Which method of viewing music should I use?
Score Exchange has two methods to display previews of music: seView which uses regular html and javascipt and the Scorch plug-in from Avid which needs to be downloaded and installed onto your computer. Both have advantages and disadvantages:
You do not need to install any additional software to use seView.
Scorch is a free plug-in from Avid for displaying and printing music. It can also play the music that you're seeing. As modern web browsers are updated, Scorch is no longer compatible with many browsers. Scorch has never been compatible with mobile devices and some web browsers on Mac computers.
If your web browser does not install Scorch automatically, you can click here to download and install scorch manually.
The static preview shows a basic image of the first page.
The interactive preview also shows a preview of the first page, but it's a bit slower to load. The preview is displayed using the Sibelius Cloud Publishing technology from Avid. With most scores, this technology will provide a higher quality preview, as well as being able to switch to full screen mode and also play the displayed music to you.
Printing after purchase
After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. As such, we recommend checking that the Interactive Preview displays correctly on your device before committing to a purchase.
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The Missa Brevis by Jeremy Richards was first performed at the Great Hall of the National Gallery of Victoria in 1990 as the winner of a composition competition for new works. It has since recieved a performance by many choirs in Australia and Europe. It was used to celebrate the fall of the Berlin Wall, and was performed in the Kaiser Friederich Gedachtnis Kirsche in Berlin in January of 1991. At the time of the composition of the work, the composer was just 19 years of age. It was a world wide hit. The work was also performed in England, the country where composer Leonel Power had been active, and had introduced to music for the first time, the consonant interval of the third. Richards refers often to the style of the early fifteenth century musicians. To enquire more about performances of the work, and indeed if your choir would like to perform the work please contact the composer at email@example.com
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.
Reviews of Missa Brevis Agnus Dei
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