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Ibdef ScoreExchangeUsersUsersLastUnlockDateLastUnlockDate ? Ycdef ScoreExchangeUsersUsersSellerDiscountOverrideSellerDiscountOverride ? Iddef ScoreExchangeUsersUsersEmailConfirmedEmailConfirmed ?Medef ScoreExchangeUsersUsersNeedsNewPasswordNeedsNewPassword ??fdef ScoreExchangeUsersUsers CreatedIP CreatedIP !-Ugdef ScoreExchangeUsersUsersEmailConfirmRequiredEmailConfirmRequired ?]hdef ScoreExchangeUsersUsersEmailConfirmRequiredDateEmailConfirmRequiredDate ? ijePerformance ?[Xdef ScoreExchangeUsersUsersDefaultLicenseRecordingDefaultLicenseRecording ?UYdef ScoreExchangeUsersUsersDefaultLicenseProfitDefaultLicenseProfit ?5Zdef ScoreExchangeUsersUsersUUIDUUID !lE[def ScoreExchangeUsersUsers AllowReviews AllowReviews ?Q\def ScoreExchangeUsersUsersPhotoFileVaultUUIDPhotoFileVaultUUID !lc]def ScoreExchangeUsersUsersDefaultPlatinumScoreIncludeDefaultPlatinumScoreInclude ? @I^def ScoreExchangeUsersUsersLockedReasonIDLockedReasonID ? A_def ScoreExchangeUsersUsers LockedDate LockedDate ? O`def ScoreExchangeUsersUsersAllowSmallPaymentAllowSmallPayment ?Yadef ScoreExchangeUsersUsersLastAccountLockReason3LastAccountLockReason3 ? Ibdef ScoreExchangeUsersUsersLastUnlockDateLastUnlockDate ? Ycdef ScoreExchangeUsersUsersSellerDiscountOverrideSellerDiscountOverride ? Iddef ScoreExchangeUsersUsersEmailConfirmedEmailConfirmed ?Medef ScoreExchangeUsersUsersNeedsNewPasswordNeedsNewPassword ??fdef ScoreExchangeUsersUsers CreatedIP CreatedIP !-Ugdef ScoreExchangeUsersUsersEmailConfirmRequiredEmailConfirmRequired ?]hdef ScoreExchangeUsersUsersEmailConfirmRequiredDateEmailConfirmRequiredDate ? ijas written music for Christian worship, with two hymns on Naxos CDs recorded by his eldest brother composer [[ http://www.antonypitts.com | Antony Pitts]] and [[ http://www.tonusperegrinus.com | TONUS PEREGRINUS]], including one in [[ http://www.naxoscarols.com | Faber's The Naxos Book of Carols book]]. In 2006 Choir & Organ magazine commissioned "I will raise him up at the last day" for their new music series. Secretary of [[http://www.severnsidecomposersalliance.co.uk | Severnside Composers Alliance]] (2003-2015), with four pieces released on SCA CDs on the Dunelm label. John has also written music for four plays and two short operatic works - Crossed Wires (Huddersfield Contemporary Music Festival 1997), and 3 Sliced Mice (commissioned by Five Brothers Pasta Sauces). MD of four Bristol Savoy Operatic Society productions, arranging Pirates of Penzance, Gondoliers and Iolanthe for small band, and Associate Conductor of the [[ http://www.bristolmillenniumorchestra.co.uk | Bristol Millennium Orchestra]] since 2010. ** ................................................................................................ [[ http://www.johnpitts.co.uk | www.johnpitts.co.uk ]] [[ http://www.youtube.com/intenselypleasant | www.youtube.com/intenselypleasant ]] ** [[ http://www.johnpitts.co.uk/reviews.htm | REVIEWS]] of CD - INTENSELY PLEASANT MUSIC: 7 Airs & Fantasias and other piano music by John Pitts, Pianist [[ http://www.stevenkings.co.uk | Steven Kings]] ** ** Order your copy NOW from [[http://www.johnpitts.co.uk/cds.htm |www.johnpitts.co.uk/cds.htm]] or download from [[ https://www.hyperion-records.co.uk/dc.asp?dc=D_1EMIPM08 | www.hyperion-records.co.uk/dc.asp?dc=D_1EMIPM08 ]]** THE INDEPENDENT {{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}} "deftly impressive" Andy Gill MUSICAL OPINION {{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}} "a sensitive and intelligent creative personality" Robert Matthew-Walker INTERNATIONAL RECORD REVIEW "...an overall idiom of considerable charm... 'Intensely pleasant music'? Most certainly." Calum MacDonald REVIEWS NEW AGE {{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}} "Realmente un magnífico repertorio desbordante de calidad, belleza y de sumo interés." Alejandro Clavijo MUSICWEB INTERNATIONAL “This is a colorful and interesting set by a talented composer.... The playing by Steven Kings is technically and emotionally perfect." Oleg Ledeniov MUSICWEB INTERNATIONAL {{http://www.johnpitts.co.uk/61a17150.gif}} "brilliantly exciting"..."a colossal musical project that deserves admiration"..."Stunning and seriously impressive" John France MUSICWEB INTERNATIONAL {{http://www.johnpitts.co.uk/61a17150.gif}} "Exciting stuff all round - vital, energising, but sensitive when need be. Toes - prepare to tap." Jonathan Woolf ALL MUSIC GUIDE {{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}} Stephen Eddins PIANO PROFESSIONAL "great character and emotional integrity...a thoroughly worthwhile project" Mark Tanner OPUSMUSICA "recomendable" Adolfo del Brezo CLASSICALSOURCE "surely more than just 'intensely pleasant music'." Michael Darvell VENUE {{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}} Paul Riley CROSS RHYTHMS 9/10 "this album is beautiful, moving and relaxing" Andy Whitehead MUSIC & VISION DAILY "The performances by Steven Kings are excellent ... All [the pieces] are pleasing to hear and will be satisfying to play" Patric Standford NEW CLASSICS "beautifully played" 13500010011Uncategorised music1631410000000-00-00 00:00:00110220.000000-00-00 00:00:000000-00-00 00:00:0001153492017-06-14 19:08:25{{"width":300,"position-y-pc":"49","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":93,"width":102,"x":109,"center-y":144,"height":102,"center-x":160}]},"height":295,"position-x-combined":"53%","position-x":"center","position-y":"center","position-y-combined":"49%","average-center-x":160,"average-center-y":144,"id":"76A3EFEE-512C-11E7-8B30-D5960B40935E","position-x-pc":"53"}12019-06-06 16:25:3000000-00-00 00:00:0040011900.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00200000-00-00 00:00:00000001$51B15696-886F-11E9-AB4E-F3D41D17C629000000-00-00 00:00:0002023-12-16 08:05:192023-12-16 12:04:3001000000-00-00 00:00:00kFor music lessons please email Jordan Grigg at jgstudio27@outlook.com. ONLINE lessons are also available. To commission an original work or special arrangement (for any ensemble and style), contact Jordan Grigg at jgpub@outlook.com. MP3, YouTube and Lead sheet transcription services are also available. Jordan Grigg, Canadian composer/arranger, conductor, teacher, violinist, violist, pianist, born in British Colombia 1972, began his musical studies with the violin at the age of 2. He was inspired to be a conductor at age 5, and began composing when he was 7. He had his first composition lessons in the fields of harmony, ear training and dictation at the age of 9 with Alan Grigg, his Uncle. Jordan started playing in the NSYO when he was 10, switching to viola at 15 and winning several awards in festivals and competitions both at the local, provincial and national levels. Some of his repertoire included Viola Concertos by Bartok, Walton, Hoffmeister and Stamitz, the complete Cello Suites by Bach and several smaller works by Hindemith and Reger. He was accepted to the NYO when he was 18 years and was soloist with Symphony Nova Scotia in performances of the Stamitz Viola Concerto. His studies have focused on viola performance, conducting, composition and music education. He studied at the New England Conservatory of Music and Acadia University where some of his instructors have been Walter Trampler, Mstislav Rostropovich, John Felice, Gunther Schuller, Joseph Maneri, Pascal Verrot, Benjamin Zander, John Cage, Alan Hoffman, Owen Stephens and Christoph Both. His first chance to conduct an ensemble came at the age of 14, when he was asked to conduct the local school band. After that he conducted the New Minas Concert Band at the age of 16. On returning to Nova Scotia he conducted the Acadia’s Brass, Percussion, and Wind Ensembles, as well as the Acadia Symphony Orchestra. For 2 years, 2000-2002, he directed his own ensemble called Trias Harmonicas and from 2002-2005 he conducted the Chebucto Symphony Orchestra in Halifax. He has conducted performances of La Boheme by Puccini and Cavalleria Rusticana by Mascagni as well as symphonies, overtures, concertos and concert pieces of Beethoven, Mozart, Copland, Debussy, Shostakovich, Stravinsky, Sibelius and many others. He has also conducted premiers of several Canadian compositions and also his own works. He has been the music director for many theatre productions, working as a composer/vocal coach, violinist, pianist and conductor with Acadia Theatre Company, Centre Stage Theatre, Atlantic Theatre Festival and Ross Creek Centre for the Arts. He worked with numerous churches in the fields of pianist, organist, music and choral director namely St. Francis Chapel in Boston MA, New Minas United, Pereau Baptist, Kings Presbyterian, Cambridge Baptist, First Cornwallis Baptist, South Alton, Coldbrook and Centreville Baptist. Jordan for a short time produced his own orchestra: AVSO or Annapolis Valley Symphony Orchestra in 2007 and ending its first concert with a standing ovation. He has conducted orchestras in the USA, Canada, South Korea and especially Italy where he was invited by the Teatro di Meruchini in Chieti, to conduct a performance of L’histoire du Soldat by Stravinsky. He has had his compositions performed by a variety of ensembles such as the Nova Scotia Youth Orchestra, Symphony Nova Scotia, Annapolis Valley Honour Choir, New England Philharmonia and Symphony Orchestra as well as having these recorded on CD and aired on the CBC. His well known Three Sketches for Orchestra has had over 10 performances. Most recently he has had performances of his works in Southern Victoria (Australia), China, Africa, San Antonio (Texas) and the Columbia College Symphony of the Sierra (California). There was the Russian Premiere of his work Serenity for trumpet and small orchestra by a Youth Orchestra under the direction of Vyacheslav Shaldysheva performed at the Concert Hall of the Novosibirsk music school and yet another premiere of his small Concert Band work March by the Midleton Junior Concert Band under the direction of Robert O’Brien at the 50th National Band Championships of Ireland in the CIT Cork School of Music. More recently there was the premiere of his choral work Angels by the the award winning HNMCS Senior Choir under the direction of Helen Filipe and there will be an up and coming performance of his work C-H-R-I-S-T-M-A-S for large orchestra and chorus by the Gwinnett Symphony Orchestra and Chorus in December 2017. In March 2018 his Rustic Country Dance was performed by the Random Quartet in Italy. He has composed music for over 30 plays/musicals/films and composed 41 symphonies, 41 string quartets, plus many other orchestral, chamber and choral works. His entire catalogue totals more 1500 works for orchestra, film and several different ensembles. He was awarded Honorable Mention in the 2007 Adagio Contest held by the Fauxharmonic Orchestra in Baltimore, Maryland for his large string orchestra work Dolente and more recently 1st place in the 2015 SHSU-BMF International Composition Competition presented by Sam Houston State University and the Bolivian Music Festival with his composition Concerto Semplice for two violins and orchestra. Performances have been with the Bolivian Music Festival Orchestra in La Paz, Bolivia and the Sam Houston Symphony Orchestra in Huntsville, Texas with featured violin soloists Javier Pinell and Naomi Gjevre. His latest commissioned work was Land of Hope and Beauty for large symphonic band, a work commissioned by Louis Sinoff which celebrates the history of New Mexico. He has been regularly commissioned from music ensembles and individuals in the United States, Italy, Australia and Switzerland to write original works but also jazz, tango, musical and opera arrangements, large orchestral and symphonic band works as well as several small ensemble pieces. He has sold a number of his own compositions throughout Europe, Asia, Africa, UK and Australia as well as Canada and USA. His Symphony No. 15 was recently inducted into the Edna St. Vincent Millay Library in New York. Several of his own original compositions have been used in Doctoral Thesis works, recitals and competitions and have also been compiled into discographies in numerous universities across North America. Teaching and conducting since 1992 through a number of schools (Wolfville and Horton School Strings, Cambridge Elementary School Strings, Landmark East, Kings-Edgehill, Berwick and District) and academies (Annapolis Music Academy, Dorian Hall), he now teaches and conducts at his own studio in the fields of classical, pop and jazz music, violin, fiddle, viola, cello, double bass, guitar, piano, clarinet, saxophone, trombone, theory, harmony, history, counterpoint, analysis, conducting and composition. Many of his students have gone on to continue their studies after high school in musical fields such as composition, performance, media/production and music therapy at Acadia University, Berklee College of Music and University of Toronto to name a few. Several of his students also compose, arrange and publish their own works, play in orchestras and teach in a number of different environments. 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I have added and optional piano and cymbal part.U!2.95g#0FU!0g#g#PFU!1g#g#<.U!0g#g#FU!g#g#!g#g#uantityS!0g#g#!g#g#sntityS!g#g# !144939g#s!3g#g# 1144978g#s$Utg#0!2023-02-18 13:58:49U!9g#g#,%U!2111g#"U!7g#g#"UATielman Susato arranged by David BurndrettU"U!David Burndrett"U!0g#g# !2024-03-10 21:57:05U!0000-00-00 00:00:00!g#g#H%U!37688g#!0g#g#E%U!0g#g#H%U!12.95g#wOU!12.95g#G%U!12.00g#F%U!0g#g#xOU!g#g#0E%U!0.00g#H%UQ(M%U!Sabra Lindgren !g#g# !0g#g#JU!0g#g#Hallelujah Chorus for School Wind Band G.F Handel arranged by David Burndrett David Burndrett This arrangement is about grade 1-3 standard upwards. I have added an optional piano part.ULU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#(G%UL%U L%UE%UF%UG%UH%UK%UI%UK%UH%UG%UwOUPL%UxK%UF%UJ%UBUyOUpxOUJ%UL%UHK%U@J%UK%U F%UL%UH%UH%UK%UI%UXJ%UXG%UF%UL%UI%U0K%UxOUE%UI%UJ%UI%UH%UK%UE%UJ%U@G%UE%UE%UHH%UK%U`K%UwOUL%UyOUG%UxOUD%UF%UPI%U@xOUG%UxOUwOU0E%UJ%UL%UK%UhL%UpJ%UPF%UI%U(J%UxOUI%U`E%UE%U8I%U QU["97925","153950","144978","144889","144930","182192","141730","141783","30208","48396","144939","115026","144927","121802","182249","172101","58453","182251","141729"]QUQU!2020-09-28 06:32:47!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#SU!650x458g#1SU!0g#g#Scores!0g#g#ect!!!5.00g#PSU!2023-03-31 20:49:09U!2023-03-31 20:50:28U!3730305g#eScores!4188643g#Count?!0000-00-00 00:00:00U!2024-03-10 21:59:37UQDanny Boy for school concert band april 2021 - Score and parts.pdf!3g#g#؋U!0g#g#xU!2g#g#U!2g#g#U!2023-01-21 18:56:22U!2023-10-23 04:49:54U1Traditional arranged by David Burndrett!David BurndrettpM%U!0g#g#M%U!0g#g# !pdf#g#!U!496#g#I"U!0g#g#`T"U!2023-01-21 18:56:22U!4g#g#&"U!1766g# 1pUVU`145317alea ii tim ellis none Just as in alea i for string quartet this is made up of four sets of a note row. These four versions are available in the four versions of the row. The player must start in the top left hand corner and end in the bottom right hand corner. How he/she gets there is left to the performer?s choice. There is no limit on how many of the options are played, nor how many times they are played. This can also be combined with alea i, the piano part can be played separate from or at the same time as similar parts with the quartet. The players can choose the element(s) to be played as foreground or background. 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Big band Brass band Concert band / wind band Drum corps Marching band Military band School band Brass band Brass choir Brass quartet Brass quintet Brass trio Brass choir Brass quartet Brass quintet Brass trio Clarinet choir Double reed ensemble Piano trio Saxophone quartet String quartet String quintet String trio Wind quartet Wind quintet Woodwind choir Woodwind trio Piano four hands Duet Trio Quartet Quintet Sextet Septet Octet Big band Jazz combo Jazz quartet Jazz trio Mariachi band Salsa band Leadsheets Worksheets Duet Trio Quartet Quintet Sextet Septet Octet Large mixed ensemble Orchestra String orchestra Choir + orchestra Orchestra + solo Drum corps Handbells Orff ensemble Percussion ensemble Percussion ensemble (pitched) Percussion ensemble (unpitched) Piano four hands Choir + keyboard Solo instrument + piano Voice + keyboard Pop group R & B band Solo instrument String quartet String quintet String trio String orchestra Choir Choir (barbershop) Choir + keyboard Choir + orchestra Voice + guitar Voice + keyboard Double reed ensemble Wind quartet Wind quintet Woodwind choir Woodwind trio
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U 1/usr/www/resources/ADAP3/SQL.pm0a U Ub&,U U0U9U`0U9Up U0U0UȂ U9U` U"UpʋU U~U U UJU0U U@ Ux0U U UH0Ux U UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U U1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Ua0Uj&,Ua8 U&,U1PriceSetOfPartsSetOfPartsU013.0000000000000000000000000000000:3713.000000000000000000000000000000U13.000000000000000000000000000000U!2017-06-09 17:10:171LicensePerformanceerformance.000000!0g#g#!0g#g#!g#g#!00g#g#!3.00g#!.00g#1"U"U"U"U U!00g#g#!2g#p!/U !NeverCropImage src="data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 650 917'%3E%3C/svg%3E""g#!UOFPARTSTY1U1U 1U 1U U( 1U!g#<@U q 8 U(1UaU5&,U U USE::Score2024-00000005852811a&U0UASELECT ScoreB FROM RelatedScores WHERE ScoreA=?@!400U00 00:00:001 U"U"U"U0!IsFreere::IsFree!hHtUmgA U0 UP$U UpjU"U@1SELECT * FROM Mp3 WHERE ID =? U1 JTY#P0U1 U16335!ID:Score::Mp3::IDote!g#U !y>U0z>U !UUبUaȅ U U(1U!DBD::mysql::st 138093 U0!&U&U !g#B U q9U H$U,H U!8pUh?rU !ADAP3aOpus 51, The March Of The Optimists. Stephen Andrew Rawle <UaRU`!PAUXHwUHwU!P&U0&UQSELECT ScoresTotal FROM StatsDaily ORDER BY Date DESC LIMIT 1!SE_Score_save_datadata1FileSize::Mp3::FileSize0Up U!h$U$UBUBUBU(BUBU8BU /Ug#.253414er"> U!UU!U UU!Ux~U0!UhUH!UU`!U(ݻUx!U Ux]U!UU!UU!UU!UeU!UU!UU !UHL]U8!UhO]UP!U UUh!U UlU!UxoU!UU!UؕU!UxU!U UxFaU!UHaU!UU(!UXU@!Ux%UX!U Up!U U!UX UU!U UukU!U( UH3kU!Up U^U!UH U^U!UU!U( UU0!U)UH!U)U`!U)Ux!U UhU!U2!U!U U86(U!U` UhU!UU!UX U8U!U(U !UxU8!U UUP!UHUT$U<UPQ$U(U UP UxY'U{UHVU@U$U.U U UH&U UUȋ U U]UH UXCU UDU UDU` U UXgUx UHU UU Uh}TU U( Uط~U U U!0g#g# U!5g#g#!2013-04-26 01:02:18!0g#g#!0g#g#flourish for orchestra tim ellis none According to Grove a Flourish is applied to various kinds of short preludial pieces. This is a simple fanfare for orchestra based on a note row. 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It is unbarred (this is not to mean it is not metrical) and the spaces between the fragments represented pauses, the duration of which are left to the performer's discretion. The tempo is rubato, the indication of +/- 110 is a mean. It uses the non harmonic row from "lagoon music ii". This row is chromatic and scalic, so any instances of apparent tonal references are not accidental.quiresApproval!1.50g#!1g#g#!0g#g#!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!g#g#aU!991820g#!0g#g#xdU!0g#g#!0.00g#aU!1.50g#dU!0.00g#h_U!0g#g#cU!g#g#aU!0.00g#X`U["5297","5295","405","5296","9448","49808","20881","162330","5290","44118","157191","110605","79767","28260","24706","97435","392564","400628","30357","124485"]aU!2020-09-19 09:37:10!1g#g# !U!0g#g#q{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17515" } nd!0.0000g#!2011-05-08 02:27:171frammenti per clarinetto solodefScor!0g#g#!0g#g#!1g#g#!2013-04-28 05:41:43!0g#g#!0g#g#frammenti per clarinetto solo tim ellis none This work follows on from the "elegy for solo viola". It is unbarred (this is not to mean it is not metrical) and the spaces between the fragments represented pauses, the duration of which are left to the performer's discretion. The tempo is rubato, the indication of +/- 110 is a mean. It uses the non harmonic row from "lagoon music ii". 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Monaco, Joe McCarthyU!4.75g#h^UQ^UqYou Made Me Love You (I Didn't Want To Do It) Piano Solo Joe McCarthy, James V. Monaco, Joe McCarthy !0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!300#g#!300#g#^Up^U^U^Up^Ux^U^U^U@^U8^U^U0^U^U^U ^U^U`^U=UH^U^U0^U^U^U^Uh^U^U(^U^U^UP^U(^U^U^U@^U@^U^U^U^UP^Up^U^UX^U8^U^Uh^Ux^U^U^U^U^U^U^U(^Up=U`^UH^UX^Ux^U^U^U^U^U^U^U^U^UX^U^U^U^U^U^U^U0^U^U^U8^U^U!["240346","246815","247240","260692","392051","448910","448911","448912","448913","448914","448915","448916","448917","448918","448919","448920","448921","448922","448923"]UDU!2020-09-02 04:24:08!0g#g#!2022-11-30 19:11:57!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!522x696g#!5g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00!g#g#"U!0g#g#!0g#g#RU!g#g#.RU!2018-06-20 00:00:00U!0g#g#'-U!1g#g#PU!0g#g#!g#g#DU!0g#g#DU!0g#g#PDU!0g#g#DU!0g#g#DU!0.0000g#xDU!0000-00-00 00:00:00U10000-00-00 00:00:00U0!g#g#(QU!3.54g#HRU!0g#g# NU!0g#g#8[QU!0g#g#phQU!g#g#0NU!g#g#/?U!0g#g#g#!Ukuleleg#!g#g#!g#g#!1.50Xg# !0000-00-00 00:00:00!0g#g#!0g#g#"U10g#g#g#g#0!246815g#!0000-00-00 00:00:00U10000-00-00 00:00:00=U0AYou Made Me Love You (I Didn't Want To Do It) !58g#g#!0g#g#DU!3g#g# !2g#g# !2007-08-30 00:00:00!2024-03-14 00:00:00U!g#8g#=U!g#g#=U!0g#g#=U10g#g#0!g#g#!0g#g#?!0g#g#DU!g#g#XDU!2007-08-30 00:00:00!0g#g#?!1g#g#DU!0g#g#DU!0g#xg#!g#g#?!3.54g#xDU!0g#g#(DU!0g#g#!!10g#g#?0ZU8cUeU@]Ux{\UxkhU1UXUcU1UH UpSgUHDeU hUTgU8,CU@LUPUXUX$CU@YUVgUSUxthUBU($CUjZUmZUgUiUPU$iUeUV^U(][U8YUUgUhUMUSPUX*CU^[UfUghUeU^U/CUIeUXUQU-CUpZUdU8NeUYUPMUcUgUeUP#NUBU&iUhUeUNgUfUUH(iU@\gU(eU$'U0cKUA]UdUMUx+CUHfU=[U!0000-00-00 00:00:00!77U<U !0g#p7UuantityS!0g#g# !bU"U !8.00g#LUX#!103282g#`!696#g#gU10g#g#hgU0AWind Quintet No. 1 in F, Allegretto and Largog#!16g#g#'-U!0g#g#PU!4g#g#8)RU!1g#g#8U!2011-06-12 08:49:00U!2024-03-09 17:17:13U!Sabra Lindgren>U!g#g#(>U!2010g#gU10g#g#0!sib#g#ЯPU!g#8g#(QU!0000-00-00 00:00:00U!0g#g# NU!1309g#8[QU!0g#g#phQU!3g#g#0NUWind Quintet No. 1 has four movements: Andante, Allegretto and Largo, Adagio, and Allegro giusto. 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1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!bU Q(U1"U"U"U"U0!0g#8g#!0g#`g)U 10.00&U.Z0!0&U0,U Z+U!,UP#,Up(.U .*Uh*U,U+UA0UaIU XQUnUa`{"U xRU GU!6g#vU !0g#PnDUТU!0g#g#0U!0g#g#U!g#g# AInstrumentationIDentationIDom Pinocchio)ume t@!761#2QU10g#g#0!0g#g# %U F'Y#!D %U %UPy'Up &U!(= UU!<&U 'U!IsFreere::isFree&U&U9U%U9Uس&U%U%U&U9Uл&U"UpʋU&UP&U&Uh&UJU8B&U&Up&U`&U&U&U &U &U&UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Uonts/fir1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Ua@uU8:Ua&U8:UQ!pUing quartetU!UQL!g#U A%U%Uh0UX&UpjU"U@!purposeIdsTmp 12.50P\U2SK0!(UQLISHERa@&U&,Ua%Uh#U&,Up&U0"U&U@U.&UP &Up'U$$%U$=%UЅ)Up%U$$%U$=%U ,7UP"U$$p%U$=%U):U.&U'U%U 'UP%U$$P%U$=P%UP&U%U$$%U$=%U2@U0%U$$%U$=%UBU%U$$%U$=%U@ CU%U$$%U$=%U"&Up%U$$%U$=%Up&Up)U)UE(U$$&U$=&U%U"U$$@'&U$=@%&U%U,'U1'U`1'U5'UO'U0P'UP'UP'U Q'UpQ'UQ'UR'US'U`S'US'UT'UPT'UT'UPU'U`.UQ'U@R'UV'U W'UpW'UW'U0X'UUh'Uh'U i'Upi'Ui'Uj'U`j'UU'UV'U`V'Ul'Ul'U@m'Um'Um'U0n'Un'Ua-cookieX%UЉ#U)Up"UҏU"U$U%U%U(%Uh%UPx%UA&Ui"Ugtag("s&U'U&U&UX&U&Uhtml> o! %U !146270g#A"U'Y#'U'UA"U&Y#@"Ua 'U"U&Y#'Uz'U1~$U&U!1g#g#g","AW-8!Ragtime music !x&U&UX'U%U)Up"UҏU"U$U E&UE&U`D&Up[$UP%UH'U 0'Up*Ur.push(Ay'U*Y#p &U"UAy'U&Y#"UA%U&Y# @'U"Uql"U@ P","GA)UȹdU OU!984390\U !0000-00-00 00:00:00U1g#g#'xU0!1g#U 1g#g#"U"U0!0000-00-00 00:00:00A"U6&8Text::Unidecode::x031"U2SK@id!236609g#"U!Rocket Mang# !2003-12-03 00:00:00 WHE!2024-03-25 00:00:00E/Ha1g#g#0!8U!Easy Guitar Tab!g#g#1g#g#01g#@#U;U0q9heryl Crow" "Cat Stevens/Rod Stewart" "Cat Stevens"Matt Armstrong"runo Mars" "Devon Gallaspy"!g#@FU 1T9U"U]u196710!g#g# !g#g#@!1.50Xg#`!0000-00-00 00:00:00U!0g#g#0"U!0g#g#uU10g#g#uUg#0!0g#0bU !0g#g#!0g#g#EU!0g#g#bU!0g#g#178667!0.00g#!0.00g#!0.00g#бFU!1g#g#%U!1g#g#549087!0g#g# !0g#g#!1g#g#0U!48534g#_U1Elton John, Elton John, Bernie Taupin!4.75g# 0iU1522x696/GU80039g#0A/usr/local/share/perl5/Text/Unidecode/x03.pm174840Q}7U#USText/Unidecode/x03.pmzLP!g#g#@!g#g#!g#g# !0g#"eUSUqNothing's Gonna Stop Us Now Easy Lead Sheet / Fake Book Starship, Diane Warren, Albert Hammond 10g#PuUAUp;U0!2022-06-07 08:12:561E58E5C34-2E80-11EB-B177-4CCFA22AC803!0g#uUU!0g#g#U!0g#g#U!522x696g#XU!3g#g# U!1g#g#KU!0.00g#U!0000-00-00 00:00:001g# "U&Y#0xTU`!UgUx!UU]U!U8.U!U#UȆU!U`#UU!U&*U!UzU!UXY]U !UZ]U8!UȵUP!U8u6Uh!Ux U!UEVU!UV]U!UU!UU!UU!UxU!U(U(!UqU@!UعUX!U#UUp!UxU!U#UU!UkU!U#UnU!UU!UU!UU!UxU0!U>UH!UU`!UiUUx!Ux~U!UhU!UU!U(ݻU!U#Ux]U!UU!UU !UU8!UeUP!UUh!UU!UHL]U!UhO]U!UH#UU!UiUlU!UxoU!UU!UؕU(!UxU@!U#UxFaUX!UHaUp!UU!UXU!Ux%U!U U!U U!UiUU!U#UukU!UXiUH3kUh"U #U^U"U#U^U"UU"U#UU"U)U"U)U"U)U"U#UhU("U2!U@"U#U86(UX"U#UhUp"UU"U #U8U"U(U"UxU"UX#UU"UHUW$U<UV$U(UxT"U#UxY'U!UHVUV$U.UT"U#UH&UT"UUT"U@ #U]U UXCUS"UDUT"UDU U#UXgU UHU0 UUH Uh}TU` U #Uط~Ux U #UU"UU)UX"UH)U$"UP#UGU!UP#UTU@"UGU"U`Up"UXQ]U"UHR]U"UU]U"UHU"U #UhU"U.U"UxTU"UgU0"UU]UH"U8.U`"UP#UȆUx"U#UU"U&*U"UzU"UXY]U"UZ]U"UȵU"U8u6U "Ux U8"UEVUP"UV]Uh"UU"UU"UU"UxU"U(U"UqU"UعU"U@#UU("UxU@"U #UUX"UkUp"U#UnU"UU"UU"UU"UxU"U>U "UU "Up #UU0 "Ux~UH "UhU` "UUx "U(ݻU "U #Ux]U "UU "UU "UU "UeU!"UU !"UU8!"UHL]UP!"UhO]Uh!"U#UU!"U #UlU!"UxoU!"UU!"UؕU!"UxU!"U#UxFaU""UHaU(""UU@""UXUX""Ux%Up""U U""U U""U@ #UU""U#U1- Un jour, j?ai vu le soleil se coucher quarante-trois fois! Et un peu plus tard tu ajoutais: - Tu sais? quand on est tellement triste on aime les couchers de soleil? - Le jour des quarante-trois fois fois tu ?tais donc tellement triste? Mais le petit prince ne r?pondit pas. Le Petit Prince Antoine de Saint-Exup?ry Le Petit Prince is one of the most beautiful books in all of literature. Like the ?Alice? stories it can be read by grown ups or by young people. The interpretation depends on the age of the reader or the young person within. While looking for a title for this piece the above quote came to mind. It suits the mood. I do not intend to portray the dialogue nor the sunsets through music. The music is my response to the silence of le petit prince. The work is for solo oboe. It is a set of continual variations. Each motif can be considered as a sunset. Each variation contains one or more motifs or fragments which are either repeated or developed slightly. Each is different like a sunset is different. The ?Theme? sets out the four versions of the note row from the matrix. The first variation is somewhat rhapsodic, the second more spiky, like the thorns on a rose. The third variation attempts melismas, not one of which is able to grow. The fourth variation is a development of the first. It contains the climax of the piece. The fifth and final variation is the opening theme slightly varied. Performance Note The pause between each movement is written out. The performer is free to make each pause longer or shorter in performance.U#U!2017-06-09 17:10:17U!2018-02-22 11:27:54!g#g#0#U!878539g#!0g#g#x#U!0g#g#H#U!0.00g#iU!2.00g#@#U!0.00g##U!0g#g##U!g#g##U!0.00g#x#UQ© Copyright 2017 by A J music www.hosannapraise.webs.com-UAThe Banner of the Cross - Really Easy Piano 173@1le jour des quarantetrois fois!0g#g#!0g#g#!4g#g#!2013-04-18 01:56:36!0g#g#!0g#g#ale jour des quarante-trois fois tim ellis none - Un jour, j?ai vu le soleil se coucher quarante-trois fois! Et un peu plus tard tu ajoutais: - Tu sais? quand on est tellement triste on aime les couchers de soleil? - Le jour des quarante-trois fois fois tu ?tais donc tellement triste? Mais le petit prince ne r?pondit pas. Le Petit Prince Antoine de Saint-Exup?ry Le Petit Prince is one of the most beautiful books in all of literature. Like the ?Alice? stories it can be read by grown ups or by young people. The interpretation depends on the age of the reader or the young person within. While looking for a title for this piece the above quote came to mind. It suits the mood. I do not intend to portray the dialogue nor the sunsets through music. The music is my response to the silence of le petit prince. The work is for solo oboe. It is a set of continual variations. Each motif can be considered as a sunset. Each variation contains one or more motifs or fragments which are either repeated or developed slightly. Each is different like a sunset is different. The ?Theme? sets out the four versions of the note row from the matrix. The first variation is somewhat rhapsodic, the second more spiky, like the thorns on a rose. The third variation attempts melismas, not one of which is able to grow. The fourth variation is a development of the first. It contains the climax of the piece. The fifth and final variation is the opening theme slightly varied. Performance Note The pause between each movement is written out. The performer is free to make each pause longer or shorter in performance.U(E#U!0g#g###U!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g##Uh #U #U#Uh#Up#U#Ux #U8 #U0 #U#U(#UpiU #U #U#UX #Up!'U@#U#U( #U #U #U #U` #U#U #Ux#U#UH #U #U #U#U8#U8 #U#U #U#UH#Uh #U #UP #U0#U #U`#Up #U#Ux#U#U#U #U #UiU #UX#U@#UiUp#U#U#U#U#U#UhU#U #UP #U #U #U #U#U #U #U(#U #U#U0#U#U["76369","55984","6275","22779","196581","42770","42771","42769","107770","140305","40671","121755","144263","474910","668","30453","165969","4738","110038"]!2020-09-03 11:03:19!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-05-08 18:50:09!2023-05-08 18:50:12!184704g#!160202g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q #UqBrand New Me Piano, Vocal & Guitar Chords Alicia Keys, Alicia Keys, Noah Shebib, Emeli Sandé !0g#g#!0g#g##.U!0g#g#X.U!g#g#x`-U!0g#g# !g#g#*U!991174g#!0g#g#>0U!0g#g#!0.00g#+U!0.00g#x,U!0.00g#-U!1g#g#q,U!1g#g#x+U!0g#g#,U!0g#g#,U!1g#g#%*U!89195g#AAlicia Keys, Alicia Keys, Noah Shebib, Emeli Sandé14.75g#(+Uhx,U0!1.50xg#!0000-00-00 00:00:00!0g#g#!0g#g#!0g#g#1g#g#0!1g#g#/#U!0g#g#!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!g#g##U!225989g#!0g#g#h#U!0g#g#!0.00g##U!1.50g##U!0.00g#X #U!0g#g#x#U!g#g##U!0.00g#H#U["126700","17647","521335","98919","91799","521332","30404","100591","521336","52677","79244","64500","521334","68082","13719","37536","494353","127881","98178","40740"]h#U#U!1g#g#2#U!0g#g#q{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17527" } U!0.0000g#!2011-05-07 20:11:32!sei per sette!0g#g#!0g#g#!6g#g#!2013-04-27 17:40:28!0g#g#!0g#g#asei per sette tim ellis none a short piece, hopefully others will follow ...defScor!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g##UP=#U<#U#U#U#U#U`<#U :#U<#U#U`#U( #U<#U<#U#U@;#Ux"'Ux#U #U;#U<#U;#U:#UH<#U#U=#U#U#U0<#UX#U:#U0#Up#U =#U#U;#U#U#UP:#U:#U8:#Uh#U;#U#UX;#U#U#U#U #Ux<#U;#UX #U=#U#Ux#U #U#U#U(#U #U#UH#U #U#Up;#U8=#U;#U<#U:#U(#Uh:#U:#U`#U:#U8#Uh#U#UQ:#U#UukU""U #UH3kU""UX#U^U#"U0#U^U#"UU0#"U#UUH#"U)U`#"U)Ux#"U)U#"U#UhU#"U2!U#"U#U86(U#"UH#UhU#"UU$"U@#U8U $"U(U8$"UxUP$"U#UUh$"UHU&U<UH&U(U!U8#UxY'UPI"UHVU&U.U!U#UH&U@!UUX!U(;#U]U UXCU!UDU(!UDU U#UXgU UHU UU Uh}TU U<#Uط~U U=#UUp%"UU)U&"Ux)UXS#U#UGUP"U8C#UTU&"UGUX%"U`U&"UXQ]U'"UHR]U '"UU]U8'"UHUP'"U=#UhUh'"U.U'"UxTU'"UgU'"UU]U'"U8.U'"U8@#UȆU'"UC#UU("U&*U(("UzUL#UXY]UL#UZ]UL#UȵUL#U8u6UL#Ux UM#UEVU(M#UV]U@M#UUXM#UUpM#UUM#UxUM#U(UM#UqUM#UعUM#U(A#UUN#UxUN#U@#UU0N#UkUHN#UA#UnU`N#UUxN#UUN#UUN#UxUN#U>UN#UUN#UX>#UUO#Ux~U O#UhU8O#UUPO#U(ݻUhO#U>#Ux]UO#UUO#UUO#UUO#UeUO#UUO#UUP#UHL]U(P#UhO]U@P#UhC#UUXP#U>#UlUpP#UxoUP#UUP#UؕUP#UxUP#U?#UxFaUP#UHaUQ#UUQ#UXU0Q#Ux%UHQ#U U`Q#U UxQ#U(>#UUQ#UA#UukUQ#U=#UH3kUQ#U@A#U^UQ#U?#U^UQ#UUR#U@#UU R#U)U8R#U)UPR#U)UhR#UC#UhUR#U2!UR#U>#U86(UR#U0B#UhUR#UUR#U(D#U8UR#U(US#UxU(S#UxB#UU@S#UHUh&U<U&U(U"U C#UxY'US"UHVU&U.Uh"UB#UH&U"UU"U`E#U]U8 UXCU8"UDU"UDUP U?#UXgUh UHU UU Uh}TU UF#Uط~U UH#UUHT#UU)UU#U#U~#UpA#UGU%"UЕ#UTUU#UGU0T#U`UU#UXQ]UU#UHR]UU#UU]UV#UHU(V#UH#UhU@V#U.UXV#UxTUpV#UgUV#UU]UV#U8.UV#UВ#UȆUV#U#UUV#U&*UW#UzUW#UXY]U0W#UZ]UHW#UȵU`W#U8u6UxW#Ux UW#UPJ#U!2020-08-30 10:09:58U!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!297#g#!210#g#!0g#g#!1g#g#!650x459g#!0g#g#!1g#g#!3.00g#!2023-05-06 17:19:15!2023-05-06 17:19:19!336135g#!280943g#!0000-00-00 00:00:00!0000-00-00 00:00:00P"UpL#U "UD mU0"UD@mU@"UD 'UP"UD@'U`"UD$Up"UDo#U"UD@p#U"UD`p#U"UDp#U"UDp#U"UDp#U"UDp#U"UDq#U"UD q#U"UD@q#U"UD`q#U "UD$U0"UD$U@"UD$UP"UD&U`"UD0&Up"UDP&U"UDp&U"UD&U"UD&U"UD&U"UDs#U"UDt#U"UD t#U"UD@t#UU"UD`t#U"UDt#U "UDt#U0"UDt#U@"UDt#UP"UDu#UU`"UD u#Up"UDu#U"UDv#U"UD0v#U"UDPv#U"UDpv#U"UDv#U"UDv#U"UDv#U"UDv#U"UD&U"UDkU "UDlUp\#UDq#U\#UDq#U\#UDq#U\#UDq#U@U\#UDr#U\#UD r#UEVU`gU`UpU U\#UD@r#U\#UD`r#U\#UDr#U]#UDr#U]#UDPs#U ]#UDps#U0]#UD {#U@]#UD@{#UP]#UD`{#UHS#U@%"U,US#UUhUH"U8!U &US#U )"U #U0f"U28T#U&"U@u6U#UD0;$Ui#UD#UT#U`i#UD0#UPUDMU~+UDMUPUD9PU8"Ui#UD#Upi#UDP#Ui#UDp#U)"U  #U UD'U UD'U UDk#UН UDk#U UDk#U UDk#U UDl#U UD0l#U^#UDl#U^#UDm#U^#UD m#U^#UD@m#U_#UD`m#U_#UDm#U _#UDm#U0_#UDm#U@_#UDPl#UP_#UDpl#U`_#UDl#Up_#UDl#U_#UDn#U_#UDo#U_#UDP#U_#UD@k#U_#UD`k#U_#UDp#U_#UD#U_#UD#U`#UDТ#U`#UD#U `#UD#U0`#UD0#U@`#UDm#UP`#UDn#U``#UD n#Up`#UD@n#U`#UD`n#U`#UDn#U`#UDn#U`#UDn#U`#UD`#U`#UD#U`#UD#U`#UD#Ua#UD0#Ua#UDP#UU a#UDp#U0a#UD#U@a#UD#UPa#UDЦ#U`a#UD#Upa#UD#UUa#UD0#Ua#UD#Ua#UD#Ua#UD#Ua#UD #Ua#UD@#Ua#UD`#Ua#UD#Ub#UD#Ub#UD#U b#UDP#U0b#UDp#U@b#UD#UPb#UD#U`b#UDУ#Upb#UD#Ub#UD#U@Ub#UD0#U  dhdh  dh @#U!0g#g# !0g#g#@!0g#g#`!0g#g#!1g#g#!650x916g#!0g#g# !1g#g#xH#U10g#g#HH#U0!35g#g#!0g#g#0!3g#g# !1g#g#@!2011-06-12 09:14:47!2017-11-22 16:57:03!tim ellisg#I#U!g#g#hI#U!2002g#xH#U10g#g#0!sib#g#m#U!629#g# m#U!0g#g#@m#U!g#g#`m#U!0000-00-00 00:00:00U!0g#g#m#U!759#g#m#U!0g#g#m#U!1.50g##U!2011-05-07 00:04:08U!0g#g##U!0g#g#I#U!31837g#0#U!g#g#PI#U!0g#g#xH#U10g#g##U0!1g#Hg#@tableau ii continues the ritual from tableau i, this time the chiming of bells is a foreground idea Utg#This short elegy was written in the space of a few hours. It makes no pretension to virtuosic display. Its difficulty lies in the intelligence of the performer.U!2.00g#!1g#g#!0g#g#!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!835982g#h@#U!0g#g#!0g#g#PC#U!0.00g#!2.00g#@#U!0.00g#hC#U!0g#g#@>#U!g#g#`B#U!0.00g#@#U["64572","38601","138469","67258","121191","64027","69394","129311","17293","69367","121398","69393","69392","82675","57032","10334","69390","520997","110129"]H?#U!2020-09-14 06:05:15U!0g#g# q{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17519" } res!0.0000g#!2011-05-08 02:09:14!elegy for solo viola!0g#g#!0g#g#!1g#g#!2013-04-28 05:21:06!0g#g#!0g#g#elegy for solo viola tim ellis none This short elegy was written in the space of a few hours. It makes no pretension to virtuosic display. Its difficulty lies in the intelligence of the performer.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#A#UG#UF#U?#UA#UB#UB#UF#UXD#UPF#UB#UHB#U>#UG#U8F#UA#UxE#U 'U`?#U>#UHE#UF#UF#UE#UF#U@#U@G#UC#UC#UhF#U@D#UE#UB#UXA#UXG#UC#UE#U?#Uh@#UD#UD#UpD#UPC#UE#U@#UE#UB#U@#U@#UC#UF#U F#U@>#UG#Ux?#U`B#Up>#U?#U@#UD#U>#UB#U0?#U=#U?#UE#UpG#UE#U(G#U0E#UA#UD#UD#UH?#UD#U @#UP@#UC#UP{#U!0000-00-00 00:00:00U!g#g#!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-05-04 13:49:01!2023-05-04 13:49:02!94788g#!92202g#!0000-00-00 00:00:00!0000-00-00 00:00:00L#U0}#Ub#UDP#UEVU`gU`UpU Ub#UDp#Ub#UD#Ub#UD#Ub#UD#Ub#UD#Uc#UDЭ#Uc#UD#U c#UD#U0c#UD0#U~#UT#U-UDfU!U @ Up xUD 0vU!U @jUpS#U@#Up U @"U`)"U #U0g"U2#UU#UoU @k%Up?$UD[$U@#UDp$U#U#UD$Uk8UD9PUg*UDp9PUMUDKUV"UP#UD$U#UD$U #UD0$U)"U  #U UD@'U UDP#U UD`'U UD#U0 UD#U@ UD#UP UD#U` UD#Ud#UD#Ud#UDЏ#Ud#UD#Ud#UD#Ud#UD0#Ud#UDP#Ue#UDp#Ue#UD#U e#UD#U0e#UD#U@e#UD#UPe#UD #U`e#UD #Upe#UDp#Ue#UD@#Ue#UD`#Ue#UD#Ue#UD#Ue#UD#Ue#UD#Ue#UD#Ue#UD #Uf#UD@#Uf#UD`#U f#UD@#U0f#UD`#U@f#UD#UPf#UD#U`f#UDА#Upf#UD#Uf#UD#Uf#UD0#Uf#UDP#Uf#UDp#Uf#UD#Uf#UD#Uf#UD #Uf#UD#UUg#UD@#Ug#UD`#U g#UD#U0g#UD#U@g#UD#UPg#UD#UU`g#UD#Upg#UD#Ug#UD #Ug#UD@#Ug#UD`#Ug#UD#Ug#UD#Ug#UD#Ug#UD#Ug#UD#Uh#UD#Uh#UD #U h#UD#U0h#UD#U@h#UD#UPh#UD#U`h#UD#U@Uph#UD #Uh#UD@#UEVU`gU`UpU Uh#UD`#Uh#UD#Uh#UD#Uh#UD#Uh#UDp#Uh#UD0#Uh#UDP#Ui#UDp#Ui#UD#U0#U#U@pU` !Ux#Up:U0%UD'&U#UH%U#Up:U!U @a"U)"U #Ug"U2 #U#U8UPE$UD$U #UD;$U#U#UDp;$U .UD@KUPxPUD KU~PUDMU"U0#UD<$U#UD;$U#UD;$U*"U  #U@ UD'UP UD 'U` UDp#Up UD#U UD#U UDо#U UD#U UD#U@#UD#UP#UD#U`#UD#Up#UD #U#UD@#U#UD`#U#UD#U#UD#U#UD0#Uа#UDP#U !2020-08-19 00:00:00!g#g# QG#U1U#Uxq53125!2017-06-09 17:10:17U10000-00-00 00:00:00#U01movements for solo celloU!374#g#V"U!4g#g##U!1g#g##U!2011-06-12 09:27:04U!2017-11-22 16:57:03U!11g#8g##U!1.50g##U!2011-05-07 16:33:38U10g#g#0!sib#g#@!629#g#`!0g#g#!g#g#!0000-00-00 00:00:00!0g#g#!684#g#!0g#g# !0g#g#8#U!52014g##U!g#g##U!1g#g#x#U!0g#g#h#U!1g#g##U!0g#g##U1movements for solo cello0!tim ellis#U#U!g#g##U!2004g# #U10g#g#0#Utg#0!1.50g#@#UEVUW#UV]UW#UUW#UUW#UUX#UxU X#U(U8X#UqUPX#UعUhX#U#UUX#UxUX#U#UUX#UkUX#U8#UnUX#UUX#UUY#UU(Y#UxU@Y#U>UXY#UUpY#UH#UUY#Ux~UY#UhUY#UUY#U(ݻUY#UH#Ux]UZ#UUZ#UU0Z#UUHZ#UeU`Z#UUxZ#UUZ#UHL]UZ#UhO]UZ#U#UUZ#UH#UlUZ#UxoU[#UU [#UؕU8[#UxUP[#UI#UxFaUh[#UHaU[#UU[#UXU[#Ux%U[#U U[#U U[#U`H#UU\#Uh#UukU(\#U0H#UH3kU@\#Uؓ#U^UX\#UPI#U^UX}#UUp}#U#UU}#U)U}#U)U}#U)U}#Ux#UhU}#U2!U~#U I#U86(U~#UȔ#UhU0~#UUH~#U#U8U`~#U(Ux~#UxU~#U#UU~#UHU&U<UhT$U(UH&"U#UxY'Uh!UHVU7U.U%"U#UH&Ux&"UU&"U#U]U UXCU%"UDU`&"UDU Up#UXgU UHU( UU@ Uh}TUX U#Uط~Up U#UU#UU)U#U#U@#U#UGUT#U#UTU#UGU#U`U0#UXQ]UH#UHR]U`#UU]Ux#UHU#U#UhU#U.U#UxTU؁#UgU#UU]U#U8.U #U#UȆU8#UP#UUP#U&*Uh#UzU#UXY]U#UZ]U#UȵUȂ#U8u6U#Ux U#UEVU#UV]U(#UU@#UUX#UUp#UxU#U(U#UqU#UعUЃ#U#UU#UxU#U؜#UU#UkU0#Up#UnUH#UU`#UUx#UU#UxU#U>U#UU؄#U(#UU#Ux~U#UhU #UU8#U(ݻUP#U#Ux]Uh#UU#UU#UU#UeUȅ#UU#UU#UHL]U#UhO]U(#U8#UU@#UX#UlUX#UxoUp#UU#UؕU#UxU#Ux#UxFaUІ#UHaU#UU#UXU#Ux%U0#U UH#U U`#U#UUx#U#UukU#UȚ#UH3kU#U#U^U#U#U^U؇#UU#Uȝ#UU#U)U #U)U8#U)UP#U#UhUh#U2!U#U#U86(U#U#UhU#U#U!0g#g#`#U!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g##U!432337g#!0g#g#0#U!0g#g##U!0.00g#xH#U!1.50g##U!0.00g#`#U!0g#g#hI#U!g#g##U!0.00g#0#UAOut Of Sight - Solo Sheet0LUhtmm@Q8#U!1g#g#P#U!0g#g#q{ "GroupOrd" : "40", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17527" } 19 !0.0000g#!2011-05-07 00:04:21!tableau iig#!0g#g#!0g#g#!2g#g#!2013-04-26 22:38:40!0g#g#!0g#g#tableau ii tim ellis none tableau ii continues the ritual from tableau i, this time the chiming of bells is a foreground idea eScores!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g##U #Ux#UI#U #U(#UX#U0#U#U#Up#U#UHH#U#UИ#UP#U#U!'UI#UI#U#U`#U#U#U#Ux#Uؙ#U0#UH#U#Uؖ#U#U#U#U#U`#U#U8I#U#U #Uh#U#U#UX#U#U(#U#U0#UH#U#UH#U#UxH#U#UI#U#UH#UI#U`#U#UH#U@#UhI#UG#U#U@#U#Up#U#Uȗ#U#U8#U#UI#UP#U#U#U#UrtedZip["494345","198757","187382","23103","20840","161471","500509","15807","60323","198754","95927","500582","79626","23263","539144","190713","87555","484597","393880","7871"]versionFinis!2020-09-12 12:18:49!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-05-08 20:43:13!2023-05-08 20:43:14!100352g#!94429g#!0000-00-00 00:00:00!0000-00-00 00:00:00  78dh SX 08dh (ahpU 17U#UF14370!2017-06-09 17:10:17U10000-00-00 00:00:00#U0!12g#g#!275#g#0!4g#g# !1g#g#@!2011-06-12 09:27:56!2017-11-22 16:57:03!tim ellisg##U!g#g##U!2004g##U10g#g#0!sib#g##U!629#g##U!0g#g# #U!g#g#@#U!0000-00-00 00:00:00U!0g#g##U!942#g##U!0g#g##U!1.50g#@#U!2011-05-07 16:51:47U!0g#g##U!0g#g##U!53258g#p#U!g#g##U!0g#g##U10g#g#(#U0!1g#Hg#@AThis a possible performing version of alea i & alea ii.!1.50g#!1g#g# The work is introduced and punctuated three times, each time by a pair of a statement and an improvisation. The statements are presentations of the series, broken up to create a melodic shape. The improvisations are musings on the series. These get slower as the work progresses, whereas the main movements become faster. The first main movement, lament, is placed high in the cello?s range. The second main movement, dance, is gentler in mood, almost playful at times. The third and final main movement labyrinth is a moto perpetuo that leads without a break into the coda, the fourth and final improvisation on an unheard fourth statement. Although derived from the series, it is a final cadence in C.U!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!g#g#8#U!206570g#!0g#g# #U!0g#g#!0.00g#h#U!5.00g#8#U!0.00g##U!0g#g#0#U!g#g##U!0.00g##U["8469","70829","39733","56472","1666","70204","98982","78048","67591","9763","70821","1309","98983","27475","149734","70827","90072","110140","86608","99280"]#U!2020-08-02 19:14:03q{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17520" } KU!0.0000g#!2011-05-07 16:33:46!0g#g#!0g#g#!6g#g#!2013-04-26 22:18:13!0g#g#!0g#g#movements for solo cello tim ellis none The work is introduced and punctuated three times, each time by a pair of a statement and an improvisation. The statements are presentations of the series, broken up to create a melodic shape. The improvisations are musings on the series. These get slower as the work progresses, whereas the main movements become faster. The first main movement, lament, is placed high in the cello?s range. The second main movement, dance, is gentler in mood, almost playful at times. The third and final main movement labyrinth is a moto perpetuo that leads without a break into the coda, the fourth and final improvisation on an unheard fourth statement. Although derived from the series, it is a final cadence in C.SorterScoreA!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g##U(#U#U#UX#U`#U#U8#U(#U#U#U#U#U#U#U#UH#UH"'U0#U#U#Uh#U#UС#U #U#U#Uh#U#U#U#U#U#U(#U#U#U#UЛ#U8#UX#U#U@#U #U`#UP#U0#UО#Uh#U#U؟#UP#U#U#U#UH#U0#U@#U`#U#U#Up#Ux#U#UP#U#UH#U#Ux#U#U#U#Up#U#U#U#U#U #UȠ#U @UȈ#U#U8U#U(U#UxU#UH#UU(#UHU5U<UU(U U#U#UxY'U "UHVUxU.UT#U#UH&UPU#UUhU#U0#U]U UXCUT#UDU8U#UDU U#UXgU UHU UU Uh}TU U#Uط~U U#UU0#UU)U#URU#U#U@#UGU#U#UTU#UGU#U`U#UXQ]Uȋ#UHR]U#UU]U#UHU#U#UhU(#U.U@#UxTUX#UgUp#UU]U#U8.U#U#UȆU#UX#UUЌ#U&*U#UzU#UXY]U#UZ]U#UȵU#U8u6U#Ux U#UEVU#UV]U#UU#UU0#UUH#UxU`#U(Ux#UqU#UعU#U#UU#UxU#U#UU#UkU#Ux#UnU #UU8#UUP#UUh#UxU#U>U#UU#U0#UU#Ux~U#UhU#UU#U(ݻU(#U#Ux]U@#UUX#UUp#UU#UeU#UU#UU#UHL]U#UhO]U#U@#UU#U`#UlU0#UxoUH#UU`#UؕUx#UxU#U#UxFaU#UHaU#UU#UXU#Ux%U#U U #U U8#U#UUP#U#UukUh#U#UH3kU#U#U^U#U#U^U#UU#U#UU#U)U#U)U#U)U(#U#UhU@#U2!UX#U#U86(Up#U#UhU#UU#U#U8U#U(U#UxU#UP#UU#UHU8U<U U(U#U#UxY'U%"UHVU6U.U(#U#UH&U#UUЀ#U8#U]U0 UXCU#UDU#UDUH U#UXgU` UHUx UU Uh}TU U#Uط~U U#UU#UU)Up#U?U$U$UH#UGU#U"$UTUX#UGU#U`U#UXQ]U#UHR]U#UU]U#UHU#U#UhU#U.U#UxTU0#UgUH#UU]U`#U8.Ux#UH#UȆU#U@#$UU#U&*U#UzU#UXY]U#UZ]U#UȵU #U8u6U8#Ux UP#UEVUh#UV]U#UU#UU#UU#UxU#U(U#UqU#UعU(#U $UU@#UxUX#U#UUp#UkU#UmPurchas!0g#(g# #U!0000-00-00 00:00:00!g#g#!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-05-07 20:01:19!2023-05-07 20:01:25!344232g#!308574g#!0000-00-00 00:00:00!0000-00-00 00:00:00@}#U`#U#UDp#U#UD#U#UD#U#UD#U #UD0#U0#UDP#U@#UD#UP#UD#U`#UD#Up#UD#U#UD#U#UD #U#UD@#U#UD`#U#UD#Uб#UD#U#UD#U#UD #U#UD@#U#UD`#U #UD#U0#UD#U@#UD#UP#UD#U`#UD#Up#UD@#U#UD`#U#UD#UU#UD#U#UD#U#UD#Uв#UD#U#UD #U#UD@#UU#UD`#U#UD#U #UD#U0#UD#U@#UD #UP#UD@#U`#UD`#Up#UD#U#UD#U#UD#U#UD #U#UD@#U#UD#Uг#UD#U#UD#U#UD#U#UD#U@U#UD #U #UD@#UEVU`gU`UpU U0#UD`#U@#UD#UP#UD#U`#UD#Up#UD`#U#UD$U#UD$U#UD0$U#UDP$U#U#UFU U %UP#U#U#UU)"U p$Uf"U2#Uh#U0 U %U$UD$U?$UDl$UX#U?$UD\$U+UD0uNUTNUDuNU MUDNU8"U?$UDl$U?$UD \$U?$UD@\$U@*"U  5$U!UDU!UD#UUDUUD#UUD#U UD#U UD#U UD0#U #UD#U0#UD#U@#UD #UP#UD@#U`#UD`#Up#UD#U#UD#U#UD#U#UD#U#UD#U#UD0#Uж#UDP#U#UDP#U#UD@$U#UD$U#UD$U #UD$U0#UD$U@#UD$UP#UD $U`#UD@$Up#UD`$U#UD$U#UD$U#UDp#U#UD#U#UD#Uз#UD#U#UD0#U#UDP#U#UD#U#UD #U #UD@#U0#UD`#U@#UD#UP#UD0$U`#UD0$Up#UD1$UU#UD@1$U#UD`1$U#UD1$U#UD1$U#UD1$Uи#UD1$UU#UD2$U#UDp4$U#UD4$U#UD4$U #UD4$U0#UD4$U@#UD5$UP#UD05$U`#UDP5$Up#UDp5$U#UD$U#UD$U#UD$U#UD $U#UD@$Uй#UD`$U#UD$U@U#UD$U#UD$UEVU$U!1463`JU !0g#g# Q@#U1#U=yX925913!96212g#P#U1g#g# #U01frammenti ii per clarinetto soloU!511#g#8"U!4g#g##U!1g#g##U!2011-06-12 10:03:27U!2017-11-22 16:57:03U!3g#8g##U!1.50g#@#U!2011-05-08 02:30:51U10g#g#0!sib#g#@!629#g#`!0g#g#!g#g#!0000-00-00 00:00:00!0g#g#!698#g#!0g#g# !0g#g#x#U!0g#g#@#U!0g#g##U!1g#g##U!0g#g##Uq{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17515" } !tim ellis#U#U!g#g#0#U!2006g#P#U10g#g##Utg#0!0g#g#p#U!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!g#g#@#U!99502g#!0g#g#(#U!0g#g#!0.00g#p#U!1.50g#@#U!0.00g##U!0g#g#8#U!g#g##U!0.00g##U["47773","1461","5269","68048","119821","72291","3295","8952","8885","366978","11459","13217","8702","73665","8953","527853","113861","75014","43032"]12020-09-22 04:27:23UP#U0!1g#g##U!0g#g#q{ "GroupOrd" : "30", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17518" } cor!0.0000g#!2011-05-07 16:51:56!alea i iig#!0g#g#!0g#g#!3g#g#!2013-04-25 22:55:25!0g#g#!0g#g#aalea i & ii tim ellis none This a possible performing version of alea i & alea ii.stUp!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g##U`#U#U#U`#Uh#U#Up#U0#U(#U#U #U#U#U#U#UP#U!'U8#U#U #U#U#U#UX#U#U#Up#U#U@#U#U#U#U0#U0#U#U#U#U@#U`#U#UH#U(#U#UX#Uh#U#Up#U#U#U#U#U#U#UP#U8#UH#Uh#U#U#Ux#U#U#UX#U#U#UH#U#U#U#U#Ux#U#U #U#U#U(#U#UScores!0g#g#$U!0000-00-00 00:00:00!g#g#!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-05-07 18:02:38!2023-05-07 18:02:40!160477g#!145896g#!0000-00-00 00:00:00!0000-00-00 00:00:00p#U $U`gU`UpU U#UD$U #UD $U0#UD $U@#UD9$UP#UDP:$U`#UDp:$Up#UD:$U#UD:$U#UD:$Up$U#U$U$U0{FUD`fU T0UDD,U,"U &U!U H0:&U$UDp%U *"U $U0]"U2`$U@#U@ U$UD0$UE$UD$U$UpE$UD $UQUDpNUQ/UDPNUбUD RUV"UE$UD$UE$UD@$UE$UD`$U*"U  0W$U0UD&U@UD&UUD@$UUD`$UЙUD$U !UD$U!UD$U!UD$U#UD$U#UD$U #UD$U0#UD$U@#UD$UP#UD0$U`#UDP$Up#UDp$U#UD$U#UD $U#UD@$U#UD`$U#UD$Uм#UDO$U#UDP$U#UD0P$U#UDPP$U#UDpP$U #UDP$U0#UDP$U@#UDP$UP#UDP$U`#UDQ$Up#UD0Q$U#UD$U#UD$U#UD$U#UD $U#UD$U<$UD$U<$UD$U<$UD$U<$UD$U<$UD0$U<$UD`S$U=$UDS$U=$UDS$U =$UDT$UU0=$UD0T$U@=$UDPT$UP=$UDpT$U`=$UDT$Up=$UDT$U=$UDT$UU=$UDT$U=$UDV$U=$UD0V$U=$UDPV$U=$UDpV$U=$UDV$U=$UDV$U>$UDV$U>$UDV$U >$UDW$U0>$UDP$U@>$UDp$UP>$UD$U`>$UD$Up>$UDPQ$U>$UDpQ$U>$UDQ$U@U>$UDQ$U>$UDQ$UEVU`gU`UpU U>$UDQ$U>$UDR$U>$UD0R$U>$UDPR$U?$UDS$U?$UD S$U ?$UD@S$U0?$UD@[$U@?$UD`[$U$U@$U$UD0i$U$UD&U$UDP&Up$UDq$U`$UD&Uh"U"6"U  0%U`*"U }$U^"U2$U $U $UFUp$UD$U@$U0$UDP$UOUDQU6UD`QUpr8UDQU"U$UD$U@$UDp$UP$UD$U*"U  P$UUD`U UD UUDK$UUD0K$UUDPK$U !UDpK$UUDK$UUDK$U@$UD`L$U@$UDL$U@$UDL$U@$UDL$U@$UDL$UA$UDM$UA$UD M$U A$UD@M$U0A$UDK$U@A$UDK$UPA$UDL$U`A$UD0L$UeScores!g# &U !0g#g# Qx#U1$UkO26721t!g#g#8($U1921762g#($U0!35g#g#!0g#g#0!1g#g# !4g#g#@!2011-06-12 09:15:00!2017-11-22 16:57:03!tim ellisg#($U!g#g#()$U!2003g#8($U10g#g#0!sib#g#$U!629#g#$U!0g#g#$U!g#g#$U!0000-00-00 00:00:00U!0g#g#P$U!968#g#p$U!0g#g#$U!32313g#`*$U!g#g#()$U!0g#g#)$U!0g#g#)$U!1g#g#*$U!0g#g#)$U!2017-06-09 17:10:17U10000-00-00 00:00:00U0!1g#Hg#@!1.50(g#`!2011-05-07 00:09:15!0g#g#!0g#g# AThis work, as in "frammenti i" is unbarred (this is not to mean it is not metrical) and the spaces between the fragments represent pauses, the duration of which are left to the performer's discretion. The tempo is rubato, the indication of +/- 60 is a mean. As with "frammenti i" this piece uses the non harmonic row from "lagoon music ii". This row is chromatic and scalic, so any instances of apparent tonal references are not accidental. Furthermore this piece is a uses ony a fragment of the rowas it is based on the first six hexachordal rotations on E.$U!1.50g#!1g#g#!0g#g#!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g##$U!994694g#!0g#g##U!0g#g#(#$U!0.00g#P#U!1.50g# "$U!0.00g##U!0g#g#@#U!g#g##U!0.00g#X#$U!0g#bU !2016-05-16 21:27:30Q`'$U`!$UnU#UU#UU#UU#UxU#U>U#UU0#Uh#UUH#Ux~U`#UhUx#UU#U(ݻU#U#Ux]U#UU#UU#UU#UeU #UU8#UUP#UHL]Uh#UhO]U#U(#$UU#U#UlU#UxoU#UU#UؕU#UxU#U#UxFaU(#UHaU@#UUX#UXUp#Ux%U#U U#U U#U8#UU#U!$UukU#U#UH3kU#U!$U^U#U(#U^U0#UUH#U#UUH$U)U`$U)Ux$U)U$U#$UhU$U2!U$U#U86(U$U!$UhU$UU$U#$U8U $U(U8$UxUP$U8"$UUh$UHUU<UPU(U#U"$UxY'UxT#UHVUhU.U#U"$UH&U8#UUP#U %$U]U UXCUx#UDU #UDU U#UXgU UHU UU8 Uh}TUP U&$Uط~Uh U'$UUp$UU)U $UJ$U$U0!$UGUh#U0-$UTU $UGUX$U`U $UXQ]U $UHR]U $UU]U8 $UHUP $U'$UhUh $U.U $UxTU $UgU $UU]U $U8.U $U0*$UȆU $Ux-$UU $U&*U( $UzU@ $UXY]UX $UZ]Up $UȵU $U8u6U $Ux U $UEVU $UV]U $UU $UU $UU0 $UxUH $U(U` $UqUx $UعU $U +$UU $UxU $U*$UU $UkU $U+$UnU $UU $UU8 $UUP $UxUh $U>U $UU $UP($UU $Ux~U $UhU $UU $U(ݻU$U($Ux]U($UU@$UUX$UUp$UeU$UU$UU$UHL]U$UhO]U$U`-$UU$U($UlU$UxoU0$UUH$UؕU`$UxUx$U)$UxFaU$UHaU$UU$UXU$Ux%U$U U$U U $U ($UU8$U+$UukUP$U'$UH3kUh$U8+$U^U$U)$U^U$UU$U*$UU$U)U$U)U$U)U$U-$UhU($U2!U@$U($U86(UX$U(,$UhUp$UU$U .$U8U$U(U$UxU$Up,$UU$UHUU<U`U(U#U-$UxY'U#UHVU7U.U#U,$UH&U#UU(#UeHeightm!0.0000xg#0$U!2011-05-08 02:30:571frammenti ii per clarinetto soloefScor!0g#g#!0g#g#!1g#g#!2013-04-17 14:23:13!0g#g#!0g#g#qframmenti ii per clarinetto solo tim ellis none This work, as in "frammenti i" is unbarred (this is not to mean it is not metrical) and the spaces between the fragments represent pauses, the duration of which are left to the performer's discretion. The tempo is rubato, the indication of +/- 60 is a mean. As with "frammenti i" this piece uses the non harmonic row from "lagoon music ii". This row is chromatic and scalic, so any instances of apparent tonal references are not accidental. Furthermore this piece is a uses ony a fragment of the rowas it is based on the first six hexachordal rotations on E.fScor!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!$UH'$U&$U#UH!$UP"$U"$UX&$U$$U&$U"$U"$U #U&$U%$Ux!$U8%$U(Up#U#U%$U&$U%$U$$U@&$U#U'$UX#$Up#$U(&$U$$U$$U!$U!$U'$U#$U%$U#Ux#UH$$U$$U0$$U#$U%$U#UP%$U!$U#U#U"$Up&$U%$UP#U'$U#U "$U#U#U#U#$U#Uh"$U@#U#U#Uh%$U0'$U%$U&$U$$U $U`$$U$$UX#Ux$$U0#U`#U#$UP:$U["5297","5295","405","5296","9448","49808","20881","44118","162330","5290","24706","79767","110605","157191","97435","1310","41884","30357","140149","370135"]re? !2020-09-12 07:12:58!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-05-04 10:44:37!2023-05-04 10:44:38!93340g#!90716g#!0000-00-00 00:00:00!0000-00-00 00:00:00 dh kU dh dh 1J$UZ54152!g#g#0^$U1155008g#^$U0!12g#g#!0g#g#0!4g#g# !1g#g#@!2011-06-12 09:14:59!2017-11-22 16:57:03!tim ellisg#^$U!g#g# _$U!2003g#0^$U10g#g#0!sib#g#L$U!629#g#L$U!0g#g#L$U!g#g#L$U!0000-00-00 00:00:00U!0g#g# M$U!817#g#@M$U!0g#g#`M$U!32225g#X`$U!g#g# _$U!0g#g#_$U!0g#g#_$U!1g#g#`$U!0g#g#_$U!2017-06-09 17:10:17U10000-00-00 00:00:00U0!3g#Hg#@!1.50(g#`!2011-05-07 00:08:17!0g#g#!0g#g# tableau iv continues the sequence with melody becoming more prominent. It is broken up in a pointilliste manner between the woodwinds. The pizzicato strings take over trying to create something melodic but the pointilliste spikey shape returns.!1.50g#!1g#g#!0g#g#!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!0g#g#`*$U!0g#g#!0.00g#H-$U!1.50g#!0.00g#*$U!0g#g#`-$U!g#g#8($U!0.00g#X,$U["130651","124824","68909","479343","147864","14787","194663","8840","14761","12299","108904","74810","114749","14791","14790","14786","101860","14760","403468"]$U!2020-08-20 21:26:25U!0g#g#*$U!0000-00-00 00:00:00q{ "GroupOrd" : "60", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17527" } U!0.0000g#!2011-05-07 00:09:20!tableau ivg#!0g#g#!0g#g#!2g#g#!2013-04-25 18:55:30!0g#g#!0g#g#!tableau iv tim ellis none tableau iv continues the sequence with melody becoming more prominent. It is broken up in a pointilliste manner between the woodwinds. The pizzicato strings take over trying to create something melodic but the pointilliste spikey shape returns.efScor!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#+$U@]$U\$U)$U+$U,$U,$U0$UP.$UH0$U,$U@,$U($U\$U00$U+$Up/$U!'UX)$U($U@/$U\$U0$U.$Ux0$U*$U\$U-$U-$U`0$U8.$U/$U,$UP+$U]$U-$U/$U($U`*$U.$U.$Uh.$UH-$U/$Ux*$U/$U+$U*$U*$U-$U0$U0$U8($U]$Up)$UX,$Uh($U)$U*$U.$U($U,$U()$Ux'$U)$U/$U(]$U/$U\$U(/$U+$U.$U.$U@)$U.$U*$UH*$U-$Up[$U!g#g#0[$U!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#X/$U]U UXCUP#UDU#UDU U)$UXgU UHU UU Uh}TU U\$Uط~U U]$UU$UU)UX$U`U}$Us$Uh+$UGU$U(c$UTU@$UGU$U`Up$UXQ]U$UHR]U$UU]U$UHU$U]$UhU$U.U$UxTU$UgU0$UU]UH$U8.U`$U(`$UȆUx$Upc$UU$U&*U$UzU$UXY]U$UZ]U$UȵU$U8u6UXm$Ux Upm$UEVUm$UV]Um$UUm$UUm$UUm$UxUn$U(Un$UqU0n$UعUHn$Ua$UU`n$UxUxn$U_$UUn$UkUn$Ua$UnUn$UUn$UUn$UUo$UxU o$U>U8o$UUPo$UH^$UUho$Ux~Uo$UhUo$UUo$U(ݻUo$U^$Ux]Uo$UUo$UUp$UU(p$UeU@p$UUXp$UUpp$UHL]Up$UhO]Up$UXc$UUp$Ux^$UlUp$UxoUp$UUq$UؕUq$UxU0q$U_$UxFaUHq$UHaU`q$UUxq$UXUq$Ux%Uq$U Uq$U Uq$U^$UUq$Ua$UukUr$U]$UH3kU r$U0a$U^U8r$U_$U^UPr$UUhr$U`$UUr$U)Ur$U)Ur$U)Ur$Uc$UhUr$U2!Ur$U^$U86(Us$U b$UhU(s$UU@s$Ud$U8UXs$U(Ups$UxUs$Uhb$UUs$UHUHU<U U(UH $Uc$UxY'U`#UHVUU.U$Ub$UH&Ux $UU $UPe$U]U( UXCU$UDU` $UDU@ U_$UXgUX UHUp UU Uh}TU Uf$Uط~U Uh$UUt$UU)Uv$U$U`$U`a$UGUP$U`$UTUu$UGUt$U`U(v$UXQ]U@v$UHR]UXv$UU]Upv$UHUv$Ug$UhUv$U.Uv$UxTUv$UgUv$UU]Uw$U8.Uw$U`j$UȆU0w$U$UUHw$U&*U`w$UzUxw$UXY]Uw$UZ]Uw$UȵUw$U8u6Uw$Ux Uw$UEVUx$UV]U x$UU8x$UUPx$UUhx$UxUx$U(Ux$UqUx$UعUx$UPk$UUx$UxUx$U0j$UUy$UkU(y$Uk$UnU@y$UUXy$UUpy$UUy$UxUy$U>Uy$UUy$Uh$UUy$Ux~Uz$UhUz$UU0z$U(ݻUHz$Uh$Ux]U`z$UrsionDat!2023-05-08 20:14:20U!2023-05-08 20:14:21!98944g#!92200g#!0000-00-00 00:00:00!0000-00-00 00:00:000$U0m$UpA$UDpN$UA$UDP$UA$UD@$UA$UD`$UA$UD$UA$UD$UA$UD$UA$UD$UA$UD$UB$UD $UB$UD@$U B$UD`$U0B$UDN$U@B$UDN$UPB$UDN$U`B$UDN$UpB$UD`M$UB$UDM$UB$UDM$UB$UDM$UB$UDM$UB$UDN$UB$UD$UB$UD$UB$UD $UC$UD@$UUC$UD`$U C$UD$U0C$UD$U@C$UD$UPC$UD$U`C$UD$UUpC$UD $UC$UD0$UC$UDP$UC$UDp$UC$UD$UC$UD$UC$UDЋ$UC$UD$UC$UD$UD$UD0$UD$UD N$U D$UD@N$U0D$UDJ$U@D$UDJ$UPD$UD$U`D$UD$UpD$UD$U@UD$UD$UD$UD$UEVU`gU`UpU UD$UD $UD$UD@$UD$UD`$UD$UD$UD$UD0$UD$UDP$UE$UDp$UE$UD`$U E$UD$Us$U$U$UDp&UЛ$UD&U$UDP&U$UDp&U$UD %U$UD %UPt$U$U*"U $U\"U2t$U($U($U U UP$UD$Ut$U$UDp$UpzPUDQU-UDQURUDILU8"U`$UD$U $UD$U0$UD$U+"U  `$U$UDkU%UDkU@UDP~$U UDp~$U0UD~$UP !UD~$UUD~$UUD~$UF$UD$UF$UD$UF$UD$UF$UD$UF$UD $UF$UD@$UF$UD`$UG$UD$UG$UD$U G$UD0$U0G$UDP$U@G$UDp$UPG$UD$U`G$UDP$UpG$UD$UG$UD0$UG$UDP$UG$UDp$UG$UD$UG$UD$UG$UDж$UG$UD$UG$UD$UH$UD0$UH$UDЁ$U H$UD$U0H$UD$U@H$UD0$UPH$UD$U`H$UD$UpH$UD$UH$UD$UH$UD $UH$UD@$UH$UD`$UH$UDй$UH$UD$UH$UD$UUH$UD0$UI$UDP$UI$UD`$U I$UD$U0I$UD~$U@I$UD ~$UUPI$UDp$U`I$UD@$UpI$UD`$UI$UD$UI$UD$UI$UD$UI$UD$UI$UD$UI$UD $UI$UD@$UI$UDP$UJ$UDp$UJ$UD$U J$UD$U0J$UDз$U@J$UD$UPJ$UD$U@U`J$UD0$UP$UDP$UEVU`gU`U?!0g#0@U !0g#g# QX]$U1}$Ulo14584!0g#g#hh$U10g#g#8h$U0!35g#g#!0g#g#0!3g#g# !1g#g#@!2011-06-12 09:14:47!2017-11-22 16:57:03!tim ellisg#h$U!g#g#Xi$U!2002g#hh$U10g#g#0!sib#g#$U!629#g#$U!0g#g#$U!g#g# $U!0000-00-00 00:00:00U!0g#g#`$U!785#g#$U!0g#g#$U!31836g#j$U!g#g#Xi$U!0g#g#j$U!0g#g#i$U!1g#g#j$U!0g#g#@i$U!2g#}$Uhh$U12013-04-28 10:36:56U0!1g#Hg#@!1.50(g#`!2011-05-07 00:04:06!0g#g#!0g#g# This is a highly compressed piece in one movement which however contains all four "traditional movements". It begins with a kind of traditional sonata allegro complete with a repeated (but slightly varied) opening. A development section begins but quickly dries up and becomes a "slow movement", loud and impassioned. This collapses and a scherzo (played pizzicato without first violin) takes over. The "finale" is a transposed version of the opening with a slightly amended coda.PU!2.50g#!1g#g#!0g#g#!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!0g#g#X`$U!0g#g#!0.00g#@c$U!2.50g#!0.00g#`$U!0g#g#Xc$U!g#g#0^$U!0.00g#Pb$U["3295","8952","8885","366978","11459","13217","73665","8702","527853","113861","8953","43032","420236","485338","37114","75014","6306","6016","181909","75396"]^$U!2020-09-04 05:26:44U!0g#g#`$U!0000-00-00 00:00:00q{ "GroupOrd" : "20", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17516" } U!0.0000g#!2011-05-07 00:08:39!quatuor cordes i!0g#g#!0g#g#!6g#g#!2013-04-23 13:47:48!0g#g#!0g#g#quatuor � cordes i tim ellis none This is a highly compressed piece in one movement which however contains all four "traditional movements". It begins with a kind of traditional sonata allegro complete with a repeated (but slightly varied) opening. A development section begins but quickly dries up and becomes a "slow movement", loud and impassioned. This collapses and a scherzo (played pizzicato without first violin) takes over. The "finale" is a transposed version of the opening with a slightly amended coda.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#a$Uxg$Uf$U_$Uxa$Ub$Ub$Uf$UHd$U@f$Ub$U8b$U^$Ug$U(f$Ua$Uhe$U@!'UP_$U^$U8e$Uf$Ue$Ud$Upf$U`$U0g$Uc$Uc$UXf$U0d$Ue$Ub$UHa$UHg$Uc$Ue$U^$UX`$Uxd$Ud$U`d$U@c$Ue$Up`$Ue$Ua$U`$U`$Ub$Uf$Uf$U0^$Ug$Uh_$UPb$U`^$U_$U`$Ud$U^$Ub$U _$Up]$U_$Ue$U`g$Ue$Ug$U e$Ua$Ud$Ud$U8_$Ud$U`$U@`$Uc$U$U!g#g#P$U!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-05-08 20:22:56!2023-05-08 20:22:59!253952g#!218833g#!0000-00-00 00:00:00!0000-00-00 00:00:00  SXdh UEU(   PQU6HH`68DH  8WX   ((0$U@m$U0$UpU U`$UDp$Up$UD$U$UD$U$UDp$U$UD0$U$UDP$U$UDp$UВ$UD$U$UD$UP$Uxt$Uh$U$UXUDUPYU UDtU 0U Un0U @P-U6U `s%U*"U $Upf"U2@$Uu$Uu$UpU$U$U {%U`LUDPJLUPUD0JLUlSUDLUxUU`UP$U@+"U  `$U"UD U"UD  UUDUPUDЭU`UDU !UDU$UD0U$UDPUP$UD$U`$UD$Up$UD$U$UD $U$UD@$U$UD`$U$UD$U$UD$UД$UD0$U$UDP$U$UDp$U$UD$U$UDг$U $UD$U0$UDP$U@$UDp$UP$UD$U`$UD$Up$UDд$U$UD$U$UD$U$UD0$U$UD$U$UD$UЕ$UD$U$UD$U$UD$U$UD $U$UD@$U $UD`$U0$UD$U@$UD$UP$UD$U`$UD$Up$UD$U$UD$U$UD$U$UD$UU$UD$U$UD$UЖ$UD0$U$UDP$U$UDp$U$UD$UU$UD $U $UD@$U0$UD`$U@$UD$UP$UD$U`$UD$Up$UD$U$UD$U$UD $U$UD@$U$UD`U$UDUЗ$UD$U$UD$U$UD$U$UD $U$UD@$U@U $UD`$U0$UD$UEVU`gU`UpU U@$UD$UP$UD$U`$UD$Up$UD$U$UD$U$UDp$U$UD$U$UD$U$UD$UЫ$U $U@ U %U0[UDUYUmRUD p6Ub^U20UD U U &U +"U %Ue"U2$U$U$U U U@(U P U 0$U U U`+"U @ %Uh$U(U mU @0~ U nU @0% UHnU @%UpnU д U@#UВ UP~ U+"U 0 %U UD0 Up0UDUPUU gU]UpU`Y]UU]U2!U0$U0!U @o%UP"UD Ux$U$UX!U -U UUPU@u6U$U!2010BU !0g#g# Qg$U1˿U$Uf]P145401$U%~14369!tim ellisg#0$U!g#g#$U!2003g#$U10g#g#0!sib#g#$U!629#g#$U!0g#g# $U!g#g#@$U!0000-00-00 00:00:00U!0g#g#$U!633#g#$U!0g#g#$U!1.50g#$U!2011-05-07 15:40:12U!0g#g#P$U!0g#g#$U!48351g#$U!g#g#x$U!0g#g#$U10g#g#$U0!2g#(g#`aThree terse ideas. Derivative or not. Should have been more movements. Maybe later.!1.50g#!1g#g#!0g#g# !0g#g#@!g#g#`!noneg#!0g#g#!g#g# tableaux is a work in progress, it is conceived like the medieaval altarpieces. the first tableau is a simple tour round the row. it is like a ritual of verse and response.U U!1.50g#!1g#g#!0g#g#!0g#g#!g#g#!noneg#!0g#g#!g#g#!g#g#!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#x$U!189448g#!0g#g#j$U!0g#g#$U!0.00g#hh$U!1.50g#$U!0.00g#j$U!0g#g#Xi$U!g#g#j$U!0.00g#$U!2023-10-23 04:57:02U10000-00-00 00:00:00SU0Ala donna mobile for school concert band april 2021.sibq{ "GroupOrd" : "30", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17527" } Hei!0.0000g#!2011-05-07 00:04:12!tableau ig#!0g#g#!0g#g#Uxz$UUz$UUz$UeUz$UUz$UUz$UHL]U{$UhO]U {$U$UU8{$Uh$UlUP{$UxoUh{$UU{$UؕU{$UxU{$Ui$UxFaU{$UHaU{$UU{$UXU|$Ux%U(|$U U@|$U UX|$UPh$UUp|$Uk$UukU|$U h$UH3kU|$Uhk$U^U|$U@i$U^U|$UU|$U k$UU}$U)U}$U)UX$U)Up$U$UhU$U2!U$Ui$U86(U$UXl$UhUР$UU$UP$U8U$U(U$UxU0$U$UUH$UHUU<UU(U$UH$UxY'U8#UHVUU.Uh$U$UH&U$UU$U$U]U UXCU8$UDU$UDU Uj$UXgU!UHU!UU!Uh}TU!U $Uط~U!U@$UUP$UU)U$U$U$Uk$UGUu$U$UTU$UGU8$U`UУ$UXQ]U$UHR]U$UU]U$UHU0$U($UhUH$U.U`$UxTUx$UgU$UU]U$U8.U$U$UȆUؤ$U$UU$U&*U$UzU $UXY]U8$UZ]UP$UȵUh$U8u6U$Ux U$UEVU$UV]Uȥ$UU$UU$UU$UxU($U(U@$UqUX$UعUp$U$UU$UxU$Uh$UU$UkUЦ$U$UnU$UU$UU$UU0$UxUH$U>U`$UUx$U$UU$Ux~U$UhU$UUا$U(ݻU$U$Ux]U$UU $UU8$UUP$UeUh$UU$UU$UHL]U$UhO]UȨ$U$UU$U$UlU$UxoU$UU($UؕU@$UxUX$U$UxFaUp$UHaU$UU$UXU$Ux%UЩ$U U$U U$U$UU$U0$UukU0$UX$UH3kUH$U$U^U`$Ux$U^Ux$UU$UX$UU$U)U$U)Uت$U)U$U@$UhU$U2!U $UH$U86(U8$U$UhUP$UUh$U$U8U$U(U$UxU$U$UUȫ$UHUU<UU(Uu$U$UxY'U$UHVUxU.U u$UP$UH&Uu$UUu$U$U]U!UXCUt$UDUu$UDU!U8$UXgU!UHU!UUHH"Uh}TU`H"UX$Uط~UxH"U$UUЬ$U8hUt$UX%U$U$UGU$U$Utableau i tim ellis none tableaux is a work in progress, it is conceived like the medieaval altarpieces. the first tableau is a simple tour round the row. it is like a ritual of verse and response.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#l$U$U$Ui$Uk$U$U$U$U$Ux$U$Up$U8h$U8$U`$Uk$U$U(Ui$Uh$Up$U$U0$U($U$Uk$Uh$U$Uػ$U$Uh$U@$U@l$Uk$U$U$U$U(i$Uj$U$U$U$Ux$U$Uj$U$U(l$Uj$Uj$U0$Uؾ$UH$Uhh$U$Ui$U$Uh$Ui$Uj$U8$Uh$Uк$UXi$Ug$Uj$Uн$U$U$UP$UX$U8k$Uȼ$U$Upi$U$UHj$Uxj$U $UdefScor["494345","198757","187382","23103","20840","161471","500509","15807","60323","198754","79626","95927","500582","23263","539144","87555","190713","28504","86829","117901"]Uf$U!2020-09-20 02:30:18!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-05-08 20:43:14!2023-05-08 20:43:15!106624g#!96385g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qȿ$U!0g#`oUeWebKit/!0g#g#o; compa12017-03-31 15:32:46ebot@anthrop0!0000-00-00 00:00:00a ؀*U(1U!2020-12-20 10:47:40U!0g#g#x.U!0000-00-00 00:00:00a3U 0$U*H U!2226g#ores WHE!3g#g#LUX#!1g#g#+?U!0g#g#H*?U!g#g#+?U!0.0000g#*?U!2021-04-21 09:54:07U1Shenandoah for School Wind Band`*?U!0g#g#8+?U!0g#g# !3g#Hg#h UaThis is about grade three standard and upwards. I have added an optional piano part.!2.95g#"U!0g#g#&"U!1g#g#U#U!0g#g##U!g#g#8g#!g#g#!0g#g#!g#g#ACopyright © February 2015 (Burndrett Music)!g#g#!1.00hg#!0g#Hg#!0g#g#!g#g#!0g#g#!0g#g# !g#g#p$U!g#g#!g#g#$U!16061g#!0g#g#$U!0g#g#!0.00g#$U!1.50g#$U!0.00g#$U!0g#g#$U!g#g#($U!0.00g#$U["3295","8952","8885","366978","11459","13217","8702","73665","527853","8953","113861","43032","75014","420236","37114","203398","485338","6306","181909","4617"]$U!2020-09-10 19:27:20!1g#g#$U!0g#g#q{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "17516" } U!0.0000g#!2011-05-07 15:40:181esquisses pour quatuor cordes$U!0g#g#!0g#g#!3g#g#!2013-04-25 22:59:49!0g#g#!0g#g#esquisses pour quatuor � cordes tim ellis none Three terse ideas. Derivative or not. Should have been more movements. Maybe later.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#H$U$U@$U $U$U$U $U$U$U$U8$U$Up$Up$U$U$U$U(U$U0$U$U($Uh$U`$U$U@$U$U$U$U$U$Ux$Ux$U$U$U($UP$U`$U$U$U0$U$U$U $U$U$U`$U$U$Uh$U$U$U$UH$U$U$U$U$U($Up$U$U$U$U$UP$U$U$U8$U$U$Up$U$UH$U$U$U$U$UX$U? !0g#g#`$U!0000-00-00 00:00:00!g#g#!0g#g#!210#g#!297#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-05-08 01:45:43!2023-05-08 01:45:44!170431g#!152768g#!0000-00-00 00:00:00!0000-00-00 00:00:00@$U$UFaUHaUHVUPR]UU)U0ݻUUUU$UUU$UUD0 U $Up!U U %U`5"U %U(U $U$UbUr6UXp0U *U$U$U($U!U @ U!U @x%U!U @v%U!U pu%UUPt0U r6Uж UU@u6U8UP U %U@ UU UTUU&*UU)UV]U UP$Uh$UH%UeUDt%U$U$U/UGU(U 0U$U U @z%U`UvUX$Uh$U( UUD)U"U$U$U.UD0hU$UyUU ^U&U8pU_yUDiUF&*U$U bU8&UdUD UlP$U$U$U$UeScoreseImageS@%UB$U\$UdefScorScoresWidthmm$Up$U"U &UD%U$U$UpZ7UDF7U$U$Up&UD!&U0$U@UH$U17U U %Ux$UU"U "U @%U"U @%U"U @%U"U "&UeScoressFree?$U$U$U$UeExchangPartsSamPrice?$UX$Uq$U$UeExchangPageOneAect!!H$U$Uȵ"U &UDP%U$U$UߩUP\*UD=-Us0U T&U y&U U b)UyUU ɏU U %Up U p#&U"U 0"U @p%UX"U @%U"U @%U"U p&UScoreslityScor8$U$U$U*$UeExchangZipConveConversi @ $U$UdefScorScoresishedZihed?$UX"U &UD &U$U@UR&U _*U6U @&U U &U$U&Uize? (ϤU0$UGU$UXUh$UXU8 UU UU UȃU UHU UX$UG1U؇ U$UUp0UH(3UH$Ux.5U8 UU2U@U(U UΤU 0U(ϤU UXϤUP UXUH U$UXU UXUЃ UXU0UU UUX UȃUx UHU U$UG1U U$UU UU0UG\UU` UTU UUp Ux6U Ur6Ux Ur6UH UHqUp UX$UXUx$U@$UU UHIU U8u6U8I"UGUP!U`"'Ux UUTU$UxzU UGU #Ux6U UTUH$Ur6U8$UHqU$Ux$UXU$U`$UUH U8u6U $UGU U4UxB)U8UU0B)U$U(1Up$Uc/U$U8U U(P\UWIU(%"U0$Uh׷U(UXUJPUPgU؄ U5UC)U4UA)USUA)UH5UB)U$UHգUXA)UU&U^U U(:U(U(UA)Ux:UX(U(ϤUX:7U5UPC)U;UC)U8UC)U<U(D)Uh<UpD)U$U<UD)U=UE)UX=UHE)U=UE)U UE)U$U>U F)Uh>UhF)U>UF)U(UUF)U&U@G)U8UG)UhUG)UUUH)U$U(VU`H)Uh$UxVUH)UVUH)U$UtU8I)U$UWUI)U$U<UI)U$U訷UJ)UȏUXJ)U$UXUJ)UXUJ)UYUHK)UhظUK)UHZUK)UZU8L)U$UZUL)U@$U8[UL)UH$U[UM)U$U[UXM)U$U(\UM)U$U(FUM)UhU0N)U$U\UxN)U!UN)U$U(]UO)U$Ux]UPO)U$U]UO)Ux$U׷UO)U8^U(P)U^UpP)UUP)UXgUu)U(gUpu)U@YU8Uu)UXַUu)UYUv)UhU`v)U%UַUv)U^Uv)UWU8w)UYUw)U8YUw)UHU(x)UطUpx)U0%U1Ux)UUy)U8SUHy)U7Uy)U(ַU z)U8Uhz)UHطUz)UX1Uz)UxU@{)U&U{)UhU{)UӷU|)U6Ux|)UX7U|)UշU})UUP})UCkU})UhU})UXU(~)U8Up~)U89U~)U%U9U)U9UH)U(:U)Ux:U)U)Uh׷U )USUh)U%UHգU)U(U)U4U@)U8UU)U4UЁ)UH5U)U5U`)U5U)U;U)U8U8)UA$U $UXU$UpjU"U1%UQ$U1UX%U?>23669!Hank Williams !Hank Williams@1Easy Guitar Tabed0!24081b:U X UX U)Up"UҏU"U$U U U U UP؇ UHBUD@ U?q00Up$U$U($U@$U$U$U?X U U)Up"UҏU"U$U UX U Ux UP U8BUD %UhU!NAMEg#qІ U$U $U$U$Ux$U$U 1~ U %U! U aIU 0U(1Uh$U$U$U$U$U$Ua  #U (1U!9Ug#1ITY#c8@RU!hmU*U$U$U$U0$U$UH$U!g#PFU A/usr/www/resources/ADAP3/GenericObject2.pmU@ax$UH$U(1Ua p$U (1U!0000-00-00g#LUOU9UOU9U(KUPU LUOU9UȨPU"UpʋUȫPUOUPOUX8UJUpQUDPU PU@OUP RURU SUD>U`RUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!0g#|<U 10g#g#8%U0aH6IU ` U(1UqvUvU(wUwUHxUaIU p UC(1Ua  UH(1U!S"U#U!g#g# 1instrumentationNavMenu60"U0!2024-03-10 21:58:41U!0g#g#xOU!0g#g#0E%U!0g#g#D%U!g#g#E%U!0g#g#xOU!0g#g#wOU11g#g#E%U0qThis arrangement is about grade 1-3 standard upwards. I have added an optional piano part.U!U!2.95g#I"U!0g#g#!U!1g#g#"U!0g#g#"U!g#g#T#U!g#g#X#U!0g#g##U!g#g# $UACopyright © February 2016 (Burndrett Music)Uhu$U!g#g#`*U!0g#g#x7U!0.0000g#@,U!2021-04-13 00:18:34U1Hallelujah Chorus for School Wind Band!0g#g#"U!0g#g#"U!7g#g#"U10000-00-00 00:00:00U0La Donna e Mobile (from Rigoletto) for School Marching Band Giuseppe Verdi arranged by David Burndrett David Burndrett This arrangement could work well as a concert piece or just for fun and is about grade1-3 standard upwards. dE!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#PqOUvOUHvOU(oOUpOUqOU(rOUvOUsOUuOU@rOUqOUxmOUxvOUuOU qOUtOU0BUnOU8nOUtOU0vOUpuOUhtOUuOUHpOUvOUsOUsOUuOUsOUtOUqOUpOUvOU0sOUXuOUhnOUoOUsOU8tOUsOUrOU(uOUoOUtOUhqOUpOUpOUprOUvOUuOUmOUwOUnOUqOUmOUnOU0pOUxsOUnOUrOUnOUHmOUXoOUuOUvOU@uOUvOUtOUxpOUtOUPtOUnOU tOUoOUoOU`sOU%U!0000-00-00 00:00:00U!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-02-18 13:55:52!2023-02-18 13:56:44!2967691g#!2445140g#!0000-00-00 00:00:00!0000-00-00 00:00:004%U !%U`0U 01%U0@U2h!%U;%U ,U ?UD@?U=UD_OU!%U@=UD ^OUNUDCDURUDCDU|PUDpOUp=UD^OU=UD _OU=UD^OU=UD^OU0U  LUp{OUD,U{OUD,U{OUD,U0OUD#$U@OUD#$UPOUD#$U`OUD$$UpOUD%$UOUDP2%UOUDp2%UOUD2%UOUD#UOUD2%UЂOUD2%UOUD2%UOUD0%$UOUDP%$UOUD%$U OUD1%U0OUD1%U@OUD2%UPOUD%U`OUDp%UpOUD%UOUD%UOUD%UOUD%UOUD%UOUD0%UЃOUDP%UOUD p%UOUD%UOUD 2%UOUD%U OUD%U0OUD0%U@OUDP%UPOUDp%U`OUD%UpOUD%UOUD%UOUD%UOUOUD%UOUD%UЄOUD0%UUOUD`%UOUD%UOUD%UOUD%U OUDJU0OUDJUU@OUDJUPOUDKU`OUDKUpOUDLUOUD LUOUD@LUOUD`LUOUDLUOUDLUЅOUDLUOUDHUOUDHUOUDHUOUDIU OUD IU0OUD@IU@OUD`IU@UPOUDIU`OUDIUpOUOUOUOUOUOUDIUІOUDIUOUDJUOUDPU6UDQU6UDQU6UDQU6UDRU6UD0RU*%UH!%U sAUDAUPL]UUpAUD0BUAUDBUAUDBUAUDBU0U JUp@U2+%U"%UQUDeU ?UDU?UCUD`|?UH,%UCUD{?UQNUDOUPPUDOU0/UDOUP$UCUD|?UCUD|?UCUD |?U0U  XOU{OUD3%U {OUD3%U0{OUD`TU8UDTU 8UDTU08UDTU@8UDTUP8UDUU`8UDUUp8UDUU8UDUU8UDTU8UDVU8UD0VU8UDPVU8UDd%U8UD UU8UDPUU9UDpUU9UDUU 9UDf%U09UD f%U@9UDf%UP9UDf%U`9UDf%Up9UDf%U9UDg%U9UD0g%U9UDPg%U9UDpg%U9UD 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I have added an optional piano part. matSize!2.95g#ScoreExc!0g#g#ZipForma!1g#g#def!0g#g#Scores!g#g#ManualVe!g#g#ScoreExc!0g#g#PageOneA!g#g#PageOneAACopyright © August 2015 (Burndrett Music)resScores!g#g#core!1g#(g#core!0g#g#Scores:!g#g#uantityS!0.0000g#urchaseQ!2023-01-21 18:45:421Danny Boy for School Wind Band!0g#g#!0g#g#1748191!22g#g#h' data-!0000-00-00 00:00:0010g#g#i%USE::Scor01@wU$UUU$UL\UXBUPU$U$U8$U(U/UH\UU UP$U$U8U$UHU8F\U$UhUH/UU($UUBU$U0xU U@UU0 U@$U9U($U9U$U U U$U9U$U"UpʋUȮ$U$U$U$UJU$Uh$Ut$U$U$UH#U%"U"U`T#UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U713555621"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!UxUa$UU GUA/usr/www/resources/ADAP3/GenericObject2.pm471713555623$U$U9U$U9U$U$Up$U$U9U$U"UpʋUp$UX$U@$U($UJU$U$U$U$U$U$U$UЯ$U$UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Ua$U86UǡUA$UhzU7U&UpjU"U!XU0G7U !DBI#g# !0g#0 7U !2017-06-09 17:10:17!DBD::mysql::st1SeViewTransposableansposable0 U1/usr/lib64/perl5/vendor_perl/DBI.pmU!:7U(&U 1t%Uu1705401g#{%UB0!0g#xU 1g#g#h U U0AHu%U3+ 3.135.216.174@!4Ug#`!de ?1) A/usr/www/resources/ADAP3/GenericObject2.pmU@ASortBydumentent p*+U trioe@10g#g#*UC+U0!iU1"UkUjU"U"U!X%U%U$U`$U9UH$U9U0$U0$U$U$U9U$U"UpʋU$U$U$U$UJU$UX$U$U$U($UP U@$U$U$UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U`y%U1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"UA/usr/www/resources/ADAP3/GenericObject2.pmRLUq(S"U $U] GU!ADAP3459"!0g#s%U !PtU!2g#@'U !2017-11-22 16:57:03!HASHg# !ADAP3::MathsU 1iUg#EFAULTPAGEONE) 0!g#*U !yg#g#!zg#g#1}g#g#0qȌ$U %U &,U (min-width:768px) 720px, (min-width:992px) 620px, (min-width:1200px) 650px, calc(100vw - 30px) U!iUonfig:001"U"U"U"Ug#!S"U~#U! 620w00 00:00:00a&U%U xU!0g#0GU 1 JTY#P#UA/usr/www/resources/ADAP3/GenericObject2.pmU!3g# U  U$U9UR"U9Up$U$U$UP$U9U$U"UpʋU0UȢ$U($U@$UJU8$U$U$U`UX$U$UU$U UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U4-19 20:1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!Uql::st !%U@%U 1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!&Uscores/2!26563 {%U A@*U0/U&U /UpjU"Uunt!pwUwU8}U!localg# a؄ U GU (min-width:768px) 720px, (min-width:992px) 620px, (min-width:1200px) 650px, calc(100vw - 30px) & U!1g#OU 10.00g#rts0ahttps://www.scoreexchange.com/score_img/1200x630-pg/20131108130100/146270.jpgaȌ$U xSUNU!HASHU!2022-11-30 21:17:38!61829g# 1bU%UD197617!0000-00-00 00:00:00!HASHxU !HASH``U !2013-04-13 00:34:07!SN14 0LR1@Uon A Sta!gbg#g#bone Sol!g#g#trument !g#g# print s!g#g# h%U%U9U`%U9U%U$"U%"U h&U9U0%U"UpʋU%U%U%U%UJU%U%U%U%Up%U%U%UX$Ug&UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Uqx$U!ADAP3::SQLU A/usr/www/resources/ADAP3/GenericObject2.pmCEqjH#U(1U!~&U!1.50'U !Ug# BUBU9U(BU9UBU>>USUBU9UBU"UpʋUxBUBUBUءBUJUBUBUBUBUУBUpBUBU@BUBUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Uind Band!Nicholas Wynne !g#g#12009g#0QZUA/usr/www/resources/ADAP3/GenericObject2.pmU@!`U` U QwUyUyUqSELECT ID FROM Reviews WHERE ScoreID = ? AND Approved = 1 AND Deleted = 0 ORDER BY Date DESCp10000-00-00 00:00:002SK0!6U('Uq%UGU!Us/tellis!U0999999999A/usr/www/resources/ADAP3/GenericObject2.pmU@!07Us"U8s"U1ITY#c-Ua'U&U &,U1,Uc+Uh/U0U,UP,U@,U*UP,U/U (*U#.UЗ,UP0U,U ,Ux/U(*UH%,UБ,Uxz,U1UY+U(+U+U/U  U`;0U,U/U U/*U(0U.UXb-U'.U  U ^-U^-U#*U0U|,U1UASELECT * FROM Instrumentations WHERE ID =?0px) " AIsSoloInstrumentmentation::IsSoloInstrument@QXU!2g#U ! !0g#Hg#02211302!0g#g#@!0.00g#20221130!0.00g#!0.00g#!1g#g#!1g#g#!0g#g#!0g#g#!1g#g#%U!18482g#!Mark Barkan#!4.75g# !2011-03-03 00:00:00Incl!2021-04-30 00:00:00!0g#g#@(U!2g#g# 10.75UB0!0g#pbUineField!0g#g#ype="che!0000-00-00 00:00:00se_910000-00-00 00:00:00ngss0!g#g#!0g#g#1Piano, Vocal & Guitar Chordsp!g#g#02211302!g#g#%U!1.50g#!0000-00-00 00:00:0010g#g#010000-00-00 00:00:00x U0!0g#PU/your-so!0g#g# !./!CatalogueExtraTitle!0g#[U ![]g#g#U!2020-09-14 10:43:18!0g#g#U!2022-11-30 18:51:36!g#g#@U!0g#g#U!0g#g#U!0g#g#U!0g#g#U!0g#g#(U!522x696g#U!3g#g#8U!1g#g#!0.00g# U!0000-00-00 00:00:0010000-00-00 00:00:00UU0!0g#8g#E" data-!0g#g#11302154!0g#g#et="/sco!0000-00-00 00:00:000963!g#g#w/202211!0g#g#, /score!200#g#300963.j!200#g#20221130!0000-00-00 00:00:00s="5!0000-00-00 00:00:00x) 6!g#g#51px, 681929139g#TEMTITLEASALTTEX0@U@%UPUDU`UDUpUDUUUD CUUD UUD@UUD`UUDUUDUUDUUDUUD U UD U0UD@ U@UD` UPUDU`UDUpUDUUDUUDUUUD0UUDPUUUUUU UDpU0UDU@UDUPUDU`UDpMUpUDMUUDMUUDMUUD]UUDMUUUDUpUH%UU0UDUUD kU@UDUaUD Up~U OUU2%UhUUD(UCU@_U@UD0UP%UUDUUDn[UPDUDn[U/UDUUPUDPUUDU UDU1U  %UUD UUDp/UUD/UUD/UUD/UUD0UUD00U UDP0U0UD1U@UD 1UPUD@1U`UD`1UpUD1UUD1UUD1UUD1UUDp0UUD0UUD0UUD0UUD2UUD P%UUD /U UD@/U0UD 2U@UD@2UPUD`2U`UD2UpUD2UUD2UUD0UUUDPUUUD TUUD@TUUD`TUUDTUUDTUUD WUUDYU UDZU0UD0ZU@UDPZUPUDTU`UDpZUpUDZUUDZUUUDZUUD[UUD0[UUDP[UUDp[UUD[UUUD U UD[U0UD[U@UD[UPUD\U`UD0\UpUD %UUD@%UUD`%UUD%UUDpUUUDUUUDUUUDUUUDUUUDVUUD0VU U0UDPVU@UDpVUPU`UpUUUUDVUUDVUUDVUUD%UUD`%UUD%UUD%UUD%U UD%U%UТ%UPdUD@U UUUDUUD0U UDPUUDpU}U 0 UU2p%U8%U >UD4UzU0UUDUЭ%UUDpUPUD@EUVeUD EU%UIt’s the Christmas holiday season, and brass quintets throughout Christendom get ready to serenade congregations in churches, shoppers in malls, and party goers at festive receptions. Here is Volume I, with 22 of the best known carols for the Christmas season. Parts are available for trumpets in both C and B-flat. (At the request of a customer, I have also supplied a tenor saxophone part as a substitute for the french horn.) Carols in Volume I are: 1. Angels We Have Heard on High 2. Away in a Manger (German) 3. Away in a Manger (British) 4. Away in a Manger (American) 5. The Boar’s Head carol 6. Bring a Torch, Jeanette, Isabella 7. Carol of the Bells 8. Come, All Ye Shepherds 9. Deck the Hall 10. Echo Carol 11. The First Noel 12. God Rest Ye Merry, Gentlemen 13. Good Christian Men, Rejoice (In Dulci Jubilo) 14. Good King Wenceslas 15. Hark! the Herald Angels Sing 16. Here We Come A-Wassailing 17. Huron Indian Carol: Jesos Ahatonhia 18. I Heard the Bells on Christmas Day 19. I Saw Three Ships 20. In a Manger He Is Lying 21. Infant so Gentle 22. It Came Upon a Midnight Clear NOTE: A revised version of Volume I was posted on 9/4/2008. This revised version fixes several errors and also changes the arrangement of "Carol of the Bells" by changing the placement of the repeat signs (and adding harmony) and adding an additional measure in the second ending. Volume II will continue the alphabetic listing with 18 more carols J-W, for a total of 40 in all. Volume II is located at: [[http://www.sibeliusmusic.com|www.sibeliusmusic.com]]/cgi-bin/show_score.pl?scoreid=115709&storeid=452 Volume II contains the following carols: 23. Jingle Bells 24. Jolly Old Saint Nicholas 25. Joy to the World 26. Lo, How a Rose E’er Blooming 27. Lullay, Thou Little Tiny Child (The Coventry Carol) 28. O Come, All Ye Faithful (Adeste, Fideles) 29. O Come, Little Children 30. O Come, O Come, Emmanuel 31. O, Little Town of Bethlehem (American) 32. O, Little Town of Bethlehem (British) 33. O Sactissima 34. O Tannenbaum 35. Silent Night 36. Up on the House Top 37. A Virgin Unspotted 38. We Three Kings of Orient Are 39. We Wish You a Merry Christmas 40. What Child Is This? @ghtx~UX%UhUp%UU%U(ݻU%UUx]U%UUШ%UU%UU%UeU%UU0%UUH%UHL]U`%UhO]Ux%U%UU%UUlU%UxoU%UUة%UؕU%UxU%UUxFaU %UHaU8%UUP%UXUh%Ux%U%U U%U U%UUUȪ%U %UukU%UXUH3kU%UU^U%UxU^U(%UU@%UXUUX%U)Up%U)U%U)U%U0%UhU%U2!UЫ%UHU86(U%U%UhU%UU%Ux%U8U0%U(UH%UxU`%Uȷ%UUx%UHU JU<UU(UUp%UxY'UxUHVUptU.UU@%UH&U8UUPU%U]UUXCUxUDU UDU0U8UXgUh.UHUUU(Uh}TUUH%Uط~U8Uh%UU%UU)UU8UUUGU`%U%UTUUGUh%U`UUXQ]U UHR]U8UU]UPUHUhUP%UhUU.UUxTUUgUUU]UU8.UU%UȆUU%UU(U&*U@UzUXUXY]UpUZ]UUȵUU8u6UUx UUEVUUV]UUUUU0UUHUxU`U(UxUqUUعUU%UUUxUU%UUUkUU(%UnU UU8UUPUUhUxUU>UUUU%UUUx~UUhUUUU(ݻU(U@%Ux]U@UUXUUpUUUeUUUUUUHL]UUhO]UU%UUU%UlU0UxoUHUU`UؕUxUxUU0%UxFaUUHaUUUUXUUx%UU U U U8U%UUPUX%UukUhU%UH3kUU%U^UU%U^UUUU%UUU)UU)UU)U(Uh%UhU@U2!UXUp%U86(UpU%UhUUUU%U8UU(UUxUU%UUUHUU<U=U(Uأ%U%UxY'U@UHVUU.Ux%Ux%UH&U%UU %U%U]UxUXCUH%UDU%UDUTU`%UXgUUHU9UU0Uh}TUUL%U!g#hg#%U!0g#g#!0g#g#!0g#g#8%Uؼ%U0%U UU%U%U%U%U%U(%U%UpU`%U%UUȺ%UpUU0U%U%UX%UP%Uл%U@U%U%U%U%U%Uh%Uh%UU%U%U@%U`UUع%U %U%U%U%UU%UP%UUUX%U%Up%UU8%UU%UUU(U`%UU%UU@UPU%U%U(%Ux%U%UpU%U8%UU%UUUH%U%U["88308","168223","140556","78183","151528","59699","140617","140520","140618","188994","75247","4062","173346","4413","23092","32625","107764","6032","62959","31140"]!2020-09-23 04:45:23U!0g#g#eScores!0000-00-00 00:00:00 @!g#g#%U!0g#g#1%U!0g#g#]%U!0g#g#Scores!0g#g#? !1g#g#%U!650x919g#%U!0g#g#%U!0g#g#Scores!5.00g#s12023-05-02 10:45:02UU0!ProfileContactOption!0g#FUrdRemind!1776g# !1equest!2024130100:00!allU`%U Since retiring from teaching, specialising in music and maths and eventually becoming a head teacher, Chris has devoted more time to his lifetime passion of composing and arranging music. His many compositions include original pieces and arrangements for solo organ and piano, musical dramas for schools and pieces for youth brass ensembles. He has also worked with church choirs and performed many organ recitals, mainly at St. John's Methodist Church, Wolverhampton, where he has now been organist and choir leader for over fifty years. 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q($'U%U%UP#'U$U!scoreexchange!192.168.124.331 JTY#PrU!ErrorCountErrorCountq,U1~m/U0UAget_most_recent_stats_daily_score_countscore_count!1g#@.&U !ADAP3::SQLg# 1&U 128908!DBD::mysql::stQ!0g#3%U !9.95g+U !НU1none&Ug/de/xff.pmcp-0A/usr/local/share/perl5/Text/Unidecode/xff.pmprice hiddeQX&U 7>aText/Unidecode/xff.pmpan classP!6g#g#@!7g#g#!8g#g# aUOU!scoreexchange 1ScoreExchange(U0A&U18.119.131.178@["187118","111846","142358","161896","192236","132147","61047","173388","507742","191974","180614","162263","396827","191546","397340","185567","86748","186488","37340","397285"]1g#)7U999998)01ITY#c`Y*UX07U'U~7Up"UҏU"U$UH/7Ux/7U/7U`/7UP0/7U07U}UBo-v21-l1"U.7U"U"U/woff2" 06U`6U6U6U6U6Ualea i -1~/7U&UqUUtring qu!iUg#1100#=-U0Q`U&U2 X#utf8unicore/lib/Perl/SpacePer.pl0rp?  ! ( * / 0 _ ` 006UtvUP6U6U6U6U 6U86U6UAITY#cP*U1~0$U0*!U!1g# U 10g#g#ceed+U0!?+U,U!iU !0&U&U!IsXPerlSpace1xUyUxU <UwU(yUXUxU0<U<UuUH<UwUUwUuUXyU@yUxUU xU <UwUxUhxUhUUTU Uq U8:U!i̇#pI7U X,U.7U)Up"UҏU"U$U-UL+U0UHy/UP(*UU&U[+U*UC\U U#U#U&Y#a@$U0U> &,UA/usr/www/resources/ADAP3/GenericObject2.pm1\RU\RU&Y#A`xU&UұfToSpecCfItem"}],"@typea8&U؉&U8&UQ5U8&U!!/usr/share/perl5/unicore/To/Cf.pla&U4Vutf8unicore/To/Cf.pl0`/KUP&U`1[?]#0U&Y#0q3U X:7UǡUA%shestra-1HASHg# orchestra0!g#eU!0g#g# A`&U@&U(%U(&UpjU"U@@.7UP&U]7UD&U]7UD&U]7UDТ&U]7UDu7U]7UDv7U^7UD v7U^7UD@v7U ^7UD &U0^7UD@&U@^7UD`&UP^7UD&U`^7UD&Up^7UD&U^7UD&U^7UD&U^7UD &U^7UD@&U^7UD`&U^7UD&U^7UD&U^7UD&U_7UD&U_7UD&U _7UD`&U0_7UD&U@_7UD&UP_7UD&U`_7UD&Up_7UD&U_7UD &U_7UD@&U_7UD`&U_7UD&U_7UD&U_7UD&U_7UD&U_7UD&U`7UD &U`7UD@&U `7UD`&U0`7UD&U@`7UD&UP`7UD&U``7UD&Up`7UD&U`7UD`M&U`7UDM&U`7UDM&U`7UDM&U`7UDM&U`7UDN&U`7UD N&U`7UD@N&Ua7UD`N&Ua7UDN&U a7UDN&U0a7UDN&U@a7UDN&UPa7UDO&U`a7UD O&Upa7UD@O&Ua7UD`O&Ua7UDO&Ua7UDO&Ua7UDO&Ua7UDO&Ua7UDP&Ua7UD P&Ua7UD@P&Ub7UD`P&Ub7UDP&U b7UDP&U0b7UDP&U@b7UDP&UPb7UDQ&U`b7UD Q&Upb7UDPa&Ub7UDpa&Ub7UDa&Ub7UDa&Ub7UDa&Ub7UDa&Ub7UDb&Ub7UD0b&Ub7UDPb&Uc7UDpb&Uc7UDb&U c7UDb&U0c7UDb&U@c7UDb&UPc7UDc&U`c7UD0c&Upc7UDPc&Uc7UDpc&Uc7UDc&Uc7UDc&Uc7UDc&Uc7UDc&Uc7UDd&Uc7UD0d&Uc7UDPd&Ud7UDpd&Ud7UDd&U d7UDd&U0d7UDd&U@d7UDd&UPd7UDe&U`d7UD0e&Upd7UDЅ7Ud7UD7Ud7UD7Ud7UD07Ud7UDP7Ud7UDp7Ud7UD7Ud7UD7Ud7UDІ7Ue7UD7Ue7UD7U e7UD07U0e7UDP7U@e7UDp7UPe7UD7U`e7UD7Upe7UDЇ7U7UDЕ7U7UD7U7UD7U7UD07U 7UDP7U07UDp7U@7UD7UP7UD7U`7UDЖ7Up7UD7U7UD7U7UD07U7UDP7U7UDp7U7UD7UЈ7UD7U7UDЗ7U7UD7U7UD7U7UD07U 7UDP7U07UDp7U@7UD7UP7UD7U`7UDИ7Up7UD7U7UD7U7UD07U7UDP7U7UDp7U7UD7UЉ7UD7U7UDЙ7U7UD7U7UD7U7UD07U 7UDP7U07UDp7U@7UD7UP7UD7U`7UDК7Up7UD7U7UD7U7UD07Ue/module!Mg#xg#cript> !Tg#g#c="/js/0!Ug#g#/modules!Vg#g#
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alea i

By: tim ellis
For: String quartet
page one of alea i
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Composer
tim ellis
Year of composition
2004
Lyricist
none
Difficulty
Difficult (Grades 7+)
Duration
1 minute
Genre
Modern classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

This is a simple aleatory work for string quartet. It is made up of four sets of a note row. The first is a brief melody and accompaniment, the second a pizzicato, the third a slower moving phrase. The fourth a closing gesture. These four versions are available in the four versions of the row. The players must start in the top left hand corner and end in the bottom right hand corner. How they get there is their choice. There is no limit on how many of the options they play, nor how many times they play them. They could just choose the opening and closing phrases.

To purchase this score, please add it to your cart above. To purchase music not currently available on Score Exchange or for extended license requests, please contact the publisher directly.

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Big band Brass band Concert band / wind band Drum corps Marching band Military band School band Brass band Brass choir Brass quartet Brass quintet Brass trio Brass choir Brass quartet Brass quintet Brass trio Clarinet choir Double reed ensemble Piano trio Saxophone quartet String quartet String quintet String trio Wind quartet Wind quintet Woodwind choir Woodwind trio Piano four hands Duet Trio Quartet Quintet Sextet Septet Octet Big band Jazz combo Jazz quartet Jazz trio Mariachi band Salsa band Leadsheets Worksheets Duet Trio Quartet Quintet Sextet Septet Octet Large mixed ensemble Orchestra String orchestra Choir + orchestra Orchestra + solo Drum corps Handbells Orff ensemble Percussion ensemble Percussion ensemble (pitched) Percussion ensemble (unpitched) C!4g#g# Win!0g#g#lass="re!0g#g#"checkbo!100#g#umentati!50g#g#pan> 9UK9UdefScoreExchangeScoresScoresHiddenHidden? @U9Uh9U9U9U9U9U9Uȹ9UԹ9U9U9UdefScoreExchangeScoresScoresPublisherIDPublisherID? U9U9U@9UH9UL9UZ9Ua9Uh9Uq9Uz9U9UdefScoreExchangeScoresScoresEPSCountEPSCount? s9Uh%UU%U%U!g# !g#g#ter:crea!g#g#ange"> !0000-00-00g#= {'serv!0000-00-00g# !BurndrettMusicP9U!1g#g#![]g#g#Check out the catalogue below, for a complete list of music and with various instrumentations of the same pieces. David Burndrett is a freelance double bass player as well as being a popular composer, arranger and music educator. Many of his works have been sold, published and performed internationally. Most of his scores on Score Exchange are suitable for use in schools and other amateur ensembles. There are scores for a wide range of instrumentations available so there's bound to be something available for your group's next concert. If you're looking for something specific you can send requests to David by [[http://www.scoreexchange.com/profiles/BurndrettMusic?c=showEmail | getting in touch directly]]. /U!128953g#!0g#g#!0g#g#!0g#g#!1g#g# 9U110CE242A-CEB4-11EE-8890-B39C539980F0!0g#g#|,U!0g#g#.U!0000-00-00 00:00:00U!0g#g#!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0g#g#!1g#g#!0g#g#!g#g#!0g#g#(0U!0000-00-00 00:00:00Q,U!0g#*:U Q9U#KiSE::Part::OBJECT_CACHE_TIMERPad:U0MU~U189UƏFU!4g#-U 1HASHWRU45195f8)mbone)0!1g#p`U !HASHg#!0XUU)1"UkUjU"U"U@9U9U`9Ux9UP9UH9U  ?9U9U9U9U9U9U !@9UH9U9U(9U9U9U   ?9U9Uh9U9UX9UP9U ?defhed ScoreExchangeTdefar BScoreExchangeliInstrumentFamiliesref="InstrumentFamilieshone.Name>ViNameonedefdef>
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    • div> qHo UjL-U4X U1

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    User ID

    "on" selected>on
    Composer
    tim ellis
    Year of composition
    2004
    Lyricist
    none
    Difficulty
    Difficult (Grades 7+)
    Duration
    1 minute
    Genre
    Modern classical music
    License details
    For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

    This is a simple aleatory work for string quartet. It is made up of four sets of a note row. The first is a brief melody and accompaniment, the second a pizzicato, the third a slower moving phrase. The fourth a closing gesture. These four versions are available in the four versions of the row. The players must start in the top left hand corner and end in the bottom right hand corner. How they get there is their choice. There is no limit on how many of the options they play, nor how many times they play them. They could just choose the opening and closing phrases.

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    Arranged For Wind Ensemble (with optional Timpani)

    g#!1226953>UPMU!1917876g#LUX#!0000-00-00 00:00:00!0000-00-00 00:00:001>UD1883!0000-00-00 00:00:00!0000-00-00 00:00:00!ResellerNetworkDefault!Christopher# ! UeU 0g#g#>U!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#ȮU)U &UXUcU&UU<UHU[[Ux^UUXUX>UhUUUHUGUPxUP{UxUU*U@ZLU8UUUU UU؃UUSUUqU@UHU؏UNU8UPbUfUhUUhUHcU8UU8eUpUmUU^U8&UpU NeUȣUcUU8U*UUȚUgUU`UЊUfUhU8UUUXU FUUUU8oUU!g#g#U!326473g#!0g#g# !0g#%U qBUJUU(1U!394738 U !HASHg#egister"!g#t%U !0g#8g#!0g#g#^U!0g#g#p]^U1HASH#U4c941d0)o downl0!0000-00-00 00:00:00!0g#g#!0000-00-00 00:00:00U!0g#g#!223#g#!0g#g#P!0g#g#!2g#g#!0000-00-00 00:00:0010000-00-00 00:00:00ZU0!g#U 12021-03-16 00:00:00UPWU0!HASHg#!HASHg#!HASHg#hU!HASHg#!0g#UcoreIncl!g#g# QConcerto for Oboe, III. Presto and Minuet, for Solo Oboe with Orchestra!cUQHoUQUZU!276#_U !0g#g# !0g#6^U !6.20g#']U!391319g# !pdf#O`U yU1447#g#0!0000-00-00 00:00:00!0g#RU !0.00 Urrencies!0.00g#!0.00g# !0g#XUineField!0g#g#" value=!0g#g#> Not ap!0000-00-00 00:00:00pan>!0g#g#10g#g#OOL-UNDEFIE=e0!g#@U5c-be74-12018-08-27 00:00:00UpU0!HASHg# !339442g# !108812g# Mozart Flute/Harp Concerto Andantino arr. flute /piano - Sheet MusicPDFelePDFfileMusicNowfileeow!cMusicNowg#0QConcerto for Oboe has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. This concerto is also arranged as a soprano saxophone concerto.23PQdata/www/www.scoreexchange.com/htdocs/../perl/lib/SE/andlers/ne.pm2'!SentForConversion!0.00P _U AP UU[U"U^Uh#U#UQMozart Flute/Harp Concerto Andantino arr. flute /pianooice and Pianoa!0g#@6^Uers WHER1woodwind quintet in F 1st movement.sib!HASH02eUS11g#PmUttemptedderSent0QCP Creative Music10g#g#~0YU0!ScoreID::scoreId page one of Mozart Flute/Harp Concerto Andantino arr. flute /piano: 0 auto;" alt="page one of Pretty Flamingo (Guitar Chords/Lyrics)" >ki) (SATB Choir)" >nd Melody))" > (Right-Hand Melody))" >>U>U>U0>USE::Score2024-04-19 20:41:05.2186872024-04-19 20:51:05.000000476121713555665.218687ؤ>UH>Ux>U>U>U>U>UѤ>USE::Score2024-04-19 20:41:05.2015762024-04-19 20:51:05.000000!4g#PFU !1g#@.U !3.00U QlU!553#@>U3!7.50g# !89982"GU 1HASHg#tennge.com">0!LicensePartsU !115658g# !HASHU!1g#5^U 1`U>Uu4101hb[UXUЍNUHXUZUXUH+U@^U!_UC]U@[+UXc[U\UXUZU"\UKUHYUe8UnMUYUNU`8]UPUXz\U^U.Uy\U]U\U]^UPUZ-UH ZUx[^U<]U8XUXYUY[UXU`^U{,UOLU]-UxBU(:]UOU!QUpRU]UiMUNU@5RU]UhZUP(\UMU@c[U9]U( ^UHZU_8UбYUr\U\UدYUX@UPYUphZUnQU0cZUP 9U!2019-06-06 16:24:49!DBD::mysql::st !576702g#.CU!0g#g#KU10g#g#KU0AWhen You Wish Upon A Star (from Pinocchio)!0g#g# !0g#g#!3g#g#.CU!2g#g#!2022-05-18 00:00:00!2023-01-03 00:00:00!g#8g#KU!g#g#KU!0g#g#KU10g#g#0!g#g#/CU!0g#g#!!10g#g#?0!g#(g#`>U!0g#g#!Ukulele Chords/Lyrics!g#g#!g#g#!g#g#OU!615950g#!0g#g#pOU!0g#g#!0.00g#OU!0.00g#OU!0.00g#`OU!1g#g#OU!1g#g#OU!0g#g#POU!0g#g#OU!1g#g#OU!74330g#ACliff Edwards, Ned Washington, Leigh HarlineU11.99g#pOUOU0!0g#g#>U!0g#g#!0.0000g#!0000-00-00 00:00:00AWhen You Wish Upon A Star from Pinocchio-19 20:40:50.54!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#When You Wish Upon A Star (from Pinocchio) Ukulele Chords/Lyrics Cliff Edwards, Ned Washington, Leigh Harline e2024-0!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#OUOUOUOUOUOUOUOUxOUpOUOUhOU0OU0OUXOUدOUOUPMRUOUOUhOUOU(OU OUOUOU`OUOUбOUOU`OU8OU8OUxOUxOUOUOU OUOUOUOUOUpOUOUOUOU OUOUЮOU(OUдOU@OU`OUOUOUOUOUOUOU0OUOUȰOUPOUOUOUȳOUOUOUHOUPOU0OUOUOUhOUزOU@OUpOUOUSE::Scor![]g#g#@>U!2020-09-18 21:11:54!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!522x696g#!3g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00 (0ip,0 (0dh,0  (0eh4-19 20:QOU!356367g# !0000-00-00 00:00:00U10000-00-00 00:00:00ZU0 A"fиRAA"fRAA"fRAA"f RAA"fRAA"fJRAA"fRAA"fRAA"fRAA"fnRAA"fRAA"fERAA"fIRAA"f(IRAA"fCRAA"f|HRAA"fFCRAA"fVFRAA"fHRAA"f4JRAA"fHRAA"fDRAA"fGRAA"foGRAA"fGRAA"fERAA"fgERAA"fIRAA"fmRAA"fmRAA"fnRAA"fHnRA"f &1A"f&1A"fK&1A"f"&1A"f&1A"f&1A"f*&1A"f%&1A"f &1A"fO"&1A"fJ]1A"f&&1A"f"&1A"f$/A"fU0A"fo0A"f*&1A"f|8A(\@0"fr&LA"f5/A"f11A"f8A"f8A"fϿ8A"f8A"fU8A"f8A"feR$1A"f.8A"f8A"f8A"fk4A"fv5A"f&Wz5A"f%1A-"f5`RA"f:A?"fUm8A"f}8A"f28A?"f@6A"fz5A"fq9u5A"f#8A@@"fS8A@@"ft5ADH"ft5A;@"fİt5A"ft5Afffff#@"ft5A"fpt5A#("ft5A)"f7u5A;@>U!g#Xg#PMU!1g#g#LUX#!0g#g#!1g#g#10g#g#0!HASHg#!HASHg#!HASHg# !0000-00-00 00:00:00!Blessedg#FU!0g#g#561543!0g#g#!0g#g#!0000-00-00 00:00:00U!0g#g#`U!0g#g#177961qBlessed Piano, Vocal & Guitar Chords (Right-Hand Melody) Elton John, Elton John, Bernie Taupin !0g#g#!0g#g#*U10g#g#PUU0!joe cea`=nU !0g#g# !2017-06-14 19:07:07g" a1{"width":225,"position-y-pc":"17","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":25,"width":53,"x":84,"center-y":51.5,"height":53,"center-x":110.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":26,"width":52,"x":84,"center-y":52,"height":52,"center-x":110}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":24,"width":55,"x":83,"center-y":51.5,"height":55,"center-x":110.5}]},"height":300,"position-x-combined":"49%","position-x":"center","position-y":"top","position-y-combined":"top","average-center-x":110.333333333333,"average-center-y":51.6666666666667,"id":"48467D9C-512C-11E7-BA6E-DEE7450219BE","position-x-pc":"49"}UPQU!3g#g#!]U12019-06-06 16:25:25U0qMozart Flute/Harp Concerto Andantino arr. flute /piano Band - Full Score and PartsOrchestra and HaqMozart FluteHarp Concerto Andantino arr flute pianot Band Full Score and Partschestra and Ha!95733g#LPUqConcerto for Soprano Saxophone, II. Adagio Reflection, for Solo Soprano Saxophone with OrchestraOU!35g#g#;SU!0g#g#0MU!4g#g#FSU!1g#g#IPU!2011-10-09 03:12:00U!2024-03-09 17:12:34U!2.008g#>U!2011-10-09 03:12:16U!1g#g#p>U10g#g#0!sib#g#8QU!696#g#NU!0g#g#R>U!2011-10-09 03:12:00U!0g#g#a>U!1259g#`b,U!0g#g#(U!Sabra LindgrenYU!g#g# !Rondo Alla Turca - .pdf!0g#(g# >U!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!0g#g#gU!0.00g#!11.45g#pgU!7.50g#!0g#g#gU!g#g#gU!0.00g#` gU["114092","151329","46659","485503","184277","59926","62540","141085","116345","81520","90477","186054","58141","178664","62542","185757","62539","181380","71851","103287"]U!2020-09-04 19:37:49U!0g#g#10000-00-00 00:00:00UgU0Wind Quintet No. 1 in F has four movements: Andante, Allegretto and Largo, Adagio, and Allegro giusto. It is my first composition for strictly wind instruments.me000!0g#g#!0g#g#!1g#g#!0g#g#{ "GroupOrd" : "370", "StoreGroupOrd" : "220", "StoreGroupID" : "2923", "GroupID" : "22289" } reExchange!g#g# >U!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-26 16:31:16!2023-04-26 16:31:35!2493300g#!2205597g#!0000-00-00 00:00:00!0000-00-00 00:00:00QgU.U CUxTU8CUgUPCUU]UhCU8.UCU0>UȆUCUx>UUCU&*UȄCUzUCUXY]UCUZ]UCUȵU(CU8u6U@CUx UXCUEVUpCUV]UCUUCUUCUUЅCUxUCU(UCUqUCUعU0CU >UUHCUxU`CU>UUxCUkUCU>UnUCUUCUU؆CUUCUxUCU>U CUU8CUgUUPCUx~UhCUhUCUUCU(ݻUCU>Ux]UȇCUUCUUCUUCUeU(CUU@CUUXCUHL]UpCUhO]UCU`>UUCU>UlUCUxoUЈCUUCUؕUCUxUCU>UxFaU0CUHaUHCUU`CUXUxCUx%UCU UCU UCUgUU؉CU>UukUCUPgUH3kUCU8>U^U CU>U^U8CUUPCU>UUhCU)UCU)UCU)UCU>UhUȊCU2!UCU>U86(UCU(>UhUCUU(CU >U8U@CU(UXCUxUpCUp>UUCUHU5NU<U`9U(UP=U>UxY'U@hUHVUX'RU.U=U>UH&U=UU=UX>U]UHhUXCU=UDUh=UDU`hU>UXgUxhUHUhUUhUh}TUhU>Uط~U؇hUh>UGUpCUGUxCUU)UCU>UUCUh>UTUCU[U KU ?U`UCUXQ]U(CUHR]U@CUU]UXCUHUpCU>UhUCU.UCUxTUCUgUЎCUU]UCU8.UCUh>UȆUCU>UU0CU&*UHCUzU`CUXY]UxCUZ]UCUȵUCU8u6UCUx U؏CUEVUCUV]UCUU CUU8CUUPCUxUhCU(U?UqU?UعU?UX>UU0?UxUH?U8>UU`?UkUx?U>UnU?UU?UU?UU?UxU?U>U ?UU ?U>UU8 ?Ux~UP ?UhUh ?UU ?U(ݻU ?U>Ux]U ?UU ?UU ?UU ?UeU ?UU( ?UU@ ?UHL]UX ?UhO]Up ?U>UU ?U>UlU ?UxoU ?UU ?UؕU ?UxU ?U>UxFaU ?UHaU0 ?UUH ?UXU` ?Ux%Ux ?U U ?U U ?UdefScorWind Quintet No. 1 in F, Allegretto and Largo Sabra Lindgren Lindgren Music Publishing Wind Quintet No. 1 has four movements: Andante, Allegretto and Largo, Adagio, and Allegro giusto. It is my first composition for strictly wind instruments.U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#>U>U>U>U>U>U>U>UP>UH>U>U@>UhgU>U0>U>Up>U`XUX>U>U@>U>U>U>Ux>U>U8>U>U>U`>U8>U>U>UP>UP>U>U>U>U`>U>U>Uh>UH>U>Ux>U>U>U>U>U>U>U>UgU>Up>UX>UgU>U>U>U>U>U(>UgU>U>Uh>U>U >U(>U>U>U>U@>U>U>UH>U>U?U["114092","151329","46659","485503","184277","141085","178664","62540","116345","59926","186054","90477","81520","185757","62542","62539","58141","71851","103287","181380"]U?U!2020-09-27 22:30:30!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-26 16:31:35!2023-04-26 16:31:49!1998946g#!1793830g#!0000-00-00 00:00:00!0000-00-00 00:00:00CU?U{CUDDU{CUDDU{CUDDU{CUD DU{CUD`>U{CUD>U|CUD>U|CUD>U |CUDDU0|CUDPDU@|CUDDUP|CUDDU`|CUDDUp|CUDDU|CUDDU|CUDDU|CUDDU|CUDDUU|CUD@DU|CUD`DU|CUDDU|CUDDU}CUDDU}CUDDUU }CUDDU0}CUDDU@}CUDDUP}CUDDU`}CUD0DUp}CUDPDU}CUDpDU}CUDDU}CUDDU}CUDDU}CUDP.U}CUDp.U}CUD`0U}CUD0U~CUDнDU~CUDDU ~CUDDU0~CUD0DU@~CUDPDUP~CUDpDU`~CUp~CU~CU~CU~CU~CUDDU~CUD@DU~CUD`DU~CUDDU~CUD@DUCUD`DUCUDDU CUDDU0CUDDUx ?U`CUjUD jUPL]UUjUD*fU0jUD+fU@jUD0+fUPjUDP+fUp"1U @DU@>U2h?UȍCUȍCUTUD TUPDUD0TU?UDUDTU yUDioUP=sUDPRsU?UD`UDU`DUDPTU DUDЍTU0DUDTU"1U  2UUР=UD dU@CUDdUPCUDdU`CUDdUPDUD0dU`DUDPdUpDUDpdUDUDdUDUD@dUDUD`dUDUDdUDUDdUDUDdUDUDdUDUD?UDUD?UDUDdU DUDЁdU0DUDdU@DUDdUPDUD ?U`DUD@?UpDUD?UDUD?UDUD?UDUD?UDUD?UDUD ?UDUD@?UDUD`?UDUD?UDUD?UDUD?U DUD?U0DUD0?U@DUDP?UPDUDp?U`DUD,UUpDUD@-UUDUD`-UUDUD-UUDUD-UUDUD-UUDUD@.UUDUD`.UUDUD.UUUDUD.UUDUD/UUDUD /UU DUD@/UU0DUD`/UU@DUD/UUUPDUD/UU`DUD`1UUpDUD1UUDUD1UUDUD1UUDUD1UUDUD2UUDUD 2UUDUD@2UUDUD`2UUDUD@dUDUD`dUDUD?U DUD?U0DUD?U@DUD?UPDUD)UU`DUpDUD*UUDUD0*UUDUDUDUDUDUDUDP*UUDUDp*UUDUD*UUDUD*UU DUDp+UU0DUD+UUountU!1426g#?U!0g#g#!2011-10-09 02:24:43U!1g#g#UU!0g#g#UU!165053g#UU!g#8g#UU!978357g#UU!0g#g#(UU10g#g#8UU0!7g#xg#HRUAConcerto for Soprano Saxophone has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. 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I have added an optional piano part.91ScoreExc!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#@Ux?UЍ?U@U@U@U@U?U@U@U@Ux@U@@U?Uh@U@U@UBU@U@Ux@U?U8@U0@Up?U@U0?U@U@U@Up@UH@UH@U@UH?U@U @U0@U@U@U@U@U@U@U@U@U0@U@U@U8@U?UP@Up@U؎?U@U@U@U@U@U@@U@U@U`@U?U @U@U`?U@U?U`@U@@U@U@Ux@U@UP@U@U(@Udef5565!1g#Hg# U?U!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#@V?U!0g#g#!5.00g#!2023-04-17 13:13:56!2023-04-17 13:15:02!3497270g#!6257669g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q?U!0g#`܋U !197330g#LUX#Qlaundrette blues for beginner and advanced school band.sibUQLaundrette Blues! for Beginner and Advanced School Wind BandU0&"U!2g#g#@#U!0g#g#؊#U!2g#g##U!1g#g#$U!2023-02-18 14:04:50U!2024-01-29 03:00:44U!David Burndrett@BU!g#g# ABU!2017g#0@BU10g#g#0!sib#g#Z%U!496#g#8g#!0g#g#!2023-09-26 16:57:48!10g#g#!1481g#!1g#g#!2g#g#!1.00hg#!2023-09-26 16:58:36!1g#g#!0g#g#!0g#g#!g#g# OUSU RURUhRUOUnQUhQUPRU]PUtMUhLU`KUpOUNU^PUQLUMRU`PURU rMU(SU(PURUZPUdKUQUXNU(KUpRU NUMUZSUh8UKU"MU NUMU@NUPUKUX'U-NU@LUOUPQUpNUpQUOUxKU8RULUd8U{QULUMU SU0OUxQUHNU`QURU@XSU h8UMUXLURUh4RUVSUxVSU>RUXOUOUXQUOUOUPULU589934!0g#g#ores WHE!0g#g#LUX#!0g#g#!g#g#HAU!0g#g#ȡAU!Viola Solog#hAU!g#g#(BU!g#g#`BU!1.50g#BU!0000-00-00 00:00:00U!0g#g# [{"on":1,"name":"scoreid"},{"on":0,"name":"sku"},{"on":1,"name":"title"},{"on":1,"name":"instrumentation"},{"on":1,"name":"uploaded"},{"on":1,"name":"price"},{"on":1,"name":"prints"},{"on":1,"name":"views"},{"on":0,"name":"sales"},{"on":0,"name":"mp3"},{"on":0,"name":"composer"},{"on":0,"name":"subtitle"},{"on":0,"name":"price-score-and-parts"},{"on":0,"name":"price-set-of-parts"}]1356355g#0#Utg#0AWhen You Wish Upon A Star (from Pinocchio)!41g#g#!366#g#!3g#g#!2g#g#!2018-01-25 00:00:00!g#g#c?U!8.44g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!Solo Guitar#!g#g#!g#g#!g#g#PU!102950g#!0g#g#8^KU!0g#g#!0.00g#USU!0.00g#NU!0.00g#RLU!1g#g#OU!1g#g#kKU!0g#g#xj8U!0g#g#NU!1g#g#NU!147933g#ACliff Edwards, Leigh Harline, Ned WashingtonU14.75g#'U`9RU0!0g#g# g?U!0.0000g#!0000-00-00 00:00:00AWhen You Wish Upon A Star from PinocchioQU!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#qWhen You Wish Upon A Star (from Pinocchio) Solo Guitar Cliff Edwards, Leigh Harline, Ned Washington !0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#x\PUNSUKUNU8wQU0/U(NUHRUSPU8PLU(QLUNUQUU3RUPU0KUMRU)NU.U $MU8LU LU0*Up_KUP]PU%UNUMU)NU`a8UkMU_PURUOULUKU{QUPUxLURUPU8^KUMUȠRU`SSUSUUSUPZPUOU&NUhNURLULUQUOU&QUC0UkKU MUpҌUWLUxj8UnQUNUSUKUpNU /UOUKUX2RUxKUxKU8SUWPU'UXOU191347["209095","224977","236533","277027","277679","303704","356343","356349","356354","356355","356357","356359","356363","356364","356367","356492"]7597!2020-09-06 03:32:30!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1276x1650g#!5g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!SU!0000-00-00 00:00:00U!0000-00-00 00:00:0049Q`QU1q?Uo277679!356345g#366446!0000-00-00 00:00:00U10000-00-00 00:00:00OU0AWhen You Wish Upon A Star (from Pinocchio)U AU!41g#g#HAU!275#g#AU!2g#g#AU!2g#g#x'BU!2018-01-25 00:00:00U!2024-04-10 00:00:00U!g#8g#ppMU!g#g#8MLU!0g#g#MU10g#g#0!g#g#NU!0g#g#8g#!0g#g#RU!g#g#LU!2018-01-25 00:00:007E!0g#g# !0g#Hg#`t?U!0g#g#Basse Dance by Susato for School Wind Band Tielman Susato arranged by David Burndrett David Burndrett This is a fun and easy arrangement of the Basse Dance by Susato for school concert band. I have added an optional piano part.SizeZipFormatS!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#"?Uh(?U'?U ?Uh"?Up#?U#?Ux'?U8%?U0'?U#?U(#?U?U'?U'?U"?UX&?UBU@ ?U?U(&?U'?U&?U%?U`'?U!?U (?Ux$?U$?UH'?U %?U%?U"?U8"?U8(?U$?U&?U?UH!?Uh%?U%?UP%?U0$?U&?U`!?Up&?U"?Ux!?U!?U#?U'?U'?U ?U(?UX ?U@#?UP?Up ?U!?U$?U?U#?U ?U`?U ?U&?UP(?U&?U(?U&?U!?U%?U%?U( ?U%?U!?U0!?U$?U !1g#g#z?U!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-02-18 13:57:38!2023-02-18 13:58:49!4207866g#!4712329g#!0000-00-00 00:00:00!0000-00-00 00:00:00T%U}?U(}?Ux[%U.UDUP?UD@@U?UDV?U}?U@?UD0V?UNUDo?U@ PUDo?UlRUDNU<.U?UDV?UP?UDPV?U`?UDpV?U`0U  4OUPzOUD?U`zOUD?UpzOUD?UpDUD?U?UD?U?UD?U?UD0?U?UDP?U?UD?U?UD ?U ?UD@?U0?UD`?U@?UD?UP?UD?U`?UD$Up?UD$U?UDp?U?UD?U?UD?U?UD?U?UD$U?UD$U?UD`$U?UD$U?UD$U?UD$U ?UD$U0?UD$U@?UD $UP?UD@$U`?UD `$Up?UD$U?UD$U?UD0?U?UDP?U?UD$U?UD$U?UD $U?UD@$U?UD`$U?UD$U?UD$U ?UD$U0?UD0$U@?UDP$UP?UDp$UU`?UD$Up?UD$U?UD@U?UD@U?UD @U?UD @UU?UD@ @U?UD @U?UD @U?UD@ @U?UD` @U?UD @U ?UD @U0?UD @U@?UD @UP?UD @U`?UD @Up?UD@ @U?UD` @U?UD @U?UD @U?UD @U?UD @U@U?UD @U?UD @U?U?U?U ?U0?U@?UD@ @UP?UD` @U`?UD @Up?UD?U?UD`?U?UD?U?UD?U?UD?U?UD?U?Ud%U0SBUDpmBUPL]UUYBUD0BU@YBUDBUPYBUDBU`YBUDГBU@0U PIOU0@U2?Up~?UP^UD`ZzU?UD?U?UD`@U?U@?UD@UpNUDPNUU/UD0NUiRUD`_NU@U?UD@UP?UD@U`?UD @U0U  Q?UyOUDIOUzOUD0JOUzOUDpJOU?UDJOU?UDJOU?UDJOU?UDJOU ?UDKOU0?UD0POU@?UDPPOUP?UDpPOU`?UDPOUp?UDPOU?UDPOU?UDQOU?UD0QOU?UD0KOU?UD`KOU?UDKOU?UDOOU?UDOOU?UD`ROU?UDROU ?UDROU0?UDSOU@?UD0SOUP?UDPSOU`?UDpSOUp?UDSOU?UDSOU?UD SOU?UD0TOU?UDPTOU?UDOOU?UDPOU?UDPQOU?UDpQOU?UDQOU?UDQOU ?UDQOU0?UDQOU@?UDROUP?UD0ROU8?UQ(?U.U}?U @UH&U@~?UUX~?U@U]U():UXCU}?UDU(~?UDU@):U@UXgUX):UHU4%UU5%Uh}TU5%U?Uط~U05%U?UU>OUU)U?OU:XUX U HOU@UGU?U`?UTU?OUGUx>OU`U@OUXQ]U(@OUHR]U@@OUU]UX@OUHUp@OU?UhU@OU.U@OUxTU@OUgU@OUU]U@OU8.UAOU`?UȆUAOU?UU0AOU&*UHAOUzU`AOUXY]UxAOUZ]UAOUȵUAOU8u6UAOUx UAOUEVUAOUV]UBOUU BOUU8BOUUPBOUxUhBOU(UBOUqUBOUعUBOUP?UUBOUxUBOU0?UUBOUkUCOUȒ?UnU(COUU@COUUXCOUUpCOUxUCOU>UCOUUCOU?UUCOUx~UCOUhUDOUUDOU(ݻU0DOU?Ux]UHDOUU`DOUUxDOUUDOUeUDOUUDOUUDOUHL]UDOUhO]UEOU?UU EOU?UlU8EOUxoUPEOUUhEOUؕUEOUxUEOUА?UxFaUEOUHaUEOUUEOUXUEOUx%UFOU U(FOU U@FOUP?UUXFOU?UukUpFOU ?UH3kUFOUh?U^UFOU@?U^UFOUUFOU ?UUFOU)UGOU)UGOU)U0GOU?UhUHGOU2!U`GOU?U86(UxGOUX?UhUGOUUGOUP?U8UGOU(UGOUxUGOU?UUHOUHU`U<UHU(U?UH?UxY'UpZ%UHVU0U.U0?U?UH&U?UU؈?U?U]UH5%UXCU?UDU?UDU`5%U?UXgUx5%UHU5%UU5%Uh}TU5%U ?Uط~U5%U@?UUIOUU)Up@UtNU@U?UGU>OU@UTUX@UGUHOU`U@UXQ]U@UHR]U@UU]Uз@UHU@U(?UhU@U.U@UxTU0@UgUH@UU]U`@U8.Ux@U?UȆU@U`@UU@U&*U@UzUظ@UXY]U@UZ]U@UȵU @U8u6U8@Ux UP@UEVUh@UV]U@UU@UU@UUȹ@UxU@U(U@UqU@UعU(@U?UU@@UxUX@Uh?UUp@UkU@U?UnU@UU@UUк@UU@UxU@U>U@UU0@U?UUH@Ux~U`@UhUx@UdefScor )0 08-0,008gU&(.0lp-0#(?UH?Uh@U@U ?U?Up@U@Ux@U8@U0@U@U(@Up?U@U@U?UX@UBU?U0?U(@U@U@U@U`@U@?U @Ux@U@UH@U @U@U@U?U8@U@U@U`?Uț?Uh@U@UP@U0@U@U?Up@U@U?U?U@U@U@U?U@Uؚ?U@@UЙ?U?U(?U@U?U@U?U?UP?U@UP@U@U@U@Up?U@U@U?U@U?U?U@U?U DH-0,0+0  "(-0[`(068eExchang @U0?U?UD?UU?UD ?U?UD@?U?UD`?U ?UD?UP?UD?U`?UD?UUp?UD?U?UD?U?UD?U?UD?U?UD ?U?UD@?UЯ?UD`?U?UD?U?UD?U?UD?U?UDp@U ?UD@U0?UD`?U@?UD?UP?UD?U`?UD?Up?UD?U@U?UD?U?UD ?U?U?U?Uа?U?U?UD@?U?UD`?U?UD?U ?UD?U0?UD?U@?UD?UP?UD0?U`?UDP?Up?UDp?UP?UX@UX[,UX[,UP2:U @v<UpU`Y]UU]U2!U@0U P?U@U2@?U@U8DgUUAUDAUAUDPBAU?UAUDAAU0>UDZU >UDZU >UDP[U~/UAUDpBAUAUDAAUAUDBAU0U  @Up,OUD?U,OUD?U,OUDP?U?UDp?U?UD?U?UD?U?UD?Uв?UD?U?UD?U?UD?U?UD?U?UD?U ?UD@?U0?UD`?U@?UD?UP?UD?U`?UD?Up?UDP?U?UDp?U?UD?U?UD?U?UD?U?UD?Uг?UD?U?UD?U?UD?U?UD0?U?UDP?U ?UDp?U0?UD?U@?UD ?UP?UD?U`?UD?Up?UD?U?UD?U?UD?U?UD ?U?UD@?U?UD`?Uд?UD?U?UD?U?UD@U?UD@U?UD@U ?UD0@U0?UDP@UU@?UD@UP?UD@U`?UD@Up?UD@U?UD@U?UD0@UU?UDP@U?UD`@U?UD@Uе?UD@U?UD@U?UD@U?UD@U?UD @U ?UD@@U0?UD`@U@?UD@UP?UD@U`?UD@Up?UD @U?UD@@U?UD`@U?UD@U@U?UD@U?UD@Uж?U?U?U?U?U ?UD@U0?UD@U@?UD @UP?UD@U`?UD@AUp?UD`AU?UDAU?UDAU?UDAU?U ?U ]U@6(U@.UPU)U.UU0U @@U@U2?U?U fUDJU lAUDAUAUDeAUg#!2013-10-13 15:06:56U!12g#g#hU!3044g# /U!9g#g#PSU!2013-10-13 15:06:59U!1g#g#p@U!1g#g#0@U!0g#g#@U!g#g#@U!0g#g#X@U!0g#g#@U11g#g#@U0!0g#g# $U!2g#g#$UI have arranged this very popular piece by Elgar so it can be easily be played by grade two players upwards! I have added an optional piano part.!2.95g#0;%U!0g#g#,%U!1g#g#Z%U!0g#g#}?U!g#g# ?OU!g#g#@U!0g#g#H@U!g#g#"UACopyright © February 2013 (Burndrett Music)U"U!g#g#"U11.00g#"U0!0g#g#0?U!2g#g#This easy arrangement works well as a concert piece or just for fun! I have added an optional piano part.U@U!2.95g#!0g#g#!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © September 2011 (Burndrett Music) !g#g#!g#g#@U!904825g#!0g#g#h@U!0g#g#!0.00g#@U!14.95g#@U!12.00g#X@U!0g#g#x@U!g#g#@U!0.00g#H@U["97925","153950","144889","144930","141730","48396","182192","30208","144939","182249","144927","141783","172101","141784","182251","182182","121802","129640","58453"]h@U@U!0g#g#`?U!g#g#!0.0000g#!2013-10-08 09:12:191Radetzky March for School Wind BandU!0g#g#!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Radetzky March for School Wind Band Johann Strauss Sr. arranged by David Burndrett David Burndrett This easy arrangement works well as a concert piece or just for fun! I have added an optional piano part.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#@U@U@U@U@U@U@U@Up@Uh@U@U`@U(@U(@UP@U@U@UHBUx@U@U`@U@U @U@U@U@UX@U@U@U@UX@U0@U0@Up@Up@U@U@U@U@U@U@U@Uh@U@U@U@U@U@U@U @U@U8@UX@U@U@Ux@U@U@U@U(@U@U@UH@U@U@U@U@U@U@@UH@U(@U@U@U`@U@U8@Uh@U@U!2020-09-08 09:12:26U!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-04-17 20:40:00!2023-04-17 20:41:44!4031620g#!5649560g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q@U!0000-00-00 00:00:00U1g#g#@U0QNimrod (from the Enigma Variations) for School Wind Band!U!U!0g#g#I"U!2g#g#`T"U!2g#g#"U!2013-10-07 11:40:01U!2023-10-23 04:56:12UASir Edward Elgar. arranged by David Burndrett@U!David Burndrett@U10g#g#0!sib#g#`*U!496#g#g#!0g#g#`7U1Nimrod for school concert band.sibU!2013-10-07 11:40:01U!20g#g#,%U!3242g#[%U!7g#g#H?U!1.00g#@U!2013-10-07 11:40:06U!1g#g#h@U!1g#g# @U!0g#g#@U!g#g#@U!0g#g#@U!0g#g#@U!1g#g# !145164g#U#UQLand of hope and glory for school concert band alternative parts.sibALand of Hope and Glory for School Wind BandUhu$U!3g#g#`*U!0g#g#x7U!2g#g#@,U!2g#g#;%U!2013-10-13 15:06:56U!2023-10-23 04:53:51UASir Edward Elgar. arranged by David Burndrettp@U!David Burndrett@U10g#g#0!sib#g#"U!496#g#"U10g#g#g#g#0!166102g#ZipForma!2023-02-18 14:03:49U10g#g#()?U01Shenandoah for School Wind BandScoreExc!3g#g#PageOneA!0g#g#PageOneA!2g#g#defbind!2g#g#Scorest!2023-02-18 13:59:43usi!2023-10-23 04:58:37f s1Traditional arranged by David Burndrett!David Burndrett)?U!0g#g#p)?U!0g#g# !sib#g# hidden"!496#g#ckquote>!0g#g#sm-2 pri1shenandoah for school concert band.sibt!2023-02-18 13:59:43an> !3g#g# &('(WX,0 нMU U/0'([`UX48-0,0\`ell shee["96576","190597","96591","96573","96575","165937","96572","146278","172063","517333","97247","152868","145164","971","142393","124516","172423","146997","139783"]U!2020-09-16 22:27:47!1g#g#?U!0000-00-00 00:00:00U!g#g#)?U!0g#g#?U!0g#g#!0g#g#!0g#g#@)?U!1g#g#`*?U!650x919g#8+?U!0g#g# xU?U +?UU?UkU?U?UnUЁ?UU?UU?UU?UxU0?U>UH?UU`?Up)?UUx?Ux~U?UhU?UU?U(ݻU؂?U)?Ux]U?UU?UU ?UU8?UeUP?UUh?UU?UHL]U?UhO]U?U`?UUȃ?U)?UlU?UxoU?UU?UؕU(?UxU@?U*?UxFaUX?UHaUp?UU?UXU?Ux%U?U UЄ?U U?U@)?UU?U?UukU?U)?UH3kU0?U8?U^UH?U0*?U^U`?UUx?U?UU?U)U?U)U?U)U؅?U?UhU?U2!U?U*?U86(U ?U(?UhU8?UUP?U ?U8Uh?U(U?UxU?Up?UU?UHUU<U؋U(U[%U?UxY'U!%UHVUU.UZ%U?UH&UH[%UU`[%UX?U]U(:UXCUZ%UDU0[%UDU(:U*?UXgU(:UHU(:UU(:Uh}TU(:U?Uط~U):U@UU?UU)U ?UUؾRU=OUh?UGU}?Uh@UTU?UGU?U`U8?UXQ]UP?UHR]Uh?UU]U?UHU?U?UhU?U.Uȉ?UxTU?UgU?UU]U?U8.U(?Uh@UȆU@?U@UUX?U&*Up?UzU?UXY]U?UZ]U?UȵUЊ?U8u6U?Ux U?UEVU?UV]U0?UUH?UU`?UUx?UxU?U(U?UqU?UعU؋?UX@UU?UxU?U8@UU ?UkU8?U@UnUP?UUh?UU?UU?UxU?U>UȌ?UU?U@UU?Ux~Uh9OUhU9OUU9OU(ݻU9OU@Ux]U9OUU9OUU9OUU:OUeU(:OUU@:OUUX:OUHL]Up:OUhO]U:OU@UU:OU@UlU:OUxoU:OUU:OUؕU;OUxU;OU@UxFaU0;OUHaUH;OUU`;OUXUx;OUx%U;OU U;OU U;OUX@UU;OU@UukU;OU(@UH3kU A!g#g#lass="bt!0g#g#ie-prefs!0g#g#tf!820651g#.push(ar!0g#g#r=window!0g#g#sent","d!9.95g#TIAL_ADS!9.95g#lytics_s!13.00g#S_STORAG!0g#g#t","rest!g#g#!0),gtag!0.00g#nfig","A!0g#g#ig","G-6!5.00g#ody> 3A"f"&1A"f Dy5A"f)!&1A"fzދ8A"fG &1A"fU:U@UBU0BUBU`BUBUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U957970e1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Uaȿ@UXSUz&,UA/usr/www/resources/ADAP3/GenericObject2.pmPurch@UHBU0 AU9U AU9U AU@UHOU?U9Up?U"UpʋUX?U@?U(?U?UJU?U?U?U?U?U?Ux?U@@U(@UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U_img/1201"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Ua0GAU AUz&,UA/usr/www/resources/ADAP3/GenericObject2.pmname" contentGAUAU9UAU9UAUx AU` AUAU9UؠAU"UpʋUAUAUAUxAUJU`AU(RAURAUQAUQAUQAUQAUQAUGAUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Ut sheet 1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"UA/usr/www/resources/ADAP3/GenericObject2.pmg#@!9.95U 1PU/UpJWUU(BUUUBUUxYXU8U#,UUX-U*UUUpUhUpU0+U`YXUxUhIWUpBUT(UXBUUT(UhT(UUUUHU*U`U@U #,UPUUUBUoUU=U8BUUUZUUرnUBUU$.UU0U(U1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!DBD::mysql::st0:00A - Piano, Vocal & Guitar Chords(Right-Hand Melody)!CUg#!iUh?rU !(:`Uh?rU !yUg#a]U~<U+@ULUX#,\U]U ![]g#gUxgU!2020-09-22 11:15:13U!0g#g#BU!0000-00-00 00:00:00!0g#g#U#U!8.44g##U!0g#g##U!0g#g#0 $U!0g#g#8u$U!g#g#$U!g#g#*U10g#g#0!6NUE[U1SHOW FULL COLUMNS FROM SimilarScores!HASHCU1SHOW FULL COLUMNS FROM LibraryText!0000-00-00 00:00:00!g#g# !0g#g#`10g#g#p)U0qThis works well as a concert piece or just for fun! I have added an optional piano part.!0g#P"U !g#mDU !2018-08-27 00:00:001SaleIDe::SaleItem::saleIdRU["97925","153950","144889","144978","144930","141730","182192","48396","30208","144939","141783","172101","182249","129640","141784","182182","121802","115026","182251"]nd!0g#$mU0oU!0g#g#!0000-00-00 00:00:0010000-00-00 00:00:008fXU0!0g#@"U !0000-00-00 00:00:00!0000-00-00 00:00:00!761#g# !0.00g# !stephenandrewrawle!HASHP&MU !UQL!ADAP3::SQLchange.com;]U0mUZUmUHYUfUHxU gKUcU(eUEWU0nMUXgU.mUz@UHlU8V^U0mU-mU oU0lUcUlUfUp4xU(gXUJWUmoU7]UdUh^U@[UOnU\UxU0YU hUeXU@xU oU,mUȘmUnU`AeUHQUh oU_ZUxmUjhUlU yUPZUOeUzUP\Uh2mU mU@gUnU\[UlU;xU0hUXyUcU7]UPloU0hUx=U(c[U_UX/U@oZUcUdU|\UHQnU05xUoreexcha!210#g#quintet-!297#g#.html"},!0g#g#stItem"}!1g#g#iv> !650x919g#d="more-!0g#g#collapse!1g#g#ith --> !3.00g#v> at!2023-05-07 02:17:19RICE!2023-05-07 02:17:25Show more parts !SubTitle::SubTitle!|U !-valuesg#QPUc[U\U!1.50`ˏUeWebKit/!0000-00-00 00:00:00ompa10g#g#laudebot@anthrop0aUp.yU&,U!'g#g#@!,g#g#!'g#g# ПNU H>U9URU9UP8UOUP@SU`9U9UNU"UpʋUMUpSUNUNUJUHPU9URU9SUHSUh[QU`OUKU(MUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Unt" type1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!TextibraryText::Textoma9U YUMťU1SHOW FULL COLUMNS FROM LibraryText1 g#g)U&Y#01HASH5^USentesU0!0000-00-00 00:00:00Zadok the Priest for School Wind Band George Frideric Handel arranged by David Burndrett David Burndrett This works well as a concert piece or just for fun! I have added an optional piano part.A/usr/local/share/perl5/Text/Unidecode/x20.pmrette-bluesAG@U!Text/Unidecode/x20.pm!HASHDU/perl5/T!HASHg#ol Wind ! 5MU0MU!0000-00-00 00:00:00FROM!0g#g#ET_ATON(!0g#g# LIMIT 1!0g#g#KHTML, l!56g#g#laudeBot!46g#g# 1SE_LibraryText_desc_table01Opus 51, The March Of The Optimists.U!55g#g# !0.00%/U!0000-00-00 00:00:00GLOB!0000-00-00 00:00:00!0g#g#ores/zad!0g#g#-wind-ba!0000-00-00 00:00:00QXJ@UWC) (eval 310)me three)-and-mlPAObConIII.PrestoAndMinuet OrPublishcopy 4 copy.sib button type='button' class="btn btn-link preview-part" data-part-id="818819"> Horn 2 in Fon' class="btn btn-link preview-part" data-part-id="3360"> Percussion-xs"> Violin II/span> Horn in F
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    You are purchasing a this music. Be sure to purchase the number of copies that you require, as the number of prints allowed is restricted. This score preview only shows the first page. There are 2 pages available to print when you buy this score. ctivationReminderSent`Q(HRUuoUQQURW%":&;?<> .@\+/=#\"'{|},"; (from PinoccQUQU9U8QU9UQUCUCU{>U9UQU"UpʋUXQUQUQUQUJUQU{>U(CU@QUPQUCUCUPCU0UJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!1g#p@U12012-05-29 20:50:500[ { "Desc" : "Click here for free stuff and trumpet advice.", "Url" : "http://timcurd.wix.com/timcurd-brass#!links/c241j", "Text" : "My Web Links" } ] 1554#UtAttemptedTTEXT0!DefaultPartPrice!Catherine g# !0000-00-00 00:00:00QUU=U10g#bU2SK01Icibas G Faur SullyPrudhomme0!DBD::mysql::st"U197BF2440-01B5-11EB-9C81-BD10035D63B0!NAMEhg#"U8}ZUfUxGeUMgU8TPUxwU"UA/usr/www/resources/ADAP3/ModPerl/GenericHandler.pm!0g#@U10000-00-00 00:00:000!g#&eU !1g#g# !g#g# !QUȽPU;RUTPUSUPUMU OUOUp!NU87RU` MU`RUXOU,NUYLUQUNRUKU0PUXbKUrQU$NUЩ0UX`8UOU!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00st c!0g#g#above th!0g#g#div clasqWhen You Wish Upon A Star (from Pinocchio) Easy Piano Cliff Edwards, Leigh Harline, Ned Washington
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Kesselmann for g!3.49g#@A["256093","257883","262597","263540","277809"]12020-07-14 10:19:380x UUUEVUUUV]UUUUUUUUUUUUxUUU(U0UUqUHUUعU`UUpTUUxUUxUUUxoTUUUUkUUUqTUnUUUUUUU UUU UUxU8 UU>UP UUUh UUxUUU UUx~U UUhU UUU UU(ݻU UUUUx]U UUU!UUU(!UUU@!UUeUX!UUUp!UUU!UUHL]U!UUhO]U!UUrTUU!UUUUlU!UUxoU"UUU"UUؕU0"UUxUH"UUUUxFaU`"UUHaUx"UUU"UUXU"UUx%U"UU U"UU U"UUHUUU#UU@qTUukU #UUUUH3kU8#UUpTU^UP#UU8UU^Uh#UUU#UUhpTUU#UU)U#UU)U#UU)U#UUPsTUhU#UU2!U$UUUU86(U($UUqTUhU@$UUUX$UUsTU8Up$UU(U$UUxU$UUqTUU$UUHUQU<UIPU(UP?UrTUxY'UCUHVU'-U.U?U`rTUH&U?UU?UtTU]U@hUXCU?UDUh?UDUXhUHoTUXgUphUHUhUUhUh}TUhUhvTUط~UЉhUwTUU%UUU)U('UUh^UXTUpTUGUUU|TUTU'UUGU%UU`U@'UUXQ]UX'UUHR]Up'UUU]U'UUHU'UUpwTUhU'UU.U'UUxTU'UUgU(UUU]U(UU8.U0(UUyTUȆUH(UU(}TUU`(UU&*Ux(UUzU(UUXY]U(UUZ]U(UUȵU(UU8u6U(UUx U)UUEVU )UUV]U8)UUUP)UUUh)UUU)UUxU)UU(U)UUqU)UUعUTUzTUUTUxUTUyTUU0TUkUHTUH{TUnU`TUUxTUUTUUTUxUTU>U؝TUUTUxTUUTUx~U TUhU8TUUPTU(ݻUhTU`xTUx]UTUUTUUTUUȞTUeUTUUTUUTUHL]U(TUhO]U@TU}TUUXTU0xTUlUpTUxoUTUUTUؕUTUxUПTUPyTUxFaUTUHaUTUUTUXU0TUx%UHTU U`TU UxTUwTUUTUx{TUukUTUwTUH3kUTUzTU^UؠTUxTU^UTUUTUzTUU TU)U8TU)UPTU)UhTU}TUhUTU2!UTUxTU86(UTU`TU!0g#g# TU!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!15864g#oTU!0g#g#!0g#g#rTU!0.00g#!34.95g#pTU!27.00g#rTU!0g#g#`UU!g#g#qTU!0.00g#8pTU["72471","79936","484519","1165","479325","108134","484577","406856","63419","424011","51839","485438","539708","121628","126121","527819","27246","121610","110312","366956"]12020-09-12 17:54:45UqTU0AConcerto for Oboe has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. This concerto is also arranged as a soprano saxophone concerto.U!1g#g#!1g#g#!1g#g#!0g#g#{ "GroupOrd" : "470", "StoreGroupOrd" : "260", "StoreGroupID" : "2925", "GroupID" : "21294" } ? !0.0000g#!2013-05-21 07:00:17QConcerto for Oboe II Adagio Reflection for Solo Oboe and OrchestrartsR!0g#g#!0g#g#!13g#g#!2013-04-26 01:27:30!0g#g#!0g#g#Concerto for Oboe, II. Adagio Reflection, for Solo Oboe and Orchestra Sabra Lindgren Lindgren Music Publishing Concerto for Oboe has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. This concerto is also arranged as a soprano saxophone concerto.U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#XqTUvTUPvTU0oTUpTUrTU0rTUvTUsTUuTUHrTUqTU0UUvTUuTU(qTUtTUh`XUUUUUtTU8vTUxuTUptTUuTUPpTUvTUsTU sTUuTUsTUtTUqTUpTUvTU8sTU`uTU UUoTUsTU@tTUsTUrTU0uTUoTUuTUpqTUpTU pTUxrTU vTUuTU`UUXwTUUUqTUUUUU8pTUsTUUUrTUPUUUU`oTUuTUvTUHuTUvTUtTUpTUtTUXtTUhUU(tTUoTUoTUhsTUTU!1g#g#TU!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x839g#!0g#g#!0g#g#!5.00g#!2023-04-27 22:03:56!2023-04-27 22:08:59!4645726g#!8617302g#!0000-00-00 00:00:00!0000-00-00 00:00:00 38ip8@PX/0ghghjpMP'(TUUUTUPTUDpTU`TUDTUpTUDU28TU&UU&UUPdUD@]dU`dUD0vdUTU dUDudU$KUDPfU$KUD0fU*KUD\xUdUpdUDPvdU0dUDudU@dUDudU#1U  PdU=UD0OUГTUD@TUTUD{dUTUD0{dUTUDP{dUTUDp{dU TUD{dU0TUD{dU@TUD`|dUPTUD|dU`TUD|dUpTUD|dUTUD}dUTUD }dUTUD@}dUTUD`}dUTUD~dUДTUD~dUTUD~dUTUD{dUTUD{dUTUDdU TUD dU0TUD@dU@TUD`dUPTUDdU`TUDdUpTUDdUTUDdUTUDdUTUD dUTUD@dUTUD|dUЕTUD0|dUTUD}dUTUD}dUTUD}dUTUDpdU TUD dU0TUD dU@TUD dUPTUD@ dU`TUD` dUpTUD dUTUD dUTUD dUUTUD dUTUD dUTUD dUЖTUD dUTUD dUTUD dUUTUD@ dUTUD0dU TUDPdU0TUDpdU@TUDdUPTUDdU`TUDdUpTUDdUTUDdUTUD0dUTUDTUTUDTUTUD}dUЗTUD~dUTUD ~dUTUD@~dUTUD`~dUTU TUD`dU0TUDdU@TUPTU`TUpTUTUTUDdUTUDdUTUDdUTUDdUИTUDdUTUDdUTUDdUTUD dUQwTU!0g#g#0dU1157092g#0dU01Wind Quintet No. 1 in F, Allegro giusto!0g#g#9U!4g#g#x+MU!1g#g#!2011-06-12 10:52:30U!2024-03-09 16:47:53U!g#8g#X1dU!2010g#1dU!0g#g#0dU13g#g#0!sib#g#:?U!696#g#(QU!0g#g#HRU!g#g# NU!0000-00-00 00:00:00U!0g#g#phQU!1163g#0NU!0g#g#/?U!1.50g#2dU!2011-05-08 16:42:29U!0g#g#x2dUWind Quintet No. 1 in F has four movements: Andante, Allegretto and Largo, Adagio, and Allegro giusto. It is my first composition for strictly wind instruments.!Sabra Lindgren !3.00DJU !165043g#zTU!2017-06-09 17:10:17U!0000-00-00 00:00:00U!g#g#PyTU!12366g#@zTU!0g#g#xTU!0g#g#wTU10.00g#yTU0AConcerto for Oboe has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. This concerto is also arranged as a soprano saxophone concerto.!9.95g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!36.95g#zTU!27.00g#!0g#g#|TU!g#g#!0.00g#@zTU["72471","79936","484519","1165","479325","108134","484577","406856","63419","424011","51839","485438","539708","121628","126121","527819","27246","121610","110312","366956"]yTU!2020-09-12 17:44:06U!0g#g#!0000-00-00 00:00:00U!g#g#10g#g#yTU |TU0AConcerto for Oboe has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. This concerto is also arranged as a soprano saxophone concerto.!1g#g#!1g#g#!1g#g#!0g#g#{ "GroupOrd" : "460", "StoreGroupOrd" : "80", "StoreGroupID" : "2925", "GroupID" : "21294" } !0.0000g#!2011-10-08 23:53:52!0g#g#!0g#g#!25g#g#!2013-04-16 23:17:17!0g#g#!0g#g#Concerto for Oboe, I. Andante, for Solo Oboe with Orchestra Sabra Lindgren Lindgren Music Publishing Concerto for Oboe has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. This concerto is also arranged as a soprano saxophone concerto.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#{TU%dU$dUhyTU0{TU8|TUh|TU$dU~TUh$dU|TU{TUwTU(%dUP$dU`{TU#dU`XUyTUxxTU~TU$dU $dU~TU$dUzTUX%dU@}TUX}TU$dU}TU~TU{TU{TUp%dUp}TU$dUxTUzTU0~TUx~TU~TU|TU#dU(zTU#dU{TU@zTUXzTU|TU$dU8$dUwTU&dU yTU|TUxTU8yTUpzTU}TUHxTUP|TUxTU(wTUyTU#dU%dU#dU@%dU~TUzTUH~TU~TUxTU`~TUyTUyTU}TUp dU!0g#Xg#TU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-27 22:09:00!2023-04-27 22:09:40!3712126g#!3343861g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q%dU!0g#8g#HeU!6g#g#eU!1.50g#eU12011-10-08 00:00:540!sib#g#p8NU!696#g#NU!0g#g#Q>UAVln Con No. 3 in D Orch II. Final Publish .siba>U!2011-10-08 00:00:48U!0g#g#S U!986#g#P0U!0g#g#8\U!1g#g#eU!0g#g#eU!144090g#heUI wrote this concerto not to "push the envelope", but to break into (learn) composition. It is one of my first large compositions and is influenced by my background playing folk guitar and listening to lots of Mozart. It is numbered No. 3 because I delayed my decision to publish it. Violin Concerto No.1, composed earlier this year (2009), is my latest concerto.!1g#g#!1g#g#11g#g#"U0!2017-06-09 17:10:17U10000-00-00 00:00:00`&dU0qViolin Concerto No. 3 in D for Solo Violin and Orchestra, III. Allegro Giocoso a"Up!2.00g#`>U!2011-06-10 14:12:57U!0g#g#>U!0g#g#>U!157090g#>U!0g#g#>U!2017-06-09 17:10:17U10000-00-00 00:00:00U0!0g#(g#TU!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!g#g#`>U!7278g#!0g#g#H>U!0g#g#!0.00g#>U!8.00g#`>U!16.00g#gU!8.00g#X>U!0g#g#>U!g#g#(>U!0.00g#>UQ>U!2010g#uantityS!0g#g#>U!5g#g# Wind Quintet No. 1 in F has four movements: Andante, Allegretto and Largo, Adagio, and Allegro giusto. It is my first composition for strictly wind instruments.865693!0g#g#der"> `U1UU8274618!331463g# UU!0000-00-00 00:00:00U10000-00-00 00:00:00/CU0!A Hard Day's NightU!62g#g#h#rU!0g#g#rU!3g#g#UU!2g#g#YrU!2016-09-20 00:00:00U!2024-04-04 00:00:00U!g#8g#paeU!g#g#HNnU!0g#g# oU10g#g#0!g#g#pOrU!0g#g#8#rU!0g#g#HrU!g#g#rU!2016-09-20 00:00:00U!0g#g#(6sU!4g#g#؞sU!2g#g#tU!1.50g#-U!0000-00-00 00:00:00U!0g#g#EeU!0g#g#uZU!0g#g#ihU!g#g#0U!0g#g# oU!0g#g#U!0g#g# !0g#g# UU!g#g#!8.44g#!0g#g#!0g#g#^U!0g#g#177139!g#g# !g#g#!0g#g#p^U!Solo Guitar#GU!g#g#175303!g#g#!g#g# *pU!486585g#!0g#g#(lU!0g#g#!0.00g#_U!0.00g#hhU!0.00g#U!1g#g#LU!1g#g#xU!0g#g# ^U!0g#g#tZU!1g#g#PnU!73039g#qThe Beatles, John Lennon, Paul McCartney, The Beatles, John Lennon, Paul McCartneyUoUp!1.50g#p!0000-00-00 00:00:00!0g#g#pkU!0g#g#cU!0g#g#171615!g#g#1&Y#!0g#g# !g#g# !~Ug# You (I !2015-01-14 00:00:0012022-07-26 00:00:000Qwoodwind quintet in F 1st movement joe cea Cea Productions A hU UU 18.218.38.125@1ID:Part::IDIDdDate0X>UU ?U>UukU ?U(>UH3kU ?Up>U^U ?UH>U^U ?UU8 ?U(>UUP ?U)Uh ?U)U ?U)U ?U>UhU ?U2!U ?U>U86(U ?U`>UhU ?UU ?UX>U8U( ?U(U@ ?UxUX ?U>UUp ?UHU=U<UCU(UCUP>UxY'U.RUHVUO8U.UFPU >UH&UCUU0CU UU]UhUXCUXCUDUCUDUhU>UXgU hUHU8hUUPhUh}TUhhU UUط~UhU>UGUCUGU`?UU)U?Uh UUUx?U UUTU?UȀXUPUU`U?UXQ]U?UHR]U(?UU]U@?UHUX?U UUhUp?U.U?UxTU?UgU?UU]U?U8.U?U UUȆU?UhUUU?U&*U0?UzUH?UXY]U`?UZ]Ux?UȵU?U8u6U?Ux U?UEVU?UV]U?UU?UU ?UU8?UxUP?U(Uh?UqU?UعU?UUUU?UxU?UUUU?UkU?UUUnU?UU(?UU@?UUX?UxUp?U>U?UU?U@UUU?Ux~U?UhU?UU?U(ݻU?UUUx]U0?UUH?UU`?UUx?UeU?UU?UU?UHL]U?UhO]U?UPUUU?UpUUlU ?UxoU8?UUP?UؕUh?UxU?UUUxFaU?UHaU?UU?UXU?Ux%U?U U?U U(?UUUU@?UUUukUX?U UUH3kUp?U(UU^U?UUU^U?UU?UUUU?U)U?U)U?U)U?UUUhU0?U2!UH?UUU86(U`?UUUhUx?UU?UUU8U?U(UUUxU UU`UUU8UUHU@CU<UhCU(UCUUUxY'UNUHVUNU.UNUUUH&UCUUCUHUU]UhUXCU،CUDUCUDUhUUUXgUȈhUHUhUUhUh}TUhUUUط~U(hUUUU@UUU)UUU8 _U$UUXUUGU?UrTUTUUUGU(UU`UUUXQ]UUUHR]UUUU]UUUHU UUUUhU8UU.UPUUxTUhUUgUUUU]UUU8.UUUoTUȆUUUrTUUUU&*UUUzUUUXY]U(UUZ]U@UUȵUXUU8u6UpUUdefScor?UUU@DUD+UUPDUD+UU`DUD6UU@UUH?U`jUDp+fUPL]UUPkUDjUkUDPjUkUDpjUkUDjU"1U p8UUEiU20UU?U?UPTUDdU`TUDTUUU TUD`TU`UD^UpKUDYUKUDYUTUpTUDTU0TUDTU@TUDTU#1U  TU=UD8UUpDUDdUDUD`dUDUDdUDUDdUDUDdUDUDdUDUDdUDUD=UUDUD>UUDUD >UUDUD@>UU DUDxdU0DUD0xdU@DUDPxdUPDUDpxdU`DUDP=UUpDUDp=UUDUD=UUDUD=UUDUDydUDUDydUDUD9UUDUD09UUDUD0TUDUDPTUDUDpTUDUDTU DUDTU0DUDTU@DUDTUPDUDTU`DUDxdUpDUDxdUDUDxdUDUDxdUDUDydUDUD@TUDUDTUDUDTUDUDTUDUDTUDUDTUDUDTU DUDTU0DUDTUU@DUDTUPDUD0TU`DUDPTUpDUDpTUDUDTUDUDTUUDUDЅTUDUDTUDUDTUDUDTUDUDTUDUDTUDUD TUDUD@TU DUD`TU0DUDTU@DUD0ydUPDUDPydU`DUDpydUpDUD0TUDUDPTUDUDpTUDUDTUDUDUDTUDUDЀTUDUDUDUDU DU0DUDTU@DUDTUPDUD0TU`DUDPTUpDUDTUDUDTUDUDЌTUDUDTUDUDTU$UUUUkUDjUPL]UU`jUDPjUjUDjUjUDзjUjUDjU"1U ЬTU>U2%UUxUUxUUdUDpudUTUD`dU&UUpTUDdU0KUDYU KUDYU$KUDfU@TUTUDdUTUDdUTUD dUP#1U  мTUP=UD9UUDUD9UUDUD@:UUDUD`:UUDUD:UUDUD:UUDUD:UU DUD:UU0DUD;UU@DUD;UUPDUD;UU`DUD;UUpDUD U!0.0000g#!2011-10-09 03:10:00aConcerto for Soprano Saxophone I Andante for Solo Soprano Saxophone with Orchestra!0g#g#!0g#g#!26g#g#!2013-04-25 03:27:03!0g#g#!0g#g#Concerto for Soprano Saxophone, I. Andante, for Solo Soprano Saxophone with Orchestra Sabra Lindgren Lindgren Music Publishing Concerto for Soprano Saxophone has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. This concerto is also arranged as an oboe concerto.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#UUpUUUUUUpUUxUUUUUU@UU8UUUU0UU UUUU UUUU`UU_XUHUUUU0UUUUUUUUhUUUU(UUUUUUPUU(UUUUUU@UU@UUUUUUUUPUUpUUUUXUU8UUUUhUUxUUUUUUUUUUUUUU(UUUU`UUHUUXUUxUUUUUUUUUUUU UUUUUUXUUUUUUUUUUUUUU0UUUUUU8UUUU!0g#g#6UU!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-27 22:03:05!2023-04-27 22:03:50!3894306g#!3517710g#!0000-00-00 00:00:00!0000-00-00 00:00:00QUU1RequiresConversiononversionU0!95729g#!7.95g#`UU10g#g#0UU0!g#URU !95728g#LUX#QConcerto for Oboe I Andante for Solo Oboe with OrchestrawTUQConcerto for Oboe, I. Andante, for Solo Oboe with OrchestraU!35g#g#ЯPU!0g#g#(QU!4g#g#HRU!1g#g# NU!2011-10-08 23:20:08U!2022-03-18 18:26:23U!Sabra LindgrenxxTU!g#g#xTU!2010g#wTU10g#g#0!sib#g#9U!696#g#x+MU!0g#g#p8NU1ConforObI.AndanteOrPublish copy 7.sib!2011-10-08 23:20:08U!0g#g#:?U!1515g#a>U!0g#g#9U!7g#Xg#XU!1.508g#LU!2011-10-08 23:20:12U!1g#g#%[U10g#g#0!Sabra LindgrenUU!g#g#PUU!2010g#`UU10g#g#0!sib#g#?!696#g#>U!0g#g#>UQConforOboII.AdagioRefOr Publishcopy 9 copy.sib?Pk=U>UU _oUDPoUhUD`U\U$UDTU0=UD@nGUY'Uy^UD ~cU0UUDQU-UmUU r UUU@t^UD DUPbUD0vU?UU`^oUDU`UnU@|UUDUU@UoUD@\U@UUUZUU\UfUycU@UUЕeU^U0vU`7hUDiUhUDDEU xUh^UDpU [UUNUDIU\hUPnUkUDdxUCU]UAUUgU^@U_Up]UDp@U/UDzU*yUFU@ xUDlUcUD >ZUBUUfEUDU0]UD0DUHU @TUBvU @`GUy^UDРcUpWUD nUdUDU\UxUD 0xU`CUUxCUU0bULUD_gU]<UUhUhPmU@Us UU?U0A9U_UyUDhGU mUDPUvU UDUU"f EU\UUDUXU @>UH~U0UU ݪUΌU UDIUMUD\U`܄UPu^UDdU UD U0gUD{DUPUD`wUU`UD0ܤUUD@UU UUDpDZUUDzUxUDBZUFUU_zUD0$zUpd/UD0 EUvU oUbU@aUD@dU8GUU_=UOUDoGUnUD`iGU+gUDpDU[UD0iUkRUD=_UvU -UU @pU~=U@DiUv0UIUD0R:U[UD!oU0[eUD0"U lUZUD0gU`CUDJU@8YUD ОwU@rFUDUEVU0JUPU @TUhbUmUDUYeU(y>UeU踩U @UU  PNUD<UjQU6yUbyUDAUҊUDU,gUDJUgUDPmU3hUDmGUPZeUDPgoU`UD GJUJUUUxTZUpyUJXU >U NU U ]UDegUhUD0xU6UDKEUkgUDCUUDJ@UPgUDDU0X/UDVKUgUD0nURNUDChUgUDЍU@NU0>U UDP5UxUpUU`^*UD02UPUU@U^UD {mUU2`UD@>ZU[UDgU`NUDYU)yUyUdUD`xUWUDȏUPSoUVUD`U0QUDUNOUDP:UslUࡅU^UDChU@vU GYUyUUmU@hUD-@U(NUU(yUJUDcUVUDt7UNUU!0g#g#XjU11g#g#(jU0!35g#g# AConcerto for Orchestra I. Allegro non troppoP0U!35g#g#8\U!0g#g#!4g#g#S U!1g#g#P0U!2012-07-27 04:14:18U!2024-03-09 17:25:05U!Sabra Lindgren^UU!g#g#h^UU!2010g#x]UU10g#g#0!sib#g#XU!696#g#LU!0g#g#P[UA Conc for Orchestra I.FinalPubcopy 17 copy.sibXCU!2012-07-27 04:14:18U!0g#g#8CU!1553g#Q=U!0g#g#؏gU!8g#xg#hU!2.00Xg#ЏhU!2012-07-27 04:14:21U!1g#g#8CU!0g#g#8?U10g#g#P&UUh&UU0!2012-05-18 16:46:04U!1g#g#p'fU!0g#g#0(fU!0g#g#'fU!2017-06-09 17:10:17U!0000-00-00 00:00:00U!g#g#&fU111518g#PUUU0Symphony No. 4 for Strings, Percussion, and Keyboard has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin parts. Please refer to further program notes mentioned on Movement III.!9.95g#!0g#g#!0g#g#!0g#g#U kUU kUxU kU(U kUqU kUعU kU(VUUU kUxU( kUH(fUU@ kUkUX kUVUUnUp kUU kUU kUU kUxU kU>U kUUkU&fUUkUx~U0kUhUHkUU`kU(ݻUxkU&fUx]UkUUkUUkUUkUeUkUUkUU kUHL]U8kUhO]UPkUhXUUUhkU&fUlUkUxoUkUUkUؕUkUxUkU'fUxFaUkUHaUkUU(kUXU@kUx%UXkU UpkU UkUh&fUUkUVUUukUkU8&fUH3kUkU@VUU^UkUX'fU^UkUUkUUUUU0kU)UHkU)U`kU)UxkUXUUhUkU2!UkU('fU86(UkU0WUUhUkUUkU(YUU8UkU(U kUxU8kUxWUUUPkUHUjU<U(jU(UȓjU XUUxY'U/?UHVU:?U.U:?UWUUH&UXjUUpjU`ZUU]U0%UUXCUjUDU@jUDUH%UU(fUXgU`%UUHUx%UUUpTUh}TUTU[UUط~UTU]UUUjUU)UjUfU jUpVUUGU8 kUpbUUTUjUGUxjU`UjUXQ]U(jUHR]U@jUU]UXjUHUpjU]UUhUjU.UjUxTUjUgUкjUU]UjU8.UjUp_UUȆUjUbUUU0jU&*UHjUzU`jUXY]UxjUZ]UjUȵUjU8u6UjUx UػjUEVUjUV]UjUU jUU8jUUPjUxUhjU(UjUqUjUعUjU``UUUȼjUxUjU@_UUUjUkUjU`UUnU(jUU@jUUXjUUpjUxUjU>UjUUjU]UUUнjUx~UjUhUjUUjU(ݻU0jU]UUx]UHjUU`jUUxjUUjUeUjUUjUUؾjUHL]UjUhO]UjUbUUU jU]UUlU8jUxoUPjUUhjUؕUjUxUjU^UUxFaUjUHaUȿjUUjUXUjUx%UjU U(jU U@jU`]UUUXjUaUUukUpjU0]UUH3kUjUx`UU^UjUP^UU^UjUUjU0`UUUjU)UjU)UjU)U0jUcUUhUHjU2!U`jU ^UU86(UxjUhaUUhUjUUjU`cUU8UjU(UjU?qCopyright © 2012. All rights reserved. Lindgren Publishing scoreexchange.com sabralindgren@yahoo.@com!g#g#["484519","72471","79936","479325","1165","108134","63419","484577","406856","51839","424011","121628","485438","527819","126121","27246","10647","121610","110312","92176"]UhXUU!2020-08-31 08:29:02U!0g#g#`WUU!0000-00-00 00:00:00U!g#g#p'fU!0g#g#0(fU!0g#g#XUU!0g#g#!0g#g#XUU!1g#g#1650x919g#PUUUxWUU0Symphony No. 4 for Strings, Percussion, and Keyboard has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin parts. Please refer to further program notes mentioned on Movement III.!0g#g#!0g#g#!1g#g#!0g#g#!g#g#!0.0000g#!2012-05-18 16:48:43QSymphony No 4 for Strings Percussion and Keyboard IV Allegro rondo !0g#g#!0g#g#!28g#g#!2013-04-17 12:02:31!0g#g#?!0g#g#`UUSymphony No. 4 for Strings, Percussion, and Keyboard IV. Allegro rondo Sabra Lindgren Lindgren Music Publishing Symphony No. 4 for Strings, Percussion, and Keyboard has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin parts. Please refer to further program notes mentioned on Movement III.UU UU!0g#g#!0g#g# !0g#g#!0g#g#hUU!0000-00-00 00:00:00!g#g# !0g#g#!0g#g#UU!0g#g# !0g#g# !0g#g#!0.00g#UU!32.45g# !22.50g# !0g#g#!g#g#@UU!0.00g# !0g#g#ores WHE!4g#g#LUX#!1g#g#!2013-03-08 01:48:40U!2022-03-19 03:16:46U!0g#8g#jU!7g#g#jU!1.50g# jU12013-03-08 01:48:430!sib#g#Q=U!696#g#(U!0g#g#YUaSymphony No. 4 for Strings, Percussion, and Keyboard II. Andante Publish copy 6.sibU!2013-03-08 01:48:40U!0g#g#8CU!1126g#Q=U!0g#g#YU!1g#g#HjU!0g#g#jU!0g#g#jU!30g#Xg#jU!2013-04-16 16:39:35U!0g#g#jU!0g#g# jU12017-06-09 17:10:17U0!Sabra Lindgren!g#g#12012g#0Concerto for Orchestra has five movements: I. Allegro non troppo, II. Adagio, III. Andante, IV. Largo, and V. Allegro Finale. Suggested fingerings are written in the violin scores.!0g#g#x]UU10g#g#_UU0Concerto for Orchestra has five movements: I. Allegro non troppo, II. Adagio, III. Andante, IV. Largo, and V. Allegro Finale. Suggested fingerings are written in the violin scores.!10.00g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#Copyright © 2010 by Sabra Lindgren. All rights reserved. Lindgren Publishing sibeliusmusic.com sabralindgren@yahoo.comUUU!g#g#!g#g#_UU!4787g#!0g#g#bUU!0g#g#!14.00g#_UU!14.00g#bUU!60.00g#x]UU!0g#g#aUU!g#g#`UU!0.00g#h^UU["484519","72471","79936","1165","479325","108134","63419","484577","51839","406856","121628","424011","485438","527819","27246","126121","10647","110312","106044","366956"]_UUaUU!1g#g#wUU!0g#g#!g#g#!0.0000g#!2012-07-27 04:17:45AConcerto for Orchestra I Allegro non troppo !0g#g#!0g#g#!22g#g#!2013-04-15 09:48:39!0g#g#!0g#g#!Concerto for Orchestra I. Allegro non troppo Sabra Lindgren Lindgren Music Publishing Concerto for Orchestra has five movements: I. Allegro non troppo, II. Adagio, III. Andante, IV. Largo, and V. Allegro Finale. Suggested fingerings are written in the violin scores.ةUU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g# aUU0jUjU^UU`UUaUUaUU@jUcUUjUbUUaUUH]UUjUjU`UUdUUbXU^UU^UUdUUpjUjU8dUU(jU`UUjUbUUbUUjUxcUUPdUUPaUU`UUjUcUUjU8^UU_UUcUUdUUcUUbUUdUU_UUdUU8aUU_UU_UU@bUUXjUjUx]UUjU^UUaUU]UU^UU`UUHcUU]UUaUUh^UU\UU(_UUdUUjUjUjUhdUUH`UUcUU dUU^UUcUUX_UU_UU0cUU!2020-08-29 02:55:39U!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#PUU!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-24 21:38:52!2023-04-24 21:40:24!8731587g#!7905598g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0000-00-00 00:00:00U!g#g#!975315g#0jU!0g#g#!0g#g#xjU!0.00g#HjU!32.45g# jU!22.50g#@jU!0g#g#jU!g#g#jU!0.00g#jU1UU11140!65101g#aLament in D minor is a raw song of deep grief. It was born of real experience.ASymphony No. 4 for Strings, Percussion, and Keyboard II. Andante Sabra Lindgren Lindgren Music Publishing Symphony No. 4 fro Strings, Percussion, and Keyboard has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin parts.U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#jUhjUjUjUhjUpjUjUxjU8jU0jUjU(jUjUjUjUjUXjUbXU@jUjU(jUjUjUjU`jUjU jUxjUjUHjU jUjUjU8jU8jUjUjUjUHjUhjUjUPjU0jUjU`jUpjUjUxjUjUjUjUjU jUjUXjU@jUPjUpjUjUjUjUjUjU`jUjUjUPjUjUjUjUjUjUjU(jUjUjU0jUjUUU["72471","79936","484519","479325","1165","108134","484577","406856","63419","424011","51839","485438","121628","126121","527819","539708","27246","121610","366956","10647"]΋UU!2020-09-11 01:44:21!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-23 01:51:29!2023-04-23 01:52:14!4233833g#!3851801g#!0000-00-00 00:00:00!0000-00-00 00:00:00QjU!2017-06-09 17:10:17U10000-00-00 00:00:00UU0!35g#g#j"U!0g#g#g#!4g#g#h[U!1g#g#&[U!2012-12-07 21:36:13U!2022-03-18 19:54:56U!20098g#PUU!0g#g#UU!8g#g#UU11.50g#0!sib#g#%[U!696#g#XCU!0g#g#0j"U1The Prairie, Publish copy 7.sib8CU!2012-12-07 21:36:13U!0g#g#H[U!1637g#hU!0g#g#=U!2012-12-07 23:56:01U!1g#g#UU!0g#g#pUU!0g#g#(UU!25g#8g#UU!2013-04-15 08:59:16U!0g#g#UU10g#g#ТUU0!Sabra Lindgren"U!g#g# I lived over two decades on a ranch in Montana and had many experiences observing the full night sky away from the city lights. These experiences, along with other Montana and Northwest experiences on the prairies, in the mountains, and along the rivers, inspired the programatic Symphony No.3, The Big Sky Symphony. There are four movements: Big Sky at Night, The Prairie, The Mountains, and The River. Suggested fingerings are written in some scores. !9.95g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#Copyright © 2009 by Sabra Lindgren. All rights reserved. Lindgren Publishing. sabralindgren@yahoo.comUUUU!g#g#!0000-00-00 00:00:00U!g#g#!1978g#UU!0g#g#!0g#g#jU!0.00g#UU!57.95g#XjU!48.00g#UU!0g#g#jU!g#g#HjU!0.00g#jUQUU!115999g#ores WHEAThe Prairie, Symphony No. 3, "The Big Sky Symphony"I lived over two decades on a ranch in Montana and had many experiences observing the full night sky away from the city lights. These experiences, along with other Montana and Northwest experiences on the prairies, in the mountains, and along the rivers, inspired the programatic Symphony No.3, The Big Sky Symphony. There are four movements: Big Sky at Night, The Prairie, The Mountains, and The River. Suggested fingerings are written in some scores.cor!0g#g#UjUxUjU>UjUU0jUpjUUHjUx~U`jUhUxjUUjU(ݻUjUjUx]UjUUjUUjUUjUeU jUU8jUUPjUHL]UhjUhO]UjUUUUjUjUlUjUxoUjUUjUؕUjUxUjUjUxFaU(jUHaU@jUUXjUXUpjUx%UjU UjU UjU@jUUjUUUukUjUjUH3kUjUXjU^UjU0jU^U0jUUHjUjUU`jU)UxjU)UjU)UjU(UUhUjU2!UjUjU86(UjUxUUhUjUU jUpUU8U8jU(UPjUxUhjUUUUjUHU`b,U<U9U(UjUhUUxY'UjUHVUPtEU.UjU8UUH&UjUU0jUUU]U>dUXCUXjUDUjUDU>dUjUXgU>dUHU>dUU`eUh}TUxeU@UUط~UeU`UUUUUU)UUUmUUUUUGUhjUUUTUиUUGUhUU`UUUXQ]UUUHR]U0UUU]UHUUHU`UUHUUhUxUU.UUUxTUUUgUUUU]UعUU8.UUUUUȆUUUUUU UU&*U8UUzUPUUXY]UhUUZ]UUUȵUUU8u6UUUx UȺUUEVUUUV]UUUUUUU(UUU@UUxUXUU(UpUUqUUUعUUUUUUUUxUлUUUUUUUkUUU UUnUUUU0UUUHUUU`UUxUxUU>UUUUUUؠUUUUUx~UؼUUhUUUUUU(ݻU UU8UUx]U8UUUPUUUhUUUUUeUUUUUUUȽUUHL]UUUhO]UUUUUUUUUUlU(UUxoU@UUUXUUؕUpUUxUUU(UUxFaUUUHaUUUUоUUXUUUx%UUU UUU U0UUUUUHUUPUUukU`UUxUUH3kUxUUUU^UUUUU^UUUUUUxUUUؿUU)UUU)UUU)U UU`UUhU8UU2!UPUUhUU86(UhUUUUhUUUUUUUU8UUU(UUUxUUUUUUUUHUS U<U(U(UjUUUxY'U@jUHVUXU.UjUpUUH&UjUU(jUUU]UeUXCUPjUDUjUЩUUAThe Mountains Symphony No 3 The Big Sky SymphonyartsSam!0g#g#!0g#g#!18g#g#!2013-04-13 22:03:51!0g#g#!0g#g#1The Mountains, Symphony No. 3, "The Big Sky Symphony" Sabra Lindgren Lindgren Music Publishing I lived over two decades on a ranch in Montana and had many experiences observing the full night sky away from the city lights. These experiences, along with other Montana and Northwest experiences on the prairies, in the mountains, and along the rivers, inspired the programatic Symphony No.3, The Big Sky Symphony. There are four movements: Big Sky at Night, The Prairie, The Mountains, and The River. Suggested fingerings are written in some scores. !0g#g#!1g#g#!0g#g#!0g#g#!2017-03-31 14:26:18A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":225,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"A58D086A-1615-11E7-997E-F30C3ACE85DC","position-x-pc":"0"}UUU!0g#g#!3648g#!2736g#0UUПUU(UUjUЙUUؚUUUUUUUUUU UUUU(jUXUUUUUUUU0bXUxjUjUUUUUPUUHUUȞUUjUUUUUUUUUUU`UU`UUUUUUUU8UUjUjUМUUUUUUUUUUjU؝UUHUUjUjUPUUUUhUUXjU0UUjUUUjUjUjUXUUjUUUHjUjUjUUUUU UUpUUxUU(jUUU0UU`jUUU8jUhjU@UUUU["72471","79936","540721","1165","484519","479325","108134","63419","51839","539708","485438","424011","539899","406856","539898","484577","27246","121628","126121","527819"]?!2020-09-28 17:13:07!0g#g#!2019-09-25 13:08:0412072E624-DF8D-11E9-9A5B-78!3748845g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-24 20:02:00!2023-04-24 20:02:55!6116113g#!5690778g#!0000-00-00 00:00:00!0000-00-00 00:00:00jU@UU`CiU2pUU@jUUUUD^VUUUDP,VUзUUUUD+VU `UD@FaU0 `UDFaU@cUDЄxUpUUUUDp,VUUUD+VUUUD,VU]U  UU`hUDPUUUUDpUUUUDUU UUDUU0UUDUU@UUDUUPUUDUU`UUD UUpUUDЏUUUUDUUUUDUUUUD0UUUUD`UUUUDUUUUDUUUUDUUUUDUUUUDUUUUD@UU UUD`UU0UUDUU@UUD0UUPUUDUU`UUD UUpUUD@UUUUD`UUUUDUUUUDUUUUDUUUUDUUUUD UUUUDUUUUDUUUUDUUUUDUU UUD UU0UUD@UU@UUDUUPUUDUU`UUDUUpUUDUUUUDUUUUDUUUUD UUUUD@UUUUD`UUUUUDUUUUDUUUUD`UUUUDUUUUDUU UUDUUU0UUDUU@UUDUUPUUDUU`UUD UUpUUD@UUUUD`UUUUDUUUUDUUUUDUUUUDUUUUD0UUUUDPUUUUDUUUUDUUUUDUU UUDUU0UUD UU@UUPUUD@UU`UUD`UUpUUUU@UUPUU`UUpUUDUUUUDUUUUDUUUUDUUUUDUUUUD0UUUUDPUUUUDpUUUUDUUUUXjU UDzU8{=UpnUxRU @cxUIUD FUnU@XU @0ZU_zUDKU]U pVUCiU2UUUU0gUD`zU03VUDVU0-VUD@_VUPUUUUD^VU@xUDxUMUDxUgUD!DUUU@-VUD`_VU-VUD^VU-VUD_VU ]U  %VU hUDЃUUUUD@jUUUD`jU UUDjU0UUDjU@UUDjUPUUDjU`UUDjUpUUDjUUUDjUUUDjUUUDjUUUD@jUUUD`jUUUDjUUUDjUUUD jUUUD@jUUUD`jU UUDjU0UUDjU@UUDUUPUUDjU`UUDjUpUUD jUUUD@jUUUD`jUUUDjUUUDjUUUDVUUUDVUUUD VUUUDVUUUDVUUUDVU UUD VU0UUD@VU@UUD`VUPUUDVU`UUD@"VUpUUD`"VUUUD"VUdef202 $(OP.0fhTXFHipPX^`def651!2017-06-09 17:10:17U10000-00-00 00:00:00KVU0!35g#g# aViolin Concerto No. 1 in A minor, IV. 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Moderato!0g#g#t"U!4g#g#Q=U!1g#g#g#!2011-06-12 08:54:46U!2022-03-25 02:51:18U!g#8g#LVU!2011g#LVU!0g#g#LVU19g#g#0!sib#g#!696#g#XCU!0g#g#t"U!g#g#8CU!0000-00-00 00:00:00U!0g#g#؏gU!1546g#hU!0g#g#ЏhU!1.50g#0NVU!2011-06-10 16:49:09U!0g#g#MVU!0g#g#pMVU!170519g#`NVU!g#g#LVU!4416g#LVU10g#g#NVU0!Sabra Lindgren !1.50g#UU!2015-03-20 21:20:41U!1g#g#(UU!0g#g#UU!115639g#UUALament in D minor is a raw song of deep grief.xUU11g#g#UU0!g#g#VU!g#g#!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#VU!7490g#!0g#g#UU!0g#g#VU!0.00g#xUU!4.95g#UU!3.00g#UU!0g#g#hUU!g#g#(UU!0.00g#VUQVU!2g#U !2008-04-17 00:00:00!1g#g#0"VU!1g#g#!0g#g#q{ "GroupOrd" : "0", "StoreGroupOrd" : "0", "StoreGroupID" : "2924", "GroupID" : "31316" } !0.0000g#!2015-03-20 21:23:34!Lament in D minor!0g#g#!0g#g#!4g#g#!2013-04-13 16:31:24!0g#g#!0g#g#Lament in D minor Sabra Lindgren Lindgren Music Publishing Lament in D minor is a raw song of deep grief. It was born of real experience.ScoreExchang!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g# UUVUVUUUUUUUUUVUVUVUVUUUHUUHVUpVUUUVU`bXUUUUUVUVU@VU8VUVUUUxVUVUVUVUxVUPVUPUUUUVUVU(VU8UUUUVUVUVUVUVUUUVU8UUUUUU@VUVUXVUxUU VUUUUUUUUUUUHVUUUUUhUUUU(UUVUVUVU`VUhVUHUUVU VUUUVUXUUUU0VU7*VU["361168","80649","80638","142916","138743","3292","136978","121827","70064","119396","16050","101490","101895","56919","2568","80626","68161","16747","1612"]*VU!2020-09-08 16:42:21!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x840g#!0g#g#!0g#g#!5.00g#!2023-05-02 19:36:33!2023-05-02 19:36:50!1132766g#!1838910g#!0000-00-00 00:00:00!0000-00-00 00:00:00 &(jp#(@HRXfh<@hp8@&;VU!115735g#ores WHE!2017-06-09 17:10:17U10000-00-00 00:00:00VU0QSymphony No. 4 for Strings, Percussion, and Keyboard I. Moderato8CU!35g#g#\U!0g#g#g#!4g#g#t"U!1g#g#8CU!2012-05-18 04:33:05U!2024-03-09 17:33:06U!Sabra LindgrenVU!g#g#VU!2012g#VU10g#g#0!sib#g#8CU!696#g#Q=U!0g#g#YUaSymphonyNo.4 for Strings, Percussion, and Keyboard I. Moderato Publish copy 3.sibU!2012-05-18 04:33:05U!0g#g# ?U!1161g#UU!0g#g#أTU!6g#Xg#X5dU!2.008g#?dU!2012-05-18 04:33:07U!1g#g#8GfU10g#g#"U0Violin Concerto No. 1 in A minor has four movements: I. Andante, II. Moderato, III. Adagio, and IV. Allegro giusto. Suggested fingerings are written in the violin parts. There is a piano reduction of the orchestral score.VU!1g#g# Violin Concerto No. 1 in A minor has four movements: I. Andante, II. Moderato, III. Adagio, and IV. Allegro giusto. Suggested fingerings are written in the violin parts. There is a piano reduction of the orchestral score.&AVU!8.00g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#FVU!2879g#!0g#g#VU!0g#g#FVU!12.00g#VU!4.00g# VU!12.00g#8VU!4.00g#VU!0g#g#`VU!g#g#(GVU!0.00g#Q0KVU!0g#^U !0g#g#0DVU{ "GroupOrd" : "270", "StoreGroupOrd" : "40", "StoreGroupID" : "2924", "GroupID" : "21294" } VUEVU!0.0000g#!2015-04-20 00:52:25aViolin Concerto No 1 in A minor IV Allegro giusto for Solo Violin with OrchestraEVU!0g#g#!0g#g#!26g#g#!2013-04-26 23:32:08!0g#g#eUVUUVUUVUHL]U(VUhO]U@VUFVUUXVUVUlUpVUxoUVUUVUؕUVUxUVUVUxFaUVUHaUVUUVUXU0VUx%UHVU U`VU UxVUVUUVU@ VUukUVUhVUH3kUVUVU^UVUVU^UVUUVUhVUU VU)U8VU)UPVU)UhVUpGVUhUVU2!UVUXVU86(UVU VUhUVUUVUGVU8UVU(UVUxU(VU VUU@VUHULU<UxiU(UUUFVUxY'UUUHVU8\U.UxUUFVUH&UUUU UUHVU]UFfUXCUHUUDUUUDUFfUHVUXgU0FfUHUHFfUU@ufUh}TUXufUJVUط~UpufU`KVUUHVUmUiVUGU0VUVUGU(VUQVUTUpaVUU)UaVU`UaVUXQ]UaVUHR]UaVUU]UaVUHUbVUKVUhUbVU.U0bVUxTUHbVUgU`bVUU]UxbVU8.UbVUNVUȆUbVUHQVUUbVU&*UbVUzUbVUXY]UcVUZ]U cVUȵU8cVU8u6UPcVUx UhcVUEVUcVUV]UcVUUcVUUcVUUcVUxUcVU(UdVUqU(dVUعU@dVUNVUUXdVUxUpdVUMVUUdVUkUdVUhOVUnUdVUUdVUUdVUUeVUxUeVU>U0eVUUHeVU LVUU`eVUx~UxeVUhUeVUUeVU(ݻUeVULVUx]UeVUUeVUUfVUU fVUeU8fVUUPfVUUhfVUHL]UfVUhO]UfVU0QVUUfVUPLVUlUfVUxoUfVUUfVUؕUgVUxU(gVUpMVUxFaU@gVUHaUXgVUUpgVUXUgVUx%UgVU UgVU UgVUKVUUgVUOVUukUhVUKVUH3kUhVUOVU^U0hVULVU^UHhVUU`hVUNVUUxhVU)UhVU)UhVU)UhVUQVUhUhVU2!UhVULVU86(UiVUOVUhU iVUU8iVUQVU8UPiVU(UhiVUxUiVU@PVUUiVUHUYU<U@VU(UP[UPVUxY'U0UUHVUh[U.UVUPVUH&UVUUVU(SVU]UufUXCUVUDUVUDUufUMVUXgUufUHUufUUfUh}TUfUTVUط~UiUUVUUjVUU)UlVU(kUȇVU8OVUGU`VUVUTUkVUGUjVU`U lVUU!0g#xg#VVUqViolin Concerto No. 1 in A minor, IV. Allegro giusto, for Solo Violin with Orchestra Sabra Lindgren Lindgren Music Publishing Violin Concerto No. 1 in A minor has four movements: I. Andante, II. Moderato, III. Adagio, and IV. Allegro giusto. Suggested fingerings are written in the violin parts. There is a piano reduction of the orchestral score.WVU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#X VUKVUpJVU0VUVU FVUPFVU(JVUGVUIVUhFVU VUVUJVUIVU( VUIVUxbXUVU@VUHVUXJVUIVUHVUJVUPVUJVU(GVU@GVUIVUGVUHVU VUVUJVUXGVUIVUpVUVUHVU`HVUHVUFVUPIVUVU IVUp VUVU VUFVU@JVUIVUVUxKVUVU VUVUVU8VUGVUVU8FVUVUVU`VU8IVUKVUhIVUJVUHVUVU0HVUxHVUVUHHVUVUVUGVU]VU["202001","73232","137366","143620","121445","32869","517275","39504","360206","195625","63550","82276","49748","53386","184962","88584","50415","51084","69818","28411"]P^VU!2020-08-29 20:24:45!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x840g#!0g#g#!0g#g#!5.00g#!2023-04-28 03:04:35!2023-04-28 03:07:14!9255822g#!13222815g#!0000-00-00 00:00:00!0000-00-00 00:00:00!1g#g#p VU`VU0qSUD`>nUVUD0VU9VUD VUp`VU9VUDVU U @PkUhUUbU }FUDP~oU9VU:VUD@VU9VUDVU9VUDVU ]U  }VU-VUDp>U-VUD0VU-VUDUU-VUD`VU-VUDVU-VUDVU.VUDVU.VUDVU .VUDVU0.VUDVU@.VUDVUP.VUDVU`.VUDVUp.VUD0VU.VUDPVU.VUDpVU.VUDVU.VUDVU.VUD VU.VUD@VU.VUD`VU.VUD tVU/VUDtVU/VUDuVU /VUD0uVU0/VUDPuVU@/VUDpuVUP/VUDuVU`/VUDuVUp/VUDuVU/VUDuVU/VUDvVU/VUDVU/VUDVU/VUDVU/VUDVU/VUDVU/VUD@xVU0VUDyVU0VUD0yVU 0VUDPyVU00VUDpyVU@0VUDyVUP0VUDzVU`0VUD0zVUp0VUDPzVUU0VUDzVU0VUDzVU0VUDzVU0VUDzVU0VUD{VU0VUD {VUU0VUD@{VU0VUD`|VU1VUD|VU1VUD|VU 1VUD|VU01VUD|VU@1VUD}VUP1VUD }VU`1VUD@}VUp1VUD`}VU1VUD0UU1VUDPUU1VUD0VU1VUDPVU1VUDpVU1VUD0vVU1VUDPvVU1VU2VUDpvVU2VUDvVU 2VU02VU@2VUP2VU`2VUp2VUDvVU2VUDvVU2VUDvVU2VUDwVU2VUDwVU2VUDwVU2VUDxVU2VUDVU2VUDVUiVUVU^U`XiUUD0CU`,UD zUBUDeUUDPU0\UD-&U_*UDgU ]U VU`DiU2jVUXaVUEYUPYUPVUDWUPVUD`VUjVUVUUD~oUngUD~oUpUD`JUнVUDPVU`VUDVU VUDVU0VUD VU ]U  VU4VUDVU4VUD`;VU 4VUD;VU04VUD;VU@4VUD;VUP4VUDVU4VUD >VU5VUDpVUP5VUDVU`5VUDVUp5VUD VU5VUD@VU5VUD`VU5VUDVU5VUDVU5VUDVU5VUDVU5VUD VU5VUDpVU6VUD`>VU6VUD>VU 6VUD>VU06VUD>VU@6VUDVUP6VUDVU`6VUDVUp6VUDЮVU6VUDVU6VUDVU6VUD0VU6VUDPVU!94460g#ores WHEQViolin Concerto No. 2 in E minor II. Larghetto Publish.sibUQBig Sky at Night, Symphony No. 3, "The Big Sky Symphony"Q=UQ=U!35g#g#؏gU!0g#g#g#!4g#g#8CU!1g#g#Q=U!2012-12-07 17:16:09U!2022-03-18 19:50:41U!Sabra LindgrenآVU!g#g#8VU!2009g#HVU10g#g#0!sib#g#Q=U!696#g#YU!0g#g#l-UABig Sky at Night, Final Publish!_36 copy.sibU =U!2012-12-07 17:16:09U!1g#g#?U!1537g#UU!1g#g#&UU!8g#xg#@5dU!1.50Xg#?dU!2012-12-07 17:16:11U!1g#g# GfU!0g#g#vfU10g#g#"U0Piano Concerto No. 1 in B has three movements: I. Moderato, II. Largo, and III. Allegro and Adagio. Suggested fingerings are written in the violin scores. A piano reduction is also available.xchang!9.95g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!0g#g#0NVU!0.00g#!47.45g#QVU!37.50g#!0g#g#`NVU!g#g#0QVU!0.00g#LVU["484519","72471","79936","1165","108134","484577","63419","479325","406856","51839","121628","424011","485438","527819","126121","27246","10647","127190","110312","366956"]!2020-08-24 18:12:59U!0g#g#10000-00-00 00:00:00U@PVU0Piano Concerto No. 1 in B has three movements: I. Moderato, II. Largo, and III. Allegro and Adagio. Suggested fingerings are written in the violin scores. A piano reduction is also available.!0g#g#!0g#g#!1g#g#!0g#g#{ "GroupOrd" : "250", "StoreGroupOrd" : "240", "StoreGroupID" : "2925", "GroupID" : "21294" } UOzVU!0.0000g#!2011-06-10 16:49:461Piano Concerto No 1 in B I Moderato!0g#g#!0g#g#!34g#g#!2013-04-16 17:17:25!0g#g#!0g#g#!Piano Concerto No. 1 in B, I. Moderato Sabra Lindgren Lindgren Music Publishing Piano Concerto No. 1 in B has three movements: I. Moderato, II. Largo, and III. Allegro and Adagio. Suggested fingerings are written in the violin scores. A piano reduction is also available.U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#OVUPUVUTVUMVUPOVUXPVUPVU`TVU RVUTVUPVUPVUKVUTVUTVUOVU@SVUbXU(MVULVUSVUTVUSVURVUHTVUNVUUVU`QVUxQVU0TVURVURVUOVU OVU UVUQVUSVULVU0NVUPRVURVU8RVUQVUSVUHNVUXSVUOVU`NVUxNVUPVUxTVUSVULVUUVU@MVU(PVU8LVUXMVUNVUQVUhLVUpPVULVUKVUMVUpSVU8UVUSVUTVURVUNVUhRVURVUMVURVUMVUNVUQVULicense!g#g#VU!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-25 19:51:59!2023-04-25 20:00:22!51323288g#!44800075g#!0000-00-00 00:00:00!0000-00-00 00:00:00 `VUVU6VUDpVU6VUDVUU6VUDVU6VUDVU7VUDЯVU7VUDVU 7VUDVU07VUD0VUU@7VUDPVUP7VUDбVU`7VUDVUp7VUDVU7VUD0VU7VUDPVU7VUDpVU7VUDVU7VUDVU7VUDвVU7VUDVU7VUD VU8VUD@VU8VUD`VU 8VUDVU08VUDVU@8VUDVUP8VUDVU`8VUDVUp8VUDЫVU8VU8VU8VU8VU8VU8VUDVU8VUDVU8VUD0VU9VUDPVU9VUDVU 9VUD0VU09VUDPVU@9VUDpVUP9VUDVUVUpjVUp[UD`FU/UXUpUD0U0UDUvU P UWyUD@0U-gUD@:nU ]U VUDiU2VUkVUVU pWUDNWUVUDWUVUpVUD0WU0=U20OUDvyUPHUDU@VUVUDWUVUDPWUVUDpWU ]U  VU`:VUD:VUp:VUDpVU:VUDpVU:VUDqVU:VUD qVU:VUD@qVU:VUD`qVUиVUDqVUVUD0rVUVUDPrVUVUDprVUVUDrVU VUDrVU0VUDrVU@VUDsVUPVUD0sVU`VUDqVUpVUDqVUVUDqVUVUDrVUVUDPsVUVUD VUVUDVUйVUDVUVUD0VUVUDPVUVUDpVUVUDVU VUDVU0VUDVU@VUD VUPVUDpVU`VUDpsVUpVUDsVUVUDsVUVUDsVUVUDsVUVUDVUVUDpVUкVUDVUVUDVUVUDVUVUDVUVUDVU VUD0VU0VUDPVUU@VUDVUPVUDVU`VUDVUpVUDVUVUDVUVUD0VUUVUDPVUVUDVUVUDVUлVUDVUVUDVUVUDVUVUD0VUVUDPVU VUDpVU0VUDVU@VUD;VUPVUD0;VU`VUDVUpVUD0VUVUDPVUVUDpVUVUDVUVUVUDVUмVUDVUVUVUVUVU VU0VUDVU@VUDVUPVUDVU`VUDVUpVUDVUVUDVUVUDVUVUDVUVUDVU8VUVU }QUD`UUDDUPUDPzULUD@1@U@aEUD`dgU3iUD@eUVU ]U VUDiU2(VUVUZUDp2CUqUQhUVU!83564g#ores WHE!g#g#VU12009g#xVU0qViolin Concerto No. 2 in E minor, II. Larghetto, Arranged for Solo Violin with Full Orchestra and HaU!35g#g#g#!0g#g#Q=U!4g#g#YU!1g#g#xhU!2011-10-07 22:43:12U!2022-03-22 06:20:37U!Sabra LindgrenVU!g#g#`VU!2008g#pVU10g#g#0!sib#g#H[U!696#g#hU!0g#g#=U!2011-10-07 22:43:12U!0g#g#PCU!1554g#UU!0g#g#h&UU!7g#g#TU!1.50xg#?dU!2011-10-07 22:43:15U!1g#g#UoVUUoVU(VUUoVUx~UoVUhUVUUVU(ݻU؃VUVUx]UVUUVUU VUU8VUeUPVUUhVUUVUHL]UVUhO]UVU8VUUȄVUXVUlUVUxoUVUUVUؕU(VUxU@VUxVUxFaUXVUHaUpVUUVUXUVUx%UVU UЅVU UVUVUUVUVUukUVUUVUH3kU0VUVU^UHVUVU^U`VUUxVUȚVUUVU)UVU)UVU)U؆VUVUhUVU2!UVUVU86(U VUVUhU8VUUPVUVU8UhVU(UVUxUVUHVUUVUHU[U<U%[U(U`VUVUxY'UVUHVU%[U.U`VUVUH&U(aVUU@aVU0VU]U iUXCUh`VUDUaVUDU8iUVUXgUPiUHUhiUUXjUh}TUpjUȠVUط~UjU@VUGUkVUGUVUU)U VUVUUVU@VUTUVUXkUHVU`U8VUXQ]UPVUHR]UhVUU]UVUHUVUСVUhUVU.UȊVUxTUVUgUVUU]UVU8.U(VU@VUȆU@VUVUUXVU&*UpVUzUVUXY]UVUZ]UVUȵUЋVU8u6UVUx UVUEVUVUV]U0VUUHVUU`VUUxVUxUVU(UVUqUVUعU،VU0VUUVUxUVUVUU VUkU8VUVUnUPVUUhVUUVUUVUxUVU>UȍVUUVU`VUUVUx~UVUhU(VUU@VU(ݻUXVUVUx]UpVUUVUUVUUVUeUЎVUUVUUVUHL]UVUhO]U0VUpVUUHVUVUlU`VUxoUxVUUVUؕUVUxUVUVUxFaU؏VUHaUVUmeArtis!0g#g#8VU!2017-06-09 17:10:17U!0000-00-00 00:00:00U!g#g#xVU!5264g#hVU!0g#g#VU!0g#g#VU114.00g# VU0Symphony No. 4 for Strings, Percussion, and Keyboard has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin parts. Please refer to further program notes on Movement III.VU!12.00g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#qCopyright © 2012. All rights reserved. Lindgren Publishing scoreexchange.com sabralindgren@yahoo.com!g#g#!2.00g#8VU!14.00g#!2.00g# VU!0g#g#!g#g#hVU!0.00g#8VU["72471","79936","484519","1165","479325","108134","484577","406856","63419","424011","51839","485438","539708","121628","126121","527819","27246","121610","110312","366956"]hVU!2020-09-12 19:54:07!0g#g#PVU!0000-00-00 00:00:001g#g# VUHVU0Symphony No. 4 for Strings, Percussion, and Keyboard has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin parts. Please refer to further program notes on Movement III.VU!0g#g#!0g#g#!1g#g#!0g#g#!g#g#!0.0000g#!2012-05-18 04:35:35!0g#g#!0g#g#!30g#g#!2013-04-22 13:38:20!0g#g#!0g#g#Symphony No. 4 for Strings, Percussion, and Keyboard I. Moderato Sabra Lindgren Lindgren Music Publishing Symphony No. 4 for Strings, Percussion, and Keyboard has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin parts. Please refer to further program notes on Movement III.VUVU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#VUXVUVUVUXVU`VUVUhVU(VU VUVUVUVUVUVUVUHVUbXU0VUVUVUVU؟VUОVUPVUVUVUhVUVU8VUVUVUVU(VU(VUVUVUИVU8VUXVUVU@VU VUVUPVU`VUЛVUhVUVU؜VUVUVUVUpVUHVU0VU@VU`VUVUVUpVUxVUVUUVUVUxVU@VUVUVUVUVUpVUVUVUVUVU VUȝVUScores!0g#8g#VU!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-23 00:04:15!2023-04-23 00:05:18!3801791g#!3468626g#!0000-00-00 00:00:00!0000-00-00 00:00:00 ,0np38(0dh:@fhjp`hIP QVU!SorterScoreAndParts!192507g#1How Great Thou Art Gospel piano soloaFlute Trio No. 1 for Flute, Violin, and Violoncello, Appended Scores I-VIhUhU!43g#g#!372#g#Q=U!4g#g#؏gU!1g#g#hU!2011-06-12 10:39:10U!2022-03-22 04:12:29U!Sabra Lindgren8VU!0g#g#VU!18g#g#VU11.50g#0!sib#g#l-U!696#g#hU!0g#g# =U!g#g#ЂCU!0000-00-00 00:00:00U!5g#g#UU!1485g#&UU!2g#g#@5dU!2011-05-08 13:29:52U!0g#g#eU!0g#g# GfU!145187g#vfU!2017-06-09 17:10:17U!0000-00-00 00:00:00U!g#g# !g#g#pVU!10776g#8VU!0g#g#VU!0g#g#VU!0.00g#VU!60.95g# VU!51.00g#HVU10g#g#XVU0I lived over two decades on a ranch in Montana and had many experiences observing the full night sky away from the city light. These experiences, along with other Montana and Northwest experiences on the prairies, in the mountains, and along the rivers, inspired the programatic Symphony No.3, The Big Sky Symphony. There are four movements: Big Sky at Night, The Prairie, The Mountains, and The River. Suggested fingerings are written in some scores.ac!9.95g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#Copyright © 2009 by Sabra Lindgren. All rights reserved. Lindgren Publishing sabralindgren@yahoo.com ASCAPpVU!g#g#!g#g#pVU!0.00g#["72471","79936","540721","1165","484519","479325","108134","63419","485438","539708","51839","406856","424011","539898","539899","484577","121628","126121","27246","527819"]hVU!2020-09-26 18:16:14U!0g#g#8VU!0000-00-00 00:00:00U!g#g#VU!0g#g#!0g#g#VU!0g#g#10g#g#XVUVU0I lived over two decades on a ranch in Montana and had many experiences observing the full night sky away from the city lights. These experiences, along with other Montana and Northwest experiences on the prairies, in the mountains, and along the rivers, inspired the programatic Symphony No.3, The Big Sky Symphony. There are four movements: Big Sky at Night, The Prairie, The Mountains, and The River. Suggested fingerings are written in some scores. !0g#g#!0g#g#!1g#g#!0g#g#!g#g#!0.0000g#!2012-12-07 17:22:35ABig Sky at Night Symphony No 3 The Big Sky Symphonyrice!0g#g#!0g#g#!15g#g#!2013-04-22 10:53:25!0g#g#!0g#g#ABig Sky at Night, Symphony No. 3, "The Big Sky Symphony" Sabra Lindgren Lindgren Music Publishing I lived over two decades on a ranch in Montana and had many experiences observing the full night sky away from the city light. These experiences, along with other Montana and Northwest experiences on the prairies, in the mountains, and along the rivers, inspired the programatic Symphony No.3, The Big Sky Symphony. There are four movements: Big Sky at Night, The Prairie, The Mountains, and The River. Suggested fingerings are written in some scores.VUVU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#VUVUVUȣVUVUVUȦVUVUPVUHVUVUPVUVUVU0VUVUpVUbXUhVUآVU@VUVUVUVUxVUVU8VUVUVU`VU8VUVU VU`VUPVUVUVUVUpVUVUVUhVUXVUVUVUVUVUVUVUVUVUVUHVUVUVUhVUxVUVUФVUVUVUVU8VUVUVUVUhVUVU VU(VUVUVUVUPVUVU(VUXVUVU VUUVUXU VUx%U8VU UPVU UhVU0VUUVUإVUukUVUVUH3kUVUHVU^UȐVU VU^UVUUVUVUUVU)U(VU)U@VU)UXVUVUhUpVU2!UVUVU86(UVU8VUhUVUUБVU VU8UVU(UVUxUVUVUU0VUHUP`VU<UxkVU(UkVU(VUxY'U&[UHVUXCU.UxXCUVUH&UkVUUkVUXVU]UjUXCUjVUDUkVUDUjUVUXgUjUHUjUU0CjUh}TUHCjUVUط~U`CjUVUU8VUU)UXVUHTUVUxVUGUVUhVUTU@VUGU VU`UpVUXQ]UVUHR]UVUU]UVUHUVUVUhUVU.UVUxTUVUgU0VUU]UHVU8.U`VUhVUȆUxVUVUUVU&*UVUzUVUXY]UVUZ]UVUȵUVU8u6U VUx U8VUEVUPVUV]UhVUUVUUVUUVUxUVU(UVUqUVUعUVUXVUU(VUxU@VU8VUUXVUkUpVUVUnUVUUVUUVUUVUxUVU>UVUUVUVUU0VUx~UHVUhU`VUUxVU(ݻUVUVUx]UVUUVUUVUUVUeUVUU VUU8VUHL]UPVUhO]UhVUVUUVUVUlUVUxoUVUUVUؕUVUxUVUVUxFaUVUHaU(VUU@VUXUXVUx%UpVU UVU UVUXVUUVUVUukUVU(VUH3kUVUpVU^UVUHVU^UVUU0VU(VUUHVU)U`VU)UxVU)UVUVUhUVU2!UVUVU86(UVU`VUhUVUUVUXVU8U VU(U8VUxUPVUVUUhVUHUXCU<Uj"U(UVUPVUxY'UjVUHVUj"U.U0VU VUH&UVUU؉VUVU]UxCjUXCUVUDUVUDUCjUVUXgUCjUHUCjUUMjUh}TUMjU(VUط~UMjUHVUUpVUU)UVUcUX)WUVUGUPVU>WUTUVUGUXVU`UVUXQ]UVUHR]U VUU]U8VUHUPVU0VUhUhVU.UVUxTUVUgUVUU]UVU8.UVU;WUȆUVU>WUUVU&*U(VU!1g#(g#VU!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-24 21:10:07!2023-04-24 21:11:00!6772875g#!6157574g#!0000-00-00 00:00:00!0000-00-00 00:00:00VUVUWUD \WU@VUWUD[WUHUDpUHUDPUHUD7U`WUWUD@\WUWUD[WUWUD[WU` ]U  WUVUD pVUоVUDPVUVUDVUVUDVUVUDVUVUD VU VUD@VU0VUD`VU@VUDVUPVUD0VU`VUDPVUpVUD@pVUVUDpVUVUDVUVUDVUVUDЖVUVUDVUпVUDVUVUDVUVUDVUVUDVUVUDWU VUDWU0VUDWU@VUD0WUPVUDPWU`VUDpWUpVUDWUVUDWUVUDWUVUDWUVUDWUVUDVUVUD0VUVUDPVUVUDpVUVUDVUVUD@ WU VUDP WU0VUDp WU@VUD WUPVUD WU`VUD WUpVUDP WUVUDp WUVUD WUUVUD WUVUD WUVUD@ WUVUD` WUVUD WUVUD WUUVUD WUVUDWU VUDWU0VUDWU@VUD WUPVUD@WU`VUD`WUpVUDWUVUDWUVUDWUVUDVUVUDpWUVUDWUVUDWUVUDWUVUDWUVUDWUVU VUD0WU0VUDPWU@VUPVU`VUpVUVUVUD0WUVUDPWUVUDpWUVUDWUVUDPWUVUDpWUVUDWUVUDWUVUDWUpVUVUzYU`xUDFZU rmUDhU=U[UD@nUhUDpҪU.UUPsU@ ]U P5WU EiU2`VU(VUUXU piJUPUDwU`UDY`UVUVUHUD@8UHUD 8U0HUDpbUUDr+U hUD0>hU@UUp<U ]U  WWU VUDVU0VUDVU@VUDVUPVUDVU`VUD VUpVUD@VUVUD`VUVUDVUVUD0VUVUDPVUVUDpVUVUDVUVUDVUVUDVUVUDVUVUDVU VUDVU0VUDVU@VUD VUPVUDVU`VUDVUpVUDJWUVUDKWUVUDLWU`WUD LWUpWUD@LWUWUD`LWUWUDLWUWUDLWUWUDLWUWUDLWUWUDMWUWUDVUWUD0VUWUDPVUWUDpVU WUDVU0WUD0OWU@WUD`PWUPWUDPWU`WUDPWUpWUDPWUWUDPWUWUD`QWUWUDQWUWUDQWU QVU!0000-00-00 00:00:00U10000-00-00 00:00:00wU0!Lovesick Blues!26g#g# ?U!0g#g#UU!3g#g#أTU!2g#g#g#!2009-06-04 00:00:00U!2024-04-04 00:00:00U!g#8g#wU!g#g#wU!0g#g#wU10g#g#0!g#g#!0g#g#PCU!0g#g#UU!g#g#h&UU!2009-06-04 00:00:00U!0g#g#?dU!1g#g#eU!0g#g#UZU2UD@@@/UVUDPvU;JUD`lU xUDPQU,UyU`YUD7gUU tJU@e*UD͈U`CUDPChUbUD0UU`knUD0l<U,WU^U,WU,WU"f@hSUDv+UrnU@nU RU h`<UUxgU`OUD JUUmUgUDNUIUDhGUU @UXU @`U-WU-WUQ0UDpBZU/UD rU+U(dFU |U[UD .nU -UD@KU7UD@UtUxUyUUwUp.UD`gU2WU@yUCUD`(mUxUDlU ^UDFZU@uUFvU @U`[UDU5iUD)U߄UDPUU/UDjUmUDjU0iUD`9nUPvUpU2UdUD@zU@xUDp>UPucU0WU@U knUD@eUeUlUĆU1WUmUDdUwUX1WU(7UXU@UDUPUD+:UfUD CU0UDwUxUDZUUUP5UeUDXKUtmUDP`gU=UDЃxUwUPGUyUp\UDgU=YUD@@oULUD`JUyUU^Uu=UpvU bUYU  Uc/UDDU YUSUD0jGUP`UD @n@Uf/UD`ZU]UDTU3WU*WU+UDБdU^EUDLU^UDP`UеU yU enUDlUU2WUD0hULXU dU0SoUD`t+Uh*UDEhUHYYUp^UD0bgU(XU @ `U QVU!0g#g#5WU!0g#g#?U!g#g#UU!2011-03-03 00:00:00U!0g#g#@5dU!1g#g#?dU!0g#g#eU!0g#g#zU!0g#g#zU!0g#g#zU!0g#g#8zU!0.0000g#(zU!0000-00-00 00:00:00U!Lovesick BluesУzU10g#g#zU0!0g#g#PGfU!g#g#@iU!3.54g#jU!0g#g#DjU!0g#g#jU!0g#g# kU!g#g#PjU!g#g#jU!0g#g#g#!Guitar Chords/LyricsU!g#g#`D^U!g#g#"U!1.508g#"U!0000-00-00 00:00:00U!0g#01kU"U10g#g#"U0!20263g#;WU!0g#g#VU!0g#g#X;WU!0.00g#;WU!14.45g#UVUUVUVUUVUx~UVUhUVUUVU(ݻUh%WU VUx]U%WUU%WUU%WUU%WUeU%WUU%WUU&WUHL]U(&WUhO]U@&WU>WUUX&WUVUlUp&WUxoU&WUU&WUؕU&WUxU&WU;WUxFaU&WUHaU'WUU'WUXU0'WUx%UH'WU U`'WU Ux'WUVUU'WU8=WUukU'WU`VUH3kU'WUWUxY'UVUHVUt"U.UhVUX>WUH&UVUUVU@WU]UMjUXCU8VUDUVUDUXjU@;WUXgUpjUHUjUUxjUh}TUjU`BWUط~UjUCWUUH*WUHVUSmU'$UZU3WUWU!2019-09-25 12:54:01U12A328978-DF8B-11E9-BF25-78X;WU!5698702g#?WU!0g#g#!0g#g#>WU!0g#g#11g#g#;WU=WU01Flute Trio No. 1 for Flute, Violin, and Violoncello is available both as separate movements and as an appended score of six movements: I. Moderato Fanfare and Interlude, II. Andante Pastorale, III. Adagio Dolente, IV. Andante Pensoso, V. Largo Lullabye, and VI. Andante Moto perpetuo.UPWU!1g#g#!0g#g#!1g#g#!0g#g#{ "GroupOrd" : "50", "StoreGroupOrd" : "370", "StoreGroupID" : "2923", "GroupID" : "22289" } ricePartsSame!0.0000g#!2011-05-08 13:29:57QFlute Trio No 1 for Flute Violin and Violoncello Appended Scores IVIes!0g#g#!0g#g#!28g#g#!2013-04-13 13:37:42!0g#g#!0g#g#Flute Trio No. 1 for Flute, Violin, and Violoncello, Appended Scores I-VI Sabra Lindgren Lindgren Music Publishing Flute Trio No. 1 for Flute, Violin, and Violoncello is available both as separate movements and as an appended score of six movements: I. Moderato Fanfare and Interlude, II. Andante Pastorale, III. Adagio Dolente, IV. Andante Pensoso, V. Largo Lullabye, and VI. Andante Moto perpetuo.WU!0g#g#!0g#g#!0g#g#!0g#g#!2017-03-31 12:48:26A{"width":300,"position-y-pc":"0","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[]},"height":225,"position-x-combined":"left","position-x":"left","position-y":"top","position-y-combined":"top","average-center-x":0,"average-center-y":0,"id":"F9C4762E-1607-11E7-9F94-AFF1C00974E8","position-x-pc":"0"}UyWWU!0g#g#!3648g#!2736g#P=WUBWUHBWU(;WUWUBWU?WUAWU@>WU=WUxVUxBWUAWU =WU@WUbXU:WU8VU@WU0BWUpAWUh@WUAWUHWU(AWU;WU@WUh=WUWUBWUAWUVUPCWU:WU=WUVU:WU0WUVUVUX;WUAWUBWU@AWUBWU@WUxPiano">C05330W0009N010amU0hUGU1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!First Light - Score.pdf!2023-04-11 00:33:44!0g#ШU !ThUyU!g#'/U !0g#`VU10g#g#\U0 U01HASHg#ILELINK0qoUhhUsU!5.00@RU10g#g#X@U01sUgWU cZy192507!314690g# 8hUhU9UhU9UhUhLUBUhU9UhU"UpʋU`hUhUhU0;eUJUdUBUhUoUP\UXhUȓoUhUhUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U999999991"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"UapQ#U 8hUxU@hUH?dU9U4dU9U`TU hUhU%UU9UXUU"UpʋU?UCU(CU=UJU(hUhUhUhUhUhUhUphUXhUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"Uo-for-ob1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!gustavo.zuhe@gmail.com!HASHg# zU1woodwind quintet in F 1st movementQvU0UUU@U8UQkbU obU!243103iU1Lovesick Blues0!1.50@U!0000-00-00 00:00:0010g#g#0!34518g#156263g#0!HASHg#HmU!31776^U !0g#U10000-00-00 00:00:000!USQLrencyID!g#@1CU !3g#iU 10g#JUentation0!0000-00-00 00:00:00!2g#g#ores WHE!2g#g#(jhU12011-06-12 09:33:57U0QUUUQ"iU!SE::SimilarScores! Ug# ЈMU9>U9Ug\U9U\UFfU(UdU+WUxxnU(RUBUНBUBU@nUJUJUJUȋJUJU8JUJUJUJU0JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"UhRnU!LicenseProfit !66510g#1trad.g#i0!0g#g#WU!g#g#WU!0g#g#pWU!0g#g#(WU!1g#8g#WU!0g#g#WU!9.0112g#WU10000-00-00 00:00:00U0Lovely theme and variation arrangement of this powerful hymn for Bb Clarinet and piano. Time: approximately 5:25U!8.00g#8jU!0g#g#jU!1g#g#UU!0g#g#UU!g#g#VU!g#g#0kVU!0g#g#`VU!Theme and VariationsUQ© 1986 Dan Cutchen. This arrangement: © 2011 Dan CutchenU$oU!g#g#oU!4.008g#`D^U!0000-00-00 00:00:00U!1g#g#HdU11g#g#"U0!g#g#PyWU!g#g#KkU!492856g#!0g#g#NkU!2g#g#!0.00g#LkU!6.90g#NkU!13.80g#IkU!6.90g#MkU!0g#g#HLkU!g#g#JkU!0.00g#pKkU["134303","197971","93313","77889","186623","11140","156812","72607","14830","56814","69580","103475","59728","56708","72605","90925","127091","131819","76845"]!1g#g#{WU!0g#g#!0.0000g#!0000-00-00 00:00:00!How great thou art!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#AHow great thou art Carl Gustav Boberg Esther Li WU!0g#g#!0g#g#!0g#g#!0g#g#!2024-03-25 10:43:32!g#g#!0g#g#!0g#g#!0g#g#hMkUWUWU@KkUMkUNkU@NkUWUOkU`WUXNkUMkUIkU WUHWU8MkUPkUJkUPJkUPkU؃WUWUPkUWU`LkUPWUOkU0OkUxWUOkUPkUMkULkUhWUHOkUWUJkUKkUPkUPPkUOkUNkU@QkULkUQkUMkULkU0LkUNkUWU0WUIkUWUJkUMkUIkUKkUHLkUOkU JkU(NkUJkUIkUpKkU(QkUWUXQkU8WUPkULkU PkUhPkUJkU8PkUKkUKkUxOkU`WU!2020-08-31 01:53:01U!0g#g#!2024-03-25 10:43:32!g#g#!0g#g#MkUUkUHUpiU<UjU(UXSlUNkUxY'UlUHVUjU.URlUpNkUH&USlUUSlUPkU]UmUXCURlUDUpSlUDUmUXKkUXgUmUHUmUUmUh}TUmUWUط~UmU(WUUkUU)UPkUgWUWULkUGUkUWUTU8kUGUkU`UhkUXQ]UkUHR]UkUU]UkUHUkUWUhUkU.UkUxTUkUgU(kUU]U@kU8.UXkUWUȆUpkUȊWUUkU&*UkUzUkUXY]UkUZ]UkUȵUkU8u6UkUx U0kUEVUHkUV]U`kUUxkUUkUUkUxUؔWU(UWUqUWUعU WUpWUU8WUxUPWUPWUUhWUkUWUWUnUWUUWUUȕWUUWUxUWU>UWUU(WUWUU@WUx~UXWUhUpWUUWU(ݻUWUWUx]UWUUЖWUUWUUWUeUWUU0WUUHWUHL]U`WUhO]UxWUWUUWUЅWUlUWUxoUWUUؗWUؕUWUxUWUWUxFaU WUHaU8WUUPWUXUhWUx%UWU UWU UWUpWUUȘWUWUukUWU@WUH3kUWUWU^UWU`WU^U(WUU@WU@WUUXWU)UpWU)UWU)UWU(WUhUWU2!UЙWU0WU86(UWUxWUhUWUUWUpWU8U0WU(UHWUxU`WUWUUxWUHUjU<UDjU(U@kUhWUxY'UlUHVUDjU.UkU8WUH&UpkUUkUWU]U(mUXCUkUDUXkUDU@mU WUXgUXmUHUpmUUmUh}TU$YU@WUط~U0$YU`WUUWUU)UWUZUhWUWUGUHkUh_UTUМWUGUhWU`UWUXQ]UWUHR]U0WUU]UHWUHU`WUHWUhUxWU.UWUxTUWUgUWUU]U؝WU8.UWUWUȆUWU_UU WU&*U8WUzUPWUXY]UhWUZ]UWUȵUWU8u6UWUx UȞWUEVUWUV]UWUUWUU(WUU@WUxUXWU(UpWUqUWUعUWUWUUWUxUПWUWUUWUkUWUІ_UnUWUU0WUUHWUU`WUWarningC!0g#g#WU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!1g#g#!3.00g#!2023-02-15 06:41:36!2023-02-15 06:41:37!88264g#!77778g#!0000-00-00 00:00:00!0000-00-00 00:00:00kUWUpkUDkUkUDkUkUD0kUkUDPkUkUDpkUkUD@kUkUD`kUkUDkUkUDkUkUDkUkUDkU kUDkU0kUD kU@kUDkUPkUDkU`kUpkUDkUkUDkUkUD kUUkUD`kUkUDkUkUDkUkUDkUkUDkUkUDkUkUkUD kU kUD kU0kUD@kU@kUD`kUPkUDkU`kUDkUpkUDkUkUDPlUkUDplUkUDlUkUDUD`^aUaUaUnUD^aU ]U 0lU=U20WUMxUGlUDSkU`UDP(aUlUDU 8KUU88KU XUUP8KUx~Uh8KUhU8KUU8KU(ݻU8KUXUx]U8KUU8KUU8KUU9KUeU(9KUU@9KUUX9KUHL]Up9KUhO]U9KUXUU9KU XUlU9KUxoU9KUU9KUؕU:KUxU:KUXUxFaU0:KUHaUH:KUU`:KUXUx:KUx%U:KU U:KU U:KUp XUU:KUXUukU:KU@ XUH3kU;KUXU^U ;KU`XU^U8;KUUP;KU@XUUh;KU)U;KU)U;KU)U8@xU(XUhUP@xU2!Uh@xU0XU86(U@xUxXUhU@xUU@xUpXU8U@xU(U@xUxU@xUXUUAxUHUTU<U@5dU(U1YUhXUxY'Ud@UHVUX5dU.U 1YU8XUH&U1YUU1YUXU]U mUXCU0YUDU1YUDU mU XUXgUmUHUmUU0mUh}TUHmU@XUط~U`mU`XUUBxUU)UCxU`U99UKxUXUGUp3KUXUTUhCxUGUBxU`UCxUXQ]UCxUHR]UCxUU]UCxUHUCxUHXUhUDxU.U(DxUxTU@DxUgUXDxUU]UpDxU8.UDxUXUȆUDxU`,XUUDxU&*UDxUzUDxUXY]UExUZ]UExUȵU0ExU8u6UHExUx U`ExUEVUxExUV]UExUUExUUExUUExUxUExU(UFxUqU FxUعU8FxUXUUPFxUxUhFxUXUUFxUkUFxU XUnUFxUUFxUUFxUUFxUxUGxU>U(GxUU@GxUXUUXGxUx~UpGxUhUGxUUGxU(ݻUGxU8XUx]UGxUUGxUUHxUUHxUeU0HxUUHHxUU`HxUHL]UxHxUhO]UHxUXUUHxUXUlUHxUxoUHxUUHxUؕUIxU 0XUXU(XUXUXUXUXUXUXUXU XUXUX XUXXUXUXUXUaUXUXUXUXUPXUHXUXU(XUXUXUXUXUXU`XU`XUXUXUXU8XUHXUXUXUXUXUXUXUXUXUHXUXUXUPXUXUhXU XU0XUXUXU XUXUXUXXU XUXUxXUYU8XUXUXU XUpXUxXUXXUXU0XUXUXUhXUXU@XU^!XU!PlatinumRandU !203667g#LUX#!2018-02-13 19:16:14U10000-00-00 00:00:00XekU0QI Know That My Redeemer Liveth (for Violin Solo & Piano)jU!60g#g#piU!368#g#DjU!3g#g#xjU!2g#g#jU!2018-02-13 19:14:06U!2018-02-13 19:16:14U!Georg Friedrich Händel!Stephen DeCesarefkU!0g#g#ekU10g#g#0!pdf#g#jU!61531g# kU!0g#g#PjU1I Know That My Redeemer Strings.pdfU!2018-02-13 19:14:06U!2g#g#pVU!781#g#`VU!2g#g#HVU!5g#hg#VUOne of the signature arias in Georg Friedrich Händel's "The Messiah" has now been freshly arranged for Violin Solo with Piano accompaniment.This is the final Bass Aria from the St Matthew Passion, arranged for Bass and Organ (or piano). I'll be putting various other arias by Bach up on the site shortly, all arranged in a similar way, for regular church usage.splayXPh!1.50g#!0g#g#!1g#g#!0g#g#!g#g#!anon.g#!0g#g#!g#g#!g#g#!g#g#!g#g#XU!0.00g#["93313","156812","186623","192507","77889","72607","56814","14830","69580","90925","103475","59728","72605","76845","56708","131819","127091","72603","63572"]8XU!2020-09-17 18:16:02U!0g#g# XU!0000-00-00 00:00:00U!g#g#!0g#g#!210#g#XU!297#g#XU!0g#g#XU!1g#g# 1Mache dich mein Herze reinU)XU!0g#g#!0g#g#!9g#g#!2013-03-15 12:22:04!0g#g#!0g#g#1Mache dich, mein Herze, rein JS Bach anon. Robin Hodson Sibelius This is the final Bass Aria from the St Matthew Passion, arranged for Bass and Organ (or piano). I'll be putting various other arias by Bach up on the site shortly, all arranged in a similar way, for regular church usage.U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#xU IxU(XUxFaU8IxUHaUPIxUUhIxUXUIxUx%UIxU UIxU UIxUXUUIxUPXUukUIxUxXUH3kUJxUXU^U(JxUXU^U@JxUUXJxUxXUUpJxU)UJxU)UJxU)UJxU,XUhUJxU2!UJxUhXU86(UKxUXUhUKxUU0KxU-XU8UHKxU(U`KxUxUxKxUXUUKxUHUp5dU<U?dU(U3KUXUxY'U@&YUHVU?dU.U3KUpXUH&U4KUU04KU@.XU]UxmUXCUX3KUDU4KUDUmUXXUXgUmUHUmUUmUh}TUmU/XUط~UmU0XUULxUU)UNxUUUUPWUXUGUxBxUP6XUTUMxUGULxU`UNxUXQ]U0NxUHR]UHNxUU]U`NxUHUxNxU0XUhUNxU.UNxUxTUNxUgUNxUU]UNxU8.UOxUP3XUȆU OxU6XUU8OxU&*UPOxUzUhOxUXY]UOxUZ]UOxUȵUOxU8u6UOxUx UOxUEVUOxUV]U8WUUPWUUhWUUWUxUWU(UWUqUWUعUWU@4XUUWUxUWU 3XUU(WUkU@WU4XUnUXWUUpWUUWUUWUxUWU>UWUUWUp1XUUWUx~UWUhU0WUUHWU(ݻU`WU1XUx]UxWUUWUUWUUWUeUWUUWUUWUHL]U WUhO]U8WU6XUUPWU1XUlUhWUxoUWUUWUؕUWUxUWU2XUxFaUWUHaUWUUWUXU(WUx%U@WU UXWU UpWU@1XUUWU4XUukUWU1XUH3kUWUX4XU^UWU02XU^UWUUWU4XUUWU)U0WU)UHWU)U`WU6XUhUxWU2!UWU2XU86(UWUH5XUhUWUUWU@7XU8UWU(UWUxU WU5XUU8WUHU?dU<UeU(UBxU86XUxY'U0YUHVUeU.UBxU6XUH&U CxUU8CxUx8XU]U mUXCU`BxUDUCxUDU8mU2XUXgUPmUHUhmUUmUh}TUmU:XUط~UmU0;XUU@WUU)UWUFQUlU4XUGULxUH`kUTUWUGU(WU`UWUXQ]UWUHR]UWUU]UWUHU WU;XUhU8WU.UPWUxTUhWUgUWUU]UWU8.UWU`U !h?rU"U"U!0g#hg#AXU!0g#g#!522x696g#!4g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qx\U!g#`UuantityS!2011-01-25 00:00:00Q oU!0000-00-00 00:00:00!USQL272yID!UYiU 1HASH}[U999998)0!0000-00-00 00:00:00U!0g#g#NU!0g#g#cU!0g#g#!g#g# !0g#bU!1g#g#!0g#g#g[U!0g#g#0!1g#g#11g#g#0!0g#g#0221130210g#g#0!USQLrencyID!g#@GXU!7.09g#10g#g#0!USQLrencyID!0g#@HXU!0g#g#1g#g#0!16556g#1Bonnie Tyler, Jim Steinman!4.75g# !0g#0YU !g#0U!0g#g#1Educational Piano0!529887@lU 1258515g#0VUp-oU0QUȮU(UȮUDUȮUȋ$UȮUUȮUhUȮUCUȮUc/UȮUTUȮU(1UȮUHdUȮUhUȮU8UUWIUȄUHr2U __UȢ U U^U U`U U(SaU UU(gUȮU/UTUUxm^UUxuUU'UUHyUUUUukU UEmU`AU(U UU/UUUxzUUUU {U U(U$UU$Ux5U U)U __UXYU __UhU UV)U UUUU U>U UfNU UiNU UxTVU U$U UH(3UF@UUF@UxzUF@U$UF@U(%UF@UUF@U(}UF@U/UF@U}UF@UXWUF@UIUF@U cUXU m (U`\UzmUXUmUxxU`\U`UȘU`\UmUHz)U`\U n (Up&U` UxxUp&UؒUp&UPcU }XUp&U U6Up&UI9UXUU ;UQU U x;UQUUUp&UpLzUKzUp&UZU(vUp&U nUnUp&UIUHIUp&UmUH`Up&UTU|Up&UTUȘUp&U~GUHz)Up&UyUXU o (UUef="/js/KUDUhhUȋ$UhU(UUXUYUHU(jUUUU]UaUؕU BUHaU GmUPxUgU_Ux^[UUXU`UXUHL]UP`UUlU@/UHU0qU(ݻUӽUZ]U UBUUp!zUZ]U8eUTgU85UPU.UwzUHU dUlUH&UHgUUUUPKU_UUUXd8UUkU-U)UhUhUGUU(UYUXUXgU@<UkUUhUU!/UfFUgU#Ux8U2!U ^UUKUHU"UؕUwUUSU86(UnUUe\Ux~UU"UxFaUUDUUU)UHUUU@_UthUUyUGUHVUUhUUQmUHU8U2!UKU(Upp=UUUAU~@Uط~UxCUU UU8U0Uh}TUE^Ux]U^U`U8>EU8fUU UkU`2UUH\@UU(xU<U8|nUzUU+U8UU(U hUȮU@mUUUHUU@UHUV@UHUV@UHUU@UXUUHUpU@UHUHV@UHUV@UHUmUHUU@UHU W@UHU8W@UHUXU@UHUV@UHUhW@UHUW@UHUW@UHUW@UHU@X@UHUXX@UHUX@UHUX@UHUX@UHUY@UHUHY@UHUxY@UHUY@UHUY@UHUZ@UHU8Z@UHUhZ@UHUZ@UHUZ@UHUZ@UXQ]U#oU8tZUUNmUUXcU`VSUH0U`m*U@oUgU`zUU]UunUUxY'UhUUX U U&*U iUGUcU蟳UUGUxU UU=UU@Q=UNUGUؖU UUU跄U`heU^U8ZU&U̅UU^UcUGURU QUUxFaUtUXY]UPCUUdU.UxzUwUUAUQUxFaU0dUh,U86(UhgU@0mUxFaU.oU)U\UmUȆUXcUXUxY'UۉUV]UXUhUU`DUUGU8UUqUȹUHUhU5UU(qU:UXCUlUUw=UXUؾhU]XUXU vnUHUX!UkUCU qZUUȜdUV]UUhUU6UUȪU.UlU iUx]UGpUUhUBUHUКgU0A]UȆUYUUୄUGU8GgUU^UHU oUBU0pEUgUU8SUXY]UnU)U-oUU oUKUzUwUhO]UpUZ]UeUUnUUhO]UUxRUUyU71355564Searchharp-concerto-andantino-arr-flute-piano-146270.html">Mozart Flute/Harp Concerto Andantino arr. flute /piano,for Voice and Pianog#01@U>U1 Un'Y# 1 U U&Y#1/usr/share/perl5/URI/_server.pm1` UlXUn'Y# q=9U0qXU@%'Y#F@jXUlXU4(,WU9U9U"UI U9UxnU9U@GU+U,WU@HU"U"U "UwUwU"U"U"U"U"U"U"U"U"U"U"U1756241UU&Y#A kXUP*Y#F` U kXU1 U Un'Y# AoXU&Y#pmXUmXU1mXUmXU&Y#1oXUn'Y# APnXU &Y# APnXUnXU&Y#mXUA@oXU &Y# A@oXUoXU&Y#PnXUApmXU0mXU&Y#oXUoXU1mXUnXU&Y#ApmXU &Y# AnXU&Y#@oXUAvXUvXU'Y#&EnXU0mXU1PN9UO9U&Y#!+UXVDU0oUAP9U*Y#pXUpXU1PpXU&Y#!(?^:[^URI::uric])nU!URI::_server 1/usr/share/perl5/URI/_server.pmA@9U*Y# =9U<9U1vXUn'Y# AF9U0 'Y#A rXU rXU&Y#qXUA`rXU&Y#AF9U&Y#qXU rXU1rXUrXUn'Y# 2!AsXU@&Y#!@g#ApqXU &Y#q vXU`tXU F'Y#!FrXUrXU5!(?^:(.*@))g#!uXUg#!g#g#A`vXUuXU&Y#PsXU1`KTY#Ba @90@^A00Uq XU XU174947!$portg#!URI::_serverApqXU@&Y# AuXU&Y#sXUPsXUApqXUpqXU&Y# vXUA|XU|XU&Y#%E`vXUpqXUarXUvXU&Y# uXU@wXU 1/usr/share/perl5/URI/_server.pm A{XU{XU&Y#xXU1{XUn'Y# 10xXU0xXUn'Y# 2!:XUg#AxXU@&Y#!! 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This works well as concert piece or just for fun!7U!sib# YU 1Chopin_Trube_Wellen_Emi.sibidc0!Address1U !0g#g#U!0g#g#(U!0g#g#oU!522x696g#hHU!3g#g#_U!1g#g#U!0.00g#0U10000-00-00 00:00:00U0!g#U !0000-00-00 00:00:00WHER1Mojo Ping#0!VerifiedMobileNumber!50g#PwUrrencies!2023-12-17 19:16:58STOR!2g#g# !0g#9FUrrencies!0g#g#0-iU!0g#g# 1204383UPU0!650x919mU !0g#g#PU!0g#g#!1g#g#XU!65192g#1Elton John, Elton John, Bernie Taupin!2.99g#["404044","273786","410022","351812","287835","404002","403996","323223","278672","324925","390920","254229","210309","408859","404062","411571","392722","209881","210198","210430"]!2020-08-21 18:47:59U!0g#g#gU!0000-00-00 00:00:00U!g#g# !1.50Hg#tions"> !0000-00-00 00:00:00dded!0g#g#ss="adde!0g#g#"10"> !0g#g# !1g#PU3 WHERE !Chopin, Op.74 no.3!g#g# 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Largo tranquillo Publish copy 5.sibs.ing fo!2012-05-13 20:30:52ots !0g#g#ed No. 3!1642g#cision t!0g#g#ncerto N!1.50g#eU!2012-05-13 20:31:07U!0g#g# eU!0g#g#eU!0g#g#eU!0g#g#HeU!0g#g#peU10000-00-00 00:00:00U0!Sabra Lindgrenth versi!g#g#ion they!2012g#rings ar!0g#g# Michael Jackson Hit Mix - Conductor Score (Full Score) Concert Band: Flex-Band Michael Jackson, Michael Jackson, Johnnie Vinson Johnnie Vinson 1UXU2497051Copyright © cea productions 2016pmU$=R<UmU0XRU`nUFUPFU 0ZUhU$=xUTUɿUPXU$= uU$$ uUPtU0iU$=yUvU FU$$PexU$=8yUoUfxU$$nU$=xU`UPnU$$йnU$=yUoGU[U$$@wU$=@nUvU$=0JUUPwU[ZU[UUpU;iUDRU0UDTU@CUD8@U`[UDPZUX YUh@U0[UDpcUUUYU 0vU`<UU@iUcU "=U IUD=U[UDEU`+zUYUeUx^UD$UU0.UD[U SXU p+U YUCU;iUDt[URU ZUD@ZUPhU8YUXU,UD(hUCU`ĆU&JU`:Up^UDPRUPfEUD"7UeUDPv[UYU=U22iUD0%DU(YUwUHaU0nUU sSUDlU8iUD\UhwUYUYUYU7vU QU ZUUPUXU`UPUDYU0CUDpgUcEUDpQU 1U 0 NUYU m]UDzUnU`>UoSUDShUYU`eUDiUpxUD`]gU9hUD0v[UU @`oU@ UDDUnUDDUmUD,U [UUD`CUPFUYUheUYU\U8PPUpQiUUUyUDiU\UDP^UpaUpbUMUDP UQU Q^UP6iUDPXUs]UD%UeUDPhU?[U"UUUyUxUDP$U`UD0UmUDJUBYUmUDeUP\UD>ULUD*EUvbUD;FUp2iUDfU`EYUPGUXUU[UD UYUdzUDnUYUpoUP!OUDPUSNUDpkU8UXUU<UU{U莉U @@TU;hU_UUDڟURUDCXU{RU @@<[UxUDVEU\UD`{*U !(YUUP.pYUnU00Up-U=UPYUcRU !( ( #UJP  npFH71355567mU#YUjUUPWUD_UWUD_UWUD _UWUD@_UhUD`_UpjUUWUDp_UWUDЯ_UWUD_UWUD_UphUD0_UkUU`-`UD_U-`UD _U-`UD@_U-`UD`_U ]U dYU=U2&YUPNUfUD )XU@\U  `U$KUDЧfUx&YUp$KU&YUȧU tmUDhUмJUDbJU`$KUDfU$KUDfU$KUDpfU$KUDfU]U  YUYUD4YUYUDp4YUYUD4YUYUD4YUYUD5YUYUD05YUYUDP5YUYUDp5YUYUDwYUYUDwYU YUDxYU0YUD xYU@YUD@xYUPYUD`xYU`YUDxYUpYUDxYUYUD5YUYUD5YUYUD5YUYUDyYUYUDyYUYUD `ZYUYUD\YUYUD]YU YUD ]YU YUD@]YU YUD`]YU0 YUD]YU@ YUD]YUP YUD]YU` YUD]YUp YUD^YU YUDzYU YUD ^YU YUD@^YU YUD0wYU YUDPwYU YUDpwYU YUDwYU YUDxYU!YUDxYU!YUDyYU !YU0!YUD yYU@!YUD@yYUP!YUD 4YUU`!YUD`yYUp!YUDyYU!YUDyYU!YUDYU!YUD0YU!YUDPYU!YUDpYU!YUD YU!YUDpYU!YUDYU"YUDYU"YUDYU "YUDYU0"YUDYU@"YUD0YUP"YUDPYU`"YUDpYUp"YUDYU"YUDYU"YUDYU"YUDYU"YUD YU"YUD@YU"YUD`YU"YU"YUDYU#YUDYU#YUDYU #YU0#YU@#YUP#YU`#YUDYUp#YUDYU#YUD YU#YUD@YU#YUDYU#YUDYU#YUD0YU#YUDPYUKUDpYU/YU%YUШjUD_U0hUU3`UD@_U4`UD_U4`UD_U 4`UD_U@]U ;KU=U20YU`'YUfUD0WU0YU(jUP+KUD]xU0YU+KUD ]xU JUDbJUJUDpbJU9JUD0)cU*KU`+KUD]xU +KUD@]xU0+KUD`]xU ]U  PfUKUDDdUKUD pvYUKUDpDdUKUDvYU KUDvYU0KUDvYU@KUDwYUPKUDy!0g#Hg#!g#g#P[U!0g#g#L^U!0g#g#126135!0000-00-00 00:00:00 YUZUDpZUxUDEU PUDCUI_UpxUD0#GU0qUUJYUMYUU@6U^U0]UnUDPCUXKYUUpKYUxY<UU>U.UDf,UgUD@MhUkSUDpU'bU2pU p"UyUU8U}=UDfUcU  2U`ryUU@\UpcUЌUXk@U_UڽUUUUp/U  p\UPPUDдoU`xUXLU HU,U@gUDU(GvU @Uh UD[UU˺UBU]UЉUDEJUUD lU0[UDnU`;hUD@dhU0 hUU@yUH&UBUDdU UD=U UVoUD`gUMU@eUEVUhUЧU@ U ЊUUUPnUD@`UpWUD0egU\UDU\UDRU/U 00FQU/U  R[UPFU PYUxU !/U [UDGU.UUY\UpNU[UD0SU`-UD`KSUnUD YUw^UDOU`xUDP>UPnUD nUQoUD`o+UmUDPx<U\UUD`3DUPb*UD,EU0]UDzU0NU `NUp[UDpUYUNUn UU`7U;*UPzUPUUvUzUĆUpmUDfUJUD~uU0=UvBhURYUUU\@U *GUU @p:U8SYUP"UDPU .UD`EEU0[UDPCUUD[U%UDPUU@]U@NU@UUOZUhUDxUgzUDxUcUmU .UknUDYUxU7U[UD4^UnUD!oUcU  @A_UPRU XU MURU @@"UHUYU"f@QUD@UДUPUDxUUYUTYUQUDRUpU UP[UDehUp]EUD[UUPUf5^UaUPbU`^UDP:ZUQUD=U0mRUD@>[UP&UpUDU[UD@]U ZUD UpWNUD`YZU@WYUUDPURU D@U0/U 0}[UșgUNUUDUNUDp^U`mUUH1U8U0v UU6^U`UUHXYUrU-UpRUD@3]UPezUDgUPUU[UD` $Ut]UD*zUpPUDQUYYUqmUDЋUhU0}QUD}]UPbUDJUfAUDp/UPZUpbUpUpU*UDn+UyUU8UxUD^UeUD@(hUThe Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Soprano Saxophone and Piano. Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute.(UU!4.60g#UU!0g#g#`VU!1g#g#HkVU!0g#g#HdU!g#g#h'yU!g#g#x]U!0g#g#"U!g#g#"U!g#g#"U!g#g#"U!0000-00-00 00:00:00U!1g#g# Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain. This version is arranged as a solo for Soprano Saxophone with Piano accompaniment. The melody is played four times, each verse in a different style. If you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mc Musicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.!2020-02-26 23:07:32U!0000-00-00 00:00:00!DMKAG2g# KU!857191g#!0g#g#KU!0g#g#KU!0.00g#KU!4.60g#KU!0.00g#KU!1g#g#KU!0g#g#KU!g#g#KU!0.00g#Q8KU!457264e_U !0g#g#eYU!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!1g#g#Amazing Grace, Concert Solo for Soprano Saxophone and Piano John Newton David McKeown Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain. This version is arranged as a solo for Soprano Saxophone with Piano accompaniment. The melody is played four times, each verse in a different style. If you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mc Musicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. 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It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Soprano Saxophone and Piano. Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#pKUPYUYUHKUKUXYUYU`YU YUYUYUYUKUعYUYU@KU@YU`4aUKUXKUYUYUиYUȷYUHYUhKUYU`YUxYU0YUYUYUKUKU YUYUYUKUKUPYUYU8YUYUYUKUXYUKU KU8KUеYUxYUYUKUhYUKU(YUKUKUPKUضYU(KUpYUKU KUxKUpYU8YUYUYUYUKUhYUYUKUYUKUKUYUTranspos!2020-02-26 23:29:13U!0000-00-00 00:00:00!DMKBMS2g#!69749g#!0g#g#!0g#g#!0.00g#!4.60g#!0.00g#!1g#g#!0g#g#!g#g#!0.00g#["135877","136646","136661","457264","170537","93313","156812","192507","186623","77889","11140","72607","56814","14830","69580","90925","103475","72605","59728"]U!2020-09-22 07:51:50!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#\YU!0g#g#YU!1g#g#eExchang!3.00g#edScoUp!2023-03-09 00:44:44U!2023-03-09 00:44:44U!165676g#%YU!142128g#eExchang!0000-00-00 00:00:00Tit!0000-00-00 00:00:00U!0g#Hg#?dU!SopSax&Pno.sib276087!292806g#!Wantedg# !64226p.U !340669g# !The Beatles#!Piano Solog#!GBP#8g#`nU!2012-06-07 00:00:00!2024-03-04 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Monaco, Joe McCarthy !0g#g#!0g#g#!0g#g#!0g#g#8g#!0000-00-00 00:00:00U!g#g#!0g#g#!0g#g# !0g#9U !2017-11-22 17:33:31!sib#g# a-eta/www/www.scoreexchange.com/htdocs/../perl/lib/SE/ScorePart.pmchHandler.pm!РU1U8u[U3x392051!0g#@xU !0g#MU!0.0000g#!0000-00-00 00:00:00!2005-11-03 00:00:00cies!0g#g#bler" "B!1g#g# !0g#,DUrrencies!0g#g#"Greg Ku!0000-00-00 00:00:00!g#xUrrencies!0.0000g#ADS_STOR!2013-02-12 15:43:57!HASHg#v[U!9323076923077!Us2829Q/data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Score.pmP!SE::Score !g#8g#U!g#g# !g#1g#g#X3mU0!HASHg#!HASHg# !HASHg#qMozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)! !SE::Score::Typeculty!2013U0813:01:00!446369g#10.00pz[U0!1.50UQLQ@dU!Pianog#!0g#g#1146270g#0!6Ueexchange.com!0000-00-00 00:00:00!0g#g#10000-00-00 00:00:000!UploadedU !HASHg#!HASHg#q/scores/mozart-flute-harp-concerto-andantino-arr-flute-piano-146270.html?part=446369iano-146270.html!FileSize{[U !0g#8g#!g#g#8U!0.00g#U10g#g#XU0!HASHUntsAllSomeoverl!HASHUg#amburger!0g#FU !0g#l\U!0g#g#10.0000g#01HASH`FhU999999){(U0QX\U\U mZU!8.00`oU a XCU(1U!192364@ _U ahttps://img.sheetmusic.direct/catalogue/product/smd_h_0000000000135312/medium.jpg!5g#g# !0000-00-00 00:00:00!284177U 1smd_h_00000000001139120 lU0U TU`U$(pUs^UeUw]UpuUNPUU@U`*UhU0LUBU 4gU0p^UWUPU0UpU  fUSXU0'Uo]U^zU@&U[UU48Up]eU0ZU '0 #U@eUUКU`hU0UBH `rU OUPU@~UU0UʹU UP U0\UUP>UU0hU Sabra Lindgren (1947-) Welcome to my homepage. I am a composer and arranger. I have over 450 scores for classical orchestra, chamber ensemble, band, and folk music. To view, listen to, and print my music, please go to my Catalogue of scores below. I received a Combined BSED in Music K-12 and Biology from Montana State University-Billings/Bozeman. I have some experience teaching privately and in the public schools. My main instrument is the violin, although I have performed on other stringed instruments and on the oboe and clarinet. My goal is to grow as a composer and use sibelius software to bring music to others. All feedback is important to me in this process. I work to uplift, entertain, and otherwise help others and myself through music composition and performance. It is not required, but I would like to receive feedback about where my music was performed and how it was received. I am also interested in any matters regarding the playablity of the parts. I will continue to add more music to my music store (Lindgren Music Publishing) as I finish entering the scores into the software. I have composed in the classical, modern classical, and folk styles for orchestra, band, and chamber ensembles. I have also composed fiddle/mandolin pieces with guitar and string bass accompaniment. Additionally, I am interested in jobs arranging music or composing scores for film. If there are any difficulties with the scores or obtaining the scores, please let me know through the e-mail. Bound Scores and their parts can also be ordered from me directly by e-mailing sabralindgren@yahoo.com or calling 406-672-0945. They would be sent by mail. If a work from Lindgren Music Publishing is performed for the public, information such as location, date, performance group or individual, and director can be sent to sabralindgren@yahoo.com. This information will then be posted on the Lindgren Music Publishing Face Book website. If it is a world premiere, that will be noted. Thank you for your interest. 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As a child he studied piano and composition, later on percussion, and finally guitar as a young adult. He has performed and recorded as a guitarist, keyboardist, percussionist & vocalist, in a number of trios, quartets and quintets, playing a wide range of musical genres that included original and cover material. During this time he wrote the lyrics and music for over seventy songs. Since the beginning of 2011, he has focused mainly on the composition of contemporary instrumental music. Please Note: Some of the music included below is Atonal, and therefore does not display key signatures. 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Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. 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    By: Sabra Lindgren
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    $36.95

    $9.95

    <0a
    Your Song (from Moulin Rouge)
    Artist: Ewan McGregor, Elton John, Bernie Taupin
    Voice + keyboard
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BBments.FamilyID='3' ORDER BY CommonInstruments.Ord tations.ID = InstrumentationsInGroups.InstrumentationID WHERE InstrumentationGroupID ='18' ORDER BY Instrumentations.Ord, Instrumentations.Name 00:001102210.780000-00-00 00:00:000000-00-00 00:00:00010000000-00-00 00:00:0000000-00-00 00:00:0000000-00-00 00:00:0000018500.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:000000-00-00 00:00:00500000-00-00 00:00:00000001000000-00-00 00:00:0002022-12-15 08:03:452022-12-15 19:55:1401000000-00-00 00:00:001508","73045","180672","166107","58292","42035","163865","85353","158843","129192","72915","69264","161193","66031","69382","183218","31044","153307"]2020-09-27 13:22:2010000-00-00 00:00:0000001650x917013.002023-04-17 08:23:442023-04-17 08:24:10330491754243320000-00-00 00:00:000000-00-00 00:00:00k/dc.asp?dc=D_1EMHDUS | "Raag Gezellig"]], the piano duet composed for the Valberg International Piano 4 Hands Competition 2011. He composes mostly music for piano – stylistically melodic, motoric, motif-driven, jazz-tinged, post-minimal impressionism – in recent years with a particular interest in various traditional world musics. His 2009 album "Intensely Pleasant Music: 7 Airs & Fantasias and other piano music", performed by Steven Kings, received “delicious” reviews (see below). His virtuosic pieces for two pianists [[ http://www.lulu.com/shop/john-pitts/7-piano-duets-triets/paperback/product-22656372.html | "7 Piano Duets & Triets inspired by music from around the world"]] and [[ http://www.lulu.com/shop/john-pitts/gaelic-faram-jig-in-kiev-full-score/paperback/product-22658609.html | "Gaelic Faram Jig in Kiev"]] (written for the [[ https://fandalism.com/kievpianoduo | Kiev Piano Duo]])) have been performed at concerts, competitions and festivals in several European countries, plus Armenia, Australia, Russia, Ukraine and the USA, including in 2015 a concert dedicated to his music in Perpignan Conservatoire's [[ https://www.lepetitagenda.com/fr/evenements/tribute-john-pitts | Festival Prospective 22ème siècle]]. John studied Music at Bristol and Manchester Universities, studying composition under Adrian Beaumont, Geoff Poole, John Casken and John Pickard, also receiving tuition from Raymond Warren and Robert Saxton, and briefly from Diana Burrell in a COMA scheme. "Typhus" and "Nuts & Bolts", two of his chamber pieces, were shortlisted by the Society for the Promotion of New Music. In 2003 John won the Philharmonia Orchestra Martin Musical Scholarship Fund Composition Prize, his Piano Quartet being performed by the Fidelio Quartet in the final stage of the competition at the Royal Festival Hall, and subsequently in Nottingham, London and Oxford. He has written music for Christian worship, with two hymns on Naxos CDs recorded by his eldest brother composer [[ http://www.antonypitts.com | Antony Pitts]] and [[ http://www.tonusperegrinus.com | TONUS PEREGRINUS]], including one in [[ http://www.naxoscarols.com | Faber's The Naxos Book of Carols book]]. In 2006 Choir & Organ magazine commissioned "I will raise him up at the last day" for their new music series. Secretary of [[http://www.severnsidecomposersalliance.co.uk | Severnside Composers Alliance]] (2003-2015), with four pieces released on SCA CDs on the Dunelm label. John has also written music for four plays and two short operatic works - Crossed Wires (Huddersfield Contemporary Music Festival 1997), and 3 Sliced Mice (commissioned by Five Brothers Pasta Sauces). MD of four Bristol Savoy Operatic Society productions, arranging Pirates of Penzance, Gondoliers and Iolanthe for small band, and Associate Conductor of the [[ http://www.bristolmillenniumorchestra.co.uk | Bristol Millennium Orchestra]] since 2010. ** ................................................................................................ [[ http://www.johnpitts.co.uk | www.johnpitts.co.uk ]] [[ http://www.youtube.com/intenselypleasant | www.youtube.com/intenselypleasant ]] ** [[ http://www.johnpitts.co.uk/reviews.htm | REVIEWS]] of CD - INTENSELY PLEASANT MUSIC: 7 Airs & Fantasias and other piano music by John Pitts, Pianist [[ http://www.stevenkings.co.uk | Steven Kings]] ** ** Order your copy NOW from [[http://www.johnpitts.co.uk/cds.htm |www.johnpitts.co.uk/cds.htm]] or download from [[ https://www.hyperion-records.co.uk/dc.asp?dc=D_1EMIPM08 | www.hyperion-records.co.uk/dc.asp?dc=D_1EMIPM08 ]]** THE INDEPENDENT {{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}} "deftly impressive" Andy Gill MUSICAL OPINION {{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="5 stars"}} "a sensitive and intelligent creative personality" Robert Matthew-Walker INTERNATIONAL RECORD REVIEW "...an overall idiom of considerable charm... 'Intensely pleasant music'? Most certainly." Calum MacDonald REVIEWS NEW AGE {{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}} "Realmente un magnífico repertorio desbordante de calidad, belleza y de sumo interés." Alejandro Clavijo MUSICWEB INTERNATIONAL “This is a colorful and interesting set by a talented composer.... The playing by Steven Kings is technically and emotionally perfect." Oleg Ledeniov MUSICWEB INTERNATIONAL {{http://www.johnpitts.co.uk/61a17150.gif}} "brilliantly exciting"..."a colossal musical project that deserves admiration"..."Stunning and seriously impressive" John France MUSICWEB INTERNATIONAL {{http://www.johnpitts.co.uk/61a17150.gif}} "Exciting stuff all round - vital, energising, but sensitive when need be. Toes - prepare to tap." Jonathan Woolf ALL MUSIC GUIDE {{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}} Stephen Eddins PIANO PROFESSIONAL "great character and emotional integrity...a thoroughly worthwhile project" Mark Tanner OPUSMUSICA "recomendable" Adolfo del Brezo CLASSICALSOURCE "surely more than just 'intensely pleasant music'." Michael Darvell VENUE {{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}}{{http://www.johnpitts.co.uk/star.png" width="26" alt="4 stars"}} Paul Riley CROSS RHYTHMS 9/10 "this album is beautiful, moving and relaxing" Andy Whitehead MUSIC & VISION DAILY "The performances by Steven Kings are excellent ... All [the pieces] are pleasing to hear and will be satisfying to play" Patric Standford NEW CLASSICS "beautifully played" 13500010011Uncategorised music1631410000000-00-00 00:00:00110220.000000-00-00 00:00:000000-00-00 00:00:0001153492017-06-14 19:08:25{{"width":300,"position-y-pc":"49","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":93,"width":102,"x":109,"center-y":144,"height":102,"center-x":160}]},"height":295,"position-x-combined":"53%","position-x":"center","position-y":"center","position-y-combined":"49%","average-center-x":160,"average-center-y":144,"id":"76A3EFEE-512C-11E7-8B30-D5960B40935E","position-x-pc":"53"}12019-06-06 16:25:3000000-00-00 00:00:0040011900.000000-00-00 00:00:00000000-00-00 00:00:000000-00-00 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WHERE ID =?e=?, OrigFileName=?, ReExtractParts=?, TitleSorting=?, WarningCount=?, UserID=?, Title=?, ReExtractInfo=? WHERE ID =?cU1Intermediate piano The Bells of Brae'10g#g#0!0g#8g#x{U!g#g#XU!g#g#0dU10g#g#0!pdf#g#tU!121622g#tU10g#g#8tUPtU0a1U A[UU!0g#|U !0g#g#@U!g#g# a cU`U!0000-00-00U 10g#`'UethodesU0UPDATE Scores SET TotalViews=? WHERE ID =?e=?, OrigFileName=?, ReExtractParts=?, TitleSorting=?, WarningCount=?, UserID=?, Title=?, ReExtractInfo=? WHERE ID =?g#g#(`Ua#U +UL Ua0}U 8x=UU!PUTUerl/6.05!365132dxU a%}U \UtU!0g#g#(cU!g#g#!0.00g#U["52827","43370","103986","8283","411917","106114","199124","68167","144278","152934","126421","201896","175453","90063","176509","207843","176687","128908","189568","175859"]oU!2020-08-25 20:28:59U!0g#g#rU!2022-06-07 08:12:56U140EE0C5A-E631-11EC-AB96-696C852D92D4U!170798g#@',U!0g#g# dKU!0g#g# !0g#g#"U!g#g#g#!0g#g#"U!0g#g#"U!1g#g#"U!0g#g#"U!0.0000g#"U!0000-00-00 00:00:00ax}U p0-UU1`KTY#BappU HU Ua}U |zU UQ cU8LWP::UserAgent::JSON::SUPERre/P!UxbU hU!URI#g#yUQhttp://sewww1.adap.co.uk/seview/private/incoming-original/score/6231941`rU cUhttp:: cU aU cUaU cUaUaUcU  PaU cU  cUcUPcU0cU cU qbUcUcU cU cUcU *0 cU$FU`*FUU$FU`bU0cU(UcU cU cUcUcUcUcUpcUcUzbUpmnU0cU cU cU cUcU qFUcU`cUcU cUcUcUcUaUPcUPcU@cUcUeRUpcUcUcU 0cUcU0cUcUzbUUsFUpcUtbU tbUtbUtbUtFUubUtbUcU cUDan Cutchen is adjunct professor of music theory and composition at Dallas Baptist University where he teaches various music theory courses and applied composition.  He has been producing full-scale and demo music projects for both secular and sacred musicians since 1984.  Dan has been a full-time composer/musician since 1993.  He has written for concert band, wind ensemble, string quartet, choir, jazz band, studio charts and other small and large-scale music productions.  Mr. Cutchen is active as competition adjudicator and workshop leader in the areas of music education and Christian education.  He is also in demand in the Family Entertainment industry as an entertainer, seminar instructor, and composer/arranger. Mr. Cutchen holds the B.A. in Music Theory and Composition from Asbury College (KY) where he studied composition with James Curnow.  He holds the M.M. in Theory and Composition from the University of Miami in Coral Gables, Florida where he studied composition under Dennis Kam and conducting under Lee Kjelson.  In addition to teaching, he is currently president of Future Hope Ministries, a non-profit itinerant music and education ministry based in Dallas, TX. 54.23bUebUfbU8fbUbUebU`bUabUȴbUbbU0bbUbbU0bUbUbUFUcbUcbUxbbUpbUhfbUbUHbbUfbUxebUPbUbUdbUfbUbUPfbUpdbUbUhbUabUdbUpabUXdbUbU`bUHebU8bU0ebUdbUXbUbbUbbUbUfbUcbU@bUebUbUȷbUbUdbUebU@dbU fbUdbUcbUhcbUebUabUbUbUbUfbUebU`bU cbUbU.000000!2019-06-06 16:28:31qTotal Eclipse Of The Heart Easy Piano Bonnie Tyler, Nicki French, Glee (TV Series), Jim Steinman U!0g#g##cU!0g#g# #cU!0g#g#@#cU!0g#g#`#cU!0000-00-00 00:00:00U!g#g##cU!0g#g##cU!500#g##cU!500#g#$cU!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0g#g#`$cU!0g#g#$cU!0000-00-00 00:00:00U!0000-00-00 00:00:00UQB]UA(%cUN=W 18.116.36.192@!0000-00-00 00:00:00!0g#8g#|ZU!0g#g#9zU!g#g# ^U1g#g#010g#g#DzU0!0DUpU:16.0858!0.00Ug# !g#(g#`&cU!3.54g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#1Real Book – Melody & Chords'cU!g#g#!g#g#!1g#g#ZJU!289317g#1Henry Mancini, Leslie Bricusse +cU!1.99g#+cU![]g#g#+cU!2020-08-19 15:10:19!0g#g#\JU!0000-00-00 00:00:00U!g#g#XJU!0g#g#0[JU!0g#g#!0g#g#!0g#g#xXJU!1g#g#YJU!1276x1650g#pZJU!5g#g# !0g#g#)cU!0g#g#!0.0000g#!0000-00-00 00:00:00!A Shot In The DarkUU(ݻUUYJUx]UUU UU8UUPUeUhUUUUUHL]UUhO]UU+cUUUXJUlUUxoUUU(UؕU@UxUXUYJUxFaUpUHaUUUUXUUx%UU UU UUxXJUUU \JUukU0UHXJUH3kUHU[JU^U`UhYJU^UxUUUH[JUUU)UU)UU)UUp,cUhUU2!U U8YJU86(U8U*cUhUPUUhU,cU8UU(UUxUU+cUUUHUh1YU<U`)JU(U)JU+cUxY'UUHVU3KU.U3KU+cUH&U)JUU)JU-cU]UUXCU(JUDUx)JUDUU(ZJUXgU UHU8UUPUh}TUhU/cUط~UUH0cUUUGUU<UU[JUGUh3JUDU\UhHU8=HUx%UUxUcUUHU@U5cUUX@UGUxaU`-UlUGUx%UXoUV]UxdU8u6Ue:UȦgU8U7UʴUP|nUUتUGU0mxUUhU+Uh}TUgUU UU;eUu>U8wUsUط~U%UthUhU\@UoUSUhU2!UhdUU'0UXCU`AUP7UUUpD`Ur6UUxUH^U2!Ux@U)Uh00UHaUx0UU̽UxUi@U^mU"UH(3UU ^UUGU8 UUU,UTUUx UUUUDUxcUHlUU5UUQoU GUIUUx~UUJUUUHUNUxTU@UUPzUxUUx~U ZU<U8UUؕUwUtvUU UU)UHpU U5UU U`UxTU BUГ=UU(mUHU+UU(UԙU@_UpyUUսUpUhUPE^U(ݻU`UUZU>UzUU]U`<U(xU^UgUUؚUPRUxUJ[UUUPUȵUXI UؕUU*UUIUxUvzUhO]UfU7UHJUWUXgU(|U8fUhU yUx~U0U`UUeU]UX=&UU]U nUGU_U,UTUUXaUeUqUUV]UXUGUPyUxTUPaQUHUncU8mUUHwUh}TUXUhO]UnU7U`UhtU~U|UUUUU)U'JUU`qcUhUUUV]UزU.UUXOUUHGU:cU!0g#g#:cU!0000-00-00 00:00:00!0g#g#!0g#g#aA Shot In The Dark Real Book – Melody & Chords Henry Mancini, Leslie Bricusse cU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#8\JU0cUp/cUZJU[JU +cUP+cU(/cU,cU.cUh+cU*cU`XJU/cU.cU\JU.cUUYJU YJU-cUX/cU.cU-cU/cU0[JU/cU(,cU@,cU.cU,cU-cU*cU[JU/cUX,cU.cUPYJUZJU-cU`-cU-cU+cUP.cUZJU .cU*cUZJU[JU+cU@/cU.cUXJUx0cUYJU*cUXJUYJU[JU,cUXJU8+cUYJUWJU@ZJU8.cU0cUh.cU/cU-cU`[JU0-cUx-cUYJUH-cUpZJUZJU,cU@cU!0000-00-00 00:00:00ores!0000-00-00 00:00:00 @!g#g#2AcU!374219g#QAcU!0g#g#}AcU!0g#g#Scores!0.00g#? !0.00g#AcU!0.00g#AcU!1g#g#BcU!1g#g#Scores!0g#g#s10g#g#9HUh9HU0!4g#g#@BcU!2013-04-08 16:30:12!0g#g#!0g#g#UHUHL]UHUhO]UȓHUxCcUUHUGUlUHUxoUHUU(HUؕU@HUxUXHUGUxFaUpHUHaUHUUHUXUHUx%UДHU UHU UHU(GUUHUGUukU0HUGUH3kUHHU@GU^U`HUGU^UxHUUHUGUUHU)UHU)UؕHU)UHUCcUhUHU2!U HUGU86(U8HU0GUhUPHUUhHU8DcU8UHU(UHUxUHUxGUUȖHUHU&kU<UHU(U0dU0CcUxY'UUHVUHdU.UPHUCcUH&UHUUHUpEcU]UPUXCUHUDUhHUDUhUGUXgU蝆UHUUUUh}TU0UGcUط~UHUpGUGUXHUGUHUU)U8HUGcUUЗHUMcUTU HUhKU.^UHIU`UPHUXQ]UhHUHR]UHUU]UHUHUHUHcUhUșHU.UHUxTUHUgUHUU]U(HU8.U@HUJcUȆUXHUMcUUpHU&*UHUzUHUXY]UHUZ]UКHUȵUHU8u6UHUx UHUEVU0HUV]UHHUU`HUUxHUUHUxUHU(UHUqU؛HUعUHUpKcUUHUxU HUPJcUU8HUkUPHUKcUnUhHUUHUUHUUHUxUȜHU>UHUUHUHcUUHUx~U(HUhU@HUUXHU(ݻUpHUIcUx]UHUUHUUHUUНHUeUHUUHUUHUHL]U0HUhO]UHHUMcUU`HUHcUlUxHUxoUHUUHUؕUHUxU؞HUIcUxFaUHUHaUHUU HUXU8HUx%UPHU UhHU UHUpHcUUHULcUukUHU@HcUH3kUȟHUKcU^UHU`IcU^UHUUHU@KcUU(HU)U(IU)U@IU)UXIU(NcUhUpIU2!UIU0IcU86(UIUxLcUhUIUUIUpNcU8UIU(UIUxUIULcUU0IUHUHU<UйHU(UpHUhMcUxY'U`dUHVU^U.UuxU8McUH&UHUUHUOcU]U`UXCU@HUDUHUDUxU JcUXgUUHUUUUh}TU؞U@QcUط~UUKcUGU0HUGU IUU)UIURcUU8IUJUTUIU\UIU`UIUXQ]UIUHR]UIU aDanny Boy - For Flexible Brass Quartet. Score and parts. Irish Trad. Tim Curd Danny Boy – For Flexible Brass Quartet. This piece is an arrangement of the famous Irish traditional which is also known as Londonderry Air. About grade 5 standard. Can be performed using a variety of brass but best performed with Trumpet x2, F Horn, Trombone. or Cornet x2, Tenor Horn, Euphonium. Prices $8 for score and parts The parts are: Part 1 Trumpet in Bb Part 2 Trumpet in Bb Part 3 Horn in F Part 3 Horn in Eb Part 3 Trombone in C Part 3 Trombone in Bb/Euphonium Part 4 Trombone in C Part 4 Trombone in Bb/Euphonium Please check out my other Flexible Brass Quartets. 6 Easy Pieces. O When The Saints. Mexican Hat Dance The Entertainer Rond Alla Turka St James’ Infirmary There are also many duets and trios too! 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!1g#g#!1g#g#(\U!0g#g#!0g#g#GZU!0g#g#cU!g#g#!1g#g#1863D2BEA-C6E2-11E9-B69C-F3D41D17C629U!0g#g#!0g#g#P!0000-00-00 00:00:00!*:U !0g#cU 1XcU[95728!0g#piUVmU!0000-00-00 00:00:00!0000-00-00 00:00:00QU18cUh331467!g#8g#8gU!g#g#pU!0g#g#0FyU10g#g#0!pdf#g#sU!192364g#4tU!0g#g#tU!First Light - Score.pdf!0000-00-00 00:00:00U!0g#g#[sU!0g#g#6sU!0g#g#sU!1.50g#0^^U!0000-00-00 00:00:00U!1g#g#(hU!1g#g#@U!0g#g#U!g#g#(U!0g#g#0FyU10g#g#xZU0!0g#g#UZU!g#g#HU!1.50g#GU!0g#g#`U!0g#g#h \U!0g#g#"U!g#g#"U!g#g#"U!0g#g#"U!g#g#"U!g#g# !0g#g#@cU!g#g#!5.31g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!Drums Transcription!g#g#!g#g#!g#g#@U!634069g#!0g#g#U!0g#g#!0.00g#ZU!0.00g#U!0.00g#mU!1g#g#0;U!1g#g#xoU!0g#g#`>xU!0g#g# hU!1g#g#hwU!123107g#QThe Beatles, John Lennon, Paul McCartney, John Lennon, Paul McCartney!2.99g# !0g#g#ЪcU!0.0000g#!0000-00-00 00:00:00!Get Backg#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#qGet Back Drums Transcription The Beatles, John Lennon, Paul McCartney, John Lennon, Paul McCartney 1!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#PUCUoUxUhUyUfU zUhnUOUlUxU0GUpXSUCzU]-UC`UUpYU؊UX8cU_U(CUWgUhJUC`UhwUGU0keUpgU ZUUxxU`U#NUMU,U@UMUmUGUU@UxyU@U8RnUZUYU=U9xUAeUmU+mUeU0;UB0U8lUxoUp\U`pUU`>xU\U hUyU`?`U0yZUuUhLnUmUhfU oUqZUD`UphU8mUP1cUPU["255993","273962","273968","274580","274582","274590","274592","274598","274607","274620","281629","282170","282258","282628","282629","282688","282698","282700","282701","282702"]!2020-09-02 01:28:1707!0g#g# !0000-00-00 00:00:00!g#g#kU!0g#g#0mU!0g#g#613470!0g#g#p!0g#g#!0g#g#0cyU!1276x1650g#U!5g#g#594426!1g#g# !0.00g#!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0g#g# `eUpcU(EUCU]UDHXU^<UUUhUUI`UcU_UQXU `Ud`U`UUD`*UUDUUUlgUDGhUUU8UU`U0UD>U\U`.UDFuUՈUbUDG_U vU =U UDpUpU ogUDwUUP;gUoNUȶcUgUD@UXUDUUUDdU@cU [UDPEU@UDmzUcU0UGU@U @pU(o UUP.U]UeU@wmUDJU@r>UDJUmUDdoUYUP`UUDE_UH]UP)gUUD0lUcU;#UDU UUU@cUmUD0P\U\<UUXU4U`UUD%U`VeUDUU0nUDMpU0UPUoUUЅ\UD dUhUUFU NU 0U`HUDU$U\U @ yUHUU@ыUU`UU "UU URXU PcU/UqU1U 0]UhZ<UU-U@IUD`DEU`/gUD@U0.UD@~uUhU NUTUUUUDyUhUhU @ЬUIUD@UmUD!eUPkmUD.@UeUD>hUU @PNUxUD0~oUhUU]ULUDZU`UD0YU0^UDoUpyUD`BU`9YUD@@PCU[UD`UXUSUo*U)gU@ĉUD UU UUDxU`p UU@'+UnUDuU |^UVXU A9U@UD`7U^UD0&U`hSUDiU@UD0TU@U @ZU6U@xUD`#cUpYNUPYUcUmU0ZUa\U/UD2nUUU+UUUD U@]UD`^U8U @бyUнdUyU U@k]UDeUCUUNUD 'zUUD0ULXU dUU.UDIUcU`UpeUD_lUzUUU`[UDPgU PUDUcUHOTUPq UU-UnU U`cUD;[UCUDU@CUD0QeUUeUDcoU ]U `%mUUDU[UDlUh[U(gU=Uv|UmUD ИUhUD[RUPU :U`\UDEUUQU0U UUD0UXUкUU8UPeU)UU>UFpUU`}zUhU!/UlUV]Ud\UU]U8U8u6U ahU0xU((U8XUXUUHCU8UmUUhUU&*UZ\UUȊUU UUHU UHU8Ux~UkcUXCU`FgUURYUPQUUMU0UHU@UU)U.Ux U K+UUXUkUHBU\U&*UhU8GUHuUUU_U,Uh)CUUp\Uh}TU yU(ݻUYUHfUGU\U/UdUxeUXU;eUP_UUoUphUȆU0cUGUOZUzUxyUHUgQUUx-UUgUXfUnUxnU@sU8UU(UgUUUUhU.ULZUU(eUzUTU`=UȵUcUxUhdU,CUUJU0UUPUqUеmUUXgU.kU!]UU"Uh}TU@\UqU6UzUhU(;HU.UzUPU%UxUtU!/UgUp{@UnU[UUٺUHU[Ux]UUh}TU[U.UUpDUUU\^UUY8UUzmU@sU(Uw=UHbU+U.UP6eUZUXU*U.UEU)UXcUUbU\UU^UlU0UU]Ux]UzUHmU]UoU褠UpQ=UxU89U_UwUpmU `UU UUxJU`~\Uط~U QUoUhU5U0`ZUȆU^UgU8IVU`\U^UlUHUdeUȆUPYUqUQUU]UfUhU8UpfUxU2UUOUU2!U$[UUGUФUqUyUfUU@ CU^UUcUHUTUMUXUzUXY]UUUxY'UUZ]UȺGUUUh UUxU0U0OUUUU@NUP1UeU8]UXGUlU8hUhUp,WUxUwEUU]UПGUheU,oUHaUYUU(TUXUU)yU8sUط~UzU(@U@NUpmUukURDUHaUlUUGUUTU<U<UJUUpCU86(Up@U(UUڞU"UUSDUxUЛeUh}TU̶UV]UgU`UgUU@U(U UUpUUrEUZ]UEUUHR]UUUU\^U [Fri Apr 19 20:42:52 2024] -e: score unavailable because it's SMD and deleted (472123) at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/ScorePart.pm line 2077. SE/Handlers/SearchHandler.pm line 43. one%22 at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/SearchEngine.pm line 1311. ian+Eno%22+%22Jon+Buckland%22 at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/SearchEngine.pm line 1311. 7 [Fri Apr 19 20:41:43 2024] -e: ADAP3::GenericObject::create('SE::Score', 'HASH(0x55fa14518f08)') called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Score.pm line 544 [Fri Apr 19 20:41:43 2024] -e: SE::Score::create('SE::Score') called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Handlers/MyAccount/Scores.pm line 2331 [Fri Apr 19 20:41:43 2024] -e: SE::Handlers::MyAccount::Scores::upload() called at /data/www/www.scoreexchange.com/htdocs/../perl/lib/SE/Handlers/MyAccount/Scores.pm line 85 [Fri Apr 19 20:41:43 2024] -e: SE::Handlers::MyAccount::Scores::handler('Apache2::RequestRec=SCALAR(0x55fa142cb390)') called at -e line 0 [Fri Apr 19 20:41:43 2024] -e: eval {...} called at -e line 0 e 0 0 QConcerto for Oboe, III. Presto and Minuet, for Solo Oboe with Orchestra UdUdU@U.U`mnUpU`UURXU[`U wUp,FUU)0 ^UUgU[U pxUDU)0^UнgUU0x^UC#U `UMPRU U]UUpxPUIU[UUhU^UU @ZeU18UfRU UU (@UUU  UU$( U-gU!UDH\U@\UBU@(U=@ U U ][UqI wrote this concerto not to "push the envelope", but to break into composition. It is one of my first large compositions and is influenced by my background playing folk guitar and listening to lots of Mozart. It is numbered No. 3 because I delayed my decision to publish it. Violin Concerto No. 1, composed earlier this year (2009) is my latest concerto.!2.95g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!29.95g#(dU!27.00g#!0g#g#+dU!g#g#!0.00g#(dU["72471","79936","1165","484519","479325","108134","63419","485438","51839","539708","406856","424011","484577","539898","539899","121628","126121","527819","27246","10647"]@(dU!2020-09-25 01:18:28U!0g#g#!0000-00-00 00:00:00U!g#g#10g#g#(dU*dU0qI wrote this concerto not to "push the envelope", but to break into composition. It is one of my first large compositions and is influenced by my background playing folk guitar and listening to lots of Mozart. It is numbered No. 3 because I delayed my decision to publish it. Violin Concerto No . 1, composed earlier this year (2009) is my latest concerto.!1g#g#!1g#g#!1g#g#!0g#g#{ "GroupOrd" : "580", "StoreGroupOrd" : "430", "StoreGroupID" : "2925", "GroupID" : "21294" } U dU!0.0000g#!2011-10-08 01:10:27aViolin Concerto No 3 in D for Solo Violin and Orchestra III Allegro Giocoso a dU!0g#g#!0g#g#!24g#g#!2013-04-23 10:15:38!0g#g#!0g#g#Violin Concerto No. 3 in D for Solo Violin and Orchestra, III. Allegro Giocoso a Sabra Lindgren Lindgren Music Publishing I wrote this concerto not to "push the envelope", but to break into composition. It is one of my first large compositions and is influenced by my background playing folk guitar and listening to lots of Mozart. It is numbered No. 3 because I delayed my decision to publish it. Violin Concerto No. 1, composed earlier this year (2009) is my latest concerto.cores!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#8*dU/dU0/dU(dU)dU*dU+dU.dU,dU.dU(+dU*dU`&dU`/dU.dU*dU-dUaXU'dU 'dU-dU/dUX.dUP-dU.dU0)dU/dU+dU,dU.dU,dUh-dUh*dU)dU/dU,dU@.dUP'dU(dU,dU -dU,dU+dU.dU(dU-dUP*dU(dU)dUX+dU/dUp.dU&dU80dU'dU*dU&dU'dU)dU`,dU&dU*dU'dU%dU@(dU-dU/dU(.dUx/dU-dU`)dU,dU8-dU'dU-dUp(dU(dUH,dUe?!0g#g#PdU!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-28 13:16:06!2023-04-28 13:16:37!4073815g#!3658569g#!0000-00-00 00:00:00!0000-00-00 00:00:00 jp%(LP^`sxfhHPSX/0npopjpPX1#dUQ/dU!0g#ZUuantityS!1g#g# {TUhUȡTUUTU}TU8UTU(UTUxU(TU |TUU@TUHULPU<UQU(UUU|TUxY'U?UHVUSU.UUU|TUH&UHUUU`UUTU]UhUXCUUUDU0UUDUhUyTUXgUhUHU0hUUHhUh}TU`hU%dUط~UxhU0&dUUHTUU)UTUXcU3dU{TUGU &UU+dUTUTUGU0TU`UȤTUXQ]UTUHR]UTUU]UTUHU(TU&dUhU@TU.UXTUxTUpTUgUTUU]UTU8.UTU(dUȆUХTU+dUUTU&*UTUzUTUXY]U0TUZ]UHTUȵU`TU8u6UxTUx UTUEVUTUV]UTUUئTUUTUUTUxU TU(U8TUqUPTUعUhTUx)dUUTUxUTUX(dUUTUkUȧTU)dUnUTUUTUUTUU(TUxU@TU>UXTUUpTU&dUUTUx~UTUhUTUUШTU(ݻUTU'dUx]UTUUTUU0TUUHTUeU`TUUxTUUTUHL]UTUhO]UTU+dUUةTU&dUlUTUxoUTUU TUؕU8TUxUPTU'dUxFaUhTUHaUTUUTUXUTUx%UȪTU UTU UTUx&dUUTU *dUukU(TUH&dUH3kU@TU)dU^UXTUh'dU^UpTUUTUH)dUUTU)UTU)UЫTU)UTU0,dUhUTU2!UTU8'dU86(U0TU*dUhUHTUU`TUx,dU8UxTU(UTUxUTU*dUU3dUHUPU<U QU(U&UUp+dUxY'UpUUHVUn*U.U8&UU@+dUH&U&UUU&UU-dU]UhUXCU&UUDU&UUDUhU((dUXgUhUHU؊hUUhUh}TUhUH/dUط~U hUh0dUU4dUU)U6dUX?[U@>dU)dUGUTU0eUTU6dUGU4dU`U06dUXQ]UH6dUHR]U`6dUU]Ux6dUHU6dUP0dUhU6dU.U6dUxTU6dUgU6dUU]U7dU8.U 7dU2dUȆU87dUxeUUP7dU&*Uh7dUzU7dUXY]U7dUZ]U7dUȵU7dU8u6U7dUx U7dUEVU8dUV]U(8dUU@8dUUX8dUUp8dUxU8dU(U8dUqU8dUعU8dU eUU8dUxU9dU2dUU9dUdefScorМTU3dUTUD@dU3dUTUjUD UUPL]UU0UUDUU`UUD`UUpUUDUUUUDUUp#1U #dU FiU24dUTUTUfUD9fUdUDMdU5dUpdUD]dU*KUD\xU+KUD]xUfUD(XU@dUdUDMdUdUD]dUdUD]dU ]U  odUП=UD\U TUDpTU0TUD0\U@TUDTUPTUDTU`TUDTUpTUDTUTUD TUTUDЮTUTUDTUTUDTUTUD0TUКTUDPTUTUDpTUTUDTUTUDTUTUDTU TUD@TU0TUD`TU@TUDTUPTUDTU`TUDpgdUpTUD hdUTUD@hdUTUD`hdUTUDhdUTUDhdUTUDhdUЛTUDhdUTUDidUTUD idUTUD@idUTUDЯTU TUDTU0TUDTU@TUD TUPTUD@TU`TUD0TUpTUDpkdUTUDkdUTUDkdUTUDkdUdUDkdU dUDpldU0dUDldU@dUDldUUPdUDldU`dUDmdUpdUD mdUdUD@mdUdUD`mdUdUDmdUUdUDmdUdUDndUdUDndUdUDndUdUDodUdUD odUdUD@odU dUD`odU0dUDodU@dUDodUPdUD`idU`dUDidUpdUDidUdUDidUdUDidUdUDjdUdUD jdUdUdUD@jdUdUD`jdUdUdUdU dU0dU@dUDjdUPdUDjdU`dUDjdUpdUDsdUdUDtdUdUDtdUdUDtdUdUDtdUdUDudU0>dU4dUUUDUUPL]UUUUDpUUUUDжUUUUDUUUUDUU]U jdU>U2 ?dU5dU8?dU fUDnfUfUD`:fU?dUfUD9fUfUD)XU fUD@)XUPfUDWUfUfUD:fUfUD:fUfUD :fU`]U  WdUhUD=UdUD@fUdUD=UdUDfUdUDfUdUDvdU dUDwdU0dUD0wdU@dUDwdUPdUD0XU`dUDPXUpdUDpXUdUDXUdUDXUdUD XUdUD@XUdUDpXUdUDXUdUDXUdUDXUdUDPwdUdUDGdU dUDKdU0dUD0KdU@dUDPKdUPdUDpKdU`dUDKdUpdUDKdUdUDKdUdUDKdUdUD pwdUdUDLdU!115931g#ores WHEQ Concerto for Orchestra IV. Largo FinalPubcopy 6 copy 9.sibU!1705378g#0 by Pia!2017-06-09 17:10:17U10000-00-00 00:00:00YU0!60g#g# !151591g#FSUQViolin Concerto No 4 for Solo Violin and Orchestra I AndanteUQViolin Concerto No. 4 for Solo Violin and Orchestra I. Andanteo*U!65g#g#PtEU!372#g#0MU!4g#g#FSU!1g#g#NU!2015-05-30 04:30:02U!2022-03-20 05:55:38U!Sabra LindgreneU!g#g#eU!2014g#eU10g#g#0!sib#g#YU!696#g#%[U!0g#g#XCUaViolin Concerto No. 4 for Solo Violin and Orchestra I. Andante Publish copy 6.sib=U12015-05-30 04:30:02U0Symphony No. 4 has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin scores. This symphony has a rather vague tonality in A. A set series of intervals that connect the movements are presented in a variety of rhythms, characters, and moods. Some of the compositional techniques employed include inversion, canon and fugue style of texturing, and dialogue between instrumental groups. This third movement is based on the Golden Ratio of the fibonacci system of numbering. This ratio is found by comparing the number of beats in each section of music. This movement also has a symmetrical structure. It therefore has a fractal nature. It is interesting to note that the Golden Ratio of fibonacci system of numbering is found in the patterns of Nature, such as in the sunflower and in sea shells. eNam!9.95g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!2020-08-04 05:45:57U!0000-00-00 00:00:00!g#g#eU!10405g#!0g#g#eU!0g#g#eU!0.00g#peU!32.45g#eU!22.50g#eU!0g#g#`eU!g#g# eU!0.00g#eU!5.008g#!2023-04-22 23:36:47U!2023-04-22 23:37:1613375562g#eUeU0Symphony No. 4 has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin scores. This symphony has a rather vague tonality in A. A set series of intervals that connect the movements are presented in a variety of rhythms, characters, and moods. Some of the compositional techniques employed include inversion, canon and fugue style of texturing, and dialogue between instrumental groups. This third movement is based on the Golden Ratio of the fibonacci system of numbering. This ratio is found by comparing the number of beats in each section of music. This movement also has a symmetrical structure. It therefore has a fractal nature.U]QdU!0g#g#!0g#g#!1g#g#!0g#g#!g#g#!0.0000g#!2012-05-13 20:42:32aSymphony No 4 for Strings Percussion and Keyboard III Largo tranquilloRdURdU!0g#g#!0g#g#!22g#g#!2013-04-22 10:06:40!0g#g#!0g#g#Symphony No. 4 for Strings, Percussion, and Keyboard III. Largo tranquillo Sabra Lindgren Lindgren Music Publishing Symphony No. 4 has four movements: I. Moderato, II. Andante, III. Largo tranquillo, and IV. Allegro rondo. Suggested fingerings are written in the violin scores. This symphony has a rather vague tonality in A. A set series of intervals that connect the movements are presented in a variety of rhythms, characters, and moods. Some of the compositional techniques employed include inversion, canon and fugue style of texturing, and dialogue between instrumental groups. This third movement is based on the Golden Ratio of the fibonacci system of numbering. This ratio is found by comparing the number of beats in each section of music. This movement also has a symmetrical structure. It therefore has a fractal nature. It is interesting to note that the Golden Ratio of fibonacci system of numbering is found in the patterns of Nature, such as in the sunflower and in sea shells. URWdU!g#g#WdU!0g#g#!0g#g#!0g#g#eUeU eUeUeUeUeUeUeUeUeUxeU@eUPeUheUeUeU`XUeUeUxeUeU8eU0eUeUeUeUeUeUeUpeUHeUHeUeUeUeU eU0eUeUeUeUeUeUeUeUeU0eUeUeU8eUeUPeUpeU(eUeUeUeUeUeU@eUeUeU`eUeU eUeUeUeUheU`eU@eUeUeUxeUeUPeUeU(eU[dU["72471","79936","484519","1165","479325","108134","424011","51839","484577","63419","406856","121628","27246","527819","485438","10647","110312","121610","92176"]U!2020-09-09 02:34:24!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!3107476g#]dU!0000-00-00 00:00:00!0000-00-00 00:00:00QeU!115660g#ores WHEQ Concerto for Orchestra V. Allegro Finale Pubcopy 6 copy 5.sib1Concerto for Orchestra IV. LargohQU!35g#g#0NU!0g#g#/?U!4g#g#g#!1g#g#phQU!2015-08-27 16:38:01U!2024-03-09 17:26:25U!g#8g#]fU!2010g#X^fU!0g#g#h]fU17g#g#0!sib#g#p8NU!696#g#NU!0g#g#Q>U!2015-08-27 16:38:01U!0g#g#a>U!1246g#0NU!0g#g#S U!2.00g#_fU!2015-08-27 16:38:05U!1g#g#_fU!0g#g#^fU!0g#g#_fU!2017-06-09 17:10:17U!0000-00-00 00:00:00U1g#g#x_fU0!Sabra Lindgren I wrote this concerto not to "push the envelope", but to break into (learn) composition. It is one of my first large compositions and is influenced by my background playing folk guitar and listening to lots of Mozart. It is numbered No. 3 because I delayed my decision to publish it. Violin Concerto No.1, composed earlier this year (2009), is my latest concerto.NU!2.95g#Q>U!0g#g#/?U!0g#g#a>U!0g#g#0NU!g#g#S U!g#g#P0U!0g#g#8\U!g#g#[U!g#g#xXCU!g#g#j"U!g#g#eU!20793g#!0g#g#eU!0g#g#!0.00g#eU!29.95g#eU!27.00g#eU!0g#g#eU!g#g#@eU!0.00g#eU["72471","79936","484519","1165","479325","108134","484577","406856","63419","424011","51839","485438","539708","121628","126121","527819","27246","121610","110312","366956"]eU!2020-09-12 17:56:45Wind Quintet No. 1 in F has four movements: Andante, Allegretto and Largo, Adagio, and Allegro giusto. It is my first composition for strictly wind instruments.quires!4.00g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#HeU!18408g#!0g#g# 3dU!0g#g#`eU!8.00g#0dU!8.00g#XeU!7.50g#P3dU!0g#g#1dU!g#g#x2dU!0.00g#eUQeU!0g#pZRUtAttempt!0g#g# !1g#g#`kdU!0g#g#!1g#g#!0g#g#{ "GroupOrd" : "380", "StoreGroupOrd" : "230", "StoreGroupID" : "2923", "GroupID" : "22289" } geScores!0.0000g#!2011-05-08 16:42:411Wind Quintet No 1 in F Allegro giustos!0g#g#!0g#g#!12g#g#!2013-04-27 17:06:05!0g#g#!0g#g#Wind Quintet No. 1 in F, Allegro giusto Sabra Lindgren Lindgren Music Publishing Wind Quintet No. 1 in F has four movements: Andante, Allegretto and Largo, Adagio, and Allegro giusto. It is my first composition for strictly wind instruments.es2!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#eUeUeUH2dUeUeUeUeUPeUHeUeU@eU0dUeU0eUeUpeU`XU1dUX1dU@eUeUeUeUxeUh3dU8eUeUeU`eU8eUeUeUPeUPeUeUeU1dU2dUeUeUheUHeUeU3dUeUeU 3dU83dUeUeUeU0dUeU2dUXeU0dU2dUP3dUeU(1dUeU1dU0dUx2dUeUheUeU eU(eUeUeUeU1dUeU2dU2dUeUhange0:["114092","151329","46659","485503","184277","59926","62540","141085","116345","178664","81520","62539","90477","186054","62542","71851","58141","185757","181380","103287"]202ZipConve!2020-09-09 04:10:19eExc!0g#g#ZipConve!0000-00-00 00:00:00nFin!g#g#hangeor!0g#g#tSize02!0g#g#ScoreExc!0g#g#ZipForma!0g#g#defU!1g#g#Scoresr!650x919g#ManualVe!0g#g#ScoreExc!0g#g#PageOneA!5.00g#PageOneA!2023-04-28 13:30:41U!2023-04-28 13:31:13es0!3577956g#core00!3137073g#coreLIN!0000-00-00 00:00:00es!0000-00-00 00:00:00ityS!1g#g#ores WHE!2012-05-13 20:30:521:03!2022-03-19 03:20:16!8g#8g#eUqCopyright © 2012. All rights reserved. Lindgren Publishing scoreexchange.com sabralindgren@yahoo.com1sib#g#xdUxdU0!2013-05-21 06:48:55U!0g#g#eQU!1172g#OU!0g#g#;SU!1.50g#oTU!2013-05-21 06:48:58U!1g#g#`oTU!0g#g#UU!165047g#pTU!2017-06-09 17:10:17U!0000-00-00 00:00:00U1g#g#oTU0!5g#g#OUQConcerto for Oboe has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. This concerto is also arranged as a soprano saxophone concerto.U%[UP!35g#g#ores WHE!0g#g#LUX#!4g#g#`!1g#g#KU!2011-10-08 01:00:52U!2017-11-22 16:58:48U!0g#8g# 'dU!4g#g#'dU!1.50g#&dU12011-10-08 01:00:550!sib#g#FSU!696#g#NU!0g#g#Q>UAVln Con No. 3 in D Orch III. Final Publish .sibeQU!2011-10-08 01:00:52U!0g#g#;SU!1061g#0MU!0g#g#FSU!1g#g#(dU!0g#g#'dU!157128g#@(dU!g#Xg#'dU!996808g#(dU!0g#g#h'dU!0g#g#&dU10.00g#(dU0!Sabra Lindgren%[U!g#g#XCU!2000g# !0g#eWU QConcerto for Oboe, II. 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He began learning the violin at Oldershaw Grammar School in Wallasey but soon switched to the viola and took lessons with Andrew Thomas, then Principal Viola in the Royal Liverpool Philharmonic Orchestra. From school, he studied Law at Kings College London before entering the Royal College of Music as a postgraduate, where his professor was Frederick Riddle. He spent two years in the Netherlands Radio Philharmonic Orchestra before returning to the UK to freelance. He has worked with all the major London orchestras and those of the BBC as well as spending short periods as Principal Viola with the Ulster, Scottish Ballet and London Festival Ballet orchestras. In 1988 he was invited to join the Scarborough Spa Orchestra, where the quartet was founded and where his interest in arranging began, producing many numbers for both the orchestra and the quartet. His major spare-time activity is in the classic car movement, being the proud owner of a much-cherished Triumph Stag, and is also a member of the Jaguar Drivers Club. His viola was made for him in 1974 by the celebrated modern luthier Sergio Peresson, in Haddonfield NJ !1g#(g#!g#g#d' data-!13701g#ratic Re!1g#g# !0000-00-00 00:00:00!g#g#!0g#g# Q Despite its whimsical libretto and obviously emblematic characters, Mozart's singspiel The Magic Flute is regarded as one of the greatest operas of the entire repertoire. In fact, as music historian Philip Downs has noted, many hold that The Magic Flute is among the greatest human documents, worthy to stand beside Bach's St. Matthew's Passion. In this story about good and evil, Sarastro, the high priest of an enlightened brotherhood, abducts Pamina, whose mother is the evil Queen of the NIght. The Queen sends Prince Tamino to save Pamina. Tamino not only falls in love with Pamina, but also accepts Sarastro as the incarnation of truth and goodness. Tamino's counterpart is Papageno, the Queen's bird-catcher, whose earthiness counterbalances Tamino's idealism. Predictably, love and goodness triumph, Sarastro overcomes the Queen of the Night, Tamino and Pamina are united after many trials, and Papageno finds Papagena, a female version of himself. The possible sources of Emanuel Schikaneder's libretto include Jakob August Libeskind's story "Lulu or the Magic Flute," published in Wieland's Dschinnistan, a collection of fairy-tales. The Magic Flute was written in 1791, the year of Mozart's death. Although overwhelmed by many adversities, Mozart found great joy in working on an opera for Schikaneder's Theater auf der Wieden, in the suburbs of Vienna, which catered to unsophisticated audiences. The Magic Flute has been called a Masonic opera: both librettist and composer were Masons, and the opera abounds with Masonic symbolism, culminating in the triumph over light over darkness. Although the Masonic flavor of The Magic Flute is undeniable, what makes it a great work of art is Mozart's unique ability to translate his humanistic ideals into music of extraordinary beauty and evocativeness. The fundamental theme of this opera is love, a theme to which Mozart fully dedicates his entire genius. To the listener, Mozart's ode to love brings eighteenth century opera in its full splendor. Not only is the music, which includes sparkling arias, charming buffo scenes, and ensembles of transcendent beauty, enchanting and invigorating, but it also effectively coalesces with the story to create a powerful, convincing work of art. This arrangement comes with a supplemental 3rd violin part, as well as a bass part for use with string orchestra.g#{ "GroupOrd" : "690", "StoreGroupOrd" : "690", "StoreGroupID" : "2449", "GroupID" : "10731" } }176804!0.0000g#!2011-05-07 19:13:141The Magic Flute March@dU0!CatalogueReference!SibeliusStyleID qhttps://img.sheetmusic.direct/catalogue/album/14aa2655-42b1-31f7-9e82-a567fba17953/large.jpgp!51319g#!2022-11-30 18:06:23!2022-11-30 18:06:23UUU UX<U(UUpUUKUhUUHUUU!GBP#eU !229455g#1e86d248257111c7699e560852b7842ee!0g#g# !g#8g# xU!0000-00-00 00:00:00121300e69a6d1e219bf3afecea3160768!37167g# UCU(UUUcUhXUpVU(vU!0g#xU10g#g#0!4630370%U !g#g#1Tom Eggleston0!HASHg# !0g#]U!1g#g#10g#g#0!0g#@U!0.0000g#10000-00-00 00:00:000!HASH`iU!HASHg# 1161788dUtenngderSent01eU12154!0g#P>U!1g#g#!300g#!2023-03-30 11:10:34U12023-03-30 11:11:08textgdomUU^U3UHUURU[U`>UZ]UmU)UxĈU؇UhUgUV]U0]QU'mUPr=UHU0gUoUU0dU(UU hUUإwU(voUH3kU0UHaU@…U8u6UUhUjxUXUhUUGU(v=UxUxUv=UHVUxgUwUIUpUBUP`\UHFU<U'yU&*U 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Orchestra II. Adagio Sabra Lindgren Lindgren Music Publishing Concerto for Orchestra has five movements: I. Andante, II. Adagio, III. Andante, IV. Largo, and V. Allegro Finale. Suggested fingerings are written in the violin parts.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#8rjUXfUfUpjUqjUrjUsjUhfUtjU fU(sjUrjU`njUfUfUrjUHfUaXUojU ojUfUfUfUfUPfU0qjUfUsjUtjU8fUtjUfUhrjUqjU(fUtjUfUPojUpjUtjUfUtjUsjUfUpjU`fUPrjUpjUqjUXsjUfUfUnjUpfUojUrjUnjUojUqjU`tjUnjUrjUojUmjU@pjUxfU@fUfUfUfU`qjUpfUfUojUfUppjUpjUHtjUeScoreshojU^UjUUjUHqjUU(jU)U@jU)UXjU)UpjU0tjUhUjU2!UjU8ojU86(UjUrjUhUБjUUjUxtjU8UjU(UjUxU0jUrjUUHjUHU0NU<UQ>U(UDjUpsjUxY'U`jUHVUQ>U.UDjU@sjUH&UEjUU(EjU0fU]U ?UXCUPDjUDUDjUDU?U(pjUXgU?UHU0?UUhUUh}TUUUfUط~UUUqjUGU0jUGU8jUU)UjUfUUPjU@!fUTUjU UUX:9UkU`UДjUXQ]UjUHR]UjUU]UjUHU0jUfUhUHjU.U`jUxTUxjUgUjUU]UjU8.UjU@fUȆUؕjU!fUUjU&*UjUzU jUXY]U8jUZ]UPjUȵUhjU8u6UjUx UjUEVUjUV]UȖjUUjUUjUUjUxU(jU(U@jUqUXjUعUpjU0fUUjUxUjUfUUjUkUЗjUfUnUjUUjUUjUU8kUxUPkU>UhkUUkU`fUUkUx~UkUhUkUUkU(ݻUkUfUx]UkUU(kUU@kUUXkUeUpkUUkUUkUHL]UkUhO]UkUp!fUUkUfUlUkUxoUkUU0kUؕUHkUxU`kUfUxFaUxkUHaUkUUkUXUkUx%UkU UkU UkU0fUU kUfUukU8kUfUH3kUPkUHfU^UhkU fU^UkUUkUfUUkU)UkU)UkU)UkU!fUhUkU2!U(kUfU86(U@kU8 fUhUXkUUpkU0"fU8UkU(UkUxUkU fUUkUHU8DjU<UjU(UHjU(!fUxY'UR>UHVU/?U.U/?U fUH&U؉jUUjUh#fU]UUUXCUjUDUjUDUUUfUXgUUUHUUUU$UUh}TU%UU%fUط~U%UUxfUGUjUGUkUU)U@ kU%fUUkU8XUUTU( kUKEUhkU`UX kUXQ]Up kUHR]U kUU]U kUHU kU&fUhU kU.U kUxTU kUgU kUU]U0 kU8.UH kU8UUUȆU` kUXUUUx kU&*U kUzU kUXY]U kUZ]U kUȵU kU8u6U kUx U kUEVU8 kUV]UP kUUh kU["72471","79936","484519","1165","479325","108134","63419","485438","51839","424011","406856","484577","539708","121628","126121","527819","27246","539899","539898","121610"])fU!2020-09-15 05:28:19!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-24 23:38:59!2023-04-24 23:39:41!4935979g#!4612095g#!0000-00-00 00:00:00!0000-00-00 00:00:00!115657g#ores WHE!2024-03-09 17:25:05U10000-00-00 00:00:00H]UU0!g#g#&fU1g#g#P&fU0QSymphony No. 4 for Strings, Percussion, and Keyboard IV. Allegro rondo!35g#g#(U!0g#g#YU!4g#g#YU!1g#g#%[U!2012-05-18 16:45:59U!2022-03-19 03:22:24U!5g#8g#'fU!0g#g#p'fU!g#g#&fU11.50g#0!sib#g#h[U!696#g#&[U!0g#g#j"UqSymphony No. 4 for Strings, Percussion, and Keyboard IV. Allegro rondo Publish copy.sibYUYU!2012-05-18 16:45:59U!0g#g#hU!1086g#8=U!0g#g# CU!g#g# ?U!2012g#10g#g#PkUkU0!0g#g#/fU{ "GroupOrd" : "670", "StoreGroupOrd" : "570", "StoreGroupID" : "2925", "GroupID" : "21294" } PdfStarted?!0.0000g#!2011-10-08 00:09:35aViolin Concerto No 3 in D for Solo Violin and Orchestra II Adagio and Scherzoso1fU!0g#g#!0g#g#!17g#g#!2013-04-23 21:27:56!0g#g#!0g#g#Violin Concerto No. 3 in D for Solo Violin and Orchestra, II. Adagio and Scherzoso Sabra Lindgren Lindgren Music Publishing I wrote this concerto not to "push the envelope", but to break into (learn) composition. It is one of my first large compositions and is influenced by my background playing folk guitar and listening to lots of Mozart. It is numbered No. 3 because I delayed my decision to publish it. Violin Concerto No.1, composed earlier this year (2009), is my latest concerto.U3fU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#`eUeUXeU8eUeUeU8eUeUeUeUPeUeUeUeUeU0eUeU`XUeUHeUeU@eUeUxeUeUXeUeUeU(eUeUeUeUeUeUeU@eUheUxeUeUeUHeUeUeU8eUeUeUxeUeU(eUeU(eUeUeU`eUeUeUeUeU@eUeUeU eUeUeUheU eUeUPeUeUeUeUeU`eUeU0eUeUeUpeU9fU!0g#g#8fU!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-04-29 14:03:16!2023-04-29 14:03:41!3581794g#!3269521g#!0000-00-00 00:00:00!0000-00-00 00:00:00eU;fUUUDP VUPL]UUUUD0,VUUUD,VUUUD,VU UUD,VU]U KfU@>U2U!35g#g#/?U!0g#g#a>U!4g#g#0NU!1g#g#S U!2015-04-19 23:47:23U!2022-03-22 05:15:10U!0g#8g#hiU!7g#g#iU!1.50g#iU12015-04-19 23:47:280!sib#g#9U!696#g#XU!0g#g#LUaViolin Concerto No. 1, II. Moderato , Or Final Publish copy_19 copy 3.sibUXCU!2015-04-19 23:47:23U!0g#g#8CU!1339g#Q=U!0g#g#؏gU!g#g#hU12009g#"U0!1.50g#fU!2015-05-31 23:40:15U!1g#g#eU!0g#g#XeU!0g#g#HfU!0g#g#eU!23g#g#eU10000-00-00 00:00:00U0!11g#g#pPfUViolin Concerto No. 4 for Solo Violin and Orchestra has 3 movements: I. Andante, II. Adagio, and III. Allegro Rondo. Suggested fingerings are written in the solo violin score. There is a piano arrangement also.U!3.95g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#Copyright © 2014 by Sabra Lindgren. All rights reserved. Lindgren Music Publishing scoreexchange.com sabralindgren@yahoo.comFound!g#g#!g#g#fU!706#g#!0g#g#@XfU!0g#g#!0.00g#HfU!48.95g#XXfU!45.00g#eU!0g#g#PWfU!g#g#xfU!0.00g#eU["125882","102417","144211","151593","154815","197199","142211","121624","151592","195443","158464","127158","186733","197676","146284","126473","142713","164422","162631","193504"]hWfUViolin Concerto No. 4 for Solo Violin and Orchestra has 3 movements: I. Andante, II. Adagio, and III. Allegro Rondo. Suggested fingerings are written in the solo violin score. There is a piano arrangement also.U!0g#g#!0g#g#!1g#g#!0g#g#!g#g#!0.0000g#!2015-06-01 00:00:01!0g#g#heUx]UAfUUAfUUAfUUBfUeU(BfUU@BfUUXBfUHL]UpBfUhO]UBfUXXfUUBfU8eUlUBfUxoUBfUUBfUؕUCfUxUCfUXeUxFaU0CfUHaUHCfUU`CfUXUxCfUx%UCfU UCfU UCfUeUUCfUfUukUCfUeUH3kUDfUfU^U DfUeU^U8DfUUPDfUfUUhDfU)UDfU)UDfU)UDfUXfUhUDfU2!UDfUeU86(UDfU WfUhUEfUU(EfUYfU8U@EfU(UXEfUxUpEfUhWfUUEfUHUn*U<UPU(UeUXfUxY'U`?dUHVUHRU.UeUWfUH&U@eUUXeUPZfU]U0hUXCUeUDU(eUDUHhUeUXgU`hUHUxhUUhUh}TUhU[fUط~UhU]fUUFfUU)UGfU[nU(ufU fUGUpUpfUUpfU]fUUpfUx~UpfUhUqfUU qfU(ݻU8qfU]fUx]UPqfUUhqfUUqfUUqfUeUqfUUqfUUqfUHL]UqfUhO]UrfUbfUU(rfU]fUlU@rfUxoUXrfUUprfUؕUrfUxUrfU^fUxFaUrfUHaUrfUUrfUXUsfUx%UsfU U0sfU UHsfUP]fUU`sfU`fUukUxsfU ]fUH3kUsfUh`fU^UsfU@^fU^UsfUUsfU `fUUsfU)UtfU)U tfU)U8tfUcfUhUPtfU2!UhtfU^fU86(UtfUXafUhUtfUUtfUPcfU8UtfU(UtfUxUtfUafUUufUHU;SU<U9U(U@{'(NPJPipJPX`Q\fU!0g#8g#0iU!6g#g#iU!0g#g#iU1g#g#0!sib#g#`b,U!696#g#(U!0g#g#YU!2015-08-27 16:38:46U!0g#g#NU!1369g#R>U!0g#g#:?U!1.50g#iU!2015-08-27 16:38:50U!1g#g#PiU!0g#g#iU!0g#g#iU!2017-06-09 17:10:17U!0000-00-00 00:00:00U1g#g#iU0Concerto for Orchestra has five movements: I. Allegro non troppo, II. Adagio, III. Andante, IV. Largo, and V. Allegro Finale. Suggested fingerings are written in the violin scores.!9.95g#"U!0g#g#"U!0g#g#"U!0g#g#"U!g#g#"U!g#g# Concerto for Orchestra has five movements: I. Allegro non troppo, II. Adagio, III. Andante, IV. Largo, and V. Allegro Finale. Suggested fingerings are written in the violin scores.!10.00g#!0g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#Copyright © 2010 by Sabra Lindgren. All rights reserved. Lindgren Publishing sibeliusmusic.com sabralindgren@yahoo.com?!g#g#!13744g#_fU!0g#g#!0g#g#xbfU!12.00g#!2.00g#_fU!12.00g#bfU!2.00g#h]fU!0g#g#afU!g#g#_fU!0.00g#X^fU["484519","72471","79936","1165","479325","108134","51839","63419","484577","406856","424011","121628","485438","126121","27246","527819","110312","121610","10647","127190"]x_fUafUConcerto for Orchestra has five movements: I. Allegro non troppo, II. Adagio, III. Andante, IV. Largo, and V. Allegro Finale. Suggested fingerings are written in the violin scores.!0g#g#!0g#g#!1g#g#!0g#g#!g#g#!0.0000g#!2015-08-27 16:53:391Concerto for Orchestra IV Largo?!0g#g#!0g#g#!13g#g#!2013-04-18 01:38:26!0g#g#!0g#g#Concerto for Orchestra IV. Largo Sabra Lindgren Lindgren Music Publishing Concerto for Orchestra has five movements: I. Allegro non troppo, II. Adagio, III. Andante, IV. Largo, and V. Allegro Finale. Suggested fingerings are written in the violin scores.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#afUffUffU^fU`fUafUafUefUcfUxefUbfUpafU8]fU8ffU`efU`fUdfU@aXU^fU]fUpdfUefU0efU(dfUefU`fUhffUbfUbfUefUhcfU@dfU@afU`fUffUbfUefU(^fU_fUcfUcfUcfUxbfUdfU_fUdfU(afU_fU_fU0bfUefUHefUh]fUffU^fUafU]fU^fU_fU8cfU]fUafUX^fU\fU_fUdfUffUefUPffUXdfU8`fUcfUdfUp^fUcfUH_fUx_fU cfU?!2020-09-03 22:42:23U!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g# iU!0g#g#!0g#g#?!1g#g#iU!650x841g#xiU!0g#g#!0g#g#?!5.00g#iU!2023-04-24 20:14:45U!2023-04-24 20:17:48 !9941219g#?!16382922g#PiU!0000-00-00 00:00:00U!0000-00-00 00:00:00 QiU!SellingPartsOption!94684g#1Sabra Lindgreni0AConcerto for Orchestra V. Allegro FinaleNUQ>U!35g#g#/?U!0g#g#hiU!4g#g# iU!1g#g#!2015-08-27 16:38:46?!2022-03-23 01:14:36U!Sabra LindgreniU!g#g#!!12010g#?0!86658g# NU!2017-06-09 17:10:17U10000-00-00 00:00:00eU0aViolin Concerto No. 3 in D for Solo Violin and Orchestra, II. Adagio and ScherzosoU!35g#g#NU!0g#g#Q>U!4g#g#/?U!1g#g#a>U!2011-10-08 00:00:48U!2017-11-22 16:58:47#!Sabra Lindgren20:51:05!g#g#5.34680312000g#menu.mjs(fU0!0g#g# for Flu!0g#g#llo is a!1g#Hg#e moveme!0000-00-00 00:00:00 of !g#g#to Fanfa!0g#g#dante Pa!0g#g#ente, IV!0g#g#rgo Lull!0g#g#to perpe!1g#g#e for so!650x840g#estra an!0g#g#violin w!0g#g# The sol!5.00g#same in !2023-04-05 16:24:42d fi!2023-04-05 16:25:11viol!1802629g#n that t!2888624g# not hav!0000-00-00 00:00:00whic!0000-00-00 00:00:00vers!136646g#ores WHE!60g#g#!568#g# !0g#g#peU10g#g#@eU0aSymphony No. 4 for Strings, Percussion, and Keyboard III. Largo tranquillo.316142202!0g#g#178283114g#g#h(arguments);} g01^UfUc%126160!Easy PianoU!g#g#yU!g#g#`U!0.0000g#207738!0000-00-00 00:00:001Sorry Seems To Be The Hardest Word917!0g#g#!0g#g#!0g#g#pU!0000-00-00 00:00:00U!0g#g#$U!0g#g#174786aSorry Seems To Be The Hardest Word Easy Piano Elton John, Elton John, Bernie Taupin !0g#g#@bU!0g#g#618170!0g#g# !0g#2FU Q&U112010g#"U0Qhttps://img.sheetmusic.direct/catalogue/product/elton-john-album-lg.jpg!15837g# 1fU, 15719!32218g#!smd_h_0000000000129816qhttps://img.sheetmusic.direct/catalogue/product/elton-john-caribou-lg.jpgUp^UUUUhUUșUUUUUUxUX%UU"/search!2024-04-16 00:00:00+Joh!482#g#" rel="n!0g#g#on John,10g#g#`EU`U01pdUfU[5728231HfU-115999!302354g#PfUQLike A Rolling Stone Ukulele Chords/Lyrics Bob Dylan, Bob Dylan !Like A Rolling StoneU!41g#g#@wU!252#g#fU!3g#g#HdU!2g#g#ȵ`U!2015-02-27 00:00:00U!2022-06-15 00:00:00U!g#8g#)U!g#g#)U!0g#g#)U10g#g#0!g#g#(FUU!0g#g#x=U!0g#g#bU!g#g#rU!2015-02-27 00:00:00U!0g#g#U!1g#g#׽U!0g#g#iU!1.50g#(+U!0000-00-00 00:00:00U!0g#g#*U!0g#g#h*U!0g#g#X+U!g#g#)U!0g#g#)U!0g#g#+U!0g#g# !0000-00-00 00:00:00U!0000-00-00 00:00:00!g#g#rU!832379g#!0g#g#HzU!0g#g# nU!0.00g#cU!0.00g#U!0.00g#mU!1g#g#U!1g#g#xU!0g#g#@U!0g#g#!1g#g#U!124830g#1Bob Dylan, Bob DylanU6mU0!0000-00-00 00:00:00U!Like A Rolling Stone!0g#g#pU!0g#g#!0g#g#!0000-00-00 00:00:00U!0g#g#yU!0g#g#tU!0g#g#VU!0g#g#rU!0g#g#KU!0g#g# gU!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g# The Flapper’s Ball: Soprano Sax & Piano (1920s-style) Soprano Saxophone & Piano Rennie Gemmell K. Gemmell Jolly up your repertoire with this lively 1920s Charleston style piece for soprano saxophone and piano. It’s not too difficult to play (intermediate level) and at just over two minutes long makes for a snappy concert piece. It’s suitable, too, for educational use. Originally composed for production music, it’s been used many times for TV and other media. After the piano introduction the soprano saxophone plays the melody at ‘A’ along with the piano. After the first time through the piano returns to the intro at ‘B’ but this time with a few flourishes from the soprano saxophone. At ‘C’ the soprano saxophone departs from the main melody and plays a written solo before returning to the melody for the middle eight. That’s followed by more solo playing until the last few bars.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#YUYUYUYUYUYUYUYUXYUPYUؿYUHYUYUYU8YUYUxYU:aU`YUлYUHYUYUYUYUYUYU@YUYUYUhYU@YUYUYUXYUXYUYUYUYUhYUYUYUpYUPYUYUYUYUYUYUYUYUYU YU@YUYUxYU`YUpYUYUȽYUYUYUYU0YUYUYUYUpYUYU(YU0YUYUYUYUHYUYU YUPYUYUfU   dh  (#('( !(QX,0ZipConve!LicensePerformance!131819g# QYU!2017-06-09 17:10:17U10000-00-00 00:00:00X XU0!Sweet Sunrise !818822`<U !0g#cU8JU!0000-00-00 00:00:00UQXU1"U"U"U"UA/usr/www/resources/ADAP3/GenericObject2.pm@!0g#bUs="refin!0g#g#label> !0000-00-00 00:00:00 val!0g#g#>Tubular!0g#g# nUz^UDв-Uv UUAU$WUDbUUDp#zUfUpSU0=UgUD}oUaUaUlgUDJUԏUDn<UyUD0CUaEUD@UfU yUDЙCUnRUDYiU_U$]U`lUpvUcUDEU^UD0 U0,gUDbgUeUDL^U@^<UU!/UUD@aU[UDUfU`wU`HiUfUظU ^UUؕUUwUUMUU(U8UUfU2!UnUUOYU<UpASUPU8UxUhO]UXUXCU\UX#UxmU)Up\HU.UVUU`yUUh޺UUXg8UiUUU`MUeUn=UtU0\UxVUȦU[hU&*U0vEUnUU@qnUؕUVUU0i@UU~U蟳UؓOU UXUUHU8:SUAU8nUhpnUHbUnU@UhfU(U9UU8u6U UqUTmUHL]U(znUOUTUfUXUD>UU`E[U^UEVU8 yUEVU2U(ݻUp2WU^UfUnTY#UPUUUwU(vU vUUX+UP=UlUCgU(6UHUEUؕUUԙUH]UeUaU)U`r@U[^UeUdUCUEVUu=UHUPEUmU?U`eUkU@NUZUXU6U@YUNUUUukU8/UU(xUXaUPwU8oUH3kUgUxoUPGUuU.kUxaUlUط~UXwUU +]UhmUUmUU(U =UHR]U Uu>UUDU!zU"_U8IVU@]UU(UȺUؕU8eUPU?UU UPDUNUXYU0dUxU`:UsoU8U-yUUئ[U`_UxuUYU8^UBUfUxU( UU`nUH]U_\UHWUh9U0[UqUa@UUgU(UȝZUUpUUJU(U+UTU_U?]UBUHImUU(gUgU(U;xUHFUnUp*CUx]UGUXZUhU`=UhIUnU(U^UU]UEUUU@UwoU.UpMUqUXlNUUXCUSU蟳UXUKU^UXrxUU`J UxUoUUxUU)UyUHUoUQRUUUFUXTUUGyUukU0WU8Uh&UXUQUbxU:pUUUjUHUXYUh}TUYU\UgU_UYhUJU!UeUInU+UeUU"U ^U!/UhhUTSUEVUPYUUhUhU%U\UU^UUYUUe:U&*UxWhUeU t"U\UxUhU(ZUUHR]UU@U&*UXgUeUxtUX;UgUTiUxUXUzUJUx%U\=UZ]U^UxUh nU!2017-11-22 16:58:51U!Sabra Lindgren gU!g#g#PgU!2010g#` gU10g#g#0!sib#g#PU!696#g#QU!0g#g#FPU!g#g#NU!0000-00-00 00:00:00U!0g#g# QU!1203g#PU!0g#g#KU!1.50g#gU!2011-06-10 14:13:01U!0g#g#gU!0g#g#gU!157091g#gU!g#g#8gU!20528g#` gU10g#g#pgU0!5g#g#PtEUWind Quintet No. 1 in F has four movements: Andante, Allegretto and Largo, Adagio, and Allegro giusto. It is my first composition for strictly wind instruments."U!3.95g#"U!0g#g#"U10g#g#"U0!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#8gU!13532g#!0g#g#oU!0g#g#PgU!0.00g#8oU!11.45g#XoU!7.50g#oU!0g#g#(oU!g#g#oU!0.00g#gU!2023-04-26 16:30:57!2023-04-26 16:31:15U!2264162g#11987793g#HoUpoU0{ "GroupOrd" : "120", "StoreGroupOrd" : "180", "StoreGroupID" : "2923", "GroupID" : "22289" } UgU!0.0000g#!2011-06-10 14:13:20!0g#g#!0g#g#!7g#g#!2013-04-18 18:47:34!0g#g#!0g#g#Wind Quintet No. 1 in F, Andante Sabra Lindgren Lindgren Music Publishing Wind Quintet No. 1 in F has four movements: Andante, Allegretto and Largo, Adagio, and Allegro giusto. 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Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. 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    age:type" cont!1g#`>U-quintet!0g#g# The Magic Flute - March Wolfgang A. Mozart Glynn Davies Despite its whimsical libretto and obviously emblematic characters, Mozart's singspiel The Magic Flute is regarded as one of the greatest operas of the entire repertoire. In fact, as music historian Philip Downs has noted, many hold that The Magic Flute is among the greatest human documents, worthy to stand beside Bach's St. Matthew's Passion. In this story about good and evil, Sarastro, the high priest of an enlightened brotherhood, abducts Pamina, whose mother is the evil Queen of the NIght. The Queen sends Prince Tamino to save Pamina. Tamino not only falls in love with Pamina, but also accepts Sarastro as the incarnation of truth and goodness. Tamino's counterpart is Papageno, the Queen's bird-catcher, whose earthiness counterbalances Tamino's idealism. Predictably, love and goodness triumph, Sarastro overcomes the Queen of the Night, Tamino and Pamina are united after many trials, and Papageno finds Papagena, a female version of himself. The possible sources of Emanuel Schikaneder's libretto include Jakob August Libeskind's story "Lulu or the Magic Flute," published in Wieland's Dschinnistan, a collection of fairy-tales. The Magic Flute was written in 1791, the year of Mozart's death. Although overwhelmed by many adversities, Mozart found great joy in working on an opera for Schikaneder's Theater auf der Wieden, in the suburbs of Vienna, which catered to unsophisticated audiences. The Magic Flute has been called a Masonic opera: both librettist and composer were Masons, and the opera abounds with Masonic symbolism, culminating in the triumph over light over darkness. Although the Masonic flavor of The Magic Flute is undeniable, what makes it a great work of art is Mozart's unique ability to translate his humanistic ideals into music of extraordinary beauty and evocativeness. The fundamental theme of this opera is love, a theme to which Mozart fully dedicates his entire genius. To the listener, Mozart's ode to love brings eighteenth century opera in its full splendor. Not only is the music, which includes sparkling arias, charming buffo scenes, and ensembles of transcendent beauty, enchanting and invigorating, but it also effectively coalesces with the story to create a powerful, convincing work of art. 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All rights reserved. Lindgren Publishing. sabralindgren@yahoo.comhUdefScor!g#g#!0.00g#oU!57.95g#!48.00xg#oU!0g#g#!g#g#r\U!0.00g#(oU["72471","79936","484519","1165","479325","108134","484577","406856","63419","424011","51839","485438","121628","539708","126121","527819","27246","121610","110312","366956"]XoU!2020-09-11 07:32:10!0g#g#@oU!0000-00-00 00:00:001g#g#oU8oU0I lived over two decades on a ranch in Montana and had many experiences observing the full night sky away from the city lights. These experiences, along with other Montana and Northwest experiences on the prairies, in the mountains, and along the rivers, inspired the programatic Symphony No.3, The Big Sky Symphony. There are four movements: I. Big Sky at Night, The Prairie, The Mountains, and The River. There are two versions of The River: the original version and an extended version which has an short introduction that the original version does not have. Some who have listened to both versions differ on which version they prefer. 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Presto and Minuet, for Solo Oboe with Orchestra Sabra Lindgren Lindgren Music Publishing Concerto for Oboe has three movements: I. Andante, II. Adagio Reflection, and III. Presto and Minuet. There are two arrangements, one for orchestra and one for piano accompaniment. Suggested fingerings are written in the upper string scores. 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16:23:38!0g#U !0g#` U1Easy Lead Sheet / Fake Book!g#g# !0000-00-00 00:00:00U!0g#g#LUX#!0g#g#!0g#g#1g#g#0!2017-06-09 17:10:17U10000-00-00 00:00:00U0AIci-bas (Aimée de Valbranca / Sully Prudhomme)@1UHcU&xIl the!g#0+U aUS.U!0g#@dU 1`_UdUk^62725!0g#vU1g#ЁU0!0g# (QU 10UdU8Ep31230!0g#`eoU !HASHg# !2018-08-26 00:00:00 WHE!2021-04-15 00:00:001g#g#0!ProgramNoteLastUpdated"U"U"U"U"U"U"U"U"U"U"U"U"U"Ug#g#!0.00g#;xU!0000-00-00 00:00:00!0000-00-00 00:00:00U!0g#g#!0g#g#0_+U!0000-00-00 00:00:00U!0000-00-00 00:00:00UQGU!623194g#imp_data!623194g# !Param3ЕZU !g#(g#hU!2012-06-07 00:00:00U!0g#g#tU!2g#g# !g#g#/score_i!0g#g#11156/12!0g#g#ttp://sc!0g#g#ailabili!0g#g#urrency"!0.0000g#type":21!0000-00-00 00:00:00!0g#g# !0g#pU !0g#OU 1iUqBJ141717!187820g#АU!g#g#,pU1109641g#,pU01Ici-bas (Mme H. F. / Sully-Prudhomme)!26g#g#PmU!0g#g#FU!3g#g# FU!3g#g#ESU!2016-09-04 05:40:56U!2018-01-08 20:22:08U!Mme H. F. (fl. 1918)U!g#g#+pU!1918g#,pU10g#g#0!sib#g#EU!12154g#߉U!0g#g#HUAIci-bas (Mme H. F. - Sully-Prudhomme).sibHUHU!2016-09-04 05:40:56U!0g#g#oU!1088g#H)JU!0g#g# dU!5g#hg#xU!1.50Hg#U!2016-09-04 05:41:01U!1g#g#\HU!1g#g#!0g#g# QMary Aimée Goddard was married to Alexander Hamilton Phillips (1858-1902), then married in 1903 Emilio Weiss comte de Valbranca (1847-1923). This poem by Sully Prudhomme has also been set to music by many other composers: Gabriel Fauré, César Cui, Paul Hillemacher, Victor Massé Charles Lefebvre etc. and Alain Jacques.DE!1.50g#!0g#g#!0g#g#!0g#g#11. Icibas tous les lilas meurent, Tous les chants des oiseaux sont courts; Je rêve_ aux étés qui demeurent Toujours, toujours, toujours. Icibas les lèvres effleurent, Sans rien laisser de leur velours; Je rêve_ aux baisers qui demeurent Toujours, toujours, toujours. Icibas tous les hommes pleurent, Leurs amitiés ou leurs amours; Je rêve_ aux couples qui demeurent Toujours, toujours, toujours. Icibas tous les lilas meurent, Tous les chants des oiseaux sont courts; Je rêve_ aux étés qui demeurent Toujours, toujours, toujours." id="dialog1Sully prudhomme (1839-1907)le="docu!0g#g#!g#g#!Public domain!g#g#!g#g#1mU!237803g#!0g#g#RgU!0g#Xg#!0.00g#0nU!1.50g#`[U!-1.00g#qoU!0g#g#wU!g#g#sZU!0.00g#p,U["166756","156246","166746","187295","70565","186443","128458","194608","133245","80808","100018","184955","178945","154781","86713","153176","60391","75172","412144","122224"]xUU!0.0000g#p> !0g#g#lyphicon!0g#g#/button>!3g#g#lass="bt!0000-00-00 00:00:00glyp!0g#g#an> OK AIci-bas (G. Fauré / Sully-Prudhomme) In this world / Here on earth Gabriel Fauré (1845-1924) Sully-Prudhomme (1839-1907) The Gentle Way Translation (AJ): "In this world all the lilacs die (shed their leaves), All the songs of birds are brief; I’m dreaming of summers lasting Forever! In this world the lips touch lightly, Without leaving any trace of their velvet; I’m dreaming of kisses lasting Forever. In this world every men are mourning Their lost friendships or their lost loves; I’m dreaming of couples lasting Forever!"pGUqLady Gaga Dance Mix - Baritone T.C. 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Leżą wgórach stare śniegi, Kwiatem kwitną moje brzegi, Ale tam, przy źródle mojém Płacze matka nad mym zdrojem, Ale tam, przy źródle mojém Płacze matka nad mym zdrojem. Siedem córek piastowała, siedem córek zakopała, Siedem córek śród ogrodu, Gło wami przeciwko wschodu, wschodu! Teraz się z_duchami wita, O wygody dziatki pyta, I mogiły ich polewa, I żałośne pieśni śpiewa. I mogiły ich polewa, I żałośne pieśni śpiewa! 2. Strom von fern daher gezogen, wie so trüb' sind deine Wogen? Schmolz der Schnee der Bergeshänge, das dein Bett dir nun zu enge, zu enge? Auf den Bergen liegt der Schnee noch; meine Ufer blüh'n von Klee noch, doch wo rein and klar die Welle, sitzt ein Weib an meiner Quelle, doch wo rein and klar die Welle, sitz ein Weib an meiner Quelle! Sieben Töchterlein geboren, sieben Töchterlein verloren; trug zu Grabe alle sieben, dass sie ganz allein geblieben, geblieben! Tag' und Nächte ohne Ende, weint sie nun und ringt die Hände; weint und weint in meine Quelle, das ich horch zum Ufer schwelle, weint und weint in meine Quelle, dass ich hoch zum Ufer schwelle!"Breadcrumb!0g#U!0g#g#0:U!0g#g#152989!0g#g# !0g#ڋU10g#g#(U0!701807U!0g#g# 10g# \UPU0!0000-00-00 00:00:00!HASHg#ҏUa4U!HASHUg# !g#g#U1258098g#pU0!EPF#g#1Pop#g#0!0000-00-00 00:00:00U10000-00-00 00:00:00 !U0!Storm Warning !0g#PYU!g#g#!0000-00-00 00:00:00!g#BTU 1\UԋUK17277!1g#QU !NameU !ComposerNameU !0g#1U!0g#g#1g#g#01HASHg#$$$$$$$$$$$$$$$$0!PVGRHM(U !0g#@U U0U[U)CUUhUUUU uUdUU(UU`=UUUwUU0PUrUU@UHUU8U3U=UUUHUUUUUx̤UU/U8UhU`'UKUUU(UUU mU8UhzU*UUUUPU(UUU6UUGUkZUU0U(U+UXUUxUUUGUUUXUU8EU!MinstrelsU 1Breaking the Rhythmic Blues (Alto Sax)10UڋUA!HASH!g#g#10g#g#0!2017-11-22 17:28:13!31476PU 158g#USUPER60U01ۋUL112247AۋUe 52.14.22.250@1@(U܋U|@818817!3g#4UU!2g#g# !David Stowell 1UncategorisedScoresFolderName0!HASH!HASH )U PUU@&U#U(DU8U Uh_UieU݋U12022-11-30 18:42:14Ug#0!2019-02-15 16:43:1812019-03-15 21:53:5001HASHg#pp0!522x696@/Us="refin!3g#g#label> !1g#g#box" val!0.00g#>Celesta!0000-00-00 00:00:00 UUU(UxUU@Ux~UXUhUpUUU(ݻUUUx]UUUUUUUUeUUU0UUHUHL]U`UhO]UxU"UUUUlUUxoUUUUؕUUxUUUxFaU UHaU8UUPUXUhUx%UU UU UUHUUU UukUUUH3kUU` U^UU8U^U(UU@U UUXU)UpU)UU)UU#UhUU2!UUU86(UUP!UhUUUUH#U8U0U(UHUxU`U!UUxUHUFU<UFU(UtU@"UxY'UbUHVUFU.UptU"UH&UuUUuU$U]UUXCU@tUDUtUDUUUXgUUHUUU Uh}TU8U&Uط~UPU8'UUUU)UUXNU@U UGU`UPppUTUUGUhU`UUXQ]UUHR]U0UU]UHUHU`U 'UhUxU.UUxTUUgUUU]UU8.UU)UȆUUppUU U&*U8UzUPUXY]UhUZ]UUȵUU8u6UUx UUEVUUV]UUUUU(UU:UxU:U(U:UqU;UعU;U*UU0;UxUH;U`)UU`;UkUx;U*UnU;UU;UU;UU;UxU;U>U<UU <U'UU8<Ux~UP<UhUh<UU<U(ݻU<U(Ux]U<UU<UU<UU<UeU=U!0000-00-00 00:00:00U!0000-00-00 00:00:00  ( 28+0 (  ( (mp.0MP ( [U08.0 |  &([`XpUQU!0000-00-00 00:00:00UPU:U1UD @RU1UDUU2UD VU2UD @VU 2UDpVU02UDVU@2UDUP2UD U`2UD@Up2UD`U2UDNU2UD OU2UDOU2UDOU2UDOU2UDXU2UDXU2UDYU3UD0YU3UDPYUU 3UDYU03UDYU@3UDYUP3UDYU`3UDZUp3UD0ZU3U3UD PZU3UD\U3UD\U3UD\U3UD]U3UD0]U3UDpU4UDpU4UDpU 4UD0pU04UDU@4UDUP4UDP]U`4UDp]Up4UD]U4UD]U4UD]U4U4UD]U4UD^U4U4U4U5U5U 5UD0^U05UDP^U@5UDp^UP5UDVU`5UDWUp5UDWU5UDWU5UDWU5UDXUx@UPUeUDArU0fnUU=sUDRsU=sUD0SsU=sUDPSsU=sUDpSsU0U pU^U2hAUUZeUD 0 U `qUD`MqUpUDpUAUpUDpUpUDyU RUDyU3VUD Z:UpUpUD pUАpUDpUpUDpUpXU  PpU6UD }U6UD }U6UD}U6UD}U6UD~U7UD0~U7UDP~U 7UDp~U07UD U@7UD@UP7UD`U`7UDUp7UDU7UDU7UDU7UD U7UD ~U7UD~U7UD~U7UDU7UD@U8UD 0pU8UDpU 8UD0pU08UDPpU@8UDppUP8UD pU`8UD pUp8UDPpU8UDppU8UDpU8UDpU8UD`U8UDU8UDU8UDU8UD pU9UD pU9UDpU 9UDpU09UD pU@9UD@pUP9UD`pU`9UDpUp9UDpU9UDpUU9UDpU9UDpU9UD0pU9UDPpU9UDppU9UDpU9U:UD pUpUD pUpUD@pUpUD`pU pUDpU0pUDpU@pUDpUPpUDpU`pUDpUppUD0pUpUD@}UpUD`}UpUD@pUpUD`pUpUDpUЈpUDpUpUDpUpUpUDpUpUDpU pU0pU@pUPpU`pUppUDбpUpUDpUpUDpUpUD0pULicenseSQ&U1@v+UKU-*|129078!129209xg#H)JUQQue l'heure est donc brève (L. Delibes - A. Silvestre).sibUAQue l’heure est donc brève (Delibes / A. Silvestre)!26g#g#p.U!0g#g#(yU!2g#g# ?U!3g#g#[U!2013-03-17 21:26:10!2018-01-08 20:21:46U1Léo Delibes (1836-1891)*qU!g#g#)qU!1887g#8*qU!0g#g# !sib#g#GU!12154g#\HU!0g#g#gHU!2013-03-17 21:26:10U!2g#g#SU!1490g#xxU!0g#g#PU!2g#g#U1Armand Silvestre (1837-1901)UU!0g#g#!How fleeting the hour!Public domain!g#g#!1.50g# !0g#g#)UThis poem by Paul Verlaine has also been set in music by Gabriel Fauré, Reynaldo Hahn and me, Alain Jacques.)U!0g#g#p(U!0g#g#'U11g#g#)U0Literal translation (AJ): The sky is, over the roof, So blue, so calm; A tree, over the roof, Rocks its palm. The bell in the sky that one sees, Softly rings. A bird on the tree that one sees Sings its lament. Good Lord, Good Lord, life is there Simple and tranquil. This peaceful hum Comes from the town. What have you done, Oh you here, Crying constantly, Tell, what have you done, you here, Of your youth?ImageUpd!1.50g#!0g#g#!0g#g#!0g#g#1. Le ciel est, pardessus le toit, Si bleu, si calme! Un arbre, pardessus le toit, Berce sa palme. La cloche, dans le ciel qu'on voit, Doucement tinte. Un oiseau, sur l'arbre qu'on voit, Chante sa plainte, chante sa plainte. Mon Dieu, mon Dieu, la vie est là, Simple_ et tranquille. Cette paisible rumeurlà Vient de la ville. —Qu'astu fait, ô toi que voilà Pleurant sans cesse, Dis, qu'astu fait, toi que voilà, De ta jeunesse, De ta jeunesse? 2. Der Himmel ruht dort überm Dach in blauem Schweigen! Ein Baum, aufstrebend zum Gemach, winkt mit den Zweigen. Ein Glokkenton im weiten Raum langsam verhallte. Eines Vogels Lied in dem Baum klagend erschallte, klagend er schallte. Mein Gott, wie ruht die Welt so still! Ruhig ohne Streben. Nur ein friedliches Summen ver–rät fernes Leben. Warrum weinst du hier, sag an, so bittre Tränen, sag, mit der Jugend was hast du getan, mit deinem Sehnen, mit deinem Sehnen?U VU1Paul Verlaine (1844-1896)eScores!0g#g#1Der Himmel ruht dort überm Dach1Public domain (First publ. 1896)VU!g#g#["175297","175445","176291","201857","176713","174337","174390","176256","175887","174431","175450","176313","175598","178260","174231","174235","178325","175190","178237","175986"]!2020-08-31 21:54:05U!0g#g#+U!2019-09-25 13:14:49U112479EAE-DF8E-11E9-B562-78U8*U!3008g#!0g#g#!0g#g#'U!0g#g#(U!1g#g#x)U!650x919g# !0g#8g#XU!g#g#!0.0000g#!2013-03-18 12:50:04ALe ciel est pardessus le toit Delius Verlaine @!0g#g#!0g#g#!4g#g#!2013-05-17 18:57:03!0g#g#!0g#g#aLe ciel est par-dessus le toit (Delius / Verlaine) Der Himmel ruht dort überm Dach Frederick Delius (1862 – 1934) Paul Verlaine (1844-1896) The Gentle Way Literal translation (AJ): The sky is, over the roof, So blue, so calm; A tree, over the roof, Rocks its palm. The bell in the sky that one sees, Softly rings. A bird on the tree that one sees Sings its lament. Good Lord, Good Lord, life is there Simple and tranquil. This peaceful hum Comes from the town. What have you done, Oh you here, Crying constantly, Tell, what have you done, you here, Of your youth?mpU!0g#g# !0g#g# !56g#g#!52g#g#PmpU!2017-03-31 15:14:02!g#hg# !571134g#!0g#g#mpU!0g#g#!0.00g# !4.50g#!3.00g#npU!0g#g# !g#g# !0.00g#!0g#(g#xnpU!0g#g# !5.00g# !2023-04-22 01:44:58   +0  "(*0jpux    $( +0%(,0QX sic _UlU_UDU_UDU _UD 0U0_UD U@_UDPUP_UDpU`_UD Up_UDU_UD)U_UD)U_UD*U_UD0*U_UDP*U_UD +U_UD+U_UD+U`UDU`UDU `UDp*U0`UD*U@`UD*UP`UD+UU``UD ,Up`UD@,U`UD`,U`UD,U`UD,U`UD,U`U`UD pU`UDU`UDUaUDUaUDU aUDU0aUDU@aUDUPaUDU`aUD UpaUD,UaUD-UaUD -UaUD UaUD@UaUD`UaUDUaUaUDUbUDUbU bU0bU@bUPbU`bUDUpbUDUbUDЫUbUDUbUDUbUDЬUbUDUbUDUbUD@UrU lU JUDrU:JUUrUDprUrUDrUВrUDrUrUDrU`0U U>U2sUmU kUD QU0pUD`pU/UD`UHtU/UDUbUDlUxUDlUl]UDr+U`/U/UDU/UDU/UD U0U  UcUDUdUDЌUdUD`U dUDU0dUD U@dUD@UPdUD`U`dUDUpdUD0UdUDPUdUDpUdUD UdUDЎUdUDUdUDUdUD0UdUD UeUDUeUDU eUDU0eUD`U@eUD PUPeUDU`eUDUpeUD UeUD0 UeUD P UeUD UeUD UeUD UeUD@ UeUDp UeUDUfUDUfUDU fUDU0fUDPU@fUDpUPfUDU`fUDUpfUDЏUfUDUfUDUfUD0UfUD UfUD UUfUD UfUDUfUD0UgUDPUgUDpU gUDU0gU@gUD UPgUDU`gUDUpgUDUgUDUgUD UgUD@UgUDpUgUDUgUDUgUDUgUD0UhUD UhUD U hUD U0hUD U@hUD UPhU`hUD0 UphUDP UhUhUhUhUhUhUDp UhUD Uprefs.mj1}UA130473!129668g#HU!2017-06-09 17:10:17U10000-00-00 00:00:00`upU0AAu bord de l’eau (G. Fauré / Sully-Prudhomme)IU!26g#g#G^U!0g#g#)JU!4g#g#3JU!3g#g#p.U!2012-08-16 22:32:50!2018-01-08 20:21:47U1Gabriel Fauré (1845-1924)8vpU!g#g#HupU!1875g#upU!0g#g# !sib#g# dU!12154g#xU!0g#g#UAAu bord de l'eau (Faure - Sully-Prudhomme).sib\HU!2012-08-16 22:32:50U!506#g# IU!5382g#SU!5g#g#xxU!2g#Xg#PU!1.508g#(g#!2012-08-16 22:32:53!1g#g#11g#g#"U0!1g#g#U10g#g#PU0AIci-Bas (A. Jacques / Sully Prudhomme) bilingualue">Mor!0g#g#div> !Ici-Bas bilingual.sib-xU oU[U84cU$*UleUoU>UxoUoUU\UW+UoUwU *UUHrU mUpU^UBUvoU.Ux\UX@UZ+UPCUmUHUuoUGUnULUhmUhieUxUHeU"xU[[UU{ZUX,UpfU[UXPUiUGUxU@]UwZUPwUUU @UdUp-mU@`[UmUS^U /UcXUhU`^U-UA`UU8hUPU:U(hU`U( hUP/UIU=yUU175461!274618g#0U!0000-00-00 00:00:00U10000-00-00 00:00:00xB`U01The Long And Winding RoadpUpU!26g#g#x0qU!0g#g#!3g#g# pU!2g#g#pU!2012-06-26 00:00:00U!2024-04-18 00:00:00U!g#8g# oU!g#g#U!0g#g#/U10g#g#0!g#g#pU!0g#g#(pU!0g#g#:qU!g#g#qU!2012-06-26 00:00:00U!0g#g#8#rU!1g#g#HrU!0g#g#rU!1.50g#PU!0000-00-00 00:00:00U!0g#g#zU!0g#g#mU!0g#g#dU!g#g#PKU!0g#g#/U10g#g#xQnU0!274610(g#CU!0000-00-00 00:00:00U10000-00-00 00:00:00?0U0!And I Love Her݅U!26g#g#176028!0g#g#!3g#g#!2g#g#pCU!2012-06-26 00:00:00U!2023-09-19 00:00:00131g#g#0pU`TU0HgUhUBU(Upt@U#NUGUHfUHVUruUU@RU~UUGUUTUiU&*UQUXQ]U?Uh}TU jUxm^UUUhUȬUYU89UGU)UhwU(UHOU(UbUqUHUؕUUHVUx0qUxU UUhUUx>_U`U8U RUHKUx]UHCgUp&U8U`AUUx߼UU)UQU<U,UUhUxTUP?+U&*UlUe[UUU]UAUgUUUP#rUxUU U\UؕUwUIUhUUU]U\UXCUTUkUH3kUX7U)U̅UHR]UUU]U؀UHUU^UhU0U.UHUxTU`UgUxUU]UU8.UUؒUȆUU UUضU&*UUzUUXY]U UZ]U8UȵUPU8u6UhUx UUEVUUV]UUUȷUU෌UUUxUU(U(UqU@UعUXUȓUUpUxUUUUUkUU@UnUиUU踌UUUUUxU0U>UHUU`UUUxUx~UUhUUUU(ݻUعUXUx]UUUUU UU8UeUPUUhUUUHL]UUhO]UUUUȺU(UlUຌUxoUUUUؕU(UxU@UHUxFaUXUHaUpUUUXUUx%UU UлU U軌UȐUUUpUukUUUH3kU0UU^UHUU^U`UUxUUUU)UU)UU)UؼUUhUU2!UUU86(U UДUhU8UUPUȖU8UhU(UUxUUUUUHUȽU<UཌU(UUUxY'UUHVU(U.U@UUH&UXUUpUU]UUXCUUDUUDUоUxUXgU辌UHUUUUh}TU0UUط~UHUXUU@\HUGU(\HUU)U]HUUGUZUUTU]HU8JUeHU`U]HUXQ]U]HUHR]U]HUU]U^HUHU ^HUUhU8^HU.UP^HUxTUh^HUgU^HUU]U^HU8.U^HUUȆU^HUUU^HU&*U^HUzU_HUXY]U(_HUZ]U@_HUȵUX_HU8u6Up_HUx U_HU{ "width" : 237, "position-y-pc" : "41", "faces" : { "/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml" : [], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml" : [ { "y" : 50, "width" : 145, "x" : 34, "center-y" : 122.5, "height" : 145, "center-x" : 106.5 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml" : [ { "y" : 50, "width" : 148, "x" : 33, "center-y" : 124, "height" : 148, "center-x" : 107 } ], "/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml" : [ { "y" : 44, "width" : 161, "x" : 28, "center-y" : 124.5, "height" : 161, "center-x" : 108.5 } ] }, "height" : 300, "position-x-combined" : "45%", "position-x" : "center", "position-y" : "center", "position-y-combined" : "41%", "average-center-x" : 107.333333333333, "average-center-y" : 123.666666666667, "id" : "A97775E8-6861-11E7-9416-9CB8AA2ACD40", "position-x-pc" : "45" } {GU1She Came In Through The Bathroom Window!0g#g#BU!0g#g#!0000-00-00 00:00:00!0g#g#fU!0g#g#`y@U!0000-00-00 00:00:00U!g#g# 1Ici-bas (G. Fauré / Sully-Prudhomme)1g#g#ScorePart_idc0!584211g#RnU!0g#g#xU!0g#g#xxU!0.00g#hU!4.50g#[U!3.00g#[U!0g#g#gU1g#g#pcU0!g#g#g#11877g#0!British Pounds !icUX&U!ADAP3::SQLg# !sib#g#ores WHE!12154g#!0g#g# bU U U LP dhU 0|UU,0˹U @H $(  ~U  UpUU pU@U@UxUx^U cU qNick studied piano and composition at Trinity College, London in the 1970s. He was encouraged in his composition by John Tavener. His love of pianos led him to build up his own piano restoration business (the day job) while teaching piano in the evenings. Retired now but heavily involved with recorder playing, composing and growing vegetables. UpAHU!8942g#$JU!0g#g#0 yU!1g#g#bU10g#g#CUXFUU00bcU`XXU TU0|FUDňUxU@UD p@UU^U2,UDTUhUD YU\UD2zUpUDpJUUD JUUD@JUUD`JUUDՄUUD0ՄUЦUDPՄUঌUDpՄUUDՄUUDJUUDJU UDJU0UDJU@UDքUPUDքU`UDׄUpUD ׄUUD@ׄUUD`ׄUUDׄUUDׄUUDׄUЧUDׄUৌUD؄UUD ؄UUD@؄UUD`؄U UD؄U0UD؄U@UD؄UPUD؄U`UDلUpUDՄUUDՄUUDՄUUUDքUUD0քUШUDPքU਌UDքUUDքUUD PHUUD@PHU UD`PHU0UDPHU@UPUDPHU`UDQHUpUD QHUUD@QHUUD`QHUUDQHUUDQHUUDQHUЩUDQHUੌUDRHUUDPJUUDpJUUDNHU UD0NHU0UDPNHU@UDpNHUPUDNHU`UpUDNHUUDNHUUDNHUUDOHUUD0OHUUDPOHUЪUDpOHUઌUDOHUUDOHUUDOHUUD0VHU UDPHU0UDVHU@UDVHUPUDVHU`UDWHUpUD WHUUD@WHUUUD`WHUUDWHUUDWHUЫUDWHUૌUDWHUUDXHUUD XHUUD@XHU UD`XHU0UDXHU@UDXHUPUDXHU`UnHUDHUnHUDHUnHUD HUnHUD@HU`YUD`HUHlUUuHUD@U0uHUDU@uHUDUPuHUDU@YUDUkUU@<UDYUp<UDZU<UD0ZU<UDPZU YUDpZUkUUBUD0ˇUBUDˇUBUDˇUCUDˇUYUDˇUWUUUDUUDU UDU0UD U@UD UPUD@ UYUD` U WUDUpUD`UUDUUDಇUUDUYUD U-`UUUDUЅUDPUUDpUUDUYUDU04`UUUDɊU@UD0ʊUPUDPʊU`UDpʊUYUDʊUP`UŮUD@ ŮUD ŮUD ŮUD U
    Parts
    Flute and Piano
    njUnjUnjU"njU*njU["62256","42812","7035","30453","5087","74373","39569","38356","126090","67172","51344","149238","27461","145592","77359","166045","9569","51405","27358","208459"]!8.44p5GUP;U!0g#g#!0g#g#10g#g#!U0!LicenseRecordingqhttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_1385904M2XR64Mip6.pngUp!0g#g#U!SATB Choirg# !0g#@iU !0000-00-00U !0(UzU!USQLrencyID12g# FUpU0
    Composer
    Mozart
    Year of composition
    1778
    Arranger
    Michael David Williams
    Year of arrangement
    2013
    Difficulty
    Moderate (Grades 4-6)
    Duration
    3 minutes
    Genre
    Classical music
    lue'>Classical musicrudhog#XiU. Written for Voice + keyboard with a duration of 1 min. Purchase, downlahU CUOU!0iU0[iU !HXU-WU!2g#xg#ORT FROM!0g#g#ET_ATON(!g# WiULIMIT 1!g#g#!0g#g#10g#g#0!58g#g#)U!0g#g# !SE::ScoreU 12g#g#+sU6sU0!2g#U !2018-08-27 00:00:00!2g#NUcoreIncl!2011-08-25 07:48:41Translation (AJ): "In this world all the lilacs die (shed their leaves), All the songs of birds are brief; I’m dreaming of summers lasting Forever! In this world the lips touch lightly, Without leaving any trace of their velvet; I’m dreaming of kisses lasting Forever. In this world every men are mourning Their lost friendships or their lost loves; I’m dreaming of couples lasting Forever!")a8eU0dU(1UwU:`UHU(UؖUBUU!UvUhUPUUUUUwUCUUUU@Uh.UpmUEUUUwUJ0UȤyU4RUPUUȷUUyU ^UhsUrvU)CU UY,yR4Av@hPw<WOw`S EL^X`":ʉ!'+[PӚXa=T V*)k4~Ʊ`JkNP =cXI_?)1K5&𒒓m&kԳCV v>`42-P/5T9TƁm@AEXe'ڝ=4BJIms ~CٗG@pTi@iBi/ʼn:dúې=pC(mY;*aPv7_PRd#cID+c k(/TcEI5K!0!+'L8x!6hIQIj%Rm@”R&`jSiIQFEAU!!!SLK s?2lsS`{O9LN-g8IgAk 9> a&Nm.n \ L@qUBT7l9,4@j.4k}$V)%p1PˀhA\IG1çs㴴` T,+**@4V* t'4ww?_?U *l2p\"#+Zr^{k* L@k\D`*R3\F*" "HLPkPoݍ&90!_xNbPk*m~g˒`v9NL#-k9I : p r"Z-C3{;W*H`O9LHb=cYIɜi=g 15e&1#4G,O!U M-Tvt eP@I !Dp^!xpi\`7;sȲ^JId0Y Ic?3* RQuP,34x^$ 9w)FE`Jb=+dOW7c0s[f$@2 Ő%0 fMô<%I+@~ݨڋq 6p_e<}O?/ύJcӻk@.56ye BȐܑcBaUvQJ$uR,(u7]O`k:LL:_cYIh_=g 9'5i&$[ XZڛL]3l!` YOC%t)1C#- bTQkxPJs{`욆ArCRJ[lAIX;"S4bKBK} ٝ 0ԁ!Iݤ-AUUO~U?xky)(ۛm@`fM_mRh)Mċu-ym!b#*i!5pLPr8dOn,. $D{[@qL7 c!T* 땅 Lj}͋@^ҙw} I c?R`%kZLI"=cxIgA 1 5a&1ڀۣuKq q ݚ61U0ܼ`4F jY3!"]G_("M{N 5hlF94ZKn=Ia1SsY:(3 Ti4x\-.+3qk Ƙ$iD Z2XzK71驄 =DC%΃ ) Axq'g +ϯee^_+Y`[ssA $XTJZQ0O$&01=uHopߴ.YP=2N,ǽyo_)w}""`?Pk;LE"cYI`g?e1ua& OK[EbC.?Y#xJa g$dDNkeK*(>*fAX"Kn[Phc$QA),0 Xo%4 @c 7H@S.@a3Hp4U0041#$@QJr˜t0WosIL[nяxd. uHFCu`tϰMYLZG dPMm܋RW .Ak[b6Bh[~ǴURB~"&)0T'z yN DXi+US%O lP`NKxDlimgYӭSP`:NG=cYI wCI1W 5e&$&RY C.<!,).shɈ% bz$@P H͊@jnNt} mit$[ P9cMM `er, R8"ޅD֗Bl+lQE#-!Xe M?Byʁ V\g{AGпEHn)i.`4 @i6`S\I.Pa |ܺVIQMCL9jLX"jg"nMk` lD$^(,1(J=.ؕ$Q w%EWj.DIIv,:Fd6GJ]lsԣHoAG@)(m`L)9d%J=g4[X{Eg)15&a,( eP G+(ђi8ZZB~Hf*8j2Ri5v7.?ʿ[g0NIl0X@k5s>B'8GAF2?"0( [2|ϧQeDJ Y!*k6y[s绫 ?ꤧrߴApXj)K~N/ C utrҭ- ֝PZLV8p$K`† XܻϘ 랶J7v/,Hbj BȘ{(X@i]{lʹ"Q`LZ<amhѪF$\>?CsnKh`<xLR /rj|^W-x j~PHaآcKÒ FM۝rBi_}_`)XXJMg0[G)1Fa'Im !ͳz$juBNFP\=K}MO:a\4Ox @ΰs"4R/A}ܝ$W1SJ-ֈ <a5Hd|'$!PYҳ#hEN'Z DـH2B'>\Т SQY{s[mv (QT95cd }ݴΑjw=1u* 0mgeVw}\]$0Y ÓOρ}|Z[OEE Qf> T]f0^aX֊jKAKye{`3kLR#=cI{I 14iua&KI>ZĬ) NMԺttQh 08`ľ8Zh/B }Ft`@e Q:)ygO>%ۗmD@CcpQ* h( 漈X KمPwEւV5oiH^?kc{*6.G$5Ğ- %VfA.~&^ͦ콸WKR!UQ)&9KYoٞ~??\w`nhWOMx 9s&H\R RN{ćhjGc (*jedٔtw{g'`lSkYLK$cI{K 15j5e'om!2ŚZ3}n,(3J~׌XK65l[xȗ2Ot9XΌwh$Z ,M 8&Q &(T:<L6(iP_ h-}VVڜd'0KGum5x[ma˜-XVG* L ,KxT.oIDR9j5Hz<CǢ\]|ȠۓmhA.tg%A .c6 XE& џ#s4N+h Wͱycdv~W]U`kNJCmcI{Ec 11ia'*$M9.html\">All My Loving\n\t\t\t\t\t
    Artist: The Beatles, John Lennon, Paul McCartney, The Beatles, John Lennon, Paul McCartney
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    Solo instrument (Acoustic Guitar [notation])
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    $8.44
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    You've Got To Hide Your Love Away
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    Artist: The Beatles, Paul McCartney, John Lennon, The Beatles, Paul McCartney
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    Solo instrument (Acoustic Guitar [notation])
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    $8.44
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    \nq NU NUiv class!push_headerU蜋UX+xUmUHU=U'*URUD`U^mU!mUYURSUPERa mUT6Ua ;HUT6UQU|+UЁ+Uer Emerson9U0>9U'Y#&E0UP UA U&Y#jXU`jXUa&EUxuJU1FTY#<SUAp…USY#`U1FTY#<10xJUU&Y#!^((?:U@&Y#!:)?)//([^/?\#]*)(.*)$AU &Y#aoXUoXU&Y# UqXU 1`jXU`jXUn'Y# A0.a+UpoxUBFUA9{"version":"9409c0081a88085a5da774e83deaaebb","optionalCookiesData":[{"desc":"Score Exchange uses analytics from Google to monitor the site's performance","name":"googleanalytics","title":"Analytics Cookies"},{"desc":"Score Exchange uses Google Ads to display advertisements to visitors","name":"googleads","title":"Google Ads Cookies"}]}\n\t\t\t\t\t
    Artist: Elton John, Elton John, Bernie Taupin
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    Solo instrument (Acoustic Guitar, standard tuning [tab])
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    $6.20
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    Your Song
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Tiny Dancer
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Don't Let The Sun Go Down On Me
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Your Song
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Border Song
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Bennie And The Jets
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Rocket Man
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    Artist: Elton John, Elton John, Bernie Taupin
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    Solo instrument (Keyboard)
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    $3.54
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    Levon
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Bennie And The Jets
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    Artist: Elton John, Bernie Taupin, Elton John
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    Voice + keyboard
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    $8.44
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    Rocket Man (I Think It's Gonna Be A Long Long Time)
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Sacrifice
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Blessed
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    Your Song
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    Artist: Elton John, Elton John, Bernie Taupin
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    Solo instrument (Piano)
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    $6.20
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    Candle In The Wind
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    Artist: Elton John, Elton John, Bernie Taupin
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    Solo instrument (Piano)
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    $8.44
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    Sorry Seems To Be The Hardest Word
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    Artist: Elton John, Elton John, Bernie Taupin
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    Solo instrument (Piano)
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    $6.20
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    Sorry Seems To Be The Hardest Word
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    Artist: Elton John, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    The Bridge
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    Artist: Elton John, Elton John, Bernie Taupin
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    Solo instrument (Piano)
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    $5.31
    \n\t\t\t\t
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    Tiny Dancer
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    Artist: Elton John, Elton John, Bernie Taupin
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    Solo instrument (Piano)
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    $8.44
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    Your Song (from Moulin Rouge)
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    Artist: Ewan McGregor, Elton John, Bernie Taupin
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    Voice + keyboard
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    $8.44
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    \n\t\t"}>\n\t\t\t\n\t\t"}ame":"Piano","price":"1.50","id":"864638"},{"minQuantity":null,"name":"Voice","price":"1.50","id":"864639"}],score:{"partCount":2,"belongsToCurrentUser":false,"priceSetOfParts":0,"license":{"recording":false,"profit":false,"parts":false,"score":false,"performance":false},"partsRequireScore":false,"isSMD":false,"partsAvailableIndividually":true,"priceScoreAndParts":"4.50","alreadyReviewed":null,"title":"Ici-bas (G. Fauré / Sully-Prudhomme)","id":"128908","price":"1.50","canPrint":null,"partsRequired":false},thisItem:{"minQty":1,"price":"1.50","canPrint":null},fbAppId:"FACEBOOK_APP_ID"} U2@lUcUXlU 5UDpXUiUDUlUiUDU@=UD`m+U0QUD@m+U0xmUDlUiUjUDUiUD0UiUDPU0U  @U`'UDpNUp'UD@U'UDNU'UDU'UDU'UDU'UDU'UDU'UDU'UDЂU(UDU(UDU (UDP)U0(UDp)U@(UD)UP(UD)U`(UD Up(UD@U(UD`U(UDU(UD*U(UD U(UDU(UDЧU !Ici-bas (Mme H. F. / Sully-Prudhomme) Melodie Mme H. F. (fl. 1918) Sully-Prudhomme (1839-1907) The Gentle Way This mysterious Mme H. F. could be Irma Clare (1849-1933) whose portrait was made in 1891 by Henri Edmond Cross (Delacroix); she was then Mme Henri France (Mme H. F.), before marrying in 1893 the painter. But this far from been sure. This poem by Sully-Prudhomme has also been set to music by numerous composers: Gabriel Faure, Paul Hillemacher, Victor Masse, Cesar Cui, Charles Lefebvre etc. and by Alain Jacques.rU!0g#g#!0g#g#!45g#g#!40g#g#!2017-03-31 17:50:071{"width":260,"position-y-pc":"40","faces":{"/usr/local/share/OpenCV/haarcascades/haarcascade_lowerbody.xml":[],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt.xml":[{"y":39,"width":162,"x":35,"center-y":120,"height":162,"center-x":116}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt2.xml":[{"y":41,"width":161,"x":36,"center-y":121.5,"height":161,"center-x":116.5}],"/usr/local/share/OpenCV/haarcascades/haarcascade_frontalface_alt_tree.xml":[{"y":34,"width":172,"x":33,"center-y":120,"height":172,"center-x":119}]},"height":300,"position-x-combined":"45%","position-x":"center","position-y":"center","position-y-combined":"40%","average-center-x":117.166666666667,"average-center-y":120.5,"id":"1F113D52-1632-11E7-B71A-9A6904F0CBF7","position-x-pc":"45"}UvU!3g#g#!280#g#!322#g#5pUX|U{U+pUH5pUP6pU6pUh{U8pU {U6pU6pU,pU{U{Ux5pU89pU zvUp+pU,pU9pU{UzU8pUP{U4pU|UX7pUp7pU8{U8pU8pU5pU5pU(|U7pUzU+pU4pUH8pU8pU08pU7pU9pU*pUP9pU5pUp4pU@4pU6pU{UzU,pUp|UX+pU 6pU`,pU(+pUX4pU7pU0,pUh6pU+pUP-pUiUh9pU@|U9pU{U8pU4pU`8pU8pU+pUx8pU*pU*pU7pU!2019-09-25 13:38:39U166847066-DF91-11E9-BF25-78zU!16561g#86pUU`UHUGU<UU(Uh U6pUxY'Uh:pUHVU؍U.U U6pUH&U UU U 9pU]U UXCU UDU UDU8U*pUXgUPUHUhUUUh}TUU{Uط~UU05pUGUUHU`kUGUaU|UUaU@UTU cUU)U8cU`UPcUXQ]UhcUHR]UcUU]UcUHUcU|UhUcU.UcUxTUcUgUdUU]U(dU8.U@dU@UȆUXdUUUpdU&*UdUzUdUXY]UdUZ]UdUȵUdU8u6UeUx UeUEVU0eUV]UHeUU`eUUxeUUeUxUeU(UeUqUeUعUeU0UUfUxU fUUU8fUkUPfUUnUhfUUfUUfUUfUxUfU>UfUUfU`}UUgUx~U(gUhU@gUUXgU(ݻUpgU}Ux]UgUUgUUgUUgUeUgUUhUUhUHL]U0hUhO]UHhUpUU`hU}UlUxhUxoUhUUhUؕUhUxUhU~UxFaUhUHaUiUU iUXU8iUx%UPiU UhiU UiU0}UUiU؀UukUiU}UH3kUiUHU^UiU ~U^UiUUjUUU(jU)U@jU)UXjU)UpjU肍UhUjU2!UjU}U86(UjU8UhUjUUjU0U8UkU(UkUxU0kUUUHkUHUBpU<U U(U@U(UxY'UUHVUXU.UUUH&UUUȪUhU]UUXCUUDUUDUU~UXgUUHUUU(Uh}TU@UUط~UXU UUPlUU)UmU%dUZUsUxUGU0bU8 UTUmUGU8lU`UmUXQ]UmUHR]UnUU]UnUHU0nUUhUHnU.U`nUxTUxnUgUnUU]UnU8.UnUxUȆUnU UUnU&*UoUzU oUXY]U8oUZ]UPoUȵUhoU8u6UoUx UoUEVUoUV]UoUUmUU mUU8mUxUPmU(UhmUqUmUعUmUhUUmUxUmUHUUmUkUmUUnUnUU(nUU@nUUXnUU!0g#g#U!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#!0g#g#!5.00g#!2023-03-28 23:30:17!2023-03-28 23:30:45!959090g#!1546971g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q|U1Ici-bas (C. Cui / Sully Prudhomme)U!0g#g#!3g#g#HU!3g#g#xHU!2013-06-20 06:38:57U!2018-01-08 20:21:50U!César Cui (1835-1918)!g#g#hU!1890g#xU10g#g#0!sib#g#HU!12154g#IU!0g#g#ЫGUAIci-bas (César Cui - Sully Prudhomme).sibU3JU!2013-06-20 06:38:57U!9g#g#U!1660g#`V@U!3g#g#H%oU!0g#g#U!g#g#hU!0g#g#(U!0g#g#U!1g#g#U!0g#g#PU!g#g#xU10.0000g#U0!1g#Hg#!1.50(g#!2013-06-20 06:38:59U!1g#g# !1g#g# !142450g#H3UQTous les lilas meurent (J-B Faure - Sully Prudhomme).sib}UQIci-bas (Tous les lilas meurent) (J-B Faure / Sully Prudhomme)`3U!26g#g# !0g#g#?!2g#g#3U!3g#g#3U!2013-07-30 01:31:44 !2018-01-08 20:21:51?1Jean-Baptiste Faure (1830-1914)}U!g#g#}U!0g#g#`}U!0g#g# !sib#g#h4U!12154g#!0g#g# !2013-07-30 01:31:44!34g#g#4U!1859g# !0g#g# !3g#Hg#!1.50(g#85U!2013-07-30 01:31:48!1g#g# !1g#g# dUuU`.FU0U\U,UOUUU0UU U pUPbUMP MP(0?@   #(_` %(1.635719U`UUD]UUD]UМUD^UUD ^UUD pUUDp@UUDU UD U0UD@U@UD`UPUD@^U`UD`^UpUD^UUD^UUD[UUD 0[UUD[UUD\UНUDUUDUUDоUUDUUDU UD0UU0UD`U@UDUPUDU`UDUpUD࿍UUDUUUD UUD@UUD`UОUDUUDUUDUUDUUD0U UDPU0UDpU@UDUPUDÍU`UD ÍUpUD@ÍUUD`ÍUUDÍUUDÍUUUDÍUПUDÍUUUUU U0UDU@UDUPUDU`UD།UpUDUUDUUDཌྷUUDUUD0UU` U[UD rUЉ\UU qUDrUPqUDrU`qUDrUpqUD rU0U )U=U2U UUiUDU&UD`UUp&UDUvmUD F8UcUDF8U"WUD*1U&UD࣊U'UDU&UDU&UD U0U  @vUUDiUСUD jUࡍUDPjUUDpjUUDjUUDjU UDjU0UDjU@UDkUUDkU UDkU0UDlU@UD@lUPUD`lU`UDlUpUDlUUDkUUD0kUUDPkUUDpkUUDlUUD`.UUD0UUD00UUDP0UUDp0U UD 0U0UD2U@UD2UPUD3U`UD03UpUDP3UUDlUUDmUUD mUUD@mUUD`mUUD5UUD5UUD5UUD5UUD6U U0UD 6U@UD@6UPUDP-UU`UD`6UpUD-UUD-UUD-UUD-UUD.UUUDoUUDrUUD0rUUDPrUUDprU UDrU0UDrU@UDuUPUDvU`UD vUpUD .UUD@.UUDiUUDiUUDp3UUD3UUD3UUUD3UUD3UU U0U@UPU20:45:15!0g#g#pUSully Prudhomme (First Nobel Prize in Literature, ever) wrote this poem in 1865. It has also been set to music by Gabriel Fauré, César Cui, John Parsons Beach, Francesco Paolo Tosti and by Alain Jacques. XUa In this setting J-B Faure changed the original order of the 3 stanzas: 2, 1, 3. Litteral translation (AJ): Title: "In this world" ("Here on earth"). In this world the lips touch lightly, Without leaving any trace of their velvet; I’m dreaming of kisses that last Forever. In this world all the lilac-trees die (/shed their leaves), All the songs of birds are brief; I’m dreaming of summers that last Forever! In this world all the men are mourning Their lost friendships or their loves; I’m dreaming of couples that last Forever!"V@U!1.50g#H%oU!0g#g#]HU!0g#g#xU10g#g#p| Ug#0!g#WU!0g#g#&U!50.00g#!35.00g#RU!50.00g#!35.00g#%U!0g#g#ػU!g#g#H9U!0.00g#(ۻU["53262","53505","109455","83976","126284","105937","55502","22179","43869","86478","7843","203462","198828","81877","38818","7907","7763","62508","63292"]U IU!2020-09-19 07:25:58U!1g#g#HVU!2019-09-25 13:56:16!1g#xg#-center-!0g#g#-y":148.!114.3360g#1E8-B5C1!2018-05-14 15:01:59c":"!Trisenseg#67,"aver!0g#g#6484CED4!1g#g#73E3","p!18g#g#}"B0E8!0000-00-00 00:00:00C373!0g#g#!0g#g#ATrisense For Slide Monsters EIJIRO NAKAGAWA 10g#g#01. Icibas Tous les lilas meurent, Tous les chants des oiseaux sont courts. Je rêve aux étés qui demeurent Toujours... Toujours! Icibas les lèvres effleurent Sans rien laisser de leur velours, Je rêve aux baisers qui demeurent Toujours... Toujours!.. Ici bas tous les hommes pleurent Leurs amitiés ou leurs amours, Je rêve aux couples qui demeurent Toujours... Toujours... Toujours!...!0g#g#!Tous les lilas meurent!Public domain!g#g#!0g#g#U!g#g#!0.00g#s\U["52827","106114","43370","103986","144278","411917","68167","207843","199124","8283","201896","126421","152934","90063","411251","175453","128908","184822","175859","176687"]FRU!2020-09-15 00:27:53U!1g#g#U!2019-09-25 13:20:15U1D48512E4-DF8E-11E9-8692-78U8ZU!5434g#PhU!0g#g#x5xU!0g#g# !1g#g#U!0g#g#!g#g#!0.0000g#!2013-08-22 01:20:111Icibas Ch Lefebvre Sully Prudhomme!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!Ici-bas (Ch. Lefebvre / Sully Prudhomme) Tous les lilas meurent Charles Lefebvre (1843-1917) Sully Prudhomme (1839-1907) The Gentle Way Literal translation (AJ): Here on earth all the lilacs die (shed their leaves), All the songs of the birds are short; I dream of summers that remain Forever. Here on earth lips touch lightly Without leaving a trace of their velvet; I dream of kisses that remain Forever! 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It includes distant bells and strange spread chords. Will test their playing of dynamics and a little pedalling. ScoresScores!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00UMUؕUNUxU NUUxFaU8NUHaUPNUUhNUXUNUx%UNU UNU UNUUUNU@UukUNUhUH3kUOUU^U(OUU^U@OUUXOUhUUpOU)UOU)U,U)U-UUhU-U2!U0-UXU86(UH-UUhU`-UUx-UU8U-U(U-UxU-UUU-UHUHU<UU(UUUxY'UhϽUHVUiU.UU`UH&UUU0U0U]UUXCUXUDUUDU0UHUXgUHUHU`UUxUh}TUUUط~UUUGUxGU Up8UGU.UUU.U@UTU00UU)UH0U`U`0UXQ]Ux0UHR]U0UU]U0UHU0UUhU0U.U0UxTU1UgU 1UU]U81U8.UP1U@UȆUh1UUU1U&*U1UzU1UXY]U1UZ]U1UȵU1U8u6U2Ux U(2UEVU@2UV]UX2UUp2UU2UU2UxU2U(U2UqU2UعU3U0UU3UxU03UUUH3UkU`3UUnUx3UU3UU3UU3UxU3U>U3UU4U`UU 4Ux~U84UhUP4UUh4U(ݻU4UUx]U4UU4UU4UU4UeU4UU5UU(5UHL]U@5UhO]UX5UpUUp5UUlU5UxoU5UU5UؕU5UxU5UUxFaU6UHaU6UU06UXUH6Ux%U`6U Ux6U U6U0UU6UUukU6UUH3kU6UHU^U6U U^U7UU 7UUU87U)UP7U)Uh7U)U7UUhU7U2!U7UU86(U7U8UhU7UU7U0U8U8U(U(8UxU@8UUUX8UHUU<UGU(UU(UxY'UUHVUPU.UGUUH&U HUU8HUhU]UUXCU`GUDUHUDUثUUXgUUHUUU Uh}TU8UUط~UPUxUGU@/U=UxUGUH9UUU`9UUTU:UU)U:U`U:UXQ]U:UHR]U;UU]U(;UHU@;UUhUX;U.Up;UxTU;UgU;U U!0g#g#U!0g#g#XUXUU0UUU0UhU(U UHUUUUU(UHUUU@UUUUUPUPUUhUU8UUUUU(UUUpUUXUU@U UUU`UpUU UxUUUUpUUUUU8UUUUUPU`UxU@UUUUUpUUUUUUUImageUpd!g#g#`U!0.00g#["140959","72281","140946","12373","168144","152469","101194","198332","198585","198675","207679","198333","149009","152450","198273","198565","140948","88444","73784","198600"]U!2020-09-14 10:10:07!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:38:57!2023-03-15 17:39:02!220969g#!244288g#!0000-00-00 00:00:00!0000-00-00 00:00:00 U.0 /0-028U   ch/0QU1 U99365130,U U UD U0UD U@UD UPUD U`UD0 UpUDP UUDp UUD UUD UUD UUD UUDUUD0UUDPUUDpUUDU UDU0UDU@UDUPUDU`UpUD0UUDPUUDpUUUDUUDUUDUUD0UUDPUUDpUUUD@,U UD.U0UD.U@UD.UPUD.U`UD/UpUD /UUD@/UUD`/UUD/UUDUUDUUDUUDUUDUUD0UUDPU UDpU0UDU@UDUPUDU`UDUpUDUUD0UUDPUUDpUUD3UUD3UUD3UUD4UUD4UUD4UUD5U UD05UhU09UP,UDuUUUUDp=UUD=UUD=UUD>UТ/U +UU2XU:UpcUDbUUDDUpUDP͝UUUDp̝UUDoUpUD`oU@UDU0UD̝UUDp͝U@UD̝UPUD͝UYU  ĜU0UD=U@UDUPUD =U`UD0UpUDPUUDpUUDUUDUUD`UUDUUDUUDUUDUUD UUD U UD@ U0UDp U@UD UPUDU`UDUpUDUUD0UUDUUDUUD༜UUDUUD UUD@UUD`UUDUUD U UDཛྷU0UD0U@UD` UPUD U`UD UpUD UUD UUD UUD UUD@ UUDUUUD0UUDPUUDpUUUDU UDU0UDU@UDUPUDU`UD0UpUUDPUUDœUUDÜUUD0ÜUUDPÜUUDpÜUUDÜUUDÜUUDÜUUDÜU UDU0UDU@UDUPUD U`UD@UpUD`UUDUUDUUDUUDྜUUDUUD UUD@UUD`U UDUdefScorU]U;U8.U;UUȆU;UUU<U&*U<UzU0<UXY]UH<UZ]U`<UȵUx<U8u6U<Ux U<UEVUH UV]U` UUx UU UU UxU U(U UqU UعU UUU UxU8 UhUUP UkUh UUnU UU UU UU UxU U>U UU UUU( Ux~U@ UhUX UUp U(ݻU UUx]U UU UU UU UeU UU UU0 UHL]UH UhO]U` UUUx UUlU UxoU UU UؕU UxU UUxFaUUHaU UU8UXUPUx%UhU UU UUhUUU0UukUU8UH3kUUU^UUxU^UUU(UXUU@U)UXU)UpU)UU@UhUU2!UUHU86(UUUhUUUUU8UU(U0UxUHUUU`UHU@U<UX/U(UpUUxY'UgUHVU0^U.U/UPUH&U/UU0U U]UhUXCU(/UDU/UDUU8UXgUUHUUUȬUh}TUତUX"Uط~UUUGU9UX=U@UGUPU0#UUhU(UTUUU)UU`UUXQ]UUHR]UUU]U0UHUHU`#UhU`U.UxUxTUUgUUU]UU8.UU%UȆUU)UUU&*U UzU8UXY]UPUZ]UhUȵUU8u6UUx UUEVUUV]UUUUUUU(UxU@U(UXUqUpUعUU&UUUxUU%UUUkUU8'UnUUUUU0UUHUxU`U>UxUUU#UUUx~UUhUUUU(ݻUUP$Ux]U UU8UUPUUhUeUUUUUUHL]UUhO]UU)UUU $UlUUxoU(UU@UؕUXUxUpU@%UxFaUUHaUUUUXUUx%UU UU UU#UU0Uh'UukUHU#UH3kU`U*U!1g#g#U!650x918g#!0g#g#U!0g#g#!5.00g#U!2023-03-15 17:39:10U!2023-03-15 17:39:16U!672649g#U!810422g#(U!0000-00-00 00:00:00U!0000-00-00 00:00:00UQH#U1}U+Ux:81811841207132g#uantityScoreart0AAdvanced Intermediate Piano - Sarabande Dolore Mike Lyons This is an **Advanced Intermediate** piece from my new series of easy piano music. It was originally a piece for brass quintet, but it transfers very well onto piano. It follows the dance-form quite closely and is in a minor key. There is a strong emphasis on the first beat of the bar and there must be a clear gap between the stressed crotchet and the following minim whenever that occurs. This piece would suit advanced intermediate players because of the semiquavers in the fourth variation. !0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#HU"U@"U UUU U!UU!U8UUPUp"U!UU UUU0U U("Uh!U` U!U@U"UUU!UUx UxUU"U(UP!U`UUU0 UUU !UU U`UUUhU"U!UU#UUUUU(UpUUUU UPU!U"U8!U"U UpU UH UU UUUXU!g#g#U!0.00g#["74373","131944","177388","139314","365084","55377","62345","99063","14931","101193","162739","8772","73213","78868","96239","164779","184184","123169","38024","164081"]!2020-09-20 23:46:30U!1g#g# !0000-00-00 00:00:00!g#g#!0g#g#U!0g#g# !0g#g# !0g#g# The title comes from the count-in for a waltz, starting with a pick-up beat. Apart from bars 10-18, this is strictly one note per hand. The melody is simple and graceful with no awkward leaps. The LH is, necessarily, jumping around quite a lot, but the tempo given should make this easier to achieve. The opening melody keeps returning after each repeated section, rather like a ritornello.:51:14.000000!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike Lyons All Rights Reserved-04-19 !g#g#["140959","72281","140946","12373","168144","152469","198332","101194","198585","198675","198333","207679","152450","198273","149009","140948","77727","88444","198565","198600"]U!2020-09-05 02:11:47U!1g#g#pjU!0000-00-00 00:00:00U!g#g#@gU!0g#g#hU!0g#g#kU!0g#g#!0g#g#kU!1g#g#1650x919g#`hUjU0!0.0000(g#:U!2018-11-08 17:20:361Easy Piano With a 1 2 3 1 220:51:14!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Easy Piano - With a 1, 2, 3, 1, 2 Mike Lyons The title comes from the count-in for a waltz, starting with a pick-up beat. Apart from bars 10-18, this is strictly one note per hand. The melody is simple and graceful with no awkward leaps. The LH is, necessarily, jumping around quite a lot, but the tempo given should make this easier to achieve. The opening melody keeps returning after each repeated section, rather like a ritornello.!0g#g#.000000!0g#g#>U!0g#g#2>U!0g#g#>U!0000-00-00 00:00:004.92!g#g#.000000!0g#g#" tabin!0g#g#>U!0g#g#?U!g#g#4-19 20:!323625g#20:51:14!1g#g#4.915737!3g#g#="close"!5.00g#?U!5.00g#e2024-0!1.50g#4-04-19 !0.00g#13555674!1g#g#modal-bo!1g#g#X@U!0g#g#e2024-0!1g#g#4-04-19 !1g#g#71355567!0g#g#U!g#g#e-sm">Qt!0.00g#  MP)0 `U]U ah)0 5gUrFU(UUqUUعUرUpOUUUxUUZUU UkU8UOUnUPUUhUUUUUxUU>UȲUUಾUXUUUx~UUhU(UU@U(ݻUXU@YUx]UpUUUUUUUeUгUU賾UUUHL]UUhO]U0UQUUHUYUlU`UxoUxUUUؕUUxUU0ZUxFaUشUHaUUUUXU Ux%U8U UPU UhUXUUUPUukUUXUH3kUUOU^UȵUYU^UൾUUU@OUUU)U(U)U@U)UXU(RUhUpU2!UUpYU86(UUxPUhUUUжUpRU8U趾U(UUxUoUPUU(UHUȂU<UwU(UHUhQUxY'U0UHVUXU.UpU8QUH&UHUUhUSU]U@UXCU`UDUxUDUU`ZUXgUUHUUUؓUh}TUU@UUط~UUVUU8UGU UU)UUOUGUHU[UTUUUbU`UUXQ]UйUHR]U蹾UU]UUHUUHVUhU0U.UHUxTU`UgUxUU]UU8.UUXUȆUU\UUغU&*UUzUUXY]U UZ]U8UȵUPU8u6UhUx UUEVUUV]UUUȻUU໾UUUxUU(U(UqU@UعUXUYUUpUxUUXUUUkUU 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cU8oU4246516!353465g#!0000-00-00 00:00:00U10000-00-00 00:00:00VU0!Come Rain Or Come Shine!58g#g#!0g#g#!3g#g#!2g#g#!2017-12-07 00:00:00!2022-12-19 00:00:00!g#8g#PWU!g#g#WU!0g#g#VU10g#g#0!g#g#!0g#g#!0g#g#!g#g#!2017-12-07 00:00:00!0g#g#!1g#g#U!0g#g#!g#g#XU!0g#g#WU!0g#g#pXU!0g#g#(XU!0g#g#YU!0.0000g#WU!0000-00-00 00:00:00U1Come Rain Or Come Shine0!0g#g#?!g#g#U!3.54g#`U!0g#g#!0g#g#?!0g#g#U!g#g#U!g#g#!0g#g#?1Real Book – Melody & Chords@U!g#g# !g#g# !1.50Hg#!0000-00-00 00:00:00U!0g#g# !0g#g# !0g#g# !0000-00-00 00:00:00U!0g#g#8U!0g#g#U!0g#g#HPU!g#g#.mU!0g#g#U!0g#g#U10g#g#H9U0!g#g#U!g#g#HU!0g#g#oU!Clarinet SoloU!g#g#U!g#g#U1Harold Arlen, Johnny MercerU!2.99g#pU![]g#g#`U!2020-09-08 17:34:36U!0g#g#PIU!0000-00-00 00:00:00!g#g# zU!0g#g#\U!0g#g# U!0g#g#zU!0g#g#!0g#g#!1276x1650g#XU!5g#g#oU!1g#g#8U!0.00g# !1.50`uU   08`U  08 U0 U@U UDU UDU0 UD࿜U@ UD ȜUP UDȜU` UDɜUp UD ɜU UD@ɜU`yUD`ɜU0U8U`[UD0>UPUUUDrU@UDsUPUD0sU`UDPsU0U @˜UU2 UU8U^UUDXUUDUU`UDUp[UDpUUDPUP[UD@ϾUUD0UUDUUDPUUDpUPU  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U8U,UUUUh$U8UUXUUUhU9UUUUU86yUUUTUU0UUUoU8UUh;UhyUHUl*UUUZU&UUMTU0UUUPUU0U#UUȧUx<U UfUХyUxUUUUHU0UUUh~U،UPUU8FU8UFUeU(U7UDUUHUЈU8{UCUUXiUpUxUH2UHU:UUxUUh}TU@2UuUlUU(U`eUUhPUHݹUHU8UYUUU0UZ]U^UUHUUXUUUUxIUUUhUU#UHU UhU0JUPU@U.U UZUCU=U,UXU(UUUxUPIU<UKUTUdUGUАUhUUp\UU UH'U}UUXCUPUpU)U U؞UhU U(]U_UUUDUU,U UVU8UzUU@UAUUPU\U XUx+UUP9UظUUXCUJU(ݻUUUUȝUȚUHUxuUDUUUHtUؔUU7UXVgUzUФU`USUHUhU(fU0UhUUp\U|U:UUUPJUBUHUX^XUeUHhUUXDUU8UHXU TU UNUhUU U=UP Ux~Ux;UUGUPxUUnUHUUU:UpUUfU$UU U0xUFUnTY#U!0000-00-00 00:00:00U!g#g#ئU!0g#g#HYU10g#g#0aMozart Flute/Harp Concerto Andantino arr. flute /piano Mozart Michael David Williams !1200U!SATB Choirg#PMU!g#g#LUX#!g#g#!1.50g#10000-00-00 00:00:000!0000-00-00 00:00:00!g#TU !1787770bU !0g#\U !0g#g# !3g#p%UKU!2g#g# !192364onfigst U!PlatinumRenewal !43.00Uon!49.95g#g#!43.00g#(U!0g#g#U!0g#g#U!0g#g# !1g##UIDdDate!169896g#g#!g#g#W?U!0g#g#`&U!0g#g# QMein Liebchen wir sassen beisammen Lower Wolf Schubertline UQU%UV 3.137.192.3X޻UP1IUHU]~в164417!ScoreCountCurrent!0g#g# 10g#g#~0!1g#g#U!g#g#@DU!2.20g#U!0g#g#xU!0g#g#YU!0g#g#`U!0.0000g#U!2015-11-12 12:51:17U1Mein Liebchen wir sassen beisammenU!0g#g#0!TU!0g#g#@SU!4g#g#=U!0000-00-00 00:00:00U!0g#g#bU!0g#g#U!0g#g# !0g#8g#x%U!g#g#U!3.54g#U10g#g#0!0g#U!0000-00-00 00:00:0010000-00-00 00:00:000!HASHUntsAllSomeZU@UqU9Uh}U?UU0UHiU:zUP%U0sUUU?UU(U@lUUUsUUUPUU0UU UH uU pU uUU`Ux UUxUU]UGUdUhuUheU0U@UX U UpUUЃUUxU೶UZU8U(@UUHU0UPEUgUzU84UUHUxU؇UaUUUQU}Utainer'>1"UIU"UJU"U`JUJU؊JU"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U"U!TypeRU !0g#VU aP2U +U|(1Uq UXQU؞U!USQLrencyID1`9UUHi291051QصU` U(UA/usr/www/resources/ADAP3/GenericObject2.pmg#@!0g#g# U!Raindropsg#2U!2018-11-08 16:22:15U!0g#g#`zU!535#g#U!0g#g#U!1.50g#貝U!2018-11-08 16:38:59U!0g#g#pU!1g#g#(U!0g#g#U!g#g#U!0g#g#U10g#g#вU0!1g#g#UAs part of my new series of easy piano music this is a little exercise in playing staccato. LH is comping throughout, while the RH has running quavers, sometimes in 3rds, mostly in single notes. The accompaniment should never get 'heavy'.U!5.00g#p/U!1g#g#:U!0g#g#(U!0g#g#"U!g#g#"U!g#g#"U!0g#g#"U1g#g#"U0qAs part of my new series for easy piano, Rat Tat Tat was inspired by the children's game of "Knock-a-door-run" which came to mind around Halloween. This piece is looking to exercise mainly staccato playing in a fun context. Most of the time the music is isorhythmic, with the occasional decoration and a nice little imitation in the middle section.U!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike LyonsAll Rights Reserved?!g#g#!g#g#&U!53894g#!1g#g#(U!3g#g#!5.00g#0&U!5.00g#)U!1.50g##U!0.00g#'U!1g#g#`&U!1g#g#$U!0g#g#%U!1g#g#0)U!1g#g#!0g#g#)U!g#g#10.00g#%U(U0!0g#g#U!0.0000g#!2018-11-08 16:40:37!Easy Piano Rat Tat Tat!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Easy Piano - Rat Tat Tat Mike Lyons As part of my new series for easy piano, Rat Tat Tat was inspired by the children's game of "Knock-a-door-run" which came to mind around Halloween. This piece is looking to exercise mainly staccato playing in a fun context. 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It's a minor piece and starts with the bells tolling for midnight before the mysterious spooky goings on. The RH is mainly one note, with occasional chords on longer notes . The LH shares some of the melodic material, but then has an Alberti pattern, providing an accompaniment the the ghostly goings on1jU!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike Lyons All Rights ReservedU!g#g#!g#g#pU!688362g#!1g#g#XU!3g#g#!5.00g#U!5.00g#pU!1.50g#HU!0.00g#hU!1g#g#U!1g#g#8U!0g#g#U!1g#g#U!1g#g#!0g#g#U!g#g#10.00g#XUU0!0g#g#U!0g#g#!4g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Easy Piano - Spook Night Mike Lyons As part of my new series for beginner piano, this was inspired by Halloween. It's a minor piece and starts with the bells tolling for midnight before the mysterious spooky goings on. The RH is mainly one note, with occasional chords on longer notes . The LH shares some of the melodic material, but then has an Alberti pattern, providing an accompaniment the the ghostly goings on1eted!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#UUUUUUUU`UXUUPUUU@UUU(UhUUPUUUUUUHUUUpUHU U U`U`UUUUpUUUxUXUUUUUUUUU(UHUUUhUxUUUUUU8UUUUxUU0U8UUUUPUU(UXUU@U["140959","72281","140946","12373","168144","152469","198332","101194","198585","198675","198333","207679","152450","198273","149009","140948","77727","88444","198565","198600"]U!2020-09-05 02:11:11!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:39:02!2023-03-15 17:39:09!648277g#!831742g#!0000-00-00 00:00:00!0000-00-00 00:00:00QU1PUUŌ365125!2018-11-08 16:22:15U10g#g#PU0AAdvanced Intermediate Piano - Sarabande Dolore(tU!41g#g#U!275#g#(,U!3g#g#wU!1g#g#U!2018-11-08 16:22:15U!2018-11-08 21:11:17U!536#(g#xU!0g#g#)U!Mike Lyonsg#ȨU!g#g# !2018-11-08 16:58:31U10000-00-00 00:00:00#U01Easy Piano - Rat Tat TatfUcU!275#g#.U!2g#g#U!1g#g#U!2018-11-08 16:22:15U!2018-11-08 21:05:51U!20188g#h$U!0g#g#$U!1g#g##U11.50g#0!sib#g#ԽU!114#g#8U!0g#g# (U!Rat Tat Tat#8>U!2018-11-08 16:22:15U!0g#g#U!531#g#8mU!0g#g#P_U!2018-11-08 16:38:59U!0g#g#$U!1g#g#%U!0g#g#@%U!g#g#0&U!0g#g#$U!0g#g##U11g#g#%U0!Mike Lyonsg#"U!g#g# This is an **Advanced Intermediate** piece from my new series of easy piano music. It was originally a piece for brass quintet, but it transfers very well onto piano. It follows the dance-form quite closely and is in a minor key. There is a strong emphasis on the first beat of the bar and there must be a clear gap between the stressed crotchet and the following minim whenever that occurs. This piece would suit advanced intermediate players because of the semiquavers in the fourth variation. !5.00g#U!1g#g#U!0g#g# U!0g#g#'U!g#g#8U!g#g#U!0g#g#BU!g#g#)UACopyright © 2007 Mike LyonsAll Rights ReservedPU!g#g#@U!2018-11-08 17:10:03U!0g#g#HfU!1g#g#U!0g#g# U!g#g#U!0g#g#PU!0g#g#GU!1g#g#"U!0g#g#"U!0.0000g#"U!2018-11-08 17:10:28UAAdvanced Intermediate Piano Sarabande Dolore@!sib#g#ult" dat!114#g#e="true"!0g#g# class="!Spooky Noisesokie-pre!2018-11-08 16:22:15opti!0g#g#/div> U@]Ur6UUXU}UeU@XUx~UUUNU<U LUUUYUEVUUU8UU00UxGUgU]UU؇UU ζU2!UUUUU(UhUUU.UH3kUFU ^UUUP1U8U۹UUxaUHUUV]UHUoU6UjUUȮUUTUHUBU8MTU0YUUUpU86(U8UOUUpU}UTU+UEVU U(ݻUUHUhսUȵU+UkU(UU8OU UUHbUVUxU8UGU UعUUUHU5UU U88UXCUUrU؀U UUXgUpyUUh(U8UUUhѶUU@ UrUUȤUkUإUUeUUUhUHU\UEVU(UعU;UxoUU>UHUCUعUh?U^UhUUZ]UXUeUtUUwU/U|UYUUxUU)U8UxTU|U)UUUCUUU?UBUTUXUdUp,Uh}TUH.UUUUH!UUUXUZ]UrU2!UUUHUUxUPUUUh}TUUUULU@UHbUpU $xUUCUqUhUUTUU>UH4UUTUPU6UcUUxUhU(dUUUtU:U{U9U UU3U߹U$U]UUPU[UU(UȞ[UU(UUJUUXU UUUxUUyReviewe!0g#U !0000-00-00 00:00:00!0000-00-00 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MercerU0!0g#g#jU!0.0000g#!0000-00-00 00:00:00!Come Rain Or Come Shine!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#TUhTUTUTUhTUpTUTUxTU8TU0TUTU(TUSUTUTUTUXTUhU@TUSU(TUTUTUTU`TUTU TUxTUTUHTU TUTUTU8TU8TUTUTUSUHTUhTUTUPTU0TUTU`TUpTUTUxTUTUTUTUTU SUTUXTU@TUPSUpTUTUTUSUTUTUxSUTUTUPTUTUTUTUTUTUTU(TUTUTU0TUTU !3.49g#`qU![]g#g#!2020-09-11 15:24:55!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1276x1650g#!3g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00QTU13V#~!329037g#`^U!0000-00-00 00:00:00U10g#g#mU0!Come Rain Or Come Shine!41g#g#pU!366#g#g#!3g#g#@U!2g#g#hU!2016-07-22 00:00:00U!2023-01-03 00:00:00U!g#8g#hnU!g#g#nU!0g#g#mU10g#g#0!g#g#دU!0g#g#HU!0g#g#(U!g#g#U!2016-07-22 00:00:00U!0g#g#U!0g#g#XU!0g#g#XU!0g#g#U!g#g#pU!5.31g# U!0g#g#cU!0g#g#U!0g#g#U1g#g#"U0!1.50g#U!0000-00-00 00:00:00U!0g#g#U!0g#g#PU!0g#g#@U!g#g#U!0g#g#X TU10g#g#U0!g#g#`yU!0g#g#!Tenor Sax Solo!g#g#!g#g#!0g#g#U!0g#g#!0.00g#U!0.00g#!0.00g#@U!1g#g#U!1g#g#X TU!0g#g#U!0g#g#pU!1g#g#ةU!120431g#U1Harold Arlen, Johnny Mercer!2.99g#@ TU![]g#g#U!2020-09-20 11:58:09U!0g#g# !0g#g# U!0g#g# !0.0000g# !0000-00-00 00:00:00!Come Rain Or Come Shine!0g#g# !0g#g# !0g#g#!0000-00-00 00:00:00U!0g#g#!0g#g# !0g#g#!0g#g#U!0g#g#!0g#g# !0000-00-00 00:00:00!g#g#pU!0g#g# !0g#g# !0g#g#!0000-00-00 00:00:00U!0000-00-00 00:00:00!g#g# !204887g# !0000-00-00 00:00:00U!0000-00-00 00:00:00!g#g#QU!960049g#!0g#g#NU!0g#g#QU!0.00g#XU!0.00g#PU!0.00g#OU!1g#g#YU!1g#g#xZU!0g#g#QU!0g#g#!1g#g#QU!134798g#10g#g#ZUPU0!0g#g# U!0g#g#aCome Rain Or Come Shine Pro Vocal Harold Arlen, Harold Arlen, Johnny Mercer ore2024-0!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#0PUUU(UUHZUOUPUQUTURUTU QUPUXUXUUTUPUSU(UYUXYUSUUUPTUHSUTU(OUUUQUQUTURU`SU`PUOUUURU8TUYUNURUSURUQUTUNUSUHPUNUNUPQUTUhTUXU0VUZUPUXUZUOUXRU(YUPUYUhXUxZUSUUU TUpUUxSUXOURU0SUYUSUZUZU@RUSE::ScorAHarold Arlen, Harold Arlen, Johnny Mercer000001854111!3.99g#U["411832","210166","220929","235119","242759","245385","246516","246680","246698","246745","246847","246856","247106","247120","247124","247259","254623","258750","258829","258840"]!2020-09-01 23:53:09U!0g#g#4-19 20:!0000-00-00 00:00:001:14!g#g#4.998297!0g#g#ITLE "Chris Tomlin" "Ed Cash" "Matt Redman" "Jonas Myrin" "Matt Armstrong" - Score Exchange

    U!2g#g#`XaU1Doo-dit-doo-dah Catherine Quinlan !2024-04-15 00:00:00l?id!g#g# 1HASH U999998)0!0g#{UU!g#g# !702282EU &U^UxU$U^UUUU&UUU)UU)UU)UUx)UhUhU2!UU$U86(UU'UhUUUȇU)U8UU(UUxUU(UU(UHUHGU<U9U(U(U(UxY'U+UHVU:U.U8:U(UH&Uh:UU:UU]UUXCU9UDUP:UDU(Up%UXgU@UHUXUUpUh}TUU@Uط~UU'UGUUUUGUUUU0UUTUUU)UU`UUXQ]UȊUHR]UUU]UUHUUHUhU(U.U@UxTUXUgUpUU]UU8.UUUȆUUUUЋU&*U苜UzUUXY]UUZ]U0UȵUHU8u6U`Ux UxUEVUUV]UUUUU،UUUxUU(U UqU8UعUPUUUhUxUUUUUkUU UnUȍUUUUUUUxU(U>U@UUXUذUUpUx~UUhUUUU(ݻUЎU8Ux]U莜UUUUUU0UeUHUU`UUxUHL]UUhO]UU赝UUUUlU؏UxoUUUUؕU UxU8U(UxFaUPUHaUhUUUXUUx%UU UȐU UUUUUPUukUUxUH3kU(UU^U@UU^UXUUpUxUUU)UU)UU)UБU`UhU葜U2!UUhU86(UUUhU0UUHUU8U`U(UxUxUUUUUHU/U<UU(UUUxY'U UHVUU.U@UpUH&UpUUUෝU]UUXCUUDUXUDUЭUXUXgU譤UHUUUUh}TU0UxUط~UHUUGUU@DU<U(ԝUGUUPUUUUTUUU)UU`U0UXQ]UHUHR]U`UU]UxUHUUUhUU.UUxTUؕUgUUU]UU8.U UUȆU8UUUPU&*UhUzUUXY]UUZ]UUȵUȖU8u6UUx UUEVUUV]U(UdefScor!365118g#U!0g#g#̞U10g#g#x̞U01Easy Piano - AlternativesUs@U!41g#g#U!275#g#!2g#g#}U!1g#g#s@U!2018-11-08 16:22:15U!2018-11-08 16:38:19U!Mike Lyonsg#8͞U!g#g#͞U!2018g#̞U10g#g#0!sib#g#U!114#g#8mU!0g#g#P_U!AlternativesU!2018-11-08 16:22:15U!0g#g#BU!534#g#)U!0g#g#U!1.50g#ΞU!2018-11-08 16:30:02U!0g#g#XΞU!1g#g#ΞU!0g#g#ϞU!g#g#͞U!0g#g#̞U10g#g#ΞU0ACopyright © 2018 Mike Lyons All Rights ReservedeverCro!g#g#!g#g#貝U!833153g#!1g#g#еU!3g#g#!5.00g#U!5.00g#赝U!1.50g#U!0.00g#ഝU!1g#g#HU!1g#g#U!0g#g#pU!1g#g#U!1g#g#!0g#g#U!g#g#10.00g#вUU0!1g#g#0ÝU!0g#g#!0.0000g#!2018-11-08 16:39:57!Easy Piano Raindrops!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!Easy Piano - Raindrops Mike Lyons As part of my new series of easy piano music this is a little exercise in playing staccato. LH is comping throughout, while the RH has running quavers, sometimes in 3rds, mostly in single notes. The accompaniment should never get 'heavy'.U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#hUU`U@UUU@UUضUиUXUȴUUUU8UUUౝUPUȷUHUUUU`UUU0U踝UUUUسUعUHUpUU貝UUPUUеU@UUUUU0UU0UUU UUഝUUUHUU U(UU`UpU(UUXUUUU UhUȱU8UUвUxUPriceSet["140959","72281","140946","12373","168144","152469","101194","198332","198585","198675","198333","207679","152450","140948","198273","77727","149009","88444","198600","198565"]ScoreA!2020-08-30 02:08:04!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:39:22!2023-03-15 17:39:28!450036g#!457844g#!0000-00-00 00:00:00!0000-00-00 00:00:00PUΝU`UDPUpUDUUD UUDUUDUUD0UUD PUЂUDUUD0UUDPUUDpUUDU UDU0UDU@UDUPUDU`UDUpUDUUUDUUDUUDUUUD0UЃUDPUUDpUUDUUDUUDU U0UDU@UDUPUD U`UD UpUD@ UUD` UUD UUD UUD UUD UЄUDpUUDUUDUUDUUDU UDU0UD0U@UDPUPUDpU`UDUpUDUUDUUDUUDUUD0UUDPUЅUDUUD0UUDPUUDUUD0U UDPU0UDpU@UDUԝUU݄UD@U\UU`zUDȶUzUD`ȶUzUDȶUzUDȶUPU p!U0U2՝U蔜U ՝UpeUDUUDYUh՝UUDXU@UDpbUUDPbUUDoUPUD0YUUDYU`UDPYUpUDpYUU  @/U ޝUD!U0ޝUD`"U@ޝUD"UPޝUD"U`ޝUD"UpޝUD"UޝUD#UޝUD #UޝUD#UޝUD#UޝUD$UޝUD0$UޝUDP$UޝUDp$UߝUD$UߝUD$U ߝUD@#U0ߝUD`#U@ߝUD#UPߝUD#U`ߝUD%UpߝUD &UߝUD'UߝUD'UߝUD'UߝUD(UߝUD (UߝUD@(UߝUD`(UߝUD(UUD (UUD(U UD$U0UD$U@UD%UPUD0%U`UDP%UpUDp%UUD%UUD%UUD+UUD +UUUD@+UUD`+UUD+UUUD+UUD+U UD+U0UD,U@UD ,UPUD@,U`UpUD `,UUD .UUD@.UUD`.UUD.UUD.UUD.UUD.UUD/UUD /UUD"U UD0"U0UD(U@UD)UPUD0)U`UDP)UpUDp)UUD)UUD)UUD)UUD)UUD*UUD0*UUDP*UUDp*UUD*UUD*UޝU   `U  /0  (U  UQhU!0g#8g#ÞU!2g#g#`ÞU!1.50g#pžU12018-11-08 16:50:040!sib#g#!114#g#U!0g#g#U!Bigfoot Dance U!2018-11-08 16:22:15U!0g#g#U!541#g#U!0g#g# U!0g#g#ĞU!1g#g#`ÞU!0g#g# ĞU!g#g#ÞU!0g#g#ĞU!0g#g#HÞU!1g#g#pžU!0g#g#ĞU!0.0000g#g#!2018-11-08 16:50:311Easy Piano Bigfoot Dance!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#12018-11-08 17:19:410!1.50g#U!2018-11-08 16:38:58U!0g#g#U!1g#g#`U!0g#g#U!g#g#лU!0g#g#U10g#g#U0As part of my series of beginner piano music, this is more of a stately processional type of march than a military one. The music is largely unison rhythm, except for the melody and countermelody. There's an opening (and closing) fanfare followed by the main themes. These eventually divide into four distinct lines which, while isorhythmic, have a degree of independence, which is why I have put this into the **advanced intermediate** group.hangeScores!5.00g#!1g#g#!0g#g#U(ΝUU@ΝUUXΝUxUpΝU(UΝUqUΝUعUΝUUUΝUxUΝUpUUϝUkUϝUUnU0ϝUUHϝUU`ϝUUxϝUxUϝU>UϝUUϝUUUϝUx~UϝUhUНUU НU(ݻU8НUpUx]UPНUUhНUUНUUНUeUНUUНUUНUHL]UНUhO]UѝUUU(ѝU@UlU@ѝUxoUXѝUUpѝUؕUѝUxUѝU`UxFaUѝUHaUѝUUѝUXUҝUx%UҝU U0ҝU UHҝUຝUU`ҝU8UukUxҝUUH3kUҝUU^UҝUлU^UҝUUҝU`UUҝU)UӝU)U ӝU)U8ӝUHUhUPӝU2!UhӝUU86(UӝUUhUӝUUӝUU8UӝU(UӝUxUӝUUUԝUHU9U<UU(UUUxY'U,UHVUU.UUXUH&U8UUPUU]U`UXCUxUDU UDUxUUXgUUHUUUUh}TUخU`Uط~UUUGUUU0UGU՝U8UU՝UUTUh֝UU)U֝U`U֝UXQ]U֝UHR]U֝UU]U֝UHU֝UhUhUםU.U(םUxTU@םUgUXםUU]UpםU8.UםUUȆUםU UUםU&*UםUzUםUXY]U؝UZ]U؝UȵU0؝U8u6UH؝Ux U`؝UEVUx؝UV]U؝UU؝UU؝UU؝UxU؝U(UٝUqU ٝUعU8ٝUUUPٝUxUhٝUUUٝUkUٝU@UnUٝUUٝUUٝUUٝUxUڝU>U(ڝUU@ڝUUUXڝUx~UpڝUhUڝUUڝU(ݻUڝUXUx]UڝUUڝUU۝UU۝UeU0۝UUH۝UU`۝UHL]Ux۝UhO]U۝UUU۝U(UlU۝UxoU۝UU۝UؕUܝUxU ܝUHUxFaU8ܝUHaUPܝUUhܝUXUܝUx%UܝU UܝU UܝUUUܝUpUukUܝUUH3kUݝUU^U(ݝUU^U@ݝUUXݝUUUpݝU)UݝU)UݝU)UݝUUhUݝU2!UݝUU86(UUUhUUUUU8UUeScores!2018-11-08 16:48:14U!0000-00-00 00:00:00!g#g#U!703957g#!1g#g#U!3g#g#U!5.00g#U!5.00g#U!1.50g#0U!0.00g#軝U!1g#g#U!1g#g#U!0g#g#!1g#g#U!1g#g#10g#g#UU0!1g#g#pU!0g#g#!0.0000g#!2018-11-08 16:39:231Intermediate Piano Marching!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Intermediate Piano - Marching Mike Lyons As part of my series of beginner piano music, this is more of a stately processional type of march than a military one. The music is largely unison rhythm, except for the melody and countermelody. There's an opening (and closing) fanfare followed by the main themes. These eventually divide into four distinct lines which, while isorhythmic, have a degree of independence, which is why I have put this into the **advanced intermediate** group.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#PUUHUxUUU(UUUU@UUȺUxUU UUUUUU0UpUhUUHUUUUUUUUUU0UXUUUU8UUU(UUUhUUUpUUUUU0UU(UHU0UxUXUU軝UUUUU@UUUxUUPUU UUU`UVersionD!g#8g#U!0.00g#["140959","72281","140946","12373","168144","152469","198332","101194","198585","198675","198333","207679","140948","152450","149009","198273","88444","73784","198565","198600"]U!2020-09-21 09:33:46!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:39:28!2023-03-15 17:39:47!460523g#!487663g#!0000-00-00 00:00:00!0000-00-00 00:00:00ΝU`U UD*U0UDP3U@UD4UPUD04U`UDP4UpUDpDUUDDU UԝU UDȶUpUUUDʼUphUp UD@pU؉U0UPU pFUlU2UP֝U`eUpU՞UDU_UD`UpU_UDUpn]UDpU UDoUUD MUP_UDU_UDU`_UDUp_UD UU  @SUUDFUUD`GUUDGUUDGUUDGUUDGUUDHUUD0HUUDHU UDIU0UD IU@UD@IUPUD`IU`UDIUpUDIUUDIUUDPHUUDpHUUDHUUDHUUDJUUDKUUDLUUD0LUUDPLU UDpLU0UDLU@UDLUPUDLU`UDLUpUD MUUDPMUUDIUUDJUUD JUUD@JUUD`JUUDJUUDJUUDJUUDOU UDOU0U@UDOUPUDOU`UDPUUpUD0PUUDPPUUDpPUUDPUUDPUUDPUUUDPUUD RUUD@RUUD`RU UDRU0UDRU@UDRUPUDRU`UDSUpUD SUUDGUUD0GUUDpMUUDMUUDMUUDMUUDMUUDNUUD0NUUDPNU UDpNU0UDNU@UDNUPUDNU`UDNUpUDOUUD0OUUDPOUUDPWUUDXUUD0XUUDPXUUDpXUUDXUUU0mmUD¤UBUD\UUU0U UUD[UpUD@UUD@UU PxUU2UXUȪUU۞UDUfUDUUeUDпU PUDpgU0FUU{UDp$UeUD0UfUDUeUDPUeUDpUU  UUDxUUD@yU UDpyU0UDyU@UDyUPUDyU`UDyUpUDzUUDzUUDzUUD{UUD {UUD@{U`ZUD`{UpZUD{UZUD{UZUD0zUZUDPzUZUDpzUZUDzUZUD|UZUD|UZUD}U[UD~U[UD ~U [UD@~U QPU1wU!UDnI365123!365124g#!2018-11-08 17:15:42U10000-00-00 00:00:00U0!Easy Piano - Leapfrog!41g#g#!275#g#!2g#g#!1g#g#!2018-11-08 16:22:15!2018-11-08 21:07:06!Mike Lyonsg#pU!g#g#U!2018g#U10g#g#0!sib#g#!114#g#!0g#g#!leapfrogg#!2018-11-08 16:22:15!0g#g#!754#g#!0g#g#!1.50g#U!2018-11-08 17:00:10U!1g#g#U!1g#g#HU!0g#g#8U!g#g#U!0g#g#U10g#g#U0!1g#g#%UAs part of my new series of music for easy piano. this is a simple dance tune in 3/4, but not a waltz. If anything, it's more like a German Ländler. This is a more demanding and complex piece than others, which will require good finger coordination. In the intro, the hands are very close together, with some crossing. I have classed this as an **advanced intermediate** piece because of this.'U!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#1Copyright © 2018 Mike Lyonsh)U!g#g#!g#g#U!895544g#!1g#g#U!3g#g#!5.00g#8U!5.00g#U!1.50g#U!0.00g#U!1g#g#hU!1g#g#U!0g#g#U!1g#g#8U!1g#g#!0g#g# U!g#g#10.00g#UU0!1g#g#*U!0g#g#!0.0000g#!2018-11-08 17:01:48!Easy Piano Leapfrog!0g#g#!0g#g#!1g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Easy Piano - Leapfrog Mike Lyons As part of my new series of music for easy piano. this is a simple dance tune in 3/4, but not a waltz. If anything, it's more like a German Ländler. This is a more demanding and complex piece than others, which will require good finger coordination. In the intro, the hands are very close together, with some crossing. I have classed this as an **advanced intermediate** piece because of this.U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#U86U5U`U(U0U`UH5UU5UxUUU5U4UXUUpUUpUUx5U4UU05UU5U8UPU5UUUUU6UhU4UUU(UpUUUp4U U0UU8UPUU`5U4UUP6UUUU0UhUU@UHUUUUHU 6U4U5UUU@UUUXUUUU3U["140959","72281","140946","12373","152469","168144","198332","101194","198585","198675","198333","207679","152450","198273","140948","77727","88444","149009","198565","198600"]U!2020-09-02 23:17:32!1g#g#!0000-00-00 00:00:00(UUxUUUUUHUU<U(U(Ux6UUxY'U.UHVUXU.UUUH&UUUДUU]UUXCUUDUUDU UxUXgU8UHUPUUhUh}TUU5Uط~UUUGUx՝U˜UUGUU6UU U <UTUpUU)UU`UUXQ]UUHR]UUU]UUHUU6UhUU.U0UxTUHUgU`UU]UxU8.UU 9UȆUUh<UUU&*UUzUUXY]UUZ]U UȵU8U8u6UPUx UhUEVUUV]UUUUUUUUxUU(UUqU(UعU@U:UUXUxUpU8UUUkUU:UnUUUUUUUUxUU>U0UUHU@7UU`Ux~UxUhUUUU(ݻUU7Ux]UUUUUUU UeU8UUPUUhUHL]UUhO]UUP<UUUp7UlUUxoUUUUؕUUxU(U8UxFaU@UHaUXUUpUXUUx%UU UU UU7UUU:UukUU6UH3kUU(:U^U0U8U^UHUU`U9UUxU)UU)UU)UU<UhUU2!UU7U86(UU;UhU UU8U=U8UPU(UhUxUU`;UUUHU`U<U՝U(UU<UxY'U "UHVUU.U՝U;UH&U ֝UU8֝UH>U]UUXCU`՝UDU֝UDUȯU8UXgU௤UHUUUUh}TU(U?Uط~U@UX:UGUU!U8nUGUU@UUUHUTUUU)UU`U UXQ]U8UHR]UPUU]UhUHUU@UhUU.UUxTUUgUUU]UU8.U UXCUȆU( UUU@ U&*UX UzUp UXY]U UZ]U UȵU U8u6U Ux U UEVU!UV]U!UU0!UUH!UUhhUxUhU(UhUqUhUعUhUHDUUhUxUhU(CUUiUkU(iUUnU@iUUXiU EU!g#8g#`DU!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:39:47!2023-03-15 17:39:53!363786g#!409837g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q6U1FU!365120!365123g#!2018-11-08 16:54:53U10000-00-00 00:00:006U01Easy Piano - Keeping It Simple>U!41g#g#!275#g#!2g#g#!1g#g#!2018-11-08 16:22:15!2018-11-08 21:08:03!Mike Lyonsg#7U!g#g#8U!2018g#(7U10g#g#0!sib#g#!114#g#!0g#g#!Keeping It Simple!2018-11-08 16:22:15!0g#g#!600#g#!0g#g#!1.50g#P9U!2018-11-08 16:50:04U!0g#g#8U!1g#g#8U!0g#g#9U!g#g#8U!0g#g#(7U10g#g#89U0!1g#g#JUAs part of my new series of easy piano music, here we have a simple repetitve tune that moves between hands in various guises. All crotchets (quarternotes) except for the ends of phrases which are quavers(eighths) and/or semiquavers(sixteenths).!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike LyonsAll Rights ReservedMU!g#g#!g#g#P9U!257922g#!1g#g#8<U!3g#g#!5.00g#9U!5.00g#P<U!1.50g#(7U!0.00g#H;U!1g#g#9U!1g#g#8U!0g#g#8U!1g#g#<U!1g#g#!0g#g#h<U!g#g#10.00g#89U`;U0!1g#g#pOU!0g#g#!0.0000g#!2018-11-08 16:51:411Easy Piano Keeping It SimpleProgramN!0g#g#!0g#g#!1g#g#!0000-00-00 00:00:00!0g#g#!0g#g#1Easy Piano - Keeping It Simple Mike Lyons As part of my new series of easy piano music, here we have a simple repetitve tune that moves between hands in various guises. All crotchets (quarternotes) except for the ends of phrases which are quavers(eighths) and/or semiquavers(sixteenths).Scores!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#:Up@U?U8Up:Ux;U;U?U@=U8?U;U0;U6U?U ?U:U`>UUH8U7U0>U?U>U=Uh?U9U(@U<U<UP?U(=U>U;U@:U@@U<U>U7UP9Up=U=UX=U8<U>Uh9Ux>U:U9U9U;U?U?U(7U@U`8UH;UX7Ux8U9U<U7U;U8U6U8U>UX@U>U@U>U9U=U=U08U=U9U89U<UWU["140959","72281","140946","12373","168144","152469","101194","198332","198585","198675","207679","198333","152450","149009","198273","198565","140948","73784","88444","198600"]Scores!2020-09-15 08:39:59!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:39:53!2023-03-15 17:39:57!219534g#!261100g#!0000-00-00 00:00:00!0000-00-00 00:00:00  08 18 |0808   ~hUpU@hU0[UD`~U@[UD~UP[UD~U`[UD~Up[UD ~U[UD U[UD{U[UD{U[UD|U[UD |U[UD@|U[UD`|U[UD|U\UD|U\UDxU \UDyU0\U@\UDPUP\UDpU`\UDUUp\UDU\UDU\UDU\UD U\UD@U\UD`U\U\UDU\UDU]UDU]UDГU ]UDU0]UDU@]UD0UP]UDPU`]UDpUp]UDU]UD@U]UD`U]UDU]UDU]UDU]UDU]UDU]UD U^UD@U^UD`U ^UDU0^UDU@^UDUP^UDU`^UDUp^UD U^UDU^UDU^UDU^UDU^UDU^UDU^UD U^UD@U(nUpU UDU08UUDU(,UUkUQUpU2U@ۺUU UU2oUUXUAU UDPU՞UDUxoU ՞UDU|UD$U|UD$UPEUDU`՞UD`U՞UDUp՞UDU՞UDU0U  @U`UDU`UDU `UDPU0`UDpU@`UDUP`UDU``UDЭUp`UDU`UDU`UDU`UDஞU`UDU`UD U`UD@U`UD`U`UDUaUDUaUD0U aUDPU0aUDpU@aUDUPaUDаU`aUD`UpaUDUaUDUaUDUaUDಞUaUDUaUD UaUD@UaUD `UaUDUbUDUbUDU bUD௞U0bUDU@bUD UPbUD@U`bUD`UpbUDUbUDеUbUDUbUbUDUbUD0UbUDPUUbUDUbUDUcUDжUcUDU cUDU0cUD0U@cUPcUDPU`cUD UpcUD@UcUD`UcUDUcUDUcUDUcUD๞UcUDUcUD UcUDUdUDଞUdUDU dUDೞU0dUDU@dUD UPdUD@U`dUD`UpdUDUdUDUdUDUdUDഞUdUDUdUD UdUD@UdUD`UdUDUeUDUeUDPUUQ@U1|UxUYZmK365118!365121g#!1g#g#`AU10g#g#0AU01Easy Piano - Help I'm Stuck!U!41g#g#!275#g#!2g#g#!1g#g#!2018-11-08 16:22:15!2018-11-08 21:08:56!Mike Lyonsg#AU!g#g#PBU!2018g#`AU10g#g#0!sib#g#!114#g#!0g#g#!Help Im Stuck!2018-11-08 16:22:15!0g#g#!558#g#!0g#g#!1.50g#CU!2018-11-08 17:00:08U!0g#g#CU!1g#g#BU!0g#g#CU!g#g#8BU!0g#xU`AU10g#g#pCU0!2g#g#|UAs part of my new series of easy piano pieces, this is meant to be a little bit of fun. In turn, each hand plays the same note repeatedly while the other hand plays a melody. Only one note at a time in each hand.~U~U!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike Lyons All Rights ReservedU!g#g#!2018-11-08 17:06:37U!0000-00-00 00:00:00!g#g#`U!21840g#!1g#g#CU!3g#g#xU!5.00g#`AU!5.00g#pU!1.50g#CU!0.00g#PBU!1g#g#CU!1g#g#U!0g#g#!1g#g#U!1g#g#10g#g#pCUU0UpiUUiUxUiU>UiUUiUxAUUiUx~UjUhUjUU0jU(ݻUHjUAUx]U`jUUxjUUjUUjUeUjUUjUUjUHL]UkUhO]U kUxUU8kUAUlUPkUxoUhkUUkUؕUkUxUkUBUxFaUkUHaUkUUkUXUlUx%U(lU U@lU UXlUHAUUplUUukUlUAUH3kUlUPU^UlU8BU^UlUUlUDUUmU)UmU)U0mU)UHmUUhU`mU2!UxmUBU86(UmU@UhUmUUmU8U8UmU(UmUxUnUUU nUHUU<UU(U2U0UxY'UԽUHVUU.UUUH&U(UU@UpU]UXUXCUhUDUUDUpUBUXgUUHUUUUh}TUаUUط~U谤UUGUUUUGUoUUU(oUUTUxpUU)UpU`UpUXQ]UpUHR]UpUU]UpUHUqUUhU qU.U8qUxTUPqUgUhqUU]UqU8.UqUUȆUqUȍUUqU&*UqUzUqUXY]UrUZ]U(rUȵU@rU8u6UXrUx UprUEVUrUV]UrUUrUUrUUrUxUsU(UsUqU0sUعUHsUpUU`sUxUxsUPUUsUkUsU苞UnUsUUsUUsUUtUxU tU>U8tUUPtUUUhtUx~UtUhUtUUtU(ݻUtUUx]UtUUtUUuUU(uUeU@uUUXuUUpuUHL]UuUhO]UuUUUuUЈUlUuUxoUuUUvUؕUvUxU0vUUxFaUHvUHaU`vUUxvUXUvUx%UvU UvU UvUpUUvUUukUwU@UH3kU wUU^U8wU`U^UPwUUhwU@UUwU)UwU)UwU)UwU(UhUwU2!UwU0U86(UxUxUhU(xUU8UpU8UPU(UhUxUUUUUHUH՝U<UU(U8UhUxY'UcUHVUfU.UxU8UH&UUUUU]UUXCUUU!0.0000g#@U!2018-11-08 17:00:361Easy Piano Help Im StuckeScores!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Easy Piano - Help I'm Stuck! Mike Lyons As part of my new series of easy piano pieces, this is meant to be a little bit of fun. In turn, each hand plays the same note repeatedly while the other hand plays a melody. Only one note at a time in each hand.U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#UUUBUUUЂUUhU`U肞UXU0AU UHUȁUUUBUAUXU؆UUUUDUPUUUxUPU(U(UhUhU؃UU BUCUUUU`UЅUCUUUCUCUUU0U`AUUBUpUAUBUCU UAUUPBUAUCUUU腞U8U@U0DUUUhBUȄU@CUpCUUU!g#Hg#U!0.00g#["140959","72281","140946","12373","168144","152469","198332","101194","198585","198675","198333","207679","140948","152450","149009","198273","73784","88444","198565","198600"]ormatS!2020-09-20 12:06:26!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:40:16!2023-03-15 17:40:41!450876g#!478751g#!0000-00-00 00:00:00!0000-00-00 00:00:00PhUU eUDU0eUD0U@eUDPUPeUDpU`eUDUUnUpuUDU@,UUhUUUDuU UD`U UD``UhUP̥UU PߞUU2U`pU`~UDUƟUD"UܞUDUU۞UDлUEUDUEUKUDU۞UD0U ܞUDмU۞UDPU۞UDpUPU  pUpfUDߞUfUD@UfUDpUfUDUfUDUfUDUfUDUfUDUfUDUgUDUgUDU gUD0U0gUDPU@gUDpUPgUDU`gUDUpgUD0UgUDPUgUDpUgUD@UgUD`UgUDUgUD0UgUDPUgUDpUhUDUhUDU hUDU`ўUDUpўUDUўUD 0UўUDpUўUDUўUDUўUDUўUDUўUDUўUD0UҞUDPUҞUDpU ҞUDU0ҞUDU@ҞUPҞUDU`ҞUDUpҞUDUUҞUD@UҞUD`UҞUDUҞUDUҞUDUҞUDUҞUҞUDUӞUDPUӞUDpU ӞUDU0ӞUDU@ӞUDUPӞUDU`ӞUDUpӞUD0UӞUDPUӞUDUӞUDߞUӞUDUӞUDUӞUDUӞUDUӞUDUԞUDUԞUD0U ԞUDPU0ԞUDpU@ԞUDUPԞUDU`ԞUDUpԞUDUԞUDUԞUD0UԞUDPUԞUDUԞUD@UԞUD`UԞUDUԞUDU՞UDU UpU umUD`U@Y7UD˼UP~FUDZKUUUU>UUDUuUpUU U0U2U؞U`UDU5UD UUDPUpU0UDpU0LUD`U LUD@UUDPUpUDЛUUDpUUDUUDUpPU  U֞UDмU ֞UD@U0֞UDpU@֞UDUP֞UDU`֞UDнUp֞UDU֞UDU֞UDU֞UDྜྷU֞UDU֞UD U֞UD@U֞UD`U֞UDUמUDUמUD0U מUDPU0מUDpU@מUDUPמUD0U`מUDPUpמUDUמUDОUמUDUמUDUמUD0UמUDPUQU1U]365117!365120g#!2018-11-08 17:23:07U10000-00-00 00:00:00XU0AAdvanced Intermediate Piano - Counting Four Beats@U!41g#g#!275#g#!2g#g#!1g#g#!2018-11-08 16:22:15!2018-11-08 21:12:14!Mike Lyonsg#U!g#g#xU!2018g#U10g#g#0!sib#g#!114#g#!0g#g#!counting 4 beats!2018-11-08 16:22:15!0g#g#!493#g#!0g#g#!1.50g#U!2018-11-08 16:50:05U!0g#g#8U!1g#g#U!0g#g#U!g#g#`U!0g#g#U10g#g#U0!2g#g#UAs part of my new series for easy piano, this piece does what it says on the tin. Throughout the piece there is always one line that is playing 4 crotchets to each bar, providing a pulse. This only changes at cadences. The music is in a march style and is one of the more demanding pieces,texturally in this set. This is why I have labelled it as **Advanced intermediate**.UU!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike Lyons All Rights ReservedU!g#g#!g#g#U!881503g#!1g#g#U!3g#g#!5.00g#U!5.00g#U!1.50g#U!0.00g#U!1g#g#U!1g#g#xU!0g#g#8U!1g#g#U!1g#g#!0g#g#ȍU!g#g#10.00g#UU0!1g#g#U!0g#g#!0.0000g#!2018-11-08 16:51:06AAdvanced Intermediate Piano Counting Four BeatsScores!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Advanced Intermediate Piano - Counting Four Beats Mike Lyons As part of my new series for easy piano, this piece does what it says on the tin. Throughout the piece there is always one line that is playing 4 crotchets to each bar, providing a pulse. This only changes at cadences. The music is in a march style and is one of the more demanding pieces,texturally in this set. This is why I have labelled it as **Advanced intermediate**.changeScores!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#0UU(UUЋU،UUUUU UUXUUUUU0UUUUUPUHUȐU(U8UUUUU`U`UUPUU8UHUUЎUUUUUȊU؏UHUUUPUUhUUUUUU؉UUXU舞UUxU(U8UUhU U UxUXU莞U0UUUhUU@UU["140959","72281","140946","12373","152469","168144","198332","101194","198585","198675","198333","207679","152450","198273","140948","77727","88444","149009","198565","198600"]Scores!2020-09-03 01:53:19!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:50:04!2023-03-15 17:50:15DUUDUU UXgU0UHUHUU@Uh}TUXUUط~UpUUGUoUFU0UGUUUUUhǞUTUUU)UU`U UXQ]U8UHR]UPUU]UhUHUUUhUU.UUxTUȟUgUUU]UU8.UUhĞUȆU(UǞUU@U&*UXUzUpUXY]UUZ]UUȵUU8u6UРUx U蠞UEVUUV]UUU0UUHUU`UxUxU(UUqUUعUUXŞUUءUxUU8ĞUUUkU UŞUnU8UUPUUhUUUxUU>UUUȢUžUU࢞Ux~UUhUUU(U(ݻU@UžUx]UXUUpUUUUUeUUUУUU裞UHL]UUhO]UUǞUU0UžUlUHUxoU`UUxUؕUUxUUÞUxFaUUHaUؤUUUXUUx%U U U8U UPUXžUUhUƞUukUU(žUH3kUUpŞU^UUHÞU^UȥUUफ़U(ŞUUU)UU)U(U)U@UȞUhUXU2!UpUÞU86(UU`ƞUhUUUUXȞU8UЦU(U覞UxUUƞUUUHUPU<UoU(UUPǞUxY'UXUHVU (U.UpU ǞUH&U0pUUHpUɞU]UUXCUpoUDUpUDUUĞUXgUUHUжUUUh}TUU(˞Uط~UUŞUGUUUXUGUU̞UU UUTUpUU)UU`UUXQ]UUHR]UЩUU]U詞UHUU0̞UhUU.U0UxTUHUgU`UU]UxU8.UUΞUȆUUXUUU&*UتUzUUXY]UUZ]U UȵU8U8u6UPUx UhUEVUUV]UUUUUȫUU૞UxUU(UUqUUعUUϞUUUxUUpΞUU0UkUHUОUnU`UUxUUUUUxUU>UUUU̞UUUx~U UhU8UUPU(ݻUhU ͞Ux]UUUUUU?!522966(g#ОU!552670g#!0000-00-00 00:00:00!0000-00-00 00:00:00 18    RX18 x!( /0 QU1rUߞU.dq364768!365119g#U!0000-00-00 00:00:00U1g#g#@žU01Easy Piano - Bigfoot DanceUU!41g#g#BU!275#g#)U!2g#g#0U!1g#g#PU!2018-11-08 16:22:15U!2018-11-08 21:09:56U!Mike Lyonsg#HfU!g#g#U12018g# U8U0!181180g#ores WHE!Mike Lyonsg#vU!Mike Lyonsg# !2018-10-29 13:16:18U10000-00-00 00:00:00xU01Early Intermediate Piano - AfternoonU!41g#g#U!0g#8g#yU!2g#g#zU!1.50g#(yU12018-11-12 16:00:130!sib#g#`U!114#g#BU!0g#g#U!Afternoon.sibHU!2018-11-12 16:00:09#!0g#g#!595#g#!0g#g#!1g#g#P{U!0g#g#zU!0g#g#zU!g#g#zU!0g#g#{U!0g#g#zU!1g#g#(yU10g#g#8{U0!Mike Lyonsg#!g#g#!2018g# As part of my new series for easy piano, here is a slow-ish waltz style piece with a lovely simple melody and simple 'comping' in the LH. This piece can be played by using the RH for both the melody and chords, or by bringing the LH up after playing the bass note. Try to imagine a big hairy person trying to dance for the first time and the occasional hesitation and stumble!cesFound!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike Lyons All Rights ReservedotoHei!g#g#!795226g#ĞU!1g#g#!3g#g#ǞU!5.00g#!5.00g#ĞU!1.50g#ǞU!0.00g#pžU!1g#g#ƞU!1g#g#ĞU!0g#g#`ÞU!1g#g# ĞU!1g#g#ǞU!0g#g#!g#g#ǞU!0.00g#1eUU7':365119Easy Piano - Bigfoot Dance Mike Lyons As part of my new series for easy piano, here is a slow-ish waltz style piece with a lovely simple melody and simple 'comping' in the LH. This piece can be played by using the RH for both the melody and chords, or by bringing the LH up after playing the bass note. Try to imagine a big hairy person trying to dance for the first time and the occasional hesitation and stumble!es!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#ƞU˞U˞UÞUŞUƞUƞUʞUȞUʞUǞUxƞU@žU@˞UhʞUŞUɞUHUÞUÞUxɞUʞU8ʞU0ɞUʞUŞUp˞UǞUǞUʞUpȞUHɞUHƞUŞU˞UǞU ʞU0ÞUĞUȞUɞUȞUǞUɞUĞUɞU0ƞUĞUĞU8ǞUʞUPʞUpžU˞UÞUƞUžUÞUĞU@ȞUžUƞU`ÞUžU ĞUɞU˞UʞUX˞U`ɞU@ŞUȞUɞUxÞUȞUPĞUĞU(ȞUU["140959","72281","140946","12373","168144","152469","198332","101194","198585","198675","198333","207679","140948","152450","149009","198273","73784","88444","198565","198600"]Scores!2020-09-20 16:27:01!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:50:15!2023-03-15 17:50:23!482189g#!566328g#!0000-00-00 00:00:00!0000-00-00 00:00:00 UUמUDpUמUDUמUD U؞UDU؞UDU ؞UD࿝U0؞UDU@؞UD UP؞UD@U`؞UD`Up؞UDU؞UDU؞UD U؞UD@U؞U؞UD`U؞UDU؞UDUU؞UDТUٞUDUٞUDU ٞUD0U0ٞUDU@ٞUDUPٞU`ٞUDPUpٞUDടUٞUDUٞUD UٞUD@UٞUD`UٞUDUٞUDUٞUDUٞUDൟUڞUDUڞUD0U ڞUDPU0ڞUDpU@ڞUDUPڞUDU`ڞUDРUpڞUDUڞUDUڞUD0UڞUDPUڞUDpUڞUDUڞUDUڞUDСUڞUDU۞UDU۞UD0U ۞UDPU0۞UDU@۞UD0UP۞UDPU`۞UDpUp۞UDUHUUUSUUDU`tUDmUvUDUUDUUXUUPPU P˟UU28UXU@U07U;UDPtU ǟUD#UUƟUD "UPUDU@UDUpUD6TUƟUD"U0ǟUD #UƟUD"UǟUD"UPU  UܞUDUܞUDUܞUD UܞUD@UܞUD`UܞUDUܞUDUܞUDUݞUD0̟UݞUDP̟U ݞUDp̟U0ݞUD̟U@ݞUD̟UPݞUD̟U`ݞUD̟UpݞUD͟UݞUDUݞUDUݞUD UݞUD˟UݞUD˟UݞUD@ΟUݞUD˟UݞUD̟UޞUDPUޞUDpU ޞUDU0ޞUDU@ޞUDЏUPޞUDU`ޞUD UpޞUDPUޞUD0͟UޞUDP͟UޞUDp͟UޞUD͟UޞUD͟UޞUD͟UޞUD͟UޞUDΟUߞUDUߞUDU ߞU`UDUpUDUUDUUUD0UUDPUUDpUUDUнUDUཟUDГUUUDUUDU UDU0UDU@UD UPUD@U`UD`UpUDUUDUUDUUDUUDUUDpUоUDUྟUDUUDАUUDUUDU UD0U0UDPU@UDpUPUDU`UDUpUDБUUDUUDUUD0UUDPUUDUпUDU࿟UDКU Q̞UUUUDUUDUUD0U@UUXU\U vUU`UD KUUUD`iUUPU UU20UUxUppU UD<U6UD UU5UD0 UUD7TUUD6TUSUDU5UD U 6UD0 U5UD U5UD UQU  PU UDU0UDPU@UDUPUDU`UDUpUD UUD@UUD`UUD0UUDPUUDpUUDUUDUUDUŸUDUŸUDU ŸUD@U0ŸUD`U@ŸUDUPŸUDU`ŸUDUpŸUDPUŸUDUŸUD0UŸUDPUŸUDpUŸUDUŸUDUŸUDЌUŸUDUßUD UßUDPU ßUDU0ßUDU@ßUD0UPßUDPU`ßUDpUpßUDUßUDUßUDUßUDUßUDUßUßUDpUßUDUßUDUUğUDUğUDU ğUD U0ğUD@U@ğUD`UPğUDU`ğUpğUD@UğUD0UğUDPUğUDpUğUDUğUDUğUDUğUDUğUDUşUD0UşUDU şUD U0şUDU@şUDUPşUDU`şUDUpşUD UşUD0UşUDPUşUDpUşUDUşUDUşUDUşUDUşUDUƟUD0UƟUDPU ƟUDpU0ƟUDU@ƟUD`!UPƟUD!U`ƟUD!UpƟUD!UƟUD!UUU0U 0PNUU@UDU UuU  UPUPU AU\"U2UxU8UDUUDrU<UDPuUU<UDptU0SUDU SUD`UPSUD1U@<UDtU<UDpuUP<UDtU`<UDuUPQU  UǟUD0UǟUDUǟUDUǟUDUǟUDUǟUD0UǟUDPUȟUDpUȟUD U ȟUD@U0ȟUD`U@ȟUDUPȟUDU`ȟUDUpȟUDUȟUDUȟUDUȟUDUȟUDUȟUDUȟUD UȟUDUȟUDUɟUDUɟUDU ɟUDU0ɟUDU@ɟUD0UPɟUDPU`ɟUDpUdefScorQU!0000-00-00 00:00:00U10000-00-00 00:00:00U0!Come Rain Or Come Shine!58g#g#8U!0g#g#U!2g#g#p/U!2g#g#g#!2016-09-28 00:00:00U!2023-10-01 00:00:00U!0g#8g#0oU!0g#g#GU!g#g#PjKU16.20g#0!g#g#!0g#g#طU!0g#g#U!g#g#GU!2016-09-28 00:00:00U!0g#g#U!1g#g#؉U!0g#g#pU!1.50g#@U!0000-00-00 00:00:00U!0g#g#U!0g#g#yU!0g#g#U!g#g#0U!0g#g#PjKU10g#g# uU0!g#`U !5.00g#P{U!1.50g#!0.00g#8~U!1g#g#!1g#g#{U!0g#g#P~U!1g#g#(yU!1g#g#H}U!0g#g#{U!g#g#zU!0.00g#zU["190963","99928","11776","4850","94613","4463","97330","34782","199351","125840","5842","40524","30794","11687","2511","76975","64721","76995","124174","21921"]Early Intermediate Piano - Afternoon Mike Lyons An easy piece for piano. Suitable for beginners with a lovely gentle tune and simple harmony. Single notes in LH. An enjoyable melody for anyone to play at any time of day!PhotoFace!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#|UpUȁUzUp|Ux}U}UU@U8U}U0}UxUU U|U`UUHzUyU0UUUUhU{U(U~U~UPU(UU}U@|U@U~U؀UyUP{UpUUXU8~UUh{UxU|U{U{U}UUU(yUU`zUH}UXyUxzU{U~UyU}UzU(UzUUXUUUU{UUU0zUU{U8{U~UonSelli!2020-09-17 08:52:57U!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-03-15 23:21:37!2023-03-15 23:21:43!461967g#!521409g#!0000-00-00 00:00:00!0000-00-00 00:00:00U#UpɟUD UɟUDUɟUD@UɟUD`UɟUDUɟUDUɟUDUɟUDUɟUDUʟUD0UʟUDPU ʟUDpU0ʟU@ʟUDUPʟUDU`ʟUDUUpʟUDUʟUD UʟUD@UʟUD`UʟUDUʟUDUʟUʟUDUʟUDU˟UDU˟UDU ˟UDU3UDU3UD U3UD@U3UD`U3UDU4UDPU4UDpU 4UDU04UDU@4UD0UP4UDPU`4UDpUp4UDU4UDU4UDU4UDU4UDU4UD0U4UDPU4UDpU4UDU5UDU5UDU 5UD U05UDp U@5UD UP5UD U`5UD Up5UD U8)UUP)UDUp U)UUDU)U@UD`U)U0QU UU2(*UUXUxUsUDUUD=U*U0UD<USUD1USUDp1UDUD0QUpUD=UUD=UUD0=UUDP=UQU  nU6UD,U6UD@bU6UD`bU6UDbU6UDbU6UDbU6UDbU6UDcU7UDcU7UDcU 7UDcU07UDdU@7UD0dUP7UDPdU`7UDpdUp7UDdU7UD cU7UD@cU7UD`cU7UDcU7UDeU7UDeU7UD`gU7UDgU8UDgU8UDgU 8UDgU08UDhU@8UD hUP8UD@hU`8UD `hUp8UDhU8UDdU8UDdU8UDdU8UDeU8UD0eU8UDPeU8UDpeU8UDeU9UDjU9UDjU 9U09UDkU@9UD0kUP9UDPkUU`9UDpkUp9UDkU9UDkU9UDkU9UDkU9UDlU9U9UD0lU9UDmU9UDmU:UDnU:UD0nU :UDPnU0:UDpnU@:UDnUP:UDnU`:UDnUp:UDaU:UDbU:UDhU:UDhU:UDiU:UD iU:UD@iU:UD`iU:UDiU;UDiU;UDiU ;UDiU0;UDjU@;UD jUP;UD@jU`;UD`jUp;UDjU;UDjU;UDsU;UDsU;UDsU;UDsU;UDtU3U U  mp08!(   08 (gUQЂUHaU&UU'UXU 'Ux%U8'U UP'U Uh'UHUU'UUukU'UUH3kU'U`U^U'U8U^U'UU'UUU(U)U((U)U@(U)UX(U BUhUp(U2!U(UU86(U(UPUhU(UU(UhBU8U(U(U)UxU)UUU0)UHUPU<UU(U(,U@UxY'U}UHVUU.UUUH&UHUU`UCU]UP.UXCUUDU0UDUh.UUXgU.UHU.UU8Uh}TU8U8EUط~U8UUGU UU8 U RUGU *UFUU8*UKUTU+UU)U+U`U+UXQ]U+UHR]U+UU]U,UHU,U@FUhU0,U.UH,UxTU`,UgUx,UU]U,U8.U,UHUȆU,UKUU,U&*U,UzU-UXY]U -UZ]U8-UȵUP-U8u6Uh-Ux U-UEVU-UV]U-UU-UU-UU-UxU.U(U(.UqU@.UعUX.UIUUp.UxU.UHUU.UkU.UJUnU.UU.UU/UU/UxU0/U>UH/UU`/UFUUx/Ux~U/UhU/UU/U(ݻU/U0GUx]U/UU0UU 0UU80UeUP0UUh0UU0UHL]U0UhO]U0UKUU0UGUlU0UxoU0UU1UؕU(1UxU@1U HUxFaUX1UHaUp1UU1UXU1Ux%U1U U1U U1UFUU2UHJUukU2UpFUH3kU02UIU^UH2UGU^U`2UUx2UpIUU2U)U2U)U2U)U2UXLUhU2U2!U3U`GU86(U 3UJUhU83UUP3ULU8Uh3U(U3UxU3UJUURUHUxU<U8U(Us@UKUxY'UUHVUwU.UUhKUH&UUUUMU]U8UXCUUDUUDU8UPHUXgU9UHU9UUUh}TUUpOUط~UUIUGU*UU\UGURUHPUUSU8#UTU`TUU)UxTU`UTUXQ]UTUHR]UTUU]UTUHUTUxPUhUUU.U UUxTU8UUgUPUUU]UhUU8.UUU8 UȆUUU#UUUUdefScor#UQU;UD0tURU*U`UDpU@RUuUDUpRU(UURUcUUpQU vUPU2SUp+UPUD UyUD ǶU UDrU`SUUDqUDUDQUDUDQUKUDPrUUDPrU0UDrUUDprUUDrUQU  7U<UDvU=UD0wU=UD`wU =UDwU0=UDwU@=UDwUP=UDwU`=UDxUp=UDxU=UDU=UDU=UD0U=UD`U=UDU=UDU=UDU=UDvU>UDwU>UD xU >UD@xU0>UD`xU@>UDUP>UDxU`>UD0/Up>UDP/U>UDp/U>UD/U>UD/U>UD/U>UD/U>UD 0U>UDP0U>UDU?UDU?UD U ?UD@U0?UD`U@?UDUP?UDU`?UDUp?UD2U?UD2U?U?UD2U?UD2U?UD3UU?UD03U?UDP3U?UDp3U@UD3U@UD3U @UD3U0@U@@UD3UP@UD6U`@UD 6Up@UD@6U@UD`6U@UD6U@UD6U@UD6U@UD6U@UD7U@UDp0U@UD0UAUD0UAUD0U AUD0U0AUD1U@AUD01UPAUDP1U`AUDp1UpAUD1U@ UD1UP UD1U` Up U U UD1U UD2U UD02U UD0;U UD;U UD<U UD0<UUDP<UUDp<U\URU\U0 UD/U\UUDپU]U`ƿU @{U8]UQU PNUU2]UHTU0XU  bUUDּUtUDU]UsUDU`KUDrUPKUDrUUDpUsUD UtUDUsUD@UsUD`URU  `\U UDU0UDPOU@UDpOUPUDOU`UDOUpUDOUUDOUUDPUUDPUUDPUUDQUUD QUUD@QUUD`QUUDQUUDQU UDU0UDU@UD0PUPUDPPU`UDpPUpUDRUUDTUUDTUUDUUUD UUUD@UUUD`UUUDUUUDUUUD OUUDUUaU!2018-05-29 08:44:38U10000-00-00 00:00:00FU0!Solo Piano - Peace!41g#g#!275#g#!3g#g#!1g#g#!2018-05-27 08:07:26!2018-05-29 08:45:20!Mike Lyonsg#HGU!g#g#GU!2018g#FU10g#g#0!sib#g#!114#g#!0g#g#!Peace.sibg#!2018-05-27 08:07:26!0g#g#!655#g#!0g#g#!2.50g#HU!2018-05-28 22:00:06U!1g#g#hHU!1g#g# HU!0g#g#IU!g#g#GU!0g#g#FU10g#g#HU0!3g#g#eUPeace is a new, original composition for piano. It is an expression of the meaning of the title and attempts to portray what Peace means to the composer. It evokes a sense of emptiness and quiet, of warmth and comfort and deep joy. The arpeggios at the end should be played quite slowly (as they are in the mp3) as otherwise the fragile sense of peace is lost.Scores!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike Lyons All Rights ReservedellingS!g#g#!g#g#HU!848725g#!1g#g#KU!3g#g#!5.00g#IU!5.00g#KU!5.00g#FU!0.00g#JU!1g#g#@IU!1g#g#GU!0g#g#hHU!1g#g#LU!1g#g#!0g#g#KU!g#g#10.00g#HUJU0!1g#g#jU!0g#g#!0.0000g#!2018-05-28 22:00:24!Solo Piano Peace!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Solo Piano - Peace Mike Lyons Peace is a new, original composition for piano. It is an expression of the meaning of the title and attempts to portray what Peace means to the composer. It evokes a sense of emptiness and quiet, of warmth and comfort and deep joy. The arpeggios at the end should be played quite slowly (as they are in the mp3) as otherwise the fragile sense of peace is lost.Exchange!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#`JUPUXOU8HUJUKU8KUOULUNUPKUJUFUOUNU0JUMUUGUHGUMU@OUNUxMUNUXIUOULU(LUNULUMUJUIUOU@LUhNUxGUHUMUHMULUKU8NUHUNUxJUIU(IUKU(OUNUFUPUGUJUFUHU@IULUGU KUGUXFUhHU NUOUPNUOUMUIUMU`MUGU0MUHUHUpLUPageOneA["87746","13990","16473","50821","48629","494529","8292","199350","504640","365111","67759","4253","2510","47739","28361","120541","88117","70617","23610","37697"]mumP!2020-09-10 12:33:30!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#U!0g#g# U!5.00g#8,U!2023-03-19 14:19:07U!2023-03-19 14:19:13U!449324g#U!527368g#HU!0000-00-00 00:00:00U!0000-00-00 00:00:00UQ`PU!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g# !181184g#8U!Mike Lyonsg#PU1Mike Lyonsg#PU01Solo Piano - Three Little WaltzesU!41g#g#՝U!275#g#8U!3g#g#U!1g#g#BU!2017-11-02 15:08:31U!2017-12-07 06:49:44U!19898g#QU!0g#g#0U!4g#g#PU15.00g#01sib#g#"U0`UUXQ]UUHR]UUU]UUHU UUhU8U.UPUxTUhUgUUU]UU8.UU {UȆUUh~UUU&*UUzU UXY]U( UZ]U@ UȵUX U8u6Up Ux U UEVU UV]U UU UU UU UxU U(U0 UqUH UعU` U|UUx UxU UzUU UkU U|UnU UU UU UU UxU8 U>UP UUh U@yUU Ux~U UhU UU U(ݻU UyUx]U UU UU( UU@ UeUX UUp UU UHL]U UhO]U UP~UU UpyUlU UxoU UU UؕU0 UxUH UzUxFaU` UHaUx UU UXU Ux%U U U U U UyUUU|UukU UxUH3kU8U(|U^UPUzU^UhUUU{UUU)UU)UU)UU~UhUU2!UUyU86(U(U}UhU@UUXUU8UpU(UUxUU`}UUUHUНU<UU(UxU~UxY'UUHVUU.U U}UH&UPUUhUHU]UFUXCUUDU8UDUFUzUXgUFUHUFUU.Uh}TU .UUط~U8.UX|UGUUߞUH)UGUUUUUXUTUUU)U(U`U@UXQ]UXUHR]UpUU]UUHUU肟UhUU.UUxTUUgUUU]UU8.U0UXUȆUHUUU`U&*UxUzUUXY]UUZ]UUȵUU8u6UUx UUEVU UV]U8UUPUUhUUUxUU(UUqUUعU#UHUU#UxU$U(UU $UkU8$UUnUP$UUh$UU$UU$UxU$U>U$UU$UxUU$Ux~U%UhU(%UU@%U(ݻUX%U؃Ux]Up%UU%UU%UU%UeU%UU%UU&UHL]U&UhO]U0&UUUH&UUlU`&UxoUx&UU&UؕU&UxU&UȄUxFaU&UU!275#Hg#xU!2g#g#!!!1g#g#?!2018-11-12 16:00:09U!2018-10-31 07:17:22!365117g#U!2018-11-08 16:26:28U10000-00-00 00:00:00 U01Easy Piano - A Plain Little WaltzU!41g#g#ȨU!275#g#`U!2g#g#U!1g#g#)U!2018-11-08 16:22:15U!2018-11-08 16:26:42U!Mike Lyonsg#hU!g#g#PU12018g# U8U0An easy piece for piano. Suitable for beginners with a lovely gentle tune and simple harmony. Single notes in LH. An enjoyable melody for anyone to play at any time of day!U)U!5.00g#U!1g#g#8U!0g#g#(U!0g#g#)U!g#g#xU!g#g#U!0g#g#iU!g#g#UACopyright © 2018 Mike Lyons All Rights ReservedU!g#g#GU!0.0000g#/U!2018-11-12 16:00:47U1Early Intermediate Piano AfternoonU!0g#g#՝U!0g#g#U!3g#g#`U!0000-00-00 00:00:00U!0g#g#ȨU!0g#g#U!g#Xg#"U!539653g#"U!1g#g#"U!3g#g#"U15.00g#"U0!0g#g#@U!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike LyonsAll Rights Reservedhange04!g#g#!g#g#xU!343050g#!1g#g#`U!3g#g#!5.00g#U!5.00g#xU!1.50g#PU!0.00g#pU!1g#g#ثU!1g#g#@U!0g#g#U!1g#g#U!1g#g#!0g#g#U!g#g#10.00g#`UU0!1g#Hg#pU!0g#g#!0.0000g#!2018-11-08 16:22:411Easy Piano A Plain Little WaltzageWidt!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Easy Piano - A Plain Little Waltz Mike Lyons The title perfectly describes the music. Again, the LH is 'comping', though at bar 45 it does get the melody. There are no quavers for either hand.ou!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#UUUЪUUUЭUUhU`U譟UXU U UHUȬUUxUpU੟UXUرUUUUUPUUUxUPU(U(UhUhUخUUUxUU௟UU`UаUUUUUUUU0UPUUUpUUUثU UUU@UUUUU谟U8U@U UUUXUȯU0U`UU`U["140959","72281","140946","168144","12373","152469","198332","101194","198585","198675","207679","198333","140948","149009","152450","198273","88444","73784","198565","198600"]U!2020-09-23 07:54:51U!1g#g#hU!0000-00-00 00:00:00U!g#g#طU!0g#g#U!0g#g#GU!0g#g#/U!0g#g#U!1g#g#؉U!650x918g#pU!0g#g#U!0g#g#HU!5.00g#oU!2023-03-15 17:50:34U!2023-03-15 17:50:40U!460551g#"U!361765g#"U!0000-00-00 00:00:00U!0000-00-00 00:00:00U!52362U !2g#UUaFrom my new series of beginner piano pieces: The title comes from the fact that the LH and RH imitate each other, alternating - but not necessarily on the same notes all the time. This is strictly one note per hand. The LH changes between treble and bass clef a few times, so care will be needed to make sure the correct clef is read.31133!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike Lyons All Rights Reserved15017!g#g#!2018-11-08 16:38:18U!0000-00-00 00:00:00!g#g#(U!364875g#!1g#g#ϞU!3g#g#@U!5.00g#̞U!5.00g#ОU!1.50g#0ϞU!0.00g#͞U!1g#g#XΞU!1g#g#pU!0g#g#!1g#g#XU!1g#g#10g#g#ΞUPU0!1g#g#U!0g#g#!0.0000g#!2018-11-08 16:30:301Easy Piano AlternativesU!0g#g#!0g#g#!3g#g#!0000-00-00 00:00:00UUeUUUUUUHL]U(UhO]U@U@UUXU̞UlUpUxoUUUUؕUUxUUΞUxFaUUHaUUUUXU0Ux%UHU U`U UxU̞UUU8ОUukUU`̞UH3kUUϞU^UU͞U^UUUU`ϞUU U)U8U)UPU)UhUUhUU2!UUP͞U86(UUОUhUUUUU8UU(UUxU(UPUU@UHUU<UU(U1UUxY'U`zUHVU(tU.UxUȣUH&UUUU8U]UUXCU蝞UDUUDUU@ΞUXgU0UHUHUU8Uh}TUPUЧUط~UhUϞUGUUxUPUGU0UUUHUHUTUUU)UU`UUXQ]UUHR]UUU]UUHU(UبUhU@U.UXUxTUpUgUUU]UU8.UUHUȆUUUUU&*UUzUUXY]U0UZ]UHUȵU`U8u6UxUx UUEVUUV]UUUUUUUUxU U(U8UqUPUعUhU8UUUxUUUUUkUUUnUUUUUUU(UxU@U>UXUUpUhUUUx~UUhUUUU(ݻUUȩUx]UUUUU0UUHUeU`UUxUUUHL]UUhO]UUxUUUUlUUxoUUU UؕU8UxUPUUxFaUhUHaUUUUXUUx%UU UU UU8UUUଟUukU(UUH3kU@UPU^UXU(U^UpUUUUUU)UU)UU)UUUhUU2!UUU86(U0U@UhUHUU`U8U8UxU(UUxU UUU8UHUXoU<UU(UU0UxY'U8>UHVU>U.UUUH&U(UU@UpU]UUXCUhUDUUDUU誟UXgUUHUUU@FUh}TUXFUUط~UpFUUGUUUUGU(UಟUU@U ~UTUUU)UU4498202Easy Piano - Alternatives Mike Lyons From my new series of beginner piano pieces: The title comes from the fact that the LH and RH imitate each other, alternating - but not necessarily on the same notes all the time. This is strictly one note per hand. The LH changes between treble and bass clef a few times, so care will be needed to make sure the correct clef is read.-19 20:xU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#PОU`UU(ΞUϞUhUUpU0U(UUОUx̞U觟UU ОUPU`U͞U8͞U UUটUإUXUHϞUUpUU@UUUОUϞU0UUȦUh͞UΞU`UUHU(UUΞUhUhОUϞUϞUࣟUUU̞UxU͞UОU̞U͞U0ϞU褟U͞UU͞UH̞UXΞUUHUUUUxϞUxUU͞UUΞUΞUФU3.765201!g#g#U!0.00g#["140959","72281","140946","168144","12373","152469","198332","101194","198675","198585","207679","198333","140948","198273","152450","149009","88444","198565","73784","198705"]::Scor!2020-09-28 06:04:31!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-03-15 17:50:27!2023-03-15 17:50:34!447502g#!360324g#!0000-00-00 00:00:00!0000-00-00 00:00:00  (pU$(  18#("( y/0!(˟UQU!0g#8g#੟U!2g#g#@U!5.00g#PU11g#g#0!sib#g#!114#g#wU!0g#g#U!A Plain Little WaltzU!2018-11-08 16:22:15U!0g#g#wU!616#g#U!0g#g#-U!1.50g#xU!2018-11-08 16:22:17U!0g#g#U!1g#g#U!0g#g#U!g#g#(U!0g#g#PU10g#g#`U0The title perfectly describes the music. Again, the LH is 'comping', though at bar 45 it does get the melody. 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    0!0000-00-00U !0g#zU1g#g#0!Mike Lyonsg#qU!g#g#xqU!2018g#pU10g#g#0!sib#g#.U!114#g#U!0g#g#U!2018-11-08 16:22:16U!0g#g#iU!550#g#gU!0g#g#(U!1.50g#rU!2018-11-08 17:10:04U!1g#g#8rU!1g#g#qU!0g#g#rU!g#g#`qU!0g#g#pU10g#g#rU0!1g#(g#8mU!2018-11-08 18:25:00U!0000-00-00 00:00:00U!g#g#HfU!717406g#U!1g#g# U!3g#g#"U!5.00g#"U!5.00g#"U!1.50g#"U!0.00g#"U!1g#g# !g#g#PUACopyright © 2018 Mike LyonsAll Rights Reservederforman!g#g#!g#g#U!593845g#!1g#g#U!3g#g#!5.00g#U!5.00g# U!1.50g#U!0.00g#U!1g#g#0U!1g#g#fU!0g#g#hU!1g#g#PU!1g#g#!0g#g#8U!g#g#10.00g#U0U0!1g#g#U!0g#g#!0.0000g#!2018-11-08 16:23:131Easy Piano Step by Step !0g#g#!0g#g#!1g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Easy Piano - Step by Step Mike Lyons From my new series of piano music for beginners to intermediate standard players. A simple piece, with monorhythmic parts for both hands. although there are 8ves in the LH, this is still an easy piece as the hands move more-or-less together all the time. Each phrase rises slightly to the middle of the piece then falls by step towards the end producing a nice balance.VU!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#U`eUdUU@UHUxUpdUUUUUpUdUUpU0UXUUUUdUUU8UHUeUPUhU UUUUU0eUUUUU@UU(UUxUUHUUUUUdUUUxeU`UUU@U0UUU`UfU0NUhU`UHeUUeUUUXUU UpU8UUU@["140959","72281","140946","168144","12373","152469","198332","101194","198675","198585","207679","198333","140948","198273","152450","149009","88444","198565","73784","198705"]!2020-09-28 05:54:53!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#PU!5.00g#U!2023-03-15 17:38:5331!2023-03-15 17:38:57!207537g#!156844g#vU!0000-00-00 00:00:00U!0000-00-00 00:00:001!0g#8g#fU!3g#g#@gU!1.50g#PfU12018-11-08 17:20:090!sib#g#,U!114#g#x6U!0g#g#U!With a 1, 2, 3, 1,2U!2018-11-08 16:22:16U!0g#g#U!463#g#pU!0g#g#:U!0g#g#xhU!1g#g#@gU!0g#g#hU!g#g#gU!0g#g#hU!0g#g#(gU!1g#g#PfU10g#g#`hU0!Mike Lyonsg# U!g#g#'U12018g#nUhU00UPU0UPU1757441$UxUW174946!PUpUP0UUӟq585258!U U0UXUK588171!U@U0#UU184835Up2U 0UU391221!UUp0 4UHUk601478qaUU 0`UUA175243!UU`0U蒥Ua177587 PUwU`˺U8U16579!pU'Up00UUY X26114U #U 0UؓUSU178503!RUUp00U(UR6W176918!0U_U00UxU(7469516!pU`U0_UȔU54420U UyUU p177359!pUБyUp0RUhUW175635q@UMU 09UU_171921!ʺU/yU0ОUUqA29737ЇUPPU,UXU>?184811! 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  • Worksheets
  • Mixed ensembles
  • Orchestral
  • Percussion
  • Piano / Keyboards
  • Rock and Pop
  • Strings
  • Voice / Choral
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charset=UTF-8!UU!XUUTF-81"U"U"U"U!application/json!application/jsona`UU1/usr/local/share/perl5/HTTP/Message.pm1"U"U"U"UUU UtU9UUU8zU{UzU"U"U"U"Ua"U"U"UzU"U"U"U"U"U"UaHUPUwU!Ussage!U!xUion/json!UOK"}on!Uion/json!UUr-U!application/jsonaSchubert-Auf dem Wasser zu singen in A flat Major,for Voice and Pianoh'JU`!g#U a@UhaU1/usr/local/share/perl5/HTTP/Message.pm1"U"U"U"UUUhU8U9UUU8zU{UzU"U"U"U"Ua"U"U"UzU"U"U"U"U"U"Ua@`UUwUaPvU 8U8HYU!200!!P@pUUX>pU!{"msg":"OK"}1{"msg":"OK"}Uv01UU(UUaۼUHfUhaU!UU!PU"UU0 U9UpU(UU_U`UU`SU@U@UUUUQUQUQURUSUSUSU!Encodeg#!{"msg":"OK"}!g#hg# !0g#g#!1656g#!2339g#!2019-03-27 01:19:01!0000-00-00 00:00:00!g#g#p7U!844397g#pU!1g#g#!2g#g#!5.00g#!4.99g#!5.00g#`iU!4.99g# !utf-8-strictU6U!utf-8-strictUUUUUUUUASchubert-Auf dem Wasser zu singen in A flat Major,for Voice and Piano Schubert weiwu hua This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828, for Voice and Piano, published by More Sheet Music Press.!0g#g#0!1g#g# !0g#g# !ARRAYg#!0g#g#(cU!0g#g#XU!10g#g#rU!0000-00-00 00:00:00U!0g#g#xjU!0g#g#(:U!0g#g#0dU12022-06-07 08:05:48U0seUID2R=-1713555703792; path=/; domain=; expires=Thu, 18-Jul-2024 19:41:47 GMT; secure, seSID=D9ACC18A-FE84-11EE-B37B-3C6416FC75B9; path=/; domain=; secure!0g#g#pU!1g#g#LUX#!650x918g#!0g#g#!0g#g#!500g#!2023-02-15 16:20:15!2023-02-15 16:20:16!889470g#!840895g#!0000-00-00 00:00:00!0000-00-00 00:00:00QUAp?hUx<UDA18.219.236.199@q/scores/mozart-flute-harp-concerto-andantino-arr-flute-piano-146270.htmliano-395145.htmlq/scores/mozart-flute-harp-concerto-andantino-arr-flute-piano-146270.htmliano-395145.html!2018-11-08 16:22:15!0g#g# 10g#`9Upx U0/scores/mozart-flute-harp-concerto-andantino-arr-flute-piano-146270.htmliano-395145.html!0000-00-00 00:00:00U!114#g#YU!0.00g#PCU!mikelyonsmusicU!1g#g#.WU!0g#(g#U!0g#g#U!0000-00-00 00:00:00U!1g#g#)U!1g#g#4U!0g#g#oU!0000-00-00 00:00:00U!0g#g#@U!1g#g#@U!0g#g# U!31g#g#^U!31g#g# !2023-04-02 13:10:37!3.00U QBlessing Mark Holmes anon. 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L榣PK<^iuR[MowA D{^t~TNPHEE޳[ u/2BMـ(+^,Od`,O8BcEcK `=ka')lo$a5ARoKcR(0#`u? w&(%@CBW,]ٟܫMb8NG{vؓF'6$ mKgjhhPU8O9rAeuĶ)~.fUN/copZ--kn\TmMRNK,njaFvJ($5h|I˸!/4ddukmmiCK &ifB B+{M\Z`UU "Rqmlay5ԱABRB5EaZ\p;UV@&Ŏ_-Pc?H <]]Y~A£^Ֆ7XdQNKdnP(}*B`+8BYIc [ ;`ai,,MdA8%`+&dDP8f*K $җG~DM3jiEU_r /"$%pk)L,I(n@ X} Tޮ\ؼy"$YF Q)BH]#:薰hKŦl%:*I,P,N lQQPSDh8cI Đ>!qso 78.et>}֞7c3Ih>TP^"/KTC(&IIm`/7'}!fF+5_s7o0S=o^cGӞܰ-&^[ߴܱ.ֈ*Ngq3Vq[P%r;`ǀ)*Nk8ZZDaK ;ka,UIm $ZKQ/#N/gs.$F3E(} [5uɋ8|;V P?k.bkj"̴,ek.NvpV &@v.bIoQs#ݤ4w'`"RjU@k8M NXp`.:B_E cK HCe ab%5.L%Dĭ C+ C2ڕ%}nC@1cFB&?vdI<1ȬҦSOi5{+r(w#ilA +8,-m/{ƕ8qnJ4D!o(2U[>7=kt>uֽMf! T5L"44I4V4 wLݘ8v;1=r\$c{,~29S3 _숨Ǻ4{!櫷F'H 5i]t!.4LeUh F԰o~UbU'wguP:LR|@) `IKPP3a`'S8J\\ŊZa[C-akqS%.H 8X0(qXw3b:2hX\hvbTjȬHT{(H9(GBuIn99K8v Us|ƃ;`--"ơ4'?父ؽPݫt)aσmK]BB6Y#?k䀴>hH 9ۥ~JHE7MmU]^.ZY5j ;_KU\=Rm$6c{@c6ܖMy%=Qs;o?,SD wkͱ_P0B)VDD N_҃Y 6 f`̍4I3 TS #UBD`̀-*PkYBV)aKE,kq}u=.|r@,-αY,O( Rk.ߔ$GTk8ejR)&ݒFb[ ͆Rz^E}2m+*Tq:g:Inlg\LIx1 LJw:9 TvsbKJS$f86)OʂEX?3u-4,uJ0Dk.@S.mmr"I0:50:281LPUUR207132!364802g#U!2018-10-30 12:17:40U10000-00-00 00:00:000U01Intermediate Piano - Evening FugueU!41g#g# U!275#g#U!2g#g#-U!1g#g#(U!2018-11-12 15:58:02U!2018-11-01 08:12:28U!Mike Lyonsg#U!g#g#PU!2018g#`U10g#g#0!sib#g#8U!114#g#U!0g#g#BU!Evening Fugue.sibU!2018-11-12 15:58:02U!0g#g#PU!534#g#@U!0g#g#WU!2g#xg#HfU!1.50Xg#U!2018-11-12 15:58:05U!1g#g#U!0g#g#PU10g#g#GUGU0!114#g#U!0g#g#U1Three Little Waltzes_S75.sibU)U!2017-11-02 15:08:31U!0g#g#`U!947#g#U!0g#g#)U!5.00g#h U!2017-11-02 15:08:33U!1g#g#U!0g#g#U!0g#g# U!g#g#QU!0g#g#PU10g#g#P U0These three easy waltzes for piano were composed some time ago and are probably amongst my first serious compositions after university. As such, they deserve the designation Opus 1. Most of the time the melody line consists of a single note in the right hand, with an um-chug accompaniment in the left. Each waltz is in a different style, ending with the third, which is rather melancholy. I wrote these for me to play, and therefore they are about Grade 4 standard."U"U!g#g#U!0g#g#PU!0g#g#U!1g#g#ȄU!0g#g#U!0.0000g#8U!2018-11-12 15:58:42U1Intermediate Piano Evening FugueA gentle fugal piece for an evening's amusement. This is an easy piece with a fugal treatment of the theme. It starts and ends in e minor, with a few side trips to a minor/major and d minor. This would be a good piece for a more advanced beginner. It starts with one note in each hand but as the texture thickens, the melody ends up as a 4-part fugue for the last iteration.?!5.00g#!1g#g#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2018 Mike LyonsAll Rights Reserved`[U!g#g#!g#g#U!449811g#!1g#g#pU!3g#g#!5.00g#U!5.00g#U!1.50g#`U!0.00g#U!1g#g#腟U!1g#g#PU!0g#g#U!1g#g#U!1g#g#!0g#g#U!g#g#10.00g#pUU0!0g#g#U!0g#g#!3g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Intermediate Piano - Evening Fugue Mike Lyons A gentle fugal piece for an evening's amusement. This is an easy piece with a fugal treatment of the theme. It starts and ends in e minor, with a few side trips to a minor/major and d minor. This would be a good piece for a more advanced beginner. It starts with one note in each hand but as the texture thickens, the melody ends up as a 4-part fugue for the last iteration. !0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#UEU EUUUUUDUBUDUUhU0UPEUxDU؆UCUUUUCUEUHDU@CUDUUEUUAUDUBUXCU8UxUEUBU0DU UUBUCUBUpUDUUCU UUЅU(UDU`DU`UEUUUUU腟UPBUUȇUPUUUCUEUDUhEUpCU0UBU(CUhUBU@UpU8BUaU["72320","143980","141060","166153","72536","149977","86351","103967","140038","55170","121683","60029","115550","84778","83158","196792","90639","149978","163328","91944"] !2020-09-12 04:38:55!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x919g#!0g#g#!0g#g#!5.00g#!2023-03-16 18:54:13!2023-03-16 18:54:20!629223g#!759558g#!0000-00-00 00:00:00!0000-00-00 00:00:00Q(FU1@U8 U:p364802   AH=U   08dh `UQhU!g#qU6U!0g#g#LUX#!0g#g#!0000-00-00 00:00:00!0g#g#10g#g#0!HASHg# !1.50U12023-12-17 19:30:200!0g#g# 10g#g#uantitySetOfPart0!3g#@TU !HASHg#p1HASHg#doo-dah-196710.h012023-02-07 13:54:59hange.com/h01instrument.wind.saxophone.alto0!Hidden U !1g#U !HASHg# !g# UP!0g#g# ʻU!0g#g#@ٶU!0g#g#$U!0000-00-00 00:00:00!0.0000ҟU10000-00-00 00:00:000&*UUUzUUUXY]UUUZ]UVUȵU(VU8u6U@VUx UXVUEVUpVUV]UVUUVUUVUUVUxUVU(UWUqUWUعU0WU(!UUHWUxU`WU UUxWUkUWU!UnUWUUWUUWUUWUxUXU>U XUU8XUQUUPXUx~UhXUhUXUUXU(ݻUXUhQUx]UXUUXUUXUUYUeU(YUU@YUUXYUHL]UpYUhO]UYUh#UUYU8QUlUYUxoUYUUYUؕUZUxUZUUxFaU0ZUHaUHZUU`ZUXUxZUx%UZU UZU UZUPUUZU!UukUZUPUH3kU[U@!U^U [UQU^U8[UUP[U UUh[U)U[U)U[U)U[U#UhU[U2!U[UQU86(U[U0"UhU\UU(\U($U8U@\U(UX\UxUp\Ux"UU\UHUpU<U*U(U U #UxY'U8mUHVUU.U+U"UH&U@+UUX+U`%U]UUXCU*UDU(+UDUUUXgUUHU UUXUh}TUpU&Uط~UU'UU]UhU+UCUGUx]Up!UGUpSUp-UTU^UU)U^U`U_UXQ]U(_UHR]U@_UU]UX_UHUp_U(UhU_U.U_UxTU_UgU_UU]U_U8.U`Up*UȆU`U-UU0`U&*UH`UzU``UXY]Ux`UZ]U`UȵU`U8u6U`Ux U`UEVU`UV]UaUU aUU8aUUPaUxUhaU(UaUqUaUعUaU`+UUaUxUh>U@*UU>UkU>U+UnU>UU>UU>UU>UxU?U>U(?UU@?U(UUX?Ux~Up?UhU?UU?U(ݻU?U(Ux]U?UU?UU@UU@UeU0@UUH@UU`@UHL]Ux@UhO]U@U-UU@U(UlU@UxoU@UU@UؕUAUxU AU)UxFaU8AUHaUPAUUhAUXUAUx%UAU UAU UAU`(UUAU,UukUAU0(UH3kUBUx+U^U(BUP)U^U@BUUXBU0+UUpBUmeArtis!1g#g# /U!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 1989 Mike Lyons All rights reservedScores!g#g#!2017-11-02 16:02:50U!0000-00-00 00:00:00!g#g#P#U!98970g#!1g#g# U!3g#g#h#U!5.00g#PU!5.00g#`"U!5.00g# U!0.00g#0U!1g#g#U!1g#g##U!0g#g#!g#g##U!0.00g#1h2U c61180!1g#g#p2U!0g#g#!0.0000g#!2017-11-02 15:09:011Solo Piano Three Little WaltzesUUID!!0g#g#!0g#g#!7g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Solo Piano - Three Little Waltzes Mike Lyons These three easy waltzes for piano were composed some time ago and are probably amongst my first serious compositions after university. As such, they deserve the designation Opus 1. Most of the time the melody line consists of a single note in the right hand, with an um-chug accompaniment in the left. Each waltz is in a different style, ending with the third, which is rather melancholy. I wrote these for me to play, and therefore they are about Grade 4 standard.!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!U'U&UU!U"U"U&UX$UP&U"UH"UPU'U8&U!Ux%UU`UQUH%U&U&U%U&U U@'U#U#Uh&U@$U%U"UX!UX'U#U%UQUh U$U$Up$UP#U%U U%U"U U U#U&U &UPU'UxU`"U QUU U$UPQU"U0UPUU%Up'U%U('U0%U!U$U$UHU$U UP U#U["38356","149238","145592","144839","194972","136638","74997","173897","49472","104120","67108","421711","186595","187667","95894","191282","188316","187019","207908","138546"]<U!2020-09-01 17:04:23!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#!0g#g#!5.00g#!2023-04-01 10:23:57!2023-04-01 10:24:08!990929g#!1341687g#!0000-00-00 00:00:00!0000-00-00 00:00:00QU@>U UDPU0UDQU@UDQUPUDRU`UD RUpUD@RUUD`RUUDRUUDRUUDWUUUDXUUD0XUUDPXUUUDpXUUDXU UDXU0UDXU@UDXUPUDYU`UpUD0YUUD@[UUD`[UUD[UUD[UUD[UUD[UUD\UUD \UUD@\UUDUU UDVU0UD VU@UD@VUPUD`VU`UDVUpUDVUUDVUUDVUUDWUUD WUUD@WUUUUUD`WUUDWU UDWU0UDppU@UD0qUPUDPqU`UDpqUpUDqUUDqUCU`]UkUUCUp'UD(UCUUDU(DU=U`UQU UU2DU^UUDUUDUpzUD ȶUDU0zUDǶUPUDU@UDнUpUD`UzUzUD@ȶU@zUDǶUPzUDǶUPRU  0UUDNUUD`UUDUUDUUDЂUUDUUDUUD0UUDU UDU0UD U@UD@UPUD`U`UDUpUDUUDUUDPUUDpUUDUUDUUDUUDUUDІUUDUUDU UD0U0UDPU@UDpUPUDU`UDUpUD ЇUUDUUDUUDUUD UUD@UUD`UUDUUDUUDUUD@U UD`U0UDU@UDUPUDU`UD0UUpUD`UUDUUDUUDUUDUUDUUUD UUDUUD0UUDPU UDpU0UDU@UDUPUDЍU`UDUpUDUUD`vUUDvUUDvUUD0UUDPUUDpUUDUUDUUDЈUUDU UDU0UD0U@UPU`UpUDPUUDpUUDUUD@UUDUUD UUD@UUD`UUDUNUhDUXUQ'U10g#cUpxU0165629g#0QCopyright © Mike Lyons & Rachel Johnson 2008 All Rights Reserved!Solo Piano - Erew Derob!41g#g#!275#g#!4g#g#!1g#g#!2018-01-04 22:18:34!2017-12-07 06:49:44!20088g#)U!0g#g#h)U!2g#g#x(U15.00g#0!sib#g#!114#g#!0g#g#!Erew Derob.sib!2018-01-04 22:18:34!0g#g#!997#g#!0g#g#!2018-01-04 22:18:36U!1g#g#h)U!0g#g#(*U!0g#g#)U!g#g#*U!0g#g#P)U!0g#g#x(U11g#g#*U0An unusual bit of comosition work undertaken when extremely bored at a staff meeting where we felt our time could have been better spent. This piece started off as a game between myself and the Head of Department while the senior management team were droning on about rubbish that had nothing to do with children, but was definitely about covering their own backsides. By the end of the meeting, we felt we had done something that could be a real piece of music. Here it is!hang!5.00g#!1g#g#!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#!g#g#!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#-U!208393g#!1g#g#*U!3g#g#-U!5.00g#x(U!5.00g#,U!5.00g#+U!0.00g#h)U!1g#g#(*U!1g#g#-U!0g#8g#!g#g#-U!0.00g#1WUWs181180!0g#g#WU!0.0000g#!2018-01-04 22:19:01!Solo Piano Erew Derob!0g#g#!0g#g#!6g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Solo Piano - Erew Derob Mike Lyons An unusual bit of comosition work undertaken when extremely bored at a staff meeting where we felt our time could have been better spent. This piece started off as a game between myself and the Head of Department while the senior management team were droning on about rubbish that had nothing to do with children, but was definitely about covering their own backsides. By the end of the meeting, we felt we had done something that could be a real piece of music. Here it is!!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g# ,UcUhbU)U+U,U,U bU.UaU-U,UH(UbUaU+UaUU)U)U`UPbUaU`UbU+UbU-U-UaUx.U`UP,U+UbU.UxaU8)U*U.U/U.U-UHaU*UaU8,U*U*U@-U8bUaUx(UpcU)U,U(U)U+UH.U(U,Uh)U(U(*U0aUbU`aUbU`UH+U.Up`U)U.UX*U*U0.U`U)UBU)UBU)UBU.UhUBU2!UBU )U86(UCUh,UhUCUU0CU`.U8UHCU(U`CUxUxCU,UUCUHUU<USU(UP_UX-UxY'UUHVU'U.USU(-UH&UTUU0TU`U]UUXCUXSUDUTUDUU*UXgUЈUHU舜UUؒUh}TUUbUط~UUXcUUDUWU(NUGUDU+UGU]UhUTUEUU)UFU`UFUXQ]U0FUHR]UHFUU]U`FUHUxFUcUhUFU.UFUxTUFUgUFUU]UFU8.UGUeUȆU GU@iUU8GU&*UPGUzUhGUXY]UGUZ]UGUȵUGU8u6UGUx UGUEVUGUV]UHUU(HUU@HUUXHUxUpHU(UHUqUHUعUHUfUUHUxUHUeUUIUkUIU`gUnU0IUUHIUU`IUUxIUxUIU>UIUUIUdUUIUx~UIUhUJUU JU(ݻU8JUxdUx]UPJUUhJUUJUUJUeUJUUJUUJUHL]UJUhO]UKU(iUU(KUHdUlU@KUxoUXKUUpKUؕUKUxUKUheUxFaUKUHaUKUUKUXULUx%ULU U0LU UHLUcUU`LUgUukUxLUcUH3kULUgU^ULUdU^ULUULUfUULU)UMU)U MU)U8MUiUhUPMU2!UhMUdU86(UMUgUhUMUUMUiU8UMU(UMUxUMU8hUUNUHU U<U^U(U-UhUxY'Uh*UHVUU.Uh^UhUH&U^UU^U kU]U UXCU]UDU^UDU8UeUXgUPUHUhUU@ԝUh}TUXԝUlUط~UpԝU0gUGUDUU)UUxUUmUUPU@UTUUGU8U`UЗUXQ]U藶UHR]UUU]UUHU0UmUhUHU.U`UxTUxUgUUU]UU8.UU0pUȆUؘUUUU&*UUzU UXY]U8UZ]UPUȵUhU8u6UUx UUEVUUV]UșUUUUUUUxU(UVersionD["30453","165969","164401","71441","105007","485537","170016","72890","94819","91621","469643","62217","105009","134649","134644","361155","68375","31808","105004","143750"]ctLastAtte!2020-09-12 07:26:42!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-04-01 10:29:13!2023-04-01 10:29:23!986394g#!1341232g#!0000-00-00 00:00:00!0000-00-00 00:00:00    08dh  `U U bUUU`U UpUUUUpU^U*UpU@UUrUU@UUmUU਼U UU08 kU@U|U4UUU U`UdUPUNUUdUZUPEU UPU`pUxU !0000-00-00 00:00:00!331591g# Q(cU!45905g#ores WHE!Mike Lyonsg#!Mike Lyonsg# 1Solo Piano - ArrangementsU0!41g#g#!275#g#!4g#g#!1g#g#!2020-05-21 14:50:10!2017-12-07 06:49:31!Mike Lyonsg#dU!Mike Lyonsg#dU!2007g#dU10g#g#0!sib#g#!114#g#!0g#g#!arrangements_S8x.sib!2020-05-21 14:50:10!2g#g#!1336g#!0g#g#!7.00g#(fU!2020-05-21 15:50:03U!1g#g#eU!0g#g#heU!113666g#XfU!g#g#dU!0g#g#dU10g#g#fU0!4g#g#UThis is a bit of a curiosity. How fast can you repeat the same note? That will determine your speed at this piece. There is a nod in the direction of Franz Liszt at the end.hang!5.00g#!1g#g#!1g#g#!0g#g#!g#g#!g#g#!0g#g#!g#g#ACopyright © 2087 Mike Lyons All Rights ReservedU!g#g#!128196g#(fU!1g#g#!3g#g#iU!5.00g#!5.00g#XfU!5.00g#(iU!0.00g#dU!1g#g# hU!1g#g#fU!0g#g#dU!g#g#eU!0.00g#XiU!sib#cUuantityS!282#g# QmU!1g#g#0U!0g#g#q{ "GroupOrd" : "30", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "15297" } !0.0000g#!2020-05-21 18:06:201Solo Piano ArrangementseScores!0g#g#!0g#g#!10g#g#!2013-04-28 19:03:16!0g#g#!0g#g#Solo Piano - Arrangements Mike Lyons This is a bit of a curiosity. How fast can you repeat the same note? That will determine your speed at this piece. There is a nod in the direction of Franz Liszt at the end.@U!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#gUHmUlUeUHgUPhUhUXlUjUlUhUhUcUlUkUxgU8kUU eUdUkUlUkUjU@lUfUmUXiUpiU(lUjUjUgUgUmUiUkUdU(fUHjUjU0jUiUkU@fUPkUgUXfUpfUhUplUkUdU`mU8eU hU0dUPeUfUiU`dUhhUdUcUeUhkU0mUkUlUjUfU`jUjUeUxjUeUfUiU["30453","165969","71441","164401","105007","170016","72890","94819","105004","105009","62217","485537","134644","134649","91621","143750","31808","16123","361155","197684"]0U!2020-09-27 04:33:03!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!650x916g#!0g#g#!0g#g#!5.00g#!2023-05-02 16:41:54!2023-05-02 16:42:08!1661642g#!2183708g#!0000-00-00 00:00:00!0000-00-00 00:00:00P>UPUhUU[UUs]UD`gUWUD!U`kUDU`nUD U0RU UpU2@UEU UDU`UD0U@,UD@UUUD@UUDUUDUUDU@qUDpkUUUUDfUՏUD "URU  UptUDUtUD UtUD@UtUD`UtUDUtUDUtUDUtUDশUtUDUuUDUuUDЧU uUDU0uUDU@uUD0UPuUDPU`uUDpUpuUD UuUD@UuUDUuUD UuUD@UuUDUuUDUuUDUuUDЪUvUDUvUDU vUD0U0vUDPU@vUD`UPvUD U`vUDpUpvUDUvUDUvUDШUvUDUvUDUvUD0UvUDPUvUDpUvUDUwUDUwUDྲྀU wUDPU0wUDpU@wUDUUPwUDU`wUDྶUpwUDUwUD UwUD@UwUD`UwUwUD UwUDUwUDUwUDUxUDUxUD U xUD@U0xUD`U@xUDUPxUDU`xUDUpxUDUxUDлUxUDUxUDUxUD0UxUDPUxUDpUxUDUxUDUyUDмUyUDU yU0yU@yUPyUDU`yUD0UpyUDPUyUDŶUyUDƶUyUDƶUyUDƶUyUDƶUyUDǶUПU U`UDsU{UD`nUU2 UDਥU UD@UU``UDUUDUpRU ضUpU2UUUDUUD0U UD@U UUзUPUUD3UTU  @U UUOUD`nU޹UUТUDUUXUDdU(UH"U@UUDpU!UD =QU`!UDUjUpUUUDUUDXUUD>TUpUDPUUD0U}U 0p<U4hUDyUUD`UȢUpU;UY`UUyUD-UU UDpUUDaUUD%DUZyUDPEmUU)UU 4UιUD`"UUDXU(GU}U@UDPiUUDsU` UDZUUںUe? 1`RcUxU-V6562913UU|l,uQCopyright © 1991 Mike Lyons All Rights ReservednUP1Solo Piano - A Summer’s DayU!41g#g#!275#g#!3g#g#!1g#g#!2018-06-18 10:29:07!2017-12-07 06:49:28!19918g#nU!0g#g#(oU!2g#g#8nU1g#g#0!sib#g#!114#g#!0g#g#!Summers Day_S87.sib!2018-06-18 10:29:07!4g#g#!1373g#!0g#g#!6.32g#pU!2018-06-18 10:29:10U!1g#g#oU!0g#g#oU!84265g#U!g#g#oU!1g#g#8nU10g#g#HpU0This short piano piece is about grade 3 or 4 standard and has a simple melody with an alberti-like pattern running through most of it. It is a pleasant little interlude and should be played with a good deal of sensitivity.ayX? !5.00g#!1g#g#!1g#g#!0g#g#!g#g#!g#g#!0g#g#(U@UqUXUعUpU0UUUxUUpUUUkUКUUnU蚶UUUUUU0UxUHU>U`UUxUPnUUUx~UUhUUU؛U(ݻUUnUx]UUU UU8UUPUeUhUUUUUHL]UUhO]UȜUpUUUnUlUUxoUUU(UؕU@UxUXUoUxFaUpUHaUUUUXUUx%UНU U蝶U UU nUUUجUukU0UmUH3kUHUHU^U`UoU^UxUUUUUU)UU)U؞U)UU讶UhUU2!U UnU86(U8U8UhUPUUhU0U8UU(UUxUUUUȟUHU@SU<U8,U(UpEU(UxY'U8UHVU(U.UEUUH&UEUUEUhU]UԝUXCUDUDUEUDUԝUoUXgUԝUHUԝUUHUh}TU`UUط~UxUxUGUUUU`U0MUUζU UUРUuUxUUGUUHUHOU@Ux~UȆUU1UҨUXUUh޹UUXUDUXCUUXUxFaU,UUTUU(ݻU UfU)UUU]U0uU,UUjUU uUSU( U0UxU UȼUUxU8eU}vUxU UU{U`bUhtU0UU U(@UU&*U8U8UUhU8.UȣUHR]UCUUUDUUȈU@hUUpU UֶU&*UUeUUpXU(UX(UU(,UU(UxU uUUXXU(-U`UH1U0'UUU8UHU[U^U]UpeUUHUXhU)U(ӽUDU UUU0U(1xUhUUHU0UUUUUU U<U(UUUH@UeU,UH]UBU(ݻUX`Up/U^U(eUUUUUUȵU(zU8UxuUUUأUpUjUHUgU<UxY'UhUUHZUUHaUUU@]U`UU PTU[#UUUcU\UU(U(UU]UXkUZ]UUȵUvUU)UpUUtUXUhU(UUUUHUsUUUx~UxUؕU.U>UUUU`yU`UiUU]UJU)U(UʴUUSimilarS!g#g#`U!2017-06-09 17:10:17U!0000-00-00 00:00:00!g#g#XU!374984g#!1g#g#U!3g#g#pU!5.00g#8nU!5.00g#hU!5.00g#ЫU!0.00g#(oU!1g#g#oU!1g#g#U!0g#g#!g#g#U!0.00g#1sUU-45905!1g#g#U!0g#g#q{ "GroupOrd" : "10", "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "15297" } U!0.0000g#!2018-06-18 10:29:331Solo Piano A Summers DayPageWidt!0g#g#!0g#g#!4g#g#!2013-04-27 23:07:37!0g#g#!0g#g#!Solo Piano - A Summer’s Day Mike Lyons This short piano piece is about grade 3 or 4 standard and has a simple melody with an alberti-like pattern running through most of it. It is a pleasant little interlude and should be played with a good deal of sensitivity.ScoresScores!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#UU豶UoUUUȭUU`UXU୶UPUnUU@UUU UXoUnUPUбUUUU諶UHUUUpUHU U U`U`UЮUUnUpUUدUxUXUȰUUUUUUUU(U8nUUpoUhUhnUoUЫUUnUU(oUxmUoUUxUశU0U8UUUU@oUUpUHpUUƶU["87746","16473","13990","50821","494529","48629","504640","8292","199350","4253","365111","67759","2510","47739","120541","28361","88117","37697","70617","23610"]Scor!2020-09-01 01:49:21!1g#g#!0000-00-00 00:00:00!g#g#!0g#g#!207#g#!293#g#!0g#g#!1g#g#!650x918g#!0g#g#!0g#g#!5.00g#!2023-05-05 12:40:18!2023-05-05 12:40:36!691387g#!906497g#!0000-00-00 00:00:00!0000-00-00 00:00:00`UȶUUUnUD0tU@UPU87UU8U੼UD0nUrUDgUɶUUɶU`Ux<USU7UpUUDNUpUPU ʶUaUUPUpUDUνU U=U`WU0'U\UD%UUD oU>UDP5UqU`PUUD޻U(˶UU0VU|U  U@xUDѼUUD0 U`UD0UPUD pUUDSUU@U̶UUPUHcUU@UUyU UUU2̶UUD@UU>UuU5UPxUDpfUr8UD1UsmUDUpUDPdUhͶUpU U MUDбU UD UUD`UUͶUUUDUUUUU UD0XU@}UDUUD`_UUD@zUHUeUUDU(0UU0UDnUJUUHUUYUXUxUDPټUlgUD@U4UUUUhUDUUDU϶UUD%UUD`UU̺UpbUDUU 0GUUD`UhUUUpUUDߓU 1UDkU0UDp̻UUUУUYUGUPCUDiUUD]UzUDUP2hUDUPsUU1U0UUDU`UDpdUҶUUP>UDP4UПUDuU$WUDUUD-U7UUUDUU  УDU]UҶUUUpU0(UD`JUU \U迻UU/UpUDUUDмUPU 0DUtUUpUVTUUiUDnU UD@dU(DUUUBUUD/:UpUDP UUD`JhUHUU`U0UD*UUDlUP[UD@UԶU8UgUU@hUDUUUlUDpUU2նUUEUUUxUD`hU UD UfU UDpiU_U`UUDUЕUDUUDqUоUDCUFSUUֶU0\UDPOUUD@hTUUDPU&UUhUDU`U|UUeUDpU@6U@ U UD0UMUDP$U UDnUpUDWU(DUp<UPh*UD޻U8?UeUU`ضUUD0UXU`UUDP^UQU!0g#U%U!0g#g#ͽU!g#g#U!g#g# 10.00U*U5U01HASH๿U999998)0!Wolfg#!0g#g# 1INITIAL_ANALYTICS_STORAGE_PERMISSIONU!ItemTypeIDU !1.50PiU 1ڶU`%3074!153925@OU ["168149","71708","84658","3717","71298","84823","118173","186816","395721","118201","3213","3230","69520","60420","168129","143403","91077","188140","71850"]!g#xg#"U!g#g#LUX#!g#g#!1.50g#!0000-00-00 00:00:0011g#g#0!1g#g#QMein Liebchen wir sassen beisammen Lower Wolf Schubertline U!Sonya and Simon !0g#g#@U!0g#g#@U!0g#g# U!0g#g#0AU!0g#g#*U!g#g#XAU!1g#g#(U!g#g# !ManualPriceU 10g#yU.Z0!USQLrencyID1g#@\UIDFolderName0!0g#@7U !0g#@{U !0g#g#!0g#g#!0g#g#U!1276x1650g#!3g#g# !PhotoDisplayX A0GU߶UJz 3.238.117.130@qAs part of my new series for easy to intermediate piano, this is a musical description of church bells heard across a meadow on a warm afternoon. Both hands have plenty to do, but the piece can be played at a speed to suit the performer. This is a little more challenging than som of the previous pieces, because it requires octaves in a few places.1f1ff203708ee1e28b172eb1084ed3d93APiano, Vocal & Guitar Chords (Right-Hand Melody)!HASH@U!HASHg# ![]g#޶UIMESTAMP!2020-09-17 12:46:29!0g#g#:User'!0000-00-00 00:00:00!g#g#!0g#g# !0000-00-00 00:00:00U!2011-05-07 15:19:5110g#g#U0!HASHg# !2g# U 1@0cUU'A#133700!0000-00-00 00:00:00U1Nothings Gonna Stop Us NowUJU10g#g#pU@ \U0!1g# ʻU!0g#g#10.0000g#g0!2019-02-15 16:43:18!0g#U!g#g#!anon.g# !Mike LyonsU /0sx)0 U%(ip)0 PeU  `U!Solo Guitar# U!g#g#!g#g#!g#g# SU!797767g#!0g#g#SU!0g#g#!0.00g#PSU!0.00g# SU!0.00g#SU!1g#g#SU!1g#g#SU!0g#g#SU!0g#g#SU!1g#g#PSU!59046g#AHarold Arlen, Johnny Mercer, Harold ArlenSU14.75g#SU0SU0!0g#8g#U!0g#g#!0.0000g#!0000-00-00 00:00:00!Come Rain Or Come Shine!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#qCome Rain Or Come Shine Solo Guitar Harold Arlen, Johnny Mercer, Harold Arlen Jeff Arnold ScoreExchang!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#SUUSUxSU@SUHSUxSUPSUSUSUSUSUSUSUSUpSU0SUUSUSUSUSUSUSU8SUSUSUPSUhSU SUSUSUSUSUUSUSUSU SU@SUSU(SUSUxSU8SUHSUSUPSUhSUSUhSUSUSUPU0SUSU(SUHSUSUSUXSU`SUSUPSUSU`SUUSUSUSUSUXSUSUSUpSUSUSUSUpdate["411832","210166","220929","235119","242759","245385","246516","246680","246698","246745","246847","246856","247106","247120","247124","247259","254623","258750","258829","258840"]!2020-08-29 18:29:54!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!522x696g#!2g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00UxUh}TUUSUط~UU UUSUGUhSUU)USU(SUGU TUUTUSUUSU`USUXQ]USUHR]U0SUU]UHSUHU`SUhUhUxSU.USUxTUSUgUSUU]USU8.USUUȆUSU UU SU&*U8SUzUPSUXY]UhSUZ]USUȵUSU8u6USUx USUEVUSUV]USUUSUU(SUU@SUxUXSU(UpSUqUSUعUSUUUSUxUSUUUSUkUSU@UnUSUU0SUUHSUU`SUxUxSU>USUUSUUUSUx~USUhUSUUSU(ݻU SUXUx]U8SUUPSUUhSUUSUeUSUUSUUSUHL]USUhO]USUUUSU(UlU(SUxoU@SUUXSUؕUpSUxUSUHUxFaUSUHaUSUUSUXUSUx%USU USU U0SUUUHSUpUukU`SUUH3kUxSUU^USUU^USUUSUUUSU)USU)USU)U SUUhU8SU2!UPSUU86(UhSUUhUSUUSUU8USU(USUxUSUUUSUHUU<U`!TU(U!TUUxY'UHnUHVU*U.U*UUH&U!TUU!TUU]UUXCU TUDUx!TUDUؖUxUXgUUHUUU}Uh}TU}U Uط~U}UX UUSUGUSUU)U`3UUGUSUSUTUH3UUUQU;U`Ux3UXQ]U3UHR]U3UU]U3UHU3U UhU3U.U4UxTU 4UgU84UU]UP4U8.Uh4U UȆU4U(SUU4U&*U4UzU4UXY]U4UZ]U4UȵU5U8u6U(5Ux U@5UEVUX5UV]Up5UU5UU5UU5UxU5U(U5UqU6UعU6UUU06UxUH6U UU`6UkUx6UxUnU6UU6UU6UU6UxU6U>U7UU 7U0 UU87Ux~UP7UhUh7UU7U(ݻU7U Ux]U7UU7UU7UU7UeU8UU(8UU@8U QU!0g#g#P^U!1g#g#!0g#g#@EU!1.50g#U!0000-00-00 00:00:00U!0g#g#U!0g#g#HU!0g#g#8U!g#g#U!0g#g#U10g#g#U0!0g#8g#/U!g#g#bU!7.09g#U!0g#g#=U!0g#g#Scores!0g#g#? !g#g#?!g#g#U!0g#g#U!Solo Guitar#Scores!g#g#1g#g#0SUSU0!1.50g#U!0000-00-00 00:00:00U!0g#g#(U!0g#g#U!0g#g#U!g#g#PU!0g#g#xU10g#g#U0!g#g#U!0g#g#AReal Book – Melody & Chords – C InstrumentsEU!g#g#!g#g#!g#g#U!65201g#!0g#g#U!0g#g#!0.00g#U!0.00g#U!0.00g#xU!1g#g#U!1g#g#U!0g#g#hU!0g#g#(U!1g#g#U!37931g#AHarold Arlen, Harold Arlen, Johnny MercerU11.99g#UU0!0g#hg#U!0g#g#!0.0000g#!0000-00-00 00:00:00!Come Rain Or Come Shine!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Come Rain Or Come Shine Real Book – Melody & Chords – C Instruments Harold Arlen, Harold Arlen, Johnny Mercer !0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#["409920","411832","210166","220929","235119","242759","245385","246680","246698","246745","246847","246856","247106","247120","247124","247259","254623","258750","258829"]U@EU!2020-09-16 00:37:35U!0g#g#пU!0000-00-00 00:00:00U!g#g#HOU!0g#g#-U!0g#g#ЛU!0g#g#@U!0g#g#U!0g#g#U!1276x1650g#U!3g#g#U!1g#g#U!0.00g#KU!0000-00-00 00:00:00U!0000-00-00 00:00:00U!0g#g#HU!0g#g#HֶU!0000-00-00 00:00:00U!0000-00-00 00:00:00UQU!246856g#ores WHE!g#g#"U!0g#g# 1%UU$چ6267636!g#g#PU!713073g#!0g#g#SU!0g#g#!0.00g#PU!0.00g#SU!0.00g#xNU!1g#g#RU!1g#g#QU!0g#g#hOU!0g#g#(PU!1g#g#SU!43366g#ABarbra Streisand, Harold Arlen, Johnny Mercer14.75g#PURU0!0g#g#U!0g#g#!0.0000g#!0000-00-00 00:00:00!Come Rain Or Come Shine!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Come Rain Or Come Shine Piano, Vocal & Guitar Chords (Right-Hand Melody) Barbra Streisand, Harold Arlen, Johnny Mercer -19 20:41:16.37!0g#g#.000000!0g#g#lass='s!0g#g#p"U!0g#g#"U!0000-00-00 00:00:00 20:!g#g#20:51:16!0g#g#6.365035!0g#g# rel="no!0g#g#X#U["360696","210058","210269","210521","211256","211413","211436","211447","213894","214052","218875","218995","219597","220752","222333","223532","224108","227125","227129","227237"]or!2020-09-05 19:43:28202!0g#g#7561171!0000-00-00 00:00:00U!g#g#$U!0g#g#SE::Scor!0g#g#7514202!0g#g#6193311!0g#g#$U!0g#g#H+U!522x696g#e="endOf!3g#g# !1g#g# !3g#pU(U!1g#g#U!0.00g#XU!0000-00-00 00:00:00!161315PU 1vU&U,Q3290211329042g#tAttemptedU0!Uonfig1EmailConfirmRequiredate01!UUuU01Copyright © January 2010SentC010g#`ZU+010000-00-00 00:00:00de0!HASHg#b' data-!HASHg# UUUUUUUhU0UUU UUUUUUȟUUHUUUUUUUUUUХUةUUUUЫUUUhUXUUUUUUUXUUUUUUUpU`UcUXU+UhUUXQUH\UOUhzUAUQ*U U,U7UaU` 0xUissauQ*U UЉUUU yUg#Q*U UvU8U?RU@ yUg#Qp+U UUuUU0+Uland and Mcdonald IslandsQ>UUH U!0.00ļU !2011-10-20 07:51:03!0g#:U!3g#g#12g#g#010g#dU~0!application/json.com!(Ug#!1g#)U !(Ug#U!SMImportedFromStore!(Ug#pU!g#`VUe.com!2.20g# Q{"currentId":"1","currencies":[{"ID":"2","Code":"GBP","SymbolText":"£","Name":"British Pounds","Symbol":"£","ExchangeRate":"1.00000","exchangeRateFromUSD":0.787835815016151},{"ID":"1","Code":"USD","SymbolText":"$","Name":"United States Dollars","Symbol":"$","ExchangeRate":"1.26930","exchangeRateFromUSD":1}]}U!Wolf8g#uU!g#g#U!0g#g#HU10g#g#0!sib#g#!62021g# !g#aU !Tom Wallace# !USQLrencyID!denied52992058e.comnge.comnu-bar" role="toolbar" aria-label="">

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    By: Mozart
    ed by C. Potter'nofollow'>Mark Barkanayes, Hunter Hayesrifters, Michael Bublé, Mort Shuman, Doc Pomuse Verve, Mick Jagger g#g#_U!1g#p2U 1IDgeDisplayYntUPER-ENCODE0!PartOfProductID !HASHĺU ASave The Last Dance For Me (arr. 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Ukulele Harold Arlen, Harold Arlen, Johnny Mercer resProgramN!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#@1UbUbU/U0U1U2UaU3UxaU02U1Uh-U8bU`aU1U`UU.U(.Up`UaU0aUX4UaU80UhbU2U3UaU3Up4Up1U0UbU 3UaUX.U/U3U(4U3U2U`U/U`UX1U/U0U`2UaUHaU-UcU.U1U-U.U 0Uh3U-U2U.U,UH/U`UbUaUPbU4Uh0U3U@4U.U4Ux/U/UP3U`U2!UIU@.U86(U0IU1UhUHIUU`IU3U8UxIU(UIUxUIU1UUIUHUU<UU(UUx2UxY'UȸUHVUH[U.U8UH2UH&UHUU`U`U]UUXCUXUDU0UDUU0/UXgUUHUUU(Uh}TU@U bUط~UXUbUUJUGUJUU)U0LU0UGU UhUTULUUpU`UHLUXQ]U`LUHR]UxLUU]ULUHULU(cUhULU.ULUxTULUgUMUU]U MU8.U8MUeUȆUPMUhUUhMU&*UMUzUMUXY]UMUZ]UMUȵUMU8u6UMUx UNUEVU(NUV]U@NUUXNUUpNUUNUxUNU(UNUqUNUعUNUfUUOUxUOUheUU0OUkUHOUgUnU`OUUxOUUOUUOUxUOU>UOUUOUcUUPUx~U PUhU8PUUPPU(ݻUhPUdUx]UPUUPUUPUUPUeUPUUPUUQUHL]U(QUhO]U@QUhUUXQUcUlUUxoUUUUؕUЁUxU聹UeUxFaUUHaUUU0UXUHUx%U`U UxU UUcUUU0gUukUUXcUH3kU؂UfU^UUxdU^UUU UXfUU8U)UPU)UhU)UU@iUhUU2!UUHdU86(UȃUgUhUUUUiU8UU(U(UxU@UgUUXUHUpU<UU(U8UhUxY'UUHVU7U.U/UPhUH&UUUUjU]UpUXCUUDUUDUU8eUXgU0UHUHUU`Uh}TUxUXlUط~UUmUU`UGUHUU)UȆUfUGU(KUହUTUU 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00:00:00!g#g#hU!452742g#!0g#g#eU!0g#g#hU!0.00g#cU!0.00g#gU!0.00g#(fU!1g#g#dU!1g#g#PeU!0g#g#hU!0g#g#!1g#g#hU!301730g#1Harold Arlen, Johnny MercerU0!0.0000g#pU!0000-00-00 00:00:00!Come Rain Or Come Shine!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#HgUlU@lU eUfUgU hUkUiUkU8hUgUpcUplUkUgUjUUdU0dUjU(lUhkU`jUkU@fUlUhUiUkUiUxjUxgUfUlU(iUPkU`dUeUiU0jUiUhU kUeUjU`gUeUfUhhUlUkUcUHmUdUgUcUdU(fUpiUdUhUdUbUPeUkUlU8kUlUjUpfUjUHjUdUjUeUeUXiU͹U!3.49g#U!g#g#!0000-00-00 00:00:00!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!1g#g#!1276x1650g#!3g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00QmU!0g#g#ores WHE!0g#g#LUX#!g#g#!2011-05-13 00:00:00U!0g#g#!0g#g#@SU!0g#g#=U!0g#g#U!0g#g#X\U!0g#g#XU!0g#g#U!0.0000g#U!0000-00-00 00:00:00U!Wantedg#h[U10g#g#U0!0g#g#U!0g#g#xg#!0g#g#!0g#g#!g#g#!g#g#!0g#g#!Guitar Chords/Lyrics!g#g#!g#g#!1.50hg#!0000-00-00 00:00:00!0g#g#!0g#g#!0g#g#!g#g# !1.50g#pU!0g#g#nU!0g#g#oU!g#g#@oU!0g#g#0pU!0g#g#nU!0g#g#mU10g#g#oU0!g#g#U!0g#g#!Viola Solog#!g#g#!g#g#!0000-00-00 00:00:00U!0000-00-00 00:00:00!g#g#U!821568g#!0g#g#0pU!0g#g#U!0.00g#mU!0.00g#U!0.00g#pU!1g#g#nU!1g#g#oU!0g#g#@U!0g#g#!1g#g#(U!120446g#1Harold Arlen, Johnny MercerU0xUUoUUȉUkUUHUnUUUUU(UU@UxUXU>UpUUUmUUUx~UUhUЊUU芹U(ݻUUPnUx]UUU0UUHUU`UeUxUUUUUHL]UUhO]U؋UUUU nUlUUxoU UU8UؕUPUxUhU@oUxFaUUHaUUUUXUȌUx%UU UU UUmUU(UxUukU@UmUH3kUXU誹U^UpUnU^UUUUUUU)UЍU)U荹U)UUUhUU2!U0UnU86(UHUثUhU`UUxUЭU8UU(UUxUU UU؎UHUHOU<UKU(U@KUȬUxY'UUHVUbU.U0UUH&UKUUKUU]UUXCUJUDUKUDUUpoUXgUطUHUUUbUh}TUbUUط~UbU`UUUGUȏUU)UHUUGUUUTU0U?UUٹU`UѹUXQ]UѹUHR]UѹUU]UѹUHUҹUUhU ҹU.U8ҹUxTUPҹUgUhҹUU]UҹU8.UҹUUȆUҹU`UUҹU&*UҹUzUҹUXY]UӹUZ]U(ӹUȵU@ӹU8u6UXӹUx UpӹUEVUӹUV]UӹUUӹUUӹUUӹUxUԹU(UԹUqU0ԹUعUHԹUUU`ԹUxUxԹU賹UUԹUkUԹUUnUԹUUԹUUԹUUչUxU չU>U8չUUPչU8UUhչUx~UչUhUչUUչU(ݻUչUUx]UչUUչUUֹUU(ֹUeU@ֹUUXֹUUpֹUHL]UֹUhO]UֹUHUUֹUhUlUֹUxoUֹUU׹UؕU׹UxU0׹UUxFaUH׹UHaU`׹UUx׹UXU׹Ux%U׹U U׹U U׹UUU׹UUukUعUرUH3kU عU 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nUUDUUU(HUUUDp}Up UpU*U RUpſU @DUUU0(UDU`UDUU UD6EU[yUDP!U UUUkUDXUoUUUDcUUAU,U@UUPjUU0IUD` UÿU @p\Ux&U_U@U?U@UU+UDUUUiUǸU[UUUwmUD hUXU`%U*UUUUpU0U@UXU8UUUDU@JUDTEUrUDhUVUD^U؄U XUUPUUp1hUDp%U0UBUU8RUpUVDUUUUUU CUDP%UxUUUHUptU;UXUUpUDUUUU UU0UD$U@UD&U UUPUQU!0g#_lU10g#g#01ADAP3ore::Typecultytionroup0!0g# Us/choir.10g#g#0؟UrDefault0!0g#UU!0g#g# !1778IU !HASHU%U !2020-11-25 00:00:00 WHE!0g#g#10g#g#0!0g#0U !0g#(g#8FU!g#g#0wU!g#g#U!0g#g# QSave The Last Dance For Me arr Ed Lojeski!UP!26g#Un-or-com!0g#g# QkUUU!0000-00-00 00:00:00ahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_206883uyp0SGf66M.png`!HASHUb' data-!HASHg# 1hU B6059561Copyright © January 2010!g#g# AThe Drifters, Michael Bublé, Mort Shuman, Doc Pomus12020-08-31 08:01:160!17g#ĺU !Rudolfg# QU!1@~U !HASH0NUg#!HASHg# 1HASHg#999999)0A/usr/www/resources/ADAP3/GenericObject2.pm@=UU>U@U0UhfUUhjUU(UXGU$uUUpwU5U@2U8]UXUSUЬUU`0U(xUhxUU ?UU(UX&U?UUqU*UhUWUxUUUPwUUUUUP(UUPUUU8UUȑUU{U8JUx|UpUU0U^+UaUU8UUgUXUh4UmUUhUU$MUeUȌ=UXUإUUUUU!0g#8g#U!0.00g#U!0.00g#U!0.00g#0U!1g#g#PU!1g#g#pU!0g#g#U!0g#g#U!1g#g#U!133698g#UQMichael Bublé, The Drifters, Doc Pomus, Mort ShumanUg#P10000-00-00UrdReminderSent0ahttp://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_0000000000651222.png`PUhU`Uh.U(ػUUșUSSU(UUGU؀U[U#UpüU)UhUUKUȹUrhU=Up8UUUϤU`GU0UU8mUU-UpUUYUUUUUU0V+U(,U*U"UpU8UXU@UUܻUWUUU(lUpUUbU0U0aUxU#UAU:UU@UU|UUlUUUXXU@:xU U0U UXΤUݻU!2017-06-09 17:10:17!g#Ug#!0g#g# !361#U QUncharted Big Note Piano Sara Bareilles, Sara Bareilles U!Unchartedg# !0g#&U10g#g#0!0g#U10g#g#0!HASHUU!TotalViewsU !1g##UrdRemind!0g#g# !sib#g#%U!496#g#ȸU!0g#g#(dUAwe wish you a merry christmas for orff ensemble.sibU!2018-03-12 23:09:47U!5g#g#8=U!0g#g#xZU!0g#g#@YU!g#g#ZU!0g#g#YU!0g#g#ZU!1g#g#(YU!0g#g# -U10.0000g#`ZU0!1g#g#g#AThis works well as a concert piece or just for fun! !2.95g#yU!0g#g#U!1g#g#HU!0g#g#P2U!g#g#X*U!g#g#zU!0g#g#U!g#g#xiUACopyright © September 2015 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    UUUUDВUUwUDOUUD'UUGUwUD0qU0JUDlU}U gU0UDQ-UUD UUUUhPUUUUaUU0UPUUUD`UmUDUQNUDIUpUU U`^eUD eU[UD@UX)UP?UXU dUUeUPwUDCTUU UD@m.UPUU UD`UUD lU0UUD*UPUHxUUP?UyUD nUUDpU0UDۼUUpFUUUUDUUpUD U-UDUTU 0WUPUDFUo8UD@uU UDpmUbU8U U@UD 3UUDPUUD U-gUDUHUX`UUHU kTUOU U0JUD0iUq J J YY  EE3z3z''!!UżU!0000-00-00 00:00:00U!0g#g#!1g#g#!0g#g#!g#g#!0g#g#!0000-00-00 00:00:00QU!554# dU QU1ɻU/ 64538!USQLrencyID1Harold ArlenP0U0!554#Hg#U!1g#g#!Catherine Quinlan !g#g#!2017g# !ateU q{ "GroupOrd" : null, "StoreGroupOrd" : "0", "StoreGroupID" : "0", "GroupID" : "0" } !FamilyIDeU Save The Last Dance For Me (arr. Ed Lojeski) SATB Choir The Drifters, Michael Bublé, Mort Shuman, Doc Pomus Ed Lojeski yUQh˻UVSE::Currency::OBJECT_CACHEUP!HASHU!HASHUNUuitar Ch!HASHUg# 10g#UpU0!0g#g#!0g#g#1g#g#0QCome Rain Or Come Shine Alto Sax Solo Johnny Mercer, Harold Arlen !0g#U !18g#g# !0000-00-00 00:00:00U!g#g#VU!0g#g#<U10g#g#0!3g#U12g#g#0!HASHg# 11g#tUtAttemptedU0!3.00ZU  UU0UhUȈUXQ]UH^UrUeUUUU`UHbUU\UU(ZUUUUU UUU8u6UUUaUUUUUpU_U]UxUU01UHyUUgUIUUtUPiUhDFUUU(UU|UUU(LU۹UHVUUpDUUlU`UUUUU`U U.UU2!UU(ݻUUx~UXֽUnUH3kUP UUUHUظUUxUUhO]UUhO]UX,U U0UTUHU!UDU0eU!UhUUU5UU8tU 5U0tU8U>U@U(UXUxUU8UH0UUhIU5U)UМU)U!yUعUUXNUyUU UxUU`aU(ݻUU2!UbUZUUptUPUCUPUbU]UU0wUHUwUHR]UUgUU.UUU]UUlUȆU˶UtU/U(RU8U81UWUxUUعU$UUUxUUhfhUUCUmUUUXY]U0UGU̶U0UvUUUHUBUUpgUȊU(kUDUU)UUZUUhU(UukU_U)U(UhHU8UUGUUXUxU8u6UUGU(UDUnU/UlUUPUukUFUUXUzUxU-U(UU(UhUPUhUgUuUxY'UUV]UU耼Ux]UU@UukU0U*U/U`hUUxY'U0|U8\UU9UgUU>U8UeUUUgUIUUUxUUxFaUU7UUؕUUU(UXY]UU8Uط~UUxUPUUU8U`U]UU(U U((xUhUDUQUxnU3U&*U;U`UUzUhUط~Uh#UU+ULUU߾UUhU UȔUUUKUؗUYUxUx]UUXCUUHxUXUPU)U.UXQ]U UȵU:UXQ]UԽUUUihUط~UMUXU*UXUUUUUp^UgUUUUUXCUUUUAUXY]U(GU)UЅUh7U8UxjUx~UU/UUXU/*UHUUUzUhbU_UU"U($UBU@UUXU(U~UU\UpvU86(U(UXUP_U(UH0UU0UTUU.UxUx%UEgU_[UxUUXY]U-UxU;U0U8?UXUTUUU(}UUhUJU FUqUU`U8UІU!0000-00-00 00:00:00!0g#g#!0g#g#qCome Rain Or Come Shine Easy Guitar Tab Harold Arlen, Johnny Mercer, Harold Arlen, Johnny Mercer %22+%!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!0g#g#!0g#g#wUHvUprUHU@aeUUxUhhU׻UDUdUXUxUU_UUUU U8Up#UMUyUfU`-*UuU`U8UPCU@gUHVSU(U/UUUyU8+U8eU`UHkUHEUUjU UUUH9UϤUUPUUȢU#UUU@`U^UU8UdUxUcU[U()UUnUUVUP@UoUUU0?U@UU`^U(8UqU!g#hg#="modal-!168958g#elative;!0g#g#>Harpsic!0g#g# !0.00g#ಓU!0.00g# /search?q=%22Sheryl+Crow%22+%22Cat+Stevens%2FRod+Stewart%22+%22Cat+Stevens%22&page=9t+Armstrong%22&page=420Buckland%22allaspy%22&page=6U!1g#лU I am a woodwind teacher and performer, currently based in South-West England. I enjoy writing accessible, catchy tunes that people enjoy playing - the sort of thing which is ideal for an end of term concert. I try to make all the parts of an ensemble interesting to play, often with the melody moving between parts. I started writing solos and duets for my pupils, who seemed to enjoy them. I hope you do too!a/www/www.scor!0g#g#perl/lib!0g#g#!0g#g#arch opt!0g#g# ͻU!0g#(g#U!1g#g#`nU!1g#g#!g#g# aXUS.U!0g#Uidated!0g#g# fU0U@ xUмU^U$(_*UUЫU  UZU@\eUKUOU8UUPUpQUUdU@UU]`tUUpU)00U{UUU@_UUU0DU0UPU0U U@UUpU0ZUeU@U&( ˹UUUU$U%("U лUp}UUPUpuUP&U U Y7U0 U  UUUP~UCUUU`zUUUU08UUU#UPUpU)U0nUUUZU UpQU[U`rU;U PUUUU@^UUpU@UH'U 0U0UU0U~U ~UU`%UPp U0U0UU~UUY#dg#oved Permanently

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Arlen, Johnny MercerUp!0g#g#fU!0g#g#!0.0000g#!0000-00-00 00:00:00!Come Rain Or Come Shine!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!0g#g#!0g#g#Come Rain Or Come Shine Guitar Tab Wes Montgomery, Harold Arlen, Johnny Mercer, Wes Montgomery, Harold Arlen, Johnny Mercer p!0g#g#!0g#g#!0g#g#!0g#g#!0000-00-00 00:00:00!g#g#!0g#g#!500#g#!418#g#_U U7UUUH Uh]U(UHUtUhUU$UUUP$UhGUИUܻUخgUxӻUbU8wUjZUpzU8tUx6UuUUnUrZUXUUHU3UU87UPU:U@U`_UcUHUp^U cU!uUUU^U(CUU`UUOLU8mUUwU"uU0@UxvU(aU%uUzUnU({U0@UUKUUXU6U/UUXU,Up;UxU`pUTU!4.75g#nU![]g#g#!2020-08-31 20:15:30!0g#g#!2022-11-30 18:04:52!g#g#!0g#g#!0g#g#!0g#g#!0g#g#!0g#g#!522x696g#!5g#g#!1g#g#!0.00g#!0000-00-00 00:00:00!0000-00-00 00:00:00!0g#g#!0g#g#!0000-00-00 00:00:00!0000-00-00 00:00:00Qh<U1 &U(qU$223151!338928g#!0000-00-00 00:00:00U10000-00-00 00:00:00 ʤU0!Come Rain Or Come Shine!58g#g#!0g#g#!3g#g#!2g#g#!2017-04-15 00:00:00!2023-09-13 00:00:00!g#8g#PU!g#g#`yvU!0g#g#{U10g#g#0!g#g#!0g#g#!0g#g#!g#g#!2017-04-15 00:00:00!0g#g#!1g#g#!0g#g#!1.50g# U!0000-00-00 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    !0U`%U-width,initial-scale=1"> Selections From 'Music For The Royal Fireworks' - Sheet Music PDF file
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