favourite Christmas Carols for Saxophone Quartet, SATB or AAAT trad. none David McKeown **20 Favourite Carols for Saxophone Quartet, SATB or AAAT** is a collection of the best-known Christmas carols arranged primarily for Soprano, Alto, Tenor, and Baritone Saxophones. There are alternative/additionals part 1 and 3 for Alto, and part 4 for Tenor, so these carols can also be performed by an AAAT or AATB ensemble. **20 Favourite Carols for Saxophone Quartet, SATB or AAAT ** is fully compatible with the other Brass, Woodwind and String volumes in the series. • There are also solo and duet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. • This makes them ideal for building a full and flexible band or ensemble for school, community or church. • The keys chosen are the standard singing keys • These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period. The carols are in alphabetical order and are as follows • Away in a Manger • Deck the Halls • Ding Dong Merrily on High • The First Nowell • God Rest ye Merry Gentleman • Good Christian Men Rejoice • Good King Wenceslas • Hark, the Herald Angels Sing • The Holly and the Ivy • I Saw Three Ships • In the Bleak Midwinter • It Came upon a Midnight Clear • O Cone All Ye Faithful • O Come, O Come Emmanuel • O Little Town of Bethlehem • Once in Royal David’s City • Silent Night • We Three Kings • While Shepherds Watched • We Wish you a Merry Christmas U!40g#(ùg#àHúU!57g#¸÷g# ÂGúU!2017-03-31 12:14:1590!2017-09-08 13:59:38!0000-00-00 00:00:00!÷g#¸÷g#VÅúU!189487¸÷g# ÕuúU!0g#¸÷g#504088!3g#¸÷g#p!7.49¸÷g#!1.00è÷g#@w:úU!7.49¸÷g#  ~BúUˆûlúU0AYúUP¿úU¸šúUøPðúU˜HaúUÐwRúUèEVúUÈ}úUà8úUÈÓGúUÈVJúU¸&*úUûÀúUˆz¾úUNNúUˆ<ÂúUà¼ËúUhLVúU¤^úUðçôúUàÍýúUÈÓGúU(\ôúUìJúUèc!úUxrRúUH§¸úU RKúU@)RúUøåXúUØcoúU’úUhÂúU°—ûúUèÎ.úUpmnúUØDÂúUø(ÂúUp†ÏúUè$úU€]lúU(ä‹úU˜½õúUðiúUxûúUäúU˜d™úUèüûúUˆHVúU¨ÛúUèËtúUØ¢ úUHL]úU€š~úU¸ãOúU¨ð±úU¸ 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AABA form with 32 bars. A 2 bars Introduction and 2 bars Ending. 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Philip R Buttall!Philip R ButtallW2úU!0g#¸÷g#0mQúU12015Ø÷g#0!sib#¸÷g#!1190è÷g# 2iúU!0g#¸÷g# !0000-00-00úU1÷g#¬¯úUofittÀäBúU0ASix Christmas Carols violin/cello duets trad. Wendy Turner Silent Night, Joy to the World, Deck the Halls, God Rest Ye Merry Gentlemen, The First Nowell, Good King Wenceslas. All very easy to play. No need to buy parts. Both parts are on the score do each player can see what the other is playing.úU !0g#¸÷g#!0g#¸÷g#pÙTúU!0g#¸÷g#WúU!0g#¸÷g#287625!2023-09-15 13:14:52!÷g#¸÷g#!0g#¸÷g# FúU!0g#¸÷g#pÿ‡úU!0g#¸÷g#238737!2017-06-09 17:10:17!0000-00-00 00:00:00!0.00(øg#°ÁnúU!michaelfclarke˜<áúU!1g#è÷g#8ŠúU![]g#¸÷g# Q PúUPk`úU415444!PÔ9úU=úUP00;îúUxÐúU‰Œ/Ý465589ñ€èNúU ·FúU 00nûúUÈÐúU«h|222111!P”‰úU`nûúUp0 1œúUÑúU–—O§434800Q€ÈoúUðdwúU 0pùŠúUhÑúUç¦àå434798± çúUЇ.úU 0p2!úU¸ÑúU†ö±Í434797!0£zúU 2!úUp0PCúUÒúUiFðÊ222279Áp4aúU0p`úU 0Œ•úUXÒúUcnd481438!À¼úUÀŒ•úUp0@q`úU¨ÒúUlç=417537!@+œúU0úÿúU`0PúUøÒúU^»cE222271!°SHúU@PúU0€dhúUHÓúU<+W417527!pXÚúU múUp0 â®úU˜ÓúUº p471893Á Û+úU.ÒúU 0à"`úUèÓúULŒ‡222075!àÄ6úUpæúUp0P0ÒúU8ÔúUX?481420!P&yúUÐÙ]úU`0 £zúUˆÔúU…[ó471883Q€§úU|6úU 0À“>úUØÔúU/VÊ481414 E¯úUð–LúU 0Ã:úU(ÕúUù¶Ý222067!àHúUÀÃ:úUp0ðÖçúUxÕúUøG»#481411q ÂfúUp]dúU 0à]dúUÈÕúU=Í222066!àÄ6úU^dúU0@«*úUÖúUkÄR5448811q‚@úU ‰†úU 0þíúUhÖúUYÖ0b448796!àdúUð‰†úU°0 †úU¸ÖúU5¥t222071!pXÚúU`…ôúUà0€2)úU×úUo€Ñ;448765Ar úU`)úUÐöeúUX×úUþ×502563!pæhúU÷eúUp0`¯úU¨×úU½ÉíS222102!¸OúUánúUÀ0PÛúUø×úUô‹‡Þ502554‘@&ßúU®¯úU 0À¶:úUHØúU Á448746AÀVúUànÃúU 0 RúU˜ØúU ã222044!°ƒ¯úUà èúUp0Ðð±úUèØúUð)zO448740¡ XdúU œ·úU 0àDúU8ÙúUðl ‚448699!8úU>búUp0À3)úUˆÙúU~@gl448698ÁÀ„JúU€dúU 0€JíúUØÙúU5á÷222017!°ƒ¯úUÀ‘½úUp0 dúU(ÚúUìÁ•2448675!Š•úUÐdúU`0€nûúUxÚúUÎ,fé448659!ðÐúU`MzúU°0œ·úUÈÚúU,kö222013Á€€aúU7úU 0YúUÛúUßõí448652!À(îúU0YúUp0Ú:úUhÛúUo:½/489476!°SHúUÀÚ:úU€0P×6úU¸ÛúUH„ë489465a@ \úU@iÎúU 0°‘VúUÜúU[Eܱ489458q`×TúUÀ“ôúU 0P;úUXÜúUÿëŸ222012!pÖiúU€;úUÀ0ÐG'úU¨ÜúUJš448631q€!}úU°ÓaúU 0ðQ·úUøÜúUñТw489450!ÐShúU R·úU0 ˜IúUHÝúU5„ÔP P/usr/www/resources/ADAP3/GenericObject2.pm`múU"úUP!0g#`>úU 1 î…úUèÝúUEOqp!EIJIRO NAKAGAWA(Æ:úU!÷g#¸÷g#ÐßgúU!2008¸÷g#ØË úU10g#Ø÷g#0!sib#¸÷g#€øíúU!112247¸÷g#228916!0g#¸÷g#ðA(Processing score - uploaded via Sibelius)>@QˆÍúUp_vúU¸ûúU!645059ÐîúU10g#Ø÷g#0!0g#ЪÔúU !0g#¨ûg#àßúUA2022 Caccini - Ave Maria - SATB, Organ - Full Score.pdf!2022-07-06 02:35:46úU!238#¸÷g#xZ_úU!26157¸÷g#ÌúU!141#¸÷g#èãúU!1.50¸øg#h'þúU!0000-00-00 00:00:00úU!1g#¸÷g# …þúU!0g#¸÷g#ñúU!0g#¸÷g#8¹àúU!÷g#¸÷g#hßúU!0g#¸÷g#à³cúU10g#Ø÷g#8ÔÃúU0!4g#èùg#Øùg#¡Caccini’s ’Ave Maria’ has become enormously popular in recent years. This choral arrangement is ideal for use by church and community choirs!1.50¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#±1. Ave Maria, Ave Maria. Ave, Ave, Ave Maria. Ave, Ave, Ave Maria. Ave, Ave, Ave Maria. Ave Maria. Ave Maria. AAve. Ave, Ave, Ave Maria. 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Ode To Joy, Oh, When The Saints, Swing Low, Sweet Chariot, The Can Can, Jupiter Hymn, Comin’ Round The Mountain, Scarborough Fair, Autumn from the Four seasons. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part.!3.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#QCopyright © August 2013 (Burndrett Music) www.burndrettmusic.co.uk!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#€-þúU!316249¸÷g#!0g#¸÷g#hœúU!0g#¸÷g#øOúU!4.95¸÷g#ˆúúU!4.95¸÷g#h4ïúU!1.50¸÷g#g2úU!0g#¸÷g#„úU!÷g#¸÷g#8àaúU!0.00¸÷g#¸2ïúU18úU±Ó>Ü570302!0g#ŒúUrrencies!0g#è÷g#!1g#¸÷g# !0g#èýg# úU!0g#¸÷g#!9g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#Á8 Duets for Oboe And Clarinet L.Beethoven, G.Holst, J.Offenbach, A.Vivaldi, Traditional. David Burndrett Eight Easy Duets! Ode To Joy, Oh, When The Saints, Swing Low, Sweet Chariot, The Can Can, Jupiter Hymn, Comin’ Round The Mountain, Scarborough Fair, Autumn from the Four seasons. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! 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Come people of the risen King, who delight to bring Him praise, come, all and tune your heart to sing to the Morning Star of grace. From the shifting shadows of the earth we will lift our eyes to Him, where steady arms of mercy reach to gather children in. Rejoice, rejoice, let ev'ry tongue rejoice! One heart, one voice, O church of Christ, rejoice! 2. Come church of Christ, rejoice! 2. (2. Come) those whose joy is morning sun and those weeping through the night. Come, those who tell of battles won, and those struggling in the fight. For His perfect love will never change, and His mercies never cease, but follow us through all our days with the certain hope of peace. 3. Come, young and old from ev'ry land, men and women of the faith. Come, those with full or empty hands, find the riches of His grace. Over all the world His people sing, shore to shore we hear them call the truth that cries through ev'ry age; our God is all in all.1Keith & Kristyn Getty & Stuart Townend!0g#¸÷g#°:úúU!÷g#¸÷g#526381ÑCopyright © 2007 Thankyou Music (Adm. by CapitolCMGPublishing.com excl. 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He has worked as a sideman and leader throughout the U.S. and Japan. The Berklee School of Music was where Aaron decided to reach out even more and really learn from the best teachers available, Joe Viola for saxophone, Greg Hopkins, Phil Wilson and Andy Jaffe for arranging and composition. Evidently, he learned his lessons well because the people at Berklee to nominated him to the Dean's List in 1980. As a side note, after Berklee, he even found the time to study piano tuning at the San Francisco School of Piano Tuning and Repair while performing with his band, Eastbound, in the Bay Area of California. Now, as an accomplished musician, he composes both music and lyrics, owns and runs his own commercial studio, Sugartown Records, where he produces and records his own and other artists' albums. Aaron's 1998 release, "Eastbound," was nominated for the Jazz Category of the Hoku Hawaiian Music Awards. This CD continues to receive airplay on jazz radio programs throughout the nation and even across the Pacific in Japan. In fact, in 1996, one of the tunes on that CD, "Sugartown," was aired nationally on Late Night with David Letterman. Among the awards and accolades he has received are the Billboard Certificate of Achievement for Jazz Composition for his tune, "Gregoria " (1988), and the NAJE Award for Flute and Saxophone Performance (1986). Presently, Aaron serves as an active member National Recording Academy (NARAS). And for the past 30years, he has been a BMI writer and publisher. In 2001, Aaron Aranita and Eastbound released "One Day," a new CD of 14 of Aaron's original tunes performed by Aaron and some of Hawaii's finest musicians. 2005 marks the release of Aaron's third CD, 14 instrumental tunes, "Don't Stop the Feeling". 2007 " Cool Head Jazz with Trumpeter Valery Ponomarev, Ernie Provencher and Chuck James. Newer Cd recordings on Sugartown Records include 2013 Aaron Aranita Big Band, 2015 " Rough Jazz". 2017 Big Band CD 'Segunda Vista" with The Brent Fischer Orchestra. 2022 CD " Connection" with Aaron Aranita and Eastbound !0g#xüg#êúU!53g#¸÷g#!22g#¸÷g#!2023-11-18 00:34:06!{ "faces" : {} } !0g#¸÷g#˜ öúU8„úU‡úUù+úUà¢éúUðÂÍúU(ù úU(¾ÀúU&áúUPhêúU@* úU¨Ž6úU úUpHúUýúU8ÓúUAIúU &úU LéúUâúUؼ/úUÝHúUÀÁúUˆàÞúU÷úUе{úUÈÿéúU@núUJÐúUÊÝúUX#÷úU8ïúUX¤.úUˆëúUÐúUX“„úUÐÎdúU ‘zúU°ÿúUp@YúUhâfúU€átúUXžØúU0ÍÃúU0ÚúUÀÀ‰úU8§úUàßúUèªúUhPúUàúUˆoñúUÐ.júUHý„úU°åÁúUxˆ6úUÀhXúU±¿úUèýúUÛúUˆrñúU€h;úU`-ÄúUPnÃúUX5úU¸rñúUÀMØúU€ž¦úUp.aúU¸[ÙúUÐbúUScoresCo!2024-01-15 20:47:52ü!30g#¸÷g#eason3!0000-00-00 00:00:00úU!0g#¸÷g#7ðúU!0g#¸÷g#UsersPa!0g#¸÷g#urrencyI!0g#¸÷g#PðúU!0g#¸÷g#¢ðúU!÷g#¸÷g#ÔðúU!1g#¸÷g#eUsers12D538F3E-85AA-11EE-BA7F-B39C539980F0 !0g#¸÷g#ñúU!0g#¸÷g#RñúU!0000-00-00 00:00:00úU!0g#¸÷g#eUsers!2023-05-18 08:04:52Bala!2023-05-19 22:53:26úU!0g#¸÷g#à­øúU11g#Ø÷g# 00ñJye Bryant is a Sydney-based, Australian Musical Theatre Composer, Lyricist, Producer and Author with a passion for Theatre, Education and Social Justice. Using a combination of witty lyrics and hummable melodies, his work aims to inspire positive social change through a unique blend of entertainment and education. Jye Bryant’s compositions are performed regularly on cabaret circuits all over the world, where he has gained popularity as the composer of choice for many high profile international artists. In 2018, Jye released his book, Writing & Staging A New Musical - A Handbook, aimed at supporting writers and producers to get their work out into the theatre world. Although Jye Bryant trained as a Secondary School Music Teacher, he has spent most of his adult life as a Youth Worker and Adult Educator using his diverse skill set to better the lives of children and young people. Some of his work to date includes: The Things I Could Never Tell Steven (2015, 2017, 2018 & 2019), The Oldest Profession (2016), The Velveteen Rabbit (2013), In Bed With Jye (& Friends) (2012), Rainbow Tears (2007), Aladdin Goes To Africa (2007), Peter Pan (2006), Cinderella Meets Her Prince (2005), Sleeping Beautifully (2004) and many more. 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Teachers and students compose a variety of music through the year, including pieces for the the Springfield Jazz-Blues Festival. MEA Piano Studio has been around since 2006. First, as a provider of in-home piano lessons throughout Fairfax County. In-home piano lessons were discontinued several years later when a small Annandale location was secured. In 2008, MEA Piano Studio moved to it's current location in Alexandria, Virginia. The owner of MEA Piano Studio composes many, many songs for young piano students. == Links == [[ https://www.thumbtack.com/va/alexandria/piano-lessons/piano-teacher | MEA Piano Studio ]] - Thumbtack Profile [[ http://meapianostudio.weebly.com/ | About MEA Piano Studio ]] - About MEA Piano 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When Love came down to earth and made His home with men, the hopeless found a hope, the sinner found a friend. Not to the powerful but to the poor He came, and humble, hungry hearts were satisfied again. joy, what peace has come to us! What hope, what help, what love! When ev'ry unclean What What love! 2. (When ev'ry unclean) thought and ev'ry sinful deed was scourged upon His back and hammered through His feet. The Innocent is cursed, the guilty are released; the punishment of God on God has brought me peace. What Come, lay your heavy 3. (Come, lay your heavy) load down at the Master's feet; Your shame will be removed, Your joy will be complete. Come crucify Your pride, and enter as a child; for those who bow down low He'll lift up to His side.úU!Stuart TownendÐdÒúU!1g#¸÷g#ÍúU!÷g#¸÷g#210371ÁCopyright © 2001 Thankyou Music/Adm. by worshiptogether.com Songs excl. 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Nick Raspan Piano Studiossica Pilnäs, Ida Sand, Johan Norbergssword!ýý Hå'úU¸]2úUØ¥.úUÀkúUøûúUP„ûúU@ZÔúU oúU çDúU(¿EúUêúU¸QjúU˜2CúUHãoúUx*YúUÈÆÍúUˆ5ÞúUè¢úU`‰oúUH2âúUØ<úUhìGúU ‘fúUhªúUˆ!šúU ØkúU (úU0ÔIúUȦ%úUàF"úUãoúU˜ÈTúU@8úUÎ8úUÀíÄúU( 2úUh+ƒúU óEúUàx8úUwêúU0Ë2úU¨ÔLúU(y8úUƒiúU°×0úULúUàÜÞúUÈ5ùúU0 TúUjúU¸¶úUp!úUØhúUð¼4úU°yVúUØ‹ÎúU°TwúUà“9úU¸'6úUÈ$iúUhòÎúU@xúULúUøìDúUHÔ<úUèúU°vLúUPNVúU°kúU¸4úU`‘ƒúUƒ;úU™}úUØ‘ƒúUxbÙúUPéIúU°jkúUHéþúU0!h 9úUPsúU°.YúUÀn[úUhÏ2úUðçHúU¸¨dúUh§dúU á8úUxb#úU€ÑúUhä`úUènúUàÂEúUp6€úU°žËúUðfkúU qhttps://img.sheetmusic.direct/img/legacystructure/Global/placeholder.pngp //**For SCORE CATALOGUE please scroll to bottom of page**// **PHILIP R BUTTALL** was educated at Cambridge, Durham, and Exeter Universities. Winning the Raymond Ffenell Prize at the Royal College of Music, he graduated with Distinction, studying piano with Cyril Smith, recorder with Freda Dinn, and composition with Bryan Kelly. He retired from full-time teaching after more than twenty-five years in the secondary sector and has since worked as an examiner and consultant for one of the leading international examination boards. For many years he was the Classical Music Writer for //Plymouth Herald//, where he wrote a weekly Classical Music page and regular concert reviews, as well as a major contributor to [[http://www.artsculture.newsandmediarepublic.org/|//ArtsCulture//]] and [[http://www.seenandheard-international.com/ |//Seen and Heard International//]]. Philip still provides programme notes for a number of concert organisations, and was a respected CD-reviewer for [[http://www.musicweb-international.com/ |//Music Web International//]], also for a number of years. A highly-qualified and experienced private piano teacher, he is now a retired member of European Piano Teachers' Association (EPTA UK), and has written music and software reviews for their //Piano Professional// magazine. Philip is also a Fellow of the Royal Society of Arts. Among his major 'coups' are performances of his Samba..alla Turca! by the City of Birmingham Orchestra (CBSO) at Symphony Hall, for the 2006 Family Christmas Concert, and by the London Concert Orchestra at London's Royal Albert Hall in December 2007. The work was also performed twice at the start of January 2008, by the internationally-acclaimed Ulster Orchestra, at their //Viennese Evenings// at the Waterfront, Belfast. It will be performed again in the Province in 2013, with extra venues at Derry and Ballymena. In December 2006 he was awarded a Fellowship in Music from Trinity College, London, for his dissertation and subsequent London presentation of //The Piano Writing & Formal Structure in the Piano Concertos of John Field (1782 - 1837), and their subsequent Influences//. In December 2007, he gained a further diploma, this time in Jazz Piano Performing, so is definitely keeping his practical skills finely honed, too! In 2017, Philip took the recently-introduced ARSM Recital Diploma, which he gained 'with Distinction' - essentially to refresh and update his exam experience - as well as hopefully to keep his fingers nimble, for as long as possible. In January 2010 Philip gained the Diploma in Freelance Journalism from the British College of Journalism. 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He has been teaching at Basic school of art since 1990. His main subjects are guitar and ,the Music theory. 2007 he gradualy Conservatory in Teplice at composition class whose leader is professor Vaclav Buzek. he Royal Opera House and the Wigmore Hall. Since moving to London in the mid 1990s, choral composition and the editing of Renaissance Polyphony have flourished alongside his singing career. His research into musica ficta in the works of Nicolas Gombert has given rise to regular performances of his editions by the London Oratory Senior Choir. The London Oratory School Schola have commissioned from him and his works have been performed by The Tudor Choristers, The Canterbury Fellowship (Melbourne), St John's Hampstead and St Bride's Fleet Street. o an award winning, published composer, Mr. Love has assembled an impressive MIDI studio for composing and producing his own works. Encompassing a wide range of styles, his compositions are descriptive in nature with rich, colourful textures that evoke strong visual imagery. Mr. Love also enjoys arranging existing music for varied, unique instrumental combinations. Recent credits include composing music for "Looking for Work in Canada" (Kem Murch Productions), music for the "London 200" television spots (Video 10 Productions) and second place in the 1999 Studea Musica Composition Competition. ulgaria. Also in 1999, Raspa was commissioned to write a piece for string quartet based on the original hymn, Silent Night. The new piece, **“Essay on Silent Nightâ€**, received a 1999 premiere in Lancaster, Pa. In 2005, two of Raspa’s pieces for string orchestra were selected for performance at the Living Composer’s Concert held in Glendale, Wisconsin. Those two pieces were **“Bagatelle No. 1â€** and **“On The Lakeâ€**. In 2012, Raspa’s trio work, **“Dimension 20, Regenerationâ€** was selected for performance in the program, "Access Contemporary Music" and performed in Chicago by members of the contemporary music ensemble "Anaphora". That program was broadcast over the Internet. Raspa’s educational music for the piano has received excellent reviews in the music trade journal, Clavier. His educational music for the string orchestra has received excellent reviews in The American String Teacher Journal. In addition to Raspa’s compositional activities, he was also the founding conductor of the //Audubon Symphony Orchestra//, located near Philadelphia, PA. Raspa was the music director and conductor until moving from Pennsylvania in 1993. Raspa also taught music privately for more than 25 years in Pennsylvania and Minnesota. Raspa also served on the Board of Directors of the Minnesota River Valley Music Teachers Association. The last three years, prior to moving back to the east coast, he served as President of that organization. Raspa was also a member of the Minneapolis Music Teachers Forum and served as state/national liaison for that group. Raspa is a freelance composer and has a number of works listed with various digital music publishers. Raspa is also a freelance pianist performing locally in the South Florida area. He is a member of the Society of Composers, Inc. and The American Society of Composers, Authors & Publishers. =Works selected for performance through national and international competition *Three Poems for Soprano Voice & Piano - Univ. of Wisconsin New Music Festival 1988  (this piece is now included in the Archives and Manuscript Division of the NYC Public Library) *Dawning (piano) Television Belgrade, Yugoslavia 1994 (this piece is now included in the Archives and Manuscript Division of the NYC Public Library) *Spooky Waltz (piano) ppIANISSIMO New Music Festival, Sofia, Bulgaria 1999  *Bagatelle No.1 (string orch) Living Composer Concert, Wisconsin 2005  *On The Lake (str. orch) Living Composer Concert, Wisconsin 2005  =Other performances *Renewal (full orch) Audubon Symphony Orchestra Audubon, PA 1992 *Essay on Silent Night (str. quartet) Lancaster, PA 1999  *Dimension 20 (mixed ensemble) Chicago 2012 =Music Reviews =American String Teacher Journal *August 1999 - Bagatelle No. 1 *November 1999 - Essay on Silent Night *August 2000 - The Kerry Dance *August 2000 – Too-ra-loo-ra-loo-ral, That’s an Irish Lullaby *February 2001 - Menuetto from Piano Sonata No.1 Op. 49 No. 2   *November 2001 - On The Lake =Clavier  *May/June 2005 - Six Etudes for Hand over Hand Arpeggio *September 2005 - My Very First Waltz *September 2005 - I Think I Hear an Echo *October 2005 - O Christmas Tree *October 2005 - Essay on Silent Night II *November 2006 - Christmas Swings *September/October 2016 - O Holy Night *September/October 2016 - Greensleevesgs, Do Bao also had the second option to pursue his career of composing experimental music which was developed on the basis of Vietnam’s traditional and folk music. By the outstanding event, live concert Gio Binh Minh in 2006, with cooperation of overseas Vietnamese artist Nguyen Nhat Ly, Do Bao won the most Impressive Character of the Year awarded by Vietnam Television. The following prominent product was the album She's Not She with Vo Van Anh. **Besides, Do Bao always enhances his capacity and technical skills through composing instrumental music works for grand orchestra, musicals, dancing operas, film music, etc. **At present, Do Bao is the head of Department of Musicology, Composition and Conducting for Military University of Culture and Arts, a member of Vietnam Association of Musician and an independent music producer and composer. ---- **//Facebook page://**\\[[https://www.facebook.com/dobaolovers/]] **//Digital Albums on Internet://** \\Amazon: [[http://tiny.cc/xrb79x/]]\\Cdbaby : [[http://tiny.cc/6sb79x/]]\\Itunes : [[http://tiny.cc/5wb79x/]] WESER-KURIER Verdener Nachrichten Am 18.02.2009 In March 2006 the violinist Lewis Wong, artist-in-residence at Trocaire College, New York, commissioned me to write him a solo for violin and orchestra after he had seen my works on the sibeliusmusic.com homepage. On December 9th 2007 was the first performance, played by Lewis Wong himself, accompanied by the Orchester Goettinger Musikfreunde in Johanniskirche Goettingen and it became a great success. The Goettinger Tageblatt wrote on Dec 11th 2007: "Mit einer erfolgreichen Urauff�hrung konnte das Orchester G�ttinger Musikfreunde in seinem Weihnachtskonzert aufwarten. Zusammen mit dem Solisten Lewis Wong hob es die Fantasia f�r Violine und Orchester von Andreas Kleinert aus der Taufe. Von Michael Sch�fer Synkopen, so h�rt man, soll auch schon seine komponierende Tochter verwenden. Kein Wunder bei dem G�ttinger Musiker und Musikp�dagogen Andreas Kleinert: Solche Rhythmen haben es ihm angetan, wie seine 2006 komponierte, am Sonntag in der G�ttinger Johanniskirche uraufgef�hrte �Fantasia f�r Violine und Orchester� beweist. Rhythmisch �u�erst pfiffig sind die beiden bewegten Eckst�cke, die einen langsameren Mittelteil (Andante grazioso) umrahmen. Sehr lebendig ist diese Musik, sie besitzt eine ansprechende melodi�se Sprache, ist einfallsreich, zeugt von Farbsinn und Geschick in der Instrumentation. Viel zum laut beklatschten Erfolg dieser Urauff�hrung trug die Kunst des Solisten bei, sein satter, tragf�higer Ton, seine Virtuosit�t, seine straffe, zielstrebige Gestaltung." My attempt of translation: "With a succesful first performance the orchestra Goettinger Musikfreunde could serve the audience. Together with the soloist Lewis Wong they stood godfather with the Fantasia for violin and orchestra by Andreas Kleinert. Syncopations, so it can be heard, are supposed to be used already by his composing daughter, too. No wonder of the Goettingen musician and music teacher Andreas Kleinert: such rhythm is what he likes, as it is proved by his in 2006 composed �Fantasia for violin and orchestra� proves, on Sunday first performed in Goettingen�s Johanniskirche. Rhythmically extremely witty are both moved outer parts which frame a slower middle part (Andante grazioso). Very lively indeed is this music; it has appealing melodic language of its own, it is full of invention, shows sense of color and skill of instrumentation. Much to the first performance�s loudly applaused sucess was contributed by the soloist�s art, his full, carrying sound, his virtuosity, his tight purposeful shaping." In June 2006 "Musikfreunde Bovenden" prepared a composer´s portrait Andreas Kleinert. The Goettinger Tageblatt wrote about it on June 20th 2006: Eigene Handschrift Komponistenportr�t Andreas Kleinert Der Komponist Andreas Kleinert schl�gt Br�cken. In seinem Werk �berwindet er stilistische Gr�ben � zwischen Klassik und popul�rer Musik, zwischen Schulmusik und B�hnenmusik. Lieber konzentriert er sich auf das Wesentliche: dass die Musik dem Musiker Freude bereitet und den Zuh�rer ber�hrt. All das macht seine Musik so modern und zeitgem��. Die Musikfreunde Bovenden stellten am Sonntag den G�ttinger Komponisten und Musiklehrer mit einem Komponistenportr�t ausf�hrlich vor. Die Trennung der Musik in E- und U-Musik sei der Tod der Musik, erkl�rte Kleinert. Der Komponist ist deshalb ein Suchender nach Neuem � und ein Finder. Das gut besuchte Konzert zeigte die Vielfalt seiner vorwiegend neueren Arbeiten: orchestrale Werke neben Kammermusik, das Kunstlied neben einem humorvollen plattdeutschen Lied, Klaviermusik neben schwungvoller Sch�lermusik mit Blasinstrumenten, Gitarren und Schlagzeug. Am�sante Zwiegespr�che Andreas Kleinert schafft mit eigener Handschrift Musikst�cke, die gleicherma�en frisch, unterhaltsam und dabei geistreich sind. Ein Duo �Vivace� f�r Violine und Viola wird zum am�santen Zwiegespr�ch. Fr�he Liedvertonungen von Gedichten Wolfgang Borcherts unter dem Titel �Laternentr�ume� (geschrieben 1983/84) � vorgetragen von Sabine Birkenfeld mit Mechthild Kiefer als Klavierpartnerin � changieren von getragenen zu atmosph�rischen bis zu rasanten Tonbildern. Augenzwinkernd swingt sein Streichquartett �Up & Down�. Die Klavierst�cke �Kangoroo� und �4 up & 4 down�, gespielt von Mechthild Kiefer, sind temperamentvoll und energiegeladen. Gro�es Format Der 49-j�hrige Komponist bewies in zwei Orchesterwerken, wie sehr ihm auch das gro�e Format liegt. Das �Concertino G�ttingen� stellte mit beeindruckender Brillanz sein �Scherzo concertante f�r Kontrabass und Streichorchester� aus dem Jahre 2003 (Solo: Maria Soltesz) sowie � als Urauff�hrung � das 2004 komponierte, facettenreiche �Concertino per violino solo e �Concertino�� (Solo: Almut Seidel) vor. Alle Kompositionen des Abends zeichnet eine angenehme Klarheit und eine positive Grundstimmung aus. Gerne l�sst der Komponist bezaubernde Melodien auftauchen und setzt unerwartete Abschlusspointen. Andreas Kleinert schreibt nicht nur wunderbare Musik, er kann sie auch selber wunderbar interpretieren: Am Sonntag griff er immer wieder selber zur Violine, zupfte die Gitarre, sang und dirigierte das Orchester. 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(SATB + Soprano/Tenor Soloists and Organ)P!÷g#ÐûúU !3.00À!îúU à úUª +úUDpÉùúUp˜úUD€¢îúU`“púUD°úüúUðƒlúUDà ½úU +úUDÀlÌúUP*úUD·óúU,búUDÐÆúUðáÀúUD0j#úU ÍÎúUP”&úU `|NúUÀ ÐúUDlóúUPâúUD°h{úUШZúUDP‘ØúUðóÇúUDðb£úUØ»kúUUpTSúUÀ)úUDPcjúUÐyƒúUDp¤öúU ÖØúUDÀ—JúU0T&úUDÀObúUгÚúUD÷úU°VûúUDÀ“úUPÛúU@pcúUDÀ«‚úUPL]úU¸PlúUÿ š›úUðHÚúUDà×úúUêuúU @ «÷úU€ úUDIîúU€MŸúU ààèúU OúUD€'üúU¢ÝúUDl úUPáúU njúUD€¾úUˆº@úUÿ°kúU0ãÈúUDÀkÒúUàó©úUDÀ`HúU`üÄúUD°?úUP^ÉúUD búU`îTúUD "+úUpÂúUD¨úUÐ3úUDàYúU`AÎúUDðÒiúU`VúUDPûƒúUŸ7úUDÀúUàeiúUDàlóúUpM úUDà…uúU@üIúU2xÅúUD æhúU )êúU  @†CúUù#úUD0NúUèñðúUÿi8úU_eúUDÐ4IúUÀûúUD0îúU(ú°úUÿ0–½úU¨—¼úUÿpVúU`[üúUD£úUpÙúUD°i úUÀvÆúUDÀîúU€VUúU.KúUD°óùúU @þúUDÐÃúU@gÈúUDpbúUPƒHúUD ¨NúU`úUDgýúU0¶JúUDI_úU0 úUD Ê~úUüúUȸJúUüúUÐB9úU„ÑúUÿ ÉúU—úUDùúU`üúU€\ÌúUD0úúUÅÁúU0LJúUDÐ^ úU@[üúUD0¢÷úU 1úUD`liúUpýWúUDðÍfúU0ÑúUD`3±úU`©úUDP|¦úU»1úUDÀ6ÕúU°ñöúUDÐGîúUðRúUDðjÅúU0ÉþúUD ôúU˜ýúUpjcúUD@O`úU ÒÍúUDp—úU@kúUD°j™úUÁúUDp]¾úUàúUDÀEîúUÀúUDPDNúU½1úUD@ØúúU0Ö‹úUD` .úU¯+úUD°ÞAúU`6úUDpÝ1úU`b úUD€–úU ÃúUD vøúUp^ÉúUD€†¾úUPL]úU húU \ÉúUDpi¯úU0úUDÔhúUÐØúUDzïúU }õúUDð;úU€·3úU @*kúUPºúUf 9°úU`Ç}úUÿ£úUMÍúUD°MúU°ÇþúUD °ôúUà¬IúUDPM€úUqÀúUD À'úUp…GúUDÐ!úU8úUƒ!f`>ÿúUD ÙúUp$‹úUDÐûúU˜äIúUÿ@xúUÀGýúUD 4NúUÕÉúUD 6úU àúUD0´ùúU0ÕüúUDàÿúU@%gúUD`“ûúU°œúUDÕúUÐúUD°‘%úUp\úUDÀvøúU ]%úUD‰uúUØU‰úUÿ@r•úUðuúUD53úUÀTüúUD°«NúUˆwÏúUÿûGúU…gúUÿP$’úU[ úUD`]óúUÐúUD £úU0£úUDÀ¡úU ÐÌúUDðÃDúUÀ)žúUD€a¯úU·*úUDPn6úU ·úUðúUD ùúU-[úUD@ºdúU@Û úUD°r~úU ÖÍúUD@úòúU@u6úUPcCúUDÐ+(úU§úUDpûúUàS9úUD gjúU°HúUDЫúúUðó©úUD0¤ÖúU \4úUÿ€;)úUPyõúUDÀòÌúU ðöúUDЙúUùÇúUDàèòúU †úUÿ0EúU0CúUD€ÕúUPL]úUÇmúUD`’(úUÒúUDàyøúU€˜úU KJúUD túU€úUD ’(úUpÿáúUD€“˜úU°¢úUD°;úúUømúUDÀ¢RúU°®ZúUDàûúU†ÑúUD>úU`^ úUD`T%úU€0ÃúUÿp²MúUàÊþúUD`7ÕúUèAúUÿÀzúUPpÇúUD`EŠúUAElgar - Lux Aeterna (Nimrod) [SSA & organ/piano]îúúU!23g#¸÷g#P§úU!0g#¸÷g#OóúU!3g#¸÷g#èãúU!2g#¸÷g#¸îúúU!2022-08-05 14:14:42úU!2024-03-09 09:30:55úU!18998øg# 5úU!2014¸÷g# =ÏúU!4g#¸÷g#+eúU15.00Ø÷g#0!sib#¸÷g#Àì úU!437#¸÷g#ÈVúU!0g#¸÷g#`úU1202207 ElgarLux SSAPno (V8-6).sibúU!2022-08-05 14:14:42úU!113#¸÷g#È®ÛúU!8349¸÷g#`ÜúU!64g#¸÷g#àÕ‹úU!0g#¸øg#è×úU!0g#¸÷g# =ÏúUAAn arrangement of Nimrod of SSA and organ/piano.JÐúU!0g#¸÷g#0w úU!0g#¸÷g#8„úU!1g#¸÷g#+eúU10g#Ø÷g#¨ö}úU01SIR EDWARD ELGAR (1857 - 1934)˜ù"úU!Jamie John Hutchings!Caccini’s ’Ave Maria’ has become enormously popular in recent years. This choral arrangement is ideal for use by school, church and community choirs. A performance by Coro Città di Castellarano, directed by Marco Guidorizzi: https://www.youtube.com/watch?v=2IJ-IW8QPTc!1.50¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#±1. Ave Maria, Ave Maria. Ave, Ave, Ave Maria. Ave, Ave, Ave Maria. Ave, Ave, Ave Maria. Ave Maria. Ave Maria. AAve. Ave, Ave, Ave Maria. Ave, Ave, Ave Maria.°6›úU!Anonymousg#!0g#¸÷g#!÷g#¸÷g#1Copyright © 2012 John Ross456108!÷g#¸÷g#!ùg#¸ùg#XâøúU!90123¸÷g#!0g#¸÷g#xÙyúU!0g#¸÷g#!0.00¸÷g#`¬ÿúU!1.50¸÷g#ø¤úU!0.00¸÷g#  ÔúU!0g#¸÷g#ò úU!÷g#¸÷g#@ËvúU!0.00¸÷g# GüúUÑ["131354","188132","128890","161690","139312","97625","196754","96029","102660","132699","361660","90537","187194","163194","128045","360119","118333","399706","186827","142883"]úUüùúUÐ!2017-09-18 08:50:46úU1Ave Maria Caccini SATB Piano504093!0g#¸÷g#!0g#¸÷g#!5g#¸÷g#!2013-04-13 04:01:45!0g#¸÷g#!0g#¸÷g#qAve Maria (Caccini) (SATB, Piano) Giulio Caccini Anonymous John Ross Caccini’s ’Ave Maria’ has become enormously popular in recent years. This choral arrangement is ideal for use by school, church and community choirs. 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00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!50g#¸÷g#WúU!0000-00-00 00:00:00úU!0g#¸÷g#@¯ÓúU!0g#¸÷g#10g#Ø÷g#ö½ü÷ÿÇü*[»{0°õúUª¯žúU €`kúUPXúU˜q>úUÿîÿúU ºúUD h úUÃúUD0ÅóúUðÒúUDðN°úUؾkúUUÈbúU@7=úUD0Ò.úU¹ÚúUD0‘úUДúUD€…ÍúU®‹úUD&úU;êúUDPO/úUÐ\ úUD°åùúUP8rúUDå#úU€ÿÄúUD fúUþeúUDÐù7úU}úUDÐ7úU€“úUDÀøJúU°žúUD°AñúUðçÓúUDð©úUðá úUD  <°úU°›0úUDuúU€×úUU"úUPIÙúUD0ÅúUÀúUD€eÿúUncúUDAúU õTúUD0$(úUàøNúUD`ÄmúU€Ë úUDà[úUð¤úUD AîúUÀPúúUDp9øúU ÀÿúUDvúU`²-úUDPgúUP¼ÊúUDð8ñúU€.‰úUDûúU°%úUD€¥IúU`)‹úUD0e™úU°[úU€ úUDp=gúUÖüúUD²ùúUDúUD9úUð|_úUD”(úUЋmúUðŠxúUDàÒ)úU@EðúU°ÅúUD):úUм9úU ÑéúUDÐÔúUÐÒøúUD  ˆúU°ÕøúUDð9úúU@ùÃúUDP¶÷úU]úUhqmúUèÏtúUÿÕ@úUXD{úUÿ0½GúUPL]úU  ²úUDÐkúU ØæúUÿ úUPðhúUDàliúUëõúUDP8NúUÀ]úU@¡±úUb úUDй'úUÀB&úUD`„{úUð¥úUD`úUpúUD € ‰úU¼*úUDpU†úUêÁúU£núUDGúUСúUD`¤úUàÏØúUDÐà­úUÀì#úUD€ÁHúUêÁúU°î¸úUÿ0ÐúUÀ2úUD€r¯úUÀ:UúUD€ªfúUÀŒhúUDŒ%úU0b úUDµ÷úU )úUD6úU0ª3úU@åcúUDÐM`úUЗÂúUD DRúUÀ»ìúUD@*úUÐMúUD€aúUPs{úUDpŠDúU ºÿúUD xFúU þúUDmúUÐ=iúUDp(:úUàRûúUDJÿúU@^ 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He then decided to go on to study Physics and German at university, with Music as a subsidiary subject, studying composition under George Nicholson and Tom Williams, and with one year studying Music and Physics in Germany. After a year's post-graduate study, he made the decision that, instead of becoming a professional musician, music was to be for pleasure, rather a "must" due to a job, and went on to pursue a teaching career in German and French, later becoming Head of Languages and a House Master at a well-respected public school in England. Simon was organ scholar both at school and at university, and has been a regular organist and choir master for most of his life, including the prestigious post of organist at the Falkland Islands Memorial Chapel. He has played in many famous venues, both in England and on the continent, such as Cologne Cathedral, Salzburg Cathedral, La Madeleine and Notre Dame Cathedral in Paris, and the Yehudi Menuhin School. He has participated in organ master classes with David Titterington and has played for services for royalty, including the Queen, as well as dignitaries such as Margaret Thatcher, Tony Blair (prime minister at the time), and others, and has appeared on television world-wide (BBC and Sky). As an instrumentalist, in addition to being an organist, pianist, and guitarist, Simon is a (former!) French Horn player, later transferring to the tuba via trombone, as needs of the bands changed. Simon has been musical director at a local theatre for many shows, and was commissioned to write band arrangements for even more. At the age of 21 he composed the music for a modern version Chaucer's Canterbury Tales. Simon has had much experience over the years conducting, choir-directing, and latterly composing. His compositions and arrangements are usually tailor-made to suit specific needs / requests. Often written for small choirs, or instrumentalist friends, and for church festivals, his music is written to be performed and enjoyed, without too much rehearsal time, and often for choirs with limited musical knowledge! Therefore it is usually very accessible, easy on the ear, and with catchy, simple melodies. His compositions have been performed in a number of countries including Dartington International Summer School in the UK and Salzburg Cathedral in Austria. As a pianist, Simon's great love has always been playing piano duets or music for 2 pianos 4 hands and his arrangements mirror his experience in this area. In September 2016 Simon was awarded the FNCM (Fellowship of the National College of Music, the highest of their accollades) in composition. In 2017 he attended Dartington Summer School once again, undertaking a jazz piano course under the guidance of Steve Lodder, and improvisation to film with Neil Brand. Simon is also a Certified Piano Technician, offering tunings, regulation, and repairs both in the UK and Austria. Between 2007 and 20018 he lived in Austria where he enjoyed a very active musical life as an instrumental performer, choir director, organist, accompanist, and singer. The intention was to stay one year to spend more time with his family, before returning to his teaching career. He and his family finally returned to the UK after 11 years and since summer 2018 have been based in Herefordshire. For a full list of compositions, please visit www.simonpeberdymusic.coma{"width":300,"position-y-pc":"36","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[{"y":100,"width":32,"x":184,"center-y":119,"height":38,"center-x":200}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":48,"width":37,"x":183,"center-y":66.5,"height":37,"center-x":201.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":49,"width":36,"x":183,"center-y":67,"height":36,"center-x":201}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":49,"width":35,"x":184,"center-y":66.5,"height":35,"center-x":201.5}]},"height":221,"position-x-combined":"right","position-x":"right","position-y":"top","position-y-combined":"36%","average-center-x":201,"average-center-y":79.75,"id":"B335058A-512F-11E7-8924-EA0DD2DCE041","position-x-pc":"67"}0àúU!4g#¸÷g#ø1ïúUX%úU°5²úUHæeúUP9âúUPnÊúUpUÀúUèƒÞúUfúU˜kÊúUøúU@2fúU˜aúU¨ÓÑúUþúUðùØúU¸ihúUXúgúUØýúUHË úUÀ²úUˆ¥úUh®¿úUxÏúUè»/úU(‹úUà>úU`–zúUX'$úUh3âúUPÝîúU@ ÍúUÈä‡úUðlúUØÇÃúUh[úUÈ.}úUÀ4úUçiúUpšeúU˜1ÄúUÊpúUðØáúU°gúúUÈŠúUxçúUˆúU˜®{úUˆšúUx#øúU°xúU(|MúU iúUp‚øúUð÷úUØúˆúU8Û§úUàþùúUøÔyúU@å§úUˆ=úUà±ÈúU°BßúU˜|fúUÈúUØ“ÒúU ¤rúU˜óúUáÄúUh?ÓúU ÍúU250140!ýg#8ýg#°}úU!0g#¸÷g#!0000-00-00 00:00:00QHýúU!øg#àzEúUrrencies!1.50è÷g# VúU!0000-00-00 00:00:00Q'ÛúUh°úUвmúU¸‚ûúU`cúUÈ6âúU1Organ [manuals with pedals]Ø1instrument.keyboard.organ!69g#¸÷g#úUQÈPÿúU12012-09-21 00:00:00tation0!2020-09-17 07:28:20!0g#è÷g#!0000-00-00 00:00:001Alto Fluteitar [notation]ning [tab]!0000-00-00 00:00:00!511#0t\úU !5g#ð‹¾úUrts WHER!1g#è÷g#es/dbwil!0.00¸÷g# 1húU«Ð ä14918!÷g#P†~úU !0g#ÀîúU10.00Ø÷g#0!07535523975úU!÷g#¸÷g#1÷g#Ø÷g#0!0g#à€~úU!÷g#¸÷g# !0g#¸øg#!0000-00-00 00:00:00úU!1g#¸÷g#ÈàîúU!0g#¸÷g#p;ïúU!0g#¸÷g#°¤rúU!2019-06-06 16:26:42úU!0g#¸÷g#ÀÌiúU10000-00-00 00:00:00úUسÅúU0!÷g#ø÷g#ÿÿÿ1÷g#Ø÷g#0!0.0000P³yúU10000-00-00 00:00:000!4g#¸ùg#7úU!1g#¸÷g#ÓúU!0g#¸÷g#°áúU!22g#¸÷g#p;ïúU!0g#¸÷g#8®ÂúU!0.00¸÷g#@“‹úU!0000-00-00 00:00:00úU!0g#¸÷g#[‰úU!0g#¸÷g#È;ùúU!÷g#¸÷g#‡ÏúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!50g#¸÷g#10000-00-00 00:00:00¯üúU0!0g#8øg#!1g#¸÷g#!0g#¸÷g#1÷g#Ø÷g#0!0g#¢ÖúU 1HASH@§˜úU5372358)DF file0!144905Ð6úU !0000-00-00 00:00:00úU!14918¸÷g#xëŒúU!0.00è÷g#8£ûúU!dbwilkinson# !CatalogueReferenceá &[úU=@  ^>úU«° À›¹úU°dCúUêcúUõ úU`›TúUð8¡úU ^†úU†ˆ48`ŠyúU Ž úUkúU¤¨ ( CH«°ÐÆúU@H€ÿàúUðüwúU¢¨°hVúU~zúUÀ¢@úU³¸0âúU@ˆRúU å]úUp‹½úU!ùg#¸ùg#XœúU!80325¸÷g#!0g#¸÷g#öúU!2g#¸÷g#!15.00¸÷g#à ŠúU!10.00¸÷g#~øúU!15.00¸÷g#0¦ÿúU!10.00¸÷g#«ÈúU!0g#¸÷g#øYúU!÷g#¸÷g#ð`úU!0.00¸÷g#€ÞûúUQ(úU1¨—úUY›¤1904441102660Ø÷g#uantityScore0!4g#¸ýg#à—úU!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#Light Years Away, Anthem for SATB Christopher Evans Sheila Barnfather A poem by the Wolverhampton poet, Sheila Barnfather, set to music as an anthem for SATB. 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ðúU¸&*úUh΃úUè&ÇúUx*€úUˆœ„úUвjúU¸ÂúUØ“áúUÇÁúUX¾‚úUˆÂúU0lñúU¸V]úU0ÿtúU€ýúU¨ºÁúUÐÜúUx—¼úUx0 úUýÁúU(¥úUèqúU %˜úUúUX„gúU ¤úU0pÃúUxY'úUpðúUXQ]úU ôúUˆz¾úUˆ9úUU]úUðT¢úUÐÓ‚úUèÃÁúUø6úUhO]úUpZJúU˜ýúUp—`úUÈ؇úUH&úUXnúUȵÁúU@úUˆŠîúUX„gúU8ºÏúU(ΨúUøúU(]úU¸ÞTúU¨júU`ŒøúUxY'úU 2húU(£éúUˆ­úUØ?'úUOÿúUÈv9úUÀΞúUx`úúUˆ­úUèúúUh_¹úUhúúúU°rUúU˜\™úU¨ç<úUȳ”úUÀ"úUx»ÁúUØMúU¸ŽHúUÀ#aúU¦IúU¨ºÁúUˆ©búUh·ÁúU8§ºúU˜á)úUˆ AúUx—¼úUõ-úUàTmúU8[™úU€ÝwúUÈk¸úU°ôñúUÂúU˜ÇHúUX¢úUhŸúU`'óúUØÛ.úU€3ŒúU(ÂúUÇÜúUð@üúUX[úúU"ÈúU˜ ÂúUØ>OúU¨ šúUˆµjúU¸-’úU˜æBúUàî2úUˆHVúU¸ö*úUêÁúUØ¢ûúUØIfúUhÂúU0ÉÉúUhéMúUh/²úUh0aúUØ— úUG™úUHúU¨ûßúUè^™úU¨¸úU(ä‹úUúUøÒ¨úU kÖúU˜>úU¨FóúU€ŽÒúUh4¬úUèÿ8úUˆ¹TúUH„úUøÒ¨úU ´TúU¸&ËúUhÂúUúUȆsúU(BKúU‚~úUÈÐoúUˆÖúU¨ˆéúUعÁúUh\ úUøúúUxXõúUØéûúUȆ‹úU(uüúUØ•¼úU`cúUHyïúU@™‰úUêÁúUèËÁúUȵÁúU°!öúUXCÂúUÀ©ÞúUx ÄúUøìýúUAWe Wish You a Merry Christmas (for violin duet, suitable for grades 2-6) 2 prints Traditional Katrina Sung Ganymede Music Limited This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 26th October, 2014 Enjoy!U@!0g#¸÷g# !0g#¸÷g# !0g#¸÷g#@!0g#¸÷g# !0000-00-00 00:00:00!÷g#¸÷g#@!0g#¸÷g# !0g#¸÷g# !0g#¸÷g#µbxI6ìŒ!2017-06-09 17:10:1710000-00-00 00:00:00¯­^ºîúU0`oúUª ¼ƒúUD°<úU`‰úUÿð¶ŽúU?úUD°ÐiúUí}úUD0ÅúU@:lúUD€ XúU‘iúUDRñúUÐÍúUD°GúUPuáúUD ™)úU°óõúUD0àöúU¡]úUD°fóúUxÒúU“wúU`núUDPsäúU á÷úUDð\úúUðž°úUD Ñ÷úU`:„úUD ŠKúU€táúUD°.JúU0ò_úUDðX*úUp€WúUDüúU€»ÁúUP;HúUD€ËæúUp¬ðúUD3púU§LúUD îúU³‰úUD€A¼úU ßúUDÀmlúUp}TúUÐÙÉúUDZÖúU€Ý6úUD7úUÔúUðº(úU@†húUDp¬óúU ôöúUD7þúU 4rúUD€ IúU@kcúUD@ñgúU*úUDP FúU€¥úUDPà™úUÐ ¥úUDàÆÖúU õhúUDàÅ0úUЖÞúUD#úU µúUD`^OúUpÍNúUÿP±úU ‰NúUDFúUÐúUD ôMúU°qmúUDêØúU/+úUDŠ:úU`EiúU°ikúUDPš÷úU€ŠßúUDð ½úUµqúUD`P£úU`,IúUD “—úUÀ)‰úUD „MúU 65úUÿCzúU #gúUD0î7úU˜púUDðIùúUhÖúU02ÝúUDP%VúU9ŠúU ¡ úUÿ`(çúU,‹úUD@úU@´úU €.úUøÖúU@ 9úUP púU NûúUDPKïúU@úUDÐTúúUйúU2€·úUDHNúU`%úUD`Á'úU!úUD liúU€ 0úUD°lúU ³¹úUDнûúUà‹úUD0ïWúUÀ›ÁúUD zúU DúUDаÿúU€õaúUD0€¦úU°Á1úUD šõúUp‡ÑúUD(xúU`±úUDPàúU`¯DúUDègúUH•úUÿPúUÀî“úUÿðRÚúU ;ÐúUD0N6úU(úUD0#kúU€´3úU  vúUP7ËúUDp› úU°rÒúUD€ÙiúU °+úUD œ$úUhÙúUÀ­þúUÀ+úUD°ê.úU úUD+šúU ]”úUÈÙúU`‘ úUhš¾úUÿ€7úU ÇýúUD®óúU@®áúUD@‹¾úUÀßúUDÀùúUHÎúUDàäúUpõúUDpbóúU0zlúUDð]úUEúUD€ÂiúUPúUDÐôúUÐí|úUD0ÔiúU0zúUD `úU°n!úUDÌ™úUà¼úUDÀš[úU@œúUD p(úUà€öúUDp{¯úU „eúUD€Ã0úUðc`úUD0*'úUÈ/„úUÿ!úUÐz!úUDúUðÐbúU  ÛöúUÀPœúUD oúU wúUD0L úUðÛúUËúU0IýúUD !kúU°„MúUDÀÔwúUðKúúUD@MùúU@®‰úUD gýúUp7êúUD`#úUà]úUÿpÌúUÖMúU ¬"úUpcÃúU˜EúU úUpw`úUȘ!úU )$úUˆRèúU€EúUËsúUHmúUëúUÐñþúU ýçúU°) úUx¬ÿúU`¾-úU€©úUhi&úU˜i8úUmêúU¨NúU83&úU¨V/úUÀäfúUàyúUhé$úU ªúUØéúU8úUp]úU€hhúUС"úU˜¼-úUDHúUÓ0úUH¤fúUàç9úUØåîúUHé9úU¸ êúU ;JúU8c³úU ˆÞúUhìIúUHh8úU(U/úU(ê6úUHt5úU82_úUÐLúU¨å*úU!0000-00-00 00:00:00úUQ€ 9úU1úUC1eº119221 eúUHúUƒ'l164881!sib#¨ûg#PúU!12131¸÷g#¼fúU!0g#¸÷g#@ßúU!Miss Peron.sib¨ 'úU!2012-04-24 10:47:38úU!0g#¸÷g#0eúU!703#¸÷g#hùKúU!0g#¸÷g#¨ºúU!1.50¸øg#žúU!2012-04-24 10:47:41úU!1g#¸÷g#ð9úU!1g#¸÷g#ˆ²ÜúU!0g#¸÷g#8¨ÅúU!÷g#¸÷g#úU!0g#¸÷g#HÜ*úU10g#Ø÷g#À©üúU0!ùg#˜ùg#AúU!1.50¸÷g#¸YiúU!1g#¸÷g#¸|ìúU!0g#¸÷g#ÀŽúU!0g#¸÷g#hp8úU!1g#øøg#(ëúU!0g#¸÷g#L™úU!÷g#¸÷g#HÇŽúU!0.0000¸÷g#¥ûúU!2012-04-24 10:48:03úU!Miss Perong#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!2g#¸÷g#˜ù"úU12013-04-23 12:09:57úU0!2017-06-09 17:10:17úU10000-00-00 00:00:00pÝúU0!26g#¸÷g#0¹éúU!0g#¸÷g#212433!3g#¸÷g# !1g#¸÷g#!2011-11-01 08:37:45úU!2017-11-22 17:34:00úU!Richard Madduxˆˆ9úU!÷g#¸÷g#0_„úU!2008¸÷g#àöYúU10g#Ø÷g#0!sib#è÷g#!11922¸÷g# !0g#pôúU11g#Ø÷g#01¨úU²7áRs10g# L°úUiredDate0¡Each instrument gets part of the tune. 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QØñGúUQˆóGúU!÷g#,)úU0–GúU!0g#¸÷g# APiano, Vocal & Guitar Chords (Right-Hand Melody) TotalV!÷g#¸÷g# !HASHÈ÷g# !øg#ˆøg#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#œ 0!0000-00-00 00:00:00!0g#¸÷g# !45324ÀƒùúU John is the founder of the Toronto based music school Neighbour Note. The music school is actually a network of highly educated, qualified, and extremely talented teachers and musicians that provide premier music lessons in the comfort of student's homes throughout Toronto. They also offer a wide range of diverse music classes, programs, and summer camps to people of all ages, abilities, and backgrounds. Neighbour Note is a family music school owned by Dr. Kristin Force and her husband John Force. 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Music Ltd !0g#¸÷g#!1g#¸÷g#!21g#¸÷g#!19g#¸÷g#!2017-12-22 10:17:22‘{"width":300,"position-y-pc":"19","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":35,"width":45,"x":40,"center-y":57.5,"height":45,"center-x":62.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":62.5,"average-center-y":57.5,"id":"5D931AE6-E701-11E7-B5C0-82CB994443BF","position-x-pc":"21"}}úU!1g#¸÷g#Ð/úU!400#¸÷g#402940!400#¸÷g#!2020-09-07 08:21:11!1g#¸÷g#гñúU!2019-09-25 13:35:04úU1E649EA2A-DF90-11E9-AFAE-78ЛiúU!30321¸÷g#PîÍúU!0g#¸÷g#387733!0g#¸÷g# !0g#¸÷g#!1g#¸÷g#Œ[úU!650x892¸÷g#@`úU!0g#¸÷g#210248!1g#¸÷g#!3.00¸÷g#!2023-02-17 01:00:22úU!2023-02-17 01:00:58úU!1043516¸÷g#526351!1479189¸÷g#p!0000-00-00 00:00:00!0000-00-00 00:00:00úUQ¸àÇúU1@ófúUhúUR}š/69629á  48 ›@úUð½júUpæúU wúU#( ÀþNúUt!úUƒƒúUEH$(p°úU–úUð7úU [WúUÚøúUp²‹úU€¦ZúU @vúU€ù?úU ^úU^`DH  …húU &(KP0& úUpOûúU©°(0¤6úU 9wúUñÇúU, úU  ‹QúU €á÷úUPyúU„úU0Y@úU¡Czardas for C Trombone & Pianoforte Vittorio Monti Keith Terrett Music for all Occasions Czardas for Trombone and Piano, with just a hint of the Rumba! The MP3 recording of Czardas is my concert band arrangement performed by Stadtmusik Biel with Stephan Gräub on Euphonium. Czardas arranged for Doublebass and Piano. Its origins can be traced back to the 18th century Hungarian verbunkos, used as a recruiting dance by the Hungarian army. Csardas is characterized by a variation in tempo: it starts out slowly’ and ends in a very fast tempo (friss, literally "fresh"). There are other tempo variations, such as the ritka csardas. The music is in 2/4 or 4/4 time. The dancers are both male and female, with the women dressed in traditional wide skirts, usually colored red, which form a distinctive shape when they whirl. Classical composers who have used csardas themes in their works include Franz Liszt, Johannes Brahms, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and others. Probably the best-known csardas is the eponymous composition by Vittorio Monti written for violin and piano. This virtuosic piece has 5 tempo variations. 1{"width":200,"position-y-pc":"26","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":44,"width":67,"x":71,"center-y":77.5,"height":67,"center-x":104.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":47,"width":63,"x":74,"center-y":78.5,"height":63,"center-x":105.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":46,"width":63,"x":73,"center-y":77.5,"height":63,"center-x":104.5}]},"height":300,"position-x-combined":"52%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":104.833333333333,"average-center-y":77.8333333333333,"id":"FFFCBA00-1603-11E7-B077-E9711E5990AE","position-x-pc":"52"}úU!3g#¸÷g#!873#¸÷g#!898#¸÷g#°ŒÎúUèµ™úU8BVúU(úUþCúUȘgúUˆÑúU úUˆóËúU§VúUÀ/úU àHúUP`úUÈLúU8gúU°…ÏúUx"kúUåîúU€ÉúU(½úU¸²SúUà<âúU€tkúU¸›}úU¤VúU˜tÚúUˆöËúUXºàúU /öúUð½HúU`jTúUàbúUpœúUà±ÉúU([úUèà@úU¨› úUH“lúU0‘HúU¨þúUø=(úU€±ÐúU –DúUh+ÒúUxo`úUÀ¹múUˆ€úUü.úUð„;úUà(öúUØ‘GúU`3RúU@îeúUp=PúU úU WúU0m;úUðúUPÉúU°íúU€[úUP“WúUpdÙúUˆÔáúU°ËTúUàúUhLúUˆàHúU8uGúUÐuWúUðµúUX²ÈúUÈESúUx¹„úU(ýgúU ÀúU`¼™úUôúUGroup!291998þg#úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-05-01 18:54:31!2023-05-01 18:54:40!975552¸÷g#!917533¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q KgúU1úU®y×A71587!62212¨ûg#úU!0g#ø÷g#8²KúU11g#Ø÷g#0s-úU0AWhat Shall We Do With The Drunken Trombonist?Ð*úU!60g#¸÷g#x“PúU!624#¸÷g#ð úU!3g#¸÷g#8ôÑúU!2g#¸÷g#Ð*úU!2022-07-24 06:45:53úU!2022-07-24 06:53:50úU1Sea Shanty Arr:Keith TerrettxêÏúU!Keith TerrettdQúU!0g#è÷g#PÁúúU!0g#¸÷g# !sib#¸÷g#ØûúU!250#¸÷g#x'7úU!0g#¸÷g#èvìúUAWhat Shall We Do With The Drunken Trombonist.sib¡$úU!2022-07-24 06:45:53úU!4g#¸÷g#Ø‚ÂúU!1943¸÷g# DúU!1g#¸÷g#pàúU!2g#ˆøg#`uÿúU!2.00høg#7…úU!2022-07-24 06:45:54úU!1g#¸÷g# ðúU!0g#¸÷g#Ð,ÂúU!109082è÷g#˜ù"úU!1g#È÷g# áAn arrangement for C Trombone (BC),of ’The Saints’ with the exotic Rumba and a touch of W.A. Mozart! A light work for your next concert, which your audience will love! TC parts are available on request.!3.00¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#a© 2007 www.musicforalloccasions.org,uk(keithterrett@gmail.com) Edited December¤#úU!÷g#¸÷g#±["62107","169610","77043","169572","61680","169054","8379","58091","29522","56829","134050","361716","62109","169148","361695","99166","361649","62099","55533"]pÃúU!2020-09-22 14:49:52!1g#¸÷g#˜ƒ'úU!2019-09-25 12:45:33úU1FB8A652E-DF89-11E9-8692-78úU˜±VúU!55997¸÷g#À´HúU!0g#¸÷g#˜«èúU!0g#¸÷g#!0g#¸÷g#I:úU!1g#¸÷g#1650x919Ø÷g#ÈÜëúUÀ ÝúU0áAn arrangement for C Trombone (BC),of ’The Saints’ with the exotic Rumba and a touch of W.A. Mozart! A light work for your next concert, which your audience will love! TC parts are available on request.!1g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#{ "GroupOrd" : "60", "StoreGroupOrd" : "60", "StoreGroupID" : "3046", "GroupID" : "22225" } 'úUdefScor!0.0000¸÷g#!2013-10-17 14:43:18!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!2013-04-16 19:02:26!0g#¸÷g#!0g#¸÷g#qThe Saint’s Visit Havana with a Touch of W.A. M. for C Trombone & Piano Traditional Arr:Terrett Keith Terrett Music for all Occasions An arrangement for C Trombone (BC),of ’The Saints’ with the exotic Rumba and a touch of W.A. Mozart! A light work for your next concert, which your audience will love! TC parts are available on request.*úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-03-31 11:48:32A{"width":205,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"9BD81262-15FF-11E7-8980-E02FCCB39C54","position-x-pc":"0"} ö!0g#¸÷g#!410#¸÷g#!600#¸÷g#°S:úU€2CúU¸iWúU0MÓúUø,GúU²úUH³™úUøyúUÚBúU8ÇúUØàBúU˜èúUÈê9úUàÒúUPqÚúU˜ƒ'úUX7úU OúUsGúU§ÈúU—íúU™¦úUH^ÔúUÀˆ,úUø¹úU€­ÿúU8ûúU˜«èúUhÉLúU@"MúUífúUèyúUiúUxCôúUøWúU0àBúU0GúUPxúU°2GúUX­NúUPXEúUp°°úU8TúUðMmúUMéúUÀ¹ÂúU0YØúUXxkúUøßúUà÷+úU°7úUhgúU ?VúUè-6úUèm&úUëaúUPƒÎúU`-öúUà†,úUpWàúU?%úU(÷þúU˜±VúUðš$úUÀ´HúUÐùGúU¨ú úUˆiÃúUX`ÔúU˜êúUðýúU@ýúUØb¿úU¸ úUP˜íúUøÆúUÈÜëúUX.þúU!3g#¨øg#!6.00¸÷g#!3.00¸÷g#!6.00¸÷g#!3.00¸÷g#!0g#¸÷g#!÷g#è÷g#!0.00¸÷g# !97974¸ûg# 2úUQBollywood Tango for Bb Piccolo Trumpet, Trombone & Keyboard.sibQBollywood Tango for Piccolo Trumpet, Trombone & KeyboardHúUPä0úU!49g#¸÷g# "úU!0g#¸÷g#ÈzúU!4g#¸÷g#È„ÌúU!1g#¸÷g#xIúU!2014-06-29 11:28:47úU!2021-09-01 17:57:14!20118øg#øó9úU!0g#¸÷g#À&]úU!2g#¸÷g#c„úU11.20Ø÷g#0!sib#¸÷g#øéPúU!250#¸÷g#àG™úU!0g#¸÷g#0õVúU!2014-06-29 11:28:47úU!2g#¸÷g#èóúU!3771¸÷g#°QWúU!2g#¸÷g#À€OúU!øg#¸øg#pµÅúU!97052¸÷g#À&]úU!0g#¸÷g#`aÆúU!0g#¸÷g#ØàøúU!0.00¸÷g#ÀšDúU!6.10¸÷g#Î…úU!3.60¸÷g#c„úU10g#Ø÷g#8€šúU0!Keith TerrettükúU!÷g#¸÷g# Z]úUð0¹úUèU]úU( ïúUx~‹úU(ßúUÈ2!úU@ZúU¨U)úUPqWúUHŽÑúUÄúUÈŽ›úUHvúUÈT±úUXmúUH3kúUOþúUØÃúU˜ðúU8e2úUâ:úU úMúUð*ÞúUèÃÁúUèMúUЂúU¨ukúUØäúUHR]úUè¼fúUDÂúU05úU˜¶ÁúU©úUÀìlúUïhúUØ~úUØgGúUØaúUøˆúUÈÇèúU8iúUZ]úU(µõúUèqúU`ZÇúUXCÂúU öúUU]úU8ÃòúU˜>úUÀãúUxD±úUH…úUHR]úU7ÚúUÀÁúUjÁúUXY]úUhŸúUÈÞ)úU8M©úU0)¸úU¸ÂúUèœ úU(ä‹úU@LúUÈ ÂúU€×ðúUè QúUX„gúU!oúU˜>úU@•úUˆ¹TúU¨äúU¸V]úUÈüúUˆ¿ÁúUðž`úU¨GáúU`¥úUh·ÁúU ~UúUXY]úUKúUÈ– úU8=¢úUàË}úUHNúU¨°™úUˆÞwúUÈ£ØúUØ·~úUˆgÁúUP¢_úUhÂúU@úUȳ”úURlúU°f)úUhÂúU múU˜ ÂúU˜m:úU€i±úU¤^úUH±]úU¨GáúU6¾úUHŽÑúUÐ'úUÈ8ùúU8ÓÝúU€åôúU8Ô.úUHLóúUxoòúUàäúUÈÆúUÈÓGúUˆÏóúU@m8úUhYÚúU¸:úUêÁúUXüúU(ÂúU(ÕÿúUèqpúUÈÓGúUx&ýúU8ÞtúU˜Š‹úU@åúUx»ÁúU0ÙúUx~‹úU` úU ©ÉúUˆ­úUÀr€úUØÃúU¨'úUÇÁúUè°îúU(ÂúUЀúU ‹ÏúU¨¬úUà!aúUHR]úUpÖúU ùúU(}™úUøàðúUPÚúUˆ¹TúUH*¾úU¨‚¼úUðÝgúUh·ÁúUè°oúUÇÁúU¸õ:úUXCÂúU ðÚúUHŽÑúUàã½úUx¸TúU˜ÔúUÈ1ÞúUhŸúUгJúUØ[#úU0/BúU4úU81ªúUðnúU8Ô.úU˜G™úUØDÂúU˜ 6úUØ8PúUX„gúUà8ZúU˜ ÆúUlòúUÞgúUØÛ.úU0È+úU¸Ô„úU¨ukúUøèñúUx~‹úUÈmñúU ùTúU˜8)úU}úUhPhúUX„gúUXXlúUpö€úUˆdEúU¸æ›úUH§¸úUØAûúUà¼úU¨ÂúU@GøúUØÛ.úUˆ'úUÈAâúU IúUèEVúUPu/úUèqúUzíúUHÂúUöúUȵÁúU ßúúUGVúU˜Š‹úU˜VõúUXÜWúUÏ€úU8@±úUˆ¹TúU¨'úúUh¨ÉúUxY'úUhµ¾úU(Ý»úUØ–¿úUØÃúUx$‚úUEdúU˜ÐúUp$ÐúU˜ñÀúUHÿúUXg8úUP¶TúUˆÂúUˆ¶núU˜öúU°¦XúUèd´úUH&úUi:úU¨ZVúUèÃÁúU\"úUÅÁúU¨óóúUÃÁúUˆÂùúU¸ŽHúUtÿúUÐEæúUÈU—úU8S‰úU8u6úU€‡úUèU]úUðúU˜á)úU˜=ÉúUÂúUH|ÙúUg¸úUÈŠ-úU²ìúUhúúúUïÚúUˆHVúU&úUèÏ`úU f9úUàpúUx]µúU€ÙúU*múU¸ÈÁúUøHêúU¨GáúUHFúUx¸TúUðßúUHŽÑúU$õúU˜ýúUPöúUhH™úU€ÚúUx¸ÁúUÈÉúUh·ÁúUÀêôúU¸V]úU 'úUÈÞ)úU‡ÅúU˜è|úUh¿ úUèsIúUH–7úU(hÿúU(ÂúU@'úUx¸ÁúUè %úU˜öúU8ÀòúUx»ÁúU`BøúUÈÇèúU/húUˆ¹TúUxZiúUÈÇèúU¨]:úU¨U)úUè'úUØÃúUPê©úUèýúUH3kúU IúU˜ÓhúU¸«^úUp<–úU0‘3úUxFaúUôúUx†úU¨ukúUˆôúUü—úUxY'úU(‹-úU˜TxúU0ì#úUØDÂúUÐÒèúU˜á)úUÈ^ôúUzúUxFaúU@µúUð²úUn¸úUèw¾úUÀÁúUØzˆúUˆÂúUаîúUø´ËúUÐxüúU˜Ê´úU¸JúUx~‹úU˜<éúU¨eúUø£8úUÇÁúU¤ƒúU˜>úU€%oúUDÂúUpgúU±úUÈÓGúU¸RoúUð’`úUˆ<±úUðLúUh´ úUÂúU`í:úUȵÁúU0ùúUxìlúUˆ­úU8ÿúUÃÁúUXÄòúUÈ2!úU@9ZúUøÛ)úUúUø|úUÈ„+úUÀmžúUà¦@úUª`FúU˜æÅúUÿÀ±úU°œ2úUÿpæ±úUHD¡úUÿÉÏúU`†úUÿP7múUØFúUxËúUÿà!úU¨êúUÿ°2³úUÀç úUÿÀ_^úU8ÞÙúUÿÀSúUx„[úUÿ¾EúUøˆUúUÿП4úUpþ–úUÿ òúUH†~úUÿÐ!uúUØz¹úUÿ0½úUxi%úUÿàyúU ÏaúUD4·úU(·ŠúUÿ ‹»úUà‡NúUD€´·úUàšmúUD ’8úU(EúUÿÐúU+múUD@¿UúU0/ýúUÿpœúU ·>úUÿ€!}úU0óúU  @uúU`Š¿úUÿÐq@úU¸Þ>úUÿP$GúU(‡úUÿÐ=úUH]vúUÿкŽúUàÆÐúUÿX;úUøX>úUÿðkûúU úUDÒúUp!ÄúUÿдúU(z8úUÿ°ÅaúUðÓTúUÿ &²úU@îðúUÿp7oúUøiEúUÿ°úU½úUÿPØFúU˜Ð»úUÿ°úUPvÏúUÿ`Ü[úU¸°ƒúUÿ d™úUÁåúUÿ@‘úUÐVéúUD`¾úU0CúUÿpn±úUp”úUD€ÐQúU’kúUÿîxúUà 7úUD`wkúU0´úUD0YÚúUHá®úUÿ°X™úU°g5úUDŽ·úUÀC¹úUÿ@2yúUÔtúUÿ°ÇFúU(sØúUÿ@²~úUØ}¹úUÿœèúUÍúUÿ0).úUp`ÐúUÿ@‰LúUHuöúUÿàŒúU–BúUÿ ;!úU?uúUÿ³MúU¸CúUÿ`7KúU¨q^úUÿ1LúU Õ·úUÿОúUØš¯úUÿ°†úUˆ‚ÌúUÿà¾ÚúU`ŸúUDàÄtúU@;RúUD KiúUPÎúUDP|kúU°úUDÐ.ÙúU°ºúUD@‹·úUx^©úUÿúUÿ`ªŠúU°…ºúUDÀUÄúU(ÌèúUÿP0ŸúUp¡¾úUÿÀÀgúU¸v¹úUÿàïhúUªsúUÿ@SúU8úUÿÀàSúURúU0:´úU°–úUÿP:múU»lúUÿ„púU@™;úUÿÀf[úU˜ äúUÿPE”úU¸ñºúUÿÀŒpúU ±DúUÿO'úU` €úUDp€QúU˜²úUÿ°3)úUà#ŠúUDü~úUhwúUÿàó±úU`l@úUÿ@…cúU¨ÙxúUÿpnÇúUÀ ^úUDÀD}úUøíÕúUÿЃ–úUp‘äúUD ÷úUfoúUÿçúUPL…úUÿ`Ï€úUp€úUÿ ´túU0êôúUÿp}îúUpô>úUDðE}úU€A–úUÿàu$úUõÞúUÿ>!úU(búUÿ`y$úU¨"ÄúUÿ<ßúU€ö5úUÿðÆCúU°^åúUÿàHúU(ï¸úUÿðÁ†úUЗ»úUDdYúUPï“úUÿ`^HúUHÄúUÿ°RúU NúUÿ°=úU0@¹úUÿpšAúU°¼úUÿºÚúUÀÃSúUÿ€çúUXM>úUÿ€uúU@òÒúUD ±¾úUØùXúUÿÀvÑúUÎÏúUÿ°u•úU€9=úUDp¦·úUpjfúUÿÀàyúUÈŠúUÿ@ª4úUXÝfúUUàs:úU ˆýúUÿ༅úU(äúUÿð¯7úU VúUa8à <úU@G³úUà <úU@G³úUlt refineOption refineCheckBoxes " id="refineCommonInstrumentOptions">

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    odal-body --> œúUà P±túU`™úU !Èùg#Èùg#s="refineField " rel=""> on_46á@—úU¸÷g#s="refineField " rel=""> e="1" name="sol1€CúU ¾úU <  àœèúUœúU@€-1713472474742; path=/; domain=www.scoreexchange.com; expires=Wed, 17-Jul-2024 20:34:34 GMT; secureÀ ùg#¸ùg#(9?úU!787892¸÷g#!0g#¸÷g# The Spirit, loosed from mortal pains - Download Sheet Music PDF file
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    @RÐúU¡Høg#Høg#492879€¢UúUP˜±úU 0°/búUHÚúUŒù ´4928691à÷žúU¸÷g#84578à‰†úU4À1. In Christ alone my hope is found, He is my light, my strength, my song; this Cornerstone, this solid Ground, firm through the fiercest drought and storm. What heights of love, what depths of peace, when fears are stilled, when strivings cease! My Comforter, my All in All, here in the love of Christ I stand. 2. In Christ alive. Christ. 4. No guilt in life, no fear in death, this is the pow'r of Christ in me; from life's first cry to final breath, Jesus commands my destiny. No pow'r of hell, no scheme of man, can ever pluck me from His hand: Till He returns or calls me home, here in the pow'r of Christ I'll stand. No pow'r of stand. 2. There (In in Christ the a)lone! – who took on flesh, fulness of God in helpless babe! This gift of love and righteousness, scorned by the ones He came to save: Till on that cross as Jesus died, the wrath of God was satisfied – for ev'ry sin on Him was laid; here in the death of Christ I 3. ground His body lay, Light of the World by darkness slain: then bursting forth in glorious day up from the grave He rose again! And as He stands in victory sin's curse has lost its grip on me, for I am His and He is mine – bought with the precious blood ofg#!øg#øøg#8ÈúUÑCopyright © 2001 Thankyou Music (Adm. by CapitolCMGPublishing.com excl. 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It represents the music found in a bull ring. See my home page for other star signs:- Gemini/Capricorn etc. http://members.sibeliusmusic.com/petepeters Thanks. kMúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¨ûg#Pß úU!0000-00-00 00:00:0089!÷g#¸÷g# !0g#¸÷g#!210#¸÷g#ЩnúU!297#¸÷g#€RDúU!0g#¸÷g#532888!1g#¸÷g# !650x919¸÷g#!0g#¸÷g#`ËúU!1g#¸÷g#Àí8úU!3.00¸÷g#478735!2023-05-07 08:24:06!2023-05-07 08:24:12!981268¸÷g#°ÅúU!891361¸÷g#°% úU!0000-00-00 00:00:0006!0000-00-00 00:00:00Q8ïúU!0000-00-00 00:00:00úU10000-00-00 00:00:008—+úU0!d_burndrett@yahoo.co.uk!basford9000# !0000-00-00 00:00:00!DoReMi¸÷g#àyúU!0g#¸÷g#225902!0g#¸÷g# !0g#¸÷g#!0000-00-00 00:00:00úU!0g#¸÷g# Qxã úUå …¬SE::Basket::OBJECT_CACHEçúUP!÷g#ÁúU 1èã úUu:1Òx8›DúU(OúU0¿_úU8CAúU8oIúUpJNúU0èúUð]EúUP¯KúUÐ:úUhÌIúUxÊçúUøoúU`ôCúU .UúUÈû úUxWúU€KSúU «õúUÐ~šúUˆœ:úUðKNúUˆOúU‹„úUÐCúU''úUÀ¤úU(!!úU úU(&iúUØOúUˆ§AúU o0úU@åeúU ÒIúU˜1öúUxúU A(úU¸QúU0ˆ%úU0*LúU0}FúUˆ$!úUÿ—úU°äúU ÕLúU &úU0ˆšúUÀ ªúU¨EéúUX#öúUÐ-GúU€[úU€UEúU€lOúUà*úU ²ŒúUPÆúUIúUHß-úU¸/ÛúUØkúUØLüúUÈ{ úUÈÓLúU8 ÊúUø)CúU@0 úUçWúUhlIúUè” úUXd#úU¸óJúU`øúU èÞúUÙBúU@ÞÚúU1Easy PianoúUet=UTF-8_SID0!÷g#°ùúUaus-24-k!÷g#¸÷g# !0000-00-00 00:00:00úU!0g#¸÷g#!0g#¸÷g#10g#Ø÷g#ÀéúU0!0000-00-00úU1 ïëúU !2011-05-08 08:13:28úU!0g#¸÷g#ØÃúU!0g#¸÷g#ນúU!119071¸÷g# úU!÷g#¸÷g#8Ô‚úU!1g#¸÷g#h´&úU!0g#¸÷g#ài)úU!1g#¸÷g#àrúU!0g#¸÷g#¨øg#{ "GroupOrd" : "220", "StoreGroupOrd" : "220", "StoreGroupID" : "2373", "GroupID" : "21227" } úU`ÐGúU!0.0000¸÷g#ÒúU!2011-05-08 08:13:41úU11g#Ø÷g#/!úUÀDúU0Qˆë úU‹ÛVªSE::Currency::OBJECT_CACHEúUP!3348146@0vúU !3030872¸÷g#!0000-00-00 00:00:00úU!0000-00-00 00:00:00úUQ €$úU1¨ì úU¥àêI43087!106462¸÷g#!÷g#ø÷g#ø•ˆúU1182136Ø÷g#@¨ìúU01Six Christmas Carols violin/cello duets!56g#¸÷g#°xìúU!0g#¸÷g#À gúU!2g#¸÷g#øg#!2g#¸÷g#!2011-06-10 11:24:48úU!2023-09-15 13:14:52!3702320ôúU !2017-08-21 18:45:06AMoonlight Serenade for Bb Trumpet & Piano<úU@!Anthem for SATB & Organ!NameðVÄúU !PhotoFacesFound !1 úUarScoresData!1g#°NúU ahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_2072060sn4Pqt1GV0.png`!0g#ð%LúU A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"7E564D60-1615-11E7-8682-ABE435BA7990","position-x-pc":"0"}n@Q8•MúU!0g#¸øg#ˆ.&úU!÷g#¸÷g#è˜èúU!0.0000¸÷g#°²NúU!2014-06-25 20:16:29úUQVivaldi Gloria in D major SSA soli SSA choir with a small orchestraúU!1g#è÷g#(ëJúU!0g#¸÷g# 1ANTONIO VIVALDI Edited by Roar Kvam!÷g#¸÷g#10g#Ø÷g#àNVúUÀºÝúU0Qøó úU¡B³-1713472305138P!2017-10-21 00:07:46!598#¸÷g#à"éúU!51290¸÷g#¶CúU!373#¸÷g#1812011trad.Ø÷g#10!÷g#€Ò`úU !0g#`ZTúU­MúU!0g#¸÷g#p#˜úU!0g#¸÷g#h¯!úU!øg#Høg#à@¯úU!0g#¸÷g#¨iÿúU!÷g#¸÷g#À#úU!2011 By Chad Criswell!÷g#¸÷g# !DBD::mysql::st2 ßUúUPÛžúU ßUúUðLMúU482667!ð4úU€?WúUP0°úUˆö úU–©‘525498aÀ½“úUp<‹úU 0ERúUØö úUN­º#525477ì¾úU ÃúU 0p"8úU(÷ úU¶¶503808qðILúUà-ÝúU 0RúUx÷ úUñï 525476!v¢úU@RúUÀ0ÀÃúUÈ÷ úUš-yî454162!p’·úUðÃúUà0§RúUø úUxŒÐ454159Á/@ÐKúUPMÒúU@œTúUhø úU"‡ª614564q-úU°³GúU 0€¥“úU¸ø úU5`”þ503792!ýúU°¥“úUÀ0ð>“úUù úUÏ ‰Ñ503783áöUúU¾=úU 0wTúUXù úU²3¥>454098qÀ‹]úU°Ì=úU 0LúU¨ù úU}Õc454082!@¸túUÀLúUÀ0 À=úUøù úUBŽ,413077ñà¸TúU ¹³úU 0àÔ´úUHú úUÑr¤ò454044!àbúUÕ´úUp0 ÙvúU˜ú úU¦´_V454034q°QcúU†¢úU 0°†¢úUèú úUWtñE525455!à$åúUà†¢úU0@aJúU8û úU_r˜525452à\‹úU€£²úU 0 5úUˆû úUH]›é399123!ð¾ƒúUP5úUp0 "7úUØû úUÈO.525444!ð4úUP"7úUÀ0ð£²úU(ü úUB¸'525431! 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ÎúUb[úUp0`jwúUÈ1 úU'Mbá453772Á@,úU ˆúU 0‰úU2 úU°Î¶â453765q°4úUpê‚úU 0)úUh2 úUÔl§0453749!8úUÀ)úUð0аdúU¸2 úU¡‘¥453732! êÑúU€äiúU00pówúU3 úU Œw#453701Á€çúU°¯túU 0 úUX3 úUa"ÃÜ416207qÀ‰ôúU$ßúU 0À%ßúU¨3 úU²*ë494037!ðÐúUð%ßúU 0€HúUø3 úUñÍ494022QP&yúUPæyúU@”ÚúUH4 úUÿ²ú48991a€‘úUôHúU 0pôHúU˜4 úUi5xá494000@ÂmúUPTEúU 0P¦´úUè4 úUN½A482517!pòHúUŠSúUp0pTEúU85 úU¤¸í 482512q€¾ŽúUà½úU 0PÎ7úUˆ5 úU÷óíi482509! h”úU€Î7úU°0Û"úUØ5 úU{‰}†473458±ð}^úUp(uúU 00CúU(6 úUµMœ473457a<)úUð úU 004.úUx6 úU.Õvl473456q€—ÐúU°ËtúU 0ÐËtúUÈ6 úUø,ý473449! …»úUÌtúUÀ0 úU7 úUÛBÊ193187q@ŽçúUà¶múU 0Ðé2úUh7 úU€ûØ482498!À%³úUàHúU0èyúU¸7 úUQÃ473426‘ ê‚úU@ \úU 0 €aúU8 úUÆÚh473413!PÉ+úUpç‡úUp0GúUX8 úU$&m366907¡@9óúU€¥4úU 0@úU¨8 úUk5^473409q@ÁaúUL‚úU 0àÛ+úUø8 úUö{b¥416136!À%³úUÜ+úUÀ0p~úUH9 úUü.u~416124±`š;úU€ƒSúU 0‰»úU˜9 úUäwÄ¥462014! …»úU0‰»úUp0ðƒSúUè9 úUÀ½R461928ÐQ·úUÀóúU 00óúU8: úUçPç461922ÁÐ{núU`½gúU 0@þúUˆ: úU8jÚe461909!P”‰úUpþúUp0€½gúUØ: úUTÿš461907!àdúU€jÑúU@0`¨]úU(; úUQÚø461900!›·úUPÉÏúU  0ð½úUx; úU®0ç461899‚¡úU9ßúU 0jwúUÈ; úU /ŸŒ461777ÁP‰†úUÀúU 0 òúU< úU£;VC473398q€ŸúUpnúU 0°åúUh< úUKb«Ö473391!°ƒ¯úUàpnúU°0¸< úU† +¥ u!0g#8øg#x0öúU!1g#¸÷g#ÀJÓúU!161440¸÷g#PiIúU1The Piano Guys, The Piano Guys0QP’MúU!0g#îúU QpÚúUhîÁúUÀ'ÇúU12019-06-06 16:26:24mentationnt0!4.75@\úU1[]g#Ø÷g#0¡This is a fairly straightforward arrangement of a traditional Welsh melody that has been designed to give each instrument an interesting part to play with a number of different groups playing the melody and accompaniment. It should work well with a choir or congregational singing the traditional words. [I decided to arrange all the Christmas carols for my concert band after many years of playing the same-verse arrangement 4 or 5 times always with the flute, clarinet, and trumpet having the melody!] Hope to upload my full collection soon. Any suggestions or comments welcome. The Mp3 was recorded with NotePerformer 3. Grade = 3 Duration = 1:55 mins. !5.50¸÷g#8„úU!0g#¸÷g#P.úU!0g#¸÷g#¨¿IúU!0g#¸÷g#øéPúU!÷g#¸÷g#àG™úU!none¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!1.50è÷g#˜ù"úU!2011-05-07 22:14:35!375130YgúU Q/usr/www/resources/ADAP3/GenericObject2.pmЪÔúU2úUP!øg#ÀÄBúUintosh; !0000-00-00 00:00:00eWeb!0g#¸÷g#e Gecko)!0000-00-00 00:00:00.15 !÷g#è÷g#ww.apple!0g#¸÷g# 1City of Stars (from La La Land)ÿÿÿ!42g#è÷g#ÿÿÿ!624#¸÷g# !0g#°ŽúUDC2-11EE!522x696¸÷g#=/; doma15g#Ø÷g#; secureÿÿÿ0!0g#p7úU10g#Ø÷g#0!÷g#îúUcoreIncl!0000-00-00g# APräludium F-Dur aus: 24 kleine Präludien für Orgel!634#¸÷g# 1¸E úU2E124609ahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_1314440463Umy8LKf.png`!0000-00-00 00:00:0011g#Ø÷g#0aArtist: Tears for Fears, Roland Orzabal, Ian Stanley, Christopher HughesHammerstein, Oscar Hammerstein II, Richard Rodgers, Oscar Hammerstein IImmerstein, Oscar Hammerstein II, Richard Rodgers!€SúUQÀ7úU‘íúUøÚúU14.75Ø÷g#ountriesnIDN0!TimCurd8øg#!1g#¸÷g#¸}áúU!0g#ø÷g#ˆ*GúU11g#Ø÷g#`°VúU¸pÍúU0102511EA2-DF8F-11E9-BB11-78úU!0g#¸÷g#X“ËúU!0g#¸÷g#жYúU!0g#¸÷g#MgúU!1g#¸÷g#@ÀúU!650x916¸÷g#!0g#¸÷g#˜ÇúU!0g#¸÷g#00úU!5.00¸÷g#¸‚úU!2023-04-17 19:31:31úU!2023-04-17 19:31:37!840571¸÷g#!1139041¸÷g#øu_úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!2.00ð …úU !1.50øg#z' data-!2013-10-11 03:10:34!1g#¸÷g# 1richard.maddux@gmail.com ID ='11922'14668 Columbia River Ct01ØK úUŒÇ[ 115742!2.00¦FúU !Uncategorised music!334983¸÷g#ãûúU!0g#¸÷g#˜þ„úU10g#Ø÷g#ÇÃúUÈPcúU0!÷g#À.úU10g#Ø÷g#pðhúU­9úU0 Í©úUP¥éúUà¶-úU8eúUÞ'úU(±›úU˜½ÀúUðAúU8HèúUx úU°½ÍúUèRØúULÂúUØÿúU(÷9úU(R˜úU`êHúUÀúU. úU öúUØPAúU Ñ:úUH £úU0¨"úUÀ¢(úUØ úU`ZúU¸úU8iµúU]ÙúUvÉúU8DüúUÀ³júU8óçúU )úU°‰ËúU ¼úUÕkúUÐFIúUH”ˆúUðì9úU¸g úU8úU0úUˆ¥úUàgúUèÎúU†6úUÈ`)úU(Š6úUè¼úUhèHúU(o0úU˜ž¦úU8·/úU°ÓýúUÈÂúUpd³úUÄ úU(‚ úU€i&úU@âúUE%úUP«fúUàà-úUxOHúU0ŒeúUØb)úUÈP:úUè{*úU˜ƒ$úU8úUXëJúU€$£úUè¾/úU°Z úUòbúUxP˜úU474027¡8 Christmas Trios For Trumpet Score and parts included. Part 1: Trumpet in Bb Part 2: Trumpet in Bb Part 3: Trumpet in Bb A collection of fun Christmas trios for trumpet. These pieces could be used for a school concert or just played for fun. Included in this collection are the pieces: Jingle Bells, We Wish You a Merry Christmas, Good King Wenceslas, O Little Town of Bethlehem, Silent Night, Hark The Herald Angels Sing, Deck The Halls, Ding Dong Merrily On High. Check out my other trios! 14 Easy Trios (Grades 0 to 2) 14 Fun Trios (Grades 2 to 4) 9 Spirituals (Grades 1 to 4) There are also some duets and quartets too.U !4.99¸÷g#!1g#è÷g#`1îúU!0g#¸÷g# 1àFTY#<¤þúU!2019-09-25 13:06:47ahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_1363612N63Uly8KKf.png`!0000-00-00úU !0g#ÒßúU !2.00 òúU !÷g#ðÊúU èúU^úU@á*úU0žúUà$þúU ÄÀúU0jhúUúUx9%úUxÈ úUxè*úU¸Ï0úU0©úU`úˆúU(fhúU!2024-04-17 00:00:00!482#¸÷g#P!0g#è÷g# !0g#¸÷g# á ch0bUúU0­3úU@H(úUP%‹úUKP$( !(ˆfhÐ}…úU°CÐúUP`dúUp~uúU ux:ËúU€÷‚úUîSúUð­ úU "´úU €¼úUOPà__úUð£ZúU/00„lúU  «°àþ>úUàôúUðÚ>úU!149945¨ûg#d úU!2017-06-09 17:10:17úU10000-00-00 00:00:00PÇúU01Light Years Away, Anthem for SATBÁúU!23g#¸÷g#¸—húU!0g#¸÷g#ïZúU!3g#¸÷g#ЫøúU!1g#¸÷g#Àì úU!2017-02-16 09:39:36úU!2023-03-17 14:50:24!Christopher EvansÉúU!÷g#¸÷g#ð`úU!2017¸÷g#0¦ÿúU10g#Ø÷g#0!sib#¸÷g#èãúU!178#¸÷g#¸îúúU!0g#¸÷g#P§úU1Light Years Away-Anthem(SATB).sibúúU!2017-02-16 09:39:36úU!2g#¸÷g#ÐúU!1581¸÷g#ˆùúU!1g#¸÷g#`öñúU!2g#¨øg#xKúUÁA poem by the Wolverhampton poet, Sheila Barnfather, set to music as an anthem for SATB. There is another version for SAB also available for choirs with few men’s voices.!10.00¸÷g# !ýg#8ýg#h úU1Copyright © 2010 John Ross!÷g#¸÷g#!0g#¸ùg#h'þúU!0g#¸÷g#!0.00¸÷g#@#ËúU!1.50¸÷g#!0.00¸÷g#8¹àúU!0g#¸÷g#`5úU!÷g#¸÷g#à³cúU!0.00¸÷g#GüúUÁ["96029","161690","128890","188132","139312","196754","97625","186827","132699","102660","142883","361660","163194","128045","90537","118333","146170","187194","399706"]]úUÎúU!2020-09-19 00:16:4810g#Ø÷g#8ÔÃúUhžùúU0!1g#˜üg#k úU!0g#¸÷g#!÷g#¸÷g#!20.4800¸÷g#!2017-09-18 03:11:571Ave Maria Caccini SATB Organp!0g#¸÷g#!0g#¸÷g#!5g#¸÷g#!2013-04-09 11:21:03!0g#¸÷g#!0g#¸÷g#ñAve Maria (Caccini) (SATB, Organ) Giulio Caccini Anonymous John Ross Caccini’s ’Ave Maria’ has become enormously popular in recent years. This choral arrangement is ideal for use by church and community choirsm úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ð,úU úU ÑúU°OŒúUðþúUh„búUð²úUðÌúUØ0lúUˆ2ïúU<ïúU`µ©úU0AÓúUÀRnúUÞûúU@8ÏúU`†ûúU ÎúUˆÈ`úU¬üúUH<ïúU¸ÑúUðÊhúUáøúU¸q[úU¨ úU þˆúUh‰%úUÐ8ïúUVÀúUppúU(ÒÚúUÈúU³júUˆ(úUø³úUX’ÛúUhïËúUh'þúUÈÐýúU¸}úU(ÉÆúU@#ËúUÏúUÆúU8^÷úU!úU8¹àúU¨ªõúU(8zúU°Õ úUˆÅúUà³cúUp+úU úUGüúUXúU@?úUˆ´úU¨ núU&þúUäúUàî€úUÐÛîúU …þúUˆÃÆúUP^úU8Ž]úU0ýúU°YöúUHXÔúUˆ.úU BúU 7ÁúU€êtúU°þúU8ÔÃúU­ÜúU0!2017-06-09 17:10:17!0000-00-00 00:00:00ØÃúU ÔyúUX{NúU¨µúUø3áúUaúU¨ukúU ððúU@MúU¨ukúUh)ªúU õ úU¨ukúUè~úúUH§¸úUHî¿úU¨eúU؃úUHÂúUPÇúUxoòúUˆù±úUDÂúU(€èúU°©ÌúUhÂúU8èúUHL]úU(&oúUxÂúU¸Ù5úUŒúU¸ÂúUF úUÈ ÂúUÈúU¨eúUh¹%úUè{åúU¨ŒúUДEúUÈk¸úUÇÁúUÈ2!úUxÚ)úU˜á)úUP9ûúU˜>úU€íðúU¨AIúUhÂúU`ïéúUÈ2!úUÈ")úU8u6úU(TúUx»ÁúU ÆIúUØûúUˆ­úU@¢múUèEVúU0úUèU]úU0í&úU˜á)úU€WËúU%GúUˆ dúUXzèúU¨‚¼úUˆè úUøÒ¨úU UúU(´ËúUxHúU˜Õ 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All 4 movements of the ever popular serenade are now available - enjoy. úU* úU!4.50¸÷g#(5 úU!0g#¸÷g#˜½ úU!1g#¸÷g#0È úU!0g#¸÷g#¨9—úU!÷g#¸÷g#òðúU!÷g#¸÷g#˜]úU!0g#¸÷g#8Þ€úU!÷g#¸÷g#úúUAcopyright this arrangement: David Wheatley 2014UúU!÷g#¸÷g#ho¹úU!1.008øg#(øg#!2019-04-06 21:51:45úU!0g#¸÷g#˜ù"úU11g#Ø÷g#˜ù"úU01Josef Johann MichelitySetOfPart0!147518¸÷g#QCopyright © 2013 by Charles Hammell. CCLI. BMI. 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There is another version for SATB also available.35475!10.00¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#‘1. v1There was music at the manger. Mary sang her song of love To him for whom the choirs of angels Announced welcome from above. v4Bringing music to the manger, We look back through history, To Whitson, Crucifiction, East er And to Advent's mystery. v5Bring your music to the manger, See his glory, truth and grace, Know the power of his gospel! See in him the father's face. v6Sing again the Christmas story, Share the shepherds humbleness. Know the Magi's costly journey, Carol Christmas hopefulness. 2. v2There was music at the manger As shepherds knelt before the one Great shepherd of the human flock, Acknowledging God's only son.p!Sheila Barnfather!0g#¸÷g#!÷g#¸÷g#!Copyright ©!÷g#¸÷g#!ùg#¸ùg#èˆúU!716629¸÷g#!1g#¸÷g#ˆúU!3g#¸÷g#!15.00¸÷g#È'úU!10.00¸÷g#ErúU!15.00¸÷g#ÈkúU!10.00¸÷g#ØT÷úU!0g#¸÷g#ˆ«úU!÷g#¸÷g#hŸõúU!0.00¸÷g#È®gúUQ"ÎúU18P úU'1807091hP úUjö##102660!0.0000èüg#pP úU!2016-10-26 18:02:001Music At the Manger for SAB and Piano!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#ñMusic At the Manger for SAB and Piano Music by Christopher Evans Words by Sheila Barnfather Sheila Barnfather A poem by Sheila Barnfather set to music as an anthem for SAB. 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Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part. Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests.20!4.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸ùg#X iúU!÷g#¸÷g#!0.00¸÷g#ÐöˆúUÁ["205514","205513","201532","201535","142818","142424","142421","142849","205518","205511","142846","201533","366607","205512","170937","153418","72489","143126","142808"]úU^àúU!2020-09-22 07:50:43úU!1g#¸÷g#@…øúU!0000-00-00 00:00:00úU!÷g#¸÷g#!0g#¸÷g#x±ŒúU!0g#¸÷g#10g#Ø÷g#ØøjúUØuúU0!2013-08-07 21:59:28úUA8 Easy Christmas Duets for Flute And Oboe›úU!0g#¸÷g#!0g#¸÷g#!8g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#a8 Easy Christmas Duets for Flute And Oboe Arranged By David Burndrett David Burndrett Eight Easy Christmas Duets! Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! 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ΓÅ`ˆÙAƒ!f|îÅ`ˆÙAƒ!fg”Å`ˆÙAƒ!fr¥Å`ˆÙAƒ!fÿÍÅ`ˆÙAƒ!fq8Å`ˆÙAƒ!fðþÄ`ˆÙAƒ!fÒ‹Å`ˆÙAƒ!fó«”Å`ˆÙAƒ!f„ñûÄ`ˆÙAƒ!fa¦Å`ˆÙAƒ!fÛlÅ`ˆÙAfƒ!fˆÙ`ˆÙA*@@€A@ø?ƒ!fœP0ä`ˆÙA@4@@@.@œƒ!f#÷8ç`ˆÙA.@.@ø?ƒ!f,žÅã`ˆÙA@@ƒ!f–?ä`ˆÙA@@4@.@#€A@ƒ!fwÅã`ˆÙA˜ƒ!fƒ¤"æ`ˆÙA=ƒ!fOSÏ`ˆÙA„ƒ!f Ìá`ˆÙAìQ¸…ë@hƒ!f‚‘ Ú`ˆÙAeƒ!fgÕyÙ`ˆÙA„ƒ!f¼éá`ˆÙA=ƒ!fªISÏ`ˆÙA³ƒ!fÍ?ýì`ˆÙAYƒ!fÙ_nÖ`ˆÙA•ƒ!fîCå`ˆÙA„ƒ!fi#á`ˆÙALƒ!fÞ®1Ó`ˆÙAfƒ!f™€Ù`ˆÙA¥ƒ!f&ué`ˆÙA2@9ƒ!f˜oÎ`ˆÙA˜ƒ!fP&æ`ˆÙA˜ƒ!ft~"æ`ˆÙAhƒ!fÏöÚ`ˆÙASƒ!f©öÑÔ`ˆÙASƒ!f^ØÐÔ`ˆÙAmƒ!ftÓ~Û`ˆÙA΃!f0G£ó`ˆÙA¶ƒ!fÉÉ…í`ˆÙAœƒ!f#ø8ç`ˆÙA=ƒ!fèLSÏ`ˆÙAYƒ!fc`nÖ`ˆÙA=ƒ!f0GSÏ`ˆÙA?ƒ!fþîÔÏ`ˆÙA¨ƒ!fc³-ê`ˆÙA„ƒ!f>á`ˆÙAfƒ!fŠÊÙ`ˆÙAoƒ!f¨ØÛ`ˆÙASUBT SCO!208797È÷g# !3g#Pp.úU 1HASHØ÷g#01guitarviolin73~ÿÿÿÿ0!÷g#0MDúU 1XžúU†¸ék300565!161440¸÷g# !1g#ð¶$úU!0g#¸÷g#ðƒúU10g#Ø÷g#227705ÿÿÿÿ0!115321l::st 1HASH°cúUine"> 0áThis is a fairly straightforward and useful arrangement of a traditional carol - While Shepherds Watched Their Flocks By Night - that has been designed to give each instrument an interesting part to play with a number of different groups playing the melody and accompaniment. It should work well with a choir or congregational singing the traditional words. [I decided to arrange all the Christmas carols for my concert band after many years of playing the same-verse arrangement 4 or 5 times always with the flute, clarinet, and trumpet having the melody!] Hope to upload my full collection soon. Any suggestions or comments welcome. The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 1:40 mins. !øg#Høg#!÷g#¸÷g#xãtúU!0g#¸÷g#؆øúU!Cambridgeg#³xúU!0000-00-00 00:00:00NúUª°¦_úU‚WúUD€“%úU`|€úUÿ@ʱúU°ÙVúUD€þgúU$ØúUD°ØúU ìöúUDpi úU9ÿúUD°²ûúU€£úU0ýúU@ÛúUU ”úU°£úU¢múUDþúU€FþúUD@ýúUªúUhÝúUUà§úUнúUDðÕûúU0µúUDUÅúUàWüúUDð³œúU`×núUD ûîúU‚HúUD0¬WúU€ wúUDp…óúU ¡úUêÁúUÐQúUD€TúUðÝüúUD0ýúU¢úUDð ÕúUð&EúUD «¯úUPêõúUD Z‹úU5úUDpQ°úUP 1úUD åAúUÀúU SœúU0xúU`ÏúUDp‰úU`6úUDКMúUP˜úUÐÐúUD°ÍúU@ï5úUD0ÞMúU`5 úUD£÷úU0¤ÜúUDž÷úU HþúUD0ÍúUÀ2+úUDÀô"úU ÐúUDp ;úUkúUD0›½úU€SúUDp*§úUå—úUD`ÉÀúU°¾úUD@íNúU€<úUDpŸƒúUà4ÝúUD°¨úUÐÔúUDàìNúUc}úUD@¹ûúU UfúU2éúUÿð.>úUÐúUDµ'úUHÃSúUÿ•ÐúUpiúUD€æ¯úU ‘ÞúUDPïúU05úUD€ÕúUpWBúUDúUÀ±þúU €Ð §úU`úUDðÀ7úU@$ôúUPL]úUÐõgúUD>ÕúUÀÉ:úUDo&úU S(úUDà9ŠúU`í—úUDÀqTúU ¹úUD ûúU°káúUDPaïúUˆ/ÊúUÿ09óúU¨EúUDPB:úUPŸúUD@ÌVúUÀ˜úUDàlaúUȯúUÐlkúUD0`šúU 2júUD0zúUPøaúU‡múUDð²kúU€Ö úUD*úúU èõúUD°´ÿúUp°úUàkWúUp½üúU2 ÀNúU €ÛNúU©ÝúUDpõgúU°núUDàÏ$úUði•úUDoúU mÀúUDðvóúU M&úUD Ë™úU°Ü%úUD øJúU`yÄúUD€@4úUðmúUD@§NúUÅÁúUPÏéúUD`†úUЈúUD@LøúUKúúUD€Â2úUð³úUDpSñúUàéõúUD@#:úU>þúUD€xóúU`¡TúUDà| úU@úUD“ûúU£úUD`HîúU j÷úUD0(úUpŽúUD`úUâ÷úUDPuþúU!2014-10-26 20:37:5612017-11-22 16:44:240xoòúU ‘ýúUX’ÏúUÂúUH8òúU[öúUH3kúUˆ1húU8¡ÿúUH>úU0eúU¨GáúUx‡úU(ÔoúUØ·~úU€ÛqúUèU]úUh?úUp ŠúUx’úUH[úU˜,ÒúUXúU0 EúU˜ýúUP?OúUxÂúUø€úU(ä‹úUPMMúU`æûúUÂúUX„úU¸5lúU¨ºÁúU)ÊúUHŽÑúUxýûúUh·ÁúU`ó÷úU˜HaúU0zŸúUHŽÑúU0†úUȳ”úUÝ£úUXQ]úUð ÿúUÐ|ûúUhÂúU˜ cúUH1‘úUöhúU˜%áúU¸ÂúU7úUð wúU˜†úU@LúU¸{™úU`nÁúUHL]úU`‡ýúUx~‹úUÀ“ÀúU èûúUØ[#úUx–húUÀÁúUð“húU˜ÍiúUìëúUøBúUˆZ¹úUÂ]úUÈ>$úU¸&*úU`úUˆHVúU0QúU¤%úUn¸úU0[úUDÂúU 3húUð£ùúUèÃÁúUØvmúU¸&*úUø2÷úUèU]úU çáúU°`¿úUH3kúU ×ÿúU˜öúUúU°júúUx]µúUx]úU díúU¨ºÁúU@F±úU¨‚¼úU<úUˆÀÁúU€bhúU¨‚¼úU8ÎúUH]™úUèÛúUXCÂúUXqŽúUxoòúUx”ðúUx%úU¨‹úUÈk¸úU¸ ðúU@)ÇúUØ·~úU€«þúUx»ÁúUÀ ÍúU(Ý»úUðÊTúU0éþúUx]µúU¤þúUøílúU˜Š‹úU¸zÐúUˆHVúU8áTúUèEVúU8†óúUø¶©úUX„gúU@D¯úUxoòúU ûúUXY]úUÐw,úUƒtúUȆ‹úU¸ÏèúUˆùCúU˜Š‹úUhÉ"úU`#ûúUH3kúU`SËúUx¸TúU˜èÌúUøÛ)úU€öúUøúúU°ºõúUÈ ÂúUøCúUØ.kúU` ïúUèžzúUn¸úUp˜úUÇÁúU°u;úUH§¸úUðüúU8ÃÍúUÈÓGúU0;ûúUøŽèúUØ·ÝúUpÆ7úUØÛ.úUóúUÂúUø|úU ÙúU¸ÈÁúU0ééúU`KŠúUˆ)“úU€PCúU¨GáúUè úUèÔ„úUhúúúU@õ÷úUp;"úUx]µúUÈ7úUxÁÁúU )úúU0däúUxuúUØUúUHÁžúUØ5 úUï¶úUà¿öúUhÂúUmàúUP˸úU¸&*úU0`úUèu>úUø;çúU¨GáúUlÜúUhÿõúUhúúúUðWôúUZ]úUð¼òúUpXÑúU¨. úU@M0úUð/cúUˆ­úUØåaúU¨eúUøªÒúU¨U)úU0šðúUÈk¸úU¨ŽnúU@PYúUˆÄ úUŸ‰úUØDÂúUžúU(ÂúU8’ úUxÁÁúUˆUúU˜öúUïnúUxoòúU8îúUx¸ÁúUˆgúU˜ýúUêúUèU]úUÏúUx~‹úUð6ÂúUÈk¸úUxTúUÂúUà¬LúUðQHúUø´“úUðP1úU¨eúUøIúUÀÁúUÐðúUȵÁúUÝúU`3ÄúU çúUø¹úU(ãÄúUn¸úUxúUPPdúUÈÓGúUX>eúUh‹ÒúUx]µúUP÷ñúUðø_úUÈÓGúU=™úU˜öúU VþúU˜HaúU0nnúUZ]úU0œJúUèqúU€¥þúUèEVúUºfúUx ÄúUPü'úUè%FúUp¥kúU˜ ÂúUAòúU þúUÜúU¡þúUh}TúUàG9úU€ù[úUÈx°úUèÔ/úUèqúUèYôúUxÁÁúU¨ÍúUtòúUðêôúUDÂúUȶ@úU˜¶ÁúUØå½úUHb™úU0dÄúUȨÈúUhÂúU¸´ÒúUØSúU·úU8k·úUÂúUãúUˆ<ÂúUàæêúUèU]úUHÉÓúUU]úU¸ÇïúUx ÄúUØD úUD™úU-úUP_žúU؆JúU€2–úU€·múU¸ÂúU¨zòúUh·ÁúU §XúUh½þúUȯñúUÈk¸úUÈ©!úUxÁÁúU0KòúU8Ô.úUˆ;¯úU0dÆúU¨ukúUvüúUÀEEúUHGúU°uúU¸O{úUlòúUðUõúUØ•¼úU $IúUøúúU0OþúUx~‹úUðÐÐúU¨GáúU…IúUØ•¼úUÀ'7úUxuúUX„gúUP<~úUPÿõúUlòúU8ôñúUZ]úU9'úUàRyúU¸QíúUØ múU¨GáúUúÞúUx~‹úU¢…úUHÂúUHöúUh}TúU8rjúUèU]úU@ì÷úUHÂúUÀgúUÈ ÂúUÃúUÐD²úUÈ”çúU™¯úUû„úUˆ­úU¸ø¾úUxÁÁúUpËúUà úUXû{úU@tJúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00QúU!2015-02-09 12:52:13úU!2017-12-22 00:34:54úU1Matt Boswell & Stuart Townend`úU!÷g#¸÷g#hVÿúU!2014è÷g#pιúU!0g#¸÷g# !sib#¸÷g#xïZúU!9394¸÷g#à´fúU!0g#¸÷g# ÇúUAO Church of Christ invincible - melody line.sib  ÇúU!2015-02-09 12:52:13úU!109#¸÷g#À§xúU!2255¸÷g#X6húU!15g#¸÷g#xïZúU!1g#¸øg#ЄîúU!0g#¸÷g#À}úU!÷g#¸÷g#€„úU!4.8000¸÷g#û‹úU!2015-02-09 12:52:43úU1O CHURCH OF CHRIST INVINCIBLE0}øúU!0g#è÷g#¸*ÎúU!0g#¸÷g# !3g#¨øg#¿fúU!÷g#¸÷g#@!ÈúU!1.50¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!1.50è÷g#˜ù"úU!2015-02-09 12:52:18!øg#¸øg#÷úU!0g#¸÷g#ðkúU!0g#¸÷g#Р_úU!1g#¸÷g#0ãúU!0g#¸÷g#`&úU!28.2560¸÷g#¨UúU!2016-01-06 11:26:06úU12017-06-09 17:10:17úU0á1. You're the Word of God the Father from before the world began; ev'ry star and ev'ry planet has been fashioned by Your hand. All creation holds together by the power of Your voice: let the skies declare Your glory, let the land and seas rejoice! You're the Author of creation, You're the Lord of ev'ry man; and Your cry of love rings out across the lands. With a shout You rose victorious, wresting vict'ry from the grave, and ascended into heaven leading captives in Your wake. Now You stand before the Father interceding for Your own. From each tribe and tongue and nation You are leading sinners home. You're the Author of creation, You're the Lord of ev'ry man; and Your cry of love rings out across the lands. 2. Yet You left the gaze of angels, came to seek and save the lost, and exchanged the joy of heaven for the anguish of a cross. With a prayer You fed the hungry, with a word You stilled the sea. Yet how silently You suffered that the guilty may go free!U°!0g#¸÷g#!÷g#¸÷g#ÀñÐúUÑCopyright © 2002 Thankyou Music (Adm. by CapitolCMGPublishing.com excl. UK & Europe, adm. by Integrity Music, part of the David C Cook family, songs@integritymusic.com) www.stuarttownend.co.uk!÷g#¸÷g#púU!1.50Xøg#PAúU!2016-01-06 11:25:1010!1g#¸÷g# !1g#¸÷g#10g#Ø÷g#УhúU`®ÝúU0á   ªDúUðÓ{úU08ЀúUdh£¨€ØêúU ¢6úU (ÂÈàå]úU  (¬°ÀVúUpFDúUXKP˜TX`ŒÏúUuwúUp`FúUÀc²úUnpPŽgúU e•úUð-ÜúU °4}úU RûúUÐÙCúUÑ Arranged for C Trombone/Baritone/Euphonium & Piano (BC), "Amazing Grace" is a Christian hymn published in 1779, with words written by the English poet and Anglican clergyman John Newton (1725–1807). Newton wrote the words from personal experience. He grew up without any particular religious conviction, but his life's path was formed by a variety of twists and coincidences that were often put into motion by his recalcitrant insubordination. He was pressed (conscripted) into service in the Royal Navy, and after leaving the service, he became involved in the Atlantic slave trade. In 1748, a violent storm battered his vessel off the coast of County Donegal, Ireland, so severely that he called out to God for mercy, a moment that marked his spiritual conversion. He continued his slave trading career until 1754 or 1755, when he ended his seafaring altogether and began studying Christian theology. Ordained in the Church of England in 1764, Newton became curate of Olney, Buckinghamshire, where he began to write hymns with poet William Cowper. "Amazing Grace" was written to illustrate a sermon on New Year's Day of 1773. It is unknown if there was any music accompanying the verses; it may have simply been chanted by the congregation. It debuted in print in 1779 in Newton and Cowper's Olney Hymns but settled into relative obscurity in England. In the United States, however, "Amazing Grace" was used extensively during the Second Great Awakening in the early 19th century. It has been associated with more than 20 melodies, but in 1835 it was joined to a tune named "New Britain" to which it is most frequently sung today. With the message that forgiveness and redemption are possible regardless of sins committed and that the soul can be delivered from despair through the mercy of God, "Amazing Grace" is one of the most recognisable songs in the English-speaking world. Author Gilbert Chase writes that it is "without a doubt the most famous of all the folk hymns", and Jonathan Aitken, a Newton biographer, estimates that it is performed about 10 million times annually. It has had particular influence in folk music, and has become an emblematic African American spiritual. Its universal message has been a significant factor in its crossover into secular music. "Amazing Grace" saw a resurgence in popularity in the U.S. during the 1960s and has been recorded thousands of times during and since the 20th century, occasionally appearing on popular music charts. \æúUQ Amazing Grace for C Trombone/Baritone/Euphonium & Piano (BC) Arranged by Keith Terrett Keith Terrett Music for all Occasions Arranged for C Trombone/Baritone/Euphonium & Piano (BC), "Amazing Grace" is a Christian hymn published in 1779, with words written by the English poet and Anglican clergyman John Newton (1725–1807). Newton wrote the words from personal experience. He grew up without any particular religious conviction, but his life's path was formed by a variety of twists and coincidences that were often put into motion by his recalcitrant insubordination. He was pressed (conscripted) into service in the Royal Navy, and after leaving the service, he became involved in the Atlantic slave trade. In 1748, a violent storm battered his vessel off the coast of County Donegal, Ireland, so severely that he called out to God for mercy, a moment that marked his spiritual conversion. He continued his slave trading career until 1754 or 1755, when he ended his seafaring altogether and began studying Christian theology. Ordained in the Church of England in 1764, Newton became curate of Olney, Buckinghamshire, where he began to write hymns with poet William Cowper. "Amazing Grace" was written to illustrate a sermon on New Year's Day of 1773. It is unknown if there was any music accompanying the verses; it may have simply been chanted by the congregation. It debuted in print in 1779 in Newton and Cowper's Olney Hymns but settled into relative obscurity in England. In the United States, however, "Amazing Grace" was used extensively during the Second Great Awakening in the early 19th century. It has been associated with more than 20 melodies, but in 1835 it was joined to a tune named "New Britain" to which it is most frequently sung today. With the message that forgiveness and redemption are possible regardless of sins committed and that the soul can be delivered from despair through the mercy of God, "Amazing Grace" is one of the most recognisable songs in the English-speaking world. Author Gilbert Chase writes that it is "without a doubt the most famous of all the folk hymns", and Jonathan Aitken, a Newton biographer, estimates that it is performed about 10 million times annually. It has had particular influence in folk music, and has become an emblematic African American spiritual. Its universal message has been a significant factor in its crossover into secular music. "Amazing Grace" saw a resurgence in popularity in the U.S. during the 1960s and has been recorded thousands of times during and since the 20th century, occasionally appearing on popular music charts. tiñúU¸ìÛúUBúU` úUØýúU±HúUHÔIúU¨cúUðUöúUØeOúUxqBúUˆïÏúUøÔÃúU0ËúUÀ› úU m5úUHQúUh·ÙúUHü—úUëúU€ÚúU8bêúU˜}ÚúU¨úUø¸KúULÿúUHØúUØ›PúU ¢[úU'fúU XØúU@júUXDAúUh1ÒúUÈÕBúUpäÎúUèÌQúUñJúUx(GúU(Y÷úUÀŠèúU¨$öúUèûúUPÈÊúU8EVúUPNØúU€ÒFúU‚KúUHOüúU T:úU%!úU¸v úU°èúUÈ”ÇúUØtBúUèÖIúU€fOúU0úU(ÞaúUX„JúU˜FNúUP4lúUpìfúU˜ÞBúUøOAúU Ô„úU8”RúU0û[úU8/MúU¸a„úU¸lúUˆçÎúU` ÔúU@ÐGúU(mOúU`áfúU¸'GúUøŒíúU`×GúUÀôúU!650x919ˆýg#€ôúU!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-18 10:02:40!2023-04-18 10:03:34!1955727¸÷g#!3217770¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qp~šúU1125#Ø÷g#@RJúUèóúU01höúU¼3¨´143813!0g#¸øg#¨)úU!0g#¸÷g#^íúU!52g#¸÷g#ˆpGúU!23g#¸÷g#P½ÍúU!2017-03-31 15:34:25úU!2021-01-25 20:55:12úU!0000-00-00 00:00:00úU1÷g#Ø÷g#à¦AúU0‘A transcription in a lower tessitura for C low brass & Piano of J. S. Bach’s Badinerie. The badinerie (also spelled ’battinerie’; from French ’jesting’) is best known for its designation as the final movement of Johann Sebastian Bach’s Orchestral Suite No. 2 in B minor. The movement is light in mood, and is structured in a binary form; it is cast in a swift 2/4 metre beginning on the upbeat, much in the manner of a fast gavotte. Badineries also appear in French ouvertures by Christoph Graupner and Georg Philipp Telemann, also in fast tempos and in 2/4 or alla breve metre. The presence of an upbeat is not a consistent feature; examples by Telemann include the upbeat (including one example which is essentially a gavotte), while Graupner’s do not. While the designation ’badinerie’ is not common, its Italian counterpart ’scherzo’ appears more frequently.efScor!3.99¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#aCopyright 2013 MFAO (keithterrett@gmail.com) www.musicforalloccasions.org.ukUPÀÄúU!÷g#¸÷g#hþúU!532049Hûg#¨)úU!0g#¸÷g#!0g#¸÷g#‹ËúU!0.00¸÷g#!7.99¸÷g#(9MúU!4.00¸÷g#PœPúU!0g#¸÷g#pjXúU!÷g#¸÷g#à.fúU!0.00¸÷g#¨MVúU±["198144","198360","74414","74644","77384","16650","58043","98441","129193","62212","74645","207446","34894","158136","74416","143813","49365","87992","74423"]“ÇúU!2020-09-15 05:19:39úU!1g#¸÷g#ðóóúU!2019-09-25 13:17:37úU1767CC200-DF8E-11E9-B6D0-78úU@»fúU!13753¸÷g#Ø,ýúU!0g#¸÷g#eHúU!0g#¸÷g#½AúU!0g#¸÷g#ðÑOúU!1g#¸÷g#˜ù"úU!650x839¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!5.00è÷g#˜ù"úU!2023-04-20 19:02:32!øg#8øg#0TNúU!2013¸÷g#hkúU!0g#¸÷g#ð±úU14g#Ø÷g#0!sib#¸÷g# !250#¸÷g#!0g#¸÷g#p_.úU!2023-12-25 10:21:08úU!2g#¸÷g#437607!2426¸÷g# !1g#¸÷g#!An exciting new Paso doble for Trombone quartet for your next concert, featuring fast outer movements with a slow movement in-between. Parts are for three tenors and bass. An alternative part for the 1st Trombone is available for Alto on request:keithterrett@gmail.comèøg#!0g#¸÷g#!0g#¸÷g# CúU!1g#¸÷g#;WúU!0g#¸÷g#459679!÷g#¸÷g# !0.0000¸÷g#!2019-04-02 01:02:09úUQNight Flight to Barcelona for Trombone Quartet459649àþúUPТúUª°ÕfúUD úUÍ›úUDðIîúU`+ÝúUD°iiúU°‹ÃúUD ÙúúUгúUDð^úU°ÍCúUDðôSúU •iúUD úU°úUL>@úUDp×NúU°ÕúUD Ì”úU 5[úUà›EúUDðLúUð>úUD°U‹úUлÊúUDP¢úU dúUDp1NúU|ÓúUDÐò½úUà@ÙúUDP!úU°aUúUDófúUð0úUDPúUÀòõúUD  iúUph˜úUDpÏúU@“úUðòöúUD°ÚMúUÀSúúUD ½ôúU {„úUDð2°úUÛËúUD =úU°k÷úUD@Ÿ÷úUúUDa@úUÿÅúUDP@OúU@2ÜúUD  ÕúUàÑÍúUD@TñúUPœfúUDÀa¾úUÖËúUD —üúU KfúUDàlúUPÆaúUÿHúUpÁýúUD]úúUêÁúUEúUD“úUêÁúU@WBúUDÐþúU”ÖúUDà²øúUéèúUD°µQúU`±þúU €°Ÿ÷úU`/]úUD ¿úUÿ#úU2PL]úU`UUúUDÀ/HúU@I;úUDÐUkúUàEoúUD€œøúUpÀ‚úUDÐÛ úU€IÍúUPíÀúUDàúU#‹úUD`mfúU úUc5úUDÀœúUüáúUD0LúUP úUD@Ë÷úU°ÿúUD øÌúU1úUDðWgúUp#JúUD3úU°èõúUD@lÌúUnúUD vlúUpûàúUD )kúUƒ³úUÿÀÃÚúUÐHúU §úUDÀ‹úU8 úUp¾úUDP¡úUÐ ±úUD:øúUдúU €0vöúU BúUDñ7úUp)úúUÿ „–úU`ðiúUDðÈúúU€ßüúUDð·úUp\øúUD”÷úUDúUD°“vúU ÁÚúUD@b¯úU€ö‚úUD@4VúUX¬>úUÿ²úUàl#úUD`6úUðá%úUDÄ~úUðÕ 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#¸÷g# !Yin ¸÷g#ð"ÙúU!Zhan è÷g#!Shi ¸÷g# !You È÷g# !cng#‘¸úU !+86 10 13801350787!Bi #Høg#!Min ¸÷g# !Shi ¸÷g#P—úU!Tu #è÷g# !Sheng ¸÷g# !Tong (úU€1Lang Ø÷g# @0A¨'úUL¸:Text/Unidecode/x6e.pm!0g#ÀìkúU/perl5/T!0g#¸÷g# ![?] P¯)úU€1Meng Ø÷g# 0!Pi #àMúUPúU1Pi #Ø÷g#¸÷g#0!Wen  gúU !Shan ø÷g#@ô&Y#1Xun Ø÷g#@!0!0000-00-00 00:00:00l5/T!0g#¸÷g# 1Fu #ƒNúUÀõ&Y#0!øg#¸øg#!÷g#¸÷g#˜ëíúU!÷g#¸÷g#0¹úU!0000-00-00 00:00:00úU!÷g#¸÷g#X¤7úU!0000-00-00 00:00:00úU!0g#¸÷g# \àúU11g#Ø÷g# ÿéúU@7úU0!davemckeown.co.uk!÷g#è÷g#!1g#¸÷g# !0000-00-00 00:00:0018+úUZ$®136386!62.26˜øg#!davemckeown#!1g#¸÷g#!Uncategorised music!15289¸÷g#!1g#¸÷g#10g#Ø÷g#0!2g# ¼BúU !øg#øg#!Devon¸÷g#1EX9 7HYØ÷g#0!0g#naúU !øg#¨øg#ÐñVúU!0g#¸÷g#H=úU!0g#¸÷g#‚IúU!0000-00-00 00:00:00úU!0g#¸÷g#xªCúU!1g#¸÷g#.úU!0g#è÷g#(QCúU!2g#È÷g# ±Bali Ha'i Ukulele Oscar Hammerstein II, Rodgers & Hammerstein, Richard Rodgers, Oscar Hammerstein II, Rodgers & Hammerstein, Richard Rodgers 95568ÚýŒ°!McKeownPþLúU !0g#à%±úU!0g#¸÷g#rQúU!0g#¸÷g#PLlúU!0.0000¸÷g#505792!0000-00-00 00:00:001I Have Dreamedí"»à0!bD4-CkZ-nK6-VkB1davemckeowndev@msn.com0‘Oscar Hammerstein II, Rodgers & Hammerstein, Richard Rodgers, Oscar Hammerstein II, Rodgers & Hammerstein, Richard RodgersóúU!1.99¸÷g# !2019-06-06 16:25:13úU10g#Ø÷g#˜ÇdúU0QÀÀúúU(úU IjúU!Byron, Bessomer Drove!LoverÈ÷g# ‘[ { "Desc" : "", "Url" : "http://www.scoreexchange.com/profiles/MartinTousignant", "Text" : "" } ] 4227±[{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":1,"name":"mp3"},{"on":0,"name":"composer"},{"on":0,"name":"subtitle"},{"on":0,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"},{"on":0,"name":"platinum"}]úUd 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"davemckeown.co.uk" }, { "Desc" : "My Soundcloud page", "Url" : "http://soundcloud.com/dave-mckeown", "Text" : "soundcloud.com/dave-mckeown" }, { "Desc" : "My Facebook page", "Url" : "https://www.facebook.com/davemckeowndev", "Text" : "www.facebook.com" }, { "Desc" : "Teenage Cancer Trust", "Url" : "http://www.teenagecancertrust.org/", "Text" : "teenagecancertrust.org/" } ] üúUñ**David McKeown** is Irish but now lives in the South West of England. Primarily a woodwind player, he has a first-class degree in music, post-graduate qualifications in Music Education, many years of top level performing across the country in many different genres, and years of experience as a composer, arranger, bandleader and instrumental teacher. Most of the compositions listed here are pieces composed and arranged for use in education. Top quality, flexible arrangements, clear and easy to read, **David McKeown** has been publishing compositions and arrangements online for over ten years, with thousands of sales to musicians in scores of countries Please get in touch if you have any comments, questions or suggestions. 10!42344¸÷g# !0g#¸÷g#!1g#¸÷g#àHúU!0g#¸÷g#èHúU!0000-00-00 00:00:00úU!4g#¸÷g#xfúU!0g#¸÷g#p–GúU!0g#¸÷g#ø9úU!1064¸÷g#ÀZ÷úU!1g#¸÷g# hQúU!0.00¸÷g# \àúU!2024-01-07 18:47:11úU!1g#¸÷g#HÛáúU!0g#¸÷g#ø„úU!Account¸÷g#0¹úU!0000-00-00 00:00:00!2024-04-15 08:04:21úU!2023-12-07 18:47:11úU!2017-09-05 09:30:53120g#Ø÷g#P-ŸúU0!1g#øg#ÀHTúU!1g#¸÷g#46232211g#Ø÷g#4:úU@ëQúU0á  /0  €/4úU!(°µúUP³ŸúU  uÅúU À8ÃúU0æúUj_úU  —súU)0 "(áCúU÷øàú·úU`h*0 þ¯úUàòÇúU XWúUŠyúU YûúU²¸ÀfúUPƒúU 0ƒúU ½úUPEúUÀH~úU eVúU!2g#¨ûg#ðMúUAThis works well as a concert piece or just for fun. !2.95¸÷g#3ýúU!0g#¸÷g#¸XŠúU!1g#¸÷g#@íýúU!0g#¸÷g#ØÙúU!÷g#¸÷g#8úU!÷g#¸÷g#5ûúU!0g#¸÷g#˜ìýúU!÷g#¸÷g#P)úUACopyright © January 2016 (Burndrett Music)úU¸XŠúU!÷g#¸÷g#@íýúU!ùg#¸ùg#ÀûúU!348220¸÷g#!0g#¸÷g#<ïúU!0g#¸÷g#!0.00¸÷g# *úU!5.95¸÷g#è@YúU!3.00¸÷g#ѱúU!0g#¸÷g#˜SúU!÷g#¸÷g# PüúU!0.00¸÷g#€ZÀúUÑ["205514","201532","205513","201535","142818","142424","142421","142846","205511","142849","205518","201533","366607","205512","72489","142808","142819","153418","170937","143126"]U ÎvúUÐ11.50Ø÷g#˜ù"úU0!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#`†øúU!620821¸÷g#!0g#¸÷g#0LÿúU!0g#¸÷g#XKnúU!4.95¸÷g#ˆRÀúU!4.95¸÷g#pî]úU!3.00¸÷g#ð¤2úU!0g#¸÷g#À¤õúU!÷g#¸÷g#°¯úU!0.00¸÷g#  úU!180949øg#ores WHEAGreensleeves for Trumpet and Trombone DuetúU@1øSúUšRù1809491Shenandoah for Violin and Cello !0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!2013-05-17 15:44:05!0g#¸÷g#!0g#¸÷g#±Shenandoah for Violin and Cello American Traditional arranged by David Burndrett David Burndrett This is my arrangement of the lovely Shenandoah for violin and cello.!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#ÈPúUÆúUUÿúUèIÂúU°júU¸Œ}úUúU`‘ úU¨åîúU˜SfúU°ÅúU`“lúUx‘ 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07:08:42úU!1g#¸÷g#ˆUmúU!1g#¸÷g#@(úU!0g#¸÷g#@CÈúU!÷g#¸÷g#úúU!0g#¸÷g#HS°úU10g#Ø÷g#¨&þúU0!4g#èøg#€3ŒúU!÷g#¸÷g#•úU!1.50¸÷g#¸ŸÍúU!0g#¸÷g#ÀrÐúU!1g#¸÷g# ïdúU!0g#¸÷g#˜ùúU!÷g#¸÷g#… úU!÷g#¸÷g#(&úU!0g#è÷g#!÷g#¸÷g# !0g#¸øg#è£õúUq{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "21208" } !21.8000¸÷g#àÊúU!2011-05-08 08:09:58úU!The Keepers TaleúU!0g#¸÷g# Here is a typical American Ballad style piece. Try to make the melody sing when you play and enjoy the rich harmonies. A midi file is provided for optional accompaniment on a General Midi playback device. 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    0!HASHUonidU Q !úUpöEúUx¸aúUàºðúUahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_131013151Cv7JQm7W.png`!0g#P #úU !0g#аÔúU 1Dawn JonesúU ±"Come, Christians, join to sing Alleluia! Amen!" 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úU!2g#¸÷g#¸XŠúU!2g#¸÷g#@íýúU!2013-08-08 12:54:55úU!2017-11-22 16:53:30úU!David BurndrettYöúU!0g#¸÷g#ÐÆúU!0g#¸÷g#€ìÎúU17g#Ø÷g#0!sib#¸÷g# êýúU!496#¸÷g#´õúU!0g#¸÷g#HUïúU18 duets for flute and bassoon.sibûúU!2013-08-08 12:54:55úU!21g#¸÷g#P)úU!4829¸÷g#PÆüúU!13g#¸÷g#ÐÄòúU!1.50xøg#°šáúU!2013-08-08 12:55:33úU!0g#¸÷g#@°îúU!1g#¸÷g#ˆmvúU!0g#¸÷g#ÈÀòúU1÷g#Ø÷g#€8ýúUÈ÷g#0!0g#¸øg#ø/ˆúU!÷g#¸÷g#˜’ËúU!0g#¸÷g#0 öúU!0g#¸÷g#ÝúU!1g#¸÷g#hÖýúU!0g#¸÷g#øUƒúU!÷g#¸÷g#¨`úU10.0000Ø÷g#@ËúU0Eight Easy Christmas Duets! Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part. Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests.úU!4.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#1Copyright © October 2011 !÷g#¸÷g#!313133¸ùg#ø/ˆúU!0g#¸÷g#!0g#¸÷g#ÀŠúU!0.00¸÷g#!6.45¸÷g#hÖýúU!1.50¸÷g#€eÃúU!0g#¸÷g#¨`úU!÷g#¸÷g#xÒúU!0.00¸÷g# «ÿúUÁ["205514","201532","205513","201535","142424","142818","142846","142421","205511","205518","142849","201533","366607","205512","72489","142808","153418","118204","143126","170937"]12020-08-30 14:26:48úU@¬õúU0!2013-07-30 20:19:52úUA8 Easy Christmas Duets for Cello And Double BasswúU!0g#¸÷g#!0g#¸÷g#!8g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#À¾úU!0g#¸÷g#408545a8 Easy Christmas Duets for Cello And Double Bass Arranged By David Burndrett David Burndrett Eight Easy Christmas Duets! Good King Wenceslas, The First Noel, Jingle Bells, Silent Night, While Shepherds Watched, Away In A Manger, O Come All Ye Faithful, Ding Dong Merrily On High. I have arranged these duets so that they can be played by players of all standards. Each part gets the tune! I have added an optional piano part. Photocopying for your own use is permitted but distribution is strictly prohibited. My email address is d_burndrett@yahoo.co.uk if you have any questions or requests.ÚúU!0g#¸÷g#387733!0g#¸÷g# !0g#¸÷g#!0g#¸÷g# ?›úU!0000-00-00 00:00:00úU!÷g#¸÷g#210248!0g#¸÷g#!0g#¸÷g#!0g#è÷g#íùúU!2017-06-09 17:10:17á (QXBH GHø  ЀƒúUÐÅ@úU -‹úU@u…úU  FúU½ÀpaúUKP (àÓ{úU!¬°(0 *0]BúU ,úU0¡úU@•ÑúU@zúU twúUðø úU`äúU0Ÿ_úU0çúU¬°!1g#P¥NúU !0g#¸÷g#10g#Ø÷g#àAKúUPÑ+úU0!0g#`ïúU ÑIt Might As Well Be Spring [Jazz version] (arr. Brent Edstrom) Piano Solo Richard Rodgers, Rodgers & Hammerstein, Oscar Hammerstein II, Richard Rodgers, Rodgers & Hammerstein, Oscar Hammerstein II !Jonesx:úU !Never EnoughU Á["539072","149716","149493","151868","485483","519112","139142","180074","203359","132159","406220","153260","165008","143588","198538","164910","157377","539125","133040"]783À!1g#ø÷g#Ð@qúU10g#Ø÷g#ØÐ0úU0!0g#8øg#6æúU!÷g#¸÷g#!0000-00-00 00:00:00úU108úUøÃúU_á+-99403!PVg#¸÷g# qhttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_1014463MHhkK5wa5U.pngp!158976È÷g# !0g#p.£úU 1øÄúUpç}û31407!767700è÷g# !The Sound Of Music!aug#`%HúU!0408509275g#1÷g#Ø÷g#ÿÿÿÿ0!0g#øg#!÷g#¸÷g#10000-00-00 00:00:000!143148øg#!1g#¸÷g#ð;âúU!0g#¸÷g#Ð@qúU1÷g#Ø÷g#RØúU}BúU0!÷g#¸÷g#1÷g#Ø÷g#ÿÿÿÿ0!3g#@8úU Q¨QNúU!13.00È÷g# !2017-03-31 14:28:43Q rÊúU¨ŽMúUûúU!Elliget`"HúU Orchest1belliget@hotmail.commall-orches0a qúUàQÃúUXƒNúU!Fu #(øg#˜ù"úU!Mi #¸÷g#˜ù"úU!Zu #è÷g#/ÀúU!Zhi ¸÷g# !0g#8øg#H^çúU!2g#¸÷g#¶4úUQBeginner can play Liszt’s La Campanella! 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    By: Marek Kucera
    w'>John Williams
    Kelly Keagy
    >rel="nofollow">Benny Goodman, Benny Goodman, Andy Razaf, Chick Webb, Edgar Sampson
    >
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"position-x-combined" : "left", "position-x" : "left", "position-y" : "center", "position-y-combined" : "54%", "average-center-x" : 27, "average-center-y" : 113, "id" : "FE3127AE-6F06-11E7-A79E-FF3DFBBCB55D", "position-x-pc" : "9" } úUp!1g#¸÷g#!1200¸÷g#!841#¸÷g#8¹úUзúU0Ç|úU˜öúUÐÀöúUxSÐúU çøúU`‰úU˜'þúUx.²úUðUÿúUô‹úUÈ{ûúUˆFúUèëeúUX«üúU€bÑúUèËúUÐŒÇúUhŽÒúU0ëÎúUœùúU`XàúUè¨üúUxuýúU8úU0¶¿úU Ï úU`æúUIúU`#úUGgúU€«úUÐ¥üúUÐ[úUPîÁúUøf¿úU°sœúUˆq[úU( úUÀ¹júUàåúUbúUøöþúUÐüùúUð!áúU8¤üúU¸ßûúUðŒúUð‰øúUpuÉúUPªúUðsúUðDÓúU‘ÒúUi‚úUˆ ÊúUàæŽúU –úU°YÿúU HkúU¦ßúUÚúU øúUXí úUúU0¬úUHÃúUÐîjúU¨ÃúUH0fúU˜kkúU0!úU¨ÁúUØ. úUúUˆ}ÞúUƒúUÏuúU1èúUbœ97625!102637¸÷g#P«úU!2020-07-15 16:46:26úU10000-00-00 00:00:00 múU0ADescant to 'Nun Danket' (Now thank we all our God)!23g#¸÷g#fÿúU!0g#¸÷g# NúU!3g#¸÷g#ÐúU!2g#¸÷g#È®ÛúU!2011-09-01 07:31:28úU!2020-07-15 16:46:26úU!J Crügerg#XïlúU!Michael Clarke0dhúU!0g#¸÷g#(iúU10g#Ø÷g#0!sib#¸÷g#ÐúU!3242¸÷g#ˆùúU!0g#¸÷g#`öñúU!÷g#¸÷g#xKúU!0000-00-00 00:00:00úU!252#¸÷g#öúU!5802¸÷g#p{úU!8g#¸÷g##úU!1g#xøg#¿fúUaLike most of my descants, this is written to work with the 'normal' hymnbook harmony.!1.00¸÷g#@íýúU10g#Ø÷g# …úUÈ÷g#0!0.0000¸øg#p¥üúU!2014-09-18 11:29:21úU!0g#¸÷g#0¸úU!0g#¸÷g#H_ÙúU!6g#¸÷g# [úU!0000-00-00 00:00:00úU!0g#¸÷g#à{ úU10g#Ø÷g#HÎúU0‘Come, ye thankful people, come is a well-loved Harvest Thanksgiving hymn, though the words also point towards Advent. Sir George Job Elvey (1816-1893) was one of my predecessors at Windsor, so this arrangement is careful to respect conventional harmony whilst still providing interest, excitement and colour. The introduction and second verse explore enriched harmonies and passing tones. The Faux Bourdon of the third verse may be sung unaccompanied by the choir or the melody in the tenor line soloed out on a strong reed stop. After an optional interlude and modulation the final verse has a soaring descant and interesting pedal line.473820!1.99¸÷g# !0g#¸÷g#!0g#¸÷g#°1›úU!0g#¸÷g# ´úU!1.50Xøg#483139!2014-09-18 11:28:23!1g#¸÷g#!1g#¸÷g#p4búU10g#Ø÷g#`›ŠúU05.413080á 08PX%úU tAúUX@ŠºúUàQúUPRDúU°ÏqúUÚàÀüÑúUðŸúU2!(õ½úU«°µ¸P± úUÞà‹úU   ‡·úU …·úU<@Ь‹úU$(à…MúU Ÿ€úU ÒúU 0°úU%„úU 0 úUrxбúU˜opYUúUª@[úUÿ°âiúUHjÐúUÿ€NíúUŸoúUDð¬úU8¤VúUÿ`6±úU ¾úUÿ`-œúUÀ…¼úUD¾<úU œEúUD€?XúUH(ÐúUÿ `úUH6úU0uDúUˆi`úUÿ€$úUœ6úUDp{úU0rmúUD0 úU 2úUDú…úUßúUD ZxúUØ6úUX7húU@FúUD`ÒúUâxúUÿ0û5úUÿéeúU¸²LúU Hðî6úU°@úUÿPš‡úUà¶)úUDÀòúU,”úUÿÐ@úU˜XúUÿà\:úU`MWúUÿÇtúUpÝ?úUDíúU0ÑúUÿ`yîúU`Æ[úUD@úUλúUÿ`vúU€½LúU @0µúU´úUDp‰‡úU˜{ŸúUÿ@?lúU *ŠúUDVOúUˆc©úUÿ í>úUh= úUÿÐÚúU¸8úUxV»úUh± úUÿU;úUs}úUÿ°á:úU žúUDÀòCúUÀº_úUDß‚úUM(úUD û«úU kúUD rYúUP HúUD2[úU0òHúUDPÛEúU@ý'úUÿбúUyúUÿÐ úU qiúU0GJúUD@M6úU ¢úU(úUÿ —úUØ=ZúUÿð’ÚúUð__úUDÀîúU@M3úUpQúUD jgúU`múUD ÙÍúUÀ{YúUD”°úU vPúUD€pfúUPC2úUD€xúU¸pyúUÿPI'úU@ýwúUD å úUðÝCúUD ¯cúUPúUDвeúUzúUD€u‡úU€ØíúUDºúU ”úUDQúU æúUÿ€J9úU©ÍúU2íuúUÿs8úU(¦MúUÿP?MúUÐ’*úUÿ0þ‹úUŸZúUD€ýlúUƒúUÿ0çúU°iŠúUÿÐ]>úU YùúUDP:úU àXúUDogúU@ó úUDðúUàñ·úUDp:úUP‹CúUÿ çúU@IÙúUDp–aúUõºúUÿ ™›úUÐ9uúUÿ GúUP²úUÿ@;úUÀtÆúUDÀ¸qúUàr?úUø=úU ­ÒúUøE¡úUÿà`EúUÈô2úUÿ`³úU@>ÎúUD°\•úU>ËúUD€3úUè8ÍúUÿ€3ßúUp©lúUDð¯úU „úUÿ×IúU¸>úUFCúU€ ¡úUÿ ?óúUè>úUàž7úUD`pfúUèU]úUÿZVúUèþúUÿ`ŸÐúU° SúUD`çEúU€LìúUÿýíúUˆEúU @àkúU`ÍfúUDPOOúUðpúUDpAiúU çqúUD I†úUp?_úUÿÐ9UúU°:GúUD0q‡úUêÁúUˆi·úUÿ P)úUÐÎ'úUDÀexúU@¿¾úUÿ d±úUð¬úUD3úUðo!úUDð úUp÷úUD` ‡úUHÜ,úUÿ~púU( úUÿ@ôoúU™¾úUÿPÃèúU°d úUD€úUØb»úUÿ°ºúU°écúUDðÚEúUð‹AúUDðRúU ´kúUD éúU m¸úUD°XúUÐœ³úUD`>VúUÀèuúUÿhªmúU HPà úUˆ$æúUÿÐå±úU€·úU8.¹úUÿ€í®úU°l¿úU 3ŠúUD÷úUЪƒúU0úUDÀúUÐ^úUDм@úUæúUD ¢¾úUàúUÿ`¿ÚúU0ðZúUÿ0”ºúU#[úUD°â úUÀЋúUDPçjúU@F-úUÿEWúU`úBúUÿpGUúU ÏFúUD`ì·úU°K¡úUÿ€dúUxúëúUÿÐã"úUx&>úUÿàЀúUPûûúUÿ`™7úUè'kúUÿÀ¾¾úU`+úUD û«úUØù¸úUÿÀÒTúU`ˆ·úUD°ÉcúU0úQúUDÀæEúUPe˜úUDàKúU@DúUÀ%/úUDQbúU0æ?úUDÀîCúUˆ†ÑúUÿÀ«ýúUp‚úUD°†úUðŒyúUDÐJðúUÀ‰çúUD@¿úU@§DúUD°Ô3úU€ EúUD£ŸúUUúUÿ (}úUD*úUDðRxúUŸEúUD Ðo‡úUÉEúUá@+½úU`Ê úU0êyúU¸EúU‘‘5ç441306q@ØnúU@1úU 0pw~úUFúUhéÈ9210385!P”‰úU w~úUÀ0@æúUXFúUÏw8481092ñYúU€£úUpx+úU¨FúUS½˜Ù441286!pòHúU x+úUp0°lúUøFúUdÇQ210383Áà1.úUp*xúU 00Ú`úUHGúUßÄ9Q488009!0A›úU`Ú`úUp00+xúU˜GúU©¬Å488006!ðÐúUHúU`0pJ·úUèGúU:Èè487998!P&yúU°d±úU°0°ØnúU8HúUÞ‚…210382 pÚFúU°CúUà˜ÐúUˆHúUØܨ447941ÁjúUÏúU 0pË6úUØHúUiý,t441267!­"úU Ë6úUp0°ÏúU(IúUz^Rt210381!ö:úUàÏúU0 šºúUxIúUÅv—441252pÎ úUpÆ6úU 0€"RúUÈIúU­Þ(ö210378!ö:úU°"RúUp00ÂEúUJúURú°471754!Ð÷túUÐóúUÀ0Æ6úUhJúU¤Ñ‰f481064!ÐShúUÀÆ6úUP0ÌjúU¸JúUs03S481050!Í7úU0ÌjúU 0wúUKúU߬@]210374qÐz(úUB‡úU 0ÃúUXKúUhf•@480995!@+œúU°B‡úU@0àA‡úU¨KúU™ôY480994!/LúUÐ3³úU0  NúUøKúUR˜ü’210371a`U)úU@û:úU 0à;óúUHLúUÛ#Ï_480966qÀþtúUð„†úU 0€×+úU˜LúUÙdz480964!°±ŽúU°×+úUÀ0°û:úUèLúU ¡, 480959q`n±úU !ÑúU 0ùoúU8MúUøL„×210355!àÄ6úU0ùoúU 0`¿ úUˆMúUË4717371 "=úUÐêhúUPp`úUØMúU0èA=471736!@+œúUP¥/úUp0Ì@úU(NúUE±>É210346qî®úU “ÐúU 0`”•úUxNúU㽩h471722!pòHúU”•úU0P0•úUÈNúU—¬ñ_471720!ðÐúU€0•úU`0;úUOúU)*²…210343ÀGúU°ÃÏúU 0ÐÃÏúUhOúU¼3ÝÅ471706Át•úUEúU 0°EúU¸OúUÁp416640q ÛúU@†.úU 0žAúUPúUƒfCB416656!@+œúUÀžAúU 0ÀëBúUXPúUf÷Á210332q°l-úUðEúU 0ðEúU¨PúUi B_416654!pXÚúUðn¯úU@0àŠ»úUøPúUçsÛ401774ÁЀcúUÀs¸úU 0 Ð6úUHQúUê`Hb210328!°ƒ¯úUPÐ6úUp0€t¸úU˜QúU¹°ƒK430730!Í7úU°t¸úU€ 0ÁgúUèQúU‚ ¢]483556aÅúUàƶúU 0@r7úU8RúUùMú210323¡ úU ÿœúU 0 RúUˆRúU~>¡÷483550|.úUÒnúU 0 `æúUØRúU3kû„531099!P”‰úUÐ`æúUp0pÁgúU(SúUØPoW210319qY$úU°ìhúU 00¯zúUxSúUÞ÷pœ405882! 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Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 28th October, 2014 Enjoy!U•‡úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#˜poúU˜KÜúU°¨ÓúUðóÛúU@ãÇúU@ƒáúUFfúU°ÔúUðÍÝúUÐÉhúU¨äfúUedúU>júUèˆjúU¾àúUÀÜÚúUˆcÆúUhÍiúUàUƒúU¨ÃúU@#ƒúUX¯ÐúUHÐÊúUx¼ÀúUèƒáúUp•ÛúU`¼ÀúUp5ÁúU0äiúUáúUÞÒúUxÍhúUçÄúU@»ÐúUàæÎúUø]ÀúUзcúUØŠáúUÃúU(|úUèòÏúUÈTÐúUØ¥ØúUØ¢ØúUHÝúUpiÊúUÐÃúUØTƒúU0”ËúU0VÀúUØ;âúUPßÞúUH³ÂúU`ÛúUxGgúUðHÌúU NÐúU˜ŒËúU€UƒúU¸'ÎúUH*ÇúU(ÛúUÈUƒúU€XƒúUØSÀúU`ðÁúUøZ°úU¸ikúUxɹúUȉÎúUp¡ÌúU kúUhÑúUøÔúU¸%túUøËúU fúUøïËúU°ŒúUÁ["173800","162469","164857","124044","160178","164685","162261","166176","162248","164784","170822","160519","160489","160186","162212","162112","406218","161793","164769","186779"]!2020-09-06 20:52:33!1g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-04-10 18:48:14!2023-04-10 18:48:28!699224¸÷g#!1079840¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q€‘ÒúUQDeck the Halls (for violin duet, suitable for grades 2-6)iúU°gúU!42g#¸÷g#¸‰úU!372#¸÷g#p“úU!2g#¸÷g#I±úU!2g#¸÷g#°gúU!2014-10-31 21:38:12úU!2017-11-22 16:44:24úU!0g#8øg#`ÚúU!2014¸÷g#uÚúU!1g#¸÷g# ëlúU11.50Ø÷g#0!sib#¸÷g#h núU!81g#¸÷g#èÐcúU!0g#¸÷g#PJúU!ViolinDuet.sibè.dúU!2014-10-31 21:38:12úU!2g#¸÷g#ø\²úU!1867¸÷g#À¥±úU!3g#¸÷g#° ŽúU!2014-10-31 21:40:04úU!1g#¸÷g#uÚúU!0g#¸÷g#­fúU!0g#¸÷g#È9âúU!÷g#¸÷g#€ˆfúU!0g#¸÷g#XÀúU!0g#¸÷g# ëlúU11g#Ø÷g#DZúU0!Arranged by Edwin Sung1Katrina Sung˜ù"úU0!0g#¸øg#@DÌúU!1g#¸÷g#@ŒÄúU!0g#¸÷g# úØúU!÷g#¸÷g#àÆúU!0.0000¸÷g#ðÑúU!2014-10-28 20:03:11úUQGod Rest You Merry Gentlemen for violin duet suitable for grades 15ÁThis duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 28th October, 2014 Enjoy!úU˜úU!2.00¸÷g#e2024-0!0g#¸÷g#4-04-18 !1g#¸÷g#71347223!0g#¸÷g#X·îúU!÷g#¸÷g#176292!÷g#¸÷g#˜˜úU!0g#¸÷g#˜¹îúU1÷g#Ø÷g#° úUìîúU0!2012-06-28 13:48:57úU!36g#¸÷g#àLUX#!7594¸÷g#!27g#¸÷g#1Thilo Plaesser$0!Ukulele Chords/Lyrics!UKECHD¸÷g#@1Pop#Ø÷g#ÿÿÿÿ0á PTüúU€7ŠúU MDúU (CúUÈ ¥úU˜ReúU ©‡úUx’úUÈ ¥úU&CúUÈ ¥úUkúUH™þúUX ÒúU˜äßúU¸õþúUxzþúU¸õþúU¨2úUò—úUè {úU°êÄúU(ˆúU ðÊúUH(3úU ðÊúU˜°úUÈ ¥úU(i%úU°êÄúUÈ©úU°êÄúUˆ©úU°êÄúUXK[úU°êÄúUXHÜúU°êÄúU(AãúU°êÄúU8˜þúU¸õþúU`æúU8˜þúUX ÒúUph¯úU¸NþúUX)þúUH(3úUð-þúU˜äßúUð-þúUxzþúUð-þúU¸¤úUð-þúU@×úU¸¤úUX)þúUøúUð-þúU¨Y úUð-þúU(—úUð-þúUXU›úUð-þúUh úUð-þúU¨ÓúUð-þúUÈRúUð-þúU8“úUð-þúUè$úUð-þúUè {úU)þúU(ˆúU ÔúUè$úU ÔúUÈÁúUð-þúUèÁrúU°êÄúUè§äúUð-þúUX”ãúUð-þúUø^úUð-þúU¨,úUð-þúUˆ+;úUò—úU8Z úUð-þúUè {úUð-þúU(ˆúUøŸÑúU8R úUøŸÑúUÈ©úUð-þúU8… úUð-þúUèÎúUð-þúU˜äßúU@d²úUxzþúU@d²úUhø úUð-þúU¨€úUð-þúUÈúUð-þúUø´ úUð-þúUxWúUð-þúUÜúU°êÄúUˆÑ úUð-þúUHÌ úUð-þúUè  úUð-þúUØA úUð-þúU(È úUð-þúU8à úUð-þúU˜úUð-þúUh@ãúU°êÄúUXÊúUð-þúUHÀúUð-þúU¸î¹úUò—úUHûúU ©‡úUhÂúUÈ ¥úUè= úUÈ ¥úUØÁóúUÈ ¥úUØëfúUò—úU˜äßúUp”úUxzþúUp”úUØÿfúUò—úUøgúUò—úUUúUª˜úUD`úU0&‹úUDP‹%úU@å"úU2pÜúUD€zúUÁ@úUÿðBúUðNÊúUD°VúUx¸úU0@úUD€ZýúU¸úºúUÿð¤*úU0ËûúUD ËúU€RýúUDÐ'kúUÐÃúUDàøjúU ÙúUD´÷úUЄúUDÐq~úUP;ËúUDp½úUÀ|úUÀ~öúUDá™úU˜¹úUðæÈúUD ŸRúU`ªžúU €…¾úU°T'úUDp•'úU0q¿úUD@«2úUºúU0IúU@ãœúUÿà~JúUÒúUDÏþúU°Õ›úUDÀA¼úUÐÄúUDÐ úUðúÃúUD@©óúU ºúU 6ÝúU 5súUDдÿúU [ùúUD@MøúUÐXúUDP“{úUå}úUDúU âúUDíWúU8IúUDpøúUzbúUDð^júUp“AúUD@H[úUYÌúUDdiúUЗgúUD`šîúUmúUøUúUÿðahúUpm×úUDð´×úU †ƒúUD·yúUlúUD R‹úU€¸3úU Y‹úU‹ßúUD4†úU ½ÚúUDpŠ½úUsÒúU0+KúUD`ÊÀúU TûúUD Ó÷úUð úUD‘[úUàâ÷úUDð‘ñúUÐìÀúUD`CñúU`gøúUD  îúUP úUDà$ÕúU00,úUDíùúUÀšúUÖúUU :°úU`°-úUD ‰/úU4vúUÿ0úU ²úUD0µóúU0Ì[úUDÀ[úUè½úUˆÄúU@CGúUDðKúUúUDPµ÷úU€ŒkúUDð8øúUÀúUDp_úU  úU@šúUDÀ–þúUÐç“úUÿàEzúUÐÊÙúUD0FñúU €ƒúUD0¶súUà kúUD°¨WúUÀ³úUD <þúU`ÓØúUD` KúUàöûúU2pºÿúUD úUðèõúUD0ÕúUàOfúUD yúUÀ9,úUD +úU @ÿúUDÀ7ýúUpúmúUDð±ùúU@ÿëúUDT,úU@VùúUD@NúUÀ›úUDp|úúUDÊúUDÀ–WúUÀ…kúUD€õ úU`«LúU €°yúU ÒúUDÀ~/úU /úUDP–ùúUðöÅúUD XîúUWÉúUDàúÌúU ukúUDpJÿúUßüúU úUD‰YúU°c†úUDpàkúUÅýúUDÓûúUàõ¡úUÿ°ŒúUPa}úUDi™úU ž:úUDo{úU0NúUDÀ+úUBÚúUD°ð_úU€K9úUDÑ$úUàJúUDpê¥úUÀždúUDÀ‚úUàÄúUDsúUðxõúUD$úUÐwõúUDà‹½úU múUDpVjúUð½üúU2pÛùúUDPºúUÀ*:úUDð•õúU`Õ&úUDPúUУ]úUD0oúúU°†ßúUDÀý$úU`FÊúUDPýúUкhúUDP¶búUÀgøúUD`ûúUðÇýúUDÀLŠúU¿ÊúUD°äúUø÷÷úUU ï úUPL]úUà úUD`¼ôúU #ØúUD°/(úU¹úUDLïúU uUúUÿ@¯ŠúU(¤múU @ õ¯úUÔ úUDIûúUzúUDpŠúU0L8úUDÀWÖúUP~RúUD@µ[úU°1úUPL]úU0šúUD=IúU,:úUD‰äúU€úUD“¦úUúUèW‚úUè½ÁúUJJúU˜|ÞúUØFúU(”úUèiúUxŠpúUøÅvúUø¸ÝúU@¤úUˆ¿ÁúU°€AúU¨eúUX úUpŸùúU˜ÊúUh»QúUÈÞ)úU¼IúUÀuúU¨ÞtúUÀ=uúU˜d™úUÐÜ2úU(Ý»úUxßúUx%úU€1ÔúUØ•¼úUÈe+úUøÀ8úUlòúUÀúUHçÁúU86(úUÔúU¨úU˜8óúUØhµúU˜Œ‹úU¸ÈÁúU@ÖàúUDÂúUØ„3úUèÏ`úU"úUXQ]úUè³(úUîúU86(úU˜ÃüúUx¸ÁúU˜ºúU¸ OúU˜Š‹úUÀŸGúUHR]úUp8ÉúUÈ2!úUBúUÿ úUHj”úU¸Ê?úUàˆÒúUxY'úU(húU˜>úUHföúUhO]úUðï#úUØÅÍúUˆ­úU@ùúUxÂúU¨)úUˆ‘cúU¨ukúU¸úUØDÂúUP2÷úUˆ¿ÁúU¨=búUˆ<ÂúU õŠúUÉúUȆ‹úU€5™úUÀÁúUØnÓúUÇÁúUxl:úUØDÂúUH±îúUH§¸úUð†÷úUˆ´úU¸«^úUàðúUêÁúUu€úU¨GáúUÐÒöúUX­‡úU¨ðdúU@ÝdúUÈÞ)úUÀyúUg¸úUàxUúUp²gúU¨ukúUˆñnúU(ÂúU˜ð0úUHL]úUX9úU¸V]úUplüúUÀz5úUȆ‹úU øSúUˆ¹TúUàÍmúU0àƒúUx]µúUp]ïúUÊúUÂúUÀ9'úUÈ2!úUèxÙúUعÁúUÐ@ûúU ÉúUhŸúU˜5™úU¨‚¼úUX úU d úU¸HúU¨µúUêÁúU°ð úUèEVúUh‹ýúUˆ¿ÁúU óúUàOúU¤^úUø€úUмEúUH´"úUP“²úUXÂúUÀ¶QúU™úUhúúúUoöúUøúúUÀµŠúUýÁúUà—áúU˜@±úU¸ãôúU€ÎÝúUÂ]úUð úUXY]úU€cùúUx»ÁúU…úúUëËúU¤^úUxé úU¨‚¼úUÀÊóúUX`¹úUx4FúU¨LÒúU(Ý»úU /`úUxm^úU0ðlúUøÛ)úUP/÷úUH1‘úUžúU˜>úU°¦ úU86(úU€½õúUPÓýúUX„gúUÎ}úUøúúU€õÀúU`2úU¸šúUø_²úUWcúUn¸úUà;húUÈøúUØ[#úU0efúUøòúUŸúUðFbúUxoòúUàBOúU¨GáúUPiùúU0€ûúUhÂúUH‰ÝúUˆHVúUÈE¤úUˆ‘`úUxF”úU`|úU¨eúU€zmúUÀm¢úUØ'òúUX®‚úU¨}úU¨ukúUˆ ÜúU FEúU¨‚núU¨AúU€€ÖúUxFaúUˆöúU 3túUèÃÁúU °iúUB"úUÈÓGúU8r†úU¨U)úUØÐúU‘The original idea for this medley of //The Charleston// and //Black Bottom// resulted from a ’Twenties Evening’ organised in aid of Multiple Sclerosis by a retired local piano teacher and good friend, whose husband unfortunately suffered from the illness for many years, before passing away a few months back. Initially there was a copyright issue with the medley, which was complicated by the fact that **two** US companies originally shared joint ownership of the former tune, and a different company the latter. However, with the eventual assistance of Richard Paine, Rights/Media Music Director of //Faber Music Ltd//, who now look after the joint interests of the former US companies, I have been given full permission for the medley, in all the current instrumentations, and for any subsequent ones using the same musical ’template’. This can be confirmed from the **full** copyright line on the title page of each arrangement, a condensed version of which also appears on every respective instrumental part. Following the relative success of some of the smaller instrumental version, and an arrangement for Wind Band, the present version for Wind Band seemed a logical way forward, and has already received enquiries from potential customers as to when it would appear. As before, I have included alternative Treble Clef versions of Trombones 1 & 2, but am always happy to provide any additional transposition or part, if possible. In fact, only the other day, I was contacted by a bandleader / arranger in California, who asked me for a few extra version of regular parts, but in different clefs. These have been done, and added to the list of parts. Where a part shows (BC), this is a transposition into the bass clef, at concert pitch. (TC), on the other hand confirms a part in the treble clef, using the respective Bb or Eb transposition. Parts without BC or TC, are merely using the accepted brass band tradition of scoring, as far as that particular instrument is normally encountered in the Brass Band world. I have used NotePerformer to produce the attached MP3 file. There is also an **optional** //Double Bass// part, if needed.113.95Ø÷g#å]0ð{úUªPäúU@€úUØ5œúUÿ0lwúUÀXúUDpžúU`©HúUD XSúU 0„úUD`«¯úUc$úUDp-)úUÕ&úUD@6%úUxÅÐúUÿ¶_úU˜b©úUÿ°ynúUp¹úU2Pê„úUýYúUDPufúU`?UúUDÀÏdúU åúU€ˆ8úU‘wúUÿ€;oúU°DúUDðƒ¹úU˜×xúUÿ@^úUä?úUD`'ÛúUUúU œnúUDà@vúU £_úUDб—úUêÁúUpèúUËúU˜UúUÿàs7úU „‚úUD`Ò—úUeWúUDP›)úU¸2núUÿßúUP £úUDà‚aúUHí¸úUÿðåtúUà?GúUDÐ!úUSúUD`û8úU@$FúUDоúUàLfúUD`ñ$úU€¢åúUP2úUD¿çúU@ñõúUDP!†úUà‹QúUD@§eúU ådúUDÀm©úU@ï—úUD°œÔúUpm‡úUD€Õ†úUp“iúUD°æØúUP zúUD€ï%úUPâúUD0‡úU€;úUD@‘"úU bWúUDÀ§ úUà¿”úUÿ°úU@ÚVúUD€úU@!úUDðmfúUÿYúUD@ÌDúUðx|úUD€/HúUàQúUDö&úUÀàVúUDP[úU`:úUDàŒ_úUPkcúUDÀÆÀúU] úUDpaúUÐ/LúUD€çúUPB—úUD ÙKúUÀ$núUD`>iúUàí°úUÿ`²_úUð- úUDðPúU`ŸŠúUD°úUÁtúUÿ úUˆ)¼úUÿÀ°9úUÀVÌúUDpY*úUð™ÜúUD^úUpúUDP‰uúUP'ôúUD°húU`“ÖúUD–JúU0ÌmúUD°úUðFúUDPÎVúUÐÜúUDðø|úU(ôúUD°ïfúUk_úUDà#3úU`Æ€úUDÐëkúU(J#úUUÙWúU0e¸úUDpE^úUÀ­žúU €PÕäúUà ÒúUD,úU_úUD êTúUpQúUDxïúU9êúUD OkúUÐ`UúUD ±FúU°ySúUD ³FúU°iFúU  €nlúUpD#úUU0á‚úUÄSúUÿ00³úUP¹úU2༟úUD"ÍúUà¼ìúUDÀk.úU°’.úUD°jgúUàŠºúUDwúUЩEúUDÒ¯úU€vÇúUD —˜úUÓCúUDp¥&úU ØCúUDPö%úUð˜KúUD°q{úU!púUD0¢fúUÐG8úUD`zuúUàˆRúUDÐwúUhÕ·úUÿp–¶úUpBIúUD`@úUØïúUƒ!fàyÀúUD0×AúUÀY@úUDÀŽäúU ôúUD€ùúUÀu…úUDpy„úU@…úUêÁúUPúUD€ËwúUhÔúUD0‘™úU@?)úUDPK#úUÐúUD¥úU¸¿úUÿ€†cúU \éúUDpm{úUPÅúUD­qúUpþÃúUD ÖVúUÀMúUDPyUúUàúU0SùúUD`µlúUh9GúUÿ0CúU° æúUD¡NúU€SúUD€¡NúUp…MúUDð(NúUPè›úUÿ°^HúUˆ¡úUÿ4ôúU‘OúUD€wúU¨>úUÿ@ñxúUОvúUDpzfúU0¹úU2ˆ›úUÿð{+úU@OëúUÿPWúUà1ÝúUD ðŠúUð€múU ÀçúUX¡múU @0Ÿ5úUðòúUp¢‰úU8lEúUÿ Û…úUP„GúUD ÿúU@×™úU PuçúUPF´úUÿÐ)yúUàRúUD°âúU Ò6úU`vSúUD xúU!KúUD0_úUPèÈúUDpfaúUPQWúUÿ 0•úUpáúUD°|ïúU iúUDà­lúUsUúUD ÒúU!19g#xûg#ø°úU!3g#¸÷g#øKúU!2g#¸÷g#hRGúU!2011-06-12 10:15:49úU!2023-11-02 23:01:37úU!2g#8øg#¨$•úU!1.50øg#pTçúU!2011-05-08 06:24:49úU10g#Ø÷g#0!sib#¸÷g#¸KMúU!829#¸÷g#èªXúU!0g#¸÷g# :úU!÷g#¸÷g# ¤„úU!0000-00-00 00:00:00úU!5g#¸÷g#ÀÑïúU!4257¸÷g#‡aúU!4g#¸÷g#@¬MúU!0g#¸øg#p9@úU!113135¸÷g#pTçúU±"Come, Christians, join to sing Alleluia! Amen!" Let this piano and instrumental prelude encourage those listening to come and sing praises to Christ the King.µVúU!0g#¸÷g# !Spanish Melodyðé@úU!Sandra ZylstraBjúU!2007¸÷g#43065510g#Ø÷g#3r || []; 0!4058M@úU !0g#À¹LúU!0.00è÷g#@!0.00¸÷g# !0g#ƒ¿úU11g#Ø÷g#01÷g#À úUeearchParams0!0g#à0oúU !0g#¸÷g#10g#Ø÷g#0APiano, Vocal & Guitar Chords (Right-Hand Melody)1glennegnerúUupedScoresúU0!2020-08-24 00:11:58!1g#ðõÐúU!0g#¸÷g# APiano, Vocal & Guitar Chords (Right-Hand Melody)1Egnerp`úUiredDatek"0!67537pN@úU !8.44"úU !2017-11-22 16:45:14QPink Guitar Tab Aerosmith, Steven Tyler, Glen Ballard, Richie Supa !227497ðî!úU !HASHU¸÷g#!HASHU¸÷g#!HASHU¸÷g#!HASHU¸÷g#!HASHU¸÷g#!÷g#À7dúU !1g#p ÞúU !àú+úU°ã8úU ÞBúU¨3UúUà¹úU»úU[úU”DúUÀÕúUp!ÎúUàêgúUÑMúU.GúU 3âúUàkÑúU !HASHè÷g# AHue, Serenade for flute & pno Georges Hue úU@!2g#ÐmúU 1HASH°~[úUenngref); 0!÷g#0–ÓúU ™™tÏTtÏTHû:Hû:÷÷Ëï Ëï §“§“Ä´$Ä´$G) ê›úUè úU_hž€ á 0A·úU  nVúUª°-0€gúU‘¾úU+0c‡úU§}úUMPÍSúUñbúU †°úUKP±‹úUp½ÏúU°ƒ·úU Ò úU0xzúUµ¸Õ‹úUPvYúU`sÇúUpå]úU  úUðwCúU#(ah 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13:35:031E5EA9B60-DF90-11E9-AFAE-78p!58012¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x892¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-02-16 15:20:03!2023-02-16 15:20:32!1186298¸÷g#!1751762¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q ÖýúU!Oh, Pretty Woman!1150068øg#nwern' (!2017-06-09 17:10:17úU10000-00-00 00:00:00·úúU0!23g#È÷g# ¡The_Story_For_Flute_And_Clarinet.sibBiazeck & Preece)2024.sibsibed by David C Wheatley.sibiano accompaniment arr. by Pamela Webb Tubbs.sib úU‘The Story For Flute And ClarinetnsA New HopeHopenthem C Hubert H Parryrranged by David C Wheatleyy arr by Pamela Webb Tubbs!95262¸÷g#HàúU!1g#ø÷g#@áîúU10g#Ø÷g#(ˆúU0‘There Shall a Star From Jacob Come (MENDELSSOHN) Advent or Epiphany anthem for SAB Choir with Organ accomp., arr. by Pamela Webb Tubbs!23g#¸÷g#Àì úU!0g#¸÷g#ÈVúU!3g#¸÷g#`úU!2g#¸÷g#@&úúU!2022-12-15 17:45:02úU!2022-12-15 17:58:58úU!Felix MendelssohnùúU!Pamela Webb Tubbs!1846¸÷g# !1g#¸øg#èZúU!1g#¸÷g#¸a¿úU!0g#¸÷g#¸ZúU!÷g#¸÷g#€–úU!0g#¸÷g#úU!0g#¸÷g#Pž3úU!1g#¸÷g#03ïúU10g#Ø÷g# øúU0Q1. (‑ple.) (‑ple.) Oh, how good it is when the fam'ly of God dwell together in spirit, in faith and unity; where the bonds of peace, of acceptance and love are the fruits of His presence here among us. So with one voice we'll sing to the Lord, and with one heart we'll live out His word till the whole world sees the Redeemer has come for He dwells in the presence of his peo ‑ people. So people. Oh, how 2. (‑ple.) (‑ple.) Oh, how good it is on this journey we share to rejoice with the happy and weep with those who mourn. For the weak find strength, the afflicted find grace when we offer the blessing of belonging. 3. (‑ple.) (‑ple.) (Oh, how) good it is to embrace His command, to prefer one another, forgive as He forgives. When we live as one we all share in the love of the Son with the Father and the Spirit.úUQKeith Getty, Kristyn Getty, Russ Holmes & Stuart Townend`‰ƒúU!1.50è÷g# øúU!2014-10-06 12:51:28á $(  œ@úU+0p0úU`ö>úUŸ 4=úUZ`Ð%núU0AúUÝ>úU`umúUP•súU0×CúUðø½úU@H°zwúUP}SúUÐJfúUPXµ¸0núU=‚úU°²úU28¿~úUGHY¹úU$(pmxúU PÙ{úU%(!9691357 ÷{úU!8092994¸÷g#X7úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00Q€rBúUATimes lost for C Baritone Euphonium Trombone Pianoñ¸²­úU ©‡úUjÈ®úU('ÐúU('ÐúU ©‡úUj('ÐúU ©‡úUkÈ®úU('ÐúU ©‡úUj('ÐúUx.ÁúU°qFúUúU¸²­úU  úU0:´úU ¡çúUh ©‡úUk ©‡úUj ©‡úUj ©‡úUk  úU ©‡úUk ©‡úUk ©‡úUk ©‡úUk ©‡úUkx.ÁúU ©‡úUj ©‡úUj  úU¸²­úU0:´úU ¸²­úU0:´úU ¡çúUig¸²­úU¸²­úU0:´úU ¸²­úU ©‡úUk0:´úU ¡çúUhð›&úU ©‡úUk¸²­úU ©‡úUl¸²­úU¡çúUh ©‡úUj ©‡úUk¸²­úU0:´úU 0:´úU  ©‡úUj ©‡úUj¸²­úU0:´úU  ©‡úUk ©‡úUjP¼úUá@Ÿ4úU ›íúU@Ÿ4úU€w+úU415218QÐÇCúU’•úUòƒç415215!ŽIúU°H÷úU€0 ›dúU¸¼úU »3715811;KúUð‘ÚúU VúU½úUÞ:Ü367286!°SHúUPVúUp00›FúUX½úU(˜¹3672611€0ÒúU0Ó`úU°u$úU¨½úUþtVí367301!ÐD¯úUàu$úUp0÷lúUø½úU»Á371584!°SHúUÐ"çúUÀ0@;óúUH¾úUÆ-F 379178Á h8úU@³¯úU 0pÛ2úU˜¾úUŽk[215433! ™‡úU Û2úUp0`³¯úUè¾úUºWeÝ379062!°±ŽúU³¯úU°0àÔ`úU8¿úU0šë€379029Q` uúUðNäúU 0@…(úUˆ¿úUOqI516993!ŽIúUp…(úUp0бúUØ¿úUÜé¨379031!P”‰úU²úUÀ0ÃaúU(ÀúU‹³=â378984ap5FúUp(ßúU 0`Ó úUxÀúU…ÝC>215507ÁMúU¥/úU 0 ¥/úUÈÀúU-è6371611qàÛúU@ÌoúU 0`ÌoúUÁúU¯m§¡460296!8úUÌoúU0(ßúUhÁúUïM÷460288!àÄ6úUÀ(ßúUÐ0þÿúU¸ÁúUÙN370759Á´úUpã`úU 0@&—úUÂúU¦¬415165qzcúU@ÏúU 00P)úUXÂúUŒãûÖ215411!PèúUÐ!HúUÀ0À$úU¨ÂúUÏ<415122€Ö@úU0 †úU°2²úUøÂúU¦UbS460252!àdúU@;ôúUp0ð †úUHÃúU®¦YÍ371580áðëBúUðšúU 0°"’úU˜ÃúUãó1â460244! h”úUà"’úUp0ðšúUèÃúUù¨1p401800Að¯°úUð ßúU 0@ÃèúU8ÄúU™û[I215578!À%³úUpÃèúUp00®6úUˆÄúU{´¸401716Á¸EúUpæhúU 0vdúUØÄúUtqÊ401761!ŽIúUÀvdúUp0§/úU(ÅúUìYÚþ215442!PÉ+úU0§/úU`0!ßúUxÅúU¯è„470685±@uaúU%¶215328qB‡úU>úU 0ðI¯úUÈÊúU$?¿460167!pXÚúU J¯úUà 0g#Èúg# !0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#m úU!0g#¸÷g#442296!0g#¸÷g# !0g#¸÷g#!1157424èùg#ÀÍúU!0000-00-00 00:00:00úU!0000-00-00 00:00:0054QØ*fúU!0g#КúU !396002¸÷g#@!0000-00-00 00:00:00úU1÷g#Ø÷g#ØúU0!Song for Guy˜øg#!41g#¸÷g#ÀSÅúU!257#¸÷g#210931!3g#¸÷g# !3g#¸÷g#!2019-03-30 05:25:42úU!2021-07-12 16:29:17úU!pdf#È÷g# PmúUª`ylúUDÐ KúU@¡ŠúUD R#úU`¿ÿúUD0W#úU@…ßúUD»ûúUÀ•gúUD ûúU¿úUD@nßúUVüúUD@.úU@-úUD ·ûúU Æ'úUDs'úUÐß~úUDúUDßNúUp³çúUD²múUòTúUD0ÕþúUà³úUD€ßNúUÐòöúUD0áNúU€GúUDpÞNúU€³ˆúUD Y£úU°ÖØúUD€ÍÀúU€„úUDàØúUÊ"úUDáNúUp›KúUD0x:úUàqÇúUDðF£úU ëàúU " °úUPÂÿúUD0¯úUàLúUÖjúUD ‰ƒúU€xeúUD`4šúUˆÔúUð“úUDP>OúU0MúUD°wFúU sáúUDøNúUðœÞúUD°øNúUÜúUDðøNúUbiúUDPùNúU°º9úUDÀçúU0{úUDpùNúU û'úUDpôNúUpgÔúUDôNúU`9úUD€4šúU&úUD°ôNúUиÚúUDÀt£úUÀÕÉúUDÐôNúUÀ„ßúUDðôNúUp(úUD=OúU^øúUDõNúU ÛùúUD0õNúUP.úUðìöúUDPõNúUH8OúUÿ0ÕtúU ØúUDpõNúUÀŸ0úUD°hSúUpRûúUDpF£úU{ÅúUD R£úU lúUD ˆ~úU ²:úUDðR•úU`«súUD@V£úU ~öúUDO£úUP)púUD°=OúU ÃúUD°S£úUPKoúUDS£úU@MÍúUDPY£úU°…húUD`U£úUð¯úU €@OúUGoúUDàFOúUàÀÊúUDR£úUpYéúUD`9úU0ØúUà3úUD0÷NúU`ûiúUD`R£úUûÄúUðúUDðX£úUþNúUD‘YúU iúUDàU£úUh²úUÿx úU`ªIúUDÐLúU àkúUD É2úU¸õñúUÿ RúUÀ¡úUD°ƒ$úUBËúUDS£úU¢úU@gúUD Z£úUàqáúUD`Z£úUM_úUDpY£úU°EúUD óúUÀ”dúUDÀY£úU 7]úUDPF£úU ¶úU €@&÷úUpqúUDH£úUÀ²úUDÐÞNúUpÜÉúUDpH£úUð/úUDPH£úUÀŽgúUD0H£úUúUDÀG£úU€àúUDÐI£úUÀNúúUD°E£úU¥[úUD ÝNúUÐ ÐúUD0ÑòúU:úUè½ÁúU ‹úU˜Ê`úU8ÎúUZuúUHŽÑúUÀ¸%úUˆÞ!úU86(úU ¥MúUðá“úUx%úUèœeúU˜ýúUó-úU¨ÔúUjÑúUˆ)5úUàvlúU(Z³úU^úUèÎ.úUñGúUÈÞ)úUæ0úU Î0úUxY'úU˜)úUȧ úUbHúUÈ>úUˆ¿ÁúUŽúU0ëMúUX˜;úU0TúUA¼úUÿ‹úU°väúU˜>úUØç¢úUHŽÑúU@BxúUU]úU8À"úUJjúUø˜úUXDúU¸V]úUHö-úU`HAúUìëúU8ÍHúU˜öúU¸úUpÑúUˆ­úU`UÏúU˜öúU˜25úUxÂúUˆ*úU8Ô.úU@±KúU€Ý'úUx]µúU`nÓúUðv0úU˜Š‹úUxÐúU¨uúUȆ‹úU@'kúU¸V]úUxWiúU¨eúU¸, úU„!úUxY'úUÈ·õúUH§¸úU8‹úU˜¶ÁúU°3*úUØ•¼úU£ÛúUhO]úUø¢$úUȉ6úUˆ­úU@ÄòúU¢>úUÈÖiúUðÕUúUÀÁúUptJúUØ.kúUØÜ#úU˜>úUh.úU(Ý»úUì©úUHR]úUHLöúUÐÊ úUØ·~úUèl·úUêÁúUØMLúU˜æ!úU8ÓÝúU0eúUøÛ)úUˆ€úUXY]úUèŒ:úUZ]úU`Ô$úU|>úU8J”úUÈÇúUˆÅnúU¨ÂúUÀ½lúUÈ °úU°:úUˆ¹TúU€ÝjúU¢úUˆ­úUøüúUèEVúU°˜'úUèÎ.úU@ß9úUDÂúU˜ø*úUÀÁúU0úUpPNúU˜hÃúUx¾DúU€úUˆ­úUhá úUx%úUP(5úUXY]úU0¹úUÈ2!úUïúU˜¶ÁúUpŸ'úU-úU¸ÂúUH$úU¨›úU˜à"úU’wúUøúúU_¢úUg¸úUKúUÈk¸úU@¹úUXCÂúU v/úUÈ2!úUPœtúU(@ËúU8‚äúUø¸ÝúUp CúUðŒWúUhÂúUÈzúU`UúUx]µúU¨8úUx¶ÐúUx]µúUÐ&¹úU˜HaúUàOúU(¹ÁúUàsúU8Ú±úU¢úU yæúUêÁúUPèúUˆÂúU(RoúUø¸ÝúU /úU ü¼úUȆ‹úU0_(úU èúUH&úUÐh%úU¨eúUð¶iúU(ΨúUæúU“ÛúUlòúULúUÈ(úUˆ­úU`Z.úUH LúU¸úU Ê?úU˜Ê´úU¿úU0JÅúUˆ­úUÐß)úUàzåúU˜½èúU0—°úU ”cúU(Í#úUñ“úUg¸úU ±7úUx~‹úU.úU˜HaúUØÃúU¨RúU¤^úUŽVúU0búU¸ÈÁúU8€)úUÈŠ¥úUÈ5‘úUPצúU؆úU¨ukúUàüúUØ•¼úU¨÷*úUÈÞ)úUظaúUHL]úU0µiúU¨GáúU€e"úUh·ÁúUЃúUhòúU¸ÂúUx†lúU8f8úUhúúúU8×ìúUˆHVúU8Á¢úU&úU@‡úU˜ ÂúUhcúU˜ýúUWWúUZ]úUXTúU()UúU86(úUè˜JúU˜öúUÀ·ÎúUø¸ÝúUhÌúUx¸TúUP "úU˜á)úUÐíúUg¸úUØgúUøÛ)úUðÑWúUÂúU,úUØDÂúU˜múUˆ}VúUx]µúU°úUèžúUxH÷úU(;úUpáúUÈ®ËúU¬ÎúU@%úUÈÓGúUXþúU˜á)úU úUHL]úU2úUHR]úUˆì:úUÐHæúUh’úU°¤úUHR]úUè÷kúUÅÁúUгoúUØ•¼úUÈYfúUøÀ´úU¸‘•úUиCúUPqÊúU¨ºÁúU°êúúU€º8úU86(úUøöúU¨U)úU°VJúU¨U)úUP`úUx%úU@¼(úU 8€úUø$úUÐë#úUU]úUhúUèÏ`úU ¹úUÑFog in the Dark Forest Richard Wayland none Well, I just felt like writing something morose and dreary, so here it is. The mp3 uses GPO organ and Sonar. It is the best way to listen. @ÍÄúU!0g#¸÷g#¸àÌúU!0g#¸÷g#xW_úU!0g#¸÷g#Àw3úU!0g#¸÷g#ð`ÇúU!0000-00-00 00:00:00úU!÷g#¸÷g#ÐsjúU!0g#¸÷g#ð/dúU!0g#¸÷g#àÔÜúU10g#Ø÷g#èï&úUÐï&úU0=úU@înúU˜ñÀúU âúúUÇÁúUØ4™úUØDÂúU0%úUXÂúUHW¢úU°,úU86(úUX?™úU˜öúUš;úUx»ÁúU€$aúUØÃúU¨u8úUêÁúU˜o/úUxò®úUh ´úU@"FúUX¼HúU¨°™úU°ò¨úUXA³úU¡èúUúLúUØ^¹úU¸šúUøÈúU·÷úU86(úU¸E™úU¨GáúUƒ&úUèU]úUà{ìúU RKúUhúúúUÐDúUØÛ.úUx®úUx—3úUø\“úUîúUðTVúU8‹.úU(Y>úUXY]úUp=:úU˜>úUPÍmúUH1‘úUÐÌŽúUXí‹úUhÂúU€`úUH§¸úU°ÁßúUà©úUØ'òúU¸Ä"úUÈ2!úUˆVúU¼,úUèÃÁúU˜(úU@ ¢úU¤^úU(úUÐP„úURúUOúUx—¼úU8PMúU˜öúUØ¡húUØDÂúU8;¾úU˜—JúUH3kúU¸9çúUèÎ.úU@#›úU0_,úU¨ºÁúUÈÝ#úUˆ¿ÁúUà5úUx%úUx7úU+ÒúUˆ’úUè×¹úUÂúUÐ7éúUÈ2!úUøëúUHR]úU@ŽFúU ØúUHo7úUx3úUXQ]úU€õ3úUØIúU¸³ÃúUýKúUøêWúUˆ¹TúUXrüúU ¨üúU¸ÂúUÐæúU€búU˜Š‹úUØ8úU8±VúUØ·dúU¨QNúUÀ-UúU¸ÂúUÈ€IúU¸ö€úUø8‡úUØ/¿úUDÂúUÀTiúUg¸úUP\QúUU]úUh,úUxÂúUÀøƒúU˜ *úUhúúúU0G:úU¨U)úU C!úUU]úUÐFJúU  úU¨ºÁúU8»úUÐDéúU¨ÂúU`«LúUÈÞ)úUpFúU,fúU¸ÂúU8ŽaúUˆÆ½úUh—7úUØ=xúUÐNüúUH3kúUÀ=búU˜ýúUˆ…úUxoòúUÀó-úUxÂúU8Œ5úU8Ô.úUÈÔìúUXQ]úUðøeúU°¸úU8ÓÝúUð+™úUˆÂúU˜zÙúU(¹ÁúUˆ0úUØDÂúUp›…úU(ÂúUhMúU(ä‹úUHo@úU(¹ÁúUèº@úUU]úUøFkúUH úUX„gúUXò-úUèqúUÐþMúUøØ8úUh¸þúUÈwúUÈÓGúU0LúUøÛ)úU(¦xúUˆz¾úU00VúUÈÁuúU¸T)úU(3÷úU(Ý»úUxKúU˜UŠúUX;!úUÎKúUø¸ÝúU¨ƒÝúUÈ2!úU˜QXúUXCÂúU`ŽÊúU®„úUH3kúUxÿúU éúU¸ÈÁúU(Ë/úUêÁúU¸™'úUýÁúUx\úUx}MúUˆ¹TúU`púUù(úU¸NúU\ôúUÀÁúU júU¨U)úU@_úUx¸ÁúU \KúUèÏ`úU¨Á@úUP@(úUhDFúUˆhƒúUXÂúUB$úU¸ýÚúUšdúU¸äúU(Ý»úUxÞÈúUXA7úUxFaúU°YJúU@+oúU8ÓÝúU8×èúUèU]úUP"˜úUèÏ`úUÀž$úUrúUˆ¹TúUMúUHÂúU0øúU8u6úU°¸úUÈ2!úU™4úUøÛ)úUh¹úU~ŠúUè =úUí úUXÁ/úUÂúUÀ…5úUØÃúU°«úUx~‹úU ¦ÆúUZ]úU8`(úU˜"LúUˆ¹TúUàÑ8úU˜>úU˜u/úUˆ¹TúU`2éúU`ÖúUh”HúUà¯@úUZ]úUKúU ýúUȆ‹úU¸é&úUøµúU¨ukúU¨9¯úUZ]úUp%úU0€MúUx]µúUp9úUhñ.úU˜Š‹úUÀóúUÀ úU8ÓÝúUˆ*9úU ÑúUxFaúU€¬ñúUèRmúUhŸúUð}íúUÉnúUˆ­úU À9úU˜¶ÁúU0úU(ÂúUHúU¨eúU76úUÂúU5BúU8IVúUЬCúUؤ>úU•FúUÈ\AúUˆ¹TúUˆýÍúUàËXúU¸äSúUp¸CúU°™úUÈÓGúUÈ¢ÆúUÇÁúU°†)úUˆz¾úU¸Ú/úUxAúU¸šúUˆjEúU¸V]úU@BúUÇÁúU0­þúU úUÂúUp÷kúUh}TúU8Ý,úU Ã)úUhúúúU“úU‘ËúUØtúU8“²úU@fÆúUn¸úUh²úUˆÀÁúUÀ›ÑúUØÛ.úU0¥!úUx»ÁúU’úUè½ÁúU (úUðyÚúUÈ×9úUàÂ]úUÈÇèúUÏUúU(@ËúUh!RúU˜ý úUèþÏúUÔ úUø¸ÝúU˜/úUÈÇèúUÈRWúU˜ýúUxh(úU(LèúUlòúU€[NúUˆÀÁúU€Æ"úU ©éúUH²™úU€ „úU˜ýúUÀMúUèÎ.úUÈÈ8úU¨‚¼úU(C\úU µNúUèÃÁúUHÝ€úUЂúU(eBúUø:kúUO¥O¥!5.00@‚ÆúU!2023-03-11 01:52:48!2023-03-11 01:54:19!7357187¸÷g#!11686963÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QX÷qúU1€kÎúUèúU/ØÜÏ575184!579106¸÷g#QMendelssohn Song without words op 38 no 2 for flute and pianoQMendelssohn - Song without words op 38 no 2 for flute and pianoHHúU!49g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2g#¸÷g#!2022-06-20 08:07:50!2022-06-20 15:00:20!Felix MendelssohnIúU!David Wheatleyx¹4úU!0g#¸÷g#˜šRúU12022Ø÷g#0!sib#¸÷g#!854#¸÷g#!0g#¸÷g#AMendelssohn 'Song without words' op 38 no 2 fl pno.sib!2022-06-20 08:07:50!0g#¸÷g#!158#¸÷g#!0g#¸÷g#!1.50¸øg#xzBúU!2022-06-20 08:07:51úU!0g#¸÷g#(4úU!1g#¸÷g#HvÉúU!0g#¸÷g#pêúU!÷g#¸÷g#Ô‚úU!0g#¸÷g#˜šRúU10g#Ø÷g#€seúU0!2g#þg#0 úUÑAnother of Mendelssohn's delightful piano miniatures - here arranged for flute and piano (transposed to A minor from the original C minor). Other Mendelssohn pieces are also available.ç¸úU`!4.50¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#Acopyright this arrangement: David C Wheatley 2022!÷g#¸÷g#!2022-06-20 08:14:50úU!0000-00-00 00:00:00!÷g#¸÷g#àUHúU!730964¸÷g#!0g#¸÷g#pêúU!0g#¸÷g#ÁúU!5.50¸÷g#˜šRúU!1.50¸÷g# å@úU!5.50¸÷g#ÃúU!1.50¸÷g#x¹4úU!0g#¸÷g#(4úU!÷g#¸÷g#ÒúU!0.00¸÷g#!÷g#¸÷g#`OjúU!0000-00-00 00:00:0011g#Ø÷g#€seúU ?€úU0!1g#èýg#úU!0g#¸÷g#!0.0000¸÷g#!2022-06-20 08:08:58!0g#¸÷g#!0g#¸÷g#!5g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#1Mendelssohn - Song without words op 38 no 2 for flute and piano Felix Mendelssohn David Wheatley Another of Mendelssohn's delightful piano miniatures - here arranged for flute and piano (transposed to A minor from the original C minor). Other Mendelssohn pieces are also available.úU !0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!1920¸÷g#!1080¸÷g#H_wúUˆc2úU˜\çúUØÍ¡úU¨húU`­FúU IúU@iTúUà¸ZúU˜çøúUpúU~iúUÀˆNúUè«dúUp§EúUøabúU¸ÐFúU(Ù8úU ?ßúU(vIúU€ï€úUxîDúU(iyúUØ´EúUÈÇnúUpfÑúUè®üúUÒúUàxúUÐDEúU€ÛWúUh¦"úUæDúUˆkúU@:úU0[zúU“zúU¨-YúUxzBúUЛ}úUàîíúUˆ)úUàUHúUÈêfúUXYúUÚ<úU@qbúUpêúU¨eÙúU`øfúUˆE@úUàBÈúU˜šRúU€pmúU˜l±úU å@úU0ŠèúUÀ0ÏúUÃúU¸ÌXúUˆÀöúU¨ûqúUx¹4úU(‚úU(4úU ç,úU`ÁöúU€¥ŽúU˜(iúUÀèDúUøfúU˜ÅXúU&MúU¸`GúUPÎXúU(É¡úU€seúUx­õúU!2022-06-20 08:10:16úU108A0449E-F068-11EC-AC23-696C852D92D4!561635¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x918¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-02-22 13:05:18!2023-02-22 13:05:38!1258353¸÷g#!1577582¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q5&úU1ØúUÓk`º578074!575184¸÷g#!2023-10-28 11:56:51úU10000-00-00 00:00:00ù¥úU0ATambourin (Gossec) arranged for flute and piano@‚^úU!49g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2g#¸÷g#!2022-05-08 21:53:09!2023-10-28 11:56:511Francois Gossec arr. D. Wheatley,úU!David Wheatley€úU!0g#è÷g#€R„úU!2022¸÷g# !sib#¸÷g#!854#¸÷g#!0g#¸÷g#1Tambourin fl pno(Gossec).sib€núU!2022-05-08 21:53:09!0g#¸÷g#!201#¸÷g#!0g#¸÷g#!2.00¸øg#0èJúU!2022-05-08 21:53:11úU!0g#¸÷g#СúU!1g#¸÷g#èÀXúU!0g#¸÷g#*cúU!÷g#¸÷g#CFúU!0g#¸÷g# ùcúU10g#Ø÷g# ²EúU0!2g#xûg#À2<úUáEnjoy this new arrangement of the ever popular Tambourin by Gossec for flute and piano. Many more of my compositions and transcriptions may be seen and heard at www.scoreexchange.com/profiles/dwheatley 5úU!3.50¸÷g#455631!0g#¸÷g#13úU!1g#¸÷g#@!0g#¸÷g#!÷g#¸÷g#`kgúU!÷g#¸÷g#`ìúU!0g#¸÷g#483206!÷g#¸÷g#àAcopyright this arrangement: David C. 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Some pieces are made for bands with drums, percussion, electric bass, electric guitar, woodwinds and brass. I try to vary the degree of difficulty within the percussion section in these pieces. I also try to make room for each instrument to have a central position somewhere in each song and to make it easy and important for everyone to listen to eachother. All band songs have notation as well as tab for electric bass and - guitar. I'm also writing music for acoustic and electric guitar and most of these also have both tab and notation. They are mainly beginner materials and there are both solo pieces, duets and trios. You may also find a few songs with different intrumentation such as piano, oboe, voices, solo pieces for a brass or wind instrument with piano and more. Songs are grouped six (for the most) in each folder in my score catalogue below and my latest work will be found in the folder named "new". You'll find various instrumentation in folders with song names. Pieces for guitar will be found in guitar # folders and those made for bands with woodwind and brass are called "small band". *** Most of my mp3 files are generated from midi instruments. If you learn (or teach a student) to play a song of mine, you should know I will be happy to receive recordings with real instruments as mp3 files. 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There also alternative/additional parts 2 and 3 for French Horn in F and Tenor Horn in Eb. **20 Favourite Carols for Brass Quartet** is fully compatible with the other Brass, Woodwind and String volumes in the series. • There are also solo and duet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. • This makes them ideal for building a full and flexible band or ensemble for school, community or church. • The keys chosen are the standard singing keys • These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period. The carols are in alphabetical order and are as follows • Away in a Manger • Deck the Halls • Ding Dong Merrily on High • The First Nowell • God Rest ye Merry Gentleman • Good Christian Men Rejoice • Good King Wenceslas • Hark, the Herald Angels Sing • The Holly and the Ivy • I Saw Three Ships • In the Bleak Midwinter • It Came upon a Midnight Clear • O Cone All Ye Faithful • O Come, O Come Emmanuel • O Little Town of Bethlehem • Once in Royal David’s City • Silent Night • We Three Kings • While Shepherds Watched • We Wish you a Merry Christmas úU!573765ÀLúU10g#Ø÷g#0!÷g#páúUers WHER11.50Ø÷g#0A8¿úU’_ 3.14.6.194@1 ª&úUx¿úU ôû^396488qhttps://img.sheetmusic.direct/catalogue/album/bbfd45aa-a180-3f3d-ad56-7ef65e08d375/large.jpgp17.00€£˜úU95)x01Easy Lead Sheet / Fake BookúU¨ìúU!÷g#¸÷g#x€ìúU!1.508øg#`'ñúU!0000-00-00 00:00:00#!0g#¸÷g#10g#Ø÷g#*ÔúU0A(ÁúU—¸ 18.223.32.230a@!÷g#È÷g# !HASHU¸÷g#!HASHU¸÷g#!HASHU¸÷g#!HASHU¸÷g#!HASHU¸÷g#!0g#àkzúU !0g#Èùg#AúU!0g#¸÷g#¸YiúU!0g#¸÷g#¸|ìúU!ùg#hùg#ÀŽúU!563618¸÷g#hp8úU!0g#¸÷g#(ëúU!0g#¸÷g#L™úU!0.00¸÷g#HÇŽúU!0.00¸÷g#¥ûúU!0.00¸÷g#‹ÈúU!1g#¸÷g#ˆíúU!1g#¸÷g#¨u,úU!0g#¸÷g#¸žôúU!0g#¸÷g#8úU!1g#¸÷g#((úU!134983è÷g#rt for I!3.49È÷g# !597245p#3úU !275#p1$úU!2g#¸÷g#12g#Ø÷g#0!0g#€¨búUpatible;!0g#è÷g#www.goog!0g#¸÷g# !HASHU`nGúU˜ØIúUx^TúUXOIúUÚGúUˆ©úU1CúU ×@úUØÀúUØ(3úU¨Ž,úU`ïJúUH'öúU(,RúUpMKúUH‚šúUR:úUè•èúUh«SúUðúUÐ]úU úUxñCúU(  úUxÛiúUp`àúUøØGúU¨æ9úU¸"GúUHäRúU°BúUP LúU8¢PúUP˜DúUPîíúUèêJúUÎçúU9ÏúU(*GúU{FúUHŽMúUø·™úU€LNúUøoIúU(ÙGúUèðJúULúUxGVúU8úUh›CúUÈFAúU˜uúUh!ðúU˜¨éúUX‚úU;úUÀEéúU¨GSúUXÔ@úUÀÔFúU ¨SúU8ÎTúUx4CúUÀãBúUhÁEúUØQúUøªúU0÷„úU0öúUpÕKúUУ[úU UHúUÈuIúU8’MúU°rIúUx¥AúUð˜[úUÈßOúUÀ!1276x1650g#`ÉúU!5g#¸÷g#!1g#¸÷g#!0.00¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QqIúU!0g# †ZúU !0000-00-00úU 10g#ð¿úUetytionroup0!339124¸÷g# ñƒúU!0000-00-00 00:00:00úU10000-00-00 00:00:000WHúU01Happy Birthday Sweet Sixteen!58g#¸÷g#p!0g#¸÷g#ores WHE!3g#¸÷g#àLUX#!2g#¸÷g#!2017-04-19 00:00:00úU!2023-05-16 00:00:001÷g#Ø÷g#0!0g#¸øg#¸EôúU!0g#¸÷g#èñ9úU!0g#¸÷g#¸ðúU!÷g#¸÷g#ðàWúU!0g#¸÷g#€ úU!0g#¸÷g#˜¾HúU!0g#¸÷g#øÆúU10g#Ø÷g#hÏLúU0!úg#˜úg#¸ú'úU!0g#¸÷g#à úU!Guitar Tabg#pø¾úU!÷g#¸÷g#h7'úU!÷g#¸÷g#`?'úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00!÷g#¸÷g#˜ÐúU!235517¸÷g#!0g#¸÷g#€ úU!0g#¸÷g#@)úU!0.00¸÷g#øÆúU!0.00¸÷g#œˆúU!0.00¸÷g#XÌ‚úU!1g#¸÷g#èñ9úU!1g#¸÷g#¸ðúU!0g#¸÷g#xÞúU!0g#¸÷g#!1g#¸÷g#¸è9úU!22499¸÷g#1AC/DCØ÷g#hÏLúUH¿_úU0!1.50è÷g#˜ù"úU!0000-00-00 00:00:00!0000-00-00 00:00:001application/json; 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David Burndrett is a freelance double bass player as well as being a popular composer, arranger and music educator. Many of his works have been sold, published and performed internationally. Most of his scores on Score Exchange are suitable for use in schools and other amateur ensembles. There are scores for a wide range of instrumentations available so there's bound to be something available for your group's next concert. If you're looking for something specific you can send requests to David by [[http://www.scoreexchange.com/profiles/BurndrettMusic?c=showEmail | getting in touch directly]]. ìúU!128953¸÷g#X^fúU!0g#¸÷g#X,ÂúU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!143478øg#˜ù"úU!1g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU12024-02-18 23:18:46úU0!2019-06-06 16:25:56úU!0g#¸÷g#Èø*úU!0000-00-00 00:00:00úU!0g#¸÷g#ð•úU!0g#¸÷g#´.úU!0g#¸÷g#POWúU!635#¸÷g#0\fúU!0g#¸÷g#ب úU!0.00¸÷g#øOlúU!0000-00-00 00:00:00úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00ÁI am a graduate with a BA(Hons) in Music from the University of Plymouth with a wealth of experience and skills; a culmination of many years of drive determination. When I was at university, I was active member of various societies and through which, I made several media appearances, including “BBC Children in Need South West†with the University Big Band in 2011. From 2007 to 2020, I was joined the Army Reserves, or TA as it was known at the time. From 2009, I joined the Salamanca Band of the Rifles, Exeter and transferred to the Band of The Royal Welsh in 2014. Indeed, this is something that has turned out to be a massive feature in my life. For through it, I have acquired knowledge and experience, perhaps unrivalled for other people my age. Through the band I have performed in the Falkland Islands, I have played for the Queen at the Royal Garden Party and many other Royal Dignitaries on at prestigious events including a concert [Swift and Bold] at the Royal Albert Hall. In January 2013, I am embarked on a trip to Uganda to work with what was a UK Registered Charity - Ugive2Uganda (No. 1115196). Mainly with the Mbale Schools Band, I was teaching and conducting the band. Of the many activities I have partaken in this is one of the best, I participated in so many things (including a performance with the band) and was witness to just as many. Since 2014, I have been a regular church organist within what is now the Netherwent Ministry Area. When the covid-19 lockdowns hit just before Easter 2020; myself and a few musicians formed a digital worship band to record music for online worship. In two years we recorded over 200 songs, hymns and liturgical music. 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Psalm - Friday - Memorial of the Presentation of the Blessed Virgin Mary, Yr. 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    Anthem for SATB & Organ

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passacaglias and Fugues for Organ 52 Passacaglien und Fugen für Orgel Josef Johann Michel !0g#¸÷g#!0g#¸÷g#à#úU!0g#¸÷g#ð©&úU!0g#¸÷g#378996!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#ÀL™úU!0g#¸÷g#z#úU!0g#¸÷g#421126!2017-06-09 17:10:17!0000-00-00 00:00:00!÷g#¸÷g#úU!820926¸÷g#ðK-úU!0g#¸÷g#438162!0g#¸÷g# !0.00¸÷g#!1.50¸÷g#ð&.úU!0.00¸÷g#@n$úU!0g#è÷g#486421!÷g#¸÷g# ¨GáúU°÷kúUÀÁúUP…3úU˜ 8úUØ*úU€^úU˜Š‹úUzÌúUPHúUÂ]úUP±úUÇÁúUÐÉúUÇÁúUÈþ6úUˆ¿ÁúUÈL0úUÈ ÂúUȳlúUHŽÑúUWNúUHR]úUè»íúUPúUn¸úU0ÐæúUÈnúU¸ÂúUhØNúU(ÂúUø²ÃúUh·ÁúUXQúU(ä‹úU¸úKúUˆ¿ÁúUèËúUˆÀÁúU&úUHŽÑúU°ìGúUÀÁúUxÉúUø[úUˆ<±úU°úUHb™úU¨(”úU¨IgúUhŸúUØœúUØÛ.úU8úUh}TúU PNúU(Ý»úUØ‚9úUˆ<ÂúU5GúU8aDúU(¢dúU¸¸õúUHÂúU¨)ýúU˜öúU8G™úUØDÂúU8Ì"úU˜êJúU¸ÂúU˜s8úU˜á)úU¨Ä%úUýÁúU°Þ)úUø¸ÝúUKúU¸V]úUÀoJúUXCÂúUØÉúU0%0úU¸ÈÁúUOaúUxÂúUPtúU8èÄúU¸)úU¨CúUèEVúU(ðúUHBúUè”FúUx¸TúU0 /úUÀ«„úU˜¡úUà‘FúUg¸úU`19úU°s¶úUq>úUxð¸úUh·ÁúUð$KúUðkúU¨ukúUЄúU¨‚¼úUHC$úU@QúU86(úUHðFúU(ä‹úUŒ-úU9úUÈÓGúUÐÏúU =%úUhŸúU(VNúUÂúU`³7úUˆ¿ÁúU0é©úUX;±úUøÇúUXCÂúUè‹kúU àúUn¸úU°¢ÆúUHœ+úUȆ‹úUHÍ8úUˆ¿ÁúU€qWúUàVúUˆèúUø&”úUÐ3úU8¢AúUøŽPúUZ]úU`FúU¨‚¼úUÐéúU0û¼úUH3kúUˆ¹JúUعÁúUÈ€9úUûÐúUøõ›úU0µúU8^™úUxÕœúUHŽÑúUÀî¿úUhˆÏúUX„gúUøî:úU‚NúUn¸úUÈVõúUˆx“úUøOúUØÃúUHŠ#úUˆÂúUX¾+úU §ÿúUØ·~úUXAúUx¸ÁúU˜’;úUx¸ÁúUÈ DúUÂúUÈ>;úUˆz¾úU€àúUÅÁúU@úUDÂúUPŒúúUXCÂúU¸‚¸úUØÛ.úU g¹úUèv[úUÈBúU¨#VúUÀÁúU˜`úUhZØúUh–LúUØúU¨mäúU`yúUHdúUØ0ªúUøô-úUx—¼úU`š úUè½ÁúU`VúUèÎ.úU(±úUø˜ˆúU¨3LúU0ŠúU8:.úUhÂúUXé&úU(¹ÁúU=-úUø˜°úUpIúUx~‹úU€‰0úUx6%úU¨ÂúU˜ŒúUHŽÑúU ÏúU¸&úUH&úUø_"úUȵÁúUèOJúUˆ<ÂúUX*úU {ñúUHïúUÐ]‰úUÀÖ±úUÞ`úU€¡eúUH§¸úU‹ýúUx¸TúU0íúUظöúUØñŠúUÒ:úU¨ÂúUˆïñúU˜>úU¨ýJúUhO]úUx×úUxÂúUðŽúUZ]úUH¡MúUȳ”úU°9úUx ÄúUÀÈIúUx ÄúUÀLeúUXÂúUP™-úUÈ2!úUp³!úUxë6úU¨G1úU°¡úUˆHVúUx¿òúU°(LúUh4¬úUXÍúUøÉúUx%úUø^úUˆz¾úU ‡úUÅÁúU¨Â+úUh·ÁúUøä)úUx~‹úUH«îúU˜>úUH{,úU¨GáúUÈ,™úU˜,úU86(úU€SúUȵÁúU˜ñ:úU0—HúUˆ5MúU˜ÏúU álúUlòúU˜ðúUxÁÁúU@$&úUx%úUØù-úUêÁúUx¿íúUx ÄúU8-FúU(¢$úU¸ÂúUˆ OúU˜öúU˜¡eúUØ•¼úUÐ^ßúUx ÄúU(ðúU¸HjúU83FúUh>úUÃÁúUxÏúUhÈ:úUÂúU¸åÂúUx¸ÁúUøÄúU(ΨúUx‚˜úU8IVúUØÀVúU¨U)úUà%úUhO]úUÁ.úUÈ ÂúUˆŒ#úUØ•¼úUÈš¿úUˆÂúUH€&úU fúU8ÓÝúU¡úU(¹ÁúUˆÈúUÈ ÂúUÀÈíúUx»ÁúU@(úUxÂúU0úU˜³GúUèÃÁúUùúU¸&*úU¨íúU¸V]úUòhúUØÃúU¹9úUð6úUhŸúU€úUH§¸úUèñúUDÂúUð¡žúUøÛ)úUpdÁúU`]HúUèÃÁúUAúU˜>úUˆÌúUhc´úUÈÓGúUØÜwúUˆ•½úU8A-úU˜¶ÁúUàTúUqeúUØÈtúUÐ#@úUØ•¼úUø²;úUˆ¿ÁúU(­]úU1. Angels we have heard on high, sweetly singing o'er the plains. With the mountains in reply echoing their joyous strains. Glo ria In excelsisdeo Glo ria In excelsis deo Away in a manger no crib for a bed, the little Lord Jesus lay down his sweet head. The stars in the sky looked down where He lay, the little Lord Jesus asleep on the hay. Silent night. Holy night. All is calm, all is bright. Round yon virgin mother and child. Holy infant so tender and mild. Sleep in heavenly peace Sleep in heavenly peace We three kings of orient are, Hark! The herald angels sing. Glory to the new born King! Peace on earth and mercy mild God and sinners reconciled! Joyful all ye nations rise, Join the triumph of the skiesWith angelic host proclaim Christ isborn in Bethlehem. Hark! the herald angels sing, Gloryto the newborn King. Oh come all ye faithful joyful and triumphant Oh come ye oh come ye to Beth lehem Come and behold Him born the King of angels Oh come let us adore Him Oh come let us adore him Oh come let us adore him Christ the Lord. Joy to the world the Lord is come. Let earth receive her King. Let ev'ry heart prepare Him room And heav'n and nature sing. And heav'n and nature sing. And heav 'n and heav 'n and nature sing. The first No el, the angels did say was to cer tain poor shepherds in field as the lay. In fields where they lay keep ing their sheep, on a cold winters night that was so deep. No el No el, No el No el Born is the king of Is rael. Good King Wenceslas looked out, on the feast of Stephen, when the snow lay roundabout, deep and crisp and even. Brightly shone the moon that night, though the frost was cruel, when a poor man came in sight, gath'ring winter fu el. God rest ye merry gentlemen let nothing you dismay. Remember Christ our sa vior was born on Christmas day. To save us all from Satan's pow'r when we were gone astray. Oh tidings of comfort and joy, comfort and joy. Oh tidings of comfort and joy. We wish you a merry Christmas we wish you a merry Christmas we wish you a merry Christmas and a hapy new year. We wish you a merry Christmas we wish you a merry Christmas we wish you a merry Christmas and a happy new year. Good tidings we bring, to you and your kin, good tidings for Christmas and a happy new year. We wish you a merry Christmas we wish you a merry Christmas we wish you a merry Christmas and a happy new year. On the first day of Chrismas my true love sent to me a partridge in a pear tree. On the second day of Christmas my true love sent to me, two turttle doves, and a partridge in a pear tree. On the third day of Christmas my true love sent to me three french hens, two turtle doves, and a partridge in a pear tree. On the fourth day of Christmas my true love sent to me, four calling birds, three french hens, two turtle doves, and a partridge in a pear tree. On the fifth day of Christmas my true love sent to me, five golden rings! Four calling birds, three french hens, twoturtle doves, and a partridge in a pear tree. On the sixth day of Christmas my true love sent to me, six geese a laying, five golden rings! Four calling birds, three french hens, two turtle doves, and a partridge in a pear tree. On the seventh day of Christmas my true love sent to me, seven swans a swimming, six geese a laying, five golden rings! Four calling birds, three french hens, two turle doves, and a partridge in a pear tree. On the eighth day of Christmas my true love sent to me, eight maids a milking, seven swans a swimming six geese a laying five golden rings! Four calling birds three french hens two turtle doves and a partridge in a pear tree. On the ninth day of Christmas my true love sent to me, nine ladies dancing eight maids a milking seven swans a swimming, six geese a laying, five golden rings! Four calling birds three french hens two turtle doves and a partridge in a pear tree. On the tenth day of Christmas my true love sent to me, ten lords a leaping, nine ladies, dancing, eight maids a milking, seven swans a swimming six geese a laying, five golden rings! Four calling birds, three french hens, two turtle doves, and a partridge in a pear tree. On the eleventh day of Christmas my true love sent to me, eleven pipers piping, ten lords a leaping, nine ladies dancing, eight maids a milking, seven swans a swimming, six geese a laying, five golden rings. Four calling birds, three french hens, two turtle doves, and a partridge in a pear tree. On the twelfth day of Christmas my true love sent to me, twelve drummers drumming, eleven pipers piping, ten lords a leaping, nine ladies dancing, eight maids a milking, seven swans a swimming, six geese a laying, five golden rings! Four calling birds, three french hens, two turtle doves and a partridge in a pear tree. Jingle bells, jingle bells jingle all the way. Oh what fun it is to ride in a one horse open sleigh hey! Jingle bells, jingle bells, jingle all the way. Oh what fun it is to ride in a one horse open sleigh. Up on the housetop reigndeer pause, out jumps good old Santa Claus. Down through the chimney with lots of toys, all for the little ones, girls and boys. Ho Ho Ho! Who wouldn't go? Ho Ho Ho! Who wouldn't go Up on the housetop click click click! Down through the chimney with old Saint Nick! Oh Christmas tree Oh Christmas tree, your branches green delight us, Oh Christmas tree oh Christmas tree, your branches green delight us. They're green when summer days are bright, they're green when winter snow is white. Oh Christmas tree oh Christmas tree, your branches green delight us. Should old aquaintance be forgot and never brought to mind. Should old aquaintance be forgot and days of old lang syne. For auld lang syne my dear, for auld lang syne, we'll take a cup of kindness yet for auld lang syne.0YúUªP¥úUD@±ÚúUÐzwúUD0 kúU,[úUD@ƒØúUkúUD uúU 4úUD@uúU¡úUp¸ÛúU 2úUDPv~úU°±úUDúÎúUÀÖ&úUD6úUà.úUDÐî„úUÀ;HúUDàMKúUÕúUDàL`úUð#FúUÿ’ºúUpTgúUPTéúUD°0/úU°²±úUÿpÕbúUÐy"úUD° úUØ&úUDÐ=#úU@HúUD ‰búU°…ÃúUD°€þúU@jÇúUDPÁúU0®¸úUDðcWúUàBeúUU€<2úUàÅÙúUDúUP·2úUDðRRúUà;‚úUDð„úUŠúUÿÀõDúUÀúUDpB#úUE#úUUP%úUðIIúU  p­™úUÐkúUD ó(úUð±3úUDµvúUèÍúUÿ-²úUBÎúUDPt×úU ÎæúUÿ'8úU €úUÀÊVúUD€R@úU@úWúU;êúUDp¶wúUÐÍÍúUDOŠúUàxWúUDÀVgúU`à&úUDÐÛMúU jèúUD L%úU ShúUDÀÀMúU qáúUDàé!úUðúUDà¦úU[%úUD€ñúUðšÞúUDÀq)úU <=úUD>0úU0$úU2`{úUÐ1úUD úU€ úUD@rVúUÀ™.úUDØúUêÁúUPL]úUà{ÄúUD°pPúUOIúU  ^WúUÐSúUDЛ:úU0…úUDðJúU0UüúUDð¼œúUÀ~RúUD@+úU î"úUD:OúU „·úUD@¬ŸúUPÉÌúUDPêMúUÐfúUD°ì„úU´úUðÃúUP~úUDŽùúU ã8úUD0™MúU°uúUÿx^úUðPùúUD÷AúU@ßJúUDàJ¨úUpÓúUDÐLúU€«çúUD—[úU€zúUDÀ{UúUðÏØúUD`A#úU0…úUD0zkúU–úUDð}~úUpÝ6úUDÀ{5úU`l7úUDp16úU¨n/úUÿ „púUø¤¯úUÿð‚„úUØÁkúUU¢oúU ŠyúUDÐ+‹úU@×(úUDÀ_7úUÀ—úUD°âóúU°»7úUÀúUÿ€RúU¸ äúUÿŠ.úU°I*úU`ñ2úUD€O`úU™.úUD •úUøîZúUÿP?UúU@¼þúU €0—ÓúU˜ü5úUÿð}¡úU€8lúUDÒúUàx!úUD PÔ8úUÐzhúUDå†úUpJúUD XCúU®úU  ;wúU`~ÄúUD09iúU@çúUD`™úU€ŒOúUDÿnúU èAúUDàŒvúUP zúUDpKÃúUð”OúUD ?úUHU©úUÿ Ö@úU ­úUD@ì*úUgúUDàÀúUðæÿúU  õQúUHB#úUUÐ}úU°&úUD@-úUâaúUÿ`%UúU¼9úUD`¬úUà8RúUDpå+úUÀùúUDW úU`[ úUD°¬ÚúUÐŽOúUD¸æúU`ŠšúU2ÀÛ%úUD¨úUúUDPöIúUà]øúUDÐ×MúU`µUúUD qúU°¿ÔúU ì-úU€1,úUD…úUÀ&XúUÿúU •.úUD€ï'úUø³ËúUÿ RÚúU`mèúUDpw úU@÷múU /úU°šTúUD^‚úU ý÷úUUð£úU`öÇúUD VAúU !FúUD[úUð­,úUDPi†úUØÈúU@²iúUðÈúU0úUD rúUð0úUDp³%úU8ÉúUÀÒÍúUD@v'úUp.úUD0&úU°ªúUDäèúU-+úUDò'úUK(úU@0úUDbOúUðúNúUDЩ™úU0§uúUÿàU9úUPlúUDà6úUPL]úUÀO&úUD …úUPù©úUD ’'úUÅÁúU`×{úUDÀAçúU ÊúU0H)úUDð™MúU žžúUD`ÎjúUзUúUDPúU81UúUÿð\ÚúUvÀúUDຨúUb7úUDЕ'úU.búUD°¨RúU¿FúUDÐSgúU½ÛúUDd0úU°ýÄúUD€c0úU(!³úUÿ !ÐúU ¥ª–‚nU˜²úU°búUèè‚ ‚ 4! 4! ÚÚZÄ3ZÄ3ðËuúUHÙúUi1’+€ Q Ï0úU!0g#è÷g#ØyúU!0.00¸÷g# !÷g#¸÷g#@!0000-00-00 00:00:00!0g#¸÷g#!101#¸÷g#!0g#¸÷g#À!0g#¸÷g#!2g#¸÷g# 0|²úU¨ÆbúU’JúU GmúU —úUpÑkúUXNmúU ‚9úUÈkúUøddúU¨g2úUP¼3úUØyúUà­GúUÀTEúUàÈêúU !180865¨ùg#!1g#¸÷g#!0g#¸÷g#!1g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#ØÎ8úU!÷g#¸÷g#ÐÀXúU10.00Ø÷g#xØPúU0!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!3g#¸÷g#P!73g#¸÷g#!0g#¸÷g#p10g#Ø÷g#†%Çé0!÷g#ø÷g#1www.traunmusik.at0!8857l::st !SalutationúU 10g#0ØúUentation01SE::Score::Imagey¨ƒëúU1èÞúUeŽúU!1g#¸÷g# !2g#È÷g# !13g#¸ùg#X¹úU!0g#¸÷g#0L^úU!0.00¸÷g#p•¹úU!0000-00-00 00:00:00úU!0g#¸÷g#Ð'’úU!0g#¸÷g#ØÏPúU!÷g#¸÷g#`²múU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!30g#¸÷g#!0000-00-00 00:00:00úU!0g#¸÷g#€Ò‚úU!0g#¸÷g#10g#Ø÷g#¨‘„úU0!ùg#˜ùg#°CúU!÷g#¸÷g#ÐLúU!0000-00-00 00:00:00úU!÷g#¸÷g#PTúU!0000-00-00 00:00:00úU!0g#¸÷g#h'úU!0g#¸÷g#@'úU!0g#¸÷g#ˆ&vúU!49g#¸÷g#8÷”úU!43g#¸÷g#˜ù"úU!2017-06-14 19:13:30úU!0000-00-00 00:00:00úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU10g#Ø÷g#˜ù"úU0Born 27th October 1952 in Klagenfurt (Carinthia/Austria). I've studied classical guitar at the "Universitaet fuer Musik und darstellende Kunst" in Vienna (Prof. Karl Scheit and Prof. Heinz Wallisch) and jazz guitar (Prof. Julius Scheybal), jazzcomposition / arrangement (Prof. Heinz Czadek) at the "Privatuniversitaet Konservatorium der Stadt Wien". I'm still working as a teacher for guitar and ensemble playing in "Joseph Eybler Musikschule"(*) in Schwechat (Niederoesterreich), a little town near Vienna (maybe you know the airport) and band leader of the jazz combo "Siebenphoniker" and "G'zupft & G'strich'n". I like my job, which is even my hobby too. (*) The composer Joseph Eybler (1765-1846) was born and lived in Schwechat. Please take a look on my website traunmusik [[https://www.scoreexchange.com/profiles/221528 | traunmusik at Scoreexchange]], Youtube [[https://www.youtube.com/@traunmusik9154/videos | traunmusik]] and my publishing company [[https://www.traunmusik.at/ | traunmusik]]. Please take also a look on the website of my daughter Marion Traun at [[ https://www.scoreexchange.com/profiles/179338 | Scoreexchange]] , [[ https://www.youtube.com/user/mariontraun | Youtube ]] and her [[ https://www.mariontraun.at | Homepage ]]. @çúU!0g#Øøg#ÐæúU!2017-06-14 19:02:21úU!2019-06-06 16:25:05úU!0g#¸÷g#€çúU!0000-00-00 00:00:00úU!4g#¸÷g#0éúU!1g#¸÷g#ÀvpúU!1g#¸÷g#725021420#Ø÷g#õ±Ou0ñÐ0üúU©©púúUðPúUÐ p]úUð@—úUÐ pÀúUð0 úUÐ p#úUðxúUð úUÐ ÛúUðúUÐ —úUðÜúUÐ úúUððNúUÐ ]úUðY úUðÀx úUÐ ¼ úUð€û úUÐ 0!úUðn!úUÐ ‚!úUð ×!úUðñ!úUÐ  :"úUððs"úUÐ  "úUðàæ"úUÐ  #úUð@U#úUðÐi#úUÐ @¸#úUðÀì#úUÐ @$úUð°_$úUÐ @~$úUð Ò$úUÐ @á$úUð`6%úUð`U%úUÐ 0™%úUðPØ%úUÐ 0ü%úUð@K&úUÐ 0_&úUðP´&úUð0Î&úUÐ P'úUð Q'úUÐ Pz'úUðÄ'úUÐ PÝ'úUðp2(úUðG(úUÐ p•(úUððÉ(úUÐ pø(úUðà<)úUÐ p[)úUðЯ)úUÐ p¾)úUð*úUðÀB*úUÐ v*úUð°µ*úUÐ Ù*úUð (+úUÐ <+úUð€‘+úUð`«+úUÐ €ô+úUð .,úUÐ PW,úUð¡,úUÐ Pº,úUðp-úUð$-úUÐ pr-úUð`¦-úUÐ àÔ-úUð .úUÐ °7.úUðŒ.úUÐ °š.úUðÐï.úUð/úUÐ pR/úUð0‘/úUÐ °´/úUð0úUÐ À0úUðj0úUð@”0úUÐ ÐÌ0úUð°1úUÐ 4úUð}úUÐ ЖúUð êúUðÐþúUÐ €LúUðúUÐ  ¯úUð@òúUÐ p úUð ]5úUÐ Àk5úUð¿5úUðî5úUÐ à 6úUð@_6úUÐ À‚6úUðàÐ6úUÐ  ä6úUðp87úUð b7úUÐ Pš7úUðÀÓ7úUÐ `ü7úUð0E8úUÐ @^8úUðp²8úUðÐÖ8úUÐ P9úUð H9úUÐ 0†9úUð ¹9úUÐ Pç9úUð*:úUÐ 0I:úUð@œ:úU𰙣úUÐ 0G¾úUÐ p¹£úUðàô£úUð`¤úUÐ P#¤úUð J¤úUÐ  ˆ¤úUððœ¤úUÐ àOúUðÐuÖúUð`“ÖúUÐ oñúUððD úUà 0ÿúUðpøIúUà  ú#úUà ØúUÐ ÀMØúUð E;úUÐ 0d;úUðwWúUÐ À†WúUðPÛWúUðùWúUÐ ˆHúUðð§HúUÐ ÝHúUð€*IúUÐ €?IúUðà@éúUðTéúUÐ éúUð°ÄéúUÐ þéúUðÀ5êúUÐ à_êúUðèÏ`úUø¯LúU Þ”úU8R)úUà>úUx ÄúU˜cúUÂúUÈr†úU`zúU(Z³úUXdùúUèqúU@$dúUØ•¼úUÈ}™úUÀDFúU(ìÑúUxûƒúUø¸ÝúUNÃúUèEVúUÀD!úUXY]úU¨2húUx~‹úU ¿(úU8u6úUø1¾úU0[žúUˆ­úU€`úU8Ô.úU¸kúUÂúU mnúU :úU¸ÂúUø{ÌúU¸úU¤^úU0žúUÇÁúU(ùsúU8Ô.úUð#VúUh¤§úUˆ¹TúU <¦úUp©~úUEêúUu,úU˜Š³úU NúU LúUÈÓGúU00 úU¨‚¼úUèÁ+úUU]úUÐZ+úU˜ ÂúUÀkúU(5ÁúU5OúUÈ "úU(×úUÈ_+úUHL]úU`ç:úUˆsïúUÐé÷úU°…úU˜"úU5uúU@LFúUˆN'úU(*OúU $úU¨ukúUðÔúUxÂúU¨]KúU˜>úU~™úUh·ÁúU 1 úUxÂúUHï úUxoòúUØPúU¸BdúU¸&*úUˆ2ÍúUx:úU¨ºÁúUÀ“*úUøÛ)úU@!&úU0BúUÂúUˆcúUˆ¿ÁúUˆ1õúU˜HaúUøÎöúU@eíúU¤^úUxÆúU˜ýúU0Î?úUØDÂúUÀc@úUȵÁúUhxYúU˜öúUˆ9-úUx—¼úUq,úU(¹ÁúUá&úUàyúUÈÓGúUàëúUZ]úUÀ;YúUQèúUxFaúUP÷–úUÈOúU(ÔIúUÀñ“úU˜\™úUX¥úU¸SHúUX ·úUpLÃúU˜á)úU¸D'úU˜>úU¸¿úUØë‹úU¸šúU辂úUè½ÁúUhxíúU¨[GúUHúU;húUøδúU3ÊúU˜á)úU0‡úU(‹õúU êéúU¨GáúUf(úUÈÇèúU/ýúUx%úU°u¹úUHR]úU¸©MúU#úUp½.úUh}TúUHF™úUXÂúU@æúU(ä‹úUpÖúUúU¤^úU€à#úU¨U)úU°€ÂúU˜Ô™úUاMúU˜öúUX”húUˆ<ÂúUÀ@MúUúU81ªúU¡ÑúUˆ[)úUn¸úUÈLNúUhO]úU@xmúUˆHVúU¨–×úUHŽÑúUèõhúUˆz¾úU@¾fúUعÁúUÀlúUHR]úUÐ$AúUhvLúUˆ­úUhó†úUàµúU¸«^úUPyRúUPqÖúU8‚SúUHD°úU „ÏúUhÛúUpƒäúUØ<ŸúU8—AúU ¯dúU¸&*úUHÇöúUxÁÁúUØÖÿúUÖ-úUx]µúU81 úUÃÁúUðÒúU€ò úUhŸúUØàúUȵÁúU€ÿúUh·ÁúU(÷úUXQ]úU(‡ úU|NúU˜a-úU0pmúUˆÂúU@(PúUà!úU¨µúUؾ7úUHR]úUP—6úU(ä‹úUˆœ'úUÂúU@î8úUXY]úU8/úUHL]úUà½íúU˜ýúU@|kúUHÂúUØ*IúU¸úUx]µúUðúúU8EúU¸ÂúUH~8úUˆz¾úUÈzAúUÈ2!úU°+›úU¨zBúUhÂúU`kúUˆØKúU¸ÈÁúU —úU¸M„úUX*7úUȦYúUHR]úU°á5úU˜¶ÁúUˆq¾úU¨v*úU¸šúU`²úUˆ¿ÁúUød%úUøúúUèL!úUÁ8úU¨ºÁúU0¾úUøIKúUÈKíúUðÑNúUø úU89¬úUÀ­ÆúUXCÂúU0¦úU¨eúU(Ä+úUèI™úUØ×múUØeúUxY'úU0DWúU˜HaúU؃íúUØDÂúU"&úUÕLúU8ÓÝúU‚0úUx%úU}wúUÐÇ…úU˜‹„úU¸B_úUØð.úU¸šúU€erúUêÁúUà¨þúUˆÀÁúU áäúUZ]úUà<*úUÀJYúUȆ‹úU@&úU¨GáúUPmúUØÃúUPØúUØ•¼úU@dúUÈ•úUèvúUHµúUXY]úU %¿úUpíúU8±<úUP¬;úUÈ‘+úUÈÓGúU3 úUXQHúUx]µúUXsHúUxlúUØ·~úU º%úUˆ¿ÁúU òZúUе/úUhÂúUèYKúUÇÁúUh'aúUÈ&6úUxFaúU8ÄúU˜Š³úUàŒ úU¨U)úUÐh:úUØVÐúUìëúUSúUH§¸úU°ÊÁúUýÁúU þúUXY]úU˜ƒúUh}TúU8§{úUHL]úUÈÉúU…;úUˆ<±úUðhHúU`å$úUH&úU 3ÑúU¸V]úUPÐúU¨GáúU˜á úUx ÄúU 8úUÈÞ)úU®ÎúUÈ2!úUè~9úU0¥.úUˆ­úU˜A-úU8+€úU¸ÈÁúU°e"úU¸¡HúUÈ`úU!0g#¨ûg#` úU!÷g#¸÷g#œúU!0.0000¸÷g#PƒúU!2015-02-26 09:06:26úUAFaure lgie for Cello and String Orchestra¢úU¸¶¢úU!0g#¸÷g#PÁ¢úU!1g#¸÷g#àæêúU!5g#¸÷g#¨ñêúU!0000-00-00 00:00:00úU!0g#¸÷g#0¸˜úU!0g#¸÷g#.ìúUqFaure Élégie for Cello and String Orchestra G. 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Should auld acquaintance be forgot, and auld lang syne ?" (Robert Burns) A traditional tune probably originating in Scotland: "Auld Lang Syne" is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dance floor, theatre, arena etc. This is a straight forward arrangement for orchestra with additional parts for concert band. There is also a full arrangement for concert band as well ....This arrangement now has a short introduction. 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Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer.0917°á„úUP!pdf#håúU A very worthwhile companion to the Beethoven serenade for flute violin and viola. All the K439b divertimenti are now available. For a fun piece for the same trio why not try my 'with apologies to a certain drunken sailor' which has already sold many copies.aThis beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer. Beethoven serenade for flute violin aQ

    This beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. The mp3 of the Sibelius output lacks the subtlety that a live performance could offer.

    ilable. For a!0g#PÄ»úUchoral-m!0g#¸÷g# !0g#`išúU 1NAMEó+úUPí úU0qBonny Mary Of Argyle (SATB) trad. anon. Andy Murray This beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. 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00:00:00úUˆ!9úU0ÁII. Lied D.B. Wilkinson The Lied is a quiet lyrical piece with a theme floating above a steady accompaniment, again exhibiting my passion for writing mysterious music. 8úUp!0g#¸÷g#!0g#¸÷g#ºIúU!0g#¸÷g#°1úU!0g#¸÷g#433159!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#  úU!0g#¸÷g#ÀM+úU!0g#¸÷g#433150!0g#HúU!0g#¸÷g#!0.00¸÷g#ðv¦úU!4.50¸÷g#0(*úU!3.00¸÷g#492559!0g#¸÷g# !÷g#¸÷g#10.00Ø÷g#  úUPKúU0°IúUªÀ«úU*%úU2à.‰úUDp¬ËúU°çÈúUD@éØúU Õ…úUDà°(úU8¬úUþúU€kdúUD°ôOúU°²úUD@É-úUJúUDP›üúU`xúUDð…IúU »)úUD ÈúUðúUD@ó/úU`.ŠúUDð_ úUà€"úU@{"úUD¦úU@1úUDÐq2úU`ÃúUDÐãFúUPÍqúUD€|úUð²-úUDð`7úUЮËúU swúUD`?HúU`(‹úUD v¯úUphúUDÇúUÀ”/úUD0E(úU0QýúUDpœ2úU€’úUpgŠúUÿ½ÚúUÀÕùúUðÜíúUD òúUÐ0IúUD(CúU@YüúUDðÌ™úU(:úUDIúU@ÏøúUDÀËìúUàUúUD°z0úUð»ÚúUD`úúUðƒúUDà&WúU(yæúUÿ ‘ŠúU€:úUDà%\úU0o7úUD ÁúUð<)úUDÑ™úUåÿúU `—úUÜbúU Ð'©úUhúUD0 …úUx?úUØÛfúUUм5úUÀ!.úUD€ì#úUp$úU2€úUD+0úUÀR9úUD0­…úU03[úUD ÆúUP&úUD‡-úUp¿*úUD¡ÖúU ÎéúU€&êúU ð´NúU@ô!úUD€t)úUˆS…úUÿ°t9úU@ã¥úUD±múUúUDppßúU ì§úUD`¹úUðV&úUDPâèúUÿáúUD0˜öúU°!úUD “½úUþIúU2Àq!úUDðdjúUÀÛ$úUD@'lúU %/úU€×CúUDzfúUÀ@úUD°dgúU`$vúUDúU`PFúUD@*úUðî5úUD†-úUÐ[gúUD /úU`^'úUDpn"úUЫ‰úUDB#úUÀÒúUDÐ BúU‡ÑúUDÀ¾0úU £úUD€U„úU CúUDàe0úU³úUèØìúU`½ÚúUD°°kúUµîúUÿ4úUð¾ˆúUDð“úU0Þ%úUpéÿúU ÀúU¨;6úUÿ µ°úU°ÖúUD é#úU`ºƒúUD™YúU`žoúUDüúUð•úUD6dúUpƒyúUD°jçúU¬HúUDÀ^‚úU`î2úUpáúUDæüúU°}RúUDàÉgúU`«½úUÿp©/úU@”úUD .*úU8ç¼úUÿòDúUÀçèúUDWêúU°ÀûúUDð&úU`ßúUD ¤úU°1úUDÖVúU úUD`‘IúU`üZúUÿÀ¶úUÀúUDC(úU@ö©úUD@ÙúU@!úUD€ÎúU0ÁÔúU 0®™úUêÁúUÀPúUÿˆSúU`$ôúUD0.JúU€{"úUD@D úUHJúUD0.§úUp ¹úU2€½ÿúUD0‡~úUp›/úUD°•úUˆ¶úU0üMúU€EúUDñúUPÈþúUDü¢úU@úU`EúUDP#úU  úUDÀ”úUà¤úUDðVêúUÀ<•úUÿ€ùlúUP»úU2›0úUDð¸,úU@Ñ”úU·úUДtúUkèúUDP£ÔúUÀåhúU2@^ÌúUD 1vúUIJúUDðŽ—úU,IúUD€kfúU „úUD€ÓíúU f6úUDÀ¾ úUÐðÓúUDp6oúU@rÒúUDðvúU aÉúUàÊûúUD xúU`=úUDp–'úU ®+úUDÀ«7úU ¸NúU œúUPHDúUD£ÔúUo7úUDpðúU€úUD6õúU`úUD*úU@¡úUD0¥úU€YéúUD0´—úU Ü%úUDÆjúUu#úUDPÉiúU@NŸúU  VêúUPÖ6úUD ªúUÐwúUDPŠBúU°úUDPV†úUèÉ}úUÿ€Á úUPš0úUDIúU°biúUD°²eúU úUÀLÊúUDðŒ*úU ŽÂúUDàŒöúU0®úU  @Ú·úU@'JúUDð±EúUÐ}"úUDÿóúUMDúUD_…úUñnúUÿ YhúU »úUÈ–kúUÀã}úUD°16úUà¹FúUD fïúU€¡úUD€¦úUàÕnúUD0–¹úUßúUD0.SúUÈöúUA,I was born and grew up in Hamburg-Wandsbek. I began learning violin at the age of 9 and piano at 16. Most important for my development as a composer were the numerous free lessons with Johannes Fiebig, my music teacher at school and conductor of the school orchestra, and his father, Kirchenmusikdirektor Prof. Kurt Fiebig. After finishing school I studied music at the Hamburg Hochschule fuer Musik und Darstellende Kunst - musical theory and composition with Diether de la Motte, violin with Nelly Soeregi and musicology and philosophy at Hamburg university. During my study I worked as a church organist and choir conductor. Since 1985 I have been teaching music and geography at high schools, first in Bremen and Verden, and since 1995 in Goettingen (Theodor-Heuss-Gymnasium Goettingen). My main task at school is conducting the school orchestra, choir, big band and other groups such as a class of beginners on string instruments after the method of Paul Rolland. Many of my compositions are written for the ensembles I conduct or in which I am member as a violinist or for the instruments I am playing; during the years there has been a lot of music for orchestra, mainly string orchestra, chamber music, big band, choir, voices and much educational music such as for class orchestra or for my two violin playing daughters when they were small. In my works I often try to use but not only to copy several musical languages of the past. Very important for me is that each composition has to develop and to follow its own rules. The Bremen WESER KURIER wrote about the performance of my violin concertino on Feb. 15th 2009 by Almut Seidel and Sinfonietta Aller-Weser: Strahlkraft und Leidenschaft Sinfonietta Aller-Weser musiziert in der Lunser Kirche Von Susanne Ehrlich Thedinghausen-Lunsen. Genau das Richtige f�r einen nasskalten und tr�ben Wintertag: Mit der Sinfonietta Aller-Weser unter Gastdirigent Andreas Kleinert wurde die Evangelische Kirche zu Lunsen von Strahlkraft, Leidenschaft und Energie erhellt. Gut hundert Besucher erlebten ein Konzert, das mit einem Profi-Orchester im illustren Konzertsaal kaum begl�ckender h�tte sein k�nnen. Rund vierzig Musiker aus der Region fanden sich im Oktober 2007 zusammen und erarbeiten nun j�hrlich zwei Konzertprojekte mit wechselnden Dirigenten. Kleinert, seit knapp 15 Jahren als Studienrat in G�ttingen t�tig, wurde in Lunsen mit besonderer Freude aufgenommen. Als Musikp�dagoge des Gymnasiums am Wall leitete er viele Jahre die "Verdener Kammermusikfreunde". Eine ganze Zahl fester Mitglieder der Sinfonietta verdankt ihm ihre ersten Orchester-Erfahrungen. Doch nicht nur als musikalischer Leiter, sondern auch als Komponist verstand es Kleinert, sein Ensemble ebenso wie das Publikum zu begeistern. Mit der Auff�hrung seines Concertino f�r Violine und Orchester, das der Solistin des Abends pers�nlich zugeeignet ist, erlebte man ein St�ck zeitgen�ssischer Musik. Das hat es verdient, noch viele Male und vor m�glichst einflussreichen Ohren zu erklingen. Ein geschlossener und zugleich fein ausdifferenzierter Klangeindruck lie� vom ersten Takt der "Titus"-Ouvert�re von Mozart an aufhorchen. Keinen Gedanken mussten selbst anspruchsvollste H�rer an Intonation und Einsatzdisziplin verlieren: Diese Pr�zision nach so wenigen gemeinsamen Probenstunden war bewundernswert und lie� keine W�nsche offen. Auch wenn viele Komponisten, illustre Kritiker und Kultursponsoren das Gegenteil behaupten: Eine Komposition des 21. Jahrhunderts kann und darf sch�n sein. Man kann durchaus noch Neues erfinden, das mit Gewinn und Genuss anzuh�ren ist - einmal ganz davon abgesehen, dass auch das Streichen hinter dem Steg oder auf dem Korpus, das �olische Jaulen und Zirpen l�ngst nicht mehr neu sind. Andreas Kleinert zumindest konnte mit seinem Concertino das Publikum derart fesseln und verzaubern, dass es am Ende begeistert ein Da Capo des zweiten Satzes forderte. Der erste Satz malt Sehnsucht und Leidenschaft in sehr intimer Tonsprache, zugleich romantisch und voller �berraschungen, die alle Klangm�glichkeiten des Instrumentes ausloten, ohne im Geringsten beliebig oder auch nur effekteifrig zu wirken. Zwingend und voll Spannung wird das musikalische Geschehen entwickelt und zum leidenschaftlichen H�hepunkt gef�hrt. Mit m�heloser Virtuosit�t und Inspiration gestaltete die Solistin Almut Seidel das ihr auf den Leib geschriebene Werk. Im zweiten Satz mit seinem wunderbar pr�zise und volumin�s gestalteten Pizzicato-Klanggrund und den rhythmisch gegenl�ufigen Stakkati der Streicher und Bl�ser brillierte Seidel mit warmen, fl�ssigen Registerwechseln �ber alle Oktaven, federleicht, grazi�s und wie selbstvergessen. Der dritte Satz, mit seiner eulenspiegelhaften Verspieltheit wie eine Verneigung vor Prokofjew anmutend, lie� die Violine rasant zwischen den Lagen umher springen bis in h�chste spitzige H�hen, mal Keckheit und mal �u�erste Bangigkeit malend, so als habe da jemand erst �berm�tig gehandelt und dann ganz erschrocken die Folgen erw�gt. In h�chster Erregung und mutig-trotzigem Aufbegehren endet dieses hinrei�end lebendige und interessante Werk, das man gern auf der Stelle ein zweites Mal geh�rt h�tte. Mit einer optimistisch, zupackenden Interpretation der dritten Schubert-Sinfonie blieb das Orchester auf dem H�hepunkt seiner Ausdruckskraft. �ppige, wunderbar dynamische Streicher-Brillanz mischte sich mit begeisternder Bl�ser-Power; gar nicht genug zu loben schlie�lich die durchweg professionell anmutenden Orchester-Soli. Bis zum Anschlag gespannt war die Feder im Finalsatz; mit seiner sprudelnden Energie und gro�artigen dynamischen Dramaturgie lie� er die H�rer ganz berauscht zur�ck. Und wie auch drau�en der Winter tobte - wer dieses Konzert geh�rt hat, dem konnte er nichts mehr anhaben. WESER-KURIER Verdener Nachrichten Am 18.02.2009 In March 2006 the violinist Lewis Wong, artist-in-residence at Trocaire College, New York, commissioned me to write him a solo for violin and orchestra after he had seen my works on the sibeliusmusic.com homepage. On December 9th 2007 was the first performance, played by Lewis Wong himself, accompanied by the Orchester Goettinger Musikfreunde in Johanniskirche Goettingen and it became a great success. The Goettinger Tageblatt wrote on Dec 11th 2007: "Mit einer erfolgreichen Urauff�hrung konnte das Orchester G�ttinger Musikfreunde in seinem Weihnachtskonzert aufwarten. Zusammen mit dem Solisten Lewis Wong hob es die Fantasia f�r Violine und Orchester von Andreas Kleinert aus der Taufe. Von Michael Sch�fer Synkopen, so h�rt man, soll auch schon seine komponierende Tochter verwenden. Kein Wunder bei dem G�ttinger Musiker und Musikp�dagogen Andreas Kleinert: Solche Rhythmen haben es ihm angetan, wie seine 2006 komponierte, am Sonntag in der G�ttinger Johanniskirche uraufgef�hrte �Fantasia f�r Violine und Orchester� beweist. Rhythmisch �u�erst pfiffig sind die beiden bewegten Eckst�cke, die einen langsameren Mittelteil (Andante grazioso) umrahmen. Sehr lebendig ist diese Musik, sie besitzt eine ansprechende melodi�se Sprache, ist einfallsreich, zeugt von Farbsinn und Geschick in der Instrumentation. Viel zum laut beklatschten Erfolg dieser Urauff�hrung trug die Kunst des Solisten bei, sein satter, tragf�higer Ton, seine Virtuosit�t, seine straffe, zielstrebige Gestaltung." My attempt of translation: "With a succesful first performance the orchestra Goettinger Musikfreunde could serve the audience. Together with the soloist Lewis Wong they stood godfather with the Fantasia for violin and orchestra by Andreas Kleinert. Syncopations, so it can be heard, are supposed to be used already by his composing daughter, too. No wonder of the Goettingen musician and music teacher Andreas Kleinert: such rhythm is what he likes, as it is proved by his in 2006 composed �Fantasia for violin and orchestra� proves, on Sunday first performed in Goettingen�s Johanniskirche. Rhythmically extremely witty are both moved outer parts which frame a slower middle part (Andante grazioso). Very lively indeed is this music; it has appealing melodic language of its own, it is full of invention, shows sense of color and skill of instrumentation. Much to the first performance�s loudly applaused sucess was contributed by the soloist�s art, his full, carrying sound, his virtuosity, his tight purposeful shaping." In June 2006 "Musikfreunde Bovenden" prepared a composer´s portrait Andreas Kleinert. The Goettinger Tageblatt wrote about it on June 20th 2006: Eigene Handschrift Komponistenportr�t Andreas Kleinert Der Komponist Andreas Kleinert schl�gt Br�cken. In seinem Werk �berwindet er stilistische Gr�ben � zwischen Klassik und popul�rer Musik, zwischen Schulmusik und B�hnenmusik. Lieber konzentriert er sich auf das Wesentliche: dass die Musik dem Musiker Freude bereitet und den Zuh�rer ber�hrt. All das macht seine Musik so modern und zeitgem��. Die Musikfreunde Bovenden stellten am Sonntag den G�ttinger Komponisten und Musiklehrer mit einem Komponistenportr�t ausf�hrlich vor. Die Trennung der Musik in E- und U-Musik sei der Tod der Musik, erkl�rte Kleinert. Der Komponist ist deshalb ein Suchender nach Neuem � und ein Finder. Das gut besuchte Konzert zeigte die Vielfalt seiner vorwiegend neueren Arbeiten: orchestrale Werke neben Kammermusik, das Kunstlied neben einem humorvollen plattdeutschen Lied, Klaviermusik neben schwungvoller Sch�lermusik mit Blasinstrumenten, Gitarren und Schlagzeug. Am�sante Zwiegespr�che Andreas Kleinert schafft mit eigener Handschrift Musikst�cke, die gleicherma�en frisch, unterhaltsam und dabei geistreich sind. Ein Duo �Vivace� f�r Violine und Viola wird zum am�santen Zwiegespr�ch. Fr�he Liedvertonungen von Gedichten Wolfgang Borcherts unter dem Titel �Laternentr�ume� (geschrieben 1983/84) � vorgetragen von Sabine Birkenfeld mit Mechthild Kiefer als Klavierpartnerin � changieren von getragenen zu atmosph�rischen bis zu rasanten Tonbildern. Augenzwinkernd swingt sein Streichquartett �Up & Down�. Die Klavierst�cke �Kangoroo� und �4 up & 4 down�, gespielt von Mechthild Kiefer, sind temperamentvoll und energiegeladen. Gro�es Format Der 49-j�hrige Komponist bewies in zwei Orchesterwerken, wie sehr ihm auch das gro�e Format liegt. Das �Concertino G�ttingen� stellte mit beeindruckender Brillanz sein �Scherzo concertante f�r Kontrabass und Streichorchester� aus dem Jahre 2003 (Solo: Maria Soltesz) sowie � als Urauff�hrung � das 2004 komponierte, facettenreiche �Concertino per violino solo e �Concertino�� (Solo: Almut Seidel) vor. Alle Kompositionen des Abends zeichnet eine angenehme Klarheit und eine positive Grundstimmung aus. Gerne l�sst der Komponist bezaubernde Melodien auftauchen und setzt unerwartete Abschlusspointen. Andreas Kleinert schreibt nicht nur wunderbare Musik, er kann sie auch selber wunderbar interpretieren: Am Sonntag griff er immer wieder selber zur Violine, zupfte die Gitarre, sang und dirigierte das Orchester. 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00:00:00úU!0g#¸÷g#@#KúU!1063¸÷g#ø;$úU!0g#¸÷g#È%KúU!1.50¸øg#èË`úU!2011-05-08 18:34:19úU!0g#¸÷g#øÉ úU!0g#¸÷g#€(úU!168778¸÷g#ØUúU!÷g#¸÷g#HÐúU!1g#¸÷g#0AúU10g#Ø÷g#ÐñJúU0!2g#ˆøg#AA jazzy & syncopated piece for piano.!2.00¸÷g#!1g#¸÷g#!0g#è÷g#!0g#¸÷g# !135647èúg#QAll rights reserved: Josef Johann Michel --- www.j-j-michel.de!Nr.: 38 H Dur Fuge!41g#¸÷g#m6úU!634#¸÷g#€ŠúU!3g#¸÷g#441711!1g#¸÷g# !2013-01-17 20:07:39!2018-04-06 16:08:30úU!20078øg#8£ÌúU!0g#¸÷g#0 úU!5g#¸÷g#ÈüúU1÷g#Ø÷g#0!sib#¸÷g# !10044¸÷g#!0g#¸÷g#à{!úUAJJM_101__38_5Kr_H Dur_Fuge_2007-10-11.sib`441654!2013-01-17 20:07:39!0g#¸÷g#!721#¸÷g#ÐÑúU!0g#¸÷g#ðf™úU!Josef Johann Michel05!÷g#¸÷g# p¤!úUª0¥úUDÀâ6úUÀúUD°`OúUpO(úUD"úU°£úUD`ÆúUpäcúUD¬‚úUÐú^úU°úUD @É™úUÐ"úU ƒIúU0žúUDP³¯úUÀ@úUDà2¹úU zúUDðCVúUÐ)úUD°0úUP úUD€b˜úUðÍ'úUDçFúUÀi˜úUD@F:úUÐÂÙúUDðM`úUðt#úUDPÊìúU°ËéúUD±%úU¸ÀŠúUÿ …„úUðciúU ŽúUDp¸¨úU 1úUD 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    ÿÿÿÿüscores/op-1-90053.html">Op. 1
    Op. 3
    Op. 4
    Op. 8
    Op. 10
    Op. 11
    Choral Arrangements
    SATB
    O Canada! / Ô Canada! (SATB)
    The Star-Spangled Banner (SATB)
    Handbell Choir Arrangements
    Two-Octave (G4-G6)
    Op. 7
    This Is The Day
    National Anthems
    The Star-Spangled Banner (SATB)
    O Canada! / Ô Canada! (SATB)
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    ody> The Story For Flute And Clarinet - Download Sheet Music PDF file
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00:00:00inis1÷g#Ø÷g#˜øFúUøFúU0‘No.1 The Hairy Hobgoblin No.2 The Creepy Castle No.3 Pumpkin Party! 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    Guitars
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That's where the easy and simple arrangements were born, so that the beginner in music has contact with this music right at the beginning of his development, and then, gives him the possibility to join youth ensembles in theater, academy, and concert halls.úU~fúU!0g#¸÷g#!0g#¸÷g#(þäúU!0g#¸÷g#Èøg#!0g#¸÷g#!0g#Èøg#%AúU!0g#¸÷g#PFúU!0000-00-00 00:00:00úU!0g#¸÷g#PFúU!0g#¸÷g#ð%úU!0g#¸÷g#ðDúU!÷g#¸÷g#X/núU!1g#è÷g#xÿúU!1g#¸÷g# 1Night RangerUet=UTF-8_SIDN0!2023-02-24 04:46:13!FirstNameúU !2021-11-15 00:00:00empt10g#Ø÷g#È÷g#ÐGwúU0!SM_UserIDkúU qp!home°1[úU€ä6úU1homeØ÷g#0!0000-00-00 00:00:00M Sc!0g#¸÷g#reID='41!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#10g#Ø÷g#ntent_type010000-00-00 00:00:00 (SATB)m0!0g#?}úU!Tawnie Olson1÷g#Ø÷g#0AH/AúUx ÿ 3.15.221.67s@!2021-11-15 00:00:00úU!0g#¸÷g# !Mr. Tambourine Man!0000-00-00 00:00:00úU!0g#¸÷g# !252#PpúU13g#Ø÷g#01x0AúUÄ™çÀ nA¨0AúUç–g 3.142.196.27@qèǯúUÐǯúUØip!0g#À øúU !141233;AúU !IDg#€¬JúU !856200àÌQúU !4.99ø÷g#pâlúU10g#Ø÷g#¨ëúU0!0g#È÷g# !0g#k¿úU aMr. Tambourine Man Ukulele Chords/Lyrics Bob Dylan, The Byrds, Bob Dylan a1úU!0g#¸÷g#!0g#¸÷g#ð…úU!0g#è÷g#œ 0!0g#¸÷g# !NAMEÐgšúU The Hea äLúUÿÿÿÿ!260920pSúU aHZ8úU @ßgúU¨(¿1úU1àFTY#<Ð×¹úU!Namep†úU 1÷g#Ð~ôúUentation0!3g# {>úU !øg#høg#Øâ8úU!0g#¸÷g#!Ukulele Chords/Lyrics!÷g#¸÷g#!÷g#è÷g#¸÷g#!1.50È÷g# !0g#@OwúUrrencies!0g#è÷g# !0g#¸÷g# AC0D087D4-717F-11ED-9900-4F25F5556F5D0920.html@!PhotoFacesData 1 JTY#PØöMúU1/usr/www/resources/ADAP3/SQL.pmÐwúUqÈ]»úUÿÿÿÿ!0g#€ËyúU !157#ÐþúU !0g#høg#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#°à„úU!2100è÷g#…úU!1468¸÷g# 1One-Fifty-Four (Big Band)ÿÿÿ!29g#è÷g#ÿÿÿ!0g#¸÷g# !HASH¸÷g#!1g#È÷g# !0.00€GwúU!0.00¸÷g#11g#Ø÷g#àÍQúUmeúU0QThis beautiful traditional Scottish broadside ballad has some of the loveliest words I’ve seen in this type of song. Tenors have the melody for much of the time, which could be sung by a soloist or the whole section. 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some piano/trumpet arrangements what could be better than adapting that gospel version to include the trumpet?`!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#È!iúUè±úUÈÞ@úUðÏkúU0„ÁúUà‹JúUúEúU(.`úUàúU húU¬FúUèthúU0{úU¸ZúUébúU(ë,úUØ#fúU0´OúU…NúUpuÚúUÀ‡€úU0ÞúUèKdúUàÖhúUXë,úU€Û@úUE@úU0b8úUuúU¸ húU`˜cúU thúUhS:úU˜YúUxÏbúUh]µúUؘúUpÍúU@:`úUø+9úU°¢æúU/múU°AùúUÈòDúUÈkúUØçúU0•úU(TÿúUp#ƒúU8mhúUàdkúUÀâ!úUp”9úUH4úUpA+úUxjÝúUÈŸúUxbúU¸EgúUèëoúUÐ\íúU +iúUˆñcúUàD@úUXT:úU‹lúUXiêúU8SmúUHÔŠúUÈócúUpå`úUÀyÚúUˆDÌúUNVúU€f)úUÁ3úU¨Ù0úUèkúUPíBúU!543663ùg#219318!0g#¸÷g# !0g#¸÷g#!0.00¸÷g# §)úU!6.00¸÷g# >búU!4.00¸÷g#219425!0g#¸÷g#À!÷g#¸÷g#!0.00¸÷g#°°gúU!650x838 P#úU ï8úU!0g#¸÷g# €YAúUª ¼AúU KoúUDPÀúUиÿúUD°ëLúU RUúUDPdûúUÈrúUÿPÌÑúU€ïbúUD€6gúUJhúUDPeúUqcúUDÐúUàHúUD‚fúUø¼AúU¸’|úUÿÀ.½úUÐÍ[úUÐúUDÐyVúUX½AúUèp3úU -EúUD "¢úUà€úUDâCúU˜ú÷úUDlfúUàªHúUDòúUpèŠúU«çúUDà¾(úUÐ)KúUDÀqsúUMúUD°Ë°úU0œnúUDÀ`úUXúUÿp;FúUààúUD€ZRúUˆ™›úUÿ ¬~úUиúUÿ ”ôúU°é„úUDP<…úUƒjúU€w#úUD 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00:00:000!÷g#À;úU Qhttps://img.sheetmusic.direct/catalogue/product/smd_138915/medium.jpg!JasonÀ=úU qhttps://img.sheetmusic.direct/catalogue/album/d846b222-d40a-4339-9191-6f2a7758b12f/large.jpgp!2024-03-23 00:00:00úU!482#¸÷g#!0g#¸÷g#øFúU10g#Ø÷g#°HÂúU0!VLNDT¸÷g# á °½úUð‡°úUÀBÚúUp® úU¥¨ ðèdúUýOfúU0Y¹úU4wúULP€ßúU,0°¡»úU pÜQúUÀ EúUÒØ !(p@RúUf>úU€ úU$( @oúULP .0°%ÛúUq¿úU0Ý&úUHPð‚úU”úU°yCúUà›@úUOPÀÈSúU@°)úU ¯úUúúU ”úU ÈgúUEHœ ­‹úU€ÝúUÐÿ>úU°úUyúUPÍ”úUP‹±úU°æ>úU:@pÍúU €žæúUÀuAúU÷ÒúU€÷·úUfúúUáFaure - Pie Jesu (Requiem) for Flute and organ with pedals Gabriel Faure David Wheatley Ever popular, the Pie Jesu has been arranged for flute with a fully written out 3 stave part for organ with pedalsU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!1920¸÷g#!1080¸÷g# vúUàÀ/úU`&fúU¸VúU€#!úUñ€úU€8úU`KAúU(}LúUpKHúU€·èúUPïDúUˆS„úU˜Ì2úUx9úU ûCúU8%úUúU(ÑúU¨° úU@–„úU¸@PúUÐðúUتŽúUàgnúUø1YúU°^÷úUÐêúUÐÒÚúUxÎMúU˜ŽUúUL:úUèâ§úUø×!úU ‚áúU˜RúU£úU@ÄÀúUðôúUæ§úU€lúUxçÇúU   úU`R›úUPBúU 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WheatleyÀp€úU!43g#¸÷g#!527#¸÷g#!4g#¸÷g#!3g#¸÷g#!2019-04-05 19:36:05!2019-04-17 19:55:41!W.A.Mozartg#Ð[wúU!÷g#¸÷g#OHúU!0g#¸÷g#xÁ¸úU10g#Ø÷g#0!sib#¸÷g#!854#¸÷g#!0g#¸÷g#AMozart divertimento K439b no 3 for 3fl.sibúU!2019-04-05 19:36:05!0g#¸÷g#!612#¸÷g#!0g#¸÷g#!6.00¸øg#à%¬úU!2019-04-05 19:36:07úU!0g#¸÷g#˜c#úU!0g#¸÷g#(UAúU!0g#¸÷g#ø¿XúU!÷g#¸÷g#@­‡úU!0g#¸÷g#xÁ¸úU10g#Ø÷g#xãoúU0!20g#˜ýg#@BúUÁAnother useful addition to the repertoire for flute trio courtesy of Wolfgang Amadeus and yours truly. All the 5 Divertimenti K439b will soon be available for flute players - why not have a listen to this one by clicking on the mp3 symbol above the score. The 1st flute part is probably more difficult in this one as it often reaches the high 'A' whereas parts 2 and 3 are within the competence of most grade 5/6 players. Enjoy!490404!7.00¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#Acopyright this transcription: David C Wheatley 2018úU!÷g#¸÷g#±["167896","427279","529496","529500","201079","122018","141655","48941","196131","203580","362188","360764","369465","397305","191233","3495","56822","83460","423912"]!2020-09-12 10:03:33!1g#¸÷g#èÛúU!2019-09-25 14:33:23úU10BC72C24-DF99-11E9-B6D0-78úUOHúU!561635¸÷g#˜c#úU!0g#¸÷g#ø$fúU!0g#¸÷g#!0g#¸÷g# 4úU!1g#¸÷g#1650x919Ø÷g#xãoúUúU0!1g#Hüg#BúU!0g#¸÷g#!0.0000¸÷g#!2019-04-05 19:37:13aMozart Divertimento K439b no 3 for 3 flutes transcribed by David C WheatleyU !0g#¸÷g#!0g#¸÷g#!16g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#Mozart - Divertimento K439b no 3 for 3 flutes transcribed by David C. Wheatley W.A.Mozart Another useful addition to the repertoire for flute trio courtesy of Wolfgang Amadeus and yours truly. All the 5 Divertimenti K439b will soon be available for flute players - why not have a listen to this one by clicking on the mp3 symbol above the score. The 1st flute part is probably more difficult in this one as it often reaches the high 'A' whereas parts 2 and 3 are within the competence of most grade 5/6 players. 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²úUÿЄ†úU¸â‹úUUÐñ)úUÐ9úUD`lúUPž}úUD€Æ<úUh5BúU0r#úUDîfúU =GúUÿ9LúUp;•úUÿ€.úU`¡;úUDÐSxúUÐÖ&úUD­úUàÖUúUÿ ¹ÐúU ôUúUDLbúU@'-úUD@&lúUÀØØúUDÐWÅúUðžúUDàìúUÀ) úU`2:úUDÿGúUp¤EúUDà¶húU (-úUD%VúUêÁúUp'EúUD‹ÆúU`¿FúUD0‹KúUpÑCúUD`¨FúU°"/úUDðÝAúUP$-úUD°ØUúUàMúUD0†¯úU ¨HúUDð¿úU á"úU2SúUDàéBúU˜#ÐúUÿ¸MúU>GúUð7BúUQhúUD@]úU°ŒÐúUDÀæhúUÀ‡úU ÞhúU2B)úUDÀÐúUP¸+úUDpËdúU òqúUDàVúUøà*úUÁDan Cutchen is adjunct professor of music theory and composition at Dallas Baptist University where he teaches various music theory courses and applied composition.  He has been producing full-scale and demo music projects for both secular and sacred musicians since 1984.  Dan has been a full-time composer/musician since 1993.  He has written for concert band, wind ensemble, string quartet, choir, jazz band, studio charts and other small and large-scale music productions.  Mr. Cutchen is active as competition adjudicator and workshop leader in the areas of music education and Christian education.  He is also in demand in the Family Entertainment industry as an entertainer, seminar instructor, and composer/arranger. Mr. Cutchen holds the B.A. in Music Theory and Composition from Asbury College (KY) where he studied composition with James Curnow.  He holds the M.M. in Theory and Composition from the University of Miami in Coral Gables, Florida where he studied composition under Dennis Kam and conducting under Lee Kjelson.  In addition to teaching, he is currently president of Future Hope Ministries, a non-profit itinerant music and education ministry based in Dallas, TX. úUA{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":225,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"D7B8DDC2-5130-11E7-9F2B-CB4904953040","position-x-pc":"0"}úUp!0g#¸÷g#˜ý—úUJSúUh±¿úUP?âúUg„úU8/JúUøVÿúUˆ˜¸úUhcÙúU°OúU˜:(úU°Œ„úUho[úU(ŠJúUõGúU)úU(j&úU¥(úUø›MúUP™ úU0 ÀúU hTúUpsúU˜ˆÁúU ƒšúUøœPúUPbÑúU@v_úU¨!÷úU ¥ÓúUŽ6úU`XúUxFôúUx núUØcmúURHúU yúU¹úUPlGúU¢%úUPá7úUøõDúUðúUHšúU SúU0IúU4eúUÀHéúUp©PúU^ZúUpµ¿úUx!úUˆß7úU%!úUø£.úU [úUp‡,úUèVZúUxLôúU8˜MúUÐGNúU`ü%úU‚*úUˆÖLúUˆFÈúUx“ÏúUè túUPÉúU(sLúUØÐQúUÈ’JúUH8úU!2022-07-18 16:26:14úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!1g#¸÷g#1BDBD9052-886F-11E9-BE21-F3D41D17C629U!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!2023-12-16 08:05:19!2024-01-15 18:43:48!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00Q¸áIúU!0g#à9$úU!0g#¸÷g#ð6ðúU!0g#¸÷g#PëHúU!÷g#è÷g#505897!3.54¸÷g# !0g#8øg#1[{"Desc":"","Url":"","Text":""}]!0g#è÷g#!1g#¸÷g# !÷g#¸÷g#1÷g#Ø÷g#0‘[{"Desc":"","Url":"http://www.classicalarchives.com","Text":"<A HREF=\"http://www.classicalarchives.com/\"><IMG WIDTH=120 HEIGHT=170 BORDER=0 SRC=\"http://www.classicalarchives.com/gif/link/cma_thanks.png\" ALT=\"Classical Music Archives Recognized Contributor\"></A>"},{"Desc":"","Url":"http://www.osv.org.ve/aspx/cv.aspx?MID=29","Text":"Venezuela Symphony Orchestra"}]!0g#@­cúU !0000-00-00 00:00:00úU!42g#¸÷g#ØGúU!0.00è÷g#ð6'úU!johnturnerg# !0.00øg#!0.00¸÷g#11g#Ø÷g#012g#°*„úUÐ6„úUÀ:3úU0!HASHU‚úU !÷úUpx-úUxælúU GaúU "ËúU—¸úUÈÐhúUøRKúU÷cúUPÆ,úUˆ*†úU˜–`úUÀ`úúUHBÌúU`ðúU¨ûçúUX!kúUp%ûúUPxúU85ùúU0ÊÃúUp±múUȹzúU€™ úUkúUÀÆnúU@l0úUØúU ¹úúUðlbúU0b„úUX€úU˜•€úUHÈ úU;úUX“€úUàæIúU NVúU`nLúUÈ¥gúU¨UúUHcúUøÃúUx*úU€ÍkúUÈÛûúU7€úU(µFúU¨–UúU`þéúU¿5úUè_íúU@ÕÊúU°äoúUpúYúU’ÛúUø úU7úUðcúU0®‡úU Ž9úUøeúU0©ÿúU0î€úUX¯ÅúUˆ¦ÓúU¸QzúU ­úUèóúUpŸ!úU¸!*úU³FúU !0000-00-00 00:00:00úU1÷g#Ø÷g#€±æúU0!My Favorite Things!41g#è÷g#P%—úU!275#¸÷g# !HASHUMENU_BS !136769ÀJLúUesLibRef!Kinklets÷g# !0g#(øg#¨½SúU!øg#øg#@|†úU!÷g#è÷g#`cÇúU!0g#¸÷g# !0000-00-00 00:00:00úU10000-00-00 00:00:00°ƒ$úU0!÷g#è÷g# òúU!0g#¸÷g# !Piano SoloúU1PianoØ÷g#0!0g#0ÔüúU!0g#¸÷g#Ø11g#Ø÷g#g0!Piano SoloúUcoreIncl!÷g#¸÷g# á %‹úU ¸ÏúU ŸÚúU »úUÀyzúU]`ÐvCúUp æúUô©úU -úU€ÝQúUpúU 7úUp_”úUПúUÀ¨súU 080AúUðûwúU€ ¼úUpf8úU ðQDúU@A~úU€­‹úU0ÛúU¤¨€e8úU@ò?úU@N;úUÀ² úU0»ŸúUØaúUXFúUp‰±úUÀ¡DúUUX ë„úU ÈúUP^'úU`ý¯úU0ÉúUî…úU (€.wúUÀ!ÛúUTXpü·úU6¢úUPc úU•äúU@†úUŸ @IúUÿ @û·úU{ƒúU±°J)úUÀ˜úU00 wHúUÈ`BúU¥¥‰K534223 #RúUPc-úU 0`àéúUaBúUÈ´ý>481398q€ãSúUp¶"úU 0°_EúUhaBúUC\GS481389!PÉ+úUà_EúUÀ0d-úU¸aBúU'üö481376!PçúU@d-úUp0`ƒ(úUbBúUjŒF534206!/LúUàlúUÀ00Ð úUXbBúUå˜484933!/LúU ¤~úU0p²ÃúU¨bBúUâ ³¤532874!pßúU0qûúU`0ðShúUøbBúU€´478717á  ?uúUp%GúUࣇúUHcBúU±Q³471862q Àç>úUpGWúUÄFúU˜cBúU«Øj502503QÐ ƒúU€-ùúU 0^‹úUècBúUpÙ532824!ŽIúU0^‹úUp0 úúU8dBúU]c_û379956!PèúUÐúúUÀ0ð-ùúUˆdBúUç­ÿz481364a°¼úUÀùúU 0ð^<úUØdBúUyJšG481357!¸OúU _<úUp0Ðþ:úU(eBúU¼ÆCF481349q`VúUÐíÊúU 0ðíÊúUxeBúUÉvDf481325!0£zúU îÊúU0 !ùúUÈeBúU°P471819!Í7úU€DlúU 0ðp¯úUfBúUÂv481312a9úUP¥úU 0–úUhfBúU7áVº481296!°ƒ¯úU0–úUp0úU¸fBúU•^û|481289!ö:úUÀúUÀ0àºFúUgBúU±0f481288q@¸ÚúUh8úU 0€NúUXgBúUÞàJB465550!°ÀoúU°NúU00@HúU¨gBúUg»465542ÀGúUð@aúUÀa‹úUøgBúUâ÷b465541Á=¢úU€ódúU0IúUHhBúU?¡´ê465534À¸úUX:úU0KeúU˜hBúUZÙ+488731q@½ŽúU`GMúU 0 HMúUèhBúUóm_T465511!À¼úUPHMúUÀ0PvnúU8iBúUs16465510‘ ­ŠúU`úU 0лFúUˆiBúU‘WÇ465504q` úU`VúU 0ÐVúUØiBúUØñk488716!°±ŽúUVúUÀ0G‚úU(jBúUwHO—465472°ayúUÐ5oúU 0@I‚úUxjBúU ïDä465467! 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This worksheet accompanies the Blue level of Paint with Piano. 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00:00:00!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q`HéúU!2024-03-23 00:00:00úU!øg#8øg#€ÂàúU!÷g#¸÷g#¸7PúU!0g#¸÷g#ðKAúU10g#Ø÷g#0!÷g#¸÷g# ¸úU!0g#¸÷g#€>búU!0g#¸÷g# ß2úU!÷g#¸÷g#˜ÔgúU!2013-01-09 00:00:00úU!0g#¸÷g#Pó†úU!2g#¸÷g#Ø)úU!0g#¸÷g#ØqEúU!1.50¸øg#ÈéÎúU!0000-00-00 00:00:00úU!0g#¸÷g#ðétúU!0g#¸÷g#ˆ©ßúU!0g#¸÷g#ðBúU!÷g#¸÷g#°ÞûúU!0g#¸÷g#ðKAúU10g#Ø÷g# óúU0!0g#èøg#Xï÷úU!÷g#¸÷g#€µ[úU!5.31¸÷g#ÕjúU!0g#¸÷g#Hƒ¸úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!÷g#¸÷g#˜ù"úU!0g#è÷g#˜ù"úU!Violin Duet# !1.50¸øg#¸~*úU!0000-00-00 00:00:00úU!0g#¸÷g#¨x`úU!0g#¸÷g#€ËúU!0g#¸÷g#€7ÁúU!÷g#¸÷g#X+úU!0g#¸÷g#höúU10g#Ø÷g# ,öúU0!ýg#Èýg#CúU!0g#¸÷g#!Clarinet Solo!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#¸~*úU!63558¸÷g#!0g#¸÷g#0“UúU!0g#¸÷g#!0.00¸÷g#€7ÁúU!0.00¸÷g#cúU!0.00¸÷g#höúU!1g#¸÷g#È·èúU!1g#¸÷g#(ðËúU!0g#¸÷g#8¸HúU!0g#¸÷g#¨x`úU!1g#¸÷g#˜V:úU!78741¸÷g#1Ennio Morricone, Ennio Morricone— úU!2.99è÷g#èîþúU!2020-09-22 18:51:36!0g#¨ýg#@CúU!0g#¸÷g#!0.0000¸÷g#!0000-00-00 00:00:001Once Upon A Time In The West Theme624!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#aOnce Upon A Time In The West (Theme) Clarinet Solo Ennio Morricone, Ennio Morricone !0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!492#¸÷g#!492#¸÷g#|šúU0‘MúUxäÄúUð ¹úU¸‹júUÀ‡fúU!úU˜ ÝúU€tÊúU¸@VúU8ëUúUP TúUà²KúU8ÑúUêúUØ‘3úU‘„úUÞëúUúUÀ;:úUx QúUÈ[™úU˜ÁJúUйuúUxmúU¨^úUx%úUp÷VúUˆÀÁúUÈÓdúUxm^úU€FòúUXñ9úU¸ÂúU¸cAúU(ÂúUÂKúUP0`úUÂúUˆh@úUXQ]úUEúUˆHVúUò8úUh}TúUˆLoúU€,!úUxûúUKúUø¸ÝúUPº úU WÙúU˜û€úUø;xúU˜VúUÒhúUØÝúUDÂúU`‡8úU8u6úUˆÌúUXc½úUzJúUÀˆÃúUÒúU¸¥íúU¸ç“úU ©úUˆ­úU /óúU°õ@úU¸šúUpUúUظöúU˜AúU`MFúU±úU@ª@úUˆBúU˜<¢úU°§súUÀŽ†úU( –úU *úUØ•¼úU˜SõúUHÂúU˜‘8úU(_÷úU’ÚúUàa7úU@O~úU¨ÂúUXÏGúUx¸ÁúU°…¡úUX­KúU¸«^úU˜ýMúUØÃúU°ŠëúU(ÅœúUçúUè–›úU¨‚¼úUŠúUð{>úUúdúU8\+úU¸‚úU(ûúUàZúUHŽÑúUh CúU°[HúUxY'úUPµ@úU¨^TúUH3kúU`¿QúUعÁúU¨LeúU·wúUø¹GúU€vDúU¸°KúU½gúU¸6úUˆHVúU+úUÈÓGúU ¦júU@ÛîúUˆ¹TúU0 "úUà\ÃúUXÆúUÀÜtúU˜FúUØ·~úUPKúUXQ]úUàã[úUPúÊúUH©/úU˜Ö úU¸Ô¾úUØO”úU¨A¡úUx~VúU˜Š‹úU8yúU¸ò@úUH÷húUx¸ÁúU08dúUøŸ 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This 19th century English hymn begins as the traditional manner. Verse two slows down, changes keys, and has melodic and harmonic variations. The mp3 clip showcases both styles. Chords added for guitars, mallet percussion. Set of Parts (extra solo instrument parts available separately). Part of the “Hymns of Comfort†collection. Piano accompaniment mp3 available separately. æ%úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!84úUÀs-úUhúUȯOúU…iúU¸ú_úU¸ÿmúUHŒlúUQFúUÈä,úUÀǸúUXcçúU-`úU˜„lúUeúU8eúUˆ¢júUàyeúUØœIúUÀ eúU¸Œ9úUÐd#úUPlúU˜‰%úUÀImúUÇkúUh¸VúUPó`úU¸aúU€gúU€zNúUè úUnúUPt<úUP˜3úU@.ŸúU˜ücúUÐj)úUÐø—úUpebúU°f,úU°#úUÓ:úU ±júU˜Š@úUè¬æúU9íúU8nêúU(¯FúUàùcúUÀ¬dúU ®gúU8MjúU`•úUX&•úU èfúUØ4úUÐ÷_úUÈÍhúU`úUÀ³4úU ‰NúUøDdúUxÈúU@þ.úU˜TúU°WÀúU0–JúUÔMúU0„;úUÐhúUh¥æúUX¯æúU ÚîúUàËQúU`'fúU0±VúUQÑ" 07úUxçúUhøÚúUØ‚'úU¸«^úUØÝ€úU(¹ÁúU ñ0úU˜HaúU ›8úUÂúU†UúU˜HaúUH†ëúU0çÁúUìëúUp=úU°f&úU8ÓÝúUJ-úUøˆÁúUn¸úUxUúU@ïRúUX„gúU0@búUXQ]úU˜\QúU°úU¸ÈÁúUدTúU˜ñÀúUPênúUð núU86(úU@õúUˆj‚úU5²úUؽ±úUXcÝúUØ4úU <„úUøVžúUa!úUðç›úU˜ƒÓúUÀ¹+úU¨kOúU¸õoúU¸”„úUèEVúUHhHúUˆ<ÂúUAûúU¸Í úUÈÓGúU؃÷úUNÂúUøP9úU¼fúUèqúUPó!úUÇÁúU0UfúUX#úUðUúUXÂúUvúUxoòúU0núUPºúUÂ]úU@ľúUh}TúUx$oúUpè”úU8í±úU¸Ã@úU Þ!úU˜iwúU€;`úUØÛ.úUP±õúUxÂúUøpúUp 7úU8n±úU ØäúUp‡%úU¸«^úU0ÏúUˆHVúUÈ!LúUh7ŸúU(ŒúUèj^úU˜d™úUh.¹úUêÁúU˜vDúUv±úUH HúUÈšêúU¸V]úU€ø3úUˆ¿ÁúU qúU¨GáúU¸°ÃúUÈk¸úUÐfúU13úU¸?úUH¿aúUxoòúUhrôúU€8JúU¨ÂúUèûSúUˆHVúUà~kúUXQ]úU@øZúUðy±úUèÝ[úU(W‚úUX³ËúU`k(úU˜ýúU€èçúU˜á)úUð¸túU¸_™úU öúU¨‚¼úU0gWúU`ÐTúU89¬úU`7úUèqúU¸Ô úUýÁúU¨œ6úU[úUn¸úU¨XÏúUHL]úU¸JòúUh}TúUhñúUxD±úUP:ÉúUÄúUˆÐjúU8уúUÈŠ†úU°UúUx—¼úUàLÞúUÑúUØ·~úU`#úUèU]úUø¾ŠúUHL]úU *úUhe™úU×UúUðLúUˆ­úU€À`úUèEVúUòÊúUxoòúU¨@úU(¼ZúU¨BzúU°Ç†úU¨GáúU°öVúUXQ]úU ›¼úUøÛ)úU€ÓúUx»ÁúU IúU¸&*úUðDúU¸&*úU €úU?"úU4úU lRúU€&3úU¨}7úUð ½úUˆX„úUÈÓGúU(q:úU`<(úUhŸúUH gúU¨KúUȆ‹úUÎ?úU¨eúU8ŽŒúUèEVúU€HúUÅÁúUÞ~úUȵÁúU0súUØ•¼úU¸EöúU8Ô.úUPîóúU8“ŸúUè¯ËúU¨-vúU`q+úUhúúúUp,‡úUx £úUÂ]úUÈ-ýúU`ñƒúU(ÞtúUàè›úUDÂúU@|ìúUx ÄúUX„úUèEVúUßjúUà+ÛúUH3kúU°â&úUˆÀÁúU`EúU@+yúUèËCúUÆAúUÀÁúU¨xwúUxÂúU`úBúU˜Ê´úUˆ4PúUXÂúUP{UúUø˜°úUÍUúUØDÂúUðøÞúUøì'úU8[™úU(¢úUx%úU€D-úUÃÁúUøoHúUP¥ÏúU訯úU0‹úúUX;±úU{AúUxD±úU€:zúU8Ô.úU0¡$úUèpIúUˆ¹TúUÐ9ÑúU¸&*úUxîýúU`'ÛúUCúUÉWúUh·ÁúUà—GúUÈÓGúUØ7úUh#±úUè0 úUp¾aúUØ\´úUˆ:UúU€¨CúUx¦gúUx‰LúU8c»úUøSºúUÈHúUk^úU¨U)úUƒLúU8u6úUˆ CúUHÂúUÕjúUh·ÁúU˜g%úU¸&*úU>9úUÈJ:úU¸ÂúUèTMúUÿ|úUÞiúUÈó°úUxbúUhv¸úUpÆ]úUxoòúUèÏúU˜—“úUx)UúU€nZúUg¸úU RúUȵÁúUÈ8húUèÏ`úU€´‚úUXÂúUp’úU˜¶ÁúUÈN]úU8Ô.úU€yúUعÁúUØ“húUˆ¿ÁúU 3„úUìMúUÈ®ËúUІŒúUˆsïúUMòúUHÈLúUÈÓGúUèEZúUxoòúU I•úUXCÂúUXælúUöáúUø.óúU˜öúU ÐúU(¹ÁúUða‰úUˆ¹TúU(¶5úUø±júUxY'úUˆXúUÈÉ…úU(>FúU0—›úUhÿæúU¨2•úUúUˆz¾úUÐ!ÈúUÈÓGúUxúUØ•¼úU(„”úUg¸úU>6úUh}TúUXƒÑúUx¸ÁúU°{~úU(µ úU(ÂfúU`™œúUÈ ÂúUøÙqúUÇÁúUèáDúU0øjúU¯°úU8XNúUø˜°úUè8úU1¸úU¸ù€úU¸åúUÀgTúUX„gúU@3úUXÚ»úU‹úUØ múUp± úU8[™úU7úUx7úUH&úU8ûJúUU]úUˆøEúUȵVúU@_núU8óæúU „oúUÈQÐúUHélúUd¹úUHàøúUøÚúUØ¡2úU(ÎnúU¸%fúU="úU(ÈiúUHc—úU°;@úU:úU°KjúU°ˆ9úUHk8úUïfúU(1fúUibúU€åÒúUPúUúU •úUÀ_„úUàZ˜úU úUˆtúUøiúU¨êúU  kúUèè`úU¨2`úU˜fúUhoXúU¸[/úUÐrñúUXBüúU¨~VúU(SVúUáúU˜‡fúU:(úUp²™úUh°üúUpBúUÈ¥õúU°d—úU8ç`úU¨/fúUèî9úUshúU0ÓÚúU¸ŸùúU˜NmúU 'aúU Ó<úUÀOjúU`!úU0SØúUxïfúU°9úUø_çúUˆÇ5úU؉fúU¥dúUPÊeúU˜búUôËúU8LVúUHøæúU¸€úUøHjúU(R{úU¨`úU221676QFéúUQ© 2014 Devine Music Studio Download from PaintwithPiano.comU!41g#¸÷g#!275#¸÷g#!úU!2g#¸÷g#8‡dúU!2g#¸÷g#Ø eúU!2014-04-08 18:11:23úU!2017-11-22 17:16:38úU!0g#8øg#¨þéúU!3g#¸÷g#4úU!1.50ø÷g# Í<úU12014-04-08 18:30:120!sib#¸÷g#Øÿ¾úU!1767¸÷g#à!0g#¸÷g#¨ÎHúU1Famous Compositions22_To Chloe.sibúU!2014-04-08 18:11:23úU!0g#¸÷g#¸UbúU!976#¸÷g#HÂQúU!0g#¸÷g#}¤úU!1g#¸øg#ðîÎúU!1g#¸÷g#4úU!0g#¸÷g#(i‚úU!÷g#¸÷g#(>+úU!0g#¸÷g#ˆPVúU!0g#¸÷g#pnúU!1g#¸÷g# Í<úU10g#Ø÷g#ؤæúU0!Mozart, W.A.!Joshua DevineÐÔúU10g#Ø÷g#uantitySetOfPart0!192199¸÷g#Qãã®ï¼’「フワフワã—ã¦ã„ã‚‹ã€ã©ã†ã—ã¦ï¼Ÿã€.sib¡æ—¥æ›¿ã‚ã‚Šå³èˆˆç·´ç¿’　ãã®ï¼’ Daily impovisation practice part 2 「フワフワã—ã¦ã„ã‚‹ã€ã©ã†ã—ã¦ï¼Ÿã€ "Fulffy, Why ? "FúU!41g#è÷g#0•LúU!275#¸÷g# á  07RúUBH‰úU@vCúU°¶ŸúU¨°' úUÀOûúU0 7úUàä†úUæúU  ÅgúUq°úU$(0›uúUðãeúUÀòYúU 0"´úUð\üúU-0ž»úU$(à{„úU°›žúUÐÂúUÐf>úU°úU ýUúU`€uúU núU ¡úU0‚úU 0<¡úU@-KúUPÓ”úUP`_úU  ©lúUð¸‹úU#(д‹úU€ûaúUàŸúUÚQúUX`@ÑúUZ`¡¨&(ЊVúU ðý?úU'(çúU€šmúU +}úU@ø‚úU>@ÐËúU Tico-Tico no fubá for Bb Trumpet, C Trombone & Piano Zequinha de Abreu Arranged by Keith Terrett Keith Terrett Music for all Occasions Arranged for Bb Trumpet, C Trombone & Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrinoâ€), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [ˈʃoɾu], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões. !0g#08úUiredDate!÷g#È÷g# !19128øg#¨olúU!2017¸÷g#ðVÀúU!1g#¸÷g#€ScúU13.00Ø÷g#0!sib#¸÷g#`ÐGúU!250#¸÷g#ÒúU!0g#¸÷g#H“8úU!2023-11-01 05:41:31úU!2g#¸÷g#ØE0úU!1199¸÷g#ÈÏïúU!2g#¸÷g#X¸úU!2023-11-01 05:41:56úU!1g#¸÷g#ðVÀúU!0g#¸÷g#˜òÎúU!0g#¸÷g#ФAúU!0g#8øg#ghúU!0g#¸÷g#¸CúU!1g#¸÷g#€ScúU10g#Ø÷g#(mIúU0!0g#(ùg#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#QCopyright © 2016 MFAO (keithterrett@gmail.com) ed. 2017!÷g#¸÷g#11.50Ø÷g#˜ù"úU0aA beautiful transcription of ''Salut d'Amour'' (Loves Greeting) Opus 12 for Bassoon & Pianoforte In the Summer of 1888, Edward Elgar and Alice Roberts were heading towards marriage. Edward decided on a holiday with his long-standing friend, Dr Charles Buck of Settle, Yorkshire. As he left Worcester, Alice presented Edward with a poem she had written and entitled Love's Grace. While on holiday in Settle, Edward reciprocated by writing a short piece of music for her, which he called Liebesgruss (Love's Greeting). The work carried the dedication "To Carice", a contraction of his future wife's forenames Caroline Alice with which they subsequently christened their daughter. On his return from Settle, Elgar presented the work to his wife and proposed to her. They married at the Brompton Oratory in South Kensington, London in May the following year. Towards the end of 1888, Edward submitted three arrangements of the work - for solo piano, for violin and piano, and an orchestral arrangement - to the music publishing firm of Schott who agreed to buy the work outright for a fee of two guineas. At first, the work sold slowly. Apparently with Elgar's approval, Schott's retitled the work Salut d'Amour and gave the composer's name as Ed. Elgar, believing that the French title and a less obviously English composer would help the work gain wider international approval. It did, much to the publisher's satisfaction but with no financial benefit to Elgar. It is easy to dismiss Salut d'Amour as an insignificant trifle, salon music not deserving a wider audience. However, for the work to establish itself so forcefully in what was a fiercely competitive field says much for its charm and quality. And, as Elgar's first published work, it has a historical value, containing pointers to the skills that Elgar was to develop and display in his later works. Elgar subsequently composed a companion piece, Mot d'Amour (Liebesahnung or Love's Word). Although in many ways structurally and dramatically superior to the earlier work, it failed to capture the public affection of its predecessor and is rarely heard today. !1.99øüg#€DFúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#aMFAO © 2020 Music for all Occasions Publications (keithterrett@gmail.com)pi'úU!÷g#¸÷g#!2020-03-09 14:22:49úU!0000-00-00 00:00:00!÷g#¸÷g#ÈøúU!260137¸÷g#!0g#¸÷g#¬uúU!0g#¸÷g#€•CúU!0.00¸÷g# .ÛúU!4.39¸÷g#€.UúU!2.40¸÷g#ÀwIúU!0g#¸÷g#šCúU!0g#¸÷g#(ÚëúU!1g#¸÷g#¨<.úU!0g#¸÷g#!1g#¸÷g#ÐæUúU!0g#¸÷g#1÷g#Ø÷g#È7lúUÀ¤PúU0!0g#üg#HFúU!0.0000¸÷g#!2020-03-25 03:13:11ASalut dAmour Loves Greeting Opus 12 for Bassoon Piano!0g#¸÷g#!0g#¸÷g#!4g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸ûg#pIFúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:0057!÷g#¸÷g# !0g#¸÷g#!194#¸÷g#ðü-úU!259#¸÷g#Ê‹0á P©}úUð æúU ÜJúU€`6úU› jppyzúUè]úU`‡·úU3}úUÀŽÏúUpj#úU«°$(  úUÀ\FúUðÒúUp 1úU £úU`Ñ”úU0é†úUp¼ÛúUÐŒ‚úU€½úU€E*úU wcúUÀý›úUº)úU€'„úUÀìÃúU€£ÚúU|zúUàÕQúU°‡yúU28 ½húUÀzúU@ßúUP+ úUµ¸€ŒÏúU"(`úÃúU*00¹ÛúUÀ–³úUàÜeúUp’ÏúU€„·úU pXéúUÌúUTXjÄúUðÒ”úUZgúU ò'úUpˉúUÐÐøúU±r úUÀ‡LúU473380!ö:úU Þ`úUP0ðåúU(\FúU„@Ñ453633a ýÏúU-ßúU 0xJúUx\FúUIéMX517791!P”‰úU@xJúUp0p†úUÈ\FúU–_òº453585qðÂOúUŒúU 00xaúU]FúUŒü §408528!À%³úU`xaúU0à]:úUh]FúU"¥·=473373!pXÚúU^:úUà0`t$úU¸]FúU ‚†Ý442643A p˜úU¤*úUpwÑúU^FúUÁu<442635!Š•úU ¯/úUp0à[äúUX^FúU¼ó6497849!pòHúU\äúUÀ0ÔÑúU¨^FúUY'Uì497840!PçúU€–úU0 r•úUø^FúUŒ¤€ê497839qp3.úUcHúU 0pcHúUH_FúUÔ*‘0497807!ðÐúU úU°0ÀVhúU˜_FúU;ˆD497806a P*uúUÀÞJúU £4úUè_FúUÝu–497805q°-ôúU`¨DúU 0€¨DúU8`FúU*y¥÷497799!ÀL™úU°¨DúUÀ0@/xúUˆ`FúUèIa`497783!¸OúUp/xúU0 VHúUØ`FúUåP453567ÁpÕ[úU@Ÿ4úU 00±úU(aFúU†7ÄÕ453552! ÍúU`±úUp0’úUxaFúU!¶ZR453543! ÍúU @KúU0PâJúUÈaFúUUˆ1½4535381 `¯~úUà‡JúUðRíúUbFúU£•‹E453527Q°—IúUpíÑúU 0 r$úUhbFúU~=yY453520±ÐÑaúUðûHúU 0ð$úU¸bFúUÌÐÕ$453512 9úU€À úU 0Á úUcFúUTq¦453511ÁÐÌ@úU áFúU 0›ÐúUXcFúUíá‚j453501q@¸ŽúU`»túU 0€»túU¨cFúU´ñÅZ453486!ŽIúU"=úU`0°üHúUøcFúUDÏI453485!àÄ6úUàüHúU0P#¼úUHdFúUÏ7x¿453471!@ŽŠúUЕ•úU 00°ýúU˜dFúUŠ âé453463!úUàû‹úU 0 CúUèdFúUcqîÓ453447!ŽIúU0 CúUp0à)yúU8eFúUhQŠ…453438!ÐShúU*yúUÀ0 y~úUˆeFúU4U·453396`ĶúUX:úU 0P5)úUØeFúUÉ`iÏ453387!°ÀoúU€5)úUp0ðåeúU(fFúU*U±‰453382!àdúU æeúUÀ0X:úUxfFúUŽS£©453365!àdúUÀX:úUÐ0€šAúUÈfFúUK‹…4533631À8úUPvúUÖiúUgFúUASìh453357!àdúUÀÖiúUp0°JzúUhgFúU<ÓÌ453324!àdúU@ìBúUÀ0 ËoúU¸gFúU`+Vw453317ÛúU`š;úU 0bƒúUhFúUË=YÜ493950Áà çúU€ý€úU 0ð˜úUXhFúU«äK/493942!@+œúU -îúUp00ˆúU¨hFúUŽCGÛ395232!Š•úU`ˆúU0ДVúUøhFúU´žyb482490ÐÐúU ±"úU 0°Æ†úUHiFúUvÑ({482481qþúU°ú€úU 0€rdúU˜iFúU÷‘E525412! …»úU°rdúUÀ0 úUèiFúU=7¨525411!pòHúU°’IúU0±"úU8jFúUà7Y525405Á€HúUòúU 0@`úUˆjFúUYù/ 453309!ÀL™úUp`úUp0@S$úUØjFúUG¾Š420425!`šèúUpS$úUP0²åúU(kFúUè4204361€žçúU`ºtúU 0`h[úUxkFúU<<ö3453296Á0úU°úRúU 0PÚTúUÈkFúUçXL‚453295qð×:úU úU 0@úUlFúUÔëë 453274!8úUpúU0`€ úUhlFúUé7Qr453249!@ŽŠúU€ úU`0Ð̱úU¸lFúUY ž453248¡ŽŠúU0átúU 0ÀîwúUmFúUò«Xì453241QPÞ9úU€ ¸úU 0  ¸úUXmFúU³µò°˜ýúU`”ÊúU8Ì úU¨ÂúUÈyúUx—¼úUH:úU¸V]úU õ*úU`˜úUèÃÁúU¨HòúUxÂúUÿhúUx~‹úUñúU WzúUXÖFúU0~ÑúUøúúU:úUxXúU˜Š‹úUÈà,úUÀ…JúU¸«^úUp·lúUˆFIúUh0ŸúU[‰úU`*YúUh!YúU¨âÑúUHn‚úUØ!múU@C½úUHR]úU¨žúUHÂúUXwjúUX2úUh¯7úUh*PúUÂúUHwOúUpÚ›úUˆ®_úUئGúU8€úU4SúUHb™úUØ2XúUh·ÁúU˜ÝjúUz™úUÀjKúUèÏ`úUøDúUpüúU¸ÈÁúUȳTúUDÂúU6¾úUhëUúUè^™úUÈoôúU0IüúU˜Š‹úU@òZúU`ÖåúUxƒ†úU¸ñðúUèÎ.úUxç úU¸ŽHúUx#RúUà†‰úU(ûúU(ã³úUàxBúU¸šúUç&úUx ÄúUÐHúU8Ô.úU(‡AúU˜á)úUPgöúUÐÚiúU¸šúU€ýMúU8î“úU° }úUX"ðúUÈBúU@SÒúUX#úU Ú€úU¨GáúU`'ðúU!/úUPìáúUØÃúUHãúUX»]úU8YyúU@ˆúUˆz¾úUQ´úUÈÇèúUÀ(kúUx¸ÁúUÈóðúUˆÃhúUÂúUp&múUà˜DúUìëúUxf:úUÐlQúU¸é‡úUØóEúUpôqúU89¬úU€)÷úUxoòúUÑúUDÂúU`=úUxoòúUPOìúUè†ÏúU¨ÂúUȼÇúUp÷úU¸šúUðOCúU #YúUX;±úU¨²úUÈ ÂúU(ZðúUx—¼úU˜;EúUÈAâúU>YúUÀHúUÂúU°àLúU¸0MúUˆ ÏúUX›¾úUø¸ÝúU`‹úUxÁÁúUhÉAúUx¸ÁúU zRúU8Ô.úU –ZúUPx_úU(ЀúUXFÃúUHÂúUúUðK<úU¸,yúUПzúUÕáúUˆ)“úUXˆFúUˆèlúU¸ÌuúUpœ›úUøþúUhŸúU˜1úU¨GáúU0*ðúUx2¸úUXT$úU@STúUps[úUÙ9úUÀ(úUXCÂúUHÛdúUPrFúUØ·~úU°=úU\úU8±<úU:úU¨ÃnúU¤^úU…”úUhO]úUh‡úU8{™úU á#úU ÁúUèÃÁúUwEúUø¸ÝúUà¿%úU˜>úUÀ˜EúU ‹WúU˜t”úUpûMúU˜ýúU(¹úUÈk¸úU° :úUhH™úU8ì[úUHŽÑúU>5úUx¸TúUH!àúU› úUØ·~úU0“PúUÐÑúUÂúU UlúUˆkDúUXKlúUàÚxúU˜Ü/úU€ÝìúU(iÊúUHF™úU8AZúUè¼HúU8ÓÝúUøRTúU˜ ÂúUˆ¨úUhO]úUHhÓúUýÁúUÈo¹úUÀ(GúU86(úU0ÙRúU(ä‹úUè9SúUжŒúU¤^úUÄ„úUˆ(¸úUè1úUx¾]úUZ]úUðUþúU8ë”úUXdŠúU°¾HúUhúúúUØCóúUØ•¼úU µ9úU(ÙúU¸šúU`RCúUè°AúUøúUÈ`µúUWúUˆ¹TúUx”zúU(ä‹úUÏUúUˆ¿ÁúU˜!LúU üúU¨ukúUØøÞúUxZHúUX„gúUçIúUàžúU({aúU°À¾úUh·ÁúUhSQúUàúU -úU¸;búUøoEúUî@úUx{.úU0< úUpthúU˜™lúU3úUÀÃZúUˆ­úUø‘ÀúUh‚úUìëúUð†ëúU8 úU¸ÜúU ËúUÐíMúUÈBúU°uôúU¨‚¼úUè²úUH9%úU8UúU¸ÛaúU!3g#¨ûg#`}FúU!2g#¸÷g#P GúU!2017-08-11 20:02:50!2022-07-18 15:34:34úU1Thomas Campbell, Tune: Sa­gi­naúU!Dan Cutchen MusiccúU!1815è÷g#2úU!1986¸÷g# !pdf#¸÷g#È+úU!84222¸÷g#p,ðúU!0g#¸÷g#0kmúU!2017-08-11 20:02:50úU!3g#¸÷g#ô–úU!635#¸÷g#øHëúU!2g#¸÷g#`„èúU!2.00¸øg#ÀûúU!0000-00-00 00:00:00úU!1g#¸÷g#ØkúU!1g#¸÷g#pPVúU!0g#¸÷g#ø‡iúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU1÷g#Ø÷g#»-úU0!5g#¨øg#|—úU!÷g#¸÷g#ë<úU!8.00¸÷g#ø­6úU!0g#¸÷g#rRúU!1g#¸÷g#ÀÅAúU!0g#¸÷g#8AúU!÷g#è÷g#˜ù"úU!÷g#¸÷g# !1.00¸øg#Ðj)úU!0000-00-00 00:00:00úU!0g#¸÷g#xÈúU!1g#¸÷g#h0&úU!0g#¸÷g#9íúU!÷g#¸÷g#XG.úU!0g#¸÷g# ®gúU10g#Ø÷g#`'fúU0ñAppropriate for Treble C, Bass C, Treble Bb instruments (Fl, Ob, Vln, Cl, Tpt, Bsn, Trb, VC). This 19th century English hymn begins as the traditional manner. Verse two slows down, changes keys, and has melodic and harmonic variations. The mp3 clip showcases both styles. Chords added for guitars, mallet percussion. Set of Parts (extra solo instrument parts available separately). Part of the “Hymns of Comfort†collection. 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    Purpose

    A specific event > Baptism A specific event > Bar / Bat Mitzvah A specific event > Birthdays A specific event > Christmas A specific event > Christmas (sacred) A specific event > Easter A specific event > Funerals A specific event > Harvest festivals A specific event > National days A specific event > Weddings Film / TV soundtracks General performance Learning or teaching how to play an instrument Learning or teaching music theory National anthems Theatre Work in progress for review / critique Worship
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He served in a German army band under a resentful bandmaster whose meager talent he eclipsed. When he proffered his new march, “Old Comrades,†to his bandmaster in 1889, he was told to “throw the score in the oven, we have marches enough.†Having already met his service obligation, Teike thus proffered his resignation and was promptly accepted into the police academy. I have transposed the entire score down a minor second to C major/F major concert, both for timbre and facility. As usual I have also edited the dynamics, articulations, and scoring. 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!usg#¦cúU!÷g#¸÷g#1÷g#Ø÷g#0!0g#Ðs:úU !DigigrooveúU!P.O.Box 213#1÷g#Ø÷g#0QÈžúU!N.A.8øg#h@±úU!www.joelperryguitar.com!÷g#¸÷g#`{úU11g#Ø÷g#0Qpä‰úU!2019-06-06 16:26:16úU!0g#è÷g#€YúU!0000-00-00 00:00:00!161735_‚úU ahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_13711875Kk4Uqy16x.png`!VerificationCodeSentahttps://img.sheetmusic.direct/catalogue/product/hl-00240348-lg.jpg`!÷g#p›ØúU !1.50È÷g# !SoloInstrumentID!Gato Barbieri QPØ‚úU!0000-00-00 00:00:00!÷g#ð!óúU10g#Ø÷g#0!0000-00-00 00:00:001÷g#Ø÷g#8Ü›úU0!HashÀí.úU !Sister ChristianáTúU!41g#¸÷g# !1g# ’·úU13.49Ø÷g#0!0g#PÕ~úU167887Ø÷g#01×~úUùô79250!0g#Pê·úUÀR4úU!0g#¸÷g# !FlorianÈ÷g# Joel Perry is an accomplished musician whose interest in the classic, jazz, and blues guitar has resulted in an original performing and compositional style. In fact, on the critically acclaimed C. D. “Rainbow Skylight†(Digigroove label), Joel plays solo guitar on a variety of compositions, including his own. Joel has performed in every sort of venue, from Carnegie Hall to The Rainbow Room to a U.S. Department of State tour of West Africa with blues artist Johnny Copeland to any number of small clubs on the east coast.For Bookings and information call: 201 997 1127 Joel Perry uses La Bella Guitar Strings. ass="line">!19208¸÷g#ine"> "Jon Paige" "Brad Nix" - Score Exchange úUÿpÄfúU0Ë9úUD ›NúU`ÃúUDPÑ3úU ÝxúUÿ÷:úUpX±úUÿPñlúU]†úUD€súUP˜›úUÿ0ãJúUÐÉSúUD°±úUPç†úUDPŒÿúUPÔ€úUxVúUÿ`VúUP.vúUÿЉôúU1VúUÿ0 kúU¨4„úUÿðÔ[úU0=úUDúU¸ÐúUÿ‘»úU8HoúUÿn-úU07„úUÿ Í€úUð÷©úUDà:VúU}ƒúUDð†úUp¯‹úUDP &úU  úUÿ aúU ÒúU´‹úUDPôúU0'„úUD°FúU°hUúUD@nfúUðnUúUDððjúUð‘äúUD ’úUßNúUD`#ƒúUØóEúUÿ@úUX“›úUÿ€+úU€÷úUÿàúUp„‚úUDPc¹úU@ÁÙúUDЂúUn7úUD@ø%úU ‘AúU`{úUÿ0‡EúU‡ÑúUÿÀƒ¯úU0ŒmúUDP¶wúU`:5úUÿð_!úU8×€úUÀ_µúUÿð2œúU0þaúUD ºKúUøƒúUÿ0бúU`öúUÿpš›úU æúUDÐnõúUèYyúUÿPÿŠúU€üNúUDVRúU@`úUÿ0–•úUðÊVúUD0m6úUàëúUÿàƒúU`ríúUU GúUð„múU ›LúUà‹†úU° úUD°°8úUÐÓúUDÀ ÒúUðVúUD°ÓhúU úUDƒúU¨ ËúUÿÐGíúUXæ–úU @Pã úUðË(úUDàü~úUp¶~úUàÏSúUD0‹:úU@±úUD€ïkúUpRoúUÿ0JZúUؽ†úUÿ°*>úUò…úUDlçúUÐúUÿpÙnúU¨arúUÿá2úU0ÃúU`ÂòúUÿ0_úUÐÕ‹úUD`üAúUð_úUD°æúUàúUDÀ0°úU|úUÿ@ÜúUxHòúUÿ ½túU ~úUDðÝkúUЂúU ¡°úUÿÐwaúUˆ2UúUÿ€”úU aúUDX†úUX|ŸúUÿÀOúUИ€úUD€ÑVúUX<-úUÿ•dúU˜±múUàM:úUèåúUpÒåúUÀ-úUø×åúU”9úUPúUh\öúUðÉúUð;†úU`‚%úU@QúUp·aúUÈ_GúUµNúU¸£úUð½úUÀ]íúUÈCúU€€súUá“úUØî‹úU -6úUȇWúUèRúU0ÃZúUhmkúUà7}úU@u¢úUž úU°¤ÿúUv0úUø›9úU`‘3úU(ó‹úUÐoåúU¸oÝúU¨»úU¨®„úUZúU “†úUÐHüúU0ñÎúU¸ðƒúUˆ0‹úUØúúU€õ‹úUp…úU@eúUð~ÞúUàvŠúU¸îiúU0tLúUpoêúU <†úUhƒ6úUè˜?úUß'úUàŠWúU “WúU`¡2úU± úU؃lúUPƒ6úUxô‹úUˆ¦ úUØ{ŠúUƒsúUXÿmúU úUøu[úU F<úU¸ [úUØ#yúU€mnúUX)RúU0MVúUÀ!0g#8úg#!0g#¸÷g#@fåúU!0g#¸÷g#pHfúU!1g#¸÷g#15513!650x918¸÷g# !0g#¸÷g#!1g#¸÷g#À0ßúU!3.00¸÷g# «DúU!2023-04-15 04:42:2776!2023-04-15 04:42:31!332503¸÷g#!455311¸÷g#0²úU!0000-00-00 00:00:00úU!0000-00-00 00:00:0057QðÀZúU1°ÑWúU˜ç€úU^d°è520561!158361¸÷g#ø#QúU1Standby on Saturday - leadsheet.sib!1g#øg#eexchang!0g#è÷g#-de-nava1÷g#Ø÷g#esLibRefhmúU0!0g#€ÍyúU ÈAâúU ø¸úUHHúU¸Ë†úU0ËúUx¸ÁúU¨¯úUà‚›úU¸átúUà–²úUZ]úU éwúU0¾¯úUÈ{îúU(ƒ[úU¸ŽHúUÈ$aúUÐ]ÃúU˜ºúU AúUˆÂúUPpÿúU© úUhŸúU@x”úUøsŠúU8ÊuúU¸˜úUx»ÁúU@(VúUàž‹úUHïxúUH÷BúU M‡úU¸:úUȪºúUà”“úU˜½aúUHAúU ÄuúUˆ§DúU¨ÑOúUØq úU×9úU`99úU¸V—úUxÖÏúUÂúUÐzjúUø¸ÝúU( ÿúUÈÞ)úUPS‚úUàº]úU§zúU¨–¾úU SúU¯°úUˆÁAúUØ`úU8þúUš¾úUHÂúUTúUèU]úUôZúUFúUÈJ'úUð?zúU˜ƒÓúU`ŠúUøúúU(òúUxÁÁúUÈ¡úUêÁúU 1zúU€Ž›úUØÛúU EúUÈVvúUø´túUHZ>úU°ðúUx]µúU "IúUˆ±?úU:xúUðêúUXƒúU(ûúUpjúUˆÀÁúUHöxúU¨U)úUÐ&úUÀv±úU¸ÂúUxúUÅÁúUp›úU(ÂúUXáDúUù0úU€'úUqpúUxfúUè™;úU ZúU˜˜úU0vüúU¸ úU8¨IúU0±@úUZ]úUp]AúU¸ö„úUx –úU¨4„úUèÜúUðnúU˜hÝúUHúUÀfNúUÇÁúU¨ÑWúUõzúUÈEúUðº[úUèU]úU úU8¸ÃúU3úUˆråúUÂ]úU°íéúU1†úUØUEúUˆšSúUÀÅ°úU8ì‡úUÀ³>úUÀ—GúU8RúU0wEúU(Ý»úU(ŸzúU ðDúUÈ–;úU÷ZúUhã‰úUøËtúUÀ²úUHR]úUØWúU¸V]úU`¯úUè¥gúUVdúU˜6”úUHŽÑúU0¸túUQ°°gúU¶FúUàæúUÈø€úUv[ )482192qÀ`—úUüGúU 0°üGúUù€úUjm$433958!P”‰úUàüGúUÀ0`¡dúUhù€úU½Ô4:426821!àdúUP,³úU0@n•úU¸ù€úUÇ+hd426894Á`‹LúUPÂjúU 0ðF÷úUú€úU‚À«&426986q SúUÀ`yúU 00ayúUXú€úUqØÐl406733!°±ŽúU`ayúU0°4óúU¨ú€úUD”Ï406705q྆úUb—úU 0€ŸúUøú€úUw¶Ê530056! …»úU°ŸúU 0`l!úUHû€úU_‚¼482190A@|púU°þúU€:úU˜û€úU*¡7452384qPôlúUÀ˜ÐúU 0pHúUèû€úUäÜQ452383!PÉ+úUðS™úUÀ0v7úU8ü€úUÿ‚iã452375Qàq¸úU ÑTúU`‘ÐúUˆü€úU /å452364a€Ü6úUÐ÷túU 0ÏtúUØü€úUuVS497491! 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An mp3 file is available to listen to. yíúU!1.00¸÷g#8AóúU!0g#¸÷g#ðé0úU!0g#¸÷g#0ÄNúU!0g#¸÷g#ðö–úU!÷g#¸÷g#<—úU!÷g#¸÷g#¸.dúU!0g#¸÷g# Ò$úU!÷g#¸÷g#€ `úUAcopyright this transcription: David C. Wheatley 2015!÷g#¸÷g#˜ù"úU!0g#(øg#˜ù"úU!0g#¸÷g#˜ù"úU!0g#è÷g#˜ù"úU!÷g#¸÷g# !0g#¸øg#RaúU!0g#¸÷g#0ðúU!1g#¸÷g#À0ÛúU!0g#¸÷g#hÏúU!0.0000¸÷g#¨8`úU!2018-01-18 12:12:39úU!2023-10-28 11:15:34úU10000-00-00 00:00:00úU0QThis divertimento was originally scored for 3 bassett horns. These have largely fallen out of use, but the music when transposed to Bb is also good for a wind trio of flute, Bb clarinet and bassoon. A small number of passages in the flute part have been transposed up an octave from the original. To my finely tuned ear the music sounds even better in this combination than the original scoring. Why not listen to the mp3 file and judge for yourself - enjoy! Many more of my compositions and transcriptions may be seen and heard at www.scoreexchange.com/profiles/dwheatley215725!6.00¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#Acopyright this transcription: David C. Wheatley 20172!÷g#¸÷g#!ùg#¸ùg#RaúU!0.00¸÷g#Á["72841","165843","137705","166325","188291","113311","184786","139736","123073","60473","142458","167333","59694","76013","180925","74548","186437","96053","156664","62501"]Ø 4úU!2020-08-30 14:46:12úU!1g#¸÷g#0ðúU!2019-09-25 13:49:17úU1E2913526-DF92-11E9-9A5B-78!561635¸÷g#Øe úU!0g#¸÷g#  úU!0g#è÷g#€éƒúU!0g#¸÷g# qMozart divertimento K439b no 1 for flute clarinet and bassoon transcribed by David WheatleyU !0g#¸÷g#!0g#¸÷g#!11g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#ÁMozart - divertimento K439b no 1 for flute clarinet and bassoon transcribed by David Wheatley W.A. Mozart This divertimento was originally scored for 3 bassett horns. These have largely fallen out of use, but the music when transposed to Bb is also good for a wind trio of flute, Bb clarinet and bassoon. A small number of passages in the flute part have been transposed up an octave from the original. To my finely tuned ear the music sounds even better in this combination than the original scoring. Why not listen to the mp3 file and judge for yourself - enjoy! Many more of my compositions and transcriptions may be seen and heard at www.scoreexchange.com/profiles/dwheatleyÀ†ìúU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2017-10-31 09:06:46±{ "width" : 300, "position-y-pc" : "0", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 168, "position-x-combined" : "left", "position-x" : "left", "position-y" : "top", "position-y-combined" : "top", "average-center-x" : 0, "average-center-y" : 0, "id" : "DF632724-BE1A-11E7-8AE3-CD8CC1A88C96", "position-x-pc" : "0" } U!0g#¸÷g#À4úU!1920¸÷g# ¼<úU!1080¸÷g#378984!0g#ˆøg#3RúU!0g#¸÷g#@!16.00¸÷g#!13.00¸÷g#P‡úU!16.00¸÷g#`’úU!13.00è÷g#460296!0g#¸÷g# `Ñ€úUªXÏTúUÿ ±_úU`¤åúUD ÐZúUP@úUD Ý—úU`Ê”úUÿ0Û[úUácúUD0ruúU­2úUD€†ÆúUà1júUD€åCúU°º¸úUD @úU(EúUÿ*úUPªIúUDJVúU@FnúUDàåCúU@EúUÿpÐúU€FGúUD åLúU@ÚÉúUD`2£úUðpPúUDÐShúU`ã0úUÿ@ÝiúUPî„úUDðÚHúU<ÛúUDù~úUP"[úUD0&±úUhÊÚúUÿðJúUÐûSúUÿ°/7úUà%FúUD(úUàPcúU¸DúUÿ^úUðc”úUD`ŠuúUPŠ½úUDŒŸúUðkUúUD fxúU@¹júUD`xúUÑ”úUD0’LúUðwzúUDàšNúU /4úUD°çjúU »YúUDüúUàý6úUÿОèúU7úU»±úUø©½úUÿ®6úUÀ5IúUDPÿúUh múUÿ ¿gúUØ̓úUÿfhúUaiúUDÐähúU0åÕúUDÐ ÖúUPŒyúUDðyUúUÀ×üúUD0ßúU¨nµúUÿà€cúUÀ™|úUÿ æúUêÁúUÐr„úUDpÌ*úUp:éúUÿóNúU0§lúUD@!úU¨\ÎúUÿÀ`úU0©súUÿ@/xúUˆÿÊúUÿ úU`²úUÒqúUD»úU €yúUD€«ËúU€üwúUD€¬úU¢núU åÕúUD° ÖúUp}múU  pôƒúU@¡¹úUD K§úU€#AúUÿ0‡ŠúUÐÂ*úUDp6úU€Ý™úU  °ìÍúU˜¼åúUÿ0óÑúU@Z0úUD@nYúUÝ8úUD03VúU(FúUjUúUD0O_úUp¸CúUÿ€\EúUð\‡úU2ðÖbúU p!eúUø ËúUÿÐ`úUàŒúUD@<,úU€ÆiúUDÐwpúU¨ÐTúUÿàoBúUÀQ|úUÿð:UúUþYúUDÀØÀúUÐxmúU  P çúU ;úU„dúUhœEúUÿ0‰†úUÈ©½úUÿ0ÇFúU­KúUÿà9LúU€24úUD0îúU`£ÍúUvÐ@#úU0ÕøúUDàúU ²UúUD@æÔúUäúUDÀÂWúU0_úUD#JúU044úUDM,úUP úUD°ÐŸúU0Ê@úUD ,úU`‰úUÿ «°úUà¼úUÿ CúUÀÐÜúUÿ0œ!úU=úUÿP1yúU „úUDPñúU°?úUÿÀIúU3UúUÿp6yúU°ã%úUDÀºsúUðP@úUD@öxúU d_úUDPåhúUðŒ²úUÿÐl-úU€úUDàÔ*úUå–úU €€ù¦úU˜ë‚úUÿÐ+çúUàYBúUDðŒúU ÌÍúUDÀ2aúU`UeúUÿð|JúUPtmúUD`ÃIúU;úUD @›úU€p@úUÿ -úUpõ úUD€lKúUp±2úUDà¤úU |úUÿÀþ:úUà#‹úUmúUDÃCúUðЃúUÿà$úUø8uúUÿžúU°âjúUDà´[úUHgÐúUÿÐI‚úUÙwúUÿ «œúUˆ1ÑúUÿ0ÈFúUPü?úUDPÅ3úUfúUDemúUЛ€úUD š7úUÅ}úUÿ B‡úU`ÝúUDPA—úUà„ÐúUD0PÃúU@QDúUD0¨ŸúU(¿±úUÿ@< úUøKoúUÿ`ÉÏúU@RlúUD aúUpÝNúUD &oúUh¤‰úUÿ05xúU a•úUD°:vúUÊ@úUDP†gúUТ7úUD€ÇaúUØ úUD€JwúU°&múUDÐ+£úU°§_úUDP·IúUˆÇ?úUÿÐó5úU¤7úUDpÍ3úUpÌÎúUD²WúUȱiúUÿ@µIúUhÇUúUÿ0 ¸úUX+FúUÿàÜTúU°¤@úUDÀ©·úUP'¡úUÿ°Ö2úU ?RúUDp@iúU0ÆúUDÂsúU-4úUð ‹úUÿ™FúUF©úUDðBúUÐò–úUÿ0°*úUPL]úU€=núUÿ`ä9úUPšxúUDÐî7úUÑúUDÞ5úU€BYúUÿ @EúU@:IúUD ruúU YûúUDзeúU0ÒFúUD`0HúUÐçYúUDà›uúURÌúUD0!úU07úUÿ`ëwúUÐy„úUDpGXúU˜±CúUÿ@«úUPúUDÝ úUOúUDÁúUØñ“úUÿÐçúU!0g#˜øg#è)ÊúU!0g#¸÷g#°áúúU!1g#¸÷g#˜ù"úU!96019¸÷g#€1Bob Dylan, The Byrds, Bob Dylan!4.75è÷g#!2020-08-25 07:54:031Bonny Mary Of Argyle SATBúU0!ÀQ.úU¸ßúúU1NAMEDGRURIONID0!0g#ÐãëúU8Q!úU!÷g#¸÷g#` ƒúU!0g#¸÷g#¸L!úU10g#Ø÷g#ˆãíúU0Q(}áúU!0g#è÷g#8Q!úU!2g#¸÷g# 1instrument.wind.flute.altoúU0Q0[úUð³™úUtêúU1Bob Dylan, The Byrds, Bob Dylan0!2g#àšýúU A very worthwhile companion to the Beethoven serenade for flute violin and viola. All the K439b divertimenti are now available. For a fun piece for the same trio why not try my 'with apologies to a certain drunken sailor' which has already sold many copies.!0.00àGúU !PhotoUpdatedU q52 Intraden, Passacaglien, Präludien, Fantasien und Fugen für Orgel und Trompete in Cÿÿÿ!DefaultLicenseRecording!2g#èùg# !2g#¸÷g#!60.45¸÷g#´_úU!÷g#¸÷g# yîúU!÷g#¸÷g#ð”;úU!÷g#¸÷g#405266!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00úU!0g#¸÷g#­úU!1g#¸÷g#405237!0g#¸÷g# !68g#¸÷g#!41g#¸÷g#pbšúU!2018-12-02 16:18:49úU!{"faces":{}}230352!0g#è÷g# !2019-06-06 16:24:53¨‚¼úUXÒúUQæúUè†úU"úU€FyúUxFaúU¸MúUÀÁúUÀ/VúUðþçúU˜ð‡úU‹PúUpJEúUèÅfúUh%ÊúUÈ,†úUȆ‹úUHíFúU€{_úU¨ºÁúU°÷húUh}TúUˆÝUúU˜öúU¨ôúU`è*úU˜é‚úUȸúU Û0úUˆ¹TúU()IúU™`úUH3kúU@M…úUÃÁúU³TúU*UúUhúúúUì°úUýÁúU¸]‚úUˆÀÁúUàD$úU¸Š€úUØ·~úUhONúUÈ:æúUø úUpíuúUÈÞ)úUhÈ”úU˜HaúUˆyyúUÀ^àúUhø9úUàuEúUØ­VúUX°°úUX»•úUè©èúUhõ{úUÈÎ}úUÀÁúUø\‚úU¨‚¼úUÐ&IúU¯™úUOóúU¨E³úU¸›ÐúU8˜zúU @(úUøw6úU`ã0úUØÛ.úUØø†úUèEVúU€K½úU˜7¬úUÈ)úUøaZúU¨ÂúU¨5”úU@4úUˆû9úUðæ)úUH§¸úUÀ •úUˆÀÁúUXbúU¸thúUÈʱúUH°>úUýÁúUPjúUHL]úU¨BúUèU]úUø²úUˆ¿ÁúU@PúU8Ô.úU†úU˜ñÀúUpøXúU8Ô.úUx÷úU r+úUÈÓGúUx´oúU FúU86(úUHƒúUx¼túU9úUØDÂúU°¹ŠúU˜{_úUCúU=úUÈ2!úUè*úU`µmúUH&úUÈ‹úUÈ*MúU¸HeúU CúUÑ<úUHüoúU¹úUÈUúUèEúU8æ“úUxÚIúU¨ë±úUæ¹úUÈk¸úUèiúUg¸úU¨ìnúUX:†úUÈËuúUø¾úUhücúU¸%4úUˆ¯íúUXå@úUø×úU€×ÿúU˜`úUX…HúU€¢húUP‡úUÈBúUˆ+VúUp :úUÈÓGúUPúU0q‚úUˆ­úU¸³±úU(¹ÁúU8Å—úUýÁúUPš8úUèU]úUuúU(ë6úUØæyúUÐÚ úU¨æWúUhúúúUø7 úUHŒ9úU˜W;úU8.0úU ¸NúUH&úUˆÑyúUÈÆúU¸«^úUHàúUp©èúU¸©]úU ³úUh}TúU¸S[úUœ+úUX¼OúUÀ;”úU8Ô.úUض‚úU@núUÂúU(oØúU˜¶ÁúUàwúU #úUÈq7úU \ úUØÃuúUÈ!þúUðžúUx¸TúUˆ!³úU86(úUPQXúUðCôúUlòúU¢GúU˜ýúUX‚~úUxäÒúUØo6úUø‘wúUØæúUèÃÁúU€-PúUppIúUX±úU0­ÆúU ·úUH,•úU° ~úUˆ¹TúUðAúUà `úU˜ HúUèÒTúUfDúUxv7úU Œ5úUHü³úUȆ‹úUX2?úU˜HaúU`OöúUhH™úUhlRúU°‹JúUXdúU€1vúU˜øDúUX„gúUxÜÑúU@¸ÙúUø–úU¨ä~úUÍœúU¯~úU GìúU¾úUx‡–úUpÝUúUH…úU86(úUÐòZúU LúUyúUÈ'ßúU ™¯úUh¸uúU˜ úU@Í?úUˆQæúUH¦~úUø7zúUˆsïúUp„9úUHÂúUoZúU¸$0úUh&³úU ËúUðj¢úUxºIúUàÛ²úU@ÜWúUèÃÁúU€ÇúU tñúUxY'úU¸‰wúU8 ÛúUxVúU(ÊaúUá˜Ø0aúU8aúUaúU aúUaúUø`úUýK  @!ýxaúU€aúUXaúUhaúUHaúU@aúU  Â?ÀaúUØaúU aúU°aúUaúUˆaúU  €?(búU0búUbúUbúUøaúUðaúU`   @!þpbúUxbúUPbúU`búU@búU8búU   À?¸búUÈbúU˜búU¨búUˆbúU€búU ? cúUcúUðbúUcúUàbúUØbúU ? XcúUhcúU8cúUHcúU(cúU cúUl$ !þ°cúUÀcúUcúU cúU€cúUxcúU  €?dúU dúUècúUøcúUØcúUÐcúU ? pdúUˆdúUPdúU`dúU@dúU8dúU ? defeditScoreExchangeidSMDImageseight=SMDImagessrc="/Urles/cUrllogodefg" aScoreExchangegoSMDImagesd-logoSMDImageshiddenID lazyIDitle=def canScoreExchangeicSMDImagesxchangSMDImagesg yourNominatedScoreIDcard orNominatedScoreIDaccountdefdiv ScoreExchangeicSMDImagesner"> SMDImagesttps:/HashfacHash.codeforeEScoreExchange="SMDImagesocial-SMDImagese="FinSameAs SameAsedefFaceScoreExchangeglSMDImages" targSMDImages" rel=UrlFailednoopenUrlFailedole="idefclasScoreExchangeusSMDImagesef="#fSMDImages/use> SCRIPTFORSEORSMDSCORES ol-md-8">

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    Limit by date added to Score Exchange

    Limit results to scores added to Score Exchange and
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Have fun! Links: [[ https://www.youtube.com/watch?v=K5x_xXJqJYk | Performed by Jorge Sotres (Spain) ]] If you’ve made a recording (sound or video file) during a rehearsal or a concert or even a music production of one of my compositions, I would be glad if you could send me all the realeted material (mp3, mp4) for my archives. I´m also interested in concert programms (PDF). Thank you! Please take also a look on my website at [[https://www.scoreexchange.com/profiles/jptraun | Scoreexchange ]] , [[ https://www.scoreexchange.com/profiles/221528 | traunmusik on Scoreexchange ]] and my publishing company [[ https://www.traunmusik.at | traunmusik ]]. Please take also a look on the website of my daughter Marion Traun at [[ https://www.scoreexchange.com/profiles/179338 | Scoreexchange ]] , [[ https://www.youtube.com/user/mariontraun | Youtube ]] and her [[ www.mariontraun.at | Homepage ]]. -- Falls Sie einen Ton- oder Videomitschnitt während einer Probe, einem Konzert oder vielleicht sogar eine Musikproduktion von einer oder mehrer meiner Kompositionen gemacht haben, ersuche ich um Zusendung des Ton- oder Videomaterials (mp3, mp4) für mein Archiv. Ich bin auch an Konzertprogrammen Ihrer Aufführungen im PDF-Format interessiert. Danke! Auf diesen Webseiten finden Sie weitere Veröffentlichungen von [[ https://www.scoreexchange.com/profiles/jptraun | Josef Peter Traun ]] , [[ https://www.scoreexchange.com/profiles/221528 | traunmusik auf Scoreexchange ]] und mein Musikverlag [[https://www.traunmusik.at | traunmusik]]. Und hier noch Links zu den Kompositionen meiner Tochter Marion Traun [[ https://www.scoreexchange.com/profiles/179338 | Scoreexchange ]] , [[ https://www.youtube.com/user/mariontraun | Youtube ]] und ihre [[ www.mariontraun.at | Homepage ]]. 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    The Story For Flute And Clarinet

    FORMATTEDSUBT
    By: Marek Kucera
    For: Duet
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    The Story For Flute And Clarinet