Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
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Minimum Vs. Maximum represents the music quite literally. These two words (minimum and maximum) have multiple meaning. The minimum, in reference to this composition, can mean both minimal content and minimal development, whilst at the same time representing the overall timbre and colour of the piece itself. On the other hand, the maximum can mean maximum mood, atmosphere, colour and expression. I have tried to achieve all of these contradicting descriptions in order to portray a very controversial sound within the ensemble. The Piano plays the most minimal ideas throughout, which usually consist of a number of repeated patterns whilst the �Cello has the job of contradicting it all be trying to increase the intensity by playing very intricate and sometimes lush melodies, which are constantly weaving in and out of the Piano patterns, the point being to try and distract the listener from the relentless repeated phrases heard form the Piano. The whole piece is intended to sound seamless, thus, the pattern changes throughout are very subtle. The piece starts with the maximum of force and speed and the character at this point is extremely aggressive, but by the end, the momentum and drive that is so dominant at the beginning has diminished completely, and we are only left with very light chords played by the Piano which are complimented by a series of very moody sustained notes from the Cello.
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
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