soprano saxophone part from Swirling Skirmish (saxophone and piano) [2002]

page one of the soprano saxophone part from Swirling Skirmish (saxophone and piano) [2002]

Which method of viewing music should I use?

Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:

seView

seView, is the most compatible option. You should be able to view music on all modern web browsers including most mobile devices. Even if your device does not support javascript you should still be able to preview at least page one of the music.

You do not need to install any additional software to use seView.

Scorch

Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.

If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.

Static preview

The static preview shows a basic image of the first page.

Interactive preview

The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.

Printing after purchase

After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.

Full details

A jolly romp for soprano saxophone (or other treble instrument) and piano (or harp). Performance directions as follows:–- The saxophone part should be played in strict tempo throughout. The piano part has no time signatures, no bar-lines and only occasional rhythmic values (which are not specific, but merely approximate guides). It is intended that the pianist should follow the saxophone line (in the piano part), and play as accurately as possible using the rhythms implied by each note�s horizontal position in relation to the oboe. Where a note or chord in the piano is directly underneath a note in the saxophone part, the pianist should aim to play simultaneously with that saxophone note (however, the majority of the piano�s notes are not sounded together with the saxophone). The pianist should also try to avoid playing in any specific metre given by the saxophone (there is a temptation to fill in the gaps with quaver syncopations), unless the spacing of the notes indicates otherwise (i.e. for much of the piece there should be little sense of metre, and the pulse given by the saxophone (crotchet = 108) should for the most part be upset by the piano). It is suggested as preferable that both performers play from the same part, with the pianist turning the pages. However there is a separate saxophone part if required (although the unrelenting nature of the piece has meant that the page-turns in the saxophone part are a little awkward). In either case, the saxophonist should take great care entirely to ignore the piano throughout regardless (possible exception at G) � it is the duty of the piano to keep up with the saxophone.


Composer
Duration
9 minutes
Genre
Modern classical music
Licensing

For anything not permitted by the above licence then you should contact the publisher first to obtain permission.