O Mio Babbino Caro for C Trombone, Euphonium, Baritone & Piano (Semi-Pro Version)

By: Puccini
For: Solo Tenor Trombone + piano
page one of O Mio Babbino Caro for  C Trombone, Euphonium, Baritone & Piano (Semi-Pro Version)

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O Mio Babbino Caro for C Trombone, Euphonium, Baritone & Piano (Semi-Pro Version)

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Composer
Puccini
Year of composition
1918
Arranger
Year of arrangement
2011
Difficulty
Difficult (Grades 7+)
Duration
2 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

O Mio Babbino Caro arranged for C Trombone & Piano, great arrangement for your post lockdown performance! One tone lower then the pro version.

TC parts are available free on request if you purchase a BC part: keithterrett@gmail.com

"O mio babbino caro" ("Oh my dear papa") is a soprano aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera.

Florence Easton as Lauretta at the world premiere of Gianni Schicchi, 14 December 1918 The aria was first performed at the premiere of Gianni Schicchi on 14 December 1918 at the Metropolitan Opera in New York by the popular Edwardian English soprano Florence Easton. It has been sung by many sopranos. Dame Joan Hammond won a Gold Record in 1969 for 1 million sold copies of this aria.

The aria is frequently performed in concerts and as an encore in recitals by many popular and crossover singers.

The short aria consists of 32 bars and takes between 2 1/2 and three minutes to perform; it is written in A-flat major with the time signature of 6/8 and a tempo indication of andantino (=120). The vocal range extends from E-flat4 to A-flat5 with a tessitura of F4 to A-flat5. The 5-bar orchestral prelude consists of octave tremolos by the strings, but many recital arrangements start with a presentation of the melodic theme; the remaining accompaniment uses strings and a harp playing broken chords.

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Tico-Tico no fubá for Bb Trumpet, C Trombone & Piano, Be Thou My Vision (Hymn Tune:Slane) for Trombone Quintet, Lullaby for a Trombonist/Euphophonist, Keyboards & Double/Electric Bass, Allegro from the Trumpet Concerto for French Horn & Keyboard, Prelude from Te Deum (Eurovision Song Contest Theme) for French Horn & Organ w pedals (Pro-version), Eternal Father Strong, to Save for Trombone Quartet (low brass), Come Back To Sorrento (Torna a Surriento) for C Trombone & Piano, Trumpet Tune from the Island Princess for Trombone Quintet, The Saint’s Visit Havana with a Touch of W.A.Mozart for Bb Trombone-Euphonium (TC), Night Flight to Barcelona for Trombone Quartet, Badinerie from Suite No.2 for C Euphonium & Piano (Pro-version), Badinerie from Suite No. 2 for C Trombone, Euphonium, Baritone & Piano (lower version)), Chorale Partita with Seven Variations for Trombone Quintet (1 Alto, 3 Tenors & Bass), Jasmine Flower (The) for C Trombone & Piano, Czardas for solo Euphonium & Brass Quintet (BC Version), Arrival of the Queen of Sheba for Tuba Quintet (Low Brass), A Serenade for Brass Quintet , Three Welsh Chorales for Tuba Quartet, What Shall We Do With The Drunken Trombone Quartet?, March from ’Judas Maccabaeus’ for Trombone Quartet & optional KB & Percussion, Czardas for C Trombone & Pianoforte, What Shall We Do With The Drunken Trombonist?, What Shall We Do With The Drunken Brass Quintet? (pro-version), What Shall We Do With The Drunken School Brass Quintet?, The Saint’s Visit Havana with a Touch of W.A. M. for C Trombone & Piano, Swing Low, Sweet Chariot for Bassoon & Keyboard, A Serenade for Trombone, Baritone or Euphonium (BC) & Piano, Solveigs sang for Trombone, Euphonium, Baritone & Keyboard, Scenes from Childhood (Kinderszenen) Op15, for Brass Quintet, Träumerei for C Trombone/ Euphonium & Piano, SUO-GAN for C Baritone/Euphonium/Trombone & Piano , 8 Swinging Xmas Carols for C Trombone, Euphonium, Baritone (BC) & Piano and German National Anthem (Deutschlandlied) for Brass Quintet

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