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Having plumbed the depths in the Adagio, Bruckner ended his 7th Symphony with a majestic A theme and a reflective, chorale-like B theme, returning to the 1st movement A theme at the very end. The string parts ended in various wind and brass groups while the original wind parts largely stayed in place. Of course I split the Wagner horn parts between horn, trombone, and euphonium.
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