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Started off as an experiment, but it soon developed it into a substantial piece. It gravitates towards tonality and ends (more or less) in F.
It was written back in 2000, however this revised version makes use of a more conventional orchestration (no electric guitars, or generic percussion stave). Also this version is a tad more sopisticated and has a thicker orchestration, as five years on with more experiance, it seemed a little bare in places.
One bar was deleted…. it's crime?… unnecessary repetition!!!
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