Ready to print
You have already purchased this music, but not yet printed it.
This page is just a preview and does not allow printing. To print your purchase, go to the My purchases page in your account and click the relevant print icon.
Already purchased!
You have already purchased this score. To download and print the PDF file of this score, click the 'Print' button above the score. The purchases page in your account also shows your items available to print.
This score is free!
Buy this score and parts
Two Atmospheric Scenes, Op. 8
$5.74
$3.17
$2.57
from $1.50
Preview individual parts:
Instant download
You are purchasing high quality sheet music PDF files suitable for printing or viewing on digital devices.Audio recording available on YouTube.
This piece was commissioned by Esteban Rodrigo Rúa and Ana Cristina Molina. It consists on a timbre exploration of different metallic sounds of the percussion and the horn parts. Without pretending to express anything but music, it could evoke prehistoric scenes, along with emotions and states of the spirit characteristic of an ancestral age of nomad human communities dedicated to hunting and food collection. The instrumental timbres could also be associated to such “atmospheres”: the horn is reminiscent of hunting scenes, while its natural sweetness of sound could be confused with a primitive metallic human voice, full of strength, vigour and sensibility. The percussion instruments, specially the tam-tam, could refer to the first moment when man created instrumental music with improvised idiophones. Although this is not a programmatic piece, due to its energic and dynamic character, it resonates with that primitive condition common to all mankind.
The first movement has a calm mood. Its main interest is the quality of sound. It focuses on the mildness of the horn when it plays slow and peaceful passages. The vibraphone accompanies those sounds of a gentle and noble nature, with double-bass bow effects and harmonies the resonance of which enshrouds the melodic thread with an aura of tranquillity. Conversely, the second movement exhibits an almost unrestrained energy, manifest in the first strike of tam-tam and horn in a fortissimo dynamic, with a much faster and lively tempo. Here, the piano passages don’t reflect the same peacefulness as the first movement, but they convey a restrained energy that’s about to burst. The tam-tam has an essential role to create that atmosphere of brutality and primitivism. This movement also explores the contrapuntal possibilities that can be created in a dialogue between the horn and the vibraphone.
Copyright © 2017 Daniel Cuéllar-Trujillo. All rights reserved.
This work is registered with CopyrightHouse.org. Registration ID: 2098084