Holy Communion setting (Common Worship) by David Wheatley

Composer
Year of composition
2000
Lyricist
The Archbishops Council
Difficulty
Moderate (Grades 4-6)
Duration
8 minutes
Genre
Other
Instrumentation
Choir + keyboard
Instrumental parts
Related scores
Love divine all loves excelling (Ode to joy) for soprano and mezzo with organ or piano accompaniment, Come and Dance! for a cappella womens voices, Widor Toccata (symphony no 5) shortened version for solo organ, To a wild Rose (McDowell) for a capella SATB choir, The Holy City (Adams) for baritone solo and women's chorus with piano accompaniment, Beethoven - Adieu for organ solo, Faure - Libera Me (from the Requiem) for organ solo, Faure - In Paradisum (from the Requiem) a shortened version for organ, Faure - In Paradisum (from the requiem) full version for organ, Were you there when they crucified my Lord for a cappella SATB choir and solos by David Wheatley , Deck the Halls for solo organ with pedals by David Wheatley, Brahms - Cradle Song for women’s voices (SSA+harp), Have car - will travel by David Wheatley for a capella women's voices, Mozart - Eine kleine Nachtmusik mvt 4 for organ solo, Mozart - Eine kleine Nachtmusik mvt 3 for organ solo, Handel - Arrival of the queen of Sheba for womens voices (SSA + pno 4 hands) by David Wheatley, Christmas-time for mixed voices and piano by David Wheatley, Mozart - Eine kleine Nachtmusic mvt 1 for organ solo (Easier version), Mozart - Eine kleine Nachtmusic mvt 1 for organ solo, Mascagni - Intermezzo (from ’Cavalleria Rusticana’) for organ solo, To a wild Rose (MacDowell) for organ solo, Schubert - Ave Maria for organ solo, The Holy City (Adams) for baritone solo SATB and piano, Schubert - Ave Maria for women's voices and harp, Bach - Sheep may safely graze for womens voices (SSA + keyboard + ww), Bach - Come, be with me (bist du bei mir) for SA with organ or piano accompaniment, Sullivan - The Lost Chord for SATB Bar solo & piano, Sweet lad of Staple Hill - a fun song for womens voices + harp/keyboard by David Wheatley , Ye banks and braes for women’s voices (SSA + pno) by David Wheatley , Bach-Gounod - Ave Maria for Soprano and Alto duo, Now the green blade rises for mixed voices (SAB with obbligato wind), Mary had a baby for mixed voices (a capella SATB) by David Wheatley, Jesus is born - a Christmas song by David Wheatley for choir and piano plus optional instruments, Rocking Carol for womens voices (a capella SSA with optional wind obbligato) by David Wheatley, Away in a manger for soprano and alto with piano accompaniment, Prince of Denmark’s March (Clarke) for organ solo, Bach - Come, be with me (bist du bei mir) SAB choir, Down by the Sally Garden for a capella women’s voices, Silent Night for mixed voices (SSATBB with obbligato ww) by David Wheatley, Lord, in this thy mercy’s day for mixed voices (a capella SATB), Infant Holy, infant lowly for mixed voices (a capella SATB), Away in a manger for mixed voices (a capella SATB), Sousa - March The Washington Post for organ solo, Rejoice and be merry for mixed voices (SATB + organ) by David Wheatley, O little one sweet for mixed choir (SAB + organ + obbligato ww) by David Wheatley and I saw three ships for mixed voices (a capella SSATBB) by David Wheatley

This thoroughly straighforward, but tuneful setting of the Eucharist is intended for congregational singing, with or without the support of a SATB choir, the congregation singing the upper stave throughout. Certain sections such as ’Jesus Lamb of God’ where local conditions permit may be sung by the choir alone. The organ part is intended for 2 manual organ with pedals, and the registration should always be kept bright. The metronome markings are only intended as a rough guide. All the possible variations within Common Worship are included, except the seasonal items (e.g. ’Alleluyas’ at Eastertide)

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