Ombra mai fu for Cello & Piano

By: Georg Friederich Händel Edited Keith Terrett MMUS.
For: Solo Violoncello + piano
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Composer
Georg Friederich Händel Edited Keith Terrett MMUS.
Year of composition
1738
Difficulty
Moderate (Grades 4-6)
Duration
1 minute
Genre
Other and Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

"Handel's Largo" is the popular title for an aria composed by George Frideric Handel. He wrote it in 1738 for the opera Serse (English: Xerxes). The opera was a failure. It closed after only five performances.

One hundred years later though the aria was resurrected. It became a big hit. It was performed at solemn occasions such as funerals and weddings. It was arranged for all sorts of instruments and voices. It is known by many people as Ombra mai fu because those words are the first words of the aria. The title is Italian and means "Never was a shade". The aria is sung by the main character, Xerxes I of Persia. He is admiring the shade of a tree. The original tempo is larghetto (a little slow and solemn). The aria is short. It is only 52 bars long. It lasts about four minutes. In the opera, a string section accompanies the singer. These strings are first and second violins, viola, and basses. The key signature is F major. The time signature is 4/4 time.

Other websitesThe opera was a commercial failure, lasting only five performances in London after its premiere. In the 19th century, however, the aria was rediscovered and became one of Handel's best-known pieces. Handel adapted the aria from the setting by Giovanni Bononcini, who, in turn, adapted it from the setting by Francesco Cavalli. All three composers had produced settings of the same opera libretto by Nicolò Minato.

Originally composed to be sung by a soprano castrato (and typically sung in modern performances of Serse by a countertenor, contralto or a mezzo-soprano; sometimes even by a tenor or high baritone an octave below), it has been arranged for other voice types and instruments, including solo organ, solo piano, violin or cello and piano, and string ensembles, often under the title "Largo from Xerxes" or (as in Thornton Wilder's Our Town) simply "Handel's Largo", although the original tempo is marked larghetto.

In the opera, the aria is preceded by a short recitativo accompagnato of 9 bars, setting the scene ("Frondi tenere e belle"). The aria itself is also short; it consists of 52 bars and typically lasts three to four minutes.

The instrumentation is for a string section: first and second violins, viola, and basses. The key signature is F major, the time signature is 3/4 time. The vocal range covers C4 to F5 with a tessitura from F4 to F5.

On 24 December 1906, Reginald Fessenden, a Canadian inventor and radio pioneer, broadcast the first AM radio program, which started with a phonograph record of "Ombra mai fu".

A 1980s electronic mix instrumental version of the aria can be heard in the cherry blossom viewing scene and forms a central part of Kon Ichikawa's 1983 film The Makioka Sisters.

The song is also used in the 1988 Stephen Frears film Dangerous Liaisons during a private performance in an aristocratic salon. It is performed by Paulo Abel Do Nascimento.

In the 1995 BBC adaptation of Jane Austen's Pride and Prejudice, the character Mary Bennet (played by Lucy Briers) plays and sings the song (though rendered in English as "Slumber, dear maid") during a critical scene at the Netherfield Ball.

The song plays a prominent role in Sebastián Lelio's 2017 film A Fantastic Woman, in which Marina, a transgender woman and singer, performs the aria before an audience towards the end of the film.

The song is played during the end credits of the 2023 mystery thriller film The Tutor, performed by Alexander Bornstein and Edward Underhill.

The song plays during the closing scenes of the 2023 Christmas comedy-drama film The Holdovers, as Mr Hunham packs up his room.

Because the piece is often sung out of the context of the opera there exist numerous contrafacta both secular and sacred as well as paraphrases and translations. An example of the latter is "Beneath these leafy trees sweet peace receives me" from the chapter entitled "The EE vowel" in Functional Lessons in Singing.

For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.

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