Home > Brass quintet > Brass Quintet - Monteverdi Madrigals Book 5 - 06. Dorinda, ah dirò

Brass Quintet - Monteverdi Madrigals Book 5 - 06. Dorinda, ah dirò

Composer
Claudio Monteverdi
Year of composition
1605
Arranger
Mike Lyons
Publisher
Difficulty
Moderate (Grades 4-6)
Duration
2 minutes
Genre
Classical music
Instrumentation
Brass quintet
Related scores
Brass Quintet - Monteverdi Madrigals Book 5 - 01. Cruda Amarilli, Brass Quintet - Monteverdi Madrigals Book 6 - 13. Presso un fiume tranquillo, Brass Quintet - Monteverdi Madrigals Book 5 - 02. O Mirtillo, Mirtillo, Brass Choir - Monteverdi Madrigals Book 5 - 19. Questi vaghi (a 9), Brass Quintet - Monteverdi Madrigals Book 5 - (Complete), Brass Quintet - Monteverdi Madrigals Book 5 - 11. Ma tu più che mai, Brass Quintet - Monteverdi Madrigals Book 5 - 14 Ahi! Come a un Vago Sol, Brass Quintet - Monteverdi Madrigals Book 5 - 05. Ma se con la pieta, Brass Quintet - Monteverdi Madrigals Book 5 - 16. Amor se giusto sei, Brass Quintet - Monteverdi Madrigals Book 5 - 04. Ecco Silvio, Brass Quintet - Monteverdi Madrigals Book 5 - Scena 1 (Nos 4 - 8), Brass Quintet - Monteverdi Madrigals Book 5 - 13. M'è Più Dolce il Penar, Brass Quintet - Monteverdi Madrigals Book 5 - 15. Troppo ben puo, Brass Quintet - Monteverdi Madrigals Book 5 - 03. Era l 'anima mia, Brass Quintet - Monteverdi Madrigals Book 5 - 10. Deh bella e cara, Brass Quintet - Monteverdi Madrigals Book 5 - 09. Ch'io t 'ami, Brass Quintet - Monteverdi Madrigals Book 5 - 08. Ferir quel petto, Brass Quintet - Monteverdi Madrigals Book 5 - 07. Ecco piegando, Brass Quintet - Monteverdi Madrigals Book 5 - Scena 2 (Nos 9 - 11), Brass Quintet - Monteverdi Madrigals Book 5 - 12. Che Dar Più Vi Poss'io, Brass Quintet - Monteverdi Madrigals Book 6 - 09. Ohimè il bel vis o and Brass Quintet - Monteverdi Madrigals Book 6 - 12. Batto qui pianse

The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

In the 6th madrigal, the boy is pleading with his girl, Dorinda, for her favours.

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