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The finale of Schubert’s Fantasy in C Major is in three sections. It begins with an exalted theme that recalls Beethoven (who died less than one year before this work was composed.) In addition to heralding this celebratory theme, the solo flute plays decorative material of great virtuosity.
The middle section is a developmental reprise of the earlier Andantino – essentially a fifth variation to the lied ’Sei mir gegrüsst!’ This final variation dissipates into thin air.
The silence is broken by a furious coda that makes enormous technical demands on both the soloist and the orchestra.
I hope browsers of this score (and listeners to the MIDI performance) will express their opinions of Schubert’s Fantasy in C Major, D. 934, and my orchestral arrangement of it - either in an online review or in an email to me. I am always interested in reading the observations of those who examine and listen to my compositions and orchestrations. To send me an email, just click on the button marked EMAIL THE PUBLISHER.
Reviews of SCHUBERT - STARR; Fantasy in C Major, D. 934; for flute solo and string orchestra (an orchestral arrangement by Mark Starr of Schubert’s work for violin and piano) Part 3 of 3
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