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Little Pieces for Young String Orchestra Desiderio
by Sabra Lindgren
String orchestra
$3.95
Charakter Suite : 1. Der Bürokrat (CLC)/Score & Parts)
by Juri Geworkian
Large mixed ensemble
$10.00
A Babe is Born. SAB
by Robin Highcock
Choir + keyboard
$1.50
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Ycdef ScoreExchangeUsersUsersSellerDiscountOverrideSellerDiscountOverride ? Iddef ScoreExchangeUsersUsersEmailConfirmedEmailConfirmed ?Medef ScoreExchangeUsersUsersNeedsNewPasswordNeedsNewPassword ??fdef ScoreExchangeUsersUsers CreatedIP CreatedIP !-ýUgdef ScoreExchangeUsersUsersEmailConfirmRequiredEmailConfirmRequired ?]hdef ScoreExchangeUsersUsersEmailConfirmRequiredDateEmailConfirmRequiredDate ? iþjþFlute and Clarinet Holiday Collection Vol. 1560322011-10-09 08:56:402017-11-22 17:26:37sib456500000-00-00 00:00:00515644trad.Nova Pon0010ü Five favorite Christmas carols are arranged attractively with engaging interest for both flute and clarinet. Jingle Bells, Dancing Day, Deck the Halls, O Holy Night and We Wish You a Merry Christmas. Live MP3's available for for each in the Associated scores.6.9901001.502011-05-08 18:06:07001653401110`{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } 0.00002011-05-08 18:06:21+Flute and Clarinet Holiday Collection Vol 1û00112013-04-24 02:45:5800ûüBFlute and Clarinet Holiday Collection Vol. 1 trad. Nova Pon Five favorite Christmas carols are arranged attractively with engaging interest for both flute and clarinet. Jingle Bells, Dancing Day, Deck the Halls, O Holy Night and We Wish You a Merry Christmas. Live MP3's available for for each in the Associated scores.00000000-00-00 00:00:000002017-06-09 17:10:170000-00-00 00:00:00283409000.00û6.990.00ûûûûû00.00§["95870","146639","51476","103406","77291","97760","88439","92164","91598","198751","95837","21160","34819","113087","22921","136003","198761","21151","89776","43956"]2020-09-09 07:18:0500000-00-00 00:00:00000û01650x919013.002023-04-27 19:42:042023-04-27 19:42:096075845343370000-00-00 00:00:000000-00-00 00:00:00ûûmþ300000-00-00 00:00:00000û01650x919005.002023-04-27 19:42:112023-04-27 19:42:133816193659540000-00-00 00:00:000000-00-00 00:00:00ûûmþd tools to work with and some encouragement, he proved me wrong. Two years later, I had enough pieces written to put together a CD for my family and start my own website. I’ve always enjoyed listening to and playing music in a wide variety of styles, and now I’ve been able to carry that into my writing as well, experimenting with everything from New Age and classical to boogie woogie, swing, funk, and gospel blues. I like the challenge of taking a simple, familiar tune like “Twinkle, Twinkle, Little Star†and putting a new twist on it to give it a whole different feel. And I love being able to take an experience from life, like hiking to the top of a mountain, and creating an original piece of music to capture the sights, sounds, and emotions, allowing me to relive the experience and share it with others. Music is the best way I know how to express my feelings of joy, awe, love, struggle, pain, gratitude, and faith in God. OTHER INTERESTS In addition to music (yes, there is more to life than just music), I like to hike, play pickleball and wallyball, go on bike rides, read, camp in the back of our now-empty minivan, and occasionally bake delicious goodies to make up for the calories I burn doing some of those other things. There’s never enough time for everything I want to do, of course. But music has always made me happy and it’s exciting to be able to share that with others as I continue to learn and bring new music to life. I’m so grateful for all the support and positive feedback I’ve received. It always makes my day to hear from someone who has discovered my music and had a good experience with it.000001028049810000000-00-00 00:00:000001122.500000-00-00 00:00:000000-00-00 00:00:000009342018-10-23 05:34:39ü{"width":195,"position-y-pc":"0","faces":{"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"F3B57346-D67C-11E8-B1BD-91FEA38C3872","position-x-pc":"0"}02019-06-06 16:31:1600000-00-00 00:00:0040022900.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00500000-00-00 00:00:00001101$20308064-8870-11E9-BE21-F3D41D17C629000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00kþ02-21 17:27:06501410558720140000-00-00 00:00:000000-00-00 00:00:00ûûmþ "center-x" : 170 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [ { "y" : 243, "width" : 39, "x" : 150, "center-y" : 262.5, "height" : 39, "center-x" : 169.5 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 288, "position-x-combined" : "57%", "position-x" : "center", "position-y" : "bottom", "position-y-combined" : "bottom", "average-center-x" : 169.75, "average-center-y" : 261.75, "id" : "6C373E42-59B2-11E7-8D03-9B0F865DACA9", "position-x-pc" : "57" } 22019-06-06 16:24:0600000-00-00 00:00:0040153300.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00562019-11-03 16:56:51011011$1FE11F20-886F-11E9-9F08-F3D41D17C629000000-00-00 00:00:0000000-00-00 00:00:000000-00-00 00:00:0001000000-00-00 00:00:00kþ82-512A-11E7-B5E3-AE16AD036CA8","position-x-pc":"51"}32019-06-06 16:24:0700000-00-00 00:00:004003000.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00500000-00-00 00:00:00000001$20594770-886F-11E9-BE21-F3D41D17C629000000-00-00 00:00:0002023-05-18 08:04:522023-08-16 08:13:2301000000-00-00 00:00:00kþus, Oh Christmas tree oh Christmas tree, your branches green delight us. They're green when summer days are bright, they're green when winter snow is white. Oh Christmas tree oh Christmas tree, your branches green delight us. Should old aquaintance be forgot and never brought to mind. Should old aquaintance be forgot and days of old lang syne. For auld lang syne my dear, for auld lang syne, we'll take a cup of kindness yet for auld lang syne.02011 By Chad Criswell1.502011-10-24 01:13:4211000100.00002011-10-24 01:16:16)14 Easy Christmas Carols For Concert Bandû00422013-03-15 13:55:2700ûüW14 Easy Christmas Carols For Concert Band Traditional Chad Criswell The music in this arrangement is intended for beginners and should be playable by most students after a few months of study. 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´úUD€rúU0´úUD rúU@´úUDÀrúUP´úUDàrúU`´úUDsúUp´úUD súU öúU€´úUD @súU´úUD súU ´úUDÀsúU°´úUDàsúUÀ´úUDtúUдúUD túUà´úUD@túUð´úUD`túUµúUD€túUµúUD túU µúUD oúU0µúUDÀoúU@µúUDàoúUPµúUDpúU`µúUD púUpµúUD@púU€µúUD`púUµúU µúUD€púU°µúUD púUðEVúU`„gúU`ÂúUpúúúU ÃÁúUÀµúUDÀpúUеúUDàpúUàµúUDqúUðµúUDÐxúU¶úUDyúU¶úUD°yúU ¶úUDÐyúU0¶úUDðyúU@¶úUD zúUàFúU0=úU}!úUDÐÿ!úUPL]úUêÁúU0"úUDA"úU`"úUD`A"úUp"úUD€A"úU€"úUD A"úUp¯)úU qúU°K2úU2ÐGúU˜>úUÇúUD7 úU Ò(úU pëúUD ZúU0HúU0ëúUD ZúU°Ì6úUÐÌ6úUD€=5úUðÒ6úUD í6úU]*úUdefScor1Pb&úUøHúUÏýŠú174995!8283¸÷g#!2017-06-09 17:10:17úU10000-00-00 00:00:00¸ŸúU0!As Steals the Morn!26g#¸÷g#!0g#¸÷g#!3g#¸÷g#!2g#¸÷g#!2011-11-01 07:41:13!2022-09-22 03:35:26!George Frideric Handel!Joyce MoormanØ úU!1740¸÷g#èŸúU10g#Ø÷g#0!sib#¸÷g#!16245¸÷g#!0g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!201#¸÷g#!7007¸÷g#!114#¸÷g#!1.50¸øg#¢úU!2018-08-27 20:58:10úU!0g#¸÷g#˜¡úU!0g#¸÷g#P¡úU!17031¸÷g#@¢úU!÷g#¸÷g#À úU!1g#¸÷g#èŸúU10g#Ø÷g#ø¡úU0!7g#(þg#ðLúU±Because of two missing notes in measure 6, I removed the score submitted 1/7/2002. This is the same score with the two notes. This piano part was commissioned.itedE!5.95¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!Charles Jennens!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#¢úU!551558¸÷g#!0g#¸÷g#ø¤úU!0g#¸÷g#!0.00¸÷g#@¢úU!5.95¸÷g#¥úU!0.00¸÷g#èŸúU!0g#¸÷g#¤úU!÷g#¸÷g#p¢úU!0.00¸÷g#Ø úU±["52827","43370","103986","106114","411917","144278","199124","68167","152934","126421","207843","201896","90063","175453","176509","176687","128908","12944","189568"]!2020-08-30 15:59:34!1g#þg#QúU!0g#¸÷g#q{ "GroupOrd" : null, "StoreGroupOrd" : "50280", "StoreGroupID" : "0", "GroupID" : "0" } U!100.3728÷g#!2018-08-27 20:59:16!As Steals the Morn!0g#¸÷g#!0g#¸÷g#!10g#¸÷g#!2013-04-17 15:33:20!0g#¸÷g#!0g#¸÷g#As Steals the Morn George Frideric Handel Charles Jennens Joyce Moorman Because of two missing notes in measure 6, I removed the score submitted 1/7/2002. This is the same score with the two notes. This piano part was commissioned.úUdefScor!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#£úU0©úUˆ¨úUh¡úU0£úU8¤úUh¤úU@¨úU¦úUø§úU€¤úUð£úU¸ŸúU¸¨úUà§úU`£úU §úUH %úU¡úUx úUð¦úUp¨úU°§úU¨¦úU(¨úUˆ¢úUè¨úU@¥úUX¥úU¨úUè¥úUÀ¦úUÀ£úU£úU©úUp¥úU˜§úU¨ úU¢úU0¦úUx¦úU¦úUø¤úUh§úU(¢úU8§úU¨£úU@¢úUX¢úU°¤úUX¨úUȧúUèŸúU©úU ¡úU¤úU úU8¡úUp¢úU¸¥úUH úUP¤úUØ úU(ŸúU˜¡úUP§úU©úU€§úUШúUئúU¸¢úUH¦úU¦úUð úU`¦úUÈ¡úUø¡úU ¥úUDeleted!1g#Èýg#YúU!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!217#¸÷g#!280#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x840¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-02-13 15:44:51!2023-02-13 15:45:12!1853644¸÷g#!2320559¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QH©úU1€› úUÈ[úUî°!120167!174995¸÷g#!1.50ø÷g# ªúU12015-10-07 19:30:49ð©úU0AThree Kings from Persian lands afar [Cornelius]Æ\úU!26g#¸÷g#!0g#¸÷g#!3g#¸÷g#!1g#¸÷g#!2015-10-07 19:30:41!2024-04-18 17:38:10!Corneliusg#°ªúU!÷g#¸÷g#«úU!0g#¸÷g# ªúU10g#Ø÷g#0!sib#¸÷g#!62021¸÷g#!0g#¸÷g#1Cornelius_Three_Kings_Gma.sib¡^úU!2015-10-07 19:30:41!68g#¸÷g#!2726¸÷g#!33g#¸÷g#!0g#¸øg#H¬úU!1g#¸÷g#«úU!0g#¸÷g#ЫúU!÷g#¸÷g#ˆ«úU!0g#¸÷g#x¬úU!0g#¸÷g#øªúU!1g#¸÷g# ªúU10g#Ø÷g#0¬úU0!2g#Øüg#ð_úU!÷g#¸÷g#!2.50¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#1.. Three kings from Persian lands afar To Jordan follow the pointing star: And this the quest of the travellers three, Where the new born King of the Jews may be. Full royal gifts they bear for the King; Gold, incense, myrrh are their offering. 2.. The star shines out with a steadfast ray; The kings to Bethlehem make their way, And there in worship they bend the knee as Mary's child in her lap they see; Their royal gifts they show to the King, Gold, incense, myrrrh are their offering. 3.. Thou child of man— lo, to Bethlehem The kings are trav'lling— travel with them! The star of mercy, the star of grace, Shall lead thy heart to its restingplace. Gold, incense, myrrh thou canst not bring; Offer thy heart to the infant King, Offer thy heart!úU!÷g#¸÷g#!0g#¸÷g#!Lower¸÷g#AOnline printing in any key from www.schubertline.co.uk!÷g#¸÷g#aThree Kings from Persian lands afar [Cornelius] Lower Cornelius Schubertline peúU!0g#¸÷g#,eúU!1g#¸÷g#SeúU!0g#¸÷g#eExchang!0g#¸÷g#edScoUp!0000-00-00 00:00:00úU!÷g#¸÷g#ÌeúU!0g#¸÷g#õeúU!882#¸÷g#eExchang!1240¸÷g#tingTit!2020-09-13 00:43:39úU!1g#¸÷g#lfúU!2024-03-01 17:17:50úU1A19872AA-D7EF-11EE-96FD-B39C539980F0es!177353¸÷g#Network!0g#¸÷g#ÐfúU!0g#¸÷g#"gúU!0g#¸÷g#>gúU!1g#¸÷g#eScores!650x840¸÷g# @!0g#¸÷g#def!0g#¸÷g#ÁgúU!5.00¸÷g#ígúU!2023-04-03 12:12:20res!2023-04-03 12:12:27!410821¸÷g#hange!646653¸÷g#ahúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00res!12g#€¨ËúU 10g#Ø÷g#Nckedв'úU0!7.95ø÷g#`9 úU10g#Ø÷g#09 úU0¡Laudamus Te (VIVALDI) from "Gloria" [RV589], vocal duet for two treble (Soprano) voices with Piano accompaniment, arr. by Pamela Webb Tubbs to sing key!26g#¸÷g#congrega!0g#¸÷g#!3g#è÷g#Scores!2g#¸÷g# !2018-03-30 16:14:25l k!2018-04-09 17:32:16!5g#ø÷g#¨î$úU1÷g#Ø÷g#xî$úU0AO Holy Night (Cantique de Noël) [Adam]is shoulder, an!26g#¸÷g#ed Wonde!0g#¸÷g#ty God, !3g#¸÷g#The Prin!1g#è÷g#ting Fat!2015-09-22 17:45:47ÑFor Unto Us a Child is Born (HANDEL) from "Messiah," for UNISON VOICES with piano accompaniment (condensed and transposed for choral introit or congregational response), arr. by Pamela Webb TubbsPart!0g#¸÷g#!3g#¸÷g#!2g#¸÷g#!2013-12-18 03:31:12!2018-12-16 18:28:17!1741ø÷g#12013Ø÷g#0à¾(úUªhmúU®)úU "PúUp–¢úU0úU¨ÀúU H^ úU¸¿úU €p&úU Y úU €P] úUh¿úU @ $ªúU0‡®úUDÒ úU@Z úU € Ñ úUØmúU¿úU @pY'úU°y$úU€Z úUˆnúU€ÊúU núU°ÊúU¸núUhÊúUÐnúUpdúUDP\ úUoúU€múUoúU(”#úUÐü'úUD  öúUHoúU „úU`oúU(”#úUp;úU à¿úU @°] úUÀúU @ €&úU0ÀúU @ ~&úUXÀúU €àúU  ÂúU@ÓÝúUp}TúU€ÂúUðEVúU`„gúU`ÂúUpúúúU ÃÁúUn¸úU€—¼úU Š‹úUÀ«^úUÐÞ)úUz¾úU ÂúUÐÇèúUˆqúU@–¢úUD€&ªúU€¾ÆúUDp¾)úUЧ’úU ­“úUPO2úU2rúUÀ(úU9úU ˆRËúU @úUÀðûúU @@: úU@W úU €à9 úU`RËúU @`: úUàG$úU €PY'úU°ukúU€~‹úU€Y'úU lòúUðÎ.úUPL]úUêÁúU`Q]úUàDÂúU0ä‹úUPŽÑúUðÃÁúU 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Piano 4 hands G.Bizet arranger Transcription for piano 4 hands for pianists in the first 3 years of study!0g#¸÷g#e•úU!0g#¸÷g#!0g#¸÷g# !0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g# !0g#¸÷g# !0g#¸÷g#!0g#¸÷g#¨e•úU!2020-09-01 21:06:01!0g#¸÷g# !0000-00-00 00:00:00!÷g#¸÷g#ðe•úU!0g#¸÷g#!0g#¸÷g# !0g#¸÷g#!0g#¸÷g#Hf•úU!1g#¸÷g#!650x919¸÷g# !0g#¸÷g#!0g#¸÷g#°f•úU!5.00¸÷g# !2023-03-07 05:35:09!2023-03-07 05:35:09!450373¸÷g#g•úU!285698¸÷g# !0000-00-00 00:00:00!0000-00-00 00:00:00!ýg#hýg#ðáúU!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#aThis arrangement copyright © Simon Peberdy 2019 www.simonpeberdymusic.com!÷g#¸÷g#!2019-02-23 10:56:00úU!0000-00-00 00:00:00!÷g#¸÷g#`™úU!275364¸÷g#!0g#¸÷g#¨™úU!0g#¸÷g#x™úU!0.00¸÷g#P™úU!5.97¸÷g#p™úU!3.98¸÷g#Ø™úU!0g#¸÷g#@™úU!÷g#¸÷g#™úU!0.00¸÷g#¨™úU!5181698øg#ores WHE!2020-06-09 07:03:24úU10000-00-00 00:00:00X™úU0!59g#È÷g# !1g#¨üg#åúU!0g#¸÷g#!0.0000¸÷g#!2019-02-23 10:52:58!0g#¸÷g#!0g#¸÷g#!6g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#Round O' (H Purcell) Arranged for 2 pianos, 4 hands by Simon Peberdy Piano II: Henry Purcell Piano I: Simon Peberdy Simon Peberdy One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos. This piece comes from "Easy Pieces for 2 Pianos Book 4", (Book 1, 2 , and 3 are also available). (The mp3 recording is a computer generated one at the moment.!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#Á["202690","180989","98351","188563","167030","361153","170054","131447","129111","200145","32301","138028","193198","363271","186434","155044","187321","176895","129953","193186"]!2020-09-07 22:41:10!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x919¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-03-14 05:48:54!2023-03-14 05:49:05!942257¸÷g#!1100328¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qø™úU1` #úUíúU«Kª361152¸&*úUhäRúUˆz¾úU€äRúUXY]úUøäRúUZ]úU8äRúUȵÁúUæRúU8u6úUøÝHúUx ÄúUP$IúUèEVúUØãRúU¸V]úUpIúU˜¶ÁúU¸ëRúUÈÇèúUÀãRúUÀÁúU`;HúUx¸ÁúUx;HúU(¹ÁúU;HúUèqúU¨;HúUعÁúUÀ;HúUïúU¨ºÁúUØ;HúUx»ÁúUð;HúUøíúU¸šúUúU°HúUhO]úU>HúUXñúUÂúU0>HúUH[úUlòúUH>HúUxoòúU`>HúU¨‚¼úUx>HúUØ•¼úU>HúUx—¼úU¨>HúU˜íúUxFaúUÀ>HúU˜HaúUØ>HúUˆÂúUð>HúUXÂúU?HúUx%úU ?HúUÈ ÂúU8?HúU˜ 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15:25:43!673#¸÷g#!31493¸÷g#!314#¸÷g#!0g#¸øg#x#úU!÷g#¸÷g#¸½"úU!0g#¸÷g#ØÄ"úU!0g#¸÷g#8¼"úU!1g#¸÷g# Æ"úU!0g#¸÷g#»"úU!÷g#¸÷g#h¼"úU1185.0720÷g#`¾"úU0!8g#üg#`PúUQThis new edition of Celtic Suite has been completely revised to include more specific performance direction and rebalanced dynamics, as well as minor adjustments to certain voicings. Special thanks to the wonderful City Bells sax quartet (www.citybells.co.uk) for providing the recording from which the mp3 excerpts are taken.!24.00¸÷g#!1g#¸÷g#Père ar!0g#¸÷g#onde_ent!0g#¸÷g#nce A ce!÷g#¸÷g#n Sauveu!÷g#¸÷g#ends ta !0g#¸÷g#l! voici!÷g#¸÷g#Noël! vaRevised Edition. Copyright © 2011 Gavin Whitlock - All rights reserved.eau de l'enfant!for Séang#toile br!1g#¸ùg#x#úU!2g#¸÷g#!32.00¸÷g# !úU!24.00¸÷g#!32.00¸÷g# Æ"úU!24.00¸÷g#½"úU!0g#¸÷g#h¼"úU!÷g#¸÷g#àÅ"úU!0.00¸÷g#0Ä"úU±["99380","123313","15198","59575","141178","146005","45458","15627","118993","92149","30722","129911","30723","35582","15922","190296","168027","99521","190369"]"úU!2020-09-18 22:25:56úU!0g#¸÷g# !8.00(øg#ta déli!2011-09-16 15:25:58ns l!1g#è÷g#ël! cha!1g#¸÷g# Z]úU`@úUȵÁúUx@úU8u6úU@úUx ÄúU¨@úUèEVúUÀ@úU¸V]úUØ@úU˜¶ÁúUð@úUÈÇèúUAúUÀÁúU AúUx¸ÁúU8AúU(¹ÁúUPAúUèqúUhAúUعÁúU€AúU WúU¨ºÁúU˜AúUx»ÁúU°AúU€VúU¸šúUÈAúUÈk¸úUàAúUXúUn¸úUøAúUè½ÁúUBúUˆ¿ÁúU(BúUˆÀÁúU@BúUxÁÁúUXBúU˜>úUpBúUÃÁúUˆBúUÀî$úUèÃÁúU BúUx~‹úU¸BúUh·ÁúUÐBúUÇÁúUèBúU(Ý»úUCúU ï$úUx]µúUCúUêÁúU0CúUø¸ÝúUHCúUøúúU`CúU¨eúUxCúUýÁúUCúUØÃúU¨CúUHL]úUÀCúUhO]úUØCúUàYúUÂúUðCúUðî$úUlòúUDúUxoòúU DúU¨‚¼úU8DúUØ•¼úUPDúUx—¼úUhDúU VúUxFaúU€DúU˜HaúU˜DúUˆÂúU°DúUXÂúUÈDúUx%úUàDúUÈ ÂúUøDúU˜ ÂúUEúUî$úU¸ÂúU(EúUHXúU¨ukúU@EúU`î$úUH3kúUXEúU¸WúU¤^úUpEúU€ï$úU¸«^úUˆEúUÂúU EúUpWúU¨ÂúU¸EúUÈÞ)úUÐEúU˜á)úUèEúUøÛ)úUFúUXZúUhúúúUFúUÈ2!úU0FúUPï$úU86(úUHFúU¨XúUhÂúU`FúUÅÁúUxFúU ZúU8ÓÝúUFúU(ÂúU¨FúUxÂúUÀFúUðXúU¸ÈÁúUØFúUHÂúU€5´úUˆ<ÂúUò³úU(ä‹úU3úU˜YúUxY'úUØ7úUˆHVúUxñ³úUØÛ.úU03úUhYúUH&úUÀ3úU˜öúUØ3úUØ[úUÂ]úUH úUXCÂúU3úUDÂúU¨3úUØDÂúU` úUPVúUX„gúUx úUH§¸úU úU˜ýúU¨ úUh}TúUÀ úUp]úUØ·~úUØ úU^úUˆ­úUàGúU¨U)úU|úUü(úUˆ úU¸„úUèWúUÈÓGúUÀ=úUècúUˆ¹TúUx|úU¨GáúUÈGúUèÏ`úU¨|úUXQ]úUÀ|úUHR]úUØ|úUU]úUð|úUHŽÑúU}úUx^úUhŸúU }úUèÎ.úU8}úUx¸TúUP}úUg¸úUh}úUèU]úU€}úU8Ô.úU˜}úUè`úUȆ‹úU°}úU0dúU˜Š‹úUÈ}úU¸&*úUà}úUˆz¾úUø}úUXY]úU~úUZ]úU(~úUȵÁúU@~úU8u6úUX~úUx ÄúUp~úUèEVúUˆ~úU¸V]úU ~úU˜¶ÁúU¸~úUÈÇèúUÐ~úUÀÁúUè~úUx¸ÁúUúU(¹ÁúUúUèqúU0úUعÁúUHúUØaúU¨ºÁúU`úUx»ÁúUxúU¸`úU¸šúUúUÈk¸úU¨úUPbúUn¸úUÀúUè½ÁúUØúUˆ¿ÁúUðúUˆÀÁúU€úUxÁÁúU €úU˜>úU8€úUÃÁúUP€úU_úUèÃÁúUh€úUx~‹úU€€úUh·ÁúU˜€úUÇÁúU°€úU(Ý»úUÈ€úUh_úUx]µúUà€úUêÁúUø€úUø¸ÝúUúUøúúU(úU¨eúU@úUýÁúUXúUØÃúUpúUHL]úUˆúUhO]úU úUdúUÂúU¸úU8_úUlòúUÐúUxoòúUèúU¨‚¼úU‚úUØ•¼úU‚úUx—¼úU0‚úUX`úUxFaúUH‚úU˜HaúU`‚úUˆÂúUx‚úUXÂúU‚úUx%úU¨‚úUÈ ÂúUÀ‚úU˜ ÂúUØ‚úUØ^úU¸ÂúUð‚úU€búU¨ukúUƒúU¨^úUH3kúU ƒúUðaúU¤^úU8ƒúUÈ_úU¸«^úUPƒúUÂúUhƒúU¨aúU¨ÂúU€ƒúUÈÞ)úU˜ƒúU˜á)úU°ƒúUøÛ)úUȃúUdefScor 1. O holy night! The stars are brightly shining, It is the night of the dear Saviour's birth. Long lay the world in sin and error pining, Till He appeared and the soul felt its worth. A thrill of hope the weary world rejoices, For yonder breaks a new and glorious morn; Fall on your knees, O hear the angel voices! O night divine, O night when Christ was born! O night divine, O night, O night divine! Led by the light of Faith serenely beaming, With glowing hearts by His cradle we stand. So, led by light of a star sweetly gleaming, here came the wise men from the Orient land. The King of kings lay thus in lowly manger, In all our trials born to be our friend; He knows our need, to our weakness no stranger; behold your King! Before Him lowly bend! Behold your King! your King before Him bend! Truly He taught us to love one another, His law is love, and His gospel is peace; Chains shall He break, for the slave is our brother, And in His name all oppression shall cease. Sweet hymns of joy in grateful chorus raise we, Let all within us praise His holy name; Christ is the Lord, Sing praise to Him forever, His pow'r and glory evermore proclaim! His pow'r and glory evermore proclaim! 2. Minuit, Chrétiens, c'est l'heure solennelle Où l'Homme Dieu descendit jusqu'à nous, Pour effacer la tache originelle, Et de son Père arrêter le courroux. Le monde_entier tressaille d'espérance A cette nuit qui lui donne un Sauveur! Peuple_à genoux! Attends ta délivrance! Noël! Noël! voici le Rédempteur! Noël! Noël! voici le Rédempteur! De notre foi que la lumière ardente nous guide tous au berceau de l'enfant, comme autrefois une étoile brillante y conduisit les chefs de l'Orient. Le Roi des rois naît dans une humble crèche; puissants du jour, fiers de votre grandeur, à votre_orgueil c'est de là qu'un Dieu prêche; courbez vos fronts devant le Rédempteur, courbez vos fronts devant le Rédempteur. Le Rédempteur a brisé toute entrave, La terre est libre_et le ciel est ouvert; Il voit un frère_où n'était qu'un esclave, L'amour unit ceux qu'enchaînait le fer. Qui lui dira notre reconnaissance? C'est pour nous tous qu'il naît, qu'il souffre_et meurt. Peuple, debout, Chante ta délivrance, Noël! Noël! chantons le Rédempteur, Noël! Noël! chantons le Rédempteur!1oúU!0g#8þg#ðnúU!High¸÷g#AOnline printing in any key from www.schubertline.co.uk!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#ÈYúU!23192¸÷g#!0g#¸÷g#WúU!0g#¸÷g#àYúU!0.00¸÷g#¨î$úU!4.50¸÷g#ØXúU!2.00¸÷g#@WúU!0g#¸÷g#˜ï$úU!÷g#¸÷g#hVúU!0.00¸÷g#ZúUQ^úUAˆqúU+^Ç176687@!1g#(þg# qúU!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2015-09-22 18:56:161O Holy Night Cantique de Nol AdamúU!0g#¸÷g#!0g#¸÷g#!7g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#aO Holy Night (Cantique de Noël) [Adam] High Adolphe Adam Schubertline !0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!882#¸÷g#!1240¸÷g#`XúU^úUX]úU8VúUXúUYúU8YúU]úUÐZúUÈ\úUPYúUÀXúUxî$úUˆ]úU°\úU0XúUð[úU $%úUÈï$úU8ï$úUÀ[úU@]úU€\úUx[úUø\úUXWúU¸]úUZúU(ZúUà\úU¸ZúU[úUXúUÐWúUÐ]úU@ZúUh\úUhï$úUàVúU[úUH[úUèZúUÈYúU8\úUøVúU\úUxXúUWúU(WúU€YúU(]úU˜\úU¨î$úU`^úUðUúUØXúUØî$úUVúU@WúUˆZúUï$úU YúU˜ï$úUèí$úUhVúU \úUè]úUP\úU ]úU¨[úUˆWúU[úU`[úU°ï$úU0[úU˜VúUÈVúUpZúU?Á["52827","106114","43370","103986","68167","144278","411917","199124","8283","207843","201896","152934","126421","90063","175453","128908","176687","175859","411251","12944"]P¨úU!2020-09-08 20:51:25!1g#¸÷g#!2024-02-26 17:45:591E6BA66C8-D4CE-11EE-96FD-B39C539980F0!177353¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x840¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-02-18 02:01:36!2023-02-18 02:02:14!2340247¸÷g#!3359169¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00à8úUªð{úU€ëúUDÀZúU@ëúUD@ZúUPëúUD`ZúUp°)úU  ˜úUàkNúUDðv$úUÐkNúUD`w$úUÀkNúUD€w$úU°kNúUD w$úU kNúUD°®;úU@2)úUDЮ;úU`2)úUDð®;úU ·úUD¯;úU°·úUDÀ¯;úUÀ·úUDà¯;úUзúUD°;úUà·úUD °;úUð·úUDP°;úU¸úUDp°;úU¸úUD°;úU ¸úUD°°;úU0¸úUD0¯;úU@¸úUDP¯;úUáúUDp¯;úU áúUD¯;úU0áúUDа;úU@áúUDð°;úUPáúUDP±;úU`áúUDp±;úUpáúUD±;úU€áúUD°±;úUáúUD ‘úU áúUD°’úU°áúUDÐ’úUÀáúUDð’úUÐáúUD“úUàáúUD0“úUðáúUDúUâúUD úUâúUD@úU âúUD`úU0âúUD€úU@âúUD úUPâúUDÀúU`âúUDàúUpâúUD`•úU€âúUD€•úUâúUD •úU âúUDÀ•úU°âúUDà•úUÀâúUD–úUÅÁúUÐâúUD –úUàâúUD@–úUðâúUD`–úUãúUD€–úUãúUD –úU ãúUDÀ–úU öúU0ãúUDà–úU@ãúUDp—úUPãúUD—úU`ãúUD°—úUpãúUDЗúU€ãúUDð—úUãúUD˜úU ãúUD0˜úU°ãúUDP˜úUÀãúUDp˜úUÐãúUDw$úUàãúUD0w$úUðãúUDP“úUäúUDp“úUäúUD“úU äúUD°“úU0äúUDГúU@äúUPäúUDð“úU`äúUD”úUðEVúU`„gúU`ÂúUpúúúU ÃÁúUpäúUD0”úU€äúUDP”úUäúUDp”úU äúUD”úU°äúUD ¬úUÀäúUDÀ¬úUÐäúUDà¬úUàäúUD­úUðäúUD0­úU¨„úU°GúU"úUDÀA"úUPL]úUêÁúU`"úUDðx"úU"úUDPy"úU "úUDpy"úU°"úUDy"úU0¯)úU ¿úUM2úU2˜…úU`|úU@¸ úUDà} úU€úU @`³'úUÂúUD°gúUø…úUÀÁúUD0gúUÓ6úUD@í6úU0Ó6úUD€í6úU _7úUD`”7úU]*úUÂúUDÐgúUÐÁúUDPgúUàÁúUDpgúU°°)úU  UúU`kNúUDIúUPkNúUD€IúU@kNúUD IúUjNúUDÀIúU kNúUDàIúUkNúUDJúU lNúUD JúUPæúUD@JúU`æúUDðJúUpæúUDKúU€æúUD0KúUæúUDPKúU æúUDpKúU°æúUDKúUÀæúUD°KúUÐæúUDÐKúUàæúUD`JúUðæúUD€JúUçúUD JúUçúUDÀJúU çúUDMúU0çúUD MúU@çúUDÐMúUPçúUDðMúU`çúUDNúUpçúUD0NúU€çúUDPNúUçúUDpNúU çúUDNúU°çúUD°NúUÀçúUDÐNúUÐçúUDðNúUàçúUDðKúUðçúUDLúUèúUD0LúUèúUDPLúU èúUDpLúU0èúUDLúU@èúUD°LúUPèúUDÐLúU`èúUD QúUpèúUD@QúU€èúUD`QúUèúUDÐQúU èúUDðQúU°èúUDRúUÅÁúUÀèúUD0RúUÐèúUDPRúUàèúUDpRúUðèúUDRúUéúUD°RúUéúUDÐRúU(³úU!76g#¨ûg#ð‹úU!0g#¸øg#ˆ; úU!1g#¸÷g#P: úU!0g#¸÷g#; úUq{ "GroupOrd" : "0", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "31127" } úU!32.3264è÷g#@; úU!2019-02-20 21:24:25!2g#xúg#x‹¸úU!1g#Xúg#‹¸úU!0g#¸÷g#Š¸úUñ1. Laudamus te. Benedicimus te. Adoramus te. Glorifica mus te. Laudamus te. Benedicimus te. Adoramus te. Glorifica mus te. Adoramus te. Adoramus te. Laudamus te. Benedicimus te. Adoramus te. Glorificamus te. Glorificamus te.!Traditional#!0g#¸÷g#!÷g#¸÷g#!Arrangement © 2013!÷g#¸÷g#!3.50ˆøg#!2019-02-20 21:22:53!1g#¸÷g#!1g#¸÷g#!165963¸÷g#!÷g#è÷g#!1g#¸÷g# !1.50¸øg#aúU!2015-10-24 16:24:00úU!0g#¸÷g# `úU!1g#¸÷g#X`úU!0g#¸÷g#HaúU!÷g#¸÷g#È_úU!0g#¸÷g#ð^úU10g#Ø÷g#aúU0¡1. Du holde Kunst, in wie viel grauen Stunden, wo mich des Lebens wilder Kreis umstrickt, hast du mein Herz zu warmer Lieb entzunden, hast mich in eine bessre Welt ent-rückt, in eine bessre Welt entrückt! Oft hat ein Seufzer, deiner Harf entflossen, ein süßer, heiliger Ak-kord von dir dem Himmel beßrer Zeiten mir erschlossen; du holde Kunst, ich danke dir da-für, du holde Kunst, ich danke dir!úU!÷g#¸÷g#!0g#¸÷g#!Lower¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#aúU!70839¸÷g#!0g#¸÷g#dúU!0g#¸÷g#!0.00¸÷g#HaúU!2.50¸÷g#dúU!0.00¸÷g#ð^úU!0g#¸÷g#cúU!øg#¸øg#xaúU!0.00¸÷g#à_úUÑ["52827","106114","103986","43370","411917","68167","144278","207843","411251","201896","152934","8283","126421","199124","90063","128908","175859","184822","175453","149514"]aúU(cúUÐ!1g#Èþg#P•úU!0g#¸÷g#!÷g#¸÷g#!62.8883¸÷g#!2015-10-24 16:24:41!An die Musik D547!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#‘An die Musik D.547 Lower Schubert Schubertline "To Music"; songs / lieder by Schubert available for online printing in any key.latinum!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 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@!2009-02-24 00:00:00úU!2023-08-16 00:00:00úU!øg#8øg#Ð’.úU!0g#¸÷g#¨²&úU!0g#¸÷g#°è.úU10g#Ø÷g#0!÷g#è÷g#øß‹úU!0g#¸÷g# !1g#¨ûg#ð# úU!207038¸÷g#‰¸úUQ2022 Bach-Gounod - Ave Maria (High voice duet) - Full Score.pdf1Ave Maria (Bach/Gounod) (Vocal duet)U!26g#¸÷g#@Š¸úU!0g#¸÷g# Š¸úU!3g#¸÷g#ä‹úU!2g#¸÷g#ðá‹úU!2022-12-13 00:28:45úU!2024-02-23 00:05:17úUQJ.S. Bach (1685-1750) adapted by Charles Gounod (1818-1893)úU˜ý úU!John Rossg#øý úU!0g#¸÷g# !pdf#¸÷g#!149#¸÷g#!0g#¸÷g#!2022-12-13 00:28:45!57g#¸÷g#!4527¸÷g#!33g#¸÷g#!3.99¸øg#!úU!0000-00-00 00:00:00úU!1g#¸÷g#ÿ úU!0g#¸÷g#Hÿ úU!0g#¸÷g#8!úU!÷g#¸÷g#¸þ úU!0g#¸÷g#àý úU10g#Ø÷g#ðÿ úU0!2.00¸þg#ð' úU!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#1. O, helga natt o helga stund för världen, dÃ¥ Gudamänskan till jorden steg ned! För att försona världens brott och synder för oss han dödens smärta led. Och hoppets strÃ¥le gÃ¥r igenom världen, och ljudet skimrar över land och hav. Folk fall nu neder och häl sa glatt din frihet. O, hel ga natt, du fräls ning Ã¥t oss gav; O, hel ga natt, du frälsning Ã¥t oss gav. Folk fall nu neder och häl sa glatt din frihet. O, hel ga natt, du fräls ning Ã¥t oss gav; O hel ga natt, du frälsning Ã¥t oss gav. 2. Ty fräl sarn kros sat vÃ¥ra tunga bojor, vÃ¥r jord är fri, himlen öppen nu är. Uti din slav du ser en älskad broder, och se din ovän ska bli dig sÃ¥ kär. FrÃ¥n himlen bragte frälsaren oss friden, för oss han nedsteg i sin stilla gravoFacesFound!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!Copyright © Gosztonyi!÷g#¸÷g#!ùg#¸ùg#`×úU!945464¸÷g#!0g#¸÷g#HÚúU!0g#¸÷g#!3.50¸÷g#×úU!1.50¸÷g#`ÚúU!3.50¸÷g#8ÕúU!1.50¸÷g#XÙúU!0g#¸÷g#À×úU!÷g#¸÷g#(ÖúU!0.00¸÷g#èÖúU!650x916Xøg#ÚúU!0g#¸÷g#!0g#¸÷g#xÚúU!5.00¸÷g#12023-04-24 05:02:23úUpÙúU0!1g#¸þg#0. úU!0g#¸÷g#!÷g#¸÷g#!0.0000¸÷g#!2013-12-10 09:05:05AOh Holy Night O Helga Natt for baryton and Piano/ úU!0g#¸÷g#!0g#¸÷g#!5g#¸÷g#!2013-04-13 05:36:41!0g#¸÷g#!0g#¸÷g#aOh, Holy Night (O, Helga Natt) for baryton and Piano A.Adam Louis Gosztonyi úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#àØúUp8 úUÈ7 úU¸ÖúU€ØúUˆÙúU¸ÙúU€7 úUPÛúUHÝúUÐÙúU@ÙúUÕúUø7 úU0ÝúU°ØúUpÜúU(W#úUXÖúUÈÕúU@ÜúU°7 úUÝúUøÛúUh7 úUØ×úU(8 úUÚúU¨ÚúUP7 úU8ÛúUÜúUÙúUPØúU@8 úUÀÚúUèÜúUøÕúU`×úU€ÛúUÈÛúUhÛúUHÚúU¸ÜúUx×úUˆÜúUøØúU×úU¨×úUÚúU˜7 úUÝúU8ÕúUˆ8 úUpÖúUXÙúUhÕúUˆÖúUÀ×úUÛúU˜ÕúU ÙúU(ÖúUxÔúUèÖúU ÜúUX8 úUÐÜúU8 úU(ÜúUØúU˜ÛúUàÛúU@ÖúU°ÛúU×úUH×úUðÚúULicenseÁ["52827","106114","43370","103986","144278","411917","68167","207843","8283","199124","201896","126421","152934","411251","90063","175453","128908","175859","184822","176687"]Z úU!2020-09-15 08:02:07!1g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#ˆHVúUõ³úUØÛ.úUسúUèÙúUH&úUh´úU˜öúU€´úUXÜúUÂ]úUè"úUXCÂúU¨³úUDÂúUP´úUØDÂúU#úUÐÖúUX„gúU#úUH§¸úU0#úU˜ýúUH#úUh}TúU`#úUà7 úUØ·~úUx#úUhØúUÈÓGúU@¾úU¨GáúUP úU¨U)úUÐ úU 8 úUˆ­úUh úUX> úUˆ¹TúU¸ úUÈ[úU K úUèÏ`úUè úUXQ]úU úUHR]úU úUU]úU0 úUHŽÑúUH úUè8 úUhŸúU` úUèÎ.úUx úUx¸TúU úUg¸úU¨ úUèU]úUÀ úU8Ô.úUØ úUX; úUȆ‹úUð úU > úU˜Š‹úU úU¸&*úU  úUˆz¾úU8 úUXY]úUP úUZ]úUh úUȵÁúU€ úU8u6úU˜ úUx ÄúU° úUèEVúUÈ úU¸V]úUà úU˜¶ÁúUø úUÈÇèúU úUÀÁúU( úUx¸ÁúU@ úU(¹ÁúUX úUèqúUp úUعÁúUˆ úUH< úU¨ºÁúU  úUx»ÁúU¸ úU(; úU¸šúUÐ úUÈk¸úUè úUÀ< úUn¸úU! úUè½ÁúU! úUˆ¿ÁúU0! úUˆÀÁúUH! úUxÁÁúU`! úU˜>úUx! úUÃÁúU! úUx9 úUèÃÁúU¨! úUx~‹úUÀ! úUh·ÁúUØ! úUÇÁúUð! úU(Ý»úU" úUØ9 úUx]µúU " úUêÁúU8" úUø¸ÝúUP" úUøúúUh" úU¨eúU€" úUýÁúU˜" úUØÃúU°" úUHL]úUÈ" úUhO]úUH úUˆ> úUÂúU H úU¨9 úUlòúU8H úUxoòúUPH úU¨‚¼úUhH úUØ•¼úU€H úUx—¼úU˜H úUÈ: úUxFaúU°H úU˜HaúUÈH úUˆÂúUàH úUXÂúUøH úUx%úUI úUÈ ÂúU(I úU˜ ÂúU@I úUH9 úU¸ÂúUXI úUð< úU¨ukúUpI úU9 úUH3kúUˆI úU`< úU¤^úU I úU8: úU¸«^úU¸I úUÂúUÐI úU< úU¨ÂúUèI úUÈÞ)úUJ úU˜á)úUJ úUøÛ)úU0J úU? úUhúúúUHJ úUÈ2!úU`J úU: úU86(úUxJ úUP= úUhÂúUJ úUÅÁúU¨J úUH? úU8ÓÝúUÀJ úU(ÂúUØJ úUxÂúUðJ úU˜= úU¸ÈÁúUK úUHÂúUÀ…úUˆ<ÂúU¸¾úU(ä‹úUX¾úU@> úUxY'úUðô³úUˆHVúUÀô³úUØÛ.úUØô³úU> úUH&úUè¾úU˜öúU úU€@ úUÂ]úU#úUXCÂúU(¾úUDÂúUоúUØDÂúU¨#úUø: úUX„gúUÀ#úUH§¸úUØ#úU˜ýúUð#úUh}TúU$úUB úUØ·~úU $úU< úUÈÓGúUÈ úU¨GáúUøK úU¨U)úUxM úUØB úUˆ­úUL úU°ùúUˆ¹TúU`M úU€ úU U úUèÏ`úUM úUXQ]úU¨M úUHR]úUÀM úUU]úUØM úUHŽÑúUðM úU C úUhŸúUN úUèÎ.úU N úUx¸TúU8N úUg¸úUPN úUèU]úUhN úU8Ô.úU€N úUE úUȆ‹úU˜N úUøùúU˜Š‹úU°N úU¸&*úUÈN úUˆz¾úUàN úUXY]úUøN úUZ]úUO úUȵÁúU(O úU8u6úU@O úUx ÄúUXO úUèEVúUpO úU¸V]úUˆO úU˜¶ÁúU O úUÈÇèúU¸O úUÀÁúUÐO úUx¸ÁúUèO úU(¹ÁúUP úUèqúUP úUعÁúU0P úU€F úU¨ºÁúUHP úUx»ÁúU`P úU`E úU¸šúUxP úUÈk¸úUP úUøF úUn¸úU¨P úUè½ÁúUÀP úUˆ¿ÁúUØP úUˆÀÁúUðP úUxÁÁúUQ úU˜>úU Q úUÃÁúU8Q úU°C úUèÃÁúUPQ úUx~‹úUhQ úUhaseQuan!2023-04-24 05:02:33úU!1067856¸÷g#!1552807¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00ð úUªàG úU ËúUD u úU°ËúUD@u úUÀËúUD`u úUÐËúUD€u úUàËúUD u úUðËúUDÀu úUÌúUDx úUÌúUD x úU ÌúUD@x úU0ÌúUDl úU@ÌúUD l úUPÌúUD@l úU`ÌúUD`l úUpÌúUD€l úU€ÌúUD l úUÌúUDÀl úU ÌúUDàl úU°ÌúUDm úUÀÌúUD m úUðEVúU`„gúU`ÂúUpúúúU ÃÁúUÐÌúUD@m úUàÌúUD`m úUðÌúUD€m úUÍúUDp| úUÍúUD0} úU ÍúUDP} úU0ÍúUDp} úU@ÍúUD} úU0¸ úUDÀ} úUK úU8 úU`¯"úUD Œ#úUp¯"úUDÀŒ#úU€¯"úUDàŒ#úU¯"úUD#úU ¯"úUD p#úU°¯"úUD@p#úUÀ¯"úUD`p#úUP±)úU   úUO2úU2L úU  úU`ß úUD` úU!250737¸÷g#!0g#¸÷g#¸; úU!0g#¸÷g#ˆ> úU!7.95¸÷g#`9 úU!7.95¸÷g#€= úU!7.95¸÷g#è; úU!7.95¸÷g#P: úU!0g#¸÷g#; úU!÷g#¸÷g#¸> úU!0.00¸÷g#!1g#Ð(úU !0g#¸÷g#@10g#Ø÷g#Ned0‘Laudamus Te VIVALDI from Gloria RV589 vocal duet for two treble Soprano voices with Piano accompaniment arr by Pamela Webb Tubbsn úU!0g#¸÷g#!0g#¸÷g#!7g#¸÷g#!2013-04-08 15:52:33!0g#¸÷g#!0g#¸÷g#ÁLaudamus Te (VIVALDI) from "Gloria" [RV589], vocal duet for two treble (Soprano) voices with Piano accompaniment, arr. by Pamela Webb Tubbs Antonio Vivaldi Traditional Pamela Webb Tubbs Antonio Lucio Vivaldi, nicknamed il Prete Rosso ("The Red Priest") because of his red hair, was an Italian Baroque composer, Catholic priest, and virtuoso violinist, born in Venice. Recognized as one of the greatest Baroque composers, his influence during his lifetime was widespread over Europe. Vivaldi is known mainly for composing instrumental concertos, especially for the violin, as well as sacred choral works and over forty operas. His best known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi had been employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for preferment. However, the Emperor died soon after Vivaldi's arrival and Vivaldi himself died less than a year later. Though Vivaldi's music was well received during his lifetime, it later declined in popularity until its vigorous revival in the first half of the 20th century. Today, Vivaldi ranks among the most popular and widely recorded of Baroque composers. 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Suitable for weddings, Christmas, etc.ܯ úU!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#eExchang!0g#¸÷g#edScoUp!0g#¸÷g#`± úU±["52827","103986","43370","411917","68167","144278","207843","201896","8283","199124","152934","411251","126421","90063","128908","184822","175859","175453","12944"]!2020-09-22 00:51:02úU!0g#¸÷g#² úU!0000-00-00 00:00:00res!÷g#¸÷g#Network!0g#¸÷g# ² úU!0g#¸÷g#r² úU!0g#¸÷g#Ž² úU!0g#¸÷g#eScores!1g#¸÷g# @!650x919¸÷g#ScoreExc!0g#¸÷g#³ úU!1g#¸÷g#=³ úU!3.00¸÷g#Scores!2023-02-14 03:23:36!2023-02-14 03:23:37es!495339¸÷g#±³ úU!465304¸÷g#׳ úU!0000-00-00 00:00:00res!0000-00-00 00:00:00c!0g#Ð#úU !0g#¸÷g#@!÷g#è÷g#tAttempt!3.54¸÷g# !176545¸÷g#@ã‹úUQSongs by Purcell available for online printing in any key.úU1If music be the food of loveU(Š¸úU!26g#¸÷g#ˆŠ¸úU!0g#¸÷g#àâ‹úU!3g#¸÷g#à/ÓúU!1g#¸÷g#øâ‹úU!2015-10-21 16:34:30úU!2024-04-18 17:38:15úU!Purcell8øg#8ô úU!÷g#¸÷g#˜ô úU!0g#¸÷g#¨ó úU10g#Ø÷g#0!sib#¸÷g#h8úU!62021¸÷g#H3úU!0g#¸÷g#>úU1Purcell If music be the fbúUP†úU!2015-10-21 16:34:30úU!200#¸÷g#ø úU!1832¸÷g#¸L úU!70g#¸÷g#PW úU!2g#ˆøg#˜ù"úU!2.50¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!1.50è÷g#@M úU!2015-10-21 16:35:22á &(?@bh68lp¯°$( ÁÈ (5ˆAH ÍÐ X`,0 ¯°    áThis product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Richard (Richard Strauss), 1864-1949, for Voice and Piano, published by More Sheet Music Press. 4Ç úU!8.99¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!Public domainqThe whole work has been re-engraved and some expression sign has been modified for user.er?!2019-07-07 14:07:13úU!0000-00-00 00:00:00!÷g#¸÷g# úU!665891¸÷g#!1g#¸÷g#H úU!2g#¸÷g# úU!9.00¸÷g#ðþúU!8.99¸÷g# úU!9.00¸÷g#x úU!8.99¸÷g#àÿúU!0g#¸÷g#  úU!÷g#¸÷g#H úU!0.00¸÷g#QÐò úU!527887€]*úU !0g#¸þg#Ê úU!0g#¸÷g#!21g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#1Richard Strauss-Geduld in G Major,For Voice&Pno Richard Strauss weiwu hua This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Richard (Richard Strauss), 1864-1949, for Voice and Piano, published by More Sheet Music Press. Í úUÌ úU!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!2484¸÷g#!3509¸÷g#˜ úU8 úU úUp úU8 úU@ úUp úUH úU úU úUˆ úUø úUÀþúUÀ úUè úUh úU( úUØÒ$úU úU€ÿúUø úUx úU¸ úU° úU0 úU úUð úUH úU` úU úUð úUÈ úUÈ úU úU úUx úU  úU°ÿúU úU8 úU€ úU  úU úUp úU0 úU@ úU° úUH úU` úU¸ úU` úUÐ úUðþúUó úU( úU úU ÿúU@ úUx úUÀ úUPÿúUX úUàÿúU0þúU  úUX úU  úUˆ úUØ úUà úUÀ úUP úU˜ úUøÿúUh úUÐ úU úU¨ úUÀÑ úUÁ["52827","106114","103986","411917","43370","68167","207843","144278","201896","411251","8283","126421","152934","199124","90063","175859","149514","128908","184822","175453"]°Ò úU!2020-09-29 07:20:18!0g#¸÷g#!2019-09-25 15:07:571E0091E26-DF9D-11E9-AFAE-78!293269¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x918¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-03-12 00:42:58!2023-03-12 00:42:58!1452864¸÷g#!1365868¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00á :@¾À sx¯°$(?@;@ †ˆìð   ý®°*0=@ã úU0„ úUªÀâ úUP× úUDp!úU`× úUD!úUp× úUD°!úU€× úUDÐ!úU× úUDð!úU × úUD!úU°× úUD0!úUÀ× úUDP !úUÐ× úUDp !úUà× úUD !úUð× úUD° !úUØ úUDÐ !úUØ úUDð !úU Ø úUD !úU0Ø úU@Ø úUD0 !úUPØ úUDP !úUðEVúU`„gúU`ÂúUpúúúU ÃÁúU`Ø úUDp !úUpØ úUD !úU€Ø úUD° !úUØ úUD`!úU Ø úUD !úU°Ø úUD@!úUÀØ úUD`!úUÐØ úUD€!úUàØ úUD°!úUÀå úUH úUà²"úUD`2#úU”úU €@&úUÔ(úU ”úU @€2#úUPÇAúU €ÏLúUPæ úUØ1úUhæ úU²)úU !úUðM2úU2°æ úU°Ž úU0v!úUD Ú!úU°Ž úUp¯!úUD€_!úUç úU¯!úUD ^!úUÀAúUDc>úU€AúUDpc>úU€¹QúUD•xúU0¯!úUD_!úU€¯!úUD _!úU@¯!úUD _!úUP¯!úUD@_!úUp²)úU  °6!úU ™úUD $ úU°™úUD$ úU@>%úUDÀ$ úUôúUDà$ úU@Ú úUD% úUPÚ úUD % úU`Ú úUD@% úUpÚ úUD`% úU€Ú úUD& úUÚ úUD0& úU Ú úUDP& úU°Ú úUD@$ úUÀÚ úUDp& úUÐÚ úUD& úUàÚ úUD°& úUðÚ úUDÐ& úUÛ úUD€% úUÛ úUDÐ% úU Û úUDð% úU0Û úUD!úU@Û úUD !úUPÛ úUD@!úU`Û úUDÐ!úUpÛ úUDð!úU€Û úUD!úUÛ úUD0!úU Û úUDP!úU°Û úUDP!úUÀÛ úUDp!úUÐÛ úUD!úUàÛ úUD °!úUðÛ úUDà!úUÜ úUDð& úUÜ úUD' úU Ü úUD0' úU0Ü úUDP' úU@Ü úUDp' úUPÜ úUD' úU`Ü úUD°' úUpÜ úUDÐ' úU€Ü úUD"!úUÜ úUD0"!úU Ü úU°Ü úUDP"!úUÀÜ úUDp"!úUÐÜ úUD"!úUÅÁúUàÜ úUDÀ"!úUðÜ úUDà"!úUÝ úUD#!úUÝ úUD #!úU Ý úUD@#!úU0Ý úUD`#!úU öúU@Ý úUD€#!úUPÝ úUD%!úU`Ý úUD°%!úUpÝ úUDÐ%!úU€Ý úUDð5!úUÝ úUD6!úU Ý úUD06!úU°Ý úUDP6!úUÀÝ úUDp6!úUÐÝ úUD6!úUàÝ úUD !úUðÝ úUD !úUÞ úUD@ !úUÞ úUD` !úU Þ úUD€ !úU0Þ úUD  !úU@Þ úUDÀ !úUPÞ úU`Þ úUDà !úUpÞ úUD!!úUðEVúU`„gúU€Þ úUD !!úUÞ úUD@!!úU Þ úUD`!!úU°Þ úUD€!!úUÀÞ úUD !!úUÐÞ úUDÀ!!úUàÞ úUDÀ:!úUðÞ úUD€;!úUß úUD ;!úUß úUDÀ;!úU ß úUDà;!úU0ß úUDúUˆ’ úUÃÁúU ’ úUÀó úUèÃÁúU¸’ úUx~‹úUÐ’ úUh·ÁúUè’ úUÇÁúU“ úU(Ý»úU“ úU ô úUx]µúU0“ úUêÁúUH“ úUø¸ÝúU`“ úUøúúUx“ úU¨eúU“ úUýÁúU¨“ úUØÃúUÀ“ úUHL]úUØ“ úUhO]úUð“ úUÐø úUÂúU” úUðó úUlòúUèâ úUxoòúUã úU¨‚¼úUã úUØ•¼úU0ã úUx—¼úUHã úUõ úUxFaúU`ã úU˜HaúUxã úUˆÂúUã úUXÂúU¨ã úUx%úUÀã úUÈ ÂúUØã úU˜ ÂúUðã úUó úU¸ÂúUä úU8÷ úU¨ukúU ä úU`ó úUH3kúU8ä úU¨ö úU¤^úUPä úU€ô úU¸«^úUhä úUÂúU€ä úU`ö úU¨ÂúU˜ä úUÈÞ)úU°ä úU˜á)úUÈä úUøÛ)úUàä úUHù úUhúúúUøä úUÈ2!úUå úUPô úU86(úU(å úU˜÷ úUhÂúU@å úUÅÁúUXå úUù úU8ÓÝúUpå úU(ÂúUˆå úUxÂúU å úUà÷ úU¸ÈÁúU¸å úUHÂúU@ó³úUˆ<ÂúUXó³úU(ä‹úUhW úUˆø úUxY'úU€ úUˆHVúUpó³úUØÛ.úUW úUXø úUH&úU˜W úU˜öúU°W úUÈú úUÂ]úUˆ%úUXCÂúUØV úUDÂúU€W úUØDÂúU %úU@õ úUX„gúU¸%úUH§¸úUÐ%úU˜ýúUè%úUh}TúU&úU`ü úUØ·~úU&úU€ý úUˆ­úUÀæ úU¨U)úU(è úUpðnúUø!úUPð úUØö úUÈÓGúUØ úU&!úUˆ¹TúUè úU¨GáúU¨æ úUèÏ`úU@è úUXQ]úUXè úUHR]úUpè úUU]úUˆè úUHŽÑúU è úUhý úUhŸúU¸è úUèÎ.úUÐè úUx¸TúUèè úUg¸úUé úUèU]úUé úU8Ô.úU0é úUØÿ úUȆ‹úUHé úUP&!úU˜Š‹úU`é úU¸&*úUxé úUˆz¾úUé úUXY]úU¨é úUZ]úUÀé úUȵÁúUØé úU8u6úUðé úUx ÄúUê úUèEVúU ê úU¸V]úU8ê úU˜¶ÁúUPê úUÈÇèúUhê úUÀÁúU€ê úUx¸ÁúU˜ê úU(¹ÁúU°ê úUèqúUÈê úUعÁúUàê úUÈ!úU¨ºÁúUøê úUx»ÁúUë úU¨ÿ úU¸šúU(ë úUÈk¸úU@ë úU@!úUn¸úUXë úUè½ÁúUpë úUˆ¿ÁúUˆë úUˆÀÁúU ë úUxÁÁúU¸ë úU˜>úUÐë úUÃÁúUèë úUøý úUèÃÁúUì úUx~‹úUì úUh·ÁúU0ì úUÇÁúUHì úU(Ý»úU`ì úUXþ úUx]µúUxì úUêÁúUì úUø¸ÝúU¨ì úUøúúUÀì úU¨eúUØì úUýÁúUðì úUØÃúUí úUHL]úU í úUhO]úU8í úU8&!úUÂúUPí úUà*!úU!0g#àû<úU !424367¸÷g#ȉ¸úU!0g#ø÷g#H×!úU11g#Ø÷g#×!úU0QSchumann-Mädchen-Schwermut,Op.142 No.3,in c minor,for Voice&PianoúU!26g#¸÷g#°PŠúU!0g#¸÷g#àPŠúU!3g#¸÷g#ˆQŠúU!2g#¸÷g#Èß‹úU!2019-11-12 01:58:09úU!2019-11-12 02:14:12úU!5g#8øg#Ø×!úU!0g#øg#8Ø!úU!÷g#¸÷g#H×!úU1÷g#Ø÷g#0!pdf#¸÷g#ð³úU!121622¸÷g#ˆ¾úU!0g#¸÷g#( úUaC13510W0114N09Schumann-Mädchen-Schwermut,Op.142 No.3,in c minor,for Voice&Piano.pdfU!2019-11-12 01:58:09úU!1g#¸÷g#¨d!úU!467#¸÷g#@o!úU!1g#¸÷g#˜ù"úU!Schumann!úU˜ù"úU!weiwu huag#˜ù"úU!1700¸÷g#˜ù"úU12019Ø÷g#˜ù"úU0!0g#¸øg#Ðõ úU!1g#¸÷g#˜ô úU!0g#¸÷g#Xõ úU!÷g#¸÷g#õ úU!0g#¸÷g#ö úU!0g#¸÷g#€ô úU!1g#¸÷g#¨ó úU10g#Ø÷g#¸õ úU0Ñ1. If music be the food of love, Sing on, sing on, sing on, sing on till I am fill'd, am fill'd with joy; For then my list'ning soul you move, For then my list'ning soul you move, To pleasures that can never cloy. Your eyes, your mien, your tongue declare That you are music ev'rywhere, Your eyes, your mien, your tongue declare That you are music ev'rywhere. Pleasures invade both eye and ear, So fierce, so fierce, so fierce, so fierce, the transports are, they wound, And all my senses feasted are, And all my senses feasted are; Tho' yet the treat is only sound, Sure I must perish by your charms, Unless you save me in your arms. Sure I must perish by your charms, Unless you save me in your arms.â !úU!÷g#¸÷g#!0g#¸÷g#!Lower¸÷g#!÷g#¸÷g#!÷g#¸÷g#!2017-06-09 17:10:17úU!0000-00-00 00:00:00!÷g#¸÷g#¸ø úU!16514¸÷g#!0g#¸÷g#ö úU!0g#¸÷g#Ðø úU!0.00¸÷g#¨ó úU!2.50¸÷g#È÷ úU!0.00¸÷g#0ö úU!0g#¸÷g#˜ô úU!÷g#¸÷g#Xõ úU!0.00¸÷g#ù úU!øg#Ð]*úU !5.31¸÷g#@!0g#¸÷g#`10g#Ø÷g#õ úUà÷ úU0!þg#¸þg#P !úU!40.0840¸÷g#!2015-10-21 16:40:291If music be the food of love"!úU!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#If music be the food of love Lower Purcell Schubertline Songs by Purcell available for online printing in any key.úU!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!882#¸÷g#!1240¸÷g#P÷ úUðü úUHü úU(õ úUðö úUø÷ úU(ø úUü úUÀù úU¸û úU@ø úU°÷ úUxó úUxü úU û úU ÷ úUàú úU˜ (úUÈô úU8ô úU°ú úU0ü úUpû úUhú úUèû úUHö úU¨ü úUù úUù úUÐû úU¨ù úU€ú úU€÷ úUÀö úUÀü úU0ù úUXû úUhô úUÐõ úUðù úU8ú úUØù úU¸ø úU(û úUèõ úUøú úUh÷ úUö úUö úUpø úUü úUˆû úU¨ó úUPý úUàô úUÈ÷ úUØó úUøô úU0ö úUxù úUô úUø úU˜ô úUèò úUXõ úUû úUØü úU@û úUü úU˜ú úUxö úUú úUPú úU°ô úU ú úUˆõ úU¸õ úU`ù úUø!úUÁ["52827","106114","43370","103986","144278","411917","68167","207843","8283","199124","201896","126421","152934","411251","90063","175453","128908","175859","184822","176687"]P!úU!2020-09-15 20:27:06!1g#¸÷g#!2024-02-26 07:22:381D1D8B1C6-D477-11EE-8FC2-B39C539980F0U!177353¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x840¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-02-14 10:10:03!2023-02-14 10:10:29!444393¸÷g#!766267¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qý úU18ÛúUø!úU[Aü176545!185531˜ûg#ores WHE!2017-06-09 17:10:17úU10000-00-00 00:00:00+!úU0!En Svane÷g# ‰¸úU!26g#¸÷g#‹¸úU!0g#¸÷g#‹¸úU!3g#¸÷g#0‹¸úU!3g#¸÷g#ø‰¸úU!2016-05-21 21:04:28úU!2017-11-22 17:43:35úU!E. Griegøg#Ø+!úU!÷g#¸÷g#8,!úU!0g#¸÷g#H+!úU10g#Ø÷g#0!sib#¸÷g#ˆQŠúU!44153¸÷g#Èß‹úU!0g#¸÷g#hß‹úUA(Processing score - uploaded via Sibelius)g#!2016-05-21 21:04:28!35g#¸÷g#!1817¸÷g#!12g#¸÷g#!2g#˜øg#!÷g#¸÷g#!3.00¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#11.50Ø÷g#0!2018¸þg#ð!úU!2g#¸÷g#‘Bach/Gounod's much-loved arrangement of "Ave Maria" features a soaring melodic line above Bach's keyboard prelude. The present arrangement adds a second voice, creating a vocal duet featuring two matched voices (sopranos or tenors) and keyboard. This arrangement is also available with the words of "The Lord's Prayer" instead of "Ave Maria". YouTube Link https://youtu.be/eAN8-JUlRaw !2.99¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#1. Ave Maria! Gratia plena, Dominus tecum, Bene dicta tu in mulieribus, et benedictus fructus ventris tui, Jesus. Sancta Maria! Sancta Maria! Maria! Ora pro nobis, nobis peccatoribus, nunc et in hora, in hora mortis nostrae. Amen! Amen!U!úU!Liturgicalg#!0g#¸÷g#!÷g#¸÷g#1Copyright © 2018 John Ross !úU!÷g#¸÷g#!2022-06-29 00:31:22úU!0000-00-00 00:00:00!÷g#¸÷g# &!úU!296314¸÷g#!0g#¸÷g#8!úU!0g#¸÷g#8&!úU!0.00¸÷g#àý úU!2.99¸÷g#!úU!0.00¸÷g#h!úU!0g#¸÷g#Ðþ úU!0g#¸÷g#ÿ úU!0g#¸÷g#h&!úU!0g#¸÷g#!÷g#¸÷g#P&!úU!0.00¸÷g#1ø!!úUãáœT207038!1g#¸þg#"!úU!0g#¸÷g#!51.5200¸÷g#!2018-05-23 03:01:191Ave Maria BachGounod Vocal duetè"!úU!0g#¸÷g#!0g#¸÷g#!6g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#Ave Maria (Bach/Gounod) (Vocal duet) J.S. Bach (1685-1750) adapted by Charles Gounod (1818-1893) Liturgical John Ross Bach/Gounod's much-loved arrangement of "Ave Maria" features a soaring melodic line above Bach's keyboard prelude. The present arrangement adds a second voice, creating a vocal duet featuring two matched voices (sopranos or tenors) and keyboard. This arrangement is also available with the words of "The Lord's Prayer" instead of "Ave Maria". 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Suitable for weddings, Christmas, etc.˜ù"úU°!2016-05-21 21:04:33úU!1g#¸÷g#8,!úU!1g#¸÷g#ø,!úU!0g#¸÷g#°,!úU!÷g#¸÷g# -!úU!0g#¸÷g# ,!úU!0g#¸÷g#H+!úU11g#Ø÷g#X-!úU0Q1. Min hvide svane du stumme, du stille, hverken slag eller trille lod sangrøst ane. Angst beskyttende alfen, som sover, alltid lyttende gled du henover. Men sidste mødet, da eder og øjne var lønlige løgne, ja da, da lød det! I toners føden du slutted din bane. Du sang i døden; du var dog en svane! en svane!!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!ùg#¸ùg#p-!úU!599858¸÷g#!0g#¸÷g#X0!úU!0g#¸÷g#!0.00¸÷g# -!úU!6.00¸÷g#p0!úU!3.00¸÷g#H+!úU!0g#¸÷g#h/!úU!÷g#¸÷g#Ð-!úU!0.00¸÷g#8,!úUÑ["52827","106114","43370","103986","411917","144278","68167","207843","199124","8283","201896","152934","126421","90063","175453","411251","184822","175859","128908","176687"]X-!úU€/!úUÐ!0g#Øþg#0W!úU!0.0000¸÷g#!2016-05-21 21:05:44!En Svane÷g#!0g#¸÷g#!1g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#1En Svane E. 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Anna Magdalena Notebook: sop. or tenor]UP/ÓúU!26g#¸÷g#€â‹úU!0g#¸÷g#hâ‹úU!3g#¸÷g# /ÓúU!1g#¸÷g#PSŠúU!2015-10-08 06:23:26úU!2024-04-18 17:38:10úU!Bach (attr.)øj"úU!÷g#¸÷g#Xk"úU!0g#¸÷g#hj"úU10g#Ø÷g#0!sib#¸÷g# >úU!62021¸÷g#8†úU!0g#¸÷g#8ùg#!bachbistb2.sib!2015-10-08 06:23:26!177#¸÷g#!2324¸÷g#!56g#¸÷g#!2g#ˆøg#ASongs by Bach available for online printing in any key.!2.50¸÷g#!0g#¸÷g#!0g#è÷g#!0g#¸÷g# ñThis product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828, for Voice and Piano, published by More Sheet Music Press.esScores!9.99¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!Public domainqThe whole work has been re-engraved and some expression sign has been modified for user.ó!úUðò!úU!2019-03-27 02:08:54úU!0000-00-00 00:00:00!÷g#¸÷g# Ò!úU!486960¸÷g#!1g#¸÷g#hÏ!úU!2g#¸÷g#8Ò!úU!10.00¸÷g#Í!úU!9.99¸÷g#0Ñ!úU!10.00¸÷g#˜Ï!úU!9.99¸÷g#Î!úU!0g#¸÷g#ÀÎ!úU!÷g#¸÷g#hÒ!úU!0.00¸÷g#QpÖ!úU!Deleted::deleted!0.0000¸þg#ðô!úU!0000-00-00 00:00:00QSchubertGretchen am Spinnrade in c sharp minorfor Voice and Piano!úU!0g#¸÷g#!0g#¸÷g#!22g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#ASchubert-Gretchen am Spinnrade in c sharp minor,for Voice and Piano Schubert weiwu hua This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828, for Voice and Piano, published by More Sheet Music Press.!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!3783¸÷g#!5345¸÷g#¸Ð!úUXÖ!úU°Õ!úUÎ!úUXÐ!úU`Ñ!úUÑ!úUhÕ!úU(Ó!úU Õ!úU¨Ñ!úUÑ!úUàÌ!úUàÕ!úUÕ!úUˆÐ!úUHÔ!úUXd)úU0Î!úU Í!úUÔ!úU˜Õ!úUØÔ!úUÐÓ!úUPÕ!úU°Ï!úUÖ!úUhÒ!úU€Ò!úU8Õ!úUÓ!úUèÓ!úUèÐ!úU(Ð!úU(Ö!úU˜Ò!úUÀÔ!úUÐÍ!úU8Ï!úUXÓ!úU Ó!úU@Ó!úU Ò!úUÔ!úUPÏ!úU`Ô!úUÐÐ!úUhÏ!úU€Ï!úUØÑ!úU€Õ!úUðÔ!úUÍ!úU¸Ö!úUHÎ!úU0Ñ!úU@Í!úU`Î!úU˜Ï!úUàÒ!úUpÍ!úUxÑ!úUÎ!úUPÌ!úUÀÎ!úUxÔ!úU@Ö!úU¨Ô!úUøÕ!úUÔ!úUàÏ!úUpÓ!úU¸Ó!úUÎ!úUˆÓ!úUðÎ!úU Ï!úUÈÒ!úUÁ["52827","43370","103986","106114","8283","411917","144278","199124","68167","152934","126421","207843","201896","90063","175453","128908","176509","176687","12944","189568"]°ý!úU!2020-08-31 16:32:02!0g#¸÷g#!2019-09-25 14:38:411C99174EE-DF99-11E9-BB4F-78¨þ!úU!565149¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x918¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-03-15 13:48:48!2023-03-15 13:48:49!562636¸÷g#!499652¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00 Ü!úUªàÿ!úUЀ!úUD@:"úUà€!úUD`:"úUð€!úUD€:"úU!úUD°4"úU!úUDÐ4"úU !úUDð4"úU0!úUD5"úU@!úUD05"úUP!úUDP5"úU`!úUDp5"úUp!úUD5"úU€!úUD°5"úU!úUDÐ5"úU !úU`„gúU°!úUÀ!úUÐ!úUà!úUDð5"úUð!úUD6"úU‚!úUD06"úU‚!úUD°>"úU ‚!úUDp?"úU0‚!úUD?"úU@‚!úUD°?"úUP‚!úUDÐ?"úU`‚!úUD@"úU€"úUØä!úU€uúU`T&úU ÅLúUÈ"úUXø4úUUi8úU +[úUD0$]úU°ÆúUDxKúUX®0úUU i8úU³)úU àA"úUpJ2úU2p"úU@æ!úU°¡úU €ðÃ"úU@æ!úU "úUD`"úUÐ"úU`"úUDàœ"úUo>úUDP»BúUðÚ>úUD0»BúU€Õ>úUDúDúUàô!úU°"úUD€"úUp"úUD"úU€"úUD "úU€B"úU  Pc"úUàåúUDÐ^*úUðåúUD "úUæúUDP"úUÐ"úUDp"úUà"úUD"úUð"úUD°"úU"úUDÐ"úU"úUDð"úU "úUD "úU0"úUDÀ"úU@"úUDà"úUP"úUD "úU`"úUD "úUp"úUD@ "úU€"úUD` "úU"úUD€ "úU "úUD°!"úU°"úUDð^*úUÀ"úUD_*úUÐ"úUD"úUà"úUD0"úUð"úUDPV"úU"úUDX"úU"úUD°X"úU "úUDÐX"úU0"úUDðX"úU@"úUDY"úUP"úUD["úU`"úUD°["úUp"úUDÐ["úU€"úUDð["úU"úUD0\"úU "úUDP"úU°"úUDp"úUÀ"úUD  "úUÐ"úUDÀ "úUà"úUDà "úUð"úUD!"úU"úUD !"úU"úUD@!"úU "úUD`!"úU0"úUD€!"úU@"úUD`^"úUP"úUD€^"úU`"úUD ^"úUp"úUDÀ^"úUÅÁúU€"úUDð^"úU"úUD_"úU "úUD0_"úU°"úUDP_"úUÀ"úUDp_"úUÐ"úUD_"úU öúUà"úUD °_"úUð"úUD0b"úU"úUDPb"úU"úUDpb"úU "úUDb"úU0"úUD°b"úU@"úUDÐb"úUP"úUDðb"úU`"úUDc"úUp"úUD0c"úU€"úUDÐ"úU"úUDð"úU "úUDP\"úU°"úUDp\"úUÀ"úUD\"úUÐ"úUD°\"úUà"úUDÐ\"úUð"úU"úUDð\"úU"úUD]"úU "úU`„gúU0"úU@"úUP"úU`"úUD0]"úUp"úUDP]"úU€"úUDp]"úU"úUD]"úU "úUD`g"úU°"úUD€w"úUÀ"úUD w"úUÐ"úUDÀw"úUà"úUDðw"úU "úUP"úUBúU0 "úUX@¬:úU Û7úUDd&úU@”úU @ 4#úUpúúúUðÎ.úU`B"úU Љ"úUÐM2úU2ð "úU¸"úUÀ¦úU €E#úU¸"úU ®"úUDÀz#úUP"úU ªúUD€K)úU@Õ>úUDúDúUàÔ>úUDpúDúU`Ï>úUD`æCúUÐëúUD`x#úU°®"úUD0{#úUÀªúUDàw#úUÀšúUÀB"úU   —"úUìúUD€ì!úU ìúUDðì!úUªúUD@í!úU"úUD`í!úU"úUD€í!úU "úUD í!úUá *0kp68$(np¯°$(  78ü6878•˜¯°$(MP  !2022-10-18 18:41:46úU10000-00-00 00:00:00P,"úU01I attempt from love’s sickness to fly!26g#¸÷g#˜â‹úU!0g#¸÷g#Pâ‹úU!3g#¸÷g#0UŠúU!1g#¸÷g#xRŠúU!2015-10-21 15:13:57úU!2024-04-18 17:38:15úU!0g#8øg#-"úU!2g#¸÷g#p-"úU!1.50ø÷g#€,"úU12015-10-21 15:14:010!sib#¸÷g#pHúU!62021¸÷g#¨ùg#!0g#¸÷g#h†úU!Purcell I attemptúU!2015-10-21 15:13:57úU!49g#¸÷g#ÐL úU!1708¸÷g#Ž úU!25g#¸÷g#hç úU!0g#¸øg#¨."úU!1g#¸÷g#p-"úU!0g#¸÷g#0."úU!÷g#¸÷g#è-"úU!0g#¸÷g#Ø."úU!0g#¸÷g#X-"úU!1g#¸÷g#€,"úU10g#Ø÷g#."úU0!Purcell"úU !1.50¸øg#p$"úU!0000-00-00 00:00:00úU!0g#¸÷g#ø#"úU!1g#¸÷g#°Ø!úU!0g#¸÷g# $"úU!÷g#¸÷g# Ø!úU!0g#¸÷g#H×!úU10g#Ø÷g#X$"úU0áThis product(include full and parts score) is a digital sheet music in PDF format. 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The music was composed by Schumann (Robert Schumann), 1810-1856, for Voice and Piano, published by More Sheet Music Press. am!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!2484¸÷g#!3509¸÷g#ð%"úU+"úUè*"úUÈØ!úU%"úU˜&"úUÈ&"úU *"úU`("úUX*"úUà&"úUP&"úU×!úU+"úU@*"úUÀ%"úU€)"úU¸g)úUhØ!úUØ×!úUP)"úUÐ*"úU*"úU)"úUˆ*"úUè$"úUH+"úU '"úU¸'"úUp*"úUH("úU )"úU &"úU`%"úU`+"úUÐ'"úUø)"úUØ!úUp$"úU("úUØ("úUx("úUX'"úUÈ)"úUˆ$"úU˜)"úU&"úU $"úU¸$"úU'"úU¸*"úU(*"úUH×!úUð+"úU€Ø!úUh&"úUx×!úU˜Ø!úUÐ$"úU("úU¨×!úU°&"úU8Ø!úUˆÖ!úUø#"úU°)"úUx+"úUà)"úU0+"úU8)"úU%"úU¨("úUð("úUPØ!úUÀ("úU($"úUX$"úU("úUì>"úUÁ["52827","43370","103986","106114","8283","144278","199124","411917","68167","152934","126421","207843","201896","90063","175453","176687","176509","128908","12944","189568"]reExchang!2020-09-01 17:45:10!0g#¸÷g#!2019-11-12 02:13:211FFDCBED2-04F1-11EA-9D99-78C@"úU!311682¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x918¸÷g#!0g#¸÷g#!1g#¸÷g#!3.00¸÷g#!2023-03-10 11:21:57!2023-03-10 11:21:57!568126¸÷g#!551824¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q¨+"úU1 Ö—úUHB"úU‹þ¾®424367ñ ©‡úUk ©‡úUkÐ{kúU€Ç"úUÐ{kúUÀÄ"úUx.ÁúUÐ{kúUø@úU“ÿŠ¤úUÐ{kúUÀ·'úUÐ{kúU@¶'úUÈ®úU(ðÁúUe¡çúUhÐ{kúU@J#úUÐ{kúU`G#úUÐ{kúU£=úUÐ{kúU€|&úUÐ{kúU°‡*úU ©‡úUkÐ{kúU°|&úU ©‡úUlX"ÅúU¡çúUi ©‡úUj  úUè†úU Ð{kúU@†*úUŠ¤úUÐ{kúUÒ:úUÐ{kúU*úUÐ{kúUÐ*úUÐ{kúUPá#úUÐ{kúUpÞ#úUè†úU OÐ{kúU ,&úUè†úU Ð{kúU°î*úUÐ{kúU%ÈúU Ð{kúU@Ú*úUÐ{kúU¢)úU¡çúUhÐ{kúU0†,úU ©‡úUjÐ{kúUpð*úUÐ{kúU .úUÐ{kúUð&úU  úU ©‡úUkÐ{kúUàŸ&úUÐ{kúU@+úUŠ¤úU8ëÉúUÐ{kúUÐÈ%úUÐ{kúUà&úU8ëÉúUÐ{kúU€×*úUX"ÅúU ©‡úUk  úUÐ{kúUÀ„2úU ©‡úUkqWúU ©‡úUk ©‡úUkÐ{kúUÀ°1úU “9úU Ð{kúU€³1úU ©‡úUjÐ{kúUPŸ2úUŠ¤úUÐ{kúUPo1úUÐ{kúUl1úUX"ÅúUŠ¤úU ©‡úUk 0:´úU Ð{kúU±(úUÐ{kúUp1úU0:´úU Š¤úUÐ{kúUÀx,úUÐ{kúUpï"úUÈ„‹úU Š¤úUÐ{kúU`ù"úUÐ{kúU ö"úUè†úU ?!0g#¨ûg#@R"úU!÷g#¸÷g#àâ‹úU!2009-02-24 00:00:00úU!0g#¸÷g#øâ‹úU!1g#¸÷g#°PŠúU!0g#¸÷g#àPŠúU!0g#¸øg#Øç.úU!0g#¸÷g#¨²&úU!0g#¸÷g#.úU!0g#¸÷g#µ&úU!0.0000¸÷g#¸&úU!0000-00-00 00:00:00úU!Katherine Kiss Me.úU10g#Ø÷g#˜°&úU0!ùg#Øùg#p¾úU!8.44¸÷g#¨ùg#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!Guitar Tabg#!÷g#¸÷g#!÷g#¸÷g#!1.50xøg#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#1÷g#Ø÷g#˜ù"úU0AFor study purposes a digital version of the piano accompaniment is available. Click the Audio button above the score. To listen to a recommended performance of the song. Click on this link: https://www.youtube.com/watch?v=-i3EXCq7qPw To purchase this recording follow this link: https://www.amazon.co.uk/music/player/albums/B0110MSR4C?marketplaceId=A1F83G8C2ARO7P&musicTerritory=GB&trackAsin=B0110MSU0I&ref=sr_1_2&keywords=Ian+Partridge+sweeter+than+roses&crid=2GJY100EYJVY4&sprefix=ian+partridge+sweeter+than+roses%2Caps%2C64&qid=1666073998&sr=8-2esDetectedFa!2.50¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#1. I attempt from love's sickness to fly in vain, Since I am myself my own fever, since I am myself my own fever and pain. No more now, no more now fond heart With pride no more swell, Thou canst not raise forces, thou canst not raise forces enough to rebel, I attempt from love's sickness to fly in vain, Since I am myself my own fever, since I am myself my own fever and pain. For love has more power, and less mercy than fate, To make us seek ruin, to make us seek ruin, and love those that hate, I attempt from love's sickness to fly in vain, Since I am myself my own fever, since I am myself my own fever and pain.úUÞ["úU!÷g#¸÷g#!0g#¸÷g#!High ¸÷g#AOnline printing in any key from www.schubertline.co.uk!÷g#¸÷g#!ùg#¸ùg#¨."úU!42855¸÷g#!0g#¸÷g#1"úU!0g#¸÷g#!0.00¸÷g#Ø."úU!2.50¸÷g#¨1"úU!0.00¸÷g#€,"úU!0g#¸÷g# 0"úU!÷g#¸÷g#/"úU!0.00¸÷g#p-"úUÑ["52827","106114","43370","103986","411917","68167","144278","8283","199124","207843","201896","152934","126421","90063","175453","128908","175859","176687","176509","411251"]."úU¸0"úUÐ!þg#¸þg#P^"úU!0.0000¸÷g#!2015-10-21 15:14:361I attempt from loves sickness to flycor!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#I attempt from love’s sickness to fly High Purcell Schubertline For study purposes a digital version of the piano accompaniment is available. Click the Audio button above the score. To listen to a recommended performance of the song. 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Bist du bei mir, geh' ich mit Freuden zum Sterben und zu meiner Ruh', zum Sterben und zu meiner Ruh'.U !÷g#¸÷g#!0g#¸÷g#!Lower¸÷g#AOnline printing in any key from www.schubertline.co.uk!÷g#¸÷g#!ùg#¸ùg#l"úU!128397¸÷g#!0g#¸÷g#xo"úU!0g#¸÷g#!0.00¸÷g#Àl"úU!2.50¸÷g#o"úU!0.00¸÷g#hj"úU!0g#¸÷g#ˆn"úU!÷g#¸÷g#ðl"úU!0.00¸÷g#Xk"úUÑ["52827","106114","43370","103986","144278","411917","68167","207843","8283","199124","201896","126421","152934","411251","90063","175453","128908","175859","184822","176687"]xl"úU n"úUÐ!1g#¸þg#0”"úU!0g#¸÷g#!÷g#¸÷g#!1.4080¸÷g#!2015-10-08 06:24:21ABist du bei mir fr Anna Magdalena Notebook sop or tenor!0g#¸÷g#!0g#¸÷g#!2g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#¡Bist du bei mir [fr. Anna Magdalena Notebook: sop. or tenor] Lower Bach (attr.) 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AND ItemTypeID=? AND UserRef=?!DBD::mysql::st*úUa âúUš GšúUQ/seview/preview/scores/95866/0/0/1x620.png0/0/1x620.png1àFTY#<¸\8úUa@9úU z)úU.(¿1úU1SE_SMD_SMDImage_get_info!÷g#ðN"úU="X-UA-C!0000-00-00# ÑXpH*úU¸$&úUÀYúUpñ"úU°ÒúU˜ù"úUS_à$×úUøP*úUp»úU˜D*úUXK*úUPr)úUÿÿÿÿÿÿÿÿp‚*úU(Õ†úU‘`Ž%úUxM&úU¨È'úU ÎúUÐÞÁúU°å(úUp— úU1~ÈD*úU°ê#úUaßIúU HF*úU(¿1úU1PXúU˜XúUXúU@XúU ‹#úUXúU(XúUÈXúUXX(úUøW(úU0XúUÀXúUðXúU˜å(úU°XúU(XúUèXúUÈå(úUðð.úU€XúUpU(úUÐXúU0è%úUxXúUˆX(úUX(úU¸X(úUàXúU˜%úUhXúUÐê%úU¸é(úUÐÀ"úUˆXúU¨XúU°XúUXXúUèU(úUXU(úUXúU`XúUHXúU XúU@XúUàXúUXÀ"úUøXúU˜XúU™%úUXúU„#úUXúU(2(úUXsWúUÿÿÿÿ@š(úUa]ÈG*úUGŒÐúU!ž!1g#01júU a`‘$úU hG*úU’ GšúU!ðf°úUØfuúU0…úU!seview¸÷g#!x620A˜ù"úUk×úUÐj×úU˜ù"úU˜ù"úU@,#úU@!0g#`NöúU!1g#¸÷g# AÈó#úU5täú 3.128.199.88@1˜ù"úUk×úUÐj×úU˜ù"úU˜ù"úU!sib#CEúU !1713541174g#!1713541174441!441#¸÷g#¨P&úU!PúU¸÷g#!ADAP3¸÷g#Aøô#úU6Ô 3.235.172.1230V*úU1àFTY#<¤,úU!SE::ScorePart887#úUA1. Praise God in the delight of music; Join hands the world over and sing. Sing loud, sing, sing loud, sing, sing low, sing soft, sing high, sing loud, sing low, sing soft, sing high, loud, low, soft, high, Sing to the heights of his cathedrals. Let the skies ring with joy, with joy for all the wonders, with joy for all the wonders, all the wonders, all the wonders, of his creation. Praise God, And sing out, all you holy instruments of his marvel. Laudate Dominum. laudate Dominum, laudate Dominum: Praise Him, Praise Him, Praise Him, Praise Him, Praise.°Ã%úU!Words by J.R.Heron086!0g#¸÷g# !for SSAA a cappella!Graham Garton 2014úUAFor the Chapel Choir of St. Margaret's School, Bushey!1.50È÷g# !0g# »%úU a=úU h#&úU. 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Instrument Technician" }, { "Desc" : "", "Url" : "http://www.scoreexchange.com/profiles/dorsetwindmusic ", "Text" : "" } ] on!ýÿüDorset Wind Music is managed posthumously so you can still enjoy Rodney Parker’s music. Although mainly writing for Clarinet and Saxophone, Rodney Parker has Wind Band, Orchestra and Choral scores on his site. He was a member The Performing Right Society and The Mechanical Copyright Society .In addition to Score Exchange he also has arrangements and compositions with Faber Music, Alfred Lengnick and Molenaar Edition of Holland. He was a Fellow of Trinity College, London, and an Associate of The Royal College of Music. Rodney Parker enjoyed a 35 year career in Army Music. He progressed through the ranks, studying at The Royal Military School of Music, Kneller Hall and held the position of Director of Music of for The Royal Army Ordnance Corp, The Gurkhas and The Grenadier Guards. During this time he played at the Prince of Wales’ Investiture and directed the music for many of the great national events including the Royal Tournament, the Edinburgh Tattoo and Trooping the Colour. His career took him all over the world including a 64 city tour of the USA as Director of Music of The Grenadier Guards and directing the music for Prime Minister Margaret Thatcher’s visit to the Soviet Union in 1990 when he was based in Moscow and Kiev. efScor!0000-00-00 00:00:00úU!0g#¸÷g#¨O#úU!0000-00-00 00:00:00úU!4g#¸÷g#ˆK#úU!0g#¸÷g#ÈP#úU!0g#¸÷g#(Q#úU!196#¸÷g#àM#úU!0g#¸÷g# N#úU!0.00¸÷g#pN#úU!0000-00-00 00:00:00úU!0g#¸÷g#N#úU!0g#¸÷g#!÷g#¸÷g#@N#úU!0000-00-00 00:00:00úU!0000-00-00 00:00:0010000-00-00 00:00:00ÀL#úU0!0g#Èþg#p$úU!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!2g#¸÷g#!2g#¸÷g#!46.82¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#øM#úUPS#úUÐT#úUpT#úU˜M#úUøS#úU¸N#úUØO#úUðL#úUÈP#úUhP#úUàP#úUÈM#úUL#úUPM#úUÐQ#úUR#úU°P#úU¨L#úU T#úUN#úU€P#úU¸T#úU°S#úU M#úU@N#úUðR#úU@T#úU€M#úUˆT#úU¨R#úUxL#úUXK#úUÀO#úUHR#úU¨O#úUR#úUØL#úUÐN#úU€S#úUˆK#úUhS#úUS#úUL#úU(Q#úUPP#úUàM#úUU#úUèQ#úU0L#úU8S#úUhM#úUpN#úUXN#úU S#úU(T#úUxR#úUXT#úUÀR#úU0R#úU Q#úUT#úUHO#úUˆN#úUÐK#úUM#úUèT#úUÈS#úU0O#úUXQ#úUÀL#úUÔ†$úU!0000-00-00 00:00:00úU!30g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!1g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00h%úUª`‰$úU%úUDp%úU%úUD%úU %úUD°%úU0%úUDÐ%úU@%úUDð%úUP%úUD%úU`%úUD0%úUp%úUDP%úU€%úUDp%úU%úUD%úU %úUD°%úU°%úUDÐ%úUÀ%úUDð%úUÐ%úUD@s'úUà%úUD`s'úUð%úUD€s'úU%úUD s'úU%úUDÀs'úU %úUDàs'úU0%úUDt'úU@%úUD t'úUP%úUD@t'úU`%úUD`t'úUp%úUD€t'úU€%úUD t'úU%úUDÀt'úU %úUDàt'úU°%úUDu'úUÀ%úUD u'úUÐ%úUD@u'úUà%úUD`u'úUð%úUD€u'úU%úUD u'úU%úUDÀu'úU %úUDàu'úU0%úUDv'úU@%úUD v'úUP%úUD@v'úU`%úUD`v'úUp%úUD€v'úU€%úUD v'úU%úUDÀv'úU %úUDàv'úU°%úUDw'úUÀ%úUD w'úUÐ%úUD@w'úUà%úUD`w'úUð%úUD€w'úU%úUD w'úU%úUDÀw'úU %úUDàw'úU0%úUDx'úU@%úUD x'úUP%úUD@x'úU`%úUD`x'úUp%úUD€x'úU€%úUD x'úU%úUDÀx'úU %úUDàx'úU°%úUDy'úUÀ%úUD y'úUÐ%úUD@y'úUà%úUD`y'úUð%úUD€y'úU%úUD y'úU€G"úU  §$úUPQ2úU2À$úU k%úU«:úU DЫ9úU`¬$úU €ÐÖ&úUxÛ(úU hP$úU @©$úU¬$úU €¨$úU¸P$úU @0©$úUàP$úU €ÐŸ&úUP$úU @¼$úU€Û7úUD@Ù9úU`$úUà$úU`µúUDð38úUPˆ…úU‡RúU‡RúUð€&úUD5úUÐ$úUDÀ}]úUÀÛFúU€vÑúU’$úU@pÑúUà‘$úU°,ÑúU°‘$úUà«$úU°"úUD@‘%úU@b:úUD á(úUx’$úU’$úU˜‘$úUÀ’$úU8—$úUØ’$úUð’$úUØ“$úU“$úU “$úUý2úU @„FúU0ìúUDàsPúUh“$úU€“$úUhÊúU˜“$úU¬$úU €€¿$úUHÜ(úU ÐQ$úU @€«$úUøQ$úU @Õ&úU R$úU @ðÐ&úUHR$úU €ðÁ$úU‹úUDÀÄ$úU0¬$úU €°Ô&úUàû%úUDP\;úUÅ$úU &&úUDÍ&úU¸”$úU€èê&úUД$úU(”#úUÀû%úUD0Ñ%úU•$úU&úU•$úU(”#úU@ÿ%úUD€t*úU9úUDP'=úUÐó%úUDt*úUÀÛFúU`%)úUD U"úU+úU @àø-úUÀ•$úU 4"úU P^DúUàÍ"úUDZ5úU–$úU #9úUD H–úUÀ¬$úU €c"úUàG"úU N&úU0Q$úU Hpœ&úUК$úUDPà&úUÀš$úUDp%úU°š$úUD0i$úU š$úUD  &úUš$úUDPÆ&úU€š$úUDq$úU€¢úU"à6"úU  €ö&úUàš$úUDpà&úUðš$úUDÀ %úU›$úUDà %úU›$úUD@&úU ›$úUD`&úU0›$úUD ‘%úUЗ$úU8—$úUè—$úU`–$úU@º"úUD t*úU˜$úU(”#úU^$úU @ ë(úU°*úU €Q$úU @P%úUpR$úU €G(úU¨Q$úU @@‘&úUP^âúUàfâúUÀ‹OúU $EúU`ëQúU ™$úU $úU%úUDÀy'úUeUsersá DHDH%P¹ØBH (  $( ® ° |€     stUnlockQX[)úUQHU#úUQsub {$_[0] =~ s/([<>'"& "])/$char2entity{$1} || num_entity($1)/ge; 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In 1996 he retired as Senior Lecturer, Charles Sturt University and Director, Murray Conservatorium. In 2014 he retired after 30-odd years as an examiner (Piano and Written subjects) for the Australian Music Examinations Board. In 2016 he retired after many years as Director of Music at St. Matthew's Church, Albury, New South Wales. 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He has previously worked as head of department in the state and independent sectors, and as a cathedral organist. He composes a small number of works each year alongside a number of arrangements and transcriptions published here. In addition, he has composed a number of works including several commissions, which are available separately. He has a close working partnership with the Suffolk Singers, and performances of his works include venues such as the Edinburgh Festival, the Choir of the World Competition, and the Vatican for Holy Week. His arrangement of "Abide with me" was performed for the Luxembourg National Day at Cathedrale Notre-Dame in the presence of Grand Duke Henri and the Royal Family, and broadcast on international television. As organist, he has performed for SkyTV, BBC radio, television, for the Music For Youth Schools' Proms at the Royal Albert Hall, and for the All Saints' Day masses at the Vatican, alongside recitals across the UK and Europe. ​As a choral conductor, he has directed choirs across the country, including regular performances in St George’s Chapel at Windsor Castle, Ely Cathedral, St Paul’s Cathedral London, and on tour to Paris, Rome, and The Vatican.qPamela Webb Tubbs is a singer, pianist, music arranger, lyricist, scriptwriter, conductor and coincidentally, a retired United States Navy captain. Her formal musical training began at the University of South Carolina (Columbia, South Carolina, USA; Bachelor of Arts, 1975) where she sang/studied conducting with Zoltán Kodály-protégé, Dr. Ãrpád A. Darázs. As a young woman seeking adventure and economic security, she embarked on a career in the U. S. Navy, while continuing to pursue music as a beloved avocation. Changing addresses many times over a 26-year military career, she sang in a dozen church choirs and was active in local community theatre productions. After retiring from the Navy, she lived overseas for many years; while in Japan, she was employed as Protestant Music Director, Traditional Chapel, Yokota Air Base (U.S. Air Force), Tokyo. She currently sings in and arranges choral pieces for the First Presbyterian Church (PCUSA) of Norfolk, Virginia, traditional service choir. Ms. Tubbs is an active member of the American Society of Composers, Arrangers and Performers (ASCAP); the American Choral Directors Association (ACDA); and the Presbyterian Association of Musicians. She also holds a Master of Science degree in Education from Memphis State University, Memphis, Tennessee, USA (1990) and a Master of Arts degree in National Security and Strategic Studies, U.S. Naval War College, Newport, Rhode Island, USA (1998). Ms. Tubbs most enjoys using her Sibelius software to assist church instrumentalists, soloists and smaller choirs. She welcomes special inquiries and commissioned work.ersUsersPhá
Solitary Masquerade
by Joshua Hurley
Solo Alto Saxophone + piano
$1.50
sd='4.99'>$4.99
ophone + piano
$1.50
rice priceInCurrency' data-usd='6.00'>$6.00 rency' data-usd='5.99'>$5.99 price priceInCurrency' data-usd='7.95'>$7.95 Webb Tubbs
Voice + keyboard
$4.95
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$2.00
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Content-Length: 219 Connection: close Content-Type: text/html; charset=iso-8859-1 r Young String Orchestra Desiderio
by Sabra Lindgren
String orchestra
$3.95
Charakter Suite : 1. Der Bürokrat (CLC)/Score & Parts)
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A Babe is Born. SAB
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Composing since I was twelve (winner of a Chorister's Competition) and later winning a Composition Scholarship at RAM, my music is essentially English, influenced by (obviously the Great Masters) Cathedral Music, Byrd, Purcell, Elgar, Vaughan Williams, Holst, Walton and Britten. (Occasionally something from Stravinsky and Bartok and Bach creeps in, the latter inspiring me to write weekly Graces - over 250 - for an excellent Chapel Choir of a Girls' Boarding School.) Virtually all my compositions have been performed by the organisations I have worked with. There are some major publications from Armelin Musica, Padua. My forte is unpublished Choral Music and Songs, (my wife is a lyric and coloratura soprano and voice teacher). There are some instrumental and organ works. There is a corpus of works in collaboration with esrtwhile neighbour, the physician/poet J.R.Heron who is now sadly in a Care Home. I have only had Sibelius for three years. My main problem is that hundreds of works from 2000 when i was in Bermuda, are on my old Mac using the Mark of the Unicorn Mosaic 1.3 which, as far as I can ascertain, is not convertible to Sibelius. I have re-set some smaller pieces, but not a Choral Symphony, a Concerto, Sonata, more Song Cycles and Art Songs, Anthems etc. I have been gratified by the number of viewings and print-outs on this wonderful Score Exchange. 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Genre
Classical music
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Composer
trad.
Arranger
Nova Pon
Difficulty
Moderate (Grades 4-6)
Duration
2 minutes
Genre
Classical music
'>Other)
Duration
3 minutes
Genre
Classical music
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Pages
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A Babe is Born. SAB
by Robin Highcock
Choir + keyboard
$1.50
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Jacklich Music Publishing The Horsley Family String Ensemble is at it again! They have asked me to arrange the Badinerie from J. S. Bach's Second Orchestral Suite. So, Voila! 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!www.bjemusic.com!÷g#¸÷g#11g#Ø÷g#0!75842e!Victoria^@úU!3911¸÷g#1aug#Ø÷g#0!2g#˜?úU !1g#høg#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g# •?úU!0g#è÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0000-00-00 00:00:00!2023-08-18 15:59:50!0g#¸øg#!1g#¸÷g#^CúU!0g#¸÷g#0_CúU!øg#Xøg#Ø_CúU!÷g#¸÷g#8`CúU!0000-00-00 00:00:00úU!÷g#¸÷g# `CúU10000-00-00 00:00:00úU@^CúU0!2g#(øg#€^@úU!1g#øg#!0g#è÷g#!0g#È÷g# !÷g#ÀAEúU !0408509275úU!÷g#¸÷g#1÷g#Ø÷g#0!0g#øg#!0g#¸÷g#10000-00-00 00:00:000!0g#hùg#!1g#¸÷g#!0g#¸÷g#!44g#¸÷g# ¼8úU!17g#¸÷g#!2017-06-11 05:15:52!2019-06-06 16:24:10!0g#¸÷g#!0000-00-00 00:00:00!4g#¸÷g# •?úU!1g#¸÷g#r Concer!1g#¸÷g#¸÷g#!625#è÷g#rchestra!1g#¸÷g# ©2011 Peter G. Davies - www.scoreexchange.com/profiles/petergdavies | Photocopying is a violation of the Copyright ActAgal!umph5pkrtituras_2023úU0 úU³'úU@ASE::Handlers::SearchHandlerewAppInstru@!0000-00-00 00:00:00úU!0g#¸÷g# 1Kenny Loggins~ÿÿÿÿ0!BrendanÈ÷g# !0000-00-00úU 1÷g#Ø÷g#tenng0!÷g#°ù&úU!÷g#¸÷g# !gbg#¢CúU!7957368066g#17957368066g#ÿÿÿÿ0!0g#pÇdúU !0g#Èøg#!0g#¸÷g#!0.00ˆøg#!1g#¸÷g#ðû!úU!1g#¸÷g#08925.jp!0g#¸÷g# < úU!0g#¸÷g#8925.jpg!1g#è÷g#°_JúU!61847¸÷g# a àƒ"úUù(¿1úU!X‘ÅúU=úU !for KING & COUNTRY!for KING & COUNTRY!HASH¸÷g#!758185ÐÆDúU !ðhúU qhttps://img.sheetmusic.direct/catalogue/product/the-muppet-show-tv-series-lg.jpgÿÿÿÿp‘¸[)úU!8úUÀå8úUÀ²9úUPÒ(úUpg)úUø"8úU°ý(úUHù(úU g@úU!2022-11-30 23:09:46úU!2022-11-30 23:09:46úU1xg@úU@%”c25479610g#àûqúUIDdDateName0!Guy#È÷g# ñI've been composing and arranging music for over 40 years, mostly for concert band and orchestra. I am a member of MAGA. I'm especially interested in arranging Australian music or folk music for bands and orchestral groups. I have uploaded my Australian Folksong medleys for Concert Band, Brass Band and Orchestra, with others to follow. I also enjoy arranging music for a small church group at my local church (www.lpac.org.au) and have made some of these arrangements available free. All of my music can be also be purchased from my own website: www.bjemusic.com. (You purchase a single PDF which contains the score and all the parts.) I play trombone with a local concert band(Southern Peninsula Concert Band (Life Member) [[http://www.spcb.com.au|www.spcb.com.au]], lead a swing band (Down South Big Band: [[http://www.downsouthbigband.com|www.downsouthbigband.com]]) as well as play French horn with a local symphony orchestra (Frankston Symphony Orchestra). I also play French Horn with the Eltham Concert Band (www.elthamconcertband.org) Some arrangements and compositions can also be heard at http://soundcloud.com/brendanelliget Visit my webstore: http://www.bjemusic.com/ to browse my music compositions and arrangements. !0.00¸ùg#¸aCúU!2022-08-11 06:46:41úU!0g#¸÷g#cCúU!1g#¸÷g#Ø_CúU!Account¸÷g#ÀbCúU!2022-08-09 08:04:25úU!2024-03-25 08:06:01úU!2022-07-11 06:46:41úU!2017-10-14 12:06:10úU!26g#¸÷g#ˆaCúU!0000-00-00 00:00:00úU!0g#¸÷g#!0g#¸÷g#8`CúU!1g#¸÷g#8cCúU!0g#¸÷g#10g#Ø÷g#°]CúU0q{ "width" : 172, "position-y-pc" : "17", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [ { "y" : 21, "width" : 61, "x" : 53, "center-y" : 51.5, "height" : 61, "center-x" : 83.5 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [] }, "height" : 300, "position-x-combined" : "49%", "position-x" : "center", "position-y" : "top", "position-y-combined" : "top", "average-center-x" : 83.5, "average-center-y" : 51.5, "id" : "A8BDF72C-4E5C-11E7-870A-D1C586C711BC", "position-x-pc" : "49" } !1g#¸÷g#H_CúUHeCúUÈfCúUhfCúUX^CúUðeCúU°`CúUÐaCúUh]CúUÀbCúU`bCúUØbCúUÐ^CúU`_CúUˆ^CúUhEúUÈcCúUdCúU¨bCúU^CúU˜fCúU0_CúUxbCúU°fCúU¨eCúUð\CúU8`CúUèdCúU8fCúUP]CúU€fCúU dCúU@^CúU`CúU¸aCúU@dCúU aCúUˆdCúU˜]CúUÈ`CúUxeCúUØ_CúU`eCúUeCúUø]CúU cCúUHbCúU `CúUøfCúUàcCúUà]CúU0eCúU€]CúUh`CúUP`CúUeCúU fCúUpdCúUPfCúU¸dCúU(dCúU˜cCúUfCúU@aCúU€`CúU_CúU¸^CúUàfCúUÀeCúU(aCúUPcCúU°]CúU!úg#Húg#!1g#¸÷g#121C2C41A-886F-11E9-9F08-F3D41D17C629!1g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00Q@gCúU¡Joel Jacklich graduated from Western Michigan University in 1970 with a Bachelor of Music, cum laude, majoring in Music Education and with minors in Music Theory and Applied Music (Viola). He then graduated from the School of Performing Arts, United States International University in 1980, with a Master of Fine Arts in Orchestral Conducting. He is currently music director/conductor of the Imperial Valley Symphony (1974-Present), and after thirty-five years in education recently retired from Imperial Valley College (CA) as Professor Emeritus where he had been the head of the music department (1989-2006). There he received the Rafael Santos Award as IVC's Outstanding California Community College Professor (2006), the Academic Senate's Outstanding Faculty Award (1996), and the President's Distinguished Service Award (1991). He was also a lecturer in music at San Diego State University-Imperial Valley Campus (from 1988). He formerly taught music, English, and E.S.L. at Central Union High School in El Centro, CA (1974-89), was the music director/conductor of the Yuma Community Orchestra (AZ) (1985-87), and associate professor of music at Arizona Western College (1985-87). For the past thirty years he has served as an adjudicator for the Music Teachers' Association of California, and recently for ASTACAP. He is in demand as a clinician and guest conductor. An active chamber musician, he is constantly switching hats as violinist/violist/arranger for the Imperial Valley String Quartet (1974-Present). Most of the music on this site consists of arrangements for string quartet. If need for an arrangement comes up that can't be found here (and whose source is in the public domain, or for which copyright clearance can be obtained), drop an email to joel.jacklich@imperial.edu with a word or two about exactly what is needed and a new arrangement that can be posted here may soon find its way to scoreechange.com.!0g#Hûg#¨M@úU!0g#¸÷g#0M@úU!÷g#¸÷g#xG@úU!1g#¸÷g#xM@úU12FA59D3C-886F-11E9-AB4E-F3D41D17C629U!0g#¸÷g#!0g#¸÷g#M@úU!0000-00-00 00:00:00úU!0g#¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#hK@úU!0g#¸÷g#!÷g#¸÷g#J@úU!0g#¸÷g#!0000-00-00 00:00:00Q@ @úUQÐéúU éúUˆéúUpéúU¸Ö;úU1Keyboardsg#rtet0133g#Ø÷g#p»=úUp†=úU0!0000-00-00 00:00:001÷g#Ø÷g#_BSÞ0!عúUlnúU 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Blues music Classical music Classroom materials Country music Folk music Jazz music Latin music Modern classical music Other Ragtime music Rock and Pop music World music
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scoresg#!474420¸÷g#ÐÓ@úU!1g#¸÷g#€Ò@úU!0g#¸÷g#Ñ@úU!÷g#¸÷g#¨Ñ@úU!0g#¸÷g#`Ñ@úU!0g#¸÷g#àÒ@úU10000-00-00 00:00:00úU`Ô@úU0!0000-00-00 00:00:00!2022-10-23 21:10:19úU!222423¸÷g#!20.00¸÷g#!laughreygg#!0g#¸÷g# !2.99 ç9úU !2020-09-20 16:58:5010g#Ø÷g#0!USQLrencyID!1g# Œ‚úU Joel retired from Imperial Valley College (CA) as Professor Emeritus where he was the head of the music department (1989-2006). He is the founding music director/conductor of the Imperial Valley Symphony, now in his 39th season with the orchestra. An active chamber musician, he is constantly switching hats as violinist/violist/arranger for the Imperial Valley String Quartet. Most of his music on this site consists of [[http://www.scoreexchange.com/search?instrumentationid%5B%5D=12&instrumentationid%5B%5D=13&instrumentationid%5B%5D=14&instrumentationid%5B%5D=37&uid=462 | arrangements for string quartet]]. If you need an arrangement that can't be found here, [[http://www.scoreexchange.com/profiles/jjacklich?c=showEmail | get in touch with Joel]].!1g#¸÷g#Àá:úU!0g#¸÷g#8ë@úU!0000-00-00 00:00:00úU!1g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU!1g#è÷g#˜ù"úU!1g#¸÷g# !2023-11-30 19:55:53úU!2022-10-23 21:36:02úU!75g#¸÷g#xÎ@úU!0000-00-00 00:00:00úU!1g#¸÷g#@Ð@úU!0g#¸÷g#(Ð@úU!1g#¸÷g#àÒ@úU!1g#¸÷g#hÒ@úU!0g#¸÷g#Ñ@úU!÷g#¸÷g#ˆÓ@úU!0g#¸÷g#€Ò@úU1934F7D66-713D-11ED-93F4-4F25F5556F5D!1g#¸÷g#ÐÐ@úU!0g#¸÷g#!0000-00-00 00:00:00úU10g#Ø÷g#páDúUðàDúU0á   ¬°µ¸ TX$(¬°  !0000-00-00 00:00:00úU!0000-00-00 00:00:00!÷g#¸÷g#¸˜>úU!19629¸÷g#!0g#¸÷g#ðœ>úU!0g#¸÷g#›>úU!0.00¸÷g#¸ž>úU!0.00¸÷g#Àœ>úU!0.00¸÷g#°>úU!1g#¸÷g#  >úU!1g#¸÷g#(ž>úU!0g#¸÷g#`™>úU!0g#¸÷g#!1g#¸÷g#x™>úU!141767¸÷g#1Jim Henson, Sam PottleP>úU0!0g#ˆýg#PóDúU!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g# 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You will also find music to suit all needs including full symphony orchestra, concert/brass band, brass quintet, string orchestra, wind quintet, oboe consort, recorder consort, saxophone ensemble, trombone & low brass ensembles. Commissions are open. The complete catalogue can be found on [[/profiles/keith_terret|Keith's Profile]]. NEW:Check out my new ''Jazz for 5 Brass Series'':[[/scores/132953.html|Don't Get Around Much Anymore]], [[/scores/168883.html|Hello Dolly]], [[/scores/169035.html|Satin Doll]], [[/scores/168996.html|Pennsylvania 6-5000]], [[/scores/169429.html|Tin Roof Blues]] & [[/search?uid=250&q=Fur+Elise+Boogey+Woogie|Fur Elise Boogey Woogie]], C Jam Blues, Equinox, That's a Plenty and Moonlight Serenade.!14392xøg#˜ù"úU!1g#¸÷g#˜ù"úU!1g#¸÷g#˜ù"úU!4g#øg#˜ù"úU!2019-06-06 16:25:03úU10g#Ø÷g#˜ù"úU0!øg#èøg#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#è÷g#!64g#¸÷g# !0g#¸ùg#øúU!0g#¸÷g#!0g#¸÷g#xûúU!0g#¸÷g#!1276x1650g#ÀøúU!5g#¸÷g#ûúU!1g#¸÷g#höúU!0.00¸÷g#ˆúúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!0g#¸÷g#øúU!0g#¸÷g#ÀûúU!0000-00-00 00:00:00!0000-00-00 00:00:00úUQXÒQúU!1.50(øg#!0000-00-00 00:00:00úU!0g#è÷g#€@HúU!0g#¸÷g# !3.00U83.5550581Àª·úU˜ÇEúU¯²zk270437!63g#``úU143g#Ø÷g#`ï]úU01ExchangeRate:ExchangeRateúU01HÈEúUh.]V1986181xÈEúUuR݇w1xþýúU 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GúU1°…CúU˜ù"úU˜ù"úU˜ù"úU!plain¸÷g#!plain¸÷g#1ÀŠCúU˜ù"úU˜ù"úU˜ù"úU!plain¸÷g#1€EGúU˜ù"úU˜ù"úU˜ù"úU!plain¸÷g#1(GúU˜ù"úU˜ù"úU˜ù"úU!plain¸÷g#1øüFúU˜ù"úU˜ù"úU˜ù"úU GúU!plain¸÷g#@GúU1(GúU˜ù"úU˜ù"úU˜ù"úU0!0g#(øg#ÐF&úU!0g#¸÷g#\$úU!0000-00-00 00:00:00úU!1g#¸÷g# !0000-00-00 00:00:00úU10000-00-00 00:00:00ÓQúU0!26g#¸÷g#˜7?úU!0g#¸÷g#€ü>úU!3g#¸÷g#xÀ>úU!2g#¸÷g#Ѐ>úU!2010-09-30 00:00:00úU!2021-11-10 00:00:00úU!øg#8øg#‚]úU!÷g#¸÷g#x‚]úU!0g#¸÷g#ˆ]úU10g#Ø÷g#0!÷g#¸÷g#¨BúU!0g#¸÷g#` úU!0g#¸÷g#˜7?úU1÷g#Ø÷g# ªGúUÈ÷g#0!0g# \/úU !partsA1810_Experience-Flute_Piano-Score.pdf14.72348@!1GúU47.348867!sdecesare@gmail.comWHER!TrumanCapote1756jVúU!sdecesare@gmail.com!Mr.#¸÷g#ÞeúU!÷g#¸÷g#P‘eúU166 North Williams Street~NúUpdúU1RIg#Ø÷g#PgúUÈ÷g#01My scores>a>!|šúUuredScores!÷g#GúU1StanwayØ÷g#0!PopularityúU !Cook°¡EúU !0g#¸øg#!Account¸÷g#ø•EúU!0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!2024-04-11 08:06:41úU!2017-09-18 06:56:30úU!50g#¸÷g#˜EúU12018-04-21 10:25:01úU(–EúU0Á[ { "Desc" : "Click here for free stuff and trumpet advice.", "Url" : "http://timcurd.wix.com/timcurd-brass#!links/c241j", "Text" : "My Web Links" } ] ˆ°"úU!0g#ˆøg#´"úU!0g#¸÷g#Xøg#!1144¸÷g#!1g#¸÷g#0GúU!0.00¸÷g#ÿÿÿ!2024-05-11 08:06:41ÿÿÿ!0g#¸÷g# !IDg#°ÙCúU !ColchesterúU!0000-00-00 00:00:0010000-00-00 00:00:000!ScoUpdatedúU !1g#8øg#!0g#¸÷g#ø•EúU!2019-10-11 08:43:37úU10g#Ø÷g#È•EúU˜•EúU0!÷g#¸÷g#À¶%úU!÷g#¸÷g#P±%úU1÷g#Ø÷g# P.úUpV,úU0!502315`V)úU !0g#€4GúU !0000-00-00 00:00:00úU14g#Ø÷g#x—EúU0!\/,úU0H:úU !Landscore1977 !95866l::st !1g#`a<úU!More Scores#114339Ø÷g#0!2018-05-29 01:30:32itab!sib#¸÷g# !1g# GúU!0g#ø÷g#11g#Ø÷g#0!0g#øg#!0g#¸÷g#10g#Ø÷g#0!øg# GúU!÷g#¸÷g#11g#Ø÷g#ÿÿÿÿ0!Kentð4GúU!TN4 0UY¸÷g#1gbg#Ø÷g#0!CO3 0LBø÷g#1gbg#Ø÷g#0!0g#°š+úU !gRF7JSUdF7tD6zAf!1g#ÀúU !0000-00-00 00:00:00úU!0000-00-00 00:00:00úU!473#¸÷g#pR'úU!110.00¸÷g#0!aluncook÷g#coreIncl!1g#¸÷g# !0g#0²GúUðQJúU!1g#¸÷g# 10g#P¼EúUrdReminderSentt0ÑTim Curd BA Hons PG Dip I studied trumpet and composition at Colchester Institute, England. I play trumpet in a wide variety of styles from pop to orchestral and I have been teaching various instruments for over 10 years. I often arrange and compose material for my pupils and ensembles that I run and I have several pieces published. In my catalogue you will find some solo items, duets, trios, quartets and even some free scale sheets!! !142421¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!0g#¸ùg# ™EúU!0g#¸÷g#ˆ™EúU!0g#¸÷g#ðšEúU!0g#¸÷g#À—EúU!0g#¸÷g#¨šEúU!÷g#¸÷g#›EúU!1g#¸÷g#˜EúU1D59DECE6-EBFA-11E9-BCF0-788383FEA0E1U!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0000-00-00 00:00:00úU!0000-00-00 00:00:00!0g#è÷g#™EúU!1g#¸÷g# Á[{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":0,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":0,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"},{"on":0,"name":"prints"},{"on":1,"name":"views"},{"on":1,"name":"sales"},{"on":0,"name":"mp3"},{"on":0,"name":"composer"},{"on":0,"name":"subtitle"},{"on":1,"name":"platinum"},{"on":1,"name":"status"}]!2g#¸÷g#!1g#¸÷g#!19.28¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!2019-10-11 08:43:37!{ "faces" : {} } !0g#¸÷g#0—EúU0EúU€¥EúU ¥EúU@–EúUØEúU˜˜EúU¸™EúUP•EúU¨šEúUHšEúUÀšEúU¸–EúUH—EúUp–EúU°›EúUø›EúUšEúUø•EúUP¥EúU—EúU`šEúUh¥EúUEúUØ”EúU ˜EúUÐœEúUð¤EúU8•EúU8¥EúUˆœEúU(–EúUð—EúU ™EúU(œEúUˆ™EúUpœEúU€•EúU°˜EúU`EúUÀ—EúUHEúUèœEúUà•EúU›EúU0šEúU˜EúU°¥EúUÈ›EúUÈ•EúUEúUh•EúUP˜EúU8˜EúUEúUžEúUXœEúU¥EúU œEúUœEúU€›EúUðEúU(™EúUh˜EúUx—EúU –EúU˜¥EúU¨EúU™EúU8›EúU˜•EúU!0g#øüg#@,GúU!÷g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!0g# }^úU !44úU0_>úU 143g#Ø÷g#0!1g#©<úU Qè¦EúUx§EúU§EúU`§EúUH§EúUà3úU!Trio¸÷g# !0g#`5GúU !1g#p.GúU!20g#¸÷g#10g#Ø÷g#0!PaymentCurrencyID!50g#øg#QاEúU!ùg# ÊGúU!÷g#¸÷g#ÀŒ.úU!0g#ùg# /HúU!0g#¸÷g#163800!0.0000¸÷g# !0000-00-00 00:00:00!For The First TimeúU!0g#¸÷g#ÀSHúU!0g#¸÷g#136089!0g#¸÷g#@!0000-00-00 00:00:00!0g#è÷g#€!0g#¸÷g# 169g#Ø÷g#A9úU¨¦úU0QÀ<=úUQÀÌ=úU!Trumpet¨ûg#P1GúU!2022-09-29 00:00:001÷g#Ø÷g#0!0.00°—úU !0g#@%{úU Q­EúUQ­EúUÀ­EúUX²úU!0000-00-00 00:00:00!0000-00-00 00:00:00Q@û(úU!1g#8øg#!1g#¸÷g#ÙQúU!332.63¸÷g#ØrPúU1÷g#Ø÷g#À.]úUÐ3]úU0!2020-09-17 19:19:03úU116468Ø÷g#esLibRef®%úU0!0IúU39.807792Q KPúU!1g#LúU 1÷g#pw?úUHÛeúU`KúU0!Andrew¸÷g# !01892 529392!01892 529392101892 5293920!0g# “,úU á    ´¸$(€ˆ$(°óFúUª‰3úU @PGúU€ÆFúUDpGúUð8GúUDpGúU`6GúUDGúUØCGúUGúUðCGúU0²FúU°‰3úU @°GúUŠ3úU @0uSúU8DGúUÈÿFúUPDGúU@ýFúU؉3úU @GúU€DGúUxDGúU˜DGúU˜GúUÀ¸CúUDP EúUp¸CúUD`GúUà8GúUD0HEúUHˆ3úU @€ GúU`¸CúUD@GúU 9GúUDÐGúU€¸CúUD€GúU`‰3úU @GúU™9úUDðGúUÀ˜9úUD0 GúU EGúU`q[úUDÐúU`µúUDÀé(úUèEGúUpŒCúU€]µúUFGúU IGúU0FGúU°ÛSúU @ qRúU`FGúUø!µúUPÖtúUDðl°úUàâSúU @°‘FúU0¸CúUD GúUÀFGúUÔIÐxHúUD“FúUðFGúU€8úU`”CúUD@GúU GGúU0•CúUD LEúUPGGúU¸£9úUhGGúU`F€GGúUhEGúUà¸CúUD EúUиCúUDp EúU ¸CúUDPGúU08GúUD ¡CúUéDúUDpˆFúU ˆ3úU @0 GúU@¸CúUDˆFúU œCúUD`HúUXHGúUpHGúUp‘CúUDÐGúU9GúUDðGúU@¹CúUD"GúU 9GúUDpa<úU ¹CúUDÐ!GúUP¸CúUD°ˆFúUÐ IúUD`#úU¹CúUDpGúU`9GúUD GúU@9GúUD0"GúU`š9úUDð GúUpˆ3úU @GúUèˆ3úU @GúUPuHúUDàØFúU0¹CúUDð!GúU¸CúUD0GúU€9GúUDÐGúUp9GúUD°GúU¹CúUD GúU°9GúUDa<úUÀ9GúUD°a<úUÐ9GúUD0GúUà9GúUDPGúUð9GúUDpGúU:GúUDGúU:GúUDÀGúU :GúUDàGúU0:GúUD`$GúU@:GúUD &GúUP:GúUD@&GúU`:GúUD`&GúUp:GúUD€&GúU€:GúUD &GúU:GúUDÀ&GúU :GúUDà&GúU°:GúUD'GúUÀ:GúUD 'GúUÐ:GúUD@'GúUà:GúUD`'GúUð:GúUD€'GúU;GúUD 'GúU;GúUDÀ'GúU ;GúUDà'GúU0;GúUD(GúU@;GúUD (GúUP;GúUDGúU`;GúUD GúUp;GúUDGúU€;GúUD GúU;GúUD0GúU ;GúUDPGúU°;GúUDpGúUÀ;GúUDGúUÐ;GúUD°GúUà;GúUDÐGúUð;GúUDðGúU@ œ  ýÿ±[{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":0,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":0,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"},{"on":0,"name":"prints"},{"on":1,"name":"views"},{"on":0,"name":"sales"},{"on":1,"name":"mp3"},{"on":0,"name":"composer"},{"on":0,"name":"subtitle"},{"on":0,"name":"platinum"}]€?!2g#¸÷g#!2g#¸÷g#!103.90¸÷g#!÷g#¸÷g#!÷g#¸÷g#!÷g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#!49g#¸÷g#!7g#¸÷g#!2017-06-22 08:53:47¡{ "width" : 272, "position-y-pc" : "38", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [ { "y" : 26, "width" : 74, "x" : 97, "center-y" : 63, "height" : 74, "center-x" : 134 }, { "y" : 237, "width" : 55, "x" : 146, "center-y" : 264.5, "height" : 55, "center-x" : 173.5 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [ { "y" : 27, "width" : 73, "x" : 98, "center-y" : 63.5, "height" : 73, "center-x" : 134.5 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [ { "y" : 26, "width" : 75, "x" : 97, "center-y" : 63.5, "height" : 75, "center-x" : 134.5 } ] }, "height" : 300, "position-x-combined" : "53%", "position-x" : "center", "position-y" : "top", "position-y-combined" : "38%", "average-center-x" : 144.125, "average-center-y" : 113.625, "id" : "EDEB71A0-571F-11E7-AA71-95803A5BEF10", "position-x-pc" : "53" } `>IúU@$EúUÀ%EúU`%EúUp=IúUè$EúUÈ?IúUè@IúU€IúU =IúU°KúUÀ"EúU#EúUÀAIúU(=IúU%EúUH>IúUAIúU¨%EúU $EúUIúUX$EúUø#EúU=IúU8BIúU`AIúU8?IúUð%EúUØ"EúUøIúUÐ=IúUØ%EúU¸$EúU@@IúUhBIúUÈ.
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Lead Sheet / Fake Book Dean Pitchford And Kenny Loggins úU!0g#¸÷g# !1.50€€cúU qÙIúU ÇQúUC(¿1úU!0g#ÐÕ‚úU !}CúU0JCúU !100#PÍ>úU !HV…úUè÷g# !0000-00-00 00:00:00!0g#0KMúU !0.00à\JúU !àí|úUèô|úU1/usr/www/resources/ADAP3/SQL.pm0!0g#àHúUcoreIncl!÷g#¸÷g# !@›KúUè÷g#coreIncl!0g#È÷g# 1JåúUà[JúUidateddno wee0!2.95P¡+úU Á Five favorite Christmas carols are arranged attractively with engaging interest for both flute and clarinet. Jingle Bells, Dancing Day, Deck the Halls, O Holy Night and We Wish You a Merry Christmas. Live MP3's available for for each in the Associated scores.ody. Also available in a set of five duets in "Flute and Clarinet Holiday Collection Vol. 1" am a pretty young shepherdess" and describes a young girl trying to woo a suitor. The young man, Lydius, seems indifferent to her charms The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.s, examples or comments on specific dance-style rhythms, I would like to hear about it. Thank you! er oder mehrer meiner Kompositionen gemacht haben, ersuche ich um Zusendung des Ton- oder Videomaterials (mp3, mp4) für mein Archiv. Ich bin auch an Konzertprogrammen Ihrer Aufführungen im pdf-Format interessiert. Danke! Auf diesen Webseiten finden Sie weitere Veröffentlichungen von [[ https://www.scoreexchange.com/profiles/jptraun | Josef Peter Traun ]] und beim Musikverlag [[https://www.traunmusik.at | traunmusik]] . Und hier noch Links zu den Kompositionen meiner Tochter [[ https://www.scoreexchange.com/profiles/179338 | Marion Traun ]] , [[ https://www.youtube.com/user/mariontraun | Youtube ]] und ihre [[ www.mariontraun.at | Homepage ]] . on. Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114). It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen. https://youtu.be/rHpIWa6Ny3g m. Verdi composed Nabucco at a difficult moment in his life. His wife and small children had all just died. He had contracted with La Scala to write another opera and the director forced the libretto into his hands. Returning home, Verdi happened to open the libretto at "Va, pensiero" and seeing the phrase, he heard the words singing. At first rehearsal "the stagehands shouted their approval, then beat on the floor and the sets with their tools to create an even noisier demonstration". As he was subsequently to note, Verdi felt that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that Nabucco was born under a lucky star". Upon Verdi’s death, along his funeral’s cortege in the streets of Milan, bystanders started spontaneous choruses of "Va, pensiero…" A month later, when he was reinterred alongside his wife at the ’Casa di Riposo’, a young Arturo Toscanini conducted a choir of eight hundred in the famous hymn.ess!0g#hüg#À¿GúU!1g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x459¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-02-14 07:01:43!2023-02-14 07:02:24!2825484¸÷g#!3146377¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q0˜:úUAMusic for a Happy Occasion for Brass Quintet784@Q!0g#OhúU 10g#Ø÷g#à„eúU¸ÆQúU01I see she flies me [Aureng-Zebe: sop.]!26g#¸÷g# !String orchestraQ˜}BúU{BúU10g#ðW úUtAttempted¦01934730KúUtAttemptedeU0!0g#p$úUèµ=úU!50g#¸÷g# !øg#(øg#¸G!úUACopyright 2014 Gary Laughrey/Praisewinds Music°å!úU!÷g#¸÷g# 1€Ë úU¸ÄGúUùp~ {!øg#8øg#ÀBúU!÷g#¸÷g#0BúU!0g#¸÷g# ~BúU10g#Ø÷g#0!÷g#¸÷g#pþÿÿÿ!0g#¸÷g#!0g#¸÷g#!÷g#è÷g#!2021-06-28 00:00:00!0g#€¦dúUrdRemind!0g#¸÷g# !$1.50QLEmailConQh’húUÂiúU˜š[úU!0g#ðZ>úU !Accountè÷g#0™JúU!0000-00-00 00:00:00Qxm9úU!0g#Pé\úU!0g#¸÷g#!0g#¸÷g#pJMúU!0g#è÷g#!0g#¸÷g# 12020-11-06 00:00:00ityScoreU0!0GúU06.159092!0g#pJMúU°ÅQúU!÷g#è÷g#@!0.00¸÷g# !2011-11-01 08:38:08!1g#ø÷g#`“[úU10g#Ø÷g#“[úU0!HASHÈ÷g# !2021-03-30 21:46:12Pian!198618¸÷g#o instru!229.70è÷g#nd print!÷g#¸÷g# !0000-00-00 00:00:00úU10000-00-00 00:00:00ø.'úU0!0GúU19.131841GúU‘For The First Time Easy Lead Sheet / Fake Book Kenny Loggins, Rod Stewart, James Newton Howard, Jud Friedman, Allan Rich rge.jpg'úU!0g#¸÷g#ð,IúU!0g#¸÷g#614713!0g#¸÷g# !0g#¸÷g#!0000-00-00 00:00:00#!÷g#¸÷g#0FJúU!0g#¸÷g#9276510g#Ø÷g#57789@†CúU0Q0s9úU!0g#8øg# á8úU!0g#¸÷g#à8úU!0g#¸÷g#8æ8úU1÷g#Ø÷g#01÷g#Ø÷g#0‘p´9úUxvJúUå8úU˜(úU¸:JúU0'úU3'úU°òHúU;JúU@qGúU!73495¸÷g# !÷g#À-GúU 1°’úUÈÍGúUÈ)ò x!PhotoUpdatedtoUpdateda1Barry Ø÷g#ib/SE/Score.pm0!0000-00-00 00:00:00!HASH8øg#hTY#!øg#°}úU!0g#¸÷g#10g#Ø÷g#ÿÿÿÿ0aàKúU!12g#8øg#0úU!12eng#P?RúU!2682¸÷g#ÐÐRúU14g#Ø÷g#@ÑGúU¸÷g#0!12úU¸÷g#p]úU!DBD::mysql::st`Ó\úUQ(ÐGúU1fH±SE_AdvertCampaign_get_info!93682xøg# !4g#¸÷g# !["home"]÷g# qßIúU èË4úU(¿1úU!ADAP3::SQLúU!ˆé9úU_úU !NAMEUql::st! 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Difficulty

Easy (Grades 1-3) Moderate (Grades 4-6) Difficult (Grades 7+) Not applicable (e.g. worksheet)
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Singers
•²úU¸÷g#à p­úUe¥úU€@¸_úUp¦_úU¼°úUp¦_úU¼°úU€ 0.0000°~³úU(´˜úU!2011-05-08 18:06:16úUADancing Day for flute and clarinetúUX´˜úU@a;ßIúUöGúUùÉô^`!0000-00-00 00:00:00úU!Kris Bergg#ORT FROM!3.99¸÷g#ET_ATON(![]g#¸÷g#LIMIT 1!2020-08-24 05:19:25úU!0g#è÷g#hangeRat!0000-00-00 00:00:00!0000-00-00 00:00:00!ýúUŸPúUˆYÒúUœPúU8þGúUèZÒúUPPúU€ûGúU¸\ÒúUHŸPúU@ÿGúUÈ×·úU° PúUHZÒúUÀœPúUHýGúU(]ÒúUØŸPúUhŽúUŸPúUˆüGúUèWÒúUØïRúUÈVÒúUHïRúU0ýGúU(\ÒúUpžPúU üGúUètúUïRúUØúGúUx]ÒúU  PúU°þGúU8[ÒúU˜PúUÀýGúUØ[ÒúU(žPúU˜ZÒúUPúUÐùGúU訷úUhðRúU8^ÒúUø PúUàûGúUxVÒúUïRúUˆ4ÒúUH4FúUèXÒúU@ñRúU8þ¦úUàíRúUˆ^ÒúU@¡PúUÈ;ÒúU˜2FúU=ÒúUèùEúU˜ §úUxúEúUH5ÒúU1FúUø4ÒúUh/FúU¸>ÒúUíRúUè5ÒúU(^EúUh<ÒúU¨1FúUh>ÒúUÀìRúUhŽ½úU(îRúU8©ÓúU¸ùEúU(UÒúUPíRúU`ýGúU>ÒúU@[EúU(÷ÝúU4FúUè­SúU(0FúU¨=ÒúUúEúUxúGúUHÕ£úU04FúU¨&§úU˜íRúUýGúU¸<ÒúU`1FúUX=ÒúUøøEúU<ÒúUH1FúU8UúUX0FúUØUÒúUpîRúUðúGúUh×·úU€5FúUø´žúU88FúU˜5ÒúUè0FúU(ùGúUˆ9ÒúUP2FúU ÿGúU(VÒúU¸îRúUX1ÒúUØ4FúU¸6ÒúUÐ6FúUˆ­úUh8FúU(Ö·úUÐFúU°HúUˆ[ÒúUwFúU8ˆ‚úUx=FúUpüGúU¸Ö·úUpFúU8^ÒúUÈ8FúUXgžúUxtFúUpHúU(F‡úUø{FúUøHúU(\ÒúU€uFúUXÖ·úUÈ>FúUHúU¸\ÒúU¨=FúUˆHúUÈ]ÒúUØ=FúUˆ¥YúUè8úU8;FúUØ^ÒúUà5FúU`HúU(]ÒúUˆvFúU˜Y‹úUHñEúU(gžúU¨tFúUÐHúU8[ÒúU˜uFúU˜ZÒúUpyFúU¸®ÒúUyFúU HúUèZÒúU÷EúU¨ÿhúUð:FúU¨HúUÈ×·úU0tFúUˆ^ÒúUÀ=FúU8HúUx]ÒúU0ôEúUèHúUØ[ÒúU°;FúUWÒúUØ:FúUHZÒúUàuFúU=ÒúU 0FúUhŽúUøxFúUØHúU˜XÒúUH÷EúUØYÒúU(vFúU¸>ÒúUÐ|FúUØUÒúU0€FúUÈVÒúU8xFúU˜ §úU€FúU¨=ÒúUȪFúUHHúUØ<¦úU°xFúUh>ÒúUÀ€FúU8þ¦úU€FúU@UHúUèWÒúUèyFúUèXÒúUH}FúU(UÒúU˜{FúUØHúU訷úU}FúUHúUètúUØ}FúU¸HúU¸<ÒúUxƒFúU<ÒúU€~FúUàHúUxVÒúU0}FúUh<ÒúU`ƒFúUÈúU¨}FúUhŽ½úU0úEúUXUHúU(VÒúUØ€FúU¨&§úUx€FúUX=ÒúUƒFúUˆYÒúUÈ{FúU8©ÓúU¸FúU¸6ÒúU€³FúUhTHúU>ÒúU {FúUH5ÒúU°­FúUhظúUhuFúUXŒúU8°FúU(:ÒúUð¬FúUè­SúU ‚FúUˆ­úU€°FúUøÕ·úUàªFúUˆ4ÒúUh­FúUhŒúUX«FúU€HúUˆ9ÒúUð¯FúU(÷ÝúUP­FúU˜5ÒúUƒFúUè8ÒúUP°FúU8UúUˆ3FúUHúUHÕ£úUhFúUøÓ·úUø­FúUÈ&äúU¯FúUÈHúUh×·úU˜­FúUh½úUøFúUø4ÒúU­FúUØ9ÒúU˜°FúUx:ÒúUð€FúU89ÒúUp6FúUX7ÒúUدFúUè5ÒúU~FúUx¹ŒúU®FúU(gžúU¸FúUCkúU¬FúU(Ö·úUà­FúUÈ;ÒúU¨ƒFúUXÖ·úUø³FúUWÒúUбFúU¸HÅúUø>FúUXgžúU ¹FúU(gžúU˜³FúUø´žúUè«FúUÀ& úUè8úUè´FúUQ óHúU!0000-00-00 00:00:00!ID:Score::Mp3::id!@€³úUäGúU ¸F°úU42.275709(«HúU[úUh[úU¨ëHúU ­HúU[úUH[úU [úUà[úUØ[úU`[úUÐ[úU@íHúU˜[úUÀ[úU(êHúU[úUXŒ!úUàïHúUPìHúUÐ[úUP[úU[úUˆ[úU[úUH©HúUÈ[úU [úU8[úUð[úUÈ[úU [úU°éHúUøªHúUà[úUP[úUx[úUîHúUøéHúU[úUX[úUø[úUØ[úUH[úUð¬HúU[úU¬HúUÐêHúUªHúU[úU8[úU¨[úUØëHúUp[úUìHúUè[úUÈìHúUëHúUÀ¬HúU˜[úU˜ìHúU0[úUPïHúU êHúU€ìHúU0[úUø[úU`[úU°[úU¸[úUêHúU([úUp[úU`îHúU@[úUجHúUàéHúU€[úU!øg#høg#!756216¸÷g#FJúU!0g#¸÷g#@-IúU!0g#¸÷g#72084!0.00è÷g#6!0.00¸÷g# !øg#8øg#!1g#¸÷g#(=IúU!Plymouth÷g#x>IúU10000-00-00 00:00:00úUÈIúU!0g#¸÷g#ð>IúU!497#¸÷g#P?IúU!0g#¸÷g#¨>IúU!0.00¸÷g#8?IúU12020-07-27 11:18:51úUX=IúU0!0000-00-00 00:00:00úU!1190¸÷g#!63.90¸÷g#!philiprbuttall12g#Ø÷g#y (Brass Band)0!÷g#è÷g#xû>úU!0g#¸÷g# !÷g#@(úU APiano, Vocal & Guitar Chords (Right-Hand Melody)1÷g#Ø÷g#0!10568ø÷g#x>IúU10g#Ø÷g#¨>IúU01HASHð"úUw0AXHúUåj4-1713541097116@!øg#p%;úUP,EúU!8.44è÷g#!0g#¸÷g# 10g#À¿gúUKØH0AüÌúUüÌúUÀõ&Y#¨IúU!1FúU71.327192-medle!0g#`¢;úU 10g#À§IúU:53Ô²X01Cascia Talbert, known as the country flutist on YouTube, is a professional performer, composer, arranger and music teacher. She studied music and flute at the University of Wisconsin at Whitewater graduating with a BA in 2001. While in college she performed in the flute choir and played piccolo with the marching band and concert band. She started teaching private flute lessons in 1998 while in college. Cascia has over 25 years of performance experience playing her flute and singing with church choirs, for weddings, private gatherings and currently with a local Christian band. Along with performing she writes and arranges music for flute. You can watch her performances on YouTube @casciatalbertmusic6739. Cascia lives in the Chicago area with her husband, five children and three cats. !0g#xøg#˜ù"úU!÷g#¸÷g#˜ù"úU!0g#¸÷g#˜ù"úU10AC396EC-69FA-11EE-A48A-2A93221BE81EU!1g#è÷g#˜ù"úU!0g#¸÷g# ¡"width":225,"position-y-pc":"41","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":69,"width":112,"x":21,"center-y":125,"height":112,"center-x":77}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":69,"width":109,"x":23,"center-y":123.5,"height":109,"center-x":77.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":63,"width":121,"x":17,"center-y":123.5,"height":121,"center-x":77.5}]},"height":300,"position-x-combined":"left","position-x":"left","position-y":"center","position-y-combined":"41%","average-center-x":77.3333333333333,"average-center-y":124,"id":"FE061BA8-512A-11E7-B5D5-E45FACE245FD","position-x-pc":"34"}n-x-pc":"58"}512A-11E7-A2D9-FBC569619CBC","position-x-pc":"53"} "position-y" : "bottom", "position-y-combined" : "bottom", "average-center-x" : 169.75, "average-center-y" : 261.75, "id" : "6C373E42-59B2-11E7-8D03-9B0F865DACA9", "position-x-pc" : "57" } ition-y-combined" : "top", "average-center-x" : 103.166666666667, "average-center-y" : 66.8333333333333, "id" : "C33CCE00-7B9F-11E7-B891-FFEEA5733CDC", "position-x-pc" : "39" } sition-y-combined" : "38%", "average-center-x" : 144.125, "average-center-y" : 113.625, "id" : "EDEB71A0-571F-11E7-AA71-95803A5BEF10", "position-x-pc" : "53" } //**For SCORE CATALOGUE please scroll to bottom of page**// **PHILIP R BUTTALL** was educated at Cambridge, Durham, and Exeter Universities. Winning the Raymond Ffenell Prize at the Royal College of Music, he graduated with Distinction, studying piano with Cyril Smith, recorder with Freda Dinn, and composition with Bryan Kelly. He retired from full-time teaching after more than twenty-five years in the secondary sector and has since worked as an examiner and consultant for one of the leading international examination boards. For many years he was the Classical Music Writer for //Plymouth Herald//, where he wrote a weekly Classical Music page and regular concert reviews, as well as a major contributor to [[http://www.artsculture.newsandmediarepublic.org/|//ArtsCulture//]] and [[http://www.seenandheard-international.com/ |//Seen and Heard International//]]. Philip still provides programme notes for a number of concert organisations, and was a respected CD-reviewer for [[http://www.musicweb-international.com/ |//Music Web International//]], also for a number of years. A highly-qualified and experienced private piano teacher, he is now a retired member of European Piano Teachers' Association (EPTA UK), and has written music and software reviews for their //Piano Professional// magazine. Philip is also a Fellow of the Royal Society of Arts. Among his major 'coups' are performances of his Samba..alla Turca! by the City of Birmingham Orchestra (CBSO) at Symphony Hall, for the 2006 Family Christmas Concert, and by the London Concert Orchestra at London's Royal Albert Hall in December 2007. The work was also performed twice at the start of January 2008, by the internationally-acclaimed Ulster Orchestra, at their //Viennese Evenings// at the Waterfront, Belfast. It will be performed again in the Province in 2013, with extra venues at Derry and Ballymena. In December 2006 he was awarded a Fellowship in Music from Trinity College, London, for his dissertation and subsequent London presentation of //The Piano Writing & Formal Structure in the Piano Concertos of John Field (1782 - 1837), and their subsequent Influences//. In December 2007, he gained a further diploma, this time in Jazz Piano Performing, so is definitely keeping his practical skills finely honed, too! In 2017, Philip took the recently-introduced ARSM Recital Diploma, which he gained 'with Distinction' - essentially to refresh and update his exam experience - as well as hopefully to keep his fingers nimble, for as long as possible. In January 2010 Philip gained the Diploma in Freelance Journalism from the British College of Journalism. [Updated March 2023]1Philip studied at the Royal College of Music, Cambridge, Durham and Exeter Universities. A former School Head of Music, he has since worked as an Examiner & Consultant, and is now a Private Piano Teacher, Composer & Arranger, Classical Music Writer, and CD Reviewer. Philip's [[http://www.scoreexchange.com/search?uid=1190&q=samba..alla turca | //Samba..alla Turca!// ]] has been performed by the CBSO, Ulster Orchestra, and RTÉ National Symphony Orchestra of Ireland, while his [[http://www.scoreexchange.com/search?uid=1190&q=lone+ar-ranger | //Lone Ar-ranger!// ]] has proved one of the most popular online scores. Visit Philip's [[http://www.scoreexchange.com/profiles/philiprbuttall | **Profile Page**]] to see the complete catalogue of all his music available at **Score Exchange**.!1g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!1g#¸÷g#!1g#¸÷g#10g#Ø÷g#0qhttps://img.sheetmusic.direct/catalogue/album/b7b74f9e-983c-3806-afb0-75d1e2eda8ea/large.jpgp1˜ù"úU˜ù"úU˜ù"úU˜ù"úU!2020-09-06 12:32:31!H¦ñúUQLúU !2g# &úU!2023-03-19 22:43:53!2023-04-28 08:05:39úU1÷g#Ø÷g#ð1QúU˜SQúU0!sibúU07.090573!øg#xøg# ÌGúU!0g#¸÷g#àLUX#!Lead Sheet / Fake Book!÷g#¸÷g#!÷g#¸÷g#11.50Ø÷g#0!HjJúUHgJúUtedScor1homeØ÷g#0H:úU@¡)úU0!0000-00-00 00:00:00!0g#@ÿ+úU10g#Ø÷g#äIúU0!650x91903.124118 I[úUª0HúUÀÿHúUD QúUPIúUD0 QúU0IúUDP QúUtHúUIúUDp QúUðuHúUD QúUIúUDðñ0úU|HúUDò0úU IúUD0ò0úUÐIúUDPò0úUIúUDpò0úUÀIúUDò0úU IúUD°ò0úUðIúUDÐò0úU IúUD°2GúUpIúUDÐ2GúUðSHúUTHúU]GúUDp¶EúU€Ö7úUD¨FúU 0;úUD0¨FúUPL]úUêÁúU°0[úUD úUD€ñSúUà{HúUD‹FúUÐ|HúUDPrRúU@ÝSúU @@íSúUÈÜSúU @PìSúUøCHúUàDHúUà|HúUD€sRúU}HúUDÀrRúUÀÚSúU @Ð{RúUXDHúU€DHúU ßSúU @ñSúU8àSúU @0‹FúUp 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Due to the extreme difficulties of the original version it probably remains impossible to perform for most piano players. This version presented here is strongly simplified and switching between both hands as marked in the score its really not difficult to play. So if you wish to play this wonderful melody without being a virtuoso at the piano it could be just the right choice for you. For listening I recommend Paul Bartons excellent playing of this version on YouTube: https://youtu.be/fMD6OjeAQqg . UP'úU!3.50¸÷g#8ÝHúU!0g#¸÷g#¸×4úU!0g#¸÷g#`PúU!0g#¸÷g#RúU!÷g#¸÷g#(4PúU!÷g#¸÷g#8ŒSúU!0g#¸÷g#ÐúU!÷g#¸÷g#˜ù"úU1Copyright E.Deppe 2015 eckharddeppe.de!÷g#¸÷g#˜ù"úU!1.50è÷g#˜ù"úU!2017-03-31 20:13:32!øg#¸øg#XÍ(úU!1g#¸÷g#¡QúU!0g#¸÷g#ðÑ(úU!1g#¸÷g# f?úU!0g#¸÷g#Ì(úUq{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } ±Fairly easy choral work, with 3 solo singers, more complicated string accompaniment [professional]. 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    The Muppet Show Theme

    Piano Solo

    By: The Muppets, Jim Henson, TV Theme Song, Jim Henson, Sam Pottle
    For: Solo instrument (Piano)

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    nly">: aHo úUjȶ*úU4X™ úUaÐÑ úUj8¹*úU4X™ úU1p™ úUxi úUˆ¿³úUÀi úU úU!æNúU!AOúU1

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    :úUÈr?úUHþ?úU€::úUÐ?úU@8:úUX½?úUèm?úU@>:úUà=:úUø=:úU`»?úU¸;:úU8c?úU`<:úUP7BúU°?úUHí>úUз?úU<:úU::úUxq?úU ::úUø$?úU˜$?úU º?úUà¶?úU¸·?úUè(?úU8'?úUøl?úUPr?úU€?úU(g?úUˆ;:úU8::úUh::úU ;:úU¨<:úU¸d?úU=:úU€=:úUHh?úUh=:úUðþ?úUq?úUpp?úU XOúU\OúU]OúU^OúU_OúUiOúUjOúUwOúUdefCacheTime?ö€e="1" name="common_48" >Jazz Guitar (notation)
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    <ohn Williams Clapton, Bob Marley, Bob Marleyn, Bob Marley, Warren Gowterer Wattsone, Kirk FranklinEúU€!0000-00-00úU !2015-01-05 00:00:00úU!0g#¸÷g# !áNúUÁ Original composition Arrangement Transcription Other (e.g. worksheet) Original composition Arrangement Transcription Other (e.g. worksheet)ylophone A

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    g#ani

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    Genre

    Blues music Classical music Classroom materials Country music Folk music Jazz music Latin music Modern classical music Other Ragtime music Rock and Pop music World music

    Purpose

    A specific event > Baptism A specific event > Bar / Bat Mitzvah A specific event > Birthdays A specific event > Christmas A specific event > Christmas (sacred) A specific event > Easter A specific event > Funerals A specific event > Harvest festivals A specific event > National days A specific event > Weddings Film / TV soundtracks General performance Learning or teaching how to play an instrument Learning or teaching music theory National anthems Theatre Work in progress for review / critique Worship

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    Easy (Grades 1-3) Moderate (Grades 4-6) Difficult (Grades 7+) Not applicable (e.g. worksheet)

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    ct>
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    +G%22+%22Bob+Marley%22" rel="nofollow">Eric Clapton, Bob Marley, Warren G, Bob Marley
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îIúU¸~]úUÀ=cúUÈ‘!úUÈó]úUCcúU¸&cúU˜Ò(úUà>cúU¨@cúUø>cúUH@cúUh>cúUXReúUØ=cúU >cúUÈ%cúUð=cúU (cúU°¨&úUH=cúUñ !0g#à.dúU !0000-00-00 00:00:00!0000-00-00 00:00:00úU!130815¸÷g#p`úU135.25Ø÷g#h`úUÀ`úU0!÷g#¸÷g#`IeúU!÷g#¸÷g#@GeúU!÷g#¸÷g#!+504¸÷g#w se-pag!hng#¸÷g# îcúU!÷g#¸÷g#ÀîcúU!÷g#¸÷g#ntent --!÷g#¸÷g#pýbúU1÷g#Ø÷g#nt (main) --> 0ÁAs the previous piece combines a sinfonia and the first song, this is technically no 3 from Monteverdi's 7th book. "Non è di gentil core" This is a duet for two sopranos (cornet/trumpet) and the accompaniment have been reduced to 4 parts. At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs - like this one - will be in 6 or more parts. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) 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Patrick Bouchon © 2013 Dorset Music!Patrick BouchonÐFúU12012Ø÷g#0!sib#¸÷g#xPúU!790#¸÷g#à RúU!0g#¸÷g#@4PúU!O Holy Night Piano.sib!2013-06-18 17:59:56úU!96g#¸÷g#pÁ'úU!7618¸÷g#Í4úU!41g#¸÷g#@K7úU!0g#¸øg#àÕCúU!1g#¸÷g#€ÌCúU!0g#¸÷g#pÏEúU!÷g#¸÷g#0ÓEúU!0.0000¸÷g#(ÒEúU!2013-06-18 18:01:31úU1O Holy Night SATB with PianoH†KúU!0g#¸÷g# !4g#ùg#q_úUñThis is an arrangement for Choir and Piano of the Adolphe Adam’s Christmas song O Holy Night. All proceeds from any sales of this music will go to Angels (Charity for Autism Support) in Hertfordshire UK. 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Come people of the risen King, who delight to bring Him praise, come, all and tune your heart to sing to the Morning Star of grace. From the shifting shadows of the earth we will lift our eyes to Him, where steady arms of mercy reach to gather children in. Rejoice, rejoice, let ev'ry tongue rejoice! One heart, one voice, O church of Christ, rejoice! 2. Come church of Christ, rejoice! 2. (2. Come) those whose joy is morning sun and those weeping through the night. Come, those who tell of battles won, and those struggling in the fight. For His perfect love will never change, and His mercies never cease, but follow us through all our days with the certain hope of peace. 3. Come, young and old from ev'ry land, men and women of the faith. Come, those with full or empty hands, find the riches of His grace. 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It serves to draw together the secular and sacred themes of Christmas and to show that Christmas is all about God’s love for us.!0g# ¤gúU !0g#€)úU !i̇#€@eúU !1g#ÐÓGúU'Y#!0g#¸÷g# !ʼn#£!úU aØpeúUèâfúUãGšúU!¨Õ4úU(øg#!÷g#0ùJúU !0000-00-00 00:00:00!George¸÷g# 1HASHÀ¨'úUB0!0g#t#úU !0g#¸÷g#@!0.00¸÷g#`!0.00¸÷g#€10.00Ø÷g#Privacy ygúUXfúUPgúU(DgúU0gúUp gúUxFcúUðÑcúU(AgúUxBgúU fúUX gúUÈgúU˜gúUP"gúU0fúUxEgúUP@gúUx'gúU&gúUÐÐcúUØÑcúUø%gúU fúU@fúU˜fúUEgúUØ fúUÑcúUpfúUH fúUØgúUˆfúUHgúU˜fúUàgúU°=gúUè#gúUØ'gúUàDcúU€fúUØfúU€@gúU€FgúU0'gúUBgúU@|gúU!0g#ø÷g#`õgúU10000-00-00 00:00:00úU01ÈHeúU~êIz244672!2023-03-08 10:03:11úUahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_11649388ujNwi61UO.png`1ÀÄ;úUxIeúU«422129!0g#P°[úU!0g#¸÷g#1148889Ø÷g#0!HASHUÈ÷g# !øg#`eeúU!0g#¸÷g#Ø10g#Ø÷g#g0¨MeúUÂ]úU }dúUXCÂúUÐ×4úU¸ŽHúUðÕAúU¨U)úU8ZAúUDÂúU˜ úU¨GáúUX[AúUh}TúUæ@úU(ä‹úUðÅRúU(ÂúU¸œAúUðJeúUØ·~úU8}dúUˆ<ÂúU€ RúU(œ!úUHpBúU@[AúUH§¸úU|dúUh½JúUX„gúU€}dúUØDÂúUÈzdúUˆHVúU8êfúUXQ]úUØÕAúU`PeúU¸ÈÁúU ˜AúU˜HaúU ÐAúU˜öúU0ßHúUÅÁúUPZAúUعÁúUøzúU¾JúU¸ÂúU˜NAúUÂúUØPAúU˜á)úU¨—AúUx%úU('AúUXÂúU0ÒAúUÈ2!úU@XAúU˜ ÂúUÏAúUÐOeúU¤^úUpÔAúUÈÞ)úU(UAúU0MeúU8ÓÝúU@™AúUÈ ÂúU˜¤AúU¿JúU86(úU@ÔAúUøÛ)úUÀYAúU(¾JúUxFaúUÐXAúUØ•¼úUX+CúU ¾JúU¸«^úU*CúUxoòúUQAúUMeúUhúúúUÒAúUXOeúU¨ukúUˆœAúU OeúU¨ÂúUˆXAúU˜½JúUH3kúUÓAúUx—¼úUžAúUQeúUhÂúUXÑAúU¨‚¼úU *CúU@OeúUn¸úUá@úUˆÂúUÐAúUýÁúUˆÎAúUxÂúU°ÍAúUÃÁúUˆæ@úUx~‹úU˜£?úU(Ý»úUXRAúUˆÀÁúUøâ@úUÈk¸úUhâ@úUø¸ÝúU ¡AúUˆ¿ÁúUHá@úUh·ÁúUä@úU¨eúU°˜AúUðMeúUÂúU8WAúUؼJúUèÃÁúU¸æ@úUØÃúU žAúUøúúUpUAúU8QeúU¨ºÁúUÀç@úUx»ÁúUXæ@úUêÁúUðVAúU½JúU¸šúU æ@úUHL]úU(XAúUÇÁúU(æ@úU@¾JúUx]µúUPTAúU˜>úUpæ@úUè½ÁúUÀê@úUX¾JúUlòúU€TAúU(¹ÁúU@ã@úU(@ËúU†_úUxÁÁúU 5AúUXodúUöáúUø…_úUhO]úUUAúU°QeúUÈÓGúUð„_úU \úUvdúU¨GáúUàž_úUReúUˆ­úUÐ~dúUÈkúUe^úU€jSúUGPúUn¸úUaIúUÈÞµúUÈUfúUHL]úU@ÝcúUØk`úUȆ‹úUÐäoúU=VúU˜…_úUè½ÁúUàÝHúUÈCeúU°€dúUظöúU¨çcúUÈ8eúUà‚_úU(†°úUˆ,úUظöúUèÚeúU¸¡HúU`fúUH¼IúU`8HúU˜ñÀúU¨6kúUz™úUÀÅhúU¨eúU0ácúUØ•¼úU˜rúUÈk¸úUÀVúU8EbúUP€dúUØq úUÚeúU¨·úUð–eúUU]úU kVúU¨efúUøUfúUøEPúU¨ºÁúU{eúUÈk¸úU {eúUø¸ÝúUóeúUÈÇèúUÈòeúUÃÁúUpãcúUØq úU` PúUàTeúUn¸úU˜{eúUPígúUØÕ™úUpK7úU¸ŽHúU8‹eúUøž¦úUàUfúUxm^úU*húU8 dúU(VfúUh dúU@VfúU˜ dúUXVfúU87^úU(VúU dúUVfúUÈ dúUpVfúUø dúUˆVfúUÀVeúU( dúU VfúUx dúU¸VfúUXXeúUX dúUÐVfúU¨ dúUèVfúUø dúUWfúUH dúUWfúU˜ dúU0WfúUè dúUHWfúU8 dúU`WfúUˆ dúUxWfúU@XeúUÈ dúUWfúUÈdúU¨WfúUødúUÀWfúUHdúUØWfúU˜dúUðWfúUèdúUXfúUøWeúU8dúU XfúUvfúU8XfúUXvfúUPXfúU¨vfúUhXfúUøvfúU€XfúUHwfúU˜XfúU˜wfúU°XfúUèwfúUÈXfúU8xfúUàXfúUˆxfúUøXfúUØ dúUYfúU(dúU(YfúUxdúU@YfúUÈzfúUXYfúU07cúU{fúUpYfúUh{fúUˆYfúU¸{fúU YfúU|fúU¸YfúUX|fúUÐYfúU¨|fúUèYfúUø|fúUZfúUH}fúUZfúU˜}fúU0ZfúUè}fúUHZfúU8~fúU`ZfúUˆ~fúUxZfúUØ~fúUZfúU(fúU¨ZfúUxfúUÀZfúUÈfúUØZfúU!ùg#¸ùg#8ƒBúU!643782¸÷g#!0g#¸÷g#0…BúU!0g#¸÷g#!0.00¸÷g#0‚BúU!0.00¸÷g#X„BúU!0.00¸÷g# ~BúU!1g#¸÷g#…BúU!1g#¸÷g#¸BúU!0g#¸÷g#0BúU!0g#¸÷g#È€BúU!1g#¸÷g#„BúU!311713¸÷g#ADaniel Powter, Alvin And The Chipmunks, Daniel Powter12.99Ø÷g#¨‚BúU€ƒBúU0!0g#8ùg#!0g#¸÷g#l' data-!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#aBad Day Easy Bass Tab Daniel Powter, Alvin And The Chipmunks, Daniel Powter KúU!0g#¸÷g#Portugal!0g#¸÷g#!0g#¸÷g#Venezuel10g#Ø÷g#fg#0!0gúU47.348867qOl' Man River (from Show Boat) Cello and Piano Jerome Kern, Jerome Kern, Oscar Hammerstein II !0g#¸÷g#!0g#¸÷g#€TeúU!0g#¸÷g#`KgúU!0g#¸÷g#ÈTeúU10000-00-00 00:00:00-UNDEFúU0!ëJúU43.89986810g#°IhúUodenessafúU0!3gúU40.238564!USQLrencyID!0.00P©eúU12020-09-28 11:22:34€i`úU0Ah`eúU€0§18.222.184.162@!VATNumberLastValidated!1eúU37.530383g-icon!0g#°†gúU !0g#¸÷g#@!0g#¸÷g#`!1276x1650g#€!3g#¸÷g# !1g#¸÷g#À!0.00¸÷g#à!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g# 1(beúU£5î´124725!0fúU29.581651ÑGymnopedie No. 3 for Flute or Oboe & String Quartet Erik Satie Andrew Moore Satie’s evocative and unique style has made his Gnossiennes and Gymnopedies firm favourites. The simple and undemanding accompaniment of these pieces can very easily and effectively be played by a string quartet of modest abilities, whilst the haunting melodies are ideally suited for either flute or oboe. 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00:00:00úU!0g#¸÷g#ˆBúU!0g#¸÷g#¸ÕBúU!0g#¸÷g#0ÓBúU!÷g#¸÷g#ØÖBúU!0g#¸÷g#ðÓBúU!0g#¸÷g#ÀÓBúU10g#Ø÷g#ÙBúU0!0g#Xúg# CmúU!Easy Guitar#smúU!÷g#¸÷g#PºmúU!÷g#¸÷g#øþmúU!1g#¸ùg#xÖBúU!104565¸÷g#1Daniel Powter, Daniel PowterXØBúU!2.99¸÷g#0ÜBúUÁ["224138","242333","242892","243136","243138","243139","243140","243141","243142","243143","243144","243145","243288","244672","271380","296583","309279","325843","325845"]U`ÖBúU!2020-09-26 16:04:14!0g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#؈BúU!0g#è÷g#ÕBúU!0g#¸÷g# !1.50 úfúU !*gúU17.199645!HASHxøg#!2g#Xøg#ores WHE!2g#¸÷g#Ø!2020-01-31 00:00:00!2024-03-28 00:00:00úU10g#÷JúUȲLúUà²LúU0!òJúU09.660716Á0030 0039 0660 0669 06F0 06F9 07C0 07C9 0966 096F 09E6 09EF 0A66 0A6F 0AE6 0AEF 0B66 0B6F 0BE6 0BEF 0C66 0C6F 0CE6 0CEF 0D66 0D6F 0E50 0E59 0ED0 0ED9 0F20 0F29 1040 1049 1090 1099 17E0 17E9 1810 1819 1946 194F 19D0 19D9 1A80 1A89 1A90 1A99 1B50 1B59 1BB0 1BB9 1C40 1C49 1C50 1C59 A620 A629 A8D0 A8D9 A900 A909 A9D0 A9D9 AA50 AA59 ABF0 ABF9 FF10 FF19 104A0 104A9 11066 1106F 110F0 110F9 11136 1113F 111D0 111D9 116C0 116C9 1D7CE 1D7FF !øg#8øg#KgúU!0g#¸÷g#Ø`úU!0g#¸÷g#`úU10g#Ø÷g#01÷g#Ø÷g#show-boat-lg.jpg0!÷g#°ÀcúU !Philip¸÷g# 1HASH€L`úUÀµ;úU0!0g#ø÷g#10g#Ø÷g#0!Param1È÷g# !1.50à2eúU !1g# ‘NúU !Email`%{úU 1 LTY#wÿÿÿÿ!0g#øg#!0g#¸÷g#Ø10g#Ø÷g#0!2023-09-20 00:00:00!482#¸÷g#10g#Ø÷g#ÿÿÿÿ0!0.0000Pƒ0úU !HASH¸÷g# !590606 ÒbúU !2002-10-30 00:00:00!0g#¸÷g# QPerry Kelly Music!0000-00-00 00:00:0010g#Ø÷g#01à,xúU¨gúU››180885!5.31ð΂úU!0g#¸÷g#10g#Ø÷g#0!556676àrúU !0g#ðÞ8úUpþÿÿÿ!0g#è÷g#0æ9úU!0g#¸÷g# 1ÈgúUï Æa335005!0g#¬xúU10g#Ø÷g#0162337f01654f89c6fb95367b7dc18983!0g#@‰qúU !522x696•xúU!3g#¸÷g#11g#Ø÷g#ÿÿÿÿ0!0962277466úU1÷g#Ø÷g#0qhttps://img.sheetmusic.direct/catalogue/product/daniel-powter-daniel-powter-lg.jpgp!3g#p‚úU Achris@chrispettittms.com.kúUPàgúU@!0g#Xøg#P ÄúU!0g#¸÷g#àLUX#!÷g#¸÷g#!2g#¸÷g#12g#Ø÷g#0qhhßcúUH(¿1úU!0g#PWgúU!÷g#0ngúU11g#Ø÷g#0!0.00Ð&QúU !0000-00-00 00:00:00!0000-00-00 00:00:00!0g#¸÷g#€10g#Ø÷g#0 I write original scores mostly for the pop group and R & B instrumentation. Rock drum set, rhythm guitar , lead guitar and bass guitar are instrument parts in most of my scores. Trombone, flute, viola and piano parts are prevalent and most of the songs have vocals with original lyrics. I have been composing original works since 2010. My catalog is free for performances but you will need my Permission for any recordings. All my scores are $2.00 to print all parts. If this nominal fee that I ask is too much then contact me and I will e-mail you the PDF for free. I have been a vocaloid producer since 2009 making animated music videos on YouTube. Vocaloid software first came out in 2004 and replicates the human voice by using sound samples from human voice actors. I have licences for the following vocaloid voice banks and have used them in the past: Vocaloid 1 with Zero-G's English voice named Lola, Vocaloid 2 with Power FX's voice bank named Sweet Ann, Zero-G's voice bank named Sonika and Crypton Future Media's Voice bank named Hatsune Miku who is the first Japanese vocaloid and in my opinion the only one of the early vocaloids to sound realistic; therefor, I wrote many early songs in Japanese with the help of my pen-friend Hiro Ando from Kobe, Japan who provided romaji and kanji lyrics. In 2015 I upgraded to Yamaha's Vocaloid 4 editor and have licences for Crypton Future Media's voices of Hatsune Miku (Japanese), Hatsune Miku English (voice actor Saki Fujita), Kaito (Japanese) and Kaito English (voice actor Kaito Ishikawa). I have also programmed Miku and Kaito to sing in Yiddish and have written a Yiddish rock opera. Check out my other profile under Tracy Poe of Point of Truth Church Robinson where I post my early works. I began my musical training when I went to fifth grade a second time at East Haven Baptist school who had an elementary school band directed by Joanne Kaufman. So in 1974 at the age of 11 I began to study the alto saxophone in a private elementary school band. I must have showed some promise because I was soon enlisted into Joanne Kaufman's preforming band the The Texas Hot Shots all accordion band and combo playing alto saxophone and bass accordion. Soon my awesome older brother joined the band played the bass accordion and I was moved to 4th chair 2nd accordion. With practice I am a fairly good musician but I had to work hard at it and after three years by the age of 14 I had given up being a musician. I began composing in October 2010 on the freeware Anvil Studio but by Song 40 I had begun using Sibelius First. I am completely self taught as a composer having no formal training save my childhood experience as a performing musician. I used to look at other composers sheet music for ideas about chords and keys but have since figured out the keys and matching chords so that by Song 500 I no longer used any outside influences in my work. On this profile I have all songs with a higher number than Song 498 with the exception of the songs in Japanese that were before Song 500. I have another profile with the early works I did before Song 498. Publishing rights for these songs are given by me to the Point of Truth Church in Robinson, Texas which is my step daughters church and one that actively helps the homeless here in Waco, Texas. u="0" >Congo, T10g#Ø÷g#f the0h}TúU0–KúUØq úU°ÝgúUØ•¼úU((fúU¸gúUH&úU˜'fúUHÂúU8fúUèU]úU@xúUعÁúU(|úUH§¸úU.fúU˜ýúU°”eúU0fúUH&úU`)fúU(¹ÁúU@ÞgúUø˜°úUК|úU˜¶ÁúUø‡eúUÈCgúUhŸúU ÖJúUxÂúUP1fúUÂúU3fúUÈk¸úU@ÝeúUøgúUˆ¹TúU(’eúUxoòúU9|úUè%FúUx&húUØDÂúUp˜eúUÀCKúUH&úU0KúUh¸þúUPhúUXY]úUËhúUˆÂúUÉJúUxoòúU°VúU¸V]úUà‹eúU¸ŽHúU°húUHgúU¸ÈÁúU@5fúU°›IúU¸ÂúUÀßgúUøÛ)úUà4fúUÈ2!úUpå„úUHÂúU$úU8u6úU 0•úUè½ÁúUäRúUعÁúU€1fúU˜HaúU²|úUعÁúUøÜeúUˆÀÁúU fúU0EgúUØ·~úUˆ„dúUØ.kúUÀDúUˆÀÁúUø~eúUˆ¿ÁúUX•eúUÅÁúUpúUˆ¿ÁúU˜.fúUPÏcúUxûúUðhúU˜HaúU@(fúU@™IúUXÏ´úUXeúUêÁúUh³|úU"gúUx]µúU¸•eúU8™úU`#húU(gúUhÂúUx)fúUÈ@gúU(ûúUhúUU]úUh½eúU˜Ê´úUàåcúUhO]úUx–eúU¨U)úUÀ6fúUHBgúUèÃÁúU˜³|úUx¸TúU@…€úUèÏ`úUøâcúU(†°úU¨#fúUØÛ.úU8‡eúUÈ ÂúUÀŠeúUØ%0úU (fúU(Ý»úUè5fúUgúU8±<úUXÅsúU8€úUØxúU¨U)úU@2fúUHL]úU0fúUpgúUìëúU8ÂxúU` fúUH3kúU8êRúU(ÂúU(è„úUx%úU¸rúU¸V]úUPÜeúUð fúU˜Š‹úU™eúUx~‹úU(eúUùJúUÀ“JúUèqúUHeúU€=gúU¸šúU ½eúUxoòúUh!fúUHR]úU'fúUx¸ÁúU¸u0úUç¯úUHfúU(ÂúUØúUX#gúUȆ‹úU6fúU(¹ÁúUà—eúUýÁúUX˜eúU¨IKúU86(úU¸ƒNúUàMKúUȆ‹úU¸—|úU(×úU ÄRúUàg0úUH&úUøn0úUX;±úUè̆úU¯™úU°húUèÎ.úUx0fúU(ä‹úU0™eúUø¸ÝúU¸˜eúU(Ý»úUÈÐJúUx¸TúUÐ5fúUx¦úUp%fúUÅÁúUH"KúU˜öúU€.fúUg¸úU˜eúUHfúU¸ÈÁúU¨-fúU¨eúUxÔîúUÇÁúUÕeúUògúUlòúU³|úU8ÁþúU8húU8u6úU°{eúUÂúUðÖdúUØ•¼úU ³|úU˜ ÂúUØ0fúUÐfúU˜Š‹úUp5fúUHR]úU@ÚeúUxÂúUh°|úUxÑcúUn¸úU&fúUÀÁúUø.fúUØ•¼úUØÖdúUØÃúU¸ÎAúUØèúUÁxúUظöúU`-fúUêÁúU€~eúUÐfúUhúúúU(•eúUÈÞ)úU”eúUÇÁúUÐŒeúUˆ¹TúUäcúU˜á)úU’eúU8FgúU¨ºÁúUP$fúUÀ„!úUlòúU•|úUXQ]úU8weúU8u6úUKúUx%úUP”eúU8Ô.úUÈWAúUnJúUXeúUx~‹úUÐ2fúUx¸ÁúUxizúU¨BgúUèÃÁúU0“eúUØÃúU(2fúUxm^úUH¶%úUèqúUÐeúUøÛ)úU00fúUêÁúUà7fúU8Ô.úUX2fúUÅÁúUŠeúUZ]úUŒeúUˆ<ÂúUЈeúU(Ý»úUà~eúU(´ËúU°'húUXé¦úU`eúUg¸úU˜‹eúU°˜IúU¨ÂúU KúUÑcúUÈ5‘úUHhúUXÂúUà!fúUˆfúUÈÓGúUÞcúUÀÁúUˆO_úUØÛ.úU`–eúUèEVúU0JúUx¸ÁúU 8fúUèqúU0S…úUèÏ`úUà&KúU˜öúUX8fúUHR]úUhŽeúU¨´áúU¨&húU8ÀJúUèÃÁúU@eúUXfúUn¸úU8fúU(ΨúUhúU(ä‹úUø^rúUèU]úUh.fúUÈÇèúU'úUøÍfúUg™úU(húU8{™úU0húUcell-son!÷g#`ò9úUrdRemind!0g#¸÷g# 1HASH€\kúU‰dúU ‰dúU0!0g#WkúU !0g#‡dúUPÃcúU!0g#¸÷g#!0g#¸÷g# ÕgúU!0g#¸÷g#ð)gúU!0000-00-00 00:00:00!÷g#¸÷g#À!0g#¸÷g#BJúU!0g#¸÷g#˜ÃcúU10g#Ø÷g#0!USQLrencyID!0g#øg#ores WHE!0g#è÷g#;!0g#¸÷g# !2020-09-18 00:48:52úU!180865l::st q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } QðòúU!øg#ˆøg#IMESTAMP!8.44¸÷g#OM Objec!0g#¸÷g#:SMD::SM!0g#¸÷g#ðgúU!0g#¸÷g#!÷g#è÷g#!÷g#¸÷g# !HASH dúU !©'úU10.780501g> eúU!0g#¸÷g#!0g#è÷g# !÷g#¸÷g# aˆ9úU€¶}úUi˜úUa úU ¶|úUi˜úUaØdúU ·}úUt˜úUXd²úUÀe²úUà¦ùúU(²úUx²úUÀ²úU°Ñ†úUØí‹úU;eúU¨2gúUÝÂê_119815qPàxúU±¨4“úUH4“úUÀ4“úUx4“úU 3úU4“úU€vxúU04“úUø{ùúUØe²úUÿÿÿÿ@{ùúUQ a²úUP²úUPÏ úUȼ|úU˜Ï úU°Ï úUàÏ úU2þúUPA@¥úUè3gúUž‰]™ 3.16.70.101hg@!117270 ò9úU  ass="glyphicon glyphicon-chevron-right"> È÷g#È÷g#!Bad DayÈCúU !0g# A)úU !0g#ÐÐmúU !÷g#°ÏbúU !1.50 íUúU !3140093˜øg# =0!HASHU !fabricio.1992@yahoo.es!99644056÷g#°úU!clari92frank@gmail.com!÷g#¸÷g#À SúU!÷g#¸÷g#à­]úUQCol. 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This descant was written in preparation for a ceremony involving the choir I conduct and in recognition of the splendid performance by the Welsh team in RWC 2011!!!10g#Ø÷g#0!HASHU÷g#!1260500e^úU !HASHUonid!ÿ!HASHU fúU!IsDigitMENU_BS !SGQLigcyID!0g# JhúU!÷g#¸÷g#1÷g#Ø÷g#0!0g#ÀQ8úU !2013-01-12 21:44:071Overture The Thieving Magpie CBÿÿÿ!0g#è÷g#ÿÿÿ!0g#¸÷g# !0000-00-00 00:00:00!0.000093.510047Á["133273","193187","179550","485559","191839","130723","368332","136872","191837","196258","189262","170426","182276","141671","193205","362770","165195","86530","200499"]À!0g#°@fúU !HASHø÷g#Qx FúUáMake sure to listen to the MP3! "Dancing Day " is a traditional English Christmas carol that provides a fresh contrast from your usual holiday fare, or can be a musical treat year-round. This arrangement explores three characters of the simple, warm-hearted melody. 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"Dancing Day " is a traditional English Christmas carol that provides a fresh contrast from your usual holiday fare, or can be a musical treat year-round. This arrangement explores three characters of the simple, warm-hearted melody. 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zúUàsDúUDPåwúU@ªKúUD°»kúUà}rúUD0`úUÀqaúUD€+lúU©KúUDÀbkúU húUD+lúU èqúUD@ÈqúUpîhúU@ÑmúUD/núUpH™úUp5EúUD0ÏiúUð;KúUD€`kúU€=`úU`&úU'xúUD`a{úU@ܳúUD³úUÐáJúUD@+lúU°}AúUpÀhúU2P¯KúUD€'dúU×húUD KúUp¶QúUDP{úU°yDúUDÓdúU ÖhúUDà'dúU tDúUDoyúUPúUð'zúUD9zúUÐ3EúUDÏiúU€­húUDðrúUPL]úU°fúUDÀ'dúUP®KúUDÑiúU‚úUDð/&úUPëzúU ®KúUD0ÍiúU¨KúUD ô:úUPfEúU °ékúUraúUD`+lúUpÑmúUDð/núU71354104¡ AXTELL MUSIC - INSPIRED TO UPLIFT Axtell Music is an online sheet music and learning resource, combining 40 years of Music teaching from primary schools to universities across London and various countries abroad. Our site is a musician centred hub of activity, providing sheet music arrangements, play-alon Here at Axtell Music, we are all life long musicians and music lovers and therefore understand and genuinely care about our musical customers. We are fiercely committed to providing outstanding quality products to our customers. We strive to bring you the best musical resources at the best prices. We understand everyone learns in different ways and have catered our products to reach and teach aural and visual learner, with differentiated support to suit your needs. Enjoy the music and please feel free to contact us with any questions. 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Patrick Bouchon © 2013 Dorset Music Patrick Bouchon Dorset Music This is an arrangement for Choir and Piano of the Adolphe Adam’s Christmas song O Holy Night. All proceeds from any sales of this music will go to Angels (Charity for Autism Support) in Hertfordshire UK. 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Setting the message the angels sang to an old Scottish melody with new music in the part of the shepherds, this score tells that story. 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This setting aims to enable choirs to sing this lovely piece of music without the need for excessive length or complexity, while retaining a degree of variety and passion.!1.50¸÷g#!0g#¸÷g#!1g#¸÷g#!0g#¸÷g#11. O holy night! The stars are brightly shining, it is the night of our dear Saviour's birth. Long lay the world in sin and error pining, till he appeared and the soul felt its worth. A thrill of hope, the weary world rejoices, for yonder breaks a new and glorious morn. Fall on your knees! O hear the angel voices! O night divine, O night when Christ was born; O night divine, O night, O night divine. 3. Truly he taught us to love one another; his law is love and his gospel is peace. Chains shall he break for the slave is our brother; and in his name all oppression shall cease. Sweet hymns Aah, of joy in grateful chorus raise we, let all aah, within us praise his holy name. Christ is the Lord! O praise his name for ever, his pow'r and glory evermore proclaim. His pow'r and glory evermore proclaim.!J S Dwightg#!0g#¸÷g#1arranged for SATB choir and organ?1Copyright © Philip Le Bas 2017 älúU!÷g#¸÷g#!ùg#¸ùg#°IiúU!412614¸÷g#!0g#¸÷g#˜LiúU!0g#¸÷g#!0.00¸÷g#àIiúU!1.50¸÷g#°LiúU!0.00¸÷g#ˆGiúU!0g#¸÷g#¨KiúU!÷g#¸÷g#JiúU!0.00¸÷g#xHiúUÑ["140896","138505","73854","201637","50463","141835","142289","199763","170650","183069","399096","117534","166166","138662","128089","163562","76525","126287","129843","192794"]úUÀKiúUÐ!0g#Èýg#À„iúU!11g#¸÷g#!0000-00-00 00:00:00!0g#¸÷g#!0g#¸÷g#qO Holy Night arranged for SATB choir and organ Adolphe Adam J S Dwight Philip Le Bas A simple arrangement for SATB choir and organ by Philip Le Bas, with words by J S Dwight. This setting aims to enable choirs to sing this lovely piece of music without the need for excessive length or complexity, while retaining a degree of variety and passion. !0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0000-00-00 00:00:00!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#0KiúUðÑlúUHÑlúUIiúUÐJiúUØKiúULiúUÑlúU MiúU¸ÐlúU LiúUKiúUXGiúUxÑlúU ÐlúUKiúUÀNiúUhzuúU¨HiúUHiúUNiúU0ÑlúUpÐlúUHNiúUèÐlúU(JiúU¨ÑlúUàLiúUøLiúUÐÐlúUˆMiúU`NiúU`KiúU JiúUÀÑlúUMiúUXÐlúUHHiúU°IiúUÐMiúUNiúU¸MiúU˜LiúU(ÐlúUÈIiúUØNiúUHKiúUàIiúUøIiúUPLiúUÑlúUˆÐlúUˆGiúUÒlúUÀHiúU¨KiúU¸GiúUØHiúUJiúUXMiúUèGiúUðKiúUxHiúUÈFiúU8IiúUÐlúUØÑlúU@ÐlúUÑlúUxNiúUXJiúUèMiúU0NiúUHiúUNiúUhIiúU˜IiúU@MiúUpêlúU!2020-08-27 17:27:32úU!1g#¸÷g#!0000-00-00 00:00:00úU!÷g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!0g#¸÷g#!1g#¸÷g#!650x917¸÷g#!0g#¸÷g#!0g#¸÷g#!5.00¸÷g#!2023-03-22 05:57:44!2023-03-22 05:58:03!1825993¸÷g#!3011715¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00QPÒlúU1ØŽiúU™t-÷200489!76525¸÷g#!2017-06-09 17:10:17úU10000-00-00 00:00:00°$múU01(I’ve got the) Joy - TTBB and piano!23g#¸÷g#_IúU!0g#¸÷g#X4PúU!3g#¸÷g# !IúU!1g#¸÷g#ÈZIúU!2011-06-10 13:14:53úU!2017-11-22 16:45:56úU!Rick Bartlettp%múU!÷g#¸÷g#Ð%múU!0g#¸÷g#à$múU10g#Ø÷g#0!sib#¸÷g#ÐúU!129#¸÷g#Èo_úU!0g#¸÷g#Ȉ_úU!÷g#¸÷g#™_úU!0000-00-00 00:00:00úU!25g#¸÷g#keúU!6348¸÷g#âRúU!19g#¸÷g#0†eúU!1.50¸øg#'múU!2011-05-08 10:53:42úU!0g#¸÷g#&múU!0g#¸÷g#H&múU!128702¸÷g#8'múU!÷g#¸÷g#¸%múU!1g#¸÷g#à$múU10g#Ø÷g#ð&múU0!147491¸÷g#ØîlúU!2017-06-09 17:10:17úU10000-00-00 00:00:00°ÒlúU0!23g#È÷g# !0g#Hþg#p“iúU!5.00¸÷g#!2023-04-27 03:46:30!2023-04-27 03:46:34!237878¸÷g#!217447¸÷g#!0000-00-00 00:00:00!0000-00-00 00:00:00 lúUªp”iúUPé^úUDnúUPL]úUêÁúU>núUD ÑnúUŸnúUDÒnúU ŸnúUD ÒnúU°,^úUD@ÒnúU`Ë\úU €¤iúUð»húU2`•iúU8lúU niúUDðŒiúU¨núUD0Û•úUÐêiúUD ÝjúUÀ•iúUPêiúUD@ÜjúUðDúUDð4yúUðDúUDÐ4yúUðfúUDàszúUêiúUD ÜjúUàêiúUD@ÝjúU êiúUDÀÜjúU°êiúUDàÜjúU Æ\úU  P¯iúUp«lúUD$kúU ãEúUD€$kúU€«lúUD $kúU«lúUDÀ$kúU «lúUDà$kúU°«lúUD%kúUÀ«lúUD %kúUЫlúUD@%kúUà«lúUDð%kúUð«lúUD&kúU¬lúUD0&kúU¬lúUDP&kúU ¬lúUD€&kúU0¬lúUD &kúU@¬lúUDÀ&kúUP¬lúUDà&kúU`¬lúUD`%kúUp¬lúUD€%kúU€¬lúUD %kúU¬lúUDÀ%kúU ¬lúUD'kúU°¬lúUD 'kúUÀ¬lúUD@'kúUЬlúUD`'kúUà¬lúUD€'kúUð¬lúUD 'kúU­lúUDà©iúU­lúUDªiúU ­lúUD ªiúU0­lúUD@ªiúU@­lúUD`ªiúUP­lúUD ªiúU`­lúUDШiúUp­lúUDð¨iúU€­lúUD©iúU­lúUD0©iúU ­lúUDP©iúU°­lúUDp©iúUÀ­lúUD©iúUЭlúUD°©iúUà­lúUDЬiúUð­lúUDð¬iúU®lúU®lúUD­iúU ®lúUD0­iúU0®lúUDP­iúU@®lúUP®lúUDp­iúU`®lúUD­iúUp®lúUD°­iúU€®lúUDЭiúU®lúUDð­iúU ®lúUD®iúU°®lúUÀ®lúUD0$kúUЮlúUD0®iúUà®lúUDP®iúUð®lúUDp®iúU¯lúUD®iúU¯lúUD°®iúU ¯lúUDЮiúU0¯lúUDð®iúU@¯lúUD¯iúUP¯lúUD0¯iúU`¯lúUDÀªiúUp¯lúUDàªiúU€¯lúUD«iúU¯lúUD «iúU ¯lúUD@«iúU°¯lúUD`«iúUÀ¯lúUD€«iúUЯlúUà¯lúUD «iúUð¯lúUDÀ«iúU°lúU°lúU °lúU0°lúU@°lúUP°lúUDà«iúU`°lúUD¬iúUp°lúUD ¬iúU€°lúUD@âiúU°lúUDãiúU °lúUD ãiúU°°lúUD@ãiúUÀ°lúUD`ãiúUаlúUD€ãiúUðžiúU@•iúU ,^úUD`ÒnúUPL]úUêÁúUP¥núUDpþnúU€¥núUDÐþnúU¥núUDðþnúU §\úUDÿnúUð—BúU @¬iúUp»húU2àŸiúU¨–iúU`tiúUDÐmúU¦núUDÐÚ•úU@ñiúUD@YiúU@ iúUñiúUDÀXiúU ñzúUD`tzúUpñzúUD@tzúU ÁwúUD ãzúUÐðiúUPñiúUD`YiúUñiúUDàXiúU ñiúUDYiúU Å\úU  p×júUбlúUDð#kúUà±lúUD pkúUð±lúUD@pkúU²lúUD`pkúU²lúUD€pkúU ²lúUD pkúU0²lúUDÀpkúU@²lúUDàpkúUP²lúUDqkúUPåiúUD°qkúU`åiúUDÐqkúUpåiúUDðqkúU€åiúUD rkúUåiúUD@rkúU åiúUD`rkúU°åiúUD€rkúUÀåiúUD°skúUÐåiúUDqkúUàåiúUD qkúUðåiúUD@qkúUæiúUD`qkúUæiúUDÀÎjúU æiúUDàÎjúU0æiúUDÏjúU@æiúUD ÏjúUPæiúUD@ÏjúU`æiúUD`ÏjúUpæiúUD@ÑjúU€æiúUD`ÑjúUæiúUD€ÑjúU æiúUD ÑjúU°æiúUD€ÒjúUÀæiúUD rkúUÐæiúUDÀrkúUUsersQX¾#úUQP]múU!128089¸÷g#p!÷g#ø÷g#ÝlúU10g#Ø÷g#èÜlúU01Onward, Christian Soldiers - Choir!23g#¸÷g# RúU!0g#¸÷g#`_IúU!3g#¸÷g#ÀÈRúU!2g#¸÷g#Ø^úU!2012-12-20 16:07:20úU!2018-03-21 21:54:28úU!Arthur S. 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    SCountEPSCounA ¨AúUè÷g#Ø7yúU‰xúUð8yúUh8yúUà!26g#pwúU !147064¸÷g#`RúU!0g#ø÷g#€àiúU10g#Ø÷g#PàiúU01Carol of the Shepherds (SAB and piano)!23g#¸÷g#ø RúU!0g#¸÷g#X4PúU!3g#¸÷g# !IúU!1g#¸÷g#ÈZIúU!2013-11-24 03:39:26úU!2017-11-26 06:20:55word1Robert Briggs and Kathleen BriggsiúU!÷g#¸÷g#8àiúU!2013è÷g#˜àiúU!0g#¸÷g# !sib#¸÷g#EmailCon!829#¸÷g#ScoreExc!0g#¸÷g#EmailCon1Carol of the Shepherds SATB.sib0Q
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