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U/U#U`%UPp UGu UpUpUUXU #U/U0#U/U/U/U*U`U8Uh#dg# score, as customers are more likely to purchase your work if they can hear it first (optional).\n
Note: Most music notation software has a facility to export audio files. Recordings of real musicians are great, but computer generated audio is also good.
\n
Read more about uploading MP3 files.
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Ycdef ScoreExchangeUsersUsersSellerDiscountOverrideSellerDiscountOverride ? Iddef ScoreExchangeUsersUsersEmailConfirmedEmailConfirmed ?Medef ScoreExchangeUsersUsersNeedsNewPasswordNeedsNewPassword ??fdef ScoreExchangeUsersUsers CreatedIP CreatedIP !-Ugdef ScoreExchangeUsersUsersEmailConfirmRequiredEmailConfirmRequired ?]hdef ScoreExchangeUsersUsersEmailConfirmRequiredDateEmailConfirmRequiredDate ? ij1650x474310.002023-03-18 17:37:082023-03-18 17:37:19102486716144910000-00-00 00:00:000000-00-00 00:00:00mto take charge of St Columba Celtic Male Voice Choir. Also in 2001 I was appointed Director of Music to Wadebridge Choral Society. In August 2010, I decided to retire from choral conducting so that I could spend more time with my wife and family. However, in January 2011 I was asked if I would conduct a group known as "The Seriously AwEful Sinfonia" from north Cornwall. This group is made up of people from all walks of life who, having chosen to learn to play an instrument, wanted to form themselves into an orchestra. There is no audition and the only restriction on membership is that potential members cannot play an instrument they have played before. The group has been so successful that it now has over 45 members. The instrumentation is typically that of a symphony orchestra but in addition we have a "Bowed Psaltery" and 3 people playing "Squeezeboxes". This has meant that I have had to arrange pieces for them to play which has been very rewarding and most enjoyable. It has all been very interesting and exciting. Since my retirement from teaching, I have also been able to concentrate on composing and arranging for choirs as well as improving my IT skills. I have recorded and produced CD's for many choirs in the south west. Also, I produce "voice learning CD's" for choral societies and choirs. In some cases the work on voice CD's has resulted in my transcribing and producing printed scores especially where the original was a hand-written score. In 2014 my wife and I moved to Worthing. I soon became involved in the musical life of this town. In 2015 I formed a group called "Inspired Instrumentalists" under the auspices of the local U3A. We are a very varied selection of instrumentalists. There is no music arranged for this type of ensemble and has meant that I have had to put on my "arranging" cap again. We started with 6 members and have now grown to 36. To date (Oct 2018) we have given many concerts which have been very successful. Our biggest achievement is raising over £1000 for the church of St Botolph Worthing to help with repairs to the spire and main roof. I am now in charge of the choir at St Botolph's Church and sing Counter-tenor for them whenever possible.The choir has a very high standard and is equal to that of a cathedral. We have sung services in Portsmouth Cathedral and have spent the 2017 August Bank-holiday week-end singing in Worcester Cathedral. I am a keen golfer and have joined Barn Hill Golf Club.1507260100101626910000000-00-00 00:00:00100[{"on":1,"name":"scoreid"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"}]225.180000-00-00 00:00:000000-00-00 00:00:0001041402017-06-14 18:56:30{"width":300,"position-y-pc":"42","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":29,"width":99,"x":87,"center-y":78.5,"height":99,"center-x":136.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":26,"width":104,"x":85,"center-y":78,"height":104,"center-x":137}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":26,"width":108,"x":81,"center-y":80,"height":108,"center-x":135}]},"height":187,"position-x-combined":"45%","position-x":"center","position-y":"center","position-y-combined":"42%","average-center-x":136.166666666667,"average-center-y":78.8333333333333,"id":"CCE999D2-512A-11E7-816E-F2F3F011AE1A","position-x-pc":"45"}32019-06-06 16:24:3900000-00-00 00:00:004008200.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00540000-00-00 00:00:00001001$3329D716-886F-11E9-92BA-F3D41D17C629000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00kerformed. Under USSR-imposed state atheism, many church institutions were systematically destroyed. Chesnokov served as choirmaster at the Cathedral of Christ the Savior in Moscow, Czar Nicholas’ great memorial to Russia’s having survived attack from Napolean. In 1931, when Stalin demolished the Cathedral to reclaim tons of gold in the edifice and make room for a memorial to Lenin, Chesnokov was so deeply disturbed that he stopped writing music altogether. Chesnokov died in 1944. //Most source information from Wikipedia.0051382017-03-31 16:02:30{"width":197,"position-y-pc":"38","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":76,"width":74,"x":63,"center-y":113,"height":74,"center-x":100}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":76,"width":72,"x":64,"center-y":112,"height":72,"center-x":100}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":76,"width":73,"x":65,"center-y":112.5,"height":73,"center-x":101.5}]},"height":300,"position-x-combined":"51%","position-x":"center","position-y":"top","position-y-combined":"38%","average-center-x":100.5,"average-center-y":112.5,"id":"163D9DBA-1623-11E7-8BD4-D06B147007CB","position-x-pc":"51"}32884372017-06-09 17:10:170000-00-00 00:00:00194173000.004.950.0000.00["139342","38358","198997","123514","74570","22905","57747","146829","21926","141529","166764","123742","108869","78355","75785","93146","123516","180210","123515","154728"]2020-09-14 11:37:3712019-09-25 13:22:161C7D2B72-DF8F-11E9-BF25-78193830001650x840005.002023-03-04 04:13:072023-03-04 04:13:133638516171350000-00-00 00:00:000000-00-00 00:00:00me who changed the word ‘valley’ to ‘river’, what was significant about going to a river? And, for those who wanna go into the river to pray (and not just to the river), is that an implied message about baptism? Whatever the message, the composer was thinking of family, as mothers, fathers, sisters, and brothers are addressed; I can imagine a slave family clinging to one another in this song’s embrace. And, we’re all sinners, the song’s conclusion reminds us. Isn’t it interesting that a song from some slaves still resonates in our culture 150 years later? 00000000-00-00 00:00:000002017-06-09 17:10:170000-00-00 00:00:00534433000.006.004.5000.00["96029","161690","131354","188132","128890","196754","97625","186827","142883","102660","132699","163194","128045","118333","361660","146170","90537","399706","187194"]2020-09-25 06:45:0510000-00-00 00:00:0000001650x919013.002023-04-16 04:18:472023-04-16 04:19:14369110152129250000-00-00 00:00:000000-00-00 00:00:00mdUW()) ?ues WHERE Name ='home_popular_categories'1Brazil0000-00-00 00:00:002021-03-30 21:46:12198618229.700000001040741910000000-00-00 00:00:0000011332.630000-00-00 00:00:000000-00-00 00:00:00000000000-00-00 00:00:00000000-00-00 00:00:0000000-00-00 00:00:00411100110.000000-00-00 00:00:0000Account0000-00-00 00:00:002024-03-19 08:06:400000-00-00 00:00:002023-11-11 20:18:10500000-00-00 00:00:00110001000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00ermediate Musicians. Enjoy!00000000-00-00 00:00:000002021-05-04 22:39:330000-00-00 00:00:00495330000.005.990.0000.000000-00-00 00:00:0000000-00-00 00:00:0000001650x919005.002023-03-17 00:28:292023-03-17 00:28:291089981022400000-00-00 00:00:000000-00-00 00:00:00"125692","60111","45482","44866","58810","29196","78556","32782","8376","60028","29354","49195","61394","58869","47086"]2020-09-23 21:07:2800000-00-00 00:00:00021029701650x919013.002023-05-05 09:03:572023-05-05 09:04:045651994862770000-00-00 00:00:000000-00-00 00:00:00002023-05-03 17:10:452023-05-03 17:11:13170097614743750000-00-00 00:00:000000-00-00 00:00:0009 18:40:33661734000.003.000.0000.00["42812","7035","30453","5087","89155","199005","67172","96273","58131","27461","77359","9569","51405","83904","368847","103808","27358","11236","166045","138929"]2020-09-12 21:11:2800000-00-00 00:00:00021029701650x919013.002023-05-05 09:03:412023-05-05 09:03:464619823681200000-00-00 00:00:000000-00-00 00:00:008","12231","1482"]2020-09-01 17:49:4100000-00-00 00:00:00021029701650x919110.002023-05-09 00:48:382023-05-09 00:48:476989405546530000-00-00 00:00:000000-00-00 00:00:00040","1424","1286","1969","742","1443","1095","1418","1025","1024","1813","2047","1102","535","1101","2043","1931","1633","1099","1659"]2020-09-12 23:43:0900000-00-00 00:00:00021029701650x919110.002023-05-10 05:00:362023-05-10 05:00:497569136455250000-00-00 00:00:000000-00-00 00:00:0052813501200000-00-00 00:00:000000-00-00 00:00:00ee and what you hear;\\ Memories to your thoughts will sing,\\ Again and again each new year. Love is weak and love is strong,\\ Moves your ways to near and afar;\\ Sometimes you hear it in a love song,\\ Where you belong and who you are. There's a world to be born again,\\ With feelings you kept inside of you;\\ Never let this love walk in vain,\\ If it comes honest and always true. There's a Reason for Everything,\\ What you see and what you hear;\\ Passion will eternally be like spring,\\ Again and again always near. Remember your feelings deep inside,\\ When the evening comes closer;\\ What you gave and lost you can not hide,\\ 'Cause every soul's an exposer.\\ In the book '[[http://www.amazon.com/exec/obidos/ASIN/0793518326/qid%3D1030769180/sr%3D11-1/ref%3Dsr%5F11%5F1/103-8717836-8082203|The Beatles Complete Scores]]' which is fast becoming the de facto standard, \\ especially in popular writing, the leading voice line is always at the top staff and the drum \\ part always at the bottom, everything else is in between. For example the song 'Yesterday'\\ goes like this, from top to bottom: Vocal/Guitar/Others/Bass/Drums, in most recent scores \\ I try to follow these standard procedures. I try to have the instrument names '[[http://www.midi.org/about-midi/gm/gm1sound.htm|General MIDI sound set]]' and drums follow the '[[http://www.mmedia.is/~quinton/GM-Drums.gif|General MIDI percussion map]]' Yours truly, (click on my name) [[http://artists.mp3s.com/artists/275/peter_s_quinn.html|Peter S. 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Would you like to accept them? ng! !UP2!U`1!Uon class="btn btn-primary" data-cookie-prefs-allow-all="true">AcceptRejectMore options... >VoicA`/KUPa U 3!Ug#'l="stylesheet" type="text/css" href="https://fonts.googleapis.com/css?family=Fira+Sans+Condensed:400"> tabinde.$UpU 3!Ug#`#$U A"U src="/js/000000000999999999/no_module.js"> SEARCH-RESULTS-PAGE-TITLE +UD$U9+UD$UP9+UDHU+UD@$U*U+U>+UD0HUp+UDgVU+UDxHU+UD}HU+UD0hVU3+UP+U0+UD VU+UDp$U,UDVUp!U!UD7Up"3UD@)U0Z!UU/(UDHU@'UD7U0&(UDPVUdefScor UX WXVX '(9@ +0p.8U 48eh+0WX$(h!U(UU9UU9UUUUxU9U@U"UpʋUUUUUJU8U0UPUHUU`UUUhUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"UqA complex and interesting quartet of interwoven parts. For Piccolo, Flute 1, Flute 2, Alto Flute.xchang!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!g#g#yU!939522g#!0g#g#U!0g#g#!0.00g#xU!11.00g#ȡU!6.00g#yU!0g#g#U!g#g#pU!0.00g#8U!g#g#U!0000-00-00 00:00:00U!1g#g#!2022-10-28 09:28:51U18C99C3EA-569A-11ED-B0E4-4F25F5556F5DU!216699g# !0.0000g#@n!U!2022-10-28 09:27:40ASticks Piccolo Flute 1 Flute 2 Alto FluteoresNeverCro!0g#g#!0g#g#!5g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Sticks - Piccolo, Flute 1, Flute 2, Alto Flute Phillip Rawle A complex and interesting quartet of interwoven parts. For Piccolo, Flute 1, Flute 2, Alto Flute.!0g#g#!1g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!794#g#!1123g#0UХUUHUUUUȤUUU8UUUpUUUUUHyUUU(U8UHUUUUUUUUxUHUUUUPUUyUU0UUUUxyUأU`UxU@UPUUhUyUHU0UU8zU`yUpU@UUؠU8UzUUUU UUXU`UUТUU0yUUUUXUSKUSKU!0g#g#`u!U!0g#g#!0g#g#!1g#g#!650x917g#!0g#g#!0g#g#!500g#!2023-02-22 21:50:25!2023-02-22 21:57:52!2369606g#!3475227g#!0000-00-00 00:00:00!2023-06-21 13:02:41aIU $U(1UQIUz!UPaH6IU U(1U15U5U5U86U6U6U7UX7U7U8U9U9U(:Up:U:UeUeU8fUfUfUXgU`hUhUhUiUiUpjUjUkUkUkU lUhlUlUlUmUmU`nUnUPoUoUpUpUqUxqUqU rUrUpsUsUtUHtUlUHlUlUhmUmUmUXnUnUnU0oUxoUoUhpUpUpUqUHrUrUsUtUXtUtUuUHuUuUaU 8(U GU!Ug#!AtUg#!g#g# a(U(UGUaIU (UGU!@F#UXF#U!ID:Score::id!((U@(U1I U@DDU&Y#X(U U9U U9U UUUغ U9U U"UpʋU U Ux U` UJUH U0 U U U Uй U U U UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"UIDImage1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!ID:Score::ID!329#ACU a4U (UGUa U U(1U! U U Uu U9Uu U9Uu Uh UP Uu U9Uu U"UpʋUhu UPu U8u UUJUUм U U U Up UX U@ U( UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"UeExchang1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!8pUg#!py Uy Ua  U (1UQ!UASE::User::OBJECT_CACHE_TIMER!iUg#qEthy U(U9U(U9U(Uy Ux Uh(U9UP(U"UpʋU8(U (U(U(UJU(U(U(UU`U(UUUUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Urench So1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!!Ug#a@(U(U+&,U!UserIDre::userId!p(U(UA/usr/www/resources/ADAP3/GenericObject2.pm0" >Guadeloup(UP(U9U8(U9U (U(U(U(U9U(U"UpʋU(U(U(U(UJUx(U`(UH(U0(U(U(U(U(U(UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Ue='hn' d1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!USQLrencyID!ADAP3::SQLU a9U (U(1UA(!U{SE::User::OBJECT_CACHEa|HU Ul(1UqPhillip Rawle (born Birmingham, U.K.) Singer, pianist, saxophonist and composer. Trained at the Birmingham School of Music. Founder member of the City of Birmingham Symphony Orchestra Chorus travelling extensively throughout the world with the CBSO and other leading orchestras performing at over 100 different venues. Alto sax player with the Crown Phoenix Big Band. Has written many pieces for students, both choral and instrumental including two Musicals for school children and has over 500 published pieces for all kinds of choral and instrumental ensembles. 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Farrellinn!004g#!012g#!1g#g#A/usr/www/resources/ADAP3/GenericObject2.pmU@1Extrag#ncert repertoire0!1.50g#!0g#g#!0g#g#!0g#g#!LicenseLimitCopies!180869ownend Quinn!0g#g#A/usr/www/resources/ADAP3/GenericObject2.pmnet)@!195545g#!1.50g#!2020-03-17 16:43:06!0g#g#!1g#g#!0077g#!4.00!U !0g#g#!0g#g#!1g#g#!0g#g#!0.0000g#!2020-03-17 16:43:41A/usr/www/resources/ADAP3/GenericObject2.pmnet)@!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#axhU#-gU&,U1Keith & Kristyn Getty & Stuart Townend!0g#g# !0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0.50g#!0g#g#!00g#!00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!g#g#!637679g#!0g#g#!0g#g#!0.00g#!0.00g#!0.00g#!0362g#!g#PK0U !0.00g#!7.00/U !2020-09-12 00:42:29!1g#g#!0000-00-00 00:00:0015D26DBA-A12D-11EA-9399-788383FEA0E1/no!02419g#!00#g#!07#g#!0g#g#!1g#g#!650x4740g#!3g#g#!1g#g#!0.00g#!2023-03-18 17:37:08!2023-03-18 17:37:19!1024867g#!1614491g#!0000-00-00 00:00:00!0000-00-00 00:00:00!587173g#!2022-10-28 09:31:12U10000-00-00 00:00:00U0ASticks - Piccolo, Flute 1, Flute 2, Alto FluteaLayer.pu!44g#g#nsent', !527#g#e': 'INI!3g#g#ION', '!1g#g#TIAL_ANA!2022-10-28 09:25:38); g!2022-10-28 09:31:42proc!0g#8g#U!2g#g#8U!1.50g#yU12022-10-28 09:25:400!sib#g#/html> !454#g#ipt> -->!0g#g#"/Librar!Sticks - Flute.sibi" --!2022-10-28 09:25:38ogle!0g#g#> window!188#g#Layer ||!0g#g#aLayer.p!1g#g#yU!1g#g#8U!0g#g#U!g#g#xU!0g#g#xU!0g#g#U!1g#g#yU10g#g#U0!Phillip Rawle div> *#@誘)RP"onFp. 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EFz^&="7)(ЫDjl=gFBt4HKhƚa" Yǁnk7.1D7 dا4UiI%6Iq0c@Qc[!dqd-Rw˄zTKof^֒ae ; H `g2 a&&ptU3By5 ]`0eu X Ca εFKUb=Zi[GʑdktHuO>z)TM"aaTQce^VY$ћi7ZbAJ=QD.dp YYz$E߫3=<yXiӴ~ *wzVq[ `Xiz^!)eSK$RLRVmuMGSńR3A8U>$x5;c7k rY( m!6|Ĉ~@35gzmi{}y:` ֒-qLHq,40!URXP mn*JTIO)i7 oPC^L^DQ#n9#Vi3`K=aT(wU,jZN*Y6B-3'LT[4 @dVs@-?eW}zKAna<'O&@Œ(9-P뷰BZܽ}:N5nNyJ{[&y nd\2)̇(⬊, \8A5*j 9T%,򻚛=04KMc 6S|3ӔaڒMeı%Y 3T=+V Yp+t ×*`'Ѫ=H 3 5FaZK[aNV6F"d?R(+$ czKY GP"evE # As0ӁpV" "Tu肟MDkw/,52yg&iXqp'R>zD!R%нK*<.MGi~ awGyOQƕp18ixO"ڑ_bI6Vy;&̿eW%}$k9ܚ$DZr2#pW (Qr 鄤oB"xF,MQАh˩5@PX&;#U1Wej=(v -/RgK%0L>1#Ƃȥfk"/u6@F3%]ڙ<$>;NwMY$+BF: .rDEӝ$ݩL%!n[v¢rjc<R*Es9 g-ЕS0Yb\=#Yoj 4h Mih(mOP|h/$sbLbѪۥAGk6Q żdJ]:q},V)۱T,i/|ܱ0t~B纫XnIVgqL=_FO4. <}HEtX^zD\@r]&*ڴq2YGэ(]a;#S:ӞK4阱X6U?%U8"U"Uw.sc?%Unge.com ]Udata-eu="0" >Palqcyrillic!*Ug#ff2" as=!{UUa>U hU,U!]Ug#ek_cyril1PageearchEngine::SearchParams::Pageont1"Ray Charles" "Duane Eddy"U slide-o1"U"U"U"Upreload"aL*UpU UqIU L*U Ua9U M*U(1Ua @L*U(1Ua M*U(1UaIU M*U(1UaH6IU K*U(1UaL*U U<(1U [Fri Apr 19 20:33:28 2024] -e: score unavailable because either the score or seller is deleted, and you are not allowed to print due to a recent purchase (scoreid:153108) at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/ScorePart.pm line 2100. www.scoreexchange.com/htdocs/../perl/lib/SE/Handlers/SearchHandler.pm line 43. 22+%22Rod+Stewart%22+%22Rodgers+%26+Hart%22+%22Benny+Goodman%22+%22Lena+Horne%22+%22Babes+In+Arms+%28Musical%29%22&page=6 at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/SearchEngine.pm line 1311. !g#g#0/?U!375041g#!0g#g#6?U!0g#g#!0.00g#02?U!3.00g#0?U!0.00g#H5?U!0g#g#4?U!g#g#x2?U!0.00g#x/?U["96029","161690","131354","128890","188132","139312","196754","186827","102660","142883","132699","361660","163194","128045","118333","90537","187194","399706","146170"]4?Ug?UDescant to 'Blaenwern' (Love divine, all loves excelling) PIANO VERSION W. P. Rowlands Charles Wesley Christopher Maxim In this version of my descant to ’Blaenwern’, the organ accompaniment has been transcribed for piano. This is one of my most popular arrangements and has been downloaded many times. If you use it, I’d love to know. Please tell my by email. Between the two versions (organ accompaniment/piano accompaniment), this arrangement has been downloaded over 1,200 times!'U!0g#g#!0g#g#!57g#g#!49g#g#!2017-03-31 13:39:331{"width":240,"position-y-pc":"49","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":90,"width":110,"x":82,"center-y":145,"height":110,"center-x":137}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":91,"width":110,"x":82,"center-y":146,"height":110,"center-x":137}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":87,"width":117,"x":79,"center-y":145.5,"height":117,"center-x":137.5}]},"height":300,"position-x-combined":"57%","position-x":"center","position-y":"center","position-y-combined":"49%","average-center-x":137.166666666667,"average-center-y":145.5,"id":"1DE3AC1C-160F-11E7-B698-B6AC2324062B","position-x-pc":"57"}!U@!3g#g#!568#g#!710#g#`/?U>U*?U1?Ug?U@1?Uf?U+?UH/?U*?U86?U0?U3?U+?U.?UP3?U2?UH7U(g?U3?U3?U+?U`h?U5?UP>U5?U(?UMU/?U>Ug?U(4?Uf?U(7?U*?Uh3?U 3?U2?U0/?U4?Uf?U3?U6?Upg?U5?U0?Ux5?U02?U6?U 0?Ux>U0h?UH5?U(+?U4?U4?U0?U@4?Ux2?U2?U/?U2?Ux/?U`5?U83?UXg?U0,?Uh?U(?Ug?Up1?U/?U3?UX7?UX4?U1?U4?U/?U0!2020-09-21 14:41:55!1g#g# !2019-09-25 13:01:481407948BA-DF8C-11E9-B562-78j"U!106142g#:37U!0g#g#j"U!0g#g# !0g#g#@!1g#g#H%U!650x919g# !0g#g#!1g#g#!3.00g#x%U!2023-03-31 04:55:51!2023-03-31 04:55:56!406422g#0%U!480881g#!U!0000-00-00 00:00:00U!0000-00-00 00:00:00U!1g#=^U !UU U!BUg#ate()); q!l"U.modal-bq!ADAP3::Array@qA complex and interesting quartet of interwoven parts. For Piccolo, Flute 1, Flute 2, Alto Flute.!X UPhU UA/usr/www/resources/ADAP3/GenericObject2.pmsSometIds1`KTY#Ba9U N*UX U!local00# +U@A`vUzU 0,|UpzU @PrU gtag(){dataLayer.push(arguments);} ` 0.000047.0529791 wU%xU@+U+U,|UЂrU` +Ug#A+U+U 00'xU+U +Ug#A+U+U~U+UyC  @+Ug#A`+U+U0PvUH+U +Ug#`zUA+U+U rU+U>,e9 +Ug# A +U+UQ363324@ `+Ug# wUAsU+U94094!УwUPwU pwU===============AsUwU================================ +U================A+U wU================================`@&xU class="modal-dialog modal-lg">  )xU wU qg#vUs="refineField " rel="Guitar"> nSummary">8zU0+Us="refineField " rel="Guitar">
Guitars
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Indeed, he dedicated the work "to my friends pictured within", each variation being an affectionate portrayal of one of his circle of close acquaintances. The ninth variation, Nimrod, is here arranged for voices - not the first to do so. It is dedicated to Augustus J. Jaeger, Elgar’s best friend. It is said that this variation, as well as an attempt to capture what Elgar saw as Jaeger’s noble character, depicts a night-time walk the two of them had, during which they discussed the slow movements of Ludwig van Beethoven (the first eight bars represent the beginning of Beethoven’s **Pathetique Sonata**). The name of the variation punningly refers to an Old Testament patriarch described as a mighty hunter, the name Jaeger being German for hunter. The text is the Communion antiphon from the Mass for the Dead. //Lux aeterna luceat eis, Domine, cum sanctis tuis in aeternum, quia pius es. Requiem aeternam dona eis, Domine; et lux perpetua luceat eis. // Trans: //May everlasting light shine upon them, O Lord, with thy saints in eternity, for thou art merciful. Grant them eternal rest, O Lord, and may everlasting light shine upon them.// metax:@U?U?U<@U ;@U?U=@U?U0=@U?U(<@U`=@U:@U?U0?U:@U?Uz8U?U=@U=@U?U?U?U?U<@U?U?U=@Uh?U:@U?U(?U;@UX?U=@U8?UH:@Uh;@U8;@U?U?UP?U?U?U>@U >@UX?U ?U?U?U?U?U?U ?U;@U?Up<@U?U?U>@U@<@UH?UP?U?U>@U?U?U?U=@U8>@U9@U?U?Ux=@U?U`?Uh?U content["96029","131354","128890","188132","139312","196754","97625","186827","102660","142883","132699","163194","361660","128045","90537","399706","118333","187194","146170"]operty="og:ima!2020-09-21 00:46:49eta !1g#g#t" conte!2022-08-09 13:27:51er:c1AEB536C6-17DE-11ED-8733-696C852D92D4e="!62334g#scoreexc!0g#g#ter:crea!0g#g#ange"> !5.00g#ription"!2023-02-13 18:51:29e on!2023-02-13 18:51:42ot;J!1095549g#;Thomas !1365243g#rey Hyma!0000-00-00 00:00:00&quo!0000-00-00 00:00:00r:imQ?UA8,Ub161690on/ld+js@  *0.0op #(DHAH*0)0 np  18?@*0A/usr/www/resources/ADAP3/GenericObject2.pmA/usr/www/resources/ADAP3/GenericObject2.pm@Quitar Tab (Single Guitar)s (Right-Hand Melody)sung extra versesUQSalvation is Created (CHESNOKOV - transliterated Tschesnokoff, Tchesnokov, Tchesnokoff, Chesnokoff) Advent or General anthem for SATB a cappella choir, arr. by Pamela Webb Tubbs Spaseniye Sodelal Pavel Chesnokov Based on Psalm 74:12; alt. by Pamela Webb Tubbs Pamela Webb Tubbs Pavel Grigorievich Chesnokov //(transliterated Tschesnokoff, Tchesnokov, Tchesnokoff, or Chesnokoff)// was a Russian Empire and Soviet composer, choral conductor and teacher. //Salvation is Created// is a communion hymn based on a Kievan syndonal chant melody, with text based on Psalm 74:12 //(For God is my King of old, working salvation in the midst of the earth.)// Although it is not directly related to any Messianic prophecies, the text does remind us that God is the creator of salvation, which is offered to us through the advent, birth, death and resurrection of Jesus Christ. ¶ By the age of 30, Chesnokov had completed nearly four hundred sacred choral works, but his proliferation of church music came to a standstill at the time of the Russian revolution. Communist rulers prohibited musicians and other artists from producing any form of sacred art. //Salvation is Created// was among the very last sacred works composed before Chesnokov was forced to turn to secular arts by the Soviet government. He never heard his composition performed. Under USSR-imposed state atheism, many church institutions were systematically destroyed. Chesnokov served as choirmaster at the Cathedral of Christ the Savior in Moscow, Czar Nicholas’ great memorial to Russia’s having survived attack from Napolean. In 1931, when Stalin demolished the Cathedral to reclaim tons of gold in the edifice and make room for a memorial to Lenin, Chesnokov was so deeply disturbed that he stopped writing music altogether. Chesnokov died in 1944. //Most source information from Wikipedia.!0g#g#!0g#g#!51g#g#!38g#g#!2017-03-31 16:02:30U!2017-06-09 17:10:17U!0000-00-00 00:00:00U!g#g#=U!194173g# .:U2:UH9:U8T9Ug:U9U9UH*:U09Up8:UZ:U.:U00:Up9Ud:U#;U9U9U89U9U4:U6:Ud:U`:U9U9U-:U9U(9UHV9U]:U^:U6:Ub:U0MU^9UX2:U9UV9U9U\:UT9UH3:U_:Uxd:U@9U3:U-:U`a:Upi:U9U`9U9U \:U8:U9UV9Uؖ9U9UP9U9UИ9Up9UW9U@9U`3:U W9U-:U`^:U9U`MU1:Ub' data-!0g#g#@!0g#g#v' data-13156g#>K0!132699l::st Q(J>U!SellingScoreOption!lliwedd1aU1mclarke28@btinternet.com!Mrg#g# !0.0005U !0000-00-00 00:00:00!1g#А:U Q/data/dynamic/seview/scores/3/5/3/3/183353/v20160306161155/183353_0.pdf!0g#QU!0g#g#!5.00g#NU!2023-03-31 10:07:4512023-03-31 10:08:080U+U>U+U,UU+UHA,UXgU.UU+UUT.UxU +UU(+U,UTU+Ux%U8+UUP+U,U^Up*+U`5,UU+UHU@+U7,UUPs+UXQ]U+UU+U,UxFaU+UV]U+U`,UU'UH8,UhU+UU+UؕU+UxU'UU+UXU+U08,UxY'UPo,UHVU62U)U+U`U@+U,UlU(U,Ux]U+UHR]U +U.U0)Ux U+U0,U]UUxA,U]U0UU+U&*UH+U;,UhU+UkU+U)Uh+UU+Ux U+U?,U^Uh+UzU+Up@,UhUrDUgUP+UP?,UU+Ux%U+UB,UxFaU`+U;,UU+Uh}TU[.U.U0+U,UXgU8/U U(UZ]U+UP<,UȆU+UHL]U+U<UO,U<,UTU@+UHU+UX:,UlU)UDUk,UU+UXCU8P,U>U +U <,UU+U(U+UxU+U8.Up(UxoUx+UU(+UGUK,UU+UU+U9,Ux]U+UȵUP+UHU,U,UGU+U`>,U^U+U<,UhU+U.U2UqU+UU+U=,UukUH+U)U+UXY]U+Ux~U+UP9,UU0+UxTU+UxUX(U)U+UMU8U+UUX+U2!U+U0A,UU)U>,UU+UU+UUP_.UhO]U+UU +UU+UU)U+U ,U]UUU]U+UHR]U+UeU+UUx+U`;,UnU+UxU+UH;,Uط~U_.UDU.UUH+UHU.UؕU8+UU`+U8<,UUK,UXU+UHaU8UA,UH3kU +UعU+UU]U8+UxU`+U`Uh+UhUp+UxUH+UEVU0+UU+U;,U86(UP+UUX+UU8+U(UUV]U+UU+U(U3*U0;,UxY'U2U 9,UU@(Ux$Uh+U(@,UU+U(ݻU+UXQ]U+UHVU2U8u6U+UUL,UUi,U>,UH&UP+UHD,UU)UHUM,UX,UU+U,UU)UU8J,U8u6UK,U,UH3kUM,U&*U M,U)UXH,UxTUL,U UI,UXUH,UxU+UUN,UU.Ux,UhUJ,UDU.Ux%UL,UXY]UH,U8.U)UUG,UHUx,U0,UUV,UishedZi!0g#,Uar/170w/!g#g#@!0.00g#ar/85w/2["181134","367014","180885","141685","124864","199509","180869","156375","160822","156377","167901","180865","86397","143209","202207","180857","190625","130551","144861"]width="165" !2020-09-17 21:10:53!1g#g#!2019-09-25 13:35:29AF5249644-DF90-11E9-B6D0-78 &U),U@+UG,Ud-UD;U]-UD;U h-UD;UPL]Ug-UD;U@UD;U@a-Ua-UD;Ue-U@e-UD;Uc-UD`;UPh-UD ;Ua-U@d-UD;U`e-UD@;U^-UD;UP,UDVUg-UD;Ud-UD ;U^-UD;U+UD;Uh-UD0$U!9U  $U`f-UD$Uc-UD$Upg-UD$U`h-UDp$Uh-UD ;Ua-UD;U *UD$Ue-UD;Ug-UD$U0f-UD$Ue-UD@$Uf-UD;UpJ,Ud-UD;U0a-UD ;U*UDIU =Uc-UD$UPd-UD`$U ^-UD ;U0K,U +Uf-UD;U0g-UD P$UxK,UHI,Uf-UD;U^9U23.UDPrIU1UD IUc-UD ;UU+UD`;Ug-UD0$Ug-UD;UPf-UD;U0^-UD@;U^-UD;U@h-UD$Ug-UD;U`,UDVUf-UD;UPe-UD;Ue-UD$U*UDIUh-U+UD$Ud-UD;Uh-UD ;Ue-UD$Uf-UD`;U`_-UD;Uph-UD$Ud-UDо;Ub-U^-UP`-UD@;Ud-UD$U@g-UD;Ue-UD$U0UD@;U@f-UD$UpكUDP<U/UD)(U`/UDUo/UD;UP>0U?0UD0IUB0UD nGrvUg#s="refineField " rel=""> vUg#s="refineField " rel=""> AaUg#="searchForm" action="/search">  @~U@PUUU!rU0QU 0000-00-00 00:00:00!0,U!0QUrU 00U00sSometIds@vUg#@vU@vUllow">Contact 1zU[,UA\,U@^,U@+UPwU0`0[,Uref='/blog/'>Blog 02zUv class="modal-header"> P2Ug#00P[,U class="modal-content"> !7?UrUn-md hidden-lg'>
37131!``],Uref='/sponsors'>Advertise | Help U`wU !wUrUA ],U@^,U,|U0U 0` `],Ug#159598A],U@^,U 0vUh],U ^,Ug#PzUAsU@^,UVU],Us``rUclass="col-xs-4 col-sm-12 margin-top-sm" id='footer-icons'> 7qtUZ,UrUlp/faqs-AsUrUe-credits/' aria-label="Score Ex` @_,U width="492" heiA`_,U`tUes/card_logos.svg" alt="Payment @rU class='social-icons-container'> +U@ rUg# vU zUtps://twArU`tU class='img-link social-icon' ti` prU(g#@ rU'cookie-banner' class='hidden'>  00Ug#`!0zU59.574654,U!0g#p`UT TotalV!0.00g#29244'm!0.00g# rU!0.00g# !0000-00-00 00:00:00 rUg#    0text/html; charset=UTF-8_SID0!0g#0qU!0g#g#10g#g#0!g#`+U"U!Francisco Pinto"U!g#g# !1IU73.959287!1g#xU!0g#g#!1g#g#!2013-04-12 14:43:25!0g#g#AU!g#g#aU10.00g#;U0!0000-00-00 00:00:00!0g#g#!0000-00-00 00:00:00!14g#g#!379#g#115948!13g#g# !0g#g#!1g#g#;U?UAU<UX<U<U&;U8;U:U:U:U8U0;U;U:UU!0g#g#PVAU!0g#g#PrU!0g#g#1096801f,U?'V323201!978607hg#84152Qx9U!Oboeg#p!0g#g#!0.00g#prU!129244g#U!0g#g#123687!0g#g#p!1g#g#!0000-00-00 00:00:00U!0g#g#pf,U1g#g#p|UptU0!3.008U  G,Uh,U-UDp;U-UD0;U-UD;U-UD;Ub-UDp;U-UD;U-UD;U`-UD;U*UDrIU-U-UD ;U,UD;UP-UD@;U-UD;U-UD;U-UD;U,UDp;U,UD ;Ud-Ud-Uf-UD ;U-UD@;U@-UDP;U`-UD;U-UD;U,UD;Uk,Up/UDUE0UDJUpd-UD;UPUD;UY'U@m,U@.UDp;U`-UD$U.UD@(U.UD(Up4UD@+U4UDА+Ue2UD@K7U@.UD(Uhw,U9U ;U.UD(U-UD`$Ux,UD(U-UD;U@-UD$U.UDP$Up.UD$U.UD(U-UD$UdefScor 28*0 !(=@@H*0-0  p8U >@@H.0!4g#pDU!g#g#12.00g#0A/cover_art/popular/170w/20231016102853/130542.jpg 170w!0g#0WU ["96029","161690","131354","188132","128890","139312","196754","97625","186827","142883","102660","132699","163194","128045","361660","118333","146170","90537","399706","187194"]U!2020-09-24 12:05:42U!1g#g# U!2019-09-25 13:22:44U12D244208-DF8F-11E9-A548-78U(U!103870g#!0g#g#!0g#g#hU!0g#g#MU!1g#g#$'U!650x919g# QWe Three Kings as an anthem for SAB J. H. Hopkins Christopher Evans wn!0g#g# way dow!0g#g#tudying !59g#g#and who !28g#g#wn, good!2017-03-31 16:04:55hers!2017-06-09 17:10:17, do!0000-00-00 00:00:00ers !g#g#e river !396687g#to the r!1g#g#out that!2g#g#ll wear !15.00g#ord, sho!10.00g#et's go !15.00g#t you wa!10.00g#t's go d!0g#g# pray. !g#g#ied ambi!0.00g#o feel a!0g#g#iery deb!0g#g#s, accus!5.00g# U]UH,UX,UUL,UXCUPl,U>UJ,U,U]U@\&UxUI,UعUhJ,UxUhG,UUh+UU]UH,U,UlU)U`D,UnU`L,U,UGUP,UU0L,UU J,U(ݻUhM,UZ]U+U,UU+U,Uط~U.U,U^Us+UD,U86(U(K,UHVU2U(UXK,U`,Ux]UI,U,UUI,U)U@N,UzUN,U@C,UUxI,UxU)U.UJ,U(UhU)UG,UUPG,UUH,U0D,UhUsDU,UȆUN,UxU8G,UV]UI,UHU.UHL]UpK,UU0I,UhUHL,UGU8V,UUs,UgU(N,UXQ]UM,UUM,Uh,UhUpN,UkU+UUI,Uh}TUh.UDUpv,UUL,U,UXgU0.UUK,UUM,UU)UM,UUL,UC,UxFaU8M,U@,UukUp+UqUpH,UHR]UxL,U ,UUx+UpKUH$U@K,Ux~UN,UؕUN,Ux UG,U(C,U^UG,U2!UG,UeU`I,UxoUPJ,UD,U8UJ,UEVUM,UHaUPU<Uk,U(Up_*UUXN,UВ,UTUI,UhO]UN,UU+U`U@H,U0,UxY'U82UȵU(H,U,UH&U(Q,U,UH&U@m,U.U2U ,UȆUj,UU]UR,UxUQ,UUpj,UUi,UȵUR,UP,UukU+U,UU3*U)UHR,U.UT,U U)UUh,UؕU(j,U>UxU,UHUH.UHUi,UDU,UXU S,UzUj,UU]UPS,UUS,U,UUQ,UU)Ui,UHR]UV,UhO]Uk,UP,U]U!UxUT,UU0,UU(T,UqUR,UU@Q,UUV,UgU@j,Up,UUh,UkU8+UЕ,Uط~U.UUS,UUV,UUpQ,UXY]UhS,UxU`)Uh}TU/U,UH3kUj,U2!U0R,U,UxY'U3UxUQ,U(ݻUi,U US,U,UUH)U&*U8i,UUj,U(UU,UhUU,U,U8U0U,U)UXj,U,UhUj,UV]U@T,U)UR,U8.Ux)Uȗ,UUPP,UEVU i,Uh,UXgU.UUxR,UeUS,Ux~Uj,U`,UGUl,U@,UH&Uw,UxTUh,U`UR,UUT,U,U86(UU,U,UU+UUT,UU.UXCUv,U,UnUV,UDU(.UxoUT,UP,Ux]UpT,UGUPr,UHaU0UxUQ,Ux,UUXT,U(UU,USON!
Mad Swans (Duet for Clarinet and Bass Clarinet)
Mad Swans (Duet for Clarinet and Bass Clarinet)
Duet
$4.00
HOW DEEP THE FATHER'S LOVE
HOW DEEP THE FATHER'S LOVE
Voice + keyboard
$2.00
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UU`U!2022-08-04 15:31:13U!2022-08-15 10:35:08!2010 AU!3g#g#1g#g#0!!0.00UfU !BreadcrumbList !ADAP3V'U !165525g#!24g#g# Q/score_img/138w-pg/20200317164304/474847.jpg 138wAuld Lang Syne (SATB a cappella) trad. Robert Burns Steven Griffin GRIFFMUSIC Whilst on a tour of the Czech Republic with my school choir and orchestra the staff discussed the lack of an encore or a piece of Scottish music (we’re a Scottish school) in our repertoire. I woke up early on the last day of performances and couldn’t get back to sleep so I knocked this together at 7:30 am. We performed it as an encore that evening in Nymburk. We got a standing ovation and all the choir were in tears. It was the last time this particular group of pupils would ever sing together in public so was an emotionally charged event. Thanks to my colleagues and pupils for sight reading it!!!!!0g#g#!0g#g#0!0g#g#P!0g#g#"> U8,U`,UlUi*UZ]Uw,U-UukUl,U)U,UU,UhO]U(,U,U86(Uh,UȵUh,UؕUP,UxU_*U@,UU x,U,UH3kU8,UGUx,UUp,U8,UU,U-UUH,UHUxW-UzU,U-UxY'UXL3U-UxY'U3U(UW+UgU,U`U,UqU0,U-UH3kU,UU,UzUH,U UPj*UU]U,UU,UU]U,UUh,UxU,U@-UlU*UU,UDUT-UXQ]U,UU0Q-U-UxFaU,U0-UȆUx,U.U,UU,Uh-U8Up,U-Uط~U8]/U%U,UU,U.UЦ3UU,UHVU3U;-UnU ,UU,UV]U,UEVU,UX -UhUX,UU,U-UU,UHUg/Ux UX,U-UUw,U-UU8,U-UU *UU,U?-UXgUh/U U,U)U,UHU-UUH,Ux~U`,UXU`,U-U^U P,U8.U8j*UUh,U!-UhU,UHR]U8,U-U86(U,U -U^U,U-UhUsDU8u6U`,U8-UUj*UxTU,U(U,UȵU,UXCU`-UU(,UUp,U>U,UU\/UC-UxY'Up3UHU@,U -UU-U(ݻU,U)U,UعU(,UkUw,UDUhf/UD-UH&UP-UxU,UA-U]U'UhO]U,UhU,Uh}TU#/UؕU,UxoU,Ux%UP,UU,U -UTU,UxU(,UGU-UxUP,U-UUh,UXY]U,UX-UU,U)U,Ux-Ux]U,UHL]U0,U2!Up,UZ]U,UU,UtUUID!!854#g#!-U!0g#g#(@U!eine kleine mvt 1.sib!2019-10-31 20:39:34U!0g#g#lDU!585#g#(@U!0g#g#xd@U!1.50g#4U!2019-10-31 20:39:35U!0g#g#4U!1g#g#4U!0g#g#4U!g#g#(4U!0g#g#H4U10g#g# 4U0Originally a string serenade for string quartet 'Eine kleine Nachtmusik' works well for clarinet choir. To make the movement a little easier it has been transposed into the more clarinet friendly key of F major. The whole 4 movement serenade is available as 4 separate downloads, and you can hear before buying by clicking on the mp3 player above any of the scores. The complete serenade will also be available as a single download."U!5.00g#"U10g#g#"U0QOriginally a string serenade for string quartet 'Eine kleine Nachtmusik' works well for clarinet choir. The whole 4 movement serenade is available as 4 separate downloads, and you can hear before buying by clicking on the mp3 player above any of the scores. The complete serenade will also be available as a single download.- c!4.50g#!0g#g#!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#Acopyright this arrangement: David C Wheatley 1999eBeg!g#g#!2019-10-31 21:51:24U!0000-00-00 00:00:00!g#g#O5U!60839g#!0g#g#N5U!0g#g#J5U!14.50g#L5U!12.00g#(M5U!14.50g#N5U!12.00g#H5U!0g#g#L5U!g#g#XJ5U!0.00g#!0g#&U !423452g#1sib#g#`K5UH4U0!0g#g#P*-UMozart - Eine kleine Nachtmusic mvt 2 (Romance) for clarinet choir W.A.Mozart arr D.C.W. David Wheatley Originally a string serenade for string quartet 'Eine kleine Nachtmusik' works well for clarinet choir. The whole 4 movement serenade is available as 4 separate downloads, and you can hear before buying by clicking on the mp3 player above any of the scores. The complete serenade will also be available as a single download.ange"> -UhU-UU-UUx,Uh}TU c/U@E-UTU@-UeU-UHVU3U?-UnU-U-UxY'U3UkUP,UUX-UEVU0-Ux U,UHU-UUX-UعU-UJ-UXgU/U8u6U-UxU`,UU-U8D-UȆU-U(B-UhU-UDU/U U*U)Uh-UE-UU0,UV]U-U@?-UU-UU-U=-UH3kU -UU]U,UUH-U=-U86(UP-UXQ]U-U2!U,U@-U^U8l,U)U,UȵUP,UU-U.U0-UxU,UZ]U,U8J-U]U'UU`-U<-Ux]U-UxU-UHU/U(Ug+UU]U8,UU)U-UU,U)U,UqU,UD-UU,UDU~-U.UP3Ux=-UU,UU{-UHL]U-Ux~U-UUpg/UU8-UA-UlUW+UXU,UU,UE-UUO-UU,U(-UGU-UU-UhO]U-UzU-U U(-U>-UUP*U(ݻU-UU ,UC-UhUtDUXY]U-UxoUx-UD-U8U-U(UU=-UU-UC-Uط~Ug/UU-U>U -UGUO-UxUh*U=-UUW+U<UT-U<Ux~-UHU-U.UHN-U-UTUXM-UxU -U-UUN-Ux~UR-UMUUHb+UXUL-UxTUQ-U-U^Uv,UXQ]U R-U`I-UxFaUxQ-UUPO-UhO]U(S-UJ-UnUP-UȜ-U]U'UU$UO-U.Uh3UؕUPR-UU]UM-UHUQ-U0-Ux]U0N-UXH-UhUR-UU/U-UUHZ-UUQ-UP-UxY'U4UkU,U(U0r+U0I-UU,UUL-Ux UK-U8u6UO-UU]UPL-UeUM-UqUL-UDUH/UȵUhL-UH-UUx-U>U8O-U8.U(X+U J-U86(UhO-UDU-Ux%UP-UH-UUW+UxUX+UEVUHQ-UUR-UHaUUF-UukUp,ULK-Ua0gU`gU(1UA/usr/www/resources/ADAP3/GenericObject2.pmU@P,UK-U.UD `%U.UDЭ;U.UPb UD;U.U.UD%U.UD%U.UDP%U`.U@.UD %U.UD %U.UD%U0-UD$U .UD%U ,UD%U.UD;U.UD%U.UD;U9U  ;U.UD;U`.UD`;U.UD;U.UD;UЏ.UD%U`.UD;UUD;U.UD%UP.UDp%U.UDP;U.UD;U.UD %U`G?U@5zU@.UD%U .UD;U+UDPqHU6UD=;U .UD ;U0.UD;U.UD;UpO-U -U.UD %U0.UD а;UO-UM-U0.UD0%U_9U27UD0$U2UDqHU.UDP%UU.UD %UЈ.UD;U.UDp%U.UD%U.UD%U.UD%U@,UD;U0.UD%UP,UD(UЍ.UD%Up.UD%U.UD;U@+UDpqHU0.UP.UDp;U.UD%U.UD%U.UD0;UP.UDp%U.UDP;U ,UD ;U`.UD%U.U.U.UD;U .UD@;U.UD%U.UD;U .UDp%UUD;U0S-U,1UD#kU+1UDP JU!U 1U-1UDkU01UDWJUp21UDPJU.UD(U@.UD(U@UD>;U8T-UU/UD ;U@.UD;U /UD %U/UD$U@5UDgnU5UD`bnU '3UD0u3U.UD$UU-U9U %U+UD$U.UD ;U/UD0 %Up.UDP;Up.UD%UP.UD%U.UD%U/UD;UUD@%Up]-UDP %UPL]U /UDp %U`.UD0%Up.U .UD %U`.U /UD;U.UDp;U0]-UDP;UP.Up /UD %U@+UD %U@ UD;Up-UDp$U /UD;U.UD0;U.UDP %U /UD;U0.UD%U@9U  p%U.UDp%U .UD`%U/UD;U /UD`;U /UD %U.UDp %U .UD%U /UD;U /UD@;Up.UD0%U.UD%U/UD %U'UKU /UD;U.UD`%U,UD$UY-U.UD %U.UD%UP.UDP%UY-U8U-U/UDp %U.UD%U8Z-UX-U0/UDP %U]9U27UDyVU`2UD$U.UD ;UU@/UD %U0.UD%U/UD;U /UD;U,UD %U.UDЕ;U.UDP%U/UD;U DH#( 58 X` \`18 38RX18| z  ,0<@*0X-U!g#xg#*U!0g#g#LUX#!0g#g#!1g#g#!0g#g#10.0000g#0A @Uj-Ut6 3.145.23.123@!g#g#an hear AO Come, Divine Messiah (for Trombone solo and Piano) Traditional Stephen DeCesare One of the most recognizable and beloved songs that is played during the Advent season has now been freshly arranged for a Trombone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.t=\"!0g#g# uploadi!1g#g#,"level"!0g#g#:{"msg":!0g#g#","level10000-00-00 00:00:00:"0!0g#U!g#g#1g#g#01Hm-Uo̽\x!441434632082U!g#g#1http://www.ptsheetmusic.com/0!0.0000 AU4>U!2017-10-19 02:20:31!0000-00-00 00:00:00!30g#g#@10000-00-00 00:00:000!}U:Zip:22!g#@6U!g#g#1Northumberland0!g#3UookieNam!0000-00-00g# !g#8g#!2g#g#8U!1g#g#8U10g#g#(8U8U0AVioloncellonete clef) of Eb clar to A9U@!Thicknes6U’s lul1philipthick@doctors.org.uk0!0000-00-00 00:00:00!0000-00-00 00:00:0010000-00-00 00:00:000!0g#paU !0g#g# !1g#g#^U!0g#g#H+$U!g#g#h4MU!0g#g#HPU!0g#g#|RU!0000-00-00 00:00:00U!0g#g#pUU!0g#g# !2g#04Urna (SSA!0g#g# !0g#4U !0g#g# !0g#paU class="!0g#g# !2019-06-06 16:25:16U10g#g#h8U0Q8UPz8U!CM2 0RR(g#xU!gbg#g#TU!g#g#U!g#g# !0000-00-00UrdRemind!0000-00-00g# !WarningCountU 1CatalogueExtraInstrumentation01[ { "Desc" : "", "Url" : "http://www.ulsterorganists.org/", "Text" : "Ulster Society of Organists and Choirmasters" }, { "Desc" : "", "Url" : "http://www.youtube.com/user/jdmcdbmus?feature=mhum", "Text" : "YouTube: jdmcdbmus" }, { "Desc" : "", "Url" : "http://www.fcm.org.uk/Guide-page.htm", "Text" : "Friends of Cathedral Music" }, { "Desc" : "", "Url" : "http://www.flickr.com/photos/johndmcdonald/", "Text" : "Flickr: Photos from John D McDonald" } ] !g#xg#!0000-00-00 00:00:00!g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!0g#g#!42g#g#!62g#g#!2017-06-14 19:07:51!0000-00-00 00:00:00!0g#g#!1g#g#11g#g#6UPassword0!0g#g#!g#g#8U!2g#g#8U!2g#g#8U!6.77g#8U!g#g#h8U!g#g#88U!g#g#(8U!0000-00-00 00:00:00#!g#g#!0000-00-00 00:00:00U!0g#g#P!1g#g#!0g#g# !46g#g#!38g#g#!2017-06-14 19:04:52!0000-00-00 00:00:00!0g#g#!0g#g#:38!0g#g#!84g#g# !0g#g#:00!0.00g# K-U{-U.UD@;UP]-UD %U /UD;U.UD0%U,UD$U.U.UDP%U.UDЖ;U/UD ;U.UD%U /UDp;U.UD %U .UD%Up/UD;U.U.U.UD%U@.UD@%U /UD;U.UD%U .UD@;U@.UD0%UEUD=;U21UD0JU/UD XJU0U1U 1UD`]JU`1UDqKU@1UDfJU.UD;U .UD;UP8UDU~-U8?Ut/UD;U.UD%U/UDp$U/UD;U05UDmUP6UD0mU(3UDPoU/UD$U-U9U $U0j/UD;U.UD%U/UD$U/UD$U /UD$U@/UD%U.UD$U c-UD$U/UD`%U /UD$UPL]U`/UD$U@]-UD$UP/U.UDP$U`.U /UD$U /UD$U /UD$U.U /UD$U/UD`$U /UD$Up.UDP;U /UD0$U/UD`$UP.UD$UjNUD$U/UD$U9U  P$U/UD$Up/UD$U@/UDP$U/UD0$U /UD@$U/UD$U/UDP$U/UD$U@c-UD $U /UD$U/UDp$U/UD0$U-U0/UD $U/UD%U,UDyVU)iUD8U /UDp$U@ /UD$U` /UD$Uh-U-U@ /UD$U /UD$U-U-U@ /UD$UU27UDdVU.(UDyVU`/UD@$UU/UD$U@/UD$U/UD $U /UD$U/UD$Up /UD`$U /UD0$U/UD$U,UD%U /UD $U/UD$U /UD$U0,UDyVU /UP /UD$U /UD$UP /UD@$U/UDp$Up/UD$U` /UD$U /UD$U/UD$U`]-U/U /UD$U`/UD$Up /UD@$Up/UD$UP/UD$U@.UD$U7U8U1UDcJU1UDrKUk/UDjUP1UP1UDRJUp1UD\;UP1UDGJU`.UD%UP.UD%U)iUD@8U0-Up:U.UDIU /UD%Uj/UD$Uo/UD ;U`i4UD 3U6UD3U3UD2Ui/UD;U-U`9U P;Up/UD@;U/UD%U@/UD0$Uj/UD;U/UD$U /UD$U /UDP$Uj/UD;U` /UD$U`i/UDP$UPL]U`/UD P$U /UD0$UeExchangThis arrangement of Amazing Grace is actually a vocal solo accompaniment. It was commissioned by the Houston Symphony in 2002 to be played on the 1st anniversary of the 911 attack on America. It was sung by Grammy Award Winner Yolanda Adams. It begins with flute solo but on the 1st performance a lone bagpiper played the melody once through and then the vocal began. Unfortunately I have no live vocalist but have the Kotakt player voice, which is not satisfactory but functional. I hope you enjoy it." sizes="52px,!20.00g#x) 68px,!0g#g#, 68px" 11g#g#ITLEASALTTEXT">0!2113562PUU!0000-00-00 00:00:0010000-00-00 00:00:000an;Uc;Up &,U!0000-00-00 00:00:00U!0g#)U !g#g#BQU!90773g#!0g#g#CQU!0g#g#!0.00g#@QU!0.00g# GQU["180857","93313","42812","5087","39569","38356","74373","89155","7035","126090","51344","96273","67172","58131","149238","145592","83904","51405","27461","360541"]U!2020-09-01 22:39:57q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } !0.0000g#!2011-06-10 14:15:33!In The Sweet By and By!0g#g#!0g#g# !16g#g#!2013-04-14 13:50:59!0g#g#!0g#g#In The Sweet By and By Sanford Bennett Joseph Webster Malcolm Harris Malhorn Music The chart is straight ahead fast swing. It, like all my Instrumental Praise Band arrangements is written for 2 trumpets, 2 trombones, alto sax, piano, guitar, bass and drums. This is one of dozens written for Second Baptist Church of Houston, Texas during my tenure as Instrumental Music Director. I hope you like it.!0g#g#:00U!0g#g#p!0g#g#:00U!0g#g# +-U!0000-00-00 00:00:00U10g#g# -U0-U0gUhR-UU@P-U2!UK-U`UL-UG-UhU0tDUx-UH3kU8R-U)UL-UZ]U-UF-U^U L-UF-UhUN-UUh-UXY]U(M-UU(-UUR-U(ݻUQ-UUM-U-UXgU/U<U-UHR]UP-UGUxZ-UhUP-U)UR-U(UO-UxU-UXCU~-UHVUx3UعUN-Uh-UH&U-UU8L-U@H-UUM-UHUh/UxoUN-UH-UUQ-UUP-UV]UN-UU)UQ-UUpP-UPJ-Uط~UС/UU`N-UHL]UO-U&*U`Q-U U@X+UUR-UU-UUpM-U)UL-UzUR-UxF-UlU0b+UU-U-U8UN-U U@M-Uh}TU8/UUxN-UxUM-U`-UGU U-U(UPU -UȆUS-UHUx-UHU.UH-UU-U8-UhUXY-U-UU-UUU-U UW-U@-UU8X-U-UȆU}-UUh[-U.UX-U-UH3kU|-U`UW-UxUU-UxoUY-UHL]U0Z-UkU8-UU0-U؛-UTUW-UHVU4UUY-UgU|-UU]UV-U(ݻU |-U-U86(UY-UHU/UU)Uh|-UUX-U(Uȿ+UȢ-UU-U<U-UxUU-UV]UX-U8u6U`Z-UȵUV-UHR]U8[-UU8|-U(UZ-UDU-UZ]UU-UعU(Y-UxUPX-UU]UW-U2!UpV-UXCUp-UXU`W-UU}-U(UUx UXV-U>UY-U-UxFaU{-UН-UUX-UxTU[-U -UnU [-U-UhU`tDU8%UZ-U)UW-UH-UukU-U)U|-UXY]UW-UР-U^U`,UHUP|-UUZ-UzUX}-U(-UH&U`-U-Ux]UX-UUU-UUX-UDU/UHUQ.UXQ]U|-Ux-UGU-Ux~Up}-U-UUxb+UxU(V-U-UUT-U@-U]U'U0-UxY'UP)4UqU0W-U.U4UUW-UU@}-U-UXgUP/Ux-UlUh)+UhO]U}-UHaUUEVU{-UGU-UUHW-Uh}TU/UUZ-UUV-U-UU)+Ux%UP[-U(-U^UV-UhU[-UeU X-U)UV-U&*U{-UMUU[-U-UhU(}-UUV-U Ub+UUP/UU|-UUhX-U-Uط~U/U-U8UpY-U8.Ub+U-UUU-U-UU@-UxUb+UHUІ-UeScores1Mozart - Eine kleine Nachtmusic mvt 3 (Minuetto) for clarinet choir Mozart arr. D.W. 2012 David Wheatley Originally a string serenade for string quartet 'Eine kleine Nachtmusik' works well for clarinet choir. To make the movement a little easier it has been transposed into the more clarinet friendly key of F major. The whole 4 movement serenade is available as 4 separate downloads, and you can hear before buying by clicking on the mp3 player above any of the scores. The complete serenade will also be available as a single download.-U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!1920g#!1080g#4U4Uй4U4UȾ4UH4U4Uȸ4U4U4U4U4Up4U4UX4U4U4U 8U4U`4U4U84Uy4UP4U4UH4U4U4U4U4Uh4Uh4U4U84U4U4U4Uп4U(4U@4U4U04U4U04U4Uش4U4U4Ux4U4U4U4U4U4UH4UX4U4U4U4U@4U4U04U4U4U4U4U4U4U4UH4U4U4U MU`4Ux4U 4U04Uؽ4U@["167513","76316","55126","158373","55133","165656","200527","140596","76392","84563","178327","393691","200251","188685","140538","149706","131177","84321","153311","149730"]@!2020-09-07 01:36:59!1g#g#!2019-10-31 22:02:3112283B740-FC2A-11E9-8CDE-78@m(U!561635g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-11 02:26:19!2023-03-11 02:27:23!3439498g#!3731791g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q4UQDown by the Sally Garden for clarinet choir by David Wheatley)@U!20g#g#!0g#g#)@U!3g#g#8@U!2g#g#x?U!2020-08-07 16:10:33U!2020-08-07 19:22:43U!0g#8g#r4U!2006g#p4U!2g#g#8x4U1copyright: David C. Wheatley 2006!sib#g#LU!854#g#!0g#g#`d@U!Sally Gardens.sib@U!2020-08-07 16:10:33U!0g#g#?U!590#g#kU!0g#g#?U!1.00g#x4U!2020-08-07 16:10:34U!0g#g#t4U!1g#g#0q4U!0g#g#t4U!g#g#w4U!0g#g#8x4U10g#g#x4U0!trad. Irish SU1David Wheatley:Ug#0One of Faure's memorable melodies, which readily transfer to the sound of the clarinet, here with a fully written out 3 stave organ accompaniment for organ with pedals.-U@!4.50g#!0g#g#!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#Acopyright this arrangement: David C Wheatley 2018!g#g#!2019-01-05 18:31:09U!0000-00-00 00:00:00!g#g#r4U!453327g#!0g#g#p>U!0g#g#u4U!5.00g#H4U!1.50g#u4U!5.00g#=U!1.50g#X4U!0g#g#(4U!g#g#q4U!0.00g#QHt4U!22g#VU !0.0000Xg#0-U!2019-01-05 18:19:10!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Faure - Pie Jesu (Requiem) for Clarinet and organ with pedals Gabriel Faure David Wheatley One of Faure's memorable melodies, which readily transfer to the sound of the clarinet, here with a fully written out 3 stave organ accompaniment for organ with pedals.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!1920g# !1080g# 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"short biography in English" }, { "Desc" : "", "Url" : "http://users.pandora.be/patrickverhaegen/Wie20is20Patrick20Verhaegen.html", "Text" : "korte biografie (Nederlands)" }, { "Desc" : "", "Url" : "http://", "Text" : "" } ] eUg#!1g#g#!0g#g#1g#g#0!650x919g#@,%U!0g#g#!0g#g#@VU!5.00g#!2023-03-17 04:29:34U!2023-03-17 04:29:35U!148842g#RU!142574g#`CSU!0000-00-00 00:00:00U!0000-00-00 00:00:00UQPtcU!3.145.42.94U !88426g#0{TU!trad.g#XqTU!D. Anthony Patriarcheq{ "GroupOrd" : "0", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "27236" } !47.6096g#P!2011-05-08 09:14:051Auld Lang Syne SATB a cappella">U!0g#g#!0g#g#!2g#g#!2013-03-15 17:52:27U!0g#g#!1g#g#!1g#g# !0g#p-U@!g#g#`!0.00g#["139342","123514","38358","74570","198997","57747","146829","141529","22905","21926","123515","166764","108869","123742","123516","180210","154728","71348","75785","78355"]-UP.U /U0/UD (U/UD (U/UD(U`/UP/UD`IU/UD"(U`/UD0(U /UD%U/UDP!(U/UD (U/UDIU/UD0M;U.UDIU9U  IU`/UDIUP/UD`IU/UDIU/UDIU.UD"(U/UD0IU/UDIU`/UD (U/UDIU/UD@IU/UDIU/UDIU0iUDV(U`/UD@ (U/UDIU0,UDP=VU`!UD 58U iNUD IU/UDIU0/UDIU0T.U .U/UD@IU /UDIUxT.UHR.U0/UD"(U}UU27UDVU0B5UD=VU/UDpIUU /UD"(U/UDIU/UDPIU/UD(Up/UDIU/UD(U@/UDIU/UD!(U0p/UD;UiNUD"(U/UD!(U/UDpIU0,UDp=VU/U/UD`IU/UD (U/UD`(U/UD IUP/UD(U/UDpIU/UDIU/UD0!(U0/U~,U@/UDIU /UD@IU /UD` (U@/UDIUp/UD!(U/UDpIUj&UDX8U`=.UD`eKUd2UD.kU 6.Uf2UPe2UDE7U2UDhUc2UDhU`o/UD;Upl/UD;Uc!UD58U(UDP(UpH0UD FJUs/UD0IU@/UD%(U/UDPU6UD:U6UD:U6UD`"-UP@0UDUY.U`9U @IU0f&UDpUt/UDIU/UD@$(U0/UD U/UD'(U.UD 2(U0/UD`,(UhNUD#(U`/UD1(U`/UD`$(UPL]U/UD pU/UD@&(U/U/UD&(U/U@0UD@ Up/UD U=0UD U/U/UD$(UhNUDU/UDp UP /UD0$Up/UD U0/UD U/UD`%(U?0UD0 U /UD((U9U  ,(U/UD((U/UDp'(U /UD#(U/UD#(U@/UDUP/UD%(U/UD((U/UD0 Up.UD#(UP/UDP((U/UD)(U/UD$(UP6U}^U/UD U,UD1(U ,UD0VU ^!UD8U`/UD0'(U/UD*(U`/UD`&(U^.UY.U/UD$(U/UD ((U^.U\.U/UDPU[U2@I7UD$Uf4UDpVU@/UD#(UU/UD $(U/UD'(U/UDp#(U@0UD U/UD %(U/UDP U/UD)(U`/UDP U0r/UDIU/UDU/UD0U`.UD,(UeScores1.. Oh, better far to live and die Under the brave black flag I fly, Than play a sanctimonious part, With a pirate head and a pirate heart. Away to the cheating world go you, Where pirates all are welltodo, But I'll be true to the song I sing, And live and die a Pirate King, For I am a Pirate King! And it is, it is a glorious thing To be a Pirate King! For I am a Pirate King! And it is, it is a glorious thing To be a Pirate King! Hurrah for the Pirate King! 2.. When I sally forth to seek my prey I help myself in a royal way; I sink a few more ships, it's true, Than a wellbred monarch ought to do! But many a king on a firstclass throne, If he wants to call his crown his own, Must manage somehow to get through More dirty work than ever I do.18937595.355451d.Up518335310g#i)UP@U0!0000-00-00 00:00:00!g#qWU 1d.U}7|!HASHU!0g#(U 1[Fri Apr 19 20:33:28 2024] -e: dler!IDg#wU r.UxY'U4U.UGU .UHU.UhO]U .UHU.U8AUXIUX.Ue.UU.U)U.UXCU8Y.Uh}TU@u0UU.UxU +UqU.U(UU(Up.UȵU@.UzU .U&*U8.Uhh.UTU0.U(ݻU.UU.U0 MUH&U(Z.Ug.UU+UU.Ui.UnUx.Ug.UhU.U)UX .U.U4UxU8.Ui.UukU-Ui.U86(U@.UXY]U.UU.UxoUh.UXU.UU]U(.UPh.UU.Um.UU+UGUT.UUp .Ux%U.UPk.U^U~-Uxg.UȆU .U U.U`UX.Ux U.U8.U+U(U`k,Ux~U .UU .U0g.UU-UUp`.U.U8US.Uh.UUT.UHU0UxU.Upi.UH3kU .UV]U.UxU.UHVU5U.UU .UUH.U<U(.UU.UU8.U.U]U@5*UU.UeUx.UU(.UZ]U.UUy0U8u6U.UDU`0UxUP.UUP.UgU@ .Uk.UxFaUP.U'UU.U>U.UXl.Ux]U.U`g.U^U.UU]U.UUH.U)Up.Uh.UhU uDUHaUUDU@.UhU`.UkUP-Ut.UXgU0U2!U.U.U .UUh.UU .Ul.UhU .U`U@Q.Uh}TU0Ux U0 .UHaUHUU S.U.US.UUT.UXQ]UV.Ux%UU.UGU8_.U(r.UUU.UUP.UU8S.UqUpQ.U(Uu,Ux.Uط~U0U.UUZ.UHL]UpT.UU]UQ.U.UTUR.UUW.U)U@W.U.U]U`*UUh0UhUHU.U(UxU(UXT.U.U8U0^.UxU .UZ]Up .U&*U V.U؟.UUX+Uo.UU_.UU .UV]UR.U.U(4Ut.UȆUW.UU0U.UkU.UHUV.Uq.UU+UHVU4UؕUW.Ur.UUR.U2!UH .UzUW.Up.UnU`U.Un.UlU@+UUU.UHR]UxU.UعUhS.UUXW.U.UGUY.U q.U^Ux .UXUQ.U8n.UH3kUV.U8.U8+U UP+UIU@T.U8u6UT.UU]UQ.U<U/Uq.UUxR.U>US.UxU .U.UH&U.UUZ.UU)UV.UФ.UXgU0UUR.U.UukU`.UEVUV.UUX .UP.UxY'U5UxU+UScoresn?Ug?UP0?UHk?Ul?Uk?Uo?U0?Ul?U1?Up?UHn?UPi?U2?U05?Uo?Upj?U7Un?U(j?U@m?U4?Uhr?Um?U5?Uk?U5?Uhi?Ul?UX1?Uh?UHq?U`n?Uxn?Uh6?U(p?Ur?UPr?U o?U8i?Ul?Um?Ui?U8r?Uk?Uq?Uq?Uo?Uk?Up?U 6?UHh?Uxk?U7?Um?Uq?Um?Uk?U8o?Up?U i?U0q?Up?Un?U@p?Uq?U1?Ul?UH2?Upm?Ui?Um?Uo?U`q?Uq?Upp?Uh?Uhl?U -U!1g#Hg#Py.U!3.00g#!2023-02-16 19:01:59!2023-02-16 19:02:01!194200g#!189392g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q6?U1UUOUЬUxj>U!180465g#U!g#g#>U1959786g#>U01The First Nowell Descant TU`SU!23g#g#~.U!0g#g#`]U!3g#g#bU!1g#g#`SU!2016-09-21 21:55:34U!2022-10-02 16:27:25U!C. Evansg#>U!g#g#h>U!0g#g#>U10g#g#0!sib#g#pTU!178#g#SU!0g#g#}dU1The First Nowell - Last Verse.sibPU!2016-09-21 21:55:34U!57g#g#{TU!4403g# SU!18g#g#<U!1g#xg#TU!g#g#8OU!6.00g#}U!0g#g#PpdU!0g#g#AU10g#g#0?Ug#0!146127g#0/?U!g#g#x/?U!1g#g#83?U!0g#g#`2?U!1g#g#02?U!0g#g#h?U!2017-06-09 17:10:17U10000-00-00 00:00:00U0In this version of my descant to ’Blaenwern’, the organ accompaniment has been transcribed for piano. This is one of my most popular arrangements and has been downloaded many times. If you use it, I’d love to know. Please tell my by email. Between the two versions (organ accompaniment/piano accompaniment), this arrangement has been downloaded over 1,200 times!!3.00g#!0g#g#!1g#g#!0g#g#!g#g#!Charles Wesley -U!0g#g#92D4U!g#g# !g#g#!g#g#`q{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "24299" } U!16.1920g#-U!2022-03-06 22:41:01U!0g#g#`.U!0g#g#0z.U!1g#g#-U!2013-03-14 18:03:42U!0g#g#v.U10g#g# .U-U0 /SU!  $(38=@iU*0#(0SQU sxJP 9@@H?@.Ua0tU.Uͦ,SE::Score::AdminCoverArt::OBJECT_CACHE_TIMERXQU!3g#g# !129776F(U !0g# ;4UHPU!0g#g#|RU!3g#g#xSU!0000-00-00 00:00:00!Hiddenre::HiddenAget_similar_scores_uuid_for_seuuid_for_seU"Uq9U jU(1Ua3U w_U\ Uq`USU\ U!arset="utf-8"> !0g#g#.U!0g#g#!2g#g#!2013-04-18 16:38:42!0g#g#!0g#g#AEl clavel del aire blanco Carlos Guastavino " id="refi!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#jU`u`U okUjUqkUHjUHjU}`U|`U(q`U0o`UjkUkkUu`UHx`Ux`UjU3:UfkUjUkkUX}`UjUpvkUXjkUxjUxr`UjUr`U@jU8jUjU@jUukU@kUjU8s`U(skUnkUpt`U(TfUqkUkUv`UkUpjUjkUn`UokUjUn`UkUjUjUkUpgkU{`U 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00:00:00QX>U!0g#_U !1g#L(U !1415298g#SnU!1g#g#hWnU!0g#g#pOnU11g#g#AU0!1g#g#P.U!190#g#!1g#g#!249881g#!2g#g#ȮmU8mUmUHmUVfUmUmUmUmUmUmUЯmUmUmUȫmUاmU!0g#g#.U!0g#g#!0g#g#!g#@%UHaoU!0000-00-00 00:00:00U!0g#g#ȾmU!1g#g# !g#(g#0mU!0.00g#0mU!0g#g#"U!1g#g# !162736g#Q8gmU!Choirg#!0g#g#!0.00g#!89745g#!0g#g#!0g#g#!1g#g#!0g#8g#!162727g#(.oU!Horns 1 & 2# 1162735g#imU0!2011-05-07 17:36:51!sib#g#!2011-05-11 15:38:46!0g#g#!208#g#!0g#g#!249875g#!4g#g#hmUdmUPmUmU`mUemUimUmUjmUdmUpmUjmUmUmU8jmUPjmUQimU!Chorusg#!0g#g#!0.00g#!89745g#!0g#g#!0g#g#!1g#g#!2013-04-15 08:55:02!0g#g#(emU!g#g#dmU10.00g#`cmU0!2011-05-07 17:36:51!sib#g#!2011-05-11 15:38:40!0g#g#!179#g#!0g#g#!249874g#!2g#g#imUgmU(emU8dmUhmUgmUcmUmU0mUhmU mUHfmUmUemUmUemUr' data-!0g#hg#!0g#g#!0g#g#1U.U[J162735!162732g#refs-shoQmU!Clarinetsg#!0g#g#!0.00g#!89745g#@!0g#g#i' data-!0g#g#!1g#g#!g#8g#!0.00g#emU!0g#g#fmU10g#g#hmU0!2011-05-07 17:36:51!sib#g#!2011-05-11 15:38:25!1g#g#!187#g#JU!1g#g#]?U!249862g#Luxembou!1g#g#pp<U!2013-04-15 08:55:03doni10g#g#epublic ofJU0UDkUp0UDPDJU9U  U@J0UD0DJUG0UD CJUG0UDBJUG0UDBJU0UDPkU0UDEJU 0UDCJU0UDkU J0UD BJU`0UDCJU0J0UDEJUФ0UD?JU<U0vU0UDkUG0UD @JU-UD$U'UDJUU0UD?JUH0UD`CJU0UDP>JU@0UDkUH0UD>JU I0UDkUPI0UD@EJU0UDkUE0UD Up0UD0kU0UDkU@^!UDUUD $UJ0U.U!1g# *U1g#g#0!0g#g#ooU!0g#g#0uoU!1g#g# !LastNameRU 1"U"U"U"U"U!2017-05-17 00:00:00cies!2022-09-27 00:00:00E/Ha!g#g# Q/data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Score.pmaJack O'Lanterns, Goblins and Skeletons (and other scary creatures) (string quartet).sib!0g# SU!0000-00-00 00:00:001g#g#i0a ;;UxhUp &,UA/usr/www/resources/ADAP3/GenericObject2.pm!LyricistNamericistNamea@;UP2;Up &,UA/usr/www/resources/ADAP3/GenericObject2.pm`!DifficultyIDfficultyID!0000-00-00 00:00:00UQ@cU!0g#0U5SU!0g#g#@!500g#!2023-05-04 15:10:061/>U >U !g#HdU!1g#g#bU!1g#g#dU10.00g#dU01"U"U"U"U.UhUP.UU.UzU/UH.UȆU/U8.UO,UGU.Ux~U/Ux U.Up.UxY'U5UU]U.UV]U.UxU .UHR]U`.U.U^U.U(U,UxoU8.U UO,U)U@.U .UUHk,U.UUhY.UhO]U/U.UxFaU /U`U(.U(U@.U.U^U.Uh}TU@0U.UH3kU/UHaU(\&U.UU.UgU/UXU.UH.UUh.UZ]U.UxTU.U.UUp/U>U.UU.UعUP.UHVU /5UP.U86(U.UP.UGU/UDU0/UU.U U.U8u6U.UUp.U<U/U.U8U.UEVU.UxUk,UU.UkUZ.U.U@3UUh/UU/U.UU.U&*U/UDU:1UXY]U.Ux.U]U*UqUX.U(ݻUP/Uث.UhU.UU.Ux%Ux.UU.UhU0.U`.UukUY.U.U.UU .U.UU`O,U)U(/UؕU/UUP.UUp/U.UU.UXCU.U)U.UU]U.U2!U.U2!U/U.UhUuDUH.UU.U=/UXgUz1UZ]U@/UؕU.UkUx.UU]Ux/U.UU.U4/UTU.UHaU!Uh}TU61UU`/UU`.U(ݻUH.UU(/U7/UUh.UHUhy1U(?/U8U.UeU@.U`U .UGU.UU.UH.U^UH/U.U5UDUHx1UUh.UX?/UhU/UU.U:/U86(U.UUh.U&*U.U8.Uk,UU]U.U?/UGU.Ux4/UUX.U8u6U.U(Up-UgU.UEVU.U4/UU8/UXQ]U.Uh.U^U8 .U<U!/U .UlUu,Ux%Up.U)U0/U.UȆU.UxU/UHL]UP.UxU/UU .UxU/U0.UH3kU.UU;1U4/UukU0.U.UxFaU.U U.UxTU.UU.UU)U.UXY]U.U.U.UxUv,UxUp.UU.UqUP.U>/UxY'U8k>U2!U.U`.Uط~UP;1UXCU/U.UnU@.U Uk,UȵU.UV]U.UHUp/UU.Ux U/U(U!UhU(.U .UU.UHVU05UU.U.Ux]U.UhO]U.U.UUu,UDU!/UzU.UU/U(U8.ULicenseS!2020-07-15 16:46:26U10000-00-00 00:00:00Pi?U0ADescant to 'Nun Danket' (Now thank we all our God)U!23g#g#dU!0g#g#!aU!3g#g#"'U!2g#g# TU!2011-09-01 07:31:28U!2020-07-15 16:46:26U!Michael Clarke(j?U!0g#g#p?U!0g#g#xk?U11g#g#0!sib#g#7_U!3242g#SU!0g#g#e`U!g#g#U!0000-00-00 00:00:00U!252#g#PU!5804g#aU!8g#g#uTU!1.00g# o?U!2011-06-10 13:53:14U!0g#g#@p?U!0g#g#`k?U!155058g#o?U!g#g#h?U!1g#g#xk?U!1g#g#h?U!1g#g# !1.50g#(?U!2017-07-22 18:43:07U!1g#g#8?U!1g#g#x?U!0g#g#P?U!g#g#P?U!0g#g#?U10g#g#?U01. Breathe through the heats of our de sire Thy cool ness and thy balm; Let sense be dumb, let flesh re tire; Speak through the earth quake, wind, and fire, O still small voice of calm! O still small voice of calm!1John Greenleaf Whittier (1807-92)!0g#g#!Repton Descant!g#g#!g#g#!g#g#(?U!902023g#!0g#g#?U!0g#g#!0.00g#P?U!3.00g#?U!1.50g#?U!0g#g#h?U!g#g#?U!0.00g#?U["96029","131354","161690","128890","188132","139312","97625","132699","102660","186827","361660","163194","128045","90537","142883","187194","118333","146170","399706"]?U?U!1g#g#p.U!0g#g#!9.0112g#!2017-07-22 18:44:34ADear Lord and Father of Mankind Descant!0g#g#!0g#g#!2g#g#!0000-00-00 00:00:00!0g#g#def!0g#g#0 !1g#g#,UDear Lord and Father of Mankind - Descant Repton Descant Sir Charles Hubert Hastings Parry (1848-1918) John Greenleaf Whittier (1807-92) John McDonald d.U!0g#g#a.U!0g#g#.U!9g#g#@.U!54g#g#.U!2017-07-22 18:55:40U!2020-09-15 02:31:59U!1g#g# .U!2019-09-25 13:43:21U10EC8FC88-DF92-11E9-B6D0-78g#!156258g# a.U!0g#g# .U!0g#g#a.U!1g#g#.U!0g#g#`.U!1g#g#.U!650x916g#`b.U!0g#g# .U!0g#g#`c.U!5.00g#@.U!2023-02-16 08:51:19U!2023-02-16 08:51:27U!469477g# P.U,UDPVUp/UiNUDp((U@=0UD` U=0UD U/UD0((U/UD U/UD%(U/UD *(U/UDp U@/UP/U.UD0(U /UDP'(U/UD U/UD'(U /UD Up/UD)(Ug!UD48Uf2UDI7Ui2UDhU 7.UЯ2U 2UD;7U2UD0hU2UD /7U/UDPIUs/UDPIU0!UD8U <'U ]!UD@,JU@/UD@3(U>0UDUD0UDP;Uh hU @@U @U p=U>7UD,-Upe!UD;U8.U 9U UB0UDp;U/UD2(Up>0UD=JUP/UD;JU/UDUP/UD`IU/UD0U@?0UD0U`/UDU>0UD=JUPL]U0>0UD :JU/UDU@>0U>0UD`U/UC0UD;JU0/UD;JU@C0UD:JU@@0U0@0UD`U =0UDp=JU@/UDU/UD;UpC0UDP0UD;JUp?0UDUE0UD9JU<0UDU9U  IU=0UDpU@f&UDPU/UDU>0UD U>0UDP=JU`>0UDUЄ.UDUD0UD;JU0/UDU?0UD0UP?0UDU`?0UDUUJ|UC0UD@;JU?0UDU _-UD$U!UD7U/UDU>0UDU?0UDU.U`.U/UD@U/UD U`.U0.U/UD=JU0}UU2F7UD0;U4UD$U=0UDUU<0UD=JU=0UDU/UDUЊ.UD:JUp/UDU`/UDU0?0UDpUC0UD0UDPUpE0UD ;JUP,UD`:JU?0UDUC0UD:JU<0UD U f&UDUE0UD00UD0UC0UD`;JU.UDpUA0UDJUU @7UD`*-UE7UD*UI0UDEJU/U9U `U0UD0>JU,UD IUH0UD;U`J0UDP)JUPA0UD;UD0UDP;UC0UDU@A0UD0;UD0UD;UPD0UD;UPL]U@I0UD*JU F0UD;U`C0UD0UD;U.U@G0UD(JUA[{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":1,"name":"mp3"},{"on":0,"name":"composer"},{"on":0,"name":"subtitle"}]  %(48MP .U)*0,048 1808pD7U *0 18+0QX.038/U.U/U0UDDJU0UDkU0UDkUG0UDCJUР0UD`kUI0UDFJU`G0UDPUP0UDkU`0UH0UH0UDFJUI0UDCJU00UDkUJ0UD@CJU0UDPkU G0UD EJU 'UD7U'3UD3U%3UD`oUi2U+3U#3UDt3UP+3UDp~oU,3UDpg3UA0UD UpA0UD Up'UDUL>U0>Ua=U=Ug=U>U h=U=U>Ux>Uf=Uf=U =UPb=U>U@=U(=U=U(>U=U=U=U!=U=U=Uhh=Uh=UHa=U>UP_=U=U=U=U=U>Um=U#=Uh =U@=U0a=U=UM>UP#=U=Un=U=U0>UL>U>U=Ua=UX>U(!=Ug=U>U`a=U=UL>U=U=Uj=U"=U@=U=U0K>U=Ua=Un=UH>U`=Uh>Ul=UXM>U =U=Up>U!HASHU00 00:00:00Uq|kU HjUWuU!,/UAElgar - Lux Aeterna (Nimrod) [S/S(S)ATB unaccompanied]!393#)U A/usr/share/perl5/vendor_perl/Archive/Zip.pm+/UA/usr/share/perl5/vendor_perl/Archive/Zip/Archive.pm1Archive::Zip::Member0!Archive::Zip::Archive!r Up>>U a/data/dynamic/seview/scores/3/5/3/3/183353/v20160306161155/0/1.jpgg#Q/data/dynamic/seview/scores/3/5/3/3/183353/v20160306161155/0/1.jpgahU @7UGU!SM_ScoreIDU !57747g# Q/data/dynamic/seview/scores/3/5/3/3/183353/v20160306161155Q/data/dynamic/seview/scores/3/5/3/3/183353/v20160306161155qH>U$GUq2>UxU!0g#+U!0g#g#10g#g#]U0!0g#KU Q>UX=U>U! =Ug# 1Archive::Zip::ZipFileMember1/data/sedata/seview/3/5/3/3/183353.zipa0_U>U3U!yU`XlU !ADAP3::GD0U !15639612U10000-00-00 00:00:000a/data/dynamic/seview/scores/3/5/3/3/183353/v20160306161155/183353_0.pdfg#Q/data/dynamic/seview/scores/3/5/3/3/183353/v20160306161155/183353_0.pdfa>UGU1Archive::Zip::ZipFileMembera/>UxU1ITY#c4/U!zjUA/usr/share/perl5/vendor_perl/Archive/Zip/Member.pmUX/UHUx.UxoU0.UXU.UU.Ux~U.U5/UU.U(.UhUx.UU.UU8.U.UUxk,UU.U6/UH&U/U>U.UعUH.U.U]UHY+U)U .UHR]UX.U4/UhUuDU`:/UhUvDU)U8.UU)U/UDUȂ1UXY]UH.UUp.U8/UUP/UHR]U.UhO]U@/U;/UU`/U`=/UxFaU.UUPy1UU.UU.UUP.UU.UxU,U0C/UXgUP1UU(/UU/U9JU.UB/UGU8/UU.U88/U^U Y.UHVU =UDU`/U>UX.U؃/U86(U/UU.U2!U/UV]U .Uh;/UUp,UU]U0.UgU/U8/Uط~Uy1UU/UȵU.U<U`/UxTU8.Ux U.UعU.U`U.U:/UH3kUP/UHU8/U:/UU .UXU.U)U/U8.U(v,U@U/UZ]U/UHU/U.U/U8u6Ux/UqUH/UaU( kU/UD/U

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UP*0 :@ 9@68WX*0'(787838 qBegins with flute solo and percussion undercurrent..congas on score but your choice. Tune slowly builds into Bolero rhythm with large climax and ends with flute quietly. 1st trumpet part, though not lengthy is fairly high (to high concert C one time). For a more ancient effect at beginning you might want to substitute recorder for flute. Good pre-service.10g#g#010000-00-00 00:00:00a88)0!1g#0nTU!0g#g#10g#g#0!0g#cU 1Pirate King’s song [Pirates: bar.]!1g#g#eexchang!1g#g#-pg/0/10!g#g#pU!1g#g#13E6CDAF6-886F-11E9-92BA-F3D41D17C629373!0g#g#!0g#g# 10g#]UB0!0g#);UtAttempt!0000-00-00 00:00:001GUH{/UHt q!2023-03-14 05:26:55aPP%U v"U%XCUQȫ>UBe Thou My Vision trad. Malcolm Harris Malhorn Music Begins with flute solo and percussion undercurrent..congas on score but your choice. Tune slowly builds into Bolero rhythm with large climax and ends with flute quietly. 1st trumpet part, though not lengthy is fairly high (to high concert C one time). For a more ancient effect at beginning you might want to substitute recorder for flute. Good pre-service.U!HASHK=U !0000-00-00 00:00:00UQ RU!x U!g#@w'U !1574267U !0g#JAU10g#g#0!HASHXg#!HASHg#!HASHg#ID='1781Q`kUkUukUP/UukU.U8/UU`#/UhO]U /UU/U/UU,UU]U/UعU@/UU/UU/U@/UU\/UU/Uh/UU/U/UXgUH1U U/UؕU/Ux%Uh/U@B/UhUp/UD/UxFaU/U`/UGU"/U&*U/UHUp/U/U8U[/UU/UȄ/UnU8/UxU@/U<U/U)UxY/UUЃ1UUh/UA/UUH.UXUx/UXY]U/Ux Up/UxU ,U/U86(UH\/UȵU/UU#/U/UUP/UpB/UU/U(U~-U`C/Ux]U/UU/UU/U8.U,U/U]U++UPA/UU,U.UUU/Ux~U /UHR]UP/U /UU/UHaU!UkU.UU` /U U,UU]U/U(ݻU@/U/U^U.U/U^U/UC/UlU,UHVUd#UU/U(U0/U/UH&UHb/UU0 /U`U/U)U/U)U $/U)U /Uh/UGUb/UXCUp/U&*U@^/U0/UlU@-U/UU("/U`U$/UUP$/UGUXg/UؕU0_/U/UXgU 2UU^/U/Ux]U[/Ux~U_/UV]UZ/Up/U8UPf/UDU/U/U86(Uf/UU^/U/UU(g/Uh}TUx1U/UnU]/Uh/UukU /U(Ux/Uȇ/U]Ui+UUZ/U/UhUvDUEVU(^/U)Uc/Ux U#/U8.U8,UxTU]/U.U([/UUȭ1UxUZ/UXY]UZ/U/UUb/U/UhU[/UȵU$/U(Ux\/UȊ/UTU8Z/U0/UUZ/UxU-UHL]U\/UHaU'UUx_/UgUH_/UqUY/UeUZ/UxoUp[/UU)U^/UUY/U U Z/UDU( 2U UP,UU0\/UXUY/UHU^/UxUx#/U/Uط~U1U/UUX-UU]Uh$/UUb/UU ]/UkUh/UU#/UHU0AU)Uhc/UHUH 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his arrangement is intended for groups who want something which is just above "beginners" standard. Also, it should suit those who have either just started playing their main instrument or thiose who are learning to play a second one. There are parts available for those who need "easy" parts! The arrangement is written in a "straight" notation but, of course, will sound better if played with a swing. I leave it up to the MD to decide! Enjoy!gravitas to the performance if you have one - the part is not unduly difficult. Have a listen to the mp3 file.x Eb Alto and 1 x Bass Bb. As Bass instruments in A are not generally available the whole quintet has been transposed up a semitone to suit Bb and Eb clarinets.service as well as consideration of church acoustics. [WIKIPEDIA]composing office hymns and the "Spem in alium" motet. Too often we forget to look at his compositions for other monarchs; several of Tallis’s anthems written in Edward’s reign, such as this one ("If Ye Love Me"), ought to be considered on the same level as his Elizabethan works. [WIKIPEDIA]ate atheism, many church institutions were systematically destroyed. Chesnokov served as choirmaster at the Cathedral of Christ the Savior in Moscow, Czar Nicholas’ great memorial to Russia’s having survived attack from Napolean. In 1931, when Stalin demolished the Cathedral to reclaim tons of gold in the edifice and make room for a memorial to Lenin, Chesnokov was so deeply disturbed that he stopped writing music altogether. Chesnokov died in 1944. //Most source information from Wikipedia.t likely a slave), the song entreats worshippers to go to a valley, not a river… As I went down in de valley to pray, Studying about dat good old way, When you shall wear de starry crown, Good Lord, show me de way. O mourner, let’s go down, let’s do down, let’s go down, O mourner, let’s go down, Down in de valley to pray. What valley? If George Allan was a slave, or at least was a song collector in Nashville, one would suspect the valley is somewhere in Tennessee –lotsa valleys are there. As shown in the songbook, “The Good Old Way” was # 104, and was among a collection of spirituals in Part III of that book, in which the songs’ origins are the inland slave states of Tennessee, Arkansas, and the Mississippi River. So, perhaps slaves from Arkansas or the Mississippi Valley could have been the original composers, instead. There’s lots more that’s intriguing about this song, and many questions linger. For those who changed the word ‘valley’ to ‘river’, what was significant about going to a river? And, for those who wanna go into the river to pray (and not just to the river), is that an implied message about baptism? Whatever the message, the composer was thinking of family, as mothers, fathers, sisters, and brothers are addressed; I can imagine a slave family clinging to one another in this song’s embrace. And, we’re all sinners, the song’s conclusion reminds us. Isn’t it interesting that a song from some slaves still resonates in our culture 150 years later? "twitter:!1.50g#QU10g#g#HQU0!23g#g# p0Uk0U`+1UDPkUП0UDP)kU@a2UD0+kU8.UD`vKUp`2UD0bKU7.UDP?;U9U  C;UP9.UD0?;UP7.UDxKU;.UD*kUp:.UD*kU^2UDtKU8.UDvKU7.UD>;U /UD(kU0;.UD *kU!UD>;U9.UD@;U:.UDuKUm0UUa2UD@(kU:.UDH;Up/UDЧ;Up*UDpIU7.UD*kU8.UD@;U;.UD`wKUpn0U )0U:.UDuKU@F0UD p?;Un0Ul0U=.UD`(kU`_9U2B7UD`;U#6UD;U<.UDPxKUU8.UD uKU6.UDP>;U7.UD0xKU^2UD'kU9.UD vKU08.UDPbKU;.UD@;U^2UD)kU3.UDY;Ua2UDtKU0`2UD)kU 9.UD`C;Uh-UD;U`8.U`F0UD?;U0UD (kU<.UDbKU9.UD>;U<.UD'kU 8.UDvKUP8.UDA;U0_2UD0)kU0:.U`9.U :.UDG;U!UDpxKU@_2UD+kU9.UD0>;Ua2UD)kU`;.UD`@;U'UDIU 4UD{KUp4UD+Uf4UD^U`4U4UD`k;U@4UD+U@4UD0^;U@0UDpX;U4.UDpY;U *UDqIUP)0Uг2UD`hU09.UD J;U@g2UDA7U2UD0hUUD:U@8UD]UqSUD-U0UD J7Ut0U`9U P`KU@j2UDPhU7.UDI;Ue2UD@@7Up/UDP-kU=.UD@cKUa2UDmKU^2UDhKUPg2UD A7U=.UD0mKUg2UD`@7UPL]U0UD ?7U@`2UDaKU *U`2UDaKU _2Ug2UD,kUd2UDp-kUg2UDP,kU ^2UPd2UD@7Upd2UD@7Ua2UD+kU11UD]JUb2UD.kU`g2UD0-kUP_2UDaKUc2UD+kU =.UD dKU9U  `hKU!UDdKU0^2UDbKU=.UD>7U_2UD>7Uf2UD?7U@^2UD0aKU`2UDcKUPf2UD-kU0=.UD =7U`2UDcKUp_2UDeKU c2UD@7U0ONUDF|Ub2UD,kU_2UDPmKUn/UD;U 1+UDHUP`2UDA7U!UDeKU]2UDbKUx0U8t0Ud2UD@7U<.UD @dKU8y0Uw0Ue2UD?7U@]9U2PD7UDIU.UD@;U]2UDA7UUf2UD @7U``2UD cKU]2UDA7Uc2UD,kUPa2UD`KU0UD+kU^2UD@eKU0g2UD-kUp7.UDI;U0e2UD?7U`f2UD.kUP=.UD hKUl/UD ;Ua2U=.UDcKUf2UD,kUe2UD,kU`2UDcKUPc2UDp,kU]2UDpaKUX0U!hU0|0U A0>U p.>U e>U !hU)U APavel Grigorievich Chesnokov //(transliterated Tschesnokoff, Tchesnokov, Tchesnokoff, or Chesnokoff)// was a Russian Empire and Soviet composer, choral conductor and teacher. //Salvation is Created// is a communion hymn based on a Kievan syndonal chant melody, with text based on Psalm 74:12 //(For God is my King of old, working salvation in the midst of the earth.)// Although it is not directly related to any Messianic prophecies, the text does remind us that God is the creator of salvation, which is offered to us through the advent, birth, death and resurrection of Jesus Christ. ¶ By the age of 30, Chesnokov had completed nearly four hundred sacred choral works, but his proliferation of church music came to a standstill at the time of the Russian revolution. Communist rulers prohibited musicians and other artists from producing any form of sacred art. //Salvation is Created// was among the very last sacred works composed before Chesnokov was forced to turn to secular arts by the Soviet government. He never heard his composition performed. Under USSR-imposed state atheism, many church institutions were systematically destroyed. Chesnokov served as choirmaster at the Cathedral of Christ the Savior in Moscow, Czar Nicholas’ great memorial to Russia’s having survived attack from Napolean. In 1931, when Stalin demolished the Cathedral to reclaim tons of gold in the edifice and make room for a memorial to Lenin, Chesnokov was so deeply disturbed that he stopped writing music altogether. 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WoodVU!0g#g#hWgU!0g#g#p/%U13g#g#0!sib#g#]U!4619g#1U!0g#g#0U!g#g#XqTU!0000-00-00 00:00:00U!28g#g#1U!5636g#TU!18g#g# cSU!1.50g#HYgU!2011-05-07 15:06:09U!0g#g#SU!0g#g#pJPU!45824g#(aU!g#g#VU!1g#g#p/%U10g#g#l)U0qThe second verse of this piece may be sung by a semi-chorus if the solo is to be sung by one tenor.U!2.95g#blU!0g#g#8uAU!1g#g#8MU!0g#g#@MU!g#g#lDU!anon.g#(@U10g#g#_Ug#0!2017-06-09 17:10:17U10000-00-00 00:00:00vcU01Sussex Carol - Choir & Harp VSU!22g#g#0!0g#g# !3g#g#@!2g#g#`!2011-07-24 08:31:2212017-11-22 17:19:52U74.589850!@!U!0000-00-00 00:00:00QxoU!2011-05-07 17:32:25!TotalViewsU !g#lU10.00g#g#g#0!0g##fU !0g#g#!15g#g#p0U!0g#g#P#fU!0.00g# !2017-06-20 20:10:06UseSID=F6EC65EC-EB75-11EE-9781-F8E2C0CAAC9A; CID=; seUID2=97f6edcfc133aeaf29e67501ea4e078f---192364---; seUID2R=; seURL=; ScrSrt=%7B%22d%22%3Afalse%2C%22t%22%3A%22ID%22%2C%22p%22%3A%2225%22%7D; cookie-prefs={"optional":"all","version":"9409c0081a88085a5da774e83deaaebb"}; _gcl_au=1.1.1066920539.1711460297; _gid=GA1.2.277699114.1713548169; _ga=GA1.2.1093733649.1711460263; _gat_UA-1462187-11=1; _ga_6JSSD7DEBX=GS1.1.1713554914.8.1.1713555193.0.0.0!1g#Hg#eexchang!1g#g#larinet-!0g#g#!0g#g#'ent_ty!0g#g# 1Franz Waxmanams and Lloyd Larson0U0U2UD@hU2UD@/7U@2UDhU 2UD17U@9U  `67U2UD17U2UD+7U2UD+7Uq/UDhU 2UD-7U2UD`/7U2UD17U`2UDhU02UDphU 2UDP17U@k2UD37U2UD.7U0UqWU2UDhU@0UDP;7U/UD3(U9+UDHUд2UD+7Uh2UD37Uj2UD@07Up0U0U 2UD`.7U2UD17U0U0U2UDhU[U2PE7UD IU06UD&(U *1UDPhUUж2UD.7U@2UD0,7U02UD0hU*UDhUp2UD/7U02UDhU0i2UD@37U@2UDhUf2UD K7UP2UD-7U2UDhUi2UD 67U/UD3(U2U2UDp17U2UDhUp2UD hU2UD017U 2UDhU'UD/7U 2UD37Up2UDhUi2U0h2Uh2UDp:7U@*1UD+7U*1UD hU2UD,7Up2UDPhUPi2UD 37U 4+UDpHU:5UDpe5U3UDp<U1UD0l;UA5U`?5UDp<UA5UDmnU@5UD<U d2UDE7U0d2UD_KU9+UDHU0U0.3UDpoU*UD<7U 2UDhUP%3UDz3U:9UD :UV)UD W4UUUDpU"3UD3U0U9U `hU@'3UDz3Upi2UD<7U/1UD hU02UD0x3U2UDhUв2UDhU2UD hU 2UDhU2UDhU2UD@hUPL]Up2UD y3U2UDhUp2U2UDhU2U2UDw3U2UDPx3Up2UD0w3U2U02UDhU02UDhUP2UDv3U;.UD I;U@2UDx3U2UDx3U@2UDhU2UDv3Uк2UDPhU9U  hU01UD0hU2UD hUм2UDhU2UDhU@2UDhU2UDhU2UDhUP2UDx3U02UD hUP2UDhU2UDhU2UDhU00U`2UDw3U02UDhU?0UDIU+UDHU2UDhU2UDhUП'UDhU0U80U2UD`hU2UD phU80U0U@2UDy3UU20E7UD U6UDIU`2UD0hUUй2UDhU@2UD`hU2UDhU2UDpw3U02UDPhU2UDv3U2UD`hU02UDx3U2UD<7UP2UD0z3U2UD`y3U2UD@hU0=0UDIU/1U2UDhU2UDw3U/1UDw3Up/UDhU2UDPw3U02UD@hU2UDhU2UDx3UdefHere is an abbreviated version of Hadyn’s "The Heavens Are Telling" (from the oratorio, "The Creation"), arranged for Soprano, Alto and Baritone voices with piano accompaniment. Pitched down a whole step from the original key of C major, it’s easier for range-challenged choirs (like mine!). Judicious cuts allow the anthem to be sung in about three minutes. I composed the new words in the "B" section. Enjoy!!ib!0g#g#!0g#g#!1g#g#!0g#g#!g#g#!10.2400g#!2016-01-19 23:44:43The Heavens Are Telling HAYDN from The Creation from Psalm 19 for 3part SAB voices with piano accompaniment arr by Pamela Webb TubbsU!0g#g#!0g#g#!7g#g#!2013-04-16 21:39:46!0g#g#!0g#g#The Heavens Are Telling (HAYDN) from The Creation (from Psalm 19) for 3-part SAB voices with piano accompaniment arr. by Pamela Webb Tubbs From "The Creation" Franz Joseph Hadyn arr. by Pamela Webb Tubbs Pamela Webb Tubbs Here is an abbreviated version of Hadyn’s "The Heavens Are Telling" (from the oratorio, "The Creation"), arranged for Soprano, Alto and Baritone voices with piano accompaniment. Pitched down a whole step down from the original key of C major, it’s easier for range-challenged choirs (like mine!). Judicious cuts allow the anthem to be sung in about three minutes. I composed the new words in the "B" section. 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Sticks - Piccolo, Flute 1, Flute 2, Alto Flute

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sic
<!www.wcpn.orgU!1135=U q
Genre
v>="hidden-xs"> available
ore_sharing.mjs"> !(bUaU!FileSizecU !HASHUg# !12g#\VU!Mixed ensembles !0g#@_U PsQUlQUUU8RU8UUVUئRU10.00BU.Z0on>button>ar!6g#8g#@U!7g#g#@U!8g#g#`@U19g#g#'U0!Phillip Rawle!0g#g# q$UOU1HASHCU0!AtUCtU !SubTitle::subTitle!2020-11-06 00:00:00! CUg#1ng#`>CUg#0!!DefaultLicenseScore1TqUh?rU0!275#`bU !%CUg#gin-righ!&CUg#utton>m!'CUg#tton' cl!)CUg#w-part" !+CUg#span cla!0BUg#modal-wi1pg#PCUspan> PiccoloThis arrangement is intended for groups who want something which is just above "beginners" standard. Also, it should suit those who have either just started playing their main instrument or thiose who are learning to play a second one. There are parts available for those who need "easy" parts! The arrangement is written in a "straight" notation but, of course, will sound better if played with a swing. I leave it up to the MD to decide! Enjoy!

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0a 8g#8g#&DU&DU69px, (min-width: 1200px) 68px, (min-width: 992px) 51px, 68px" alt="Cover art for Marcha Popular 2009">
By: Musica: Francisco Pinto

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Piano, Vocal & Guitar Chords (Right-Hand Melody)

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A duet for Bb Clarinet and Bass Clarinet, Swans abound in this concoction. See if you can source them all and find out what happens in the end. Separate parts are available and I recommend listening to the MP3. (If you like this, have a look at Ode to Passing Years) ?Ua9U 82UUa9U  m%U(1Uq (U(1U0"coreExchange ScoreTypes ScoreTypesIDID ? BBments.FamilyID='3' ORDER BY CommonInstruments.Ord tations.ID = InstrumentationsInGroups.InstrumentationID WHERE InstrumentationGroupID ='18' ORDER BY Instrumentations.Ord, Instrumentations.Name -00-00 00:00:00000000000-00-00 00:00:0000000-00-00 00:00:0000000-00-00 00:00:00000100.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00500000-00-00 00:00:00000001000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00 sangue das colectividades Formosa vai nossa gente a brilhar parece magia marchando rindo e cantando senti mos enorme_alegria 3. Alhos Vedros sempre_em festa de passado e tradição Não há terra como esta está no nosso coração Santo Antó nio e São Pedro aqui estamos de_arco e balão Juntamo nos nesta noite com alegria e_animação0Francisco Pinto1.502020-03-17 16:43:0601000100.00002020-03-17 16:43:41Marcha Popular 20090060000-00-00 00:00:0000-Marcha Popular 2009 Musica: Francisco Pinto 00000000-00-00 00:00:000000000-00-00 00:00:000000-00-00 00:00:00637679000.000.000.0000.00["161332","192714","504484","162581","8279","5126","11908","14069","1151","11939","2710","9486","6863","14366","8034","14200","13830","759","850"]2020-09-12 00:42:2910000-00-00 00:00:0000001650x474310.002023-03-18 17:37:082023-03-18 17:37:19102486716144910000-00-00 00:00:000000-00-00 00:00:00quest to take charge of St Columba Celtic Male Voice Choir. Also in 2001 I was appointed Director of Music to Wadebridge Choral Society. In August 2010, I decided to retire from choral conducting so that I could spend more time with my wife and family. However, in January 2011 I was asked if I would conduct a group known as "The Seriously AwEful Sinfonia" from north Cornwall. This group is made up of people from all walks of life who, having chosen to learn to play an instrument, wanted to form themselves into an orchestra. There is no audition and the only restriction on membership is that potential members cannot play an instrument they have played before. The group has been so successful that it now has over 45 members. The instrumentation is typically that of a symphony orchestra but in addition we have a "Bowed Psaltery" and 3 people playing "Squeezeboxes". This has meant that I have had to arrange pieces for them to play which has been very rewarding and most enjoyable. It has all been very interesting and exciting. Since my retirement from teaching, I have also been able to concentrate on composing and arranging for choirs as well as improving my IT skills. I have recorded and produced CD's for many choirs in the south west. Also, I produce "voice learning CD's" for choral societies and choirs. In some cases the work on voice CD's has resulted in my transcribing and producing printed scores especially where the original was a hand-written score. In 2014 my wife and I moved to Worthing. I soon became involved in the musical life of this town. In 2015 I formed a group called "Inspired Instrumentalists" under the auspices of the local U3A. We are a very varied selection of instrumentalists. There is no music arranged for this type of ensemble and has meant that I have had to put on my "arranging" cap again. We started with 6 members and have now grown to 36. To date (Oct 2018) we have given many concerts which have been very successful. Our biggest achievement is raising over £1000 for the church of St Botolph Worthing to help with repairs to the spire and main roof. I am now in charge of the choir at St Botolph's Church and sing Counter-tenor for them whenever possible.The choir has a very high standard and is equal to that of a cathedral. We have sung services in Portsmouth Cathedral and have spent the 2017 August Bank-holiday week-end singing in Worcester Cathedral. I am a keen golfer and have joined Barn Hill Golf Club.1507260100101626910000000-00-00 00:00:00100[{"on":1,"name":"scoreid"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"}]225.180000-00-00 00:00:000000-00-00 00:00:0001041402017-06-14 18:56:30{"width":300,"position-y-pc":"42","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":29,"width":99,"x":87,"center-y":78.5,"height":99,"center-x":136.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":26,"width":104,"x":85,"center-y":78,"height":104,"center-x":137}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":26,"width":108,"x":81,"center-y":80,"height":108,"center-x":135}]},"height":187,"position-x-combined":"45%","position-x":"center","position-y":"center","position-y-combined":"42%","average-center-x":136.166666666667,"average-center-y":78.8333333333333,"id":"CCE999D2-512A-11E7-816E-F2F3F011AE1A","position-x-pc":"45"}32019-06-06 16:24:3900000-00-00 00:00:004008200.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00540000-00-00 00:00:00001001$3329D716-886F-11E9-92BA-F3D41D17C629000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00position performed. Under USSR-imposed state atheism, many church institutions were systematically destroyed. Chesnokov served as choirmaster at the Cathedral of Christ the Savior in Moscow, Czar Nicholas’ great memorial to Russia’s having survived attack from Napolean. In 1931, when Stalin demolished the Cathedral to reclaim tons of gold in the edifice and make room for a memorial to Lenin, Chesnokov was so deeply disturbed that he stopped writing music altogether. Chesnokov died in 1944. //Most source information from Wikipedia.0051382017-03-31 16:02:30{"width":197,"position-y-pc":"38","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":76,"width":74,"x":63,"center-y":113,"height":74,"center-x":100}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":76,"width":72,"x":64,"center-y":112,"height":72,"center-x":100}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":76,"width":73,"x":65,"center-y":112.5,"height":73,"center-x":101.5}]},"height":300,"position-x-combined":"51%","position-x":"center","position-y":"top","position-y-combined":"38%","average-center-x":100.5,"average-center-y":112.5,"id":"163D9DBA-1623-11E7-8BD4-D06B147007CB","position-x-pc":"51"}32884372017-06-09 17:10:170000-00-00 00:00:00194173000.004.950.0000.00["139342","38358","198997","123514","74570","22905","57747","146829","21926","141529","166764","123742","108869","78355","75785","93146","123516","180210","123515","154728"]2020-09-14 11:37:3712019-09-25 13:22:161C7D2B72-DF8F-11E9-BF25-78193830001650x840005.002023-03-04 04:13:072023-03-04 04:13:133638516171350000-00-00 00:00:000000-00-00 00:00:00mbridge Elementary School Strings, Landmark East, Kings-Edgehill, Berwick and District) and academies (Annapolis Music Academy, Dorian Hall), he now teaches and conducts at his own studio in the fields of classical, pop and jazz music, violin, fiddle, viola, cello, double bass, guitar, piano, clarinet, saxophone, trombone, theory, harmony, history, counterpoint, analysis, conducting and composition. Many of his students have gone on to continue their studies after high school in musical fields such as composition, performance, media/production and music therapy at Acadia University, Berklee College of Music and University of Toronto to name a few. Several of his students also compose, arrange and publish their own works, play in orchestras and teach in a number of different environments. 185119010011 My Scores2476410000000-00-00 00:00:00110[{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":0,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"},{"on":0,"name":"mp3"},{"on":0,"name":"composer"},{"on":0,"name":"subtitle"}]1132.110000-00-00 00:00:000000-00-00 00:00:00010002021-03-12 14:10:20{ "faces" : {} } 02021-03-12 14:10:1900000-00-00 00:00:00400156710.002020-07-29 13:09:1010Account0000-00-00 00:00:002024-04-04 08:06:232020-01-31 13:09:102020-01-31 13:02:571002018-09-29 22:05:50110001$AD365C0E-833C-11EB-A50C-788383FEA0E1000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00'priceInCurrency'>$1.50
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