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It is a composition for symphony orchestra based on the development of a thematic cell exposed at the beginning of the song, from which comes the term "Passacaille" in the title. The initial thematic element is accompanied by other recurring elements that often act as a glue between the various sections. The language from which the work draws is the result of a synthesis of various compositional experiences accrued over the years and collected for the first time in an unique architecture, conceived directly in the score without using intermediate steps.
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Bass Clarinet, Bassoon I, Bassoon II, Cello, Clarinet I, Clarinet II, Contrabassoon, Double Bass, English Horn, Flute I, Flute II, Harp, Horn I, Horn II, Horn III, Horn IV, Oboe I, Oboe II, Percussion, Piccolo, Timpani, Trombone I, Trombone II, Trombone III, Trumpet I, Trumpet II, Trumpet III, Tuba, Viola, Violin I and Violin II
Bass Clarinet, Bassoon I, Bassoon II, Cello, Clarinet I, Clarinet II, Contrabassoon, Double Bass, English Horn, Flute I, Flute II, Harp, Horn I, Horn II, Horn III, Horn IV, Oboe I, Oboe II, Percussion, Piccolo, Timpani, Trombone I, Trombone II, Trombone III, Trumpet I, Trumpet II, Trumpet III, Tuba, Viola, Violin I and Violin II
