M’Appari Tutt’ Amor for Flute & Piano

Composer
Friedrich von Flotow
Arranger
Parts
Full details...
page one of M’Appari Tutt’ Amor for Flute & Piano

Which method of viewing music should I use?

Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:

seView

seView, is the most compatible option. You should be able to view music on all modern web browsers including most mobile devices. Even if your device does not support javascript you should still be able to preview at least page one of the music.

You do not need to install any additional software to use seView.

Scorch

Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.

If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.

Static preview

The static preview shows a basic image of the first page.

Interactive preview

The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.

Printing after purchase

After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.

Full details

M’Appari Tutt’ Amor arranged for Flute & Piano.

The first performance of Martha took place at the Kärntnertortheater in Vienna on 25 November 1847. Other early productions which followed included those at the Theatre Royal, Drury Lane in London on 4 July 1849.

In the United States, it was produced at Niblo’s Garden in New York on 1 November 1852 with Anna Bishop and New Orleans on 27 January 1860, in French. Further notable performances in France were given at the Théâtre Lyrique in Paris on 16 December 1865 with the first inclusion of ’M’appari’ (drawn from Flotow’s L’âme en peine).

In 1877, at the Royal Italian Opera in Covent Garden, Victor Capoul performed as Lyonel, with Francesco Graziani (baritone) as Plumkett and Sofia Scalchi as Nancy.

The popularity of Martha received a fresh boost in 1906 when it was staged at the New York Metropolitan Opera in a production that featured the great tenor Enrico Caruso, singing in Italian. Caruso would perform the role of Lyonel many times during subsequent seasons and record extracts from the Italian version of the opera. Recent productions in Great Britain have included those by Opera South in 1986 and 2009[6] and Bel Canto Opera in 2002. Those in the U.S have included Michigan Opera Theatre in 1985.


Score ID
97178
Composer
Friedrich von Flotow
Arranger
Difficulty
Easy (Grades 1-3)
Duration
2 minutes
Instrumentation
Solo Flute + piano
Genre
Classical music
Instrumental parts
Related scores
What Shall We Do With The Drunken Piccolo Player?, Trumpet Tune from the Island Princess for Flute Quintet/Choir, Trumpet Tune from the Island Princess for Wind Quintet, Bollywood Tango for Flute & Bb Bass Clarinet with Piano, Allegro from the Trumpet Concerto in D arr. Flute & Keyboard , Arrival of the Queen of Sheba for Flute, Oboe & String Orchestra, O Mio Babbino Caro for Flute & Piano, Echo for Flute Octet, Arrival of the Queen of Sheba for two Flutes & String Orchestra, Arrival of the Queen of Sheba for Flute Choir, 7 julsangs (Xmas carols) popular in Norway for Flute Quartet, Träumerei for Flute Choir, Lustpiel Overture for Flute Choir, Franzosisches Lied: Est-ce Mars? for Flute Ensemble, Stanley Trumpet Voluntary for Flute & Organ, Declamation for Flute & Piano, Fugue on B-a-c-h for Flute Quintet, Solveigs sang for Flute & Keyboard, Chorale Partita with Seven Variations for Flute Choir (Alle menschen), Jasmine Flower (The) for solo Flute & Piano (Keith Terrett Classic Woodwind Series), Czardas for Flute & Piano, Jazz it up: ’When the Saints Go Marching In’ for Flute & Piano, Stanley Trumpet Voluntary for Two Flutes & Piano, Amazing Grace for Flute & Pianoforte, The Gypsy Flautist in New Orleans, What Shall We Do With The Drunken Flautist for Flute & Piano, 8 Swinging Xmas Carols for Flute & Piano, The Saint’s Visit Havana with a Touch of W.A.Mozart for Flute & Piano , SUO-GAN for Flute & Piano, Air from the Suite No. 3 in D for Flute Quartet, Swing Low, Sweet Chariot for Flute & Keyboard, Three Welsh Chorales for Flute Quartet, 7 Popular carols in Norway for two Flutes, Slaves Chorus from Nabucco ("Va, pensiero") for Wind Quintet, Fanfare & Soliloquy for Flute & Piano, Havana Rhubarb Rumba for two Flutes & Piano, Scenes from Childhood (Kinderszenen) Opus 15, for Wind Quintet, Fugue for 6 Flutes , Three Gymnopédies for Flute & Harp, Homage for Orchestra & Woodwind, Pachebel’s Canon for Flute Choir/Octet, No. 1 of Trois Gnossiennes for Flute & Piano, In Dulci Jubilo "In sweet rejoicing" for Wind Quintet and When the Saint's Go Marching In for Wind Quintet
Licensing

For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Cover art for M’Appari Tutt’ Amor for Flute & Piano

Reviews of M’Appari Tutt’ Amor for Flute & Piano

Sorry, there's no reviews of this score yet. Please .

You might also like...