M’Appari Tutt’ Amor for Flute & Piano

By: Friedrich von Flotow
For: Solo Flute + piano
page one of M’Appari Tutt’ Amor for Flute & Piano

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Composer
Friedrich von Flotow
Year of composition
1842
Arranger
Year of arrangement
2014
Difficulty
Easy (Grades 1-3)
Duration
2 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

M’Appari Tutt’ Amor arranged for Flute & Piano.

The first performance of Martha took place at the Kärntnertortheater in Vienna on 25 November 1847. Other early productions which followed included those at the Theatre Royal, Drury Lane in London on 4 July 1849.

In the United States, it was produced at Niblo’s Garden in New York on 1 November 1852 with Anna Bishop and New Orleans on 27 January 1860, in French. Further notable performances in France were given at the Théâtre Lyrique in Paris on 16 December 1865 with the first inclusion of ’M’appari’ (drawn from Flotow’s L’âme en peine).

In 1877, at the Royal Italian Opera in Covent Garden, Victor Capoul performed as Lyonel, with Francesco Graziani (baritone) as Plumkett and Sofia Scalchi as Nancy.

The popularity of Martha received a fresh boost in 1906 when it was staged at the New York Metropolitan Opera in a production that featured the great tenor Enrico Caruso, singing in Italian. Caruso would perform the role of Lyonel many times during subsequent seasons and record extracts from the Italian version of the opera. Recent productions in Great Britain have included those by Opera South in 1986 and 2009[6] and Bel Canto Opera in 2002. Those in the U.S have included Michigan Opera Theatre in 1985.

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When the Saint's Go Marching In for Wind Quintet, No. 1 of Trois Gnossiennes for Flute & Piano, In Dulci Jubilo "In sweet rejoicing" for Wind Quintet, Three Gymnopédies for Flute & Harp, Fugue for 6 Flutes , Jasmine Flower (The) for solo Flute & Piano (Keith Terrett Classic Woodwind Series), Allegro from the Trumpet Concerto for Flute & Keyboard , Echo for Flute Octet, Arrival of the Queen of Sheba for Flute, Oboe & String Orchestra, Czardas for Flute & Piano, Fugue on B-a-c-h for Flute Quintet, Amazing Grace for Flute & Pianoforte, Lustpiel Overture for Flute Choir, O Mio Babbino Caro for Flute & Piano, 7 julsangs (Xmas carols) popular in Norway for Flute Quartet, Franzosisches Lied: Est-ce Mars? for Flute Ensemble, Hebrew Slaves Chorus from Nabucco ("Va, pensiero") for Wind Quintet, Arrival of the Queen of Sheba for Flute Choir, Trumpet Tune from the Island Princess for Flute Quintet/Choir, Air from the Suite No. 3 in D for Flute Quartet, Pachebel’s Canon for Flute Choir/Octet, Träumerei for Flute Choir, Trumpet Tune from the Island Princess for Wind Quintet, What Shall We Do With The Drunken Flautist?, Bollywood Tango for Flute & Bb Bass Clarinet with Piano, SUO-GAN for Flute & Piano, Stanley Trumpet Voluntary for Two Flutes & Piano, Chorale Partita with Seven Variations for Flute Choir (Alle menschen), Three Welsh Chorales for Flute Quartet, Stanley Trumpet Voluntary for Flute & Organ with Pedals, 8 Swinging Xmas Carols for Flute & Piano, Arrival of the Queen of Sheba for two Flutes & String Orchestra, What Shall We Do With The Drunken Piccolo Player?, Swing Low, Sweet Chariot for Flute & Keyboard, Solveigs sang for Flute & Keyboard, Fanfare & Soliloquy for Flute & Piano, Jazz it up: ’When the Saints Go Marching In’ for Flute & Piano, The Saint’s Visit Havana with a Touch of W.A.Mozart for Flute & Piano , The Gypsy Flautist in New Orleans, Homage for Orchestra & Woodwind, Scenes from Childhood (Kinderszenen) Opus 15, for Wind Quintet, Havana Rhubarb Rumba for two Flutes & Piano and 7 Popular carols in Norway for two Flutes

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