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I learned this in sessions in Toronto, possibly from Chris Aston, an octave mandolin player who is fond of polkas, slides, and set dancing. There are many polkas called Ballydesmond. Other players have therefore called this Ballydesmond Polka #1, 2 or 3, which unfortunately only adds to the confusion. I have instead chosen a number that corresponds to the notes of the first bar. So there can be no other Ballydesmond 51-12.
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