Cwm Rhondda for 2 Oboes & English Horn

By: John Hughes (1873-1932) Arranged by Keith Terrett
For: Trio of Oboes
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Composer
John Hughes (1873-1932) Arranged by Keith Terrett
Arranger
Difficulty
Moderate (Grades 4-6)
Duration
1 minute
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangement of Cwm Rhondda for a trio of Oboes & English Horn.

Cwm Rhondda, taken from the Welsh name for the Rhondda Valley, is a popular hymn tune written by John Hughes.

It is usually used in English as a setting for William Williams’ text Guide Me, O Thou Great Jehovah (or, in some traditions, Guide Me, O Thou Great Redeemer),originally Arglwydd, arwain trwy’r anialwch in Welsh. On account of a line in this English translation, the tune (and hymn) is often called Bread of Heaven.

In Welsh the tune is most commonly used as a setting for a hymn by Ann Griffiths, Wele’n sefyll rhwng y myrtwydd.

John Hughes wrote the first version of the tune, which he called "Rhondda", in 1905 for the Cymanfa Ganu (hymn festival) in Pontypridd, when the enthusiasm of the 1904–1905 Welsh Revival still remained. The present form was developed for the inauguration of the organ at Capel Rhondda, in Hopkinstown in the Rhondda valley, in 1907. Hughes himself played the organ at this performance, using the English translation of William Williams’s words because of the large number of English-speaking industrial workers who had immigrated to the area. The name was changed from "Rhondda" to "Cwm Rhondda" by Harry Evans, of Dowlais, to avoid confusion with another tune by M O Jones.

The hymn is usually pitched in A-flat major and has the 8.7.8.7.4.7 measure which is common in Welsh hymns. The third line repeats the first and the fourth line develops the second. The fifth line normally involves a repeat of the four-syllable text and the sixth reaches a climax on a dominant-seventh chord—emphasised by a rising arpeggio in the alto and bass parts. The final line continues the musical development of the second and fourth (and generally carries a repeat of the text of the sixth). On account of these vigorous characteristics, the tune was resisted for some time in both Welsh and English collections but has now become firmly established.

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Vedrò con mio diletto Aria: from the opera "Il Giustino" for Oboe & Keyboard, Fugue for 6 Oboes, Vesti La Giubba for Oboe & Piano, Air on the G String from the Suite No. 3 in D for Oboe & Orchestra , Arrival of the Queen of Sheba for two Oboes & String Orchestra, Fugue on B-a-c-h for Wind Quintet, Lustpiel Overture for Wind Quintet, Jasmine Flower (The) for Flute & Concert Band, 8 Swinging Xmas Carols for Oboe & Piano, Prelude from the Te Deum for Oboe & Organ, Frankie & Johnny for Oboe & Piano, Ancient Dances for Concert/Wind/Symphonic Band - Keith Terrett Classic Band Series, Pachelbel’s Canon for Oboe Consort/Octet, Für Elise Boogie Woogie for Wind Quintet (Keith Terrett Jazz for 5 Wind Series), Lullaby for an Oboist, Keyboard & Bass, Hebrew Slaves Chorus from Nabucco ( "Va, pensiero") for Oboe Quintet, Were You There? Oboe & Piano, Pachelbel’s Kanon Rocks! Mixed Ensemble, Stanley Trumpet Voluntary for Wind Quintet, SUO-GAN for Oboe & Piano, O Mio Babbino Caro for Oboe & Piano, Welsh National Anthem for Wind Quintet (hen Wlad fy Nhadau-Land of my fathers), Piri piri for Concert/ Wind Band, Hula Bird Song for Concert/Wind Band, Kanon in D minor, but not that one!, March from Scipio for Oboe Quintet with optional Keyboards & Percussion, Allegro from the Water Music for a Quartet of Oboes & Bassoons, March from ’Judas Maccabaeus’ for Wind Quartet (School Junior Wind Series) with optional KB & Percussion, American Military Marching Songs for Concert/Wind Band (Keith Terrett Classic March Collection), Three Welsh Chorales for Wind Quartet, Franzosisches Lied: Est-ce Mars? for Wind Quintet, Stanley Trumpet Voluntary for Two solo Oboes & Piano, He Tadi kaka for Concert/Wind Band, Declamation for Oboe & Piano, Tin Roof Blues (Rusty Nail Blues) for Wind Quintet ''Jazz for 5 Wind Series'', La Danse de Puck for Symphonic Wind Band (Keith Terrett Classic Band Series), Two Arias for Wind Quintet, Two Arias for Oboe Consort, Royal Hussar (The) Ceremonial Slow March for Concert/Wind Band (Keith Terrett Classic March Collection), Stanley Trumpet Voluntary for Oboe & Organ + Pedals, VE March for Concert/Wind Band (Keith Terrett Classic March Collection), Chinese National Anthem for Wind Quintet (March of the Volunteers) MFAO World National Anthem Series, All Through the Night(Ar Hyd Y Nos) for Wind Quartet & Percussion, Air from the Suite No. 3 in D for Woodwind Quartet, Taps (Last Post) for Concert Band, Two Arias for Oboes, Horns & Bassoon, Londonderry Air for Concert/Wind Band, Für Elise Boogie Woogie for Oboe & Piano (Keith Terrett Jazz for Wind Series), A Serenade for Cor Anglais/English Horn & Keyboard, Solveigs sang for Cor Anglais & Keyboard, Solveigs sang for Oboe & Keyboard, Träumerei for Solo Oboe & Piano, Overture from Suite in D from The Water Music for two Oboes & Harpsichord, Havana Rhubarb Rumba for two Oboes & Piano, Sa To To Ka Lei for Concert Band, Pachelbel’s Kanon Rocks for Concert/Wind Band +, Sounds of the Pacific (Tagi Voli) for Concert Band, Scenes from Childhood (Kinderszenen) Opus 15, for Wind Quintet, Getting Bluesy for Concert/Wind Band, Amazing Grace for Wind Quintet, Finnish National Anthem for Brass Quintet (MFAO World National Anthem Series), Micronesian National Anthem ’’Wir hatten gebauet ein stattliches Haus’’ for Brass Quintet (MFAO World National Anthem Series), El Salvadorian National Anthem (Himno nacional) for Brass Quintet (MFAO World National Anthem Series), Arrival of the Queen of Sheba for Wind Quintet, Elegy Sentimentale for Concert/Wind Band and Tico-Tico no fubá for Oboe, Bassoon & Piano

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