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We studied this piece with Norbert Kunst at the San Francisco Early Music Society Recorder Workshop in July 2005. I loved it and wanted parts available for my chapter, so I set it myself. It works very well with everything an octave down (top line is F bass, followed by C-bass, middle line on C-bass and tenor, bottom parts on F-Contrabass). In this arrangement I put a bagpipe (the General MIDI equivalent of a musette, I guess) on the cantus firmus line.
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